1 00:00:00,360 --> 00:00:03,199 Speaker 1: It's k IF. I am six forty and you're listening 2 00:00:03,200 --> 00:00:07,040 Speaker 1: to the Conway Show on demand on the iHeartRadio app 3 00:00:08,520 --> 00:00:12,280 Speaker 1: Ding Dong. We're back at our six to ten pm 4 00:00:12,440 --> 00:00:17,759 Speaker 1: slot and I am never leaving the slot. They will 5 00:00:17,840 --> 00:00:20,840 Speaker 1: have to fire me or I will have a massive 6 00:00:20,920 --> 00:00:23,840 Speaker 1: stroke that leads to a heart attack and that will 7 00:00:23,880 --> 00:00:27,680 Speaker 1: be a wrap. But I'm not going anywhere. I'm not 8 00:00:27,720 --> 00:00:30,640 Speaker 1: going to If they said we'll give you ten million 9 00:00:30,720 --> 00:00:35,400 Speaker 1: dollars to do mornings here after Bill Handle retires, I'd say, no, 10 00:00:35,800 --> 00:00:40,360 Speaker 1: thank you, thank you, but no thank you. It's not 11 00:00:40,440 --> 00:00:43,720 Speaker 1: worth it. It's not worth it. Kruzer, you did morning radio, 12 00:00:43,760 --> 00:00:45,680 Speaker 1: didn't you? Did you do morning radio? 13 00:00:45,800 --> 00:00:45,959 Speaker 2: Yeah? 14 00:00:45,960 --> 00:00:48,360 Speaker 1: At one point were you? This is what I heard. 15 00:00:48,440 --> 00:00:53,159 Speaker 1: Jack Silver used to produce the Rick D's show. For 16 00:00:53,240 --> 00:00:55,680 Speaker 1: seven years. He produced Rick D's and when Rick d 17 00:00:55,880 --> 00:00:58,880 Speaker 1: starts at he start at six am. Jack Silver would 18 00:00:58,880 --> 00:01:01,040 Speaker 1: have to get there like at three eight to prep 19 00:01:01,080 --> 00:01:04,360 Speaker 1: the show. And he said, for seven years he was 20 00:01:04,440 --> 00:01:07,000 Speaker 1: tired every second of every day. 21 00:01:07,080 --> 00:01:08,839 Speaker 3: Yeah. Michelle Cute talks about that all the time. 22 00:01:08,959 --> 00:01:09,320 Speaker 1: Is that right? 23 00:01:09,400 --> 00:01:12,920 Speaker 3: Yeah? Because she produced Handle forever and she when she 24 00:01:13,040 --> 00:01:16,080 Speaker 3: finally got out of that shift and other responsibilities she 25 00:01:16,160 --> 00:01:19,000 Speaker 3: talks about she's like traumatized. 26 00:01:19,200 --> 00:01:19,440 Speaker 1: Yeah. 27 00:01:19,520 --> 00:01:21,640 Speaker 3: I didn't do it long enough or consistently enough for 28 00:01:21,680 --> 00:01:23,880 Speaker 3: it to be that big of a deal. But yeah, 29 00:01:23,880 --> 00:01:27,160 Speaker 3: there were many times getting up and coming in. Getting 30 00:01:27,240 --> 00:01:29,720 Speaker 3: up at one in the morning is bull crap. 31 00:01:29,920 --> 00:01:32,800 Speaker 1: Yeah, that's tough. It's hard. It's tough to do on 32 00:01:32,880 --> 00:01:34,680 Speaker 1: a one off. Yeah, you know, like when you had 33 00:01:34,680 --> 00:01:36,960 Speaker 1: to get to an airport or you know, taking sid 34 00:01:37,000 --> 00:01:40,520 Speaker 1: to some kind of event. Did you play sports your daughter, Yeah, yeah, 35 00:01:40,640 --> 00:01:42,160 Speaker 1: she did a little bit of everything, so you did 36 00:01:42,200 --> 00:01:43,399 Speaker 1: at four am, five am. 37 00:01:43,640 --> 00:01:44,959 Speaker 3: Yeah, there was a lot of times I was working 38 00:01:45,000 --> 00:01:46,640 Speaker 3: here in the middle of the night on a Friday night, 39 00:01:46,840 --> 00:01:48,760 Speaker 3: and I'd get off at five in the morning or 40 00:01:48,800 --> 00:01:51,320 Speaker 3: six in the morning, and then I'd immediately go to 41 00:01:51,400 --> 00:01:53,920 Speaker 3: the soccer field prep the soccer field because I was 42 00:01:53,960 --> 00:01:56,360 Speaker 3: the coach of her team. Oh, so I would be 43 00:01:56,400 --> 00:01:57,240 Speaker 3: there until noon. 44 00:01:57,720 --> 00:02:02,000 Speaker 1: Did you get your orange slices in? Yeah? Yeah. For 45 00:02:02,000 --> 00:02:05,200 Speaker 1: some reason, juice boxes on the spot. That's the only 46 00:02:05,240 --> 00:02:07,640 Speaker 1: sport that always had orange slices. 47 00:02:08,080 --> 00:02:10,720 Speaker 3: Hey, a different pairent every week. Some of them cut 48 00:02:10,760 --> 00:02:13,400 Speaker 3: it right, some of them gave whole oranges right, And we. 49 00:02:13,880 --> 00:02:15,359 Speaker 1: Did that and we had to tell one of the parents, 50 00:02:15,360 --> 00:02:17,840 Speaker 1: you got to wash the outside of the orange before 51 00:02:17,880 --> 00:02:20,320 Speaker 1: you cut it, or these kids can get sick. Wash 52 00:02:20,400 --> 00:02:24,480 Speaker 1: the outsides. All right, let's get into tip tap talk 53 00:02:24,600 --> 00:02:29,320 Speaker 1: back time. Here we go. Everybody knows what time it is, right, 54 00:02:29,600 --> 00:02:31,000 Speaker 1: tip talk back time. 55 00:02:31,400 --> 00:02:34,200 Speaker 2: Hey Timmy, this is shaw we She from Los Angeles. 56 00:02:34,280 --> 00:02:35,840 Speaker 1: What a great name, shauwe She. 57 00:02:36,240 --> 00:02:39,480 Speaker 2: This is shaw we She from Los Angeles. Hello, afire team. 58 00:02:39,760 --> 00:02:41,840 Speaker 2: I'm a barber, been doing it for twenty seven years. 59 00:02:42,160 --> 00:02:44,960 Speaker 2: Check this out. Things are changing. A kid comes into 60 00:02:45,000 --> 00:02:47,680 Speaker 2: the shop, he's seventeen. He tells me, hey, man, guess what. 61 00:02:47,840 --> 00:02:50,000 Speaker 2: I just got a job and I didn't started cutting 62 00:02:49,960 --> 00:02:51,560 Speaker 2: his hair yet. I said, wait a minute, you look 63 00:02:52,200 --> 00:02:54,040 Speaker 2: like that, and you've been in and got a job 64 00:02:54,080 --> 00:02:56,920 Speaker 2: and I hired you yesterday, and your hair looks like 65 00:02:57,000 --> 00:03:00,440 Speaker 2: crap and your face looks like the grizzly bear. Yeah, 66 00:03:00,480 --> 00:03:03,239 Speaker 2: things are a changing him. Things are a changing. 67 00:03:03,440 --> 00:03:08,000 Speaker 1: You know what, You're exactly right. I love this Dude's 68 00:03:08,800 --> 00:03:10,720 Speaker 1: that guy knows how it cuts some hair. This is 69 00:03:11,400 --> 00:03:14,600 Speaker 1: from Okay. I'm telling you that guy's right. And I 70 00:03:14,680 --> 00:03:18,280 Speaker 1: know because when I used to when I started here. 71 00:03:19,320 --> 00:03:22,200 Speaker 1: Robin Berdlucci, the program director, said, do you have anybody 72 00:03:22,240 --> 00:03:24,760 Speaker 1: in mine for a boardop? And I said, yeah, there's 73 00:03:24,800 --> 00:03:27,000 Speaker 1: a guy named Randy Wang. Who's not the real name, 74 00:03:27,000 --> 00:03:30,520 Speaker 1: it's Ryan Wong, but Randy Wang is a great board up. 75 00:03:31,800 --> 00:03:34,200 Speaker 1: And she said, oh, I'd love to meet him Friday 76 00:03:34,360 --> 00:03:36,320 Speaker 1: at noon. And I said, okay, I'll put that together. 77 00:03:36,360 --> 00:03:40,160 Speaker 1: I'll make sure he's here. So Friday comes around, Randy 78 00:03:40,200 --> 00:03:47,640 Speaker 1: comes in and he's wearing flip flops, no socks, cut 79 00:03:47,640 --> 00:03:51,240 Speaker 1: off shorts that he did himself. He could almost see 80 00:03:51,280 --> 00:04:00,840 Speaker 1: his ball, a T shirt with a hole and some 81 00:04:00,960 --> 00:04:08,120 Speaker 1: stains like he's just ate in his car, stains, visible stains. 