1 00:00:00,040 --> 00:00:04,760 Speaker 1: The station Guaranteed Human. 2 00:00:07,720 --> 00:00:12,000 Speaker 2: Jack Osbourne has provided an update on the upcoming Ozzy 3 00:00:12,119 --> 00:00:16,000 Speaker 2: Osbourne biopic, revealing that the film has secured an actor 4 00:00:16,040 --> 00:00:17,280 Speaker 2: to portray his father. 5 00:00:17,640 --> 00:00:20,720 Speaker 3: I hope it's somebody young because to me, the interesting 6 00:00:20,920 --> 00:00:25,560 Speaker 3: Ozzy is the the through Sabbath in the first three 7 00:00:25,600 --> 00:00:26,439 Speaker 3: albums of. 8 00:00:26,360 --> 00:00:27,320 Speaker 1: His solo career. 9 00:00:27,560 --> 00:00:30,480 Speaker 4: Point being though, the interesting part is when they start 10 00:00:30,640 --> 00:00:33,360 Speaker 4: Sabbath in all the chaos. 11 00:00:33,479 --> 00:00:35,960 Speaker 3: No, I don't want to see reality show Ozzy. I 12 00:00:36,000 --> 00:00:38,159 Speaker 3: want that that's the era I want to see, and 13 00:00:38,520 --> 00:00:40,800 Speaker 3: it ends with like you know, Randy Rhodes, or like 14 00:00:40,840 --> 00:00:42,600 Speaker 3: the second half or the third act of the movie 15 00:00:42,640 --> 00:00:45,560 Speaker 3: is Randy Rhodes exactly era Ozzy. 16 00:00:45,520 --> 00:00:48,120 Speaker 5: Because then you can do a sequel, you can do 17 00:00:48,200 --> 00:00:52,519 Speaker 5: the do the reality later life Ozzy as the second movie. 18 00:00:52,320 --> 00:00:53,880 Speaker 6: You for Good. 19 00:00:55,640 --> 00:01:00,240 Speaker 3: Randy Bellman and the DV Morning Show. I love that idea. 20 00:01:01,040 --> 00:01:02,680 Speaker 3: As I said earlier, I think they should do that 21 00:01:02,720 --> 00:01:05,240 Speaker 3: was s Chalamagne Dylan. I think that Jeremy Allen White 22 00:01:05,240 --> 00:01:09,240 Speaker 3: should be Springsteen from now on. I'm pretty sure that 23 00:01:09,640 --> 00:01:13,800 Speaker 3: Jamie Fox took Ray up close enough to the end, 24 00:01:13,800 --> 00:01:15,920 Speaker 3: there's not a whole lot more to the Ray Charles story. 25 00:01:15,920 --> 00:01:19,440 Speaker 3: After that except for some seedier moments than you know 26 00:01:20,200 --> 00:01:22,319 Speaker 3: a lot. It's like, what I really want to see 27 00:01:22,360 --> 00:01:24,240 Speaker 3: is the Chuck Berry story that goes all the way 28 00:01:24,240 --> 00:01:25,959 Speaker 3: to the end where he gets arrested for putting cameras 29 00:01:25,959 --> 00:01:28,440 Speaker 3: in bathroom so he can spy on women. 30 00:01:28,200 --> 00:01:32,440 Speaker 5: Peeing, desperately tries to get out of playing gigs he's 31 00:01:32,440 --> 00:01:34,560 Speaker 5: already been paid to perform at. 32 00:01:34,720 --> 00:01:38,760 Speaker 3: Or he would walk on stage with a suitcase, and 33 00:01:38,800 --> 00:01:42,160 Speaker 3: that suitcase, for Chuck Berry was full of money, because 34 00:01:42,160 --> 00:01:45,160 Speaker 3: he wouldn't go on stage until the promoter gave him 35 00:01:45,200 --> 00:01:47,400 Speaker 3: a suitcase of money, and he would take it out 36 00:01:47,480 --> 00:01:50,280 Speaker 3: on stage with him most times, because he traveled alone. 37 00:01:50,520 --> 00:01:53,520 Speaker 3: Would walk on stage, there would be a backup band, 38 00:01:54,320 --> 00:01:57,360 Speaker 3: local backup band that knew all of his songs and 39 00:01:57,440 --> 00:02:00,240 Speaker 3: all of the keys, but you would have to jump 40 00:02:00,280 --> 00:02:01,720 Speaker 3: to whatever key he played it in because he would 41 00:02:01,720 --> 00:02:04,840 Speaker 3: never play it in the same key. Every time he 42 00:02:04,880 --> 00:02:06,760 Speaker 3: would change up the key, maybe by a house step 43 00:02:06,840 --> 00:02:11,880 Speaker 3: here or there. And one of the bands that famously 44 00:02:12,120 --> 00:02:14,000 Speaker 3: was his backup band on one of those. 45 00:02:13,840 --> 00:02:16,000 Speaker 1: Gigs was the E Street Band. 46 00:02:16,120 --> 00:02:19,000 Speaker 4: That's right, yes, And if you don't believe any of that, 47 00:02:19,120 --> 00:02:20,760 Speaker 4: watched the movie Laal Rock and Roll. 48 00:02:20,840 --> 00:02:22,919 Speaker 1: Yeah, one of the greatest movies ever. 49 00:02:23,520 --> 00:02:27,359 Speaker 3: The greatest thing about Hailhill Rock and Roll, Well, there's 50 00:02:27,400 --> 00:02:30,080 Speaker 3: so much that's great about it, honestly, but it's Keith. 51 00:02:30,520 --> 00:02:34,240 Speaker 3: It's Keith's frustration with one of his musical heroes. He 52 00:02:34,400 --> 00:02:39,000 Speaker 3: cannot get over the fact that Chuck Berry is that unprofessional. 53 00:02:39,240 --> 00:02:43,200 Speaker 3: And it's not that Keith is like classical music style 54 00:02:43,280 --> 00:02:47,320 Speaker 3: of professionalism. It's that even by the low standards of 55 00:02:47,520 --> 00:02:50,639 Speaker 3: rock and roll behavior, Chuck Berry. 56 00:02:50,440 --> 00:02:52,280 Speaker 1: Didn't even come close. No. 57 00:02:53,600 --> 00:02:59,120 Speaker 5: In that Springsteen story, part of it is Chuck was late, 58 00:02:59,240 --> 00:03:03,560 Speaker 5: which was common. So the Eas Street Band opened and 59 00:03:03,600 --> 00:03:05,760 Speaker 5: then we're going to back him up. They had to 60 00:03:05,800 --> 00:03:08,600 Speaker 5: go back out and keep playing for a while. And 61 00:03:08,639 --> 00:03:11,640 Speaker 5: then when Chuck showed up, he walked on stage with 62 00:03:11,760 --> 00:03:14,960 Speaker 5: this guitar, walked up to the mic and said one, two, three, four, 63 00:03:15,520 --> 00:03:18,560 Speaker 5: no communication. No, here's what we're playing. You know, the 64 00:03:18,600 --> 00:03:22,680 Speaker 5: band can kind of guess. It starts like that's a 65 00:03:22,720 --> 00:03:27,640 Speaker 5: safe bet. But then after that, Bruce walks up to 66 00:03:27,720 --> 00:03:29,440 Speaker 5: him and says, you got to tell us what songs 67 00:03:29,480 --> 00:03:31,760 Speaker 5: we're gonna play, and he replies, We're gonna play some 68 00:03:31,840 --> 00:03:36,040 Speaker 5: Chuck Berry songs. It's so Great Rich Engler has a 69 00:03:36,080 --> 00:03:40,400 Speaker 5: story in his book about one of those big gatherings 70 00:03:40,400 --> 00:03:43,200 Speaker 5: of the early rock and rollers at Three Rivers. The 71 00:03:43,240 --> 00:03:46,080 Speaker 5: other thing that Chuck Berry would allegedly do is drive 72 00:03:46,120 --> 00:03:48,680 Speaker 5: his car to the side of the stage in case 73 00:03:48,720 --> 00:03:50,960 Speaker 5: he decided, well, I'm not doing this so he could 74 00:03:51,000 --> 00:03:53,600 Speaker 5: get right out of there before and they knew that 75 00:03:53,720 --> 00:03:56,360 Speaker 5: he did this, and they knew that he was going 76 00:03:56,440 --> 00:03:58,200 Speaker 5: to ask them for more money than they were prepared 77 00:03:58,200 --> 00:04:02,400 Speaker 5: to give him. So he parks's car, guitars in the 78 00:04:02,400 --> 00:04:04,920 Speaker 5: passenger seat, gets out, and starts arguing about the money. 79 00:04:05,520 --> 00:04:08,320 Speaker 5: Then while that argument is going on, they put a 80 00:04:08,320 --> 00:04:11,480 Speaker 5: bunch of equipment and heavy stuff behind his car so 81 00:04:11,560 --> 00:04:12,840 Speaker 5: he can't get back in it. 82 00:04:12,800 --> 00:04:13,280 Speaker 1: And drive it. 83 00:04:13,360 --> 00:04:16,880 Speaker 3: It's hilarious, and he tried, and then when he realized 84 00:04:16,880 --> 00:04:18,840 Speaker 3: he could, and he played the show. There's a scene 85 00:04:19,440 --> 00:04:22,839 Speaker 3: in Hail Hail, Rock and Roll where it's Taylor Hackford 86 00:04:22,880 --> 00:04:25,960 Speaker 3: right the director. He puts the camera on Chuck and 87 00:04:26,040 --> 00:04:29,120 Speaker 3: has him walk through the lobby in the Fox Theater 88 00:04:29,200 --> 00:04:35,320 Speaker 3: in Saint Louis, and Chuck Berry delivers a soliloquy about 89 00:04:35,400 --> 00:04:39,800 Speaker 3: what that theater means to him. Thirty years after he 90 00:04:40,080 --> 00:04:43,880 Speaker 3: was King of rock and roll, and it's as if 91 00:04:45,160 --> 00:04:49,320 Speaker 3: like Shakespeare wrote it for him. It is unbelievably eloquent 92 00:04:49,680 --> 00:04:54,039 Speaker 3: and beautiful and performed perfectly. And it's amazing to me 93 00:04:54,480 --> 00:04:57,279 Speaker 3: that that guy has the capacity to do a walk 94 00:04:57,320 --> 00:05:01,120 Speaker 3: and talk like that on camera and it's it's like 95 00:05:01,520 --> 00:05:05,520 Speaker 3: it's perfectly scripted, but it was off the cuff. And 96 00:05:05,560 --> 00:05:09,800 Speaker 3: then he can't remember what key his most famous song 97 00:05:10,040 --> 00:05:10,919 Speaker 3: is performed it. 98 00:05:11,120 --> 00:05:13,000 Speaker 1: Right, You're absolutely right though. 99 00:05:13,320 --> 00:05:17,080 Speaker 4: What I was doing the video cast for the midnight specials, 100 00:05:17,080 --> 00:05:19,880 Speaker 4: we did a Chuck Berry episode to research this guy. 101 00:05:20,279 --> 00:05:24,200 Speaker 4: Gary Clark Junior should play Chuck Berry in a biopic. 102 00:05:25,480 --> 00:05:27,680 Speaker 3: Well he, I mean, he certainly has the guitar skills 103 00:05:27,720 --> 00:05:30,440 Speaker 3: to do it. I think you need somebody who is 104 00:05:30,480 --> 00:05:33,200 Speaker 3: capable of being absolutely crazy. 105 00:05:34,440 --> 00:05:38,120 Speaker 1: Don cheatle he's old now, he's too old. No, I 106 00:05:38,160 --> 00:05:39,360 Speaker 1: mean like a skinny chuck. 107 00:05:39,480 --> 00:05:42,040 Speaker 4: Like his background sway as a kid and growing up 108 00:05:42,040 --> 00:05:43,680 Speaker 4: and he went he was a hairdresser. 109 00:05:43,960 --> 00:05:47,320 Speaker 1: Yeah, it's you know. He also ripped off Johnny Johnson. 110 00:05:47,720 --> 00:05:52,280 Speaker 4: Yes, that is Johnny be Good is really a keyboard player, yes, right, 111 00:05:52,680 --> 00:05:55,320 Speaker 4: his keyboard player. Yeah, he kind of stole a bunch 112 00:05:55,320 --> 00:05:56,400 Speaker 4: of stuff from a few people. 113 00:05:56,440 --> 00:05:57,880 Speaker 1: It was the Johnny Johnson band. 114 00:05:58,120 --> 00:06:02,000 Speaker 3: Yes, and as a matter of fact, Bob Weir of 115 00:06:02,080 --> 00:06:04,000 Speaker 3: one of the many videos I saw of Bob Weir 116 00:06:04,040 --> 00:06:06,560 Speaker 3: being interviewed this week, Sammy Hagar, who was his good buddy, 117 00:06:06,680 --> 00:06:09,400 Speaker 3: sits down with Bob Weir and goes, who's your favorite 118 00:06:09,480 --> 00:06:12,280 Speaker 3: sit in ever? Who's the favorite musician you ever played with? 119 00:06:12,520 --> 00:06:15,440 Speaker 3: And Bob's like, that's an impossible question. I couldn't wait. No, 120 00:06:15,600 --> 00:06:18,520 Speaker 3: I do have an answer, and he's like Johnny Johnson 121 00:06:19,000 --> 00:06:22,920 Speaker 3: and Johnny Johnson played with rat Dog for further, one 122 00:06:22,960 --> 00:06:25,240 Speaker 3: of those two for like two years, and he is. 123 00:06:25,240 --> 00:06:27,920 Speaker 1: The guy that taught Chuck Berry rock and roll. 124 00:06:28,160 --> 00:06:30,080 Speaker 3: And then Bob Weir goes on to describe how Johnny 125 00:06:30,160 --> 00:06:34,840 Speaker 3: Johnson described and finally taught Bob Weir and all those 126 00:06:34,839 --> 00:06:37,400 Speaker 3: guys how to play rock and roll. So because everyone 127 00:06:37,440 --> 00:06:39,279 Speaker 3: knows how to do the rock, but they don't know 128 00:06:39,279 --> 00:06:41,520 Speaker 3: how to do the role. If you don't have one 129 00:06:41,520 --> 00:06:43,680 Speaker 3: guy doing the swing or two guys doing the swing 130 00:06:44,000 --> 00:06:46,000 Speaker 3: in the middle of the other guy's rocking, you don't 131 00:06:46,040 --> 00:06:47,360 Speaker 3: get the rock and the role. 132 00:06:47,480 --> 00:06:48,599 Speaker 1: You just get rock. 133 00:06:49,120 --> 00:06:52,080 Speaker 5: I'm pretty sure Chuck Berry actually stole his sound from 134 00:06:52,120 --> 00:06:52,839 Speaker 5: Marty McFly. 135 00:06:53,040 --> 00:07:00,320 Speaker 1: There was a phone call your cousin, Marvin Berry. He's 136 00:07:00,320 --> 00:07:01,560 Speaker 1: got your news right now. What's going on. 137 00:07:01,600 --> 00:07:03,440 Speaker 7: I'm actually glad we're on this topic. 138 00:07:03,520 --> 00:07:07,760 Speaker 2: It dovetails nicely into talking about maybe Rock and Rollers 139 00:07:07,800 --> 00:07:11,360 Speaker 2: being portrayed on the big screen and on the small screen, 140 00:07:11,360 --> 00:07:15,280 Speaker 2: because you might remember that Pamela Anderson and Tommy Lee, 141 00:07:15,360 --> 00:07:19,440 Speaker 2: their relationship got a nice portrayaler, maybe less than nice portrayal, 142 00:07:19,480 --> 00:07:22,320 Speaker 2: with the pam and Tommy mini series, the. 143 00:07:22,280 --> 00:07:24,200 Speaker 1: Hulu mini series with the talking. 