1 00:00:00,280 --> 00:00:03,800 Speaker 1: We are back for negative shout outs, and we usually 2 00:00:03,840 --> 00:00:05,520 Speaker 1: try to be and we're silly and stupid, and we 3 00:00:05,559 --> 00:00:07,680 Speaker 1: complain just like everybody else does once in a while, 4 00:00:07,680 --> 00:00:10,200 Speaker 1: but for the most part, we want to spread that positivity. 5 00:00:10,800 --> 00:00:14,280 Speaker 1: So we're gonna stop right now. We do negative shout outs, 6 00:00:14,280 --> 00:00:17,279 Speaker 1: but it's fun. Like, Okay, I want to give a 7 00:00:17,280 --> 00:00:20,919 Speaker 1: shout out to my sister who cut my hair drunk 8 00:00:21,239 --> 00:00:24,120 Speaker 1: and screwed it up. Now this is a made up story, 9 00:00:24,640 --> 00:00:27,640 Speaker 1: So negative shout outs, what have you got? Use the 10 00:00:27,680 --> 00:00:31,240 Speaker 1: talkback feature and leave us your negative shout out and 11 00:00:31,320 --> 00:00:31,960 Speaker 1: here we go. 12 00:00:32,280 --> 00:00:35,360 Speaker 2: H thanks Dave Ryan for let me get this negative 13 00:00:35,400 --> 00:00:36,720 Speaker 2: shout out in this morning. 14 00:00:36,800 --> 00:00:38,360 Speaker 1: I really need this. 15 00:00:38,360 --> 00:00:41,240 Speaker 3: This goes to my boss's little pet pee who thinks 16 00:00:41,280 --> 00:00:44,760 Speaker 3: I should run to every job that he oh points 17 00:00:44,840 --> 00:00:45,440 Speaker 3: his finger out. 18 00:00:45,479 --> 00:00:47,320 Speaker 1: Oh, you need to do this, You need to go here, 19 00:00:47,360 --> 00:00:49,839 Speaker 1: you need to go hey man, do it yourself. How 20 00:00:49,840 --> 00:00:51,240 Speaker 1: about that again? 21 00:00:51,600 --> 00:00:54,040 Speaker 4: Thanks to Todayve Ryan Morning Show for letting me get 22 00:00:54,040 --> 00:00:55,000 Speaker 4: this out. 23 00:00:55,240 --> 00:00:58,000 Speaker 2: That sounded like an advertisement for us. Thank you, Dave Ryan. 24 00:00:58,080 --> 00:01:01,080 Speaker 2: I love that we are. It's a public service. 25 00:01:01,120 --> 00:01:03,680 Speaker 1: You can vent, you can complain to yourself, you can 26 00:01:03,680 --> 00:01:06,440 Speaker 1: complain to your spouse, they're tired of your bitching. We 27 00:01:06,680 --> 00:01:08,720 Speaker 1: want to hear your negative shout out. Do you get 28 00:01:08,720 --> 00:01:10,840 Speaker 1: a negative shout out? Von Tavia? Negative shout out for 29 00:01:10,920 --> 00:01:11,440 Speaker 1: my little sister. 30 00:01:11,520 --> 00:01:13,360 Speaker 3: She's fifteen and she's in her school play this week, 31 00:01:13,400 --> 00:01:15,440 Speaker 3: and she was gonna call me and show me her outfit. 32 00:01:15,520 --> 00:01:16,880 Speaker 3: She was like, let me call you and show you 33 00:01:17,160 --> 00:01:18,440 Speaker 3: and then just never call it. So I was like, 34 00:01:18,480 --> 00:01:20,080 Speaker 3: all right, way to leave me on a cliffhanger. 35 00:01:20,120 --> 00:01:21,920 Speaker 1: All right, I'll leave you a negative shout out. Then 36 00:01:21,959 --> 00:01:24,240 Speaker 1: negative shout out to my son Chase, the worst text 37 00:01:24,240 --> 00:01:28,520 Speaker 1: message returner. Oh so bad. No, I'll text him and 38 00:01:28,640 --> 00:01:30,920 Speaker 1: be like, hey, buddy, how's Gwen, how's work? What are 39 00:01:30,920 --> 00:01:33,720 Speaker 1: you up to? Crickets? Crickets? 40 00:01:34,040 --> 00:01:38,039 Speaker 2: That many questions and a text message for example, shout 41 00:01:38,040 --> 00:01:40,160 Speaker 2: out all day for asking me too many questions. 42 00:01:41,120 --> 00:01:42,639 Speaker 1: Here's another negative shout out. 43 00:01:42,640 --> 00:01:44,839 Speaker 2: Yes right, this is my key. 44 00:01:45,200 --> 00:01:50,080 Speaker 1: I want to give my negative shout out to Francisco. Francisco. 45 00:01:51,600 --> 00:01:54,880 Speaker 2: No, you could do it yourself, Francisco from now or okay, 46 00:01:55,720 --> 00:01:57,920 Speaker 2: I'm not going to pay your little toilet boy. 47 00:01:59,120 --> 00:01:59,440 Speaker 5: Thank you. 48 00:01:59,560 --> 00:02:06,800 Speaker 3: Dave, the same guy, It's gotta be the same guy. 49 00:02:07,000 --> 00:02:12,520 Speaker 1: What are the odds toilet boy, that sounds hot. I'm 50 00:02:12,520 --> 00:02:14,760 Speaker 1: not really sure what that means, but that sounds hot. Okay, 51 00:02:14,760 --> 00:02:17,079 Speaker 1: we have another negative shout out, even he's on a 52 00:02:17,080 --> 00:02:17,640 Speaker 1: talkback feature. 53 00:02:17,639 --> 00:02:19,280 Speaker 3: By the way, if you're on our iHeartRadio app, it's 54 00:02:19,320 --> 00:02:20,640 Speaker 3: that little red microphone next. 55 00:02:20,560 --> 00:02:23,400 Speaker 1: To the play button. That Twilight Boy is your negative 56 00:02:23,400 --> 00:02:23,839 Speaker 1: shout out. 57 00:02:24,680 --> 00:02:27,600 Speaker 2: Negative shout out for anyone that calls a law office 58 00:02:27,600 --> 00:02:30,800 Speaker 2: and says, oh, yeah, I need to talk to a lawyer. 59 00:02:31,400 --> 00:02:34,799 Speaker 1: I have a slam dunk case. 60 00:02:36,000 --> 00:02:40,480 Speaker 2: Really, there is literally no such thing slam dunk. 61 00:02:40,560 --> 00:02:43,600 Speaker 3: I't know that if you're in a situation where it 62 00:02:43,600 --> 00:02:45,400 Speaker 3: clearly is not your fault, that I do think that 63 00:02:45,480 --> 00:02:46,679 Speaker 3: warrants a slam dunk case. 64 00:02:46,720 --> 00:02:49,840 Speaker 2: Now, maybe it might be the choice of words slam 65 00:02:49,919 --> 00:02:52,200 Speaker 2: dunk case, like they saw it in one law movie 66 00:02:52,280 --> 00:02:54,120 Speaker 2: one time, and they're like, I'm guying. 67 00:02:54,400 --> 00:02:57,160 Speaker 1: That's really interesting because for example, let's say that I 68 00:02:57,280 --> 00:02:59,840 Speaker 1: was like walking across the street and here comes the 69 00:02:59,840 --> 00:03:01,840 Speaker 1: Schwan's Man. Is the Schwan's Man is still a thing? 70 00:03:01,919 --> 00:03:02,520 Speaker 1: Or they go to bed. 71 00:03:02,840 --> 00:03:03,639 Speaker 2: Maybe let's just. 72 00:03:03,639 --> 00:03:05,600 Speaker 1: Say I love Schwan's It's not an attack on them, 73 00:03:05,600 --> 00:03:08,200 Speaker 1: But say I'm walking across the street, Schwan's Man comes 74 00:03:08,200 --> 00:03:12,040 Speaker 1: by boom hits me, I break my collar bone. 75 00:03:12,120 --> 00:03:12,640 Speaker 2: Oh. 76 00:03:12,680 --> 00:03:15,679 Speaker 1: I would call Heimer and Lamber's injury loss six one 77 00:03:15,680 --> 00:03:17,160 Speaker 1: two injured, and I would say, hey, I got a 78 00:03:17,160 --> 00:03:20,160 Speaker 1: slam dunk case. But apparently she's saying there's no such 79 00:03:20,200 --> 00:03:23,480 Speaker 1: thing as a slam dunk case. I would like clarification 80 00:03:23,680 --> 00:03:25,600 Speaker 1: from you, legal person. 