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Speaker 1: What's going on family, Your tune in the real labs,

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Speaker 1: her Radio one or four point one, your night cap

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Speaker 1: of comedy. My name is Kid Miller and the Big

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Speaker 1: cheddther night. James is out on the boat. I have

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Speaker 1: no idea where Miguel is. Jeff Kaufman is on the

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Speaker 1: West Coast getting his law home. But I'm joining the

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Speaker 1: virtual studio with my sisters from the Pillar for podcast.

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Speaker 2: Rue and Amy.

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Speaker 1: We had such a good time last night, man, So

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Speaker 1: thank you ladies again for sitting in with me. If

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Speaker 1: you guys can hear the stuff we talked about during

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Speaker 1: the break, Yeah, real killer, I wouldn't have shocked.

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Speaker 2: Wow, twenty years.

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Speaker 1: If twenty years we ain't got a Netflix documentary about

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Speaker 1: Rude being a whole serial killer, I wouldn't even be shocked, bro,

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Speaker 1: because she threatened life over you.

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Speaker 3: Amy, I would just like to say that there have

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Speaker 3: been there were not any real threats. Contractually, there were

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Speaker 3: empty threats, and I do not have it in me

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Speaker 3: to actually be a killer.

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Speaker 4: So on the record, I did not do the killing.

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Speaker 5: You dream about killing, and you know it.

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Speaker 4: I'm not dexter, Aby.

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Speaker 5: How do we know how we know?

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Speaker 4: This is on the record?

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Speaker 3: What happened during the break was not on the record,

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Speaker 3: but now we're on the radio and it's on the record,

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Speaker 3: and you heard it here.

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Speaker 4: For first folks, I am and not a killer.

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Speaker 1: Okay if you say so, man, But speaking the Killer

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Speaker 1: route is making a trip this weekend. She is going

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Speaker 1: to Morocco for a work trip. Like, why do you

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Speaker 1: know what you do for.

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Speaker 4: A living, bro, Exactly, it's a mistake.

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Speaker 2: So you had to Morocco, which we can't talk about

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Speaker 2: your trips this if you can.

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Speaker 3: Well, I do feel proud of knowing that I am

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Speaker 3: going to Africa before you probably can.

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Speaker 4: Okay, that's more African than the Morocco.

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Speaker 2: Yeah, yeah, yeah, yeah.

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Speaker 3: I don't know what I'm doing, but there are no

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Speaker 3: like corporate work hotels, so they couldn't just put me

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Speaker 3: up on a Maria in Morocco. So instead I'm staying

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Speaker 3: at like a beach resort, which.

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Speaker 5: Feels kind of nice. I'm gonna go do some.

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Speaker 3: Horseback riding for thirty bucks and eat a lot of food.

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Speaker 2: Yeah.

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Speaker 1: Yeah, I actually got to go to about I was

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Speaker 1: holy about to say, Wakanda, Bro.

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Speaker 4: Wakanda, I say.

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Speaker 2: I went to Wakanda.

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Speaker 4: I hope I ended up in Wakanda. That that's probably

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Speaker 4: where I'm going.

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Speaker 2: I went to Uganda.

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Speaker 1: I got to travel to Uganda with the President. That's

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Speaker 1: a clip on my Instagram with me talking about it

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Speaker 1: because I growing up in America when we see Africa, Yeah,

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Speaker 1: the huts and skinny people and flies and out of that.

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Speaker 1: And I get to Uganda and it was Atlanta. It

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Speaker 1: was Atlanta. It had like nightclubs, skyscrapers, like beautiful women,

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Speaker 1: Like was it nothing that I expected when I got there?

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Speaker 3: Well, and here's the thing is, we need America to

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Speaker 3: continue to think that there's nothing going on in Africa

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Speaker 3: because that is the only way I can afford it.

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Speaker 3: It is cheaper for me to go to Morocco and

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Speaker 3: stand an all inclusive resort that it is for me

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Speaker 3: to travel to California.

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Speaker 2: That's crazy.

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Speaker 3: Area California is like high, like it's even it's it's

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Speaker 3: probably cheaper for me to like even travel to Chicago, Like, uh,

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Speaker 3: cheaper to go to Morocco than go to Chicago.

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Speaker 5: Just based on the flights.

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Speaker 2: That's wow, what airlin aere you flying?

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Speaker 4: I'm flying air France.

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Speaker 3: We we croissant and I have a layover in Paris,

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Speaker 3: So I do plan making some enemy as while I'm there.

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Speaker 2: Uh, but.

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Speaker 5: You're gonna get some chocolate too, chocolate?

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Speaker 4: Yeah maybe? I mean when in when in France?

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Speaker 1: You know how long is this layover that you make

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Speaker 1: it in of me? But you have to laying over

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Speaker 1: two days? Like, how long does this layover?

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Speaker 4: It's only two hours? But I will make an enemy.

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Speaker 3: My life goal is to go to France and make

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Speaker 3: enemies because I feel like that's the only way the

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Speaker 3: French will respect me. Like they don't want me going

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Speaker 3: there to be friends. They want me to be their enemy,

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Speaker 3: and I am there for that.

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Speaker 6: I'm French.

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Speaker 4: I don't believe it.

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Speaker 2: Yeah, me neither.

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Speaker 4: That's just white people say. I feel exotic?

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Speaker 2: Yeah bro?

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Speaker 4: And you're too nice?

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Speaker 2: Yeah yeah.

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Speaker 4: Why aren't you yelling at me?

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Speaker 7: I do yelling you all the time, it's just not

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Speaker 7: as loud as you yell at me.

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Speaker 3: And Amy, you can't really be French because every time

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Speaker 3: I want to smoke a cigarette, you smack it out

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Speaker 3: of my hand.

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Speaker 7: I'm French Canadian and I used to smoke two packs

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Speaker 7: a day and drink lots of wine.

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Speaker 5: I just made my life better, all right?

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Speaker 4: Can we get old old Amy back.

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Speaker 5: Yeah, my lagging on y'all's end.

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Speaker 1: Noah, you're good, You're good. I'm curious to this is

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Speaker 1: how crazy it is. We're in Florida, Africa, right there.

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Speaker 1: You gotta fly up and didn't fly down.

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Speaker 6: Yeah, I don't make sense.

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Speaker 4: Oh yeah, yeah, I don't know. That's just how That's

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Speaker 4: just how it would be.

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Speaker 7: And you remember when Sarah Palin said she could see

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Speaker 7: Russia from her house.

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Speaker 6: Yeah, that's what you just sounded like.

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Speaker 2: Yo, it's right there.

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Speaker 7: Bro.

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Speaker 1: If I get on the roof of my house and

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Speaker 1: I look, I could see Morocco, it's right there. But

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Speaker 1: I gotta fly up and didn't fly down.

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Speaker 2: That's crazy. That don't make sense.

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Speaker 4: Man.

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Speaker 7: Well, the fact that Ruth's making enemies again, she's a

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Speaker 7: contract killer. If she's making enemies on her layover, she's

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Speaker 7: a contract killer.

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Speaker 6: I have on the.

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Speaker 3: Record, on the record, I have no comment to that statement.

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Speaker 1: Really, So your Russa, your Russa was picking her flights

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Speaker 1: and she could have had a straight flight, but she

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Speaker 1: ain't got no bodies in Paris, so she's like, let

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Speaker 1: me go up here somebody and then come on down.

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Speaker 3: On the record, this has never happened, but allegedly if it.

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Speaker 1: Does, I need to check where. I need to listen

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Speaker 1: every where you being and I need to check. I'm

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Speaker 1: just known for solving crimes. I watched Hypotenda. I know

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Speaker 1: I saw a crime. If hey, when I'm watching Dateline,

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Speaker 1: at forty.

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Speaker 2: Two minutes, that's the killer. Yeah, I know who the

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Speaker 2: killer is.

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Speaker 1: At forty one and forty two minutes, I'm like, yep,

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Speaker 1: it was Amy's fake husband.

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Speaker 2: I knew it, bro, But I.

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Speaker 4: Will I will stay and watch like the entire thing.

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Speaker 7: To know, like, yeah, I gotta finish it.

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Speaker 1: Because what happens is if you're watching Dateline and the

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Speaker 1: guy who is the killer, he'll have on this real

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Speaker 1: wrinkly polo or wrinkly button up because he's in jail,

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Speaker 1: and so they have.

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Speaker 2: You know what I mean. So they have the jail

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Speaker 2: thing covered up.

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Speaker 1: And then they have a little green screen, say like

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Speaker 1: he's in the library, and then the green screen goes

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Speaker 1: away and it's he's getting he's getting interviewed in jail.

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Speaker 1: Like yo, bro, I know, I know jail. I know

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Speaker 1: green screen jail when I see it.

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Speaker 3: Do you think they have a video studio and every

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Speaker 3: jail for that purpose.

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Speaker 1: Also shure they gotta be Also too, does the criminal

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Speaker 1: get paid for being on this episode?

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Speaker 3: That's a good point because like they're providing their time.

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Speaker 4: Yeah, I mean the jail.

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Speaker 5: Can you make money and jail you? I guess you're

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Speaker 5: a loued to, Like maybe they just get paid cigarettes.

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Speaker 2: Did you say the mob the mom.

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Speaker 7: Makes money while they're still in jail?

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Speaker 2: Are you talking about mad men?

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Speaker 6: Like are you the Pianos?

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Speaker 2: Yes?

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Speaker 7: And Good Fellas? I love all those movies. So they

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Speaker 7: still sell like sausages.

