1 00:00:00,480 --> 00:00:04,360 Speaker 1: You're listening to KFI AM six forty on demand. 2 00:00:04,200 --> 00:00:08,200 Speaker 2: Tiffany Hobbs, KFI'M six fray Live everyone on the iHeartRadio app. 3 00:00:08,760 --> 00:00:14,320 Speaker 2: We're gonna get into the moral conundrum, the ethical conundrum 4 00:00:14,600 --> 00:00:19,920 Speaker 2: of visiting places that many people may consider as disturbing, 5 00:00:20,440 --> 00:00:25,600 Speaker 2: real life, places that become attractions all year, but especially 6 00:00:25,840 --> 00:00:30,520 Speaker 2: on Halloween. And I want to ask Ronnor Mark Ronner, 7 00:00:31,520 --> 00:00:35,800 Speaker 2: and when it comes to Halloween, are there any ethical 8 00:00:36,159 --> 00:00:39,600 Speaker 2: and this is a broad question, Mark, ethical and moral, 9 00:00:40,320 --> 00:00:43,879 Speaker 2: I'd say boundaries that you placed on the holiday places 10 00:00:43,920 --> 00:00:48,159 Speaker 2: you won't venture into. Are you not going to cemeteries? 11 00:00:48,240 --> 00:00:51,800 Speaker 2: Are you staying away from the asylum attraction? Or is 12 00:00:51,840 --> 00:00:53,400 Speaker 2: it all fair play for you? 13 00:00:53,720 --> 00:00:56,200 Speaker 3: I'm not really sure what you mean, although it's. 14 00:00:56,440 --> 00:00:57,880 Speaker 4: How crazy are you? 15 00:00:58,000 --> 00:00:58,240 Speaker 3: Mark? 16 00:00:58,320 --> 00:00:59,040 Speaker 4: Is what I'm asking? 17 00:00:59,280 --> 00:01:02,160 Speaker 3: Crazy enough? It's ironic that you started the segment on 18 00:01:02,200 --> 00:01:05,039 Speaker 3: this subject with a Michael Jackson song, though, if you 19 00:01:05,120 --> 00:01:06,679 Speaker 3: care to go into that and can of. 20 00:01:06,680 --> 00:01:11,039 Speaker 2: Worms moral and ethically you're saying, yeah, well, I guess 21 00:01:11,160 --> 00:01:14,680 Speaker 2: I'm I'm what I'm what I'm asking is is there 22 00:01:14,680 --> 00:01:17,480 Speaker 2: anything that's off limits for you with Halloween? Is there 23 00:01:17,520 --> 00:01:19,520 Speaker 2: anything that you go you know what, even that's too 24 00:01:19,560 --> 00:01:23,200 Speaker 2: far when it comes to visiting places, not just like 25 00:01:23,319 --> 00:01:25,680 Speaker 2: movies and stuff, but are there places you won't go 26 00:01:25,800 --> 00:01:28,560 Speaker 2: Because some people won't go to cemeteries. They won't go 27 00:01:28,640 --> 00:01:32,200 Speaker 2: to Hollywood forever because they feel like it crosses moral 28 00:01:32,200 --> 00:01:33,240 Speaker 2: and ethical boundaries. 29 00:01:33,280 --> 00:01:36,160 Speaker 3: No, that sounds like fun. Although I am given pause 30 00:01:36,200 --> 00:01:38,240 Speaker 3: going to cemeteries because I was locked in a tomb 31 00:01:38,280 --> 00:01:39,119 Speaker 3: as a child once. 32 00:01:39,240 --> 00:01:41,520 Speaker 4: Excuse me tell the story time. 33 00:01:41,640 --> 00:01:44,040 Speaker 3: No, it was just a group of us when young, 34 00:01:44,520 --> 00:01:48,240 Speaker 3: fairly young teenagers, just running around doing stuff on supervised 35 00:01:48,240 --> 00:01:51,120 Speaker 3: at night. I go into a tomb and one of 36 00:01:51,120 --> 00:01:53,880 Speaker 3: my friends shuts the door and bolts it from the outside. 37 00:01:53,920 --> 00:01:55,960 Speaker 3: It explains a lot and leaves me in there for 38 00:01:56,000 --> 00:01:58,440 Speaker 3: a good long time. It all makes sense, and I 39 00:01:58,440 --> 00:02:00,200 Speaker 3: wound up making a story out of it for ec 40 00:02:00,360 --> 00:02:03,760 Speaker 3: comics a number of years ago. So you know, you 41 00:02:03,800 --> 00:02:06,240 Speaker 3: turn everything around and you use it for material. 42 00:02:06,400 --> 00:02:08,680 Speaker 2: Oh my gosh, you were in an escape room. But 43 00:02:08,760 --> 00:02:10,320 Speaker 2: it was an escape too well. 44 00:02:10,960 --> 00:02:12,919 Speaker 3: Oh I had some time to sit there and think 45 00:02:12,919 --> 00:02:13,320 Speaker 3: about it. 46 00:02:13,400 --> 00:02:14,799 Speaker 4: Holy crap, how did you get out? 47 00:02:14,919 --> 00:02:16,160 Speaker 3: Well? I had to wait for them to come and 48 00:02:16,200 --> 00:02:16,600 Speaker 3: let me out. 49 00:02:16,680 --> 00:02:18,600 Speaker 2: That was that was the only that Your only recourse 50 00:02:18,680 --> 00:02:20,880 Speaker 2: was to wait for someone to relieve you. 51 00:02:20,960 --> 00:02:22,760 Speaker 3: Yes, in real life, that's how that works. 52 00:02:22,880 --> 00:02:25,760 Speaker 4: Wow. Do you know how long about you were in there? 53 00:02:25,880 --> 00:02:26,840 Speaker 4: Or did you just panic? 54 00:02:26,880 --> 00:02:29,720 Speaker 3: And I'm sure it felt like longer than it was. 55 00:02:31,080 --> 00:02:33,960 Speaker 3: I started to get a little uneasy, but I wasn't 56 00:02:34,000 --> 00:02:35,160 Speaker 3: losing my mind over it. 57 00:02:35,280 --> 00:02:36,160 Speaker 4: Did you hear anything? 58 00:02:37,200 --> 00:02:40,760 Speaker 3: Well, you always think you do. I once said my 59 00:02:40,880 --> 00:02:43,560 Speaker 3: very first newspaper job, I used to kind of think 60 00:02:43,560 --> 00:02:45,720 Speaker 3: I was a minor league George Plinton and go around 61 00:02:45,800 --> 00:02:48,359 Speaker 3: and do things like, you know, drive a Formula race car, 62 00:02:49,040 --> 00:02:51,720 Speaker 3: go up in a stunt plane and have the method 63 00:02:51,760 --> 00:02:53,959 Speaker 3: journalists and have the pilot try to make me vomit. 64 00:02:54,320 --> 00:02:55,960 Speaker 3: One of the one of the dares I took was 65 00:02:55,960 --> 00:02:58,640 Speaker 3: to spend the night in the Haunted House, which was 66 00:02:59,000 --> 00:03:03,280 Speaker 3: a defunct old sanitarium in Indiana. And I made it 67 00:03:03,320 --> 00:03:06,280 Speaker 3: to about four am, and I realized, I'm just hearing 68 00:03:06,320 --> 00:03:07,239 Speaker 3: too much stuff here. 69 00:03:07,520 --> 00:03:08,960 Speaker 4: Yes, and I'm not going to. 70 00:03:09,000 --> 00:03:13,280 Speaker 3: Go and check it out. But you know, the house settling, big, 71 00:03:13,360 --> 00:03:16,799 Speaker 3: big institutional building here, you know, where all sorts of 72 00:03:16,840 --> 00:03:20,639 Speaker 3: horrific things, yes, from the past. Sanitarium, yeah, yeah, mental institution. 73 00:03:21,880 --> 00:03:25,480 Speaker 3: And I'm not a superstitious person, but at the same 74 00:03:25,520 --> 00:03:27,640 Speaker 3: time I was here, I was hearing some stuff that 75 00:03:27,680 --> 00:03:30,799 Speaker 3: I didn't like, okay, and I decided, I think I've 76 00:03:30,800 --> 00:03:31,560 Speaker 3: had about enough. 