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Speaker 1: Dot Com or call one eight hundred, call mo. This

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Speaker 1: is WTKSFM, HD one Cocoa Beach, Orlando and iHeart Radio station.

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Speaker 1: Guaranteed human someone's gonna get offended. It's just the way

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Speaker 1: the world works. So hopefully save everyone a little time

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Speaker 1: Opinions that you hear are those of the hosting callers

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Speaker 1: The constitution of the morning Consturtion.

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Speaker 3: Monster twenty twenty six.

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Speaker 1: Why it is twenty twenty six. You wanted the best,

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Speaker 1: of people back. I try to get back as as

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Speaker 1: you back, and then Ryan handles our YouTube channel. That's

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Speaker 1: Real Radio Monsters on YouTube. It's very popular. That was

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Speaker 1: Amber saying that now very popular. If you're watching YouTube,

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Speaker 1: then Ryan will chat with you sometimes during the breaks,

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Speaker 1: you know when we have commercial breaks, and then play

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Speaker 1: game with you and all that kind of stuff. So

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Speaker 1: it's all on our YouTube channel, Rol Radio Monsters on YouTube.

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Speaker 1: Good morning, everybody was up. I'm Russ Rawlins, host of

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Speaker 1: the program, and went the fellas and maybe we got

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Speaker 1: a bunch of ladies coming here today and an old man.

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Speaker 1: We'll be doing this until around eleven o'clock. Here's the producer,

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Speaker 1: the angel Boom ANGELI barrel God, look on and Oka

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Speaker 1: hang out down my Ryan home. Bommajum, gatchune to you too.

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Speaker 4: I like that shirt. Angel, that's a it's great. Okay.

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Speaker 4: I know it says washses, but it's okay. Let me

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Speaker 4: hold it. Don't tell me. I'm not gonna okay.

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Speaker 1: It is a takeoff from hold On, hold on.

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Speaker 2: Oh you're so close.

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Speaker 1: I believe in them.

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Speaker 2: Yep.

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Speaker 1: Oh, I got this woo tang there you Hey, look

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Speaker 1: at that remaining cool still in twenty twenty six. That's

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Speaker 1: the barometer as cool as that can be.

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Speaker 5: I'm assuming the bottom of your shirt at some point

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Speaker 5: says Frank's and not just you're just wearing a shirt

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Speaker 5: that says old man.

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Speaker 1: No, it's always the old man established in nineteen sixty five.

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Speaker 4: That's a you know, you gotta embrace it, right.

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Speaker 1: A lot of people when they get older, they try

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Speaker 1: to act way younger than they are, and I don't

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Speaker 1: think that's cool. I say, just embrace what you are

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Speaker 1: and go with it. So yeah, I like my old

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Speaker 1: man's shirt.

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Speaker 5: Okay, yeah, look I'm wearing my cool I got my

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Speaker 5: cool super Mario nine to five shirt.

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Speaker 3: On trying to act younger too, trying to act younger

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Speaker 3: than you act younger. This is this is my life.

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Speaker 4: Oh that's true. You were that would be your Yeah,

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Speaker 4: that's your your era.

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Speaker 5: I'm not wearing old man's shirt ever. Like I know they,

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Speaker 5: I know, like you gotta embrace your age. That's fine,

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Speaker 5: But any of those like old.

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Speaker 3: Guys rule shirts or anything like that. Huh nah, I

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Speaker 3: don't ever see me doing.

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Speaker 4: Wait until you get that age, and then you might

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Speaker 4: feel different.

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Speaker 3: I don't think I will.

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Speaker 4: Yeah, you never you never know.

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Speaker 1: Well it is, I gotta tell you. There, for a

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Speaker 1: little while there, I started to do that thing where

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Speaker 1: you kind of fight how old you're getting you try

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Speaker 1: to act a little bit younger, and I'm like, let's

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Speaker 1: it felt fake and once I started going yeah yeah,

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Speaker 1: because a lot of people on the radio will not

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Speaker 1: say how old they are. I know a couple of

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Speaker 1: people they told me don't don't radio people don't say age.

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Speaker 1: I don't want people know, and I don't know. I

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Speaker 1: understood it at one time, but now I think, you

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Speaker 1: know what, just be honest, but there is a different

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Speaker 1: brace what you are.

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Speaker 2: Yeah, but think about it this way in this context.

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Speaker 2: It was a different era, and so back in those days,

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Speaker 2: we didn't lean on social media the way that we

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Speaker 2: do our social media. Our digital footprint as an as

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Speaker 2: a radio personality was virtually non existence. So you were

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Speaker 2: painting these and you were painting these pictures in people's minds.

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Speaker 4: And people didn't really know what you looked like exactly.

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Speaker 4: So I remember Jim Cillips when I.

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Speaker 1: When I was I was the first one at Real

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Speaker 1: Radio to do promo shots for the show, and he

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Speaker 1: was not happen at Till.

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Speaker 4: Did not like it. Jim did not like it, And

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Speaker 4: I'm like whatever, and we're we're doing.

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Speaker 1: It because they wanted people to just imagine what they

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Speaker 1: looked like.

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Speaker 2: And I'm like, that's the generational difference between y'all. Yeah,

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Speaker 2: you know what I'm saying, Like all of us, we're

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Speaker 2: you know, we're about a generation of part between all

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Speaker 2: of us. And so so when that's going down and

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Speaker 2: Ed Till and Jim are here, you're the young upstart

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Speaker 2: and like, who's this guy? Why does he want his

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Speaker 2: face out there?

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Speaker 1: Right?

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Speaker 2: That was that was that was completely foreigned because they

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Speaker 2: came from an era of Hey, I'm a radio guy

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Speaker 2: and my voice is is my is my picture.

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Speaker 1: And people don't need to know my age Like that

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Speaker 1: was you know, a couple of guys asked me not

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Speaker 1: to say they're age. I'm okay, fine, because we started

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Speaker 1: making fun of their age. But you know, here now

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Speaker 1: twenty twenty six, it's like whatever, you know, this is

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Speaker 1: my age, this is who I am, but you.

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Speaker 2: Can't have it. You're all over social media.

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Speaker 6: Yeah.

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Speaker 2: Yeah, so like again because of the evolution of what

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Speaker 2: this job is and because that is such a huge

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Speaker 2: part of what we do now. Yeah, it is what

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Speaker 2: you know.

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Speaker 1: It is what it is.

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Speaker 4: It is what it is. Anyway, how was your How

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Speaker 4: is y'all's day? Yesterday?

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Speaker 1: It was good good. I wasn't an old man. I

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Speaker 1: don't let the old man in. Don't let the old man.

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Speaker 1: They let the old man in.

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Speaker 5: That's how I look at it before we before we

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Speaker 5: moved topics, say yeah, because I like, here's there's two

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Speaker 5: points that I think of all the time. I think

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Speaker 5: of like Japanese culture, right where the elders are revered.

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Speaker 3: And you know, you respect them, and we don't have that.

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Speaker 5: Our culture is the culture driven completely by the youth,

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Speaker 5: which is the worst because I don't know, if you've

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Speaker 5: met young people, they're stupid.

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Speaker 4: I have noticed that.

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Speaker 2: Yeah, yeah, yeah, wait a minute, we were all stupid

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Speaker 2: one time too.

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Speaker 3: Yeah, sure, suir shirt.

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Speaker 5: But I just don't I just don't think like, I

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Speaker 5: don't think it's our society should be either run by

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Speaker 5: like tiny stupid people or very old men. There needs

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Speaker 5: to be somewhere in the middle where like, hey, like

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Speaker 5: around sixteen, you're like, yeah.

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Speaker 3: I'm oga, I literally rule the world.

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Speaker 1: Well that's where I'm at, right, And I get a

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Speaker 1: kick out of like, yes, just yesterday I met about

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Speaker 1: eight people who were from LA. They did not know

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Speaker 1: the show, they did not know who I was. And

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Speaker 1: then one of them asked me how old I was

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Speaker 1: when I talked to you.

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Speaker 4: No, what. I couldn't believe it.

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Speaker 1: And then I get a kind of a charge out

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Speaker 1: of that, like, oh, you don't look down. People are

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Speaker 1: faking it when they do that. Yeah, but I don't

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Speaker 1: think she was.

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Speaker 2: Los Angeles is a different beast, dude. And and yeah,

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Speaker 2: so that's probably why, because Los Angeles is one of

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Speaker 2: those cities and again because it's Hollywood and all that

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Speaker 2: kind of stuff. Yeah, where they'll take you out the pasture,

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Speaker 2: they'll if you're if you're if your age is out

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Speaker 2: there that often and this is just again listening to actors,

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Speaker 2: listening to entertainers, listening to people that live in that

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Speaker 2: in that cesspool that when it is.

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Speaker 1: Left there un yeah, I'm not I'm not.

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Speaker 2: Talking out of school. I got friends in LA who

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Speaker 2: describe it that way. Yeah. But and and they'll they'll

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Speaker 2: hide from their age because again they'll make a judgment

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Speaker 2: call on you. They'll see you on a sheet with

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Speaker 2: this or whatever, and they're like, oh, this guy is

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Speaker 2: still trying to do this, so he should have been

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Speaker 2: noted this a long time ago.

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Speaker 4: You know. Interesting. Yeah, I'm gonna talk about that in

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Speaker 4: the next segment.

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Speaker 1: By judging it, you know, just by yeah, yeah, yeah,

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Speaker 1: all these were.

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Speaker 4: From l A.

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Speaker 2: Is not real. I mean when I say that, I'm

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Speaker 2: talking specifically about Hollywood. I lived in Los Angeles for

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Speaker 2: a little bit and I was outside of that circle.

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Speaker 2: I had a blast. And you know, Savannah, I that's

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Speaker 2: where our experiences in California different. I love Northern California.

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Speaker 2: I loved living in Sasoon City, Vacaville, all that stuff,

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Speaker 2: and then I loved my time in Los Angeles. Yeah,

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Speaker 2: but I wasn't like I wasn't trying to make it

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Speaker 2: in Hollywood, guys.

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Speaker 1: That's how I feel like.

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Speaker 5: It's funny that like when you see these people like

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Speaker 5: I'm from LA I'm from New York, and then I

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Speaker 5: go to New York and I'm like, this is the

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Speaker 5: greatest city you to call them this one, this particular one.

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Speaker 3: I've been other places of you. I love New York.

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Speaker 1: Hey. So going back to what you were talking about there,

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Speaker 1: So do you respect somebody more if they just embrace

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Speaker 1: their agent and saying to say, oh they are or

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Speaker 1: if they if they don't never say and they act

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Speaker 1: like they're younger and they fit in with younger people,

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Speaker 1: and nobody really knows what it's like.

