1 00:00:00,080 --> 00:00:02,760 Speaker 1: So we've got Patrick Warburton in studio. You might know 2 00:00:02,880 --> 00:00:06,000 Speaker 1: him as Ken from the B movie, Kronk from The 3 00:00:06,000 --> 00:00:11,640 Speaker 1: Emperor's New Groove, my favorite Joe from Family Guy. When 4 00:00:11,680 --> 00:00:14,320 Speaker 1: I told everybody that you were coming, They're like, oh, Puddy. 5 00:00:15,560 --> 00:00:17,280 Speaker 1: How often do you get Puddy from Seinfeld? 6 00:00:18,320 --> 00:00:20,880 Speaker 2: I still get that an awful lot. Yeah, yeah, that 7 00:00:21,040 --> 00:00:24,800 Speaker 2: are maybe rules some of the younger kids. It's a 8 00:00:24,880 --> 00:00:27,720 Speaker 2: series of unfortunate Events, which I did for Netflix. Yeah, okay, 9 00:00:28,240 --> 00:00:31,320 Speaker 2: and obviously I'll let you know the cartoon voice and stuff. 10 00:00:31,480 --> 00:00:33,599 Speaker 2: I still got the tick a lot, which is cool 11 00:00:33,600 --> 00:00:35,599 Speaker 2: because we only did nine episodes of that, but it's 12 00:00:35,600 --> 00:00:38,040 Speaker 2: had a cult following for some time. Was that only 13 00:00:38,120 --> 00:00:39,880 Speaker 2: nine episodes? Nine episodes? Okay? 14 00:00:40,880 --> 00:00:43,640 Speaker 1: I was remarking to so, my producer Taylor is here, 15 00:00:43,640 --> 00:00:47,760 Speaker 1: and your your favorite is Kronk. Yeah, yes, I love 16 00:00:47,800 --> 00:00:48,680 Speaker 1: Emperor's New Groove. 17 00:00:48,760 --> 00:00:49,120 Speaker 2: Okay. 18 00:00:49,560 --> 00:00:52,560 Speaker 1: And the funny part about it is her dad could 19 00:00:52,560 --> 00:00:55,800 Speaker 1: be your doppelgonger. I told him we had dinner on Saturday. 20 00:00:55,800 --> 00:00:57,080 Speaker 1: I met him for the first time. I said, you know, 21 00:00:57,120 --> 00:01:00,360 Speaker 1: there are certain guys that just look like superheroes, so 22 00:01:00,600 --> 00:01:02,840 Speaker 1: I would put you in that category. Patrick, what's it 23 00:01:02,920 --> 00:01:05,080 Speaker 1: like being a guy who just walks around could be 24 00:01:05,120 --> 00:01:05,839 Speaker 1: a superhero. 25 00:01:06,560 --> 00:01:08,399 Speaker 2: You feel good about it. I don't know. You know 26 00:01:08,440 --> 00:01:10,840 Speaker 2: what's funny. Before I ever even knew who the tick was, 27 00:01:10,880 --> 00:01:12,560 Speaker 2: people will come to me and go, you gotta play 28 00:01:12,560 --> 00:01:14,560 Speaker 2: the tick if there's ever a live action version, and 29 00:01:14,600 --> 00:01:16,880 Speaker 2: then you know, Barry Sonenfeld did it with Ben Edlund, 30 00:01:16,959 --> 00:01:19,959 Speaker 2: and I guess they felt the same way. So I 31 00:01:20,000 --> 00:01:21,800 Speaker 2: play the tick, and now you know what I'm getting 32 00:01:21,840 --> 00:01:24,399 Speaker 2: all the time, and I've never seen it is if 33 00:01:24,400 --> 00:01:27,320 Speaker 2: they do a live action version of Omni Man. And 34 00:01:27,440 --> 00:01:30,959 Speaker 2: I don't know yet who Omni Man is. I've heard 35 00:01:31,000 --> 00:01:31,399 Speaker 2: of him. 36 00:01:31,480 --> 00:01:34,160 Speaker 1: So, so do you talk like this all the time 37 00:01:34,240 --> 00:01:35,960 Speaker 1: because I am just mesmerized. 38 00:01:36,920 --> 00:01:37,760 Speaker 2: Usually I talk like this. 39 00:01:37,840 --> 00:01:39,520 Speaker 1: Okay, that's what I need. I need to hear the 40 00:01:40,520 --> 00:01:44,800 Speaker 1: voice right now. And you do a lot of different formats, 41 00:01:44,840 --> 00:01:49,320 Speaker 1: so movies, voiceovers. We were talking off camera. You have 42 00:01:49,400 --> 00:01:52,200 Speaker 1: done cobs. You started doing stand up about a year 43 00:01:52,240 --> 00:01:52,920 Speaker 1: and a half ago. 44 00:01:53,800 --> 00:01:59,120 Speaker 2: Yeah, headliner, I guess I've been doing this live stage 45 00:01:59,160 --> 00:02:02,080 Speaker 2: readings of these letters, you know. And I would start 46 00:02:02,160 --> 00:02:04,080 Speaker 2: open the show with ten minutes of talking, which story 47 00:02:04,120 --> 00:02:05,960 Speaker 2: became ten minuts of stand up, and then fifteen and 48 00:02:06,440 --> 00:02:08,120 Speaker 2: that ended up being my favorite part of it, and 49 00:02:08,200 --> 00:02:10,320 Speaker 2: decided to bail on the other show and just do 50 00:02:10,440 --> 00:02:13,280 Speaker 2: stand ups. So it's been fun. I've been touring for 51 00:02:13,400 --> 00:02:16,280 Speaker 2: last year and a half and I've actually hit at 52 00:02:16,320 --> 00:02:19,480 Speaker 2: this point every major market, and I did Anchorage, Alaska, 53 00:02:19,600 --> 00:02:21,840 Speaker 2: and I'd never been up there. You know, I just thought, Okay, 54 00:02:21,919 --> 00:02:23,440 Speaker 2: they want a book, so I did a couple of 55 00:02:23,480 --> 00:02:26,519 Speaker 2: shows up there. But it's been really a lot of 56 00:02:26,600 --> 00:02:27,519 Speaker 2: fun but exhausting. 