77 00:03:31,919 --> 00:03:33,840 Speaker 2: That you buried the lead you said, I don't really 78 00:03:33,880 --> 00:03:36,720 Speaker 2: know what you mean, and then you jump into sanitarium 79 00:03:36,720 --> 00:03:39,840 Speaker 2: stuff and being buried in a tomb and like work. 80 00:03:40,040 --> 00:03:43,320 Speaker 3: Well, I mean, I'm not like taking human corpses and 81 00:03:43,440 --> 00:03:45,560 Speaker 3: violating them. Thank you, Edan. 82 00:03:45,760 --> 00:03:48,800 Speaker 2: I appreciate you not doing that. Thanks for holding back. 83 00:03:48,880 --> 00:03:51,840 Speaker 2: By the way, did you see that ed Gean mini 84 00:03:51,880 --> 00:03:55,880 Speaker 2: series on the entire thing? I can't stop thinking about it. 85 00:03:55,920 --> 00:03:57,960 Speaker 2: I want to unsee parts of it. 86 00:03:58,000 --> 00:03:58,840 Speaker 4: To be honest, I. 87 00:03:58,760 --> 00:04:01,760 Speaker 3: Think we've turned in a corner as a culture. There's 88 00:04:01,760 --> 00:04:04,360 Speaker 3: no way when we have that kind of stuff. Like 89 00:04:04,520 --> 00:04:07,640 Speaker 3: back when CSI first came on TV, I thought, this 90 00:04:07,760 --> 00:04:10,840 Speaker 3: is about as graphic as an Italian splatter film by 91 00:04:11,480 --> 00:04:16,280 Speaker 3: the Cannibal Holocaust director Riguero Diadado. And uh, this is. 92 00:04:16,240 --> 00:04:19,080 Speaker 4: Worse than that Ryan Murphy's Dementing. 93 00:04:19,200 --> 00:04:21,240 Speaker 3: I mean, I can't even describe some of the stuff 94 00:04:21,279 --> 00:04:24,279 Speaker 3: that made me slack jawed in this At the same time, 95 00:04:24,320 --> 00:04:26,839 Speaker 3: it was just fetishized and ridiculous, and his use of 96 00:04:26,920 --> 00:04:30,120 Speaker 3: musical numbers and somebody, you know, to depict somebody like 97 00:04:30,279 --> 00:04:35,279 Speaker 3: ed Geen. I found a little bit preposterous, but holy smokes, 98 00:04:35,360 --> 00:04:37,880 Speaker 3: I never thought i'd see something like that on TV, 99 00:04:38,200 --> 00:04:38,400 Speaker 3: you know. 100 00:04:38,440 --> 00:04:40,800 Speaker 2: And it was so well done, which is what kept 101 00:04:40,839 --> 00:04:44,839 Speaker 2: you watching, because while it was crude and and horrific 102 00:04:45,040 --> 00:04:48,800 Speaker 2: and and just violated a lot of our sensibilities, it 103 00:04:48,920 --> 00:04:49,960 Speaker 2: was well done. 104 00:04:50,080 --> 00:04:51,120 Speaker 4: At the same time, it. 105 00:04:51,120 --> 00:04:54,080 Speaker 3: Had that burnush of like one of those CBS shows 106 00:04:54,200 --> 00:04:57,560 Speaker 3: while it was showing you the violets stuff. Imaginable. 107 00:04:57,720 --> 00:05:01,960 Speaker 2: Yes, And that's the perfect transition into what I'm talking about. 108 00:05:02,120 --> 00:05:06,839 Speaker 2: So a place like ed Gean, this notorious, to say 109 00:05:06,880 --> 00:05:11,080 Speaker 2: the least, serial killer, anything associated with ed Gean where 110 00:05:11,120 --> 00:05:17,040 Speaker 2: he spent his last years in that psychiatric hospital. Other 111 00:05:17,200 --> 00:05:22,240 Speaker 2: sorts of places like sanitariums or cemeteries, those sorts of 112 00:05:22,279 --> 00:05:28,040 Speaker 2: attractions are being considered when people think of morals and 113 00:05:28,120 --> 00:05:32,160 Speaker 2: ethics and whether or not these attractions should be places 114 00:05:32,200 --> 00:05:36,360 Speaker 2: that are made popular at any time, but especially on Halloween. 115 00:05:36,760 --> 00:05:42,719 Speaker 2: You have places like penitentiaries, Eastern State penitentiaries. Tear behind 116 00:05:42,760 --> 00:05:46,640 Speaker 2: the Walls was one of the more popular Halloween attractions 117 00:05:46,640 --> 00:05:52,200 Speaker 2: in Philadelphia until it was called out as being more 118 00:05:52,279 --> 00:05:58,320 Speaker 2: or less too controversial because people really went through cruelty 119 00:05:58,440 --> 00:06:01,560 Speaker 2: and other sorts of a boring thing there. It's not 120 00:06:01,920 --> 00:06:07,520 Speaker 2: just there in Philadelphia, but there's also the Pinhurst Asylum, 121 00:06:07,839 --> 00:06:11,839 Speaker 2: there's the Waverly Hills Sanatorium and the Lizzie Borden House 122 00:06:12,400 --> 00:06:18,560 Speaker 2: that draw what one researcher calls as dark tourism. It 123 00:06:18,760 --> 00:06:24,720 Speaker 2: creates this want to immerse oneself in dark tourism, which 124 00:06:24,760 --> 00:06:28,880 Speaker 2: is tragic and has suffering at the center of these 125 00:06:29,080 --> 00:06:36,120 Speaker 2: experiences that use history as real life content for these attractions. 126 00:06:36,279 --> 00:06:38,719 Speaker 3: Yeah, now that you bring this up, I will admit 127 00:06:38,760 --> 00:06:42,080 Speaker 3: that I forced the long Suffering One to walk around 128 00:06:42,120 --> 00:06:45,599 Speaker 3: the Whitechapel district in London once where Jack the Ripper 129 00:06:45,720 --> 00:06:48,800 Speaker 3: killed all those prostitutes. Not a guided tour. I just 130 00:06:48,839 --> 00:06:51,400 Speaker 3: wanted to walk around and look at all the locations 131 00:06:51,400 --> 00:06:52,000 Speaker 3: for myself. 132 00:06:52,080 --> 00:06:54,080 Speaker 4: And it's a natural human instinct. 133 00:06:54,120 --> 00:06:56,920 Speaker 2: We're curious. We want to see, especially if it has 134 00:06:57,000 --> 00:07:02,160 Speaker 2: to do strangely and unfortunately with but that's that's innate 135 00:07:02,240 --> 00:07:04,800 Speaker 2: part of human nature, and we want to see where 136 00:07:04,800 --> 00:07:08,640 Speaker 2: these tragedies may have unfolded. One place I'm thinking of, 137 00:07:08,680 --> 00:07:13,920 Speaker 2: specifically the Cecil Hotel in downtown la home to all 138 00:07:14,000 --> 00:07:17,520 Speaker 2: sorts of serial killers, all sorts of lore, and most 139 00:07:17,600 --> 00:07:20,760 Speaker 2: recently Elisa Lamb, the young lady who was found in 140 00:07:20,800 --> 00:07:24,640 Speaker 2: the water tower on top of the Cecil Hotel on Maine. 141 00:07:24,800 --> 00:07:25,640 Speaker 3: Isn't there a documentary? 142 00:07:26,000 --> 00:07:27,800 Speaker 4: There are multiple. 143 00:07:27,360 --> 00:07:30,840 Speaker 2: Documentaries about this place, and it sends changed names, numerous 144 00:07:30,880 --> 00:07:32,160 Speaker 2: times changed hands. 145 00:07:32,200 --> 00:07:33,760 Speaker 4: But it is an. 146 00:07:33,720 --> 00:07:37,920 Speaker 2: Attraction and people go, especially around this time, hoping to 147 00:07:37,960 --> 00:07:41,040 Speaker 2: be able to encounter any sort of ghost or goblin 148 00:07:41,160 --> 00:07:45,560 Speaker 2: or ghoul, and researchers, scientists, psychologists are all saying that 149 00:07:45,600 --> 00:07:48,480 Speaker 2: it is a huge part of a larger moral and 150 00:07:48,640 --> 00:07:54,800 Speaker 2: ethical issue that dark tourism should not necessarily use tragedy 151 00:07:55,200 --> 00:07:57,920 Speaker 2: to bring in dollars and eyeballs. 