1 00:00:00,480 --> 00:00:03,920 Speaker 1: You're listening to KFI AM six forty on demand. 2 00:00:04,280 --> 00:00:06,760 Speaker 2: I'm Andy Reesmeyer INFROMO this evening. 3 00:00:07,480 --> 00:00:12,360 Speaker 3: So much news today, Ronner, is your head spinning always? 4 00:00:12,480 --> 00:00:15,560 Speaker 3: Is well, like what it's like the old days with 5 00:00:15,680 --> 00:00:16,799 Speaker 3: the breaking news. 6 00:00:17,320 --> 00:00:17,760 Speaker 2: I don't know. 7 00:00:17,800 --> 00:00:21,360 Speaker 4: I think we're in kind of unprecedented territory here. I 8 00:00:21,360 --> 00:00:23,759 Speaker 4: guess that's true. I just I feel like what we 9 00:00:23,840 --> 00:00:26,759 Speaker 4: had this We had this pursuit. A couple hours ago, 10 00:00:28,320 --> 00:00:32,960 Speaker 4: they had an arrest in not there were two stories 11 00:00:32,960 --> 00:00:37,320 Speaker 4: of bodies found in Tesla's and KTLA sent a push 12 00:00:37,320 --> 00:00:40,880 Speaker 4: alert saying it had something to do with Celesti Reevas. 13 00:00:40,960 --> 00:00:43,600 Speaker 3: That was not correct. If anybody got that push alert, 14 00:00:43,680 --> 00:00:49,120 Speaker 3: that was wrong. They did, however, arrest somebody in conjunction 15 00:00:49,200 --> 00:00:52,360 Speaker 3: with the body that was found in the Tesla on 16 00:00:52,440 --> 00:00:54,760 Speaker 3: the same day as Celestia was found in a Tesla. 17 00:00:54,760 --> 00:00:56,720 Speaker 2: Pah, I think we had one Tesla body and one 18 00:00:56,720 --> 00:00:58,639 Speaker 2: Honda body. Oh Honda, is that right? Okay? 19 00:00:58,680 --> 00:01:04,760 Speaker 3: There weren't both Tesla'sorry about that. Apologize. That's like a 20 00:01:04,760 --> 00:01:07,760 Speaker 3: big embarrassment for a car guy too, because at Tesla 21 00:01:08,120 --> 00:01:09,920 Speaker 3: a Honda they are not the same. 22 00:01:10,680 --> 00:01:11,440 Speaker 2: Uh and uh. 23 00:01:12,360 --> 00:01:14,760 Speaker 3: Then we had this police situation happening in bel air. 24 00:01:15,480 --> 00:01:18,720 Speaker 3: Saw the helicopter over there earlier looking for a murder suspect. 25 00:01:19,280 --> 00:01:21,560 Speaker 3: I asked the KTLA desk too, like, what is going 26 00:01:21,600 --> 00:01:24,600 Speaker 3: on here? Do we have any indication? And Elizabeth over 27 00:01:24,640 --> 00:01:26,880 Speaker 3: at the desk said, I wish we had any idea, 28 00:01:26,959 --> 00:01:29,720 Speaker 3: But they're searching for a murder suspect, that's all they're saying. 29 00:01:31,440 --> 00:01:33,040 Speaker 3: That we'll bring you any updates as soon as we 30 00:01:33,080 --> 00:01:37,240 Speaker 3: get them, but we're gonna do some more nice stuff, 31 00:01:37,560 --> 00:01:42,920 Speaker 3: some fun stuff. After a two plus year wait, what 32 00:01:43,080 --> 00:01:45,959 Speaker 3: feels like even more than that? Down in Sand Pedro, 33 00:01:48,040 --> 00:01:51,200 Speaker 3: the San Pedro Fish Market is back open baby on 34 00:01:51,320 --> 00:01:52,120 Speaker 3: the waterfront. 35 00:01:54,000 --> 00:01:56,920 Speaker 5: Magical ocean views and its well known menu, including its 36 00:01:56,960 --> 00:02:00,400 Speaker 5: world famous shrimp trays placed this mesgendary rest on is 37 00:02:00,440 --> 00:02:03,680 Speaker 5: reclaiming it's place on the waterfront here. Owner Henry Ungaro 38 00:02:03,800 --> 00:02:06,920 Speaker 5: says this is a true return to form for the restaurant, 39 00:02:06,960 --> 00:02:09,920 Speaker 5: which has been a staple on the San Pedro waterfront 40 00:02:09,960 --> 00:02:11,480 Speaker 5: for nearly seven decades. 41 00:02:11,760 --> 00:02:14,000 Speaker 6: We're part of the West Harbor Project. We're going to 42 00:02:14,040 --> 00:02:16,520 Speaker 6: be an anchor in the project. So this is the 43 00:02:16,560 --> 00:02:18,760 Speaker 6: first step to us getting back to who what we 44 00:02:18,800 --> 00:02:21,240 Speaker 6: call who we are as the San Pigo Fish Market. 45 00:02:21,520 --> 00:02:25,160 Speaker 6: It's back to fifteen hundred seats on the waterfront. You 46 00:02:25,160 --> 00:02:29,040 Speaker 6: can get all our delicious food, phenomenal bar menu. We've 47 00:02:29,080 --> 00:02:31,639 Speaker 6: actually added some new items to the menu that weren't 48 00:02:31,639 --> 00:02:32,320 Speaker 6: here before. 49 00:02:32,520 --> 00:02:33,880 Speaker 2: I can't wait to hear all about that. 50 00:02:33,960 --> 00:02:37,160 Speaker 3: Joining us right now is Henry On, Garo's brother Mike, 51 00:02:37,240 --> 00:02:42,959 Speaker 3: and Garo the Fishman himself joining us live via satellite 52 00:02:43,000 --> 00:02:44,960 Speaker 3: phone from San Pedro. It feels like that's so far 53 00:02:45,000 --> 00:02:45,800 Speaker 3: away from Burbank. 54 00:02:48,120 --> 00:02:49,000 Speaker 7: It kind of is. 55 00:02:51,320 --> 00:02:51,880 Speaker 2: You offered. 56 00:02:51,919 --> 00:02:53,640 Speaker 3: I think I don't know if you offered, but I 57 00:02:53,680 --> 00:02:55,760 Speaker 3: think I said, hey, Bud, please come on the show, 58 00:02:55,760 --> 00:02:57,799 Speaker 3: but call. I'm not going to make you drive all 59 00:02:57,800 --> 00:03:01,760 Speaker 3: the way up to Burbank. Congratulates on the opening. Your 60 00:03:01,760 --> 00:03:03,520 Speaker 3: brother did a really good job today. I was I 61 00:03:03,560 --> 00:03:05,120 Speaker 3: was expecting to see you, but I'm happy to hear 62 00:03:05,160 --> 00:03:07,320 Speaker 3: from you right now. I know we had talked about this. 63 00:03:08,000 --> 00:03:10,840 Speaker 3: The reaction, at least that I could see from the 64 00:03:10,880 --> 00:03:12,840 Speaker 3: TV today. I haven't been able to make it down there, 65 00:03:12,919 --> 00:03:15,720 Speaker 3: but I'll try maybe this weekend, maybe next has just 66 00:03:15,800 --> 00:03:17,239 Speaker 3: been very very positive. 67 00:03:17,440 --> 00:03:18,080 Speaker 2: How you feeling. 68 00:03:18,360 --> 00:03:21,280 Speaker 7: Yeah, people are super excited. We're really happy. It's been 69 00:03:21,320 --> 00:03:24,920 Speaker 7: a long, long, long process. You know, it's hard opening 70 00:03:24,919 --> 00:03:28,080 Speaker 7: a restaurant or business is one thing. Trying to open 71 00:03:28,120 --> 00:03:31,080 Speaker 7: one that's not permanent, Right, we're going to be there 72 00:03:31,160 --> 00:03:33,680 Speaker 7: three to five years while we rebuild the original location. 73 00:03:34,120 --> 00:03:36,080 Speaker 7: But there's no box to check for that. You know, 74 00:03:36,120 --> 00:03:39,160 Speaker 7: you to go through all these agencies and you know 75 00:03:39,200 --> 00:03:40,760 Speaker 7: they've got all the red tape they've got to get 76 00:03:40,800 --> 00:03:42,600 Speaker 7: through just to try to help you out, and they've 77 00:03:42,600 --> 00:03:46,600 Speaker 7: been super helpful. Between Janie Hand's office and Tim mccosker's office, 78 00:03:46,640 --> 00:03:50,160 Speaker 7: our supervisor and councilman, and health, Department of Building and Safety, 79 00:03:50,160 --> 00:03:52,480 Speaker 7: everyone's looking at us to temporarily Were you thinking thirty 80 00:03:52,560 --> 00:03:54,520 Speaker 7: ninety sixty days? What like, No, we need like three 81 00:03:54,560 --> 00:03:56,080 Speaker 7: to five years? Like what whoa? 82 00:03:56,160 --> 00:03:57,840 Speaker 3: Yeah, they probably don't do a lot of that three 83 00:03:57,920 --> 00:04:00,000 Speaker 3: to five years. Most restaurants that are open for three 84 00:04:00,120 --> 00:04:02,240 Speaker 3: to five years. Yeah, most restaurants that are open for 85 00:04:02,240 --> 00:04:04,600 Speaker 3: three to five years are not intended. 