57 00:02:27,880 --> 00:02:29,200 Speaker 1: Have you bombed yet at all? 58 00:02:30,600 --> 00:02:34,560 Speaker 2: Well not gonnaouldn't know, but you know, there been just 59 00:02:34,680 --> 00:02:38,560 Speaker 2: a couple of things that I signed on to I 60 00:02:38,720 --> 00:02:40,639 Speaker 2: I agreed to do that weren't a lot of fun. 61 00:02:40,680 --> 00:02:42,919 Speaker 2: One was it a corporate and another one was like 62 00:02:43,000 --> 00:02:45,200 Speaker 2: a you know, a Benny, which was you know, in 63 00:02:45,280 --> 00:02:49,120 Speaker 2: a big room with couches and people who didn't even 64 00:02:49,160 --> 00:02:51,639 Speaker 2: know they were going to see. It's just it was 65 00:02:51,720 --> 00:02:52,520 Speaker 2: just kind of an odd at. 66 00:02:52,760 --> 00:02:54,280 Speaker 1: You have to be ready for stand up, right if 67 00:02:54,280 --> 00:02:55,000 Speaker 1: you're in the audience. 68 00:02:55,120 --> 00:02:56,799 Speaker 2: Yeah, that's why clubs are still the best, you know. 69 00:02:56,960 --> 00:02:58,880 Speaker 2: But I've done theaters, you know. I did the Lincoln 70 00:02:58,960 --> 00:03:02,160 Speaker 2: Center and four Collins a couple of weeks ago, which 71 00:03:02,200 --> 00:03:05,400 Speaker 2: is a twelve hundred Seed Theater in Colorado, but the 72 00:03:05,520 --> 00:03:07,480 Speaker 2: clubs are still the best environment. 73 00:03:09,000 --> 00:03:11,639 Speaker 1: I want to know about your role in Zutopia two 74 00:03:13,400 --> 00:03:17,000 Speaker 1: mayor win Dancer. Yes, we want to describe the character. 75 00:03:17,919 --> 00:03:21,359 Speaker 1: I told Taylor if if Fabio was a horse, Yeah, 76 00:03:22,120 --> 00:03:22,880 Speaker 1: is that accurate? 77 00:03:23,160 --> 00:03:27,839 Speaker 2: Oh that's spot on. Yeah, and you're the main of hair. Yes. Yeah. 78 00:03:28,160 --> 00:03:31,560 Speaker 2: So you get the script, you read the role. 79 00:03:32,200 --> 00:03:34,800 Speaker 1: Do they have any imaging for you as far as 80 00:03:34,840 --> 00:03:36,240 Speaker 1: what he was going to look like to give you 81 00:03:36,320 --> 00:03:39,640 Speaker 1: some sort of inspiration? Yes, immediately, okay, and then where 82 00:03:39,680 --> 00:03:42,120 Speaker 1: did your mind go in that moment, like to get 83 00:03:42,200 --> 00:03:42,920 Speaker 1: ready for the role. 84 00:03:43,640 --> 00:03:49,000 Speaker 2: Oh, Marcus, listen, I'm not exactly a chameleon, and all 85 00:03:49,080 --> 00:03:53,000 Speaker 2: my characters sounds something less same. Listen. He's just he's 86 00:03:53,080 --> 00:03:57,280 Speaker 2: a bit preposterous. He's a movie star action films, Brian 87 00:03:57,360 --> 00:04:00,240 Speaker 2: wind Dancer, and now he's the mayor of Zotopia, right, 88 00:04:00,520 --> 00:04:02,760 Speaker 2: and so he does an error about him. But at 89 00:04:02,760 --> 00:04:04,880 Speaker 2: the same time, he's a bit of a gaffoon, you know, 90 00:04:05,120 --> 00:04:12,040 Speaker 2: and caffoon buffoon whatever. You know what I'm saying spoiler alert. 91 00:04:12,600 --> 00:04:16,520 Speaker 1: We he was morally questionable through most of the movie, 92 00:04:17,640 --> 00:04:20,679 Speaker 1: and then we were Taylor and I were both excited 93 00:04:20,720 --> 00:04:22,800 Speaker 1: to find out who he really was. That's all I'm 94 00:04:22,800 --> 00:04:23,960 Speaker 1: going to say about that, because I don't want to 95 00:04:23,960 --> 00:04:24,560 Speaker 1: spoil anything. 96 00:04:24,680 --> 00:04:30,200 Speaker 2: Yeah, but yeah, he's uh, you know, he stepped up 97 00:04:30,240 --> 00:04:33,520 Speaker 2: to the plate there. Yeah at the end. What's been 98 00:04:33,560 --> 00:04:37,320 Speaker 2: your favorite role? Mm, There's so many different ones for 99 00:04:37,360 --> 00:04:40,400 Speaker 2: different reasons, you know. I'm always always been a Disney file. 100 00:04:40,520 --> 00:04:43,760 Speaker 2: Grew up, you know, in Hunton Beach, and I grew 101 00:04:43,839 --> 00:04:45,680 Speaker 2: up in a very strict household. We were allowed to 102 00:04:45,720 --> 00:04:48,040 Speaker 2: watch two shows every year at me and my younger 103 00:04:48,279 --> 00:04:50,680 Speaker 2: every week, my younger sisters and me, and that was 104 00:04:50,720 --> 00:04:53,080 Speaker 2: a little house in the prairie and the Wonderful World 105 00:04:53,160 --> 00:04:56,280 Speaker 2: of Disney on Sunday nights. So I love, you know, 106 00:04:56,480 --> 00:04:58,840 