152 00:07:57,960 --> 00:08:01,760 Speaker 4: Mark you are officially a dark tourist. 153 00:08:01,360 --> 00:08:05,120 Speaker 2: Whether by accident or by purpose or on purpose, you 154 00:08:05,120 --> 00:08:07,000 Speaker 2: seem to immerse yourself in that sort of thing. 155 00:08:07,200 --> 00:08:09,600 Speaker 3: I suppose I have sort of a macob's sensibility, but 156 00:08:09,960 --> 00:08:12,600 Speaker 3: I suppose I would draw the line at it actually 157 00:08:12,640 --> 00:08:15,160 Speaker 3: causing harm to anybody who's still around. 158 00:08:15,560 --> 00:08:19,120 Speaker 2: The Museum of Death one of my favorite places on 159 00:08:19,360 --> 00:08:24,200 Speaker 2: Hollywood Boulevard, or rather Selma Boulevard sixty three sixty three Selma, 160 00:08:24,320 --> 00:08:26,080 Speaker 2: the Museum of Death a place you can go and 161 00:08:26,120 --> 00:08:27,840 Speaker 2: immerse yourself in the macob. 162 00:08:27,840 --> 00:08:30,080 Speaker 4: And they do it from a historical viewpoint. 163 00:08:30,320 --> 00:08:34,320 Speaker 2: But some people may say that because these tragedies really happen, 164 00:08:34,440 --> 00:08:39,239 Speaker 2: this isn't fiction, that morally and ethically we are removed 165 00:08:39,320 --> 00:08:41,920 Speaker 2: from our empathy. And that's a question that seems to 166 00:08:42,000 --> 00:08:46,080 Speaker 2: be evolving every Halloween. When we come back, we're going 167 00:08:46,120 --> 00:08:50,000 Speaker 2: to get into ten great horror film remakes from the 168 00:08:50,080 --> 00:08:52,160 Speaker 2: twenty first from the twenty. 169 00:08:51,920 --> 00:08:53,800 Speaker 4: First century so far. 170 00:08:54,200 --> 00:08:57,319 Speaker 2: Okay, we're not finished yet, but here are ten great 171 00:08:57,400 --> 00:09:01,720 Speaker 2: horror film remakes, so saith this author. I'm sure we'll 172 00:09:01,840 --> 00:09:05,800 Speaker 2: argue against that. So far in the twenty first century. 173 00:09:05,880 --> 00:09:07,719 Speaker 2: I'm going to figure out how to speak English by 174 00:09:07,720 --> 00:09:08,760 Speaker 2: the time we come back. 175 00:09:08,840 --> 00:09:10,120 Speaker 4: You got this KFI. 176 00:09:09,840 --> 00:09:13,000 Speaker 2: AM six forty live everywhere on the iHeartRadio apps. 177 00:09:13,400 --> 00:09:17,360 Speaker 1: You're listening to KFI AM six forty on demand, all. 178 00:09:17,320 --> 00:09:21,240 Speaker 2: Right, instead of doing kind of the cliche favorite horror 179 00:09:21,280 --> 00:09:23,920 Speaker 2: movies of all time, and you know we all do that. 180 00:09:23,960 --> 00:09:25,840 Speaker 4: Everyone does it. There's lists galore out. 181 00:09:26,559 --> 00:09:29,120 Speaker 2: I said, Okay, we'll still do a list, but we'll 182 00:09:29,120 --> 00:09:31,520 Speaker 2: do it from a different perspective or a different a 183 00:09:31,559 --> 00:09:34,520 Speaker 2: different type of list rather and in this case, these 184 00:09:34,640 --> 00:09:41,800 Speaker 2: are the ten great horror film remakes. So saith Vanessa Mackie, 185 00:09:42,240 --> 00:09:46,760 Speaker 2: who is a writer for Flood magazine, and she considers 186 00:09:46,800 --> 00:09:52,600 Speaker 2: herself as a horror fan, horror ficionado, and she compiled 187 00:09:53,040 --> 00:09:57,920 Speaker 2: this list from different places, different sources, and here is 188 00:09:58,200 --> 00:10:00,959 Speaker 2: the list. Let's see what you are agree with and 189 00:10:01,040 --> 00:10:04,679 Speaker 2: mark jump in here whenever you once. 190 00:10:04,600 --> 00:10:07,760 Speaker 3: Before you start, have you ever heard of Flood magazine? 191 00:10:08,040 --> 00:10:08,319 Speaker 5: Never? 192 00:10:08,679 --> 00:10:12,520 Speaker 2: Okay or off to a good start then, But I 193 00:10:12,559 --> 00:10:14,960 Speaker 2: did a lot of cross checking and this one seemed 194 00:10:14,960 --> 00:10:18,520 Speaker 2: to be the most comprehensive, and I'd say unbiased lists 195 00:10:18,520 --> 00:10:20,560 Speaker 2: even though it's by one person because she used a 196 00:10:20,559 --> 00:10:21,559 Speaker 2: lot of different sources. 197 00:10:21,600 --> 00:10:22,920 Speaker 3: Oh, but this is serious, it's important. 198 00:10:23,080 --> 00:10:26,960 Speaker 2: It's this is really really important in real journalism. 199 00:10:27,120 --> 00:10:28,480 Speaker 4: Right here, we dug really deep. 200 00:10:28,600 --> 00:10:32,920 Speaker 2: So going in order of the best, from ten to one, 201 00:10:33,240 --> 00:10:38,640 Speaker 2: as far as remakes are concerned. Number yeah, yeah, number, 202 00:10:38,960 --> 00:10:39,960 Speaker 2: we'll go ten to one. 203 00:10:39,960 --> 00:10:42,160 Speaker 4: We'll go backwards backwards. 204 00:10:42,200 --> 00:10:46,559 Speaker 2: The first one, number ten Slumber Party Mass Sacre. It's 205 00:10:46,559 --> 00:10:50,080 Speaker 2: a nineteen eighty two teen movie slasher and it came 206 00:10:50,120 --> 00:10:53,120 Speaker 2: out again when it was remade in twenty twenty one. 207 00:10:53,880 --> 00:10:57,040 Speaker 2: There are some kids who are handling themselves against a 208 00:10:57,160 --> 00:11:02,400 Speaker 2: misogynistic killer, and apparently it was good enough to be remade. 209 00:11:02,400 --> 00:11:05,480 Speaker 2: It was a teen movie slasher back in nineteen eighty two. 210 00:11:05,679 --> 00:11:08,079 Speaker 2: Have you ever seen Slumber Party Massacre? 211 00:11:08,280 --> 00:11:10,200 Speaker 3: I think that's the one where the poster has the 212 00:11:10,200 --> 00:11:11,599 Speaker 3: guy with the auger. 213 00:11:11,559 --> 00:11:13,520 Speaker 4: Yoh the classic poster. 214 00:11:13,440 --> 00:11:15,000 Speaker 3: Isn't it Unless I'm mistaken. 215 00:11:15,120 --> 00:11:16,920 Speaker 4: I don't know what I'd have to pull it up. 216 00:11:16,800 --> 00:11:19,160 Speaker 3: But I certainly haven't seen the remake. 217 00:11:19,360 --> 00:11:23,480 Speaker 2: Okay, they said this is one of the quintessential eighties 218 00:11:23,840 --> 00:11:28,640 Speaker 2: horror films. The killer is called the Driller Killer, and 219 00:11:28,760 --> 00:11:31,280 Speaker 2: the remake deviates, it says, in a number of ways 220 00:11:31,320 --> 00:11:35,320 Speaker 2: from its predecessor. The original is a deliberate parody, but 221 00:11:35,480 --> 00:11:38,200 Speaker 2: this one is a reimagining and flips the narrative on 222 00:11:38,280 --> 00:11:42,120 Speaker 2: its head and makes the messaging more feminist. So it's 223 00:11:42,120 --> 00:11:46,280 Speaker 2: a more progressive take on Slumber Party Massacre. 224 00:11:46,520 --> 00:11:48,559 Speaker 3: Oh yeah, I'm looking at it right now. Great, big 225 00:11:48,640 --> 00:11:50,920 Speaker 3: phallic looking drill, very subtle. 