81 00:03:25,720 --> 00:03:28,040 Speaker 2: This text message says negative shout out to my six 82 00:03:28,120 --> 00:03:29,880 Speaker 2: year old who threw up all over me in my 83 00:03:29,919 --> 00:03:30,679 Speaker 2: bed last night. 84 00:03:31,240 --> 00:03:32,880 Speaker 1: They do that, they do that. I'm gonna tell you 85 00:03:33,000 --> 00:03:35,280 Speaker 1: one of the things I remember. One time, Carson was 86 00:03:35,280 --> 00:03:38,040 Speaker 1: probably two. He was sitting on the couch. We had 87 00:03:38,160 --> 00:03:40,800 Speaker 1: ordered a pizza. We had set the pizza on the floor. 88 00:03:41,080 --> 00:03:44,480 Speaker 1: Carson barfed and got just enough on the pizza that 89 00:03:44,560 --> 00:03:48,960 Speaker 1: we threw it away, just enough. It's like one, It's like, okay, 90 00:03:49,000 --> 00:03:52,720 Speaker 1: you could have a giant that of oatmeal. Yes, And 91 00:03:52,760 --> 00:03:55,560 Speaker 1: I could say, Bailey, there's only one tiny spoonful of 92 00:03:55,560 --> 00:03:58,040 Speaker 1: poop in there. Would you eat the oatmeal? Of course? 93 00:03:58,080 --> 00:03:58,160 Speaker 2: Not? 94 00:03:58,320 --> 00:04:00,920 Speaker 1: No, no, but there's only one tiny spoonful of poop. 95 00:04:01,240 --> 00:04:02,960 Speaker 2: No, I'm good, No, you're good. Yeah. 96 00:04:02,960 --> 00:04:05,480 Speaker 1: So that's why we threw the pizza away. 97 00:04:05,280 --> 00:04:09,320 Speaker 2: The wafting like the little green squiggle lines coming from 98 00:04:09,360 --> 00:04:11,760 Speaker 2: the vomit on the pizza ruined the whole thing that's 99 00:04:11,760 --> 00:04:12,160 Speaker 2: about her. 100 00:04:12,360 --> 00:04:16,520 Speaker 1: Thank you. Negative shout outs. I'm KDBUB. We'll do winning 101 00:04:16,520 --> 00:04:19,800 Speaker 1: song Wednesday and figure out what song you want to 102 00:04:19,800 --> 00:04:25,240 Speaker 1: hear most coming up next. Stay right here, they say 103 00:04:25,320 --> 00:04:27,719 Speaker 1: in this town. A couple of more negative shout outs 104 00:04:27,920 --> 00:04:30,960 Speaker 1: via text message at KDWB. They're just kind of having fun. 105 00:04:31,000 --> 00:04:35,080 Speaker 1: We're not trying to be negative. Here's one shout out 106 00:04:35,080 --> 00:04:37,120 Speaker 1: to my old neighbor who was somehow jealous all the 107 00:04:37,120 --> 00:04:39,680 Speaker 1: attention I got when my cat died, so they had 108 00:04:39,720 --> 00:04:41,680 Speaker 1: to get her own attention by posting about her cat 109 00:04:41,720 --> 00:04:47,160 Speaker 1: that died two years ago. Wow. Shout out to my 110 00:04:47,200 --> 00:04:50,320 Speaker 1: mother in law who retired to watch our son and 111 00:04:50,440 --> 00:04:53,320 Speaker 1: throws it in our face like we made her do it. 112 00:04:55,120 --> 00:04:58,120 Speaker 1: Negative shout out to insurance companies cutting off elderly disabled 113 00:04:58,160 --> 00:05:01,280 Speaker 1: care a week before p TEA says they should. Well, 114 00:05:01,320 --> 00:05:02,479 Speaker 1: there's a specific one. 115 00:05:02,640 --> 00:05:02,880 Speaker 2: Yeah. 116 00:05:02,920 --> 00:05:05,120 Speaker 1: Negative shout out to my boyfriend, thanks for always putting 117 00:05:05,120 --> 00:05:10,200 Speaker 1: the toilet seat down, not shade. Here's a talk back. 118 00:05:10,240 --> 00:05:11,119 Speaker 1: Negative shout outs. 119 00:05:12,680 --> 00:05:13,359 Speaker 2: Good morning. 120 00:05:13,480 --> 00:05:15,839 Speaker 5: I would like to have a negative shout out to 121 00:05:15,920 --> 00:05:18,280 Speaker 5: the person that decided to run me off the road 122 00:05:18,400 --> 00:05:22,680 Speaker 5: this morning in Princeton. Thank you so much. I know 123 00:05:22,800 --> 00:05:25,640 Speaker 5: you saw me. How dare you run me off the road? 124 00:05:25,680 --> 00:05:29,880 Speaker 5: I hit a guard rail that was terrifying. How dare you? 125 00:05:29,960 --> 00:05:30,320 Speaker 1: Yikes? 126 00:05:30,440 --> 00:05:33,560 Speaker 2: Oh my gosh, she hits that guardrail? Yeah truly. 127 00:05:33,839 --> 00:05:36,719 Speaker 1: Oh okay, let's get into Winning Song Wednesday, you guys. 128 00:05:37,160 --> 00:05:38,840 Speaker 1: This is where basically we do it every week. We 129 00:05:38,960 --> 00:05:42,520 Speaker 1: love this bit. We basically play a little snippet of 130 00:05:42,520 --> 00:05:44,279 Speaker 1: a song and then you vote for which song you 131 00:05:44,279 --> 00:05:47,000 Speaker 1: want to hear the entire song. I will go first, 132 00:05:47,080 --> 00:05:50,520 Speaker 1: and here is my song that I'm suggesting today. I 133 00:05:50,680 --> 00:05:52,480 Speaker 1: just always loved that song. It's got Kasha in there, 134 00:05:52,480 --> 00:05:54,479 Speaker 1: a little bit of Kasha mixed in with flow Ryda. 135 00:05:54,880 --> 00:05:57,440 Speaker 1: That's my song today on Winning Song Wednesday. But you 136 00:05:57,480 --> 00:06:00,400 Speaker 1: can't vote yet because you got to hear Baileyan. 137 00:06:00,880 --> 00:06:03,480 Speaker 2: Is also a bop that you can dance to. Mine 138 00:06:03,560 --> 00:06:04,719 Speaker 2: is Stupid Love by Lady Gaga. 139 00:06:08,520 --> 00:06:09,400 Speaker 1: Okay, Vaughn. 140 00:06:09,680 --> 00:06:12,280 Speaker 3: This song goes back just ten years probably number one 141 00:06:12,279 --> 00:06:14,480 Speaker 3: ten years ago exactly. But it's so good for Rihanna 142 00:06:14,600 --> 00:06:15,679 Speaker 3: and Drake and Work. 143 00:06:18,240 --> 00:06:22,560 Speaker 1: An unusual selection today for sure. When you said Work, 144 00:06:22,560 --> 00:06:26,480 Speaker 1: I thought you're gonna play work from Home that fifth armony. Yeah, 145 00:06:26,560 --> 00:06:30,000 Speaker 1: I love that song. Okay one nine nine kt WB. 146 00:06:30,120 --> 00:06:31,720 Speaker 1: You basically get to vote first song to get to 147 00:06:31,880 --> 00:06:34,760 Speaker 1: three votes is the winner will play the whole song 148 00:06:35,600 --> 00:06:45,120 Speaker 1: and Hello, Hello, Hello, Hello, Hello, Hello, so weird the Hi, KATWB. 149 00:06:45,240 --> 00:06:51,839 Speaker 1: Who's this Lizzie? Voting for whom? All right? I'll take it? 150 00:06:51,839 --> 00:06:58,520 Speaker 1: Thank you, Lizzy, KATIEWB winning song Wednesday? What's your name? Jason? 151 00:06:58,640 --> 00:07:02,919 Speaker 1: Voting for day Wow? It's going to sleep, It's going 152 00:07:02,960 --> 00:07:05,279 Speaker 1: to be a sweep. I can feel it. Katie WB. 153 00:07:05,640 --> 00:07:11,520 Speaker 1: What's your name? Uh huh? I love everybody loves Vaughn 154 00:07:11,600 --> 00:07:14,240 Speaker 1: Okay hot wow, Katie WB? Hi? Who is this? 155 00:07:15,200 --> 00:07:15,840 Speaker 2: Angelique? 