86 00:04:04,080 --> 00:04:04,600 Speaker 2: To be that. 87 00:04:05,400 --> 00:04:07,440 Speaker 7: No, And then then you're like, well, what do you need, 88 00:04:07,520 --> 00:04:09,640 Speaker 7: Like you know, like a couple hundred seats, I go, 89 00:04:09,720 --> 00:04:12,680 Speaker 7: Now we need thirty three aud twenty three thousand square feet. Yeah, 90 00:04:12,800 --> 00:04:15,480 Speaker 7: the fifteen hundred and sixteen hundred seats. We got this 91 00:04:15,520 --> 00:04:18,960 Speaker 7: whole kitchen built out of refurbished containers, not even refurbished, 92 00:04:18,960 --> 00:04:21,839 Speaker 7: they're just shipping containers that we welded together. And then 93 00:04:21,880 --> 00:04:25,920 Speaker 7: this giant kitchen complex got sixty feet of griddles and 94 00:04:26,040 --> 00:04:28,960 Speaker 7: friars and ovens, and then you got to you go 95 00:04:29,080 --> 00:04:32,000 Speaker 7: walk in freezers and walk in refugerators and all of it. 96 00:04:32,000 --> 00:04:35,080 Speaker 7: It's sitting on top of the ground right It's it's 97 00:04:35,600 --> 00:04:38,840 Speaker 7: it's like permanent, but it's not permanent. Wow, but is 98 00:04:38,839 --> 00:04:40,719 Speaker 7: looking at it s like we've never heard of this before. 99 00:04:40,720 --> 00:04:42,080 Speaker 7: How does this work? I like, I don't know. 100 00:04:42,240 --> 00:04:44,200 Speaker 3: Yeah, yeah, And you just, guys, you figure it out. 101 00:04:44,240 --> 00:04:47,320 Speaker 3: I mean you and all of you are so you're 102 00:04:47,440 --> 00:04:50,640 Speaker 3: it's a family owned business. You are so industrious and 103 00:04:50,680 --> 00:04:53,360 Speaker 3: you just make it work. You got multiple locations in 104 00:04:53,440 --> 00:04:55,600 Speaker 3: the South Bay area and Long Beach, San Pedro, and 105 00:04:55,640 --> 00:04:57,440 Speaker 3: the Harbor, and then also. 106 00:04:59,040 --> 00:04:59,800 Speaker 2: There's another one. 107 00:04:59,760 --> 00:05:02,520 Speaker 7: Right right now. Yeah, well right now, we've actually kind 108 00:05:02,520 --> 00:05:04,240 Speaker 7: of shrunk it all down, so we're just focusing on 109 00:05:04,279 --> 00:05:06,960 Speaker 7: these bigger waterfront locations. So we got Long Beach, We've 110 00:05:06,960 --> 00:05:09,719 Speaker 7: got Pedro. We're about to break ground on what we're 111 00:05:09,720 --> 00:05:11,960 Speaker 7: doing up in Monterey in northern California on the war 112 00:05:12,200 --> 00:05:15,080 Speaker 7: Fisherman's work, and then we're in talks with the Sydney 113 00:05:15,080 --> 00:05:17,000 Speaker 7: of Anaheim because there's a whole bunch of stuff going 114 00:05:17,040 --> 00:05:19,200 Speaker 7: on there that we're interested in, and we have a 115 00:05:19,200 --> 00:05:21,200 Speaker 7: lot of customers over there too, So we've got a 116 00:05:21,200 --> 00:05:24,200 Speaker 7: lot of a lot of plans, but it's just getting 117 00:05:24,200 --> 00:05:26,880 Speaker 7: through the hurdles right and getting it open and financing 118 00:05:26,880 --> 00:05:28,560 Speaker 7: it and building it and figuring out how to make 119 00:05:28,600 --> 00:05:32,000 Speaker 7: it work. So this one, I think is super crazy. 120 00:05:32,120 --> 00:05:34,600 Speaker 7: I got and if you come and look at this thing, 121 00:05:34,640 --> 00:05:37,720 Speaker 7: you're like, how did you make this work? Yeah? I 122 00:05:37,760 --> 00:05:38,080 Speaker 7: don't know. 123 00:05:38,560 --> 00:05:41,000 Speaker 3: Yeah, And how far away is it from the original 124 00:05:41,080 --> 00:05:42,920 Speaker 3: location tink. 125 00:05:42,760 --> 00:05:44,839 Speaker 7: A Stone Sparrow. Yeah, I mean it's all in the 126 00:05:44,920 --> 00:05:48,159 Speaker 7: same area of where where where. If they're familiar with 127 00:05:48,160 --> 00:05:50,520 Speaker 7: what Portucal Village was in the back of the passes, 128 00:05:50,720 --> 00:05:52,680 Speaker 7: this is where l passel Cantina used to be and 129 00:05:52,680 --> 00:05:55,400 Speaker 7: then later was Alkapulco. So all that got torn down 130 00:05:55,440 --> 00:05:57,320 Speaker 7: and they're like, look, we got this thirty three thousand 131 00:05:57,320 --> 00:06:00,000 Speaker 7: square foot pad. We don't have any plans for its 132 00:06:00,000 --> 00:06:01,520 Speaker 7: at least the next three to five years. If you 133 00:06:01,560 --> 00:06:04,039 Speaker 7: want to set up shop there while you rebuild your 134 00:06:04,040 --> 00:06:06,040 Speaker 7: original location. That's great. We could do that. So we 135 00:06:06,160 --> 00:06:09,120 Speaker 7: basically get the temporary least to exist there, and then 136 00:06:09,160 --> 00:06:11,560 Speaker 7: I signed a forty nine year lease to rebuild on 137 00:06:11,600 --> 00:06:16,320 Speaker 7: the original location bassically where we were before. So we're 138 00:06:16,360 --> 00:06:18,200 Speaker 7: working all that, all the logistics out on that, and 139 00:06:19,080 --> 00:06:20,720 Speaker 7: we'll probably break ground on that in a few months. 140 00:06:20,800 --> 00:06:21,760 Speaker 2: Is it hard to be? 141 00:06:22,320 --> 00:06:23,880 Speaker 3: I mean, I know that a lot of restaurants in 142 00:06:23,920 --> 00:06:27,400 Speaker 3: Los Angeles for closing, but you're going full steam ahead. 143 00:06:28,200 --> 00:06:30,920 Speaker 7: Well yeah, you know that's crazy. We're really lucky because 144 00:06:30,920 --> 00:06:33,080 Speaker 7: we have the super loyal customer vas O. Next year 145 00:06:33,160 --> 00:06:36,240 Speaker 7: is going to be our seventieth anniversaries. Wow, the original 146 00:06:36,640 --> 00:06:38,920 Speaker 7: original location called this are you? 147 00:06:39,000 --> 00:06:41,200 Speaker 2: Almost as old as from a reward? Almost as old 148 00:06:41,240 --> 00:06:42,560 Speaker 2: as Disneyland? Is that right? 149 00:06:43,640 --> 00:06:45,760 Speaker 7: Yeah? I think they're fifty five and we're fifty six. 150 00:06:46,160 --> 00:06:49,080 Speaker 7: It's a family owned kind of things. We have a 151 00:06:49,080 --> 00:06:51,760 Speaker 7: lot of similarities to them. You know. It's interesting as 152 00:06:51,800 --> 00:06:54,400 Speaker 7: we pulled our customers, the ones that travel from out 153 00:06:54,440 --> 00:06:57,120 Speaker 7: of town to visit us, it turns out the two 154 00:06:57,160 --> 00:07:00,760 Speaker 7: places that seventy percent of our customers when they're visiting 155 00:07:00,760 --> 00:07:03,000 Speaker 7: from out of town is awesome vision land on the 156 00:07:03,000 --> 00:07:05,159 Speaker 7: same weekend. How crazy that is? 157 00:07:05,200 --> 00:07:05,520 Speaker 2: Wild? 158 00:07:05,640 --> 00:07:07,880 Speaker 3: Well, I think it's it's worth it. You're worth the hype, 159 00:07:08,400 --> 00:07:10,960 Speaker 3: worth the wait. The line sometimes can be kind of crazy. 160 00:07:11,000 --> 00:07:13,120 Speaker 3: You always tell people come at like Monday at eight 161 00:07:13,120 --> 00:07:16,240 Speaker 3: o'clock in the morning. 