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Speaker 4: Well, you know they kind of fit in with younger people.

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Speaker 2: Uh.

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Speaker 1: You know a dude that I still has got his

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Speaker 1: ear ring in and he's you know, he's in it.

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Speaker 3: What is it with old guys that love to get

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Speaker 3: a like one earring?

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Speaker 5: But Buddy's dad did that like suddenly, like he was

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Speaker 5: a very straight laced dudely just shows.

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Speaker 3: Up with one ear ring one day and you're like,

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Speaker 3: all right.

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Speaker 1: Man, so like you know, Harrison Ford, but he has

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Speaker 1: his ear ring and listen, he's Harris and Fortance, So

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Speaker 1: you can do what he wants. But what do you do?

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Speaker 1: You do you which?

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Speaker 3: I think both.

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Speaker 5: I think I think there's always gonna be people that

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Speaker 5: are mentally gonna be younger than their age, their their physical.

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Speaker 1: Age, you know what I mean.

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Speaker 5: Like like there's there's people that either A there's the

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Speaker 5: ones that don't want to let it go, and then

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Speaker 5: there's like the sixty year old dude who's like, you know,

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Speaker 5: not a sixty year old man, you know what I mean.

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Speaker 3: I feel like I'm going to be like that. Like

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Speaker 3: I was.

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Speaker 5: I was always surprised, like how as much as the

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Speaker 5: age my brain kind of got stuck at an age.

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Speaker 4: Yeah, it happens.

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Speaker 1: It happened, and you can even you can fight it

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Speaker 1: like I fight it, you know, like I don't.

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Speaker 4: Obviously I want to do this as long as I can.

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Speaker 1: I want to be on the radio, so I have

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Speaker 1: to be you know, I have just try to be

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Speaker 1: as relevant to and understand what's going on with younger

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Speaker 1: society and all that kind of stuff. But as much

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Speaker 1: as I try to connect to younger music, I just

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Speaker 1: I just can't, Like, like, right now, I'm in a

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Speaker 1: music drought. H I don't even want to listen to

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Speaker 1: Kiss because I'm pissed off at Gene Simmons, like like

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Speaker 1: like like, so there's no music I'm really listening to

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Speaker 1: right now. And I try to connect with younger stuff,

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Speaker 1: but as you get older, I just think sometimes it's

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Speaker 1: just not possible.

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Speaker 5: The only version of it that I think is weird,

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Speaker 5: Like somebody texts is I have friends fifty seven and

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Speaker 5: they still wear aeropostyle and Hollister shirt. And that's what

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Speaker 5: I'm like, No, that's not for you. You can still you

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Speaker 5: can still be a cool, cool guy at fifty and sixty.

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Speaker 5: But there's a way to do it, you know, you know,

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Speaker 5: but it's not by wearing what the kids are wearing.

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Speaker 4: No, exactly know what I mean.

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Speaker 2: You can still get that look, just not with those brands,

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Speaker 2: but you can still get that kind of look and

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Speaker 2: look age approb.

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Speaker 5: My favorite thing right now is a thing that like

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Speaker 5: I I guess I knew it would happen, But as

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Speaker 5: a YC like I fall a lot of her fall.

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Speaker 5: A lot of white young cracker I follow. I follow

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Speaker 5: a lot of like they.

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Speaker 3: Know how much stuff I got from yesterday?

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Speaker 2: From that so much? That's why no, because of his

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Speaker 2: other comment yesterday, yeah and.

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Speaker 3: So and so I followed hip hop stuff.

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Speaker 5: But it's funny to see, like hip hop as an

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Speaker 5: aged genre, like so and they're going and so the

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Speaker 5: old heads of hip hop are angry with the young

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Speaker 5: heads of hip hop because they're like, there this it's

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Speaker 5: it's just funny to see like this, hip hop's not

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Speaker 5: hip hop. And it's the same argument that happened with

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Speaker 5: rock and roll, and the young guys are.

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Speaker 2: The guys that get really protective of it and everything.

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Speaker 2: It's it's it's an interesting argument. But sometimes I hope

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Speaker 2: that they like take a step back because here, here's

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Speaker 2: the thing for for example, for that particular genre of music.

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Speaker 2: So that genre of music has been created in my lifetime,

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Speaker 2: got into when it was on this inception and everything,

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Speaker 2: and there's this process of evolution. I don't think there's

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Speaker 2: anything wrong with the same way that if you're a

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Speaker 2: rock and roll guy and you're like, hey, I can

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Speaker 2: appreciate punk rock, but that's not for me. It's the

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Speaker 2: same way that I can say, hey, listen, I'm a

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Speaker 2: hip hop head. I'll still you know, last year I

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Speaker 2: bought incredible. Last year was an incredible year for older

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Speaker 2: dudes in hip hop with between Nas and uh slick Rick, Like,

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Speaker 2: there was a bunch of really epic albums for guys

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Speaker 2: in my wheelhouse.

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Speaker 5: But I have never watch the reaction videos of young

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Speaker 5: dudes listening to that.

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Speaker 4: No no, but but does that make you did not

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Speaker 4: like it? When you know?

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Speaker 2: But I can also say that, but I can also

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Speaker 2: look at it and go rolling loud coming to Orlando.

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Speaker 2: That's a hip hop show. That's not for me.

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Speaker 1: So when you see something that you have always thought

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Speaker 1: it is cool and was considered cool and young and

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Speaker 1: you see it's aging out, does it make you go, oh,

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Speaker 1: I gotta stop pay attention to that because it makes

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Speaker 1: me look old? Or do you just embrace what y'all?

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Speaker 1: Rut Ledgwood was here.

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Speaker 5: We talked about pop punk, and pop punk was, like,

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Speaker 5: I mean, notoriously like a young person genre when it

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Speaker 5: came out, Like you're like, we're like fourteen going to

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Speaker 5: those shows.

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Speaker 2: But all your bands are still making good.

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Speaker 3: They're still but they're still good.

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Speaker 5: And it's so weird to go to these shows and

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Speaker 5: it's like, oh, here's a bunch of thirty forty year

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Speaker 5: olds like hanging out sort of jumping because the knees

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Speaker 5: are bad.

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Speaker 3: But I'm like, I like this music.

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Speaker 1: Still.

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Speaker 5: I'm just gonna keep on going and and it's fun

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Speaker 5: to see them like bring their kids to the show.

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Speaker 1: Then you're you're in the pattern, bro, You're you're in

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Speaker 1: the pedal.

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Speaker 5: I'm totally I'm I'm not saying I'm removed from the

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Speaker 5: pattern at all. I'm trying to I'm trying to embrace it.

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Speaker 5: The older that I get. One thing I didn't expect.

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Speaker 4: Though, fighting it that just does it make sense?

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Speaker 1: And it doesn't feel for me. I'll just say for me,

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Speaker 1: it didn't feel good to try to fight the fact.

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Speaker 1: And for a little while I was like hiding my

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Speaker 1: age and trying to act younger than I was, and

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Speaker 1: it's like, well, let's not being real and and I'm

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Speaker 1: here to.

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Speaker 4: Be real, you know.

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Speaker 1: So so it's so I got a goddamn sure, and

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Speaker 1: says old man, because I'm an old man.

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Speaker 3: I'll tell you what I wasn't ready for though.

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Speaker 5: My wife, like I always thought like I'll always be

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Speaker 5: tracted to like twenty five year olds right there, hot,

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Speaker 5: like I'll be a Leonardo DiCaprio.

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Speaker 3: But the older I get and older my wife gets, uh.

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Speaker 1: Huh, she looks better.

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Speaker 3: Well they even like like undoubtedly it looks better.

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Speaker 1: And it's still not surprised.

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Speaker 5: No, I'm not, but like it sounds like I think

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Speaker 5: I'll always think like in that way, and that was

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Speaker 5: that was surprising to me. Like there's there's like a

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Speaker 5: level of like like like fine wine to it, I

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Speaker 5: guess is the.

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Speaker 1: Best way to pat older? Your thoughts changed, Ryan, it

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Speaker 1: just said.

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Speaker 5: But you don't have lived through No one actively thinks

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Speaker 5: about this stuff.

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Speaker 3: Most people go through their life like a cave man,

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Speaker 3: just going.

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Speaker 1: I try to be president in my own head to

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Speaker 1: figure out what I'm doing yet.

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Speaker 2: But isn't there Okay, So there's a fine line there

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00:14:09,880 --> 00:14:12,480
Speaker 2: where Okay, you can accept that you're you know, like

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Speaker 2: age appropriate and you're becoming older and everything. But then

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00:14:15,120 --> 00:14:18,040
Speaker 2: there's another part of that and we've all seen it

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00:14:18,080 --> 00:14:21,120
Speaker 2: where dudes are like, oh, you know they get to

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Speaker 2: this age and then they act defeated.

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Speaker 3: Yes, you know, I'm never gonna do that.

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Speaker 2: So that's what That's what I'm saying. So like when

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Speaker 2: Ryan says he's gonna fight it, I can I get

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Speaker 2: it because it's like there's a point there where it

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Speaker 2: seems like you're just you're conceding.

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Speaker 4: I just want to be the coolest old man you

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Speaker 4: ever met. You know what I'm saying.

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Speaker 1: That I starting today with my damn old man shart.

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Speaker 4: I like it.

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Speaker 1: I got a restaurant hat. Yeah, oh no, this was

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00:14:48,040 --> 00:14:51,640
Speaker 1: a hard rock man's rock rock and bruise. Yeah. Yeah,

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00:14:51,640 --> 00:14:53,920
Speaker 1: it's a kiss thing. I was gonna I was gonna

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00:14:53,960 --> 00:14:56,680
Speaker 1: boycott Kiss for a little while. You love them. I'm

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00:14:56,680 --> 00:14:59,760
Speaker 1: mad at Jeans that tongue in your mouth.

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Speaker 4: No, he's an a.

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Speaker 1: You know what, even now after he was goofing on

381
00:15:05,080 --> 00:15:07,480
Speaker 1: Ace really after he died. Then after they do this

382
00:15:07,520 --> 00:15:09,720
Speaker 1: thing at the Kennedy Center or whatever, he decides to

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Speaker 1: start tearing apart you know, Peter.

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Speaker 4: Chris, and the guy's eighty years old. He's like, oh,

385
00:15:13,600 --> 00:15:14,920
Speaker 4: he didn't write he didn't write Beth.

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Speaker 1: And he's like like, shut up, Jeane, why why are

387
00:15:17,240 --> 00:15:18,440
Speaker 1: you tearing up your own band?

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Speaker 4: You big goofball. He's just he just talks too much.