Speaker 2: Kronk with the Umper's New Groove. That will always be 107 00:04:59,760 --> 00:05:02,200 Speaker 2: very very close to my heart there, that one. I 108 00:05:02,279 --> 00:05:05,280 Speaker 2: love that one. And I have had fun, you know, 109 00:05:05,560 --> 00:05:09,880 Speaker 2: obviously doing Family Guy throughout the years. Yeah, and you 110 00:05:09,920 --> 00:05:12,320 Speaker 2: know the adult stuff Venture Brothers was a lot of 111 00:05:12,400 --> 00:05:16,320 Speaker 2: fun doing that. I did have a lot of fun 112 00:05:17,040 --> 00:05:20,440 Speaker 2: doing the tick because it was live action and the 113 00:05:20,520 --> 00:05:25,200 Speaker 2: tick is absurd. I did a film in Australia years ago, 114 00:05:25,320 --> 00:05:27,880 Speaker 2: Sam Neil called the dish about the Apollo Leven Mission, 115 00:05:27,920 --> 00:05:30,240 Speaker 2: which is one of my favorite projects I ever did, 116 00:05:30,440 --> 00:05:34,360 Speaker 2: and and of course one of the greatest, you know, 117 00:05:34,560 --> 00:05:37,080 Speaker 2: filming experiences I ever had was doing a Series of 118 00:05:37,160 --> 00:05:39,840 Speaker 2: Unfortunate Events with Barry Soinfeld. Sure doing that. 119 00:05:40,720 --> 00:05:42,640 Speaker 1: Has there been a project that you feel has been 120 00:05:42,720 --> 00:05:45,120 Speaker 1: like underrated, that's flown under the radar, that you wish 121 00:05:45,200 --> 00:05:47,640 Speaker 1: like more people knew about or Yeah. 122 00:05:47,480 --> 00:05:50,760 Speaker 2: I did this really interesting little independent film years ago 123 00:05:50,839 --> 00:05:53,480 Speaker 2: called The Woman Chaser and it shut sort of muted 124 00:05:53,560 --> 00:05:57,479 Speaker 2: Colors film no wa style period, and it was sort 125 00:05:57,480 --> 00:06:00,160 Speaker 2: of gorilla filmmaking. We had to steal location, you know, 126 00:06:00,160 --> 00:06:03,840 Speaker 2: because we couldn't even you know, afford getting permits some 127 00:06:03,960 --> 00:06:06,520 Speaker 2: of the times. But we did debut at the New 128 00:06:06,600 --> 00:06:09,120 Speaker 2: York Film Festival. You know Jane Campion's picture that year. 129 00:06:09,200 --> 00:06:11,880 Speaker 2: She just won the Academy Award the year before, and 130 00:06:12,120 --> 00:06:14,640 Speaker 2: so The Woman Chasers had a cult following throughout the years. 131 00:06:14,720 --> 00:06:16,479 Speaker 2: But it's one of those little films that a lot 132 00:06:16,520 --> 00:06:18,799 Speaker 2: of people haven't seen, and you know, it's on Amazon, 133 00:06:18,839 --> 00:06:20,440 Speaker 2: you can check it out. But that's a cool one. 134 00:06:21,680 --> 00:06:25,159 Speaker 1: Do you ever have a situation where you get recognized 135 00:06:25,200 --> 00:06:27,400 Speaker 1: because of your voice but not because they see you, 136 00:06:27,560 --> 00:06:30,400 Speaker 1: but like you're calling to get takeout or something. 137 00:06:31,560 --> 00:06:34,680 Speaker 2: Yes, that does happen every now and then, Cordell see me. 138 00:06:34,800 --> 00:06:37,920 Speaker 2: You know, I'm sort of in disguise with this mustache right, 139 00:06:38,080 --> 00:06:40,600 Speaker 2: more like Tom Sellick. I'm not gonna lie. 140 00:06:40,640 --> 00:06:42,120 Speaker 1: The mustache has thrown me off a little bit. 141 00:06:43,400 --> 00:06:45,400 Speaker 2: Also, have you been working out? I mean, like I 142 00:06:45,480 --> 00:06:48,240 Speaker 2: haven't seen you forever, but well, like I try to 143 00:06:48,279 --> 00:06:50,640 Speaker 2: stay in shape, I sure try to hang in there 144 00:06:50,680 --> 00:06:54,640 Speaker 2: with my three boys. And how old are the boys? 145 00:06:55,200 --> 00:06:58,480 Speaker 2: My Sontown's thirty two, My son Shane is twenty seven. Okay, 146 00:06:58,560 --> 00:07:01,360 Speaker 2: my son Gabriel is twenty four. My dialexis thirty one. 147 00:07:01,560 --> 00:07:04,839 Speaker 1: Yeah, so you kind of have to perpetuate that superhero 148 00:07:05,080 --> 00:07:07,880 Speaker 1: stilo when you have grown men in your house. Yes, 149 00:07:08,360 --> 00:07:12,240 Speaker 1: to handle things. I was telling you that I had 150 00:07:12,720 --> 00:07:15,080 Speaker 1: dinner with producer Taylor's dad, who was a captain in 151 00:07:15,080 --> 00:07:19,960 Speaker 1: the fire department in Los Gato's Station sixteen east side 152 00:07:20,200 --> 00:07:22,800 Speaker 1: San Jose. And he is also there are certain guys 153 00:07:22,840 --> 00:07:26,000 Speaker 1: that look presidential. Yeah, he would almost. Do you have 154 00:07:26,040 --> 00:07:28,320 Speaker 1: a picture of him? You can pull up Taylor. I 155 00:07:28,480 --> 00:07:30,600 Speaker 1: met him on