226 00:11:51,200 --> 00:11:56,320 Speaker 2: The Driller then number nine Suspiria. It first came out 227 00:11:56,360 --> 00:12:00,880 Speaker 2: in nineteen seventy seven and was remade in two thousand eighteen. 228 00:12:01,760 --> 00:12:07,600 Speaker 2: The original follows Susie, still set in the seventies, and 229 00:12:07,720 --> 00:12:13,000 Speaker 2: the remake was played by Dakota Johnson. But it says 230 00:12:13,080 --> 00:12:16,080 Speaker 2: that instead of being mostly about colors, visuals and a 231 00:12:16,120 --> 00:12:19,280 Speaker 2: slow reveal like the original, the remake digs into the 232 00:12:19,320 --> 00:12:22,040 Speaker 2: meat of hard topics. 233 00:12:22,120 --> 00:12:25,680 Speaker 3: In other words, they decided to scrap everything that people 234 00:12:25,760 --> 00:12:30,080 Speaker 3: loved about the original. Dario Argento directed the original l Okay. 235 00:12:30,200 --> 00:12:33,280 Speaker 3: It's really magnificent. It's about a young woman who goes 236 00:12:33,280 --> 00:12:35,320 Speaker 3: off to a dance school and discovers it's a coven 237 00:12:35,400 --> 00:12:37,920 Speaker 3: of witches. It's so good. The remake is pretentious and 238 00:12:38,000 --> 00:12:40,360 Speaker 3: tedious and I cannot recommend it. 239 00:12:41,320 --> 00:12:45,960 Speaker 2: Number eight it we all know it. It was made 240 00:12:46,040 --> 00:12:49,040 Speaker 2: in the eighties late eighties, and then it was turned 241 00:12:49,040 --> 00:12:51,560 Speaker 2: into a mini series in the nineties, and then it 242 00:12:51,679 --> 00:12:58,959 Speaker 2: was remade by with Bill Scarsguard in two thousand and seventeen. 243 00:12:59,080 --> 00:13:02,000 Speaker 2: There's also been the one after that. I think there 244 00:13:02,080 --> 00:13:04,959 Speaker 2: was a second one it Two Cards. 245 00:13:04,760 --> 00:13:07,400 Speaker 3: And there's now a spin off Yea on HBO that's 246 00:13:07,400 --> 00:13:09,520 Speaker 3: in its second episode called it Welcome to Dary. 247 00:13:09,679 --> 00:13:11,280 Speaker 4: I heard that's pretty decent. 248 00:13:11,520 --> 00:13:14,360 Speaker 3: It starts off promising, but I'll tell you the second 249 00:13:14,360 --> 00:13:16,920 Speaker 3: episode it is getting into some kind of silly nightmare 250 00:13:17,160 --> 00:13:18,360 Speaker 3: on Elm Street Territory. 251 00:13:18,480 --> 00:13:21,600 Speaker 2: Oh, they're using the tropes O lazy, lazy, lazy, but 252 00:13:21,720 --> 00:13:24,360 Speaker 2: it makes the list definitely. People love the remake, people 253 00:13:24,400 --> 00:13:28,559 Speaker 2: love the original. It's not going anywhere. Next one, The Crazies, 254 00:13:28,679 --> 00:13:31,960 Speaker 2: which came out nineteen seventy three, was remade in twenty ten. 255 00:13:32,320 --> 00:13:34,840 Speaker 2: It's a remake The Crazies and twenty Ten of George 256 00:13:34,880 --> 00:13:38,520 Speaker 2: Rol Merrill's nineteen seventy three film that follows a town 257 00:13:38,600 --> 00:13:42,480 Speaker 2: that descends into madness due to the accidental detonation. 258 00:13:42,160 --> 00:13:43,760 Speaker 4: Of a bio weapon. 259 00:13:44,480 --> 00:13:50,200 Speaker 2: The remake, however, said that the pacing was better, the 260 00:13:50,320 --> 00:13:53,679 Speaker 2: violence in gore was execute it better. I guess I'd 261 00:13:53,720 --> 00:13:56,400 Speaker 2: leave that open to interpretation. That's pretty subjective. 262 00:13:56,440 --> 00:13:59,080 Speaker 3: But The Crazies it's kind of similar to the Zack 263 00:13:59,120 --> 00:14:02,359 Speaker 3: Snyder remake of Donna the Dead. It's more polished filmmaking, 264 00:14:02,520 --> 00:14:06,679 Speaker 3: but it's kind of empty calories because Romero was a 265 00:14:06,720 --> 00:14:10,959 Speaker 3: satirist above all else, and there's something really disturbing about 266 00:14:10,960 --> 00:14:13,600 Speaker 3: the Crazies if you haven't seen it the original Crazies. 267 00:14:15,240 --> 00:14:17,960 Speaker 3: It's got somebody from Donna the Dead as the lead 268 00:14:18,040 --> 00:14:20,480 Speaker 3: in it. I think his name is Richard Frantz, who 269 00:14:20,480 --> 00:14:23,960 Speaker 3: played one of the talking heads in Donna the Dead, huh, 270 00:14:24,000 --> 00:14:27,120 Speaker 3: And there's just something like all bets are off, and 271 00:14:27,320 --> 00:14:30,840 Speaker 3: there's sort of a crudeness to the filmmaking. It really 272 00:14:30,880 --> 00:14:34,040 Speaker 3: stops you and demands your attention. The remake is just 273 00:14:34,240 --> 00:14:36,560 Speaker 3: kind of something you could put on while you're folding 274 00:14:36,560 --> 00:14:37,120 Speaker 3: your laundry. 275 00:14:37,880 --> 00:14:40,000 Speaker 4: Go to sleep too, like I do. Yeah, sure of 276 00:14:40,000 --> 00:14:40,920 Speaker 4: those crazy People. 277 00:14:41,560 --> 00:14:44,080 Speaker 2: The second half of the list will save till after 278 00:14:44,120 --> 00:14:46,880 Speaker 2: the break, But there are five more films, I believe, 279 00:14:46,960 --> 00:14:49,040 Speaker 2: and a few of them I've seen. I've seen the 280 00:14:49,320 --> 00:14:52,200 Speaker 2: remake of The Crazies and one of them I actually 281 00:14:52,240 --> 00:14:55,960 Speaker 2: showed my class yesterday the original of and wanted to 282 00:14:56,000 --> 00:14:58,640 Speaker 2: compare it to the remake that you had to rent. 283 00:14:58,760 --> 00:15:01,600 Speaker 2: So we didn't do that. But we'll get into the 284 00:15:01,640 --> 00:15:04,120 Speaker 2: rest of this list on the other side of the break, 285 00:15:04,600 --> 00:15:08,160 Speaker 2: and then also we will talk a little bit about 286 00:15:08,600 --> 00:15:12,280 Speaker 2: how watching horror movies can actually be good for your health. 287 00:15:12,720 --> 00:15:15,240 Speaker 2: Now I'll tell you why. If I AM six forty 288 00:15:15,280 --> 00:15:18,120 Speaker 2: live everywhere on the iHeartRadio app, Tiffany Hobbs. 289 00:15:17,920 --> 00:15:21,880 Speaker 1: Here till ten, you're listening to KFI AM six forty 290 00:15:22,160 --> 00:15:22,800 Speaker 1: on demand. 291 00:15:23,280 --> 00:15:25,040 Speaker 2: But we have a couple of talkbacks. You're telling us 292 00:15:25,200 --> 00:15:27,960 Speaker 2: how you're spending your Halloween. I think we're gonna hear 293 00:15:27,960 --> 00:15:32,800 Speaker 2: from Sue and Brian, and Brian's is especially cute. Make 294 00:15:32,840 --> 00:15:34,480 Speaker 2: sure you have the volume up so you can hear this. 295 00:15:34,840 --> 00:15:37,360 Speaker 5: I am stuck at home with my five year old 296 00:15:37,480 --> 00:15:41,480 Speaker 5: and my two year old because I am very sick. 297 00:15:41,560 --> 00:15:43,960 Speaker 5: I have the flu or something, and my wife is 298 00:15:44,000 --> 00:15:47,360 Speaker 5: out with our older kids. So as much as I 299 00:15:47,400 --> 00:15:49,680 Speaker 5: wish I could be out there, got to stay home 300 00:15:49,680 --> 00:15:54,800 Speaker 5: and rest. So everybody out there, happy Halloween. Oh careful, 301 00:15:55,120 --> 00:15:59,200 Speaker 5: my kids are party. Happy Halloween. Everybody. 