82 00:04:09,800 --> 00:04:12,800 Speaker 1: And he comes in my office and I said, what 83 00:04:12,840 --> 00:04:15,280 Speaker 1: are you doing? He goes, I'm meeting with Robin. I'm like, no, no, no, no, 84 00:04:15,320 --> 00:04:17,800 Speaker 1: you're not, buddy. You got to go home, and you 85 00:04:17,880 --> 00:04:19,800 Speaker 1: got to put some clothes on you and get some 86 00:04:19,880 --> 00:04:23,039 Speaker 1: shoes and take that shirt off. He has, no, Buddy, 87 00:04:23,040 --> 00:04:24,359 Speaker 1: I don't have time to do that. I'm just going 88 00:04:24,440 --> 00:04:26,120 Speaker 1: to go in there and meet with her. So he 89 00:04:26,200 --> 00:04:30,159 Speaker 1: goes in. I see the door close and I start sweating. 90 00:04:30,760 --> 00:04:33,440 Speaker 1: I'm brand new here, and she thinks I'm bringing in 91 00:04:34,000 --> 00:04:38,479 Speaker 1: this drek these guy who you know, dressed like he's uh, 92 00:04:38,960 --> 00:04:42,080 Speaker 1: you know, like he's in summer camp when he's twelve. 93 00:04:42,960 --> 00:04:46,440 Speaker 1: So he comes out of the meeting and I said, 94 00:04:46,600 --> 00:04:49,320 Speaker 1: in this exact voice, I said, well, how did that go? 95 00:04:50,720 --> 00:04:56,440 Speaker 1: And he said these exact words, nailed it. She loved me. 96 00:04:58,640 --> 00:05:02,720 Speaker 1: Nailed it, she loved me. You know there's something to that, buddy. 97 00:05:03,240 --> 00:05:06,359 Speaker 1: I have never said that about anything in my life. 98 00:05:08,839 --> 00:05:11,720 Speaker 1: I've had a hundred job interviews, and I've always come 99 00:05:11,760 --> 00:05:13,800 Speaker 1: out of there going well, at least I came in 100 00:05:13,800 --> 00:05:14,400 Speaker 1: for the interview. 101 00:05:14,480 --> 00:05:17,240 Speaker 3: I think almost every job I've ever gone for did 102 00:05:17,279 --> 00:05:19,720 Speaker 3: not get Yeah, I'm the same way. 103 00:05:19,760 --> 00:05:22,760 Speaker 1: I just I dressed nice, right, But I never ever 104 00:05:22,839 --> 00:05:25,480 Speaker 1: came out of any job interviewing and say, oh, I 105 00:05:25,560 --> 00:05:27,599 Speaker 1: nailed that. She he loves me, she loves me? What 106 00:05:27,680 --> 00:05:27,839 Speaker 1: is it? 107 00:05:27,839 --> 00:05:29,599 Speaker 3: They always say, it's just like act like you don't 108 00:05:29,600 --> 00:05:31,000 Speaker 3: want it, and they'll beg you to take that. 109 00:05:31,080 --> 00:05:34,080 Speaker 1: That's yeah, what they say when actors go on auditions. Yeah. 110 00:05:34,120 --> 00:05:35,800 Speaker 1: And you know what they also say, if you want 111 00:05:35,839 --> 00:05:39,560 Speaker 1: a job, go in there currently employed, Yeah, and they'll 112 00:05:39,600 --> 00:05:39,839 Speaker 1: want it. 113 00:05:39,839 --> 00:05:41,440 Speaker 3: Always easier to get a job when you have one. 114 00:05:41,520 --> 00:05:46,320 Speaker 1: Yeah, that's right, that's right, man, oh man, nailed it. 115 00:05:46,600 --> 00:05:52,080 Speaker 1: She loved me. God a mighty talk back time, Yo, 116 00:05:52,320 --> 00:05:53,560 Speaker 1: Tim Conway Junior. 117 00:05:53,839 --> 00:05:56,840 Speaker 4: Isn't it you in a short sleeve shirt on KFI? 118 00:05:57,279 --> 00:05:57,640 Speaker 1: That's right? 119 00:05:57,800 --> 00:05:58,680 Speaker 4: Pictures, that's right. 120 00:05:58,800 --> 00:06:00,240 Speaker 5: I believe it is right. 121 00:06:01,080 --> 00:06:02,400 Speaker 1: That's right. I'll tell you what's up with that. 122 00:06:03,160 --> 00:06:03,680 Speaker 2: I brought. 123 00:06:03,880 --> 00:06:09,560 Speaker 1: I brought four shirts in. My boss said, bring a 124 00:06:09,600 --> 00:06:12,400 Speaker 1: host of shirts in, and I brought four shirts in, 125 00:06:12,839 --> 00:06:16,599 Speaker 1: and the photographer and my boss picked the shirt that 126 00:06:16,680 --> 00:06:19,120 Speaker 1: I was wearing. I had nothing to do with it. 127 00:06:19,160 --> 00:06:21,560 Speaker 1: I brought four They said, please wear this one. I 128 00:06:21,640 --> 00:06:24,600 Speaker 1: put it on because I work for them. But I 129 00:06:24,600 --> 00:06:27,360 Speaker 1: would have been much more comfortable in a long sleeve shirt. 130 00:06:28,520 --> 00:06:30,720 Speaker 1: But that guy's got a good eye to nail that. 131 00:06:31,320 --> 00:06:34,760 Speaker 1: And look, that's hypocritical. I get that. But we're all hypocrites. 132 00:06:35,520 --> 00:06:38,720 Speaker 1: I admit that. I bet I could nail ten things 133 00:06:38,760 --> 00:06:41,279 Speaker 1: that I've said in the past that I believe the 134 00:06:41,320 --> 00:06:46,000 Speaker 1: exact opposite. Now we're all walking hypocrites, all of us. 135 00:06:46,520 --> 00:06:49,440 Speaker 1: Sometimes we had nailed for it. Sometimes we skate, but 136 00:06:49,480 --> 00:06:52,480 Speaker 1: we're all hypocrites. Talk back Toime. 137 00:06:52,760 --> 00:06:54,880 Speaker 6: This is SI gold Bloom. 138 00:06:54,839 --> 00:06:56,680 Speaker 1: Si gold Bloom, what a name. 139 00:06:57,040 --> 00:07:00,240 Speaker 6: I like Specialist City so much. I bought the company 140 00:07:00,400 --> 00:07:01,000 Speaker 6: ding Dong. 141 00:07:00,960 --> 00:07:02,800 Speaker 1: With you, Tim Conway, Wait, what did he buy? 142 00:07:03,400 --> 00:07:05,080 Speaker 6: I like Specialist City so much. 143 00:07:04,960 --> 00:07:07,400 Speaker 1: Smashless City, but is it Spatuliss City. 144 00:07:07,480 --> 00:07:10,240 Speaker 6: Spatuless City like Spachealist City so much. 145 00:07:10,320 --> 00:07:13,480 Speaker 1: It is bateless city. Is there a company called Spatuless City. 146 00:07:14,120 --> 00:07:18,560 Speaker 1: Let's find out what they do? Y, I bet it's 147 00:07:18,560 --> 00:07:21,119 Speaker 1: a production company. Spatuless City. 148 00:07:21,160 --> 00:07:24,280 Speaker 6: I like Spacheleist City so much. I bought the company 149 00:07:24,480 --> 00:07:26,280 Speaker 6: ding Dong with you, Tim Conway Junior. 150 00:07:26,280 --> 00:07:29,440 Speaker 1: All right, let's find out what that is Jankovic reference. 151 00:07:30,320 --> 00:07:37,080 Speaker 1: Oh maybe huh uh yeah, it's from the his movie 152 00:07:37,160 --> 00:07:40,760 Speaker 1: U hf oh Spatuless City. Oh yeah, yeah, okay, right, yeah, 153 00:07:40,360 --> 00:07:45,240 Speaker 1: uh yeah, it's the parody A commercial features thousands of 154 00:07:45,280 --> 00:07:49,160 Speaker 1: Spatulists in every shape and color. Okay, all right, do 155 00:07:49,160 --> 00:07:54,680 Speaker 1: you cut? What else? You cut? Deep cut? What? 156 00:07:55,040 --> 00:07:57,520 Speaker 3: It's a deep cut? It's an obscure reference? 157 00:07:57,680 --> 00:07:59,800 Speaker 1: Yeah? Oh I see, okay, God, I didn't even get 158 00:07:59,840 --> 00:08:00,520 Speaker 1: that reference. 159 00:08:02,280 --> 00:08:02,680 Speaker 4: Do you cut? 160 00:08:02,720 --> 00:08:03,040 Speaker 7: You cut? 161 00:08:03,120 --> 00:08:11,400 Speaker 1: I'm three references behind, bam, I can't even get that reference. 