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Speaker 1: Hey, yos, the sasages and there pauses not racist pauses,

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Speaker 1: gay gay? Like when when when so so and so

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Speaker 1: said she was hard under the blanket, and now you said,

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Speaker 1: and they selling sausages in jail?

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Speaker 3: Paus So I about that?

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Speaker 4: You know I was hard under the blak Hey yo piles.

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Speaker 2: No, wait, so what way to rewind? I need my rewind?

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Speaker 2: But Amy, you didn't know what pause was.

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Speaker 6: What do you mean when somebody.

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Speaker 1: Says pause, pause, like pausing something like stopping it?

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Speaker 6: Oh you're telling me to stop talking?

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Speaker 2: No, Amy, Amy?

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Speaker 1: Amy, Canadian France look cool. If you hear a young

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Speaker 1: person you say something out of pocket and a young

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Speaker 1: person says pause.

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Speaker 2: That means you say it s gay. No pause, like

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Speaker 2: you're stopping it.

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Speaker 6: Other readA they can't see what I'm doing. I'm doing

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Speaker 6: the little pause, little keeps.

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Speaker 1: A little six six.

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Speaker 4: Seven every time.

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Speaker 3: Okay, this sounds really bad, but every time I see

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Speaker 3: a kid do six seven. The only thing like with

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Speaker 3: this motion that I see is like mozh.

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Speaker 2: Paulls pause.

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Speaker 4: Bro, but it's not gay because Amy, Amy, woman.

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Speaker 2: It don't matter. Bro, we I don't know. We just

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Speaker 2: have to say it. I don't know why. It's just

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Speaker 2: what they say. You say something out of pocket, you

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Speaker 2: gotta say it.

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Speaker 5: Man, I haven't heard that from because I don't have

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Speaker 5: a real kid.

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Speaker 2: I don't he actual actually actual kid.

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Speaker 1: If she knows what pause is, and I bet she's

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Speaker 1: gonna be, she'll know what it is.

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Speaker 4: She had a son, she would know what.

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Speaker 7: She my kid does the no wait stop like no

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Speaker 7: matter what. And you'll be talking like, oh, I went

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Speaker 7: to the store. She's like wait, no stop, and I'm

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Speaker 7: like what do I I don't know how to keep

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Speaker 7: on going when they keep on saying wait, no stop?

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Speaker 2: Is that I don't know that that's the thing.

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Speaker 7: That's the thing And It's really bad when I'm driving

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Speaker 7: because I'll be like driving and talking and she's like

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Speaker 7: wait no stop and I stop, and I'm.

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Speaker 6: Like, what are you talking?

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Speaker 7: Oh no, I was just talking. I was just talking.

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Speaker 7: So yeah, they say wait, no stop.

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Speaker 1: But it doesn't mean anything. They just they're just being

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Speaker 1: a ho.

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Speaker 2: It's like.

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Speaker 5: It's like, say say something to me, say something to me.

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Speaker 6: I don't want to.

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Speaker 5: We're gonna do it right now, so let's say something.

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Speaker 4: I can't wait.

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Speaker 6: No, stop, that's all.

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Speaker 7: It's just like add something. It's like a layer onto

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Speaker 7: the conversation. But you still keep on going. And then

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Speaker 7: I'm supposed to be like, oh yeah or something. I

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Speaker 7: don't know.

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Speaker 2: I'll ask her yeah yeah, yeah. Circle back, because I

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Speaker 2: have never heard that.

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Speaker 4: Are you having ai conversation?

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Speaker 5: My child?

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Speaker 1: My hologramchi my birth, the birth hologram that r wants

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Speaker 1: to have.

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Speaker 4: I feel like it'd be easier than real birth.

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Speaker 7: We gotta we gotta talk. I don't think we started

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Speaker 7: with that. I think you're gonna have to tell everybody

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Speaker 7: what you were talking about.

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Speaker 1: Yeah, Ruth wants to have a kid, but she wants

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Speaker 1: the kid to be a hologram because she doesn't want

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Speaker 1: to do real childbirth, so she wants a birth, which

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Speaker 1: is dope because you could change the hologram to be

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Speaker 1: whatever you want as they get older.

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Speaker 2: It could be a super successful kid.

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Speaker 5: True exactly, it could be Ceo.

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Speaker 1: You ain't got to worry about that kid off of himself,

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Speaker 1: nothing bro like immortals.

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Speaker 4: So I would get some like retirement out of the child.

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Speaker 7: You know.

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Speaker 5: How to fake family, guys.

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Speaker 4: Yeah, Amy already has a hologram family.

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Speaker 1: Yeah, and Ru do you real talk? Do you don't

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Speaker 1: you don't want children?

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Speaker 3: I think I think I like the concept of kids.

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Speaker 3: I just like don't have any right now for me

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Speaker 3: to like really under I just don't know what I

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Speaker 3: want in life. And if I if a kid does

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Speaker 3: come out of me, and then I'm like, you know what,

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Speaker 3: we got one?

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Speaker 7: Uh, I'm a big question.

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Speaker 6: Kat. We're all laughing.

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Speaker 2: All you want children because I.

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Speaker 1: Got I have, I got uh two kids, had two kids.

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Speaker 1: Amy has a baby, and and so Rue we we're

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Speaker 1: joking about kids.

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Speaker 2: So I'm just curious because.

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Speaker 1: You're just so nons and like, hey, if I have

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Speaker 1: a kid, that happens because you gotta do stuff to

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Speaker 1: make a kid. It ain't like you're just gonna have

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Speaker 1: a baby. You ain't married, magnal, You're.

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Speaker 7: Gonna brunch and come back with a baby as Yeah.

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Speaker 4: Yeah, don't.

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Speaker 3: It would take like a Santiago's Bodega brunch for that.

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Speaker 6: She got all our animals and her boyfriend.

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Speaker 1: Use yeah, real, you damn near forty, bro, Like, wow,

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Speaker 1: that is crazy allegations.

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Speaker 3: I know you want us to be I know you

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Speaker 3: want us to be like best friends.

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Speaker 4: But can I am ten years younger than you.

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Speaker 2: Okay, so if you ten years younger to be you're

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Speaker 2: thirty eight years old?

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Speaker 1: Oh no, yeah, you damn neil forty rupe.

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Speaker 2: You can't have a baby when you forty, because then

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Speaker 2: that baby come out.

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Speaker 1: Oh we're back real last real video one or four

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Speaker 1: point one your night cap of comedy, Cam Miller and

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Speaker 1: the Big cheddar night Gods, do me a favor to

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Speaker 1: go out there like follow and subscribe, leave us a comment,

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Speaker 1: leave us a message, and we will reach back out

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Speaker 1: to you.

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Speaker 2: James is out on the boat.

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Speaker 1: I have no idea, no idea, Well, Miguel is that

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Speaker 1: Jeff Kaufman is on the West coast right now. But

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Speaker 1: join the virtue of the studio with the Pillar Fork

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Speaker 1: podcast Ladies Root and Amy. So Amy sent me this.

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Speaker 1: I asked him last night, Hey, what you guys want

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Speaker 1: to talk about? Because you know we'll be random. And

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Speaker 1: so apparently Amy and them, you guys did a show

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Speaker 1: and you had a comic who walked a whole bunch

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Speaker 1: of the people in the audience.

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Speaker 2: So what happened?

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Speaker 7: So I had I was just on a lineup last night,

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Speaker 7: just a regular lineup. There's like twelve comics and the

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Speaker 7: room was probably thirty people, nice and cozy. I was

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Speaker 7: real excited. I was later on the lineup, which is

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Speaker 7: sometimes great, you know. And then literally right before my set,

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Speaker 7: one of the comedians did walk about seven to eight

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Speaker 7: people all up front, and it was like there were

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Speaker 7: I'm not gonna say who it is, but it was

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Speaker 7: like a newer comic and they weren't reading the room

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Speaker 7: and the vibees just shifted. So by the time I

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Speaker 7: got up there, there was just this big chunk of

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Speaker 7: like empty chairs in the front seat. And then it's

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Speaker 7: like it's fine, it's still fun. You still go up

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Speaker 7: there and do your job. My set was still good,

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Speaker 7: still still killed. I still did a good job. But

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Speaker 7: at the same time, it's like, what do you guys

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Speaker 7: do when you know, oh, one person is responsible for

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Speaker 7: ruining the whole show?

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Speaker 6: What do y'all do? Do you have any little tips

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Speaker 6: that y'all?

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Speaker 2: Do you know?

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Speaker 4: I have been this person before?

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Speaker 6: What the walker? You walked to the crowd?

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Speaker 2: Well?

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Speaker 4: So was it you?

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Speaker 2: Was it you?

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Speaker 5: Last night?

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Speaker 2: Well?

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Speaker 4: Once once there was a comic that I'm not really a.

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Speaker 3: Huge fan of, and I uh was and I saw

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Speaker 3: like a couple of people sitting in the audience that.

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Speaker 4: Like clearly did not want to be.

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Speaker 3: There, and it turned out that they were waiting to

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Speaker 3: see that comic.

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Speaker 6: So I look over to them and I'm like, you know.

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Speaker 3: You guys can just leave like no one's no one's

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Speaker 3: waiting for you. And so like like five people left,

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Speaker 3: and then like all the comics in the back.

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Speaker 4: Were like why did you do that? Like that was

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Speaker 4: like the worst thing for you to do?

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Speaker 5: And I was like, what you guys?

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Speaker 3: Walk?

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Speaker 5: You guys walk an audience all the time.

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Speaker 4: I can't nicely walk an audience.

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Speaker 6: It's such a tight.

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Speaker 3: It's so yeah, I am the worst.