156 00:07:15,960 --> 00:07:17,320 Speaker 1: Angelique? Who are you voting for? 157 00:07:18,440 --> 00:07:18,680 Speaker 3: Dave? 158 00:07:20,920 --> 00:07:23,440 Speaker 1: I felt that one coming. I chose this strong song. 159 00:07:23,800 --> 00:07:26,400 Speaker 1: Thank you, Angelique? What are you doing right now, right now, 160 00:07:26,440 --> 00:07:27,600 Speaker 1: at this moment? What are you doing? 161 00:07:28,440 --> 00:07:31,960 Speaker 3: I am driving in between clients from Buffalo to Plymouth. 162 00:07:32,480 --> 00:07:37,840 Speaker 1: Who okay? Nice A little drive along Highway fifty five. Yep, 163 00:07:37,880 --> 00:07:41,800 Speaker 1: that's right where I am. God's country out there. Enjoy 164 00:07:41,880 --> 00:07:44,200 Speaker 1: your drive. Thank you, Angelique? Bye? 165 00:07:44,720 --> 00:07:55,000 Speaker 4: Hi particular, I. 166 00:07:55,040 --> 00:07:59,280 Speaker 1: Love I love that so I haven't heard that song. 167 00:07:59,280 --> 00:08:02,360 Speaker 1: That's Kasha right, yeah, I thought so. All right, it's 168 00:08:02,400 --> 00:08:05,400 Speaker 1: Katie wb on the Dave Rion in the Morning Show 169 00:08:05,560 --> 00:08:09,000 Speaker 1: a Christmas Wish. We've done this for years and years, 170 00:08:09,040 --> 00:08:10,560 Speaker 1: and I just want to plug it again because it's 171 00:08:10,600 --> 00:08:12,640 Speaker 1: such a great thing to get to and have the privilege. 172 00:08:12,680 --> 00:08:15,360 Speaker 1: They get to team up with Holiday Station stores and 173 00:08:15,480 --> 00:08:18,120 Speaker 1: Treasure Island Resort and casino and Youth Link and all 174 00:08:18,120 --> 00:08:20,840 Speaker 1: these people that want to help us out. And people 175 00:08:20,880 --> 00:08:22,640 Speaker 1: will call in or say, hey, I work at a 176 00:08:22,640 --> 00:08:25,600 Speaker 1: plumbing company, I can come and fix their sink. I 177 00:08:25,680 --> 00:08:28,200 Speaker 1: work at a furnace company, I can come in and 178 00:08:28,240 --> 00:08:30,760 Speaker 1: put in a new furnace whatever. And people just love 179 00:08:30,800 --> 00:08:33,480 Speaker 1: to help out. And we do this every year Christmas Wish. 180 00:08:33,679 --> 00:08:38,840 Speaker 1: But the big thing we need even before donations, are nominations. 181 00:08:38,880 --> 00:08:41,960 Speaker 1: So if you know somebody who's going through it, like 182 00:08:42,000 --> 00:08:45,160 Speaker 1: if they're like they're just not having a good year. 183 00:08:45,840 --> 00:08:48,600 Speaker 1: They are not you know, like be able to make 184 00:08:48,840 --> 00:08:51,240 Speaker 1: ends meet or barely make an ends meet, or there's 185 00:08:51,280 --> 00:08:54,880 Speaker 1: no extras, they've not done anything fun the entire year, whatever, 186 00:08:55,679 --> 00:08:57,320 Speaker 1: let us know about them, and I will just give 187 00:08:57,360 --> 00:09:00,520 Speaker 1: you a little piece of advice that sometimes they is 188 00:09:01,040 --> 00:09:03,280 Speaker 1: need and sometimes there is not In other words, if 189 00:09:03,320 --> 00:09:06,920 Speaker 1: you know somebody who lost their job, there might be 190 00:09:06,960 --> 00:09:09,199 Speaker 1: some real need there. Yeah, but then there's other people say, yeah, 191 00:09:09,200 --> 00:09:10,880 Speaker 1: I lost my job. I'm fine. You know, I'll get 192 00:09:10,920 --> 00:09:13,319 Speaker 1: another one in two weeks. So think about whether there 193 00:09:13,360 --> 00:09:16,000 Speaker 1: really is in need, and if there is, then send 194 00:09:16,040 --> 00:09:19,480 Speaker 1: that wish in to go to katiblubeat dot com slash 195 00:09:19,640 --> 00:09:22,160 Speaker 1: wish and there's a little dialogue box you type out 196 00:09:22,480 --> 00:09:24,400 Speaker 1: and you hit send and you're good to go. The 197 00:09:24,480 --> 00:09:27,240 Speaker 1: more detailed you are, the better. Yes, if you can say, like, yeah, 198 00:09:27,320 --> 00:09:30,520 Speaker 1: my friend Clarice, she's really having a hard time this year, 199 00:09:30,760 --> 00:09:33,400 Speaker 1: she'd really love a Christmas wish. Well, we're gonna skip 200 00:09:33,400 --> 00:09:35,240 Speaker 1: that one because we need to know what she wants. 201 00:09:35,320 --> 00:09:36,959 Speaker 2: Yeah, give us as much detail as you can. 202 00:09:37,080 --> 00:09:39,760 Speaker 1: It just helps out. So give yourself a better chance. 203 00:09:40,000 --> 00:09:44,080 Speaker 1: And it's on katwbeat dot com slash wish. 204 00:09:44,120 --> 00:09:47,800 Speaker 2: Can I complain about my upstairs neighbor David? Sure, I've 205 00:09:47,840 --> 00:09:51,160 Speaker 2: complained about her a lot. She's very nice person, but 206 00:09:51,720 --> 00:09:54,959 Speaker 2: she has the loudest feet. She walks around very loudly 207 00:09:55,520 --> 00:09:58,200 Speaker 2: all the time, and I swear she's constantly walking back 208 00:09:58,200 --> 00:10:01,000 Speaker 2: and forth, back and forth. But a new thing, not 209 00:10:01,040 --> 00:10:02,840 Speaker 2: a new thing, but a thing that she's been doing 210 00:10:02,920 --> 00:10:07,520 Speaker 2: that has also irked me, especially like last night, I'm 211 00:10:07,600 --> 00:10:10,560 Speaker 2: laying in bed, it's like ten fifteen after I saw Wicked, 212 00:10:10,640 --> 00:10:13,440 Speaker 2: came home, laying in bed, and I can hear her 213 00:10:13,880 --> 00:10:18,679 Speaker 2: doing the loven upstairs, and it's like it's usually it 214 00:10:18,800 --> 00:10:21,960 Speaker 2: it creeps in because you can hear something and you're like, 215 00:10:22,040 --> 00:10:24,199 Speaker 2: what is that thing that I hear? Because her bedroom 216 00:10:24,240 --> 00:10:27,320 Speaker 2: is one hundred percent right right right above mine, and 217 00:10:27,360 --> 00:10:29,360 Speaker 2: if I can hear her walking, then I can definitely 218 00:10:29,480 --> 00:10:33,720 Speaker 2: her hear her doing the loven. But what's annoying about it? 219 00:10:33,760 --> 00:10:35,240 Speaker 2: Because I wouldn't care if it was just kind of 220 00:10:35,240 --> 00:10:39,280 Speaker 2: like a week weeky weeky, because then it's over eventually, 221 00:10:39,320 --> 00:10:43,360 Speaker 2: and then I can you know, it's calming there she's 222 00:10:43,600 --> 00:10:48,720 Speaker 2: but yes, because she's making sounds she's constantly making and 223 00:10:48,720 --> 00:10:58,520 Speaker 2: then she's going it would be that's what I said, 224 00:10:58,600 --> 00:11:02,200 Speaker 2: vont okay, that's what I said, because she's it's it's 225 00:11:02,240 --> 00:11:05,520 Speaker 2: not just the like rhythmic nature of the sound, because 226 00:11:05,559 --> 00:11:07,600 Speaker 2: that's fine. I don't care, you know you do you. 227 00:11:07,640 --> 00:11:10,240 Speaker 2: I'm glad you're getting some girllly pop. But it's the 228 00:11:10,480 --> 00:11:14,840 Speaker 2: loud exclamation during it, and I can hear you. 229 00:11:14,840 --> 00:11:16,640 Speaker 1: You're right underneath. 