162 00:08:11,840 --> 00:08:15,400 Speaker 1: I'm like the you know, Michael shaped, Michael Astrahan agree 163 00:08:15,440 --> 00:08:18,880 Speaker 1: with you on that? I guess you do all right 164 00:08:18,960 --> 00:08:21,760 Speaker 1: ding dong with that guy talkback time. 165 00:08:22,040 --> 00:08:24,680 Speaker 8: Hey, Tim, I have an absolutely true story for you. 166 00:08:25,120 --> 00:08:27,360 Speaker 8: My mom used to work at the Broadway. She worked 167 00:08:27,360 --> 00:08:30,360 Speaker 8: at the one in Westchester, and they had to wear dresses. 168 00:08:31,000 --> 00:08:35,240 Speaker 8: And the manager of the Broadway facetiously said, when we 169 00:08:35,320 --> 00:08:37,880 Speaker 8: put a man on the moon, you girls can start 170 00:08:37,920 --> 00:08:38,559 Speaker 8: wearing pants. 171 00:08:38,600 --> 00:08:39,280 Speaker 1: Oh that's great. 172 00:08:40,080 --> 00:08:41,720 Speaker 2: Well, I guess you know what happened. 173 00:08:42,440 --> 00:08:46,040 Speaker 1: And that's a true story. Yeah. They lie good, they do. 174 00:08:46,360 --> 00:08:49,160 Speaker 1: So the women lie about wearing dresses you because they 175 00:08:49,200 --> 00:08:52,440 Speaker 1: lied about putting a guy in the moon them. I 176 00:08:52,480 --> 00:08:54,800 Speaker 1: watch videos, Steph foosh, don't you laugh at me. I 177 00:08:54,880 --> 00:08:58,679 Speaker 1: watch videos. All right, we're live on kf I am 178 00:08:58,720 --> 00:09:02,640 Speaker 1: six forty it is, and welcome back with more talkback time, 179 00:09:02,880 --> 00:09:04,480 Speaker 1: No no tiptap talk back time. 180 00:09:05,559 --> 00:09:09,280 Speaker 9: You're listening to Tim Conway Junior on demand from KFI 181 00:09:09,559 --> 00:09:12,120 Speaker 9: AM six forty and. 182 00:09:12,120 --> 00:09:14,720 Speaker 1: We are live. I don't know how to prove that 183 00:09:14,760 --> 00:09:18,760 Speaker 1: to you other than you can drive into Burbank on California. 184 00:09:18,880 --> 00:09:23,520 Speaker 1: Drive right near Warner Brothers Gate, number seventeen, and if 185 00:09:23,520 --> 00:09:25,680 Speaker 1: you look south, you can see us in the window 186 00:09:26,440 --> 00:09:28,400 Speaker 1: and flash a light at us. So we'll wave to you. 187 00:09:28,400 --> 00:09:32,160 Speaker 1: We'll give you a shout out, just please don't shoot us. 188 00:09:32,600 --> 00:09:36,160 Speaker 1: Don't shoot and kill us. There is pretty thick glass there. 189 00:09:36,160 --> 00:09:38,880 Speaker 1: It might defend you know, it might deflect some weapons. 190 00:09:38,880 --> 00:09:43,839 Speaker 1: But please behave all right, let's get right back into it. 191 00:09:43,840 --> 00:09:47,719 Speaker 1: It is tip tap time on kfive. 192 00:09:48,080 --> 00:09:53,199 Speaker 10: Tip to May, Yes sesteen Carlsbad, North County Baby to 193 00:09:53,360 --> 00:09:57,400 Speaker 10: Ma in the house. Anyway you rock to May more 194 00:09:57,440 --> 00:09:59,840 Speaker 10: than Kid Rock, Chris Rock and Bob Rock. 195 00:10:00,080 --> 00:10:05,640 Speaker 1: Anyway your angel and hell your thing? Does that mean 196 00:10:05,760 --> 00:10:10,640 Speaker 1: big pension? He's got a big pension angel, take note. 197 00:10:11,000 --> 00:10:12,280 Speaker 1: Let's get that pension rolling. 198 00:10:14,960 --> 00:10:16,840 Speaker 10: Although I don't get until I die, so that could 199 00:10:16,840 --> 00:10:17,320 Speaker 10: be a problem. 200 00:10:17,400 --> 00:10:20,520 Speaker 1: Wait, you don't get a pensionntil you die. To me, oh, 201 00:10:21,480 --> 00:10:24,880 Speaker 1: it seems like a bad pension. Seems like uh no, 202 00:10:24,960 --> 00:10:30,040 Speaker 1: good get it after when you die life insurance. Yeah. 203 00:10:30,040 --> 00:10:32,720 Speaker 1: He probably meant like, yeah, I think you're right God 204 00:10:36,080 --> 00:10:42,439 Speaker 1: to me, this is an impression of the nikki. 205 00:10:42,679 --> 00:10:56,320 Speaker 7: To me, you okay, you do? 206 00:10:50,120 --> 00:10:58,920 Speaker 1: I guess he does. All right, let's see if he's 207 00:10:58,920 --> 00:10:59,520 Speaker 1: got a pension. 208 00:11:01,520 --> 00:11:03,880 Speaker 4: My stater brothers moved, so we don't have a state 209 00:11:03,920 --> 00:11:06,360 Speaker 4: of brothers here. So I have to go to Buriah 210 00:11:06,559 --> 00:11:08,720 Speaker 4: ask to go to our Stater Brothers. So that's my 211 00:11:08,800 --> 00:11:11,400 Speaker 4: top store, CVS and Costco. 212 00:11:11,679 --> 00:11:14,920 Speaker 1: All right, you're like me, CBS, Costco, State of Brothers. 213 00:11:14,960 --> 00:11:17,440 Speaker 1: I get that. I'm I'm I like the trifecta. 214 00:11:17,559 --> 00:11:19,680 Speaker 4: And pretty much all these stores know me as the 215 00:11:19,760 --> 00:11:20,480 Speaker 4: Dodger lady. 216 00:11:20,960 --> 00:11:22,479 Speaker 1: Wait why and pretty. 217 00:11:22,280 --> 00:11:24,720 Speaker 4: Much all these stores know me as the Dodger lady. 218 00:11:24,960 --> 00:11:26,920 Speaker 1: Hmm, I need some more? What does that mean? 219 00:11:27,280 --> 00:11:30,920 Speaker 4: They always ask me about Dodger games, who's winning, who's playing. 220 00:11:31,440 --> 00:11:37,360 Speaker 1: They don't have access to radio, TV, internet, newspapers. They're 221 00:11:37,400 --> 00:11:38,440 Speaker 1: asking you for the scores. 222 00:11:38,920 --> 00:11:41,839 Speaker 4: They always ask me about Dodger games. Who's winning? 223 00:11:41,880 --> 00:11:45,800 Speaker 1: He asked you who's winning. They're unable to obtain that information. 224 00:11:46,840 --> 00:11:51,800 Speaker 1: It's pretty out there, it is. It is very findable 225 00:11:52,280 --> 00:11:53,559 Speaker 1: to find a Dodger. 226 00:11:53,280 --> 00:11:54,840 Speaker 4: Score, who's winning, who's playing? 227 00:11:55,160 --> 00:11:57,559 Speaker 1: She must be hot where guys are asking her of 228 00:11:57,600 --> 00:12:00,360 Speaker 1: the score, you know, because if she was like a 229 00:12:00,800 --> 00:12:06,079 Speaker 1: four foot two, two eighty uh, sort of dumpy looking 230 00:12:06,120 --> 00:12:08,960 Speaker 1: with a with like a like perm. 231 00:12:08,640 --> 00:12:11,480 Speaker 11: You're describing me at the moment, I feel attacked. 232 00:12:12,320 --> 00:12:15,320 Speaker 1: I got I think I guess I was. Huh, you're 233 00:12:15,320 --> 00:12:17,840 Speaker 1: not too eighty? Don't wait? How tall are you? Nikky? 234 00:12:18,320 --> 00:12:22,120 Speaker 1: I'm petite. How tall you and a hot I didn't 235 00:12:22,120 --> 00:12:23,959 Speaker 1: know that. I think you're like five to five. No, 236 00:12:24,000 --> 00:12:26,360 Speaker 1: I'm tiny, okay, ye too small? 237 00:12:26,440 --> 00:12:27,440 Speaker 4: So yeah, I do. 238 00:12:29,920 --> 00:12:32,320 Speaker 1: Thrower back, thrower back. 239 00:12:32,360 --> 00:12:35,400 Speaker 4: So yeah, I'm the Dodger lady out here in Fullerton. 240 00:12:35,040 --> 00:12:38,520 Speaker 1: All right along with you. I like the fact that 241 00:12:38,840 --> 00:12:41,200 Speaker 1: she has got to be hot with guys going, hey, 242 00:12:41,200 --> 00:12:43,720 Speaker 1: what's the Dodger score? I see wearing a Dodger shirt. Hey, 243 00:12:44,120 --> 00:12:48,160 Speaker 1: come over here and uh, let's talk Dodger talk back. 244 00:12:48,040 --> 00:12:51,520 Speaker 5: To hey, Timmy, I heard that Redlands Bonds is closing 245 00:12:51,559 --> 00:12:54,640 Speaker 5: down because the theft is out of control. 