1 00:00:03,720 --> 00:00:10,720 Speaker 1: House, and just so much happening. 2 00:00:12,000 --> 00:00:14,840 Speaker 2: As we get into another new hour Insensitivity Training for 3 00:00:14,840 --> 00:00:22,080 Speaker 2: a politically correct World. Woodie, Greg Menace, Gina grad Sea Bass, 4 00:00:22,320 --> 00:00:26,600 Speaker 2: Sammy Morgan. Phones open eight seven seven forty four. Woodie 5 00:00:27,280 --> 00:00:30,920 Speaker 2: text us over to two two nine eight seven. Menace 6 00:00:31,040 --> 00:00:34,040 Speaker 2: is outside wedding on our delivery guy. 7 00:00:34,680 --> 00:00:36,680 Speaker 1: We made another order. Did you guys watch the video 8 00:00:36,680 --> 00:00:37,360 Speaker 1: from yesterday? 9 00:00:37,680 --> 00:00:38,400 Speaker 3: Yeah? 10 00:00:38,080 --> 00:00:40,520 Speaker 1: On our Instagram. That driver was so stoked. 11 00:00:40,800 --> 00:00:46,920 Speaker 2: It's It's National Delivery Driver Appreciation Week. Not something we coined. 12 00:00:47,159 --> 00:00:50,239 Speaker 2: We just heard about it and we're running with it. 13 00:00:50,720 --> 00:00:54,720 Speaker 2: And so yesterday we had a guy who delivered us 14 00:00:54,800 --> 00:00:58,040 Speaker 2: the Duncan Donus that Menace had ordered for everybody. Yeah, 15 00:00:58,080 --> 00:01:02,360 Speaker 2: his name's Hike And and when he dropped the delivery off, 16 00:01:02,880 --> 00:01:05,440 Speaker 2: Menace was downstairs outside of our building here at the 17 00:01:05,520 --> 00:01:07,080 Speaker 2: radio station. Meet him and he goes, hey, man, you 18 00:01:07,080 --> 00:01:08,920 Speaker 2: want to come on up and you can spin a 19 00:01:08,920 --> 00:01:12,000 Speaker 2: wheel because we're giving any of the delivery drivers this 20 00:01:12,080 --> 00:01:15,640 Speaker 2: week who come by an opportunity to come up and 21 00:01:15,680 --> 00:01:16,440 Speaker 2: spin the wheel. 22 00:01:17,480 --> 00:01:20,039 Speaker 1: We appreciate that. Yeah, hold on, do we have Menace? 23 00:01:21,120 --> 00:01:21,320 Speaker 3: Yep? 24 00:01:21,640 --> 00:01:24,000 Speaker 1: Is Menasa on the line. He's outside, should be. 25 00:01:24,440 --> 00:01:28,039 Speaker 4: We're doing driver appreciation, and we're doing something. We're playing 26 00:01:28,040 --> 00:01:29,920 Speaker 4: a game, and we're gonna have you come much to 27 00:01:29,920 --> 00:01:31,920 Speaker 4: the rail station and spend a wheel for more money. 28 00:01:32,280 --> 00:01:34,319 Speaker 1: It takes like two minutes, just two minutes. He can 29 00:01:34,560 --> 00:01:36,400 Speaker 1: take two minutes and guarantee the gift card. 30 00:01:36,720 --> 00:01:39,160 Speaker 4: You're very good, you'll make more money. I guarantee you 31 00:01:39,160 --> 00:01:39,520 Speaker 4: want to go. 32 00:01:40,440 --> 00:01:41,640 Speaker 1: I got to give the cards out right now. 33 00:01:41,720 --> 00:01:47,680 Speaker 4: Yeah, yeah, come on, I want to go. He doesn't 34 00:01:47,680 --> 00:01:48,840 Speaker 4: want some pin, he doesn't. 35 00:01:48,560 --> 00:01:51,520 Speaker 2: Want to go up guarantee w yeah, Visa, talk about 36 00:01:52,360 --> 00:01:54,160 Speaker 2: Visa Amazon gas. 37 00:01:53,920 --> 00:01:57,600 Speaker 1: Cards we got, we got, we got them right here. 38 00:01:57,680 --> 00:02:00,720 Speaker 1: Yeah here, you're trying to win one. Tell them look 39 00:02:00,720 --> 00:02:01,360 Speaker 1: out the window. 40 00:02:05,760 --> 00:02:10,840 Speaker 4: I'll show you the video from yesterday. So we have 41 00:02:10,960 --> 00:02:13,720 Speaker 4: this guy right here, right and then you go out 42 00:02:13,760 --> 00:02:17,480 Speaker 4: there and then he's okay. 43 00:02:17,639 --> 00:02:19,359 Speaker 1: The wheel smacked him against the wind. 44 00:02:19,280 --> 00:02:22,240 Speaker 4: And get more money. Yeah, come on in. 45 00:02:22,720 --> 00:02:24,560 Speaker 1: Can you see where he's standing right now? All right? 46 00:02:25,919 --> 00:02:28,160 Speaker 1: All right, good, good job, show the video. 47 00:02:28,639 --> 00:02:30,120 Speaker 2: I mean I get yeah, I get it. I get 48 00:02:30,160 --> 00:02:34,000 Speaker 2: why he's Yeah for sure, mene. What what was the 49 00:02:34,000 --> 00:02:35,839 Speaker 2: food that? What kind of food did we order? 50 00:02:37,440 --> 00:02:40,519 Speaker 1: Bell talk about? Yeah? 51 00:02:40,760 --> 00:02:42,160 Speaker 3: Nicely done? All right? 52 00:02:42,440 --> 00:02:44,560 Speaker 2: So uh yeah, so he's uh well, it's good because 53 00:02:44,560 --> 00:02:46,280 Speaker 2: we're not ready for sublime yet anyway. So I tell 54 00:02:46,320 --> 00:02:49,000 Speaker 2: you what, let's let's take a break. We'll come back 55 00:02:49,560 --> 00:02:51,160 Speaker 2: and then when we get back from the break, we'll 56 00:02:51,400 --> 00:02:54,400 Speaker 2: we'll have the delivery guy spin the wheel perfect and 57 00:02:54,440 --> 00:02:55,760 Speaker 2: then yeah, and then it'll be all good and then 58 00:02:55,760 --> 00:02:56,400 Speaker 2: we'll have sublime. 59 00:02:56,960 --> 00:02:57,720 Speaker 1: Good. Is that good? 60 00:02:58,919 --> 00:02:59,320 Speaker 3: All right? 61 00:03:01,360 --> 00:03:04,280 Speaker 2: Yeah, let's take the breakwah, Okay, there we go. 62 00:03:04,919 --> 00:03:06,120 Speaker 1: This is. 63 00:03:08,600 --> 00:03:08,920 Speaker 5: All right. 64 00:03:08,960 --> 00:03:14,160 Speaker 1: Welcome back. Hey, So it's a National Delivery Driver Appreciation Week. 65 00:03:15,040 --> 00:03:18,280 Speaker 1: Some menace is bringing in the delivery guy. Yeah, okay, 66 00:03:18,440 --> 00:03:20,080 Speaker 1: all right, you gonna you can bring up? 67 00:03:20,400 --> 00:03:20,720 Speaker 4: Is ready? 68 00:03:21,440 --> 00:03:21,720 Speaker 6: All right? 69 00:03:21,800 --> 00:03:24,600 Speaker 1: Spin it, let's spin and win. Alright, spend win, all right? 70 00:03:24,760 --> 00:03:30,079 Speaker 1: Talk first of all, Taco Bell delivery guy. Happy, Happy, 71 00:03:30,160 --> 00:03:32,359 Speaker 1: National Delivery Guy Week. That's awesome. 72 00:03:32,480 --> 00:03:34,320 Speaker 2: Okay, step stepping up in the microphone. Make sure you 73 00:03:34,400 --> 00:03:35,800 Speaker 2: to speak right in that thing. I know you don't 74 00:03:35,840 --> 00:03:36,440 Speaker 2: do this for a living. 75 00:03:36,880 --> 00:03:38,360 Speaker 1: What is uh? What is what is your name? 76 00:03:38,440 --> 00:03:38,640 Speaker 5: Sir? 77 00:03:39,640 --> 00:03:42,280 Speaker 2: What is it Jess? All right, Well, welcome to the 78 00:03:42,320 --> 00:03:45,200 Speaker 2: Woody Show. Hello, thank you for coming up. We're not 79 00:03:45,200 --> 00:03:46,360 Speaker 2: gonna take up too much of your time. I know 80 00:03:46,400 --> 00:03:48,000 Speaker 2: you're busy. Do you have other deliveries have to make 81 00:03:48,080 --> 00:03:51,440 Speaker 2: right now, it is like somebody else waiting on a delivery. 