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Speaker 4: Shut up.

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Speaker 1: Geene Simmons, all right, I'm gonna tell you what happened yesterday.

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Speaker 1: Pretty interesting, and I'll tell you about it when we

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Speaker 1: come back. Don't go anywhere. You're listening to the Monsters

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Speaker 1: in the morning, Hey, welcome back to the Monsters. Morning's

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Speaker 1: were a radio one oh four point one broadcasting live

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Speaker 1: on iHeartRadio.

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Speaker 4: Reminding you that if.

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Speaker 1: You want to come by watch the Monster do a

398
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Speaker 1: live show next month, which is not that far away,

399
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Speaker 1: a couple of weeks from now, February thirteenth, Monsters will

400
00:15:55,560 --> 00:15:57,120
Speaker 1: be at Racing's North Turn.

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00:15:58,080 --> 00:16:00,720
Speaker 4: This is where racing started, right on the beach.

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00:16:02,000 --> 00:16:04,920
Speaker 1: When I said, like racing like the NASCAR, Is that right, Angel,

403
00:16:04,920 --> 00:16:07,360
Speaker 1: that's where like sort of on the beach there at

404
00:16:07,600 --> 00:16:10,360
Speaker 1: Race's northern she gets that's a historic spot and the

405
00:16:10,440 --> 00:16:13,760
Speaker 1: restaurant looks amazing. And that's the week of the day,

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00:16:13,800 --> 00:16:15,320
Speaker 1: two in a five hundred, and they've asked us to

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00:16:15,320 --> 00:16:17,600
Speaker 1: come out. Also, I will say this just so you know,

408
00:16:17,640 --> 00:16:20,040
Speaker 1: I've made connections with Now this is not set in stone.

409
00:16:20,240 --> 00:16:23,160
Speaker 1: We've made connections with Bert Kreischer and he may be

410
00:16:23,440 --> 00:16:25,760
Speaker 1: joining us that day as well. Now that's a maybe.

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00:16:25,760 --> 00:16:28,000
Speaker 1: And I said, you know, I made the connection. He

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00:16:28,200 --> 00:16:32,160
Speaker 1: did not say yes or no yet, but there's his

413
00:16:32,480 --> 00:16:35,600
Speaker 1: people were like, oh, this is a possibility. So I

414
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Speaker 1: might have Burt Kreischer out there with us as well.

415
00:16:37,400 --> 00:16:40,680
Speaker 1: But that's February thirteenth and that's going to be out

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00:16:40,720 --> 00:16:43,560
Speaker 1: at the racing's North turn. So join us if you

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00:16:43,560 --> 00:16:44,880
Speaker 1: want to. Let's do a live show.

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Speaker 4: I'm Russ with angel Angelique here, Hello, Angelicue, how you doing?

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Speaker 7: Hello, good morning?

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Speaker 1: And Ryan Holmes.

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00:16:51,000 --> 00:16:54,520
Speaker 4: So, okay, this is this is This was kind of

422
00:16:54,520 --> 00:16:55,920
Speaker 4: the you know, big deal.

423
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Speaker 1: For yesterday for me. So I had told this story

424
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Speaker 1: before where I got a phone call. You know a

425
00:17:01,360 --> 00:17:03,000
Speaker 1: lot of times I screened all my calls. I've got

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00:17:03,000 --> 00:17:05,879
Speaker 1: one of these, you know, AI screeners or whatever, but

427
00:17:05,920 --> 00:17:07,919
Speaker 1: it'll tell me where they're calling from. And I look

428
00:17:08,000 --> 00:17:10,840
Speaker 1: down and it was called from Hollywood, California. Like, oh,

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00:17:10,880 --> 00:17:13,040
Speaker 1: he's called me from Hollywood, California. So I answered that

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00:17:13,080 --> 00:17:17,880
Speaker 1: one and it was a director. And this director went

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00:17:17,920 --> 00:17:20,919
Speaker 1: to UCF and he was going to UCF back in

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00:17:20,960 --> 00:17:23,960
Speaker 1: two thousand and six, two thousand and seven, just a student,

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00:17:24,080 --> 00:17:28,040
Speaker 1: you know, And he remembered listening to the monsters all

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Speaker 1: the time, and he remembered us talking about the Lisa

435
00:17:31,280 --> 00:17:33,560
Speaker 1: Noak story. If I say, Lisa Noak, do you know

436
00:17:33,560 --> 00:17:34,080
Speaker 1: who that is?

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00:17:34,160 --> 00:17:34,280
Speaker 6: Now?

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00:17:34,520 --> 00:17:36,680
Speaker 8: You do not know, not off the top of my head.

439
00:17:36,680 --> 00:17:38,720
Speaker 8: I'm sure when you start, I'll realize.

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00:17:38,400 --> 00:17:38,760
Speaker 4: What it is.

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00:17:38,880 --> 00:17:40,680
Speaker 1: Yeah, a lot of people as soon as you said

442
00:17:40,800 --> 00:17:42,399
Speaker 1: they say the name, they know who it is. And

443
00:17:42,440 --> 00:17:46,919
Speaker 1: that's the astronaut that drove from Houston to Orlando wearing

444
00:17:46,920 --> 00:17:52,680
Speaker 1: a diaper and got into an altercation with with it

445
00:17:52,720 --> 00:17:57,200
Speaker 1: was the guy that she was seeing. She pepper sprayed

446
00:17:57,720 --> 00:17:59,160
Speaker 1: the woman he was with. So it was a love

447
00:17:59,200 --> 00:18:01,520
Speaker 1: triangle kind of say situation. So big story here in

448
00:18:01,560 --> 00:18:05,280
Speaker 1: Central Florida. This guy remembered it and he, now you know,

449
00:18:05,480 --> 00:18:09,240
Speaker 1: is a director in Hollywood for ABC documentaries.

450
00:18:09,520 --> 00:18:11,160
Speaker 4: So they were like, all right, we're going to send

451
00:18:11,160 --> 00:18:11,480
Speaker 4: some people.

452
00:18:11,480 --> 00:18:14,160
Speaker 1: We're going to send a crew to Orlando, and they

453
00:18:14,240 --> 00:18:17,520
Speaker 1: interviewed Shannon Butler. Shannon Butler has been on here in

454
00:18:17,560 --> 00:18:19,800
Speaker 1: Central Florida for a long time. She was with Fox

455
00:18:19,840 --> 00:18:22,639
Speaker 1: thirty five back then. So that was like for your

456
00:18:22,680 --> 00:18:25,440
Speaker 1: serious news, you know, they want to interview someone's serious news,

457
00:18:25,480 --> 00:18:28,320
Speaker 1: and they they wanted to interview me because he remembered

458
00:18:28,359 --> 00:18:30,320
Speaker 1: listening to us talk about it, you know, way back then.

459
00:18:30,480 --> 00:18:32,280
Speaker 1: Oh wow, I didn't remember that much about it, to

460
00:18:32,320 --> 00:18:33,880
Speaker 1: be honest with you, but I remembered we did talk

461
00:18:33,880 --> 00:18:36,840
Speaker 1: about it, and so I did brush up on the

462
00:18:36,880 --> 00:18:40,800
Speaker 1: whole story. So I had invited them to come here

463
00:18:40,840 --> 00:18:43,159
Speaker 1: to the radio station, and you know, they could do

464
00:18:43,200 --> 00:18:44,560
Speaker 1: the interview here because I wanted to get you know,

465
00:18:44,640 --> 00:18:46,760
Speaker 1: I wanted to get the monster logos and all that

466
00:18:46,840 --> 00:18:49,160
Speaker 1: kind of stuff. But they at first they liked the idea,

467
00:18:49,160 --> 00:18:51,240
Speaker 1: and then they said, no, we really we can't. And

468
00:18:51,280 --> 00:18:55,160
Speaker 1: they kind of were bulking on that. And then they decided, Hey,

469
00:18:55,240 --> 00:18:58,520
Speaker 1: we rented an airbnb and we're going to talk to

470
00:18:58,560 --> 00:19:00,359
Speaker 1: Shannon Butler out there. We'll make sure it's close to

471
00:19:00,359 --> 00:19:03,359
Speaker 1: where you are so it's not inconvenient for you. And

472
00:19:03,400 --> 00:19:05,360
Speaker 1: then I noticed they started calling me Triple R, which

473
00:19:05,359 --> 00:19:09,320
Speaker 1: I'm like, that's kind of weird, but okay, So yes,

474
00:19:09,600 --> 00:19:15,000
Speaker 1: so they they had the interview was yesterday and they

475
00:19:15,040 --> 00:19:17,159
Speaker 1: said that, you know, we're gonna do it at three o'clock.

476
00:19:17,160 --> 00:19:19,320
Speaker 4: I ran three o'clock. That's going to be late for

477
00:19:19,359 --> 00:19:19,840
Speaker 4: me to get home.

478
00:19:19,880 --> 00:19:22,160
Speaker 1: You know, I is any way we can do it earlier,

479
00:19:22,320 --> 00:19:25,360
Speaker 1: like now, when we're interviewing Shannon Butler earlier and then

480
00:19:25,440 --> 00:19:27,160
Speaker 1: you know, you got to be at three o'clock. So okay,

481
00:19:27,240 --> 00:19:29,439
Speaker 1: So after the show, I had a meeting here with

482
00:19:29,440 --> 00:19:33,000
Speaker 1: our friends from from A zero res because I want

483
00:19:33,040 --> 00:19:35,119
Speaker 1: to get the carpets cleaned so Ryan doesn't sneeze, you know.

484
00:19:35,280 --> 00:19:37,600
Speaker 1: So I had that meeting, and then afterwards, I had

485
00:19:37,640 --> 00:19:39,800
Speaker 1: like a lot of time to kill between you know,

486
00:19:39,920 --> 00:19:43,159
Speaker 1: twelve o'clock and three o'clock. Oh I did this. Now,

487
00:19:43,200 --> 00:19:45,160
Speaker 1: I'm curious what you guys would do. I went over

488
00:19:45,200 --> 00:19:48,359
Speaker 1: to see my mom, right, So I called my mom,

489
00:19:48,800 --> 00:19:50,359
Speaker 1: you know, to tell a haylest and I've got some

490
00:19:50,359 --> 00:19:51,480
Speaker 1: time to kill and I want to come over and

491
00:19:51,520 --> 00:19:56,320
Speaker 1: see you and and hang out. And her phone is busy.

492
00:19:56,440 --> 00:19:59,040
Speaker 1: Now she's got a landline. She doesn't she never uses

493
00:19:59,080 --> 00:20:00,360
Speaker 1: her cell phone ever.