246 00:12:54,679 --> 00:12:54,920 Speaker 2: Over it? 247 00:12:55,040 --> 00:12:57,280 Speaker 6: That one my buddy then delivers over there. He told 248 00:12:57,280 --> 00:12:57,839 Speaker 6: me that's what they. 249 00:12:57,800 --> 00:13:00,800 Speaker 1: Were telling them. All right, I'll take your word. Let's 250 00:13:00,920 --> 00:13:02,760 Speaker 1: roll tip tap talk back to. 251 00:13:04,800 --> 00:13:09,319 Speaker 2: KF I damn, this is shaou Shi from Los Angeles. 252 00:13:09,400 --> 00:13:12,080 Speaker 2: At least that's how the lady said. You're speaking about 253 00:13:12,440 --> 00:13:14,719 Speaker 2: hearing certain things on the radio, and you're remembering where 254 00:13:14,760 --> 00:13:16,760 Speaker 2: you were. I remember where I was. I was on 255 00:13:16,840 --> 00:13:20,079 Speaker 2: the one five when I heard you give the greatest 256 00:13:20,080 --> 00:13:21,920 Speaker 2: impression of Tom likeas. 257 00:13:21,600 --> 00:13:23,560 Speaker 1: Oh, is that right? Okay, I don't think it's that great, 258 00:13:23,600 --> 00:13:26,520 Speaker 1: but I'll i'll I'll have to rely on on your 259 00:13:26,720 --> 00:13:29,880 Speaker 1: you know, pretty good talented and tutor. DearS. 260 00:13:29,960 --> 00:13:32,840 Speaker 2: Please give me an impression of Tom likeas I hear 261 00:13:32,880 --> 00:13:35,480 Speaker 2: you doing it every now and then in between breaks. 262 00:13:35,480 --> 00:13:37,320 Speaker 1: But come on, that's right, ding. 263 00:13:37,280 --> 00:13:38,400 Speaker 2: Dong with that Tom like this? 264 00:13:40,320 --> 00:13:42,680 Speaker 1: All right? You got any music? And then let me 265 00:13:42,720 --> 00:13:46,920 Speaker 1: play it from You got the opening that he uses? 266 00:13:48,120 --> 00:13:48,240 Speaker 5: Uh? 267 00:13:49,000 --> 00:13:52,880 Speaker 1: You got it? Yeah, that's that's all. We're gonna try 268 00:13:52,920 --> 00:13:59,800 Speaker 1: to bang this out here. Everybody ready, from all right, 269 00:14:00,000 --> 00:14:01,320 Speaker 1: give me a minute, give me a minute? What does 270 00:14:01,360 --> 00:14:05,959 Speaker 1: that mean? It's time? Here we go. I can't do it. 271 00:14:06,080 --> 00:14:07,760 Speaker 1: I'm gonna do it. We'll do it live, all right, 272 00:14:08,040 --> 00:14:11,040 Speaker 1: let's throw we'll do it a lot, huck down, all right, 273 00:14:11,040 --> 00:14:16,520 Speaker 1: here we go. Time all right, we like it. Thank 274 00:14:16,640 --> 00:14:20,000 Speaker 1: you for tuning into the time. Like a show. 275 00:14:22,440 --> 00:14:26,920 Speaker 12: This is where America gets together to talk about. 276 00:14:26,600 --> 00:14:28,440 Speaker 1: The issues you. 277 00:14:30,920 --> 00:14:35,360 Speaker 12: Really care about. It's a different kind of a radio 278 00:14:35,480 --> 00:14:42,120 Speaker 12: talk prokra We're the radio talk show that you're not 279 00:14:42,280 --> 00:14:45,800 Speaker 12: hosted by a right wing whacker or a convict. 280 00:14:45,880 --> 00:14:50,520 Speaker 1: You mellan, no, I am your host. 281 00:14:51,920 --> 00:14:54,720 Speaker 12: Write down our telephone number. You're gonna need it. A 282 00:14:54,800 --> 00:14:56,760 Speaker 12: twenty eight hundred and five eight hundred. 283 00:14:58,560 --> 00:15:00,080 Speaker 1: Eight hundred five. 284 00:15:01,720 --> 00:15:02,200 Speaker 6: Six six. 285 00:15:02,280 --> 00:15:04,800 Speaker 12: Thank you for childing him. Thanks be part of our program. 286 00:15:05,920 --> 00:15:08,200 Speaker 12: Here we are together again on the radio. 287 00:15:10,720 --> 00:15:13,200 Speaker 1: Ah, that's it Man. That takes me back. 288 00:15:13,440 --> 00:15:13,840 Speaker 5: Yeah. 289 00:15:13,880 --> 00:15:14,920 Speaker 1: Thanks, I appreciate it. 290 00:15:15,000 --> 00:15:17,200 Speaker 3: That sounds like the later years of him to me 291 00:15:17,240 --> 00:15:17,840 Speaker 3: with his voice. 292 00:15:17,920 --> 00:15:20,200 Speaker 1: Yeah, yeah, he you know, it does a great impression, 293 00:15:20,320 --> 00:15:24,480 Speaker 1: is uh Whitman doing Tom like his and Whitman also 294 00:15:24,600 --> 00:15:29,520 Speaker 1: does an exact impression of Rick D's where like eight nine, 295 00:15:29,560 --> 00:15:33,640 Speaker 1: ten years ago, we had Whitman on doing Rick D's 296 00:15:34,120 --> 00:15:36,480 Speaker 1: and then my dad called me afterwards. He goes, oh, 297 00:15:36,480 --> 00:15:38,240 Speaker 1: it's so great to hear Rick on again. I said, 298 00:15:38,240 --> 00:15:40,960 Speaker 1: that wasn't Rick D's. That was Tom. That was Brian 299 00:15:40,960 --> 00:15:43,240 Speaker 1: Whitman doing Rick D's. Hees, no, no, no, no, that 300 00:15:43,320 --> 00:15:46,000 Speaker 1: was at the hour before he had Rick deson. I said, no, no, Dan, 301 00:15:46,080 --> 00:15:49,280 Speaker 1: I said, that was that was Brian Whitman doing an 302 00:15:49,280 --> 00:15:52,640 Speaker 1: impersonation of Rick D's. He said no, no, buddy, because 303 00:15:52,640 --> 00:15:54,680 Speaker 1: I heard it. I said, oh, Dan, I'm telling you 304 00:15:54,800 --> 00:15:58,800 Speaker 1: it's an exact impression. But he what we have to 305 00:15:58,840 --> 00:16:02,360 Speaker 1: have Whitman in some time to do his impressions. He's 306 00:16:02,400 --> 00:16:05,360 Speaker 1: like the you know, the newest rich little in America. 307 00:16:06,360 --> 00:16:09,120 Speaker 1: But Tom like is always a very decent man to me. 308 00:16:09,800 --> 00:16:14,640 Speaker 1: I remember being in Los Angeles and my wife was 309 00:16:14,640 --> 00:16:17,040 Speaker 1: out of town, my family was out of town, and 310 00:16:17,080 --> 00:16:19,800 Speaker 1: he called me because I was talking about, you know, 311 00:16:19,840 --> 00:16:24,360 Speaker 1: having Thanksgiving at home alone and didn't mind that either, 312 00:16:25,240 --> 00:16:28,760 Speaker 1: And he called me up and he said and he says, hey, 313 00:16:28,800 --> 00:16:30,160 Speaker 1: we're getting the boys together. 314 00:16:30,360 --> 00:16:33,880 Speaker 13: That's right, coming over to the house. And I was 315 00:16:33,920 --> 00:16:37,440 Speaker 13: wondering if if he wanted to combine, and. 316 00:16:37,360 --> 00:16:39,440 Speaker 1: I said, yeah, I said that'd be great. So I 317 00:16:39,440 --> 00:16:42,080 Speaker 1: went up to his house in Hollywood and he had 318 00:16:42,120 --> 00:16:44,920 Speaker 1: like thirty people there and welcomed me like I was 319 00:16:44,960 --> 00:16:48,280 Speaker 1: a family member. That's pretty cool. Yeah, that's a great 320 00:16:48,400 --> 00:16:49,840 Speaker 1: Tom like his story. 321 00:16:50,880 --> 00:16:52,520 Speaker 14: By the way, that's how I discovered you because I 322 00:16:52,600 --> 00:16:55,000 Speaker 14: used to listen to him when I got home from 323 00:16:55,040 --> 00:16:56,920 Speaker 14: school and I was just doing my homework and then 324 00:16:57,240 --> 00:16:58,840 Speaker 14: you know, the last hour was a repeat, so I 325 00:16:58,880 --> 00:17:00,520 Speaker 14: just left it on. Then you came and I was like, well, 326 00:17:00,560 --> 00:17:01,760 Speaker 14: this guy's funny too, is that right? 