1 00:00:06,320 --> 00:00:07,120 Speaker 1: Just like the Wild. 2 00:00:07,240 --> 00:00:09,920 Speaker 2: We're back in action with another Wild Wednesday and your 3 00:00:09,960 --> 00:00:12,320 Speaker 2: shot at tickets so Wild versus Lighting on March third. 4 00:00:12,920 --> 00:00:14,760 Speaker 2: Just isy iHeart Radio app. Just send us to a 5 00:00:14,800 --> 00:00:17,159 Speaker 2: talk back and tell us who lights the lamp for 6 00:00:17,200 --> 00:00:19,440 Speaker 2: the Wild first when they take on Colorado tomorrow night. 7 00:00:19,800 --> 00:00:22,320 Speaker 2: Get the full details at KFN dot com Keebred Contests. 8 00:01:06,959 --> 00:01:08,960 Speaker 1: Sorry about to that, but lunch preparation takes a lot 9 00:01:09,040 --> 00:01:09,280 Speaker 1: of game. 10 00:01:09,360 --> 00:01:10,319 Speaker 3: This one's going on. 11 00:01:10,200 --> 00:01:15,360 Speaker 4: Is a couple thirteen fourteen past. I'm common, he's tanna be. 12 00:01:15,680 --> 00:01:18,080 Speaker 4: That's time for five, three, four? 13 00:01:21,400 --> 00:01:26,840 Speaker 5: Time now for five questions? 14 00:01:27,360 --> 00:01:30,040 Speaker 1: Well, actually three, but five sounds like more than four. 15 00:01:31,720 --> 00:01:38,679 Speaker 5: Question number one, it's now time to take an in 16 00:01:38,800 --> 00:01:51,000 Speaker 5: depth look at the welfare of the Wolves. 17 00:01:52,200 --> 00:01:54,840 Speaker 2: The Wolves got Rudy Gobert and Nas read back and 18 00:01:54,880 --> 00:01:56,840 Speaker 2: began their three game road trip in Partland with a 19 00:01:56,880 --> 00:02:00,720 Speaker 2: one twenty four one one triumph over the Trailblazer. Go 20 00:02:00,800 --> 00:02:04,240 Speaker 2: Bear finished with ten points and nineteen rebounds. Anthony Edwards 21 00:02:04,280 --> 00:02:07,000 Speaker 2: finished with thirty four points, and Jane McDaniel scored twenty 22 00:02:07,080 --> 00:02:10,320 Speaker 2: nine points on eleven of fifteen shooting. Also had five blocks, 23 00:02:10,320 --> 00:02:13,320 Speaker 2: three seals, and six rebounds. Common wants sticks out to 24 00:02:13,320 --> 00:02:14,880 Speaker 2: you from last night's Wolves win. 25 00:02:17,960 --> 00:02:20,359 Speaker 4: So what we'll just see where we head up in 26 00:02:20,400 --> 00:02:23,480 Speaker 4: the playoffs. They're going to make the playoffs. Right now, 27 00:02:24,120 --> 00:02:26,160 Speaker 4: they're a game or a game and a half out 28 00:02:26,160 --> 00:02:29,600 Speaker 4: of the third spot. They're currently in the fifth, So 29 00:02:29,680 --> 00:02:31,800 Speaker 4: just wait and see. I mean, they're going to make postseason. 30 00:02:31,880 --> 00:02:35,119 Speaker 4: I'm so tired of their lack of effort every other game. 31 00:02:35,160 --> 00:02:37,200 Speaker 4: Sometimes they'll do it for two games and they'll play 32 00:02:37,200 --> 00:02:40,480 Speaker 4: well for three and I just just they're telling me 33 00:02:40,560 --> 00:02:43,040 Speaker 4: to ant said it at the beginning of the year. 34 00:02:43,360 --> 00:02:45,720 Speaker 4: It's like, we really don't want to play these games. 35 00:02:45,720 --> 00:02:47,399 Speaker 4: We want to get right to the playoffs, and that's 36 00:02:47,400 --> 00:02:49,160 Speaker 4: what they've been doing. So I'm just going to wait 37 00:02:49,160 --> 00:02:51,520 Speaker 4: to the playoffs. I really have nothing to say about. 38 00:02:51,240 --> 00:02:54,200 Speaker 3: Their wins or their losses right now. 39 00:02:54,240 --> 00:02:56,640 Speaker 4: We'll just see if they put I think once playoff 40 00:02:56,680 --> 00:02:58,120 Speaker 4: time comes, they will put forth the effort. 41 00:02:58,360 --> 00:02:59,880 Speaker 3: I think they will say, no, well, now we have 42 00:03:00,080 --> 00:03:00,880 Speaker 3: after it. 43 00:03:00,880 --> 00:03:02,840 Speaker 4: Gets at the point where it's either you see the 44 00:03:02,840 --> 00:03:05,160 Speaker 4: fish or cut bait, as the old cliche goes, and 45 00:03:05,440 --> 00:03:07,520 Speaker 4: but by the time they get to the postseason play 46 00:03:08,080 --> 00:03:09,120 Speaker 4: you have to fisher cut bait. 47 00:03:09,200 --> 00:03:10,600 Speaker 1: I think they will so we'll see how it goes. 48 00:03:10,600 --> 00:03:12,160 Speaker 1: I wish him what. It's kind of crazy. 49 00:03:12,200 --> 00:03:14,560 Speaker 2: The Spurs are only three games back of the Thunder 50 00:03:14,800 --> 00:03:17,320 Speaker 2: for that number one spot. Given the start, Okay So 51 00:03:17,520 --> 00:03:18,919 Speaker 2: got out to and seemed like they were going to 52 00:03:18,919 --> 00:03:19,840 Speaker 2: be impossible to catch. 53 00:03:20,440 --> 00:03:22,919 Speaker 1: Spurs of one nine in a row, Spurs out. 54 00:03:24,080 --> 00:03:26,519 Speaker 3: Spurs got a lot of talent, especially that one Minyama kid. 55 00:03:28,880 --> 00:03:34,639 Speaker 1: Question number two, it's time now for it's a low 56 00:03:34,800 --> 00:03:37,320 Speaker 1: down in dinky Town. 57 00:03:38,840 --> 00:03:42,640 Speaker 2: The Gophers Ben's basketball team lost seventy seven sixty seven 58 00:03:42,720 --> 00:03:46,240 Speaker 2: last night at Michigan. Kate Titan led the Gopher. Kate 59 00:03:46,320 --> 00:03:48,960 Speaker 2: Tyson left to go led the Gophers at twenty points. 60 00:03:49,520 --> 00:03:51,920 Speaker 2: Only six Gophers saw the floor, with the starting five 61 00:03:52,000 --> 00:03:55,200 Speaker 2: all playing at least thirty eight minutes. Nico Medved after 62 00:03:55,200 --> 00:03:57,400 Speaker 2: the game, right here on the fans said quote, I'm 63 00:03:57,440 --> 00:03:59,920 Speaker 2: such a competitive guy that I don't believe in moral victories. 64 00:04:00,400 --> 00:04:02,280 Speaker 2: But for us to come in here against a team 65 00:04:02,360 --> 00:04:04,640 Speaker 2: that is as good analytically as any team I've seen 66 00:04:04,680 --> 00:04:07,280 Speaker 2: in fifteen years, it was a heck of an effort. 67 00:04:07,480 --> 00:04:09,680 Speaker 1: We can learn a lot from today. There were a 68 00:04:09,760 --> 00:04:11,280 Speaker 1: lot of positives. 69 00:04:11,240 --> 00:04:14,080 Speaker 2: Come and you consider last night a moral victory for 70 00:04:14,160 --> 00:04:15,760 Speaker 2: your University of Minnesota Golden Gophers. 71 00:04:15,840 --> 00:04:18,239 Speaker 4: Well, I kind of agree with what med Betz said. 72 00:04:18,320 --> 00:04:21,520 Speaker 4: I'm not into moral victories. Tough Loove, Covenant, they don't 73 00:04:21,560 --> 00:04:25,920 Speaker 4: do a lot for me. But Misilyan's the best team 74 00:04:25,920 --> 00:04:27,440 Speaker 4: in the country. If they're not number one, they're number 75 00:04:27,440 --> 00:04:30,440 Speaker 4: two right now. Right They're really really good. They're long, 76 00:04:30,520 --> 00:04:32,880 Speaker 4: they're athletic, they can shoot. There's no they might be 77 00:04:32,920 --> 00:04:36,800 Speaker 4: the best defensive team in all of basketball in college basketball. 78 00:04:36,880 --> 00:04:39,800 Speaker 4: So you don't expect them the Gophers to go there 79 00:04:39,800 --> 00:04:41,960 Speaker 4: and win. They went in with a sub five hundred records. 80 00:04:41,960 --> 00:04:43,800 Speaker 4: So yeah, I mean ten points, I didn't see it, 81 00:04:43,839 --> 00:04:46,040 Speaker 4: so I don't know. I mean, ten points can be deceived. 82 00:04:46,080 --> 00:04:47,960 Speaker 4: Some people are looking at ten points as getting blown out, 83 00:04:48,000 --> 00:04:49,920 Speaker 4: others as ten points as close in a game where 84 00:04:49,920 --> 00:04:53,520 Speaker 4: two teams are on there are in different trajectories right now, right, 85 00:04:53,600 --> 00:04:56,920 Speaker 4: So to lose by ten isn't so bad. But you know, again, 86 00:04:56,960 --> 00:04:58,040 Speaker 4: at the end of the day, it's like, well, you're 87 00:04:58,080 --> 00:05:01,320 Speaker 4: still lost and you're still where you are. And I mean, 88 00:05:01,360 --> 00:05:03,599 Speaker 4: he's new to them, it's hit, it's he's just started. 89 00:05:03,839 --> 00:05:05,520 Speaker 4: You gotta give a guy a year or two to 90 00:05:05,600 --> 00:05:06,720 Speaker 4: coach to see how it goes. 91 00:05:06,800 --> 00:05:10,440 Speaker 3: So it's all right, you know, And. 92 00:05:10,720 --> 00:05:12,120 Speaker 1: When you're only I would say, I can give you 93 00:05:12,160 --> 00:05:15,279 Speaker 1: a moral victory, but those moral back victories only last 94 00:05:15,320 --> 00:05:17,120 Speaker 1: for so long. That's true, right, Like, because you're in 95 00:05:17,200 --> 00:05:19,240 Speaker 1: year one, we're gonna have more once you get to 96 00:05:19,320 --> 00:05:21,159 Speaker 1: year three, year four, We're not gonna fall to the 97 00:05:21,160 --> 00:05:23,440 Speaker 1: moral victory route anyway. That's correct. When you're only feel 98 00:05:23,440 --> 00:05:25,240 Speaker 1: like the football team try is that when you're only 99 00:05:25,240 --> 00:05:27,440 Speaker 1: playing six guys too? I don't know if that's. 100 00:05:27,360 --> 00:05:30,160 Speaker 4: Because I mean I think, well, I've had some injuries, 101 00:05:30,200 --> 00:05:32,120 Speaker 4: but they've had some injuries, so yeah. 102 00:05:32,440 --> 00:05:34,200 Speaker 1: But they were they were short on depth. To begin 103 00:05:34,240 --> 00:05:43,800 Speaker 1: with question number three, I'm gonna say controversial. 104 00:05:44,680 --> 00:05:49,760 Speaker 5: Uh, it's time now for the controversial question of the day. 105 00:05:51,600 --> 00:05:51,880 Speaker 1: Common. 106 00:05:51,920 --> 00:05:54,280 Speaker 2: If you'd only eat the same breakfast, the same lunch, 107 00:05:54,360 --> 00:05:56,520 Speaker 2: which has to be different than breakfast, and the same dinner, 108 00:05:56,560 --> 00:05:59,200 Speaker 2: which has to be different than lunch, every day, what 109 00:05:59,400 --> 00:06:00,799 Speaker 2: three meals would you choose? 110 00:06:02,800 --> 00:06:06,160 Speaker 1: I wouldn't do breakfast? You wouldn't. Why never do breakfast? 111 00:06:07,320 --> 00:06:08,120 Speaker 1: I never eat brea. 112 00:06:08,800 --> 00:06:13,120 Speaker 4: I never eat breakfast unless I'm in at Grandview, Cambridgeardet. 113 00:06:13,960 --> 00:06:17,000 Speaker 4: Otherwise I just started eating now at one o'clock. The 114 00:06:17,120 --> 00:06:19,560 Speaker 4: last time I ate was at seven o'clock last night. 115 00:06:20,720 --> 00:06:21,800 Speaker 4: So how many hours is that? 116 00:06:22,240 --> 00:06:24,120 Speaker 1: Is that why you're always so hungry in the neon hour? 117 00:06:24,520 --> 00:06:30,400 Speaker 4: That's twelve, five, eighteen hours since I last eight And 118 00:06:30,400 --> 00:06:32,000 Speaker 4: then I'll eat tonight at about seven o'clock. 