Saturday and he was just busting out 156 00:07:30,640 --> 00:07:33,240 Speaker 1: of his shirt, and he had that deep voice and 157 00:07:33,320 --> 00:07:36,760 Speaker 1: he was carrying the table and carrying the room, and 158 00:07:38,600 --> 00:07:41,000 Speaker 1: I wanted to be him, like I need more of 159 00:07:41,040 --> 00:07:43,120 Speaker 1: that energy in my life. Thank God I have a 160 00:07:43,280 --> 00:07:46,800 Speaker 1: daughter who loves Disney, because if I had three boys, 161 00:07:46,840 --> 00:07:53,280 Speaker 1: I'm pretty sure i'd be manhandled. Tell me about, like, 162 00:07:53,640 --> 00:07:57,640 Speaker 1: what's it like being like an actor voiceover and then 163 00:07:57,800 --> 00:08:00,640 Speaker 1: having kids? Like do they care about all the cool 164 00:08:00,640 --> 00:08:02,520 Speaker 1: stuff that you get to do? Well? 165 00:08:02,560 --> 00:08:04,280 Speaker 2: They do, and they don't it doesn't you know? Dad's 166 00:08:04,320 --> 00:08:06,760 Speaker 2: his dad, right? I mean my son Gabriel, when he 167 00:08:06,880 --> 00:08:09,080 Speaker 2: was about maybe four years old, his favorite show to 168 00:08:09,120 --> 00:08:12,360 Speaker 2: watch was Buzz light Year of Star Command, and I 169 00:08:12,440 --> 00:08:14,000 Speaker 2: did the voice of Buzz light Year, right. He loved 170 00:08:14,040 --> 00:08:15,520 Speaker 2: watching it. But if I walked in the room and 171 00:08:15,560 --> 00:08:17,160 Speaker 2: started doing the voice, he would look at me with 172 00:08:17,240 --> 00:08:19,240 Speaker 2: a friend and tell me to be quiet. He did 173 00:08:19,360 --> 00:08:21,280 Speaker 2: not want me to ruin it for him, you know. 174 00:08:21,400 --> 00:08:24,520 Speaker 2: And of course we you know sell you know, shameless 175 00:08:24,520 --> 00:08:27,360 Speaker 2: self promoters with their kids. They'd be like, Gabe, that's me. 176 00:08:27,560 --> 00:08:29,160 Speaker 2: And then you know, eventually, like when he's like five 177 00:08:29,240 --> 00:08:31,120 Speaker 2: years old, I guess he got it. Yeah, I thought 178 00:08:31,160 --> 00:08:32,280 Speaker 2: it was cool and that was. 179 00:08:32,320 --> 00:08:35,480 Speaker 1: It, you know what about the other kids observer a 180 00:08:35,520 --> 00:08:37,440 Speaker 1: moment where they realized, oh, Dad might be famous. 181 00:08:39,559 --> 00:08:41,599 Speaker 2: Yeah, I guess so. You know, it happens gradually, but 182 00:08:41,640 --> 00:08:44,000 Speaker 2: there's certain things that really land with them, you know. Yeah, 183 00:08:44,000 --> 00:08:48,240 Speaker 2: he was doing the Venture Brothers, you know, they they 184 00:08:48,640 --> 00:08:50,560 Speaker 2: you know, the boys really loved that and all their 185 00:08:50,600 --> 00:08:52,640 Speaker 2: buddies loved it, and it was just kind of you know, cool. 186 00:08:52,640 --> 00:08:54,480 Speaker 2: They would, you know, love that show whether or not 187 00:08:54,640 --> 00:08:58,120 Speaker 2: Dad's doing it. You sure. And and I do the 188 00:08:58,240 --> 00:09:00,960 Speaker 2: voice of Rock Sampson, Yeah, that one, and they love 189 00:09:01,040 --> 00:09:04,720 Speaker 2: that because Brac is just a dangerous, insane person. 190 00:09:05,200 --> 00:09:10,080 Speaker 1: Yeah. Yeah, okay, let me ask you Dad, to Dad, 191 00:09:11,320 --> 00:09:13,840 Speaker 1: we have to be kind, we have to be emotionally available, 192 00:09:13,880 --> 00:09:16,360 Speaker 1: we have to be strong. But isn't there a certain 193 00:09:16,480 --> 00:09:19,520 Speaker 1: merit to like I have this feeling like the kids 194 00:09:19,600 --> 00:09:22,959 Speaker 1: have to know that Dad's cool, Dad's collected. But Dad's 195 00:09:23,000 --> 00:09:24,559 Speaker 1: got a gear he can get into if you get 196 00:09:24,600 --> 00:09:27,040 Speaker 1: out of line. Dad's a little crazy, yes or no? 197 00:09:27,120 --> 00:09:29,520 Speaker 2: Well yeah, but look, you know they always go to 198 00:09:29,640 --> 00:09:32,839 Speaker 2: mom with you know, all their problems, right, total freak out. 199 00:09:32,960 --> 00:09:36,319 Speaker 2: I don't freak out freaking out right now because that 200 00:09:36,480 --> 00:09:39,160 Speaker 2: irritates me. I don't and I'm usual. I feel like 201 00:09:39,240 --> 00:09:41,800 Speaker 2: I can give them, especially the boys, a lot of 202 00:09:41,920 --> 00:09:44,520 Speaker 2: intel and insight from my own experiences. You know, do 203 00:09:44,600 --> 00:09:48,280 Speaker 2: they listen though? I feel like it lands you know, 204 00:09:50,080 --> 00:09:53,160 Speaker 2: you know one of them, you know, we have you know, 205 00:09:53,400 --> 00:09:56,920 Speaker 2: great communications. The other two I think