327 00:17:01,880 --> 00:17:05,200 Speaker 1: Yeah? You know what's great about Steph Fush. Steph Fush 328 00:17:05,280 --> 00:17:09,359 Speaker 1: is the only man I know, only man I know 329 00:17:09,920 --> 00:17:12,600 Speaker 1: who got a job here or at any radio station 330 00:17:13,359 --> 00:17:18,119 Speaker 1: by just applying to a help wanted. It isn't that 331 00:17:18,119 --> 00:17:18,840 Speaker 1: crazy story. 332 00:17:19,400 --> 00:17:22,120 Speaker 14: That's why when I got the email from Oscar, I thought, oh, 333 00:17:22,200 --> 00:17:23,200 Speaker 14: this has got to be spammed. 334 00:17:23,240 --> 00:17:23,800 Speaker 1: This isn't real. 335 00:17:24,200 --> 00:17:26,280 Speaker 14: But I couldn't take that chance. And then he replied, 336 00:17:26,280 --> 00:17:28,960 Speaker 14: and I'm like, oh, this is a real thing. That's great. Yeah, 337 00:17:29,080 --> 00:17:32,560 Speaker 14: and you had an interview yep. And I'm like that 338 00:17:32,840 --> 00:17:36,640 Speaker 14: other guy that Showishi whatever. I came in with slacks, 339 00:17:36,880 --> 00:17:39,080 Speaker 14: stress shirt, stress shoes, everything. 340 00:17:38,720 --> 00:17:45,840 Speaker 1: And you walked out saying nailed it. That's classic. 341 00:17:45,960 --> 00:17:49,040 Speaker 3: I almost was like US's board op over there when 342 00:17:49,040 --> 00:17:51,040 Speaker 3: he left here, when he was when he's blown out 343 00:17:51,040 --> 00:17:51,320 Speaker 3: of here? 344 00:17:51,440 --> 00:17:51,880 Speaker 13: Is that right? 345 00:17:51,960 --> 00:17:52,160 Speaker 5: Yeah? 346 00:17:52,200 --> 00:17:54,520 Speaker 3: He called me up actually, and then I went over 347 00:17:54,560 --> 00:17:56,280 Speaker 3: an interview with him, and that was another job. 348 00:17:56,160 --> 00:17:56,520 Speaker 1: That I can get. 349 00:17:56,560 --> 00:17:59,240 Speaker 13: Well, you could have been a front with Gary and 350 00:17:59,160 --> 00:18:05,280 Speaker 13: and yes I love those two. But you know at 351 00:18:05,480 --> 00:18:09,240 Speaker 13: uh Krozy, I remember I think you had Jen had 352 00:18:09,280 --> 00:18:11,560 Speaker 13: her your balls and her purse is all right? 353 00:18:12,760 --> 00:18:17,080 Speaker 1: I forgot about Slash Friday, Lash Roddy's dur those lights 354 00:18:17,119 --> 00:18:19,960 Speaker 1: on boys and girls. You know what to do. 355 00:18:20,840 --> 00:18:24,560 Speaker 9: You're listening to Tim Conway Junior on demand from KFI 356 00:18:24,840 --> 00:18:27,680 Speaker 9: AM six forty Tip. 357 00:18:27,440 --> 00:18:31,640 Speaker 1: Tap Tom, here we go. Dere tip time. 358 00:18:32,720 --> 00:18:35,840 Speaker 15: Amber's Chicken, Man, I love that place. Yeah. 359 00:18:35,880 --> 00:18:38,200 Speaker 1: I worked at Ambers Chick when I was fifteen years old, 360 00:18:38,280 --> 00:18:40,840 Speaker 1: one on Woodman, and then I was transferred to the 361 00:18:40,880 --> 00:18:44,440 Speaker 1: one on Burbank and Balboa, right across from Balboa Park. 362 00:18:44,720 --> 00:18:46,760 Speaker 15: At least go there all the time. 363 00:18:47,000 --> 00:18:48,879 Speaker 1: Oh God, working Blue tonight. 364 00:18:49,040 --> 00:18:51,040 Speaker 15: And you probably worked there when I went in there, 365 00:18:51,440 --> 00:18:54,560 Speaker 15: probably just curious. Did you ever hang out at Balboa Park? 366 00:18:54,760 --> 00:18:54,920 Speaker 5: Yes? 367 00:18:55,040 --> 00:18:56,720 Speaker 1: Played flag football at Balboa Park. 368 00:18:56,920 --> 00:18:59,800 Speaker 15: Do you remember the night that lapd came out there 369 00:18:59,800 --> 00:19:00,560 Speaker 15: on horseback. 370 00:19:00,640 --> 00:19:03,000 Speaker 1: Yeah, and they rested like eighty people and all the. 371 00:19:02,880 --> 00:19:07,320 Speaker 15: News crews were there. That place was great during the eighties. Man, 372 00:19:07,920 --> 00:19:08,920 Speaker 15: we had a lot. 373 00:19:08,800 --> 00:19:12,200 Speaker 1: Of fun guys working Blue again, We. 374 00:19:12,200 --> 00:19:16,160 Speaker 15: Had a lot of fun anyway, all right, Ding done 375 00:19:16,200 --> 00:19:18,359 Speaker 15: with that dude, Talk back time. 376 00:19:18,720 --> 00:19:24,760 Speaker 16: This is Chris from Lakewood ding Dong roller coaster thing 377 00:19:24,880 --> 00:19:28,159 Speaker 16: that's outside of the grocery store that you were talking 378 00:19:28,160 --> 00:19:32,159 Speaker 16: about earlier. The movie that you guys were talking about 379 00:19:32,359 --> 00:19:37,160 Speaker 16: is called Career Opportunities. Talk for now, good evening. 380 00:19:37,320 --> 00:19:39,440 Speaker 1: Late, great knowledge? What do you say later? 381 00:19:39,600 --> 00:19:39,800 Speaker 16: Late? 382 00:19:40,040 --> 00:19:45,520 Speaker 1: Late? Okay, great knowledge, great knowledge, great audience, very smart listeners. 383 00:19:45,560 --> 00:19:46,280 Speaker 1: Talk back time. 384 00:19:46,560 --> 00:19:50,680 Speaker 5: This is a shout out for Angel Martinez. Girl, you are, 385 00:19:51,119 --> 00:19:55,119 Speaker 5: You're just a bundle of energy, positive energy doing the 386 00:19:55,160 --> 00:20:04,040 Speaker 5: work at Laguna Miguel Manana. The work at Laguna Miguel Manana. 387 00:20:04,480 --> 00:20:11,240 Speaker 5: He Solomar Beach, Jesus for Solar Mode, Solomar Beach. This 388 00:20:11,320 --> 00:20:15,760 Speaker 5: guy's never gonna find Angel this weekend on Sunday. You 389 00:20:15,800 --> 00:20:17,720 Speaker 5: know what, I hope you can get a couple hours 390 00:20:17,720 --> 00:20:20,399 Speaker 5: of sleep in there, but I hope you're very successful 391 00:20:20,400 --> 00:20:23,280 Speaker 5: in your sales. And I'm sure that everybody is gonna 392 00:20:23,280 --> 00:20:24,479 Speaker 5: win with your smile. 393 00:20:24,720 --> 00:20:24,880 Speaker 2: Ah. 394 00:20:25,080 --> 00:20:28,200 Speaker 1: That guy's got to have a pension, the Angels looking 395 00:20:28,200 --> 00:20:31,159 Speaker 1: for a guy with a pension. Doesn't matter what you 396 00:20:31,240 --> 00:20:33,359 Speaker 1: have other than the pension, but it's got to be 397 00:20:33,400 --> 00:20:35,719 Speaker 1: a decent one, some kind of union pension. 398 00:20:37,920 --> 00:20:39,399 Speaker 2: He damn, don't forget. 399 00:20:39,440 --> 00:20:41,120 Speaker 1: I can from Canada too. 400 00:20:41,440 --> 00:20:49,200 Speaker 2: And you're a winner, mister Timmy. 401 00:20:50,080 --> 00:20:52,439 Speaker 7: When you were talking about the best of Canada that 402 00:20:52,480 --> 00:20:57,040 Speaker 7: we have, you left out the great great Wayne Gretzky 403 00:20:57,560 --> 00:21:00,159 Speaker 7: mentioned he left out Canadian whisk. 404 00:21:00,240 --> 00:21:02,240 Speaker 1: I left out Canadian whiskey. You're right, they do it 405 00:21:02,320 --> 00:21:07,640 Speaker 1: make some great whiskey in Canadian bacon. Okay, Canadian bacon. 406 00:21:08,520 --> 00:21:13,880 Speaker 1: I like Canadian bacon. On pizza. But it's just it's 407 00:21:13,920 --> 00:21:18,720 Speaker 1: just Ham's. Yeah, it's ham, and they've been trying to 408 00:21:18,760 --> 00:21:21,480 Speaker 1: sell it for years that for you know, eighty dollars 409 00:21:21,560 --> 00:21:23,760 Speaker 1: a pound instead of four dollars a pound by calling 410 00:21:23,800 --> 00:21:28,040 Speaker 1: it Canadian bacon. It's ham, which is what they call it. 411 00:21:28,240 --> 00:21:34,280 Speaker 1: That's right, It's just ham and Canadian bacon. Ham talk 412 00:21:34,320 --> 00:21:35,520 Speaker 1: about damn Mike. 413 00:21:36,840 --> 00:21:39,760 Speaker 2: We always have to win in the USA. 414 00:21:40,080 --> 00:21:41,840 Speaker 1: I don't care about Canadia. 