119 00:06:32,000 --> 00:06:33,880 Speaker 1: Again, I don't mean like a snack or anything. 120 00:06:34,120 --> 00:06:37,240 Speaker 4: I might grab a couple of almonds at home, and 121 00:06:37,279 --> 00:06:42,280 Speaker 4: then you know, Emily's got a little candy dish and 122 00:06:42,279 --> 00:06:45,279 Speaker 4: I might grab a couple of Hershey kisses for my 123 00:06:45,320 --> 00:06:47,559 Speaker 4: sweet tooth. But other than that, no, I don't eat anything. 124 00:06:47,600 --> 00:06:50,240 Speaker 4: And I'm knowing it's weird. There was last week one 125 00:06:50,279 --> 00:06:53,560 Speaker 4: time I couldn't eat. Were you out one day last week? Yeah, 126 00:06:54,160 --> 00:06:55,440 Speaker 4: the day you were outside, or maybe it was a 127 00:06:55,520 --> 00:06:59,480 Speaker 4: day you were something happened and. 128 00:07:00,960 --> 00:07:02,600 Speaker 1: I had two live ads. 129 00:07:02,400 --> 00:07:04,039 Speaker 4: During the top of the hour, so I couldn't go 130 00:07:04,080 --> 00:07:05,719 Speaker 4: to make so I didn't eat until three o'clock in 131 00:07:05,760 --> 00:07:10,480 Speaker 4: the afternoon. I went twenty hours without eating, And it's 132 00:07:10,520 --> 00:07:12,800 Speaker 4: okay with me, But my meal would be the one 133 00:07:12,840 --> 00:07:20,880 Speaker 4: I'm the one I'm eating right now. Barbecue chicken tacos 134 00:07:21,600 --> 00:07:26,000 Speaker 4: with red cabbage slaw with Greek yogurt is so good. 135 00:07:26,000 --> 00:07:27,400 Speaker 3: This is the third day in a row. I've had 136 00:07:27,400 --> 00:07:28,640 Speaker 3: it for dinner and. 137 00:07:28,520 --> 00:07:34,200 Speaker 4: For lunch with an avocado, broccoli and cauliflower and then 138 00:07:34,240 --> 00:07:37,680 Speaker 4: some raspberries and blackberries. Could eat that every day for 139 00:07:37,800 --> 00:07:40,680 Speaker 4: my lunch for dinner. It's a new one I've discovered. 140 00:07:40,840 --> 00:07:42,720 Speaker 4: Think about this. You're gonna think this is the luckiest 141 00:07:42,720 --> 00:07:46,440 Speaker 4: thing you've ever heard of. Seasoned ground beef like taco 142 00:07:46,520 --> 00:07:51,920 Speaker 4: season right, I'm fine there, mixed with roasted sweet potatoes. 143 00:07:52,520 --> 00:07:53,320 Speaker 1: I can handle it. 144 00:07:54,680 --> 00:07:59,680 Speaker 4: Avocado and cottage cheese and you mix that together. 145 00:07:59,800 --> 00:08:03,720 Speaker 3: It's so good. It's just deep. It's really good. 146 00:08:03,760 --> 00:08:04,600 Speaker 1: You'd love it so. 147 00:08:04,680 --> 00:08:06,720 Speaker 2: Because the cheese is going to mix in, the avocado 148 00:08:06,720 --> 00:08:08,600 Speaker 2: doesn't have really have a lot of taste. How would 149 00:08:08,680 --> 00:08:12,720 Speaker 2: be for your for your I'm basically already doing this now, 150 00:08:13,040 --> 00:08:16,360 Speaker 2: and I don't have to. I think I would just 151 00:08:16,440 --> 00:08:18,960 Speaker 2: choose your very classic basic breakfast. 152 00:08:19,120 --> 00:08:19,280 Speaker 1: Right. 153 00:08:19,280 --> 00:08:24,360 Speaker 2: It would just be like eggs, sausage, toast banana. 154 00:08:24,640 --> 00:08:26,560 Speaker 1: That would be my breakfast. How would you peel that 155 00:08:26,600 --> 00:08:28,160 Speaker 1: banana from the. 156 00:08:28,080 --> 00:08:30,360 Speaker 2: Other side, just like the monkeys do because they eat 157 00:08:30,360 --> 00:08:30,800 Speaker 2: them every day. 158 00:08:30,800 --> 00:08:31,440 Speaker 1: They know what they're doing. 159 00:08:33,200 --> 00:08:36,800 Speaker 2: Lunch, I would probably just eat a sandwich of some sort, 160 00:08:37,320 --> 00:08:39,439 Speaker 2: and yeah, it might actually just be like a peanut 161 00:08:39,440 --> 00:08:44,360 Speaker 2: butter and jelly sandwich, uncrustable. I'd rather just eat it 162 00:08:44,360 --> 00:08:44,880 Speaker 2: straight up. 163 00:08:45,240 --> 00:08:47,560 Speaker 1: I don't mind. I don't mind the crust. Wow. 164 00:08:48,240 --> 00:08:54,040 Speaker 2: And then for dinner, it's probably not the healthiest option, 165 00:08:54,120 --> 00:08:55,760 Speaker 2: but it's my favorite food and it's the one food 166 00:08:55,800 --> 00:08:58,320 Speaker 2: that I never really get sick of, So i'd have 167 00:08:58,360 --> 00:09:01,520 Speaker 2: to just go pizza. Yeah, And then there's so many 168 00:09:01,600 --> 00:09:03,760 Speaker 2: I would I would probably be feeling that after a while, 169 00:09:03,800 --> 00:09:04,960 Speaker 2: for you're having it every day every night. 170 00:09:05,240 --> 00:09:06,360 Speaker 1: No, if you told me. 171 00:09:07,920 --> 00:09:11,679 Speaker 4: Calories be danged, you know, and don't know sure about that, well, 172 00:09:11,679 --> 00:09:16,640 Speaker 4: then I would probably probably change them. And there for me, 173 00:09:16,760 --> 00:09:20,120 Speaker 4: there's really not much better than barbecue ribs. I love 174 00:09:20,160 --> 00:09:22,720 Speaker 4: any kind of barbecue, barbecue, ribs, barbecue, pork. 175 00:09:22,800 --> 00:09:23,880 Speaker 3: I love barbecue. 176 00:09:23,920 --> 00:09:26,080 Speaker 1: So that's a good barbecue. Ribs is so good. I 177 00:09:26,160 --> 00:09:27,880 Speaker 1: just it's just a mess to eat with a mast. 178 00:09:27,880 --> 00:09:30,440 Speaker 3: Is, but I can. I could deal with that. And 179 00:09:30,480 --> 00:09:33,720 Speaker 3: then you know, I man a good old. 180 00:09:35,120 --> 00:09:40,760 Speaker 4: Double cheeseburger, you know, with ketchup mustard mayo. And yeah, 181 00:09:40,800 --> 00:09:43,079 Speaker 4: I mean there are other things I would I could eat, but. 182 00:09:43,040 --> 00:09:45,040 Speaker 1: I love me some cheeseburgers. I just thought I would 183 00:09:45,040 --> 00:09:46,200 Speaker 1: get sick of that. Every single night. 184 00:09:47,840 --> 00:09:50,360 Speaker 4: Someone says, you're you're really doing your body disservice, but 185 00:09:50,440 --> 00:09:52,079 Speaker 4: not eating breakfast very bad for your body. 186 00:09:52,160 --> 00:09:53,040 Speaker 3: No, that's not true. 187 00:09:53,280 --> 00:09:55,320 Speaker 1: I think there's lots of debates on it. Well there is, 188 00:09:55,320 --> 00:09:56,280 Speaker 1: because do you. 189 00:09:56,240 --> 00:09:58,880 Speaker 4: Know what what who told you breakfast was good for you? 190 00:09:59,360 --> 00:10:05,080 Speaker 4: Kellogg's tender mills in general mills, it's called the intermittent fasting. 191 00:10:05,160 --> 00:10:08,280 Speaker 4: It's really good for you. Intermittent fasting is good for 192 00:10:08,320 --> 00:10:10,080 Speaker 4: you. You don't need to eat brok, so if you want to, 193 00:10:10,120 --> 00:10:11,880 Speaker 4: that's fine, or if you want to have a little something, 194 00:10:12,200 --> 00:10:15,240 Speaker 4: but to eat a big bowl of cereal and milk 195 00:10:15,280 --> 00:10:18,679 Speaker 4: with fruit on the top, or to have pancakes, and hey, 196 00:10:18,720 --> 00:10:21,560 Speaker 4: I love me some French toast, But no, I'm not 197 00:10:21,600 --> 00:10:25,319 Speaker 4: doing myself. You're doing yourself a disservice. If you eat 198 00:10:25,320 --> 00:10:27,200 Speaker 4: three meals a day, I think that's just mine. 199 00:10:27,200 --> 00:10:29,880 Speaker 2: I ate a banana every morning, and I the days 200 00:10:29,880 --> 00:10:30,760 Speaker 2: that I don't, I feel like. 201 00:10:30,720 --> 00:10:33,720 Speaker 1: I can feel it in my brain. Well, it might 202 00:10:33,840 --> 00:10:34,840 Speaker 1: be a little dependent on it. 203 00:10:34,960 --> 00:10:36,720 Speaker 4: Speaking of brains, did you know that meat sauce had 204 00:10:36,720 --> 00:10:40,800 Speaker 4: a brain eating amba starve to death. Rock Talk is 205 00:10:40,840 --> 00:10:42,520 Speaker 4: the Nets with Brian Oak here on the family. 206 00:10:43,559 --> 00:10:48,160 Speaker 6: And that's it for today's edition of five questions. 207 00:10:48,760 --> 00:10:52,040 Speaker 1: Well actually three questions, but five sounds like more than four. 208 00:11:07,840 --> 00:11:10,480 Speaker 2: Caffan welcomes Bruce Springsteen and the East Street Band of 209 00:11:10,520 --> 00:11:13,400 Speaker 2: Target Center on March thirty. First tickets around sale now 210 00:11:13,400 --> 00:11:15,280 Speaker 2: and get the complete details and all upcoming shows in 211 00:11:15,360 --> 00:11:17,480 Speaker 2: the concert page camfan dot com keyboard calendar. 212 00:11:21,720 --> 00:11:23,040 Speaker 1: Advanced and tactical. 213 00:11:23,120 --> 00:11:29,000 Speaker 4: You're sick in other words, well beyond mine. 214 00:11:28,040 --> 00:11:30,199 Speaker 1: Skillwell, your words not mine? 215 00:11:31,040 --> 00:11:33,480 Speaker 4: Well, I said, I'm real similar scrabble, you go, well, yeah, 216 00:11:33,480 --> 00:11:36,559 Speaker 4: scrabble is a great game, but it's not as technical 217 00:11:36,600 --> 00:11:37,240 Speaker 4: and advanced. 218 00:11:37,360 --> 00:11:40,480 Speaker 1: Yeah, well, and it is. This week. I went up 219 00:11:40,480 --> 00:11:42,640 Speaker 1: North with charts this past week. I think most people 220 00:11:42,640 --> 00:11:44,559 Speaker 1: realize that, Hi, everybody, Yeah, it's rock Talk. 221 00:11:45,280 --> 00:11:47,680 Speaker 6: I went up for this seventeenth year in a Row church, 222 00:11:47,760 --> 00:11:50,840 Speaker 6: and I and a whole gaggle of other nerds went 223 00:11:50,920 --> 00:11:53,680 Speaker 6: up north, rented out a giant lodge, ten guys for 224 00:11:53,760 --> 00:11:56,920 Speaker 6: four days, playing nothing but all kinds of crazy board games, 225 00:11:57,280 --> 00:12:01,800 Speaker 6: from Elder Horror to Foundations of Rome to dozens and 226 00:12:01,960 --> 00:12:04,840 Speaker 6: dozens of these games. And it's just four days of 227 00:12:05,760 --> 00:12:08,640 Speaker 6: nerdiness that is spectacular. It's also known as Whiskey Weekend. 228 00:12:08,640 --> 00:12:13,120 Speaker 6: I no longer participate in the in the whiskey portion 229 00:12:13,160 --> 00:12:14,199 Speaker 6: of it. I don't know if I told you I 230 00:12:14,640 --> 00:12:17,640 Speaker 6: stopped drinking. No, yeah, I did a little over fifteen 231 00:12:17,679 --> 00:12:19,959 Speaker 6: months ago. Not a drop since then, and I got 232 00:12:20,040 --> 00:12:22,959 Speaker 6: to admit, it's been nothing but sunshine and rainbow since then. 233 00:12:23,000 --> 00:12:25,640 Speaker 4: So as the deal is, nothing good has ever happened 234 00:12:25,920 --> 00:12:29,280 Speaker 4: after midnight? Nothing good, nothing good comes from drinking, and 235 00:12:29,320 --> 00:12:32,400 Speaker 4: you just get sick and tired of being sick and tired. 