162 00:07:16,600 --> 00:07:18,480 Speaker 7: Yeah, I mean that's okay. So so here's the deal. 163 00:07:18,720 --> 00:07:20,600 Speaker 7: If you're like, hey, we love Pedro, but I can't 164 00:07:20,600 --> 00:07:22,720 Speaker 7: wait in that line, you can go open table and 165 00:07:22,720 --> 00:07:24,320 Speaker 7: book a location and look to see it in our 166 00:07:24,360 --> 00:07:25,640 Speaker 7: Long Beach location. There you go. 167 00:07:25,640 --> 00:07:26,400 Speaker 2: Go, very good. 168 00:07:26,480 --> 00:07:30,000 Speaker 3: Well, congratulations to you to forty nine years and forty 169 00:07:30,080 --> 00:07:32,600 Speaker 3: nine more and another forty nine after that for the 170 00:07:32,640 --> 00:07:37,360 Speaker 3: San Pedro Fish Market, the world famous shrimp tray man. 171 00:07:37,440 --> 00:07:41,800 Speaker 3: I dream about it. It's a mountain of food. It's 172 00:07:41,800 --> 00:07:45,720 Speaker 3: a mountain of seafood mountains. It's a fun A Mariscos massacre, 173 00:07:45,920 --> 00:07:46,920 Speaker 3: I believe is what we. 174 00:07:46,840 --> 00:07:51,280 Speaker 7: Said, Uh, massacre in a seventy two ounces period. You 175 00:07:51,320 --> 00:07:51,880 Speaker 7: can't go wrong. 176 00:07:52,160 --> 00:07:53,840 Speaker 2: I'm good for the whole week. 177 00:07:54,600 --> 00:07:57,480 Speaker 3: There you go, Mike Angaro from San Pedro Fish Market, 178 00:07:57,480 --> 00:07:59,440 Speaker 3: thank you for joining us. Congratulations on the opening. You 179 00:07:59,480 --> 00:08:02,680 Speaker 3: can find them, of course in Pedro. Soon to be 180 00:08:02,760 --> 00:08:05,880 Speaker 3: up in Long Bee or Monterey rather and of course 181 00:08:06,080 --> 00:08:08,440 Speaker 3: on open table if you do want to skip those 182 00:08:08,480 --> 00:08:10,560 Speaker 3: lines and you want to have a sit down experience 183 00:08:11,160 --> 00:08:13,560 Speaker 3: not on the water, but not far from it over 184 00:08:13,680 --> 00:08:14,400 Speaker 3: in Long. 185 00:08:14,200 --> 00:08:17,080 Speaker 7: Beach, Long Beach on the water too. So one you 186 00:08:17,120 --> 00:08:22,200 Speaker 7: can watch, the one you can watch the sunset. We'll 187 00:08:22,200 --> 00:08:23,480 Speaker 7: get all the information. 188 00:08:23,240 --> 00:08:27,000 Speaker 2: The more clear than what I have outlined here. Mike. 189 00:08:27,040 --> 00:08:30,040 Speaker 3: Always good to talk to you. Congratulations and I'll talk 190 00:08:30,040 --> 00:08:32,920 Speaker 3: to you soon. There he goes San Pedro Fish Market, 191 00:08:33,000 --> 00:08:35,640 Speaker 3: ron or have you been No? No, I want that 192 00:08:36,040 --> 00:08:39,400 Speaker 3: fish mound that you just described, didn't I didn't. I 193 00:08:39,440 --> 00:08:41,840 Speaker 3: sell it real well. The beer really sold it. The 194 00:08:41,840 --> 00:08:43,720 Speaker 3: beer is incredible and I don't know what they do, 195 00:08:43,800 --> 00:08:46,800 Speaker 3: and you can buy it to these spices that they 196 00:08:46,840 --> 00:08:48,760 Speaker 3: put on their seafood. 197 00:08:49,200 --> 00:08:51,240 Speaker 4: I was writing it down when you started speaking to me. 198 00:08:51,280 --> 00:08:54,000 Speaker 4: It's San Pedro Fish Market, San Pedro Fish Market. I 199 00:08:54,000 --> 00:08:57,800 Speaker 4: need that a year younger than Disneyland. It's that it's 200 00:08:57,840 --> 00:09:00,000 Speaker 4: that storied in the South. 201 00:08:59,800 --> 00:09:02,960 Speaker 3: Bay, so it has to be good. Then, I'm telling you. 202 00:09:03,040 --> 00:09:05,640 Speaker 3: I think about that shrimp tray all the time. And 203 00:09:06,520 --> 00:09:08,840 Speaker 3: you can get some of their their spices and seasonings 204 00:09:09,280 --> 00:09:11,880 Speaker 3: at their website, and so you can try to do it. 205 00:09:11,920 --> 00:09:14,160 Speaker 3: Yourself at home. It won't come close. So this isn't 206 00:09:14,200 --> 00:09:17,480 Speaker 3: some closely guarded secret like the Kernel. I don't know 207 00:09:17,520 --> 00:09:19,640 Speaker 3: if they If they do it a little different for 208 00:09:19,760 --> 00:09:23,120 Speaker 3: the people who are buying it, you know, off the shelf. 209 00:09:23,400 --> 00:09:25,920 Speaker 3: Maybe they put a little something something. Oh, is Mike 210 00:09:25,960 --> 00:09:26,440 Speaker 3: still there? 211 00:09:27,240 --> 00:09:29,920 Speaker 7: I'm still here. You can also go to Goldbelly dot 212 00:09:29,960 --> 00:09:32,440 Speaker 7: com and order our shrimp trays and ship them anywhere 213 00:09:32,440 --> 00:09:35,400 Speaker 7: in the country. Hey like, do it yourself version and 214 00:09:35,480 --> 00:09:37,320 Speaker 7: it's reready in ten minutes on your self top. 215 00:09:37,400 --> 00:09:38,800 Speaker 2: Now we got to come down there and take it 216 00:09:38,800 --> 00:09:39,920 Speaker 2: for a test drive in person. 217 00:09:40,040 --> 00:09:42,120 Speaker 3: Yeah, and you and the seventy ten ound period. You 218 00:09:42,160 --> 00:09:44,320 Speaker 3: can bathe in it. You know, it's a point where 219 00:09:44,320 --> 00:09:45,480 Speaker 3: you could just dunk your whole. 220 00:09:45,280 --> 00:09:45,840 Speaker 2: Head in there. 221 00:09:46,679 --> 00:09:49,200 Speaker 7: If you really need the visuals, you go to Amazon 222 00:09:49,280 --> 00:09:51,680 Speaker 7: Prime and search Kings of Fish, and you can watch 223 00:09:51,679 --> 00:09:53,559 Speaker 7: our TV show where we talk about the whole history 224 00:09:53,559 --> 00:09:55,680 Speaker 7: of the business, how we make the trains and everything. 225 00:09:55,720 --> 00:09:55,960 Speaker 2: Listen. 226 00:09:56,000 --> 00:09:57,720 Speaker 3: I don't know what's going to happen with linear TV. 227 00:09:57,960 --> 00:10:01,760 Speaker 3: I don't know what's going to happen with with terrestrial radio. 228 00:10:02,000 --> 00:10:05,080 Speaker 3: But I'll tell you what Mike Angaro's Media Empire will 229 00:10:05,120 --> 00:10:07,040 Speaker 3: be here at the end of time. 230 00:10:08,679 --> 00:10:09,080 Speaker 7: I hope. 231 00:10:09,120 --> 00:10:10,880 Speaker 2: So, Mike, thank you so much. 232 00:10:11,440 --> 00:10:15,320 Speaker 1: You're listening to KFI AM six forty on demand. 233 00:10:14,960 --> 00:10:19,079 Speaker 3: An avalanche of information will be entering the pop culture 234 00:10:19,080 --> 00:10:22,200 Speaker 3: sphere here in around forty minutes or so. Because Taylor 235 00:10:22,200 --> 00:10:25,920 Speaker 3: Swift's new record is coming out. We may just listen 236 00:10:25,960 --> 00:10:28,120 Speaker 3: to a single and just see what the vibe is, 237 00:10:28,240 --> 00:10:31,920 Speaker 3: just to see. I'm not like a big Taylor Swift person. 238 00:10:32,200 --> 00:10:34,160 Speaker 3: I'd like to just know why everyone's going to be 239 00:10:34,200 --> 00:10:37,200 Speaker 3: screaming tonight. I think it's like something we have to do. 240 00:10:37,960 --> 00:10:41,040 Speaker 3: But to talk about Lionel Richie for just a second, 241 00:10:43,160 --> 00:10:46,000 Speaker 3: this is a crazy story that I feel like. 242 00:10:48,240 --> 00:10:48,959 Speaker 2: This wouldn't have. 243 00:10:48,920 --> 00:10:53,000 Speaker 3: Happened before the Internet because we just would have never 244 00:10:53,040 --> 00:10:58,600 Speaker 3: known about it. But Lionel Richie fans are upset. Page 245 00:10:58,640 --> 00:11:01,480 Speaker 3: six says they were revolting on Monday night because they 246 00:11:01,520 --> 00:11:05,040 Speaker 3: showed up at a Times Square concert venue that's in 247 00:11:05,120 --> 00:11:09,240 Speaker 3: New York City expecting to see Lionel Richie give an 248 00:11:09,280 --> 00:11:14,400 Speaker 3: intimate performance. Some fans paid as much as six hundred 249 00:11:14,400 --> 00:11:18,680 Speaker 3: dollars a pop for stubs on ticket resale sites like 250 00:11:18,760 --> 00:11:24,240 Speaker 3: Ticketmaster and stub Hub. It was built truly an evening 251 00:11:24,280 --> 00:11:28,800 Speaker 3: of Lionel Richie and Friends. Page six says one person 252 00:11:28,840 --> 00:11:31,480 Speaker 3: said they paid twelve hundred dollars for the evening and 253 00:11:31,559 --> 