144 00:07:23,920 --> 00:07:27,640 Speaker 2: Penis, with the talking penis, lest we forget you know, 145 00:07:27,760 --> 00:07:33,760 Speaker 2: I mean Seth Rogan, correct, But Pamela Anderson was not 146 00:07:34,040 --> 00:07:37,280 Speaker 2: happy about that, and Seth Rogan was the person who 147 00:07:37,320 --> 00:07:40,440 Speaker 2: put all of that together, and she was particularly mad 148 00:07:40,840 --> 00:07:43,880 Speaker 2: at him, and they were near each other at the 149 00:07:43,920 --> 00:07:46,960 Speaker 2: Golden Globes this past Sunday and she said that she 150 00:07:47,080 --> 00:07:52,520 Speaker 2: felt quote weird and yucky seeing him so quote like, 151 00:07:52,600 --> 00:07:54,840 Speaker 2: how can someone make a TV series out of a 152 00:07:54,880 --> 00:07:58,560 Speaker 2: difficult time in your life? I'm a living, breathing human 153 00:07:58,640 --> 00:08:03,560 Speaker 2: being over here, like hello, I've been busy, but sometimes 154 00:08:03,560 --> 00:08:06,560 Speaker 2: it hits you and you feel down. I felt a 155 00:08:06,600 --> 00:08:10,680 Speaker 2: little yucky, but eventually hopefully he will reach out to 156 00:08:10,720 --> 00:08:12,200 Speaker 2: me and apologize. 157 00:08:12,600 --> 00:08:16,320 Speaker 3: Not that it matters, Well, I think it does matter. 158 00:08:16,400 --> 00:08:19,720 Speaker 1: She wouldn't have said that. I think Seth I like 159 00:08:19,760 --> 00:08:20,280 Speaker 1: Seth Rogan. 160 00:08:20,400 --> 00:08:25,040 Speaker 3: I think that he likely, upon hearing this, will reach out. 161 00:08:25,240 --> 00:08:25,960 Speaker 1: I don't. 162 00:08:26,400 --> 00:08:32,839 Speaker 3: I don't think he's one of those typical narcissistic Hollywood 163 00:08:33,080 --> 00:08:35,600 Speaker 3: comedy stars. I think he's got an ego like any 164 00:08:35,640 --> 00:08:37,960 Speaker 3: of them. But he also I think has empathy and 165 00:08:38,000 --> 00:08:40,160 Speaker 3: will feel bad for her. That being said, Joe, you're 166 00:08:40,160 --> 00:08:44,920 Speaker 3: amongst the that crowd of showbiz, that level of show business. 167 00:08:45,320 --> 00:08:49,160 Speaker 4: More than any of us. No, I haven't been family 168 00:08:49,360 --> 00:08:52,000 Speaker 4: as much or twice. Definitely hung out with Tommy Leah Bunch. 169 00:08:52,160 --> 00:08:53,400 Speaker 1: Yeah, have you really? Yes? 170 00:08:53,440 --> 00:08:53,640 Speaker 3: I have. 171 00:08:53,840 --> 00:08:54,680 Speaker 1: Is he a good guy? 172 00:08:54,880 --> 00:08:56,640 Speaker 4: He's a good guy, I mean, you know, to be. 173 00:08:56,840 --> 00:08:59,719 Speaker 4: You know, people I have issues with Tommy. People say 174 00:09:00,040 --> 00:09:01,600 Speaker 4: people hate when I say, you know, he was always 175 00:09:01,679 --> 00:09:03,760 Speaker 4: nice to be. He's always been very nice to be. 176 00:09:04,000 --> 00:09:05,640 Speaker 4: He's done some things that I don't. 177 00:09:05,920 --> 00:09:06,520 Speaker 1: Agree with him. 178 00:09:06,960 --> 00:09:10,400 Speaker 3: Well, I think that's true of most people, right, But 179 00:09:11,400 --> 00:09:14,080 Speaker 3: what is the protocol there? What do you owe somebody 180 00:09:14,600 --> 00:09:19,080 Speaker 3: if they're they're a public figure. He didn't go in 181 00:09:19,240 --> 00:09:23,080 Speaker 3: and reveal anything that hasn't already been revealed in Pam 182 00:09:23,120 --> 00:09:26,319 Speaker 3: and Tommy. I mean that is all out in the public. 183 00:09:26,440 --> 00:09:30,200 Speaker 3: But he's rehashing something that was hurtful to him. Yeah, 184 00:09:30,200 --> 00:09:32,319 Speaker 3: is there as a comic you ever tell a joke 185 00:09:32,400 --> 00:09:34,959 Speaker 3: like I remember Mark Maron talking about Sandler being pissed 186 00:09:35,000 --> 00:09:37,160 Speaker 3: at him for years because he told a few jokes 187 00:09:37,160 --> 00:09:39,960 Speaker 3: about Sandler and his success. Do you ever feel like 188 00:09:40,040 --> 00:09:42,760 Speaker 3: I don't want to tell this joke about somebody because 189 00:09:42,760 --> 00:09:44,480 Speaker 3: they might be in the room here at the comedy store. 190 00:09:45,640 --> 00:09:48,240 Speaker 1: I actually an old Sam triplely roast. 191 00:09:48,320 --> 00:09:50,720 Speaker 4: I said a joke I kind of regret and me 192 00:09:50,800 --> 00:09:52,920 Speaker 4: and this person, this person was kind of mad. 193 00:09:52,800 --> 00:09:55,079 Speaker 1: At me for a few years. Yeah, for sure. 194 00:09:55,240 --> 00:09:57,800 Speaker 4: But it's a roast, so I couldn't really I was 195 00:09:57,880 --> 00:10:00,480 Speaker 4: not gonna apologize because it was just a roast. Now, 196 00:10:00,520 --> 00:10:02,959 Speaker 4: but the Seth Rogan thing, I think it's a very 197 00:10:03,040 --> 00:10:05,680 Speaker 4: nice thing. I think he will do it. I just 198 00:10:05,760 --> 00:10:09,160 Speaker 4: probably call her or go through the people and just say, hey, Pam, 199 00:10:09,520 --> 00:10:11,280 Speaker 4: you know, we're just we're just making television show here. 200 00:10:11,440 --> 00:10:13,640 Speaker 1: I'm sorry hurt your feelings, you know. 201 00:10:13,720 --> 00:10:15,280 Speaker 4: I think that's just a nice thing to do, and 202 00:10:15,360 --> 00:10:17,880 Speaker 4: I think that's probably what he will do. I mean, 203 00:10:18,000 --> 00:10:20,640 Speaker 4: people don't really kind of go either way to hurt 204 00:10:20,640 --> 00:10:23,720 Speaker 4: people's feelings in Hollywood because from just the whole Hollywood 205 00:10:23,760 --> 00:10:26,280 Speaker 4: fakeness of who knows he might need her someday. 206 00:10:26,440 --> 00:10:29,960 Speaker 3: Yeah, you know what I mean, it's kind of and 207 00:10:30,040 --> 00:10:32,240 Speaker 3: even when you get let down, Like the term I 208 00:10:32,280 --> 00:10:34,360 Speaker 3: always heard out there, which I always thought was great 209 00:10:34,400 --> 00:10:38,200 Speaker 3: was grin ft. You got grin ft, which means they're 210 00:10:38,240 --> 00:10:41,080 Speaker 3: like smiling while they're like, you. 211 00:10:41,520 --> 00:10:45,280 Speaker 4: Know, absolutely you never want to like burn a bridge completely, yes, 212 00:10:45,480 --> 00:10:46,959 Speaker 4: so you know, oh yeah, you know it was it 213 00:10:47,080 --> 00:10:49,400 Speaker 4: you you had it, it was you know, it's never 214 00:10:50,040 --> 00:10:51,800 Speaker 4: And I bet Seth Rogan thought, like. 215 00:10:51,800 --> 00:10:54,480 Speaker 5: When am I going to see Pamela Anderson, like not 216 00:10:54,600 --> 00:10:57,599 Speaker 5: as like she'll be at the Golden Globes being nominated. 217 00:10:57,120 --> 00:11:00,760 Speaker 4: For acting or it's just funny, I know when I've 218 00:11:00,800 --> 00:11:03,560 Speaker 4: been roasted or people have really harshly made fun of me, 219 00:11:03,840 --> 00:11:07,280 Speaker 4: I am dying laughing, like I think it's just hilarious. 220 00:11:07,320 --> 00:11:09,680 Speaker 3: But dude, we roasted Charlie Batch and he put his 221 00:11:09,720 --> 00:11:13,360 Speaker 3: grandmother and his mom and their aunts at the table 222 00:11:13,360 --> 00:11:16,480 Speaker 3: in front, and I had to apologize to him afterwards. Immediately, 223 00:11:16,640 --> 00:11:19,640 Speaker 3: I'm like, I realized that none of you knew what 224 00:11:19,679 --> 00:11:22,840 Speaker 3: a roast is because they didn't. They didn't, they didn't 225 00:11:22,920 --> 00:11:24,240 Speaker 3: know what was They thought it was going to be 226 00:11:24,240 --> 00:11:29,200 Speaker 3: a celebration of Charlie, and it was right through the roast. 227 00:11:29,320 --> 00:11:31,120 Speaker 3: It was back, you know, roasts were a little more 228 00:11:31,120 --> 00:11:36,080 Speaker 3: in vogue, you know, twelve years ago added a roast 229 00:11:36,080 --> 00:11:39,600 Speaker 3: of me. Right, yeah, that's let let alone like an 230 00:11:39,640 --> 00:11:43,480 Speaker 3: outstanding damn near Saint Well Charlie Batch. Yeah, Charlie had 231 00:11:43,480 --> 00:11:45,720 Speaker 3: said to Bill and I before that, he was like, 232 00:11:45,800 --> 00:11:47,280 Speaker 3: now you guys are going to be he ain't gonna 233 00:11:47,280 --> 00:11:50,240 Speaker 3: be mean, right, And we're like, We're like. 234 00:11:50,240 --> 00:11:53,000 Speaker 1: Oh no, Charlie doesn't know what a roast is. Well, 235 00:11:53,040 --> 00:11:58,480 Speaker 1: that's the funny thing. When do we start cooking? That's 236 00:11:58,520 --> 00:11:59,079 Speaker 1: the funny thing. 237 00:11:59,120 --> 00:12:01,040 Speaker 4: Is a lot of you know, like when I was 238 00:12:01,080 --> 00:12:03,679 Speaker 4: working for Comedy Central, roast a lot of times. The 239 00:12:03,720 --> 00:12:06,000 Speaker 4: original list of twenty people who are going to be 240 00:12:06,040 --> 00:12:08,400 Speaker 4: in it is a mess. But you didn't even start 241 00:12:08,400 --> 00:12:11,480 Speaker 4: writing the jokes until like three weeks out really, because 242 00:12:11,559 --> 00:12:15,160 Speaker 4: half of them are like, oh, like somebody agreed to 243 00:12:15,200 --> 00:12:18,720 Speaker 4: it then and they pull and then like somebody, oh yeah, no. 244 00:12:18,760 --> 00:12:19,559 Speaker 1: We're not doing that. 245 00:12:19,600 --> 00:12:22,160 Speaker 4: I'm not going to be abused on national television for 246 00:12:22,200 --> 00:12:25,600 Speaker 4: three hours by people I barely know. I'm thinking out 247 00:12:25,640 --> 00:12:27,679 Speaker 4: like I think Shaq would roll. I'm thinking I think 248 00:12:27,679 --> 00:12:29,160 Speaker 4: of the name of something just so big, like, yeah, 249 00:12:29,200 --> 00:12:31,760 Speaker 4: we're not I'm not doing that, well, crazy thing. Shaq 250 00:12:31,800 --> 00:12:34,199 Speaker 4: would actually love it. Shaq probably would love it. 251 00:12:34,280 --> 00:12:37,840 Speaker 3: Actually, Shaq has always laughed at jokes at his exh oh. 252 00:12:37,760 --> 00:12:39,160 Speaker 4: Yeah, and he's been he's been in US. I could 253 00:12:39,280 --> 00:12:41,800 Speaker 4: think of somebody, I'm this is like ten years ago. 254 00:12:41,920 --> 00:12:44,640 Speaker 4: He got roasted, right, Yeah, and that was a bad example. 255 00:12:44,679 --> 00:12:47,360 Speaker 4: But there are people that just they don't get it, 256 00:12:47,520 --> 00:12:49,240 Speaker 4: or they you know, Chevy Chase. 257 00:12:49,400 --> 00:12:51,400 Speaker 7: Chevy Chase famously did not get it. 258 00:12:51,480 --> 00:12:53,680 Speaker 4: Yeah, exactly, But a lot of people that they will 259 00:12:53,720 --> 00:12:55,800 Speaker 4: at least he did it. They didn't back out at 260 00:12:55,800 --> 00:12:57,880 Speaker 4: the last session like a lot of people. That changes 261 00:12:58,120 --> 00:13:00,720 Speaker 4: all of us writers like, oh my god, Chase's a 262 00:13:00,720 --> 00:13:03,400 Speaker 4: few things. I'll throw that one away, you know. But 263 00:13:03,679 --> 00:13:06,680 Speaker 4: and that's the thing I think. But then maybe Seth 264 00:13:07,040 --> 00:13:08,520 Speaker 4: just thought Pam would think it was funny. 265 00:13:08,760 --> 00:13:10,080 Speaker 1: You know what I mean. You don't know how someone's 266 00:13:10,120 --> 00:13:12,280 Speaker 1: gonna take something, That's what I'm saying. Yeah, you probably 267 00:13:12,320 --> 00:13:14,000 Speaker 1: didn't do it. Maliciously whatsoever. 268 00:13:14,400 --> 00:13:16,920 Speaker 3: I think he thought it was fair game because it 269 00:13:17,000 --> 00:13:20,559 Speaker 3: was part of like, you know, what's the phrase I'm 270 00:13:20,559 --> 00:13:24,280 Speaker 3: looking for when when the copyright is lifted from something. 271 00:13:25,480 --> 00:13:26,280 Speaker 7: Yeah, but it was. 272 00:13:26,320 --> 00:13:29,520 Speaker 2: It was such a big moment in culture that I 273 00:13:29,559 --> 00:13:32,240 Speaker 2: agree with you. I don't think anything was in that 274 00:13:32,679 --> 00:13:36,080 Speaker 2: mini series that we didn't already know. 275 00:13:36,280 --> 00:13:38,400 Speaker 7: It was just dramatized. 276 00:13:38,800 --> 00:13:40,880 Speaker 2: But you know, she was talking about it being like 277 00:13:41,120 --> 00:13:47,920 Speaker 2: her darkest secrets and tragedies of her life being fair game, 278 00:13:48,400 --> 00:13:50,280 Speaker 2: and it ended up pissing her. 279 00:13:50,160 --> 00:13:51,360 Speaker 7: Off, and I get that. 280 00:13:52,120 --> 00:13:54,440 Speaker 2: My only thing with Seth is that this is like 281 00:13:54,559 --> 00:13:59,680 Speaker 2: maybe the second, possibly third time that she's publicly said 282 00:13:59,679 --> 00:14:03,640 Speaker 2: how much this has hurt her. I'm wondering what's taking 283 00:14:03,720 --> 00:14:06,839 Speaker 2: so long for him to reach out, especially now he's 284 00:14:06,880 --> 00:14:08,000 Speaker 2: won a Golden Globe. 