494
00:20:00,400 --> 00:20:01,320
Speaker 4: You turn it on.

495
00:20:01,960 --> 00:20:03,880
Speaker 1: I've turned it on if I made it. And I'm like, oh, mom,

496
00:20:03,920 --> 00:20:06,720
Speaker 1: that's not how it works. But so I try to

497
00:20:06,760 --> 00:20:08,280
Speaker 1: call her landline.

498
00:20:08,359 --> 00:20:09,800
Speaker 4: It's busy. I'm like, that's kind of weird.

499
00:20:09,880 --> 00:20:12,080
Speaker 1: And then I call again, busy for a long time,

500
00:20:12,200 --> 00:20:14,320
Speaker 1: Like she doesn't talk to anybody that long.

501
00:20:14,760 --> 00:20:18,000
Speaker 4: So I just go over to my mom's house and.

502
00:20:18,280 --> 00:20:22,919
Speaker 1: Uh, now my mom's house is it's not even safe

503
00:20:23,280 --> 00:20:25,400
Speaker 1: how much it is locked up.

504
00:20:25,520 --> 00:20:26,080
Speaker 4: I'm talking.

505
00:20:26,720 --> 00:20:30,639
Speaker 1: Uh, it's got iron bars on the windows. The windows

506
00:20:30,720 --> 00:20:34,879
Speaker 1: are hurricane proof. A firefighter couldn't break these windows with

507
00:20:34,960 --> 00:20:37,159
Speaker 1: an axe if they wanted to. She is locked in

508
00:20:37,240 --> 00:20:40,000
Speaker 1: this house, like I'm tight, tight, tight, But I know

509
00:20:40,080 --> 00:20:42,880
Speaker 1: the code to get in, you know. So, So I'm

510
00:20:42,960 --> 00:20:46,240
Speaker 1: outside and I'm knocking. You know, I'm ringing the doorbell.

511
00:20:46,320 --> 00:20:49,000
Speaker 1: I'm knocking on the garage door. No answer, no answer.

512
00:20:49,560 --> 00:20:51,400
Speaker 7: So she'd knocking the boots.

513
00:20:51,480 --> 00:20:53,560
Speaker 1: Well you know who knows, right, I would be happy

514
00:20:53,560 --> 00:20:56,000
Speaker 1: if that were the case, right, Uh So, so I

515
00:20:56,680 --> 00:20:58,680
Speaker 1: go ahead and go into the house. You know, I

516
00:20:59,440 --> 00:21:01,480
Speaker 1: garage door, I know the garaduar code and all that,

517
00:21:01,640 --> 00:21:05,840
Speaker 1: and I'm in. I'm I don't want to scare her, right, Yeah,

518
00:21:06,000 --> 00:21:08,680
Speaker 1: my mom, it's me, Hey, my mom, And I'm yelling.

519
00:21:08,720 --> 00:21:10,240
Speaker 1: I'm yelling and she could.

520
00:21:10,080 --> 00:21:15,919
Speaker 5: Be well, it's a real thing, your mom's right. It

521
00:21:15,920 --> 00:21:18,320
Speaker 5: crossed my mind, right, Yeah, I'm not trying to be

522
00:21:18,359 --> 00:21:18,840
Speaker 5: a no.

523
00:21:18,800 --> 00:21:19,640
Speaker 4: I know, I crossed my mind.

524
00:21:19,680 --> 00:21:21,760
Speaker 1: She's eighty four, right, So I'm like, oh my god, okay,

525
00:21:21,800 --> 00:21:24,120
Speaker 1: And I know she went to the doctor on Monday

526
00:21:24,359 --> 00:21:26,879
Speaker 1: and so I'm like, oh, you know, so I'm yelling

527
00:21:27,160 --> 00:21:29,960
Speaker 1: my mo, mom, and I noticed that that she's still

528
00:21:30,240 --> 00:21:33,720
Speaker 1: This is twelve o'clock, she's still in the bed. Here's

529
00:21:33,880 --> 00:21:38,200
Speaker 1: she's in the bedroom, and and the TV is blaring,

530
00:21:38,800 --> 00:21:40,600
Speaker 1: and I'm like, oh, man, I don't want to scare her,

531
00:21:40,680 --> 00:21:42,240
Speaker 1: so I kind of I kind of walked out of

532
00:21:42,280 --> 00:21:43,600
Speaker 1: the living room and sat there for a little bit,

533
00:21:43,800 --> 00:21:45,479
Speaker 1: and then I once again, I came back and I'm

534
00:21:45,560 --> 00:21:48,880
Speaker 1: mom my, mama. You know she she's not answering, She's

535
00:21:48,920 --> 00:21:51,000
Speaker 1: not like, oh now, I'm starting to think what you're thinking.

536
00:21:51,040 --> 00:21:53,040
Speaker 4: Right, Oh my god, what if you know? What if

537
00:21:53,160 --> 00:21:54,199
Speaker 4: you know? That was it? You know?

538
00:21:54,720 --> 00:21:56,920
Speaker 1: But she's she was very healthy a couple of days ago,

539
00:21:56,920 --> 00:21:58,439
Speaker 1: but you never know when someone's eighty four. All this

540
00:21:58,480 --> 00:22:00,720
Speaker 1: time's going through my mind, and I go and I

541
00:22:00,960 --> 00:22:04,119
Speaker 1: pick up the phone, and I can hear that the

542
00:22:04,200 --> 00:22:06,520
Speaker 1: phone is off the hook in her bedroom because I

543
00:22:06,520 --> 00:22:07,280
Speaker 1: could hear the TV.

544
00:22:07,760 --> 00:22:10,359
Speaker 3: You know, oh when you pick up the phone, the

545
00:22:10,359 --> 00:22:11,120
Speaker 3: phone in the.

546
00:22:11,359 --> 00:22:13,800
Speaker 1: In the kitchen, I could hear yeah, in the TV.

547
00:22:14,440 --> 00:22:17,439
Speaker 1: So I'm I gotta go check, right, So I'm knocking

548
00:22:17,520 --> 00:22:20,399
Speaker 1: on the door, mom, mom. She's not saying anything. And

549
00:22:20,440 --> 00:22:23,159
Speaker 1: she's just fast asleep. She just she just asleep, and

550
00:22:23,280 --> 00:22:25,560
Speaker 1: I'm like, I'm not gonna wake her and bother her.

551
00:22:25,560 --> 00:22:27,440
Speaker 4: So I just left her a note. But would you

552
00:22:27,440 --> 00:22:28,000
Speaker 4: would you have done?

553
00:22:28,000 --> 00:22:30,440
Speaker 1: Would you would you have gone in if your mom

554
00:22:30,480 --> 00:22:35,280
Speaker 1: doesn't answer, would you still have gone in the room? Yeah?

555
00:22:36,160 --> 00:22:36,280
Speaker 2: I was.

556
00:22:36,480 --> 00:22:38,119
Speaker 4: I was afraid. I was afraid was going to scare her.

557
00:22:38,119 --> 00:22:39,960
Speaker 5: It's because of medical stuff. I know that's happened to

558
00:22:40,000 --> 00:22:43,800
Speaker 5: my mom recently. Yeah, I would, I would do that.

559
00:22:43,920 --> 00:22:44,160
Speaker 1: Yeah.

560
00:22:44,240 --> 00:22:45,400
Speaker 4: So anyway, I checked her.

561
00:22:45,480 --> 00:22:47,840
Speaker 1: She was breathing, she was, but she was just out

562
00:22:47,880 --> 00:22:50,560
Speaker 1: because she doesn't sleep very well. So did they give

563
00:22:50,600 --> 00:22:52,280
Speaker 1: us some kind of medicais? Yes, they've given her some

564
00:22:52,320 --> 00:22:54,600
Speaker 1: medication for her arm. So she the literacy and I

565
00:22:54,640 --> 00:22:56,320
Speaker 1: left her a note, Hey Mom, love you came back

566
00:22:56,359 --> 00:22:57,640
Speaker 1: to see you blah blah blah.

567
00:22:57,680 --> 00:22:59,840
Speaker 4: So anyway, so now like it's.

568
00:23:00,119 --> 00:23:02,679
Speaker 3: And now she's dead, you know, are the suspect of

569
00:23:02,720 --> 00:23:03,240
Speaker 3: a murder?

570
00:23:03,240 --> 00:23:03,520
Speaker 4: No?

571
00:23:03,520 --> 00:23:06,280
Speaker 1: No, no, she's she she texted me right away when

572
00:23:06,280 --> 00:23:08,280
Speaker 1: she woke up and oh that's where you went with that?

573
00:23:08,880 --> 00:23:11,960
Speaker 3: Oh yeah, oh no, I was like, you know, yeah,

574
00:23:12,080 --> 00:23:12,480
Speaker 3: I was.

575
00:23:12,880 --> 00:23:15,960
Speaker 2: Mom had gone to the VFW, and uh, you know,

576
00:23:16,200 --> 00:23:16,919
Speaker 2: I met somebody.

577
00:23:17,200 --> 00:23:22,359
Speaker 5: No, my brain always goes to the murder, and then like,

578
00:23:22,400 --> 00:23:24,800
Speaker 5: I'm a subject of an investigation, and I've got to

579
00:23:24,920 --> 00:23:27,399
Speaker 5: like that's much like a Gone Girl situation, and I

580
00:23:27,480 --> 00:23:28,160
Speaker 5: gotta like be like.

581
00:23:28,119 --> 00:23:29,919
Speaker 1: I loved my wife. It was none of that. She

582
00:23:30,000 --> 00:23:33,040
Speaker 1: was just sleeping. So now swell thirty and I'm done right.

583
00:23:33,800 --> 00:23:35,720
Speaker 1: So I'm like, okay, let me just brush up on

584
00:23:35,760 --> 00:23:37,919
Speaker 1: this story. There's least a NOAC story, so I at

585
00:23:38,000 --> 00:23:40,040
Speaker 1: least know what the heck I'm talking about when they

586
00:23:40,080 --> 00:23:41,920
Speaker 1: interviewed me, because you know, I don't. I really don't

587
00:23:41,960 --> 00:23:43,520
Speaker 1: know what all they're going to ask me about or whatever.

588
00:23:43,720 --> 00:23:45,680
Speaker 1: So I watch a bunch of stuff. There's a lot

589
00:23:45,720 --> 00:23:49,119
Speaker 1: of stuff on YouTube about this whole story.

590
00:23:49,160 --> 00:23:50,320
Speaker 4: Some of the stuff I remembered.