00:11:37,480 Speaker 3: had special T shirts made, but when Lionel Richie came 254 00:11:37,520 --> 00:11:40,920 Speaker 3: out he took the stage, they realized that it was 255 00:11:41,040 --> 00:11:44,080 Speaker 3: not a concert that they had signed up for, but 256 00:11:44,280 --> 00:11:49,880 Speaker 3: instead a book talk, an hour long book talk about 257 00:11:49,880 --> 00:11:55,440 Speaker 3: his new memoir called Truly. He was there being interviewed 258 00:11:55,440 --> 00:12:00,319 Speaker 3: by ABC's Robin Roberts, and there was no day sing, 259 00:12:01,800 --> 00:12:06,600 Speaker 3: singing hardly for the whole night long, and certainly no 260 00:12:06,720 --> 00:12:08,880 Speaker 3: dancing on the ceiling of that night or anywhere else 261 00:12:09,800 --> 00:12:15,320 Speaker 3: for that matter. People were mad, people started walking out. 262 00:12:15,480 --> 00:12:20,400 Speaker 3: Somebody yelled shut up and sing. Another person was removed 263 00:12:20,440 --> 00:12:23,840 Speaker 3: after screaming I want my money back. According to this 264 00:12:23,960 --> 00:12:28,280 Speaker 3: page six article, somebody says at one point he told 265 00:12:28,280 --> 00:12:30,600 Speaker 3: a story about being robbed, and someone called back, so 266 00:12:30,760 --> 00:12:38,120 Speaker 3: were we. It was a Q and A after the talk, 267 00:12:39,800 --> 00:12:45,079 Speaker 3: and some people ask for refunds, but Lionel Ritchie's camp 268 00:12:45,160 --> 00:12:50,040 Speaker 3: was pointing the fingers at fans, saying it was always 269 00:12:50,040 --> 00:12:53,199 Speaker 3: advertised as a moderated Q and A no musical performance, 270 00:12:53,240 --> 00:12:56,040 Speaker 3: and it seems some customers did not read the language. 271 00:12:57,640 --> 00:13:00,760 Speaker 3: Average cost according to Line Richie, his team was only 272 00:13:00,800 --> 00:13:03,760 Speaker 3: seventy seven dollars and that included a copy of the book. 273 00:13:04,120 --> 00:13:06,280 Speaker 3: But the six hundred or twelve hundred dollars numbers those 274 00:13:06,280 --> 00:13:11,640 Speaker 3: were just because of the secondary markups. It is confusing, though, 275 00:13:11,679 --> 00:13:14,200 Speaker 3: because he's doing a residency. I think he was doing 276 00:13:14,200 --> 00:13:16,160 Speaker 3: a I mean, he's young enough that he can perform, 277 00:13:16,160 --> 00:13:18,080 Speaker 3: so I understand why you might think an evening with 278 00:13:18,120 --> 00:13:20,040 Speaker 3: Lionel Richie might mean he was going to sing. But 279 00:13:20,120 --> 00:13:21,920 Speaker 3: also if you read it and you saw that Robin 280 00:13:22,000 --> 00:13:23,880 Speaker 3: Roberts was going to be there, what were you thinking 281 00:13:23,960 --> 00:13:28,440 Speaker 3: was going to happen? I would love to know. But 282 00:13:28,559 --> 00:13:30,520 Speaker 3: at the same time, I think, you know what, this 283 00:13:30,600 --> 00:13:33,880 Speaker 3: guy maybe a little bit of a trickster. You know, 284 00:13:33,960 --> 00:13:35,880 Speaker 3: if you look at that dancing on the ceiling video, 285 00:13:36,280 --> 00:13:40,520 Speaker 3: he is dancing on the ceiling. Indeed, Lionel Richie might 286 00:13:40,559 --> 00:13:47,080 Speaker 3: be a witch dubiously creepy behaviors in the Hello video. 287 00:13:51,000 --> 00:13:53,480 Speaker 2: Ronn do you remember that video? Yeah? 288 00:13:53,480 --> 00:13:55,680 Speaker 4: I believe so. Maybe people thought Robin Roberts was going 289 00:13:55,720 --> 00:13:57,880 Speaker 4: to be singing backup, I mean that would be pretty cool. 290 00:13:58,480 --> 00:13:59,800 Speaker 4: I bet she's got a good voice. A lot of 291 00:13:59,800 --> 00:14:00,480 Speaker 4: the lot of those. 292 00:14:00,559 --> 00:14:03,040 Speaker 3: You know, people who are good performers, who are good talkers. 293 00:14:03,800 --> 00:14:04,760 Speaker 3: They can sing Ronert. 294 00:14:04,800 --> 00:14:08,440 Speaker 2: Can you sing? No, it's creepy. It sounds like the 295 00:14:08,559 --> 00:14:10,600 Speaker 2: opening to that Wait a. 296 00:14:10,559 --> 00:14:14,200 Speaker 3: Minute, sorry, are you saying creep singing is creepy? Or 297 00:14:14,240 --> 00:14:16,240 Speaker 3: just when you sing you feel like it's creepy. Oh 298 00:14:16,240 --> 00:14:17,800 Speaker 3: I sound like a serial killer when they sing? 299 00:14:17,920 --> 00:14:19,960 Speaker 2: How is that? I will not be doing it to 300 00:14:20,000 --> 00:14:20,920 Speaker 2: prove it. You don't have to. 301 00:14:20,920 --> 00:14:23,800 Speaker 3: I'm not going to put you on the spot like that. 302 00:14:23,800 --> 00:14:27,680 Speaker 3: That's very funny to me. You did would make children 303 00:14:27,760 --> 00:14:29,680 Speaker 3: cry if they're in the car with their parents. 304 00:14:29,800 --> 00:14:30,000 Speaker 2: Is it? 305 00:14:30,120 --> 00:14:30,200 Speaker 4: Like? 306 00:14:30,600 --> 00:14:30,760 Speaker 2: What? 307 00:14:30,760 --> 00:14:32,960 Speaker 3: What is a serial I can't even what can you? 308 00:14:32,960 --> 00:14:34,400 Speaker 3: You were going to sort of give me an example 309 00:14:34,440 --> 00:14:35,560 Speaker 3: of what it was without singing. 310 00:14:35,560 --> 00:14:38,120 Speaker 4: Oh, there's that show with the guy from Lost called 311 00:14:38,480 --> 00:14:42,320 Speaker 4: uh what is it? It's a supernatural show and there's a 312 00:14:42,320 --> 00:14:45,400 Speaker 4: creepy version of Case Rosa that opens the show. 313 00:14:45,880 --> 00:14:48,800 Speaker 2: That's what you singing sounds. Yeah, it's really it's unacceptable. 314 00:14:49,880 --> 00:14:51,360 Speaker 3: Did you at one point when to sing and then 315 00:14:51,360 --> 00:14:53,240 Speaker 3: somebody put this into your head like, hey, buddy, you 316 00:14:53,320 --> 00:14:54,880 Speaker 3: sound you sound like a serial ki. 317 00:14:54,960 --> 00:14:56,360 Speaker 2: It's just never a good idea. 318 00:14:56,480 --> 00:14:59,720 Speaker 4: It's like like if if I were sent to a 319 00:14:59,720 --> 00:15:02,560 Speaker 4: black site, I could probably make a detainee speak in 320 00:15:02,640 --> 00:15:03,240 Speaker 4: short order. 321 00:15:05,480 --> 00:15:07,880 Speaker 2: Oh man, I really want to hear you say. I do. 322 00:15:07,960 --> 00:15:09,400 Speaker 3: I do, But I'll tell you what. My girlfriend really 323 00:15:09,400 --> 00:15:10,680 Speaker 3: doesn't like singing to either. And you know, I was 324 00:15:10,680 --> 00:15:12,080 Speaker 3: in a band, so this is tough for me. I 325 00:15:12,120 --> 00:15:13,880 Speaker 3: mean it were Yeah, what kind of band that was, 326 00:15:14,040 --> 00:15:15,440 Speaker 3: It doesn't matter. It was all you brought it up. 327 00:15:15,480 --> 00:15:17,640 Speaker 2: It was a piano, A piano rock band, all right, 328 00:15:17,800 --> 00:15:20,200 Speaker 2: A piano, well, that's almost as good as a flute 329 00:15:20,280 --> 00:15:22,480 Speaker 2: rock band. It's it's a band. 330 00:15:22,480 --> 00:15:24,920 Speaker 3: And I used to play dive bars like across the country. 331 00:15:24,920 --> 00:15:26,800 Speaker 3: And do you know how dumb you look when you 332 00:15:26,840 --> 00:15:29,560 Speaker 3: show up with a piano at a dive bar or 333 00:15:29,600 --> 00:15:32,360 Speaker 3: a cassio keyboard and the sound guy's like, I don't 334 00:15:32,400 --> 00:15:33,480 Speaker 3: know what, I don't know what. 335 00:15:33,400 --> 00:15:36,200 Speaker 2: To do with that. It doesn't project tough. 