285 00:14:08,520 --> 00:14:11,839 Speaker 7: He's high on the horrors, Like now we're punching down. 286 00:14:11,920 --> 00:14:14,040 Speaker 2: If she's saying that this hurts her so much, it 287 00:14:14,080 --> 00:14:16,320 Speaker 2: would be very easy to make this phone call, or 288 00:14:16,440 --> 00:14:20,520 Speaker 2: very easy to have somebody reach out and just say 289 00:14:21,200 --> 00:14:22,280 Speaker 2: I understand that. 290 00:14:22,520 --> 00:14:25,840 Speaker 7: And maybe you know, because. 291 00:14:25,320 --> 00:14:28,800 Speaker 2: It was such a big story, I lost sight of 292 00:14:28,840 --> 00:14:31,960 Speaker 2: the human element of how much this impacted you. 293 00:14:33,160 --> 00:14:35,680 Speaker 1: Is she saying that he never apologized. 294 00:14:35,920 --> 00:14:37,880 Speaker 2: I think what she's saying is she was never approached 295 00:14:37,920 --> 00:14:41,680 Speaker 2: about the fact that they were doing the show. 296 00:14:42,680 --> 00:14:43,880 Speaker 7: She was not in any way. 297 00:14:44,000 --> 00:14:46,120 Speaker 4: Well yeah, but that's kind of like that's you know, 298 00:14:46,240 --> 00:14:48,480 Speaker 4: I mean, if you do a Kennedy joke, do you 299 00:14:48,480 --> 00:14:50,040 Speaker 4: have to go do you have to go ask the 300 00:14:50,120 --> 00:14:53,440 Speaker 4: Kennedy say, hey, can we talk about your dead great uncle. 301 00:14:54,880 --> 00:14:56,520 Speaker 1: Knows it happened it? 302 00:14:56,720 --> 00:14:57,320 Speaker 7: That's the line. 303 00:14:57,440 --> 00:14:59,240 Speaker 5: The flip side of it for me is it's not 304 00:14:59,400 --> 00:15:03,440 Speaker 5: like this story needed to be told. It's not like 305 00:15:03,440 --> 00:15:07,400 Speaker 5: like we knew it. It isn't such an interesting moment 306 00:15:07,440 --> 00:15:09,920 Speaker 5: in history. That's like someone has to make a move 307 00:15:10,200 --> 00:15:14,000 Speaker 5: a mini series about this, and the result was okay, 308 00:15:14,440 --> 00:15:17,960 Speaker 5: Like it should have occurred to somebody at some point, 309 00:15:18,080 --> 00:15:20,200 Speaker 5: Like we should at least talk to her because this 310 00:15:20,360 --> 00:15:22,440 Speaker 5: is way more of a deal for her than it 311 00:15:22,520 --> 00:15:25,720 Speaker 5: is for us. It's like it's like Gawker going down 312 00:15:25,800 --> 00:15:29,520 Speaker 5: because they just had to publish Hulk Hogan's sex tape, Like, 313 00:15:29,680 --> 00:15:32,920 Speaker 5: is is it really that important that you put that 314 00:15:32,960 --> 00:15:36,600 Speaker 5: footage out into the wild or is this maybe from again, 315 00:15:36,760 --> 00:15:39,480 Speaker 5: just from her perspective, I'm wondering, it would feel like 316 00:15:39,800 --> 00:15:42,520 Speaker 5: why did you have to do this? It wasn't that 317 00:15:42,600 --> 00:15:45,120 Speaker 5: important and you didn't get much out of it, So 318 00:15:45,240 --> 00:15:48,280 Speaker 5: why bother? Why bother beating me up again? I see 319 00:15:48,320 --> 00:15:51,080 Speaker 5: her perspective. Oh, I definitely see her perspective, But I 320 00:15:51,120 --> 00:15:51,680 Speaker 5: don't know that. 321 00:15:53,520 --> 00:15:54,080 Speaker 1: It wasn't that. 322 00:15:54,440 --> 00:15:58,960 Speaker 2: Things like that was the tone of what Gawker was doing, 323 00:15:59,680 --> 00:16:02,240 Speaker 2: and I think they didn't think it was gonna bite them. 324 00:16:02,320 --> 00:16:05,720 Speaker 5: We have a First Amendment obligation to show the hulksure 325 00:16:05,800 --> 00:16:07,440 Speaker 5: railing Bubba, the love splender's wife. 326 00:16:07,480 --> 00:16:12,040 Speaker 3: That is counterpoint. I think the movie was empathetic toward Pamela. 327 00:16:12,120 --> 00:16:16,800 Speaker 3: It actually people feel very sorry for Pamela. 328 00:16:17,040 --> 00:16:20,280 Speaker 2: I think it was kind of part of what ushered 329 00:16:20,320 --> 00:16:23,920 Speaker 2: her back into her I agree, such a sympathetic role, 330 00:16:23,960 --> 00:16:27,720 Speaker 2: and then you couple that with the documentary, and all 331 00:16:27,760 --> 00:16:32,920 Speaker 2: of a sudden, I think everyone was able to retrospectively go. 332 00:16:33,040 --> 00:16:36,160 Speaker 7: Oh my god, like we did this woman dirty? 333 00:16:37,040 --> 00:16:40,000 Speaker 3: A weird parallel to that, Levon Helm hated the last 334 00:16:40,000 --> 00:16:42,720 Speaker 3: Waltz absolutely hated it and wanted nothing to do with it. 335 00:16:42,840 --> 00:16:46,000 Speaker 3: Didn't want it to be his last show. Famously told 336 00:16:46,040 --> 00:16:49,280 Speaker 3: Robbie Robertson, I ain't in this for my health because 337 00:16:49,360 --> 00:16:52,960 Speaker 3: Robbie wanted to quit the band because he was worried 338 00:16:52,960 --> 00:16:54,840 Speaker 3: about his health. They'd been on the road for It's 339 00:16:54,880 --> 00:16:57,120 Speaker 3: funny because it's like, you know, eighteen years. It's like 340 00:16:57,160 --> 00:16:59,000 Speaker 3: eighteen years is nothing now, you know, it's like the 341 00:16:59,040 --> 00:17:02,600 Speaker 3: snone's been new, a different SCE. But he hated the 342 00:17:02,680 --> 00:17:05,000 Speaker 3: last Waltz, wanted nothing to do with it. Wouldn't do 343 00:17:05,040 --> 00:17:08,080 Speaker 3: any overdubs, wouldn't promote it. But if not for the 344 00:17:08,160 --> 00:17:12,600 Speaker 3: Last Waltz, the appreciation that Levon enjoyed in pop culture 345 00:17:12,880 --> 00:17:14,359 Speaker 3: would not nearly be as great. 346 00:17:14,640 --> 00:17:16,440 Speaker 1: There's no question about that. 347 00:17:16,440 --> 00:17:19,000 Speaker 3: That A whole horde of fans who knew of the 348 00:17:19,000 --> 00:17:24,320 Speaker 3: band but not you know, intricately watched that movie and 349 00:17:24,359 --> 00:17:26,480 Speaker 3: watched his performance. The same with Danko, and they were like, 350 00:17:26,560 --> 00:17:29,760 Speaker 3: my god, these guys are brilliant performers, they're. 351 00:17:29,600 --> 00:17:32,120 Speaker 1: Geniuses, and they hated it. 352 00:17:32,440 --> 00:17:37,639 Speaker 3: Yeah, So like not that, Pamela, it's exactly the same. 353 00:17:38,080 --> 00:17:41,200 Speaker 1: But she doesn't get that documentary. 354 00:17:41,240 --> 00:17:44,040 Speaker 7: I don't think No, I don't think we revisit that. 355 00:17:44,240 --> 00:17:49,600 Speaker 3: And that documentary is what begat her opportunities in movies again, right, 356 00:17:49,960 --> 00:17:50,520 Speaker 3: I think so? 357 00:17:50,920 --> 00:17:53,560 Speaker 4: And if she doesn't want us to keep talking about it, 358 00:17:53,600 --> 00:17:56,520 Speaker 4: then don't keep talking about it. Yeah right, we wouldn't 359 00:17:56,520 --> 00:17:58,440 Speaker 4: have talked about it this morning. Nope, if she didn't 360 00:17:58,440 --> 00:17:59,359 Speaker 4: beg for an apology. 361 00:18:00,200 --> 00:18:02,160 Speaker 7: I actually thought this mini series was pretty good. 362 00:18:02,280 --> 00:18:05,680 Speaker 1: I thought it was like KITCHI kind of yeah. 363 00:18:05,760 --> 00:18:08,720 Speaker 7: And the way I enjoyed The Dirt. I enjoyed that. 364 00:18:08,920 --> 00:18:10,320 Speaker 1: But I never watched either of those. 365 00:18:10,200 --> 00:18:11,760 Speaker 7: Again, No, I don't need to. 366 00:18:12,000 --> 00:18:15,639 Speaker 3: Yeah, I probably could go back and watch The Dirt again. 367 00:18:17,560 --> 00:18:21,520 Speaker 5: Probably Ozzie had the best scene again, back to back 368 00:18:21,520 --> 00:18:23,359 Speaker 5: to the subject, we need the Ozzie movie. 369 00:18:23,760 --> 00:18:25,840 Speaker 3: Well, they're they're fortune ahead with it. They are not 370 00:18:25,920 --> 00:18:28,880 Speaker 3: waiting around. That will be in print in a year. 371 00:18:29,280 --> 00:18:30,800 Speaker 7: I think they're going to start filming in March. 372 00:18:31,359 --> 00:18:33,439 Speaker 1: The seriously, yeah, who wrote it? 373 00:18:33,480 --> 00:18:35,760 Speaker 4: I wonder I don't want to see Ozzie's penis talking 374 00:18:35,800 --> 00:18:36,320 Speaker 4: the share. 375 00:18:36,160 --> 00:18:44,479 Speaker 5: And we need to subtitle your penis. 376 00:18:44,480 --> 00:18:45,240 Speaker 1: We can't understand. 377 00:18:46,400 --> 00:18:50,240 Speaker 7: I'm sorry. A longtime SNL CAT member. 378 00:18:50,000 --> 00:18:52,520 Speaker 2: Who also had a lot of TV and movie rolls, 379 00:18:52,600 --> 00:18:54,919 Speaker 2: is on his way to Pittsburgh. Kevin Nealan is going 380 00:18:55,000 --> 00:18:56,879 Speaker 2: to be at Steel City Con. That's going to be 381 00:18:56,920 --> 00:19:00,840 Speaker 2: April tenth through the twelfth at the Monroeville can be Center. 382 00:19:01,160 --> 00:19:03,439 Speaker 2: Nelan of course, was on SNL from eighty six to 383 00:19:03,520 --> 00:19:05,960 Speaker 2: ninety six. He became a staple of the show, Uh 384 00:19:06,080 --> 00:19:11,000 Speaker 2: Subliminal Man Hans and Franz duo with Dana Carvey. He 385 00:19:11,040 --> 00:19:13,160 Speaker 2: was on weekend updates, so he would be a fun 386 00:19:13,160 --> 00:19:15,280 Speaker 2: person to catch. So again, that's going to be April 387 00:19:15,400 --> 00:19:18,760 Speaker 2: tenth through the twelfth Monroeville Convention Center, which is still kicking. 388 00:19:18,800 --> 00:19:20,400 Speaker 2: We were talking about that at our meeting this week 389 00:19:20,440 --> 00:19:22,160 Speaker 2: because I think somebody brought up there like I thought 390 00:19:22,200 --> 00:19:24,600 Speaker 2: the Monroeville Convention Center was cooked, and it's like no, 391 00:19:24,760 --> 00:19:27,399 Speaker 2: it's actually somebody stepped in and saved it. 392 00:19:27,440 --> 00:19:29,640 Speaker 1: So it's a shame. He's not going to be doing 393 00:19:29,720 --> 00:19:30,240 Speaker 1: stand up. 394 00:19:30,800 --> 00:19:34,119 Speaker 3: Oh he's stand Yeah, he's funny. 395 00:19:34,240 --> 00:19:35,639 Speaker 4: He was here last year doing it, I believe was 396 00:19:35,720 --> 00:19:37,680 Speaker 4: last year we had him on the show. He's hilarious. 397 00:19:37,680 --> 00:19:39,920 Speaker 4: Oh my god, he's an incredible stand up to meeting. 398 00:19:40,680 --> 00:19:42,760 Speaker 4: Anytime we've had him in studio too, he's been great. 399 00:19:42,840 --> 00:19:44,280 Speaker 4: You know, he's been on through the years. He's been 400 00:19:44,280 --> 00:19:46,199 Speaker 4: on a few times and he's great. He's one of 401 00:19:46,200 --> 00:19:46,720 Speaker 4: my favorites. 402 00:19:46,800 --> 00:19:49,880 Speaker 3: I mean, it's just so great on stage, Like every 403 00:19:49,920 --> 00:19:54,040 Speaker 3: time somebody talks about like Chevy Chase's coaching tree. You know, 404 00:19:54,160 --> 00:19:57,440 Speaker 3: it's like, you know, why was he important? Like Kevin 405 00:19:57,480 --> 00:20:00,560 Speaker 3: Neilan knows a lot to Chevy and like that liminal 406 00:20:01,119 --> 00:20:03,120 Speaker 3: man thing that he did, you know, like. 407 00:20:03,600 --> 00:20:05,119 Speaker 1: That's totally Chevvy. You know. 408 00:20:05,200 --> 00:20:08,600 Speaker 3: Ryan Reynolds really owes a lot to him, and even 409 00:20:09,600 --> 00:20:14,520 Speaker 3: Joel McHale, who hates him after having worked with him. 410 00:20:15,240 --> 00:20:19,760 Speaker 3: His that style, that kind of arrogant, you know, cock 411 00:20:19,800 --> 00:20:22,960 Speaker 3: sure comedian thing, that's a Chevy thing. But Kevin Neilan 412 00:20:23,040 --> 00:20:25,480 Speaker 3: definitely owed a debt of gratitude to him. Although I 413 00:20:25,480 --> 00:20:28,560 Speaker 3: thought Kevin Nealon was infinitely more funny when it was 414 00:20:28,560 --> 00:20:30,720 Speaker 3: all said and done in a much better writer. He 415 00:20:31,240 --> 00:20:34,119 Speaker 3: wrote some of the funniest things on SNL and his 416 00:20:34,200 --> 00:20:38,200 Speaker 3: performances were perfect when he deadpans the judge in the 417 00:20:38,280 --> 00:20:44,440 Speaker 3: Chippendale's Sketch with Patrick Swayze and Farley. The reason it's 418 00:20:44,440 --> 00:20:47,000 Speaker 3: so funny is because of how serious Kevin Nealon takes that. 419 00:20:47,280 --> 00:20:48,920 Speaker 2: I gotta go back and watch that because I think 420 00:20:49,040 --> 00:20:52,000 Speaker 2: Chris Farley probably you know, kind of blocks out the 421 00:20:52,040 --> 00:20:53,959 Speaker 2: sun on that skit. But yeah, we should go back 422 00:20:54,000 --> 00:20:55,119 Speaker 2: to appreciate Kevin Nealon. 423 00:20:55,760 --> 00:20:57,960 Speaker 4: Yeah, He's like one of the glues in that cat 424 00:20:58,240 --> 00:21:00,480 Speaker 4: because there's so many stars, but you have to have 425 00:21:00,520 --> 00:21:02,680 Speaker 4: a couple of people that can keep those sketches together 426 00:21:03,080 --> 00:21:04,600 Speaker 4: or be a conduit. 