1 00:00:00,320 --> 00:00:03,880 Speaker 1: KFI AM six forty. You're listening to Dean Sharp The 2 00:00:03,920 --> 00:00:09,920 Speaker 1: house Whisper on demand on the iHeart Radio app. Dean 3 00:00:10,000 --> 00:00:14,640 Speaker 1: Sharp The house Whisper, Custom home Builder, custom home Designer, 4 00:00:14,840 --> 00:00:17,960 Speaker 1: and your guide to better understanding that place where you live. 5 00:00:18,280 --> 00:00:21,080 Speaker 1: Every home has a path forward. Once you see it, 6 00:00:21,360 --> 00:00:25,799 Speaker 1: that's when everything changes. And that's exactly what I'm talking 7 00:00:25,800 --> 00:00:30,640 Speaker 1: to you about today, seeing the path forward. Today's topic 8 00:00:30,920 --> 00:00:33,960 Speaker 1: is the beginning of an ongoing series that we'll be 9 00:00:34,000 --> 00:00:38,199 Speaker 1: doing throughout the year, not just every single week, but 10 00:00:38,320 --> 00:00:41,640 Speaker 1: we'll be revisiting this throughout the year. Designing like a 11 00:00:41,680 --> 00:00:44,680 Speaker 1: house Whisper getting the biggest results from your limited budget 12 00:00:44,680 --> 00:00:50,280 Speaker 1: by unleashing the most powerful design principles possible in your home. 13 00:00:50,560 --> 00:00:56,240 Speaker 1: And that is that takes more than what appears on 14 00:00:56,320 --> 00:00:59,720 Speaker 1: the surface. It takes some unconventional thinking to get an 15 00:00:59,760 --> 00:01:03,360 Speaker 1: extra ordinary home. Extraordinary home. You've got to do some 16 00:01:03,440 --> 00:01:05,839 Speaker 1: things that are a little bit out of the ordinary 17 00:01:05,959 --> 00:01:11,120 Speaker 1: when it comes to approaching its design issues. And honestly, 18 00:01:11,440 --> 00:01:14,200 Speaker 1: I wish it wasn't out of the ordinary. I wish 19 00:01:14,480 --> 00:01:19,440 Speaker 1: what I'm talking about today was commonplace, was standard practice 20 00:01:19,480 --> 00:01:23,240 Speaker 1: for all design in all homes, everywhere, all the time, 21 00:01:23,720 --> 00:01:25,880 Speaker 1: and if I have anything to say about it, you know, 22 00:01:26,040 --> 00:01:29,520 Speaker 1: I'm attempting to make it far more common than it is. 23 00:01:29,640 --> 00:01:33,920 Speaker 1: I don't want it to be an extraordinary thing. I 24 00:01:33,959 --> 00:01:37,360 Speaker 1: want it to be something that people nationwide, you know, 25 00:01:37,480 --> 00:01:40,520 Speaker 1: just understand that this is how you approach the design 26 00:01:40,880 --> 00:01:45,200 Speaker 1: or the redesign of a home. But it's not. Unfortunately, 27 00:01:45,319 --> 00:01:48,680 Speaker 1: these are not ideas that are as common as they 28 00:01:48,800 --> 00:01:53,440 Speaker 1: should be. And so guys like me show up, you know, 29 00:01:53,600 --> 00:01:58,000 Speaker 1: guys who get called whisperers because somehow we magically interact 30 00:01:58,040 --> 00:02:00,440 Speaker 1: with the house and come up with answers that nobody 31 00:02:00,480 --> 00:02:03,240 Speaker 1: else has come up with. Well, it's not magic, it's 32 00:02:03,280 --> 00:02:05,600 Speaker 1: not magic, and no, I'm not talking to your house, 33 00:02:06,120 --> 00:02:09,120 Speaker 1: although I do enter into a relationship with it that 34 00:02:09,240 --> 00:02:14,600 Speaker 1: perhaps you don't have or haven't practiced. And there's a 35 00:02:14,720 --> 00:02:17,839 Speaker 1: reason for that, and there's a methodology to it. There's 36 00:02:17,840 --> 00:02:21,200 Speaker 1: a method to the madness, as they say, and I 37 00:02:21,320 --> 00:02:23,920 Speaker 1: want you to understand what that is because you're a 38 00:02:24,080 --> 00:02:27,680 Speaker 1: huge part of it, because it's your home. So we've 39 00:02:27,720 --> 00:02:31,239 Speaker 1: talked earlier in the show about this whole idea of 40 00:02:31,760 --> 00:02:35,600 Speaker 1: you know, what whisperers are all about. They tame things 41 00:02:35,680 --> 00:02:40,600 Speaker 1: that seem untamable by conventional methods, and that's true. I 42 00:02:40,680 --> 00:02:43,000 Speaker 1: was telling you my great respect that I have for 43 00:02:43,080 --> 00:02:46,359 Speaker 1: Buck Brannaman, the horse whisper. My granddaughter does a questria 44 00:02:46,360 --> 00:02:49,480 Speaker 1: and she rides, and she loves horses. I'm actually going 45 00:02:49,520 --> 00:02:53,640 Speaker 1: to be taking her to a Buck Brannuman clinic coming 46 00:02:53,720 --> 00:02:56,920 Speaker 1: up in April, because he's coming to southern California through 47 00:02:57,280 --> 00:03:00,280 Speaker 1: his travels. So I'm very excited to meet him, very 48 00:03:00,280 --> 00:03:03,680 Speaker 1: excited to spend a few seconds talking to him if 49 00:03:03,720 --> 00:03:06,160 Speaker 1: I get the chance to. But I'm mostly excited for 50 00:03:06,960 --> 00:03:11,920 Speaker 1: Olivia to see how somebody interacts with horses on a 51 00:03:12,040 --> 00:03:14,880 Speaker 1: level that most people just skip right over. Because here's 52 00:03:14,919 --> 00:03:19,480 Speaker 1: the thing. You know, you come to a horse and 53 00:03:18,560 --> 00:03:22,560 Speaker 1: you have your own intentions with it. You know, we 54 00:03:22,680 --> 00:03:25,760 Speaker 1: just think of horses so often as machines, as if 55 00:03:25,760 --> 00:03:27,960 Speaker 1: they're cars, and you just like, listen, I'm gonna throw 56 00:03:28,000 --> 00:03:30,400 Speaker 1: the saddle on that thing and ride it. And the 57 00:03:30,520 --> 00:03:33,359 Speaker 1: fact that I don't know, maybe eight out of ten 58 00:03:33,400 --> 00:03:38,160 Speaker 1: horses actually allow you to