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Speaker 1: All right, cou hand up, that's on me. I said

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Speaker 1: that I could name three Hinder songs. I sang Lips

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Speaker 1: of an Angel, and I'll sing it again if you'd

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Speaker 1: like me to. I'll always sing Lips of an Angel. Yes,

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Speaker 1: and I knew I knew at least another Hinder song,

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Speaker 1: so I was like, I probably know a third Hinder song.

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Speaker 1: Second Hinder song I knew better than me. I think

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Speaker 1: you much better than me. You know that one. I

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Speaker 1: don't know that one went through like their most popular

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Speaker 1: fifteen songs at Spotify. I only know two Hinder songs too,

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Speaker 1: so hand up. I can admit when I'm wrong. I

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Speaker 1: only know two Hinder songs.

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Speaker 2: I fucking knew it. Also, I only knew Lips of

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Speaker 2: an Angel because one of our teammates in hockey had

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Speaker 2: it as the ring tone for when his girlfriend called Yeah.

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Speaker 1: I believe it came out hot five, so smack dab

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Speaker 1: in the middle of our high school careers really good

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Speaker 1: era for butt rock and like post grunge sort of stuff,

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Speaker 1: and also a weird era where like grunge music met

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Speaker 1: religious music and you had like bands that were copying

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Speaker 1: creed sort of shit. It was. It was an interesting

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Speaker 1: time music, that's for sure, all right.

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Speaker 2: So I have gotten an F bomb out of the way.

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Speaker 2: You just said the S word. What I say, You

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Speaker 2: said the S word, said silly goose. Yeah, you said

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Speaker 2: silly goose. I mentioned at the end of last episode

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Speaker 2: that for us to start making money on this, like

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Speaker 2: this is too good not to make money. So for

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Speaker 2: us to start making money off this, we need to

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Speaker 2: chill with the cursing. We need to stop with all

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Speaker 2: these words that YouTube doesn't like. It's killing our algorithm.

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Speaker 2: So we also talked last episode about how you grew

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Speaker 2: up with an opposite swear jar where you got paid

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Speaker 2: to swear.

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Speaker 1: Yeah, no, that's not that's not a real thing that happened,

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Speaker 1: But in an hypothetical world that would have been awesome.

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Speaker 2: That What we're gonna do here, though, is I have

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Speaker 2: a piece of paper. I was gonna do a sound effect.

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Speaker 2: I feel like that would ruin the episode. I am

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Speaker 2: gonna track our swearing.

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Speaker 1: All right, So we're up to two.

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Speaker 2: Do you have one? I have two? Actually, because I

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Speaker 2: said what you said back to you, you tricked me.

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Speaker 1: Are you keeping it separate or just Mac and.

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Speaker 2: Goo total Mac and Goo separate?

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Speaker 1: Okay, all right, See we used to have an intern

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Speaker 1: that could do this stuff.

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Speaker 2: Whoever swears the most, I'm gonna tally it up, and

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Speaker 2: the other person owes the other one money, the money

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Speaker 2: that we would have gotten from you too.

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Speaker 1: This is this is manure. This is manure because you

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Speaker 1: know this is a fixed game. I swear more than you.

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Speaker 1: You have a five year old kid. You swear less,

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Speaker 1: you swear less.

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Speaker 2: I'm thinking sixty nine cents a swear No, all right,

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Speaker 2: a dollar then whatever, a bio.

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Speaker 1: Slice of pizza for every ten swears that I have

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Speaker 1: more than you at the end of each quarter.

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Speaker 2: I do like pizza. We keep on adding shit on there.

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Speaker 1: No, you can get up to a half a pizza

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Speaker 1: a year, every two years, whole pot.

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Speaker 2: I've got three swears now, So at the end of

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Speaker 2: every episode, we're gonna fire you.

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Speaker 1: Already made it a competition, and we're.

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Speaker 2: Gonna start tallying pizzas. So one Goo three, yeah, job three.

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Speaker 2: King of Queen.

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Speaker 1: MARYL.

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Speaker 2: Street Entertainment, I'm Goo and I'm Mac and we are

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Speaker 2: the Mac and Goo program. We bring you polycharged podcasts.

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Speaker 1: I really wanted to introduce myself as Jungle Pussy or

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Speaker 1: Goo could have.

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Speaker 2: I told you in a text. I don't think we're

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Speaker 2: allowed to say that.

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Speaker 1: Goo could call himself jungle gussy. Uh huh, I think

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Speaker 1: jungle goosey.

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Speaker 2: We're not allowed to say it.

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Speaker 1: Yes, I am, I'm totally allowed to say that. I don't.

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Speaker 1: I like both things. I like jungles and I like

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Speaker 1: the other thing. We're talking about, one battle after another,

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Speaker 1: the latest and dare I say greatest Paul Thomas Anderson

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Speaker 1: flick of all time. This sort of snuck up on

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Speaker 1: us Goo. We did our movie draft. I was reviewing

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Speaker 1: the costs for some movies earlier today. This went for

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Speaker 1: one dollar in our movie draft, even knowing it was

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Speaker 1: Paul Thomas Sanderson and Leonardo DiCaprio. And then I would

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Speaker 1: say maybe four months ago, five months ago, pre summer,

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Speaker 1: as this was emerging from some of the festivals, people

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Speaker 1: were like, Oh, this movie's pretty fucking amazing. That built

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Speaker 1: up built, and then like two weeks ago or two

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Speaker 1: weeks prior to release, people started saying like Oscar Worthy,

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Speaker 1: best movie of the air sort of stuff. And then

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Speaker 1: Goo saw it a few days before I and undersold

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Speaker 1: the shit out of it to me.

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Speaker 2: I told you I told you that Academy awards were

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Speaker 2: gonna be sprinkled upon this movie, and I gave you names,

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Speaker 2: and I even gave you deeper things of like so

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Speaker 2: and so is actually better in this movie, but expect

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Speaker 2: this one to get an award. I did not undersell

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Speaker 2: it to you.

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Speaker 1: You I think you did.

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Speaker 2: I think you misconstrued what I said.

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Speaker 1: I have now seen the movie for a second time, Goo,

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Speaker 1: and I think it is one of the best movies

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Speaker 1: of the decade, And you could argue it being the

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Speaker 1: best movie of the decade. And after first viewing, I

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Speaker 1: was like, here's where we're at these days, Goo, Right

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Speaker 1: in Macngoo lore a forty Dogger gets to the pantheon, right,

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Speaker 1: that's so you don't want to necessarily pop in a like, yep, forty.

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Speaker 1: You want to sit on it for a couple of

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Speaker 1: days reassess. So I was trying to find reasons for

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Speaker 1: this to not be a forty to Hugger. And there's

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Speaker 1: only like one thing that I have questions about, and

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Speaker 1: I'm not even sure if I'm bothered by it. I

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Speaker 1: just have questions about it. So I think this is

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Speaker 1: the best movie of the year. It's the best movie

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Speaker 1: since COVID probably, and I.

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Speaker 2: Thought you were calling COVID a movie for a second,

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Speaker 2: like that was real life. We all went through that.

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Speaker 1: I think you could if you made a list of

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Speaker 1: the twenty best movies since two thousand, this movie is

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Speaker 1: probably all right.

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Speaker 2: So beyond Max's recency bias, can you please tell us

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Speaker 2: what movie we're talking about.

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Speaker 1: I already mentioned that goo Paul Thomas Anderson's One Battle

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Speaker 1: after Another obaa as it's been shortened to on the internet.

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Speaker 2: Oh, let me say this. I wish the movie was bad,

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Speaker 2: so our blurb for the DVD cover could have been

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Speaker 2: One Battle after Another One bites the dust.

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Speaker 1: Yeah, I would have crushed it.

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Speaker 2: It would have. It would have been a uh is

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Speaker 2: it the Wheel of Fortune that does it? Where they

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Speaker 2: combine things that could have been a wheel of fortune?

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Speaker 1: No, that's jeopardy.

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Speaker 2: How don't think Jeopardy combines things?

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Speaker 1: That is jeopardy? Why would wheel of Fortune do that?

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Speaker 1: Wheale Fortune does it too.

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Speaker 2: I just fucked up.

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Speaker 1: They both did it. They both did it.

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Speaker 2: Don't do this to me. Don't don't disagree with me

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Speaker 2: and then agree with me after it sends me into

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Speaker 2: a tizzy.

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Speaker 1: Twenty two million opening weekend domestically for one battle after

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Speaker 1: another easily Paul Thomas Anderson's most fruitful opening weekend, which says,

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Speaker 1: I guess what you need to know about pta movies.

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Speaker 1: It's up to sixty million dollars world ride worldwide right now.

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Speaker 1: It does have a budget of one hundred and thirty

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Speaker 1: million dollars, so it's got some work to do. However,

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Speaker 1: this movie's not gonna really have I think too much

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Speaker 1: of an issue staying number one for a month or so.

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Speaker 1: So I think it's gonna make its money back. And

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Speaker 1: because of the Oscar buzz it's got going, this is

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Speaker 1: gonna make money the rest of the year. I don't

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Speaker 1: know how much it'll make, but it'll make its money back. Well.

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Speaker 2: I think it'll continue to make money as it goes along,

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Speaker 2: like a consistent amount of money because word of mouth

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Speaker 2: is good and movies that are coming out the next

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Speaker 2: couple of weeks, like you have the Taylor Swift's Release

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Speaker 2: Party movie coming out this weekend, smashing Machine that is

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Speaker 2: already being forecasted under what it was supposed to at

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Speaker 2: the beginning, So it has partially because a clear runway good. Yeah,

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Speaker 2: it is a clear Runway.

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Speaker 1: Smashing Machine, which we have both now seen. Pretty good movie.

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Speaker 1: I think one of the ten best of the year,

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Speaker 1: but not nearly as good as this movie. And I

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Speaker 1: think when people are gonna be given the option to

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Speaker 1: seeing that or this, they're gonna choose this, and they

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Speaker 1: have that option this weekend. Goo One Battle after Another

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Speaker 1: is an R rated action, crime, drama, and thriller. It

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Speaker 1: does all of those things amazingly well. Sub genres action, epic, dark, comedy, epic,

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Speaker 1: and political thriller. Now the politics. Let's get this out

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Speaker 1: of the way now so we don't have to talk

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Speaker 1: about politics going forward.

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Speaker 2: I only want to talk about politics.

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Speaker 1: Though there are clearly some real life things that influence

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Speaker 1: events in this movie. However, those events are not the

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Speaker 1: focus of the movie. They are an aside. They're happening

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Speaker 1: off to the side of what's happening. And people are

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Speaker 1: trying some detractors of this movie are trying to say

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Speaker 1: that this is overtly political. It's not. Eddington is Eddington

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Speaker 1: is a movie that came out a month and a

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Speaker 1: half ago, two months ago. That movie is beats you

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Speaker 1: over the head with it. That movie is about politics.

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Speaker 1: This movie is about characters and communities and human stories

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Speaker 1: that have a politics adjacent.

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Speaker 2: Sorry, I think it was more poly charged at the beginning,

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Speaker 2: and then there is something that happens in the movie

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Speaker 2: that does bring it around it. We don't want to

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Speaker 2: spoil anything, we'll talk about it in spoilers, but I

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Speaker 2: do think there was something in it that kind of

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Speaker 2: pushed it over the edge of being a little more

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Speaker 2: political than maybe it would have been.

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Speaker 1: I mean, you have a character named jungle pussy. You

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Speaker 1: can't have a character named jungle pussy. And you can't

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Speaker 1: count any of the jungle pussies, by.

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Speaker 2: The way, what you can't No, no, no, no, no no

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Speaker 2: no no no no no no. You think you can

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Speaker 2: say it twenty times and it only counts once.

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Speaker 1: Collquial diction or a private part is not a.

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Speaker 2: Swear, Yes it is. You can say, dick is not

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Speaker 2: a swear.

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Speaker 1: Dick is not a swear.

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Speaker 2: That counts.

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Speaker 1: No, it doesn't. All right, now, the numbers are juiced.

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Speaker 1: This is horseeshit. There's a swear for you. So this

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Speaker 1: movie action, crime, drama, thriller. This movie is also one

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Speaker 1: of the funniest movies of the year. The dark comedy

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Speaker 1: in this movie. He's fucking amazing. Write that one down

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Speaker 1: this movie. I laughed out loud, challenge me, I don't

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Speaker 1: know how many times goo and going back through a

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Speaker 1: second time writing down some lines and reading some of

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Speaker 1: the quotes on the internet, like, it's still making me laugh.

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Speaker 1: It's short of Friendship. It might be the funniest movie

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Speaker 1: of the year.

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Speaker 2: The trailers for this movie, and by the way, it

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Speaker 2: was really heavily pushed out to the audience, but the

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Speaker 2: trailers for this movie almost make it look like a

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Speaker 2: straight comedy.

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Speaker 1: Yeah, I get the trailers due, Yeah, the trailers do.

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Speaker 1: So it is more thrilling and dramatic than the trailers

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Speaker 1: give you. I'll give you that. But it's also funnier

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Speaker 1: than what the trailers give you. They give you like

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Speaker 1: the lowest hanging fruit in the trailers.

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Speaker 2: And I also think I mentioned this on our last

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Speaker 2: news dump there that I think fun factor wise, this

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Speaker 2: is Leo's best performance where.

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Speaker 1: It's this or Wolf of Wall Street.

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Speaker 2: Especially after the time jump, it's almost like he is

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Speaker 2: he's in his own separate world as opposed to what

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Speaker 2: is going on around him.

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Speaker 1: Yeah, because he's because you can really see there's a

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Speaker 1: time jump of sixteen years in this movie after the

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Speaker 1: first act, and a good way of sort of getting

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Speaker 1: across what Leo or what Bob and Willa have gone

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Speaker 1: through is by what Leo is expressing and sort of avoiding,

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Speaker 1: you know, after those sixteen years. They do a good

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Speaker 1: job of telling all.

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Speaker 2: Let me ask you a question. You've seen it twice now. Yeah,

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Speaker 2: does Sean Penn look any different in the sixteen year

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Speaker 2: time jump A smidge?

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Speaker 1: A smidge? Yeah, but he's also Sean Penn now looks

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Speaker 1: exactly the same as he did sixteen years ago, so

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Speaker 1: I guess it works.

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Speaker 2: No, he doesn't. Have you seen milk, he's looked old

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Speaker 2: forty Have you seen that episode of Vivla Bam where

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Speaker 2: they were doing this prank.

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Speaker 1: Probably came out fifty Milk was like twenty ten. I

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Speaker 1: think it did come out fifteen years ago.

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Speaker 2: He looks completely different. I don't agree the prank episode

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Speaker 2: of Vivla Bam where Sean Penn's son was helping Bam

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Speaker 2: get back at Knoxville.

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Speaker 1: Dude, this movie is two hours and forty one minutes,

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Speaker 1: one hundred and sixty one minutes, and it fucking flies

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Speaker 1: by the pacing in the movie is so impressive. For

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Speaker 1: a movie to approach three hours and for me to

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Speaker 1: never not once look at my watch, phone, whatever, and

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Speaker 1: get so sucked into the story and the characters is

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Speaker 1: so impressive, especially in a Paul Thomas Anderson movie, where

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Speaker 1: those movies he has a history of making really long movies,

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Speaker 1: and a lot of the times you're like, all right,

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Speaker 1: all right, let's kind of speed it up here. This

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Speaker 1: is a masterpiece. Skew. He finally did it. He put

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Speaker 1: all he used all his tools, and finally painted his masterpiece.

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Speaker 2: Let me point out what I think helps out. They

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Speaker 2: use a piano almost as if like it's like filling

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Speaker 2: in for like footsteps or heart beats in this movie

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Speaker 2: where the movie is constantly moving like jazz, and even

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Speaker 2: when the piano is going one way, it can suddenly

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Speaker 2: jam on and then go in a completely different direction.

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Speaker 1: I specifically made note on my second viewing of when

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Speaker 1: the piano score really starts to take over, and it's

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Speaker 1: as soon as Leo Bob goes on the run, and

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Speaker 1: so now this piano score just sort of follow or

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Speaker 1: chases him throughout the rest of the movie, and it's perfect.

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Speaker 1: It's so well done, so well.

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Speaker 2: And that could be looked at and I just thought

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Speaker 2: of this, like that's in his mind what he's so

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Speaker 2: he is being chased, but he could feel like they're

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Speaker 2: right behind him the whole time.

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Speaker 1: Yeah, it's a really great decision they made there, gou

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Speaker 1: On Roddy T's ninety six percent from the critics and

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Speaker 1: eighty five percent from the audience. So, like I said,

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Speaker 1: some of the detractors that you mentioned were more early on,

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Speaker 1: few and far between. Now a lot of people have

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Speaker 1: now seen this movie and everyone is loving it. To

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Speaker 1: that point, go, I think this now holds the record

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Speaker 1: for highest Metacritics score we've ever reviewed. I'm ninety five

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Speaker 1: on Metacritic. I've know we've done a few in the eighties.

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Speaker 1: I don't even know if we've stiffed in the nineties.

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Speaker 1: Ninety five is the highest Metacritic score we've ever reviewed.

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Speaker 1: Of course, this is written and directed once again by

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Speaker 1: PTA Paul Thomas Anderson. He really first out of the

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Speaker 1: scene in nineteen ninety seven with Boogie Night. Now, I

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Speaker 1: would say leading into this movie, Boogie Knights was Paul

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Speaker 1: Thomas Anderson's best movie.