336 00:15:36,560 --> 00:15:39,800 Speaker 3: It definitely does not look cool, not that I like 337 00:15:40,080 --> 00:15:43,240 Speaker 3: ever there was any question on cool or tough when 338 00:15:43,400 --> 00:15:44,200 Speaker 3: when you looked at me. 339 00:15:44,760 --> 00:15:49,000 Speaker 2: But a musician, though, probably made some dough at that. Yeah. 340 00:15:49,200 --> 00:15:52,560 Speaker 4: Some free drinks, A shift drink, one shift drink. I 341 00:15:52,560 --> 00:15:55,200 Speaker 4: think we paid to play most places. You know, that's 342 00:15:55,240 --> 00:15:57,880 Speaker 4: kind of the was it like out of the Blues Brothers, 343 00:15:57,880 --> 00:16:00,480 Speaker 4: where there's chain league fence fen and and people throw 344 00:16:00,640 --> 00:16:01,400 Speaker 4: beer bottles out it. 345 00:16:01,480 --> 00:16:04,040 Speaker 2: Yeah, it's exactly what. It was, like a lot of tomatoes. 346 00:16:04,360 --> 00:16:06,560 Speaker 3: But it was crazy because we were playing in the Midwest, 347 00:16:07,000 --> 00:16:08,560 Speaker 3: and you know, that's where I grew up, and there 348 00:16:08,600 --> 00:16:11,280 Speaker 3: was all this sort of emphasis on country music and 349 00:16:11,320 --> 00:16:15,320 Speaker 3: we were these like little goobery kids with sweater vests 350 00:16:15,400 --> 00:16:17,400 Speaker 3: on who were playing piano rock, and it just I mean, 351 00:16:17,440 --> 00:16:19,760 Speaker 3: it was like we couldn't get out of town quick enough. 352 00:16:20,200 --> 00:16:21,640 Speaker 3: And then we came to La because we thought we're 353 00:16:21,640 --> 00:16:23,440 Speaker 3: going to make it, and then obviously found out that 354 00:16:24,160 --> 00:16:25,840 Speaker 3: well I work in radio and television now, so that 355 00:16:25,840 --> 00:16:26,600 Speaker 3: should tell you enough. 356 00:16:26,920 --> 00:16:28,520 Speaker 4: Oh and by the way, that show, I was trying 357 00:16:28,520 --> 00:16:30,680 Speaker 4: to think of the name of it's called from and 358 00:16:30,760 --> 00:16:33,680 Speaker 4: the version of the Doris Day song at the beginning 359 00:16:33,680 --> 00:16:35,360 Speaker 4: of it, it'll make you suicidal. 360 00:16:35,400 --> 00:16:38,040 Speaker 2: Maybe we'll listen to it on the next segment here. 361 00:16:39,000 --> 00:16:40,720 Speaker 2: If you want to bring everybody down, I would. I 362 00:16:40,800 --> 00:16:41,160 Speaker 2: just want to. 363 00:16:41,200 --> 00:16:45,760 Speaker 3: I just want to visualize with Ronner and that sound 364 00:16:45,800 --> 00:16:47,360 Speaker 3: and that voice, because I don't I kind of don't 365 00:16:47,360 --> 00:16:47,640 Speaker 3: believe you. 366 00:16:47,640 --> 00:16:49,480 Speaker 2: I think you got a good voice. But let's hear 367 00:16:49,560 --> 00:16:51,560 Speaker 2: that good voice. Do some news. How about that, Let's 368 00:16:51,560 --> 00:16:51,880 Speaker 2: do it. 369 00:16:52,560 --> 00:16:55,960 Speaker 1: You're listening to KFI AM six forty on demand. 370 00:16:56,360 --> 00:16:57,400 Speaker 2: It ain't Doris Day. 371 00:16:57,560 --> 00:17:03,280 Speaker 3: It's a very descriptive example that I can absolutely understand now, 372 00:17:03,600 --> 00:17:04,440 Speaker 3: Like that was you. 373 00:17:04,440 --> 00:17:06,200 Speaker 2: You nailed it. You didn't even have to sing, And 374 00:17:06,240 --> 00:17:07,280 Speaker 2: I understand exactly. 375 00:17:07,080 --> 00:17:07,439 Speaker 7: What you mean. 376 00:17:07,640 --> 00:17:10,680 Speaker 4: It's a reason I'm a childless, middle aged bachelor. 377 00:17:10,840 --> 00:17:16,080 Speaker 3: Oh hey, but at least, at least we have this moment, right, 378 00:17:16,520 --> 00:17:18,840 Speaker 3: at least we're here together in this evening, if you 379 00:17:18,880 --> 00:17:22,439 Speaker 3: say so, with the wonderful citizens of Los Angeles and 380 00:17:22,480 --> 00:17:26,920 Speaker 3: Tony Tony, how you doing, Bud Tony's like I got 381 00:17:26,920 --> 00:17:30,720 Speaker 3: to put on my headphones and he doesn't expect Yeah, dude, 382 00:17:30,760 --> 00:17:33,280 Speaker 3: good Tony Tony, Orange County's own. 383 00:17:33,680 --> 00:17:36,680 Speaker 2: I guess, yeah. Yeah, he's got an arcade in his garage. 384 00:17:37,200 --> 00:17:39,000 Speaker 2: It's just a bunch of little emulators here. 385 00:17:39,000 --> 00:17:41,320 Speaker 3: It's a bunch of little emulators. This man has a 386 00:17:41,400 --> 00:17:44,800 Speaker 3: dave and busters in the back house. It looks nicer 387 00:17:44,840 --> 00:17:45,600 Speaker 3: than it actually is. 388 00:17:45,720 --> 00:17:47,879 Speaker 2: Well that may be. 389 00:17:48,880 --> 00:17:50,560 Speaker 3: I don't know if I'll if i'll if I'll go 390 00:17:50,600 --> 00:17:52,600 Speaker 3: and see it in person, so at least I'm going 391 00:17:52,600 --> 00:17:54,640 Speaker 3: with that for now. It is if I am six forty. 392 00:17:54,680 --> 00:17:57,560 Speaker 3: We are live everywhere on the iHeartRadio app. I'm Andy 393 00:17:57,600 --> 00:18:01,359 Speaker 3: Reesemyer in form Mo Kelly on this evening with mister Tony, 394 00:18:01,560 --> 00:18:03,879 Speaker 3: mister Mark Nikki, also on the Ones and twos. 395 00:18:04,000 --> 00:18:07,119 Speaker 2: Good a good a mate. Love when you do that. 396 00:18:08,200 --> 00:18:10,159 Speaker 3: I'm so sorry. It's so hard for me not to 397 00:18:10,200 --> 00:18:12,480 Speaker 3: do accents back to people. It is one of my 398 00:18:13,200 --> 00:18:16,080 Speaker 3: fatal flaws. I don't know why. I worked with this 399 00:18:16,119 --> 00:18:19,359 Speaker 3: guy who was British and by the time that we 400 00:18:19,480 --> 00:18:22,600 Speaker 3: both quit, it was I couldn't even go into meetings 401 00:18:22,640 --> 00:18:24,960 Speaker 3: with him because I could not stop imitating it back 402 00:18:24,960 --> 00:18:25,199 Speaker 3: to him. 403 00:18:25,200 --> 00:18:26,600 Speaker 2: And I didn't even realize I was doing it. 404 00:18:27,480 --> 00:18:27,880 Speaker 7: I do. 405 00:18:27,960 --> 00:18:30,480 Speaker 3: I love it when I say good ay to Americans 406 00:18:30,480 --> 00:18:32,879 Speaker 3: and they say it back because they always giggle and 407 00:18:32,920 --> 00:18:34,080 Speaker 3: I think it's adorable. 408 00:18:34,160 --> 00:18:37,040 Speaker 2: Yeah, we like to share. Yeah, it's cultural. It's a 409 00:18:37,080 --> 00:18:38,399 Speaker 2: cultural exchange. You know. 410 00:18:38,440 --> 00:18:41,520 Speaker 3: We are obsessed with accents, so it's it's fun. We 411 00:18:41,560 --> 00:18:43,160 Speaker 3: have a lot of fun accents here ourselves. 412 00:18:43,320 --> 00:18:46,440 Speaker 2: I can do a valley girl accent for you. Let's 413 00:18:46,440 --> 00:18:52,640 Speaker 2: hear it. Oh my god becare. Yeah, that's pretty good. 414 00:18:52,800 --> 00:18:56,240 Speaker 3: I mean, you know, I don't know what valley, the 415 00:18:56,320 --> 00:19:02,000 Speaker 3: San Gabriel Valley. Okay, where's that? Shout out to Covina. 416 00:19:02,800 --> 00:19:06,439 Speaker 3: You know, dating apps hard turn Dating apps are a 417 00:19:06,480 --> 00:19:09,520 Speaker 3: fine hell. I think you have this choice or this 418 00:19:09,600 --> 00:19:14,080 Speaker 3: illusion of choice, and you get all kinds of strangers 419 00:19:15,000 --> 00:19:17,919 Speaker 3: that may or may not be who they pretend to be. 420 00:19:19,240 --> 00:19:21,480 Speaker 3: Pardon me while I doctor Wendy Walsh here for a second, 421 00:19:21,480 --> 00:19:23,320 Speaker 3: But you get all kinds of crazy things. If you've 422 00:19:23,320 --> 00:19:25,720 Speaker 3: ever done I was on the dating apps during the 423 00:19:25,760 --> 00:19:31,520 Speaker 3: teens a bit, not my teens, like the twenty teens, 424 00:19:33,119 --> 00:19:36,639 Speaker 3: and you would get all kinds of crazy stuff, words, photos, 425 00:19:37,440 --> 00:19:38,000 Speaker 3: you name it. 426 00:19:38,680 --> 00:19:40,320 Speaker 2: Mostly women were getting crazy stuff. 