just like they 206 00:09:58,440 --> 00:10:03,240 Speaker 2: they think that they feel differently about things than Dad. 207 00:10:03,480 --> 00:10:05,920 Speaker 2: It's funny. My son, who's the pilot, Yeah know, he 208 00:10:06,080 --> 00:10:09,319 Speaker 2: thinks everything's funny. He's chill on all of it. My 209 00:10:09,400 --> 00:10:11,760 Speaker 2: two sons, Row and the biz. You know, they're a 210 00:10:11,800 --> 00:10:13,680 Speaker 2: little bit seemed to be a little bit more pinchy 211 00:10:13,720 --> 00:10:16,360 Speaker 2: about certain things, especially like the material I do on stage, 212 00:10:16,400 --> 00:10:19,079 Speaker 2: when I do stand up, which is essentially throwing my 213 00:10:19,200 --> 00:10:20,800 Speaker 2: wife and my kids all under the bus. 214 00:10:20,960 --> 00:10:23,040 Speaker 1: Does your wife care about that? I have a hard 215 00:10:23,120 --> 00:10:24,680 Speaker 1: time convincing my wife that they're. 216 00:10:24,559 --> 00:10:29,600 Speaker 2: All just jokes. She's okay with that's She's very literal though. 217 00:10:29,640 --> 00:10:31,040 Speaker 2: You know. I'll pitch something to her and she's like, 218 00:10:31,120 --> 00:10:32,559 Speaker 2: I don't get it, it's stupid. And then I'll go, 219 00:10:32,880 --> 00:10:34,599 Speaker 2: that's a winner, and I do it on stage and 220 00:10:34,679 --> 00:10:38,640 Speaker 2: it kills you know, because she's just so literal, right, Yeah, 221 00:10:39,400 --> 00:10:41,559 Speaker 2: But she gets it and she gets that it's a 222 00:10:41,600 --> 00:10:44,240 Speaker 2: whole different thing. Sometimes she's concerned about my brand because 223 00:10:44,240 --> 00:10:45,680 Speaker 2: I'm a little dangerous. You know. I wish I could 224 00:10:45,679 --> 00:10:48,080 Speaker 2: be funny and clean like Nate Bargatzi, but I can't. 225 00:10:48,600 --> 00:10:51,480 Speaker 2: And she's like, you gotta be careful about your brand. 226 00:10:51,520 --> 00:10:53,760 Speaker 2: Go well, stand up's an entirely different thing, right, you know, 227 00:10:53,880 --> 00:10:57,200 Speaker 2: you have to have that freedom you're on stage. There's 228 00:10:57,240 --> 00:10:59,120 Speaker 2: no safety in that. You gotta have the freedom though, 229 00:10:59,160 --> 00:11:02,520 Speaker 2: too is you know, as dangerous as you want. People 230 00:11:02,559 --> 00:11:04,160 Speaker 2: sign away every when they go into clubs, you know, 231 00:11:04,200 --> 00:11:06,839 Speaker 2: if you're friended or whatnot done you know, split. But 232 00:11:07,040 --> 00:11:09,640 Speaker 2: that's there's got to be that for centuries and maybe 233 00:11:09,640 --> 00:11:12,120 Speaker 2: even millennia. You know, like the Court Jester always had 234 00:11:12,160 --> 00:11:14,760 Speaker 2: immunity even if they were on funny and they'd say 235 00:11:14,800 --> 00:11:17,080 Speaker 2: something that would get there anybody else's head chopped off. 236 00:11:17,120 --> 00:11:19,120 Speaker 2: They couldn't. Is that a fact that it was against 237 00:11:19,160 --> 00:11:21,520 Speaker 2: the laws, against the law the court Chester had had. 238 00:11:22,040 --> 00:11:23,199 Speaker 2: Oh that's amazing. 239 00:11:23,280 --> 00:11:24,240 Speaker 1: I had no idea. 240 00:11:24,400 --> 00:11:25,599 Speaker 2: And that's the way it's got to be, you know, 241 00:11:25,679 --> 00:11:28,439 Speaker 2: with comics too. But it's not like that anymore. Well 242 00:11:28,520 --> 00:11:30,640 Speaker 2: it is, I think it is, you know, I mean, 243 00:11:30,800 --> 00:11:32,880 Speaker 2: if you can take things out of context. That's why 244 00:11:32,960 --> 00:11:35,480 Speaker 2: you know, Twitter killed so many people, very very funny. 245 00:11:35,559 --> 00:11:36,880 Speaker 2: But you have to hear delivery in this and that. 246 00:11:36,960 --> 00:11:39,600 Speaker 2: Otherwise they're just looking at exactly what was said, right, 247 00:11:40,040 --> 00:11:45,440 Speaker 2: you know. And uh but uh, because you played different 248 00:11:45,520 --> 00:11:48,400 Speaker 2: characters on stage and things come from different places stage, 249 00:11:48,600 --> 00:11:49,280 Speaker 2: you know, and. 250 00:11:50,800 --> 00:11:55,840 Speaker 1: You have to have that freedom when you're switching between mediums. 251 00:11:55,840 --> 00:11:58,600 Speaker 1: So you've done sitcoms, you've done dramas, you've done animation. 252 00:11:58,720 --> 00:12:02,600 Speaker 1: Now we're doing stand up. Are there any like creative 253 00:12:02,720 --> 00:12:05,880 Speaker 1: challenges in switching between all those like different formats. 