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Speaker 2: Also very accessible. That's what makes both of these movies

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Speaker 2: stand out against his other ones. It's about being accessible.

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Speaker 1: Yeah, you also have and for so well. I guess

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Speaker 1: I'll just get to it. I speak so nineteen ninety

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Speaker 1: nine Magnolia. I still haven't seen that one. That's the

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Speaker 1: one I have to get to. Two thousand and two's

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Speaker 1: Punch Drug Glove that I think has come back around.

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Speaker 1: That wasn't all that well received, and I think we

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Speaker 1: now are looking back on it, sort of missed out

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Speaker 1: on that. There will be blood in two thousand and seven,

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Speaker 1: of course, famous for Daniel da Lewis's performance and who's

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Speaker 1: the guy Paul Dano co stars in that Milkshakes. I

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Speaker 1: actually just recently.

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Speaker 2: It's better than your's. Damn right, it's better.

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Speaker 1: I don't care for that movie. It's it's really not

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Speaker 1: a movie I ever want to watch again, and I

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Speaker 1: don't know why I watched it for a second time.

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Speaker 1: Twenty twelve is the Master. This is where I'm like, Okay,

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Speaker 1: do I really love pta movies? I'm not sure. Twenty

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Speaker 1: fourteen's Inherent Vice some really good elements. Another movie that

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Speaker 1: I was like, I don't think I need to rewatch this.

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Speaker 1: Twenty seventeen's Phantom Thread I was like, this movie's made

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Speaker 1: for no one. I don't ever want to watch this.

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Speaker 1: Still haven't seen that. And then we had twenty twenty

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Speaker 1: one Licorice's Pizza, Licorice Pizza, and that's where I was like, Okay,

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Speaker 1: that movie's divisive. A lot of people hated that movie.

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Speaker 1: May I didn't love it, but I liked a lot

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Speaker 1: of elements of it. And we were getting back more

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Speaker 1: to the playful Paul Thomas Anderson that you sort of

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Speaker 1: talked about with accessibility and things people can relate to,

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Speaker 1: and that was sort of a precursor for this movie.

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Speaker 1: And ah, man, I just the more I've sat on

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Speaker 1: this movie now, and now that I've watched it for

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Speaker 1: a second time, I think this is easily his best movie.

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Speaker 2: I could see that. I think I still lean toward

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Speaker 2: Boogie Nights, but I also I think the funny stuff

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Speaker 2: in Boogie Knights is truly laugh out loud stuff. This

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Speaker 2: movie did have me chuckling a couple times, but the

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Speaker 2: stuff with Philip Seymour Hoffman and with William H. Macy,

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Speaker 2: like that stuff kills me. In Boogie Knights.

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Speaker 1: Yeah, you know, I don't know if I laughed more

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Speaker 1: on Booie Knight than I laughed in this. I think

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Speaker 1: Boogie Knights is more an even than this. This. I

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Speaker 1: think this is a better script. It's a better written movie. Now.

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Speaker 1: The characters of Boogie Knights are all time not that

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Speaker 1: these aren't either, so they're pretty similar.

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Speaker 2: Give it some time recency boy.

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Speaker 1: Yeah, I think I'm gonna be on the right side

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Speaker 1: of history here.

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Speaker 2: I don't know about that, because well, Burt Reynolds would

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Speaker 2: agree with you. He hated Boogie.

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Speaker 1: Knights, Agoude. This script was inspired by the nineteen ninety

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Speaker 1: nineteen ninety nine zero novel Vinland by Thomas Pinchong. It's

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Speaker 1: amazing that this novel has been out there for that

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Speaker 1: long and it only I guess it's not adapted, but

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Speaker 1: it was only it only came to screen something like.

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Speaker 2: It, right, and they would really have to like modernize

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Speaker 2: it with a lot of what's in this movie.

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Speaker 1: Yeah, And I'm sure, I'm sure it's just they more

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Speaker 1: took the themes than than anything else from that book.

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Speaker 1: But I'm sure that.

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Speaker 2: There were books phones in nineteen ninety.

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Speaker 1: Correct, But you did see the use of some payphones here.

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Speaker 2: Yeah.

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Speaker 1: Who synopsis of one battle after another when their evil

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Speaker 1: enemy resurfaces after sixteen years, a group of ex revolutionaries

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Speaker 1: reunite to rescue one of their own daughter. Perfect, simple, concise. Yeah.

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Speaker 1: This movie stars Leonardo DiCaprio as Bubb previously was known

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Speaker 1: as Ghetto Pat aka Rocketman, Sean Penn as Captain slash

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Speaker 1: Colonel Stephen J. Lockjaw. He is the aforementioned villain, Benisio

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Speaker 1: del Torol as sense Sergio Saint Carlos and to goose credit,

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Speaker 1: this is the one tidbit that he gave me that

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Speaker 1: he's right about. Sean Penn is probably gonna win the

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Speaker 1: Oscar for Best Supporting Actor Benisio del Tour. They need

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Speaker 1: to create a new category so the Benicio del Toro

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Speaker 1: can also win.

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Speaker 2: Because he's beyond plemonade. He's in too much of the

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Speaker 2: movie for pleming. Yes, but he is the most likable character.

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Speaker 2: I think he'll be the character that everyone rote members

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Speaker 2: from this movie because there's a couple of lines that

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Speaker 2: are not throwaway, but they're like a couple of small beers.

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Speaker 1: I think there's a podcast at brewin here Best Wingmen,

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Speaker 1: Best Wingmen, and he might be number one wingmen Best

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Speaker 1: Wingmen in movies. Be a decent I.

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Speaker 2: Take the drum, you can have the flat.

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Speaker 1: Those three, though, Leo, Sean Penn, and Benicio are all

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Speaker 1: three extremely different characters and absolutely demolish their roles. It's

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Speaker 1: extremely impressive, and then lesser roles would still mean a lot.

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Speaker 1: In certain parts of this movie, you have Tayana Taylor

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Speaker 1: as Perfidier Beverly Hills, Leo's love interest in the first

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Speaker 1: act of the movie, and then the mother of Goo's

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Speaker 1: newcomer of the year, Chase Infinity as Willa. I thought

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Speaker 1: Tayanna Taylor was very good, maybe the weakest of the bunch,

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Speaker 1: but she's in.

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Speaker 2: Would you watch her from Afar with binoculars?

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Speaker 1: So that's a great question, Goo, if you had to

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Speaker 1: pick one person on the planet not named your wife

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Speaker 1: to watch from Afar with binoculars, who would you pick?

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Speaker 2: Well, you're already taking my wife off the board, so

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Speaker 2: I don't even know what to think. I love my wife.

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Speaker 1: Yeah, good way to sit on the fed stair do.

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Speaker 1: Tayana Taylor was good. She was mostly one note. She

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Speaker 1: did what she needed to do. The most underrated character

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Speaker 1: in this movie is probably Regina hall Is DeAndre. She

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Speaker 1: pops up a couple times in this movie, conveys incredible

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Speaker 1: emotion while she does. I don't know if I've ever

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Speaker 1: seen Regina Hall and like in this series of a

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Speaker 1: role I'm not. I mean, I'm not the biggest Regina

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Speaker 1: Hall fan. I'm not seeing out her movies, but she

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Speaker 1: was tremendous in this movie. You have Wood Harris as Laredo.

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Speaker 1: You might remember him as Julius Campbell and remember the Titans,

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Speaker 1: but more notably as Avon Box, Barksdale and The Wire.

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Speaker 1: If you look at his known for on IMDb, the

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Speaker 1: Wire's not even listed. That's insane. A lot of haym

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Speaker 1: in Here, Heim in Here as May West, Paul Thomas

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Speaker 1: Anderson notably like the biggest Him fan on the planet.

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Speaker 1: Shana McHale is Jungle Pussy, who has a couple of

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Speaker 1: great lines in this movie. Paul Grimstad is how Somerville.

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Speaker 1: He's sort of the tech guy of the mall. He's

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Speaker 1: the one that makes the little beepy things vibrating things.

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Speaker 1: And then we have go two role players in there

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Speaker 1: and Here that are in maybe three scenes each, and

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Speaker 1: all of the scenes they're in, they're fucking tremendous. In

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Speaker 1: you have James Ratterman as Danvers. He's the interrogator guy,

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Speaker 1: the guy that's sitting people down. He is so calmly menacing,

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Speaker 1: it's incredible what he achieves in such a short time

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Speaker 1: on the screen. And a little background about him. This

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Speaker 1: is only his second movie ever. He actually spent twenty

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Speaker 1: years in homeland security, so he's actually coming from some

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Speaker 1: real stuff here and I think that's why it works

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Speaker 1: so well. And then finally go Eric Schwig as Avanti.

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Speaker 1: He was the bounty hunter that Lockjaw hires, who has

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Speaker 1: a couple of great scenes as well. Go quick fun

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Speaker 1: fact for the folks. If you have not seen this

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Speaker 1: movie or you want to see it again, shout out

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Speaker 1: to Sam Libby Macgoo listener. This movie was filmed on VistaVision. Goo.

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Speaker 1: Are you aware of VistaVision.

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Speaker 2: I'm aware of VistaVision. Yes, So this hasn't.

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Speaker 1: Really been a thing that's been used in thirty years now.

434
00:21:06,720 --> 00:21:08,840
Speaker 1: It wasn't last It was last popular in the eighties.

435
00:21:09,160 --> 00:21:14,080
Speaker 1: The only remaining VistaVision theaters on Planet Earth are in London,

436
00:21:14,560 --> 00:21:18,440
Speaker 1: New York City, Los Angeles, and at Coolidge Corner in Brookline.

437
00:21:18,600 --> 00:21:20,560
Speaker 1: So if you are in the area and want to

438
00:21:20,600 --> 00:21:23,639
Speaker 1: see this as it was truly shot, go to Coolidge Corner.

439
00:21:23,680 --> 00:21:26,720
Speaker 1: It's a great theater. And nonetheless, anyways, parking sucks, but

440
00:21:26,800 --> 00:21:30,000
Speaker 1: go ahead. Parking does suck, so take public transportation. But

441
00:21:30,160 --> 00:21:32,320
Speaker 1: if you would like to see this as it was shot,

442
00:21:32,720 --> 00:21:33,919
Speaker 1: go to Coolish Corner in Brooklyn.

443
00:21:34,000 --> 00:21:35,719
Speaker 2: So we'll give Sam Libby a shout out for that.

444
00:21:35,720 --> 00:21:39,000
Speaker 2: We'll also give my coworker Kyle Bray a shout out

445
00:21:39,000 --> 00:21:40,360
Speaker 2: who was doing that as a story?

446
00:21:40,640 --> 00:21:43,040
Speaker 1: Oh love that? Love that? And I might go see

447
00:21:43,080 --> 00:21:45,399
Speaker 1: it for a third time. Goo, that's so much a

448
00:21:45,520 --> 00:21:48,199
Speaker 1: third time? Yeah. Well, now I've been talking about it

449
00:21:48,240 --> 00:21:50,000
Speaker 1: for a week and my lady friend's like, wow, you

450
00:21:50,400 --> 00:21:51,160
Speaker 1: really like this movie.

451
00:21:51,200 --> 00:21:53,359
Speaker 2: I'm like, yeah, maybe has she seen ith? No, she

452
00:21:53,359 --> 00:21:54,920
Speaker 2: has not seen Okay, So I mean, why don't you

453
00:21:54,960 --> 00:21:56,720
Speaker 2: see it one more time by yourself and then one

454
00:21:56,720 --> 00:21:58,680
Speaker 2: time with her and that gives you ten hours.

455
00:22:00,040 --> 00:22:01,439
Speaker 1: You just want me to have seen a movie for

456
00:22:01,480 --> 00:22:01,840
Speaker 1: ten hours?

457
00:22:01,880 --> 00:22:03,560
Speaker 2: I kind of want you to, yes, spend ten hours

458
00:22:03,600 --> 00:22:04,159
Speaker 2: on a movie?

459
00:22:04,200 --> 00:22:06,320
Speaker 1: All right? Gil, do you want me to start with

460
00:22:06,520 --> 00:22:08,120
Speaker 1: my spoiler free takeaways? Here?

461
00:22:08,280 --> 00:22:11,400
Speaker 2: Spoiler free takeaways? Then we'll do Octagon.

462
00:22:11,600 --> 00:22:14,600
Speaker 1: Then will spoil This movie is one of the more

463
00:22:14,640 --> 00:22:17,720
Speaker 1: well paced movies I've ever seen. They could not have

464
00:22:17,800 --> 00:22:20,760
Speaker 1: paced it any better or for two hour and forty

465
00:22:20,760 --> 00:22:24,240
Speaker 1: one minute movie. The score, as Go and I talked

466
00:22:24,240 --> 00:22:27,040
Speaker 1: about a few minutes ago, by Johnny Greenwood, I think

467
00:22:27,119 --> 00:22:30,199
Speaker 1: is probably gonna win the Oscar for Best Score. The

468
00:22:30,240 --> 00:22:33,320
Speaker 1: piano keys that Goo was talking about, that's bouncing around

469
00:22:33,400 --> 00:22:37,159
Speaker 1: almost in pursuit following Bob in the second half of

470
00:22:37,200 --> 00:22:40,000
Speaker 1: this movie is so good. And I think I really

471
00:22:40,080 --> 00:22:43,200
Speaker 1: picked picked up on it more the second time. And

472
00:22:43,440 --> 00:22:47,280
Speaker 1: it's just it's quietly haunting and scary, and it really

473
00:22:47,320 --> 00:22:50,960
Speaker 1: like amps up things. It makes it more thrilling, more chaotic.

474
00:22:51,080 --> 00:22:55,920
Speaker 1: It's tense, it's anxiety inducing. And this movie, as intense

475
00:22:56,000 --> 00:22:58,959
Speaker 1: as tense and an anxiety inducing as it is, is

476
00:22:59,000 --> 00:23:02,919
Speaker 1: also so funny. It's like, I can't underscore how funny

477
00:23:02,920 --> 00:23:06,040
Speaker 1: this movie is. It you it gets super serious and

478
00:23:06,080 --> 00:23:08,880
Speaker 1: then a few minutes later your I was belly laughing. Anyways,

479
00:23:08,880 --> 00:23:12,400
Speaker 1: like it. It's just the way this movie's written was wonderful.

480
00:23:13,000 --> 00:23:16,720
Speaker 1: The three characters that we highlighted above Lockjaw played by

481
00:23:16,760 --> 00:23:21,040
Speaker 1: Penn such a wild character. He's such a broken visceral,

482
00:23:21,960 --> 00:23:26,920
Speaker 1: just a base person. He cares more about being honored

483
00:23:27,080 --> 00:23:31,560
Speaker 1: and his status than his actual self in self respect.

484
00:23:31,680 --> 00:23:35,120
Speaker 1: He's just so pathetic, but in an amazingly brilliant way.

485
00:23:35,160 --> 00:23:39,960
Speaker 1: It's it's a truly all time character. That said Benicio

486
00:23:40,000 --> 00:23:44,119
Speaker 1: del Toro, I'm not like Lockjaw. You could see a

487
00:23:44,200 --> 00:23:47,720
Speaker 1: few actors doing that and pulling it off pretty well.

488
00:23:47,840 --> 00:23:51,000
Speaker 1: I'm not sure there's another actor on planet Earth that

489
00:23:51,040 --> 00:23:53,520
Speaker 1: could pull off what del Toro does in this movie.

490
00:23:54,000 --> 00:23:57,879
Speaker 1: He's just this like street level community hero type of

491
00:23:58,000 --> 00:24:03,480
Speaker 1: character who is call definitely quiet and strong and very

492
00:24:03,520 --> 00:24:07,000
Speaker 1: funny in several moments in this movie. Like I said,

493
00:24:07,040 --> 00:24:10,200
Speaker 1: all time wing man, I like, maybe someone out there

494
00:24:10,240 --> 00:24:11,880
Speaker 1: can think of an actor that could do it. I'm

495
00:24:11,920 --> 00:24:15,520
Speaker 1: not sure there is another one. You have Leonardo DiCaprio

496
00:24:16,040 --> 00:24:20,320
Speaker 1: playing this just Lebowski like character, like but to the

497
00:24:20,440 --> 00:24:24,080
Speaker 1: nth degree, this former revolutionary who's trying to cope with

498
00:24:24,119 --> 00:24:27,120
Speaker 1: all his missteps in parenting over the years, and he's

499
00:24:27,200 --> 00:24:30,439
Speaker 1: messed up so bad that like all he does is

500
00:24:30,480 --> 00:24:33,520
Speaker 1: smoke weed and drink booze and that's his life now.

501
00:24:33,920 --> 00:24:37,440
Speaker 1: And what this movie really boils down to, on one

502
00:24:37,520 --> 00:24:42,439
Speaker 1: level is how useless his character is, but he's just

503
00:24:42,480 --> 00:24:45,240
Speaker 1: trying his best and he's showing up in somehow, some way.