427 00:19:40,359 --> 00:19:43,359 Speaker 3: Not from me, because I'm respectful, But a dating app 428 00:19:43,800 --> 00:19:47,320 Speaker 3: is now trying to stop users from getting unsolicited sexual messages. 429 00:19:47,359 --> 00:19:48,800 Speaker 2: This is a real problem for women. 430 00:19:50,119 --> 00:19:55,520 Speaker 3: Apparently thirty percent of women have received explicit texts or 431 00:19:55,560 --> 00:20:00,560 Speaker 3: images from people who are not their partners. The app 432 00:20:00,600 --> 00:20:04,160 Speaker 3: is in question is called highly or Hilly. It apparently 433 00:20:04,200 --> 00:20:07,120 Speaker 3: has forty million users. I talked to some people today 434 00:20:07,119 --> 00:20:09,359 Speaker 3: when I did the story on KTLA full disclosure that 435 00:20:09,400 --> 00:20:10,919 Speaker 3: they did not know what it was. 436 00:20:11,040 --> 00:20:11,679 Speaker 2: I've not heard of. 437 00:20:11,680 --> 00:20:14,600 Speaker 3: It, but they have something called Consent Guard, and essentially 438 00:20:14,640 --> 00:20:16,760 Speaker 3: what they're trying to do is cut down on cyberflashing. 439 00:20:16,880 --> 00:20:19,639 Speaker 3: That's what they're calling cyberflashing, or the nudes that you 440 00:20:19,680 --> 00:20:24,280 Speaker 3: don't ask for. Apparently, this app uses an algorithm to 441 00:20:24,359 --> 00:20:27,919 Speaker 3: scan the images that people are sending and the words. So, 442 00:20:28,080 --> 00:20:30,520 Speaker 3: for instance, if you were to send an explicit message 443 00:20:30,560 --> 00:20:33,440 Speaker 3: or a photo, it would send the person you sent 444 00:20:33,520 --> 00:20:37,439 Speaker 3: the message to a notification that asks that person to 445 00:20:37,520 --> 00:20:42,960 Speaker 3: either decline or consent, and if the prompt goes unanswered, 446 00:20:43,119 --> 00:20:46,080 Speaker 3: they say, the conversation goes on like nothing ever happened, 447 00:20:46,480 --> 00:20:50,959 Speaker 3: at least from the app's perspective. How do you recover 448 00:20:51,040 --> 00:20:55,120 Speaker 3: from that? I'm not sure. Both of you clearly are 449 00:20:55,160 --> 00:20:57,480 Speaker 3: on separate pages. Do you think things are a little 450 00:20:57,480 --> 00:21:02,040 Speaker 3: bit different? As of last year, as I said, a 451 00:21:02,040 --> 00:21:04,840 Speaker 3: third of women have received unsolicited explicit photos for someone 452 00:21:04,840 --> 00:21:05,840 Speaker 3: who was not a partner. 453 00:21:06,520 --> 00:21:08,600 Speaker 2: I wish that they would do this for other apps. 454 00:21:10,440 --> 00:21:12,399 Speaker 3: I wish on your messages it would say something like, 455 00:21:12,560 --> 00:21:14,720 Speaker 3: your partner is about to ask you a question with 456 00:21:14,840 --> 00:21:22,080 Speaker 3: no correct answer, do you wish to proceed? The boys 457 00:21:22,119 --> 00:21:24,240 Speaker 3: want to hang out Sunday. But before you say yes, 458 00:21:24,720 --> 00:21:28,000 Speaker 3: remember it's your brother's kids birthday party that you said 459 00:21:28,000 --> 00:21:34,639 Speaker 3: you'd go to. That would be helpful dating app asking 460 00:21:34,640 --> 00:21:38,280 Speaker 3: you whether or not you want to see nudes. It's 461 00:21:38,359 --> 00:21:41,199 Speaker 3: terrible that the dating apps are so unromantic that you 462 00:21:41,280 --> 00:21:44,720 Speaker 3: have to introduce this kind of thing into this for 463 00:21:45,359 --> 00:21:50,880 Speaker 3: it to work. Hey, speaking of valley girls, these eighties 464 00:21:52,960 --> 00:21:58,960 Speaker 3: names that I think were very common for the valley girl, Jessica, Courtney, Heather, 465 00:22:00,560 --> 00:22:03,560 Speaker 3: they have fallen way out of favor. And what's kind 466 00:22:03,560 --> 00:22:07,800 Speaker 3: of interesting is that men's names are relatively the same. 467 00:22:09,000 --> 00:22:12,040 Speaker 3: So names like Michael or Christopher or Matthew those were 468 00:22:12,080 --> 00:22:14,760 Speaker 3: the top three most popular boy's names of the nineteen eighties. 469 00:22:14,880 --> 00:22:17,560 Speaker 3: Those are still fairly popular. 470 00:22:17,160 --> 00:22:18,359 Speaker 2: In twenty twenty eight five. 471 00:22:20,680 --> 00:22:23,960 Speaker 3: But the Social Securities Administration tracks popularity of names. I 472 00:22:23,960 --> 00:22:28,280 Speaker 3: guess that's what they're doing with your money. Not going 473 00:22:28,359 --> 00:22:30,639 Speaker 3: to have Social Security by the time I retire, But 474 00:22:30,680 --> 00:22:35,840 Speaker 3: thank god they're tracking the popularity of boys and girls' names. 475 00:22:38,560 --> 00:22:43,120 Speaker 3: Those names basically dropped, like Jessica, Jennifer, Amanda, Ashley, from 476 00:22:43,640 --> 00:22:46,640 Speaker 3: the top ten all the way to the four, five, 477 00:22:46,800 --> 00:22:47,680 Speaker 3: six hundreds. 478 00:22:50,359 --> 00:22:51,720 Speaker 2: I don't know if this is true. 479 00:22:51,920 --> 00:22:55,399 Speaker 3: My speculation here is that most of the time, and 480 00:22:55,440 --> 00:22:57,280 Speaker 3: I'm going to generalize, so if you have an issue 481 00:22:57,320 --> 00:23:01,600 Speaker 3: with this statement, tweet at Kirk Hawkins for your complaints. 482 00:23:01,880 --> 00:23:05,040 Speaker 3: But I think that most of the time the men 483 00:23:05,119 --> 00:23:07,920 Speaker 3: don't have the final say in what the kid's name 484 00:23:07,960 --> 00:23:09,520 Speaker 3: is going to be, just in the way that in 485 00:23:09,640 --> 00:23:13,359 Speaker 3: most traditional relationships, men don't have the final say on anything. 486 00:23:14,520 --> 00:23:17,879 Speaker 3: And I'm assuming that if women are naming their kids, 487 00:23:18,400 --> 00:23:21,879 Speaker 3: they probably grew up with a lot of Heathers and 488 00:23:21,960 --> 00:23:26,879 Speaker 3: Ashley's and Courtney's and Jessica's, and maybe they didn't like 489 00:23:26,920 --> 00:23:28,200 Speaker 3: them very much and they're like, I'm not going to 490 00:23:28,280 --> 00:23:34,560 Speaker 3: name my kid that mean girls or maybe their boyfriends 491 00:23:34,960 --> 00:23:38,280 Speaker 3: or husbands or father baby daddy in the scenario dated 492 00:23:38,320 --> 00:23:42,359 Speaker 3: people with those names. Your kid's never going to be 493 00:23:42,440 --> 00:23:46,520 Speaker 3: named one of your exes. If you're a man, your 494 00:23:46,600 --> 00:23:49,840 Speaker 3: kid will and she knows about him. Your kid will 495 00:23:49,840 --> 00:23:54,800 Speaker 3: never be named one of your exes. It's a rule, Ronnie, 496 00:23:54,800 --> 00:23:55,240 Speaker 3: Am I right? 497 00:23:55,520 --> 00:23:56,840 Speaker 2: You gotta be careful about that. 498 00:23:57,400 --> 00:23:59,879 Speaker 4: I one reason I am childless is because, as a 499 00:24:00,160 --> 00:24:02,639 Speaker 4: from uncle Fan, I said, if we ever have kids, 500 00:24:02,920 --> 00:24:04,679 Speaker 4: I'm gonna name my son Napoleon. 501 00:24:05,359 --> 00:24:07,479 Speaker 2: Hey, hence we do not have to do it. And 502 00:24:07,520 --> 00:24:11,040 Speaker 2: that was the reason. Well, that's one of men, I say. 503 00:24:11,119 --> 00:24:13,679 Speaker 4: Well, or like I was a James Bond fan too, 504 00:24:13,720 --> 00:24:15,159 Speaker 4: and I thought, we've a blind a girl call him 505 00:24:15,200 --> 00:24:16,000 Speaker 4: kiss kissing. 