82 00:03:52,040 --> 00:03:53,560 Speaker 3: Okay, all right, okay. 83 00:03:53,280 --> 00:03:56,240 Speaker 2: Well move along. So what you're gonna do is you're 84 00:03:56,240 --> 00:03:59,000 Speaker 2: just gonna spin this week. We're gonna spin it towards you. Yeah, 85 00:03:59,040 --> 00:04:01,600 Speaker 2: I like that, like yeah, tour you go ahead and 86 00:04:01,640 --> 00:04:02,600 Speaker 2: just give it a good spin. 87 00:04:02,920 --> 00:04:04,800 Speaker 1: Yeah, give it a good one. Yeah yeah, yeah, give 88 00:04:04,840 --> 00:04:09,960 Speaker 1: it up, yeah, give it a give it a good spin. Ready, nice? 89 00:04:10,840 --> 00:04:11,160 Speaker 1: All right? 90 00:04:11,200 --> 00:04:14,520 Speaker 2: All right, so the wheel is spinning and whatever whatever 91 00:04:14,520 --> 00:04:15,520 Speaker 2: it lands on, we have. 92 00:04:15,680 --> 00:04:17,680 Speaker 1: We have the gift card for you. 93 00:04:17,680 --> 00:04:19,640 Speaker 2: You're a good all right, Hi, here we go Oco, 94 00:04:20,160 --> 00:04:24,400 Speaker 2: that's a good Cornish Amazon. We got these uh, we 95 00:04:24,520 --> 00:04:27,880 Speaker 2: got these gift cars here all right, okay, it's slowing down. 96 00:04:28,000 --> 00:04:31,120 Speaker 3: We got let's go on. 97 00:04:36,640 --> 00:04:40,120 Speaker 1: There you go. Fifty guys a delivery guy and the 98 00:04:40,120 --> 00:04:41,000 Speaker 1: guys in a car lot. 99 00:04:41,000 --> 00:04:46,000 Speaker 2: You got you always have a fifty dollars gas cars. 100 00:04:46,040 --> 00:04:49,520 Speaker 6: My friend radulations, I'm gonna add another fifty dollars on 101 00:04:49,560 --> 00:04:49,880 Speaker 6: your tip. 102 00:04:49,960 --> 00:04:53,240 Speaker 1: There we go. We're we're having an actually fifty dollars tip. Dude, 103 00:04:53,240 --> 00:04:58,200 Speaker 1: you're the man. Happy National Delivery Guy Appreciation Week. Thank you, 104 00:04:57,960 --> 00:05:00,480 Speaker 1: thank you. You didn't by the way. You didn't eat any 105 00:05:00,520 --> 00:05:02,960 Speaker 1: of our food, did you do that? Okay? 106 00:05:02,760 --> 00:05:06,560 Speaker 2: There he goes another satisfied delivery guy, I know ya 107 00:05:07,080 --> 00:05:10,599 Speaker 2: street And here he thought we were gonna sca a 108 00:05:10,600 --> 00:05:13,599 Speaker 2: little bit reluctant, right, yeah, yeah, he was like ready 109 00:05:13,600 --> 00:05:13,960 Speaker 2: to leave. 110 00:05:14,040 --> 00:05:15,920 Speaker 1: Oh my god, you were very convincing. 111 00:05:16,279 --> 00:05:19,479 Speaker 2: Phones are open eight seven seven forty four. Woodie set 112 00:05:19,560 --> 00:05:22,120 Speaker 2: us the text to to ninety seven. Another break, and 113 00:05:22,160 --> 00:05:25,279 Speaker 2: then Sublime will join us. Yeah, Sublime, who will be 114 00:05:25,480 --> 00:05:29,159 Speaker 2: at Alter Ego Saturday, January seventeenth at the Forum in 115 00:05:29,440 --> 00:05:32,920 Speaker 2: La along with Green Day and twenty one Pilots and 116 00:05:33,000 --> 00:05:36,200 Speaker 2: Caged the Elephant in Good Charlotte. Sublime in studio and 117 00:05:36,320 --> 00:05:39,760 Speaker 2: performing here for us live next on The Woody Show. 118 00:05:39,839 --> 00:05:42,200 Speaker 1: Hang on, kick your feet up on the dashboards. Back 119 00:05:42,240 --> 00:05:46,840 Speaker 1: in a few The Woody Show. Fellow comrades in mediocrity, 120 00:05:47,320 --> 00:05:49,880 Speaker 1: I want you to listen, very careful. You can all 121 00:05:49,920 --> 00:05:50,640 Speaker 1: go straight to. 122 00:05:53,480 --> 00:05:53,720 Speaker 5: Show. 123 00:05:54,400 --> 00:05:56,800 Speaker 2: All right, welcome back. It is a big day here 124 00:05:56,839 --> 00:05:59,480 Speaker 2: on The Woody Show. We announced to Alter Ego this morning, 125 00:05:59,480 --> 00:06:03,880 Speaker 2: Alter Ego twenty twenty six. I'll have all the details 126 00:06:03,920 --> 00:06:05,360 Speaker 2: here for you in just a second. 127 00:06:05,360 --> 00:06:07,799 Speaker 1: But we do have some special guests here in studio. 128 00:06:07,839 --> 00:06:10,440 Speaker 2: We told you we were gonna have a couple members 129 00:06:10,440 --> 00:06:12,320 Speaker 2: from one of the bands playing Alter. 130 00:06:12,160 --> 00:06:14,240 Speaker 1: Ego in studio with us. We're didn't tell you who 131 00:06:14,279 --> 00:06:14,880 Speaker 1: it was gonna be. 132 00:06:15,040 --> 00:06:19,920 Speaker 2: Yeah, but ladies and gentlemen, please welcome Jacob and Zane 133 00:06:20,160 --> 00:06:21,320 Speaker 2: from Sublime. 134 00:06:24,320 --> 00:06:27,640 Speaker 5: That's sound dude, welcome. 135 00:06:27,920 --> 00:06:31,120 Speaker 1: Yeah, you guys got the B team today. Yeah. Oh yeah, 136 00:06:31,200 --> 00:06:35,200 Speaker 1: that's me and Zanzy. All right, so let's let's just 137 00:06:35,240 --> 00:06:36,039 Speaker 1: talk Alter Ego. 138 00:06:36,080 --> 00:06:38,480 Speaker 2: Because somebody mentioned to me as you guys were walking 139 00:06:38,520 --> 00:06:40,560 Speaker 2: in that you don't even know who else is on 140 00:06:40,600 --> 00:06:43,880 Speaker 2: this bill with you guys. So Alter Ego twenty twenty six. 141 00:06:43,880 --> 00:06:45,760 Speaker 2: It's hosted by US, it's hosted by The Woody Show. 142 00:06:46,120 --> 00:06:49,760 Speaker 2: It is happening at the Forum in Los Angeles on Saturday, 143 00:06:49,960 --> 00:06:52,640 Speaker 2: January seventeenth. So we'll get past all the holiday stuff 144 00:06:53,040 --> 00:06:55,719 Speaker 2: and then first thing we do the entire year is 145 00:06:55,760 --> 00:06:58,479 Speaker 2: Alter Ego. Now, it's safe to say Sublime is on 146 00:06:58,560 --> 00:07:00,560 Speaker 2: the lineup, so you guys. 147 00:07:00,360 --> 00:07:02,280 Speaker 6: Are that we're gonna do it. We're gonna we're gonna 148 00:07:02,279 --> 00:07:03,359 Speaker 6: play rock and roll music. 