415 00:21:41,920 --> 00:21:45,439 Speaker 3: Yes, I don't care about the rest of the world 416 00:21:45,480 --> 00:21:46,560 Speaker 3: and their feelings. 417 00:21:46,840 --> 00:21:48,679 Speaker 2: I care about the USA. 418 00:21:49,119 --> 00:21:52,920 Speaker 1: Yeah, you go, girl. You know this is a man 419 00:21:52,960 --> 00:21:56,879 Speaker 1: after my heart. This is the reason America is different 420 00:21:56,880 --> 00:22:01,800 Speaker 1: from every other country in the world is we absolutely 421 00:22:01,960 --> 00:22:06,679 Speaker 1: need and love winners. We don't remember who came in 422 00:22:06,760 --> 00:22:09,480 Speaker 1: second in the Kentucky Derby. We don't remember who came 423 00:22:09,520 --> 00:22:13,240 Speaker 1: in second or third or fourth place in anything. On Sunday, 424 00:22:13,520 --> 00:22:16,639 Speaker 1: if you come in second or third place in the Oscars, 425 00:22:17,040 --> 00:22:20,480 Speaker 1: people will have no idea who you are. But the 426 00:22:20,560 --> 00:22:25,560 Speaker 1: winner we'll all know the winners. We love winners in 427 00:22:25,600 --> 00:22:31,280 Speaker 1: this country. We are driven by pigs like ourselves that 428 00:22:31,400 --> 00:22:33,399 Speaker 1: we just need to win and win and win and 429 00:22:33,440 --> 00:22:36,280 Speaker 1: win and scratch and claw and fight and win. That's 430 00:22:36,320 --> 00:22:40,680 Speaker 1: what we do as a country that separates us from Canadians. 431 00:22:40,960 --> 00:22:43,159 Speaker 1: Canadians are like, yeah, we'll take it or leave it. 432 00:22:43,520 --> 00:22:45,879 Speaker 1: But in America, we got to win. And if we 433 00:22:45,960 --> 00:22:48,960 Speaker 1: don't win, we're going to replace the manager in sports, 434 00:22:49,119 --> 00:22:51,720 Speaker 1: we're going to replace the CEO, or we're gonna place 435 00:22:51,760 --> 00:22:54,879 Speaker 1: the you know, replace the whoever. But we've got to 436 00:22:54,920 --> 00:22:58,800 Speaker 1: win in this country. And we were never ever We 437 00:22:58,840 --> 00:23:01,200 Speaker 1: never get tired of winning, and we never get enough 438 00:23:01,240 --> 00:23:05,240 Speaker 1: of it. We love winners. 439 00:23:05,280 --> 00:23:08,639 Speaker 2: In the movie that Neil is talking about is Career 440 00:23:08,680 --> 00:23:11,640 Speaker 2: Opportunities and the actress is Jennifer Connolly. 441 00:23:11,960 --> 00:23:15,040 Speaker 1: Okay, I will take your word for it. Ding dong 442 00:23:15,119 --> 00:23:19,880 Speaker 1: with you. We continue with Tip Tap Time talk back. 443 00:23:22,000 --> 00:23:26,440 Speaker 17: After hearing Tim sing minute work last night. 444 00:23:26,400 --> 00:23:28,600 Speaker 1: Oh yeah, with all the I knew every lyric, isn't 445 00:23:28,600 --> 00:23:28,960 Speaker 1: that cool? 446 00:23:29,160 --> 00:23:30,800 Speaker 17: I think you got to have a new segment. 447 00:23:30,840 --> 00:23:34,040 Speaker 1: It's called Oh, it's called Conway knows all the lyrics? 448 00:23:34,160 --> 00:23:36,320 Speaker 1: Is that the name of the segment? Okay, all right, 449 00:23:36,880 --> 00:23:38,439 Speaker 1: I think that's we can do that. 450 00:23:38,560 --> 00:23:40,800 Speaker 2: Tim singing songs from the eighties that. 451 00:23:40,880 --> 00:23:43,200 Speaker 1: He okay, singing songs from the ages that he knows 452 00:23:43,240 --> 00:23:45,200 Speaker 1: all the lyrics. I love this idea. 453 00:23:44,920 --> 00:23:47,800 Speaker 17: Tim singing songs from the eighties that he thinks he 454 00:23:47,920 --> 00:23:48,800 Speaker 17: knows the lyrics too. 455 00:23:49,119 --> 00:23:53,280 Speaker 1: How dare you? How dare you? 456 00:23:53,640 --> 00:23:58,240 Speaker 17: Because Tim, I know those lyrics, and he knew that's right. 457 00:23:58,280 --> 00:24:00,840 Speaker 17: I know them all the lyrics, and everybody knows all 458 00:24:00,840 --> 00:24:04,479 Speaker 17: the lyrics. But then, Tim, how dare you didn't know 459 00:24:04,520 --> 00:24:07,280 Speaker 17: the layers? How you didn't know the lyrics? I know 460 00:24:07,320 --> 00:24:08,359 Speaker 17: those lyrics. 461 00:24:08,480 --> 00:24:11,520 Speaker 1: I love those guys, those men at work, those men working. 462 00:24:11,640 --> 00:24:12,000 Speaker 1: I like this. 463 00:24:14,000 --> 00:24:18,480 Speaker 18: Yeah, Timmy grumpa here, I've got to tell you this. 464 00:24:18,640 --> 00:24:22,600 Speaker 18: Southern California driving, it's quiet experience. 465 00:24:22,240 --> 00:24:25,000 Speaker 1: Yeah, kind of very courteous drivers. Huh. 466 00:24:25,040 --> 00:24:28,440 Speaker 18: Why is it they won't let you merge onto the freeway. 467 00:24:28,720 --> 00:24:33,240 Speaker 18: They're behind you, traffic clears, they get over, and then 468 00:24:33,280 --> 00:24:36,560 Speaker 18: instead of letting you over, they speed up and block 469 00:24:36,680 --> 00:24:38,400 Speaker 18: you in and you can't get over. 470 00:24:38,840 --> 00:24:40,040 Speaker 6: I don't know. 471 00:24:40,760 --> 00:24:44,080 Speaker 1: It happens all the time, and it drives me crazy 472 00:24:44,680 --> 00:24:47,760 Speaker 1: all the time. Although I would like to see more 473 00:24:48,400 --> 00:24:51,560 Speaker 1: waves from the people coming on to the freeway, because 474 00:24:51,560 --> 00:24:54,840 Speaker 1: we already have our group. You know, we're in a 475 00:24:54,880 --> 00:24:57,840 Speaker 1: traveling group and we've traveled maybe ten or fifteen miles, 476 00:24:57,840 --> 00:24:59,639 Speaker 1: and you sort of you know, know the people around 477 00:24:59,680 --> 00:25:01,680 Speaker 1: you because they're going about the same speed. And then 478 00:25:01,720 --> 00:25:03,919 Speaker 1: a new guy comes in and he gets into our 479 00:25:03,960 --> 00:25:08,160 Speaker 1: traveling group and he doesn't wave thank you. No, no, no, no. 480 00:25:08,280 --> 00:25:10,919 Speaker 1: You got to have the wave. Anytime you change lanes 481 00:25:11,160 --> 00:25:13,439 Speaker 1: when it's traffic and a guy lets you in, you 482 00:25:13,520 --> 00:25:15,240 Speaker 1: got to put your hand out and give him the hey, 483 00:25:15,480 --> 00:25:18,080 Speaker 1: thanks man, and you wave until he waves back. 484 00:25:18,480 --> 00:25:18,600 Speaker 16: Oh. 485 00:25:19,200 --> 00:25:20,239 Speaker 1: I think Crove mentioned it. 486 00:25:20,400 --> 00:25:23,760 Speaker 14: I always want to get that that two finger salute 487 00:25:23,800 --> 00:25:25,560 Speaker 14: from the motorcycles and you let him over. 488 00:25:25,720 --> 00:25:27,520 Speaker 1: Yes, it feels so cool. 489 00:25:27,680 --> 00:25:27,960 Speaker 5: It does. 490 00:25:28,359 --> 00:25:31,320 Speaker 1: But sometimes they're too fat, you know, they're they're too busy, Yeah, 491 00:25:31,560 --> 00:25:34,040 Speaker 1: trying to keep their uh you know, their sidecar. 