236 00:12:32,480 --> 00:12:35,120 Speaker 6: Absolutely true, although I do disagree with the part about 237 00:12:35,160 --> 00:12:36,760 Speaker 6: nothing good happening after midnight. 238 00:12:37,240 --> 00:12:39,120 Speaker 1: After two am, that's usually why. 239 00:12:39,000 --> 00:12:41,560 Speaker 6: Nothing good happens after But I've had a few and 240 00:12:41,600 --> 00:12:43,360 Speaker 6: but you do get some great stories out of it, 241 00:12:43,400 --> 00:12:44,800 Speaker 6: So just try to survive the ride. 242 00:12:44,920 --> 00:12:45,760 Speaker 3: Let me ask you a question. 243 00:12:45,880 --> 00:12:49,800 Speaker 4: Hit me in the last game, you wrap up the 244 00:12:49,840 --> 00:12:51,800 Speaker 4: weekend with initials game right? Uh? 245 00:12:53,880 --> 00:12:54,120 Speaker 1: No? 246 00:12:54,520 --> 00:12:59,360 Speaker 6: Again, a little more technically complicated and tactically oriented, and 247 00:12:59,440 --> 00:13:03,559 Speaker 6: the story so risk isn't considered. That's not complicated, So no, 248 00:13:03,559 --> 00:13:05,880 Speaker 6: no risk would be right sort of at the borderline 249 00:13:05,920 --> 00:13:07,679 Speaker 6: of where we would start. A lot of the games 250 00:13:07,679 --> 00:13:11,040 Speaker 6: we play. The strategy games are sort of risk based. 251 00:13:11,120 --> 00:13:13,400 Speaker 6: Risk is sort of the goat, right, like the original 252 00:13:13,400 --> 00:13:16,000 Speaker 6: Big Worldwide Strategy game. We have a lot of games 253 00:13:16,040 --> 00:13:19,199 Speaker 6: that use world maps or similar maps, so that basic 254 00:13:19,280 --> 00:13:22,120 Speaker 6: concept applies to a ton of these games. But then 255 00:13:22,160 --> 00:13:24,800 Speaker 6: the stories are different, or the mechanics are different or whatever. 256 00:13:24,880 --> 00:13:27,880 Speaker 6: But we have a very good time, and ever since 257 00:13:28,000 --> 00:13:30,400 Speaker 6: Church moved to Utah. I mean, he and I not 258 00:13:30,440 --> 00:13:32,960 Speaker 6: only talks and tech more texts more than most people know, 259 00:13:33,000 --> 00:13:35,640 Speaker 6: but we're actually really good friends. So I was bummed 260 00:13:35,640 --> 00:13:37,320 Speaker 6: when he moved to Utah. So it was great to 261 00:13:37,360 --> 00:13:38,839 Speaker 6: get a chance to spend some time with them. And 262 00:13:38,920 --> 00:13:42,600 Speaker 6: anybody who's worried charts is very much alive and well 263 00:13:42,679 --> 00:13:44,000 Speaker 6: and in a good spot. 264 00:13:44,000 --> 00:13:45,760 Speaker 1: I like that guy. Does he have a podcast? 265 00:13:45,840 --> 00:13:46,080 Speaker 3: I know? 266 00:13:46,120 --> 00:13:46,400 Speaker 1: You do? 267 00:13:46,600 --> 00:13:48,440 Speaker 6: I do have a you know, I can't be certain 268 00:13:48,559 --> 00:13:50,840 Speaker 6: he's on He's like, he's more of the guy that's 269 00:13:50,880 --> 00:13:53,960 Speaker 6: a guest on a podcast, you know, like everybody wants 270 00:13:54,000 --> 00:13:56,600 Speaker 6: to tap into the experience and the aura that is 271 00:13:56,640 --> 00:14:00,160 Speaker 6: Paul Charchian. But yeah, no, I do have a podcast. 272 00:14:00,200 --> 00:14:04,040 Speaker 6: In fact, I came directly here from recording episode five 273 00:14:04,160 --> 00:14:08,240 Speaker 6: hundred and fifty five which is really kind of crazy. 274 00:14:08,240 --> 00:14:10,920 Speaker 6: We've been doing it for six and a half hours. Yeah, well, 275 00:14:10,960 --> 00:14:11,880 Speaker 6: it's five fifty five. 276 00:14:11,960 --> 00:14:12,400 Speaker 3: Is a paladin? 277 00:14:12,480 --> 00:14:12,720 Speaker 1: It is? 278 00:14:12,720 --> 00:14:14,839 Speaker 6: I suppose that's true and number, by the way, from 279 00:14:14,840 --> 00:14:17,960 Speaker 6: a numerological perspective, I'm sure it has some sort of 280 00:14:18,000 --> 00:14:21,400 Speaker 6: deep significance. But it was fun. It'll publish tomorrow morning. 281 00:14:21,400 --> 00:14:23,040 Speaker 6: Now we just keep cranking out a couple of week 282 00:14:23,120 --> 00:14:25,840 Speaker 6: dealing and primarily with the Twin Cities music scene, but 283 00:14:25,880 --> 00:14:27,280 Speaker 6: we get a few other topics in there. 284 00:14:27,360 --> 00:14:31,120 Speaker 4: The Rock and Roll Hall of Fame announced what they're calling, 285 00:14:31,200 --> 00:14:36,280 Speaker 4: or at least what the Cleveland. 286 00:14:35,840 --> 00:14:38,400 Speaker 3: Post or Cleveland Daily Planet, whatever. 287 00:14:38,160 --> 00:14:42,000 Speaker 4: It is they call the Eclectic list of the twenty 288 00:14:42,120 --> 00:14:44,360 Speaker 4: twenty six Rock and Roll Hall of Fame nominees. 289 00:14:44,640 --> 00:14:45,720 Speaker 1: Did I get the number right? 290 00:14:46,040 --> 00:14:50,760 Speaker 4: Seventeen artists with both several retread nominees and several. 291 00:14:50,520 --> 00:14:51,720 Speaker 1: First timers have been selected. 292 00:14:51,800 --> 00:14:55,000 Speaker 6: That is correct, have ten first timers and seven people 293 00:14:55,040 --> 00:14:56,800 Speaker 6: who have had a shot at it before but have 294 00:14:56,920 --> 00:14:59,040 Speaker 6: not yet made their way into those halland halls. 295 00:14:59,320 --> 00:14:59,880 Speaker 3: We call it reach. 296 00:15:00,480 --> 00:15:02,640 Speaker 1: Yeah, well that's well, that's where I was written in 297 00:15:02,680 --> 00:15:03,760 Speaker 1: this story. I kind of like that. 298 00:15:03,840 --> 00:15:06,320 Speaker 6: It's a little dismissive because there are a lot of 299 00:15:06,440 --> 00:15:10,360 Speaker 6: genuinely well recognized greats that don't. They're not first ballot, right, 300 00:15:10,400 --> 00:15:12,920 Speaker 6: they don't get in right away. Happens in sports too, 301 00:15:13,000 --> 00:15:17,400 Speaker 6: But retreads just sounds like, uh, I don't know, you 302 00:15:17,400 --> 00:15:19,920 Speaker 6: know what before we dive into this, Okay, can I 303 00:15:20,040 --> 00:15:21,480 Speaker 6: just stay Oh you know, we're gonna save it for 304 00:15:21,480 --> 00:15:23,400 Speaker 6: the next part. We're gonna save it for the next segment. Okay, 305 00:15:23,400 --> 00:15:25,920 Speaker 6: all right, but yeah, they're no. I mean, so, I 306 00:15:25,920 --> 00:15:27,800 Speaker 6: don't even know where to start. You've got why. 307 00:15:27,720 --> 00:15:28,960 Speaker 3: Don't I start with the top of the list, will 308 00:15:29,040 --> 00:15:30,160 Speaker 3: just rattle among me? 309 00:15:30,760 --> 00:15:32,000 Speaker 1: Black Crows your thoughts. 310 00:15:32,080 --> 00:15:36,200 Speaker 6: I love them absolutely amazing blues bassed southern rock, and 311 00:15:36,640 --> 00:15:39,800 Speaker 6: they've been excellent. They've got great songs, they've got a 312 00:15:39,880 --> 00:15:45,000 Speaker 6: huge heritage. They continue to impress and inform and influence 313 00:15:45,080 --> 00:15:49,520 Speaker 6: people who are making music today. They were the energy 314 00:15:49,560 --> 00:15:52,800 Speaker 6: of a Rolling Stones show with the sort of more 315 00:15:53,360 --> 00:15:57,160 Speaker 6: I don't know, with more southern and country influenced blues rock, 316 00:15:57,400 --> 00:15:59,880 Speaker 6: and they're just I don't know. I think there are 317 00:15:59,880 --> 00:16:02,440 Speaker 6: a great, great band, and for they were a band 318 00:16:02,560 --> 00:16:05,120 Speaker 6: that for people who were sort of missing the vibe 319 00:16:05,200 --> 00:16:07,720 Speaker 6: and the era and the energy of the seventies into 320 00:16:07,760 --> 00:16:10,800 Speaker 6: the nineties and the two thousands. That was the band 321 00:16:10,800 --> 00:16:13,680 Speaker 6: that sort of was the standard bearer more than anybody else. 322 00:16:13,760 --> 00:16:16,520 Speaker 4: Jeff Buckley apparently he is no longer with us, He 323 00:16:16,640 --> 00:16:18,080 Speaker 4: is not heard of him. 324 00:16:18,440 --> 00:16:19,080 Speaker 3: Are you familiar. 325 00:16:19,160 --> 00:16:20,320 Speaker 1: I'm very familiar with him. Yeah. 326 00:16:20,320 --> 00:16:23,120 Speaker 6: You only ever put out one proper studio album called Grace, 327 00:16:23,240 --> 00:16:26,800 Speaker 6: and he is I think canonized a little bit because 328 00:16:26,840 --> 00:16:29,240 Speaker 6: of that. But he's revered, he is beloved. He was 329 00:16:29,320 --> 00:16:32,800 Speaker 6: on his way to a lifelong and important career and 330 00:16:32,840 --> 00:16:35,840 Speaker 6: then died accidentally of drowning during a late night swim 331 00:16:35,840 --> 00:16:37,320 Speaker 6: out in the river Tennebee. 332 00:16:37,360 --> 00:16:42,640 Speaker 4: His ears will perk up here. Mariah Carey, Yeah, this 333 00:16:42,680 --> 00:16:44,560 Speaker 4: is her third consecutive. 334 00:16:44,120 --> 00:16:46,320 Speaker 3: Yeah, maybe to be to the Hall of Fame. What 335 00:16:46,360 --> 00:16:47,600 Speaker 3: are your thoughts on Mariah Carroll. 336 00:16:47,720 --> 00:16:49,920 Speaker 6: I'm not a fan personally, but again this is a 337 00:16:49,960 --> 00:16:51,880 Speaker 6: perfect example of I don't have a like her, but 338 00:16:51,920 --> 00:16:55,480 Speaker 6: I have to respect her. She's had nineteen number one 339 00:16:55,520 --> 00:16:58,400 Speaker 6: songs on Billboard. That is the number one for any 340 00:16:58,440 --> 00:17:01,280 Speaker 6: solo artist, and it ties with a little band called 341 00:17:01,440 --> 00:17:04,280 Speaker 6: the Beatles. So whether or not you are a Mariah 342 00:17:04,320 --> 00:17:08,000 Speaker 6: Carey fan, she has put the hours in, has the success, 343 00:17:08,080 --> 00:17:10,840 Speaker 6: has the numbers, has the accolades, hard to believe she 344 00:17:10,920 --> 00:17:12,920 Speaker 6: wasn't a first ballot, But I don't think she has 345 00:17:13,000 --> 00:17:15,359 Speaker 6: the you know, they're still clinging to some sort of 346 00:17:15,440 --> 00:17:18,120 Speaker 6: desperate cool sense over there, and I don't think she's 347 00:17:18,200 --> 00:17:21,240 Speaker 6: cool to like because she's so popular, But her influence 348 00:17:21,320 --> 00:17:22,960 Speaker 6: and her success speaks for itself. 349 00:17:22,960 --> 00:17:26,120 Speaker 4: If the singer, songwriter, drummer is already in the Rock 350 00:17:26,200 --> 00:17:29,160 Speaker 4: Hall of Fame with Genesis Phil Collins as a solo artist, 351 00:17:29,200 --> 00:17:29,639 Speaker 4: your thoughts. 