230 00:11:16,280 --> 00:11:19,360 Speaker 2: You're literally right there, and I can hear you, and 231 00:11:19,400 --> 00:11:22,079 Speaker 2: I think that's all put on. That's all an act. 232 00:11:22,320 --> 00:11:24,920 Speaker 2: She's not making those sounds in earnest come. 233 00:11:24,760 --> 00:11:28,640 Speaker 1: On, so she's my gosh, So she's putting on a show. 234 00:11:28,720 --> 00:11:31,400 Speaker 2: Yeah, she's putting on a show for whoever she's up 235 00:11:31,440 --> 00:11:31,880 Speaker 2: there with. 236 00:11:32,120 --> 00:11:36,200 Speaker 1: I've heard somebody one said sex is naked theater, and 237 00:11:36,240 --> 00:11:39,400 Speaker 1: I don't disagree with that. That sounds right because I 238 00:11:39,400 --> 00:11:42,800 Speaker 1: think that some people sex is naked theater. It's a 239 00:11:42,880 --> 00:11:45,960 Speaker 1: chance to be naked and perform and try to get 240 00:11:45,960 --> 00:11:48,520 Speaker 1: the best reaction you can out of your audience, which 241 00:11:48,559 --> 00:11:50,840 Speaker 1: is a lot of the time it's the woman who 242 00:11:50,920 --> 00:11:53,960 Speaker 1: is doing the theatrics and the guy is going, I'm 243 00:11:54,000 --> 00:11:58,760 Speaker 1: the best lover in the world. Look at me. Her exclamation. 244 00:11:59,000 --> 00:12:00,880 Speaker 2: I'm listening to her, and I'm like, there's no way 245 00:12:01,000 --> 00:12:04,360 Speaker 2: she's naturally making those sounds. So she's faking it. You 246 00:12:04,400 --> 00:12:07,880 Speaker 2: don't know, you don't know what she's putting it on. 247 00:12:08,320 --> 00:12:10,280 Speaker 1: Well, I was going along with your joke. 248 00:12:10,400 --> 00:12:13,000 Speaker 3: I just think she is like, oh god, how often 249 00:12:13,080 --> 00:12:13,679 Speaker 3: is it happening? 250 00:12:14,600 --> 00:12:16,240 Speaker 2: I don't know, like once every two weeks is when 251 00:12:16,280 --> 00:12:18,880 Speaker 2: I hear it. Sometimes I'm sure I'm sleeping by the 252 00:12:18,920 --> 00:12:20,840 Speaker 2: time it happens. It could be that good. 253 00:12:20,880 --> 00:12:22,560 Speaker 1: It's not that good every single night. 254 00:12:23,080 --> 00:12:24,360 Speaker 2: Well, I don't think she's getting everything. 255 00:12:24,880 --> 00:12:26,760 Speaker 1: Yeah, so if it was every single night, I'd be like, relax. 256 00:12:26,880 --> 00:12:28,880 Speaker 1: But so the theory is, and we talk about this 257 00:12:28,920 --> 00:12:30,719 Speaker 1: after the kids were in school, because you know, we 258 00:12:30,760 --> 00:12:33,280 Speaker 1: don't want little Cynthia to be like, what is that? 259 00:12:33,360 --> 00:12:34,280 Speaker 2: What does that mean? 260 00:12:34,559 --> 00:12:39,400 Speaker 1: But I think that there is something too performative reactions, 261 00:12:39,000 --> 00:12:41,880 Speaker 1: I think, and I think that, well, there's a lot 262 00:12:41,880 --> 00:12:43,560 Speaker 1: of women that do because they just wanted to be 263 00:12:43,600 --> 00:12:46,600 Speaker 1: over with because what are you doing? You're going and 264 00:12:46,640 --> 00:12:48,920 Speaker 1: he's going, oh yeah, she's loving this. Great, let's keep 265 00:12:49,000 --> 00:12:49,840 Speaker 1: going for a long. 266 00:12:49,600 --> 00:12:52,319 Speaker 2: Then you just hear my upstairs neighbor, oh. 267 00:12:52,000 --> 00:12:57,280 Speaker 1: My, yeah, then you and then you go hoping that 268 00:12:57,360 --> 00:12:59,560 Speaker 1: he'll stop because he's just slapping away. 269 00:12:59,800 --> 00:13:02,040 Speaker 2: Some times I do want to yell up there, come on, 270 00:13:02,400 --> 00:13:04,040 Speaker 2: give it a rest, But then I don't want to 271 00:13:04,040 --> 00:13:06,920 Speaker 2: embarrass her because I don't think she knows that I 272 00:13:06,960 --> 00:13:10,120 Speaker 2: can hear everything she does. You're right about that, yeah, yeah, 273 00:13:10,160 --> 00:13:12,880 Speaker 2: it's an old no, she's like probably even younger than 274 00:13:12,920 --> 00:13:14,760 Speaker 2: I am. Honestly, she's around my am get a girl. 275 00:13:15,800 --> 00:13:17,760 Speaker 1: How bad that everybody else is getting some except you. 276 00:13:18,320 --> 00:13:21,080 Speaker 2: Yeah, she can't hear me doing anything downstairs because that's 277 00:13:21,120 --> 00:13:22,880 Speaker 2: what's happening. I think the only thing that she can 278 00:13:22,920 --> 00:13:24,240 Speaker 2: probably hears my cat crying. 279 00:13:25,000 --> 00:13:32,719 Speaker 1: How sad and sad. Text messages Bailey at Katie wb one, 280 00:13:32,800 --> 00:13:36,040 Speaker 1: Bailey's claiming that the next door upstairs neighbor is loud 281 00:13:36,120 --> 00:13:39,800 Speaker 1: and faking it noises make it more of a turn on. 282 00:13:40,280 --> 00:13:44,479 Speaker 1: I think that's probably true, rather than sit there unexpressive 283 00:13:45,080 --> 00:13:48,679 Speaker 1: and be like, but you can't be overdoing it. 284 00:13:48,720 --> 00:13:52,240 Speaker 3: There's an episode of Euphoria where she's clearly making fake 285 00:13:52,320 --> 00:13:54,040 Speaker 3: noises and I think she stops in the middle She's like, 286 00:13:54,080 --> 00:13:54,880 Speaker 3: are you just faking? 287 00:13:54,960 --> 00:13:57,520 Speaker 1: And a big O and you can't be doing it? 288 00:13:57,520 --> 00:14:01,360 Speaker 3: Like like it's clearly like oh oh oh, like stop, 289 00:14:02,000 --> 00:14:02,760 Speaker 3: just cut it out. 290 00:14:03,720 --> 00:14:05,360 Speaker 1: I don't think I would know whether they were faking 291 00:14:05,480 --> 00:14:07,360 Speaker 1: or not. I'm not going to get into details, but 292 00:14:07,400 --> 00:14:08,960 Speaker 1: it's kind of like I'm sure that I probably was 293 00:14:09,000 --> 00:14:11,280 Speaker 1: like thinking I'm doing a really good job many times, 294 00:14:11,800 --> 00:14:15,320 Speaker 1: and my partner was like, oh god, uh uh uh uh, 295 00:14:15,840 --> 00:14:19,800 Speaker 1: get off, get off. Of me. Please text messages. I'm loud, 296 00:14:19,840 --> 00:14:24,280 Speaker 1: but it's partly feedback for my partner. Another one, My 297 00:14:24,400 --> 00:14:28,560 Speaker 1: upstairs neighbor walks very loudly too, all day long. 298 00:14:29,280 --> 00:14:31,480 Speaker 3: I wonder how many people and if you feel comfortable 299 00:14:31,480 --> 00:14:32,360 Speaker 3: text in fake it? 300 00:14:32,640 --> 00:14:33,720 Speaker 1: And how do you fake it? 301 00:14:33,760 --> 00:14:35,960 Speaker 2: Because there's a bold statement I would say, like if 302 00:14:35,960 --> 00:14:37,440 Speaker 2: you're doing the love and all the time and you're 303 00:14:37,440 --> 00:14:40,720 Speaker 2: always going, oh my gosh, you're faking it. Period, you're 304 00:14:40,760 --> 00:14:43,440 Speaker 2: faking it. I mean it might be for feedback, great, 305 00:14:43,600 --> 00:14:45,920 Speaker 2: give feedback, but why you gotta be so loud that 306 00:14:46,000 --> 00:14:48,920 Speaker 2: I can hear you downstairs? 