do that is amazing. That's 59 00:03:38,160 --> 00:03:40,560 Speaker 1: a testament not to you, by the way, or me, 60 00:03:41,040 --> 00:03:44,320 Speaker 1: but to the horse. Okay, that the horse is literally 61 00:03:44,400 --> 00:03:49,040 Speaker 1: allowing another animal to climb up onto its back, which, 62 00:03:49,040 --> 00:03:52,720 Speaker 1: by the way, is how their predators kill them. Okay, 63 00:03:53,040 --> 00:03:55,920 Speaker 1: Mountain lions will jump onto a horse's back, will reach 64 00:03:55,960 --> 00:04:00,320 Speaker 1: its paws around its throat to open up its wrote, 65 00:04:00,720 --> 00:04:04,040 Speaker 1: and will bite down on its spinal cord its backbone 66 00:04:04,080 --> 00:04:06,720 Speaker 1: from up top there in order to bring it down 67 00:04:06,760 --> 00:04:10,800 Speaker 1: to the ground. This is how horses die. Okay, this 68 00:04:10,920 --> 00:04:15,040 Speaker 1: is their innate fear of predators. And along come you 69 00:04:15,080 --> 00:04:17,160 Speaker 1: and I and we're like, hey, guess what, buddy, I'm 70 00:04:17,200 --> 00:04:19,400 Speaker 1: gonna climb up on your back and I want you 71 00:04:19,440 --> 00:04:22,599 Speaker 1: to have no issues with it. Whatso effort. Oh and 72 00:04:22,640 --> 00:04:25,360 Speaker 1: by the way, before I do that, I'm going to 73 00:04:25,400 --> 00:04:28,760 Speaker 1: take the skins of other dead animals and throw them 74 00:04:28,839 --> 00:04:31,320 Speaker 1: up there on your back as well. How about that 75 00:04:31,839 --> 00:04:36,520 Speaker 1: in the form of a saddle. So it's amazing that 76 00:04:36,680 --> 00:04:40,840 Speaker 1: more horses aren't more difficult to train. It is a 77 00:04:40,880 --> 00:04:44,960 Speaker 1: testimony to how amazing horses are. But nevertheless, there are 78 00:04:45,000 --> 00:04:51,839 Speaker 1: some that resist such coarse efforts and as a result 79 00:04:52,120 --> 00:04:56,760 Speaker 1: need a little something extra. Well. Houses are not unsimilar 80 00:04:56,800 --> 00:04:59,320 Speaker 1: to that. Okay, there are a lot of weird houses 81 00:04:59,360 --> 00:05:01,800 Speaker 1: out there, a lot houses that have issues in them, 82 00:05:01,839 --> 00:05:05,760 Speaker 1: and people just don't really see or understand what the 83 00:05:05,839 --> 00:05:10,680 Speaker 1: house itself can handle or what is actually wrong with it, 84 00:05:11,279 --> 00:05:13,640 Speaker 1: and we look past it. We just look to our 85 00:05:13,680 --> 00:05:16,839 Speaker 1: own intentions and desires, which is important because it is 86 00:05:16,880 --> 00:05:19,480 Speaker 1: your house, okay, and the house is not alive like 87 00:05:19,520 --> 00:05:23,200 Speaker 1: a horse. But you know, house abuse is probably a 88 00:05:23,240 --> 00:05:25,679 Speaker 1: real thing. You're never going to get arrested for it, okay, 89 00:05:26,560 --> 00:05:31,800 Speaker 1: but it shows up and pays the price in your 90 00:05:31,920 --> 00:05:34,120 Speaker 1: day to day living in the place. And this is 91 00:05:34,160 --> 00:05:36,880 Speaker 1: what I want to get switched around. Right, So, what 92 00:05:36,920 --> 00:05:39,400 Speaker 1: does a horse whisper see that others don't? They see 93 00:05:39,400 --> 00:05:43,760 Speaker 1: the horse? What do house whispers see that others do not? 94 00:05:44,160 --> 00:05:47,479 Speaker 1: We see the house? And how do we get there? Well, 95 00:05:47,600 --> 00:05:51,479 Speaker 1: I already explained step one. Slow down, slow your role. 96 00:05:51,839 --> 00:05:54,320 Speaker 1: We've got to take some time to overcome some things. 97 00:05:54,440 --> 00:05:58,280 Speaker 1: We've got to overcome your house blindness, the fact that 98 00:05:58,279 --> 00:06:01,159 Speaker 1: you've adapted and made do so long that you don't 99 00:06:01,200 --> 00:06:03,880 Speaker 1: really see what the issues are in the house anymore. 100 00:06:04,400 --> 00:06:06,760 Speaker 1: We've got to overcome that, and we've got to force 101 00:06:06,839 --> 00:06:11,400 Speaker 1: ourselves to see these issues come into our own consciousness, 102 00:06:11,400 --> 00:06:15,200 Speaker 1: to come into our own awareness. So the second step is, 103 00:06:16,000 --> 00:06:18,000 Speaker 1: once we've accepted the fact that hey, I got to 104 00:06:18,040 --> 00:06:23,800 Speaker 1: slow down, is start a design journal. Now you don't 105 00:06:23,839 --> 00:06:26,760 Speaker 1: have to be you know, dear diary. Today my house 106 00:06:27,040 --> 00:06:29,640 Speaker 1: treated me poorly. Now that's not what I'm talking about. 107 00:06:29,680 --> 00:06:34,560 Speaker 1: I'm talking about start taking notes, okay, about these experiences, 108 00:06:34,600 --> 00:06:36,760 Speaker 1: and I'm going to walk you through some of those 109 00:06:36,800 --> 00:06:41,360 Speaker 1: experiences that I want you to have, very famously or infamously, 110 00:06:41,520 --> 00:06:44,560 Speaker 1: I should say. My clients, all of them love to 111 00:06:44,600 --> 00:06:47,880 Speaker 1: tell stories about me when they first when I first 112 00:06:47,960 --> 00:06:52,159 Speaker 1: get onto the scene and start quote unquote whispering the house, 113 00:06:53,160 --> 00:06:55,479 Speaker 1: I will sit, you know, one of the one of 114 00:06:55,520 --> 00:06:59,359 Speaker 1: these standard tools that we use that are sitting in 115 00:06:59,400 --> 00:07:01,640 Speaker 1: the trunk of the is a you know, a folding 116 00:07:01,680 --> 00:07:05,479 Speaker 1: camp chair. I will go out and sit out on 117 00:07:05,560 --> 00:07:09,240 Speaker 1: the sidewalk or in a room or whatever space I'm 118 00:07:09,279 --> 00:07:14,040 Speaker 1: being asked to figure out, and I'll sit there. I'll 119 00:07:14,040 --> 00:07:16,640 Speaker 1: sit there with my notes and I'll just sit there. 