302 00:16:00,200 --> 00:16:02,120 Speaker 4: Kids make a little appearance. That was cute. 303 00:16:02,160 --> 00:16:04,360 Speaker 2: They're fighting, that's not so cute. But the little sneeze 304 00:16:04,400 --> 00:16:06,720 Speaker 2: before it was just like you have to turn your 305 00:16:06,800 --> 00:16:09,000 Speaker 2: volume up to hear that. And then Sue, what's going 306 00:16:09,040 --> 00:16:10,920 Speaker 2: on with you? What's up with the trigger treaters this year? 307 00:16:11,080 --> 00:16:15,400 Speaker 4: Four years in a row. No tricker traders here? 308 00:16:15,960 --> 00:16:19,160 Speaker 2: Ah, that sucks, especially if she bought candy and she 309 00:16:19,320 --> 00:16:19,800 Speaker 2: was waiting. 310 00:16:19,840 --> 00:16:20,840 Speaker 4: It sounds like you were waiting. 311 00:16:20,920 --> 00:16:23,360 Speaker 2: Sue, Well, you still have a good heart and now 312 00:16:23,400 --> 00:16:25,840 Speaker 2: you have a bunch of candy and you can enjoy 313 00:16:25,840 --> 00:16:28,760 Speaker 2: that yourself. But yeah, I've been hearing a lot more 314 00:16:28,800 --> 00:16:30,480 Speaker 2: about the Tricker Treater. 315 00:16:30,960 --> 00:16:33,080 Speaker 4: Wayne. It's just not what it used to be. 316 00:16:33,120 --> 00:16:36,040 Speaker 2: It's not what we all remember, but a for efforts 317 00:16:36,040 --> 00:16:38,400 Speaker 2: Sue and Brian. Brian get well, all right, we're talking 318 00:16:38,400 --> 00:16:43,080 Speaker 2: about these horror remakes. We've set the Crazies it, We've 319 00:16:43,120 --> 00:16:48,520 Speaker 2: had Slumber Party Mastacre, an amazing work of art from 320 00:16:48,560 --> 00:16:50,120 Speaker 2: what Mark Ronner said, and then. 321 00:16:50,000 --> 00:16:53,440 Speaker 4: Now we're at the Last House on the Left. 322 00:16:53,600 --> 00:16:57,800 Speaker 2: The original was a West Craven movie, Another West Craven movie. 323 00:16:58,200 --> 00:17:00,400 Speaker 2: Nineteen seventy two is when it came out, and The 324 00:17:00,520 --> 00:17:03,160 Speaker 2: Last House on the Left was remade in two thousand 325 00:17:03,200 --> 00:17:07,880 Speaker 2: and nine, and people are saying that it became really 326 00:17:07,920 --> 00:17:13,680 Speaker 2: controversial because the remake was extremely sexual and extremely violent, 327 00:17:14,040 --> 00:17:18,080 Speaker 2: and that it doesn't necessarily add anything to the film, 328 00:17:18,200 --> 00:17:20,719 Speaker 2: that it just more or less exploits it. 329 00:17:20,760 --> 00:17:22,719 Speaker 4: What do you say, Mark, I haven't seen the remake. 330 00:17:22,760 --> 00:17:26,159 Speaker 3: The original from Wes Craven gets pretty rough, and so 331 00:17:26,560 --> 00:17:29,280 Speaker 3: I'm trying to imagine what they would do to make 332 00:17:29,320 --> 00:17:31,840 Speaker 3: that even more intense than it already was. I mean, 333 00:17:32,160 --> 00:17:35,879 Speaker 3: Craven kind of leaned more into turning, say Freddy Krueger' 334 00:17:35,880 --> 00:17:38,760 Speaker 3: stuff into horror comedy in the later installments, but this 335 00:17:38,840 --> 00:17:41,600 Speaker 3: early stuff like that and the Hills have Eyes, it 336 00:17:41,640 --> 00:17:44,040 Speaker 3: was some pretty hard stuff, okay back in the day. 337 00:17:44,359 --> 00:17:48,680 Speaker 2: Well, you know, with the advent of certain technology, the 338 00:17:48,960 --> 00:17:52,800 Speaker 2: implementation or use of newer technology, you know, who knows. 339 00:17:52,840 --> 00:17:57,880 Speaker 2: But according to this a bit it is a bit 340 00:17:58,040 --> 00:18:03,320 Speaker 2: more than what the nineteen seventy to possesses. Then there's Halloween. 341 00:18:04,400 --> 00:18:07,280 Speaker 2: Halloween made the list, of course, with the original being 342 00:18:07,280 --> 00:18:11,320 Speaker 2: in nineteen seventy eight and there being multiple iterations of Halloween, 343 00:18:11,400 --> 00:18:16,520 Speaker 2: multiple sequels and interpretations as well. Rob Zombies Halloween in 344 00:18:16,520 --> 00:18:22,000 Speaker 2: two thousand and seven makes for a potentially controversial inclusion 345 00:18:22,280 --> 00:18:26,399 Speaker 2: on the list according to the author of this list. 346 00:18:26,600 --> 00:18:32,400 Speaker 2: In fact, it says that the original, beloved and influential 347 00:18:32,560 --> 00:18:36,440 Speaker 2: in every way, is hard to top, and when you're 348 00:18:36,560 --> 00:18:42,600 Speaker 2: discussing a remake with fans, it's. 349 00:18:41,200 --> 00:18:45,359 Speaker 4: Hard to live up to what came out in the seventies. 350 00:18:45,720 --> 00:18:48,720 Speaker 3: No, I'm not a fan of Rob Zombies Halloween stuff, 351 00:18:49,240 --> 00:18:53,040 Speaker 3: but I'm a huge fan of John Carpenter almost everything 352 00:18:53,119 --> 00:18:55,840 Speaker 3: that he's ever done. And this author is right, you 353 00:18:55,840 --> 00:18:59,639 Speaker 3: cannot top the original Halloween is so influential that you 354 00:18:59,720 --> 00:19:01,840 Speaker 3: really have to stop and kind of reset yourself to 355 00:19:02,280 --> 00:19:06,199 Speaker 3: understand how much influence it's had over everything, you know, 356 00:19:06,240 --> 00:19:08,639 Speaker 3: The Unstoppable Supernatural Killer. 357 00:19:08,840 --> 00:19:10,280 Speaker 4: Yes, yes, and Carpenter. 358 00:19:10,359 --> 00:19:13,399 Speaker 2: Speaking of Carpenter, I know you've talked about John Carpenter 359 00:19:13,480 --> 00:19:15,879 Speaker 2: and interviewing him, didn't you, Mark, Oh. 360 00:19:15,720 --> 00:19:17,400 Speaker 3: He's a tough interview. If he's not in the mood 361 00:19:17,400 --> 00:19:20,320 Speaker 3: to talk, he'll just leave you hanging out there to drive. No, 362 00:19:20,600 --> 00:19:22,639 Speaker 3: I think I was interviewing him. He was involved in 363 00:19:22,680 --> 00:19:25,959 Speaker 3: an Escape from New York comic, a Snake Pliskin comic 364 00:19:26,520 --> 00:19:30,240 Speaker 3: and if you don't love Snake Pliskin, leave the country promptly. 365 00:19:31,480 --> 00:19:33,159 Speaker 3: But no, it was a rough interview. But he's I 366 00:19:33,160 --> 00:19:35,200 Speaker 3: think he's got a lot nicer. I've met him since then, 367 00:19:35,320 --> 00:19:37,879 Speaker 3: in his later years, and gone to one of his concerts. 368 00:19:38,359 --> 00:19:41,200 Speaker 3: He does music from his films as well as music 369 00:19:41,240 --> 00:19:43,639 Speaker 3: that he's composed since then, and that's some of the 370 00:19:43,640 --> 00:19:45,560 Speaker 3: most fun you'll ever have. I think he's got some 371 00:19:45,680 --> 00:19:47,160 Speaker 3: going on right now at the Bowl. 372 00:19:47,240 --> 00:19:49,600 Speaker 2: Probably I miss all of them, but I'm usually at 373 00:19:49,680 --> 00:19:50,720 Speaker 2: work when they're happening. 