307 00:14:47,760 --> 00:14:51,800 Speaker 1: How? Why got to be so loud. 308 00:14:54,320 --> 00:14:58,000 Speaker 2: All mining in upstairs apartment? 309 00:14:58,680 --> 00:14:59,040 Speaker 1: Oh? 310 00:14:59,200 --> 00:15:01,560 Speaker 2: You ever gonna be is loud? 311 00:15:03,600 --> 00:15:08,480 Speaker 1: Some day I'll be sleeping with my little Kidy and 312 00:15:08,560 --> 00:15:16,520 Speaker 1: all your ever gonna be is loud. God, Okay, it's 313 00:15:16,560 --> 00:15:19,560 Speaker 1: just you just heard the genius happen just now. It's amazing. 314 00:15:19,600 --> 00:15:23,600 Speaker 1: All it bring back, Jenny, No kidding, Jenny, when you 315 00:15:23,600 --> 00:15:24,160 Speaker 1: coming back. 316 00:15:24,040 --> 00:15:27,160 Speaker 2: To the Dave Ryan Show on Kati w B. 317 00:15:27,320 --> 00:15:31,440 Speaker 1: Shoo alrics or wherever you are locked up, locked down, 318 00:15:31,640 --> 00:15:33,880 Speaker 1: the water still open? Yeah, I think so? Yeah? Yeah? 319 00:15:34,320 --> 00:15:37,120 Speaker 1: Cloud yeah, sant Cloud is another one. Right. Another one 320 00:15:37,160 --> 00:15:40,520 Speaker 1: is down by red red Wing. You drive south of 321 00:15:40,560 --> 00:15:42,760 Speaker 1: Red Wing along the freeway there along the river, Yeah, 322 00:15:42,800 --> 00:15:43,960 Speaker 1: and you look over to the right and there's like 323 00:15:43,960 --> 00:15:45,600 Speaker 1: a bunch of barbed wire and it says something like 324 00:15:45,760 --> 00:15:46,640 Speaker 1: kid's prison or something. 325 00:15:46,800 --> 00:15:48,800 Speaker 2: Not a prison. It's just it's for like kids that 326 00:15:48,840 --> 00:15:51,480 Speaker 2: are going through it or something. It's not. I don't 327 00:15:51,480 --> 00:15:53,600 Speaker 2: think it's a prison. I think it's I don't think 328 00:15:53,640 --> 00:15:55,240 Speaker 2: it's a person I say it's a prison. I think 329 00:15:55,240 --> 00:15:57,960 Speaker 2: it's for kids who are like, you know, unstable, but 330 00:15:58,000 --> 00:15:59,320 Speaker 2: not in a prison sense. 331 00:15:59,200 --> 00:16:02,960 Speaker 1: Like okay, will shout out anyway, shout out, going back 332 00:16:03,000 --> 00:16:04,520 Speaker 1: really briefly, And we don't want to get too hung 333 00:16:04,600 --> 00:16:06,760 Speaker 1: up on this, but but Bailey was complaining about her 334 00:16:06,800 --> 00:16:07,640 Speaker 1: neighbor upstairs. 335 00:16:07,640 --> 00:16:10,240 Speaker 2: My neighbor upstairs. She walks really loud, and now she 336 00:16:10,360 --> 00:16:13,800 Speaker 2: has taken to having the love in very loud, and 337 00:16:14,040 --> 00:16:16,280 Speaker 2: I think she's faking it because it's just, you know, 338 00:16:16,400 --> 00:16:19,600 Speaker 2: you hear the rhythmic and then you hear her going, 339 00:16:19,840 --> 00:16:22,760 Speaker 2: oh my god, and it's annoying, and I think she's 340 00:16:22,800 --> 00:16:24,320 Speaker 2: faking it, and I think she should stop. 341 00:16:24,360 --> 00:16:26,600 Speaker 1: We got a text from somebody who said eight years 342 00:16:26,600 --> 00:16:28,680 Speaker 1: with the same guy faked it every single time. 343 00:16:28,720 --> 00:16:29,080 Speaker 2: Wow. 344 00:16:29,200 --> 00:16:32,440 Speaker 1: And so then it's like, well, why do you fake it? 345 00:16:32,720 --> 00:16:36,160 Speaker 1: I mean redirect your partner to tell them what to do, 346 00:16:36,800 --> 00:16:38,720 Speaker 1: And a lot of women have probably tried that and 347 00:16:38,760 --> 00:16:40,600 Speaker 1: he just sees it or it's not cooperating or it's 348 00:16:40,640 --> 00:16:43,160 Speaker 1: not working or whatever. So we just have an expert 349 00:16:43,160 --> 00:16:45,920 Speaker 1: on the show and I can't remember her name, but 350 00:16:46,000 --> 00:16:48,200 Speaker 1: she said women will fake it to get it over with. 351 00:16:48,320 --> 00:16:50,720 Speaker 1: It's like like, you know, slapping away, and it's like 352 00:16:50,760 --> 00:16:53,360 Speaker 1: you just wanted to be done, so you'll be you know, 353 00:16:53,600 --> 00:16:56,080 Speaker 1: pretend that you're finished. Yeah, so he'll finally be like 354 00:16:56,440 --> 00:16:58,440 Speaker 1: But the only problem with that is it builds up 355 00:16:58,480 --> 00:17:01,280 Speaker 1: a sense of well, that worked, I'm going to do 356 00:17:01,360 --> 00:17:01,880 Speaker 1: that again. 357 00:17:02,080 --> 00:17:05,120 Speaker 2: Yeah, I must be so good. I what I'm doing 358 00:17:05,200 --> 00:17:08,840 Speaker 2: is so magical that this text says women should not 359 00:17:08,960 --> 00:17:11,760 Speaker 2: fake so much, because then dudes think what they're doing 360 00:17:11,840 --> 00:17:14,639 Speaker 2: is so great. Every success, we're filling their heads with 361 00:17:14,680 --> 00:17:17,280 Speaker 2: an ego that will not suit them with future partners. 362 00:17:17,320 --> 00:17:19,360 Speaker 2: It's like telling someone they're good at something when they're 363 00:17:19,400 --> 00:17:21,359 Speaker 2: just average or they suck at it. Women do this 364 00:17:21,400 --> 00:17:21,880 Speaker 2: all the time. 365 00:17:21,960 --> 00:17:25,640 Speaker 1: Forget future partners, What if that is your future partner. Yeah, 366 00:17:25,760 --> 00:17:27,639 Speaker 1: you tell them to help them, critique them, you know 367 00:17:27,680 --> 00:17:28,240 Speaker 1: what I'm saying. 368 00:17:28,119 --> 00:17:29,879 Speaker 2: And then you end up faking it for eight years. 369 00:17:30,520 --> 00:17:33,480 Speaker 1: Well, we'll hear his Erin fake it for eight years. 370 00:17:33,600 --> 00:17:37,040 Speaker 1: Erin is on the phone eight years, same guy Erin? Right. 371 00:17:38,480 --> 00:17:41,520 Speaker 4: Yeah, it's actually been sixteen with him. 372 00:17:41,680 --> 00:17:44,520 Speaker 1: Oh my, so you're you're still in the relationship. Did 373 00:17:44,560 --> 00:17:45,679 Speaker 1: you have to fake it? I don't want to get 374 00:17:45,680 --> 00:17:47,040 Speaker 1: you personal. You can hang up if you want to. 375 00:17:47,160 --> 00:17:49,080 Speaker 1: Did you have to fake it with other partners before 376 00:17:49,119 --> 00:17:49,600 Speaker 1: this person? 