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Speaker 4: I'm the worst person.

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Speaker 2: That is hilarious.

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Speaker 1: I tried my best, if I'm the next comic. Okay,

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Speaker 1: so the host should have been like, hey, hey, hey man,

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Speaker 1: y'all stick around. We only got a couple.

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Speaker 6: Of comments shotgun micing, we shotgun oo.

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Speaker 1: So if I'm coming up, if I can catch them,

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Speaker 1: as if I could catch them in the process of

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Speaker 1: leaving a come on, y'all, just give me. I got

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Speaker 1: five minutes. Can y'all just sit here from my I

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Speaker 1: beg them the steak.

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Speaker 2: Oh man.

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Speaker 1: I was at the open mic last week at the

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Speaker 1: Funny Bone. I was doing this the main room in

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Speaker 1: carmeen Vallon was hosting, and it was packed. It was

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Speaker 1: that that out of New Year's Eve when everybody wants

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Speaker 1: to be a comic, you know what I mean.

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Speaker 2: My my New Year's resolution is to stand up.

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Speaker 1: It was one of those nights. This comic, this comic

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Speaker 1: had to walk twenty people. I'm talking about the whole room.

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Speaker 1: It was because I don't I don't know what it

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Speaker 1: is about new comics. I'm at the point now I'm

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Speaker 1: twenty years in the game. I don't care what you

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Speaker 1: talk about anymore. I used to be that comic.

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Speaker 5: Hey, you gotta talk about this, and that makes you.

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Speaker 1: I don't care anymore. I don't care about you being fun.

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Speaker 1: I don't care about any of you anymore. I don't care.

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Speaker 1: Don't ask me my opinion or ask me for new advice.

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Speaker 1: I am the old curmudgeon. I don't give a d

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Speaker 1: it's done, it's done. But I will say this, I

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Speaker 1: have no idea what these new comics are talking about now.

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Speaker 2: It's just not even funny.

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Speaker 1: It's just it's either super dark, super disgusting, just super inappropriate.

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Speaker 1: And I'm like, are you up there to make people

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Speaker 1: feel because I doesn't know that that's this dotion that comedy.

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Speaker 2: Is supposed to make you feel uncomfortable, and it's not.

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Speaker 3: But I think what's happening is that a lot of

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Speaker 3: young comics also only hang out around other comics and

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Speaker 3: don't know what real people actually do or how like,

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Speaker 3: what they actually find funnier, what like is relatable to them.

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Speaker 3: And so when you're only around other comics, you could

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Speaker 3: make jokes, but it's for other comics. But then when

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Speaker 3: you get into a room with actual paying customers, and

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Speaker 3: people who are paying are not going to be other comedians.

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Speaker 4: You go up and you make a joke, it's not.

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Speaker 3: Gonna you're gonna end up walking the crowd because they're

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00:18:31,960 --> 00:18:34,960
Speaker 3: not gonna be able to relate to you, like making

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Speaker 3: some disgusting, super dark joke.

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Speaker 7: So RU and I see a new crop, but comedians

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Speaker 7: like from a comedy class, we'll be like, oh, we

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00:18:42,440 --> 00:18:44,040
Speaker 7: need to go get them now and then bring them

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Speaker 7: into our fold so we can just talk to them

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Speaker 7: like humans.

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Speaker 6: Because you'll see people come in the.

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Speaker 7: Scene who are nice, fun, excited to you know, make

405
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Speaker 7: people laugh, and then they'll get into.

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Speaker 6: The crowd of like people that only talk about sad,

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Speaker 6: sad stuff and that's it, and then that's all you

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Speaker 6: ever hear from them.

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Speaker 5: And I agree, Ken, I was sitting.

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Speaker 6: On the way how I was like, who is this four?

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Speaker 7: I was like, there was like thirty people in there,

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Speaker 7: and like some of these comedians were not there to

413
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Speaker 7: make anybody like do anything to listen to their trauma

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Speaker 7: with I'm all four a storyteller. I love like a

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Speaker 7: trauma show, but when someone's going to laugh, there's got

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Speaker 7: to be that balance, and a lot of people don't

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Speaker 7: do that anymore. So I get confused the same way

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Speaker 7: as you do. Cana.

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Speaker 1: I'm I'm lost, and like I said, I don't care anymore.

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Speaker 1: I truly don't if that's what you want to talk about, bro,

421
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Speaker 1: this show five minutes. But I used to tell them this.

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Speaker 1: I used to pull them to the sound, like what

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Speaker 1: do you do for a living? Do you have family?

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Speaker 2: Are you?

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00:19:36,800 --> 00:19:38,200
Speaker 4: Literally? Do you have family?

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Speaker 7: Like?

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Speaker 2: Are you like? Yo?

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00:19:42,000 --> 00:19:43,840
Speaker 1: But you just went up there did a five minute

429
00:19:43,880 --> 00:19:45,960
Speaker 1: bit about how you had sex with a tortoise?

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Speaker 2: What what I mean a minute?

431
00:19:49,880 --> 00:19:50,000
Speaker 7: Though?

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Speaker 6: I kind of want to hear that, Yeah.

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Speaker 1: Yeah, yeah, when we in our rue said, when we

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Speaker 1: in our comedy circle. Yes, But if I'm a paying

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00:19:58,480 --> 00:20:02,320
Speaker 1: customer and I'm sitting there eating tortoise meat and you're like, yo,

436
00:20:02,400 --> 00:20:04,359
Speaker 1: so I had sex with a tortoise, I'm like, is

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Speaker 1: it the tortoise that I'm eating right now?

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Speaker 2: It was? Y?

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00:20:07,880 --> 00:20:08,520
Speaker 5: It literally?

440
00:20:09,480 --> 00:20:11,880
Speaker 4: Because like I find that hilarious.

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00:20:11,880 --> 00:20:15,359
Speaker 3: But that's just because we're desensitized to what's actually like

442
00:20:15,440 --> 00:20:19,480
Speaker 3: funny for audiences because we're doing comedy all the time,

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00:20:19,520 --> 00:20:22,679
Speaker 3: and we don't find that, Like after watching enough comedians,

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Speaker 3: I just feel like my like, in order to make

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00:20:24,520 --> 00:20:26,960
Speaker 3: me laugh, like when watching stand up, it's like a

446
00:20:27,040 --> 00:20:30,200
Speaker 3: higher like it has to be like really funny. Now

447
00:20:30,320 --> 00:20:32,280
Speaker 3: I feel like I took the joy out of laughing

448
00:20:32,359 --> 00:20:36,720
Speaker 3: and watching stand up but like, so the tortoise meat

449
00:20:36,760 --> 00:20:42,520
Speaker 3: stuff is funny, but then like, but then, like you

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Speaker 3: go up and make a tortoise meat joke in front

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00:20:44,760 --> 00:20:48,880
Speaker 3: of them people who have like nine to five, Like.

452
00:20:48,840 --> 00:20:52,360
Speaker 2: What wait, wait a minute.

453
00:20:52,840 --> 00:20:55,280
Speaker 4: They're not on that level yet. Guy, you got to

454
00:20:55,320 --> 00:20:56,000
Speaker 4: get them there.

455
00:20:56,600 --> 00:21:00,480
Speaker 1: And I'm always curious. We've talked about this show topic

456
00:21:00,520 --> 00:21:00,760
Speaker 1: a lot.

457
00:21:00,760 --> 00:21:03,960
Speaker 2: On this show. I'm just always curiously like, you're.

458
00:21:03,760 --> 00:21:08,520
Speaker 1: Not funny, So what made you want to do this.

459
00:21:10,720 --> 00:21:10,920
Speaker 3: Here?

460
00:21:11,440 --> 00:21:15,560
Speaker 2: Why are you here? Like it's so man, man, I

461
00:21:15,720 --> 00:21:16,640
Speaker 2: host the open mic.

462
00:21:16,680 --> 00:21:19,160
Speaker 1: It'll be twenty seven comics and three of them will

463
00:21:19,240 --> 00:21:21,280
Speaker 1: be funny. And I get it when you first start,

464
00:21:21,320 --> 00:21:23,320
Speaker 1: you're not supposed to be funny, but you're supposed to

465
00:21:23,359 --> 00:21:25,640
Speaker 1: have a little bit like it's got to be something

466
00:21:26,160 --> 00:21:26,760
Speaker 1: that I'm.

467
00:21:26,600 --> 00:21:29,159
Speaker 2: Like, oh that that guy potential.

468
00:21:29,400 --> 00:21:33,560
Speaker 1: It's never it's just a crop of very terrible comics.

469
00:21:34,280 --> 00:21:38,040
Speaker 1: And I'm just like, why comedy? And Dwayne said this,

470
00:21:38,040 --> 00:21:40,119
Speaker 1: This is what Dwayne told me. I said, why do

471
00:21:40,200 --> 00:21:41,119
Speaker 1: all the people do comedy?

472
00:21:41,119 --> 00:21:42,879
Speaker 2: Says it? Being a comedian is cool?

473
00:21:44,960 --> 00:21:47,440
Speaker 4: It is cool because it's cool.

474
00:21:48,560 --> 00:21:50,520
Speaker 2: Now I don't know about you. You are total gued.

475
00:21:51,560 --> 00:21:52,920
Speaker 2: Have you guys ever told.

476
00:21:52,680 --> 00:21:57,119
Speaker 1: Somebody your comic and their their expression changes? Yeah, because

477
00:21:57,119 --> 00:21:59,560
Speaker 1: they've never met anytime I tell them I'm a comic,

478
00:22:00,119 --> 00:22:03,800
Speaker 1: you well, like they're so excited that they've met a comic.