374 00:19:50,800 --> 00:19:54,080 Speaker 3: But it's one of my top concert experiences of all time. 375 00:19:54,200 --> 00:19:56,919 Speaker 3: Kids like He'll he'll be there on the keyboards with 376 00:19:56,920 --> 00:20:00,119 Speaker 3: his son and a couple other guys playing say the 377 00:20:00,160 --> 00:20:03,040 Speaker 3: Halloween theme with footage from the movie playing on a 378 00:20:03,040 --> 00:20:05,160 Speaker 3: big screen behind them. It's really cool. 379 00:20:05,280 --> 00:20:07,280 Speaker 4: Oh can't wait. I have to make one. I gotta 380 00:20:07,320 --> 00:20:07,600 Speaker 4: make one. 381 00:20:07,600 --> 00:20:09,439 Speaker 2: I gotta set that aside for sure. I've been meaning to. 382 00:20:09,840 --> 00:20:12,480 Speaker 2: Next on the list, The Hills Have Eyes. You brought 383 00:20:12,480 --> 00:20:14,800 Speaker 2: it up, Mark, It's on the list. The original another 384 00:20:14,880 --> 00:20:18,840 Speaker 2: West Craven favorite nineteen seventy seven and remade in two 385 00:20:18,840 --> 00:20:21,719 Speaker 2: thousand and six, The Hills Have Eyes. I saw the remake. 386 00:20:21,760 --> 00:20:25,120 Speaker 2: I did not see the original. I enjoyed the remake, 387 00:20:25,320 --> 00:20:28,479 Speaker 2: but people always would tell me, you gotta see the 388 00:20:28,520 --> 00:20:29,080 Speaker 2: first one. 389 00:20:29,119 --> 00:20:29,760 Speaker 4: That's the one. 390 00:20:29,880 --> 00:20:31,800 Speaker 3: Yeah. I have seen both of those, and I prefer 391 00:20:31,880 --> 00:20:35,399 Speaker 3: the original. The seventies were a good, nasty time for 392 00:20:35,480 --> 00:20:38,719 Speaker 3: American horror films and what was going on, because you know, 393 00:20:38,760 --> 00:20:42,479 Speaker 3: the New Hollywood was in its full swing, and they 394 00:20:42,520 --> 00:20:47,040 Speaker 3: were trying things that probably would wouldn't have been permitted earlier. 395 00:20:47,320 --> 00:20:51,640 Speaker 2: Yeah, and maybe not since, but at any rate, it's there. 396 00:20:52,040 --> 00:20:56,280 Speaker 2: Another one from the seventies, The House of Wax. The 397 00:20:56,359 --> 00:20:58,760 Speaker 2: House of Waxcuse me, this one is a fifties one, 398 00:20:58,880 --> 00:21:02,159 Speaker 2: predating the seventies Vincent Price at Vincent Price. When nineteen 399 00:21:02,240 --> 00:21:04,920 Speaker 2: fifty three House of Wax remade in two thousand and 400 00:21:04,960 --> 00:21:09,160 Speaker 2: five with Paris Hilton, who people said did a decent job. 401 00:21:10,320 --> 00:21:12,800 Speaker 2: I don't know how decent she can do, but it's here. 402 00:21:12,840 --> 00:21:13,440 Speaker 4: What do you say? 403 00:21:13,640 --> 00:21:15,280 Speaker 3: I think she might as well have been one of 404 00:21:15,320 --> 00:21:19,000 Speaker 3: the wax figures. The remakes kind of trash. You can 405 00:21:19,040 --> 00:21:22,280 Speaker 3: never go wrong with a Vincent Price movie, can. 406 00:21:22,240 --> 00:21:25,520 Speaker 2: Never go wrong, and the fact that they try just 407 00:21:25,560 --> 00:21:29,399 Speaker 2: shows bravado and a lack of consciousness. You leave Vincent 408 00:21:29,440 --> 00:21:31,040 Speaker 2: Price movies alone. 409 00:21:31,200 --> 00:21:34,359 Speaker 3: It shows the desire for cash. Some of the wax 410 00:21:34,400 --> 00:21:36,400 Speaker 3: effects and the remake are kind of fun, but that's 411 00:21:36,400 --> 00:21:37,760 Speaker 3: about the most you can say about it. 412 00:21:37,880 --> 00:21:41,560 Speaker 2: Okay, Donna the Dead is next. It's number two on 413 00:21:41,640 --> 00:21:44,680 Speaker 2: the list. The original coming out in nineteen seventy eight, 414 00:21:44,760 --> 00:21:48,720 Speaker 2: Your seventies again, all this gore and craziness. The remake 415 00:21:48,760 --> 00:21:51,639 Speaker 2: in two thousand and four. I loved the remake. I 416 00:21:51,640 --> 00:21:55,000 Speaker 2: thought it was a lot of fun, and people kind 417 00:21:55,000 --> 00:21:57,320 Speaker 2: of pit both against each other. It's kind of fifty 418 00:21:57,320 --> 00:22:00,199 Speaker 2: to fifty split. Some love the original and some love 419 00:22:00,240 --> 00:22:01,720 Speaker 2: the remake, but everyone loves both. 420 00:22:02,080 --> 00:22:04,200 Speaker 3: Yeah, Like I said, when we were talking about the Crazies. 421 00:22:04,400 --> 00:22:07,880 Speaker 3: Zack Snyder is much more of a polished filmmaker than 422 00:22:08,000 --> 00:22:12,119 Speaker 3: George Romero. But there's just it's lacking that whole dimension 423 00:22:12,359 --> 00:22:14,480 Speaker 3: of satire. And I just love the four leads of 424 00:22:14,520 --> 00:22:17,040 Speaker 3: the original Yah the Dead who were hold up in 425 00:22:17,080 --> 00:22:20,159 Speaker 3: the shopping mall. Yes, one of them who played Flyboy 426 00:22:20,320 --> 00:22:23,520 Speaker 3: past recently, but we've got all the other three still 427 00:22:23,560 --> 00:22:26,879 Speaker 3: with us. The original Dawn of the Dead's terrific. By 428 00:22:26,880 --> 00:22:30,160 Speaker 3: the way, people people, people who are vomiting and leaving the theater. 429 00:22:30,280 --> 00:22:34,520 Speaker 3: You got it. You can't overemphasize how transgressive that movie 430 00:22:34,680 --> 00:22:36,440 Speaker 3: was at the time. The first time you see a 431 00:22:36,520 --> 00:22:38,639 Speaker 3: zombie take a bite out of a human in that 432 00:22:39,280 --> 00:22:40,800 Speaker 3: people lost their minds. 433 00:22:41,040 --> 00:22:44,280 Speaker 2: I've never seen stuff like that before and it was realistic. Yeah, 434 00:22:44,359 --> 00:22:46,040 Speaker 2: and then two thousand and four just took it to 435 00:22:46,119 --> 00:22:48,640 Speaker 2: a whole other echelon. What do you think is number 436 00:22:48,640 --> 00:22:52,320 Speaker 2: one mark on the list of great horror film remakes remakes? 437 00:22:53,119 --> 00:22:59,520 Speaker 2: The thing Texas Chainsaw Massacre No. Texas Chainsaw Master No. 438 00:23:00,160 --> 00:23:00,800 Speaker 3: No. 439 00:23:01,119 --> 00:23:04,199 Speaker 2: Number one on the list of best horror remakes, the 440 00:23:04,280 --> 00:23:07,600 Speaker 2: original being in the seventies, nineteen seventy four and the 441 00:23:07,640 --> 00:23:11,679 Speaker 2: remake starring Jessica Biel in two thousand and three. I 442 00:23:11,760 --> 00:23:14,919 Speaker 2: love both. I showed the original to my class, not 443 00:23:15,000 --> 00:23:16,920 Speaker 2: all of it because you can't because in some sex 444 00:23:16,960 --> 00:23:20,480 Speaker 2: scenes in there, but it was fun. They were into it. 445 00:23:20,600 --> 00:23:23,880 Speaker 2: These teenagers were like what, and I said, just wait 446 00:23:23,960 --> 00:23:24,879 Speaker 2: till you see the remake. 