120 00:07:17,320 --> 00:07:21,560 Speaker 1: I get clients who get calls from their neighbors. They're like, Mary, 121 00:07:22,320 --> 00:07:24,640 Speaker 1: do you realize that there's a man sitting in a 122 00:07:24,720 --> 00:07:27,280 Speaker 1: chair out on the sidewalk staring at your house. I 123 00:07:27,360 --> 00:07:29,440 Speaker 1: just want you to know that they were like, no, no, no, no, 124 00:07:29,520 --> 00:07:33,720 Speaker 1: that that's my Ziching. He's supposed to be there, okay, 125 00:07:33,960 --> 00:07:38,200 Speaker 1: cause he's just sitting there And no, I'm not just 126 00:07:38,280 --> 00:07:41,600 Speaker 1: sitting there. But what am I doing while I'm just 127 00:07:41,840 --> 00:07:44,080 Speaker 1: sitting there? Let's talk about it. On the other side 128 00:07:44,080 --> 00:07:47,200 Speaker 1: of the break, You're Home with Dean Sharp, the House Whisperer. 129 00:07:48,200 --> 00:07:51,480 Speaker 2: You're listening to Home with Dean Sharp on demand from 130 00:07:51,600 --> 00:07:53,119 Speaker 2: KFI AM six forty. 131 00:07:54,560 --> 00:07:56,880 Speaker 1: Thanks for joining us on the show today, this very 132 00:07:57,000 --> 00:08:02,440 Speaker 1: first Sunday of twenty twenty, and we're starting our design 133 00:08:02,560 --> 00:08:06,360 Speaker 1: year together. You and I off with a bang. I 134 00:08:06,360 --> 00:08:09,760 Speaker 1: thought it would be appropriate, and it's been. It's been 135 00:08:09,800 --> 00:08:12,960 Speaker 1: on my heart and mind for a while now to 136 00:08:13,000 --> 00:08:16,960 Speaker 1: take a deeper dive with you into the you know, 137 00:08:17,000 --> 00:08:21,120 Speaker 1: the real nitty gritty of how this whole design process 138 00:08:21,240 --> 00:08:24,200 Speaker 1: can best be applied to you and and the things 139 00:08:24,240 --> 00:08:27,040 Speaker 1: that I see homeowners skip over and miss are the 140 00:08:27,040 --> 00:08:29,680 Speaker 1: things that break my heart because they are the the 141 00:08:29,880 --> 00:08:35,720 Speaker 1: processes that really produce the biggest change in a remodel 142 00:08:36,080 --> 00:08:41,160 Speaker 1: or renovation. Uh. It is something just inherent in our 143 00:08:41,280 --> 00:08:48,160 Speaker 1: culture that we jump to products and making decisions about 144 00:08:48,240 --> 00:08:53,120 Speaker 1: surfaces and faucets and toilets and tile and all of 145 00:08:53,160 --> 00:08:58,920 Speaker 1: these things before we have really really evaluated the things 146 00:08:58,920 --> 00:09:01,760 Speaker 1: that we want to change and remodel, and not just that, 147 00:09:01,800 --> 00:09:04,480 Speaker 1: but the whole house as a whole, taking into account 148 00:09:04,600 --> 00:09:08,200 Speaker 1: everything as a whole. I can't tell you how many 149 00:09:08,240 --> 00:09:13,200 Speaker 1: times I've been called in to help somebody with a 150 00:09:13,280 --> 00:09:18,360 Speaker 1: kitchen remodel, let's say, as an example, and they're like, yeah, 151 00:09:18,400 --> 00:09:20,880 Speaker 1: we want to remodel the kitchen. We want to transform 152 00:09:20,920 --> 00:09:25,400 Speaker 1: the kitchen, and on and on and on the conversation goes. 153 00:09:25,679 --> 00:09:29,600 Speaker 1: And after spending time on my own or Tina and 154 00:09:29,640 --> 00:09:33,640 Speaker 1: I moving through the house, first of all, somebody asked me, 155 00:09:33,720 --> 00:09:37,120 Speaker 1: like they we just told him we want to remodel 156 00:09:37,160 --> 00:09:38,960 Speaker 1: the kitchen. Why is he out in front of the 157 00:09:39,000 --> 00:09:40,800 Speaker 1: house looking at the front of the house. What does 158 00:09:40,840 --> 00:09:44,360 Speaker 1: that have to do with anything? Well, it's your house, 159 00:09:45,240 --> 00:09:48,480 Speaker 1: and looking at the entire house is part of this process. 160 00:09:48,840 --> 00:09:53,960 Speaker 1: Slowing down, stepping back, zooming out. It's part of the process. 161 00:09:54,640 --> 00:09:58,079 Speaker 1: It's part of the process that yields up unconventional answers 162 00:09:58,520 --> 00:10:03,559 Speaker 1: to questions that end up making a remodel approach extraordinary. 163 00:10:04,080 --> 00:10:07,320 Speaker 1: Quite often, you know, I'll come back in and say, 164 00:10:07,400 --> 00:10:10,160 Speaker 1: you know, I'm all for whatever cabinet surfaces you want 165 00:10:10,160 --> 00:10:12,800 Speaker 1: to do and your colors, and that's all fine and great, 166 00:10:12,800 --> 00:10:15,800 Speaker 1: But what's really going to change the house now that 167 00:10:15,920 --> 00:10:20,480 Speaker 1: we're we've decided to remodel this kitchen is it's in 168 00:10:20,520 --> 00:10:22,760 Speaker 1: the wrong room. The kitchen is in the wrong room. 169 00:10:23,400 --> 00:10:26,800 Speaker 1: And you know, eyes go big and jaws drop and 170 00:10:26,840 --> 00:10:29,080 Speaker 1: you're like, what are you talking about? We didn't want 171 00:10:29,120 --> 00:10:31,600 Speaker 1: you to, you know what, we weren't asking. And I'm like, oh, listen, 172 00:10:32,720 --> 00:10:34,720 Speaker 1: if you're going to cut a kitchen, I mean, if 173 00:10:34,760 --> 00:10:37,360 Speaker 1: you're gutting a kitchen down to the walls, down to 174 00:10:37,520 --> 00:10:39,840 Speaker 1: just everything goes out. Now it's an empty room. Guess 175 00:10:39,840 --> 00:10:42,640 Speaker 1: what Now it's an empty room. Moving it one room over, 176 00:10:42,880 --> 00:10:45,040 Speaker 1: or moving it a few feet, or moving it even 177 00:10:45,080 --> 00:10:48,640 Speaker 1: to the other side of the house is a fractional expense, 178 00:10:48,880 --> 00:10:53,680 Speaker 1: in most cases, added onto the replacement of that whole 179 00:10:53,720 --> 00:10:57,040 Speaker 1: kitchen anyway, And what if moving the kitchen to a 180 00:10:57,120 --> 00:11:01,120 Speaker 1: completely different room not only give you an opportunity for 181 00:11:01,160 --> 00:11:04,680 Speaker 1: a beautiful kitchen remodel, but changes everything about the house. 