352 00:17:29,720 --> 00:17:32,280 Speaker 6: Not a big fan, but again, I know people who 353 00:17:32,280 --> 00:17:34,240 Speaker 6: would go to the wall for Phil Collins. 354 00:17:34,600 --> 00:17:36,240 Speaker 1: You know, he's in there for a band for a reason. 355 00:17:36,280 --> 00:17:38,600 Speaker 6: He's recognized as one of the most talented drummers of 356 00:17:38,600 --> 00:17:42,080 Speaker 6: the rock era. Don't love that eighty sort of pablum 357 00:17:42,200 --> 00:17:47,200 Speaker 6: of No Jacket Required, and those were not my favorite records, 358 00:17:47,280 --> 00:17:50,040 Speaker 6: but he was huge. So he's done it. He's was 359 00:17:50,080 --> 00:17:52,399 Speaker 6: critically acclaimed, he's done the successful thing. He was a 360 00:17:52,400 --> 00:17:55,520 Speaker 6: prog rocker, he was a pop rocker. He's done all 361 00:17:55,560 --> 00:17:58,080 Speaker 6: of it at a very high level and still is 362 00:17:58,119 --> 00:17:59,920 Speaker 6: with us today. Yeah, he's absolutely worthy of. 363 00:18:00,040 --> 00:18:03,040 Speaker 2: You could argue the when the drums come in and 364 00:18:03,240 --> 00:18:05,120 Speaker 2: in the air tonight, it might be the greatest three 365 00:18:05,119 --> 00:18:06,680 Speaker 2: seconds of any song ever ever made. 366 00:18:06,760 --> 00:18:10,000 Speaker 6: It's certainly the most iconic drum hook in Western music, 367 00:18:10,280 --> 00:18:12,520 Speaker 6: I think. Ever, it's certainly in our lifetimes for sure. 368 00:18:12,520 --> 00:18:13,400 Speaker 6: I agree with you, Tevin. 369 00:18:15,160 --> 00:18:19,160 Speaker 4: I sort of like when my favorite part great best 370 00:18:19,160 --> 00:18:23,119 Speaker 4: three seconds of music is when Passage to Bangkok with Rush, 371 00:18:23,200 --> 00:18:23,840 Speaker 4: when they do the. 372 00:18:27,040 --> 00:18:28,399 Speaker 3: I think it's the best three seconds. 373 00:18:28,400 --> 00:18:30,720 Speaker 6: Well, it's certainly very inventive and not at all a 374 00:18:30,840 --> 00:18:32,040 Speaker 6: lazy stereotypes. 375 00:18:32,600 --> 00:18:34,760 Speaker 1: It's it's pretty groundbreaking stuff, right. 376 00:18:34,800 --> 00:18:36,400 Speaker 4: What I like about the song, it's basically a song 377 00:18:36,400 --> 00:18:38,760 Speaker 4: about we're going to try to find the best marijuana 378 00:18:38,760 --> 00:18:40,640 Speaker 4: in the world, and we're just traveling all over the world, 379 00:18:41,040 --> 00:18:43,200 Speaker 4: and we only stopped for the best exactly. 380 00:18:43,200 --> 00:18:44,720 Speaker 1: We don't just stop for ditch weed. 381 00:18:44,840 --> 00:18:48,040 Speaker 6: No, no, we're not getting any of that uzbeky ditchweed. 382 00:18:48,119 --> 00:18:50,520 Speaker 6: We're waiting until we get to Bangkok for some of 383 00:18:50,600 --> 00:18:51,840 Speaker 6: that primo blonde ash. 384 00:18:51,920 --> 00:18:52,880 Speaker 1: That's exactly right. 385 00:18:53,560 --> 00:18:57,800 Speaker 4: This next nominee I'm sure you have had in the 386 00:18:57,920 --> 00:18:59,520 Speaker 4: studio see Melissa Etherich. 387 00:18:59,640 --> 00:19:03,359 Speaker 6: Oh yeah, on numerous occasions. Melissa is great. She was 388 00:19:03,440 --> 00:19:05,679 Speaker 6: one of the first real my wife's favorite articles. Well, 389 00:19:05,760 --> 00:19:07,960 Speaker 6: one of the first truely important, not only because she 390 00:19:08,119 --> 00:19:10,679 Speaker 6: was an incredible performer and wrote great songs and had 391 00:19:10,760 --> 00:19:14,240 Speaker 6: commercial success, but you can't ignore the fact that she 392 00:19:14,400 --> 00:19:17,920 Speaker 6: was sort of the biggest solo artist to be openly 393 00:19:18,040 --> 00:19:21,760 Speaker 6: out from day one, which again we're still not at 394 00:19:21,800 --> 00:19:24,639 Speaker 6: full acceptance or equal rights there. And so when she 395 00:19:24,840 --> 00:19:27,280 Speaker 6: came out and I mean her debut album, yes I am, 396 00:19:27,880 --> 00:19:30,720 Speaker 6: that's exactly what she was addressing. But then it wasn't 397 00:19:30,840 --> 00:19:33,480 Speaker 6: just her waving a flag around, it was her backing 398 00:19:33,520 --> 00:19:35,400 Speaker 6: it up with one being one of the most powerful 399 00:19:35,480 --> 00:19:39,000 Speaker 6: and soulful singer songwriters of the era, plus. 400 00:19:39,200 --> 00:19:40,440 Speaker 1: Super duper nice person. 401 00:19:40,560 --> 00:19:42,760 Speaker 6: The two times I had her in studio, see, she 402 00:19:43,160 --> 00:19:46,679 Speaker 6: was lovely and I know I'm an absolute. 403 00:19:46,200 --> 00:19:50,400 Speaker 1: Fan Lauren Hill. Yeah, tell me about her from the Fujis. 404 00:19:50,760 --> 00:19:52,560 Speaker 6: You could call her rap, you could call her soul, 405 00:19:52,640 --> 00:19:55,320 Speaker 6: you could call her hip hop, but everyone reveals her. 406 00:19:55,400 --> 00:19:57,440 Speaker 6: Her time in the Fujis is how she made her name. 407 00:19:57,480 --> 00:20:01,080 Speaker 6: But the thing makes her a genuine icon is the 408 00:20:01,160 --> 00:20:03,840 Speaker 6: miseducation of Lauren Hill, her debut solo effort. 409 00:20:04,320 --> 00:20:08,760 Speaker 1: She is. She's as iconic as a I pick any. 410 00:20:09,720 --> 00:20:11,960 Speaker 6: She's up there with the to the modern era, to 411 00:20:12,080 --> 00:20:13,960 Speaker 6: the modern day kids I don't think she has quite 412 00:20:14,000 --> 00:20:17,359 Speaker 6: the radical influence, but like I would put her in 413 00:20:17,400 --> 00:20:21,280 Speaker 6: the same conversation as people like Erica Badou, Nina Simone. 414 00:20:22,040 --> 00:20:27,680 Speaker 6: These just these incredibly individuals, sometimes difficult, but amazingly talented 415 00:20:27,840 --> 00:20:31,800 Speaker 6: and enduring soul singers. She's great, she absolutely belongs to 416 00:20:32,000 --> 00:20:32,240 Speaker 6: kind of. 417 00:20:32,280 --> 00:20:34,360 Speaker 2: Just disappeared after that album, and it wasn't it wasn't 418 00:20:34,400 --> 00:20:35,760 Speaker 2: like she put out bad music. I think she just 419 00:20:35,760 --> 00:20:36,520 Speaker 2: said I'm done. 420 00:20:36,640 --> 00:20:38,719 Speaker 6: No, she vanished for a very long time, and now 421 00:20:38,760 --> 00:20:40,960 Speaker 6: she's back actively touring and stuff and has been for 422 00:20:41,200 --> 00:20:43,359 Speaker 6: a good number of years. But no, that thing was 423 00:20:43,400 --> 00:20:45,560 Speaker 6: such a massive success, and you see that from time 424 00:20:45,640 --> 00:20:49,240 Speaker 6: to time that she just vanished, and it never really 425 00:20:49,480 --> 00:20:51,640 Speaker 6: think Guns n' Roses when they're like, no, we're coming 426 00:20:51,680 --> 00:20:54,000 Speaker 6: back with Chinese Democracy, and it was more than a 427 00:20:54,080 --> 00:20:55,480 Speaker 6: decade later before they came back. 428 00:20:55,560 --> 00:20:57,040 Speaker 3: I believe you have a topic or two you want 429 00:20:57,040 --> 00:20:57,320 Speaker 3: to get to it. 430 00:20:57,400 --> 00:20:59,320 Speaker 1: I want to continue this list because there's more. Well, 431 00:20:59,440 --> 00:21:01,520 Speaker 1: they got better day something I brought into Okay, so 432 00:21:01,840 --> 00:21:03,120 Speaker 1: let's continue the list. 433 00:21:03,080 --> 00:21:04,840 Speaker 4: Of nominees for the Rock and Roll Hall of Fame 434 00:21:04,920 --> 00:21:07,439 Speaker 4: because there's another story that I think raised some interesting 435 00:21:07,480 --> 00:21:10,760 Speaker 4: issues just about music in general and concerts and reunions 436 00:21:10,800 --> 00:21:11,480 Speaker 4: and such like that. 437 00:21:11,680 --> 00:21:14,359 Speaker 1: What about rock Rank and of course rock Rank coming 438 00:21:14,440 --> 00:21:16,680 Speaker 1: up as well. All that and more here on rock 439 00:21:16,760 --> 00:21:18,720 Speaker 1: Talk with Common Tennaby and Brian Oak here and the. 440 00:21:18,760 --> 00:21:34,600 Speaker 2: Fan you want to be at the next big game 441 00:21:34,720 --> 00:21:37,840 Speaker 2: or concert. We're giving away tickets to the Wild Santana, 442 00:21:38,000 --> 00:21:41,280 Speaker 2: the Doobie Brothers, Chris Tapleton and plenty more. Nswered today 443 00:21:41,320 --> 00:21:43,160 Speaker 2: at KIFA dot com keyboard contests. 444 00:21:43,240 --> 00:21:45,960 Speaker 4: It's rock Talk on the Phantom Comedy's Tenna Be Brian 445 00:21:46,040 --> 00:21:46,760 Speaker 4: Oak here as well. 446 00:21:46,840 --> 00:21:47,480 Speaker 3: We're looking at that. 447 00:21:47,560 --> 00:21:51,600 Speaker 4: It was announced today there are seventeen nominees, some that 448 00:21:51,760 --> 00:21:55,680 Speaker 4: have been up for induction into the Hub for Consideration 449 00:21:55,800 --> 00:21:57,280 Speaker 4: reduction in the Rock Wall Hall of Fame that have 450 00:21:57,359 --> 00:22:00,320 Speaker 4: not made it their backup for consideration this year ten. 451 00:22:00,280 --> 00:22:02,639 Speaker 1: News Commerce, we've been looking at the list. Next on 452 00:22:02,720 --> 00:22:04,560 Speaker 1: that list would be Billy Idle. 453 00:22:04,920 --> 00:22:08,359 Speaker 6: Billy Idle, well, you know, I remember hearing White Wedding 454 00:22:08,440 --> 00:22:10,440 Speaker 6: for the first time and then seeing the video on 455 00:22:10,600 --> 00:22:13,040 Speaker 6: MTV and I was like, Wow, this dude's cool. I 456 00:22:13,080 --> 00:22:15,800 Speaker 6: knew nothing about his previous band Generation X at that point. 457 00:22:16,280 --> 00:22:18,399 Speaker 6: I just knew that this guy he was sort of 458 00:22:18,480 --> 00:22:21,359 Speaker 6: the commodified pop version of punk rock right, and he 459 00:22:21,440 --> 00:22:23,919 Speaker 6: had the spiky white hair and a snarl the Elvis 460 00:22:23,960 --> 00:22:26,800 Speaker 6: sneer going on there, and I was hooked. 461 00:22:26,880 --> 00:22:27,480 Speaker 1: I loved him. 462 00:22:27,560 --> 00:22:29,120 Speaker 6: I went to see him once at the old met 463 00:22:29,200 --> 00:22:32,120 Speaker 6: Center with the Cult opening, one of the greatest shows 464 00:22:32,160 --> 00:22:32,800 Speaker 6: I ever saw in. 465 00:22:32,800 --> 00:22:34,920 Speaker 1: My life, and he was just he was cool. 466 00:22:35,200 --> 00:22:37,760 Speaker 6: But the songs were hooky and catchy, and even in 467 00:22:37,840 --> 00:22:40,879 Speaker 6: his punk rock days before in Britain, it was pretty 468 00:22:40,880 --> 00:22:43,600 Speaker 6: commercialized compared to a lot of what was going on. 469 00:22:44,160 --> 00:22:46,720 Speaker 6: But he's a cool guy and well in terms of 470 00:22:46,760 --> 00:22:48,720 Speaker 6: personal life, I don't know about that, but he is. 471 00:22:49,440 --> 00:22:51,560 Speaker 6: He did the music thing right. He did a great 472 00:22:51,640 --> 00:22:53,840 Speaker 6: turn later in his career in the Wedding Singer with 473 00:22:53,920 --> 00:22:57,679 Speaker 6: Adam Sandler playing himself. I just I've always liked everything 474 00:22:57,760 --> 00:23:00,600 Speaker 6: that Billy Idol's about, as far as a pop's dargos. 