447 00:23:25,119 --> 00:23:27,399 Speaker 3: I hope the person who wrote this list never gets 448 00:23:27,440 --> 00:23:30,879 Speaker 3: work again. I think the thing that most people don't 449 00:23:31,040 --> 00:23:34,320 Speaker 3: quite realize about the original Toby Hooper Texas Chainsaw Massacre 450 00:23:34,680 --> 00:23:37,240 Speaker 3: is you don't really see as much as you think 451 00:23:37,280 --> 00:23:39,600 Speaker 3: you do. A lot of the violence is implied. 452 00:23:39,680 --> 00:23:42,760 Speaker 2: It is implied, and if you watch Monsters on Netflix 453 00:23:42,840 --> 00:23:46,280 Speaker 2: with Ed Gean, it gets into all of this. 454 00:23:46,720 --> 00:23:49,640 Speaker 3: Oh yeah, that's incredibly cool. I've got mixed feelings about 455 00:23:49,640 --> 00:23:53,679 Speaker 3: that whole mini series, but the reproduction of the Texas 456 00:23:53,760 --> 00:23:55,960 Speaker 3: Chainsaw Massacre set is really fun. 457 00:23:56,359 --> 00:23:58,520 Speaker 2: The last little tidbit about this when it comes to 458 00:23:58,560 --> 00:24:02,560 Speaker 2: horror movies, has to do with your health. Twenty twelve 459 00:24:02,880 --> 00:24:07,000 Speaker 2: University of Westminster study found that watching a ninety minute 460 00:24:07,000 --> 00:24:10,240 Speaker 2: horror movie can burn up to one hundred and eighty 461 00:24:10,280 --> 00:24:14,320 Speaker 2: four calories, which is roughly the same as a thirty 462 00:24:14,480 --> 00:24:16,840 Speaker 2: minute walk, and that's because your heart rate spikes, your 463 00:24:16,840 --> 00:24:22,720 Speaker 2: adrenaline surges, and stress induced energy is used in films 464 00:24:22,760 --> 00:24:26,320 Speaker 2: like The Shining top the list at calorie Burning with 465 00:24:26,520 --> 00:24:29,879 Speaker 2: Jaws following and The Exorcist being third on the list. 466 00:24:30,160 --> 00:24:32,960 Speaker 2: Providing a good scare is good for a little mini workout. 467 00:24:33,040 --> 00:24:34,960 Speaker 3: So think of how fat I'd be if I didn't 468 00:24:34,960 --> 00:24:36,440 Speaker 3: watch that stuff. 469 00:24:36,480 --> 00:24:40,360 Speaker 1: You're listening to KFI AM six forty on demand. 470 00:24:40,200 --> 00:24:44,000 Speaker 2: And to kind of finalize our scary stories, it's Halloween 471 00:24:44,200 --> 00:24:49,639 Speaker 2: and Halloween. Kim Kardashian resident aerospace engineer and burgeoning astronaut. 472 00:24:50,240 --> 00:24:56,040 Speaker 2: Kim Kardashian says that the moon landing was fake and 473 00:24:56,080 --> 00:24:59,960 Speaker 2: because she said it, you are supposed to believe it. 474 00:25:00,160 --> 00:25:03,360 Speaker 2: She said this on a recent episode of The Kardashians, 475 00:25:03,400 --> 00:25:07,800 Speaker 2: and she tried to convince actress Sarah Paulson that the 476 00:25:07,840 --> 00:25:10,840 Speaker 2: moon landing never happened. Of course, she's talking about the 477 00:25:10,880 --> 00:25:15,160 Speaker 2: nineteen sixty nine Apollo eleven moon landing with Neil Armstrong, 478 00:25:15,240 --> 00:25:19,120 Speaker 2: buzz Aldrin, and Michael Collins, who became the first humans 479 00:25:19,240 --> 00:25:23,000 Speaker 2: on the moon there in nineteen sixty nine. But Kim 480 00:25:23,080 --> 00:25:30,280 Speaker 2: Kardashian says that buzz Aldrin has quote gotten old and 481 00:25:30,359 --> 00:25:35,080 Speaker 2: that he has quote made mistakes when talking about the 482 00:25:35,119 --> 00:25:40,320 Speaker 2: famous moon landing. So Kim Kardashian has concluded from that 483 00:25:40,320 --> 00:25:44,840 Speaker 2: that it did not happen. She said, so, I don't 484 00:25:44,840 --> 00:25:48,080 Speaker 2: think it happened, And then she said, I've seen a 485 00:25:48,080 --> 00:25:50,840 Speaker 2: few videos of Buzz Aldurn talking about how it didn't happen. 486 00:25:50,960 --> 00:25:54,359 Speaker 2: He says it all the time now in interviews. Now, 487 00:25:54,600 --> 00:25:59,560 Speaker 2: NASA got wind of this, and after they stopped laughing maniacally, 488 00:25:59,600 --> 00:26:02,960 Speaker 2: they hit back and they said, through Sean Duffy, of 489 00:26:03,000 --> 00:26:03,680 Speaker 2: course it happened. 490 00:26:03,720 --> 00:26:05,240 Speaker 4: Did it happened? Six times? 491 00:26:05,960 --> 00:26:09,320 Speaker 2: And then a quick Google search if you want to 492 00:26:09,640 --> 00:26:13,560 Speaker 2: validate the claims Kim Kardashian is making about Buzz Aldrin 493 00:26:13,720 --> 00:26:17,240 Speaker 2: saying that the moon landing never happened, reveals that there 494 00:26:17,320 --> 00:26:22,800 Speaker 2: are misinterpretations, There are AI videos, there are highly edited 495 00:26:22,960 --> 00:26:28,960 Speaker 2: videos and quotes that may misconstrue anything that Buzz has 496 00:26:29,040 --> 00:26:32,800 Speaker 2: said about the moon landing. But ultimately he has not 497 00:26:32,920 --> 00:26:35,760 Speaker 2: said that the moon landing did not happen. 498 00:26:35,880 --> 00:26:38,040 Speaker 4: But you heard it here first. 499 00:26:38,040 --> 00:26:41,600 Speaker 2: It's breaking news from resident aerospace engineer and versioning astronaut 500 00:26:41,720 --> 00:26:45,840 Speaker 2: Kim Kardashian that the moon landing in nineteen sixty nine 501 00:26:46,160 --> 00:26:49,560 Speaker 2: did not happen. Let me tell you what is happening. Tomorrow. 502 00:26:50,400 --> 00:26:53,600 Speaker 2: The Rose Bowl Stadium is going to become home to 503 00:26:53,720 --> 00:26:57,959 Speaker 2: a super adoption event. Over seven hundred animals are heading 504 00:26:58,040 --> 00:27:02,960 Speaker 2: to the Rose Bowl to from ten am to four pm. 505 00:27:03,080 --> 00:27:06,080 Speaker 2: They also did it today ten am to four pm 506 00:27:06,200 --> 00:27:10,040 Speaker 2: Tomorrow Saturday, where more than twenty shelters and rescue groups 507 00:27:10,080 --> 00:27:15,080 Speaker 2: will come together through Pasadena Humane Society, Angel City Pitbulls, 508 00:27:15,160 --> 00:27:21,480 Speaker 2: and LA Animal Services to offer adoptions at a discounted feed. 509 00:27:21,600 --> 00:27:24,280 Speaker 2: They want you to get out there and help get 510 00:27:24,359 --> 00:27:28,560 Speaker 2: us closer to having a no kill status by giving 511 00:27:28,640 --> 00:27:34,920 Speaker 2: these animals permanent homes. One final note for what's going 512 00:27:34,960 --> 00:27:39,280 Speaker 2: on this weekend specifically is in terms of the Snap benefits, 513 00:27:40,160 --> 00:27:42,800 Speaker 2: Carls Junior is stepping up. They're stepping up in a 514 00:27:42,840 --> 00:27:49,960 Speaker 2: major way and they are offering government service members, government