149 00:07:03,400 --> 00:07:05,799 Speaker 2: So there's there's another band on the line called Almost Monday, 150 00:07:05,839 --> 00:07:11,720 Speaker 2: which we've been playing at the Yeah, so We've heard 151 00:07:11,720 --> 00:07:13,120 Speaker 2: their songs, but I have not met them yet, so 152 00:07:13,120 --> 00:07:13,560 Speaker 2: they're cool. 153 00:07:13,640 --> 00:07:16,520 Speaker 6: We met them briefly out of where were we playing Seattle? Yeah, 154 00:07:16,520 --> 00:07:18,240 Speaker 6: we were playing in Seattle couple of weeks ago, and 155 00:07:18,360 --> 00:07:19,040 Speaker 6: we love. 156 00:07:18,880 --> 00:07:19,960 Speaker 1: That big radio song. 157 00:07:20,080 --> 00:07:26,080 Speaker 6: It's been blasting around stuck in my head, right, And 158 00:07:26,120 --> 00:07:28,600 Speaker 6: they were very nice and seemed really passionate dudes. And 159 00:07:28,640 --> 00:07:30,680 Speaker 6: the show they put on up in Seattle that they 160 00:07:30,720 --> 00:07:33,440 Speaker 6: played all right before we did, it was just electric. 161 00:07:33,480 --> 00:07:35,560 Speaker 1: It was really great. Yeah, it was awesome. Alright, so 162 00:07:35,680 --> 00:07:40,400 Speaker 1: Sublime almost Monday Perez. Are you familiar with Perez? Okay, 163 00:07:40,440 --> 00:07:43,240 Speaker 1: so that that's that's it. That's that's that's a new friend, 164 00:07:43,320 --> 00:07:44,320 Speaker 1: Miles Smith. 165 00:07:44,160 --> 00:07:48,400 Speaker 2: Who's had a huge it's had a huge, huge year stargazing. 166 00:07:48,480 --> 00:07:50,960 Speaker 1: I know you've heard the song. It's it's been every 167 00:07:51,080 --> 00:08:05,760 Speaker 1: year you just played. I was watching some sporting but 168 00:08:05,880 --> 00:08:07,120 Speaker 1: they don't play like the halftime. 169 00:08:07,760 --> 00:08:07,960 Speaker 5: Yeah. 170 00:08:08,000 --> 00:08:10,400 Speaker 1: So anyway, this was a this so this is another 171 00:08:10,440 --> 00:08:12,920 Speaker 1: new friend. They're playing the show. They're playing the show. 172 00:08:13,080 --> 00:08:17,440 Speaker 2: Yeah, so Sublime almost Monday gg Perez Miles Smith. Now 173 00:08:17,480 --> 00:08:19,520 Speaker 2: I'm sure from here on out you are very familiar 174 00:08:19,560 --> 00:08:21,720 Speaker 2: with all the bands that are playing also, and this 175 00:08:21,760 --> 00:08:23,360 Speaker 2: is gonna be their first time playing in LA in 176 00:08:23,400 --> 00:08:23,880 Speaker 2: ten years. 177 00:08:23,920 --> 00:08:26,160 Speaker 1: Good Charlotte, I ever heard of them? 178 00:08:26,160 --> 00:08:28,080 Speaker 2: All right, so good good Charlotte will be on the 179 00:08:28,120 --> 00:08:31,400 Speaker 2: line for Alter Ego, also playing Alter Ego Cage the Elephant. 180 00:08:31,800 --> 00:08:35,840 Speaker 1: Yes, yeah, yeah before those guys are awesome? Did I 181 00:08:35,840 --> 00:08:39,600 Speaker 1: mention Sublime is gonna be on the twenty one pilots 182 00:08:40,240 --> 00:08:41,480 Speaker 1: total one pilots. 183 00:08:41,440 --> 00:08:42,240 Speaker 3: Twenty one of them. 184 00:08:43,480 --> 00:08:46,520 Speaker 1: I think they got room for two more, yeah, pilots, and. 185 00:08:46,480 --> 00:08:49,760 Speaker 2: Then also on Alter Ego twenty twenty six. Green Day 186 00:08:49,800 --> 00:08:53,080 Speaker 2: will be playing, so yeah, white a line, dude, it's 187 00:08:53,080 --> 00:08:55,640 Speaker 2: a great line. Green Day, Tourna one pilots, Sublime, Cage 188 00:08:55,679 --> 00:08:58,760 Speaker 2: the Elephant. Good Charlotte, Miles Smith, GG Perez Almost Monday. 189 00:08:59,200 --> 00:09:02,800 Speaker 2: The show is happening Saturday, January seventeenth there at the Forum. 190 00:09:03,000 --> 00:09:04,760 Speaker 1: This is gonna rock. We're gonna need a bigger venue. 191 00:09:04,760 --> 00:09:07,440 Speaker 1: We don't need two of those nights were two nights. 192 00:09:08,840 --> 00:09:10,959 Speaker 1: It is one night, but we're happy to have you there. 193 00:09:11,040 --> 00:09:13,599 Speaker 2: Last time we saw you, guys, you were playing like 194 00:09:13,679 --> 00:09:16,079 Speaker 2: a pool party for us and Jacob's like in the pool. 195 00:09:17,400 --> 00:09:19,520 Speaker 1: Yeah yeah, I do remember that night. 196 00:09:19,559 --> 00:09:23,040 Speaker 6: Yeah, oh yeah, I wish I could talk about what 197 00:09:23,080 --> 00:09:29,040 Speaker 6: happened after the step probably better that, I don't know, 198 00:09:29,200 --> 00:09:31,080 Speaker 6: makes some new friends keep the old one of silver 199 00:09:31,200 --> 00:09:31,840 Speaker 6: and one his gold. 200 00:09:32,280 --> 00:09:34,480 Speaker 2: So dude, tell me about just just tell me about 201 00:09:34,480 --> 00:09:37,439 Speaker 2: your life at this point, man, because first of all, 202 00:09:37,480 --> 00:09:40,800 Speaker 2: for people who may not be familiar, Jacob is the 203 00:09:40,800 --> 00:09:43,520 Speaker 2: son of Bradley, who was the original lead singer of 204 00:09:43,679 --> 00:09:46,920 Speaker 2: Sublime and then you know, Sublime, you know, did their 205 00:09:47,000 --> 00:09:50,160 Speaker 2: thing and Rome joined for a while and he was 206 00:09:50,200 --> 00:09:53,040 Speaker 2: he was the Sublime with Rome, and then uh you 207 00:09:53,080 --> 00:09:55,559 Speaker 2: played was it just based on that one gig that 208 00:09:55,800 --> 00:09:57,199 Speaker 2: kind of like wait a minute. 209 00:09:56,920 --> 00:10:01,040 Speaker 6: Uh yeah, but that one Craig was, Yeah, yeah, yeah, 210 00:10:01,080 --> 00:10:03,560 Speaker 6: before Coachella and no, the gig, the gig that was 211 00:10:03,559 --> 00:10:06,360 Speaker 6: our our first it wasn't even really a Sublime proper gig. 212 00:10:06,400 --> 00:10:08,920 Speaker 6: But there was a benefit show for HR from Babern 213 00:10:08,960 --> 00:10:10,000 Speaker 6: What was the name of the venue, you. 214 00:10:09,960 --> 00:10:11,719 Speaker 1: Know the tearogram is it Tarogram? Yeah? 215 00:10:11,760 --> 00:10:14,280 Speaker 6: So yeah here in Los Angeles, and you know, uh, 216 00:10:14,640 --> 00:10:16,800 Speaker 6: HR is like, you know our hero, you know, especially 217 00:10:16,800 --> 00:10:19,120 Speaker 6: about an Eric, So just to do anything to help 218 00:10:19,160 --> 00:10:21,920 Speaker 6: out was really special, you know Eric real they wanted 219 00:10:21,960 --> 00:10:23,240 Speaker 6: to do it, and then Bud wanted to do and 220 00:10:23,240 --> 00:10:24,560 Speaker 6: they're like why don't we have Ja come up and 221 00:10:24,600 --> 00:10:28,800 Speaker 6: walt sing some Sublime songs and us through having fun doing. 222 00:10:28,480 --> 00:10:30,400 Speaker 1: That is what was like. 223 00:10:30,440 --> 00:10:33,959 Speaker 6: Well, I mean, you know, our buddy Jos Galante has 224 00:10:33,960 --> 00:10:37,040 Speaker 6: a buddy named Paul Tillette who really likes ska music 225 00:10:37,120 --> 00:10:41,160 Speaker 6: and puts on little local festivals, and he wanted us 226 00:10:41,160 --> 00:10:43,559 Speaker 6: to come play his local event called Coachella. 