591
00:23:50,359 --> 00:23:52,400
Speaker 1: I'm like, oh, I forgot about that, and we did

592
00:23:52,400 --> 00:23:55,919
Speaker 1: talk about it, and I do remember the angle I

593
00:23:55,960 --> 00:23:57,359
Speaker 1: took when we talked about it. So I started to

594
00:23:57,400 --> 00:24:00,680
Speaker 1: remember things about it, and but now I'm I'm done

595
00:24:00,840 --> 00:24:07,040
Speaker 1: with everything. So they had rented an airbnb close to downtown,

596
00:24:07,400 --> 00:24:09,119
Speaker 1: and they said, just come on, you know, when you

597
00:24:09,160 --> 00:24:11,040
Speaker 1: when you get here, and we need you at three.

598
00:24:11,320 --> 00:24:13,120
Speaker 1: When you get here, here's the code to get in.

599
00:24:13,400 --> 00:24:15,960
Speaker 1: So I go, you know me early, right. I get

600
00:24:16,000 --> 00:24:19,680
Speaker 1: there probably around one thirty and I and I text

601
00:24:19,680 --> 00:24:21,040
Speaker 1: the lady and I say, listen, just say you know,

602
00:24:21,280 --> 00:24:23,320
Speaker 1: I'm sitting out front. Whenever you need me, let me

603
00:24:23,359 --> 00:24:25,680
Speaker 1: know because I don't have anywhere to go until until

604
00:24:25,760 --> 00:24:26,720
Speaker 1: you guys are ready for me.

605
00:24:26,800 --> 00:24:28,520
Speaker 4: But I just want you to know that I'm available.

606
00:24:28,680 --> 00:24:31,320
Speaker 7: I'm more at our meetings at three.

607
00:24:31,480 --> 00:24:33,680
Speaker 1: At three wow, and they're like, oh my god, we're

608
00:24:33,680 --> 00:24:36,000
Speaker 1: so glad you're here early. This is great, Like they

609
00:24:36,000 --> 00:24:38,199
Speaker 1: were super happy I was there early because they were

610
00:24:38,280 --> 00:24:41,760
Speaker 1: ready for me. So I go into this house that

611
00:24:41,840 --> 00:24:44,960
Speaker 1: they had rented, and it is it's a beautiful like

612
00:24:45,160 --> 00:24:48,560
Speaker 1: wooden house on a lake over I.

613
00:24:48,480 --> 00:24:51,280
Speaker 4: Forget what, Yeah, it's kind of hoff Hoffner area.

614
00:24:51,960 --> 00:24:55,000
Speaker 1: I've never even seen this area before, but beautiful, beautiful place.

615
00:24:55,320 --> 00:24:57,920
Speaker 1: And there's a bunch of trucks there. And then when

616
00:24:58,040 --> 00:25:01,600
Speaker 1: as soon as the handler comes out, she's like triple R.

617
00:25:01,680 --> 00:25:02,960
Speaker 1: Which I'm like, like, keep calling.

618
00:25:02,840 --> 00:25:03,280
Speaker 4: Me triple R.

619
00:25:03,320 --> 00:25:06,119
Speaker 1: It's so weird, but okay, hey, how you doing, and uh,

620
00:25:06,160 --> 00:25:08,359
Speaker 1: you know, we're glad that you're here. And and the

621
00:25:08,480 --> 00:25:11,120
Speaker 1: setup that they have for this, like this was a

622
00:25:11,280 --> 00:25:15,840
Speaker 1: professional these cameras were like, there's like five camera shoot.

623
00:25:16,920 --> 00:25:18,639
Speaker 1: One was like a handheld kind of thing, but the

624
00:25:18,680 --> 00:25:21,320
Speaker 1: others were like actually like you would see in a

625
00:25:21,520 --> 00:25:23,080
Speaker 1: I don't know if you're doing a movie. I mean,

626
00:25:23,080 --> 00:25:26,399
Speaker 1: this is like a big time a thing. And you know,

627
00:25:26,960 --> 00:25:29,760
Speaker 1: I meet the lady that that's going to do the

628
00:25:29,800 --> 00:25:31,919
Speaker 1: interview with me, and I could just tell none of

629
00:25:31,960 --> 00:25:34,560
Speaker 1: them know they're all from LA. None of them know

630
00:25:35,320 --> 00:25:37,960
Speaker 1: anything really about They didn't know much about Shannon Butler.

631
00:25:38,040 --> 00:25:38,440
Speaker 4: They didn't know.

632
00:25:38,640 --> 00:25:41,000
Speaker 1: They just know that, oh, you're the Oh she called me,

633
00:25:41,280 --> 00:25:45,639
Speaker 1: you're the radio legend. I'm like, whoa well, and I

634
00:25:45,720 --> 00:25:48,760
Speaker 1: just laughed, Well, I guess we all know. The director said,

635
00:25:48,760 --> 00:25:50,280
Speaker 1: you know a lot of great things about you.

636
00:25:50,320 --> 00:25:50,879
Speaker 4: I'm okay.

637
00:25:51,240 --> 00:25:54,159
Speaker 1: But I could tell at first they were how did

638
00:25:54,200 --> 00:25:58,359
Speaker 1: you say, like, uh, you know, if you're like Leary, weary,

639
00:25:58,480 --> 00:26:01,560
Speaker 1: weary of somebody like radio guy, you know whatever, So

640
00:26:01,680 --> 00:26:03,840
Speaker 1: a little let's stay in office at first, right, Uh.

641
00:26:03,880 --> 00:26:05,639
Speaker 1: And then you know, I start talking to him, and

642
00:26:05,640 --> 00:26:08,199
Speaker 1: then I start talking to the lady Holly, who is

643
00:26:08,240 --> 00:26:11,000
Speaker 1: the person doing the interview, and I could tell now

644
00:26:11,000 --> 00:26:12,800
Speaker 1: we're starting to really kind of hit it off really well.

645
00:26:13,160 --> 00:26:14,080
Speaker 4: Uh and Uh.

646
00:26:14,119 --> 00:26:16,199
Speaker 1: So we started just kind She starts interviewing me and

647
00:26:16,200 --> 00:26:18,680
Speaker 1: talking about the story, and I let her know. I said, listen,

648
00:26:18,680 --> 00:26:20,159
Speaker 1: a lot of this stuff is not from my memory.

649
00:26:20,160 --> 00:26:22,679
Speaker 1: I just kind of watched a YouTube dot.

650
00:26:22,560 --> 00:26:23,040
Speaker 3: The map on it.

651
00:26:23,080 --> 00:26:24,880
Speaker 1: And they're like, oh my god, we're so glad. That's

652
00:26:24,920 --> 00:26:27,000
Speaker 1: so great. So you can just help us fill in

653
00:26:27,000 --> 00:26:30,159
Speaker 1: the blanks of things. And uh and I got to

654
00:26:30,160 --> 00:26:33,160
Speaker 1: tell you, guys, uh, you know if I if I,

655
00:26:33,160 --> 00:26:35,840
Speaker 1: if I bumbled it, I would tell you I knocked

656
00:26:35,840 --> 00:26:39,440
Speaker 1: it out of the park. They were so happy with.

657
00:26:39,359 --> 00:26:39,719
Speaker 4: What I did.

658
00:26:39,800 --> 00:26:41,840
Speaker 1: They asked if I wanted to do anymore, you know, hey,

659
00:26:41,880 --> 00:26:44,040
Speaker 1: if we have another story like this, would you yeah, yeah,

660
00:26:44,080 --> 00:26:48,199
Speaker 1: sure whatever, and uh and it went really well. I

661
00:26:48,240 --> 00:26:50,800
Speaker 1: brought up I brought up points of view that they

662
00:26:50,800 --> 00:26:55,119
Speaker 1: had not even thought about themselves with the story, and uh,

663
00:26:55,280 --> 00:26:57,040
Speaker 1: it went super well. I did a little a little

664
00:26:57,080 --> 00:26:57,960
Speaker 1: video with me, Holly.

665
00:26:58,000 --> 00:27:00,960
Speaker 6: I I could tell you like me, you know, you know,

666
00:27:01,040 --> 00:27:03,800
Speaker 6: you can tell if somebody some people like you know,

667
00:27:03,840 --> 00:27:05,480
Speaker 6: they didn't care for me one way or the other.

668
00:27:05,680 --> 00:27:08,359
Speaker 6: But I can just tell you can even see her

669
00:27:08,359 --> 00:27:08,960
Speaker 6: body language.

670
00:27:08,960 --> 00:27:12,399
Speaker 3: I think, oh, yeah, wow, you're an insane person.

671
00:27:12,640 --> 00:27:16,560
Speaker 4: You just tell Yeah, there's hold on. I did a

672
00:27:16,560 --> 00:27:17,240
Speaker 4: little video with.

673
00:27:17,200 --> 00:27:19,399
Speaker 3: Her standing there talking exactly.

674
00:27:19,520 --> 00:27:22,160
Speaker 2: Heavn't forbid that the person who makes a living off

675
00:27:22,200 --> 00:27:25,080
Speaker 2: of telling stories and acting the interesting and stuff, and

676
00:27:25,119 --> 00:27:26,680
Speaker 2: then he's the one that's going to fall for it.

677
00:27:26,840 --> 00:27:31,960
Speaker 7: Like thetder really likes the stripper like him.

678
00:27:32,119 --> 00:27:35,320
Speaker 5: Yeah, hey, man, I think she keeps looking down at

679
00:27:35,320 --> 00:27:38,320
Speaker 5: that ridiculous chain thinking you're a former white rapper.

680
00:27:40,000 --> 00:27:41,399
Speaker 4: I could tell she really liked me.

681
00:27:41,920 --> 00:27:44,520
Speaker 7: You had your Triple R hat. What did you expect

682
00:27:44,560 --> 00:27:45,560
Speaker 7: for them to call you?

683
00:27:45,560 --> 00:27:47,600
Speaker 4: No? No, here's the thing. They didn't see the hat.

684
00:27:48,040 --> 00:27:50,560
Speaker 1: I guess that's what the director called me, right, And

685
00:27:50,640 --> 00:27:52,159
Speaker 1: so what they did and they told me that I

686
00:27:52,160 --> 00:27:54,080
Speaker 1: couldn't wear any monster gear because they would have to

687
00:27:54,119 --> 00:27:56,320
Speaker 1: blur it out. But I had my Triple R hat

688
00:27:56,359 --> 00:27:59,200
Speaker 1: on and they did actual They like, we want to

689
00:27:59,480 --> 00:28:01,520
Speaker 1: do some video of your hat. So I had just

690
00:28:01,600 --> 00:28:03,840
Speaker 1: sit there for a minute or two while they well,

691
00:28:03,880 --> 00:28:06,760
Speaker 1: they well, they videoed the hat and they introduced me

692
00:28:06,800 --> 00:28:09,800
Speaker 1: at Russ Rowlands Triple R and I'm like, they really.