427 00:21:04,520 --> 00:21:07,080 Speaker 3: It's funny because when you think of those casts and 428 00:21:07,160 --> 00:21:09,880 Speaker 3: they kind of have an overlap between when he first 429 00:21:09,880 --> 00:21:13,760 Speaker 3: came in with Jan Hooks, Phil Hartman, Dana Carvey era, 430 00:21:13,880 --> 00:21:16,120 Speaker 3: and then like Mike Myers comes on the second half 431 00:21:16,160 --> 00:21:17,960 Speaker 3: of that run, and then all the young dudes come 432 00:21:18,000 --> 00:21:20,680 Speaker 3: in the Sandler Sandler. 433 00:21:20,440 --> 00:21:23,480 Speaker 1: But Dennis Miller predates all of them, right, he got 434 00:21:23,520 --> 00:21:26,920 Speaker 1: like Sandler and Spade and those guys on the show. Miller. Yep, 435 00:21:27,080 --> 00:21:28,040 Speaker 1: he's like the godfather. 436 00:21:28,200 --> 00:21:30,040 Speaker 3: Yeah, no doubt. They all love and that's part of 437 00:21:30,040 --> 00:21:32,560 Speaker 3: why they love him so much. Pittsburgh or Dennis Miller, but. 438 00:21:32,560 --> 00:21:35,080 Speaker 4: That to me, Jimmy Miller is more of a pit 439 00:21:35,520 --> 00:21:38,679 Speaker 4: loves Pittsburgh and Dennis has kind of distanced himself from 440 00:21:38,720 --> 00:21:41,159 Speaker 4: Pittsburgh to the years, But like, yeah, Lovetz was on 441 00:21:41,240 --> 00:21:44,800 Speaker 4: that cast, and I mean that that's my era. People 442 00:21:44,840 --> 00:21:48,080 Speaker 4: forget when I told you I listened to the book 443 00:21:48,080 --> 00:21:51,639 Speaker 4: on tape of Penny Marshall's autobiography. But it's awesome, Like 444 00:21:51,680 --> 00:21:54,520 Speaker 4: if you're a show biz dork, like it's the stories 445 00:21:54,520 --> 00:21:55,280 Speaker 4: are great. 446 00:21:55,760 --> 00:21:59,320 Speaker 3: I kind of forgot how beloved John Lovitz was. He 447 00:21:59,480 --> 00:22:02,680 Speaker 3: was in Woody Allen put him in movies. Everybody thought 448 00:22:02,720 --> 00:22:07,040 Speaker 3: Love It's was the killer. Like if you need someone 449 00:22:07,080 --> 00:22:08,480 Speaker 3: to come in and kill really quick in a movie 450 00:22:08,560 --> 00:22:09,040 Speaker 3: or TV. 451 00:22:09,080 --> 00:22:11,920 Speaker 1: It's Love It's. They all thought he was the funniest guy. 452 00:22:12,080 --> 00:22:14,360 Speaker 3: And he was, along with Tannis Miller, the only one 453 00:22:14,400 --> 00:22:16,840 Speaker 3: they say from that eighty five Saturday Night Live season 454 00:22:17,359 --> 00:22:18,480 Speaker 3: because he had the liar guy. 455 00:22:18,960 --> 00:22:20,639 Speaker 1: Yeah, yeah, that's the ticket. 456 00:22:22,080 --> 00:22:25,320 Speaker 4: I know John pretty good. He is a phenomenal dude. 457 00:22:25,400 --> 00:22:29,080 Speaker 3: Well that that grace him and Bill Burr on the 458 00:22:29,200 --> 00:22:33,920 Speaker 3: on Burr's podcast when oh yeah, would they go back 459 00:22:33,920 --> 00:22:35,200 Speaker 3: and forth insulting each other. 460 00:22:35,240 --> 00:22:38,120 Speaker 4: Oh yeah, he's one of the funniest scenes in recent memory. Yeah, 461 00:22:38,119 --> 00:22:40,280 Speaker 4: they have a good and he would come out on 462 00:22:40,359 --> 00:22:43,159 Speaker 4: stage sometimes. But I've worked with John at the improv 463 00:22:43,240 --> 00:22:44,679 Speaker 4: and stuff. You just have to work clean, which is 464 00:22:44,680 --> 00:22:46,880 Speaker 4: the nice twenty minutes and get sit and watch him 465 00:22:46,960 --> 00:22:49,040 Speaker 4: just destroy. Yeah, he's such a nice guy. But and 466 00:22:49,080 --> 00:22:51,480 Speaker 4: you know, I love the really famous guys that know 467 00:22:51,480 --> 00:22:54,119 Speaker 4: they're famous, but they're super cool. It's nice to you 468 00:22:54,240 --> 00:22:56,399 Speaker 4: take out the dinner all the time. Yeah, and you 469 00:22:56,400 --> 00:22:58,920 Speaker 4: can talk, you can talk kind of shop and kind 470 00:22:58,920 --> 00:23:01,600 Speaker 4: of ask him stuff or an open book about it. 471 00:23:01,600 --> 00:23:03,679 Speaker 3: Well, didn't he live with Brad Pitt for a while, 472 00:23:03,760 --> 00:23:07,680 Speaker 3: Like Brad Pitt moved in with Love It's or Love 473 00:23:07,680 --> 00:23:09,840 Speaker 3: It's moved into Brad Pitt and Jennifer Anderson's place. 474 00:23:09,920 --> 00:23:13,000 Speaker 1: Like what he ran with the biggest circles back then, 475 00:23:13,040 --> 00:23:14,679 Speaker 1: which is not never asked about. I don't know that. 476 00:23:14,760 --> 00:23:17,359 Speaker 4: I'm pretty sure. Okay, yeah, that's crazy. My stuff was 477 00:23:17,359 --> 00:23:19,360 Speaker 4: more like Sara Night Live or just like stand up. 478 00:23:19,480 --> 00:23:19,720 Speaker 8: Yeah. 479 00:23:19,720 --> 00:23:22,199 Speaker 4: And when he owned his club, John loved stuff. It 480 00:23:22,200 --> 00:23:24,520 Speaker 4: was a disasters like a money pit where always had 481 00:23:24,520 --> 00:23:29,119 Speaker 4: some it was ill fated. It was in the the 482 00:23:29,200 --> 00:23:34,200 Speaker 4: Universal Studios complex. That's a weird place. It was the 483 00:23:34,240 --> 00:23:38,119 Speaker 4: old University City Walk. I think it's it's next to 484 00:23:38,160 --> 00:23:40,359 Speaker 4: the amusement park and it's in the old B. B. 485 00:23:40,520 --> 00:23:40,879 Speaker 1: Kings. 486 00:23:41,280 --> 00:23:44,720 Speaker 4: Then he renovated the Comedy Club and you can naver 487 00:23:44,800 --> 00:23:48,080 Speaker 4: get anybody there because parking was like thirty bucks, yes, and. 488 00:23:48,119 --> 00:23:49,240 Speaker 1: That was the biggest thing. Whatever. 489 00:23:49,240 --> 00:23:51,040 Speaker 4: It was like they gave you like seventy five bucks 490 00:23:51,080 --> 00:23:53,720 Speaker 4: a spot. But if your name wasn't on the parking list. 491 00:23:53,960 --> 00:23:57,920 Speaker 4: It was like, yeah, there's your biggest fear old days, 492 00:23:57,960 --> 00:24:00,000 Speaker 4: like I got you on the list. 493 00:24:00,040 --> 00:24:02,560 Speaker 1: Oh and like Dia, make sure I'm on the list. 494 00:24:02,680 --> 00:24:04,639 Speaker 1: Make sure I am on the list. Otherwise half of 495 00:24:04,680 --> 00:24:05,879 Speaker 1: your pay went to parking. 496 00:24:05,880 --> 00:24:07,480 Speaker 4: Oh you have to make with the and the other 497 00:24:07,920 --> 00:24:10,199 Speaker 4: It was like Halloween havoc. You'd never get a spot 498 00:24:10,680 --> 00:24:13,240 Speaker 4: because it's like the city watch five thousand people for. 499 00:24:13,200 --> 00:24:14,120 Speaker 1: The Halloween thing. 500 00:24:14,200 --> 00:24:16,359 Speaker 4: Yeah, it was just Oka, but it was a fun 501 00:24:16,400 --> 00:24:18,720 Speaker 4: club and good people. But yeah, but just a great 502 00:24:18,840 --> 00:24:21,520 Speaker 4: it's a great guy. It's so, I mean, really funny. 503 00:24:21,600 --> 00:24:23,760 Speaker 4: He could sing his ass off to that. He's just 504 00:24:23,800 --> 00:24:26,280 Speaker 4: a performer. Yeah, he's like a three what they call it, 505 00:24:26,320 --> 00:24:30,560 Speaker 4: three threat, triple threat. It's funny how Dana Carvey always 506 00:24:30,600 --> 00:24:34,240 Speaker 4: talks about love. It's loving what he did on the air. 507 00:24:34,280 --> 00:24:37,000 Speaker 3: And he would watch his own sketches after they ran, 508 00:24:37,080 --> 00:24:38,800 Speaker 3: and he would laugh at them, and he'd sit like 509 00:24:39,200 --> 00:24:42,320 Speaker 3: in the dressing rooms watching like sketches he'd done the 510 00:24:42,320 --> 00:24:43,240 Speaker 3: week before, going. 511 00:24:43,080 --> 00:24:46,480 Speaker 1: Ha you like he. 512 00:24:45,560 --> 00:24:49,680 Speaker 3: He thought he was hilarious, which is funny in and 513 00:24:49,680 --> 00:24:52,719 Speaker 3: of itself. Mike's gonna join us here in just a second. 514 00:24:53,000 --> 00:24:55,159 Speaker 3: Joe Bartneck and Sean call your hanging in studio with 515 00:24:55,240 --> 00:24:58,360 Speaker 3: us this morning on the DV Morning Show. And it's 516 00:24:58,359 --> 00:25:01,000 Speaker 3: been quite a show so far of Damascheck starting us 517 00:25:01,000 --> 00:25:03,360 Speaker 3: off this morning. And Mike to Fable from The Athletic 518 00:25:04,040 --> 00:25:07,879 Speaker 3: spoke with us about the piece he put out in 519 00:25:07,920 --> 00:25:14,480 Speaker 3: The Athletic yesterday, which chronicled Mike Tomlin's telling the team 520 00:25:14,560 --> 00:25:16,560 Speaker 3: in the locker room that he was resigning. It's an 521 00:25:16,600 --> 00:25:20,320 Speaker 3: amazing piece and as Mike said, the most important stealer 522 00:25:22,359 --> 00:25:25,600 Speaker 3: column written this year, no question about it. And that's 523 00:25:25,600 --> 00:25:27,480 Speaker 3: why it made such big ways. I mean, JJ Watt's 524 00:25:27,520 --> 00:25:29,400 Speaker 3: weighing in on it, you know, so good for Mike. 525 00:25:29,560 --> 00:25:31,760 Speaker 3: And also we talked with Don Was, who's going to 526 00:25:31,800 --> 00:25:34,680 Speaker 3: be playing tonight at the Thunderbird, the rock and roll 527 00:25:34,800 --> 00:25:37,920 Speaker 3: legend Don Was. And if you want to go back 528 00:25:37,960 --> 00:25:39,199 Speaker 3: and listen to any of that stuff, you can do 529 00:25:39,240 --> 00:25:41,240 Speaker 3: it each and every day with the DV Morning Show 530 00:25:41,280 --> 00:25:43,720 Speaker 3: podcast Start to Finish wherever you get your podcasts, but 531 00:25:43,800 --> 00:25:46,440 Speaker 3: especially with the iHeartRadio app and at DV dot com. 532 00:25:46,480 --> 00:25:49,600 Speaker 3: It's the DV Morning Show Start to Finish. The DV 533 00:25:49,680 --> 00:25:50,600 Speaker 3: Morning Show Podcast. 534 00:25:51,800 --> 00:25:54,520 Speaker 9: DVE has your chance to win one thousand dollars to 535 00:25:54,600 --> 00:25:57,840 Speaker 9: help pay your bills. Just enter this nationwide keyword at 536 00:25:57,920 --> 00:25:59,320 Speaker 9: DVE dot com. 537 00:25:59,400 --> 00:26:04,440 Speaker 1: Friend that's friend. Enter it now at DVE dot com. 538 00:26:05,000 --> 00:26:08,520 Speaker 6: Live from the Don's Appliances studios where Pittsburgh shops for 539 00:26:08,600 --> 00:26:14,000 Speaker 6: appliance is This is w DVEE Pittsburgh. If you're drumming 540 00:26:14,040 --> 00:26:17,600 Speaker 6: on the steering wheel that he's doing his job. Chad 541 00:26:17,680 --> 00:26:22,600 Speaker 6: Dyson rocks Pittsburgh weekday afternoons on DVE. He also has 542 00:26:22,640 --> 00:26:26,200 Speaker 6: a reloaded cut from the DV Morning Show and Sports 543 00:26:26,240 --> 00:26:31,200 Speaker 6: News Afternoons with Chad Tyson on DV and. 544 00:26:31,240 --> 00:26:33,800 Speaker 3: When you're for wind Auto dot com, Rouse Oar Race 545 00:26:33,800 --> 00:26:37,560 Speaker 3: Slash the new Ford models like Maverick, Bronco Explorer F series. 546 00:26:37,960 --> 00:26:40,280 Speaker 1: All right, Mike Pursuda joining us here on the dB 547 00:26:40,400 --> 00:26:42,719 Speaker 1: Morning Show with your Sports. 548 00:26:42,640 --> 00:26:44,960 Speaker 3: On your Radio home with the Pittsburgh Steelers Stevie in 549 00:26:45,000 --> 00:26:47,280 Speaker 3: What a week it has been for Steeler Nation. 550 00:26:47,640 --> 00:26:50,119 Speaker 10: It's been a quite a week for a lot of people. 551 00:26:50,200 --> 00:26:53,560 Speaker 10: Sports that how are brought to you by Bridgeville Appliance. 552 00:26:53,800 --> 00:26:57,399 Speaker 10: A federal indictment unsealed Thursday in the Eastern District of 553 00:26:57,400 --> 00:27:01,400 Speaker 10: Pennsylvania in the wake of a college basketball shaving investigation 554 00:27:01,520 --> 00:27:06,840 Speaker 10: reportedly involves more than thirty nine players on seventeen NCAA 555 00:27:06,960 --> 00:27:12,480 Speaker 10: Division One teams, including Robert Morris University. Twenty of the 556 00:27:12,520 --> 00:27:15,760 Speaker 10: twenty six defendants played college basketball during the twenty twenty 557 00:27:15,760 --> 00:27:18,520 Speaker 10: three to twenty four and or twenty twenty four to 558 00:27:18,560 --> 00:27:23,080 Speaker 10: twenty twenty five seasons. According to the indictment, Pat fod, 559 00:27:23,080 --> 00:27:27,240 Speaker 10: a senior writer for Sports Illustrated, is calling this quote 560 00:27:27,280 --> 00:27:30,680 Speaker 10: the most widespread point shaving scandal in the history. 561 00:27:30,720 --> 00:27:32,280 Speaker 1: Of college basketball. 562 00:27:32,359 --> 00:27:35,480 Speaker 3: I thought the majority of this was Chinese basketball, but 563 00:27:35,560 --> 00:27:39,720 Speaker 3: now as the scope of its unfolding in college of basketball, 564 00:27:39,960 --> 00:27:40,960 Speaker 3: it's kind of breathtaking. 