227 00:10:43,280 --> 00:10:45,160 Speaker 1: Right, yeah, I mean nobod's heard of it. 228 00:10:45,240 --> 00:10:48,320 Speaker 6: Yeah yeah, yeah, no pressure, no pressure, support it and 229 00:10:48,320 --> 00:10:48,960 Speaker 6: go check it out. 230 00:10:50,120 --> 00:10:52,640 Speaker 1: And yeah, no no pressure. Freaking dude. So I don't 231 00:10:52,679 --> 00:10:53,720 Speaker 1: get stage fright or whatever. 232 00:10:53,760 --> 00:10:56,360 Speaker 6: You know, I've been performing since I was seventeen, in 233 00:10:56,400 --> 00:10:58,120 Speaker 6: and out of just these you know, all sorts of 234 00:10:58,200 --> 00:10:59,800 Speaker 6: terrible nameless man not I don't want to say there 235 00:10:59,800 --> 00:11:02,280 Speaker 6: was a lot of fun, you know, travel around the country, 236 00:11:02,440 --> 00:11:04,520 Speaker 6: just trying to do anything I can to get anything 237 00:11:04,520 --> 00:11:07,199 Speaker 6: to stick to the wall, just just grind in total obscurity, 238 00:11:07,280 --> 00:11:07,880 Speaker 6: just playing for. 239 00:11:07,840 --> 00:11:09,400 Speaker 1: Five people every night. 240 00:11:09,520 --> 00:11:11,440 Speaker 6: And then finally started to get a little bit of 241 00:11:11,760 --> 00:11:15,240 Speaker 6: traction off with Jacob's Castle and anyway you. 242 00:11:15,280 --> 00:11:18,600 Speaker 1: Still play, you know with Jacobs Yeah shows, it's it's 243 00:11:18,600 --> 00:11:19,240 Speaker 1: helped out a lot. 244 00:11:19,320 --> 00:11:21,719 Speaker 6: So and so I really felt though I cut my 245 00:11:21,760 --> 00:11:23,480 Speaker 6: teeth and I played some bigger festivals and that sort 246 00:11:23,480 --> 00:11:26,400 Speaker 6: of thing with other bands. But wow, man, yeah, stepping 247 00:11:26,400 --> 00:11:28,880 Speaker 6: onto the stage of Coachella was was awful. 248 00:11:29,200 --> 00:11:31,760 Speaker 1: It is just horrible. Oh man. It was the word. 249 00:11:32,160 --> 00:11:35,240 Speaker 6: And you know, like we're so comfortable and locked in now, 250 00:11:35,320 --> 00:11:36,920 Speaker 6: Like I tell people out there, please come to a 251 00:11:36,920 --> 00:11:38,839 Speaker 6: Sublime show. I'm telling you're gonna have so much fun. 252 00:11:38,880 --> 00:11:41,040 Speaker 6: Buy some CDs, buy some tapes, buy a T shirt 253 00:11:41,080 --> 00:11:44,280 Speaker 6: for mom and dad, Like we are so comfortable now 254 00:11:44,280 --> 00:11:46,319 Speaker 6: and locked in that I could truly endorse some behind 255 00:11:46,320 --> 00:11:47,920 Speaker 6: and say that we are well rehearsed and put on 256 00:11:47,920 --> 00:11:51,440 Speaker 6: a great entertaining show every time. But that first show was, uh, 257 00:11:51,520 --> 00:11:54,280 Speaker 6: you know, nerve wracking. Is is like an understatement. 258 00:11:54,400 --> 00:11:58,079 Speaker 1: It was just pressure. Yeah, because you know all the songs. Yeah, 259 00:11:58,120 --> 00:11:59,920 Speaker 1: I didn't know. You really didn't know the song. 260 00:12:00,040 --> 00:12:01,800 Speaker 6: I mean we had a couple months to rehearse, but 261 00:12:01,840 --> 00:12:03,320 Speaker 6: that's not enough. Like people will be. 262 00:12:03,360 --> 00:12:05,199 Speaker 1: Like, well come on, kid, you had your whole life 263 00:12:05,240 --> 00:12:05,640 Speaker 1: to learn them. 264 00:12:05,679 --> 00:12:07,520 Speaker 3: Like, I don't know it's going to yes, I don't know. 265 00:12:07,600 --> 00:12:09,800 Speaker 6: It's gonna be stepping into a kind of a dead 266 00:12:09,840 --> 00:12:13,080 Speaker 6: relative to go portray their their most famous and beloved works. 267 00:12:13,120 --> 00:12:15,559 Speaker 1: To you know, thousands upon thousands of. 268 00:12:15,720 --> 00:12:18,160 Speaker 6: Very expectant fans and by the way, ninety nine point 269 00:12:18,200 --> 00:12:19,760 Speaker 6: nine per some of other people. You know, I could 270 00:12:19,800 --> 00:12:21,920 Speaker 6: be up there in a Santa had singing Christmas carols 271 00:12:21,920 --> 00:12:23,120 Speaker 6: and they probably like keep the dream alive. 272 00:12:23,120 --> 00:12:25,079 Speaker 3: They're jacob uls, like you. 273 00:12:25,080 --> 00:12:28,920 Speaker 6: Know, it's it. But to me, it was very, very important. 274 00:12:28,920 --> 00:12:30,520 Speaker 6: And I take this stuff very seriously because of my 275 00:12:30,600 --> 00:12:33,000 Speaker 6: late father. He didn't get to experience Coachella, or to 276 00:12:33,120 --> 00:12:35,560 Speaker 6: be on this the wonderful The Woody Show, and to 277 00:12:35,679 --> 00:12:37,880 Speaker 6: go play you know, all these awesome events and stuff 278 00:12:37,920 --> 00:12:40,440 Speaker 6: like that. This is his and my uncle's cash and 279 00:12:40,480 --> 00:12:42,960 Speaker 6: life and their experience that that they are deserved of. 280 00:12:43,120 --> 00:12:45,439 Speaker 6: So and the fans are deservative of having the most 281 00:12:45,480 --> 00:12:49,600 Speaker 6: authentic experience of the band possible. I mean the success. 282 00:12:49,600 --> 00:12:51,040 Speaker 6: So this is not to jump ahead at the success 283 00:12:51,040 --> 00:12:53,680 Speaker 6: for the most recent single is is not only mind blowing, 284 00:12:53,720 --> 00:12:57,679 Speaker 6: but it's really reassuring to show the staying power and 285 00:12:58,000 --> 00:12:59,599 Speaker 6: of a band like this and how many people have 286 00:12:59,640 --> 00:13:01,960 Speaker 6: been waiting for it. So that goes with that said, 287 00:13:02,000 --> 00:13:04,559 Speaker 6: all of that was in my head walking up on stage, 288 00:13:04,559 --> 00:13:06,120 Speaker 6: and I was like, don't blow it, don't blow it, 289 00:13:06,120 --> 00:13:07,640 Speaker 6: and I don't think we blew it too bad, but dude, 290 00:13:07,640 --> 00:13:08,560 Speaker 6: it was just so much better. 291 00:13:09,920 --> 00:13:12,120 Speaker 2: Regardless of whatever you end up going into I think 292 00:13:12,320 --> 00:13:14,120 Speaker 2: a lot of people fake it do they make it right? 293 00:13:14,200 --> 00:13:16,240 Speaker 2: Like you go in there and you're almost playing or 294 00:13:16,400 --> 00:13:18,600 Speaker 2: you're playing a role like you said, like your dad's role. 295 00:13:18,960 --> 00:13:22,120 Speaker 2: You're coming in there, you're trying to you're basically emulating him. 296 00:13:22,559 --> 00:13:23,679 Speaker 2: You're trying or trying to. 297 00:13:23,800 --> 00:13:26,240 Speaker 1: I mean, there's different until you're able to like then 298 00:13:26,400 --> 00:13:28,520 Speaker 1: take it and make it your own, which is what 299 00:13:28,520 --> 00:13:29,200 Speaker 1: you're kind of saying. 