504
00:24:45,920 --> 00:24:48,159
Speaker 1: That's all someone really needs. That's kind of the magic

505
00:24:48,200 --> 00:24:51,080
Speaker 1: that makes it work. And also because he was so

506
00:24:51,200 --> 00:24:53,960
Speaker 1: good at what he did prior, he has this respect

507
00:24:54,000 --> 00:24:56,479
Speaker 1: and he has this built in system that is saving

508
00:24:56,560 --> 00:24:59,919
Speaker 1: him in the future, and so that it's just an

509
00:25:00,000 --> 00:25:02,680
Speaker 1: another great character. And then the last thing I want

510
00:25:02,680 --> 00:25:05,320
Speaker 1: to highlight before we get to other stuff is there's

511
00:25:05,359 --> 00:25:08,919
Speaker 1: like a five or ten minute maybe longer, maybe twenty

512
00:25:08,920 --> 00:25:09,399
Speaker 1: minute car.

513
00:25:09,440 --> 00:25:11,239
Speaker 2: It also could have been shorter. I don't even know.

514
00:25:11,400 --> 00:25:12,560
Speaker 2: I have no idea.

515
00:25:12,040 --> 00:25:16,280
Speaker 1: I was so enthralled by the desert car chase over

516
00:25:16,320 --> 00:25:19,040
Speaker 1: these rolling hills that takes you on a literal and

517
00:25:19,160 --> 00:25:22,760
Speaker 1: metaphorical roller coaster ride, and it ends in such great fashion.

518
00:25:22,960 --> 00:25:26,280
Speaker 1: The way that he chose to shoot this, like on

519
00:25:26,400 --> 00:25:29,439
Speaker 1: the bumper of the cars going over the hills was

520
00:25:29,560 --> 00:25:32,119
Speaker 1: just it was really cool. It was really really cool,

521
00:25:32,560 --> 00:25:34,800
Speaker 1: and I just I can't praise this movie enough. Gou

522
00:25:34,880 --> 00:25:36,280
Speaker 1: It's it's a tremendous movie.

523
00:25:36,280 --> 00:25:38,080
Speaker 2: Do you want to shove the octagon in here?

524
00:25:38,480 --> 00:25:38,760
Speaker 1: Sure?

525
00:25:39,080 --> 00:25:42,680
Speaker 2: All right? Fun factor? I think that Leo is wildly

526
00:25:42,840 --> 00:25:46,520
Speaker 2: fun And while there is one thing that I think

527
00:25:46,640 --> 00:25:49,840
Speaker 2: takes it over the edge for one character, like it

528
00:25:49,920 --> 00:25:52,600
Speaker 2: takes away the middle ground of like are they good?

529
00:25:52,640 --> 00:25:57,280
Speaker 2: Is there anything? The Christmas Society does have some funny

530
00:25:57,320 --> 00:25:59,879
Speaker 2: jokes and Christmas Adventurers whatever it is, it does have

531
00:26:00,080 --> 00:26:01,920
Speaker 2: some funny jokes in it. I'm just not sure if

532
00:26:01,960 --> 00:26:03,439
Speaker 2: I liked it overall. In the movie.

533
00:26:04,160 --> 00:26:06,959
Speaker 1: Yeah, you had mentioned that when you're like your initial

534
00:26:06,960 --> 00:26:10,800
Speaker 1: feelings were being divulged to me, and I don't agree,

535
00:26:11,359 --> 00:26:13,720
Speaker 1: because I do think it is it is a bit

536
00:26:13,840 --> 00:26:17,440
Speaker 1: fantastical compared to like real life stuff, but we also

537
00:26:17,480 --> 00:26:18,400
Speaker 1: don't really know real life.

538
00:26:18,480 --> 00:26:20,680
Speaker 2: No, we don't know anything. I understand that.

539
00:26:20,960 --> 00:26:21,560
Speaker 1: I thought it fit.

540
00:26:21,640 --> 00:26:23,800
Speaker 2: I thought it worked fine, but I did think it

541
00:26:23,880 --> 00:26:24,280
Speaker 2: was fun.

542
00:26:24,440 --> 00:26:27,920
Speaker 1: Oh fun factor, right, Yeah. So the two characters here

543
00:26:28,400 --> 00:26:31,320
Speaker 1: that highlight the funness and go on this buddy gop

544
00:26:31,320 --> 00:26:34,960
Speaker 1: a venture for almost an hour are Leo in Del Toro.

545
00:26:35,400 --> 00:26:39,680
Speaker 1: And when they're on the screen together, you're having fun.

546
00:26:39,720 --> 00:26:42,320
Speaker 1: You're having a blast. And for a lot of it

547
00:26:42,320 --> 00:26:44,520
Speaker 1: they're not even talking to each other. They're doing different

548
00:26:44,520 --> 00:26:46,880
Speaker 1: things but in the same room, and like what they're

549
00:26:46,920 --> 00:26:49,920
Speaker 1: doing is so drastically different, and it's really funny. There's

550
00:26:49,960 --> 00:26:52,439
Speaker 1: a couple of moments where Leo's outright screaming on the

551
00:26:52,480 --> 00:26:55,719
Speaker 1: telephone and Benisa is just calmly going through stuff. And

552
00:26:55,800 --> 00:27:00,520
Speaker 1: I also really loved when Benisio first walks into a apartment,

553
00:27:00,880 --> 00:27:03,680
Speaker 1: he stops and introduces him to every single person and

554
00:27:04,600 --> 00:27:06,520
Speaker 1: like they're kind of got to go here, and he

555
00:27:06,560 --> 00:27:08,120
Speaker 1: stops and introduces him to everyone.

556
00:27:08,160 --> 00:27:10,480
Speaker 2: Well, he also treats him like a child, yeah.

557
00:27:10,359 --> 00:27:12,880
Speaker 1: But also with the utmost respect.

558
00:27:13,040 --> 00:27:14,840
Speaker 2: Well, no, it's not like he's he treats him like

559
00:27:14,880 --> 00:27:17,359
Speaker 2: it's someone that's either learning how to walk or learning

560
00:27:17,400 --> 00:27:20,080
Speaker 2: how to walk again, like some like he needs time

561
00:27:20,600 --> 00:27:23,679
Speaker 2: to like, you know, refined his steps. Deltero knows that

562
00:27:23,720 --> 00:27:26,240
Speaker 2: he has it, but you know he's he has kid

563
00:27:26,280 --> 00:27:26,720
Speaker 2: gloves on.

564
00:27:27,040 --> 00:27:30,119
Speaker 1: Yeah, And I kind of like that they give you

565
00:27:30,240 --> 00:27:32,160
Speaker 1: enough of del Toro to know that he's also kind

566
00:27:32,160 --> 00:27:35,240
Speaker 1: of a revolutionary, so he just would naturally know a

567
00:27:35,280 --> 00:27:37,359
Speaker 1: little bit. And then he at some point he figures

568
00:27:37,440 --> 00:27:40,520
Speaker 1: out Bob is this earlier pat character. And I love

569
00:27:40,560 --> 00:27:42,879
Speaker 1: that there's no big reveal there. He just like puts

570
00:27:42,920 --> 00:27:44,680
Speaker 1: two and two together satisfactor.

571
00:27:44,840 --> 00:27:47,439
Speaker 2: It does get a little TARANTINOI at the end the

572
00:27:47,440 --> 00:27:50,919
Speaker 2: way that Tarantino tries to give you a big old explosion.

573
00:27:51,200 --> 00:27:53,480
Speaker 1: Yeah, you get that, you get the Tarantino ay thing.

574
00:27:53,560 --> 00:27:56,199
Speaker 1: But then there's like another ten minutes after that that

575
00:27:56,320 --> 00:28:00,359
Speaker 1: gives like an even more satisfying conclusion to account character

576
00:28:00,800 --> 00:28:03,240
Speaker 1: that I didn't expect. I thought it was that character

577
00:28:03,320 --> 00:28:04,720
Speaker 1: was sort of going to end when we see him

578
00:28:04,760 --> 00:28:07,960
Speaker 1: walking down the road, and we get an even better

579
00:28:08,080 --> 00:28:10,000
Speaker 1: ending than that. So I really appreciated that.

580
00:28:10,119 --> 00:28:12,160
Speaker 2: I think that end that you're talking about, the final

581
00:28:12,200 --> 00:28:14,119
Speaker 2: ten minutes was very Tarantino.

582
00:28:14,160 --> 00:28:18,160
Speaker 1: Wait no, I think the Tarantino thing was the road

583
00:28:18,320 --> 00:28:20,760
Speaker 1: that what happens on the road chase.

584
00:28:20,680 --> 00:28:23,160
Speaker 2: Now, because Tarantina takes that extra step to really let

585
00:28:23,200 --> 00:28:25,919
Speaker 2: you know, like I hate this person as much as you.

586
00:28:26,240 --> 00:28:30,320
Speaker 1: Yeah, but it wasn't as that wasn't as fantastic as

587
00:28:30,359 --> 00:28:31,600
Speaker 1: Tarantino would have made it.

588
00:28:32,000 --> 00:28:34,359
Speaker 2: Well, Tarantino would have had guns and Michigan.

589
00:28:34,400 --> 00:28:36,639
Speaker 1: It's better, yes, but if it's better in this movie,

590
00:28:36,640 --> 00:28:37,480
Speaker 1: I guess, is what I'm.

591
00:28:37,320 --> 00:28:41,440
Speaker 2: Saying, Borometer. I felt the time a little bit don't

592
00:28:41,600 --> 00:28:44,720
Speaker 2: yell let me, yeah, let me. I felt it a

593
00:28:44,720 --> 00:28:46,000
Speaker 2: little bit fair enough.

594
00:28:46,000 --> 00:28:48,040
Speaker 1: It's a long movie. I didn't I you know, what

595
00:28:48,320 --> 00:28:50,960
Speaker 1: to be fair just because of the length. It was

596
00:28:50,960 --> 00:28:53,200
Speaker 1: like in my mind while I was watching the first movie,

597
00:28:53,560 --> 00:28:56,040
Speaker 1: but the second time around it felt quicker than the

598
00:28:56,040 --> 00:28:58,600
Speaker 1: first time because I'm getting excited for certain scenes. You know,

599
00:28:58,640 --> 00:28:59,360
Speaker 1: I know it's coming.

600
00:28:59,400 --> 00:29:02,800
Speaker 2: Well, this movie Wayne over Time, Halloween, Mac, it has

601
00:29:02,880 --> 00:29:03,440
Speaker 2: to for you.

602
00:29:03,960 --> 00:29:05,680
Speaker 1: I don't know. I think I had it maybe at

603
00:29:05,680 --> 00:29:07,400
Speaker 1: thirty nine when I left the theater and I talked

604
00:29:07,400 --> 00:29:08,600
Speaker 1: myself up to forty so I.

605
00:29:08,600 --> 00:29:10,440
Speaker 2: Think, oh, don't tip your hot dog hand.

606
00:29:10,760 --> 00:29:12,520
Speaker 1: It's gonna be forty one in a week.

607
00:29:12,560 --> 00:29:16,360
Speaker 2: It's a hot dog bowl. Let's see here. When life

608
00:29:16,360 --> 00:29:19,760
Speaker 2: gives you plemons, Jesse Plemmons hops on screen and says,

609
00:29:19,920 --> 00:29:21,880
Speaker 2: I'm gonna do the best with what I have these

610
00:29:21,920 --> 00:29:24,160
Speaker 2: couple minutes, and he makes the movie that much better.

611
00:29:24,600 --> 00:29:28,160
Speaker 2: I don't know if any smaller character made the movie

612
00:29:28,200 --> 00:29:30,720
Speaker 2: that much better because the main characters were so good.

613
00:29:31,160 --> 00:29:32,240
Speaker 2: I liked the nun.

614
00:29:32,640 --> 00:29:36,200
Speaker 1: James Raderman as Danvers, the interrogator. He was good, totally

615
00:29:36,320 --> 00:29:40,400
Speaker 1: crushes his scenes and adds a level because with lockjaw,

616
00:29:40,920 --> 00:29:43,240
Speaker 1: you know he's a loose cannon and you're not really

617
00:29:43,280 --> 00:29:46,640
Speaker 1: sure what he's gonna do. Danvers, you're like this guy

618
00:29:46,840 --> 00:29:49,320
Speaker 1: messes people up for a living. This guy ruins lives

619
00:29:49,360 --> 00:29:51,520
Speaker 1: and he's not gonna go back on it. He is.

620
00:29:51,680 --> 00:29:52,920
Speaker 1: I also what he's doing.

621
00:29:53,360 --> 00:29:58,200
Speaker 2: Liked that wife who had famous banana pancakes. Yes, I

622
00:29:58,240 --> 00:30:00,479
Speaker 2: don't care for banana pancakes, but I you like that

623
00:30:00,480 --> 00:30:04,560
Speaker 2: someone would have agreed Baggs. I just like my pancakes plane.

624
00:30:05,000 --> 00:30:06,720
Speaker 1: I mean, I'm not a pancake guy. I'll let you.

625
00:30:06,800 --> 00:30:08,720
Speaker 2: I'll let you do. The pancakes are good on their own.

626
00:30:08,760 --> 00:30:10,480
Speaker 2: We don't need to put all this stuff in there.

627
00:30:10,680 --> 00:30:16,040
Speaker 1: Panky pancakes lesser kin toast, multipless pancakes, waffles.

628
00:30:15,760 --> 00:30:17,840
Speaker 2: Multiple pancakes are pancake.

629
00:30:18,760 --> 00:30:22,880
Speaker 1: Panky, lesser than French toast, lesser than waffles.

630
00:30:23,080 --> 00:30:26,160
Speaker 2: Go into a diner and order pankay and see what happens.

631
00:30:28,360 --> 00:30:31,040
Speaker 2: What else do we even the Octagon Max Credit Union.

632
00:30:31,160 --> 00:30:34,600
Speaker 1: It's gotta go to DiCaprio. It just has to. I

633
00:30:34,680 --> 00:30:38,000
Speaker 1: think that he's at his absolute best in this movie.

634
00:30:38,320 --> 00:30:41,600
Speaker 1: And you know, over the last decade or so, I

635
00:30:41,600 --> 00:30:45,479
Speaker 1: think he's he's had pretty up and down performances. I

636
00:30:45,520 --> 00:30:48,320
Speaker 1: loved him and Killers of the Flower Moon. He's playing

637
00:30:48,320 --> 00:30:51,160
Speaker 1: such a mean character there, and he's playing such a

638
00:30:51,200 --> 00:30:55,120
Speaker 1: good spirited character here, and and also a pathetic one,

639
00:30:55,200 --> 00:30:58,240
Speaker 1: but still a really there's just something about this character

640
00:30:58,320 --> 00:31:01,640
Speaker 1: that's like inherently great and you root for and want

641
00:31:01,720 --> 00:31:05,239
Speaker 1: him to succeed. I think he's I've thought about it.

642
00:31:05,240 --> 00:31:07,440
Speaker 1: And now there is a couple more movies coming out.

643
00:31:07,600 --> 00:31:10,560
Speaker 1: You have Marty Supreme, you know, so shallow May is

644
00:31:10,600 --> 00:31:12,400
Speaker 1: going to be in things. Jeremy Allen White will probably

645
00:31:12,400 --> 00:31:16,280
Speaker 1: get nominated for Springsteen. Yeah, there's another movie I keep

646
00:31:16,320 --> 00:31:19,240
Speaker 1: forgetting that's getting a lot of buzz too. But Leo's

647
00:31:19,240 --> 00:31:21,520
Speaker 1: going to be nominated for Best Actor, and I have

648
00:31:21,600 --> 00:31:25,920
Speaker 1: a hard time seeing anyone taking the throne from him.

649
00:31:25,920 --> 00:31:28,080
Speaker 1: I think he's gonna win his second Oscar for this.

650
00:31:28,280 --> 00:31:30,200
Speaker 2: For those of you tarty to the Mac and Goo party,

651
00:31:30,240 --> 00:31:34,040
Speaker 2: we rate everything on a forty hot dog rating system. Mac,

652
00:31:34,160 --> 00:31:37,240
Speaker 2: I think that one of the character choices that we

653
00:31:37,320 --> 00:31:39,760
Speaker 2: get with Lockjaw kind of took me out of it

654
00:31:39,800 --> 00:31:43,560
Speaker 2: a little bit. I really like how fleshed out all

655
00:31:43,560 --> 00:31:46,280
Speaker 2: the characters are, how they give you that half an

656
00:31:46,320 --> 00:31:48,560
Speaker 2: hour at the beginning to really let you know what

657
00:31:48,720 --> 00:31:52,680
Speaker 2: each character is about, and then sixteen years later, how

658
00:31:52,800 --> 00:31:56,320
Speaker 2: they've evolved over time. Slash kind of Fallen Off Slash

659
00:31:57,080 --> 00:32:01,680
Speaker 2: I really appreciate too. And this is a little bit spoilery,

660
00:32:02,080 --> 00:32:09,120
Speaker 2: but I like how our heroes, our revolutionaries, when caught,

661
00:32:09,480 --> 00:32:11,720
Speaker 2: it doesn't take a lot for them to rat each

662
00:32:11,720 --> 00:32:15,000
Speaker 2: other out. And I like how it's not this honor

663
00:32:15,080 --> 00:32:18,760
Speaker 2: among thieves type of thing. It's still looking out for myself.

664
00:32:18,960 --> 00:32:23,240
Speaker 1: Yeah, it's a more honest approach to what would actually happen.

665
00:32:23,760 --> 00:32:28,560
Speaker 1: And it just speaks to like, ultimately, before I hijack

666
00:32:28,640 --> 00:32:31,600
Speaker 1: your review here, Ultimately, at its core, this movie is

667
00:32:31,640 --> 00:32:34,320
Speaker 1: somehow still a very human story, you know.