479
00:22:04,640 --> 00:22:07,280
Speaker 1: There's no other profession. I could mean somebody like, yeah, man,

480
00:22:07,480 --> 00:22:11,320
Speaker 1: I'm a surgeon. Oh that's cool, don't I don't glow up.

481
00:22:12,080 --> 00:22:14,320
Speaker 1: People glow up when you tell them you're a comic.

482
00:22:14,400 --> 00:22:15,240
Speaker 1: I don't know why.

483
00:22:16,160 --> 00:22:17,000
Speaker 4: I think it's like.

484
00:22:17,760 --> 00:22:21,119
Speaker 3: The closest thing that people can get to to, like

485
00:22:21,160 --> 00:22:26,439
Speaker 3: the entertainment business, because actors are usually like concentrated in

486
00:22:26,840 --> 00:22:31,000
Speaker 3: you know, your Atlanta's, LA's New York's, but like comedians

487
00:22:31,040 --> 00:22:33,879
Speaker 3: are everywhere and they have to live amongst the people,

488
00:22:34,000 --> 00:22:36,080
Speaker 3: and so like when you tell someone that you're a comic,

489
00:22:36,119 --> 00:22:39,880
Speaker 3: it's like you're the first performer that that person has

490
00:22:39,880 --> 00:22:41,359
Speaker 3: ever met or has ever talked to.

491
00:22:42,040 --> 00:22:44,280
Speaker 7: And so many people are so scared to speak in public,

492
00:22:44,480 --> 00:22:46,400
Speaker 7: so they think it's like a superpower that you can

493
00:22:46,440 --> 00:22:49,000
Speaker 7: speak in public. And then when they see comedian and

494
00:22:49,040 --> 00:22:50,840
Speaker 7: they think it's all just like off the cuff, they

495
00:22:50,840 --> 00:22:53,040
Speaker 7: don't realize you've been doing the same jokes for twenty

496
00:22:53,080 --> 00:22:55,000
Speaker 7: five years.

497
00:22:55,520 --> 00:22:56,360
Speaker 6: You know, they don't know.

498
00:22:56,480 --> 00:22:58,480
Speaker 7: And it is like when you become a comic or

499
00:22:58,640 --> 00:23:00,280
Speaker 7: I didn't realize you had to say the same thing

500
00:23:00,320 --> 00:23:02,119
Speaker 7: over and over again and make it sound like you

501
00:23:02,200 --> 00:23:05,040
Speaker 7: never said it. Like people don't realize all the smoke

502
00:23:05,080 --> 00:23:06,960
Speaker 7: of mirrors and they just think you're a cool person

503
00:23:07,040 --> 00:23:08,920
Speaker 7: and then they meet you in real life, like she's

504
00:23:08,960 --> 00:23:10,120
Speaker 7: just a dumpy white lady.

505
00:23:10,160 --> 00:23:11,040
Speaker 6: She's not funny.

506
00:23:11,200 --> 00:23:13,240
Speaker 2: They don't know, they don't know.

507
00:23:13,280 --> 00:23:15,600
Speaker 4: I got zero dollars for that set.

508
00:23:16,800 --> 00:23:20,200
Speaker 7: No, I practiced that friggin thing twenty five times to

509
00:23:20,320 --> 00:23:22,280
Speaker 7: kind of make it sound okay. They have no idea

510
00:23:22,400 --> 00:23:24,119
Speaker 7: all that behind it, because that's what the that's what

511
00:23:24,119 --> 00:23:26,600
Speaker 7: the goal is. And like when I first started, people

512
00:23:26,600 --> 00:23:28,440
Speaker 7: will be like, oh, you do comedy and that you

513
00:23:28,520 --> 00:23:29,879
Speaker 7: know what I mean, Like, oh, you don't do You're

514
00:23:29,880 --> 00:23:31,480
Speaker 7: not funny enough to do comedy. People still do that

515
00:23:31,480 --> 00:23:33,919
Speaker 7: to me, So I mean, I get a reverse reaction

516
00:23:34,040 --> 00:23:34,280
Speaker 7: from you.

517
00:23:34,359 --> 00:23:36,840
Speaker 6: Ken. People aren't like excited, They're like, what.

518
00:23:37,600 --> 00:23:39,119
Speaker 4: I did have an ex boyfriend?

519
00:23:40,520 --> 00:23:43,160
Speaker 3: I had an ex when I was like, I've always

520
00:23:43,200 --> 00:23:45,600
Speaker 3: been interested in trying out comedy. It just like I

521
00:23:45,600 --> 00:23:48,320
Speaker 3: hadn't built up my confidence to actually go up on stage,

522
00:23:48,320 --> 00:23:49,480
Speaker 3: and I hadn't really figured out.

523
00:23:49,400 --> 00:23:49,960
Speaker 4: How to do it.

524
00:23:50,200 --> 00:23:52,240
Speaker 3: And so when I when I turned to my ex

525
00:23:52,280 --> 00:23:54,040
Speaker 3: and I was like, I want to do comedy.

526
00:23:53,600 --> 00:23:56,040
Speaker 4: He was like, you could never do stand up comedy.

527
00:23:57,080 --> 00:24:00,480
Speaker 3: And then I saw, I know I with him.

528
00:24:00,960 --> 00:24:02,679
Speaker 4: I broke up with him, and I saw that he

529
00:24:02,720 --> 00:24:06,119
Speaker 4: had a Venmo charge for a comedy show.

530
00:24:06,280 --> 00:24:10,040
Speaker 3: So I uh went to Chicago and did six shows

531
00:24:10,080 --> 00:24:12,560
Speaker 3: within his vicinity and hopes that he would see that

532
00:24:12,600 --> 00:24:13,040
Speaker 3: I was.

533
00:24:13,040 --> 00:24:15,040
Speaker 4: Gonna be I was doing comedy.

534
00:24:15,480 --> 00:24:21,040
Speaker 2: Contract killer, what track killer? Bro yo.

535
00:24:21,320 --> 00:24:24,440
Speaker 1: First of all, the fact that you checking Venmo charges

536
00:24:24,600 --> 00:24:25,720
Speaker 1: is bananas.

537
00:24:26,520 --> 00:24:27,720
Speaker 4: Well, it just showed up.

538
00:24:27,960 --> 00:24:31,440
Speaker 3: Sometimes I'm scrolling down Venmo to check the charges because on.

539
00:24:31,400 --> 00:24:36,440
Speaker 7: Your weekly check, on your weekly Sandra bullet.

540
00:24:35,160 --> 00:24:40,159
Speaker 3: Yeah everything No, Well, I like watching on Venmo is

541
00:24:40,200 --> 00:24:43,360
Speaker 3: seeing couples pay each other back and forth like why

542
00:24:43,560 --> 00:24:46,000
Speaker 3: love it? You guys are just paying each other through Venmo,

543
00:24:46,240 --> 00:24:49,280
Speaker 3: like and letting everyone see that your charge this man

544
00:24:49,359 --> 00:24:52,400
Speaker 3: two dollars for like half a pizza.

545
00:24:53,280 --> 00:24:55,840
Speaker 6: Something happened, something going on. I agree.

546
00:24:56,119 --> 00:24:58,080
Speaker 2: Now look here I had a block dad man.

547
00:24:58,160 --> 00:25:01,639
Speaker 1: I don't because because comedian would be like, yo, that

548
00:25:01,640 --> 00:25:02,760
Speaker 1: that that club.

549
00:25:02,520 --> 00:25:05,280
Speaker 2: Paid you this. I only got ay ay man.

550
00:25:06,680 --> 00:25:08,000
Speaker 6: All my private.

551
00:25:10,119 --> 00:25:12,920
Speaker 4: I made a private, but also read everyone else's.

552
00:25:12,920 --> 00:25:17,159
Speaker 5: Oh yeah, absolutely that is I'd be real with you.

553
00:25:17,240 --> 00:25:19,760
Speaker 2: I never ever, ever, ever, ever paid attention to that.

554
00:25:20,480 --> 00:25:22,680
Speaker 1: I would see them pop up, but I never went

555
00:25:22,760 --> 00:25:25,120
Speaker 1: to go look to see who was getting charged for what.

556
00:25:25,400 --> 00:25:29,960
Speaker 1: That's crazy Venmo of any other money apps and you

557
00:25:30,040 --> 00:25:32,840
Speaker 1: get money from that's crazy that you can see what

558
00:25:32,880 --> 00:25:36,040
Speaker 1: people are sending money for, Like it'd be like five dollars.

559
00:25:36,200 --> 00:25:37,760
Speaker 2: It'd be like the pizza emoji.

560
00:25:39,480 --> 00:25:41,919
Speaker 3: Sometimes, if it happens too often, I'm like, is it

561
00:25:42,040 --> 00:25:43,400
Speaker 3: really pizza?

562
00:25:45,200 --> 00:25:45,760
Speaker 2: What it is?

563
00:25:46,680 --> 00:25:48,240
Speaker 5: Put that you're buying a weed through Venmo?

564
00:25:49,000 --> 00:25:50,959
Speaker 4: It's bad you cashed out for that.

565
00:25:51,560 --> 00:25:52,760
Speaker 2: Yeah, I with you.

566
00:25:53,280 --> 00:25:56,159
Speaker 1: I with you if it is it pizza or is

567
00:25:56,200 --> 00:25:58,240
Speaker 1: it because they both got five letters.

568
00:26:00,480 --> 00:26:04,040
Speaker 2: I'm just saying, I'm just seeing me back to that.

569
00:26:04,200 --> 00:26:04,400
Speaker 6: Yeah.