254 00:12:07,240 --> 00:12:10,520 Speaker 2: Well, I guess understanding the format and I understand what 255 00:12:10,600 --> 00:12:13,000 Speaker 2: you're you know what you're getting into. You know, cartoons, 256 00:12:13,040 --> 00:12:15,160 Speaker 2: you're doing voices, and you've got to do something bigger 257 00:12:15,200 --> 00:12:19,240 Speaker 2: than life. You know. Live action is obviously for the 258 00:12:19,320 --> 00:12:23,920 Speaker 2: most part mostly you know much more you know, reality based, 259 00:12:24,080 --> 00:12:27,280 Speaker 2: toned down. You know, stand up is a whole other thing. 260 00:12:28,000 --> 00:12:29,800 Speaker 2: One of the things I've really dug about doing this 261 00:12:29,920 --> 00:12:31,360 Speaker 2: the last year and a half is that it's an 262 00:12:31,400 --> 00:12:33,640 Speaker 2: autonomy I've never known. I've always been told what to do, 263 00:12:33,720 --> 00:12:35,040 Speaker 2: what to say, where to say it, how to say 264 00:12:35,120 --> 00:12:37,280 Speaker 2: this and that, whatnot? You know, and stand up you 265 00:12:37,320 --> 00:12:39,120 Speaker 2: write all your own material. You do it when you want, 266 00:12:39,160 --> 00:12:42,400 Speaker 2: how you want, where you want, and you're not you know, 267 00:12:42,520 --> 00:12:44,360 Speaker 2: it's the opposite of waiting for your agents to call 268 00:12:44,400 --> 00:12:46,120 Speaker 2: it like a gig or something. You know. Once you 269 00:12:46,160 --> 00:12:48,319 Speaker 2: start doing stand up and rolling, it's like, you know, 270 00:12:48,600 --> 00:12:51,000 Speaker 2: then it's like, look, I can only you know, do 271 00:12:51,200 --> 00:12:53,800 Speaker 2: so much because there are clubs all over the country 272 00:12:53,920 --> 00:12:56,480 Speaker 2: and they can you keep your rolling? I mean, I've 273 00:12:56,480 --> 00:12:59,120 Speaker 2: probably been on sixty to seventy commercial flights this year, 274 00:12:59,600 --> 00:13:01,880 Speaker 2: not to my all the miles I put on, you know, 275 00:13:02,040 --> 00:13:04,520 Speaker 2: rental cars, like you know, do you got a manager 276 00:13:04,640 --> 00:13:07,599 Speaker 2: this or that? And now I'm booking my flights on Expedia. 277 00:13:07,640 --> 00:13:09,839 Speaker 2: I'm rolling in the town, getting a round car, and 278 00:13:09,880 --> 00:13:13,040 Speaker 2: I'm driving from city to city. And if I had 279 00:13:13,080 --> 00:13:15,839 Speaker 2: to do that my whole life, it would be wearisome. 280 00:13:15,960 --> 00:13:18,079 Speaker 2: But it's for me. It's just been an adventure of 281 00:13:18,080 --> 00:13:18,920 Speaker 2: this last year and a half. 282 00:13:18,960 --> 00:13:21,200 Speaker 1: I was gonna say, does that level of autonomy freak 283 00:13:21,280 --> 00:13:21,600 Speaker 1: you out? 284 00:13:22,080 --> 00:13:22,400 Speaker 2: Or does it? 285 00:13:22,600 --> 00:13:25,600 Speaker 1: Is it absolutely liberating, like a whole breath of fresh air. 286 00:13:25,720 --> 00:13:29,439 Speaker 2: Been liberating? Okay, And it's interesting too, you know, it's 287 00:13:29,440 --> 00:13:31,439 Speaker 2: for the first time in years, I feel like I'm 288 00:13:31,440 --> 00:13:32,920 Speaker 2: earning when they give you a check. You know, you 289 00:13:32,960 --> 00:13:34,119 Speaker 2: walk out of a club. 290 00:13:34,160 --> 00:13:36,959 Speaker 1: After you know, three days, fifty American dollars. That's what 291 00:13:37,080 --> 00:13:41,920 Speaker 1: I got from I opened one time, a little bit 292 00:13:42,040 --> 00:13:42,199 Speaker 1: in that. 293 00:13:43,400 --> 00:13:44,680 Speaker 2: But I feel like I earned it, you know, because 294 00:13:44,679 --> 00:13:46,400 Speaker 2: I wrote the material I got in the state. You know, 295 00:13:46,520 --> 00:13:48,439 Speaker 2: I performed, you know, I filled your seats and a 296 00:13:48,520 --> 00:13:50,840 Speaker 2: lot of you know, smiling, happy faces. So it's like, yeah, 297 00:13:50,920 --> 00:13:53,160 Speaker 2: give me my check, Ellie. But you know, for years, 298 00:13:53,240 --> 00:13:55,520 Speaker 2: you know, I haven't really felt like I earned my money. 299 00:13:55,679 --> 00:13:57,320 Speaker 2: Sure you do when you do stand up, you feel 300 00:13:57,320 --> 00:13:59,800 Speaker 2: like you earned it. Yeah, What does it feel like? 301 00:14:00,280 --> 00:14:04,600 Speaker 2: As someone? How do I put this? The average person. 