565 00:27:41,040 --> 00:27:41,240 Speaker 1: Yeah. 566 00:27:41,240 --> 00:27:45,080 Speaker 10: The indictment seventy pages long, according to Ford's reporting on it. 567 00:27:46,119 --> 00:27:49,720 Speaker 10: Part of the indictment alleges that three Robert Morris players 568 00:27:49,760 --> 00:27:53,159 Speaker 10: conspired to dump the first half of games against Northern 569 00:27:53,200 --> 00:27:57,160 Speaker 10: Kentucky and Purdue Fort Wayne in the twenty twenty three 570 00:27:57,240 --> 00:28:00,680 Speaker 10: twenty twenty four season. The Purdue fort game was a 571 00:28:00,720 --> 00:28:02,200 Speaker 10: Horizon League tournament game. 572 00:28:03,280 --> 00:28:04,000 Speaker 1: This is all. 573 00:28:03,840 --> 00:28:09,200 Speaker 10: Relative to first half spreads and over unders. Robert Morris 574 00:28:09,240 --> 00:28:12,440 Speaker 10: released a statement yesterday quote RMU has been made aware 575 00:28:12,480 --> 00:28:16,360 Speaker 10: of an investigation and charges involving former members of our 576 00:28:16,359 --> 00:28:19,720 Speaker 10: men's basketball program for actions that may have occurred during 577 00:28:19,760 --> 00:28:22,280 Speaker 10: their enrollment at RMU. We are not aware of any 578 00:28:22,359 --> 00:28:26,960 Speaker 10: allegations of wrongdoing by the university. RMU has been and 579 00:28:27,000 --> 00:28:30,560 Speaker 10: will continue to cooperate fully with all relevant authorities. As 580 00:28:30,640 --> 00:28:34,359 Speaker 10: this is an ongoing matter involving the NCAA and federal 581 00:28:34,440 --> 00:28:38,120 Speaker 10: law enforcement, we will not offer further comment at this time. 582 00:28:38,160 --> 00:28:41,120 Speaker 10: I was in contact with Robert Morrise atheletic director Chris 583 00:28:41,240 --> 00:28:41,960 Speaker 10: King last night. 584 00:28:42,000 --> 00:28:44,240 Speaker 1: He referred me to the statement, So. 585 00:28:45,920 --> 00:28:50,560 Speaker 3: I would imagine that it was easier to get college 586 00:28:50,560 --> 00:28:54,760 Speaker 3: players to flip with the rationalization that we're not asking 587 00:28:54,800 --> 00:28:57,920 Speaker 3: you to mess with the outcome of the game. We 588 00:28:57,960 --> 00:28:59,920 Speaker 3: want you to mess with the outcome of the first 589 00:29:01,040 --> 00:29:05,160 Speaker 3: sounds like that's where we are with this, Like the 590 00:29:05,840 --> 00:29:08,480 Speaker 3: pitcher for the Indians whose names escaped me right now. 591 00:29:08,360 --> 00:29:12,960 Speaker 1: Plus a yeah, like throwing one in the dirt first starting. 592 00:29:15,640 --> 00:29:18,720 Speaker 3: Just don't strike them out, but you can also win 593 00:29:18,800 --> 00:29:22,320 Speaker 3: a boat load on first pitch in the dirt. 594 00:29:22,920 --> 00:29:24,040 Speaker 1: Ah. 595 00:29:24,080 --> 00:29:28,880 Speaker 3: This is the slippery slope of legalized gambling, right. It'd 596 00:29:28,880 --> 00:29:32,280 Speaker 3: be happening if it wasn't legalized too, but probably not. 597 00:29:32,440 --> 00:29:34,200 Speaker 3: The what's the next pitch going to be. 598 00:29:34,200 --> 00:29:36,880 Speaker 4: No, not that, but the first half over unders they've 599 00:29:36,880 --> 00:29:38,760 Speaker 4: been around, oh yeah, gambling. 600 00:29:38,480 --> 00:29:42,360 Speaker 3: Yes, but because the people who are in on it 601 00:29:42,720 --> 00:29:46,640 Speaker 3: can capitalize even more and be assured of it. And 602 00:29:46,680 --> 00:29:48,880 Speaker 3: you could tell your cousin, hey, we're taking the first half, 603 00:29:49,120 --> 00:29:51,640 Speaker 3: you know, and they everybody can make money on it 604 00:29:51,680 --> 00:29:54,080 Speaker 3: in a way that is a lot easier than. 605 00:29:54,080 --> 00:29:54,680 Speaker 1: It used to be. 606 00:29:55,200 --> 00:29:57,960 Speaker 4: No, I agree. I'm just saying it's not like it 607 00:29:58,000 --> 00:29:59,960 Speaker 4: didn't happen. It happened right here in Pittsburgh. 608 00:30:00,200 --> 00:30:04,320 Speaker 3: I mean, you know, yeah allegedly, well yeah, you know 609 00:30:04,880 --> 00:30:08,240 Speaker 3: that the Pittsburgh guy that Henry Hill has in Goodfellas 610 00:30:09,360 --> 00:30:12,880 Speaker 3: went on to do the Boston College points current. 611 00:30:13,200 --> 00:30:16,600 Speaker 1: No, no, no, I mean back in the eighties. Yeah, 612 00:30:17,120 --> 00:30:17,320 Speaker 1: you know. 613 00:30:17,360 --> 00:30:20,600 Speaker 10: And what this points to is that, uh, there's there's 614 00:30:20,640 --> 00:30:22,880 Speaker 10: a lot of people in college athletics that are making 615 00:30:22,920 --> 00:30:25,840 Speaker 10: a lot of money all of a sudden players, yes, 616 00:30:25,920 --> 00:30:27,280 Speaker 10: but there are way more that are not. 617 00:30:29,720 --> 00:30:31,280 Speaker 1: But this was going on in the eighties. 618 00:30:31,400 --> 00:30:33,320 Speaker 4: A gentleman they worked for, he who was in the arts, 619 00:30:33,360 --> 00:30:38,200 Speaker 4: if you will, in the arts the dark Brett Musburger 620 00:30:38,200 --> 00:30:40,080 Speaker 4: would call it the dark arts. I love that term. 621 00:30:40,880 --> 00:30:43,720 Speaker 4: He was saying because before ESPN, and every game was 622 00:30:43,760 --> 00:30:47,360 Speaker 4: televised somewhere. All these games were shaved at some point 623 00:30:47,440 --> 00:30:50,040 Speaker 4: or another. Yeah, because no one's watching them that closely. 624 00:30:50,440 --> 00:30:53,560 Speaker 3: Right, But when these guys bet four hundred thousand dollars 625 00:30:53,560 --> 00:30:56,080 Speaker 3: on the first half of Buffalo versus Arkansas, it. 626 00:30:56,480 --> 00:30:59,200 Speaker 4: Might raise some eyebrows. Is that how they busted them? Mic, 627 00:30:59,240 --> 00:31:02,640 Speaker 4: because that's usually happens. Caesar's is like, hey, wait a second, Yeah, 628 00:31:02,760 --> 00:31:05,240 Speaker 4: there's way too much action large bets on. 629 00:31:05,680 --> 00:31:09,200 Speaker 10: Well, the other schools involved some of the Abilene Christian, 630 00:31:09,280 --> 00:31:15,160 Speaker 10: Alabama State, Buffalo, Coppin State, LaSalle, Nicols State, North Carolina, 631 00:31:15,240 --> 00:31:15,680 Speaker 10: A and T. 632 00:31:16,280 --> 00:31:24,400 Speaker 1: And we're not talking to Kentucky here, right. Sad day. 633 00:31:24,680 --> 00:31:29,720 Speaker 4: It's not March madness, it's January sadness. 634 00:31:30,280 --> 00:31:32,560 Speaker 1: Penns meet the Flyers six to three last night. 635 00:31:32,600 --> 00:31:37,400 Speaker 10: We've detailed Sidney Crosby inflicting more damage on Philadelphia as 636 00:31:37,440 --> 00:31:40,560 Speaker 10: he does, but Ben Kendall also had an assist in 637 00:31:40,640 --> 00:31:43,560 Speaker 10: the Penn's six to three win. Kendall ended up minus two, 638 00:31:43,600 --> 00:31:46,920 Speaker 10: but with that assist, he now has eight goals, twelve assists, 639 00:31:46,960 --> 00:31:50,040 Speaker 10: and twenty points on the season. He becomes the fourth 640 00:31:50,040 --> 00:31:53,920 Speaker 10: player in Penguin's franchise history at eighteen or younger to 641 00:31:53,960 --> 00:31:57,480 Speaker 10: reach twenty points in his first forty three games. Now, 642 00:31:57,480 --> 00:32:00,160 Speaker 10: that sounds kind of like an obscure stat but the 643 00:32:00,200 --> 00:32:04,520 Speaker 10: other guys who have done that are Sidney Crosby, Yarmor, Yager, 644 00:32:04,640 --> 00:32:07,920 Speaker 10: and Doug Bodger. Crossby had forty eight points in his 645 00:32:07,920 --> 00:32:11,200 Speaker 10: first forty three games, Yager twenty three, and Bodger twenty one. 646 00:32:11,760 --> 00:32:14,120 Speaker 10: Crossby and Yager are all timers, and Bodra had a 647 00:32:14,160 --> 00:32:20,160 Speaker 10: great career. Ben Kendall scored five goals in his first 648 00:32:20,200 --> 00:32:23,680 Speaker 10: twelve games this season. He has three in his last 649 00:32:23,720 --> 00:32:26,800 Speaker 10: thirty one, including none in his last fifteen. So he's 650 00:32:26,840 --> 00:32:30,360 Speaker 10: having trouble find and finding the net, as can be 651 00:32:30,400 --> 00:32:33,080 Speaker 10: the case with eighteen year olds, But he has been 652 00:32:33,440 --> 00:32:36,920 Speaker 10: a revelation to me, Joe. I was not expecting this 653 00:32:37,000 --> 00:32:38,800 Speaker 10: kid to make the team and be as and packfull 654 00:32:38,840 --> 00:32:39,320 Speaker 10: as he's been. 655 00:32:39,560 --> 00:32:42,440 Speaker 4: No, I couldn't be any more eating crow and giving 656 00:32:42,440 --> 00:32:45,600 Speaker 4: my apologies to mister dubas. What an incredible draft pick. 657 00:32:45,600 --> 00:32:47,440 Speaker 4: And I think the break is going to do him 658 00:32:47,440 --> 00:32:49,880 Speaker 4: some good. I think he's just a little tired. He's 659 00:32:49,880 --> 00:32:52,160 Speaker 4: not a big guy. He'll put a couple more pounds 660 00:32:52,200 --> 00:32:54,520 Speaker 4: on and he's been taking a beating and he bounces 661 00:32:54,640 --> 00:32:57,000 Speaker 4: right back up man and I love him playing with 662 00:32:57,040 --> 00:32:59,760 Speaker 4: the big boys because a little protection for him with Man, 663 00:32:59,760 --> 00:33:00,560 Speaker 4: say Brazo. 664 00:33:00,800 --> 00:33:02,640 Speaker 1: And he had a tremendous assist last night. 665 00:33:02,920 --> 00:33:06,720 Speaker 3: Yeah, a shot pass for a tap in the tack 666 00:33:06,800 --> 00:33:08,800 Speaker 3: in a tic tac toe opening. 667 00:33:08,400 --> 00:33:11,920 Speaker 4: Goal face offs. He's great at goes to the dirty areas. 668 00:33:12,040 --> 00:33:14,440 Speaker 4: He plays two hundred feet. He plays more defense than 669 00:33:14,440 --> 00:33:18,160 Speaker 4: those three guys mentioned before, and Bojo was a defenseman. 670 00:33:19,280 --> 00:33:21,800 Speaker 10: Some other guys that are maybe not you know, headliners, 671 00:33:21,840 --> 00:33:26,000 Speaker 10: but had their moments last night. Stuart Skinner is now 672 00:33:26,120 --> 00:33:28,200 Speaker 10: four to one to zero in his last five games 673 00:33:28,200 --> 00:33:32,040 Speaker 10: and net for the Penguins and Igort Chinikoff the recent 674 00:33:32,080 --> 00:33:35,920 Speaker 10: acquisition from Columbus. He scored a goal last night. He 675 00:33:35,960 --> 00:33:38,400 Speaker 10: has three goals and an assist in eight games with 676 00:33:38,480 --> 00:33:41,960 Speaker 10: the Penns after getting three goals and three assists in 677 00:33:42,040 --> 00:33:44,680 Speaker 10: twenty nine games with the Blue Jackets. 678 00:33:44,800 --> 00:33:49,400 Speaker 4: He's got some Russian magic with Gino Daccino, seems like 679 00:33:49,520 --> 00:33:51,560 Speaker 4: it might be better fit for him here. Pens are 680 00:33:51,600 --> 00:33:55,560 Speaker 4: now third in the Metropolitan Division with fifty four points. 681 00:33:55,720 --> 00:33:58,720 Speaker 4: The two wildcard teams are Buffalo and Boston with fifty 682 00:33:58,800 --> 00:34:00,560 Speaker 4: six each, but as long as a staying in the 683 00:34:00,600 --> 00:34:02,680 Speaker 4: top three of the metro, they don't have to worry 684 00:34:02,720 --> 00:34:06,120 Speaker 4: about The wild card Caps also have fifty four points, 685 00:34:06,120 --> 00:34:08,279 Speaker 4: but have played two more games than the Penns. The 686 00:34:08,320 --> 00:34:11,279 Speaker 4: Flyers have fifty two points in the same amount of games. 687 00:34:11,320 --> 00:34:14,839 Speaker 4: The Doubles have fifty points in one more game than 688 00:34:14,880 --> 00:34:15,480 Speaker 4: the Penguins. 689 00:34:15,520 --> 00:34:18,560 Speaker 10: Columbus is here Saturday night and then depends hit the 690 00:34:18,600 --> 00:34:22,759 Speaker 10: road next week at Seattle, at Calgary, at Edmonton, and 691 00:34:22,920 --> 00:34:27,320 Speaker 10: at Vancouver. Three more names reportedly added to the Steelers 692 00:34:27,360 --> 00:34:30,799 Speaker 10: wish list regarding interviews that are going to be conducted 693 00:34:30,840 --> 00:34:37,399 Speaker 10: for Mike Tomlin's successor. Those include Clay Kubiak, the forty 694 00:34:37,480 --> 00:34:42,600 Speaker 10: nine Ers offensive coordinator, Ijarro Ivarro, the Panthers defensive coordinator, 695 00:34:42,640 --> 00:34:45,880 Speaker 10: and Jeff Hafley, the Packers defensive coordinat what was the 696 00:34:46,280 --> 00:34:47,160 Speaker 10: guy before Halfley? 697 00:34:48,200 --> 00:34:51,040 Speaker 1: Ijarro Ivarro, bring it on. 698 00:34:52,000 --> 00:34:55,120 Speaker 10: He's he was with the Panthers last season, but he 699 00:34:55,880 --> 00:34:59,080 Speaker 10: came to them from the Rams. So they got They 700 00:34:59,080 --> 00:35:01,040 Speaker 10: got three guys on on the list of eight with 701 00:35:01,760 --> 00:35:02,759 Speaker 10: McVay ties. 702 00:35:06,520 --> 00:35:09,120 Speaker 1: Mcvayh has a good tree. I'll give you that good tree. 703 00:35:09,360 --> 00:35:12,520 Speaker 3: A lot of branches, no question, good tree coach Tomlin 704 00:35:12,960 --> 00:35:14,080 Speaker 3: Douglas first, straight. 