377 00:17:51,119 --> 00:17:51,479 Speaker 4: Uh? 378 00:17:52,240 --> 00:17:52,440 Speaker 2: No? 379 00:17:52,720 --> 00:17:54,639 Speaker 4: And the first date we're fine. It's just been the 380 00:17:54,720 --> 00:17:55,399 Speaker 4: last date. 381 00:17:55,960 --> 00:17:59,320 Speaker 1: The first eight years. Yeah, because you've been sixteen total, 382 00:18:00,040 --> 00:18:03,679 Speaker 1: when the last the first eight were fine? What change? 383 00:18:03,760 --> 00:18:04,160 Speaker 2: Yeah? 384 00:18:04,200 --> 00:18:06,080 Speaker 1: Can I I mean again, hang up if you don't 385 00:18:06,080 --> 00:18:07,199 Speaker 1: want to answer. What changed? 386 00:18:08,400 --> 00:18:12,479 Speaker 4: Well, two kids and smut books? 387 00:18:13,560 --> 00:18:19,120 Speaker 1: Oh then so like yeah, how No, it's clear he's 388 00:18:19,160 --> 00:18:21,879 Speaker 1: doing that. He's getting a stimulation from the from the 389 00:18:22,000 --> 00:18:23,720 Speaker 1: people he is okay, okay, gotcha? 390 00:18:23,840 --> 00:18:25,280 Speaker 4: No no, no, no, no, no, no no, no. 391 00:18:25,640 --> 00:18:26,040 Speaker 1: Oh okay. 392 00:18:26,160 --> 00:18:29,679 Speaker 4: I'm reading too many books and I'm getting pictures in 393 00:18:29,720 --> 00:18:32,640 Speaker 4: my head and I'm asking him to try new things 394 00:18:33,000 --> 00:18:34,360 Speaker 4: and he just doesn't go for it. 395 00:18:34,880 --> 00:18:38,439 Speaker 2: Oh, I see she's getting inspiration and he's like, now 396 00:18:38,520 --> 00:18:39,119 Speaker 2: I don't want to. 397 00:18:39,320 --> 00:18:42,760 Speaker 1: Oh okay. So after the other way around, I thought 398 00:18:42,800 --> 00:18:44,399 Speaker 1: maybe he was looking at the smut books and he 399 00:18:44,560 --> 00:18:46,119 Speaker 1: was not needing the okay. 400 00:18:46,160 --> 00:18:49,040 Speaker 3: Interesting, So your expectations got raised after eight years and 401 00:18:49,040 --> 00:18:50,880 Speaker 3: he wasn't meeting them. 402 00:18:50,920 --> 00:18:51,960 Speaker 2: Correct, gotcha? 403 00:18:52,280 --> 00:18:54,080 Speaker 1: But don't you want to? I don't know. 404 00:18:54,160 --> 00:18:57,200 Speaker 3: Man, Like I said to Bailey, I just wouldn't fake 405 00:18:57,240 --> 00:18:58,840 Speaker 3: it because if that's going to be your partner for 406 00:18:58,960 --> 00:19:01,479 Speaker 3: life or forever long, the only person that benefits from 407 00:19:01,520 --> 00:19:02,919 Speaker 3: you telling them that they're not good is you. 408 00:19:03,240 --> 00:19:05,359 Speaker 1: Yeah, So like that way they can get better, they 409 00:19:05,359 --> 00:19:05,879 Speaker 1: can improve. 410 00:19:05,920 --> 00:19:08,159 Speaker 2: Maybe we can start here first, do you heard it here? First? 411 00:19:08,400 --> 00:19:09,479 Speaker 2: Stop faking it everyone? 412 00:19:09,520 --> 00:19:13,880 Speaker 1: But it's I think the problem is if you've been 413 00:19:14,520 --> 00:19:16,199 Speaker 1: do you really want your guy to know that you've 414 00:19:16,240 --> 00:19:19,840 Speaker 1: been faking it for the last three years? And it's like, wait, 415 00:19:19,960 --> 00:19:22,480 Speaker 1: really for the last three years, So now you're going 416 00:19:22,560 --> 00:19:24,879 Speaker 1: to come clean. And I also think that people are 417 00:19:24,880 --> 00:19:27,720 Speaker 1: worried about the guy's ego. And it's like, because I've 418 00:19:27,720 --> 00:19:29,840 Speaker 1: once had a girlfriend told me that's how you kiss, 419 00:19:30,640 --> 00:19:33,760 Speaker 1: that's how you kiss, and I was pissed. Yeah, I 420 00:19:33,880 --> 00:19:36,399 Speaker 1: was like, nobody in my life has ever told me 421 00:19:36,400 --> 00:19:39,200 Speaker 1: I'm not a good kisser. And she was like, that's 422 00:19:39,240 --> 00:19:41,600 Speaker 1: how you kiss. And that was the one and only 423 00:19:41,640 --> 00:19:44,360 Speaker 1: time we ever made out. Oh yeah, there's a radio personality. 424 00:19:44,359 --> 00:19:46,160 Speaker 1: His name of DJ Nvy. He's on the Breakfast Club. 425 00:19:46,280 --> 00:19:49,040 Speaker 3: His wife wrote in a book about how, for their 426 00:19:49,200 --> 00:19:52,240 Speaker 3: entire relationship they've been married for thirty something years, she 427 00:19:52,359 --> 00:19:53,720 Speaker 3: has faked it every single time. 428 00:19:53,960 --> 00:19:55,480 Speaker 1: And I don't know why you'd put that in a book. 429 00:19:55,520 --> 00:19:57,320 Speaker 3: First of all, I would never let my wife expose that, 430 00:19:57,440 --> 00:20:01,840 Speaker 3: but really, but I mean, after all this time, he's 431 00:20:01,920 --> 00:20:03,760 Speaker 3: like working with her to be like, Okay, this is 432 00:20:03,760 --> 00:20:04,280 Speaker 3: what we should do. 433 00:20:04,359 --> 00:20:06,560 Speaker 2: Let's try this wow communication, That's fine. 434 00:20:06,600 --> 00:20:07,680 Speaker 1: Well, now I'm not going to trust you. 435 00:20:07,760 --> 00:20:09,680 Speaker 3: Afterward, Now you could be like, oh now you're doing better, 436 00:20:09,680 --> 00:20:10,719 Speaker 3: and I'm still not going to trust you. 437 00:20:10,760 --> 00:20:13,520 Speaker 1: But Aaron, any any advice for anybody who's like been 438 00:20:13,560 --> 00:20:14,960 Speaker 1: faking it or not enjoying it. 439 00:20:15,160 --> 00:20:21,320 Speaker 4: Yeah, I mean I keep trying to help him. I 440 00:20:21,480 --> 00:20:26,479 Speaker 4: keep trying new things, So I guess I don't. I 441 00:20:26,560 --> 00:20:29,119 Speaker 4: just I know I keep trying because it's you know, 442 00:20:29,200 --> 00:20:31,240 Speaker 4: it's not just in the bedroom where he means the 443 00:20:31,280 --> 00:20:31,760 Speaker 4: most to me. 444 00:20:34,200 --> 00:20:36,160 Speaker 2: That's a nice sentiment. Well, maybe today is the day 445 00:20:36,200 --> 00:20:39,600 Speaker 2: that it changes. Make it happen, right right. 446 00:20:40,200 --> 00:20:42,400 Speaker 1: Aaron, thank you for being on. I really appreciate it. 447 00:20:43,280 --> 00:20:43,679 Speaker 4: Thank you. 448 00:20:43,840 --> 00:20:45,080 Speaker 1: I think what we learned is there's a lot of 449 00:20:45,080 --> 00:20:46,880 Speaker 1: people are kind of in the same boat. Yeah. 450 00:20:47,119 --> 00:20:49,280 Speaker 2: I like the phrase that the bedroom's not the only 451 00:20:49,320 --> 00:20:50,800 Speaker 2: place that he means a lot to me. 452 00:20:51,119 --> 00:20:53,440 Speaker 1: I like that a lot. All Right, we're gonna play 453 00:20:53,480 --> 00:20:55,200 Speaker 1: a quick Do we have time to play face off? 454 00:20:55,240 --> 00:20:57,560 Speaker 1: We really don't. Okay, let's get We'll get right into 455 00:20:57,640 --> 00:20:59,720 Speaker 1: Dave's dirt and cover some stuff that needs to be 456 00:20:59,720 --> 00:21:01,439 Speaker 1: covered here on KDWB. 457 00:21:01,720 --> 00:21:02,360 Speaker 2: What's trending? 