570
00:26:04,480 --> 00:26:09,080
Speaker 1: Usually if somebody's walking the audience, I tried my best

571
00:26:09,160 --> 00:26:13,880
Speaker 1: to Hey, I got like, I promise you I'm gonna

572
00:26:13,880 --> 00:26:17,399
Speaker 1: be funny, like I'll be begging. I'm begging man because

573
00:26:17,560 --> 00:26:20,320
Speaker 1: I do.

574
00:26:21,040 --> 00:26:21,720
Speaker 4: And them.

575
00:26:24,080 --> 00:26:28,720
Speaker 1: First of all, Kim Miller, don't bomb baby, come on, no, No,

576
00:26:29,080 --> 00:26:30,080
Speaker 1: I love bomb and dog.

577
00:26:30,440 --> 00:26:32,200
Speaker 4: It's so fun. I feel like it's a reset.

578
00:26:33,320 --> 00:26:36,880
Speaker 1: I took an el Thursday where I took an l Thursday.

579
00:26:36,920 --> 00:26:39,840
Speaker 1: I was at debonair Is Downtown Orlando, a book by

580
00:26:39,880 --> 00:26:42,480
Speaker 1: Brody Love. It's jazz and jokes, and there was only

581
00:26:42,520 --> 00:26:45,879
Speaker 1: two people there. It was supping to be forty people.

582
00:26:46,280 --> 00:26:49,199
Speaker 1: It was two people and they paid. So I said, well,

583
00:26:49,240 --> 00:26:50,800
Speaker 1: I'm gonna give them ten minutes. I could do ten

584
00:26:50,840 --> 00:26:53,480
Speaker 1: minutes in my sleep. And so there was a group

585
00:26:53,520 --> 00:26:56,719
Speaker 1: of ladies, five ladies smoking hookah. I brought them over, like, hey,

586
00:26:56,800 --> 00:26:58,080
Speaker 1: y'all come over so I can have a little bit

587
00:26:58,119 --> 00:27:01,160
Speaker 1: of audience, and them file ladies, my whole set.

588
00:27:01,280 --> 00:27:03,200
Speaker 2: Come on my whole set.

589
00:27:03,280 --> 00:27:05,440
Speaker 1: So I just turned away from them and just started

590
00:27:05,480 --> 00:27:09,199
Speaker 1: talking to the two people and the staff is laughing.

591
00:27:09,240 --> 00:27:10,200
Speaker 2: They're having a good time.

592
00:27:10,240 --> 00:27:13,359
Speaker 1: But for Kim Miller, I was just like, yeah, that's

593
00:27:13,520 --> 00:27:16,000
Speaker 1: that was a bad show. And which is why because

594
00:27:16,119 --> 00:27:19,360
Speaker 1: Thursday it's seven people and tonight I'm on my way

595
00:27:19,400 --> 00:27:22,000
Speaker 1: to Fort pierceon perform for twelve hundred and fifty people.

596
00:27:22,600 --> 00:27:23,320
Speaker 2: That's comedy.

597
00:27:23,560 --> 00:27:26,680
Speaker 1: Yeah, that comedy you have you have eight people one

598
00:27:26,760 --> 00:27:28,640
Speaker 1: night and three hundred the next night.

599
00:27:29,000 --> 00:27:31,040
Speaker 6: You're a superstar. And then you're just a weird, dumpy

600
00:27:31,040 --> 00:27:31,960
Speaker 6: white someone.

601
00:27:33,320 --> 00:27:35,959
Speaker 1: And with that being said, we got to take a commercial.

602
00:27:36,040 --> 00:27:40,200
Speaker 1: Pressure right back, Real last, Real Radio one O four

603
00:27:40,240 --> 00:27:57,879
Speaker 1: point what we're back, real last, We're Radio one of

604
00:27:57,960 --> 00:28:00,200
Speaker 1: four point one your night Capital Comedy, Can meller in

605
00:28:00,359 --> 00:28:02,280
Speaker 1: the huge share of tonight gouds. Do us a favor,

606
00:28:02,320 --> 00:28:04,400
Speaker 1: go out follow like, subscribe.

607
00:28:04,000 --> 00:28:04,760
Speaker 2: And do me a favor.

608
00:28:04,880 --> 00:28:07,000
Speaker 1: Man, shoot us a comment, centers a message and we'll

609
00:28:07,080 --> 00:28:08,800
Speaker 1: hit you back and show us some love.

610
00:28:08,920 --> 00:28:09,120
Speaker 7: Man.

611
00:28:09,440 --> 00:28:11,800
Speaker 1: James is out on the boat. I have no idea

612
00:28:11,800 --> 00:28:14,080
Speaker 1: where Miguel is. Jeff Kaufman is out on the West

613
00:28:14,119 --> 00:28:16,439
Speaker 1: coast getting his law on. But I'm doing the virtual

614
00:28:16,480 --> 00:28:18,680
Speaker 1: studio with the pillow Fork podcast.

615
00:28:19,320 --> 00:28:20,399
Speaker 2: Ruth and Amy.

616
00:28:20,840 --> 00:28:23,480
Speaker 1: So Amy and Ruth are good friends, and when you're

617
00:28:23,520 --> 00:28:26,480
Speaker 1: good friends, you're allowed to make fun and tease each other.

618
00:28:26,960 --> 00:28:30,280
Speaker 1: So apparently Ru loves to make fun of Amy because

619
00:28:30,400 --> 00:28:33,840
Speaker 1: Amy is a responsible adult and it's on time all

620
00:28:33,920 --> 00:28:36,640
Speaker 1: the time. What is the problem, ladies, I am sitting here,

621
00:28:36,680 --> 00:28:37,840
Speaker 1: I got y'all on my couch.

622
00:28:37,880 --> 00:28:39,920
Speaker 2: I'm about to analyze y'all. What is going on?

623
00:28:40,280 --> 00:28:42,640
Speaker 7: Thank you, Sally, Jesse Rafael, you did a great time.

624
00:28:44,720 --> 00:28:49,040
Speaker 2: Hey, hey, Rue, Sally Jesse Raphael Will just showed, which

625
00:28:49,080 --> 00:28:54,360
Speaker 2: I think was taped to Chicago, like Oprah, I think

626
00:28:54,400 --> 00:28:56,040
Speaker 2: it could be. I looked that up.

627
00:28:56,080 --> 00:28:58,520
Speaker 1: But Amy, you gotta tell me talk about why Rue

628
00:28:58,640 --> 00:28:59,520
Speaker 1: is making fun of you.

629
00:29:00,120 --> 00:29:01,120
Speaker 5: I was on my way.

630
00:29:01,280 --> 00:29:05,440
Speaker 7: I did a little workshop as a therapist yesterday and

631
00:29:05,720 --> 00:29:07,080
Speaker 7: I was like, Hey, Rue, do you want to come

632
00:29:07,080 --> 00:29:07,840
Speaker 7: hang out? You know?

633
00:29:08,080 --> 00:29:09,600
Speaker 5: And she's like, well, I'll come over.

634
00:29:10,080 --> 00:29:13,520
Speaker 7: Rue thinks that time doesn't exist, so she's like, I'll

635
00:29:13,520 --> 00:29:15,080
Speaker 7: come over now. I'm like, Rue, I only have like

636
00:29:15,120 --> 00:29:16,920
Speaker 7: fifteen minutes, and she's like, oh, are you going to

637
00:29:16,960 --> 00:29:17,440
Speaker 7: be early?

638
00:29:17,800 --> 00:29:19,800
Speaker 5: And I'm like, you mean on time?

639
00:29:20,360 --> 00:29:24,320
Speaker 7: Like fifteen minutes early is on time for Rue. Five

640
00:29:24,360 --> 00:29:26,920
Speaker 7: minutes late is on time. And we have fights about

641
00:29:26,920 --> 00:29:27,360
Speaker 7: it all the time.

642
00:29:27,400 --> 00:29:31,720
Speaker 4: Okay, here's my thing is twenty twenty six. No one

643
00:29:31,920 --> 00:29:34,360
Speaker 4: is on time for anything anymore.

644
00:29:35,160 --> 00:29:35,680
Speaker 5: Okay.

645
00:29:35,920 --> 00:29:37,400
Speaker 4: If you are, if.

646
00:29:37,280 --> 00:29:39,560
Speaker 3: You are early, if you are on time, you're setting

647
00:29:39,560 --> 00:29:40,840
Speaker 3: yourself up for disappointment.

648
00:29:41,960 --> 00:29:43,320
Speaker 5: Thumb, What are you talking about?

649
00:29:43,360 --> 00:29:45,960
Speaker 7: If you are late, you are not thinking about other

650
00:29:46,040 --> 00:29:49,320
Speaker 7: person's feelings and you're not valuing their time.

651
00:29:49,360 --> 00:29:52,840
Speaker 4: Okay, let me let me pivot this.

652
00:29:54,120 --> 00:29:56,840
Speaker 3: If I am late, that means I was giving the

653
00:29:56,920 --> 00:29:58,880
Speaker 3: time to the person that was in front of me

654
00:29:59,080 --> 00:30:04,520
Speaker 3: at the time, and that I value you dog and

655
00:30:04,560 --> 00:30:08,160
Speaker 3: a cat.

656
00:30:08,600 --> 00:30:11,000
Speaker 5: If you're bumping me for a cat, you're not valuing

657
00:30:11,040 --> 00:30:11,560
Speaker 5: my time.

658
00:30:11,640 --> 00:30:17,840
Speaker 2: Real That ain't make no sense. Room, they don't liquorice.