182 00:11:05,440 --> 00:11:10,440 Speaker 1: You see what I'm saying. So we look at everything holistically, comprehensively, 183 00:11:10,679 --> 00:11:14,760 Speaker 1: the whole house, in taking into account even the smallest 184 00:11:15,360 --> 00:11:18,840 Speaker 1: of changes. Just to make sure that we're not throwing 185 00:11:18,960 --> 00:11:22,640 Speaker 1: more money in the wrong place. That's what I'm talking about, 186 00:11:22,640 --> 00:11:26,319 Speaker 1: all right. So we've talked about slowing down, and right 187 00:11:26,360 --> 00:11:30,040 Speaker 1: before the break, I suggested that you start a design journal. 188 00:11:30,440 --> 00:11:32,800 Speaker 1: And I know I told you the story and everybody 189 00:11:32,800 --> 00:11:35,040 Speaker 1: can laugh, and everyone continues to laugh at me for 190 00:11:35,120 --> 00:11:39,160 Speaker 1: doing this or just joke about it. And that is that. 191 00:11:39,280 --> 00:11:43,680 Speaker 1: You know, quite often my clients will will say, you know, 192 00:11:43,760 --> 00:11:46,600 Speaker 1: it's interesting. The first time Dean came out and actually 193 00:11:46,640 --> 00:11:51,240 Speaker 1: spent the first day of kind of concepting the design. 194 00:11:51,840 --> 00:11:53,920 Speaker 1: You know, he pulled out his camp chair, or he 195 00:11:54,000 --> 00:11:56,440 Speaker 1: sat in the room that we asked him to talk about, 196 00:11:56,520 --> 00:11:59,080 Speaker 1: or he just wandered the house all day long. He 197 00:11:59,120 --> 00:12:01,280 Speaker 1: sat out in front of the house for like two 198 00:12:01,400 --> 00:12:05,080 Speaker 1: hours before coming in. That kind of thing. What am 199 00:12:05,120 --> 00:12:09,600 Speaker 1: I doing? I'm slowing down, I'm pushing everything aside. I'm 200 00:12:10,200 --> 00:12:15,199 Speaker 1: trying my best to see the house that, by the way, 201 00:12:15,280 --> 00:12:17,280 Speaker 1: is easier for me because I haven't lived there all 202 00:12:17,360 --> 00:12:19,640 Speaker 1: these years than it is for you. But it is 203 00:12:19,720 --> 00:12:23,880 Speaker 1: important for you to see it too, And this is 204 00:12:23,880 --> 00:12:25,560 Speaker 1: why I'm explaining it to you. So what am I 205 00:12:25,600 --> 00:12:28,640 Speaker 1: doing there? What notes am I jotting down? Because I said, 206 00:12:28,880 --> 00:12:30,920 Speaker 1: I want you to start a design journal, and it's 207 00:12:30,920 --> 00:12:35,120 Speaker 1: not a diary, but it's this idea of taking notes. 208 00:12:35,160 --> 00:12:39,440 Speaker 1: So my first set of design notes are nothing but 209 00:12:39,600 --> 00:12:44,680 Speaker 1: observations about my experiences in a space, good or bad. 210 00:12:44,720 --> 00:12:48,200 Speaker 1: It may. It's one of my favorite steps in the 211 00:12:48,240 --> 00:12:53,160 Speaker 1: design process for me, my process. There are no solutions 212 00:12:53,160 --> 00:12:56,040 Speaker 1: written down. I am not jumping ahead. I have to 213 00:12:56,080 --> 00:12:59,720 Speaker 1: resist that temptation. It's a discipline. You have to resist 214 00:12:59,760 --> 00:13:03,920 Speaker 1: the temptation to solve the problem. Okay, no solutions are 215 00:13:03,960 --> 00:13:08,440 Speaker 1: written down. It is simply notes about my experiences in 216 00:13:08,480 --> 00:13:11,880 Speaker 1: a space, what kind of experiences and what are the 217 00:13:11,960 --> 00:13:14,400 Speaker 1: questions that I'm asking. We'll talk about that right on 218 00:13:14,440 --> 00:13:17,080 Speaker 1: the other side of the break your Home with Dean Sharp, 219 00:13:17,400 --> 00:13:18,240 Speaker 1: The house Whisper. 220 00:13:19,080 --> 00:13:22,400 Speaker 2: You're listening to Home with Dean Sharp on demand from 221 00:13:22,480 --> 00:13:28,280 Speaker 2: KFI AM six forty. 222 00:13:26,920 --> 00:13:29,880 Speaker 1: Dean Sharp, The house Whisper. Here to transform your ordinary 223 00:13:29,880 --> 00:13:33,600 Speaker 1: house into an extraordinary home. We're talking about exactly that today, 224 00:13:34,000 --> 00:13:38,000 Speaker 1: how to design and think towards your house like a 225 00:13:38,040 --> 00:13:42,240 Speaker 1: house whisper might do. And I'm in a unique position 226 00:13:42,360 --> 00:13:45,840 Speaker 1: to tell you how a house whisper thinks because I 227 00:13:46,080 --> 00:13:50,679 Speaker 1: is one and do this every day of the week. 228 00:13:50,840 --> 00:13:54,000 Speaker 1: And so we're to this point now where I've told 229 00:13:54,000 --> 00:13:57,160 Speaker 1: you to slow down, start taking a design journal, and 230 00:13:58,040 --> 00:14:03,040 Speaker 1: start reversing the process of the issues with your home 231 00:14:03,080 --> 00:14:05,200 Speaker 1: being pushed into your subconscious. I want you to bring 232 00:14:05,240 --> 00:14:08,400 Speaker 1: them up, bring them up, and just start to really 233 00:14:08,520 --> 00:14:12,520 Speaker 1: see the house for what it is. And so when 234 00:14:12,559 --> 00:14:15,760 Speaker 1: I famously sit around, sit around in a room and 235 00:14:15,800 --> 00:14:18,640 Speaker 1: stare at it, walk through the house again and again 236 00:14:18,679 --> 00:14:21,720 Speaker 1: and again from every angle, in every direction, sit out 237 00:14:21,760 --> 00:14:27,240 Speaker 1: front of your house staring at it, what am I doing? 