employees, veterans, 515 00:27:50,359 --> 00:27:55,320 Speaker 2: and people who are beneficiaries of Snap slash CalFresh a 516 00:27:55,480 --> 00:27:58,560 Speaker 2: deal to get a meal. It's a way to help 517 00:27:58,640 --> 00:28:03,120 Speaker 2: you and they are off ring one dollar meals. For example, 518 00:28:03,200 --> 00:28:04,879 Speaker 2: if you go in with a family of four and 519 00:28:04,920 --> 00:28:07,639 Speaker 2: you order four meals, each meal will be one dollar 520 00:28:08,280 --> 00:28:11,000 Speaker 2: and that will amount to four dollars total. You're getting 521 00:28:11,040 --> 00:28:14,520 Speaker 2: one dollar meals to help alleviate the stress and strain 522 00:28:15,000 --> 00:28:24,040 Speaker 2: of this possible impending SNAP revocation, this stoppage of SNAP 523 00:28:24,800 --> 00:28:28,160 Speaker 2: right now, it's on hold until Monday at least because 524 00:28:28,160 --> 00:28:30,879 Speaker 2: of that federal ruling. That was the breaking news coming 525 00:28:30,920 --> 00:28:35,360 Speaker 2: out overnight and into today. But it is a temporary 526 00:28:35,480 --> 00:28:38,280 Speaker 2: pause at best. This can take weeks and in the 527 00:28:38,320 --> 00:28:42,880 Speaker 2: interim no one has said fully what will happen tomorrow, 528 00:28:42,960 --> 00:28:47,360 Speaker 2: whether or not payments will be allocated. But in case 529 00:28:47,440 --> 00:28:51,560 Speaker 2: of financial stress and strain, Carl's Junior is stepping up 530 00:28:51,920 --> 00:28:55,480 Speaker 2: offering their one dollar meals. You can find out the 531 00:28:55,520 --> 00:28:59,000 Speaker 2: closest Carls Junior and participating Carls Junior to you by 532 00:28:59,040 --> 00:29:01,920 Speaker 2: going to their websit site and this will go on 533 00:29:02,720 --> 00:29:05,440 Speaker 2: up to I believe a million meals. They're looking to 534 00:29:05,520 --> 00:29:09,600 Speaker 2: give out a million meals, so that is a wonderful thing. 535 00:29:10,040 --> 00:29:14,440 Speaker 2: Lausd also stepping up to alleviate families during this government 536 00:29:14,520 --> 00:29:15,920 Speaker 2: shut down as well. 537 00:29:16,320 --> 00:29:20,160 Speaker 4: Mark Ronner, quick last question for you. Do you have 538 00:29:20,240 --> 00:29:22,000 Speaker 4: your did you ever go trigger treating as a kid? 539 00:29:22,160 --> 00:29:22,920 Speaker 3: Oh? Sure, yeah. 540 00:29:23,000 --> 00:29:25,080 Speaker 2: Do you have a fun trigger treating memory? Just a 541 00:29:25,160 --> 00:29:26,320 Speaker 2: quick little memory that you have. 542 00:29:27,120 --> 00:29:30,120 Speaker 3: I mean I think I dressed up as a vampire 543 00:29:30,240 --> 00:29:33,600 Speaker 3: Dracula kind of thing when my buddy was evil and evil. Oh, 544 00:29:35,000 --> 00:29:37,040 Speaker 3: I mean it was pretty low tech stuff at the time. 545 00:29:37,320 --> 00:29:41,200 Speaker 3: Because you remember those crappy old Halloween costumes with plastic, Yeah, 546 00:29:41,040 --> 00:29:44,600 Speaker 3: the hard plastic masks. Oh yeah, but I have kind 547 00:29:44,600 --> 00:29:46,960 Speaker 3: of a weird fondness for those now. They were so cheesy, 548 00:29:46,960 --> 00:29:47,200 Speaker 3: don't you. 549 00:29:47,320 --> 00:29:49,720 Speaker 2: You're so nostalgic, And the pictures I look back on, 550 00:29:49,920 --> 00:29:53,920 Speaker 2: they were horrific. The princesses looked terrifying because they're plastic. 551 00:29:54,000 --> 00:29:57,360 Speaker 2: But a lot of just great memories from that, Tony. 552 00:29:57,560 --> 00:30:01,720 Speaker 2: Did you trigger treat as a kid? Yeah, yeah, I 553 00:30:02,280 --> 00:30:03,360 Speaker 2: kind of don't remember. 554 00:30:03,920 --> 00:30:05,760 Speaker 3: Is that far back, Tony, I can't. 555 00:30:05,840 --> 00:30:11,640 Speaker 4: Oh God, just you know, got candy and. 556 00:30:10,160 --> 00:30:11,680 Speaker 2: My costumes all suck to I think I had the 557 00:30:11,680 --> 00:30:14,800 Speaker 2: same one, just those those plastic yeah, just the face, 558 00:30:14,960 --> 00:30:16,880 Speaker 2: a little slits in the mouth you can barely breathe, 559 00:30:16,960 --> 00:30:19,320 Speaker 2: eyes you can see out of They were the best. 560 00:30:19,480 --> 00:30:21,680 Speaker 3: They were sharp too. You can cut your tongue on those. 561 00:30:21,680 --> 00:30:23,880 Speaker 3: Don't stick your tongue through the mouth hole, And. 562 00:30:23,840 --> 00:30:26,040 Speaker 2: Of course you did because someone told you can cut 563 00:30:26,040 --> 00:30:27,240 Speaker 2: your tongue so you did it to. 564 00:30:27,200 --> 00:30:27,840 Speaker 4: Cut your tongue. 565 00:30:27,920 --> 00:30:28,680 Speaker 3: I know you have to. 566 00:30:28,840 --> 00:30:29,320 Speaker 1: You have to. 567 00:30:29,360 --> 00:30:31,480 Speaker 4: It's a part of Halloween. Kids don't have that anymore. 568 00:30:31,520 --> 00:30:35,360 Speaker 2: They're spending two hundred dollars on inflatable costumes that just 569 00:30:35,440 --> 00:30:36,880 Speaker 2: are just so temporary. 570 00:30:37,440 --> 00:30:40,880 Speaker 4: You know, we had it good, guys, we had it good. 571 00:30:41,480 --> 00:30:42,480 Speaker 3: We didn't know at the time. 572 00:30:42,560 --> 00:30:44,840 Speaker 4: We didn't know at the time. I kind of did you. 573 00:30:44,880 --> 00:30:49,480 Speaker 3: Did you remember that much? You remember exactly? So I 574 00:30:49,480 --> 00:30:49,960 Speaker 3: got candy. 575 00:30:50,000 --> 00:30:51,360 Speaker 4: That's all I remember for right. 576 00:30:51,600 --> 00:30:54,440 Speaker 2: Well, good for you, because there's no more of that anymore. 577 00:30:54,480 --> 00:30:57,120 Speaker 2: You're getting a can of soup. You're going trick or 578 00:30:57,120 --> 00:30:59,920 Speaker 2: treat in this year. If you did, who knows. It's 579 00:31:00,120 --> 00:31:01,760 Speaker 2: been fun. I know we had a good time here. 580 00:31:01,880 --> 00:31:05,000 Speaker 2: Thanks for spending Halloween with us. Enjoy the rest of 581 00:31:05,040 --> 00:31:07,520 Speaker 2: your evening. I'll see you back here tomorrow for my 582 00:31:07,680 --> 00:31:11,680 Speaker 2: regular show Saturdays with Tiffany from five to seven pm, 583 00:31:11,720 --> 00:31:15,680 Speaker 2: followed by Michael Monks and excuse me, Michael Monks and 584 00:31:16,000 --> 00:31:18,800 Speaker 2: Michael Monks Reports that's the name of his show. It'll 585 00:31:18,800 --> 00:31:21,320 Speaker 2: be on after that. It's Ghost to Ghost. Stay tuned, 586 00:31:21,320 --> 00:31:23,480 Speaker 2: one of the best shows on radio. Thanks for hanging 587 00:31:23,480 --> 00:31:26,240 Speaker 2: out with us. See you tomorrow. I Am six forty 588 00:31:26,280 --> 00:31:28,719 Speaker 2: live everywhere on the iHeartRadio 589 00:31:28,840 --> 00:31:32,080 Speaker 1: App KFI AM six forty on demand