668
00:32:34,760 --> 00:32:37,280
Speaker 2: So we love the score. I love the piano in this.

669
00:32:37,400 --> 00:32:40,880
Speaker 2: It really set the tone for the entire movie. Wait,

670
00:32:40,920 --> 00:32:42,560
Speaker 2: did I already say that I felt the time. I

671
00:32:42,640 --> 00:32:45,960
Speaker 2: felt the time a little bit. But I'm looking at

672
00:32:46,000 --> 00:32:47,960
Speaker 2: thirty eight hot dogs and I could probably be talked

673
00:32:48,000 --> 00:32:50,800
Speaker 2: up a little bit. But I don't think it's necessarily perfect.

674
00:32:51,080 --> 00:32:53,800
Speaker 2: It just might be one of the best movies of

675
00:32:53,800 --> 00:32:54,120
Speaker 2: the year.

676
00:32:55,000 --> 00:32:58,200
Speaker 1: All right, Number one, I hate you? Number two? Do

677
00:32:58,240 --> 00:32:59,239
Speaker 1: you have anything above it?

678
00:32:59,520 --> 00:33:00,720
Speaker 2: Things that I like more?

679
00:33:01,120 --> 00:33:02,800
Speaker 1: Do you have anything above it? Well?

680
00:33:03,120 --> 00:33:06,040
Speaker 2: Is like in favoriting, does that mean better?

681
00:33:06,240 --> 00:33:08,600
Speaker 1: You're making a list what you do on letterbox?

682
00:33:08,760 --> 00:33:09,000
Speaker 2: Yeah?

683
00:33:09,080 --> 00:33:10,640
Speaker 1: Is there anything above this movie?

684
00:33:10,720 --> 00:33:13,520
Speaker 2: I would say technically no, Like, this is probably the

685
00:33:13,520 --> 00:33:16,400
Speaker 2: best movie of the year. Is it my favorite movie

686
00:33:16,400 --> 00:33:18,880
Speaker 2: of the year on letterbox? Is it number one? No?

687
00:33:19,440 --> 00:33:20,240
Speaker 1: What's number one?

688
00:33:20,280 --> 00:33:21,880
Speaker 2: Friendship? Okay?

689
00:33:22,120 --> 00:33:24,200
Speaker 1: All right? Is this number two?

690
00:33:24,400 --> 00:33:28,440
Speaker 2: Superman? Wow? Okay? I love Superman. And let me also

691
00:33:28,480 --> 00:33:32,560
Speaker 2: say this Peacemaker is making me like Superman more slash.

692
00:33:32,640 --> 00:33:35,480
Speaker 2: I started Creature Commandos at the gym, so this is

693
00:33:35,520 --> 00:33:37,320
Speaker 2: my new gym show. I watch it while doing my

694
00:33:37,360 --> 00:33:42,520
Speaker 2: elliptical and twenty minutes in the first episode, cartoon nudity

695
00:33:42,960 --> 00:33:45,160
Speaker 2: good thing to watch at the gym. I'm just I'm there.

696
00:33:45,160 --> 00:33:48,000
Speaker 2: I'm watching. I'm watching hent die. Don't worry about me.

697
00:33:52,360 --> 00:33:54,800
Speaker 1: This is a forty dog movie. It's the best movie

698
00:33:54,800 --> 00:33:56,960
Speaker 1: of the year. It's the best movie of the last

699
00:33:56,960 --> 00:33:58,760
Speaker 1: two or three years? Is it number one on your

700
00:33:58,840 --> 00:34:02,480
Speaker 1: letterbox's number one on my letterboxed out of thirty A

701
00:34:02,720 --> 00:34:05,120
Speaker 1: d I think I've got now. I think it's better

702
00:34:05,360 --> 00:34:07,719
Speaker 1: than anything from the last two, three, four five years

703
00:34:07,800 --> 00:34:10,680
Speaker 1: going back further, I'd have to look. And I've sat

704
00:34:10,719 --> 00:34:12,839
Speaker 1: on that for a few days now, and now I've

705
00:34:12,840 --> 00:34:15,520
Speaker 1: watched the second time, and I'm like, really sure of

706
00:34:15,560 --> 00:34:17,839
Speaker 1: that now too, So it is what it is. I

707
00:34:17,840 --> 00:34:20,160
Speaker 1: love this movie. It's now one of my favorite movies

708
00:34:20,160 --> 00:34:22,520
Speaker 1: of all time, and I'm pretty happy about that. Well

709
00:34:22,520 --> 00:34:24,160
Speaker 1: disappointed and Goo, but what are you gonna do? Is

710
00:34:24,200 --> 00:34:25,399
Speaker 1: what makes us different, that makes us great?

711
00:34:25,440 --> 00:34:27,919
Speaker 2: I give you thirty eight hot dogs. It's an a

712
00:34:27,880 --> 00:34:28,200
Speaker 2: all right.

713
00:34:28,520 --> 00:34:34,200
Speaker 1: Spoilers spoilers, spoilers, spoiler spoilers. Goo mentioned in his scathing

714
00:34:34,239 --> 00:34:37,439
Speaker 1: review of this movie that the first thirty minutes set

715
00:34:37,440 --> 00:34:39,920
Speaker 1: the scene and really go a long way. And I

716
00:34:39,960 --> 00:34:42,520
Speaker 1: think my first text I sent to you after this

717
00:34:42,600 --> 00:34:46,520
Speaker 1: movie was talking about how basically the first thirty it's

718
00:34:46,560 --> 00:34:48,920
Speaker 1: I think it's thirty three minutes could have been its

719
00:34:48,960 --> 00:34:52,359
Speaker 1: own movie outright, Like there's so many things that happened there,

720
00:34:52,760 --> 00:34:55,240
Speaker 1: and it sets the scene for the next two hours

721
00:34:55,239 --> 00:34:57,680
Speaker 1: of this movie. But the first act is such a

722
00:34:57,680 --> 00:34:59,920
Speaker 1: great story in and of itself. You get the friend

723
00:35:00,080 --> 00:35:02,640
Speaker 1: seventy five attack on the border, holding you free, the people,

724
00:35:02,719 --> 00:35:05,879
Speaker 1: Perfidia and Lockjaw have that weird scene where she makes

725
00:35:05,920 --> 00:35:08,200
Speaker 1: them get in the direction, which once I saw that

726
00:35:08,600 --> 00:35:10,399
Speaker 1: what three minutes of the movie, I'm like, all right,

727
00:35:10,480 --> 00:35:11,080
Speaker 1: we're in.

728
00:35:11,200 --> 00:35:13,360
Speaker 2: Let me ask you a questionnaire. If someone's holding a

729
00:35:13,400 --> 00:35:14,879
Speaker 2: gun to your head. Do you think you could get

730
00:35:14,880 --> 00:35:15,200
Speaker 2: it up?

731
00:35:15,480 --> 00:35:17,560
Speaker 1: Zero percent chance? Zero percent chance.

732
00:35:17,920 --> 00:35:19,360
Speaker 2: Even if they didn't tell me to, I might just

733
00:35:19,400 --> 00:35:21,839
Speaker 2: do it. I'm like the Incredible Hulk, you know how

734
00:35:21,880 --> 00:35:22,880
Speaker 2: he's always angry.

735
00:35:24,200 --> 00:35:25,520
Speaker 1: You're always horning.

736
00:35:25,600 --> 00:35:26,480
Speaker 2: I'm always horning.

737
00:35:28,440 --> 00:35:31,279
Speaker 1: We get the montage of the French seventy five with

738
00:35:31,520 --> 00:35:35,239
Speaker 1: Bob and Perfidia, with their attacks bombings. We get a

739
00:35:35,320 --> 00:35:39,480
Speaker 1: quick look into really their relationship, how smart prepared and

740
00:35:39,560 --> 00:35:43,120
Speaker 1: calculated Bob is or at the time pat and how

741
00:35:43,160 --> 00:35:47,360
Speaker 1: emotional and impulsive Perfidia is. They're really really yin and yang.

742
00:35:47,160 --> 00:35:51,360
Speaker 2: Here, and also her rejection of being like, she doesn't

743
00:35:51,400 --> 00:35:54,440
Speaker 2: want to be so planned out slash. She really wants

744
00:35:54,480 --> 00:35:55,440
Speaker 2: to fly with the wind.

745
00:35:55,920 --> 00:35:59,040
Speaker 1: Yes. Yeah, And then we get the scene that Goo

746
00:35:59,040 --> 00:36:02,120
Speaker 1: and I talked about a little bit already. Lockjaw begins

747
00:36:02,120 --> 00:36:05,760
Speaker 1: stocking Perfidia. He's got his by Knox and he's really

748
00:36:05,800 --> 00:36:08,720
Speaker 1: taking the sites in and it seems like they both

749
00:36:08,800 --> 00:36:12,520
Speaker 1: have this similar kink of a power struggles sort of thing.

750
00:36:13,480 --> 00:36:16,120
Speaker 1: He catches her in that bathroom. They go to meet

751
00:36:16,160 --> 00:36:18,560
Speaker 1: at the motel, and they're both into it. They're both

752
00:36:18,800 --> 00:36:22,320
Speaker 1: very into it. So that was like all right, what's

753
00:36:22,360 --> 00:36:25,160
Speaker 1: really going on here? Presumably they do a little hanky

754
00:36:25,200 --> 00:36:29,680
Speaker 1: panky there. Then we cut Perfidia is very pregnant shooting

755
00:36:29,680 --> 00:36:34,040
Speaker 1: that machine gun, and their dynamic comes back up. Leo

756
00:36:34,200 --> 00:36:37,480
Speaker 1: is more concerned about her health, safety and pregnancy than

757
00:36:37,520 --> 00:36:41,160
Speaker 1: she is, and that's really what dominates their relationship to

758
00:36:41,200 --> 00:36:43,080
Speaker 1: the point where once she has the baby, she then

759
00:36:43,120 --> 00:36:45,560
Speaker 1: becomes jealous of her own baby, which is a very

760
00:36:45,640 --> 00:36:48,480
Speaker 1: real thing and a thing that happens. And some of

761
00:36:48,560 --> 00:36:51,520
Speaker 1: what I've read online over the last week is talking

762
00:36:51,560 --> 00:36:55,000
Speaker 1: about how much Maya Rudolph, who Paul Thomas Anderson is

763
00:36:55,000 --> 00:36:58,560
Speaker 1: married to, by the way, Maya Rudolph, his daughters, and

764
00:36:58,600 --> 00:37:02,080
Speaker 1: his own life experiences have played up in this script,

765
00:37:02,239 --> 00:37:05,680
Speaker 1: and you can really see it in the dynamic. Amongst

766
00:37:05,760 --> 00:37:08,919
Speaker 1: so number one, Paul Thomas Anderson has mixed children, which

767
00:37:08,920 --> 00:37:11,200
Speaker 1: we see in here. You see there's that moment where

768
00:37:11,280 --> 00:37:13,279
Speaker 1: Leo doesn't know how to do her hair, that type

769
00:37:13,280 --> 00:37:15,880
Speaker 1: of thing, and you just see that dynamic play up here.

770
00:37:15,880 --> 00:37:18,760
Speaker 1: So I think his own life experiences are really affecting

771
00:37:18,760 --> 00:37:20,319
Speaker 1: this movie and what in part make it a.

772
00:37:20,239 --> 00:37:22,440
Speaker 2: Masters jealous of my son all the time.

773
00:37:23,880 --> 00:37:27,120
Speaker 1: The next events sort of pop off. When Perfidia shoots

774
00:37:27,160 --> 00:37:29,920
Speaker 1: the guy in the bank robbery. They go on the run,

775
00:37:30,080 --> 00:37:32,520
Speaker 1: but she gets caught by the Popo five to zero.

776
00:37:32,719 --> 00:37:35,840
Speaker 1: Lockjaw helps her get a plea deal and she dimes

777
00:37:35,880 --> 00:37:41,759
Speaker 1: everyone out. Immediately she goes into witness protection. She's in

778
00:37:41,840 --> 00:37:46,040
Speaker 1: some you know, upscale neighborhood and everyone has to disappear.

779
00:37:46,080 --> 00:37:48,480
Speaker 1: This is where Somerville gives everyone those scanners and their

780
00:37:48,520 --> 00:37:52,840
Speaker 1: new identities. We get Bob and now Willa Ferguson instead

781
00:37:52,840 --> 00:37:57,160
Speaker 1: of Baby Charlene and pat Lockjar then goes to visit

782
00:37:57,239 --> 00:38:01,000
Speaker 1: Perfidia after he's been promoted to colonel, and he's expecting

783
00:38:01,080 --> 00:38:04,400
Speaker 1: like white house, picket fence, this whole thing, and he

784
00:38:04,480 --> 00:38:07,440
Speaker 1: goes in. This was the first laugh out loud moment.

785
00:38:07,680 --> 00:38:10,160
Speaker 1: Goes into the home, sees a note taped up to

786
00:38:10,200 --> 00:38:14,440
Speaker 1: the window and says this pussy don't pop for you. Incredible,

787
00:38:14,560 --> 00:38:15,880
Speaker 1: incredible way to get broken up.

788
00:38:16,040 --> 00:38:18,880
Speaker 2: I also do love so when they're all leaving and

789
00:38:18,920 --> 00:38:21,760
Speaker 2: they're all getting their new identities. I love that her

790
00:38:21,800 --> 00:38:24,160
Speaker 2: mother was like ready for this to happen, and she's

791
00:38:24,200 --> 00:38:25,439
Speaker 2: just like all right, bye, see you later.

792
00:38:25,640 --> 00:38:28,839
Speaker 1: Yeah. And there is a really interesting scene in here too,

793
00:38:29,600 --> 00:38:33,600
Speaker 1: where when Perfidia is still pregnant and her mom is

794
00:38:33,680 --> 00:38:36,759
Speaker 1: just like dressing Leo down like you're not good enough

795
00:38:36,760 --> 00:38:39,040
Speaker 1: for her, and it almost seems like she doesn't really

796
00:38:39,040 --> 00:38:40,799
Speaker 1: care too much about the baby either. She cares more

797
00:38:40,800 --> 00:38:43,680
Speaker 1: about la revolution than the baby. So it's very.

798
00:38:43,520 --> 00:38:47,520
Speaker 2: Interesting, you know, years of being revolutionaries and you almost

799
00:38:47,600 --> 00:38:50,520
Speaker 2: like so she knows that her daughter is not going

800
00:38:50,520 --> 00:38:52,799
Speaker 2: to take care of the baby as she should, as

801
00:38:52,800 --> 00:38:58,400
Speaker 2: as you know, as a prototypical mother would, and maybe

802
00:38:58,440 --> 00:39:00,800
Speaker 2: that's how she felt when she was having her Yeah.

803
00:39:00,680 --> 00:39:04,759
Speaker 1: It's possible. It is possible. I think that's why you know,

804
00:39:04,920 --> 00:39:06,600
Speaker 1: at the end we'll get to it in a feel

805
00:39:06,640 --> 00:39:08,359
Speaker 1: like the end of the movie is pretty meaningful too,

806
00:39:08,440 --> 00:39:11,640
Speaker 1: with the letter that's gets left there. We cut to

807
00:39:11,680 --> 00:39:16,400
Speaker 1: sixteen years later. They're in bacting Cross a food Dude,

808
00:39:17,040 --> 00:39:21,480
Speaker 1: Dirty Wack no Mo, great song. We see Leo smoking

809
00:39:21,520 --> 00:39:24,520
Speaker 1: in his car waiting for Willa while she's inside at

810
00:39:24,600 --> 00:39:27,600
Speaker 1: karate with Sense and I thought that was a great

811
00:39:27,880 --> 00:39:30,879
Speaker 1: like open into the next set of the movie. I'm

812
00:39:30,920 --> 00:39:32,520
Speaker 1: not going to run through the rest of the timeline.

813
00:39:32,560 --> 00:39:34,839
Speaker 1: It's just watch it again if you'd like, But goo,

814
00:39:34,960 --> 00:39:38,759
Speaker 1: what I think essentially, what this final two hours of

815
00:39:38,800 --> 00:39:42,160
Speaker 1: the movie boils down to is you have this crazy racist,

816
00:39:42,360 --> 00:39:43,960
Speaker 1: which is the big part of the movie you take

817
00:39:44,040 --> 00:39:46,680
Speaker 1: issue with essentially just wants to kill his sixteen year

818
00:39:46,719 --> 00:39:49,040
Speaker 1: old daughter so he can join a racist club.

819
00:39:49,200 --> 00:39:52,080
Speaker 2: So I just think that making him a white supremacist

820
00:39:52,080 --> 00:39:54,839
Speaker 2: making him a racist, which I'll be honest, I'm not

821
00:39:54,880 --> 00:39:56,800
Speaker 2: even sure if he is, or if he just wants

822
00:39:56,840 --> 00:40:00,120
Speaker 2: to be a part what status he wants the status

823
00:40:00,280 --> 00:40:03,080
Speaker 2: or he wants community right, But I think that you

824
00:40:03,120 --> 00:40:06,440
Speaker 2: could have made that high society club not be a

825
00:40:06,480 --> 00:40:09,799
Speaker 2: white supremacy club, and it's still the same type of thing.