705 00:35:13,880 --> 00:35:20,680 Speaker 1: Up, it's all yeah, right, yeah. 706 00:35:20,440 --> 00:35:22,920 Speaker 3: I guess Douglas for has branches, but they can they 707 00:35:23,160 --> 00:35:24,240 Speaker 3: get down. 708 00:35:24,480 --> 00:35:24,800 Speaker 1: Thomas. 709 00:35:24,880 --> 00:35:26,360 Speaker 10: Looks like when you go to the Christmas tree and 710 00:35:26,400 --> 00:35:28,040 Speaker 10: you said I want that one and they're shove it 711 00:35:28,040 --> 00:35:32,120 Speaker 10: in that machine, and right exactly, Sean is out the 712 00:35:32,160 --> 00:35:35,120 Speaker 10: other side like a big toothpick seank. 713 00:35:35,120 --> 00:35:38,200 Speaker 3: All your movie reviews we come back, including one that 714 00:35:38,239 --> 00:35:40,680 Speaker 3: he thinks is going to be an Oscar favorite. But first, 715 00:35:40,680 --> 00:35:44,000 Speaker 3: Mike randall, yeah, go ahead and grab you have that 716 00:35:44,000 --> 00:35:44,759 Speaker 3: stuff handy here. 717 00:35:44,719 --> 00:35:46,759 Speaker 1: You know what, didn't bring it with me? We can 718 00:35:46,800 --> 00:35:49,120 Speaker 1: skip it. We'll do it after well, we'll have to 719 00:35:49,160 --> 00:35:51,520 Speaker 1: make good. Yeah, we'll have to make good. 720 00:35:52,640 --> 00:35:55,000 Speaker 3: The printer, my dad, you say all the time for dinner, 721 00:35:55,080 --> 00:35:56,000 Speaker 3: that what's for dinner tonight? 722 00:35:56,320 --> 00:36:03,000 Speaker 1: Do what we're gonna have to make? Do one for me? 723 00:36:03,480 --> 00:36:03,960 Speaker 1: That's okay? 724 00:36:04,680 --> 00:36:06,960 Speaker 3: It was that or f f y then for yourself? 725 00:36:07,680 --> 00:36:11,759 Speaker 3: Yeah cut, oh adorable. Yes, till you learn how to 726 00:36:11,760 --> 00:36:19,040 Speaker 3: open up denty more beef stew when you're eleven. 727 00:36:17,280 --> 00:36:20,080 Speaker 1: Dude, those cans would like those and the chef by 728 00:36:20,200 --> 00:36:23,200 Speaker 1: r d Ones. Boy, you could really end up in 729 00:36:23,239 --> 00:36:24,200 Speaker 1: the emergency room. 730 00:36:24,239 --> 00:36:28,560 Speaker 3: Plastic I know those old like I think we had 731 00:36:28,560 --> 00:36:31,000 Speaker 3: a can opener and electric can opener that was like 732 00:36:31,080 --> 00:36:33,719 Speaker 3: from the Johnson administration, you know what I mean. It 733 00:36:33,800 --> 00:36:37,840 Speaker 3: was like rusty and gloss and it was that pea 734 00:36:38,000 --> 00:36:38,880 Speaker 3: green color. 735 00:36:39,640 --> 00:36:42,040 Speaker 4: Yeah. Yeah, I couldn't even use it. I wasn't even 736 00:36:42,080 --> 00:36:44,520 Speaker 4: allowed to use the electrical one and use a crank one. 737 00:36:44,640 --> 00:36:46,839 Speaker 4: Oh yeah, for like a can of peaches. Those things 738 00:36:46,880 --> 00:36:48,600 Speaker 4: will just cut your jugular. Peaches. 739 00:36:48,640 --> 00:36:50,760 Speaker 1: The Italians they love the peaches, don't they. Yeah, peaches 740 00:36:50,760 --> 00:36:53,399 Speaker 1: and why we were kids. It's the best. Yeah, all right, quick? 741 00:36:53,880 --> 00:36:56,600 Speaker 1: Fourth Ghost of Christmas Past that lingered. 742 00:37:00,120 --> 00:37:05,400 Speaker 3: Bauman and lowis akris nerd pursued, also joined by comedian 743 00:37:05,480 --> 00:37:06,080 Speaker 3: Joe Bartnick. 744 00:37:06,120 --> 00:37:09,160 Speaker 1: Today, Joe, you're heading New Boston. 745 00:37:08,840 --> 00:37:11,960 Speaker 4: Boston doing the three Don't Tell shows up in Boston. 746 00:37:12,000 --> 00:37:13,799 Speaker 4: And then I want to give everyone and I know this, 747 00:37:14,480 --> 00:37:19,120 Speaker 4: everyone DV is loved in Florida. Uh, Tuesday the seventeenth, 748 00:37:19,160 --> 00:37:21,600 Speaker 4: I will be in Fort Lardell the Shamrock Comedy Club, 749 00:37:21,920 --> 00:37:26,319 Speaker 4: one night only. Awesome, I get that out there. I'll 750 00:37:26,320 --> 00:37:28,400 Speaker 4: give you you have a month. It's gonna be a 751 00:37:28,440 --> 00:37:31,880 Speaker 4: it's gonna be a great show. Lauderdale, Fort Lauderdale, Baby 752 00:37:31,880 --> 00:37:32,560 Speaker 4: spring Break. 753 00:37:32,760 --> 00:37:33,759 Speaker 1: Yeah? Is it right on? 754 00:37:34,000 --> 00:37:34,480 Speaker 6: Uh? 755 00:37:34,600 --> 00:37:37,319 Speaker 1: Is it the Ocean Boulevard there or Collins. I can't 756 00:37:37,360 --> 00:37:38,200 Speaker 1: remember the name of that. 757 00:37:38,360 --> 00:37:40,200 Speaker 4: I haven't I've never been in this club. I only 758 00:37:40,280 --> 00:37:42,680 Speaker 4: like my great friends you know have played there, you know, 759 00:37:42,719 --> 00:37:45,239 Speaker 4: Fitz Simmons and Apple Looch. It's just it's it's a 760 00:37:45,239 --> 00:37:47,120 Speaker 4: great place. It's like once a month they just pack 761 00:37:47,200 --> 00:37:47,680 Speaker 4: it out. 762 00:37:47,480 --> 00:37:49,200 Speaker 3: And that's when it's given me so much fun with 763 00:37:49,239 --> 00:37:51,120 Speaker 3: Fitzimmons of the Comedy Fest a couple of years ago. 764 00:37:51,200 --> 00:37:55,439 Speaker 4: Dude, he's the best. Oh great dude. And hockey guy too. 765 00:37:55,640 --> 00:37:58,480 Speaker 4: He's got stories of referee hockey games in Boston with 766 00:37:58,520 --> 00:38:00,360 Speaker 4: a knife in his back pocket. 767 00:37:59,840 --> 00:38:04,279 Speaker 3: He he's one of he's like one of those guys 768 00:38:04,320 --> 00:38:07,400 Speaker 3: you don't suspect it, but he's like a badass. Like 769 00:38:07,440 --> 00:38:10,280 Speaker 3: back in the day he used to just yeah shift 770 00:38:10,320 --> 00:38:18,080 Speaker 3: people hockey. Yeah that's not a icing yeah side yet 771 00:38:18,600 --> 00:38:20,920 Speaker 3: while you're down there, see if the strip club referenced 772 00:38:20,920 --> 00:38:22,520 Speaker 3: in Motley Cruise girls girls. 773 00:38:23,640 --> 00:38:26,640 Speaker 4: Oh yeah, oh that one, yeah, probably tell you the 774 00:38:26,680 --> 00:38:27,480 Speaker 4: best strip. 775 00:38:27,200 --> 00:38:29,120 Speaker 1: Clubs in Ford. 776 00:38:29,239 --> 00:38:33,399 Speaker 4: Lot of full nude women that are you would think 777 00:38:33,480 --> 00:38:35,480 Speaker 4: they don't have to be full nude, like you know, 778 00:38:35,560 --> 00:38:37,440 Speaker 4: they they have some issues. 779 00:38:37,800 --> 00:38:41,239 Speaker 5: I just love that line because Fort Lauderdale is the 780 00:38:41,320 --> 00:38:45,480 Speaker 5: least resonance sounding in a lyric of any city in America. 781 00:38:45,680 --> 00:38:48,120 Speaker 1: Nothing that doesn't work for a moment. 782 00:38:48,280 --> 00:38:51,080 Speaker 3: I might have just gone with Lauderdale, like everyone want 783 00:38:51,160 --> 00:38:55,360 Speaker 3: to know, you know Fordale in Duvall County, you know, 784 00:38:57,760 --> 00:38:58,320 Speaker 3: so proud. 785 00:38:59,040 --> 00:39:02,960 Speaker 1: God that's still driving you nuts? Huh yeah, I get it. 786 00:39:02,960 --> 00:39:06,240 Speaker 10: Well, mostly the reaction. 787 00:39:06,040 --> 00:39:10,799 Speaker 3: The surprise, Like I agree with like Scott Van Pelt saying, like, hey, 788 00:39:10,880 --> 00:39:13,239 Speaker 3: it's not that serious. 789 00:39:13,719 --> 00:39:16,480 Speaker 1: But I think that that is circumstantial. There are times 790 00:39:16,480 --> 00:39:19,720 Speaker 1: that it is. You know, it's not cure and cancer. 791 00:39:19,840 --> 00:39:21,760 Speaker 10: But there's a way to do a job the right way, 792 00:39:21,880 --> 00:39:23,719 Speaker 10: and there's a way to do a job the wrong way. 793 00:39:23,760 --> 00:39:27,760 Speaker 1: But I also think that it was like not her fault. 794 00:39:27,920 --> 00:39:31,640 Speaker 3: She was in the wrong space, Like they let her 795 00:39:31,840 --> 00:39:35,879 Speaker 3: go there, that's not her forum. Well she went there, 796 00:39:35,960 --> 00:39:40,480 Speaker 3: so yet it is her fault. I I get why you're. 797 00:39:40,320 --> 00:39:42,320 Speaker 10: So upset about it, unless she was, you know, forced 798 00:39:42,320 --> 00:39:44,120 Speaker 10: a gunpoint into the interview room. 799 00:39:44,640 --> 00:39:48,120 Speaker 3: I you know, we played clips of in the past. 800 00:39:48,160 --> 00:39:49,880 Speaker 1: It's happened to Belichick. 801 00:39:50,280 --> 00:39:52,160 Speaker 3: You know, people are like, oh, wouldn't it be hilarious 802 00:39:52,560 --> 00:39:56,359 Speaker 3: if someone tried to do something like that to Bill Belichick. 803 00:39:56,280 --> 00:39:57,720 Speaker 1: But it actually did happen. 804 00:39:57,800 --> 00:40:02,480 Speaker 3: I mean, he was asked inane question in a press conference. 805 00:40:02,680 --> 00:40:03,640 Speaker 1: Football is side. 806 00:40:03,680 --> 00:40:06,319 Speaker 11: Sorry, but I'm doing a story about New Year's resolutions 807 00:40:06,320 --> 00:40:07,759 Speaker 11: and I was just wondering if you had any you 808 00:40:07,760 --> 00:40:10,360 Speaker 11: wanted to share with your fans and our readers. 809 00:40:11,640 --> 00:40:16,960 Speaker 1: Yeah no, not right now. Okay, so it's me. It's 810 00:40:17,000 --> 00:40:19,120 Speaker 1: not without precedent, it's not without president. 811 00:40:19,160 --> 00:40:21,400 Speaker 10: And there are times the media day at the Super 812 00:40:21,400 --> 00:40:25,879 Speaker 10: Bowl has become ridiculous, and that's on purpose. You ask 813 00:40:25,920 --> 00:40:28,560 Speaker 10: a bunch of stupid questions, not right after a game, 814 00:40:29,160 --> 00:40:32,239 Speaker 10: well after an elimination game. It's completely out of place. Yeah, 815 00:40:32,320 --> 00:40:35,359 Speaker 10: it's unprofessional at any time. I mean some people get 816 00:40:35,520 --> 00:40:37,840 Speaker 10: assigned to go to the Super Bowl and ask a 817 00:40:37,840 --> 00:40:40,799 Speaker 10: guy what his favorite tree is or you know what 818 00:40:41,000 --> 00:40:42,120 Speaker 10: color he likes better. 819 00:40:42,760 --> 00:40:45,359 Speaker 3: Well, the weird thing about it is, it's like I 820 00:40:45,400 --> 00:40:49,560 Speaker 3: was talking to Brian O'Neal about this, the longtime Postcazette 821 00:40:49,840 --> 00:40:53,040 Speaker 3: columnists is brilliant, right, fantastic writer, just a brilliant writer. 822 00:40:53,680 --> 00:40:56,680 Speaker 3: And I said that the weird thing that is happening 823 00:40:56,719 --> 00:41:00,799 Speaker 3: now is enough time has passed where the things that 824 00:41:00,880 --> 00:41:04,920 Speaker 3: we used to know as the parameters of how we 825 00:41:05,120 --> 00:41:10,640 Speaker 3: are to behave professionally across the board have been pulled 826 00:41:10,680 --> 00:41:14,200 Speaker 3: apart and people are now so used to it, and 827 00:41:14,239 --> 00:41:16,839 Speaker 3: there's an entire generation ushered in and I mean this 828 00:41:16,920 --> 00:41:20,680 Speaker 3: is from sports to you know, the real important things. 829 00:41:20,680 --> 00:41:24,200 Speaker 3: People are so used to it not being how it 830 00:41:24,320 --> 00:41:27,080 Speaker 3: was before and it was keeping us on the rails 831 00:41:27,360 --> 00:41:30,160 Speaker 3: that they now think when you bring up that it 832 00:41:30,200 --> 00:41:32,399 Speaker 3: shouldn't be like that, that you're the one who's out 833 00:41:32,400 --> 00:41:35,719 Speaker 3: of touch. It has changed so much and there is 834 00:41:35,760 --> 00:41:37,960 Speaker 3: an element of it that's adapt or die I get it, 835 00:41:38,000 --> 00:41:42,319 Speaker 3: but also it's you know, there's an at your own 836 00:41:42,440 --> 00:41:46,120 Speaker 3: peril element to this that I think the people who 837 00:41:46,120 --> 00:41:48,600 Speaker 3: get really mad at the people who are getting really 838 00:41:48,640 --> 00:41:51,839 Speaker 3: mad about that aren't acknowledging, do you see what I'm saying. 839 00:41:52,040 --> 00:41:54,440 Speaker 3: So if McAfee goes like you guys are all like 840 00:41:54,600 --> 00:41:57,400 Speaker 3: outdated idiots and all that kind of stuff, like, I 841 00:41:57,440 --> 00:42:00,279 Speaker 3: don't think he's acknowledging the other part of it that 842 00:42:00,440 --> 00:42:03,960 Speaker 3: you are addressing and that is your larger concern. 843 00:42:04,080 --> 00:42:09,640 Speaker 10: Yeah, McAfee posted, well, remembering this correctly. He talks about 844 00:42:09,640 --> 00:42:12,280 Speaker 10: the success of his show with no input from anybody 845 00:42:12,320 --> 00:42:15,439 Speaker 10: that went to journalism school, and then he talked about 846 00:42:15,480 --> 00:42:17,799 Speaker 10: all the emotion of that moment and how much he 847 00:42:18,040 --> 00:42:21,000 Speaker 10: liked it, and he said, I think some journalism was 848 00:42:21,000 --> 00:42:24,200 Speaker 10: happening there. My response would be, well, if you had 849 00:42:24,200 --> 00:42:28,320 Speaker 10: gone to journalism school, you wouldn't think that, right, And 850 00:42:28,920 --> 00:42:32,239 Speaker 10: his show doesn't have to be journalism. He's an entertainer 851 00:42:32,560 --> 00:42:34,520 Speaker 10: and he's wildly successful at it. 852 00:42:34,960 --> 00:42:37,399 Speaker 1: But you're not supposed to be an entertainer there. 