300 00:13:29,200 --> 00:13:29,360 Speaker 2: Now. 301 00:13:29,400 --> 00:13:29,760 Speaker 1: Is that sure? 302 00:13:29,800 --> 00:13:31,320 Speaker 2: Now it's like you feel totally comfortable, you can get 303 00:13:31,400 --> 00:13:33,080 Speaker 2: up on stage and you sing the songs. 304 00:13:33,160 --> 00:13:34,560 Speaker 1: You're meeting the expectation of the fans. 305 00:13:34,600 --> 00:13:37,400 Speaker 2: But also it's it's it's your thing too, because now 306 00:13:37,400 --> 00:13:39,240 Speaker 2: you got your you know and sonata, like this is 307 00:13:39,280 --> 00:13:42,679 Speaker 2: one of your songs that you helped create with this band. Yeah, 308 00:13:42,679 --> 00:13:45,760 Speaker 2: and not just not just you know, you know, doing 309 00:13:45,920 --> 00:13:46,920 Speaker 2: the classic songs. 310 00:13:46,960 --> 00:13:49,480 Speaker 1: Yeah, like holding the torch and you're carrying Yeah, yeah. 311 00:13:49,320 --> 00:13:51,560 Speaker 6: Thank you. That is a really good, you know, analogy. 312 00:13:51,600 --> 00:13:52,679 Speaker 6: And at the end of the day, I always try 313 00:13:52,720 --> 00:13:54,000 Speaker 6: to tell you, like, look, you know, we're not hearing 314 00:13:54,000 --> 00:13:58,240 Speaker 6: cancer here. You know, we're a lot of dumb industry 315 00:13:58,240 --> 00:14:01,200 Speaker 6: where it's just fun rock music attainment. So I try 316 00:14:01,240 --> 00:14:03,320 Speaker 6: to truly not take myself too seriously, but at the 317 00:14:03,320 --> 00:14:05,640 Speaker 6: same time, I do try to, you know, have an 318 00:14:05,679 --> 00:14:07,800 Speaker 6: air of like, you know, what I'm doing is sacred 319 00:14:07,840 --> 00:14:09,440 Speaker 6: do a lot of folks out there, and it is 320 00:14:09,520 --> 00:14:11,520 Speaker 6: very meaningful. Just because of who I am or who 321 00:14:11,520 --> 00:14:13,480 Speaker 6: I'm born, doesn't mean I was just like deserve it 322 00:14:13,559 --> 00:14:15,800 Speaker 6: of being in this role or jumping into some big 323 00:14:15,840 --> 00:14:18,520 Speaker 6: already pre established band to help out my career. 324 00:14:18,520 --> 00:14:19,040 Speaker 1: You know what I mean. 325 00:14:19,040 --> 00:14:21,400 Speaker 6: This is an incredibly lucky thing. That is a gift 326 00:14:21,440 --> 00:14:23,240 Speaker 6: that I get to be able to do, and I 327 00:14:23,320 --> 00:14:24,200 Speaker 6: like to treat it as such. 328 00:14:24,240 --> 00:14:25,960 Speaker 1: You know, I don't. I don't f around like all 329 00:14:25,960 --> 00:14:27,840 Speaker 1: the all the chaos is very uh. I've heard you 330 00:14:27,880 --> 00:14:30,000 Speaker 1: work very hard, well, you know, I think I've heard 331 00:14:30,000 --> 00:14:31,240 Speaker 1: you're a hard worker. Like you. 332 00:14:31,240 --> 00:14:33,320 Speaker 2: You put a lot of yourself, your heart and you know, 333 00:14:33,440 --> 00:14:35,080 Speaker 2: just a lot of like you. I don't want to 334 00:14:35,080 --> 00:14:36,880 Speaker 2: say lead by example, it's a tacky but you know 335 00:14:36,920 --> 00:14:39,240 Speaker 2: what I mean, like you, Yeah, you try to set 336 00:14:39,280 --> 00:14:41,480 Speaker 2: an example. You do set an example for you know, 337 00:14:41,520 --> 00:14:43,520 Speaker 2: the other people. You know, who are you know, Bud, 338 00:14:43,520 --> 00:14:45,680 Speaker 2: who's been there since the beginning. But like, hey, man, 339 00:14:45,680 --> 00:14:47,000 Speaker 2: like I'm not taking it for granted. 340 00:14:47,120 --> 00:14:48,960 Speaker 6: Yeah, I really try not to, man, brother, I got 341 00:14:48,960 --> 00:14:51,720 Speaker 6: a day job that lets me sleep until the crack of. 342 00:14:51,680 --> 00:14:54,680 Speaker 1: Noon, like most days. What do I have to complain about? 343 00:14:54,800 --> 00:14:55,000 Speaker 5: Yeah? 344 00:14:55,200 --> 00:14:58,160 Speaker 1: Yeah, man, not today except for today. Never today. I quit. 345 00:14:59,560 --> 00:15:02,640 Speaker 6: No, But it has been a really special ride. And 346 00:15:02,680 --> 00:15:05,520 Speaker 6: getting closer and more comfortable with Budd and Eric as 347 00:15:05,560 --> 00:15:08,280 Speaker 6: bandmates and just his friends and family has been the 348 00:15:08,320 --> 00:15:10,320 Speaker 6: true gift of this experience, because I think that's what 349 00:15:10,360 --> 00:15:16,680 Speaker 6: makes Sublime a really approachable, accessible, and a genuinely magnetic 350 00:15:16,760 --> 00:15:18,320 Speaker 6: type of project for a lot of fans. As you 351 00:15:18,320 --> 00:15:20,240 Speaker 6: can see a lot of your own maybe yeah, fed 352 00:15:20,320 --> 00:15:23,720 Speaker 6: up family, you know, in our antics and in our music. 353 00:15:23,800 --> 00:15:26,880 Speaker 6: So going forward and writing these new songs, Uh, part 354 00:15:26,920 --> 00:15:28,640 Speaker 6: of me being comfortable was like bringing in my buddy's 355 00:15:28,640 --> 00:15:30,640 Speaker 6: an over here. He plays, he comes he's my guitar tag, 356 00:15:30,720 --> 00:15:32,720 Speaker 6: but he comes up and plays half the sudden guitar 357 00:15:32,760 --> 00:15:35,400 Speaker 6: because I don't particularly like playing guitar, you know. 358 00:15:35,520 --> 00:15:39,040 Speaker 1: So you some of the new stuff too, right, Yeah 359 00:15:39,040 --> 00:15:40,520 Speaker 1: that's him soloing on insinato. 360 00:15:40,880 --> 00:15:42,960 Speaker 2: Yeah, so you're like a You're like a jack of 361 00:15:43,000 --> 00:15:45,040 Speaker 2: all trades. He's like a Swiss army knife. He's the 362 00:15:45,080 --> 00:15:45,760 Speaker 2: guitar tag. 363 00:15:46,480 --> 00:15:50,200 Speaker 6: Yeah, basically like I snuck him in through the enemy 364 00:15:50,200 --> 00:15:51,600 Speaker 6: lines or the friendly line. 365 00:15:51,760 --> 00:15:54,680 Speaker 1: Yes, yeah, Well we have a Jacob noll And zaying 366 00:15:54,760 --> 00:15:57,920 Speaker 1: here from from Sublime. They're playing alter ego in the band, 367 00:15:58,200 --> 00:15:59,280 Speaker 1: which we we just announced. 368 00:15:59,320 --> 00:16:02,520 Speaker 2: This morning's happening at the Former Los Angeles on January seventeenth. 