826
00:40:09,880 --> 00:40:12,600
Speaker 2: I think by making him a white supremacist, and also

827
00:40:13,040 --> 00:40:15,759
Speaker 2: he is in charge of these you know, ice raids

828
00:40:15,760 --> 00:40:18,640
Speaker 2: and everything else, you are adding that little bit extra

829
00:40:18,760 --> 00:40:21,320
Speaker 2: that I'm not sure if you need it in the movie.

830
00:40:21,440 --> 00:40:24,040
Speaker 1: I think it really worked for me. I'm not saying

831
00:40:24,480 --> 00:40:27,359
Speaker 1: I'm not even necessarily disagreeing with you, because I do

832
00:40:27,400 --> 00:40:29,600
Speaker 1: think that that's going to be an issue for people

833
00:40:29,719 --> 00:40:31,640
Speaker 1: some people, and maybe the people that didn't like it

834
00:40:31,640 --> 00:40:34,400
Speaker 1: probably didn't like that aspect, So I understand what you're saying.

835
00:40:34,600 --> 00:40:36,720
Speaker 1: It just really worked for me, And again I think

836
00:40:37,040 --> 00:40:39,799
Speaker 1: a lot and because it's it seemed so genuine to

837
00:40:39,840 --> 00:40:43,160
Speaker 1: me too, from the other side, from his own experiences.

838
00:40:43,200 --> 00:40:45,680
Speaker 1: So I think it just worked. But I think I

839
00:40:45,719 --> 00:40:48,560
Speaker 1: think the detractors of this movie will boil it down

840
00:40:48,600 --> 00:40:51,840
Speaker 1: to that it's two hours of a racist guy chasing

841
00:40:51,840 --> 00:40:52,560
Speaker 1: a girl to killer.

842
00:40:52,719 --> 00:40:58,360
Speaker 2: I would also say that, like, so after he you know,

843
00:40:58,480 --> 00:41:04,160
Speaker 2: brings flowers, brings po to his love and then she leaves,

844
00:41:04,680 --> 00:41:08,200
Speaker 2: like there's still a chance that he's not all bad

845
00:41:08,640 --> 00:41:11,560
Speaker 2: like he is he is on the inside, but he

846
00:41:11,680 --> 00:41:13,840
Speaker 2: keeps doing things of like I don't doing.

847
00:41:13,680 --> 00:41:15,480
Speaker 1: Bad things, but he's not a bad guy.

848
00:41:15,480 --> 00:41:17,839
Speaker 2: But he's also like I don't really care about this job.

849
00:41:17,880 --> 00:41:20,520
Speaker 2: It's just my job type of thing. But then once

850
00:41:20,560 --> 00:41:23,240
Speaker 2: you introduce so like you're like, okay, do I kind

851
00:41:23,239 --> 00:41:25,200
Speaker 2: of side with him? Do I? I don't really know

852
00:41:25,239 --> 00:41:28,840
Speaker 2: who he is yet. But then once you introduce it's exactly.

853
00:41:28,880 --> 00:41:30,799
Speaker 2: But then once you introduce it of like no, he's

854
00:41:30,840 --> 00:41:33,920
Speaker 2: trying to join this white supremacy club, You're like, oh,

855
00:41:34,040 --> 00:41:37,480
Speaker 2: that's the bad guy. There's nothing redeeming anymore. It's just

856
00:41:37,640 --> 00:41:38,880
Speaker 2: here's white, here's black.

857
00:41:39,120 --> 00:41:41,840
Speaker 1: I think you're undertelling that because I think it's because

858
00:41:42,280 --> 00:41:45,000
Speaker 1: in his head he doesn't want to do that, but

859
00:41:45,080 --> 00:41:48,200
Speaker 1: at such a base and simple thing, he knows he

860
00:41:48,280 --> 00:41:51,240
Speaker 1: can join that, and so he's trying to. He's looking

861
00:41:51,320 --> 00:41:55,040
Speaker 1: for a sense of community everywhere else and keeps failing.

862
00:41:55,239 --> 00:41:58,120
Speaker 1: So ultimately he's like, fuck it, fine, I'll do the

863
00:41:58,160 --> 00:42:01,600
Speaker 1: most obvious thing here. It's a Lockjaw thing, and it's

864
00:42:01,600 --> 00:42:04,600
Speaker 1: a defining characteristic of him that he's doing that. I

865
00:42:04,640 --> 00:42:05,680
Speaker 1: don't think it's lazy.

866
00:42:05,880 --> 00:42:09,840
Speaker 2: I think it's I I never said it was lazy.

867
00:42:10,560 --> 00:42:13,840
Speaker 1: Okay, you kind of gave off some lazy vibes.

868
00:42:13,640 --> 00:42:15,200
Speaker 2: Sir, Well, that's just me in general.

869
00:42:15,920 --> 00:42:20,760
Speaker 1: The final scene of this movie shows Willa and Bob

870
00:42:20,840 --> 00:42:25,480
Speaker 1: sitting down at the table and she finally calls him dad.

871
00:42:25,840 --> 00:42:27,760
Speaker 1: The whole rest of the movie she's calling him Bob.

872
00:42:28,040 --> 00:42:30,120
Speaker 1: I think she's coming from a point where she never

873
00:42:30,160 --> 00:42:33,120
Speaker 1: believed any of the shit he said, and he still

874
00:42:33,160 --> 00:42:35,399
Speaker 1: prepared her for all of this, and she lives through

875
00:42:35,400 --> 00:42:39,720
Speaker 1: this because of his preparation, and then in part because

876
00:42:39,760 --> 00:42:41,839
Speaker 1: of that, but also I think because she learns about

877
00:42:41,840 --> 00:42:44,400
Speaker 1: her mother in this movie number one and number two,

878
00:42:44,520 --> 00:42:48,000
Speaker 1: she finds out that Lockjaw is her biological father, and

879
00:42:48,120 --> 00:42:52,319
Speaker 1: she realizes it took those things that Bob really is

880
00:42:52,840 --> 00:42:55,880
Speaker 1: a great father. He doesn't necessarily do anything great in

881
00:42:55,920 --> 00:42:59,480
Speaker 1: this movie, but again being there, being available and trying,

882
00:43:00,040 --> 00:43:02,680
Speaker 1: and there's some really nice things about that, Like even

883
00:43:02,719 --> 00:43:07,040
Speaker 1: though he failed tremendously at every turn, he's still like

884
00:43:07,560 --> 00:43:10,160
Speaker 1: he's still considered a good dad. And is there is

885
00:43:10,160 --> 00:43:12,920
Speaker 1: there you as a father? Is there something in there

886
00:43:12,920 --> 00:43:14,360
Speaker 1: where you like you relate to her? It puts a

887
00:43:14,360 --> 00:43:15,280
Speaker 1: smile on your face.

888
00:43:15,400 --> 00:43:18,239
Speaker 2: Oh no, So I love the father daughter dynamic in

889
00:43:18,280 --> 00:43:20,400
Speaker 2: this And also I think we've already talked about this,

890
00:43:20,520 --> 00:43:23,800
Speaker 2: but like, so Leo doesn't save her in this movie.

891
00:43:24,280 --> 00:43:27,920
Speaker 2: He shows up at the very end after she saves herself,

892
00:43:27,960 --> 00:43:31,359
Speaker 2: but she saves herself through everything that he taught her

893
00:43:31,400 --> 00:43:34,360
Speaker 2: through the years. And then not only that, the the

894
00:43:34,719 --> 00:43:36,000
Speaker 2: and not to put it all on this, but like

895
00:43:36,239 --> 00:43:39,759
Speaker 2: I like that she is in karate and she does

896
00:43:39,840 --> 00:43:42,480
Speaker 2: learn discipline through that, and that's something that Leo, I

897
00:43:42,480 --> 00:43:46,200
Speaker 2: would imagine Bob, you know, has her do, has her

898
00:43:46,280 --> 00:43:48,760
Speaker 2: do to really work on her focus right.

899
00:43:48,800 --> 00:43:53,240
Speaker 1: And there's something really beautiful about that process. Thinking about

900
00:43:53,239 --> 00:43:56,719
Speaker 1: that for every person to think about, like in the

901
00:43:56,800 --> 00:43:58,960
Speaker 1: moment you may have you may not have done the

902
00:43:59,040 --> 00:44:01,480
Speaker 1: right thing. Or he may have felt like you faltered,

903
00:44:01,840 --> 00:44:04,760
Speaker 1: but because of your preparation, your process over the prior

904
00:44:04,920 --> 00:44:07,799
Speaker 1: x amount of time, you still succeeded. And I think

905
00:44:07,840 --> 00:44:10,200
Speaker 1: that's like, that's beautiful in and of itself, Like, that's

906
00:44:10,239 --> 00:44:12,800
Speaker 1: really cool, And they do a good job of showing

907
00:44:12,800 --> 00:44:16,640
Speaker 1: that in this movie. Goo Lockjawn meeting his demise at

908
00:44:16,640 --> 00:44:19,600
Speaker 1: the hands of the Christmas Adventurers. I loved it. I

909
00:44:19,640 --> 00:44:22,239
Speaker 1: loved it when we saw him marching down the road,

910
00:44:22,719 --> 00:44:24,360
Speaker 1: king in the custle, king in the custle. I have

911
00:44:24,400 --> 00:44:26,160
Speaker 1: a chair, I have a chair. I was like, Ah,

912
00:44:26,239 --> 00:44:30,640
Speaker 1: he's fucking survived. And then one minute later he's sitting

913
00:44:30,640 --> 00:44:32,960
Speaker 1: in front of the panel with his messed up Michael

914
00:44:32,960 --> 00:44:36,879
Speaker 1: Myers ass face and he gives an incredible line talking

915
00:44:36,880 --> 00:44:39,920
Speaker 1: about being raped in reverse and the old guy leans

916
00:44:39,920 --> 00:44:41,600
Speaker 1: in he goes a seaman demon.

917
00:44:43,080 --> 00:44:43,759
Speaker 2: That's a good joke.

918
00:44:43,880 --> 00:44:47,640
Speaker 1: Yeah, And then of course they gass him get rid

919
00:44:47,680 --> 00:44:50,560
Speaker 1: of him. That was a really fitting end for such

920
00:44:50,560 --> 00:44:54,680
Speaker 1: a pathetic character, still seeking approval from the people that

921
00:44:54,800 --> 00:44:57,920
Speaker 1: already knew he was he would never get approved. I

922
00:44:57,960 --> 00:44:59,960
Speaker 1: think I thought it was perfect for Lockjaw. Yeah.

923
00:45:00,040 --> 00:45:04,640
Speaker 2: Yeah. I also like it's he's just he's such a bastard.

924
00:45:04,920 --> 00:45:08,040
Speaker 2: He's just such an like. Even when he finds out

925
00:45:08,120 --> 00:45:11,839
Speaker 2: that Infinity chases his daughter, there there's no moment of

926
00:45:12,000 --> 00:45:15,520
Speaker 2: like what am I doing here? It's immediately he has

927
00:45:15,560 --> 00:45:16,960
Speaker 2: his mind made up and that's it.

928
00:45:17,120 --> 00:45:20,520
Speaker 1: I also two notes on the Christmas Adventures, the jingle

929
00:45:20,560 --> 00:45:25,000
Speaker 1: Bells being their secret knock great, very Christmas Hill, Saint

930
00:45:25,080 --> 00:45:28,080
Speaker 1: Nick all that stuff's good, Like that whole fake Lord

931
00:45:28,120 --> 00:45:31,040
Speaker 1: they built up was very funny, dude. The only so

932
00:45:31,120 --> 00:45:33,360
Speaker 1: this is I wouldn't call it a gripe because the

933
00:45:33,400 --> 00:45:35,440
Speaker 1: more I'm thinking about it, I think I liked the decision.

934
00:45:35,960 --> 00:45:39,680
Speaker 1: But my my only gripe after my first watch, which

935
00:45:39,719 --> 00:45:43,600
Speaker 1: now I think is just questions surrounding it, is Perfidia

936
00:45:43,680 --> 00:45:46,840
Speaker 1: never comes back into this story outside of that letter

937
00:45:47,360 --> 00:45:51,200
Speaker 1: at the end, And it felt very obvious, abundantly obvious

938
00:45:51,520 --> 00:45:54,560
Speaker 1: that she would come back into the story somehow someway,

939
00:45:54,960 --> 00:45:57,680
Speaker 1: and she just doesn't, so clearly it's an intentional thing.

940
00:45:58,040 --> 00:45:59,759
Speaker 1: This would be the question I would want to ask

941
00:46:00,480 --> 00:46:02,360
Speaker 1: why he didn't bring her back into the story.

942
00:46:02,480 --> 00:46:04,640
Speaker 2: Parents don't always come back, I.

943
00:46:04,560 --> 00:46:06,880
Speaker 1: Know, I guess that's true, And because if she was

944
00:46:06,920 --> 00:46:09,600
Speaker 1: a shitty parent, anyways, and then the letter she asked,

945
00:46:09,600 --> 00:46:11,359
Speaker 1: will you try to change the world like I did?

946
00:46:11,560 --> 00:46:14,000
Speaker 1: So still try to influence her to be more like her.

947
00:46:14,200 --> 00:46:18,000
Speaker 1: You know, it's it's interesting. I think I like it now,

948
00:46:18,360 --> 00:46:20,959
Speaker 1: but it was. It's a curious decision, and I wonder

949
00:46:20,960 --> 00:46:22,359
Speaker 1: if some people also didn't like that.

950
00:46:22,480 --> 00:46:24,399
Speaker 2: There's no attachment to any of it.

951
00:46:25,520 --> 00:46:28,680
Speaker 1: Goose some scenes here that I highlighted while rewatching. When

952
00:46:28,719 --> 00:46:30,440
Speaker 1: will his friends come and pick her up at the

953
00:46:30,440 --> 00:46:34,799
Speaker 1: house for the dance. Incredible, incredible scene with Leo. First

954
00:46:34,800 --> 00:46:37,160
Speaker 1: of all, she's chastising him for drinking and driving. He goes,

955
00:46:37,160 --> 00:46:38,400
Speaker 1: I know how to drink and drive. I know what

956
00:46:38,400 --> 00:46:41,440
Speaker 1: I'm doing. And then they pull her to the driveway

957
00:46:41,440 --> 00:46:43,200
Speaker 1: and he goes, they have a red car like that,

958
00:46:43,440 --> 00:46:46,560
Speaker 1: Like he's just irritated, and he opens the door and says,

959
00:46:46,560 --> 00:46:49,839
Speaker 1: what up, homie. And then when he's yelling at her

960
00:46:50,200 --> 00:46:53,000
Speaker 1: to repeat whatever, and the kid turns and goes what

961
00:46:53,120 --> 00:46:56,080
Speaker 1: he goes, not usay, get the fucking car. It's just

962
00:46:56,400 --> 00:46:58,080
Speaker 1: it was like beat after beat he was he was

963
00:46:58,160 --> 00:47:01,800
Speaker 1: nailing him. You get the Green Acres, Beverly Hillbillies, Hooverville Junction,

964
00:47:01,920 --> 00:47:05,759
Speaker 1: that's their like safe thing. I also loved Leo's getting

965
00:47:05,840 --> 00:47:08,640
Speaker 1: high as fuck watching the Battle of Algiers when he

966
00:47:08,680 --> 00:47:11,719
Speaker 1: gets this phone call, the secret phone call, and that's

967
00:47:11,760 --> 00:47:14,200
Speaker 1: what sends him into a frenzy, and that's what really

968
00:47:14,200 --> 00:47:16,279
Speaker 1: gets this movie going for the next ninety minutes with

969
00:47:16,320 --> 00:47:19,600
Speaker 1: the piano keys, and it's just it's I mean, Gil,

970
00:47:19,600 --> 00:47:22,360
Speaker 1: I'm not, I'm not. I don't divulge, you know, in

971
00:47:22,440 --> 00:47:25,560
Speaker 1: the weeds, you know, but I imagine that was a

972
00:47:25,600 --> 00:47:28,480
Speaker 1: pretty great depiction of what that situation might be like

973
00:47:28,680 --> 00:47:29,200
Speaker 1: if you were.

974
00:47:29,280 --> 00:47:31,719
Speaker 2: And he has that plug in block phone that he's

975
00:47:31,719 --> 00:47:33,960
Speaker 2: bringing with he's trying to charge everywhere.

976
00:47:35,719 --> 00:47:39,440
Speaker 1: And then Bob arguing with Comrade Josh on the phone

977
00:47:39,480 --> 00:47:42,040
Speaker 1: for like a good thirty minutes of this movie is

978
00:47:42,040 --> 00:47:45,799
Speaker 1: is a high class comedy. He Josh telling him maybe

979
00:47:45,840 --> 00:47:47,880
Speaker 1: you should have studied the rebellion text a little harder

980
00:47:47,880 --> 00:47:50,960
Speaker 1: and hanging up, and then when he finally figures, ask

981
00:47:51,320 --> 00:47:54,520
Speaker 1: what's your name, Comrade Josh, get a get a better name,

982
00:47:54,600 --> 00:47:58,520
Speaker 1: Comrade Josh, that's a fucking ridiculous name for revolutionary sense

983
00:47:58,760 --> 00:48:00,920
Speaker 1: telling Bob what the time was when Leo was trying

984
00:48:00,960 --> 00:48:03,080
Speaker 1: to figure out the code, he goes, that's eight fifteen

985
00:48:03,840 --> 00:48:05,839
Speaker 1: and then he calls in a gray Hawk ten motherfucker.