853 00:42:37,560 --> 00:42:40,840 Speaker 5: I've had that argument with people in professional settings. I said, look, 854 00:42:40,920 --> 00:42:45,640 Speaker 5: if there's not a reporter going and reporting the news, 855 00:42:46,840 --> 00:42:50,319 Speaker 5: then we're not doing journalism. We were doing something that 856 00:42:50,400 --> 00:42:54,359 Speaker 5: might have value. But if that's not happening, it's something else. 857 00:42:54,719 --> 00:42:59,360 Speaker 5: And I feel like that's never been more threatened, the 858 00:42:59,440 --> 00:43:02,640 Speaker 5: idea that news is gathered by people going out and 859 00:43:02,680 --> 00:43:06,080 Speaker 5: reporting on it in sports and elsewhere than it is 860 00:43:06,160 --> 00:43:06,480 Speaker 5: right now. 861 00:43:06,480 --> 00:43:08,239 Speaker 1: Well, yeah, that's it. And I like Pad a great deal. 862 00:43:08,239 --> 00:43:09,520 Speaker 3: He's been a great friend of the show, and he's 863 00:43:09,560 --> 00:43:11,360 Speaker 3: been incredibly generous to us. 864 00:43:12,000 --> 00:43:15,120 Speaker 1: Yes, so I HP and all that, and he's doing great. 865 00:43:15,160 --> 00:43:17,799 Speaker 10: Yeah, but just you know, he's got a wide lane, 866 00:43:17,800 --> 00:43:20,680 Speaker 10: but he should stay in it. Well, my tiny little lane, 867 00:43:20,960 --> 00:43:22,880 Speaker 10: I know better than him. But it's not this is 868 00:43:22,920 --> 00:43:24,399 Speaker 10: not just about him. 869 00:43:24,440 --> 00:43:27,360 Speaker 3: This is about just sort of the the larger attitude 870 00:43:27,480 --> 00:43:30,399 Speaker 3: of and and I see Benzi fighting this fight every day, 871 00:43:30,400 --> 00:43:31,799 Speaker 3: and he's trying to fend people off. 872 00:43:31,840 --> 00:43:33,879 Speaker 1: He's like, what's the name of the guy in army 873 00:43:33,920 --> 00:43:34,560 Speaker 1: of darkness? 874 00:43:35,000 --> 00:43:38,239 Speaker 5: He's like, you know, there's as from all around the 875 00:43:38,280 --> 00:43:39,520 Speaker 5: deadlights are all around. 876 00:43:39,920 --> 00:43:41,640 Speaker 1: A thousand people coming at him, and he's trying to 877 00:43:41,680 --> 00:43:42,600 Speaker 1: fend them all off. You know. 878 00:43:43,600 --> 00:43:48,360 Speaker 3: But the idea that you are being unwelcome or that 879 00:43:48,440 --> 00:43:55,319 Speaker 3: you're you're being a journalist is an unwelcome sentiment in 880 00:43:55,360 --> 00:43:57,120 Speaker 3: these areas when you're a fan of somebody that if 881 00:43:57,120 --> 00:43:59,400 Speaker 3: you were to bring up something that might be a 882 00:43:59,440 --> 00:44:01,919 Speaker 3: bad look, point out a fault in any way, shape 883 00:44:01,960 --> 00:44:04,360 Speaker 3: or form, that you are the problem. 884 00:44:04,160 --> 00:44:08,560 Speaker 1: And not asking is this maybe the problem is the 885 00:44:08,560 --> 00:44:10,560 Speaker 1: wrong thing to do, do you know what I mean? 886 00:44:11,000 --> 00:44:14,520 Speaker 3: Like I do, I just I'm like to inquire, like, hey, 887 00:44:15,560 --> 00:44:19,200 Speaker 3: would you have benefited from doing this on offense? As 888 00:44:19,239 --> 00:44:23,560 Speaker 3: somehow going in there and like with a dagger. Sometimes 889 00:44:23,760 --> 00:44:26,560 Speaker 3: you gotta ask tough questions and hear news occasionally that 890 00:44:26,600 --> 00:44:28,919 Speaker 3: you don't like to hear. There were people but were 891 00:44:28,920 --> 00:44:31,520 Speaker 3: so far past we hate hearing news. We don't like 892 00:44:31,600 --> 00:44:33,200 Speaker 3: to hear because it's so easy to go find the 893 00:44:33,239 --> 00:44:34,120 Speaker 3: news we like to hear. 894 00:44:34,280 --> 00:44:37,600 Speaker 10: There were people getting on the Fable when JJ Watt 895 00:44:37,600 --> 00:44:39,600 Speaker 10: came out with that maybe yeah, that should have been 896 00:44:39,640 --> 00:44:42,920 Speaker 10: left in the locker room, and he had to clarify 897 00:44:43,000 --> 00:44:45,600 Speaker 10: later that he met the players shouldn't have talked. There 898 00:44:45,600 --> 00:44:48,400 Speaker 10: were people attacking the Fable for the Yeah, the media 899 00:44:49,080 --> 00:44:53,080 Speaker 10: we alone. That was the best Stealers story of the year, 900 00:44:53,760 --> 00:44:57,360 Speaker 10: maybe multiple years. If you don't want to be informed 901 00:44:57,400 --> 00:44:59,319 Speaker 10: as a public, I don't know what to tell you. 902 00:45:00,440 --> 00:45:02,040 Speaker 1: That's what I'm saying is the horses out of the 903 00:45:02,040 --> 00:45:02,520 Speaker 1: barn on that. 904 00:45:02,719 --> 00:45:05,400 Speaker 10: Yeah, two faces and going back into two in the 905 00:45:05,400 --> 00:45:08,880 Speaker 10: genie and we're not going back on the rails anytime soon, no, which. 906 00:45:08,640 --> 00:45:10,560 Speaker 3: Is why it's great to distract yourself with pop culture 907 00:45:10,560 --> 00:45:11,080 Speaker 3: and chunk hall. 908 00:45:11,160 --> 00:45:13,440 Speaker 1: Yeer, you have two minutes to give us the review. 909 00:45:13,600 --> 00:45:14,480 Speaker 1: Let's do it quickly. 910 00:45:14,560 --> 00:45:18,200 Speaker 5: Twenty eight years later, The Bone Temple, first and foremost gentleman, 911 00:45:18,360 --> 00:45:23,000 Speaker 5: Under no circumstances should you invite anyone to your bone. 912 00:45:22,719 --> 00:45:25,280 Speaker 1: Tail you're in the Bone Temple. 913 00:45:25,360 --> 00:45:27,839 Speaker 5: Baby, I don't care if you think you're funny. Your 914 00:45:27,840 --> 00:45:30,160 Speaker 5: girlfriend thinks you're funny. You both like horror. You're walking 915 00:45:30,160 --> 00:45:32,160 Speaker 5: out of the movie the moment you say, hey, baby, 916 00:45:32,200 --> 00:45:34,080 Speaker 5: you won't take a little trip to the Bone Temple. 917 00:45:34,160 --> 00:45:38,440 Speaker 5: Guess what You're not going to the Bone tip. Fourth 918 00:45:38,440 --> 00:45:42,360 Speaker 5: film in the Danny Boyle Fast Zombie series. This installment 919 00:45:42,560 --> 00:45:44,799 Speaker 5: directed by Night da Costa, who's very good director. Did 920 00:45:44,800 --> 00:45:48,120 Speaker 5: the recent Candy Man, did the Marvels. It's very graphic. 921 00:45:48,200 --> 00:45:50,840 Speaker 5: You need to be willing to watch anything. Child forced 922 00:45:50,840 --> 00:45:54,000 Speaker 5: into Mortal Kombat zombie, ripping a man apart like a banana, 923 00:45:54,239 --> 00:45:56,560 Speaker 5: Ray Fines, taking his clothes off and dancing around to 924 00:45:56,640 --> 00:45:59,160 Speaker 5: Duran Durant's girls on film. You're gonna see a lot 925 00:45:59,200 --> 00:46:02,000 Speaker 5: of things you know to see. This is really just 926 00:46:02,200 --> 00:46:04,600 Speaker 5: a sequel to the sequel. This is two more hours 927 00:46:04,640 --> 00:46:06,839 Speaker 5: of the one that came out just about six months ago. 928 00:46:07,040 --> 00:46:10,400 Speaker 5: There's great stuff in it. The Iron Maiden number of 929 00:46:10,400 --> 00:46:13,640 Speaker 5: the Beast sequence is worth your ticket, absolutely yeah, but 930 00:46:14,920 --> 00:46:18,240 Speaker 5: probably more for dedicated fans than something you need to see. 931 00:46:18,360 --> 00:46:21,200 Speaker 5: A little inconsistent on this release schedule. The original two 932 00:46:21,239 --> 00:46:24,040 Speaker 5: thousand and three normal sequel two thousand and seven, then 933 00:46:24,080 --> 00:46:28,360 Speaker 5: we waited eighteen years, then we waited six months, seven, 934 00:46:28,640 --> 00:46:31,399 Speaker 5: twenty five, twenty six. The fifth one's either coming out 935 00:46:31,440 --> 00:46:33,560 Speaker 5: in the year twenty one hundred or tomorrow. I have 936 00:46:33,640 --> 00:46:36,919 Speaker 5: no idea, but mainly for the for the die hard 937 00:46:36,920 --> 00:46:40,320 Speaker 5: horror fans. Not really something you gotta see. I would 938 00:46:40,360 --> 00:46:43,400 Speaker 5: recommend no other choice. Likely Oscar nominee. This is the 939 00:46:43,440 --> 00:46:47,520 Speaker 5: director Park chen Wuk who did Old Boy. I really 940 00:46:47,600 --> 00:46:51,239 Speaker 5: liked his decision to leave The Handmaiden. There's a guy 941 00:46:51,280 --> 00:46:53,560 Speaker 5: he loses his job, he's trying to find another one, 942 00:46:53,920 --> 00:46:56,400 Speaker 5: and he figures out who else might be qualified for 943 00:46:56,520 --> 00:46:58,960 Speaker 5: jobs like his in his area and murders them. It's 944 00:46:58,960 --> 00:47:01,080 Speaker 5: a lot of fun. It's a dark that's where we 945 00:47:01,120 --> 00:47:04,240 Speaker 5: are as a society. The movie that's just about murdering 946 00:47:04,239 --> 00:47:07,160 Speaker 5: people for profit. That's a comedy. That's a light blood, 947 00:47:07,239 --> 00:47:10,279 Speaker 5: lighthearted rump compared to the War and Death and Eternity. 948 00:47:10,640 --> 00:47:13,200 Speaker 5: Very much recommended. I think it's going to get some 949 00:47:13,320 --> 00:47:17,040 Speaker 5: OSCAR nominations, definitely Best International Film, maybe one or two others. 950 00:47:17,400 --> 00:47:20,080 Speaker 5: And we'll talk more about OSCAR nominations next week, because 951 00:47:20,080 --> 00:47:22,239 Speaker 5: that's Thursday. I'll be here Friday, I'll tell you more 952 00:47:22,239 --> 00:47:22,680 Speaker 5: about them. 953 00:47:22,880 --> 00:47:26,240 Speaker 3: Thanks to Dave Damashek for joining us this morning. Also 954 00:47:26,920 --> 00:47:29,440 Speaker 3: athletic writer Mike de Fabo. Again, Mike, I agree with 955 00:47:29,440 --> 00:47:31,719 Speaker 3: your assessment on that story. It was the best of the. 956 00:47:31,760 --> 00:47:34,920 Speaker 10: Year, so compelling it So it's painted such a picture 957 00:47:35,000 --> 00:47:36,279 Speaker 10: and here's Steeler fan. 958 00:47:36,560 --> 00:47:39,719 Speaker 1: Isn't that what you want to know? Wow? 959 00:47:39,760 --> 00:47:41,880 Speaker 10: I didn't like coach Tomblin, but these guys wanted to 960 00:47:41,960 --> 00:47:49,640 Speaker 10: kill form perspective. Yeah, I nuance, depth, context. This is 961 00:47:49,640 --> 00:47:51,280 Speaker 10: what journalism used to provide. 962 00:47:51,560 --> 00:47:55,120 Speaker 3: The problem is now it's it sucks. Well, that's because 963 00:47:55,160 --> 00:47:57,680 Speaker 3: everybody has the platform. Everybody has the platform, and you 964 00:47:57,719 --> 00:47:59,560 Speaker 3: feel like you have to answer everybody. Before it used 965 00:47:59,600 --> 00:48:01,640 Speaker 3: to just be it existed and you had to have 966 00:48:01,640 --> 00:48:04,640 Speaker 3: some qualifications to get a platform. 967 00:48:04,280 --> 00:48:06,120 Speaker 10: And if you did something like that, you wouldn't get 968 00:48:06,160 --> 00:48:08,239 Speaker 10: a chance to do it again. Although that stuff's been 969 00:48:08,239 --> 00:48:10,319 Speaker 10: going on a long time. Yeah, it's word past. 970 00:48:10,440 --> 00:48:14,919 Speaker 3: It's just it's hard to accept sometimes, but that's where 971 00:48:14,920 --> 00:48:15,239 Speaker 3: it is. 972 00:48:15,320 --> 00:48:15,680 Speaker 1: Man. 973 00:48:16,040 --> 00:48:19,040 Speaker 10: You know, it's the same as the TV news. Whenever 974 00:48:19,080 --> 00:48:21,000 Speaker 10: a team does well in a town, they start wearing 975 00:48:21,040 --> 00:48:23,080 Speaker 10: hats or the team colors. 976 00:48:22,760 --> 00:48:24,760 Speaker 1: Or just rah rah rah. 977 00:48:24,840 --> 00:48:28,880 Speaker 3: Yeah, I mean, that's not to say though life, but 978 00:48:29,360 --> 00:48:31,280 Speaker 3: and again, this is one of those things that everything 979 00:48:31,280 --> 00:48:34,520 Speaker 3: gets conflated. You're allowed to not be happy with the 980 00:48:34,640 --> 00:48:38,560 Speaker 3: lack of success in your team, You're allowed to be 981 00:48:38,760 --> 00:48:41,880 Speaker 3: pissed and think things should be done differently. It's just 982 00:48:41,960 --> 00:48:44,680 Speaker 3: that everything gets thrown in the same bucket. We're devoid 983 00:48:44,719 --> 00:48:45,920 Speaker 3: of any context anymore. 984 00:48:46,360 --> 00:48:48,600 Speaker 1: Where it seems. 985 00:48:47,719 --> 00:48:50,759 Speaker 3: Like you're bringing up something about like Mike Tomlin's tenure here, 986 00:48:50,800 --> 00:48:52,400 Speaker 3: how can you not look back at that and be like, 987 00:48:52,680 --> 00:48:57,080 Speaker 3: no losing seasons ever, one meaningless football game in the 988 00:48:57,360 --> 00:48:59,959 Speaker 3: entire run of nineteen years as a head coach. 