238 00:14:27,800 --> 00:14:31,000 Speaker 1: What am I trying to do? Well? I am essentially 239 00:14:33,120 --> 00:14:37,040 Speaker 1: observing my own experiences of a space, good or bad, 240 00:14:37,840 --> 00:14:41,600 Speaker 1: and taking notes of them. That's it. I'm not trying 241 00:14:41,640 --> 00:14:44,560 Speaker 1: to fix it. That's all I'm doing in the first pass. 242 00:14:44,960 --> 00:14:47,840 Speaker 1: I'm not trying to fix it. I resist the temptation 243 00:14:48,080 --> 00:14:50,720 Speaker 1: to start saying, oh, well, you know what we can do. 244 00:14:50,760 --> 00:14:54,320 Speaker 1: We can do this, this and this now, not jumping 245 00:14:54,360 --> 00:14:57,840 Speaker 1: there first, right, Remember when I started the show talking 246 00:14:57,840 --> 00:15:00,480 Speaker 1: about a horse whisper? What is a horse whisper? See that? 247 00:15:00,560 --> 00:15:04,200 Speaker 1: Others don't? They see the horse. That's why they get 248 00:15:04,240 --> 00:15:07,480 Speaker 1: to the influence that they have over that creature, because 249 00:15:07,520 --> 00:15:10,920 Speaker 1: they see it I force myself to see the house. 250 00:15:11,160 --> 00:15:14,400 Speaker 1: You need to force yourself to see the house. So 251 00:15:14,400 --> 00:15:17,400 Speaker 1: what do I want you writing down? I want you 252 00:15:17,480 --> 00:15:20,640 Speaker 1: to look, listen, and you've got to take time to 253 00:15:20,680 --> 00:15:22,320 Speaker 1: do this. That's why I said the first step is 254 00:15:22,360 --> 00:15:26,440 Speaker 1: slow it down. Take the time, spend the time. You 255 00:15:26,480 --> 00:15:30,400 Speaker 1: gotta take time to look, to listen to what you're 256 00:15:30,440 --> 00:15:36,320 Speaker 1: actually hearing, move through the space. Write down your experience 257 00:15:36,400 --> 00:15:40,440 Speaker 1: of it. I want you to write them down morning experiences, 258 00:15:40,800 --> 00:15:45,920 Speaker 1: noon time experiences, nighttime experiences of the same spaces. This 259 00:15:46,000 --> 00:15:48,920 Speaker 1: is what gives you full perspective of what's going on 260 00:15:48,960 --> 00:15:51,960 Speaker 1: with So what examples, okay, of what I'm writing down. 261 00:15:52,160 --> 00:15:56,800 Speaker 1: This room makes me happy, This room makes me sad, 262 00:15:58,240 --> 00:16:03,120 Speaker 1: This room makes me anxious, This room bores me to death, 263 00:16:04,520 --> 00:16:08,960 Speaker 1: whatever that might be, or similar experiences. I like to 264 00:16:09,080 --> 00:16:13,600 Speaker 1: be here. Why if that's true, I don't like being 265 00:16:13,640 --> 00:16:17,800 Speaker 1: in this space, try and figure out why that is. 266 00:16:19,360 --> 00:16:26,720 Speaker 1: I wish it was more. Why what here's a huge one. 267 00:16:26,880 --> 00:16:28,680 Speaker 1: I'm sitting in this space, I don't have a use 268 00:16:28,720 --> 00:16:34,920 Speaker 1: for it, or I don't care about this room. Really 269 00:16:35,960 --> 00:16:39,360 Speaker 1: that should be a huge red flag, by the way, 270 00:16:40,120 --> 00:16:44,320 Speaker 1: and yet I meet so many homeowners who are like, yeah, yeah, yeah, 271 00:16:44,400 --> 00:16:46,360 Speaker 1: let's move on to the more important stuff. Okay, wait, 272 00:16:46,880 --> 00:16:52,680 Speaker 1: you realize how expensive your home is right per square foot? 273 00:16:53,680 --> 00:16:57,560 Speaker 1: Do you realize how expensive every square foot of your 274 00:16:57,600 --> 00:17:01,080 Speaker 1: home is, how valuable every square foot of your home is? 275 00:17:01,560 --> 00:17:04,520 Speaker 1: And you want to sit there and tell me Listen, 276 00:17:04,760 --> 00:17:07,840 Speaker 1: I don't have any use for this room, and that's 277 00:17:08,040 --> 00:17:14,959 Speaker 1: not raising a red flag about design about what this 278 00:17:15,119 --> 00:17:18,680 Speaker 1: room could and should be in relationship to the rest 279 00:17:18,720 --> 00:17:23,000 Speaker 1: of the house. Now, listen, I've spent a lot of 280 00:17:23,040 --> 00:17:27,520 Speaker 1: time in my career designing a state level homes mansions, okay, 281 00:17:28,520 --> 00:17:36,040 Speaker 1: ten fifteen, twenty plus thousand square foot buildings that people 282 00:17:36,720 --> 00:17:43,000 Speaker 1: air quotes live in. The bigger house is typically the 283 00:17:43,000 --> 00:17:47,119 Speaker 1: more wasted space there is. The smaller house is, the 284 00:17:47,119 --> 00:17:49,720 Speaker 1: more important it is to get every square inch right 285 00:17:50,040 --> 00:17:53,719 Speaker 1: of a house. But my philosophy of design is if 286 00:17:53,800 --> 00:17:56,679 Speaker 1: the house is designed properly, there are no wasted square 287 00:17:56,680 --> 00:17:59,760 Speaker 1: feet in the house. So it should be a huge 288 00:17:59,800 --> 00:18:02,120 Speaker 1: red flag. I don't have a use for this room. 289 00:18:02,200 --> 00:18:05,720 Speaker 1: I don't care about this room. Okay, take note of that. 290 00:18:06,600 --> 00:18:08,800 Speaker 1: How about I use this room for too many things? 291 00:18:10,160 --> 00:18:12,520 Speaker 1: This room is supposed to be that, but it also 292 00:18:12,840 --> 00:18:16,000 Speaker 1: is my office and my uh you know, my work, 293 00:18:16,080 --> 00:18:18,359 Speaker 1: my TV space, and my di and then you know, 294 00:18:18,400 --> 00:18:23,919 Speaker 1: and it's the dining room. Wait, okay, what what again. 