693
00:28:09,800 --> 00:28:12,040
Speaker 2: Really probably why they didn't shoot it in studio because

694
00:28:12,040 --> 00:28:12,800
Speaker 2: of iHeartMedia.

695
00:28:13,240 --> 00:28:15,800
Speaker 4: Yes, yeah, yeah, any any of.

696
00:28:15,800 --> 00:28:17,840
Speaker 2: The iHeartMedia logos or any of this stuff that would

697
00:28:17,880 --> 00:28:18,840
Speaker 2: have popped up on that.

698
00:28:18,840 --> 00:28:20,800
Speaker 1: And she said my triple R thing was not an

699
00:28:20,840 --> 00:28:22,800
Speaker 1: actual logo, so they could use that, right, So.

700
00:28:22,760 --> 00:28:25,480
Speaker 4: They video they they and I guess.

701
00:28:25,359 --> 00:28:28,239
Speaker 1: That's how he knows me as in and that's how

702
00:28:28,280 --> 00:28:31,320
Speaker 1: he introduced me to all them as in Hollywood.

703
00:28:30,840 --> 00:28:32,040
Speaker 4: A triple R will be there.

704
00:28:32,080 --> 00:28:33,920
Speaker 1: So they said what they were calling me, and when

705
00:28:33,920 --> 00:28:36,240
Speaker 1: they do this documentary, that's what they're gonna put And

706
00:28:36,280 --> 00:28:39,320
Speaker 1: I'm like, okay, fine, you know it's a you know,

707
00:28:39,360 --> 00:28:40,120
Speaker 1: I'll lean into that.

708
00:28:40,120 --> 00:28:40,720
Speaker 4: That's fine.

709
00:28:40,800 --> 00:28:44,040
Speaker 2: But the hilarity of that being the next segment after

710
00:28:44,120 --> 00:28:46,440
Speaker 2: this whole thing that we did about fighting being old

711
00:28:46,480 --> 00:28:49,160
Speaker 2: and yeah, each appropriate and everything, and then we he

712
00:28:49,200 --> 00:28:51,880
Speaker 2: goes on the radio or he does a documentary and

713
00:28:51,920 --> 00:28:53,840
Speaker 2: he's going to go instead of by his name, he's

714
00:28:53,840 --> 00:28:55,600
Speaker 2: going to go buy the Monikerr.

715
00:28:55,720 --> 00:28:57,760
Speaker 1: Well, I didn't do it though, like that, that's how

716
00:28:58,280 --> 00:29:00,600
Speaker 1: to start calling me cool nickname. So that's how they

717
00:29:00,640 --> 00:29:03,000
Speaker 1: know me there, right, So I was gonna correct them,

718
00:29:03,040 --> 00:29:04,560
Speaker 1: you know, don't call me triple hard like that.

719
00:29:05,520 --> 00:29:07,000
Speaker 4: Yeah, yeah, you know, they.

720
00:29:06,920 --> 00:29:08,120
Speaker 1: Don't correct my cool nickname.

721
00:29:08,200 --> 00:29:08,920
Speaker 4: Listen, I'm triple R.

722
00:29:08,960 --> 00:29:10,680
Speaker 1: Doesn't matter how old I get right when if I'm

723
00:29:10,760 --> 00:29:11,800
Speaker 1: if I'm ninety eight.

724
00:29:11,640 --> 00:29:12,440
Speaker 4: I'm still Triple R.

725
00:29:13,080 --> 00:29:13,360
Speaker 1: Yeah.

726
00:29:13,480 --> 00:29:16,680
Speaker 4: Yeah, so but it went really well. I was uh.

727
00:29:16,840 --> 00:29:19,560
Speaker 1: And they kept me longer, an hour longer than they

728
00:29:19,560 --> 00:29:20,520
Speaker 1: thought they were going to.

729
00:29:21,360 --> 00:29:22,760
Speaker 7: You're an hour and a half early.

730
00:29:23,440 --> 00:29:24,520
Speaker 4: I was early, you're right.

731
00:29:24,600 --> 00:29:26,080
Speaker 1: Yeah, So they kept me longer because they're like, oh,

732
00:29:26,080 --> 00:29:28,040
Speaker 1: we want to ask you more questions because they like

733
00:29:28,160 --> 00:29:29,240
Speaker 1: my mike energy.

734
00:29:29,360 --> 00:29:30,280
Speaker 3: They made you read stuff.

735
00:29:30,280 --> 00:29:30,960
Speaker 1: It takes a while.

736
00:29:31,440 --> 00:29:32,480
Speaker 4: They did not make me read anything.

737
00:29:32,520 --> 00:29:34,240
Speaker 1: They just wanted to get my reaction to everything, and

738
00:29:34,280 --> 00:29:36,760
Speaker 1: they liked I was being animated and you know, making

739
00:29:36,800 --> 00:29:37,240
Speaker 1: them laugh.

740
00:29:37,440 --> 00:29:39,640
Speaker 3: I'm so good at this. Guy's a cool I crushed it.

741
00:29:39,720 --> 00:29:41,000
Speaker 3: Whatever Triple R is the best.

742
00:29:41,240 --> 00:29:43,160
Speaker 1: I was really good at it. I'll be honest with you.

743
00:29:43,240 --> 00:29:44,920
Speaker 1: I mean, if I sucked, I would tell you. I'm like,

744
00:29:44,960 --> 00:29:46,920
Speaker 1: oh my god, that I feel like I'm more on. Uh.

745
00:29:47,120 --> 00:29:49,080
Speaker 5: I hope they put this out and it's like you're

746
00:29:49,120 --> 00:29:51,720
Speaker 5: the Blooper real And then they're like, and now we're.

747
00:29:51,560 --> 00:29:52,800
Speaker 2: Going to go to the radio guy.

748
00:29:52,880 --> 00:29:54,920
Speaker 5: He thinks he knows what's up, but he just starts

749
00:29:54,960 --> 00:29:55,960
Speaker 5: bouncing stuff.

750
00:29:56,040 --> 00:29:56,200
Speaker 4: You know.

751
00:29:56,280 --> 00:29:58,719
Speaker 1: Us they needed, they need They wanted to get video

752
00:29:58,880 --> 00:30:01,560
Speaker 1: from back in two thousand and uh and six, two

753
00:30:01,600 --> 00:30:03,640
Speaker 1: thousand and seven, and I'm like, well, I don't think.

754
00:30:03,680 --> 00:30:05,640
Speaker 1: I'm like, oh my god, I do have some. So

755
00:30:05,760 --> 00:30:08,120
Speaker 1: we went online. We went to a real radio monsters

756
00:30:08,160 --> 00:30:10,720
Speaker 1: dot com and went to Monster Vision and we've got

757
00:30:11,080 --> 00:30:14,320
Speaker 1: video of me in studio back around that time, and

758
00:30:14,360 --> 00:30:19,200
Speaker 1: they're going to use that as well for they know, well,

759
00:30:19,240 --> 00:30:20,600
Speaker 1: you know, she was like, look look at you.

760
00:30:20,600 --> 00:30:21,320
Speaker 4: You got to tie on.

761
00:30:21,360 --> 00:30:24,200
Speaker 1: You know, we like because I had a tie, and

762
00:30:25,120 --> 00:30:27,480
Speaker 1: you know, she was very very nice ould.

763
00:30:27,240 --> 00:30:30,720
Speaker 5: Triple R and also the same guy who thinks the

764
00:30:30,720 --> 00:30:32,880
Speaker 5: strippers like you what they.

765
00:30:32,760 --> 00:30:35,959
Speaker 1: Did though, I mean she moved in with me. I

766
00:30:35,960 --> 00:30:42,160
Speaker 1: think she liked me. Two strippers right exactly. So you

767
00:30:42,600 --> 00:30:45,640
Speaker 1: laugh if you want. But they did like me. I

768
00:30:45,640 --> 00:30:47,080
Speaker 1: could tell a couple of the other people didn't.

769
00:30:47,120 --> 00:30:47,240
Speaker 6: You know.

770
00:30:47,280 --> 00:30:49,120
Speaker 1: The other people could care less one way or the other,

771
00:30:49,160 --> 00:30:51,800
Speaker 1: you know, but uh uh, the ones I spoke with

772
00:30:52,040 --> 00:30:54,480
Speaker 1: seemed to you know, it was a good job.

773
00:30:55,240 --> 00:30:56,719
Speaker 4: I turned to charm one.

774
00:30:56,920 --> 00:30:57,160
Speaker 6: Yeah.

775
00:30:57,280 --> 00:30:58,880
Speaker 1: Yeah, and then you know, it was good to know

776
00:30:58,920 --> 00:31:01,320
Speaker 1: I still got it, still got it if I need it, right,

777
00:31:02,120 --> 00:31:06,240
Speaker 1: it's still there. Yeah. So I don't know, I don't

778
00:31:06,280 --> 00:31:08,120
Speaker 1: know when I don't know when the documentary is coming out,

779
00:31:08,120 --> 00:31:11,080
Speaker 1: but I'll let you know what it is. It's ABC documentary. Uh,

780
00:31:11,120 --> 00:31:12,440
Speaker 1: And I got to tell you. And I even said

781
00:31:12,440 --> 00:31:14,720
Speaker 1: this on the in the pieces, And I feel bad

782
00:31:14,840 --> 00:31:17,760
Speaker 1: for Lisa Noak. This was twenty years ago. She's trying

783
00:31:17,800 --> 00:31:19,640
Speaker 1: to move on with her life. What's she gonna think

784
00:31:19,680 --> 00:31:22,120
Speaker 1: when she's watching this documentary and they don't like they

785
00:31:22,160 --> 00:31:24,400
Speaker 1: all their eyes got big, but they're like, oh, yeah,

786
00:31:24,400 --> 00:31:25,400
Speaker 1: we'll use that. That's good.

787
00:31:25,960 --> 00:31:27,640
Speaker 4: And I'm like, I mean, think about it. I mean,

788
00:31:27,680 --> 00:31:29,000
Speaker 4: she's trying to get past all this.

789
00:31:29,360 --> 00:31:32,280
Speaker 1: She had one day in her life where she flipped

790
00:31:32,280 --> 00:31:36,560
Speaker 1: out because she found out her boyfriend was seeing somebody else.

791
00:31:36,640 --> 00:31:39,760
Speaker 1: Like she had no idea. She she got pissed off.