369 00:16:02,600 --> 00:16:05,360 Speaker 2: That's a Saturday. Tickets going on sale next Friday. You 370 00:16:05,360 --> 00:16:06,480 Speaker 2: guys are gonna play for us. 371 00:16:06,680 --> 00:16:06,880 Speaker 3: Yeah? 372 00:16:06,960 --> 00:16:09,520 Speaker 1: How about that? The new song? How about you want 373 00:16:09,520 --> 00:16:12,080 Speaker 1: to hear it? Yeah, I'd to hear it here go. 374 00:16:12,480 --> 00:16:14,640 Speaker 2: That's the first single from the new album Upcoming Albums 375 00:16:14,640 --> 00:16:18,840 Speaker 2: coming out early in twenty twenty six. Sublime and Sonata 376 00:16:19,000 --> 00:16:22,920 Speaker 2: live in studio on The Woody Show. 377 00:16:27,400 --> 00:16:29,120 Speaker 3: Is that what they're coloring it now? 378 00:16:29,840 --> 00:16:32,160 Speaker 1: Smarts out a big mouth. 379 00:16:33,200 --> 00:16:36,840 Speaker 5: Hlua got his honesty, Hardborg and girls, I best to 380 00:16:37,160 --> 00:16:41,680 Speaker 5: mont me? Does God go see you went? I'm back 381 00:16:41,720 --> 00:16:46,160 Speaker 5: from Mexico. Don't hey if you can't relate to this 382 00:16:46,360 --> 00:16:50,640 Speaker 5: Thundards Dolly Street play, I do you want to be 383 00:16:50,880 --> 00:16:52,080 Speaker 5: old man normal? 384 00:16:52,840 --> 00:16:56,320 Speaker 3: I wanta meglove to hands. 385 00:16:56,080 --> 00:17:00,240 Speaker 7: And not on my mond, do. 386 00:17:01,800 --> 00:17:05,200 Speaker 3: Come't come to me, can't go act, can't. 387 00:17:05,040 --> 00:17:05,840 Speaker 6: Come to me. 388 00:17:09,920 --> 00:17:15,840 Speaker 3: On my mind and not aday. It's long something. 389 00:17:15,960 --> 00:17:18,520 Speaker 5: I can promise you that if I was the mother, 390 00:17:18,680 --> 00:17:22,199 Speaker 5: I've president. I only hire twenty strippers from my gabble 391 00:17:22,280 --> 00:17:25,800 Speaker 5: and hit let's coach my bom need not apply if 392 00:17:25,800 --> 00:17:28,720 Speaker 5: you never care another one to know the reasons why. 393 00:17:29,160 --> 00:17:34,000 Speaker 1: If it's something you should know. I decur your stuff. 394 00:17:35,200 --> 00:17:38,640 Speaker 5: I don't want to feel man nor more. I want 395 00:17:38,680 --> 00:17:42,320 Speaker 5: to make love to hands and nod. 396 00:17:42,600 --> 00:17:48,320 Speaker 3: On my mind. Whoa, I don't want to feel man 397 00:17:48,480 --> 00:17:54,080 Speaker 3: nor more. I want to make love to handseranada on 398 00:17:54,320 --> 00:17:54,879 Speaker 3: my mind. 399 00:17:57,040 --> 00:17:57,520 Speaker 7: Say no. 400 00:18:03,760 --> 00:18:04,520 Speaker 1: Sounds real good. 401 00:18:14,280 --> 00:18:22,880 Speaker 3: Of you said, how do I want to be your man? 402 00:18:24,320 --> 00:18:31,560 Speaker 3: I want to make love to hands and oh Mama, whoa, 403 00:18:32,800 --> 00:18:34,360 Speaker 3: I don't want to be your man? 404 00:18:34,560 --> 00:18:35,040 Speaker 7: No more. 405 00:18:35,520 --> 00:18:40,800 Speaker 3: No Kyoto sented to Alma hands and oh my god, 406 00:18:43,920 --> 00:18:50,440 Speaker 3: she's something usual. I declare your stuff. There's something you 407 00:18:50,760 --> 00:18:56,960 Speaker 3: should know. I declare your stuff. There's something you should do. 408 00:18:58,480 --> 00:19:02,960 Speaker 3: Cridy guards some diguous though. 409 00:19:04,520 --> 00:19:08,200 Speaker 1: I declare radio you are stoked. 410 00:19:10,160 --> 00:19:18,320 Speaker 8: Sublime and Sanata and gentleman Jacob Insane your game studio 411 00:19:19,240 --> 00:19:20,560 Speaker 8: with l Woodie show. 412 00:19:20,880 --> 00:19:23,040 Speaker 6: Can I say something, Yeah, I just wanted to say 413 00:19:23,080 --> 00:19:26,040 Speaker 6: out there to everybody. Uh, it's just it really means 414 00:19:26,080 --> 00:19:28,119 Speaker 6: a lot the outpouring of support for Ensenada. 415 00:19:28,359 --> 00:19:28,520 Speaker 1: Man. 416 00:19:28,560 --> 00:19:31,560 Speaker 6: When we wrote this like whole record, me and Zano, 417 00:19:31,600 --> 00:19:34,119 Speaker 6: our producer, John and Bud and Eric and Dougie and 418 00:19:34,720 --> 00:19:37,359 Speaker 6: and Trey, everybody who's involved with the band that call 419 00:19:37,440 --> 00:19:39,560 Speaker 6: sublime right now, we didn't. This was just a song 420 00:19:39,720 --> 00:19:42,400 Speaker 6: we made to like make ourselves laugh, like some throwaway 421 00:19:43,080 --> 00:19:46,040 Speaker 6: they're just making saying funny stuff. There's some emotional core 422 00:19:46,080 --> 00:19:47,680 Speaker 6: in there too, I think if you really squint. But 423 00:19:48,160 --> 00:19:50,760 Speaker 6: the fact that there's been this much support, I just 424 00:19:50,840 --> 00:19:52,640 Speaker 6: want to shout out to not only of the old 425 00:19:52,680 --> 00:19:55,080 Speaker 6: og fans who have stuck around this long and are 426 00:19:55,400 --> 00:19:57,520 Speaker 6: having fun at the shows, but thank you for showing 427 00:19:57,520 --> 00:19:59,359 Speaker 6: the music to your kids and your kids' kids, and 428 00:19:59,400 --> 00:20:01,160 Speaker 6: I see them coming out to the shows. There's even 429 00:20:01,200 --> 00:20:02,880 Speaker 6: more of the new fans than there are the old 430 00:20:02,920 --> 00:20:05,680 Speaker 6: ones now, So en Sonata and the whole new record, 431 00:20:05,680 --> 00:20:07,520 Speaker 6: that's for you, guys, man, It's for this next generation. 432 00:20:07,720 --> 00:20:10,720 Speaker 6: It's been almost thirty years since since a big number one, 433 00:20:10,760 --> 00:20:12,600 Speaker 6: which for a while I thought was like a diss 434 00:20:13,000 --> 00:20:15,120 Speaker 6: but we may broke some record for the longest time 435 00:20:15,200 --> 00:20:16,840 Speaker 6: between E the one, but but what it means is that, 436 00:20:17,000 --> 00:20:19,040 Speaker 6: you know, usually once you get your bust, that's it. 437 00:20:19,200 --> 00:20:21,360 Speaker 6: So the fact that we're back here, we're on borrow time, 438 00:20:21,400 --> 00:20:23,000 Speaker 6: and it's a gift and there's not a day that 439 00:20:23,040 --> 00:20:24,360 Speaker 6: goes by that I wish I could give it back 440 00:20:24,359 --> 00:20:26,040 Speaker 6: to my father man so and his name and his 441 00:20:26,119 --> 00:20:28,080 Speaker 6: honor and his legacy and all the friends and family 442 00:20:28,160 --> 00:20:29,440 Speaker 6: out there who enjoy this music. 443 00:20:30,080 --> 00:20:35,320 Speaker 1: Uh whores, I gotta say, you know, it's crazy, man Like, Uh, 444 00:20:35,680 --> 00:20:37,639 Speaker 1: there's there's so much that we said about genetics, right, 445 00:20:38,080 --> 00:20:40,440 Speaker 1: Like you think about it, like, uh, like my mom 446 00:20:40,480 --> 00:20:42,879 Speaker 1: will call the house and my son will pick up 447 00:20:42,960 --> 00:20:44,119 Speaker 1: and she'll think she's talking to me. 448 00:20:44,280 --> 00:20:47,320 Speaker 6: Yeah right, And it's so weird how my aunt does that. 449 00:20:47,359 --> 00:20:48,760 Speaker 6: I've called her before and she had to get off 450 00:20:48,760 --> 00:20:50,080 Speaker 6: the phone. She's like started crying. 