295 00:18:24,119 --> 00:18:26,280 Speaker 1: I'm not trying to fix it. I just want you 296 00:18:26,280 --> 00:18:29,679 Speaker 1: to be aware of it. I use this room for 297 00:18:29,720 --> 00:18:32,040 Speaker 1: too many things. I use this room for nothing. I 298 00:18:32,160 --> 00:18:34,280 Speaker 1: use it for something very different than what it was 299 00:18:34,320 --> 00:18:41,480 Speaker 1: originally designed to be. And then more subtle experiences about 300 00:18:41,480 --> 00:18:47,920 Speaker 1: the space. It's too bright, it's too dark in here, 301 00:18:49,480 --> 00:18:54,000 Speaker 1: it's too noisy, and so on and so forth. You 302 00:18:54,040 --> 00:18:56,800 Speaker 1: see what I'm saying. All I want you to do 303 00:18:57,600 --> 00:19:01,520 Speaker 1: step one, and I cannot. I've spent the entire show 304 00:19:01,560 --> 00:19:04,440 Speaker 1: talking about this. I want you to understand how valuable 305 00:19:04,560 --> 00:19:07,560 Speaker 1: radio real estate is, and I want you to understand, therefore, 306 00:19:07,600 --> 00:19:11,560 Speaker 1: how valuable these two simple principles of slow down and 307 00:19:11,720 --> 00:19:18,919 Speaker 1: look are to the success of your remodel, to the 308 00:19:18,960 --> 00:19:24,520 Speaker 1: success of your design. They are critical. They may be amusing, 309 00:19:25,400 --> 00:19:29,119 Speaker 1: but they're critical. Okay, don't try to fix it on 310 00:19:29,240 --> 00:19:34,400 Speaker 1: this first pass. Try to understand it. That's what I want. 311 00:19:34,800 --> 00:19:37,199 Speaker 1: You don't like it when other people rush advice to 312 00:19:37,240 --> 00:19:40,840 Speaker 1: fix you, do you right? You say, Oh, I'm feeling little, 313 00:19:41,200 --> 00:19:43,840 Speaker 1: and somebody just jumps right in starts handing you advice. 314 00:19:44,840 --> 00:19:48,760 Speaker 1: Why because you want to know that you've been seen 315 00:19:49,320 --> 00:19:55,040 Speaker 1: and known and listen to first. The best advice comes 316 00:19:55,080 --> 00:20:00,080 Speaker 1: on the heels or comes out of somebody who you know, 317 00:20:00,080 --> 00:20:03,880 Speaker 1: knows you, who you know sees you for who you are, 318 00:20:04,960 --> 00:20:09,600 Speaker 1: somebody who truly has listened to you. Okay, now I'm 319 00:20:09,640 --> 00:20:12,280 Speaker 1: not saying your house again. I have to dispel this 320 00:20:12,320 --> 00:20:14,440 Speaker 1: stuff all the time because this whole house whisper a 321 00:20:14,480 --> 00:20:16,520 Speaker 1: thing and people are like, do you have a strange 322 00:20:16,520 --> 00:20:20,000 Speaker 1: spiritual relationship with my own? No? I don't. Okay. I'm 323 00:20:20,040 --> 00:20:22,760 Speaker 1: not saying your house wants to be seen as if 324 00:20:22,760 --> 00:20:26,159 Speaker 1: it was alive, Okay, But what I am saying is 325 00:20:26,160 --> 00:20:29,400 Speaker 1: that you know from your own experience that good advice 326 00:20:29,640 --> 00:20:34,600 Speaker 1: only comes from a place of being seen. Your house 327 00:20:34,600 --> 00:20:37,320 Speaker 1: doesn't want to be seen, but your house needs to 328 00:20:37,480 --> 00:20:43,440 Speaker 1: be seen. If you want every penny of that remodel 329 00:20:43,480 --> 00:20:46,760 Speaker 1: budget that you've worked so hard to accumulate and that 330 00:20:46,800 --> 00:20:50,119 Speaker 1: you've saved, and that you're going to spend in this 331 00:20:50,200 --> 00:20:53,800 Speaker 1: one blast, this maybe one change. Most homeowners have one 332 00:20:53,840 --> 00:20:57,800 Speaker 1: big remodel in them and that's it. I want every 333 00:20:57,840 --> 00:21:01,239 Speaker 1: penny all headed in the right place, and because of that, 334 00:21:01,280 --> 00:21:04,720 Speaker 1: your house needs to be seen. And all of this 335 00:21:04,840 --> 00:21:10,000 Speaker 1: leads to one point. Really, the key to transforming your 336 00:21:10,080 --> 00:21:15,399 Speaker 1: ordinary house into an extraordinary home is not finding the 337 00:21:15,480 --> 00:21:19,280 Speaker 1: right refrigerator or the right faucet or the right paint color, 338 00:21:19,600 --> 00:21:22,440 Speaker 1: or finding the right builder, or even finding the right 339 00:21:22,480 --> 00:21:28,040 Speaker 1: designer or having the right budget whatever that means. Okay, 340 00:21:28,119 --> 00:21:32,760 Speaker 1: the key is whether a house has the right owner 341 00:21:34,000 --> 00:21:38,920 Speaker 1: driving the production. The key is you. You are the 342 00:21:39,000 --> 00:21:44,120 Speaker 1: key to the success of your remodel and the impact 343 00:21:44,160 --> 00:21:46,439 Speaker 1: of it. Okay, that doesn't mean they're going to do 344 00:21:46,440 --> 00:21:49,280 Speaker 1: it alone. I am not telling you. You do these things. 345 00:21:49,359 --> 00:21:52,320 Speaker 1: You don't need a designer, you don't need a creative team. No, no, no, 346 00:21:52,440 --> 00:21:55,080 Speaker 1: you're the captain of your creative team. But what you 347 00:21:55,880 --> 00:21:58,480 Speaker 1: bring to the table is something that no one else can, 348 00:21:58,560 --> 00:22:03,440 Speaker 1: which is, how does this house relate to you? Every 349 00:22:03,480 --> 00:22:06,800 Speaker 1: square foot? That's going to take some time. All right, 350 00:22:06,840 --> 00:22:09,439 Speaker 1: more thoughts on this after the break your Home with 351 00:22:09,560 --> 00:22:11,240 Speaker 1: Dean Sharp the house Whisper. 