986
00:48:06,080 --> 00:48:10,200
Speaker 1: And then finally he gets the coordinates to the Chupacabra

987
00:48:10,280 --> 00:48:13,920
Speaker 1: Hill by his old comrade asking him, what's my favorite

988
00:48:13,960 --> 00:48:16,919
Speaker 1: kind of pussy? He thanks, for a second, he hasn't

989
00:48:16,920 --> 00:48:20,680
Speaker 1: answered anything right in ours. He goes Mexican hairless like

990
00:48:20,719 --> 00:48:27,000
Speaker 1: it was like yesterday. Uh, once again, Sense Bob introducing

991
00:48:27,280 --> 00:48:31,400
Speaker 1: Leo or Sense introducing Bob to everyone was great. Sense

992
00:48:31,560 --> 00:48:33,680
Speaker 1: yelling at the kid to get off his phone, and

993
00:48:33,719 --> 00:48:37,440
Speaker 1: then Bob thinking Sense's yelling at him was amazing. Uh,

994
00:48:37,520 --> 00:48:40,440
Speaker 1: Viva that revolucia and that was great. And then the

995
00:48:40,920 --> 00:48:45,040
Speaker 1: interrogator interrogating Willi's friends at the high school, he asked

996
00:48:45,080 --> 00:48:47,360
Speaker 1: the kid that picked her up, so I look like

997
00:48:47,360 --> 00:48:51,719
Speaker 1: your parent, and he goes, kind of, of course, we

998
00:48:51,840 --> 00:48:55,799
Speaker 1: get a few small beers all timeline the Christmas uh

999
00:48:56,640 --> 00:48:59,320
Speaker 1: what do they call Christmas Adventurers talking about a possible

1000
00:48:59,360 --> 00:49:01,399
Speaker 1: nugget short just because of all the people that were

1001
00:49:01,400 --> 00:49:06,600
Speaker 1: being detained, and then the scene between Willa and Lockjaw

1002
00:49:06,719 --> 00:49:09,640
Speaker 1: and that like big ass church was so cool looking.

1003
00:49:09,960 --> 00:49:12,000
Speaker 1: And she also at one point asked him why his

1004
00:49:12,080 --> 00:49:13,960
Speaker 1: shirts so tight and he goes, I'm not gay.

1005
00:49:14,000 --> 00:49:18,160
Speaker 2: If that's what you're thinking, that's your response to anytime

1006
00:49:18,200 --> 00:49:23,600
Speaker 2: someone's ol mack, you have a nice scarfund Right, This is.

1007
00:49:24,160 --> 00:49:25,880
Speaker 1: Such a fun movie and it was really fun to

1008
00:49:25,920 --> 00:49:29,520
Speaker 1: watch again, which I wasn't sure. And this is why

1009
00:49:29,560 --> 00:49:31,680
Speaker 1: I think it solidified my feelings on the movie in

1010
00:49:32,080 --> 00:49:36,120
Speaker 1: it where it ranks in the pantheon of cinema goo

1011
00:49:36,520 --> 00:49:38,840
Speaker 1: is because on the second rewatch it was such a

1012
00:49:38,840 --> 00:49:40,960
Speaker 1: breeze and so easy to rewatch. And I think I'll

1013
00:49:41,000 --> 00:49:42,799
Speaker 1: be getting shot shank by this movie for the rest

1014
00:49:42,840 --> 00:49:47,560
Speaker 1: of my life.

1015
00:49:48,680 --> 00:49:55,400
Speaker 2: Let's get into Max Sack and Max Sack could be anything,

1016
00:49:55,400 --> 00:49:57,799
Speaker 2: that could be a boat. For those of you not

1017
00:49:57,880 --> 00:50:01,120
Speaker 2: in the know, we just wrapped up sept and what

1018
00:50:01,200 --> 00:50:06,239
Speaker 2: an adventure is be tiered so many things, and we

1019
00:50:06,320 --> 00:50:07,440
Speaker 2: did a great job on all them.

1020
00:50:07,440 --> 00:50:09,560
Speaker 1: I would say, yeah, no doubt.

1021
00:50:09,560 --> 00:50:12,680
Speaker 2: I had so much fun. And now as we roll

1022
00:50:12,719 --> 00:50:16,479
Speaker 2: into the spooky season of October, I'm thinking the theme

1023
00:50:16,560 --> 00:50:20,719
Speaker 2: for this month oc teerber. Wow, I've never heard of that, right,

1024
00:50:20,760 --> 00:50:23,520
Speaker 2: So what we're gonna do here mac our first tiering

1025
00:50:23,680 --> 00:50:26,799
Speaker 2: of the month, since it is spooky, I'm gonna try

1026
00:50:26,840 --> 00:50:28,520
Speaker 2: to explain this to you and I'm not sure if

1027
00:50:28,560 --> 00:50:31,080
Speaker 2: I know how to do it. Okay, I have here

1028
00:50:31,120 --> 00:50:36,120
Speaker 2: a tear of horror movie killers. I want you to

1029
00:50:36,239 --> 00:50:39,880
Speaker 2: tear them by how happy you would be or sad

1030
00:50:40,040 --> 00:50:42,080
Speaker 2: embarrassed if you were killed by them?

1031
00:50:42,400 --> 00:50:45,319
Speaker 1: Can I change it, flip it and reverse it? Can

1032
00:50:45,400 --> 00:50:49,120
Speaker 1: I teer it by who I think would have the

1033
00:50:49,160 --> 00:50:51,520
Speaker 1: easiest to hardest time killing me, Like who I might

1034
00:50:51,560 --> 00:50:52,560
Speaker 1: be able to get away from.

1035
00:50:52,600 --> 00:50:54,360
Speaker 2: It's already tiered a certain way. I'm not making a

1036
00:50:54,400 --> 00:50:57,000
Speaker 2: new tier. What we're gonna do is I'm gonna throw

1037
00:50:57,040 --> 00:50:59,080
Speaker 2: a name at you. If you think it's someone that

1038
00:50:59,120 --> 00:51:02,279
Speaker 2: shouldn't kill you, you say, I'm embarrassed by that. Oh

1039
00:51:02,360 --> 00:51:03,839
Speaker 2: I'd be embarrassed to be killed by them.

1040
00:51:04,120 --> 00:51:05,000
Speaker 1: Okay, all right.

1041
00:51:05,160 --> 00:51:08,879
Speaker 2: So the tears that we are looking at today at

1042
00:51:08,920 --> 00:51:12,680
Speaker 2: the bottom is I'm embarrassed? Second tier from the bottom

1043
00:51:12,840 --> 00:51:15,560
Speaker 2: where did I mess up? How did this happen to me?

1044
00:51:16,280 --> 00:51:18,719
Speaker 2: The third tier from the bottom is so you're going

1045
00:51:18,800 --> 00:51:23,360
Speaker 2: to die? Fourth tier, gentlemen, It's been a privilege playing

1046
00:51:23,400 --> 00:51:27,520
Speaker 2: with you tonight. Second from the top retoo pecked yep

1047
00:51:27,920 --> 00:51:33,040
Speaker 2: and at the top theater refive pecked Omar. No Maar

1048
00:51:33,160 --> 00:51:35,400
Speaker 2: is better than Derek Jeter. He deserves more respect.

1049
00:51:35,680 --> 00:51:37,839
Speaker 1: I'm never gonna argue for Derek Jeter.

1050
00:51:38,040 --> 00:51:41,120
Speaker 2: So Mac, and don't forget you have stamps hiking.

1051
00:51:41,280 --> 00:51:42,399
Speaker 1: There's a lot of things here.

1052
00:51:42,719 --> 00:51:45,560
Speaker 2: There's a lot of fucking killers, stupid high swore.

1053
00:51:45,640 --> 00:51:48,279
Speaker 1: Again, I would have liked to teer whether I could

1054
00:51:48,320 --> 00:51:49,319
Speaker 1: get away from them or not.

1055
00:51:49,520 --> 00:51:51,880
Speaker 2: Once again, if you feel like you shouldn't be killed

1056
00:51:51,880 --> 00:51:54,840
Speaker 2: by them and they do kill you, you're embarrassed, or

1057
00:51:54,840 --> 00:51:56,120
Speaker 2: you say, where did I mess up?

1058
00:51:56,440 --> 00:51:56,799
Speaker 1: All right?

1059
00:51:56,920 --> 00:51:57,800
Speaker 2: Simple enough?

1060
00:51:58,360 --> 00:51:58,640
Speaker 1: Mac?

1061
00:51:59,000 --> 00:52:01,920
Speaker 2: Starting off with Michael Myers from Halloween.

1062
00:52:02,360 --> 00:52:06,240
Speaker 1: I honestly, as much as I love Halloween and Michael

1063
00:52:06,280 --> 00:52:09,000
Speaker 1: Myers is a character, I'd be sort of embarrassed if

1064
00:52:09,000 --> 00:52:09,480
Speaker 1: he killed me.

1065
00:52:09,600 --> 00:52:12,239
Speaker 2: You'd be embarrassed by.

1066
00:52:11,280 --> 00:52:12,960
Speaker 1: The pretty easy to get away from.

1067
00:52:12,800 --> 00:52:15,040
Speaker 2: Wow, because Michael Myers. I don't have the numbers in

1068
00:52:15,040 --> 00:52:17,040
Speaker 2: front of me, but I believe has the fourth most

1069
00:52:17,120 --> 00:52:18,440
Speaker 2: kills in movie history.

1070
00:52:18,640 --> 00:52:21,319
Speaker 1: He can't run, and although he showed the ability to drive,

1071
00:52:21,680 --> 00:52:23,120
Speaker 1: I don't know if he can climb. What if you

1072
00:52:23,200 --> 00:52:25,279
Speaker 1: just climb a tree and then now Michael Myers can't

1073
00:52:25,360 --> 00:52:25,640
Speaker 1: kill you.

1074
00:52:25,760 --> 00:52:28,080
Speaker 2: I forgot of how highly you think of yourself. And

1075
00:52:28,120 --> 00:52:32,640
Speaker 2: you're gonna be embarrassed by all of these Chucky from

1076
00:52:32,719 --> 00:52:33,399
Speaker 2: Child's Play.

1077
00:52:33,600 --> 00:52:36,160
Speaker 1: I'll punt Chucky to the fucking moon. Not a chance

1078
00:52:36,239 --> 00:52:37,040
Speaker 1: Chucky's killing me.

1079
00:52:37,440 --> 00:52:40,840
Speaker 2: So you'd be embarrassed again, Yeah, your god? How about

1080
00:52:40,880 --> 00:52:41,760
Speaker 2: already the clown?

1081
00:52:42,600 --> 00:52:44,879
Speaker 1: I haven't seen these movies these what are these movies

1082
00:52:44,920 --> 00:52:46,760
Speaker 1: that getting called? They've come out the last few years.

1083
00:52:47,120 --> 00:52:49,320
Speaker 2: What are these movies called already?

1084
00:52:50,520 --> 00:52:54,600
Speaker 1: I guess it'd be embarrassed because he's a clown, terrifier, terrifier.

1085
00:52:54,600 --> 00:52:55,480
Speaker 1: I haven't seen these movies.

1086
00:52:55,719 --> 00:52:58,080
Speaker 2: Be embarrassed by Artie two. You can't be embarrassed by all.

1087
00:52:58,280 --> 00:52:59,960
Speaker 1: I don't know what he can do, but if you

1088
00:53:00,080 --> 00:53:02,239
Speaker 1: get killed by a clown, that's embarrassing. All right.

1089
00:53:02,239 --> 00:53:04,800
Speaker 2: How about Buffalo Bill, I'd be less embarrassed.

1090
00:53:04,840 --> 00:53:07,919
Speaker 1: He's he's pretty methodical planned out. But then he's probably

1091
00:53:07,960 --> 00:53:09,680
Speaker 1: gonna do some word sex thing with me, So that's

1092
00:53:09,680 --> 00:53:12,640
Speaker 1: a little embarrassing. So so you're going to die?

1093
00:53:12,760 --> 00:53:15,040
Speaker 2: I'd put him more in like where did I mess up?

1094
00:53:15,080 --> 00:53:17,840
Speaker 2: Because clearly I did something wrong where he was able

1095
00:53:17,880 --> 00:53:18,839
Speaker 2: to take advantage of this.

1096
00:53:19,400 --> 00:53:21,440
Speaker 1: Well, that's a lot. That's a common thing with all

1097
00:53:21,440 --> 00:53:22,359
Speaker 1: these killers.

1098
00:53:22,080 --> 00:53:23,840
Speaker 2: I suppose. How about Candy Man.

1099
00:53:25,280 --> 00:53:27,640
Speaker 1: I would have to go refive spect for candy Man

1100
00:53:27,960 --> 00:53:30,839
Speaker 1: because I don't. I don't. I can't really control candy Man.

1101
00:53:30,920 --> 00:53:32,920
Speaker 2: You know, well you cannot say his name in the mirror.

1102
00:53:33,040 --> 00:53:36,040
Speaker 1: But I'm gonna have some some fucking some friend with

1103
00:53:36,080 --> 00:53:38,719
Speaker 1: some tomfoolery summoning candy Man, and then there's nothing I

1104
00:53:38,760 --> 00:53:39,440
Speaker 1: can do about it.

1105
00:53:39,560 --> 00:53:40,560
Speaker 2: How about a Dracula.

1106
00:53:43,360 --> 00:53:46,239
Speaker 1: I could see myself falling in love with a woman Dracula,

1107
00:53:46,880 --> 00:53:48,839
Speaker 1: so retoo pecked on this one.

1108
00:53:48,960 --> 00:53:52,120
Speaker 2: Retoo pecked a Dracula. How about a Frankenstein monster.

1109
00:53:52,640 --> 00:53:54,839
Speaker 1: It's a lot like Michael Myers. I just don't know

1110
00:53:54,920 --> 00:53:58,280
Speaker 1: how they like. If I just walked down the street,

1111
00:53:58,320 --> 00:53:59,880
Speaker 1: I don't think they could kill me.

1112
00:54:00,280 --> 00:54:02,799
Speaker 2: Yeah, but what if you're picking flowers by the river

1113
00:54:03,280 --> 00:54:06,040
Speaker 2: and he pulls you in with his charm and then

1114
00:54:06,040 --> 00:54:07,120
Speaker 2: he throws you in the river.

1115
00:54:07,480 --> 00:54:11,879
Speaker 1: I'd be embarrassed if Frankenstein kills me. Freddy Krueger refive peck.

1116
00:54:12,000 --> 00:54:15,440
Speaker 1: This is the one I like a sleep and I

1117
00:54:15,440 --> 00:54:17,839
Speaker 1: don't even remember my shit half the time. Yeah, if

1118
00:54:17,840 --> 00:54:19,520
Speaker 1: Freddy gets me, there's nothing I can do about it.

1119
00:54:19,560 --> 00:54:21,480
Speaker 2: What about ghost Face? And I guess I'll just throw

1120
00:54:21,480 --> 00:54:24,239
Speaker 2: it out there as a big generic ghost face, but

1121
00:54:25,120 --> 00:54:27,040
Speaker 2: you can look at individual ones if you want.

1122
00:54:27,160 --> 00:54:30,240
Speaker 1: I would say the commonality ghost face, right, it's probably

1123
00:54:30,280 --> 00:54:33,120
Speaker 1: gonna be one of your friends or two of them. Yeah,

1124
00:54:33,280 --> 00:54:36,560
Speaker 1: or two of them. So not the most respect because

1125
00:54:36,560 --> 00:54:39,960
Speaker 1: I'm getting betrayed, but some respect. You wrote me in,

1126
00:54:40,120 --> 00:54:41,600
Speaker 1: you wrote me in a little bit, I'll go retoo

1127
00:54:41,600 --> 00:54:42,480
Speaker 1: pecked on ghost face.

1128
00:54:42,600 --> 00:54:44,799
Speaker 2: Yeah, I would have it more in the gentleman. It's

1129
00:54:44,800 --> 00:54:47,920
Speaker 2: been a privilege playing with you tonight. But I'm definitely

1130
00:54:47,920 --> 00:54:51,319
Speaker 2: in that ara ya because there's always multiple ghost face.

1131
00:54:51,400 --> 00:54:53,120
Speaker 2: It's not one person chasing you.

1132
00:54:53,560 --> 00:54:55,400
Speaker 1: Yeah, right right, it's true.

1133
00:54:55,560 --> 00:54:56,279
Speaker 2: Hannibal Lecter.

1134
00:54:56,760 --> 00:55:00,400
Speaker 1: So he's smarter than me, but he's also old and

1135
00:55:00,440 --> 00:55:04,200
Speaker 1: he can't overpower me, but he can trap me. So

1136
00:55:04,280 --> 00:55:06,640
Speaker 1: maybe maybe it's been a privilege playing with him. If

1137
00:55:06,640 --> 00:55:08,920
Speaker 1: that's that's If he traps me, he gets me, and

1138
00:55:08,920 --> 00:55:09,960
Speaker 1: I'll tip the hat to him.

1139
00:55:10,040 --> 00:55:11,759
Speaker 2: What do you think he eats first?

1140
00:55:12,360 --> 00:55:13,759
Speaker 1: I don't know what depends. Does he does he like

1141
00:55:13,800 --> 00:55:16,479
Speaker 1: a fatty cut or I don't I'm not sure the stuff.