659
00:30:17,320 --> 00:30:21,479
Speaker 4: Bro large one my side. Okay. There's a thing called CPT.

660
00:30:21,760 --> 00:30:24,600
Speaker 1: Hey, hey, hey, And I know because I live with

661
00:30:24,640 --> 00:30:28,320
Speaker 1: a woman who is a notorious for that.

662
00:30:28,480 --> 00:30:30,120
Speaker 2: She calls it fashionably late.

663
00:30:30,640 --> 00:30:32,560
Speaker 6: What is CPT? What CPT means?

664
00:30:32,760 --> 00:30:34,120
Speaker 2: It's called colored people time.

665
00:30:34,320 --> 00:30:38,880
Speaker 1: Oh no, and and black people that black people are

666
00:30:38,880 --> 00:30:41,640
Speaker 1: always late. That because because we have to be seen

667
00:30:41,720 --> 00:30:44,040
Speaker 1: when we walk in. Now you're going, you gotta see us.

668
00:30:44,080 --> 00:30:46,360
Speaker 1: You gotta know we're coming in. We dressed the flyers,

669
00:30:46,440 --> 00:30:49,040
Speaker 1: we we we making the most noise, we got the

670
00:30:49,040 --> 00:30:51,760
Speaker 1: best looking car. We gotta be seen. So it's a

671
00:30:51,800 --> 00:30:53,560
Speaker 1: thing called it. It's called CPT.

672
00:30:54,440 --> 00:30:54,680
Speaker 2: Color.

673
00:30:54,960 --> 00:30:57,440
Speaker 7: It's just two people, even if it's just another white

674
00:30:57,440 --> 00:30:58,320
Speaker 7: person waiting on.

675
00:30:58,240 --> 00:30:59,760
Speaker 2: You, no matter.

676
00:31:01,360 --> 00:31:04,200
Speaker 3: Let me tell you about a wedding I went to once. Okay,

677
00:31:04,360 --> 00:31:06,720
Speaker 3: it was the buck Well Indian. It was an Indian

678
00:31:06,760 --> 00:31:10,840
Speaker 3: wedding that on the invitation was for seven o'clock.

679
00:31:11,080 --> 00:31:11,520
Speaker 5: Okay.

680
00:31:12,200 --> 00:31:15,080
Speaker 3: The only people that showed up at seven o'clock were

681
00:31:15,400 --> 00:31:19,080
Speaker 3: the whites, because everyone knows we're.

682
00:31:18,920 --> 00:31:19,520
Speaker 6: Gonna be there at.

683
00:31:19,520 --> 00:31:20,880
Speaker 5: Six thirty ready to eat.

684
00:31:20,880 --> 00:31:24,240
Speaker 3: Everyone knows if you get an invitation from a brown

685
00:31:24,280 --> 00:31:27,400
Speaker 3: person unless they explicitly are like, yo, you really really

686
00:31:27,440 --> 00:31:29,040
Speaker 3: got to be on time for this, Like it's a

687
00:31:29,040 --> 00:31:32,600
Speaker 3: whole venue thing. The time on there is a suggestion

688
00:31:35,280 --> 00:31:38,480
Speaker 3: and it's really telling you. Okay, it says seven o'clock,

689
00:31:38,560 --> 00:31:40,800
Speaker 3: but that's like when you should be getting ready because

690
00:31:40,840 --> 00:31:43,640
Speaker 3: no one's gonna be showing up. No one's gonna be

691
00:31:43,680 --> 00:31:47,600
Speaker 3: showing up until like an hour and a half later earliest.

692
00:31:47,920 --> 00:31:51,440
Speaker 3: And let me tell you something, Okay, the bride, So

693
00:31:51,640 --> 00:31:54,800
Speaker 3: seven o'clock was on the wedding invitation. The bride and

694
00:31:54,840 --> 00:31:58,960
Speaker 3: groom didn't even walk in until eleven pm.

695
00:31:59,160 --> 00:31:59,760
Speaker 5: Shut up.

696
00:31:59,800 --> 00:32:04,000
Speaker 1: But don I know, now that's too much for me.

697
00:32:04,280 --> 00:32:06,800
Speaker 1: They they did a Lawrence Hill. That's a Laurence Hill

698
00:32:06,920 --> 00:32:10,480
Speaker 1: right there. That is, if you listening to this show,

699
00:32:10,600 --> 00:32:14,600
Speaker 1: google Lawrence Hill late and just see how she man

700
00:32:14,800 --> 00:32:17,280
Speaker 1: She has show a fun concert being a Lauryn Hill said,

701
00:32:17,320 --> 00:32:19,360
Speaker 1: I perform when I'm ready. Then you need to put

702
00:32:19,360 --> 00:32:22,520
Speaker 1: that on the ticket. Hey, don't put a time, Hey,

703
00:32:22,560 --> 00:32:25,080
Speaker 1: Lauryn Hill. Hey, whenever I'm ready to get up there,

704
00:32:25,120 --> 00:32:27,160
Speaker 1: so then I can walk in at one thirty am

705
00:32:27,480 --> 00:32:28,200
Speaker 1: for this concert.

706
00:32:28,280 --> 00:32:31,040
Speaker 7: Send me a text when you get there, Yes, text.

707
00:32:30,840 --> 00:32:34,480
Speaker 2: You when you're ready, because dog yeah?

708
00:32:35,960 --> 00:32:36,840
Speaker 5: Or are you a late person?

709
00:32:37,120 --> 00:32:44,880
Speaker 1: It's I'm both. That's both with two f's, that's bo fl.

710
00:32:45,320 --> 00:32:47,320
Speaker 1: I will say this. I don't like being late too

711
00:32:47,360 --> 00:32:51,959
Speaker 1: comedy shows. I used to, but now I'm like, I

712
00:32:52,000 --> 00:32:53,680
Speaker 1: need to get there because I had to get right

713
00:32:53,720 --> 00:32:54,200
Speaker 1: because normal.

714
00:32:54,240 --> 00:32:56,320
Speaker 2: I used to be the dude. True story.

715
00:32:56,680 --> 00:33:00,400
Speaker 1: I walk in there and and at the improv they're

716
00:33:00,440 --> 00:33:01,280
Speaker 1: playing the music.

717
00:33:01,720 --> 00:33:04,960
Speaker 2: Oh, and they're walking right on stage. I can't.

718
00:33:05,080 --> 00:33:08,640
Speaker 1: But now I gotta be like thirty minutes early. I

719
00:33:08,680 --> 00:33:10,640
Speaker 1: gotta get my mind right. I gotta sit down. I

720
00:33:10,640 --> 00:33:12,880
Speaker 1: gotta pace a little bit. But I used to be

721
00:33:12,960 --> 00:33:15,920
Speaker 1: the comic when I'm walking in and hey, give me

722
00:33:16,000 --> 00:33:19,360
Speaker 1: y'all intros as I right, write.

723
00:33:19,080 --> 00:33:21,680
Speaker 7: Your intro down sometimes, especially when it's something you don't

724
00:33:21,680 --> 00:33:22,040
Speaker 7: want to do.

725
00:33:22,320 --> 00:33:25,480
Speaker 1: Yeah, so I don't want to do Oh yep, bro,

726
00:33:26,200 --> 00:33:27,560
Speaker 1: I'm late for work every day.

727
00:33:28,000 --> 00:33:31,240
Speaker 2: Howaiian got fired? In these three years, I am late.

728
00:33:31,360 --> 00:33:33,680
Speaker 1: I have never only time i'm on time is when

729
00:33:33,720 --> 00:33:34,440
Speaker 1: I work from home.

730
00:33:34,880 --> 00:33:36,479
Speaker 7: Yeah, I've been late for work too, Like, if I

731
00:33:36,520 --> 00:33:38,160
Speaker 7: really don't feel like it, I'll be late for that.

732
00:33:38,200 --> 00:33:39,960
Speaker 6: But for my friends that I love and care about,

733
00:33:40,120 --> 00:33:40,840
Speaker 6: I'm on time.

734
00:33:41,360 --> 00:33:43,840
Speaker 2: Nah, But that's not.

735
00:33:43,880 --> 00:33:46,320
Speaker 3: Like, you know, unless the only thing I'm really on

736
00:33:46,400 --> 00:33:48,880
Speaker 3: time for is one comedy shows because I need to

737
00:33:48,920 --> 00:33:50,719
Speaker 3: do the same thing I need to, like get my

738
00:33:50,760 --> 00:33:51,520
Speaker 3: brain things you.

739
00:33:51,520 --> 00:33:53,240
Speaker 5: Care about, things you care about real.

740
00:33:53,320 --> 00:33:57,479
Speaker 3: No or well, the comedy thing is different the second

741
00:33:57,720 --> 00:34:01,600
Speaker 3: Sometimes sometimes I get paid for that second thing is

742
00:34:02,920 --> 00:34:07,960
Speaker 3: the second thing is, Yeah, sometimes I get paid in drinks,

743
00:34:07,960 --> 00:34:12,359
Speaker 3: depending on the city. But like the second thing is

744
00:34:12,400 --> 00:34:14,760
Speaker 3: like if I'm going to like a fitness class, because

745
00:34:15,440 --> 00:34:18,399
Speaker 3: I have to go to studios that charge me thirty bucks.

746
00:34:18,440 --> 00:34:21,319
Speaker 3: If I don't show up otherwise, I will not exercise

747
00:34:21,560 --> 00:34:24,960
Speaker 3: so that I'll show up for But like for everything else,

748
00:34:25,280 --> 00:34:28,480
Speaker 3: it's a suggestion. If I leave you waiting for fifteen minutes,

749
00:34:28,560 --> 00:34:31,440
Speaker 3: it's fine. It's fifteen minutes. If I leave you waiting

750
00:34:31,480 --> 00:34:33,000
Speaker 3: for more than that, then that's wrong.