352 00:22:12,520 --> 00:22:15,800 Speaker 2: You're listening to Home with Dean Sharp on demand from 353 00:22:15,920 --> 00:22:17,720 Speaker 2: KFI AM six forty. 354 00:22:19,200 --> 00:22:23,640 Speaker 1: Here to remind you every home deserves great design, including yours, 355 00:22:23,840 --> 00:22:28,000 Speaker 1: especially yours, as it's your life, my friend. We have 356 00:22:28,080 --> 00:22:31,879 Speaker 1: been having a conversation, have we not, about what it 357 00:22:31,960 --> 00:22:34,520 Speaker 1: is to think like a house whisper. This is a 358 00:22:35,520 --> 00:22:38,280 Speaker 1: multi part series that I'm going to continue, you know 359 00:22:38,840 --> 00:22:41,960 Speaker 1: here and there throughout the year that you can piece 360 00:22:42,000 --> 00:22:44,199 Speaker 1: these together well, so be able to piece them together 361 00:22:44,560 --> 00:22:47,280 Speaker 1: at times for you. But I want you to follow 362 00:22:47,320 --> 00:22:50,679 Speaker 1: through with me on this because this is really what 363 00:22:50,840 --> 00:22:54,640 Speaker 1: is in my opinion, missing from the design process from 364 00:22:54,640 --> 00:22:58,919 Speaker 1: the home improvement industry as it were. I said this 365 00:22:59,000 --> 00:23:01,160 Speaker 1: earlier in the show. I'm going to underscore this one 366 00:23:01,160 --> 00:23:05,760 Speaker 1: more time. In the United States, home improvement industry is 367 00:23:05,800 --> 00:23:13,000 Speaker 1: a six hundred billion dollar industry. Six hundred billion dollar industry. 368 00:23:13,280 --> 00:23:16,480 Speaker 1: With that amount of money being spent on home improvement, 369 00:23:16,520 --> 00:23:22,240 Speaker 1: you got to ask the question, why aren't more homes improving? Okay, 370 00:23:22,960 --> 00:23:25,280 Speaker 1: So when we say the home improvement industry, we're talking 371 00:23:25,320 --> 00:23:30,400 Speaker 1: primarily about products and services. Okay, At the low end 372 00:23:30,680 --> 00:23:36,199 Speaker 1: of that list are design services the lowest end of 373 00:23:36,200 --> 00:23:40,879 Speaker 1: that list. And I'm not saying that design services should 374 00:23:40,880 --> 00:23:43,840 Speaker 1: be what you're spending the most money on. That's not 375 00:23:43,920 --> 00:23:48,080 Speaker 1: the point. I'm talking in terms of priority, and I'm 376 00:23:48,119 --> 00:23:50,359 Speaker 1: here to tell you every week something that you're not 377 00:23:50,440 --> 00:23:53,840 Speaker 1: hearing anywhere else. I wish you were. I want you 378 00:23:53,920 --> 00:23:56,120 Speaker 1: to start hearing it everywhere. I want you to hear 379 00:23:56,160 --> 00:23:59,240 Speaker 1: it on Magnolia Network. I want you to hear it 380 00:23:59,280 --> 00:24:05,240 Speaker 1: on HGT, which is dying I think primarily because the 381 00:24:05,400 --> 00:24:09,440 Speaker 1: fuss and the and the spangliness of it is kind 382 00:24:09,440 --> 00:24:12,639 Speaker 1: of over and at the end of the day, what's 383 00:24:12,680 --> 00:24:15,720 Speaker 1: being said has got to help. It's got to help. 384 00:24:16,920 --> 00:24:20,840 Speaker 1: I want you to hear it on Home Improvement TV Networks. 385 00:24:21,280 --> 00:24:23,879 Speaker 1: I want you to hear it when you talk to 386 00:24:23,920 --> 00:24:27,840 Speaker 1: your contractor. I want you to hear it throughout the 387 00:24:28,000 --> 00:24:32,439 Speaker 1: entire experience. Unfortunately, right now you're not. I'm saying it 388 00:24:32,480 --> 00:24:36,320 Speaker 1: here and you know, and maybe we'll have opportunity to 389 00:24:36,520 --> 00:24:41,439 Speaker 1: spread this message further as time continues to roll on. 390 00:24:41,520 --> 00:24:43,760 Speaker 1: I'm trying, but I'm saying it here and you and 391 00:24:43,840 --> 00:24:47,080 Speaker 1: I we're having this conversation right now, and that is 392 00:24:47,119 --> 00:24:51,080 Speaker 1: this design matters most, and the process by which you 393 00:24:51,160 --> 00:24:54,119 Speaker 1: approach design is not Okay, let's get in here and 394 00:24:54,160 --> 00:25:01,760 Speaker 1: fix this thing now. It starts with slowing down, pumping 395 00:25:01,840 --> 00:25:06,120 Speaker 1: the brakes and getting your head in the game. Your 396 00:25:06,200 --> 00:25:12,000 Speaker 1: head in the game, with really seeing your house, maybe 397 00:25:12,040 --> 00:25:14,679 Speaker 1: for the first time in many, many, many years, but 398 00:25:14,800 --> 00:25:19,680 Speaker 1: seeing it, seeing it in a very systematic way, forcing yourself. 399 00:25:19,680 --> 00:25:22,480 Speaker 1: That's why I say. Step two along this process, after 400 00:25:22,520 --> 00:25:26,600 Speaker 1: slowing down, was get a design journal. Just take notes. 401 00:25:27,880 --> 00:25:31,280 Speaker 1: Take notes about what you experience everywhere, at every corner 402 00:25:31,320 --> 00:25:35,639 Speaker 1: and every turn. It's critically important to bring that up. 403 00:25:35,920 --> 00:25:39,639 Speaker 1: Step three. Now that we've got your head kind of 404 00:25:39,720 --> 00:25:43,080 Speaker 1: oriented with your house, let's think about how your house 405 00:25:43,160 --> 00:25:47,200 Speaker 1: is oriented in general. Step three, this is real, quickie. 