506 00:24:15,760 --> 00:24:20,000 Speaker 2: Bang bang. I'm surprised she didn't go for that. It's 507 00:24:20,080 --> 00:24:22,920 Speaker 2: just never gonna happen. I will dial on. That's all right, 508 00:24:23,240 --> 00:24:24,640 Speaker 2: Like I said, we all have each other here. 509 00:24:24,800 --> 00:24:29,320 Speaker 1: You're listening to KFI AM six forty on demand for Ronner. 510 00:24:29,359 --> 00:24:30,879 Speaker 2: It's not don't look at me, it's don't listen to 511 00:24:30,920 --> 00:24:36,080 Speaker 2: me when I sing. Sorry, what was that again? 512 00:24:36,160 --> 00:24:37,760 Speaker 3: I said, it's not And you know it doesn't matter. 513 00:24:37,840 --> 00:24:39,879 Speaker 3: I was talking about your singing. Oh, and I just 514 00:24:39,920 --> 00:24:41,520 Speaker 3: really want to hear. I want to build you up, 515 00:24:41,560 --> 00:24:42,000 Speaker 3: my friend. 516 00:24:42,760 --> 00:24:46,480 Speaker 4: There's there's absolutely no way on earth you're going to 517 00:24:46,520 --> 00:24:50,160 Speaker 4: manipulate me into singing. And the people's airwaves, the public's airwaves, what. 518 00:24:50,119 --> 00:24:50,840 Speaker 2: Have they done to us? 519 00:24:50,920 --> 00:24:52,919 Speaker 3: This is this is a public service. You're right, this 520 00:24:53,000 --> 00:24:55,679 Speaker 3: is for the public good. We have an obligation to 521 00:24:55,720 --> 00:24:58,320 Speaker 3: the people of this good here, this here, good city, 522 00:24:58,920 --> 00:25:01,280 Speaker 3: this good here city, this city, this good town. 523 00:25:01,320 --> 00:25:06,000 Speaker 4: I don't know, man, it's easy for you to say. 524 00:25:05,400 --> 00:25:07,200 Speaker 3: Yeah, it is a struggle. There's a lot of news today. 525 00:25:07,240 --> 00:25:09,600 Speaker 3: We are living in unprecedented times, et cetera, et cetera. 526 00:25:10,560 --> 00:25:12,120 Speaker 3: But we'll be with you all the way at least 527 00:25:12,160 --> 00:25:15,399 Speaker 3: until ten pm, and then mister George Noria will pop 528 00:25:15,440 --> 00:25:17,280 Speaker 3: on in and take over. But lots to still talk 529 00:25:17,280 --> 00:25:20,879 Speaker 3: about on this show. Man, it's a packed show. I 530 00:25:20,920 --> 00:25:22,800 Speaker 3: was a little nervous. I wasn't gonna be able to 531 00:25:23,640 --> 00:25:26,560 Speaker 3: talk for three hours. I guess I know. I'm confident 532 00:25:26,600 --> 00:25:28,840 Speaker 3: I could talk for three hours. If it's interesting, that's 533 00:25:28,880 --> 00:25:30,840 Speaker 3: another story. If you would like to be a part 534 00:25:30,840 --> 00:25:33,280 Speaker 3: of the show, you can find us on the iHeartRadio app. 535 00:25:33,600 --> 00:25:36,320 Speaker 3: Look for KFI, look for that little microphone button you 536 00:25:36,320 --> 00:25:40,000 Speaker 3: can leave a message thirty seconds of your thoughts will 537 00:25:40,000 --> 00:25:45,520 Speaker 3: play them on the show. Anything from dating app stories 538 00:25:45,680 --> 00:25:50,120 Speaker 3: those are always fun, or just regular dating stories. Are 539 00:25:50,160 --> 00:25:52,720 Speaker 3: you anticipating this Taylor Swift release in the next eight 540 00:25:52,760 --> 00:25:58,720 Speaker 3: minutes to be life changing? I can't imagine I will 541 00:25:58,720 --> 00:26:02,640 Speaker 3: feel any different, but hey, you never know. 542 00:26:03,400 --> 00:26:07,760 Speaker 2: The rapture didn't happen last week. Maybe it will. Maybe 543 00:26:07,800 --> 00:26:08,040 Speaker 2: it will. 544 00:26:08,080 --> 00:26:11,560 Speaker 3: At nine, let's go up to Maryland, where some firefighters 545 00:26:11,600 --> 00:26:12,479 Speaker 3: are behaving badly. 546 00:26:12,520 --> 00:26:13,360 Speaker 2: This is very rare. 547 00:26:13,400 --> 00:26:16,680 Speaker 3: Firefighters are generally considered to be one of the most 548 00:26:16,720 --> 00:26:23,320 Speaker 3: respected people in society. They rank like number one on 549 00:26:23,400 --> 00:26:26,680 Speaker 3: the lists of people who just generally speaking, are well 550 00:26:26,720 --> 00:26:29,880 Speaker 3: respected and for good reason. They are our first responder. 551 00:26:29,960 --> 00:26:31,879 Speaker 3: They do a great job. They run literally into the 552 00:26:32,160 --> 00:26:38,520 Speaker 3: burning building. They keep us safe. But these guys, uh, 553 00:26:41,200 --> 00:26:42,240 Speaker 3: this is a bummer. 554 00:26:42,280 --> 00:26:44,679 Speaker 8: Thousands of gallons of water from an engine at the 555 00:26:44,720 --> 00:26:47,679 Speaker 8: station was deliberately sprayed onto the field. 556 00:26:49,160 --> 00:26:52,399 Speaker 2: Whoops. Remember how I was like there great, and then 557 00:26:52,440 --> 00:26:53,840 Speaker 2: I this is what happened. 558 00:26:53,880 --> 00:26:56,399 Speaker 8: A few minutes after a player with a silver spring 559 00:26:56,440 --> 00:26:59,879 Speaker 8: Tacoma Thunderbolts crushed a ball over the fence and on 560 00:27:00,160 --> 00:27:03,800 Speaker 8: to the property of the adjacent fire station during batting 561 00:27:03,840 --> 00:27:07,760 Speaker 8: practice last July seventeenth. Thousands of gallons of water from 562 00:27:07,760 --> 00:27:11,399 Speaker 8: an engine at the station was deliberately sprayed onto the field. 563 00:27:11,520 --> 00:27:12,760 Speaker 2: That's what we were looking at. 564 00:27:12,920 --> 00:27:16,960 Speaker 8: This is Montgomery County Fire Captain Christopher Riley told two 565 00:27:17,119 --> 00:27:20,760 Speaker 8: players who went to the station to complain, quote, I 566 00:27:20,840 --> 00:27:24,280 Speaker 8: wanted to get your attention. The document also states Captain 567 00:27:24,359 --> 00:27:28,160 Speaker 8: Riley told officers with the Maryland National Capitol Park Police 568 00:27:28,400 --> 00:27:32,360 Speaker 8: he did it out of frustration due to repeated incidents 569 00:27:32,400 --> 00:27:37,520 Speaker 8: involving baseball, striking, personal vehicles and equipment. News Force also 570 00:27:37,600 --> 00:27:40,800 Speaker 8: learned a second firefighter has been charged in connection with 571 00:27:40,840 --> 00:27:44,879 Speaker 8: the field sprang. According to the charging document, Firefighter Alan 572 00:27:45,040 --> 00:27:48,160 Speaker 8: Barnes backed the engine out of the station on University 573 00:27:48,200 --> 00:27:52,359 Speaker 8: Boulevard before removing the hose from the engine, while a 574 00:27:52,480 --> 00:27:56,480 Speaker 8: video shows Captain Riley standing on top of the engine. 575 00:27:57,000 --> 00:28:01,119 Speaker 3: I gotta say, and I appreciate my respect the art 576 00:28:01,160 --> 00:28:05,560 Speaker 3: of journalism, but this guy, for he is so unfazed. 577 00:28:06,240 --> 00:28:09,280 Speaker 3: This reporter is so chill about this situation of all 578 00:28:09,359 --> 00:28:14,359 Speaker 3: these guys getting sprayed and the firefighters get in charged 579 00:28:14,400 --> 00:28:16,520 Speaker 3: with misdemeanors. 580 00:28:18,040 --> 00:28:21,760 Speaker 9: Way got my friend, I come from Virginia. You know, 581 00:28:21,800 --> 00:28:23,960 Speaker 9: the team we were playing is from Virginia. So a 582 00:28:24,040 --> 00:28:26,359 Speaker 9: lot of families drove an hour and a half in 583 00:28:26,440 --> 00:28:29,960 Speaker 9: traffic to hopefully play after all this rain, and you 584 00:28:30,000 --> 00:28:34,880 Speaker 9: know didn't get a chance to play. So yeah, absolutely, 585 00:28:34,920 --> 00:28:37,119 Speaker 9: it just you know, makes things difficult for us, but 586 00:28:37,600 --> 00:28:39,640 Speaker 9: you know, crazy experience. 