302 00:14:05,840 --> 00:14:10,040 Speaker 1: Doesn't know what it's like to be the paid entertainment, 303 00:14:10,360 --> 00:14:12,960 Speaker 1: the paid entertainer to be What does it feel if 304 00:14:13,160 --> 00:14:16,000 Speaker 1: to be responsible for putting butts in seats and then 305 00:14:16,080 --> 00:14:18,040 Speaker 1: making it happen the show sells out? 306 00:14:18,920 --> 00:14:19,920 Speaker 2: Or you know, your. 307 00:14:19,840 --> 00:14:23,360 Speaker 1: Movies is a hit because and partially because of you. 308 00:14:23,480 --> 00:14:25,560 Speaker 1: But in stand up, but it's all you like, what 309 00:14:25,640 --> 00:14:26,360 Speaker 1: does that feel like? 310 00:14:26,520 --> 00:14:30,720 Speaker 2: Yeah, it's rewording. It really does feel great because you're 311 00:14:30,920 --> 00:14:33,440 Speaker 2: you're wholly responsible for what you're doing there for that 312 00:14:33,760 --> 00:14:35,440 Speaker 2: seventy minutes you know that's about what I. 313 00:14:35,520 --> 00:14:39,480 Speaker 1: Run seventy minutes. That's a lot of comedy. Yeah, I 314 00:14:39,560 --> 00:14:40,800 Speaker 1: want to get back to Sutopia. 315 00:14:40,840 --> 00:14:41,400 Speaker 2: I want to know. 316 00:14:43,240 --> 00:14:45,600 Speaker 1: Great movie, by the way, We saw it on Friday, 317 00:14:45,680 --> 00:14:48,960 Speaker 1: Taylor and I went to the premiere. And what was 318 00:14:49,040 --> 00:14:52,640 Speaker 1: the most fun part of doing that particular project. 319 00:14:53,960 --> 00:14:56,800 Speaker 2: Well, you know, when you do voiceover, it's you're not 320 00:14:56,960 --> 00:15:00,280 Speaker 2: spending that much time letting your voice to characters. But right, so, 321 00:15:00,400 --> 00:15:03,120 Speaker 2: it's so fantastic to see it all come together because 322 00:15:03,120 --> 00:15:07,560 Speaker 2: there are so many artists involved in regards to the concept, 323 00:15:07,640 --> 00:15:10,120 Speaker 2: in writing, all the artists that do the characters and 324 00:15:10,280 --> 00:15:13,480 Speaker 2: create these fantastics. Utopia is one of those films you know, 325 00:15:13,480 --> 00:15:15,680 Speaker 2: where there's always so much going on that there are 326 00:15:15,720 --> 00:15:17,560 Speaker 2: little things here and there that are making you giggle 327 00:15:17,640 --> 00:15:19,680 Speaker 2: or laugh because it's so clever and smart. It just 328 00:15:19,840 --> 00:15:22,120 Speaker 2: moves like that. Plus there's you know, a lot of 329 00:15:22,200 --> 00:15:24,520 Speaker 2: heart to it. There's enough adult humor in it, and 330 00:15:24,640 --> 00:15:27,600 Speaker 2: I think that keeps you know, it's just really it's 331 00:15:27,680 --> 00:15:30,080 Speaker 2: so fun to be a part of something that appeals 332 00:15:30,160 --> 00:15:35,960 Speaker 2: to you know, every gen. But I I love doing 333 00:15:36,040 --> 00:15:39,000 Speaker 2: it because you just get you get so inspired knowing 334 00:15:39,120 --> 00:15:41,720 Speaker 2: that not only the worth that you're doing, but the 335 00:15:41,800 --> 00:15:43,640 Speaker 2: word that so many are doing just makes it look 336 00:15:43,760 --> 00:15:47,600 Speaker 2: so grand and sure spectacular. Yeah, especially when you're talking 337 00:15:47,600 --> 00:15:48,160 Speaker 2: about Disney. 338 00:15:48,440 --> 00:15:51,640 Speaker 1: It's one of my favorite parts about about Disney movies, 339 00:15:51,720 --> 00:15:53,640 Speaker 1: or just movies in general. To your point, like you 340 00:15:54,240 --> 00:15:58,760 Speaker 1: are appealing to so many generations. You're lobbing the adult 341 00:15:58,880 --> 00:16:01,960 Speaker 1: jokes over the kids' heads. Watching that happen in real 342 00:16:02,080 --> 00:16:04,520 Speaker 1: time is pretty awesome. Yeah, that's one of my favorite 343 00:16:04,560 --> 00:16:08,280 Speaker 1: parts about it. Yeah, Patrick Warburton here in studio. I 344 00:16:08,320 --> 00:16:09,760 Speaker 1: don't want to keep you too much longer. We could, 345 00:16:09,800 --> 00:16:10,600 Speaker 1: I could talk all day. 346 00:16:10,640 --> 00:16:11,320 Speaker 2: To be honest with you. 347 00:16:12,200 --> 00:16:14,600 Speaker 1: A couple of quick questions. Your go to snack on 348 00:16:14,760 --> 00:16:17,480 Speaker 1: your one of your seventy flights? What are you packing? 349 00:16:17,920 --> 00:16:19,360 Speaker 2: Wow? Oh? 350 00:16:20,520 --> 00:16:22,240 Speaker 1: High protein? Watching your macros? 