492 00:25:34,240 --> 00:25:35,320 Speaker 3: Please keep your hands on. 493 00:25:37,960 --> 00:25:39,600 Speaker 1: Yeah, that is nice to get the wave from the 494 00:25:39,960 --> 00:25:43,440 Speaker 1: motorcycle guy, you know, the two fingers. Hey, thanks man, Thanks, 495 00:25:43,560 --> 00:25:44,040 Speaker 1: thanks buddy. 496 00:25:44,119 --> 00:25:44,280 Speaker 6: Yeah. 497 00:25:44,320 --> 00:25:46,080 Speaker 1: As he turns around to thank you, he does a 498 00:25:46,080 --> 00:25:49,160 Speaker 1: cartwheel into a gas truck. You're like, oh, that didn't 499 00:25:49,160 --> 00:25:50,639 Speaker 1: work out, did it all? 500 00:25:50,680 --> 00:25:50,800 Speaker 15: Right? 501 00:25:50,840 --> 00:25:53,640 Speaker 1: Were live on KFIM six forty more tip Tech talk 502 00:25:53,760 --> 00:25:56,000 Speaker 1: back when we come back. 503 00:25:56,800 --> 00:26:00,439 Speaker 9: You're listening to Tim Conway Junior on Demyl from kf 504 00:26:00,480 --> 00:26:01,840 Speaker 9: I AM six forty. 505 00:26:03,359 --> 00:26:06,679 Speaker 1: Stephans, this might have been your best night with music. 506 00:26:07,480 --> 00:26:09,600 Speaker 1: Thanks man, Yeah, I think you really knocked it out 507 00:26:09,640 --> 00:26:12,600 Speaker 1: by him. Appreciate it. All right, Let's get right back 508 00:26:12,640 --> 00:26:16,760 Speaker 1: into some talk back time, tipcap. 509 00:26:16,400 --> 00:26:20,720 Speaker 3: Time the movie that Neil is talking about. 510 00:26:21,080 --> 00:26:22,359 Speaker 1: You did that one, all right, Let's move on to 511 00:26:22,400 --> 00:26:23,600 Speaker 1: the next one, the next load. 512 00:26:24,520 --> 00:26:29,119 Speaker 5: Here we go, Timmy, I hope that you are proud 513 00:26:29,160 --> 00:26:34,879 Speaker 5: to have the best Kiwi Ausy personnel on the radio 514 00:26:35,320 --> 00:26:37,520 Speaker 5: working for you on your staff. 515 00:26:37,800 --> 00:26:40,040 Speaker 1: Wow, what are you coincidence? He left that one in 516 00:26:40,160 --> 00:26:42,880 Speaker 1: Nikki checks in the mail? Congratulations? 517 00:26:42,920 --> 00:26:47,399 Speaker 5: This woman does so many wonderful things I can tell 518 00:26:47,800 --> 00:26:50,560 Speaker 5: just by listening to her, and of course she would 519 00:26:50,560 --> 00:26:54,120 Speaker 5: tell me, yes, you're right, sir. Anyways, I just wanted 520 00:26:54,160 --> 00:26:58,440 Speaker 5: to give a thumbs up to Nicky and Timmy ding. 521 00:26:58,800 --> 00:27:01,520 Speaker 1: Ding wrong with you? That's my dad? Is that? 522 00:27:01,560 --> 00:27:01,840 Speaker 5: Really? 523 00:27:04,160 --> 00:27:05,960 Speaker 1: Does your dad have an Australian accent? 524 00:27:06,119 --> 00:27:08,560 Speaker 11: Yeah, he's not born in Australia, but he's got an 525 00:27:08,560 --> 00:27:09,240 Speaker 11: ase accent. 526 00:27:09,640 --> 00:27:12,800 Speaker 1: And how many years generations you go back in Australia 527 00:27:12,840 --> 00:27:13,720 Speaker 1: you go back to prisoners. 528 00:27:13,840 --> 00:27:16,560 Speaker 11: No, I'm the first, really, and my brothers are the first. 529 00:27:16,680 --> 00:27:19,040 Speaker 1: Gin is that right? Where was your dad born? 530 00:27:19,359 --> 00:27:23,240 Speaker 11: He was born in Italy? But he's not Italian, all right, 531 00:27:23,320 --> 00:27:26,600 Speaker 11: but it's he what's his herdage? He's born without papers, 532 00:27:26,600 --> 00:27:28,000 Speaker 11: but he should have been German. 533 00:27:28,280 --> 00:27:31,439 Speaker 1: Okay. What about your mom Kiwi New Zealand? All right, 534 00:27:31,680 --> 00:27:34,360 Speaker 1: that's cool, all right? And does she go back to prisoners? 535 00:27:35,119 --> 00:27:35,359 Speaker 2: No? 536 00:27:35,840 --> 00:27:36,080 Speaker 1: No? 537 00:27:36,920 --> 00:27:37,840 Speaker 11: Eastern European? 538 00:27:38,320 --> 00:27:40,800 Speaker 1: Oh okay, all right, all right, Well, welcome to the 539 00:27:40,880 --> 00:27:41,399 Speaker 1: United States. 540 00:27:41,400 --> 00:27:42,119 Speaker 11: Thanks for having me. 541 00:27:42,200 --> 00:27:45,240 Speaker 1: You got it, cruise. 542 00:27:45,640 --> 00:27:46,960 Speaker 8: You know you're writing a book. 543 00:27:47,000 --> 00:27:48,600 Speaker 6: Man, forget the book. You got to do. 544 00:27:48,560 --> 00:27:52,639 Speaker 1: A movie, man, group of your dad doing drugs and 545 00:27:53,040 --> 00:27:56,359 Speaker 1: move over here and sleep in a tree working on 546 00:27:56,440 --> 00:27:59,919 Speaker 1: some leading drug. Almighty, this guy does your whole life everything. 547 00:28:00,320 --> 00:28:03,320 Speaker 1: That's incredible. I mean, you don't talk about that often, 548 00:28:03,880 --> 00:28:06,159 Speaker 1: so you had to have been listening for years and 549 00:28:06,240 --> 00:28:11,199 Speaker 1: retain all that. Yeah, right, that's wild. Uh worked on 550 00:28:11,280 --> 00:28:15,200 Speaker 1: a bold Now you drove an at Wheeler. 551 00:28:15,800 --> 00:28:17,920 Speaker 16: Man, who's gonna play you in the movie? 552 00:28:18,920 --> 00:28:20,560 Speaker 8: I don't watch it? 553 00:28:21,200 --> 00:28:22,600 Speaker 1: Yeah, who would play you in the movie? 554 00:28:24,840 --> 00:28:25,520 Speaker 11: Great caneer? 555 00:28:26,600 --> 00:28:27,640 Speaker 1: Great Caneer is not bad? 556 00:28:27,960 --> 00:28:29,400 Speaker 3: I've never heard that one. That's fun. 557 00:28:29,480 --> 00:28:31,600 Speaker 1: Yeah, great canear? Who would you say? Croach? 558 00:28:31,760 --> 00:28:34,879 Speaker 3: Oh god, I've been compared to so many actors, look wise, 559 00:28:34,880 --> 00:28:36,359 Speaker 3: over the years, it's hard for me to say to 560 00:28:36,400 --> 00:28:39,280 Speaker 3: go the other way. I mean, I've been told, uh. 561 00:28:39,480 --> 00:28:41,040 Speaker 3: I mean I was told Adam Rich when I was 562 00:28:41,080 --> 00:28:43,760 Speaker 3: a kid from eighties enough, Oh that's cool. Yeah, and 563 00:28:43,920 --> 00:28:47,120 Speaker 3: uh I went to uh god, what did I go to? 564 00:28:47,360 --> 00:28:47,680 Speaker 1: Uh? 565 00:28:47,720 --> 00:28:49,720 Speaker 3: Matt Damon was probably one of the biggest one, a 566 00:28:49,840 --> 00:28:52,800 Speaker 3: young Val Kilmer from Top Secret, from like his first 567 00:28:52,840 --> 00:28:55,040 Speaker 3: movie that was kind of like a National Lampoon type movie. 