475 00:23:01,240 --> 00:23:02,840 Speaker 6: I think he's great. I think he should be in there. 476 00:23:03,000 --> 00:23:06,120 Speaker 4: And he was last seen at the Hall of Fame 477 00:23:06,240 --> 00:23:10,840 Speaker 4: inducting performing Ozzy Osbourne's Yeah, so he was doing that thing. 478 00:23:11,320 --> 00:23:15,080 Speaker 6: Next up would be incs Oh in excess, without a question. 479 00:23:15,359 --> 00:23:18,520 Speaker 6: They should be there. Are you a fantanna? I don't 480 00:23:18,520 --> 00:23:21,040 Speaker 6: really know much okay, all right, well time but wa 481 00:23:21,119 --> 00:23:22,959 Speaker 6: it is but I promise you they have no less 482 00:23:23,080 --> 00:23:25,640 Speaker 6: than a half dozen songs They Need You Tonight, right yes, 483 00:23:25,840 --> 00:23:28,200 Speaker 6: and that and oh so many Never Tear Us Apart 484 00:23:28,359 --> 00:23:31,959 Speaker 6: and Original Sin Yeah, Australian band that came out. They 485 00:23:32,000 --> 00:23:33,960 Speaker 6: put out like four rends, so they had an early 486 00:23:34,040 --> 00:23:36,199 Speaker 6: hit in the early eighties. Seven of the albums went 487 00:23:36,240 --> 00:23:40,680 Speaker 6: to at least platinum. Kick Hits Sex Topple platinum, so 488 00:23:40,800 --> 00:23:43,760 Speaker 6: that was even seemed possible. Six million, So that was 489 00:23:43,840 --> 00:23:47,119 Speaker 6: the huge record that got played on pop radio, alternative radio. 490 00:23:47,520 --> 00:23:49,880 Speaker 6: That is the staple one that everyone recognizes. 491 00:23:49,920 --> 00:23:50,200 Speaker 1: The cover. 492 00:23:50,680 --> 00:23:53,240 Speaker 6: They first got played on American radio like four or five, 493 00:23:53,760 --> 00:23:56,919 Speaker 6: maybe more years earlier than that, when they put out 494 00:23:56,960 --> 00:23:59,360 Speaker 6: Shaboo Shoe Bah. There was a song on there called 495 00:23:59,400 --> 00:24:02,040 Speaker 6: the one thing that classic rock stations would play. But 496 00:24:02,080 --> 00:24:04,240 Speaker 6: then nobody heard about him. All of a sudden, they 497 00:24:04,280 --> 00:24:06,399 Speaker 6: started to swing back in with Listen like Thieves. I 498 00:24:06,440 --> 00:24:08,720 Speaker 6: remember hearing that in college in the mid eighties. And 499 00:24:08,800 --> 00:24:11,320 Speaker 6: then Kick came out before the eighties were over, and 500 00:24:12,240 --> 00:24:17,120 Speaker 6: that was it. They were cemented as superstars. Obviously, lead 501 00:24:17,160 --> 00:24:20,800 Speaker 6: singer Michael Hutchins met an untimely and unfortunate end. But 502 00:24:21,240 --> 00:24:24,240 Speaker 6: he was considered among the sexiest of the sex symbols 503 00:24:24,280 --> 00:24:26,640 Speaker 6: out there in the eighties and nineties, and they also 504 00:24:26,760 --> 00:24:30,280 Speaker 6: backed it up with incredible musicianship and great great songs. 505 00:24:30,359 --> 00:24:32,600 Speaker 6: So yeah, with one hundred percent, they should be in. 506 00:24:34,080 --> 00:24:37,440 Speaker 4: This is I'm reading from that Cleveland Curry or whatever 507 00:24:37,480 --> 00:24:40,840 Speaker 4: it's called peace and so there's some there's some opinion. 508 00:24:40,960 --> 00:24:42,280 Speaker 4: As he writes each one, I tell me if you 509 00:24:42,359 --> 00:24:44,440 Speaker 4: agree with this. He's talking about Iron Maiden. He said, 510 00:24:44,480 --> 00:24:47,159 Speaker 4: this is just dumb. The rock and roll all foundations 511 00:24:47,320 --> 00:24:51,840 Speaker 4: obvious dislike and disrespect of metal is embarrassing, elitist and condescending. 512 00:24:52,280 --> 00:24:55,040 Speaker 4: The fact that Iron Maiden is on their third slot 513 00:24:55,160 --> 00:24:58,119 Speaker 4: at Enshrinement twenty twenty one and twenty twenty three, despite 514 00:24:58,200 --> 00:25:00,400 Speaker 4: being one of the most important rock and metal bands 515 00:25:00,400 --> 00:25:03,359 Speaker 4: of the last fifty years, is why many music fans 516 00:25:03,600 --> 00:25:07,960 Speaker 4: and outside of this country don't take the rock hall seriously. 517 00:25:08,000 --> 00:25:08,879 Speaker 3: Would you agree with that? 518 00:25:09,040 --> 00:25:11,280 Speaker 6: I would agree with it one hundred percent, and I 519 00:25:11,320 --> 00:25:14,320 Speaker 6: would agree with it even more since we're talking about 520 00:25:14,359 --> 00:25:16,440 Speaker 6: Iron Maiden, I would not agree with that if you 521 00:25:16,520 --> 00:25:19,320 Speaker 6: said we were talking about the band Poison. Okay, if 522 00:25:19,320 --> 00:25:21,880 Speaker 6: you're a Poison Fan, there is no shame in that game. 523 00:25:22,320 --> 00:25:25,000 Speaker 6: But if we're talking about enshrining people that mattered, that 524 00:25:25,200 --> 00:25:29,240 Speaker 6: were influential, that were important, that were trailblazers, that were unique, 525 00:25:29,280 --> 00:25:32,600 Speaker 6: that dude did something that never came before and then 526 00:25:32,720 --> 00:25:34,720 Speaker 6: kept it going, not just on a local or a 527 00:25:34,760 --> 00:25:37,840 Speaker 6: regional or a national scale, but internationally. One of the 528 00:25:37,920 --> 00:25:41,320 Speaker 6: most beloved rock bands for fifty years. They have been 529 00:25:41,560 --> 00:25:44,240 Speaker 6: around forever. They should have been a first ballot, and 530 00:25:44,280 --> 00:25:47,160 Speaker 6: they should have been nominated way before twenty twenty one. 531 00:25:47,680 --> 00:25:50,639 Speaker 6: They're as important a metal band has ever existed, with 532 00:25:50,720 --> 00:25:53,200 Speaker 6: the possible exception of maybe Your Black Sabbath and a 533 00:25:53,280 --> 00:25:56,840 Speaker 6: couple others, but they're among the most iconic. Lead singer 534 00:25:56,880 --> 00:26:00,400 Speaker 6: Bruce Dickinson flies a jumbo jet, He flies the bandet. 535 00:26:00,480 --> 00:26:02,639 Speaker 6: They go down to South America and they play in 536 00:26:02,720 --> 00:26:05,440 Speaker 6: stadiums that hold a quarter of a million people and 537 00:26:05,560 --> 00:26:09,080 Speaker 6: it's sold out. This is such an important and enduringly 538 00:26:09,200 --> 00:26:12,760 Speaker 6: successful rock band it is it's embarrassing that they're not 539 00:26:12,840 --> 00:26:13,480 Speaker 6: already in there. 540 00:26:13,680 --> 00:26:16,960 Speaker 1: Joy Division New Order. This one's a hipster pick, but 541 00:26:17,119 --> 00:26:17,760 Speaker 1: it belongs. 542 00:26:17,960 --> 00:26:20,879 Speaker 6: Joy Division was the early post punk version of what 543 00:26:21,040 --> 00:26:24,000 Speaker 6: New Order would become Again a lead singer who met 544 00:26:24,040 --> 00:26:26,840 Speaker 6: an untimely demise right as great things were about to happen. 545 00:26:26,920 --> 00:26:29,439 Speaker 6: But luckily the band pulled it together and came out 546 00:26:29,480 --> 00:26:31,639 Speaker 6: with New Order, and New Order was super hip with 547 00:26:31,720 --> 00:26:34,040 Speaker 6: the kids throughout the eighties, but then they started to 548 00:26:34,080 --> 00:26:36,400 Speaker 6: actually break through and get hits and they became very 549 00:26:36,480 --> 00:26:41,320 Speaker 6: popular on MTB to this day where they are one of, 550 00:26:41,600 --> 00:26:44,959 Speaker 6: you know, a British techno slash pop bands. They're one 551 00:26:44,960 --> 00:26:47,720 Speaker 6: of the most recognizable ever and they still hold the 552 00:26:47,760 --> 00:26:50,359 Speaker 6: distinction by the way of putting out their song Blue 553 00:26:50,400 --> 00:26:52,200 Speaker 6: Monday when it came out on twelve inch it looks 554 00:26:52,240 --> 00:26:55,480 Speaker 6: like a floppy disc with the colored squares down the side. 555 00:26:56,000 --> 00:26:58,520 Speaker 6: That is still to this day the number one selling 556 00:26:58,680 --> 00:27:00,800 Speaker 6: twelve inch single on viol of all time. 557 00:27:01,359 --> 00:27:05,160 Speaker 1: New Edition. Yeah, we're a little out of my purview here, 558 00:27:05,359 --> 00:27:07,760 Speaker 1: I don't really Kenny, are you a new addition guy? 559 00:27:08,320 --> 00:27:08,359 Speaker 4: No? 560 00:27:08,680 --> 00:27:08,960 Speaker 3: Okay? 561 00:27:09,119 --> 00:27:12,480 Speaker 6: Who came out of New Edition? Tenna, somebody famous came 562 00:27:12,560 --> 00:27:14,840 Speaker 6: out of New Edition that I can never remember, but 563 00:27:15,320 --> 00:27:19,480 Speaker 6: they were a boy band and I just I'm so yes, 564 00:27:19,640 --> 00:27:20,600 Speaker 6: they were humongous. 565 00:27:20,720 --> 00:27:22,840 Speaker 1: Bobby Brown, there it is. Bobby Brown came out of 566 00:27:22,880 --> 00:27:23,320 Speaker 1: New Edition. 567 00:27:23,520 --> 00:27:26,800 Speaker 4: Oh and of course Bill Bev Duval and Johnny gill Well, 568 00:27:27,080 --> 00:27:27,960 Speaker 4: I do remember. 569 00:27:29,200 --> 00:27:33,840 Speaker 1: Girl, Liz Puson. I'm down with a little bell BIV devout. 570 00:27:33,960 --> 00:27:38,040 Speaker 6: But yeah, so I suppose for legacy and how much 571 00:27:38,400 --> 00:27:40,920 Speaker 6: the members of that band would go on to be 572 00:27:41,080 --> 00:27:43,399 Speaker 6: a big part of music and R and B throughout 573 00:27:43,440 --> 00:27:43,960 Speaker 6: the nineties. 574 00:27:44,040 --> 00:27:48,879 Speaker 4: But yeah, this band would if they went, if they 575 00:27:48,960 --> 00:27:51,119 Speaker 4: got together for a tour, it would rival that of 576 00:27:51,119 --> 00:27:52,639 Speaker 4: the Beatles Oasis. 