351 00:16:22,280 --> 00:16:24,840 Speaker 2: What's happening? Yeah? You know I always grab some of 352 00:16:24,840 --> 00:16:28,360 Speaker 2: those like barbell you know, candy bars. You know they 353 00:16:28,760 --> 00:16:30,920 Speaker 2: they taste like a cheat, like a Snicker's bar, but 354 00:16:31,000 --> 00:16:34,280 Speaker 2: they're kind of low carbs. Okay, you know stuff like that. 355 00:16:34,480 --> 00:16:38,080 Speaker 2: I guess you know nuts, I don't know. You know, 356 00:16:38,240 --> 00:16:40,960 Speaker 2: do you do karaoke? I love carry it, We love 357 00:16:41,000 --> 00:16:44,400 Speaker 2: it in our household. Our motto is a good buzz 358 00:16:44,600 --> 00:16:48,560 Speaker 2: wasted without carryo. Yes, so we've never had a part 359 00:16:48,600 --> 00:16:52,080 Speaker 2: of our house. I mean, you know my dad's you know, 360 00:16:53,360 --> 00:16:57,120 Speaker 2: you know, funeral reception turned into karaoke after that. 361 00:16:58,200 --> 00:17:02,280 Speaker 1: Yeah, makes sense. We had Mariachi's at my dad's at 362 00:17:02,360 --> 00:17:04,679 Speaker 1: his celebration of life. This is a karaoke room. By 363 00:17:04,720 --> 00:17:06,400 Speaker 1: the way, Taylor and I are both I don't even 364 00:17:06,440 --> 00:17:09,600 Speaker 1: call it karaoke. I call it band practice. That's what 365 00:17:09,680 --> 00:17:10,080 Speaker 1: it's called. 366 00:17:10,359 --> 00:17:11,600 Speaker 2: And if I didn't go to if I wasn't going 367 00:17:11,600 --> 00:17:13,199 Speaker 2: to the hockey game, I'd say we all go. 368 00:17:13,640 --> 00:17:17,520 Speaker 1: Crow say less, what's your song? Or give me your 369 00:17:17,600 --> 00:17:18,080 Speaker 1: top three. 370 00:17:18,400 --> 00:17:21,240 Speaker 2: I had a Pearl Jam cover band for a while. Yeah, 371 00:17:21,280 --> 00:17:25,800 Speaker 2: we were the Bearded Pearl Clams. And so I love 372 00:17:25,920 --> 00:17:29,200 Speaker 2: doing you know better stuff. I did just cover hurt 373 00:17:29,600 --> 00:17:32,359 Speaker 2: with a band called Ballroom, and so we're doing that 374 00:17:32,440 --> 00:17:32,679 Speaker 2: right now. 375 00:17:33,000 --> 00:17:35,440 Speaker 1: Nine inch Nails Johnny Cash, Yeah, okay. 376 00:17:35,359 --> 00:17:37,359 Speaker 2: This is kind of a cross between Johnny Cash and 377 00:17:37,480 --> 00:17:40,159 Speaker 2: nine inch Nails. Okay, a little bit more casi ish. 378 00:17:41,800 --> 00:17:44,040 Speaker 2: I did do a song with them called Goddess of 379 00:17:44,119 --> 00:17:46,640 Speaker 2: the Rain, which is on Spotify. It's kind of fun, yeah, 380 00:17:47,680 --> 00:17:50,360 Speaker 2: like a sounds kind of like an eighties rock song. 381 00:17:51,160 --> 00:17:52,959 Speaker 2: So you do all the things on stage. 382 00:17:53,080 --> 00:17:55,280 Speaker 1: Like so my best friend calls me the fastest land 383 00:17:55,320 --> 00:17:56,360 Speaker 1: animal to a microphone. 384 00:17:56,359 --> 00:17:57,680 Speaker 2: I think you and I are one of the same. 385 00:17:58,200 --> 00:18:00,240 Speaker 1: Like, if there's a mic to be had, like let's 386 00:18:00,240 --> 00:18:03,200 Speaker 1: get on it and do something, well I will. 387 00:18:03,480 --> 00:18:06,560 Speaker 2: You know I have fun doing it. I guess I don't. Yeah, 388 00:18:06,640 --> 00:18:08,920 Speaker 2: you know, listen, you're right, you know there's a stand 389 00:18:09,000 --> 00:18:11,639 Speaker 2: up don't do that music. But then again, you know 390 00:18:12,080 --> 00:18:14,560 Speaker 2: I can sing a little, but I'm not, you know, 391 00:18:14,720 --> 00:18:17,040 Speaker 2: going to quit my day job. I did find that, 392 00:18:17,119 --> 00:18:19,080 Speaker 2: you know, stand up with something that was really easy 393 00:18:19,160 --> 00:18:20,840 Speaker 2: for me to lean into. I always felt like I 394 00:18:20,920 --> 00:18:22,399 Speaker 2: was kind of built for it, you know. And my 395 00:18:22,640 --> 00:18:24,840 Speaker 2: my stand up too, you know, I don't. I'm not 396 00:18:24,920 --> 00:18:27,159 Speaker 2: on stage doing a bunch of industry anecdotes. Otherwise it 397 00:18:27,200 --> 00:18:29,000 Speaker 2: would be like a night with which is not what 398 00:18:29,040 --> 00:18:31,480 Speaker 2: stand up comedy is, right, being that I've been married 399 00:18:31,560 --> 00:18:33,640 Speaker 2: for thirty four years ago, have four kids, and if 400 00:18:33,680 --> 00:18:36,359 Speaker 2: at seven dogs, my life is relatable, you know, I 401 00:18:36,800 --> 00:18:39,760 Speaker 2: I you know, you've covered all the basis. There's too much. Yeah, 402 00:18:39,760 --> 00:18:42,360 Speaker 2: that's really I do a couple of few industry anecdotes, 403 00:18:42,400 --> 00:18:43,680 Speaker 2: but I love it. 404 00:18:43,800 --> 00:18:47,880 Speaker 1: Yeah, don't miss Patrick as Mayor wind Dancer in Zutopia. 405 00:18:47,960 --> 00:18:51,760 Speaker 1: Too fantastic movie. I can't say this so fun. 406 00:18:51,640 --> 00:18:53,960 Speaker 2: To be a part of. So good. She did cry. 407 00:18:54,359 --> 00:18:56,720 Speaker 1: Taylor cried a little bit. My man, thank you for 408 00:18:56,760 --> 00:18:58,119 Speaker 1: coming in studio. We appreciate you. 409 00:18:58,280 --> 00:19:00,080 Speaker 2: Thank you, Marcus, thank you Taylor. It's been awesome of 410 00:19:00,160 --> 00:19:01,520 Speaker 2: being Yeah.