451 00:20:49,960 --> 00:20:52,480 Speaker 1: Or she's like talking to her brother. Yeah. 452 00:20:52,640 --> 00:20:54,760 Speaker 2: So it's it's not like you're sitting there trying to 453 00:20:54,840 --> 00:20:56,919 Speaker 2: sound like your dad. You just do because you are 454 00:20:57,040 --> 00:21:00,960 Speaker 2: your father's son. Yeah, you know, but again, like you 455 00:21:01,040 --> 00:21:03,879 Speaker 2: could do these newer songs, right, The newer songs blend 456 00:21:04,000 --> 00:21:06,200 Speaker 2: so well with the classic Sublime stuff. 457 00:21:06,400 --> 00:21:10,600 Speaker 1: Yeah, and that's genetics, guys, Yes, that was our toll man. 458 00:21:10,760 --> 00:21:12,760 Speaker 6: Is that that whole era of music we want to 459 00:21:12,880 --> 00:21:16,879 Speaker 6: celebrate appreciate. We can never outshine or eclipse the original 460 00:21:16,960 --> 00:21:17,520 Speaker 6: Sublime era. 461 00:21:17,680 --> 00:21:17,840 Speaker 5: Yeah. 462 00:21:17,880 --> 00:21:19,600 Speaker 6: What me and Zay and out here intended to do 463 00:21:19,800 --> 00:21:22,199 Speaker 6: is just make some stuff that excited us when when 464 00:21:22,240 --> 00:21:24,639 Speaker 6: we were kids about that really cool, interesting era of 465 00:21:24,720 --> 00:21:26,680 Speaker 6: nineties and early two thousands of music, which I think 466 00:21:26,760 --> 00:21:28,720 Speaker 6: is coming back in a big way. Shout out to 467 00:21:28,760 --> 00:21:31,520 Speaker 6: the local scene here in southern California. Sunburg Records were 468 00:21:31,520 --> 00:21:32,600 Speaker 6: putting on shows everywhere. 469 00:21:32,960 --> 00:21:35,840 Speaker 2: Yeah, well, hey, it's twenty one Pilots, It's Green Day, 470 00:21:36,160 --> 00:21:39,440 Speaker 2: It's Cage the Elephant. Good Charlotte Miles Smith Ggprez Almost 471 00:21:39,480 --> 00:21:43,160 Speaker 2: Famous and Sublime Happening at Alter Ego twenty twenty six, 472 00:21:43,240 --> 00:21:45,800 Speaker 2: presented by Capitol One at the Forum in Los Angeles 473 00:21:45,880 --> 00:21:50,480 Speaker 2: on Saturday, January the seventeenth. And we're super excited to 474 00:21:50,560 --> 00:21:53,200 Speaker 2: have you guys here and the new album which is 475 00:21:53,280 --> 00:21:56,879 Speaker 2: coming out early next year. As we mentioned, what's the 476 00:21:56,960 --> 00:21:58,399 Speaker 2: date on that? I should have the date on that 477 00:21:58,600 --> 00:22:00,720 Speaker 2: or is it just at this point just early next year? 478 00:22:01,720 --> 00:22:01,960 Speaker 1: Okay? 479 00:22:02,800 --> 00:22:06,520 Speaker 6: I first, my management gets mad because I keep saying dates. 480 00:22:06,560 --> 00:22:08,560 Speaker 6: Just all right, Dick, and see, I should I should 481 00:22:08,560 --> 00:22:10,320 Speaker 6: know this thing as a professional. But I'm a really 482 00:22:10,480 --> 00:22:13,879 Speaker 6: terrible interviewer. No, you're not a great conversation. It's even 483 00:22:13,880 --> 00:22:14,200 Speaker 6: an interview. 484 00:22:14,240 --> 00:22:16,200 Speaker 1: We're just having a good talk. Yeah, and you know, 485 00:22:16,359 --> 00:22:17,960 Speaker 1: but I should have wrote that down, but I just 486 00:22:18,000 --> 00:22:18,880 Speaker 1: don't know. There's no date. 487 00:22:19,000 --> 00:22:21,119 Speaker 6: Yeah, but what will be some new songs called? So 488 00:22:21,160 --> 00:22:23,080 Speaker 6: I might even play one after this too, whatever you 489 00:22:23,119 --> 00:22:26,000 Speaker 6: guys want, Yeah, like a classic. Okay, I got one, 490 00:22:26,040 --> 00:22:29,159 Speaker 6: I got one. This one really means a lot to me, uh, 491 00:22:29,359 --> 00:22:31,320 Speaker 6: stepping into this role. So it has done personal meaning 492 00:22:31,359 --> 00:22:35,800 Speaker 6: and twists. But it is especially personal lyrics. 493 00:22:35,600 --> 00:22:37,639 Speaker 1: When it comes to my father's writing. So it always 494 00:22:38,040 --> 00:22:40,360 Speaker 1: makes me reflect. So here's one of our favorites. 495 00:23:06,280 --> 00:23:08,359 Speaker 3: When your grandpa me. 496 00:23:11,320 --> 00:23:14,040 Speaker 5: Tell me that I'll never be said for. 497 00:23:17,680 --> 00:23:19,040 Speaker 3: Pulama pair. 498 00:23:22,880 --> 00:23:30,800 Speaker 5: Repn crawl out, step into the night, two parents of 499 00:23:34,160 --> 00:23:38,480 Speaker 5: tell me are you bad fished? How are you bad 500 00:23:38,600 --> 00:23:46,520 Speaker 5: fish too? Ain't got no money to spend. I hope 501 00:23:46,600 --> 00:23:49,280 Speaker 5: it's not never end? 502 00:23:51,960 --> 00:23:56,480 Speaker 3: Lord does Adam we oh song? 503 00:23:57,040 --> 00:23:59,159 Speaker 5: Body get off of this. 504 00:24:02,880 --> 00:24:05,919 Speaker 3: May out of big blue a. 505 00:24:08,600 --> 00:24:16,080 Speaker 5: Grabber reef, out of having been less, but I always 506 00:24:16,240 --> 00:24:26,200 Speaker 5: shine every her who waters to bolluted wature, not dotty. 507 00:24:26,960 --> 00:24:29,240 Speaker 5: And I'm temp feet over egg. 508 00:24:31,400 --> 00:24:38,040 Speaker 3: Graberry underneath my mind, be underneath my bid Thank God. 509 00:24:38,119 --> 00:24:45,320 Speaker 3: The garls and cold and goten to her to get 510 00:24:45,480 --> 00:24:53,200 Speaker 3: Oh no, no, Lord does not a week wall. So 511 00:24:53,960 --> 00:24:56,960 Speaker 3: body get me off of this se. 512 00:25:03,240 --> 00:25:04,200 Speaker 1: Bout two seconds here? 513 00:25:05,240 --> 00:25:08,639 Speaker 6: Want you put your hands together for the musical stylist, 514 00:25:09,400 --> 00:25:11,119 Speaker 6: mister saint, No vanavoord. 515 00:25:32,680 --> 00:25:34,439 Speaker 1: God orls with God. Quiet though. 516 00:25:35,840 --> 00:25:36,360 Speaker 5: Ain't God. 517 00:25:36,520 --> 00:25:38,359 Speaker 1: No quarrels with God. 518 00:25:41,880 --> 00:25:44,720 Speaker 3: Ain't God God to get old? 519 00:25:48,280 --> 00:25:50,480 Speaker 1: Lord, no God, I'm we. 520 00:25:52,240 --> 00:26:01,800 Speaker 3: Oh somebody did be off of this? Want to break up? 521 00:26:03,280 --> 00:26:06,000 Speaker 5: Hol it up o. 522 00:26:08,920 --> 00:26:14,560 Speaker 3: I just can't come upside you to the world to 523 00:26:15,080 --> 00:26:27,800 Speaker 3: house it's empty. Oh he gets plenty baton stick it's shoulder. 