458 00:21:02,760 --> 00:21:07,280 Speaker 1: Let's find out it's Dave Sert on KDWB. Let she 459 00:21:08,080 --> 00:21:11,199 Speaker 1: what we want to do here? Okay, Slip Knot is 460 00:21:11,240 --> 00:21:14,120 Speaker 1: on the dirt today. Doesn't happen very often. They are 461 00:21:14,160 --> 00:21:17,160 Speaker 1: the latest artists to sell a majority stake of their 462 00:21:17,280 --> 00:21:25,080 Speaker 1: music catalog and it's a lot. So yes, we found 463 00:21:25,119 --> 00:21:27,919 Speaker 1: a spice girls Slipnot smash up and that is that 464 00:21:28,000 --> 00:21:30,560 Speaker 1: they sold their music catalog for one hundred and twenty 465 00:21:31,240 --> 00:21:34,120 Speaker 1: dollars and hey, good for them, because that is some 466 00:21:34,520 --> 00:21:38,000 Speaker 1: serious money and if you wait too long, the interest 467 00:21:38,080 --> 00:21:39,840 Speaker 1: might wane as the years go by. 468 00:21:40,240 --> 00:21:42,080 Speaker 2: So can you tell me, as someone who knows things 469 00:21:42,119 --> 00:21:44,920 Speaker 2: about music, what does that mean for their music? Now, 470 00:21:44,960 --> 00:21:47,280 Speaker 2: if they sold their catalog, what does that mean? 471 00:21:47,359 --> 00:21:50,840 Speaker 1: It means the publishing and the recorded music. So in 472 00:21:50,840 --> 00:21:52,480 Speaker 1: other words, if they want to use it in a 473 00:21:53,080 --> 00:21:57,199 Speaker 1: I don't know, a commercial for Geico, they would have 474 00:21:57,240 --> 00:21:59,720 Speaker 1: to pay for it. So it's all about the publishing. 475 00:22:00,119 --> 00:22:02,320 Speaker 1: And I guess that's where you really make the money 476 00:22:02,359 --> 00:22:04,679 Speaker 1: in music. And I don't fully understand it myself, but 477 00:22:04,760 --> 00:22:08,040 Speaker 1: that was where Taylor Swift she didn't own her songs 478 00:22:08,560 --> 00:22:11,800 Speaker 1: because the recordings were owned by the record company. Then 479 00:22:11,880 --> 00:22:16,439 Speaker 1: later Scooter Braun she finally bought him back, and then 480 00:22:16,480 --> 00:22:20,240 Speaker 1: the publishing. So in other words, everything from like music 481 00:22:20,359 --> 00:22:22,720 Speaker 1: like if you want a band, like if a band 482 00:22:22,760 --> 00:22:24,439 Speaker 1: wants to play it, or I want you know, like 483 00:22:24,480 --> 00:22:27,119 Speaker 1: of a high school band or whatever, oh wants to 484 00:22:27,160 --> 00:22:30,359 Speaker 1: play the sheet music is another form of publishing. And 485 00:22:30,359 --> 00:22:32,320 Speaker 1: I don't know everything about it, but that is where 486 00:22:32,359 --> 00:22:33,359 Speaker 1: apparently the money is. 487 00:22:33,520 --> 00:22:36,000 Speaker 2: Like if a like a video game wants to use 488 00:22:36,000 --> 00:22:39,640 Speaker 2: your music or something, I see interesting. I didn't know that. Okay, cool? 489 00:22:40,359 --> 00:22:43,720 Speaker 2: Director from Wicked, John Chew, he waited on a possible 490 00:22:43,800 --> 00:22:47,400 Speaker 2: third Wicked film, Davis is number one. Thank you. 491 00:22:50,000 --> 00:22:51,280 Speaker 1: My daughter's already writing one. 492 00:22:51,320 --> 00:22:52,160 Speaker 2: She's eight years old. 493 00:22:52,359 --> 00:22:55,000 Speaker 1: She wrote this whole beginning that I actually really love. 494 00:22:55,680 --> 00:22:58,320 Speaker 1: But we'll say let's enjoy this ride first. 495 00:22:58,880 --> 00:23:01,120 Speaker 2: I'd love to hear if somebody goes to see Wicked 496 00:23:01,160 --> 00:23:03,159 Speaker 2: this week, let me know what your thoughts are. It 497 00:23:03,240 --> 00:23:07,280 Speaker 2: definitely ends on a note where it could turn into 498 00:23:07,320 --> 00:23:10,440 Speaker 2: a third movie, but the two movies are essentially Act 499 00:23:10,440 --> 00:23:13,480 Speaker 2: one in Act two of the stage play, so there 500 00:23:13,560 --> 00:23:17,359 Speaker 2: isn't any actual like Wicked content from the stage that 501 00:23:17,400 --> 00:23:19,320 Speaker 2: could be turned into a movie. So it would be 502 00:23:19,400 --> 00:23:23,080 Speaker 2: something brand new going off of that last one. So 503 00:23:23,080 --> 00:23:25,239 Speaker 2: it's funny that his kids have already written part of it. 504 00:23:25,480 --> 00:23:26,840 Speaker 1: Okay, I thought this was pretty cool. 505 00:23:26,840 --> 00:23:29,280 Speaker 3: Codin O'Brien came in second in a poll to determine 506 00:23:29,280 --> 00:23:31,480 Speaker 3: the greatest late night show hosts of all time. If 507 00:23:31,480 --> 00:23:33,080 Speaker 3: you love late night, you'll know some of the names 508 00:23:33,080 --> 00:23:34,560 Speaker 3: on this list. I'll give you the top five. Number 509 00:23:34,560 --> 00:23:38,040 Speaker 3: five is John Stewart Legend. Number four is Craig Ferguson. 510 00:23:38,160 --> 00:23:40,440 Speaker 3: Number three is David Letterman. Number two is Codon O'Brien, 511 00:23:40,520 --> 00:23:43,439 Speaker 3: and I'm sure you could guess number one. The legendary 512 00:23:43,720 --> 00:23:45,320 Speaker 3: rest in peace Johnny Carson. 513 00:23:46,200 --> 00:23:48,199 Speaker 1: If you're not old left to remember Johnny Carson, he 514 00:23:48,240 --> 00:23:50,399 Speaker 1: was just he was really one of a kind. He 515 00:23:50,520 --> 00:23:53,120 Speaker 1: was just so cool and so much of what made 516 00:23:53,200 --> 00:23:56,919 Speaker 1: me want to do what I do was watching Johnny Carson. Wow, 517 00:23:56,960 --> 00:24:00,439 Speaker 1: he was just so charismatic and so cool, just so 518 00:24:00,680 --> 00:24:01,840 Speaker 1: chill and funny, and. 519 00:24:01,760 --> 00:24:04,680 Speaker 3: Hosted his show for literally thirty somewhat years. 520 00:24:04,920 --> 00:24:08,760 Speaker 1: It was, Yeah, it was from sixty two to ninety two. Yeah, 521 00:24:09,200 --> 00:24:09,640 Speaker 1: a lot time. 522 00:24:09,680 --> 00:24:11,159 Speaker 2: I didn't realized it was alive. 