568 00:28:55,560 --> 00:28:57,560 Speaker 3: But a few of those, but probably I don't know. 569 00:28:57,600 --> 00:29:01,320 Speaker 3: Matt Damon looks, you know, very similar, even now as 570 00:29:01,360 --> 00:29:02,200 Speaker 3: he's older than I am. 571 00:29:02,600 --> 00:29:06,040 Speaker 1: I would say, Matt Damon. If anyone would play me, 572 00:29:06,080 --> 00:29:10,640 Speaker 1: I would say Marty Feldman. If you guys don't know 573 00:29:10,680 --> 00:29:15,160 Speaker 1: what that looks like, google that good word too, google 574 00:29:15,800 --> 00:29:21,280 Speaker 1: the eyes exactly. Marty Feldman is the guy that I 575 00:29:21,320 --> 00:29:24,720 Speaker 1: would like to play me. Marty Feldman. Great. He was 576 00:29:24,720 --> 00:29:27,880 Speaker 1: from my boy young Frankinson, right, yeah, he was the best, 577 00:29:28,320 --> 00:29:32,560 Speaker 1: very funny dude. Hey, By the way, you should do 578 00:29:32,600 --> 00:29:34,320 Speaker 1: a movie. You ever thought about that or writing a 579 00:29:34,360 --> 00:29:35,200 Speaker 1: script about your life? 580 00:29:35,200 --> 00:29:37,480 Speaker 3: Oh my god, yeah it is. It is on the list. 581 00:29:37,560 --> 00:29:39,560 Speaker 1: Yeah, yeah, you've had a hell of a life. 582 00:29:40,120 --> 00:29:41,840 Speaker 3: I was talking to my daughter about that today, about 583 00:29:41,880 --> 00:29:45,640 Speaker 3: how people that I've known in my life don't have 584 00:29:45,960 --> 00:29:49,720 Speaker 3: very vivid memories of their childhood, right, uh, and a 585 00:29:49,720 --> 00:29:52,960 Speaker 3: lot of times, and I have such vivid memories of 586 00:29:53,040 --> 00:29:56,120 Speaker 3: my childhood. And and Sydney was kind of the same way. 587 00:29:56,120 --> 00:29:58,680 Speaker 3: She has very vid memory, vivid memories of her childhood, 588 00:29:58,880 --> 00:30:00,480 Speaker 3: and I am. I always thought it was, you know, 589 00:30:00,520 --> 00:30:03,440 Speaker 3: the stability of a home. The more stable it is 590 00:30:03,480 --> 00:30:06,720 Speaker 3: and you have that normal life, the less memories have 591 00:30:06,720 --> 00:30:07,760 Speaker 3: a tendency to stick. 592 00:30:08,000 --> 00:30:09,920 Speaker 1: Yeah. I think you're right. Yeah, I mean, like when 593 00:30:10,000 --> 00:30:12,720 Speaker 1: you think back of all the trauma that happened in 594 00:30:12,760 --> 00:30:15,640 Speaker 1: your life, that those are the memories that really, you know, 595 00:30:15,640 --> 00:30:18,360 Speaker 1: they'd stick with you. Like they say the kids don't 596 00:30:18,400 --> 00:30:21,560 Speaker 1: really remember earthquakes. You know where they were and what 597 00:30:21,560 --> 00:30:23,440 Speaker 1: they were doing during an earthquake, Like I remember the 598 00:30:23,520 --> 00:30:26,400 Speaker 1: nineteen seventy one Silmar earthquake. I was in a bunk 599 00:30:26,440 --> 00:30:29,440 Speaker 1: bed in Tarzana and that bed was moving and shaking, 600 00:30:29,520 --> 00:30:32,800 Speaker 1: and I remember exactly where I was. But but you 601 00:30:32,840 --> 00:30:36,320 Speaker 1: have great memories of your childhood, but great, I should say, 602 00:30:36,400 --> 00:30:40,320 Speaker 1: vivid memories. I mean even down to what your grandpa 603 00:30:40,480 --> 00:30:42,720 Speaker 1: looked like in underpants walking through the house. 604 00:30:43,160 --> 00:30:46,240 Speaker 3: The Holy underwear. Yeah, when when my dad and I 605 00:30:46,320 --> 00:30:49,000 Speaker 3: moved from Kansas to DC to move back, so we 606 00:30:49,360 --> 00:30:52,720 Speaker 3: moved back into my grandfather's home in Oxen Hill, Maryland. 607 00:30:53,000 --> 00:30:55,640 Speaker 3: He had been there so long by himself, and he 608 00:30:55,680 --> 00:30:56,600 Speaker 3: was a total rack bad. 609 00:30:56,640 --> 00:30:57,080 Speaker 1: He had. 610 00:30:58,640 --> 00:31:01,720 Speaker 3: Pack rat he had in his driveway like four cars 611 00:31:01,720 --> 00:31:03,719 Speaker 3: in his driveway, only one of them worked, could use 612 00:31:03,760 --> 00:31:07,040 Speaker 3: the rest for parts. And he had magazines every national 613 00:31:07,080 --> 00:31:13,400 Speaker 3: geographic ever like published, and newspapers stacked waist high throughout 614 00:31:13,480 --> 00:31:15,920 Speaker 3: the entire living room with just a path to the TV, 615 00:31:16,200 --> 00:31:18,760 Speaker 3: to the chair and then to the kitchen. And the 616 00:31:18,800 --> 00:31:20,880 Speaker 3: curtains that hung down in the window, the big bay 617 00:31:20,880 --> 00:31:23,520 Speaker 3: window in the living room, you didn't need to open them. 618 00:31:23,520 --> 00:31:26,920 Speaker 3: They were had giant headsize holes and from being worn 619 00:31:26,960 --> 00:31:27,560 Speaker 3: out from being. 620 00:31:27,520 --> 00:31:29,800 Speaker 1: Up there so long, sounds like a movie set. Oh yeah, 621 00:31:29,880 --> 00:31:33,640 Speaker 1: it definitely was. That's crazy. But you should do that absolutely, 622 00:31:33,640 --> 00:31:35,920 Speaker 1: you know. I think that guy's right, Yeah, I think 623 00:31:35,920 --> 00:31:39,240 Speaker 1: he's knocked that out. Are we have time for one more? 624 00:31:39,520 --> 00:31:43,120 Speaker 1: Let's get an another one in talk back to time. 625 00:31:44,000 --> 00:31:47,760 Speaker 2: Yeah, that seventy eight year old door dasher, he lost 626 00:31:47,840 --> 00:31:50,160 Speaker 2: most of his money and gambling at the horses. 627 00:31:50,480 --> 00:31:54,200 Speaker 1: I wouldn't doubt that. All right, one more time, Hey, 628 00:31:54,520 --> 00:31:56,120 Speaker 1: uncle t Bones, Is it just me? 629 00:31:56,320 --> 00:31:58,120 Speaker 19: Or does anybody else want to work up at number 630 00:31:58,160 --> 00:32:00,000 Speaker 19: six on these clowns that are saying that the movie 631 00:32:00,080 --> 00:32:03,040 Speaker 19: these centers are so original and great. It's just a 632 00:32:03,080 --> 00:32:07,000 Speaker 19: retelling of From Dusk Till Dawn minus the sexiest scene 633 00:32:07,040 --> 00:32:09,800 Speaker 19: in cinema history. Getting done with that, Selma Hik and 634 00:32:09,840 --> 00:32:10,760 Speaker 19: her bottle of tequila. 635 00:32:11,040 --> 00:32:12,560 Speaker 1: Talk to you guys later. All right, there you go. 636 00:32:13,040 --> 00:32:17,200 Speaker 1: I wish Paul Thomas Anderson great luck on Sunday. Break 637 00:32:17,200 --> 00:32:20,200 Speaker 1: a leg, buddy, if you're listening, or if anybody in 638 00:32:20,200 --> 00:32:23,080 Speaker 1: your family is. He's up for a lot of awards 639 00:32:23,440 --> 00:32:26,240 Speaker 1: in the Academy Awards on Sunday. And I've known that 640 00:32:26,320 --> 00:32:27,480 Speaker 1: kid since he was born. 641 00:32:27,520 --> 00:32:30,160 Speaker 3: He'll get director, but sinners will get movie. I betting 642 00:32:30,240 --> 00:32:33,120 Speaker 3: you think that's that's what I guess sounds about right. Well, 643 00:32:33,640 --> 00:32:34,480 Speaker 3: Losely wins one. 644 00:32:34,680 --> 00:32:37,720 Speaker 1: Yeah, you know, either director, writer, he's up for a 645 00:32:37,760 --> 00:32:41,040 Speaker 1: Writer of Adapted Screening Play as well, so and up 646 00:32:41,080 --> 00:32:42,920 Speaker 1: for Best Movie. Oh it's gonna be great, hopefully a 647 00:32:42,920 --> 00:32:45,959 Speaker 1: great night. All right, we're out of here. Thanks all, 648 00:32:46,080 --> 00:32:48,880 Speaker 1: great job, great week everybody. And then Bellio comes back 649 00:32:48,960 --> 00:32:53,160 Speaker 1: Monday after her knitting convention, and we'll hear all about that. 650 00:32:53,240 --> 00:32:56,280 Speaker 1: Plus on Monday, Charlie Fox is on at six o'clock. 651 00:32:56,480 --> 00:32:59,520 Speaker 1: He wrote killing Me Softly, Laverne and Shirley theme song, 652 00:32:59,760 --> 00:33:03,080 Speaker 1: the theme song to Happy Days and also love Board, 653 00:33:03,920 --> 00:33:09,360 Speaker 1: Love Exciting and new Come aboard. We're expecting you six 654 00:33:09,440 --> 00:33:12,040 Speaker 1: o'clock on Monday. All right, relive on kf I am 655 00:33:12,040 --> 00:33:12,520 Speaker 1: six forty