792
00:31:40,080 --> 00:31:43,080
Speaker 1: She drove from Houston to Orlando. The whole thing about

793
00:31:43,120 --> 00:31:46,520
Speaker 1: the diapers is not even actually the diapers were in

794
00:31:46,560 --> 00:31:49,000
Speaker 1: the in the trunk. She didn't really do what you

795
00:31:49,040 --> 00:31:51,400
Speaker 1: know was projected and what I talked about.

796
00:31:51,440 --> 00:31:53,480
Speaker 3: People asked her how she feels about it. She says,

797
00:31:53,480 --> 00:31:54,080
Speaker 3: it depends.

798
00:31:55,000 --> 00:31:59,320
Speaker 1: See see all the jokes and and but before that,

799
00:32:00,200 --> 00:32:02,200
Speaker 1: this was this was a woman that worked her way

800
00:32:02,280 --> 00:32:03,920
Speaker 1: up to being an astronaut.

801
00:32:03,960 --> 00:32:04,880
Speaker 4: Went into space.

802
00:32:05,240 --> 00:32:08,800
Speaker 1: I mean like really smart, super sweet, you know for

803
00:32:08,960 --> 00:32:12,880
Speaker 1: every report, just a nice lady. And and all they

804
00:32:12,920 --> 00:32:15,440
Speaker 1: talked about is her bad day.

805
00:32:15,520 --> 00:32:17,240
Speaker 3: You know, that's a day.

806
00:32:17,520 --> 00:32:18,960
Speaker 4: Yeah, she had a bad day.

807
00:32:19,240 --> 00:32:20,600
Speaker 1: But a lot of us, you know, love will make

808
00:32:20,600 --> 00:32:21,560
Speaker 1: you do crazy things.

809
00:32:21,920 --> 00:32:24,160
Speaker 2: As I know, everything you're saying is accurate. But here's

810
00:32:24,200 --> 00:32:28,160
Speaker 2: the thing. When you're when your bad day goes above

811
00:32:28,200 --> 00:32:31,560
Speaker 2: and beyond what most people would do as bad days,

812
00:32:32,040 --> 00:32:33,680
Speaker 2: that's where the notoriety comes from.

813
00:32:33,720 --> 00:32:35,480
Speaker 1: And the fact that she was an astronaut that made

814
00:32:35,480 --> 00:32:38,080
Speaker 1: it even was like, oh, like we think astronauts are

815
00:32:38,200 --> 00:32:41,239
Speaker 1: up here with rocket scientists and surgeons, you know, like, oh,

816
00:32:41,280 --> 00:32:41,760
Speaker 1: there they.

817
00:32:41,680 --> 00:32:44,240
Speaker 2: Are, and they're not they don't have human emotions.

818
00:32:44,320 --> 00:32:47,840
Speaker 1: Yeah yeah, but but nobody made fun of Bill, the

819
00:32:47,880 --> 00:32:49,840
Speaker 1: guy that was seeing two women at once. He was

820
00:32:49,880 --> 00:32:52,320
Speaker 1: an astronaut and he didn't get arrested, and he never

821
00:32:52,400 --> 00:32:54,200
Speaker 1: you know, he never got dogged, and.

822
00:32:54,440 --> 00:32:57,280
Speaker 4: He was he didn't do anything illegal. It was breaking hearts.

823
00:32:57,320 --> 00:32:59,440
Speaker 1: Man, you can't be breaking oh my gosh, coming from

824
00:32:59,480 --> 00:33:13,480
Speaker 1: this guy. You're listening to the Match of the morning. Hey, Ryan,

825
00:33:13,560 --> 00:33:19,480
Speaker 1: today is one of your uh, one of your favorite days. Okay,

826
00:33:19,720 --> 00:33:26,040
Speaker 1: what's up? National Hugging Day. No, today is National Hugging Day.

827
00:33:26,080 --> 00:33:27,840
Speaker 1: You know it is acceptable to hug people.

828
00:33:28,040 --> 00:33:30,400
Speaker 5: It is not, and I gotta tell you I say

829
00:33:30,440 --> 00:33:31,480
Speaker 5: it otherwise it's a salt.

830
00:33:31,480 --> 00:33:32,200
Speaker 1: No, I'm sick.

831
00:33:32,280 --> 00:33:32,720
Speaker 3: I'm sick.

832
00:33:34,880 --> 00:33:38,840
Speaker 1: Sick, you're always sneezing. Nobody thinks you're sick. When I

833
00:33:38,920 --> 00:33:41,120
Speaker 1: when I left the ABC documentary thing, you said, I

834
00:33:41,200 --> 00:33:41,760
Speaker 1: hugged everybody.

835
00:33:41,760 --> 00:33:44,360
Speaker 4: I hugged the cameraman, I hugged, the hugged Holly.

836
00:33:44,360 --> 00:33:45,720
Speaker 1: I hugged the other people.

837
00:33:46,200 --> 00:33:47,200
Speaker 4: People like to be hugged.

838
00:33:47,720 --> 00:33:50,320
Speaker 7: My breath when I hugged you breathe your air.

839
00:33:51,040 --> 00:33:51,800
Speaker 1: I hugged.

840
00:33:51,840 --> 00:33:53,640
Speaker 3: I'm also wearing restless Pheromoune Colone.

841
00:33:55,240 --> 00:33:58,360
Speaker 1: I hugged m J m J F yesterday when he left,

842
00:33:58,400 --> 00:33:59,360
Speaker 1: Like I'm a hugger.

843
00:33:59,560 --> 00:33:59,920
Speaker 4: Done wrong.

844
00:34:00,120 --> 00:34:02,560
Speaker 5: Hugging folks, it is.

845
00:34:02,600 --> 00:34:03,280
Speaker 3: It's a salt.

846
00:34:03,440 --> 00:34:04,000
Speaker 4: It is not.

847
00:34:04,360 --> 00:34:07,760
Speaker 5: You can't just go around hugging people. Can't without consent.

848
00:34:07,920 --> 00:34:10,680
Speaker 1: Whether someone would prefer a big hug or not. Today

849
00:34:10,960 --> 00:34:15,880
Speaker 1: is National Hugging Day. Yeah, like hugs.

850
00:34:16,080 --> 00:34:17,160
Speaker 7: It makes you feel good.

851
00:34:17,400 --> 00:34:19,319
Speaker 3: No, they don't, you see do well?

852
00:34:19,400 --> 00:34:21,200
Speaker 1: Okay, let's find why people don't.

853
00:34:21,000 --> 00:34:22,960
Speaker 3: Brush their teeth to come in for a hug or

854
00:34:23,480 --> 00:34:24,200
Speaker 3: coffee bread.

855
00:34:24,320 --> 00:34:27,399
Speaker 4: Why do you think you're anti hug I.

856
00:34:27,400 --> 00:34:30,399
Speaker 5: Just don't want to touch another person most of the time,

857
00:34:30,880 --> 00:34:33,760
Speaker 5: like people, I don't know if i'm if I'm drinking,

858
00:34:33,920 --> 00:34:35,000
Speaker 5: I'll hug you again.

859
00:34:35,120 --> 00:34:37,520
Speaker 7: You're a hugger when you drink. You hug me all

860
00:34:37,560 --> 00:34:39,600
Speaker 7: the time. When you drink.

861
00:34:38,840 --> 00:34:40,480
Speaker 1: You know, I love you?

862
00:34:40,600 --> 00:34:40,920
Speaker 5: Right?

863
00:34:41,160 --> 00:34:41,759
Speaker 4: Yeah you do.

864
00:34:42,000 --> 00:34:45,759
Speaker 1: That sounds like me. So, so what you're saying is

865
00:34:45,840 --> 00:34:48,280
Speaker 1: when you're feeling more friendly, you don't mind hugging.

866
00:34:48,320 --> 00:34:51,080
Speaker 2: It's not really ambitious. It's inhibitions. So he's had a

867
00:34:51,080 --> 00:34:54,920
Speaker 2: couple of beers in them and then his inhibition drops. Yeah,

868
00:34:54,560 --> 00:34:58,680
Speaker 2: when he's like this, he's conscious of boundaries and all

869
00:34:58,719 --> 00:34:59,280
Speaker 2: these things.

870
00:34:59,120 --> 00:35:00,280
Speaker 4: That are thinking too much.

871
00:35:00,920 --> 00:35:02,719
Speaker 2: It's not thinking too much, it's just in his head.

872
00:35:02,960 --> 00:35:05,560
Speaker 3: Yeah, I just don't like, I don't know to hug somebody.

873
00:35:05,640 --> 00:35:07,560
Speaker 3: Yet it's like it's as weird as awkward.

874
00:35:07,680 --> 00:35:09,719
Speaker 5: It's like like you can f up a hug, like

875
00:35:09,760 --> 00:35:11,560
Speaker 5: the same way you can mess up a handshake, you

876
00:35:11,560 --> 00:35:12,000
Speaker 5: know what I mean.

877
00:35:12,200 --> 00:35:15,000
Speaker 3: I don't like you're going high, they're going low.

878
00:35:15,120 --> 00:35:18,359
Speaker 5: Sometimes never been hug limbo, where like you think it's

879
00:35:18,360 --> 00:35:20,479
Speaker 5: about to happen and then like the hug doesn't happen,

880
00:35:20,520 --> 00:35:21,920
Speaker 5: So this weird one arm thing.

881
00:35:22,080 --> 00:35:22,880
Speaker 3: Oh, it's the worst.

882
00:35:23,080 --> 00:35:25,279
Speaker 7: I even people like hug you and then they pat

883
00:35:25,320 --> 00:35:25,839
Speaker 7: you on the back.

884
00:35:25,960 --> 00:35:27,799
Speaker 1: It's like this, you just did that to me?

885
00:35:29,000 --> 00:35:29,760
Speaker 7: Did you on the chest?

886
00:35:29,880 --> 00:35:32,359
Speaker 8: She was trying to annoy you though, that was like

887
00:35:32,400 --> 00:35:34,319
Speaker 8: a weird, annoying hug.

888
00:35:35,800 --> 00:35:39,400
Speaker 5: I don't I don't know, like especially like like hugging

889
00:35:39,440 --> 00:35:42,239
Speaker 5: women's always weird and like is this okay? Like are

890
00:35:42,239 --> 00:35:42,960
Speaker 5: we allowed to do this?

891
00:35:43,200 --> 00:35:43,600
Speaker 4: Yeah?

892
00:35:43,719 --> 00:35:45,080
Speaker 1: You can wired nipples hard?

893
00:35:45,480 --> 00:35:46,120
Speaker 3: Whoa what?

894
00:35:46,880 --> 00:35:51,200
Speaker 1: Scientists determine that hugs will lower your blood pressure, yes,

895
00:35:51,440 --> 00:35:54,760
Speaker 1: trigger a release of a healthy hormones and release stress

896
00:35:54,960 --> 00:35:56,320
Speaker 1: and uh.