1142
00:55:16,719 --> 00:55:18,920
Speaker 2: If anyone can comment in the YouTube section, let us

1143
00:55:18,920 --> 00:55:21,560
Speaker 2: know what you think Hannibal Lecter would eat from MAXI

1144
00:55:21,760 --> 00:55:22,480
Speaker 2: I would say.

1145
00:55:22,320 --> 00:55:24,960
Speaker 1: Like hamstring would would be the first bite.

1146
00:55:25,000 --> 00:55:26,480
Speaker 2: You do have creamy hamstrings?

1147
00:55:26,719 --> 00:55:27,040
Speaker 1: Yeah?

1148
00:55:27,239 --> 00:55:28,240
Speaker 2: The invisible man.

1149
00:55:28,719 --> 00:55:30,759
Speaker 1: Oh, he's fucking invisible. So what do you want me

1150
00:55:30,800 --> 00:55:33,160
Speaker 1: to do? I don't. I don't respect him as much

1151
00:55:33,200 --> 00:55:36,080
Speaker 1: as I do like Freddy though, you know, so you're

1152
00:55:36,080 --> 00:55:36,720
Speaker 1: gonna die.

1153
00:55:37,480 --> 00:55:38,680
Speaker 2: I'm not even impressed by him.

1154
00:55:38,719 --> 00:55:41,040
Speaker 1: That's too easy, although, but the thing he would kill

1155
00:55:41,120 --> 00:55:43,040
Speaker 1: me with wouldn't be invisible though. So I just see

1156
00:55:43,080 --> 00:55:44,440
Speaker 1: like a floating knife or.

1157
00:55:44,560 --> 00:55:47,640
Speaker 2: So pretty much out of nowhere. This guy pops up

1158
00:55:47,680 --> 00:55:49,160
Speaker 2: and he kills you, and you're like, I don't really

1159
00:55:49,200 --> 00:55:50,239
Speaker 2: respect how you just did that.

1160
00:55:50,640 --> 00:55:53,200
Speaker 1: Yeah, don't care for it. Camper is a camper.

1161
00:55:53,320 --> 00:55:54,640
Speaker 2: I know what you did last summer.

1162
00:55:56,640 --> 00:55:59,360
Speaker 1: He would be getting revenge for one of my past disgressions.

1163
00:56:00,239 --> 00:56:02,919
Speaker 1: I would respect the spite, and I have probably done

1164
00:56:02,960 --> 00:56:05,840
Speaker 1: something to him, So I'll go retoo pecked.

1165
00:56:05,640 --> 00:56:08,400
Speaker 2: On two pecks. Jason Vorhees.

1166
00:56:09,000 --> 00:56:11,400
Speaker 1: I don't see myself spending too much time in the woods,

1167
00:56:11,440 --> 00:56:13,080
Speaker 1: although I just did a summer camp cop.

1168
00:56:13,200 --> 00:56:15,880
Speaker 2: What if you go to Manhattan wedding or space or space.

1169
00:56:16,239 --> 00:56:20,200
Speaker 1: Yeah. Yeah, he's a little more versatile than Michael, but

1170
00:56:20,280 --> 00:56:21,680
Speaker 1: I'd still be kind of embarrassed.

1171
00:56:21,880 --> 00:56:23,680
Speaker 2: So I'm pretty sure that he turned into a worm

1172
00:56:23,760 --> 00:56:26,040
Speaker 2: in one of the movies, then he regenerated himself.

1173
00:56:26,200 --> 00:56:28,480
Speaker 1: Where'd I'd mess up with Jason? How'd I let him

1174
00:56:28,520 --> 00:56:29,440
Speaker 1: get me? Where'd I mess up?

1175
00:56:29,440 --> 00:56:31,280
Speaker 2: I kind of wish that I made this tier? Uh?

1176
00:56:31,320 --> 00:56:35,840
Speaker 2: Where did I go wrong? The free Jaws?

1177
00:56:36,520 --> 00:56:38,280
Speaker 1: Where'd I mess up? How do I let a shark

1178
00:56:38,320 --> 00:56:40,160
Speaker 1: get me? A fucking shark eate me? Well?

1179
00:56:40,200 --> 00:56:41,400
Speaker 2: I mean, if you're in the ocean, what are you

1180
00:56:41,400 --> 00:56:41,759
Speaker 2: gonna do?

1181
00:56:42,239 --> 00:56:45,439
Speaker 1: Not be in the ocean boat?

1182
00:56:45,920 --> 00:56:49,239
Speaker 2: The Jaws can get the boat though, You're what if

1183
00:56:49,239 --> 00:56:51,120
Speaker 2: your boat's not big enough, You're always going to need

1184
00:56:51,120 --> 00:56:51,800
Speaker 2: a bigger boat.

1185
00:56:52,000 --> 00:56:54,680
Speaker 1: I mean, the only way I'm dying via Jaws is

1186
00:56:54,719 --> 00:56:57,000
Speaker 1: if I survive a plane crash in the ocean and

1187
00:56:57,040 --> 00:56:58,040
Speaker 1: then a Jaws gets me.

1188
00:56:58,360 --> 00:56:59,200
Speaker 2: Jeeper creeper.

1189
00:56:59,600 --> 00:57:03,200
Speaker 1: He's pretty creepy. I think he can fly. You can fly,

1190
00:57:04,160 --> 00:57:05,480
Speaker 1: So I don't know how I'm supposed to get away

1191
00:57:05,480 --> 00:57:05,879
Speaker 1: from him.

1192
00:57:06,000 --> 00:57:08,399
Speaker 2: Most career kills in horror movie history. Too.

1193
00:57:09,600 --> 00:57:13,600
Speaker 1: He might like my skin too, I wouldn't. I don't know, gentlemen,

1194
00:57:13,719 --> 00:57:15,120
Speaker 1: it's been a privileged playing with you tonight.

1195
00:57:15,160 --> 00:57:16,880
Speaker 2: I'll tell you what I think Buffalo Bill would have

1196
00:57:16,920 --> 00:57:21,360
Speaker 2: a time with you. Turn you into a nice Gaeta

1197
00:57:21,600 --> 00:57:28,920
Speaker 2: boots with the Gucci suits. Jigsaw, I would be honored.

1198
00:57:29,120 --> 00:57:31,600
Speaker 2: This is this is why I like Jigsaw. He gives

1199
00:57:31,640 --> 00:57:34,240
Speaker 2: you a chance to get out. He doesn't have to

1200
00:57:34,320 --> 00:57:36,080
Speaker 2: kill you. He gives you a chance to get out.

1201
00:57:36,200 --> 00:57:39,160
Speaker 2: So the utmost of respect to Jigsaw because he's given

1202
00:57:39,200 --> 00:57:41,640
Speaker 2: me a chance, and I like him. I like solving problems.

1203
00:57:41,880 --> 00:57:45,960
Speaker 2: I like puzzles. Jigsaw's giving me a chance. Five pecked

1204
00:57:46,120 --> 00:57:48,000
Speaker 2: while you have a bear trap attached to your head,

1205
00:57:48,000 --> 00:57:49,320
Speaker 2: You're like, this is my style.

1206
00:57:49,360 --> 00:57:51,440
Speaker 1: I might have to lose an elbow or something, but

1207
00:57:51,480 --> 00:57:57,880
Speaker 1: at least I'm alive. Leather Face, it feels fronken steeny.

1208
00:57:58,120 --> 00:57:59,960
Speaker 1: I'd be embarrassed if Leatherface gets me.

1209
00:58:00,080 --> 00:58:01,760
Speaker 2: And as you're trapped in that house, You're like, this

1210
00:58:01,880 --> 00:58:03,320
Speaker 2: place stinks.

1211
00:58:02,960 --> 00:58:05,160
Speaker 1: Like I would just never go to the house, you know,

1212
00:58:05,680 --> 00:58:06,520
Speaker 1: I'd be embarrassed.

1213
00:58:06,880 --> 00:58:10,680
Speaker 2: The Leprechaun, it's me, the lepre Kahn.

1214
00:58:11,320 --> 00:58:15,200
Speaker 1: I guess he's got some abilities, but also I just

1215
00:58:15,280 --> 00:58:16,240
Speaker 1: pump him like Chucky.

1216
00:58:16,480 --> 00:58:18,680
Speaker 2: He can go to the hood, he can go to space.

1217
00:58:20,680 --> 00:58:24,160
Speaker 2: I'm punting this guy, punting m Threegan.

1218
00:58:24,720 --> 00:58:27,200
Speaker 1: So she's a cyborg. So probably stronger than me. Hey,

1219
00:58:27,280 --> 00:58:31,800
Speaker 1: I yes, she's smart too. She probably has maybe like

1220
00:58:31,840 --> 00:58:33,480
Speaker 1: a weapon arm. I don't know. I haven't seen.

1221
00:58:33,600 --> 00:58:36,680
Speaker 2: She's also out for revenge. If you do anything wrong

1222
00:58:36,800 --> 00:58:37,600
Speaker 2: to her, girl.

1223
00:58:37,440 --> 00:58:39,520
Speaker 1: I wouldn't be able to get away from her. It's

1224
00:58:39,560 --> 00:58:41,880
Speaker 1: kind of unfair, though, unfair playing field. So I guess

1225
00:58:42,000 --> 00:58:43,160
Speaker 1: you're gonna So you're gonna die?

1226
00:58:43,400 --> 00:58:45,520
Speaker 2: Do you want to Mario maker it? I want to

1227
00:58:45,520 --> 00:58:46,760
Speaker 2: add unfair gameplay?

1228
00:58:48,760 --> 00:58:50,720
Speaker 1: Sorry, if there was one less tear maybe?

1229
00:58:50,920 --> 00:58:52,000
Speaker 2: Okay, So where is this going?

1230
00:58:52,640 --> 00:58:53,760
Speaker 1: Uh? So you're gonna die?

1231
00:58:53,840 --> 00:58:55,040
Speaker 2: How about Monkey Bone?

1232
00:58:56,480 --> 00:58:59,000
Speaker 1: Where did I mess up? I mess up?

1233
00:59:00,000 --> 00:59:01,920
Speaker 2: I'm not even sure if monkey Bone kills anybody.

1234
00:59:02,120 --> 00:59:04,440
Speaker 1: Yeah, that's why i'd be curious to be fair to

1235
00:59:04,560 --> 00:59:05,480
Speaker 1: myself into this.

1236
00:59:05,760 --> 00:59:08,120
Speaker 2: This tear was created by the other Billy D And

1237
00:59:08,200 --> 00:59:10,760
Speaker 2: I'm pretty sure that I meant to write Monkey Shines,

1238
00:59:10,800 --> 00:59:13,560
Speaker 2: and my brain just always goes monkey Bone. He's like,

1239
00:59:13,600 --> 00:59:14,320
Speaker 2: should I fix it?

1240
00:59:14,360 --> 00:59:14,520
Speaker 1: Now?

1241
00:59:14,600 --> 00:59:15,680
Speaker 2: Leave monkey Bone in there?

1242
00:59:16,040 --> 00:59:16,400
Speaker 1: Okay?

1243
00:59:16,600 --> 00:59:17,680
Speaker 2: How about Monkey Shines?

1244
00:59:18,120 --> 00:59:19,920
Speaker 1: Is this from that movie that came out this year

1245
00:59:20,000 --> 00:59:20,560
Speaker 1: or last year?

1246
00:59:20,720 --> 00:59:23,160
Speaker 2: No, it's the one from like the nineties.

1247
00:59:23,960 --> 00:59:25,640
Speaker 1: Oh, I don't know what this killer is.

1248
00:59:25,720 --> 00:59:28,960
Speaker 2: It's a monkey cosmed how about a mummy.

1249
00:59:29,640 --> 00:59:31,680
Speaker 1: I mean, if you just had a lighter, you could

1250
00:59:31,680 --> 00:59:33,440
Speaker 1: probably kill a mummy, right, you'd.

1251
00:59:33,280 --> 00:59:37,040
Speaker 2: Be responsible for putting the mummy out, though, as soon

1252
00:59:37,040 --> 00:59:38,720
Speaker 2: as you light it on fire, you're like, shit, now

1253
00:59:38,720 --> 00:59:41,720
Speaker 2: I cursed. Now you'd be like, oh, man, now I

1254
00:59:41,760 --> 00:59:43,160
Speaker 2: have to put the mummy out.

1255
00:59:43,400 --> 00:59:45,520
Speaker 1: I'd be embarrassed if a fucking mummy kills me.

1256
00:59:45,640 --> 00:59:48,080
Speaker 2: That's a swear for you too, Norman Bates.

1257
00:59:48,480 --> 00:59:52,200
Speaker 1: So I could see myself at a roadside in um.

1258
00:59:53,720 --> 00:59:55,240
Speaker 1: I would just try to get out of there as

1259
00:59:55,240 --> 00:59:57,240
Speaker 1: early as possible, though, and I would never let them

1260
00:59:57,280 --> 00:59:59,800
Speaker 1: into the unit. So I think i'd be embarrassed.

1261
01:00:00,120 --> 01:00:03,760
Speaker 2: A regular guy, A regular guy who has a fake mother.

1262
01:00:04,040 --> 01:00:06,920
Speaker 2: Speaking of mother's Pamela la vorhe's.

1263
01:00:06,440 --> 01:00:10,200
Speaker 1: If a geriatric woman kills me, I've messed up. We're

1264
01:00:10,240 --> 01:00:12,800
Speaker 1: gonna where did I mess up that she has the

1265
01:00:12,800 --> 01:00:13,800
Speaker 1: opportunity to kill.

1266
01:00:13,720 --> 01:00:15,560
Speaker 2: Well, if she's trying to kill you, where you messed

1267
01:00:15,640 --> 01:00:19,840
Speaker 2: up as you're responsible for her son's death, or she

1268
01:00:19,920 --> 01:00:22,600
Speaker 2: thinks you are right right because she puts you all

1269
01:00:22,640 --> 01:00:24,640
Speaker 2: in the same cauldron.

1270
01:00:24,920 --> 01:00:25,920
Speaker 1: She generalizes.

1271
01:00:26,080 --> 01:00:28,320
Speaker 2: Yeah, it's like, you know, you're name paying enough attention

1272
01:00:28,400 --> 01:00:31,760
Speaker 2: to the kids. You're out there doing sex and having drugs.

1273
01:00:31,920 --> 01:00:35,720
Speaker 1: One of the more visceral reactions I've ever had to me,

1274
01:00:35,880 --> 01:00:37,560
Speaker 1: I said, where'd I mess up for Pamela?

1275
01:00:37,600 --> 01:00:39,680
Speaker 2: Come on? Oh, I'm sorry, I'm sorry.

1276
01:00:40,160 --> 01:00:43,160
Speaker 1: Is when Kevin Bacon gets the arrow through him from

1277
01:00:43,240 --> 01:00:44,000
Speaker 1: underneath the bed.

1278
01:00:44,400 --> 01:00:49,480
Speaker 2: All time kill penny Wise. This is penny Wise stinks.

1279
01:00:49,800 --> 01:00:52,200
Speaker 1: I mean, so would I have to be like ten

1280
01:00:52,280 --> 01:00:54,360
Speaker 1: or twelve or I guess it could be like it too.

1281
01:00:54,440 --> 01:00:57,240
Speaker 1: You're an adult, huh. I don't think Pennywise would get me,

1282
01:00:57,400 --> 01:00:59,760
Speaker 1: but I would have messed up for him to get me.

1283
01:01:00,120 --> 01:01:01,760
Speaker 1: Where'd I mess up for penny Wise to get me?

1284
01:01:01,880 --> 01:01:05,080
Speaker 2: You're always looking down sewer grtes, that's my thing, and

1285
01:01:05,120 --> 01:01:07,080
Speaker 2: you're always trying to get your paper boats out, so

1286
01:01:07,120 --> 01:01:07,920
Speaker 2: he'd probably grab you.

1287
01:01:08,000 --> 01:01:10,080
Speaker 1: Then that's where where'd I mess up? I made a

1288
01:01:10,080 --> 01:01:12,000
Speaker 1: paper boat.

1289
01:01:13,000 --> 01:01:16,640
Speaker 2: No, the Pilgrim guy from Thanksgiving.

1290
01:01:17,880 --> 01:01:20,320
Speaker 1: I haven't watched that movie. I'll let you take this

1291
01:01:20,360 --> 01:01:20,800
Speaker 1: one for me.

1292
01:01:21,040 --> 01:01:23,480
Speaker 2: He has some decent kills, but I'd be embarrassed to

1293
01:01:23,480 --> 01:01:25,600
Speaker 2: be killed by a guy wearing a mask.

1294
01:01:25,680 --> 01:01:27,320
Speaker 1: Oh, actually that was my inclination.

1295
01:01:28,160 --> 01:01:31,880
Speaker 2: He does make one of the people not to spoil anything.

1296
01:01:32,200 --> 01:01:34,919
Speaker 2: He cooks them like a turkey. It's pretty gross. Seen,

1297
01:01:35,520 --> 01:01:39,120
Speaker 2: I'm gonna move it up. Creativity, Pinhead, I.

1298
01:01:39,080 --> 01:01:42,960
Speaker 1: Mean I know Pinhead and I am aware of the

1299
01:01:43,000 --> 01:01:45,040
Speaker 1: hell Raiser movies. I don't know what is what he

1300
01:01:45,080 --> 01:01:47,720
Speaker 1: can do though, feels like he can do stuff.