587 00:28:39,920 --> 00:28:43,680 Speaker 8: The chargery document also reveals paying fans had already started 588 00:28:43,800 --> 00:28:47,840 Speaker 8: arriving for the game between two teams competing in the 589 00:28:47,880 --> 00:28:48,880 Speaker 8: cal Ripken League. 590 00:28:49,040 --> 00:28:51,920 Speaker 3: Can't play baseball when the field is flooded. All right, Well, 591 00:28:51,920 --> 00:28:53,880 Speaker 3: we'll keep you posted on how all that goes. By 592 00:28:53,880 --> 00:28:55,560 Speaker 3: the way, there's some bad news for anybody who was 593 00:28:55,600 --> 00:29:00,640 Speaker 3: hoping to go to yacht Rock. Cella not looking good 594 00:29:00,640 --> 00:29:04,560 Speaker 3: for Sunset Fest Cabo. It was marketed itself for, or 595 00:29:04,640 --> 00:29:07,120 Speaker 3: marketed itself rather as the woodstock of yacht rock. 596 00:29:07,560 --> 00:29:08,920 Speaker 2: You know, I love a little yacht rock. 597 00:29:09,520 --> 00:29:13,840 Speaker 3: Give me any Ambrosia, Give me a Christopher Cross, give 598 00:29:13,840 --> 00:29:17,960 Speaker 3: me a Kenny Loggins, Alan Parsons. They are all scheduled 599 00:29:17,960 --> 00:29:21,920 Speaker 3: to play this show that was going to be coming 600 00:29:22,000 --> 00:29:29,520 Speaker 3: up relatively soon down of course in Cabo, but they 601 00:29:29,520 --> 00:29:33,080 Speaker 3: have now announced another artists have dropped out. Another artist 602 00:29:33,080 --> 00:29:38,560 Speaker 3: has dropped out rather Ambrosia front man Joe Puerta said 603 00:29:38,840 --> 00:29:42,760 Speaker 3: I'm out. He was supposed to play the first night. 604 00:29:43,440 --> 00:29:46,840 Speaker 3: You know, Ambrosia they do that how long song, among 605 00:29:46,880 --> 00:29:50,240 Speaker 3: many others. Rick Springfield has not announced that he is 606 00:29:50,520 --> 00:29:52,560 Speaker 3: he has left, but here is who is who has 607 00:29:52,560 --> 00:29:56,920 Speaker 3: already dropped out. Pablo Cruz, Alan Parsons, Christopher Cross, Al Stewart, 608 00:29:57,120 --> 00:30:02,720 Speaker 3: Kenny Loggins still on the docket. You got Rick Springfield 609 00:30:02,720 --> 00:30:07,200 Speaker 3: for Friday. Nobody's playing Saturday, and maybe dire Straits Legacy 610 00:30:07,240 --> 00:30:10,840 Speaker 3: is playing on Sunday. We'll have to ask Mark Knopfler. 611 00:30:11,040 --> 00:30:15,840 Speaker 3: The organizers themselves have not said anything about why, but 612 00:30:16,040 --> 00:30:18,160 Speaker 3: the members of Van Brosia were very quick to say, 613 00:30:18,240 --> 00:30:19,920 Speaker 3: we're dropping out and it has nothing to do with 614 00:30:20,000 --> 00:30:24,080 Speaker 3: the health of our of our performers or of our 615 00:30:24,520 --> 00:30:29,000 Speaker 3: band members. They basically said it was something like, after 616 00:30:29,120 --> 00:30:31,680 Speaker 3: learning details about things that were going on, I'm getting 617 00:30:31,760 --> 00:30:36,200 Speaker 3: very firefest vibes about this. If you're familiar, and I 618 00:30:36,240 --> 00:30:39,000 Speaker 3: gotta be real with you, you know yacht rock definitely more 619 00:30:39,000 --> 00:30:43,520 Speaker 3: of a boomer audience. Boomers I know them, I love them. 620 00:30:43,920 --> 00:30:47,560 Speaker 3: They cannot do cheese sandwiches and FEMA tents. That It's 621 00:30:47,560 --> 00:30:50,200 Speaker 3: not a point in your life where you're gonna go down, 622 00:30:50,800 --> 00:30:54,440 Speaker 3: take a plane to Cabo, go to some kind of resort, 623 00:30:55,120 --> 00:30:58,160 Speaker 3: sit around outside for the bands not to play and 624 00:30:58,200 --> 00:31:00,520 Speaker 3: to just eat a cheese sandwich in FEMA and a 625 00:31:00,600 --> 00:31:04,040 Speaker 3: sleeping at FEMA ten. It's not gonna happen. By the way, 626 00:31:04,120 --> 00:31:06,400 Speaker 3: Christopher Cross, I don't know if you've ever seen him before. 627 00:31:06,760 --> 00:31:08,560 Speaker 2: I love this man. He does not look like you 628 00:31:08,560 --> 00:31:09,200 Speaker 2: would expect. 629 00:31:09,440 --> 00:31:11,080 Speaker 3: You hear that voice and you think he probably looks 630 00:31:11,120 --> 00:31:13,480 Speaker 3: like Fabio and he's a little bit well, he's not 631 00:31:13,520 --> 00:31:17,240 Speaker 3: a fabio guy. His songs are so good and that 632 00:31:17,360 --> 00:31:21,600 Speaker 3: voice is perfect, and if you've seen that yacht Rock documentary, 633 00:31:23,960 --> 00:31:25,280 Speaker 3: he looks sort of like a wallflower. 634 00:31:25,320 --> 00:31:26,240 Speaker 2: But this guy. 635 00:31:28,000 --> 00:31:30,479 Speaker 3: Apparently to finance that first record, which of course won 636 00:31:30,520 --> 00:31:32,560 Speaker 3: all the Grammys, that had Sailing on It, head Ride 637 00:31:32,560 --> 00:31:36,920 Speaker 3: like the Wind, he sold weed and LSD to help 638 00:31:37,080 --> 00:31:38,160 Speaker 3: finance that. 639 00:31:38,400 --> 00:31:40,800 Speaker 2: Christopher Cross, that guy. 640 00:31:42,560 --> 00:31:45,760 Speaker 4: They gotta admire an entrepreneur. I know somebody's got that 641 00:31:45,840 --> 00:31:47,480 Speaker 4: kind of drive. More power to him. 642 00:31:47,360 --> 00:31:50,400 Speaker 3: That's looking and obviously it worked out for him. I 643 00:31:50,400 --> 00:31:52,160 Speaker 3: don't know if he still hold I don't know. If 644 00:31:52,200 --> 00:31:54,360 Speaker 3: I don't know, I think those days are probably way 645 00:31:54,440 --> 00:31:55,600 Speaker 3: far behind him at this point. 646 00:31:55,720 --> 00:31:58,080 Speaker 4: Who's to say, I don't know. Did you say how 647 00:31:58,160 --> 00:32:00,600 Speaker 4: long was Ambrosia? Are you sure you got that right? 648 00:32:00,680 --> 00:32:03,000 Speaker 4: I think that's Paul Kerrick and Ace? 649 00:32:03,760 --> 00:32:06,400 Speaker 2: Oh? Did Dan Brosia also do? Yeah, you're right, asted 650 00:32:06,520 --> 00:32:08,680 Speaker 2: as did How long? Did did Ambrosia not do a 651 00:32:08,760 --> 00:32:09,239 Speaker 2: version of it? 652 00:32:09,280 --> 00:32:09,440 Speaker 4: Too? 653 00:32:09,480 --> 00:32:09,800 Speaker 2: Also? 654 00:32:10,200 --> 00:32:12,440 Speaker 4: I don't know how much I feel, biggest part of me, 655 00:32:12,600 --> 00:32:13,440 Speaker 4: you're the only woman. 656 00:32:13,520 --> 00:32:15,240 Speaker 2: Those are their big hits. 657 00:32:15,760 --> 00:32:20,320 Speaker 3: I maybe I think you're right. It was originally done 658 00:32:20,360 --> 00:32:22,400 Speaker 3: by ACE in nineteen seventy four. But I think that 659 00:32:22,480 --> 00:32:24,440 Speaker 3: they did cover it. 660 00:32:24,640 --> 00:32:28,880 Speaker 2: I don't. Maybe I'm wrong. It's possible. I am but a. 661 00:32:31,280 --> 00:32:34,000 Speaker 3: Shell of a human being with very little information. It 662 00:32:34,000 --> 00:32:35,760 Speaker 3: goes in one ear and out the other. We strive 663 00:32:35,840 --> 00:32:38,640 Speaker 3: for accuracy that Thank you for holding me accountable though 664 00:32:38,920 --> 00:32:40,840 Speaker 3: I'm sorry about that now, my God, don't be sorry 665 00:32:40,840 --> 00:32:46,360 Speaker 3: about it. I'm happy to be to be corrected. We're 666 00:32:46,640 --> 00:32:50,920 Speaker 3: about We're about keeping you company, but also keeping it honest. 667 00:32:51,080 --> 00:32:54,440 Speaker 2: There we go. I am six forty live everywhere on 668 00:32:54,480 --> 00:32:55,120 Speaker 2: the iHeartRadio 669 00:32:55,200 --> 00:33:03,760 Speaker 1: App KF I Am six forty on demand