897
00:35:56,719 --> 00:35:59,040
Speaker 8: If you hug someone for like twenty seconds, like a

898
00:35:59,120 --> 00:36:01,920
Speaker 8: really good huh hug, then you'll feel them kind of

899
00:36:01,960 --> 00:36:03,280
Speaker 8: like release some of their stress.

900
00:36:03,320 --> 00:36:05,520
Speaker 1: Well, a friendly hug with someone you just it's usually

901
00:36:05,560 --> 00:36:07,400
Speaker 1: just like a quickie, a little, quick little hug.

902
00:36:07,480 --> 00:36:09,319
Speaker 4: Oh it's great to meet you at quick little hug.

903
00:36:09,440 --> 00:36:11,719
Speaker 7: Do you see the way you did that quickly little hug?

904
00:36:11,840 --> 00:36:12,000
Speaker 1: Yeah?

905
00:36:12,040 --> 00:36:12,560
Speaker 7: What is that?

906
00:36:12,760 --> 00:36:13,160
Speaker 1: A head?

907
00:36:13,160 --> 00:36:18,120
Speaker 3: Lots your eggs are aggressive hugs, by the way, weird.

908
00:36:18,480 --> 00:36:22,520
Speaker 7: It's not that is so weird. That's exactly how you

909
00:36:22,560 --> 00:36:23,040
Speaker 7: look at that.

910
00:36:23,080 --> 00:36:25,560
Speaker 3: What why is your aggressive You're literally make it.

911
00:36:26,000 --> 00:36:26,799
Speaker 4: I tell you, I tell you why.

912
00:36:26,840 --> 00:36:28,160
Speaker 1: I hug like this because you know, I don't want

913
00:36:28,160 --> 00:36:29,920
Speaker 1: my nipples to be on your nipples, right, so I

914
00:36:30,000 --> 00:36:30,720
Speaker 1: to them to the side.

915
00:36:30,800 --> 00:36:31,839
Speaker 4: So we did a little side hug.

916
00:36:33,040 --> 00:36:34,160
Speaker 7: In between my nipples.

917
00:36:34,680 --> 00:36:35,680
Speaker 1: Yeah, that's so weird.

918
00:36:35,840 --> 00:36:37,120
Speaker 4: You don't want a double nipple. Yeah.

919
00:36:37,120 --> 00:36:38,719
Speaker 2: The fact that that's what they're thinking about it and

920
00:36:38,760 --> 00:36:40,359
Speaker 2: a hug, no one thinks about that.

921
00:36:41,080 --> 00:36:43,040
Speaker 4: I think a side hug is good.

922
00:36:43,080 --> 00:36:45,480
Speaker 1: I think you know, it's not front hug where all

923
00:36:45,520 --> 00:36:48,480
Speaker 1: your frontals are against someone's frontals. I think is probably

924
00:36:48,480 --> 00:36:50,560
Speaker 1: a little improper. Little side hug is cute.

925
00:36:51,440 --> 00:36:54,960
Speaker 8: Yeah, I know, but you're like shoving your shoulder in somebody.

926
00:36:56,000 --> 00:36:58,040
Speaker 1: I'm sure hug.

927
00:36:59,080 --> 00:36:59,880
Speaker 4: I'm sure I'll hug you.

928
00:37:00,040 --> 00:37:01,759
Speaker 5: Wait, go in front of her cameras and people can

929
00:37:01,800 --> 00:37:03,839
Speaker 5: see it, and I a okay, like.

930
00:37:03,880 --> 00:37:06,600
Speaker 1: This all right, okay, not like this, just like.

931
00:37:09,120 --> 00:37:10,120
Speaker 3: It's a weird hug.

932
00:37:11,680 --> 00:37:12,560
Speaker 4: I'm not gonna do that to you.

933
00:37:12,719 --> 00:37:17,600
Speaker 6: I'm saying, like, I think, like, yeah, to the side.

934
00:37:17,880 --> 00:37:20,279
Speaker 4: That way, my nipples aren't on your nipples.

935
00:37:20,320 --> 00:37:23,360
Speaker 2: Just within the last four minutes, Russ was getting on

936
00:37:23,440 --> 00:37:26,640
Speaker 2: Rhine that he's overthinking hugs, and wow, you're the epitome

937
00:37:26,719 --> 00:37:27,600
Speaker 2: of overthinking a hug.

938
00:37:27,760 --> 00:37:30,160
Speaker 1: If I'm hugging Rye and if I'm hugging anybody, it's

939
00:37:30,200 --> 00:37:31,080
Speaker 1: a little side hug.

940
00:37:31,320 --> 00:37:34,359
Speaker 3: He does this aggressive one and he goes girl in

941
00:37:34,400 --> 00:37:34,799
Speaker 3: your ear.

942
00:37:35,320 --> 00:37:36,799
Speaker 1: Yeah, I do that for you.

943
00:37:36,840 --> 00:37:37,919
Speaker 4: I growl for you.

944
00:37:38,000 --> 00:37:38,600
Speaker 1: Yeah.

945
00:37:38,640 --> 00:37:42,440
Speaker 5: Okay, that's weird and that's why you get no hugs.

946
00:37:43,800 --> 00:37:47,719
Speaker 1: Well, today is National Hugging Day, so uh, you know,

947
00:37:47,880 --> 00:37:50,080
Speaker 1: if you're if you're a hugger, it's okay.

948
00:37:50,200 --> 00:37:51,720
Speaker 4: And they're saying it's in this article.

949
00:37:51,760 --> 00:37:53,759
Speaker 1: They say it's it's more acceptable now than it was

950
00:37:54,080 --> 00:37:54,799
Speaker 1: thirty years ago.

951
00:37:55,120 --> 00:37:56,399
Speaker 3: Well, I don't like it.

952
00:37:57,440 --> 00:37:57,960
Speaker 1: I do.

953
00:37:58,200 --> 00:38:00,560
Speaker 5: I do do the twenty second hug with my wife though,

954
00:38:00,600 --> 00:38:02,560
Speaker 5: because I heard that one time where it releases a

955
00:38:02,600 --> 00:38:03,520
Speaker 5: bunch of endorphins, and.

956
00:38:03,520 --> 00:38:06,080
Speaker 3: I do my wife love love hugging my wife.

957
00:38:06,360 --> 00:38:08,880
Speaker 1: Yeah yeah, well that's that's a love hug. That's different

958
00:38:08,880 --> 00:38:12,120
Speaker 1: than a friend friendly you know, Hey, we're all cool, though.

959
00:38:12,200 --> 00:38:13,719
Speaker 5: I see like all these things and things that I

960
00:38:13,760 --> 00:38:15,799
Speaker 5: do in my wife, like it's like those cultures that

961
00:38:15,880 --> 00:38:17,719
Speaker 5: like kiss each other on the cheek. I'm like, that's

962
00:38:17,719 --> 00:38:18,200
Speaker 5: not for you.

963
00:38:18,280 --> 00:38:20,239
Speaker 4: Yeah, I'm not down with that. I agree with you there.

964
00:38:20,280 --> 00:38:21,879
Speaker 4: I don't like kiss on the cheek.

965
00:38:21,960 --> 00:38:25,080
Speaker 7: Oh, sometimes you guys just really overthink things.

966
00:38:25,320 --> 00:38:27,480
Speaker 4: Oh they do that where your your man's from, right,

967
00:38:27,480 --> 00:38:28,359
Speaker 4: they kiss on the cheek.

968
00:38:29,040 --> 00:38:32,240
Speaker 8: Well, no, you'd like just the Hispanic culture, you kiss

969
00:38:32,239 --> 00:38:32,839
Speaker 8: each other on.

970
00:38:32,800 --> 00:38:36,160
Speaker 3: The cheek, you really get Yeah, in America we do that,

971
00:38:36,560 --> 00:38:36,880
Speaker 3: all of that.

972
00:38:36,960 --> 00:38:40,920
Speaker 2: In America, then the guys kitch uh and and and

973
00:38:41,160 --> 00:38:46,399
Speaker 2: Argentina amongst men, it's uh friendly to kiss on each

974
00:38:46,480 --> 00:38:47,080
Speaker 2: cheek as well.

975
00:38:47,160 --> 00:38:48,359
Speaker 1: Yeah, I had learned that.

976
00:38:48,440 --> 00:38:51,160
Speaker 5: I deal with that because I didn't want to have

977
00:38:51,400 --> 00:38:52,399
Speaker 5: social faux paul.

978
00:38:52,520 --> 00:38:53,120
Speaker 1: So I learned.

979
00:38:53,120 --> 00:38:54,879
Speaker 5: I look that up and then like if somebody goes

980
00:38:54,920 --> 00:38:56,000
Speaker 5: to do it, I had to do it too.

981
00:38:56,040 --> 00:38:58,480
Speaker 1: But it felt weird just to like because like air

982
00:38:58,600 --> 00:38:59,040
Speaker 1: kiss it was.

983
00:38:59,040 --> 00:39:01,640
Speaker 3: Like a look, air kissed the men over there, air

984
00:39:01,719 --> 00:39:03,360
Speaker 3: kissed the man. He was very nice.

985
00:39:03,560 --> 00:39:05,800
Speaker 2: That's culturally appropriate to do it. In Argentina.

986
00:39:06,120 --> 00:39:07,680
Speaker 5: I was like, oh cool, I'm in you know, like

987
00:39:07,719 --> 00:39:09,799
Speaker 5: I felt like, oh, of course, guys like I'm here

988
00:39:09,800 --> 00:39:13,400
Speaker 5: and I'm cool. Then we hard frenched afterwards, but like

989
00:39:13,440 --> 00:39:14,320
Speaker 5: it's part of the culture.

990
00:39:14,440 --> 00:39:15,160
Speaker 4: It's is where it is.

991
00:39:15,239 --> 00:39:17,359
Speaker 1: Yeah, yeah, all right, take a break when we come back,

992
00:39:17,360 --> 00:39:19,760
Speaker 1: it's trivia time. It's your chance to win some stuff,

993
00:39:19,800 --> 00:39:22,279
Speaker 1: so get on the line. The telephone number is four

994
00:39:22,320 --> 00:39:25,839
Speaker 1: oh seven nine one six one o four one. When

995
00:39:25,880 --> 00:39:27,840
Speaker 1: you win trivia, you get to plug and promote whatever

996
00:39:27,880 --> 00:39:29,839
Speaker 1: you want, so we'll do that when we come back.

997
00:39:29,880 --> 00:39:31,440
Speaker 1: You're listening to the mantras in the morning.