751
00:34:33,160 --> 00:34:33,920
Speaker 5: You know, that's on me.

752
00:34:34,719 --> 00:34:35,080
Speaker 4: Kill me.

753
00:34:35,160 --> 00:34:37,480
Speaker 7: What we do ken how we've worked on our friendship

754
00:34:37,480 --> 00:34:40,560
Speaker 7: here is that she gives me her calendar and I

755
00:34:40,600 --> 00:34:42,160
Speaker 7: have access to her calendar.

756
00:34:41,840 --> 00:34:44,000
Speaker 6: So I know where she's at at all times.

757
00:34:44,040 --> 00:34:45,600
Speaker 7: And then I'll just remind her that I need her

758
00:34:45,600 --> 00:34:48,279
Speaker 7: to be on time within five minutes, and usually she'll

759
00:34:48,280 --> 00:34:49,359
Speaker 7: help me out and you'll be there.

760
00:34:49,480 --> 00:34:52,120
Speaker 2: That's how we Yeah, I got a weird ass friendship.

761
00:34:52,960 --> 00:34:55,440
Speaker 1: Well, I mean she's none of my friends got access

762
00:34:55,480 --> 00:34:56,280
Speaker 1: to my calendar.

763
00:34:56,800 --> 00:34:57,719
Speaker 4: Well, like, you.

764
00:34:57,640 --> 00:35:00,000
Speaker 3: Know, here's the thing is when someone needs the second

765
00:35:00,120 --> 00:35:02,719
Speaker 3: cherry part of like, ifone wants to play secretary in

766
00:35:02,760 --> 00:35:03,400
Speaker 3: my life.

767
00:35:03,160 --> 00:35:06,319
Speaker 5: I'm not going to like say no, you know, I'm

768
00:35:06,360 --> 00:35:07,080
Speaker 5: never a jerk.

769
00:35:07,239 --> 00:35:07,920
Speaker 6: I help her out.

770
00:35:08,040 --> 00:35:12,759
Speaker 2: Hey, yo, paus pause, Bro, you never jerk? Bro?

771
00:35:13,000 --> 00:35:16,319
Speaker 5: Come on, be under the blank under the.

772
00:35:22,400 --> 00:35:24,800
Speaker 4: I mean it is pillow for we are under blankie.

773
00:35:25,040 --> 00:35:26,359
Speaker 5: What do you think we're doing there?

774
00:35:28,400 --> 00:35:28,760
Speaker 2: Please?

775
00:35:28,840 --> 00:35:29,240
Speaker 5: Please?

776
00:35:29,840 --> 00:35:34,360
Speaker 1: Hey? Amy, as a licensed therapist, is this something mentally

777
00:35:35,000 --> 00:35:37,799
Speaker 1: about people who are late all the time? Mm?

778
00:35:39,840 --> 00:35:41,600
Speaker 7: Yeah, you said, I guess they want to be seen,

779
00:35:42,080 --> 00:35:43,280
Speaker 7: But I also think.

780
00:35:44,760 --> 00:35:47,400
Speaker 5: It's not for you. What's yours problem?

781
00:35:49,280 --> 00:35:50,080
Speaker 2: I don't care.

782
00:35:52,360 --> 00:35:54,640
Speaker 7: Your time is more valuable than other people, So maybe

783
00:35:54,680 --> 00:35:55,440
Speaker 7: it's a narcissism.

784
00:35:55,520 --> 00:35:57,799
Speaker 4: No, it's more of a relative thing.

785
00:35:58,040 --> 00:35:59,520
Speaker 5: You know, what do you mean?

786
00:36:00,160 --> 00:36:03,160
Speaker 6: Just like what matters to you? I don't matter.

787
00:36:03,239 --> 00:36:03,680
Speaker 2: Just say it.

788
00:36:03,920 --> 00:36:07,719
Speaker 4: Just tell I'm going to show up when I show up. Okay,

789
00:36:07,840 --> 00:36:11,160
Speaker 4: I don't. I know you're a dog. You can handle

790
00:36:11,200 --> 00:36:13,200
Speaker 4: yourself for like five minutes.

791
00:36:13,520 --> 00:36:16,919
Speaker 7: Well, you need pressure to do stuff, so sometimes I'll

792
00:36:16,920 --> 00:36:21,000
Speaker 7: have to pressure. Sounds gay.

793
00:36:21,040 --> 00:36:23,640
Speaker 3: You don't say that, you say pause. It woul been

794
00:36:23,640 --> 00:36:24,920
Speaker 3: the perfect place to say.

795
00:36:25,239 --> 00:36:28,399
Speaker 7: I can't handle this policing of my content all the time.

796
00:36:29,640 --> 00:36:31,120
Speaker 6: I can't say nothing these days.

797
00:36:31,200 --> 00:36:34,680
Speaker 3: Well, then stopping early, and then you'll save yourself from disappointed.

798
00:36:34,719 --> 00:36:35,160
Speaker 5: I can never.

799
00:36:35,280 --> 00:36:35,839
Speaker 2: I don't.

800
00:36:36,120 --> 00:36:39,120
Speaker 7: For me like my family, my nana was on like

801
00:36:39,280 --> 00:36:40,520
Speaker 7: three hours early for everything.

802
00:36:40,520 --> 00:36:40,719
Speaker 6: I think.

803
00:36:40,719 --> 00:36:43,120
Speaker 7: We're in a flight, we're three hours early. If we're

804
00:36:43,160 --> 00:36:44,320
Speaker 7: doing anything, we're early.

805
00:36:44,520 --> 00:36:47,960
Speaker 2: Okay that Amy, I am on time for that.

806
00:36:48,440 --> 00:36:50,520
Speaker 4: Yeah, I do have a fear.

807
00:36:50,640 --> 00:36:52,719
Speaker 1: I have a fear of flying, so I had to

808
00:36:52,760 --> 00:36:56,760
Speaker 1: get there early to get my mind right and and

809
00:36:57,040 --> 00:36:59,000
Speaker 1: hit a shot of something before I.

810
00:36:59,040 --> 00:37:00,360
Speaker 2: Get on That place was by the away.

811
00:37:00,640 --> 00:37:02,360
Speaker 1: You're not allowed to tell them that you have a

812
00:37:02,400 --> 00:37:04,360
Speaker 1: fear of flying because they won't serve you drinks.

813
00:37:04,800 --> 00:37:07,040
Speaker 5: Oh really that's good to know.

814
00:37:07,560 --> 00:37:09,799
Speaker 2: Yeah, I was. I was on my second drink.

815
00:37:09,880 --> 00:37:11,680
Speaker 1: I told the flight tes said thank you, so much

816
00:37:11,680 --> 00:37:13,200
Speaker 1: because I have a fear of flying. She says, never

817
00:37:13,280 --> 00:37:15,120
Speaker 1: tell us that, because we're not allowed to give you

818
00:37:15,200 --> 00:37:17,600
Speaker 1: drinks if you have an issue with flying.

819
00:37:17,800 --> 00:37:18,840
Speaker 4: Oh that's crazy.

820
00:37:19,160 --> 00:37:20,960
Speaker 3: I like to show up to the airport because I

821
00:37:20,960 --> 00:37:23,000
Speaker 3: know I'll be randomly selected at some point.

822
00:37:23,840 --> 00:37:28,520
Speaker 1: Dude, I randomly select you for everything. If you advocate

823
00:37:28,600 --> 00:37:31,000
Speaker 1: to the improv ruin you got patted down.

824
00:37:31,120 --> 00:37:31,640
Speaker 2: That was me.

825
00:37:31,920 --> 00:37:36,440
Speaker 1: I was like, look, I love her, I love her

826
00:37:36,480 --> 00:37:38,560
Speaker 1: to death, but I need you to check the mais

827
00:37:38,640 --> 00:37:40,120
Speaker 1: she gonna blow this thing up?

828
00:37:41,080 --> 00:37:42,680
Speaker 2: I ain't know. She could have been at the HOGI

829
00:37:42,760 --> 00:37:44,479
Speaker 2: mark and just came through.

830
00:37:44,800 --> 00:37:49,160
Speaker 3: I'm sorry, Well, you know what, pat me down.

831
00:37:49,280 --> 00:37:50,719
Speaker 4: I'm not gonna hate it.

832
00:37:51,880 --> 00:37:53,479
Speaker 5: I love Ruth. I love having her around.

833
00:37:53,520 --> 00:37:54,960
Speaker 6: I feel safer when she's around.

834
00:37:56,680 --> 00:38:01,000
Speaker 4: Yeah, of these hard lakies.

835
00:38:02,040 --> 00:38:04,200
Speaker 2: Hey, I want to go back to seth Rook.

836
00:38:04,360 --> 00:38:06,440
Speaker 1: I just I just noticed a pattern which you rou

837
00:38:06,719 --> 00:38:07,840
Speaker 1: and I'm just curious.

838
00:38:08,480 --> 00:38:09,040
Speaker 2: You work.

839
00:38:09,200 --> 00:38:13,000
Speaker 1: You you go to these exercise classes, You're you're running

840
00:38:13,080 --> 00:38:15,520
Speaker 1: five k's. Are you just are you just doing this?

841
00:38:15,760 --> 00:38:17,640
Speaker 1: Are you trying to get into shape? Are you, like

842
00:38:17,840 --> 00:38:20,920
Speaker 1: I like exercising or what is? What is up with

843
00:38:21,000 --> 00:38:22,719
Speaker 1: you in all these clothes.