523 00:24:11,160 --> 00:24:17,159 Speaker 1: A long time. In other dirt, there's a couple of 524 00:24:17,200 --> 00:24:19,920 Speaker 1: other things that I wanted to cover here. What is 525 00:24:19,960 --> 00:24:23,399 Speaker 1: a personal rule that you never break? A personal rule 526 00:24:23,480 --> 00:24:26,960 Speaker 1: that you never break. Never lend more than you are 527 00:24:27,000 --> 00:24:30,520 Speaker 1: willing to lose. So if you can't, and they say 528 00:24:30,560 --> 00:24:32,760 Speaker 1: the same thing with gambling, never gamble more than you're 529 00:24:32,840 --> 00:24:35,400 Speaker 1: able to lose, the cart goes back in the cart. 530 00:24:35,480 --> 00:24:40,120 Speaker 1: Kral Never text somebody angry. Worst decisions all we start 531 00:24:40,160 --> 00:24:43,240 Speaker 1: with a keyboard in your hand. I learned that before 532 00:24:43,280 --> 00:24:45,639 Speaker 1: you hit send on an email, sit on it for 533 00:24:45,720 --> 00:24:47,960 Speaker 1: a little bit. Just wait on it for a little bit. 534 00:24:48,080 --> 00:24:50,560 Speaker 1: Because I got an angry email from somebody who was 535 00:24:50,640 --> 00:24:52,560 Speaker 1: really pissed off at me a couple of weeks ago. 536 00:24:52,600 --> 00:24:54,080 Speaker 1: And you knew who it was because I told it 537 00:24:54,200 --> 00:24:57,800 Speaker 1: to you guys. And I'm like, they were really angry 538 00:24:57,800 --> 00:25:00,760 Speaker 1: when they wrote it. They probably hit send and they 539 00:25:00,800 --> 00:25:02,600 Speaker 1: should have thought about it for a little bit. I 540 00:25:02,640 --> 00:25:04,480 Speaker 1: didn't write back because it's like, you know, I'm not 541 00:25:04,480 --> 00:25:06,480 Speaker 1: going to try to placate you, right, just went to 542 00:25:06,520 --> 00:25:07,600 Speaker 1: their house and beat them up. Yeah. 543 00:25:07,600 --> 00:25:10,359 Speaker 2: Well yeah, I always think like, you shouldn't be making 544 00:25:10,440 --> 00:25:14,400 Speaker 2: any big decisions past ten pm, okay, because then you're 545 00:25:14,440 --> 00:25:17,000 Speaker 2: influenced by the night, and so don't make any big ones. 546 00:25:17,040 --> 00:25:21,280 Speaker 1: Okay, fair enough. I like that one. Another one, don't 547 00:25:21,359 --> 00:25:24,280 Speaker 1: leave the house after midnight. Never talk about personal stuff 548 00:25:24,280 --> 00:25:25,399 Speaker 1: at work ever. 549 00:25:25,520 --> 00:25:26,280 Speaker 2: That's all I do. 550 00:25:26,440 --> 00:25:28,920 Speaker 1: Well, that's yeah, we're friends here on the show, so 551 00:25:28,960 --> 00:25:32,200 Speaker 1: we do talk about very personal stuff sometimes. Be on time, 552 00:25:32,920 --> 00:25:35,399 Speaker 1: and that's part of my book title. Take a shower, 553 00:25:35,720 --> 00:25:38,840 Speaker 1: show up on time, and don't steal anything. Don't date 554 00:25:38,920 --> 00:25:42,600 Speaker 1: co workers probably a good idea, but I know a 555 00:25:42,640 --> 00:25:46,280 Speaker 1: lot of romances were blossom at work. That's just the 556 00:25:46,280 --> 00:25:48,439 Speaker 1: way it is. Because you're working on things together, you 557 00:25:48,480 --> 00:25:50,359 Speaker 1: get to know each other. You can find out what 558 00:25:50,440 --> 00:25:53,000 Speaker 1: somebody's really like by what kind of a coworker they are, 559 00:25:53,040 --> 00:25:56,960 Speaker 1: whether they're lazy, whether they share credit, whether they're intelligent. 560 00:25:57,359 --> 00:25:59,720 Speaker 1: So workplace is a great place to fall in love. 561 00:26:00,840 --> 00:26:03,880 Speaker 3: Our friend Carla Marie, she's a radio personality in her 562 00:26:04,040 --> 00:26:07,720 Speaker 3: bat to be husband Anthony. They met on whatever radio 563 00:26:07,760 --> 00:26:09,919 Speaker 3: show they were. They were on interns on Elvis back 564 00:26:09,960 --> 00:26:12,360 Speaker 3: in the day, and now they're little getting married this week. 565 00:26:12,160 --> 00:26:14,920 Speaker 1: So this week, Yeah, I love those two. 566 00:26:15,080 --> 00:26:15,359 Speaker 2: All right. 567 00:26:15,440 --> 00:26:16,720 Speaker 1: That is the dirty. It just brought to you by 568 00:26:16,720 --> 00:26:19,400 Speaker 1: six y one two Injured Heimer and Lamber's Injury Law. 569 00:26:19,720 --> 00:26:22,360 Speaker 1: Check out the Minnesota Goodbye. We always do a Minnesota 570 00:26:22,359 --> 00:26:24,200 Speaker 1: Goodbye after the show. It was a lot of fun. 571 00:26:24,200 --> 00:26:27,040 Speaker 1: We were thinking about doing a live Minnesota Goodbye recording 572 00:26:27,320 --> 00:26:29,960 Speaker 1: and maybe doing it here at KATIEWB in the sky room. 573 00:26:30,200 --> 00:26:32,560 Speaker 1: We're trying to figure out a way to logistically make 574 00:26:32,640 --> 00:26:35,919 Speaker 1: it work where we have enough people show up, but 575 00:26:36,200 --> 00:26:38,399 Speaker 1: not so many we can't fit them all in. But 576 00:26:38,440 --> 00:26:41,080 Speaker 1: then I don't know that many people would come. So 577 00:26:41,240 --> 00:26:44,520 Speaker 1: check out the Minnesota Goodbye podcast on the iHeartRadio appter 578 00:26:44,600 --> 00:26:47,399 Speaker 1: search Minnesota Goodbye. It's up there now right it is 579 00:26:47,480 --> 00:26:49,080 Speaker 1: up there. It should be up there now, and anything 580 00:26:49,080 --> 00:26:50,240 Speaker 1: you missed on the show, you can go back and 581 00:26:50,280 --> 00:26:53,560 Speaker 1: listen on your own time to whatever you want to 582 00:26:53,560 --> 00:26:54,680 Speaker 1: hear on the Dave Ryan Show. 583 00:26:54,760 --> 00:26:57,440 Speaker 3: Also, we earlier we played something from the vaults where 584 00:26:57,600 --> 00:27:01,439 Speaker 3: somebody found an interesting picture of me, David Ryan, and 585 00:27:01,480 --> 00:27:04,359 Speaker 3: then they send it to him and we posted the 586 00:27:04,400 --> 00:27:06,520 Speaker 3: picture on our Instagram, so for your viewing pleasure, Dave 587 00:27:06,600 --> 00:27:07,600 Speaker 3: Ryan Show on Instagram. 588 00:27:07,640 --> 00:27:10,720 Speaker 1: I'm naked. I mean, I'll just go ahead and spur 589 00:27:10,760 --> 00:27:13,800 Speaker 1: the beans there. Spoiler alert. I'm naked in this picture. Yeah. Well, 590 00:27:13,840 --> 00:27:15,760 Speaker 1: this picture was taken of me when I was twenty 591 00:27:15,800 --> 00:27:18,679 Speaker 1: one years old by my girlfriend Tammy, and somehow it 592 00:27:18,800 --> 00:27:22,040 Speaker 1: leaked out into the public and it is on Instagram 593 00:27:22,440 --> 00:27:25,000 Speaker 1: and you can see it and I am full on naked. 594 00:27:25,119 --> 00:27:28,040 Speaker 1: You look good, shut now, I'm so skinny. I can 595 00:27:28,080 --> 00:27:28,720 Speaker 1: see my rip. 596 00:27:29,119 --> 00:27:29,520 Speaker 2: Yeah. 597 00:27:29,560 --> 00:27:31,600 Speaker 1: I have no man boobs in that picture at all, 598 00:27:32,080 --> 00:27:34,000 Speaker 1: just like a flat, little cute little nipple. 599 00:27:34,040 --> 00:27:35,640 Speaker 2: You look back on those times and you're like, wow, 600 00:27:35,760 --> 00:27:37,359 Speaker 2: remember when I didn't have man boob? 601 00:27:37,440 --> 00:27:39,840 Speaker 1: How much does Carson Carson look like that at that age? 602 00:27:39,880 --> 00:27:43,120 Speaker 1: He looks so much like me except yeah he I mean, seriously, 603 00:27:43,160 --> 00:27:47,080 Speaker 1: the same bad hair, the same face, same thing. All right, 604 00:27:47,119 --> 00:27:48,720 Speaker 1: go check that out, have a great day. We will 605 00:27:48,720 --> 00:27:51,760 Speaker 1: see you tomorrow on Katie w BA.