406 00:25:47,280 --> 00:25:51,719 Speaker 1: You just write down this one line. Dreaming is free. 407 00:25:52,280 --> 00:25:56,520 Speaker 1: Dreaming is free, window shopping is free. Don't put limits 408 00:25:56,520 --> 00:26:05,160 Speaker 1: on yourself. Don't put limits on yourself. Think allow yourself 409 00:26:05,160 --> 00:26:10,439 Speaker 1: to think at times in unedited ways. You say, I 410 00:26:10,480 --> 00:26:12,600 Speaker 1: can't move my kitchen to the other side of the house, Dean, 411 00:26:12,760 --> 00:26:18,960 Speaker 1: don't worry about that right now. Dreaming is free. Let 412 00:26:19,000 --> 00:26:22,440 Speaker 1: those thoughts come, write them down. If it's true that 413 00:26:22,440 --> 00:26:26,040 Speaker 1: that's where it should be, then it's true. Write it down. 414 00:26:26,920 --> 00:26:30,199 Speaker 1: You see what I'm saying. Free yourself up. Most of 415 00:26:30,240 --> 00:26:32,240 Speaker 1: the thoughts that we write down, most of the notes 416 00:26:32,240 --> 00:26:35,720 Speaker 1: that we take about certain things on a project, do 417 00:26:35,800 --> 00:26:38,760 Speaker 1: not end up manifesting the way you would think directly 418 00:26:38,800 --> 00:26:42,040 Speaker 1: into the project. But some of them, some of them 419 00:26:42,320 --> 00:26:48,680 Speaker 1: spark the thing that ignites the entire project in the 420 00:26:48,760 --> 00:26:52,960 Speaker 1: right direction. Something in there gives birth to the game changer. 421 00:26:53,119 --> 00:26:57,600 Speaker 1: And that's what we're looking for. The game changer. Step 422 00:26:57,640 --> 00:27:01,760 Speaker 1: four very very simple, and it's something that we will 423 00:27:01,800 --> 00:27:05,119 Speaker 1: talk about at greater length on another show. And that 424 00:27:05,280 --> 00:27:07,919 Speaker 1: is not only now are we looking at the house, 425 00:27:08,200 --> 00:27:10,720 Speaker 1: but I want you to add to your observation list 426 00:27:10,920 --> 00:27:15,920 Speaker 1: its orientation on the property and on the planet. Oh 427 00:27:16,000 --> 00:27:17,920 Speaker 1: my gosh, Dean on the planet, what do you mean? 428 00:27:18,119 --> 00:27:20,840 Speaker 1: I mean the way it's turned in relationship to the sun. 429 00:27:21,000 --> 00:27:26,000 Speaker 1: That's all okay, because your home is a shelter built 430 00:27:26,200 --> 00:27:31,680 Speaker 1: in nature, and that shelter has been given apertures, been 431 00:27:31,720 --> 00:27:36,840 Speaker 1: given windows and doors, windows and doors that let light 432 00:27:36,880 --> 00:27:40,080 Speaker 1: into the house and has solid walls that keep light 433 00:27:40,119 --> 00:27:43,280 Speaker 1: from coming into the house, and it's set in a 434 00:27:43,280 --> 00:27:47,399 Speaker 1: particular way. Most of us live in tract homes, and 435 00:27:47,480 --> 00:27:51,600 Speaker 1: amongst the many disadvantages initially of living in a tract home, 436 00:27:52,520 --> 00:27:56,960 Speaker 1: orientation on the property is one of the most significant. 437 00:27:57,520 --> 00:28:01,360 Speaker 1: Because your tracked home was one of the floor plans, 438 00:28:01,560 --> 00:28:04,760 Speaker 1: one of the four to five, maybe six if you're lucky, 439 00:28:04,840 --> 00:28:08,639 Speaker 1: floor plans in a tract of hundreds or thousands of homes. 440 00:28:10,200 --> 00:28:13,040 Speaker 1: That means that that floor plan has gotten reused again 441 00:28:13,080 --> 00:28:17,119 Speaker 1: and again and again throughout your neighborhood, different facades, different 442 00:28:17,119 --> 00:28:20,840 Speaker 1: street orientations. But that's the point. Your home, where its 443 00:28:20,880 --> 00:28:24,399 Speaker 1: doors and windows are located in relationship to the sun, 444 00:28:24,600 --> 00:28:27,640 Speaker 1: the path of the sun across the sky was not 445 00:28:27,680 --> 00:28:32,040 Speaker 1: taken into account. It was designed in a studio without 446 00:28:32,080 --> 00:28:34,480 Speaker 1: reference to the lot that it ends up sitting on 447 00:28:34,600 --> 00:28:37,480 Speaker 1: your home. Some of them sit in cul de sacs, 448 00:28:37,560 --> 00:28:41,960 Speaker 1: some of them sit soldiered facing west facing north, facing 449 00:28:42,040 --> 00:28:47,280 Speaker 1: east facing south, same exact window placements. That is not 450 00:28:47,480 --> 00:28:50,560 Speaker 1: how a custom home is designed. We're not going to 451 00:28:50,640 --> 00:28:54,840 Speaker 1: fix it right now. We're just gonna see it seeing it. 452 00:28:55,480 --> 00:29:00,320 Speaker 1: That's the difference. Right I'll leave you with this thought, 453 00:29:00,680 --> 00:29:04,000 Speaker 1: very quick one. There are people and circumstances in your 454 00:29:04,040 --> 00:29:07,800 Speaker 1: life that need to be seen to your house, them 455 00:29:07,840 --> 00:29:11,520 Speaker 1: and especially you. The answer is not to jump to 456 00:29:11,640 --> 00:29:15,480 Speaker 1: the fix it. The first step is always slow it down, 457 00:29:16,120 --> 00:29:20,200 Speaker 1: take a breath, take some time, figure out where you are, 458 00:29:20,840 --> 00:29:26,760 Speaker 1: how you are, figure out how you are, write it down, 459 00:29:27,800 --> 00:29:31,280 Speaker 1: think about it, come to a conclusion about the truth 460 00:29:31,320 --> 00:29:36,040 Speaker 1: of it, and then get help and get busy building 461 00:29:36,040 --> 00:29:39,440 Speaker 1: yourself a beautiful life. All right, y'all, We'll see you 462 00:29:39,560 --> 00:29:43,640 Speaker 1: right back here next weekend. You enjoy the week this 463 00:29:43,720 --> 00:29:47,280 Speaker 1: has been Home with Dean Sharp, the House Whisper. Tune 464 00:29:47,280 --> 00:29:50,280 Speaker 1: into the live broadcast on KFI AM six forty every 465 00:29:50,320 --> 00:29:53,520 Speaker 1: Saturday morning from six to eight Pacific time and every 466 00:29:53,600 --> 00:29:57,360 Speaker 1: Sunday morning from nine to noon Pacific time, or anytime 467 00:29:57,480 --> 00:29:59,960 Speaker 1: on demand on the iHeartRadio app.