989 00:49:00,040 --> 00:49:01,879 Speaker 1: It's remarkable. Is it good enough? 990 00:49:01,960 --> 00:49:03,680 Speaker 3: No? In the end it wasn't. And he even thoughts 991 00:49:03,719 --> 00:49:05,799 Speaker 3: on sat down. But that doesn't mean that you can't say. 992 00:49:05,840 --> 00:49:07,719 Speaker 3: It's like when I said, I tweeted the one time 993 00:49:07,760 --> 00:49:10,200 Speaker 3: like David DeCastro Man, thanks for everything, what a badass 994 00:49:10,239 --> 00:49:12,319 Speaker 3: he was, And the first tweet I got was never 995 00:49:12,360 --> 00:49:14,160 Speaker 3: want a championship, Good riddance. 996 00:49:14,480 --> 00:49:20,640 Speaker 1: It's like, dude perspective here. You know that's pretty cold. 997 00:49:20,520 --> 00:49:24,000 Speaker 3: Yeah, but that's how people judge things now. 998 00:49:24,360 --> 00:49:26,799 Speaker 1: You know, TJ. Watt never won a playoff game. Get 999 00:49:26,880 --> 00:49:29,200 Speaker 1: rid of him, he's still a pretty good player. 1000 00:49:29,280 --> 00:49:31,680 Speaker 3: Maybe that contract wasn't the best idea in retrospect, but 1001 00:49:31,760 --> 00:49:32,399 Speaker 3: we'll find out. 1002 00:49:32,640 --> 00:49:35,919 Speaker 1: We'll see, said the zen Master. No, we don't see 1003 00:49:35,920 --> 00:49:38,640 Speaker 1: any We don't wait and see anymore. We know. Uh 1004 00:49:38,680 --> 00:49:41,000 Speaker 1: well that's what stephen A says, zen Master. I'll tell 1005 00:49:41,000 --> 00:49:41,239 Speaker 1: you what. 1006 00:49:41,840 --> 00:49:44,919 Speaker 3: Also, thanks to Dona was great talking to the rock 1007 00:49:44,960 --> 00:49:47,719 Speaker 3: and roll legend tonight at the Thunderbird with the Pandetroit 1008 00:49:47,840 --> 00:49:50,799 Speaker 3: Ensemble performing in the Grateful Dad's Blues for Allah. That 1009 00:49:51,000 --> 00:49:53,440 Speaker 3: is going to be a love fest for Bobby, full 1010 00:49:53,520 --> 00:49:56,720 Speaker 3: of like minded music lovers. And if you are looking 1011 00:49:56,760 --> 00:50:00,800 Speaker 3: for something special to do a unique experience, highly recommend 1012 00:50:00,840 --> 00:50:03,839 Speaker 3: checking that out because it's gonna be I think it's 1013 00:50:03,840 --> 00:50:07,120 Speaker 3: gonna hit on a couple of different levels. Joe Bartnik 1014 00:50:07,160 --> 00:50:08,320 Speaker 3: and you know better than anybody. 1015 00:50:08,480 --> 00:50:10,920 Speaker 4: Yeah, and plus the Thunderbirds such a great place to 1016 00:50:10,960 --> 00:50:14,120 Speaker 4: go to hear music. So yeah, it's gonna be great music. 1017 00:50:14,160 --> 00:50:16,840 Speaker 4: So if you don't know, hey, what's done was about, 1018 00:50:16,880 --> 00:50:18,200 Speaker 4: You're gonna have a great time. 1019 00:50:18,360 --> 00:50:21,600 Speaker 3: And thanks to Joe Bartnick and well next week you're 1020 00:50:21,600 --> 00:50:22,279 Speaker 3: gonna be gone all week. 1021 00:50:22,280 --> 00:50:23,680 Speaker 1: We'll see the week after the week after. 1022 00:50:23,800 --> 00:50:26,760 Speaker 4: Yes, So depends will be out West and four games 1023 00:50:26,800 --> 00:50:31,800 Speaker 4: by like six points. That yeah, even if it says, 1024 00:50:31,840 --> 00:50:34,759 Speaker 4: you know, two wins and two loser points. Whatever we 1025 00:50:34,800 --> 00:50:37,680 Speaker 4: need so we need to see that eight. I went 1026 00:50:37,760 --> 00:50:39,000 Speaker 4: everything except Edmonton. 1027 00:50:39,239 --> 00:50:44,200 Speaker 3: I'll give Jesus his due and thanks to Sean Collier. Look, 1028 00:50:44,239 --> 00:50:46,120 Speaker 3: I got nothing this week, but I got too much 1029 00:50:46,200 --> 00:50:47,839 Speaker 3: next week. So let me get one of them out 1030 00:50:47,840 --> 00:50:48,200 Speaker 3: of the way. 1031 00:50:48,239 --> 00:50:50,600 Speaker 5: Now, next Saturday night, I will be at the Reserve 1032 00:50:50,760 --> 00:50:54,240 Speaker 5: Volunteer Fire Department in Mount Troy. Great night of comedy. 1033 00:50:54,280 --> 00:50:56,120 Speaker 5: I'll tweet out a link to that one now at 1034 00:50:56,160 --> 00:50:57,320 Speaker 5: Seawn Collier PGH. 1035 00:50:57,400 --> 00:50:59,960 Speaker 3: Come see some commed Mount Troy. That's like Millvale. Let's 1036 00:51:00,239 --> 00:51:02,919 Speaker 3: right there. You're not even going far. Yes, uh, that's 1037 00:51:02,920 --> 00:51:04,799 Speaker 3: it for us. Michelle's up next, and Abby. I'm very 1038 00:51:04,840 --> 00:51:08,560 Speaker 3: excited because we've added one more SoundBite to the Friday show. 1039 00:51:08,600 --> 00:51:08,920 Speaker 1: Close. 1040 00:51:09,160 --> 00:51:11,040 Speaker 7: We'll let you know what I'm doing on Friday. 1041 00:51:11,840 --> 00:51:14,680 Speaker 3: Have a great weekend, everybody. Oh wait, we got to 1042 00:51:14,719 --> 00:51:16,839 Speaker 3: do that. Are we gonna make it up next week? 1043 00:51:16,880 --> 00:51:21,200 Speaker 3: We knowing Mike's next week, all right, Jacob said, next week? Off? 1044 00:51:21,440 --> 00:51:23,200 Speaker 1: Ruh. When these start rutting things? 1045 00:51:23,960 --> 00:51:26,239 Speaker 10: Since day one, Bandiana wins a few games now he's 1046 00:51:26,239 --> 00:51:26,840 Speaker 10: calling the shots. 1047 00:51:26,880 --> 00:51:28,840 Speaker 1: Oh yeah, you're not gonna be here. Good luck to 1048 00:51:28,880 --> 00:51:31,919 Speaker 1: your Hoosiers on Monday night day. 1049 00:51:32,000 --> 00:51:33,960 Speaker 3: It should be pointed out Jacob is not going to 1050 00:51:34,000 --> 00:51:36,560 Speaker 3: Miami because the tickets are stupid expensive. 1051 00:51:36,760 --> 00:51:38,920 Speaker 1: But you're gonna go to Indiana and watch it where 1052 00:51:38,960 --> 00:51:39,680 Speaker 1: an assembly hall. 1053 00:51:39,760 --> 00:51:42,000 Speaker 8: I'm going to New York to watch it with a 1054 00:51:42,000 --> 00:51:43,320 Speaker 8: group of like fifty people. 1055 00:51:43,400 --> 00:51:44,200 Speaker 7: It's so cute. 1056 00:51:44,400 --> 00:51:46,640 Speaker 8: My sister, who also went to IU with me, he's 1057 00:51:46,680 --> 00:51:48,359 Speaker 8: two years younger, lives there. 1058 00:51:48,880 --> 00:51:50,440 Speaker 1: So I'll watch it with a you're in like our 1059 00:51:50,760 --> 00:51:51,560 Speaker 1: a big group. 1060 00:51:51,400 --> 00:51:54,440 Speaker 3: Of big group of like minded Hoosiers. Yes, sir, who 1061 00:51:54,480 --> 00:51:55,279 Speaker 3: are gonna watch that? 1062 00:51:55,280 --> 00:51:58,080 Speaker 8: That's the biggest group I could find to watch it with. 1063 00:51:58,400 --> 00:52:01,640 Speaker 8: And I watched the game. I watched the Rose Bowl 1064 00:52:01,960 --> 00:52:04,280 Speaker 8: with my family, just the five of us. I watched 1065 00:52:04,280 --> 00:52:08,400 Speaker 8: the Peach Bowl last week in Pittsburgh with two other Hoosiers. 1066 00:52:08,760 --> 00:52:11,400 Speaker 8: So I need to do something grand for the for 1067 00:52:11,480 --> 00:52:13,920 Speaker 8: the Grand Finale. Had you didn't you tell me you 1068 00:52:13,960 --> 00:52:16,440 Speaker 8: were thinking about going to Bloomington though originally that was 1069 00:52:16,520 --> 00:52:19,040 Speaker 8: my idea and everyone shot it down, which I don't 1070 00:52:19,040 --> 00:52:22,040 Speaker 8: get why they shot it down, but I wanted to 1071 00:52:22,080 --> 00:52:22,359 Speaker 8: be on. 1072 00:52:23,800 --> 00:52:28,000 Speaker 7: I mean we are Berbie. Why's he got to give 1073 00:52:28,000 --> 00:52:30,400 Speaker 7: a shot to Bloomington. Yeah, see what he does? I 1074 00:52:30,520 --> 00:52:33,160 Speaker 7: choose Bloomington over East Lansing any day. 1075 00:52:33,280 --> 00:52:34,719 Speaker 1: Shoot, you might have been able to see a bike 1076 00:52:34,800 --> 00:52:35,960 Speaker 1: race in a football game. 1077 00:52:36,160 --> 00:52:39,839 Speaker 3: Okay, you know we're crying out loud. Good lucky your hey. 1078 00:52:40,040 --> 00:52:41,000 Speaker 3: I hope you get the natty. 1079 00:52:41,000 --> 00:52:42,880 Speaker 1: All right, that's it. We gotta get some rocks. I 1080 00:52:42,960 --> 00:52:47,560 Speaker 1: have a great weekend. I'm finished. You stay classy, Pittsburgh. 1081 00:52:47,640 --> 00:52:50,920 Speaker 1: Don't touch your face. I got him to Pittsburg day baby. 1082 00:52:51,080 --> 00:52:52,560 Speaker 1: But now you call me Ronald? 1083 00:52:52,600 --> 00:52:53,760 Speaker 7: Would you not eat my pants? 1084 00:52:53,880 --> 00:53:04,600 Speaker 1: Coronald? Normal sizemip oh top that wer taprops? Check him? 1085 00:53:04,840 --> 00:53:04,880 Speaker 3: My? 1086 00:53:05,920 --> 00:53:11,160 Speaker 6: Why goglehead nipples the same size as every war. 1087 00:53:15,640 --> 00:53:19,040 Speaker 7: It's Friday night. I'm going to get drunk. I'm going 1088 00:53:19,120 --> 00:53:22,800 Speaker 7: to get late. I'm going to be late on Monday. 1089 00:53:22,960 --> 00:53:26,959 Speaker 1: See you're on like a donuts. Fine, great Friday, you mother. 1090 00:53:28,680 --> 00:53:31,799 Speaker 9: It's time for the Steelers Daily Report on DVE, brought 1091 00:53:31,840 --> 00:53:35,680 Speaker 9: to you by Independence Health System Expert Care here and 1092 00:53:35,840 --> 00:53:38,399 Speaker 9: Steelers Pro Shop. Get it direct from the team at 1093 00:53:38,440 --> 00:53:40,080 Speaker 9: shop dot Steelers dot com. 1094 00:53:40,080 --> 00:53:43,200 Speaker 12: Here's Tom Opperman, Steelers head coach, Mike Tomlins sent tremors 1095 00:53:43,200 --> 00:53:45,440 Speaker 12: through the football world Tuesday afternoon when it was announced 1096 00:53:45,440 --> 00:53:47,160 Speaker 12: he would be stepping down as head coach of the 1097 00:53:47,160 --> 00:53:50,120 Speaker 12: Pittsburgh Steelers after nineteen seasons with the franchise. 1098 00:53:50,440 --> 00:53:52,360 Speaker 11: Mike Tomlin walks away with a legacy that includes the 1099 00:53:52,360 --> 00:53:55,520 Speaker 11: Super Bowl winning Super Bowl forty three, two AFC Championships, 1100 00:53:55,600 --> 00:53:57,919 Speaker 11: eight division titles, and as the coach with the most 1101 00:53:57,920 --> 00:54:01,239 Speaker 11: consecutive non losing seasons in NFL history. The Steelers will 1102 00:54:01,280 --> 00:54:02,759 Speaker 11: now be on the lookout for a head coach for 1103 00:54:02,800 --> 00:54:04,799 Speaker 11: the first time since two thousand and seven, when they 1104 00:54:04,880 --> 00:54:07,440 Speaker 11: hired Mike Tomlin to replace Bill Kawer, and will be 1105 00:54:07,440 --> 00:54:09,920 Speaker 11: competing with eight other teams in this head coaching market, 1106 00:54:10,080 --> 00:54:12,640 Speaker 11: including their two division rivals, the Baltimore Ravens and the 1107 00:54:12,680 --> 00:54:16,239 Speaker 11: Cleveland Browns. Steelers' owner and team president Art Rooney spoke 1108 00:54:16,239 --> 00:54:18,200 Speaker 11: to the media Wednesday afternoon to address the news of 1109 00:54:18,200 --> 00:54:20,239 Speaker 11: Tomlin stepping down and where the team will go from here. 1110 00:54:20,760 --> 00:54:23,319 Speaker 11: The process to replace Tomlin will begin immediately, according to 1111 00:54:23,360 --> 00:54:25,120 Speaker 11: Art Rooney, and while he didn't want to lay down 1112 00:54:25,160 --> 00:54:27,080 Speaker 11: any parameters when it came to the next head coach 1113 00:54:27,080 --> 00:54:29,400 Speaker 11: for the Pittsburgh Steelers, He did note that he expects 1114 00:54:29,440 --> 00:54:31,319 Speaker 11: the process to take a couple of weeks and that 1115 00:54:31,360 --> 00:54:33,440 Speaker 11: he doesn't expect anybody who is currently on the staff 1116 00:54:33,480 --> 00:54:36,200 Speaker 11: to be promoted to the head coaching position. As far 1117 00:54:36,239 --> 00:54:38,400 Speaker 11: as what this means for Aaron Rodgers in his future 1118 00:54:38,440 --> 00:54:40,880 Speaker 11: with the Steelers, Art Rooney noted that Rogers came to 1119 00:54:40,880 --> 00:54:43,120 Speaker 11: Pittsburgh to play for Mike Tomlin and that he thinks 1120 00:54:43,200 --> 00:54:46,360 Speaker 11: this decision by Tomlin will most likely affect Rogers's decision. 1121 00:54:46,960 --> 00:54:49,640 Speaker 11: It certainly will be a very busy and intriguing offseason 1122 00:54:50,000 --> 00:54:52,600 Speaker 11: as the search for the franchise's fourth coach since nineteen 1123 00:54:52,680 --> 00:54:54,440 Speaker 11: sixty nine is officially on. 1124 00:54:55,200 --> 00:54:57,200 Speaker 1: I'm Tom Offerman with the Steelers Report. 1125 00:54:58,560 --> 00:55:00,319 Speaker 3: You get in a car accident and think, well, the 1126 00:55:00,360 --> 00:55:02,719 Speaker 3: insurance company's going to take care of me, Yeah, not 1127 00:55:02,840 --> 00:55:03,279 Speaker 3: so much. 1128 00:55:03,440 --> 00:55:04,719 Speaker 1: It's Randy from the DV. Moore