577 00:27:53,280 --> 00:27:55,800 Speaker 1: You know what do we? Too soon? Okay? Too soon? 578 00:27:55,920 --> 00:27:59,200 Speaker 6: I just I just had my heart torn out. I 579 00:27:59,280 --> 00:28:02,440 Speaker 6: had already prepared a spot on the mantle for the trophies, 580 00:28:02,520 --> 00:28:04,200 Speaker 6: for the award I thought you had won. 581 00:28:04,320 --> 00:28:05,360 Speaker 1: But unlike Burt. 582 00:28:05,200 --> 00:28:08,320 Speaker 6: Reynolds the one time he got nominated for an Academy 583 00:28:08,359 --> 00:28:10,480 Speaker 6: Award and that look on his face after he didn't 584 00:28:10,520 --> 00:28:14,000 Speaker 6: win it, he was expecting to win that one. Thoughts 585 00:28:14,359 --> 00:28:16,800 Speaker 6: A big band, a gigantic band. They're as big a 586 00:28:16,920 --> 00:28:19,920 Speaker 6: rock band as you can name from the relatively modern era. 587 00:28:20,520 --> 00:28:22,840 Speaker 6: And you can't tell the story of rock and roll 588 00:28:22,920 --> 00:28:25,080 Speaker 6: without telling their story, which is why I made such 589 00:28:25,080 --> 00:28:28,960 Speaker 6: a preposterous statement regarding them. They absolutely belong in. 590 00:28:29,840 --> 00:28:33,920 Speaker 4: The Doylestown, Pennsylvania native pink Yeah, Pink. 591 00:28:34,119 --> 00:28:34,760 Speaker 1: Nobody like her. 592 00:28:34,960 --> 00:28:37,280 Speaker 6: You know, she gets automatically lumped in with all the 593 00:28:37,359 --> 00:28:39,760 Speaker 6: other pop divas of her era that came up, that 594 00:28:39,840 --> 00:28:43,560 Speaker 6: whole class of your Christina Aguileres, your Britney Spears, but 595 00:28:43,680 --> 00:28:44,440 Speaker 6: she's not like them. 596 00:28:44,480 --> 00:28:44,600 Speaker 5: You know. 597 00:28:44,640 --> 00:28:47,920 Speaker 6: I've seen her sit down and absolutely pull your heart 598 00:28:47,920 --> 00:28:50,880 Speaker 6: out with an acoustic guitar. I've also seen her hang 599 00:28:51,000 --> 00:28:54,840 Speaker 6: from a trapeze dangerously high in the air, twisted over 600 00:28:54,960 --> 00:28:58,000 Speaker 6: backwards and still belting out her song with so much gusto. 601 00:28:58,400 --> 00:29:01,360 Speaker 1: She's a great mosque. Now lipsyn when she's doing that, well, I. 602 00:29:01,400 --> 00:29:03,840 Speaker 6: Mean, there's obviously going to be backing tracks, but no, 603 00:29:04,000 --> 00:29:06,040 Speaker 6: she's a real singer because you can tell when she's 604 00:29:06,080 --> 00:29:09,239 Speaker 6: singing the trap yeah yeah, yeah, Well she still got 605 00:29:09,280 --> 00:29:10,720 Speaker 6: the mic tape to the side of her face, so 606 00:29:10,880 --> 00:29:13,920 Speaker 6: there is some singing going on to what degree? I 607 00:29:14,000 --> 00:29:15,680 Speaker 6: mean I always think that too when you see those 608 00:29:15,760 --> 00:29:18,760 Speaker 6: gigantic dance numbers. There's no way they're hitting those notes 609 00:29:18,800 --> 00:29:21,320 Speaker 6: when they're moving that hard and fast. So the backing 610 00:29:21,440 --> 00:29:24,480 Speaker 6: tracks backup singers that whole thing. But my point was 611 00:29:25,120 --> 00:29:29,880 Speaker 6: Pink is legendary. She is admirable, from her takes on 612 00:29:30,000 --> 00:29:32,200 Speaker 6: motherhood to her takes on rock and roll to her 613 00:29:32,240 --> 00:29:35,960 Speaker 6: takes on human decency and the quality of her live performance. 614 00:29:36,040 --> 00:29:38,400 Speaker 6: These epic giant shows that at the heart of them, 615 00:29:38,880 --> 00:29:41,600 Speaker 6: there's still something beautiful going on. There's something very real 616 00:29:41,720 --> 00:29:45,840 Speaker 6: and very believable, And she's just endearing more than any 617 00:29:45,920 --> 00:29:47,959 Speaker 6: of the others so called divas, But I don't think 618 00:29:48,040 --> 00:29:50,640 Speaker 6: she's really like them. Yeah, I Pink is one of 619 00:29:50,680 --> 00:29:52,680 Speaker 6: the greats of the Yeah, I think she should be 620 00:29:52,720 --> 00:29:52,920 Speaker 6: in there. 621 00:29:52,960 --> 00:29:55,960 Speaker 4: There's a British singer who's described as having a velvety, 622 00:29:56,040 --> 00:29:59,920 Speaker 4: smooth voice, matched perfectly by her long standing bandmate. 623 00:30:00,000 --> 00:30:02,800 Speaker 1: It's smooth jazz, ac R and B. 624 00:30:03,320 --> 00:30:04,080 Speaker 3: She's on it all. 625 00:30:04,360 --> 00:30:09,520 Speaker 1: Her name is Sadie Shawdah. I always loved that one. 626 00:30:11,360 --> 00:30:14,400 Speaker 1: I honestly didn't know where you were going. That was 627 00:30:14,440 --> 00:30:16,480 Speaker 1: pretty good. Yeah. 628 00:30:16,560 --> 00:30:18,240 Speaker 6: Well, and a lot of people do call her sharde, 629 00:30:18,400 --> 00:30:23,880 Speaker 6: but it's a shade. Her vocal stylings, her phrasing. You know, 630 00:30:24,080 --> 00:30:26,560 Speaker 6: every artist brings something different to the table, right, and 631 00:30:27,000 --> 00:30:30,320 Speaker 6: sometimes we fall in love with their clever gift of 632 00:30:30,440 --> 00:30:34,160 Speaker 6: lyrics or they're just aura that you can't her gift 633 00:30:34,360 --> 00:30:38,440 Speaker 6: of phrasing a word in that sweet mellow almost a 634 00:30:38,600 --> 00:30:42,240 Speaker 6: Strewed Gilberto like voice she has is a brilliant piece 635 00:30:42,240 --> 00:30:47,200 Speaker 6: of It's unbelievable. It just oh man, she's the sweetest 636 00:30:47,240 --> 00:30:48,320 Speaker 6: taboo man. 637 00:30:48,680 --> 00:30:48,960 Speaker 5: It is. 638 00:30:49,160 --> 00:30:51,640 Speaker 6: If it's time for a quiet evening with that special someone, 639 00:30:51,720 --> 00:30:54,200 Speaker 6: you put on a shod, put on Shade's diamond life. 640 00:30:54,680 --> 00:30:56,680 Speaker 6: You can thank me next time I'm on rock Talk. 641 00:30:56,960 --> 00:30:59,640 Speaker 6: But no, there's again. She's singular. There's not anybody who 642 00:30:59,720 --> 00:31:02,000 Speaker 6: did which she did. A lot of great singers, a 643 00:31:02,040 --> 00:31:04,720 Speaker 6: lot of great crooners over the years, but nobody quite 644 00:31:04,800 --> 00:31:07,320 Speaker 6: likes Shade. That sounds really what she sounds like and 645 00:31:07,480 --> 00:31:11,280 Speaker 6: continues to today, absolutely an iconic person who belongs in 646 00:31:11,360 --> 00:31:12,640 Speaker 6: something called a rock Hall of Fame. 647 00:31:13,040 --> 00:31:16,800 Speaker 4: This artist won four Grammy Awards and fifteen Latin Grammys, 648 00:31:16,800 --> 00:31:18,960 Speaker 4: including three Songs of the Year Awards. 649 00:31:19,600 --> 00:31:25,160 Speaker 1: Shaki Shakira shakiras Kakarada, Sakarida exactly tell me about her? 650 00:31:25,360 --> 00:31:27,280 Speaker 6: Well, I don't know a ton about her other than 651 00:31:27,360 --> 00:31:30,360 Speaker 6: she is teeny tiny. She's very diminutive, but you would 652 00:31:30,400 --> 00:31:33,080 Speaker 6: never know it to listen to her songs, or to 653 00:31:33,280 --> 00:31:38,360 Speaker 6: see her perform live, or to recognize her enduring impact. 654 00:31:38,520 --> 00:31:41,280 Speaker 6: And again, at a time where we are struggling with 655 00:31:41,360 --> 00:31:45,360 Speaker 6: the concept of accepting music from other parts of the world, 656 00:31:45,480 --> 00:31:47,920 Speaker 6: or dare I say it that aren't in English. She 657 00:31:48,160 --> 00:31:51,880 Speaker 6: did a ton to promote Latin culture and also bring 658 00:31:52,000 --> 00:31:54,959 Speaker 6: a fun dance element to it that frankly white culture 659 00:31:55,360 --> 00:31:57,360 Speaker 6: gets real square and stiff to me, even in the 660 00:31:57,400 --> 00:32:00,440 Speaker 6: pop music in the dance music department. Sometime she has 661 00:32:00,520 --> 00:32:03,480 Speaker 6: real life in her music and it's exciting and she 662 00:32:04,040 --> 00:32:06,600 Speaker 6: is She's got that aura, she's got the X factor, 663 00:32:06,640 --> 00:32:09,080 Speaker 6: which is why she rose through the ranks, and we're 664 00:32:09,120 --> 00:32:10,800 Speaker 6: talking about it right now. That's why they would even 665 00:32:10,880 --> 00:32:12,280 Speaker 6: consider putting her in the Rock Hong. 666 00:32:12,520 --> 00:32:18,720 Speaker 4: Two more nominees before we move on to rock rank. 667 00:32:19,240 --> 00:32:22,360 Speaker 4: Luther Vandross. Oh, well, I mean that's a no brain. 668 00:32:22,600 --> 00:32:23,120 Speaker 1: It really is. 669 00:32:23,240 --> 00:32:25,600 Speaker 6: I mean just the most buttery smooth, but also he 670 00:32:25,640 --> 00:32:29,560 Speaker 6: can really hit those high notes. He A fun little 671 00:32:29,600 --> 00:32:32,040 Speaker 6: add on to his to his story is early on 672 00:32:32,200 --> 00:32:34,320 Speaker 6: in the seventies, when David Bowie was going through his 673 00:32:34,440 --> 00:32:37,920 Speaker 6: plastic soul era, he was finding all these different horn 674 00:32:38,000 --> 00:32:40,520 Speaker 6: players and singers and trying to bring a little old 675 00:32:40,600 --> 00:32:43,840 Speaker 6: school American soul, and he found Luther Vandros and said, 676 00:32:43,920 --> 00:32:46,320 Speaker 6: that's the voice right there, and in that Shortly after that, 677 00:32:46,480 --> 00:32:48,560 Speaker 6: in the next decade, he found Stevie Ray Vaughan. But 678 00:32:48,880 --> 00:32:50,600 Speaker 6: these were artists that were always going to make it, 679 00:32:50,680 --> 00:32:53,440 Speaker 6: but he just was an interesting stop on their journey. Yeah, 680 00:32:53,560 --> 00:32:58,200 Speaker 6: Luther Vandros, I mean, everybody associates him with cool and 681 00:32:58,360 --> 00:33:02,520 Speaker 6: smooth and beautiful and talented, and he's got dozens of albums. 682 00:33:02,640 --> 00:33:06,120 Speaker 1: Yeah, well, listen to this. This is sort of his 683 00:33:06,560 --> 00:33:07,280 Speaker 1: his statistics. 684 00:33:07,760 --> 00:33:11,840 Speaker 4: Eleven consecutive platinum albums, eight Grammys, Song of the Year 685 00:33:11,920 --> 00:33:14,840 Speaker 4: for Dance with My Father from his final album. He 686 00:33:15,000 --> 00:33:17,800 Speaker 4: has been inducted to the National Rhythm and Blues Hall 687 00:33:17,840 --> 00:33:20,240 Speaker 4: of Fame and the Grammy Hall of Fame, So it 688 00:33:20,320 --> 00:33:21,680 Speaker 4: seems like the Rocker Hall of Fame is. 689 00:33:21,680 --> 00:33:23,200 Speaker 1: The next step. He's iconic. 690 00:33:23,360 --> 00:33:27,440 Speaker 6: He should be in the same conversation as people like 691 00:33:27,640 --> 00:33:30,760 Speaker 6: Marvin Gay, you know. I mean, he's that big a deal, 692 00:33:31,280 --> 00:33:34,400 Speaker 6: has had that sort of those stats you rattled up. 693 00:33:34,480 --> 00:33:38,040 Speaker 6: That's monumental success. I hate the fact that he hadn't 694 00:33:38,040 --> 00:33:40,200 Speaker 6: won a Grammy prior, because that Grammy, if it's at 695 00:33:40,200 --> 00:33:41,960 Speaker 6: the end of his life, they're throwing him a bone 696 00:33:42,040 --> 00:33:44,480 Speaker 6: to say, hey, we're finally recognizing all the great work 697 00:33:44,520 --> 00:33:44,840 Speaker 6: you've done. 698 00:33:44,880 --> 00:33:47,440 Speaker 1: I don't love that stuff, but yeah, Luther Vandros is 699 00:33:47,480 --> 00:33:48,320 Speaker 1: an all time great. 