524 00:26:31,720 --> 00:26:34,920 Speaker 3: Rudy gets tallar tallar. 525 00:26:36,960 --> 00:26:38,920 Speaker 1: I can't fight against. 526 00:26:38,680 --> 00:26:45,120 Speaker 3: You because that's shock and not rude rude people. 527 00:26:48,440 --> 00:26:53,560 Speaker 5: I can't fight against to you right this rang now 528 00:26:54,080 --> 00:26:57,040 Speaker 5: to my rude rude people. 529 00:26:59,160 --> 00:27:01,920 Speaker 3: In the world's bout nineteen eighty three. It was the 530 00:27:02,040 --> 00:27:06,000 Speaker 3: best of my life. I be eighty nine bencheon. 531 00:27:06,000 --> 00:27:09,320 Speaker 5: Don't fosterer, no fight, And now the little mama's wanna 532 00:27:09,400 --> 00:27:14,560 Speaker 5: be behind White Bencheon was playing all my guitar, all 533 00:27:14,680 --> 00:27:18,080 Speaker 5: my guitar, How to be there, how to be there? 534 00:27:18,600 --> 00:27:21,080 Speaker 3: You had to be there. I had to be there. 535 00:27:22,080 --> 00:27:24,120 Speaker 3: And the Red Dam's playing. 536 00:27:24,960 --> 00:27:27,960 Speaker 5: I'm the old guys ain't over there now, and Buddy 537 00:27:28,000 --> 00:27:31,400 Speaker 5: God will be singing out there, and Mark Wilson will 538 00:27:31,440 --> 00:27:32,520 Speaker 5: be bad out there. 539 00:27:32,520 --> 00:27:39,200 Speaker 3: Now, and I'm we'll be all singing, oh Vergion, John. 540 00:27:39,080 --> 00:28:08,800 Speaker 7: Beggin verb, Jhon Vern cold John down, whoa one has 541 00:28:08,920 --> 00:28:10,680 Speaker 7: been told to the why. 542 00:28:16,080 --> 00:28:17,080 Speaker 4: To babe. 543 00:28:27,960 --> 00:28:28,520 Speaker 1: Well not song? 544 00:28:28,640 --> 00:28:33,639 Speaker 6: Everybody said, everybody come on ready, can fi gat sy you? 545 00:28:34,160 --> 00:28:38,720 Speaker 1: Thank you very much, guys Jacob and Sublime Ladies and 546 00:28:38,800 --> 00:28:41,200 Speaker 1: Jelly Bob, we wouldn't stop playing with you. But that 547 00:28:41,360 --> 00:28:44,479 Speaker 1: finished segues in the Jailhouse, Dude, jail House is another one, 548 00:28:44,560 --> 00:28:44,920 Speaker 1: like I know. 549 00:28:44,960 --> 00:28:47,840 Speaker 6: A little thank you so much for that's our little signature. 550 00:28:47,480 --> 00:28:50,040 Speaker 1: To that jailhouse. And that was always like one of 551 00:28:50,080 --> 00:28:50,600 Speaker 1: my favorites. 552 00:28:50,680 --> 00:28:52,640 Speaker 2: Wasn't like a like a huge radio song I played 553 00:28:52,680 --> 00:28:53,920 Speaker 2: on the radio a number of times, but like it 554 00:28:54,040 --> 00:28:56,320 Speaker 2: wasn't like what I got our wrong way Santa Ria 555 00:28:56,440 --> 00:28:58,000 Speaker 2: kind of thing. Jealous is a great song. And then 556 00:28:58,040 --> 00:29:01,560 Speaker 2: also another one that man waiting for my ruka. Oh yeah, 557 00:29:02,040 --> 00:29:04,640 Speaker 2: it's like forty long. It's a really it's a really 558 00:29:04,760 --> 00:29:07,360 Speaker 2: short app so really special too. It's not the same 559 00:29:07,480 --> 00:29:08,040 Speaker 2: spirit that you. 560 00:29:08,080 --> 00:29:11,280 Speaker 6: See in a lot of really cool, utiful underground stuff 561 00:29:11,280 --> 00:29:16,120 Speaker 6: happening today in all genres. And uh, it's like so 562 00:29:16,440 --> 00:29:20,520 Speaker 6: like like you, it's like a genre like it's like 563 00:29:20,800 --> 00:29:23,840 Speaker 6: non yeah, it's like it's so cool and uh yeah 564 00:29:23,920 --> 00:29:27,560 Speaker 6: jailhouse like that one come yeah yeah. 565 00:29:27,440 --> 00:29:28,960 Speaker 1: Man, quiet Jacob, what are you thinking? 566 00:29:29,000 --> 00:29:35,120 Speaker 2: Yeah yeah, yeah, Well, because I don't have a guitar 567 00:29:35,240 --> 00:29:37,240 Speaker 2: to you know, tap on you you got to do 568 00:29:37,560 --> 00:29:38,640 Speaker 2: I gotta make it happen one day. 569 00:29:38,680 --> 00:29:40,400 Speaker 1: And I'm sorry if you've done this. I just haven't 570 00:29:40,480 --> 00:29:43,440 Speaker 1: sawt yet, but saw red. If like you and when 571 00:29:43,560 --> 00:29:45,360 Speaker 1: did that together one day, that would be I know, 572 00:29:45,440 --> 00:29:47,280 Speaker 1: if we did that together one day, that'd be crazy. 573 00:29:47,320 --> 00:29:51,280 Speaker 1: Is you'll put away. 574 00:29:52,080 --> 00:29:53,800 Speaker 6: I don't think she'll ever do it, dude. I think 575 00:29:53,840 --> 00:29:56,520 Speaker 6: she's like wants to forget she ever knew the dudes. 576 00:29:56,640 --> 00:29:59,680 Speaker 1: Wow, yeah, yeah, okay, well you just kid and I 577 00:29:59,720 --> 00:30:02,120 Speaker 1: don't know. We maker we'll bring people together, but we're 578 00:30:02,120 --> 00:30:04,880 Speaker 1: gonna meet a bunch of new friends Miles Smith, Gg Perez. 579 00:30:04,920 --> 00:30:07,800 Speaker 1: They're gonna be on stage at Alter Ego twenty twenty six, 580 00:30:07,920 --> 00:30:09,760 Speaker 1: almost Monday. Who you said at the beginning of the 581 00:30:09,800 --> 00:30:12,800 Speaker 1: interview you already know good Charlotte Cage, The Elephant, twenty 582 00:30:12,840 --> 00:30:18,040 Speaker 1: one Pilots, Green Day and Sublime. Everybody, guys, thank you 583 00:30:18,120 --> 00:30:19,680 Speaker 1: so much for stopping by. Appreciate it. 584 00:30:19,880 --> 00:30:22,120 Speaker 6: We'll tell everybody out there. If you're listening to this 585 00:30:22,280 --> 00:30:25,760 Speaker 6: about Sublime. We're banned from Long Beach, California. Please check 586 00:30:25,800 --> 00:30:28,080 Speaker 6: out our CDs. We got plenty of CDs out. We 587 00:30:28,160 --> 00:30:30,920 Speaker 6: have a new single. Just go tell your friends, tell 588 00:30:30,960 --> 00:30:34,920 Speaker 6: your your teachers and your parents, and smoke cigarettes. 589 00:30:35,320 --> 00:30:37,680 Speaker 1: All right, there we go marks for the kids out there. 590 00:30:37,720 --> 00:30:40,720 Speaker 1: All right, Jacob and Dan, thank you so much, guys, 591 00:30:41,000 --> 00:30:43,240 Speaker 1: Appreciate you. Guys coming by you guys, We'll see it 592 00:30:43,240 --> 00:30:45,080 Speaker 1: Alter Ego. It is the Woodies show. Will be right back. 593 00:30:45,200 --> 00:30:47,840 Speaker 1: Legalized sex work. Hey, Hank Teddy, we just found a 594 00:30:47,880 --> 00:30:49,720 Speaker 1: really gross radio on the internet. We'll try to check 595 00:30:49,760 --> 00:30:50,440 Speaker 1: it out more. 596 00:30:50,480 --> 00:30:51,200 Speaker 3: What do you show next? 597 00:30:51,360 --> 00:30:52,160 Speaker 1: Okay, please again,