1301
01:01:48,000 --> 01:01:50,760
Speaker 2: He's made of leather, he's got pins in his head,

1302
01:01:51,160 --> 01:01:54,880
Speaker 2: he uses chains him a pin head, he's got his cinnabonds,

1303
01:01:55,280 --> 01:01:56,720
Speaker 2: so like they're all gonna get at you.

1304
01:01:56,880 --> 01:01:59,920
Speaker 1: It seems like so you're gonna die, that's right. Put it.

1305
01:02:00,280 --> 01:02:01,800
Speaker 2: How about a predator?

1306
01:02:02,480 --> 01:02:05,880
Speaker 1: Oh, if if a prey I mean refive pecked here,

1307
01:02:06,240 --> 01:02:09,720
Speaker 1: I mean, honestly, it's unfair. But if a predator is,

1308
01:02:10,600 --> 01:02:12,960
Speaker 1: you know, taking me as a trophy, I'd be honored.

1309
01:02:13,200 --> 01:02:16,959
Speaker 1: Wolfman so he can only kill me the full moon,

1310
01:02:17,520 --> 01:02:20,040
Speaker 1: so I could just really have to stay inside, So

1311
01:02:20,080 --> 01:02:21,760
Speaker 1: i'd have to mess up. Where'd I mess up for

1312
01:02:21,760 --> 01:02:22,680
Speaker 1: Wolfman to kill me?

1313
01:02:22,760 --> 01:02:25,240
Speaker 2: Well, Wolfman can also enter your home. He's not a dracula.

1314
01:02:25,440 --> 01:02:26,840
Speaker 1: Well that's why I'm saying, where'd I mess up? I

1315
01:02:26,920 --> 01:02:27,760
Speaker 1: live a door unlocked?

1316
01:02:27,840 --> 01:02:29,600
Speaker 2: Or how about a xenomorph?

1317
01:02:30,320 --> 01:02:32,840
Speaker 1: I feel like with xenomorphs, they're not coming to the earth,

1318
01:02:33,520 --> 01:02:36,560
Speaker 1: whereas predator's out there so I would have had to

1319
01:02:36,560 --> 01:02:38,560
Speaker 1: mess up, but I also would like I have a

1320
01:02:38,560 --> 01:02:40,840
Speaker 1: little more respect than that. So you're gonna die.

1321
01:02:40,960 --> 01:02:44,000
Speaker 2: And then finally zombies see.

1322
01:02:44,240 --> 01:02:47,040
Speaker 1: Love hate with the zombies, like, just keep moving, but

1323
01:02:47,160 --> 01:02:49,600
Speaker 1: also I like to take a snooze every now and then.

1324
01:02:49,760 --> 01:02:52,640
Speaker 1: So gentlemen, it's been a privilege playing with you tonight.

1325
01:02:52,800 --> 01:02:55,200
Speaker 2: Just keep moving. But also, my cardio is really in

1326
01:02:55,240 --> 01:02:59,720
Speaker 2: the tank right now. All right, let's go through these

1327
01:02:59,760 --> 01:03:02,240
Speaker 2: tears and Mac can move things around after if he

1328
01:03:02,400 --> 01:03:07,360
Speaker 2: has to. I'm embarrassed Michael Myers, Chucky, Aren't the Clown,

1329
01:03:07,440 --> 01:03:13,480
Speaker 2: Frankenstein's Monster, Leatherhead, Leprechaun, Monkey Shines, the Mummy, and we

1330
01:03:13,680 --> 01:03:17,760
Speaker 2: have Psycho, Norman Bates, Norman Babs.

1331
01:03:17,880 --> 01:03:19,760
Speaker 1: I'm good with all those. I'm embarrassed by all those.

1332
01:03:19,920 --> 01:03:23,840
Speaker 2: Where'd I mess up? We have Jason Vorhee's Jaws, Monkey Bone,

1333
01:03:23,920 --> 01:03:30,080
Speaker 2: Pamela Vorhee, Penny Wise, the Thanksgiving Pilgrim, and Wolfman.

1334
01:03:30,480 --> 01:03:32,840
Speaker 1: Yeah that works for me, So you're.

1335
01:03:32,840 --> 01:03:38,760
Speaker 2: Gonna die, Buffalo Bill, Invisible Man, m Threegan, Pinhead, and Xenomorph.

1336
01:03:38,840 --> 01:03:41,440
Speaker 1: I think I want to move Invisible Man up because

1337
01:03:41,520 --> 01:03:44,160
Speaker 1: if I know he's coming for me, that is sort

1338
01:03:44,160 --> 01:03:46,360
Speaker 1: of a fun game. I can play right.

1339
01:03:46,400 --> 01:03:47,480
Speaker 2: Doesn't sound fun at all?

1340
01:03:47,880 --> 01:03:50,200
Speaker 1: Carry paint with me around at all times, just splashing

1341
01:03:50,240 --> 01:03:51,919
Speaker 1: it randomly in the air, thinking he's there.

1342
01:03:52,040 --> 01:03:59,560
Speaker 2: I'm just antique and everybody, I'm just camraying flower around. Yeah, gentlemen,

1343
01:03:59,640 --> 01:04:03,320
Speaker 2: it's been a privilege playing with you tonight. Hannibal, lecter Jeeper, Creeper,

1344
01:04:03,520 --> 01:04:05,120
Speaker 2: zombies and invisible man.

1345
01:04:05,440 --> 01:04:06,480
Speaker 1: Mm hmm, good with that.

1346
01:04:06,720 --> 01:04:10,840
Speaker 2: Retwo pecked a Dracula ghost face and I know what

1347
01:04:10,880 --> 01:04:12,120
Speaker 2: you did last summer.

1348
01:04:12,000 --> 01:04:15,320
Speaker 1: Specifically a woman Dracula. I think I could get roped

1349
01:04:15,360 --> 01:04:17,280
Speaker 1: in by her. If it was a male Dracula I

1350
01:04:17,400 --> 01:04:20,120
Speaker 1: died with, i'd have to put where I'd where did

1351
01:04:20,120 --> 01:04:22,400
Speaker 1: I mess up? But a woman Dracula I think could

1352
01:04:22,440 --> 01:04:22,720
Speaker 1: get me.

1353
01:04:22,960 --> 01:04:24,920
Speaker 2: You fell in love with a Dracula, That's where you're

1354
01:04:24,920 --> 01:04:27,920
Speaker 2: messed up. Yeah, I fell in love with a Dracula.

1355
01:04:28,920 --> 01:04:34,040
Speaker 3: She's one and the din And then finally re five

1356
01:04:34,240 --> 01:04:39,280
Speaker 3: packed the top of the tier heap, candy Man, Freddy Krueger, Jigsaw,

1357
01:04:39,480 --> 01:04:41,160
Speaker 3: and a predator.

1358
01:04:41,480 --> 01:04:43,720
Speaker 1: Yeah, happy with that? Please with the tear.

1359
01:04:43,960 --> 01:04:46,480
Speaker 2: Now we nailed another tear. Oc Tierber is off to

1360
01:04:46,560 --> 01:04:49,960
Speaker 2: a swimming start, all right, Mac, Where can the folks

1361
01:04:50,000 --> 01:04:50,880
Speaker 2: find us.

1362
01:04:51,040 --> 01:04:55,040
Speaker 1: You can find us on Instagram and x at Mac

1363
01:04:55,160 --> 01:04:58,160
Speaker 1: and Goo podcast every other platform. We are mac ampersan

1364
01:04:58,280 --> 01:05:02,240
Speaker 1: Goo that's Mac just seven that includes Facebook sits your cashbox, speaker,

1365
01:05:02,280 --> 01:05:06,840
Speaker 1: Google Play, Ion Radio, or on Spotify. More importantly, Apple Podcasts.

1366
01:05:06,920 --> 01:05:09,440
Speaker 1: Get on there, rate review, subscribe five stars. If you

1367
01:05:09,560 --> 01:05:12,200
Speaker 1: do that one day in the future, we will get

1368
01:05:12,200 --> 01:05:14,440
Speaker 1: you a free maccd T shirt from the folks over

1369
01:05:14,480 --> 01:05:17,760
Speaker 1: at Watertown Sports where now Watertown Sports. We're on thirty

1370
01:05:17,760 --> 01:05:21,840
Speaker 1: four Mod Auburn Street in Watertown. Watertownsportswear dot com expert

1371
01:05:21,880 --> 01:05:23,720
Speaker 1: screenprinting and embroidery.

1372
01:05:23,280 --> 01:05:27,400
Speaker 2: Teapublic dot com. Check us out. Next week we'll have

1373
01:05:27,480 --> 01:05:30,680
Speaker 2: a news dump and a Smashing Machine.

1374
01:05:30,520 --> 01:05:32,880
Speaker 1: That seems like another movie that I also liked a

1375
01:05:32,880 --> 01:05:35,640
Speaker 1: little more than Goo did, so that'll be an interesting one.

1376
01:05:35,720 --> 01:05:38,040
Speaker 2: Well, he's more machine than smashing You know what this

1377
01:05:38,160 --> 01:05:38,640
Speaker 2: movie does.

1378
01:05:38,680 --> 01:05:41,560
Speaker 1: If you haven't seen Smashing Machine, I do think it's

1379
01:05:41,600 --> 01:05:43,480
Speaker 1: worth seeing in the theater, but it's not. If you

1380
01:05:43,520 --> 01:05:46,440
Speaker 1: miss it, you're gonna be okay. They sets you up

1381
01:05:46,640 --> 01:05:50,120
Speaker 1: really well by calling it Smashing Machine and then giving

1382
01:05:50,160 --> 01:05:53,800
Speaker 1: you such a human story and such a like relatable

1383
01:05:53,880 --> 01:05:57,080
Speaker 1: story and a very base story of like, wow, like

1384
01:05:57,160 --> 01:06:01,440
Speaker 1: this is you know people similar not UFC fires, but

1385
01:06:01,480 --> 01:06:04,360
Speaker 1: you know people that have been in similar situations. So

1386
01:06:05,120 --> 01:06:07,680
Speaker 1: I will just say it's a movie worth watching. Whether

1387
01:06:07,680 --> 01:06:09,360
Speaker 1: in the theater or not up to you.

1388
01:06:09,520 --> 01:06:11,520
Speaker 2: Oh and then also not to get sportsy, but there's

1389
01:06:11,560 --> 01:06:13,720
Speaker 2: been a topic going around today and we'll know the

1390
01:06:13,760 --> 01:06:15,800
Speaker 2: result of the Red Sox Yankees by the time this

1391
01:06:15,840 --> 01:06:21,000
Speaker 2: episode drops on Friday. But there is a Walpole native

1392
01:06:21,080 --> 01:06:23,760
Speaker 2: that goes by the name of Kim Schlittler who is

1393
01:06:23,800 --> 01:06:26,640
Speaker 2: pitching for the Yankees, and a story is that he

1394
01:06:26,720 --> 01:06:30,240
Speaker 2: has converted his entire family into Yankees fans. And there

1395
01:06:30,280 --> 01:06:33,080
Speaker 2: are some Socks fans out there saying, well, they must

1396
01:06:33,080 --> 01:06:35,520
Speaker 2: not have been real Red Sox fans in the first place.

1397
01:06:35,600 --> 01:06:37,880
Speaker 2: I'm gonna toss this out there right now. If my

1398
01:06:38,080 --> 01:06:41,160
Speaker 2: son played for the Yankees, I would set my Red

1399
01:06:41,160 --> 01:06:43,440
Speaker 2: Sox stuff on fire easily, easily.

1400
01:06:43,520 --> 01:06:45,360
Speaker 1: Kind of hate the Red Sox anyways.

1401
01:06:45,120 --> 01:06:46,800
Speaker 2: I love them. I love the Red Sox.

1402
01:06:47,040 --> 01:06:50,480
Speaker 1: I have allegiances to a team just because your hometown

1403
01:06:50,600 --> 01:06:53,320
Speaker 1: team is dumb. Find a reason to like a team

1404
01:06:53,520 --> 01:06:55,800
Speaker 1: if you, for example, if a good friend of mine

1405
01:06:55,840 --> 01:06:58,000
Speaker 1: played for a team, that's the team I'm rooting for.

1406
01:06:58,240 --> 01:06:59,840
Speaker 1: Don't just root for the team because you live in

1407
01:06:59,840 --> 01:07:02,880
Speaker 1: away from the stadium. Find a real legitimate reason.

1408
01:07:03,080 --> 01:07:06,200
Speaker 2: I live five minutes from the stadium, a stadium that

1409
01:07:06,240 --> 01:07:08,160
Speaker 2: I'm never going. I don't want to go to again.

1410
01:07:08,200 --> 01:07:09,000
Speaker 2: I don't like going.

1411
01:07:10,040 --> 01:07:11,240
Speaker 1: I'll got a fend away for concerts.

1412
01:07:11,440 --> 01:07:15,280
Speaker 2: Oh, Mac loves concerts. He loves music. He loves music.

1413
01:07:15,880 --> 01:07:19,760
Speaker 2: So Tuesdays are goose days. I abuse kangaroos. Yeam Burton,

1414
01:07:21,920 --> 01:07:24,200
Speaker 2: are you gonna say bye bye?

1415
01:07:24,600 --> 01:07:26,840
Speaker 1: I was just thinking about the the irony of that

1416
01:07:26,920 --> 01:07:29,280
Speaker 1: statement as I wear a New England Patriots for sure,

1417
01:07:29,520 --> 01:07:31,880
Speaker 1: But I root for this guy because he's got a

1418
01:07:31,880 --> 01:07:32,280
Speaker 1: cool hat.

1419
01:07:32,680 --> 01:07:35,800
Speaker 2: I loved the Patriot. I love the Patriots, you know

1420
01:07:36,240 --> 01:07:37,000
Speaker 2: I did say this.

1421
01:07:37,240 --> 01:07:39,520
Speaker 1: I don't have a hate for the Patriots. Letting Tom

1422
01:07:39,560 --> 01:07:42,320
Speaker 1: Brady go is a mistake. My issue with the Patriots

1423
01:07:42,760 --> 01:07:45,800
Speaker 1: is we are never ever gonna be as happy as

1424
01:07:45,800 --> 01:07:47,840
Speaker 1: we were when Tom Brady played for them. So I

1425
01:07:47,840 --> 01:07:49,800
Speaker 1: don't know if I need to be invested in them anymore.

1426
01:07:49,880 --> 01:07:52,640
Speaker 2: Right, you live life in a very weird way. Okay,

1427
01:07:53,160 --> 01:08:00,840
Speaker 2: fair enough, Please flip the cassette over to side B

1428
01:08:01,040 --> 01:08:03,720
Speaker 2: to continue the adventure. Now it's time for girls jumping

1429
01:08:03,720 --> 01:08:11,720
Speaker 2: on Trampopa lis wait dish post credit. Guess what mac

1430
01:08:12,480 --> 01:08:13,720
Speaker 2: you lost the swear jar.

1431
01:08:14,240 --> 01:08:15,840
Speaker 1: I don't know if that's pot. Well you count the

1432
01:08:15,920 --> 01:08:17,960
Speaker 1: jungle pussy, which is horseshit.

1433
01:08:18,040 --> 01:08:19,640
Speaker 2: I only counted it twice, and you said it at

1434
01:08:19,720 --> 01:08:20,599
Speaker 2: least seven times.

1435
01:08:20,960 --> 01:08:22,120
Speaker 1: What was the final tally?

1436
01:08:22,560 --> 01:08:23,439
Speaker 2: Eleven to six?

1437
01:08:24,200 --> 01:08:27,200
Speaker 1: Okay? Well, I was praising the movie and you were

1438
01:08:27,200 --> 01:08:30,799
Speaker 1: putting it down, so I was very ecstatic in my praise.

1439
01:08:30,920 --> 01:08:33,400
Speaker 2: Do you owe me five slices of pizza or one

1440
01:08:34,520 --> 01:08:36,839
Speaker 2: at the end of the quarter. What do you consider

1441
01:08:36,880 --> 01:08:37,479
Speaker 2: a quarter.

1442
01:08:37,479 --> 01:08:39,920
Speaker 1: At the end of the year, one quarter of a year.

1443
01:08:40,320 --> 01:08:43,120
Speaker 1: If I am beating you, I owe you a slice pizza.

1444
01:08:43,160 --> 01:08:44,879
Speaker 2: Just one slice. I want a full pie.

1445
01:08:44,920 --> 01:08:47,040
Speaker 1: How about this one slice from the John a Ryan

1446
01:08:47,120 --> 01:08:49,360
Speaker 1: skating area, which used to have the best pizza around.

1447
01:08:49,520 --> 01:08:51,439
Speaker 2: I used to make that pizza. It's not the best.

1448
01:08:51,720 --> 01:08:55,000
Speaker 1: Prior to you, Dick hid in like ninety nine, it

1449
01:08:55,040 --> 01:08:57,600
Speaker 1: was like the best place to get a slice of pizza.

1450
01:08:58,200 --> 01:09:01,040
Speaker 1: I'll get you at nineteen ninety nine to pizza, a

1451
01:09:01,120 --> 01:09:02,559
Speaker 1: nerds rope and a blue.

1452
01:09:02,360 --> 01:09:04,719
Speaker 2: Power You are five swears ahead.

1453
01:09:05,200 --> 01:09:08,160
Speaker 1: All right, I'm gonna lose this easily.