700 00:33:48,360 --> 00:33:53,240 Speaker 4: And then finally, are you a big Wooang clan? 701 00:33:53,360 --> 00:33:56,080 Speaker 6: And see, I'm only a modest hip hop fan, and 702 00:33:56,160 --> 00:33:59,040 Speaker 6: I really I gotta believe it. There's a lot of storytellers, 703 00:33:59,080 --> 00:34:01,240 Speaker 6: a lot of fakers, a lot of fronting going on 704 00:34:01,320 --> 00:34:05,240 Speaker 6: out there, if you will cast yeah, exactly, and I don't. 705 00:34:05,360 --> 00:34:07,080 Speaker 1: I don't like a lot of it. If it's all 706 00:34:07,440 --> 00:34:10,680 Speaker 1: just life on the street is hard. Okay, I got it. 707 00:34:10,719 --> 00:34:12,560 Speaker 6: And that's a killer story and an important part of 708 00:34:12,640 --> 00:34:14,400 Speaker 6: the evolution and the story. But I need to hear 709 00:34:14,480 --> 00:34:16,680 Speaker 6: more stories. There was a time in the earlier, in 710 00:34:16,680 --> 00:34:19,000 Speaker 6: the late eighties when it was really going that it 711 00:34:19,040 --> 00:34:20,960 Speaker 6: could have gone anyway, and then it went into gangster 712 00:34:21,040 --> 00:34:24,440 Speaker 6: stuff and I didn't care for it. Now, don't get 713 00:34:24,520 --> 00:34:26,960 Speaker 6: me wrong, to sound like a super old guy, Wu 714 00:34:27,040 --> 00:34:30,280 Speaker 6: Tang clan comes correct. They're totally believable and they're iconic, 715 00:34:30,400 --> 00:34:32,400 Speaker 6: and all of their members would go on to have 716 00:34:32,560 --> 00:34:36,319 Speaker 6: success in later projects, solo projects, working with different people, 717 00:34:36,440 --> 00:34:40,360 Speaker 6: constant collaborations. They were endlessly inventive. They were one of 718 00:34:40,440 --> 00:34:42,000 Speaker 6: those seismic jumps forward. 719 00:34:42,120 --> 00:34:45,920 Speaker 4: They were the quintessential East Coast boom rap exactly. 720 00:34:46,640 --> 00:34:50,560 Speaker 6: They changed the nature of the evolution of hip hop. Yeah, well, 721 00:34:50,600 --> 00:34:53,800 Speaker 6: of course, mainly the East Coast, though, houses don't you 722 00:34:53,800 --> 00:34:55,759 Speaker 6: confuse it with the Midwestern or West Coast. 723 00:34:55,800 --> 00:34:57,520 Speaker 1: I'm a big East Coast boom rap card. 724 00:34:58,320 --> 00:34:58,879 Speaker 3: Thing about woo. 725 00:35:00,040 --> 00:35:01,040 Speaker 1: What do you like better. 726 00:35:02,400 --> 00:35:04,799 Speaker 2: Listening to Old Dirty Bastard or saying the name Old 727 00:35:04,840 --> 00:35:05,640 Speaker 2: Dirty Bastards. 728 00:35:06,560 --> 00:35:07,239 Speaker 1: I like saying it. 729 00:35:07,239 --> 00:35:09,920 Speaker 6: That's a great rap name. Yeah, old Bastard. I'm more 730 00:35:09,960 --> 00:35:11,880 Speaker 6: of a well, if I'm really saying, I'm more of 731 00:35:11,920 --> 00:35:14,440 Speaker 6: a rizzy guy. But I can go face down a 732 00:35:14,480 --> 00:35:16,160 Speaker 6: little ghost face killer Kenneby. 733 00:35:16,200 --> 00:35:18,080 Speaker 1: Are you a big Wu Tang clan guy? I never 734 00:35:18,120 --> 00:35:21,480 Speaker 1: really got into them. You're not really an East Coast 735 00:35:21,520 --> 00:35:22,760 Speaker 1: boom round I'm. 736 00:35:22,920 --> 00:35:25,920 Speaker 2: I am definitely. I am definitely West Coast when it 737 00:35:25,960 --> 00:35:27,840 Speaker 2: comes to West Coast. Yeah, West Coast versus East. 738 00:35:27,640 --> 00:35:29,200 Speaker 1: Coast, that's plenty. You and I don't get along. We 739 00:35:29,239 --> 00:35:31,680 Speaker 1: don't go to rap concert. I'm I'm death Row Records 740 00:35:31,719 --> 00:35:33,480 Speaker 1: all day long. Can I remind you guys, though, that 741 00:35:33,520 --> 00:35:35,919 Speaker 1: we're all in the same gang? Okay, yeah, okay. 742 00:35:36,200 --> 00:35:39,080 Speaker 6: When the East West Coast Beef's first started before the 743 00:35:39,160 --> 00:35:41,480 Speaker 6: big Killings. There was always a beef going on there 744 00:35:41,520 --> 00:35:45,000 Speaker 6: before we lost Tupac or Biggie, and there was an 745 00:35:45,040 --> 00:35:47,680 Speaker 6: effort that came out kind of a PSA meets cool 746 00:35:47,800 --> 00:35:50,040 Speaker 6: hip hop. Hey man, let's all get along. And the 747 00:35:50,080 --> 00:35:52,160 Speaker 6: whole thing was we're all in the same gang. Not 748 00:35:52,400 --> 00:35:55,560 Speaker 6: everybody gets in. What you know, they're not gonna have 749 00:35:55,600 --> 00:35:57,680 Speaker 6: seventeen people get in. God no, I mean it might 750 00:35:57,719 --> 00:35:59,360 Speaker 6: be five or six. But the fans do have a 751 00:35:59,440 --> 00:36:03,080 Speaker 6: voice in it. They all compile theirs to pick one, 752 00:36:03,480 --> 00:36:06,040 Speaker 6: like a fan favorite one. But you can go and 753 00:36:06,120 --> 00:36:09,879 Speaker 6: vote and see what the other online population feels should 754 00:36:09,880 --> 00:36:10,200 Speaker 6: be in there. 755 00:36:10,200 --> 00:36:10,440 Speaker 5: Do you? 756 00:36:10,640 --> 00:36:13,360 Speaker 1: I mean you're a passion plea for Iron Maid? You 757 00:36:13,480 --> 00:36:14,040 Speaker 1: think for sure? 758 00:36:14,080 --> 00:36:18,439 Speaker 6: They without question Iron Maiden. If especially to the people 759 00:36:18,480 --> 00:36:20,359 Speaker 6: out there who were like, well that's not rock and roll. 760 00:36:20,400 --> 00:36:22,919 Speaker 6: This should be rock and roll. If you love rock 761 00:36:22,960 --> 00:36:25,760 Speaker 6: and roll, even if you're not a metal head, iron 762 00:36:25,880 --> 00:36:29,640 Speaker 6: Maiden matters. We all know the iconic image of their guy, 763 00:36:29,760 --> 00:36:33,040 Speaker 6: their mascot Eddie holding the acts on the Killer's album. 764 00:36:33,160 --> 00:36:37,600 Speaker 6: Look at trusting people know. But yeah, so I would. 765 00:36:37,600 --> 00:36:40,480 Speaker 6: I would absolutely. I would say Iron Maiden probably my 766 00:36:40,600 --> 00:36:44,239 Speaker 6: number one on there. I gotta go in excess, I 767 00:36:44,320 --> 00:36:47,719 Speaker 6: gotta go Joy Division, New Order, Pink That those are 768 00:36:47,760 --> 00:36:49,920 Speaker 6: probably my top Mariah deserves it over all of them. 769 00:36:50,120 --> 00:36:54,000 Speaker 2: Well, she deserves it, no question. I just don't like her, 770 00:36:54,040 --> 00:36:56,560 Speaker 2: but she has more accolades than anyone on that line. 771 00:36:56,600 --> 00:36:59,920 Speaker 6: I couldn't agree more. But then it's more than just accolades, right, 772 00:37:00,000 --> 00:37:03,440 Speaker 6: it's also and she is iconic. There's no question that 773 00:37:03,520 --> 00:37:06,600 Speaker 6: she's deserving. But influenza like the best artists in the 774 00:37:06,760 --> 00:37:09,480 Speaker 6: entire decade, well no, no, no, no, no, the best 775 00:37:09,560 --> 00:37:12,520 Speaker 6: selling artists, Well, yes, she gets in the social Bachman 776 00:37:12,600 --> 00:37:19,400 Speaker 6: Turner overdrive Canadians, Canadians, are we ready for our next segment? 777 00:37:19,480 --> 00:37:22,760 Speaker 1: I'm ready rock rock rank. 778 00:37:24,200 --> 00:37:25,320 Speaker 5: Rock rock. 779 00:37:26,880 --> 00:37:30,439 Speaker 1: Rock rock like rock rock. 780 00:37:31,280 --> 00:37:33,239 Speaker 2: Last week we did top five love songs, and we 781 00:37:33,280 --> 00:37:34,680 Speaker 2: gotta take the opposite approach today. 782 00:37:34,719 --> 00:37:39,440 Speaker 1: Brian OK. Yeah, top five your top five favorite breakup songs? 783 00:37:39,520 --> 00:37:42,879 Speaker 6: Well, this list was almost as challenging because the only thing, 784 00:37:43,040 --> 00:37:46,879 Speaker 6: the only topic that has been written about anywhere near 785 00:37:46,920 --> 00:37:50,000 Speaker 6: as much as love and falling in love is falling 786 00:37:50,040 --> 00:37:53,080 Speaker 6: out of love and breaking up. The list of absolutely 787 00:37:53,560 --> 00:37:57,239 Speaker 6: massive breakup songs, it measures into the thousands. I just 788 00:37:57,320 --> 00:37:58,800 Speaker 6: got the top of my head I was able to 789 00:37:58,840 --> 00:38:03,680 Speaker 6: put together for I don't even and that's not even 790 00:38:03,719 --> 00:38:06,439 Speaker 6: on my list. But this was my personal top five 791 00:38:06,520 --> 00:38:09,600 Speaker 6: for today. But it doesn't include Bob Dyllains, Don't Think Twice, 792 00:38:09,800 --> 00:38:13,160 Speaker 6: doesn't include Fleetwood Max Go Your Own Way, doesn't include 793 00:38:13,160 --> 00:38:13,600 Speaker 6: to Tell. 794 00:38:13,640 --> 00:38:14,360 Speaker 1: Someone Like You. 795 00:38:14,760 --> 00:38:19,360 Speaker 6: It doesn't include Shenad O'Connor's Nothing Compares To doesn't include 796 00:38:19,440 --> 00:38:24,439 Speaker 6: Kelly Clarkson Since You've Been Gone or JT's Crime River Dude. 797 00:38:24,480 --> 00:38:27,239 Speaker 6: There are so many act about JT's what Goes Around 798 00:38:27,280 --> 00:38:32,560 Speaker 6: Comes Back around. It doesn't include Dolly Partons I Will 799 00:38:32,600 --> 00:38:36,399 Speaker 6: Always Love You No, which is unthinkable, right, but here's 800 00:38:36,400 --> 00:38:37,120 Speaker 6: where my head was. 801 00:38:37,640 --> 00:38:39,920 Speaker 1: Five well now and again this is just for. 802 00:38:40,080 --> 00:38:42,840 Speaker 6: Today, and really Dolly Partons should be on here in 803 00:38:42,960 --> 00:38:45,920 Speaker 6: one of these, because that's perhaps the greatest breakup song 804 00:38:46,000 --> 00:38:48,400 Speaker 6: of all time when it's not been a hideous breakup. 805 00:38:48,719 --> 00:38:52,640 Speaker 6: Number five is a British band from the relatively modern era, 806 00:38:52,840 --> 00:38:55,440 Speaker 6: from their X and Y album. I have chosen the 807 00:38:55,520 --> 00:38:59,839 Speaker 6: band Coldplay with the hardest part. It's not a household name. 808 00:38:59,880 --> 00:39:01,920 Speaker 6: It was a minor hit, not a huge hit at all, 809 00:39:02,440 --> 00:39:06,080 Speaker 6: but it's Chris Martin's vocals and this beautiful, thundering piano 810 00:39:06,200 --> 00:39:10,439 Speaker 6: line that's just brilliant hooks, and the word bittersweet comes 811 00:39:10,520 --> 00:39:12,880 Speaker 6: to mind because obviously it's well passed over and there 812 00:39:12,960 --> 00:39:15,160 Speaker 6: was a lot of pain, but he talks about leaving 813 00:39:15,200 --> 00:39:18,040 Speaker 6: the sweetest taste in my mouth, and just the descending 814 00:39:18,160 --> 00:39:21,520 Speaker 6: lyrics and the chorus, it's it's heartbreaking. It's the best 815 00:39:21,560 --> 00:39:23,680 Speaker 6: part about breaking up, is that that sting that you 816 00:39:23,800 --> 00:39:25,040 Speaker 6: feel because you know it's real. 817 00:39:25,640 --> 00:39:28,080 Speaker 1: I think this song embodies that White Fly by Dido. 818 00:39:28,560 --> 00:39:33,960 Speaker 6: I'm well, it's a great song, great that should be 819 00:39:34,000 --> 00:39:35,600 Speaker 6: on my list, and I'll be honest, it didn't even 820 00:39:35,600 --> 00:39:36,040 Speaker 6: occur to me. 821 00:39:36,920 --> 00:39:38,320 Speaker 1: Number four one for the kids. 822 00:39:38,880 --> 00:39:40,839 Speaker 6: I don't know why, but we started playing it when 823 00:39:40,880 --> 00:39:44,280 Speaker 6: I still worked at City's ninety seven, and for whatever reason, 824 00:39:44,320 --> 00:39:46,640 Speaker 6: of all the pop pablom they were trying to pass 825 00:39:46,680 --> 00:39:49,880 Speaker 6: out at that point, there's a lot of peace. Olivia 826 00:39:50,000 --> 00:39:54,040 Speaker 6: Rodrigo's Driver's License is a song that just hit me 827 00:39:54,120 --> 00:39:55,840 Speaker 6: in my gut, and I never got tired of it, 828 00:39:55,880 --> 00:39:57,719 Speaker 6: and I didn't feel like I could listen to it enough. 829 00:39:57,760 --> 00:40:00,600 Speaker 6: And I wish there were more people her aid that 830 00:40:00,800 --> 00:40:03,759 Speaker 6: in touch with articulating the way that they feel, because 831 00:40:03,800 --> 00:40:07,239 Speaker 6: all teenagers feel things very deeply right, and it's the 832 00:40:07,280 --> 00:40:09,600 Speaker 6: first time anyone's ever felt like this, and the world 833 00:40:09,719 --> 00:40:12,279 Speaker 6: is ending. But she had a way of encapsulating that 834 00:40:12,480 --> 00:40:17,120 Speaker 6: and making horrific heartbreak feel almost mundane by putting it 835 00:40:17,200 --> 00:40:20,279 Speaker 6: through a very everyday lens and I if you're sad 836 00:40:20,400 --> 00:40:22,759 Speaker 6: and you are going through a breakup or I have 837 00:40:23,000 --> 00:40:26,520 Speaker 6: recently broken up. Driver's License by Olivia Rodrigo is a 838 00:40:26,560 --> 00:40:28,600 Speaker 6: great song to put on your woe is Me playlist? 839 00:40:28,680 --> 00:40:30,560 Speaker 1: How about do Johnny Pacheck and take this job and 840 00:40:30,600 --> 00:40:30,920 Speaker 1: shove it? 841 00:40:31,000 --> 00:40:32,880 Speaker 6: Also great, but that's not the kind of breakup I 842 00:40:33,000 --> 00:40:36,200 Speaker 6: was focusing on today. But also I know exactly how 843 00:40:36,280 --> 00:40:39,840 Speaker 6: that feels. You're going to number three, number three, This 844 00:40:39,960 --> 00:40:41,600 Speaker 6: one common is going to be in the heart of 845 00:40:41,640 --> 00:40:44,200 Speaker 6: your wheeldhouse. And I could hear arguments that this should 846 00:40:44,200 --> 00:40:46,960 Speaker 6: be number one, but I got a couple others that 847 00:40:47,080 --> 00:40:51,960 Speaker 6: actually are better than it comes. It is the Beatles yesterday, Oh, 848 00:40:52,760 --> 00:40:55,640 Speaker 6: I mean this is that could be? It might be 849 00:40:55,719 --> 00:40:59,680 Speaker 6: the most simple, devastating end of things, And how did 850 00:40:59,719 --> 00:41:01,960 Speaker 6: it all go so wrong? And I'll never recover and 851 00:41:02,080 --> 00:41:05,120 Speaker 6: life is over? And I guess it was only yesterday. 852 00:41:05,200 --> 00:41:06,359 Speaker 6: All my troubles seemed so far. 853 00:41:06,600 --> 00:41:08,239 Speaker 4: I remember they asked him one time about you know, 854 00:41:08,280 --> 00:41:09,640 Speaker 4: where he kind of thought where he was in the 855 00:41:09,719 --> 00:41:12,520 Speaker 4: world of writing, goes, well, I'm the guy that wrote Yesterday, 856 00:41:13,760 --> 00:41:16,359 Speaker 4: I remember, so that was kind of like, I guess, yeah, 857 00:41:16,440 --> 00:41:18,440 Speaker 4: there's what else can you say? There's no comeback to right. 858 00:41:18,920 --> 00:41:20,879 Speaker 6: And I remember one time too, they were talking about 859 00:41:20,920 --> 00:41:22,719 Speaker 6: how he was always seen as sort of the soft, 860 00:41:22,840 --> 00:41:24,840 Speaker 6: cute beetle, and I remember seeing the video footage. 861 00:41:24,840 --> 00:41:27,720 Speaker 1: He's like, I'm the guy who wrote Helter Skelter, Charlie 862 00:41:27,760 --> 00:41:30,440 Speaker 1: Manson's song. He took credit for it. I'm like, well, this. 863 00:41:32,160 --> 00:41:34,080 Speaker 6: Will we go come back to America for number two? 864 00:41:34,600 --> 00:41:38,840 Speaker 6: Number two is a band that got very famous covering 865 00:41:39,120 --> 00:41:42,359 Speaker 6: Bob Dylan songs, but in this case this is their 866 00:41:42,440 --> 00:41:46,520 Speaker 6: own song. The Birds have a great song called Feel 867 00:41:46,520 --> 00:41:48,680 Speaker 6: a Whole Lot Better that years later would be covered 868 00:41:48,719 --> 00:41:52,680 Speaker 6: by Tom Petty. I'll probably feel a whole lot better 869 00:41:52,760 --> 00:41:54,840 Speaker 6: when You're gone is the chorus of the song. And 870 00:41:55,560 --> 00:41:58,400 Speaker 6: because once you break up, it can't all be crying 871 00:41:58,520 --> 00:42:01,759 Speaker 6: into your beer, right, or of making your sweatshirt wet 872 00:42:01,880 --> 00:42:04,600 Speaker 6: from just sitting there and sobbing all day, there's got 873 00:42:04,719 --> 00:42:06,239 Speaker 6: to be a little bit of a yeah, you know 874 00:42:06,320 --> 00:42:08,759 Speaker 6: what I'm gonna do this, a very Gloria Gainer, I 875 00:42:08,840 --> 00:42:12,360 Speaker 6: will survive kind of thing, but done with beautiful harmonies 876 00:42:12,440 --> 00:42:15,279 Speaker 6: and jangly pop guitar. Yeah, the birds feel a whole 877 00:42:15,320 --> 00:42:16,640 Speaker 6: lot better at number two and. 878 00:42:16,920 --> 00:42:21,239 Speaker 1: Number one, number one on your list of breakup. 879 00:42:20,960 --> 00:42:24,920 Speaker 6: Songs, Bill Withers, Ain't no Sunshine, Oh yeah, ain't no 880 00:42:25,000 --> 00:42:27,520 Speaker 6: sunshine when she's gone and she's always gone away now, 881 00:42:27,560 --> 00:42:30,399 Speaker 6: And that one might not be specifically a breakup song, 882 00:42:30,880 --> 00:42:33,120 Speaker 6: but it's about not being around enough and not knowing 883 00:42:33,200 --> 00:42:35,360 Speaker 6: what the future holds, and it's those same feelings of 884 00:42:35,400 --> 00:42:39,719 Speaker 6: an early breakup. And that song has never not been 885 00:42:39,800 --> 00:42:43,160 Speaker 6: devastating to me. It's never not been you know, that 886 00:42:43,320 --> 00:42:45,680 Speaker 6: thing that I'm talking about one of the reasons it's 887 00:42:45,760 --> 00:42:47,839 Speaker 6: not fun to do. But the thing about breaking up 888 00:42:47,840 --> 00:42:51,319 Speaker 6: that I always remember as a relatively recently divorced guy, 889 00:42:51,600 --> 00:42:54,080 Speaker 6: there's that thing in your heart that doesn't stop and 890 00:42:54,760 --> 00:42:57,800 Speaker 6: it feels so real and so awful and so palpable 891 00:42:58,160 --> 00:43:02,000 Speaker 6: that when you find somebody who can articulate that unexplainable feeling, 892 00:43:02,800 --> 00:43:05,960 Speaker 6: like Bill Withers, it ain't no sunshine, it'll it'll always 893 00:43:06,000 --> 00:43:07,719 Speaker 6: be in my absolute top tier of songs. 894 00:43:07,760 --> 00:43:09,759 Speaker 4: O thin this might surprise you, because you know, for me, 895 00:43:10,040 --> 00:43:12,839 Speaker 4: they're not my I think everybody here at the radio 896 00:43:12,920 --> 00:43:15,880 Speaker 4: station has this love of Hall and Oates, and I 897 00:43:16,640 --> 00:43:18,520 Speaker 4: like Hall and Oates, but I think a lot of 898 00:43:18,560 --> 00:43:22,200 Speaker 4: it's cheesy, and I don't really you know, I preferred 899 00:43:22,239 --> 00:43:23,800 Speaker 4: log As the Messina Simoncgarfokal. 900 00:43:23,920 --> 00:43:26,000 Speaker 3: I have the one song they did from Abandoned Luncheon 901 00:43:26,000 --> 00:43:26,960 Speaker 3: and She's Gone. 902 00:43:27,160 --> 00:43:31,120 Speaker 1: It's great. It's really maybe for me, the best breakup song. 903 00:43:31,040 --> 00:43:31,759 Speaker 3: Ever of all time. 904 00:43:31,880 --> 00:43:34,919 Speaker 6: I would like to mention also the Eagles already Gone. 905 00:43:35,000 --> 00:43:37,840 Speaker 6: That one's got an exuberant feeling. But Robbin's Dancing on 906 00:43:37,920 --> 00:43:40,359 Speaker 6: My Own is also great. Tom Petty, Woman in Love, 907 00:43:40,520 --> 00:43:43,120 Speaker 6: Alanis Morris set You Ought to Know, Rod Stewart, Maggie 908 00:43:43,160 --> 00:43:45,680 Speaker 6: made Dean Warwick walk on Buy No Doubt, Don't Speak 909 00:43:45,760 --> 00:43:49,879 Speaker 6: Boys to Men, phenomenal. That was that was gonna say 910 00:43:49,880 --> 00:43:52,120 Speaker 6: that one's for you, Tenney. What about somebody that I 911 00:43:52,200 --> 00:43:53,880 Speaker 6: used to know? A boy got I got it right here. 912 00:43:53,920 --> 00:43:56,600 Speaker 6: Also Princess Purple Rain, Bonnie Rates, I Can't make You 913 00:43:56,719 --> 00:43:59,960 Speaker 6: love Me? Just there's so many, said Natalie Briwly is torn, 914 00:44:00,040 --> 00:44:02,399 Speaker 6: and I think I already mentioned, but the list goes 915 00:44:02,520 --> 00:44:05,719 Speaker 6: literally on and on and on. So if you're going 916 00:44:05,800 --> 00:44:08,040 Speaker 6: through the broken heart, it's always nice to have a 917 00:44:08,120 --> 00:44:11,120 Speaker 6: Woe is Me. Soundtrack five fifty five five fifty five, 918 00:44:11,160 --> 00:44:13,279 Speaker 6: Episode five hundred and fifty five of The Brian Oaks 919 00:44:13,280 --> 00:44:16,919 Speaker 6: Show publishes tomorrow morning at seven am. You can find 920 00:44:16,960 --> 00:44:20,439 Speaker 6: it everywhere, but most notably on the free iHeartRadio app 921 00:44:20,520 --> 00:44:21,360 Speaker 6: See next Wednesday. 922 00:44:21,440 --> 00:44:23,640 Speaker 4: That's the octok for another week. Let's take a break, 923 00:44:23,640 --> 00:44:25,200 Speaker 4: come back, Mark Rose and joins us next year