844
00:38:22,480 --> 00:38:25,719
Speaker 7: Beautiful though you're already shape and beautiful, but go on.

845
00:38:26,320 --> 00:38:29,400
Speaker 3: Well, part of it is about getting into shape a

846
00:38:29,440 --> 00:38:32,479
Speaker 3: little bit. But I think the other part of it

847
00:38:32,560 --> 00:38:35,920
Speaker 3: is that I am actually crazy and insane and cranky

848
00:38:36,000 --> 00:38:37,719
Speaker 3: if I don't work out, and I need to get

849
00:38:37,719 --> 00:38:39,799
Speaker 3: that energy out of me before I take it out

850
00:38:39,840 --> 00:38:40,600
Speaker 3: on someone else.

851
00:38:40,840 --> 00:38:42,320
Speaker 2: I got for the betterment.

852
00:38:42,840 --> 00:38:44,080
Speaker 4: Cranky Root is so.

853
00:38:44,320 --> 00:38:46,600
Speaker 5: Mean, so funny though.

854
00:38:46,800 --> 00:38:48,560
Speaker 7: The thing about cranky Roo is like she got like

855
00:38:48,680 --> 00:38:51,520
Speaker 7: sleepy eyes and so she got like a little angry,

856
00:38:51,600 --> 00:38:54,239
Speaker 7: grumpy bear face, you know, and then it's adorable and

857
00:38:54,280 --> 00:38:55,600
Speaker 7: it's funny, it's a little scary.

858
00:38:55,800 --> 00:38:56,480
Speaker 6: You're gonna love it.

859
00:38:56,520 --> 00:38:58,560
Speaker 7: Just have her take a nap before you meet with

860
00:38:58,600 --> 00:39:01,719
Speaker 7: her somewhere and then you'll meet you don't like she's

861
00:39:01,760 --> 00:39:02,320
Speaker 7: not a napper.

862
00:39:02,960 --> 00:39:07,399
Speaker 3: I like, okay, So being in the nap is good.

863
00:39:07,440 --> 00:39:10,160
Speaker 3: It's the waking up process from a nap that really

864
00:39:10,400 --> 00:39:11,239
Speaker 3: messes with me.

865
00:39:12,040 --> 00:39:14,840
Speaker 1: Yeah, it's always cool too to be a your forties

866
00:39:14,880 --> 00:39:18,759
Speaker 1: and being there to take a nap, like, it's just

867
00:39:18,880 --> 00:39:21,520
Speaker 1: it's just something about taking a nap. Like, So I'm

868
00:39:21,560 --> 00:39:24,800
Speaker 1: off Thursday, Fridays and Saturdays. That's I work Sunday through Wednesday,

869
00:39:25,080 --> 00:39:28,040
Speaker 1: so if I don't have comedy, so due I wake

870
00:39:28,120 --> 00:39:29,240
Speaker 1: up early.

871
00:39:29,400 --> 00:39:32,040
Speaker 2: I wake up early all the time. It's just my body.

872
00:39:32,440 --> 00:39:34,440
Speaker 1: And I'm up at like six, But then I go

873
00:39:34,520 --> 00:39:37,239
Speaker 1: back to sleep at like nine. If I don't get

874
00:39:37,239 --> 00:39:39,200
Speaker 1: out of the bed, if I don't get to bed,

875
00:39:39,200 --> 00:39:40,240
Speaker 1: I'm gonna go back to sleep.

876
00:39:40,360 --> 00:39:41,560
Speaker 2: But then I'll be up all day.

877
00:39:41,600 --> 00:39:44,040
Speaker 1: And then around like two o'clock, I'm like, man, I'm

878
00:39:44,040 --> 00:39:44,880
Speaker 1: gonna take a nap.

879
00:39:45,960 --> 00:39:46,960
Speaker 2: I'm like, why.

880
00:39:48,840 --> 00:39:50,840
Speaker 7: Time, That is what happens when you get old.

881
00:39:51,640 --> 00:39:54,200
Speaker 1: But I got a nap. I gotta have a certain

882
00:39:54,239 --> 00:39:58,000
Speaker 1: thing on it. Gotta be some murder I got. I

883
00:39:58,040 --> 00:40:01,960
Speaker 1: see the unsid mystery for RISIC five, a dateline something

884
00:40:02,000 --> 00:40:03,960
Speaker 1: one of those three has to be on. And then

885
00:40:04,000 --> 00:40:06,319
Speaker 1: I set my law for like thirty minutes and take

886
00:40:06,360 --> 00:40:07,200
Speaker 1: a thirty minute nap.

887
00:40:07,280 --> 00:40:09,080
Speaker 2: Then I'm up and I'm up for the rest of

888
00:40:09,120 --> 00:40:09,399
Speaker 2: the day.

889
00:40:09,440 --> 00:40:10,120
Speaker 5: Thirty minutes.

890
00:40:10,160 --> 00:40:12,360
Speaker 1: You're not a long napper, nah, I can't know a

891
00:40:12,400 --> 00:40:14,040
Speaker 1: longe that because then I won't sleep at night.

892
00:40:15,280 --> 00:40:17,360
Speaker 4: See if you do a long apple, I'll be cranky.

893
00:40:17,640 --> 00:40:21,239
Speaker 3: I like to well fall asleep to the videos of

894
00:40:21,280 --> 00:40:23,480
Speaker 3: people manufacturing things and factories.

895
00:40:24,160 --> 00:40:27,040
Speaker 1: Oh like modern marvels that type that show. You have

896
00:40:27,160 --> 00:40:27,800
Speaker 1: watched that show?

897
00:40:28,160 --> 00:40:30,319
Speaker 4: No, I haven't, but I was thinking more how it's made.

898
00:40:30,600 --> 00:40:32,279
Speaker 2: Yeah, yeah, I like how it's made too.

899
00:40:33,000 --> 00:40:35,239
Speaker 1: It's the Science Channel. Hey, I got to delete this

900
00:40:35,280 --> 00:40:35,799
Speaker 1: whole part.

901
00:40:37,960 --> 00:40:40,160
Speaker 4: This is what happens. Is what happens when you have

902
00:40:40,200 --> 00:40:41,840
Speaker 4: a show with the me and Amy with.

903
00:40:43,800 --> 00:40:45,640
Speaker 2: How it's made is so dope.

904
00:40:45,680 --> 00:40:47,880
Speaker 1: They'd be like, yo, on today's episode, we're going to

905
00:40:47,920 --> 00:40:49,359
Speaker 1: show you how we make recorders.

906
00:40:49,800 --> 00:40:50,960
Speaker 7: You know it.

907
00:40:51,560 --> 00:40:52,200
Speaker 2: Tell y'all.

908
00:40:53,719 --> 00:40:58,120
Speaker 1: I never like the hummus until I saw how it

909
00:40:58,280 --> 00:41:01,040
Speaker 1: was made. On how it I like, oh, I try that.

910
00:41:01,080 --> 00:41:03,759
Speaker 1: It's just chickpeas, Like I didn't know that.

911
00:41:03,840 --> 00:41:06,799
Speaker 2: I just saw some slosh in this thing. I'm like,

912
00:41:07,360 --> 00:41:09,479
Speaker 2: I will eat that. That's gross. And then they showing

913
00:41:09,560 --> 00:41:11,400
Speaker 2: how mad I'm like, yeah, I try it and it

914
00:41:11,480 --> 00:41:12,280
Speaker 2: still was gross.

915
00:41:14,080 --> 00:41:16,520
Speaker 6: I got it's not for your hypertection.

916
00:41:18,000 --> 00:41:18,719
Speaker 2: High potential.

917
00:41:19,640 --> 00:41:22,520
Speaker 4: It gives me an appreciation for like things in my life.

918
00:41:22,680 --> 00:41:25,239
Speaker 4: You know. I'm like, Wow, there's time that was put

919
00:41:25,280 --> 00:41:25,719
Speaker 4: into this.

920
00:41:26,320 --> 00:41:28,200
Speaker 2: I gotta check. I'm gonna put that on the days.

921
00:41:28,239 --> 00:41:29,560
Speaker 2: Matter of fact, when I get done with this, I

922
00:41:29,560 --> 00:41:34,399
Speaker 2: gotta go make shirts. I'm about to go watch houses made. Wow,

923
00:41:34,480 --> 00:41:36,080
Speaker 2: we got to get up out of here. Ladies. Thank

924
00:41:36,120 --> 00:41:38,239
Speaker 2: y'all so much for kicking it with me. Man, Hey,

925
00:41:38,560 --> 00:41:39,920
Speaker 2: what you got going on this weekend?

926
00:41:40,960 --> 00:41:44,320
Speaker 4: This weekend, I am on a flight to air.

927
00:41:44,160 --> 00:41:46,200
Speaker 3: Friends and then I and I'm gonna fight.

928
00:41:46,280 --> 00:41:47,680
Speaker 4: I'm gonna fight someone in friendship.

929
00:41:49,360 --> 00:41:50,880
Speaker 2: Hey, what you got this weekend is this?

930
00:41:51,239 --> 00:41:54,880
Speaker 7: I'm working on Florida Comedy Collective stuff. Go to Florida

931
00:41:54,920 --> 00:41:57,360
Speaker 7: Comedy Collective dot com. We're working on lots of stuff

932
00:41:57,360 --> 00:42:00,239
Speaker 7: for a nonprofit now or raising money for it and

933
00:42:00,320 --> 00:42:01,960
Speaker 7: comedians paid putting shows on.

934
00:42:02,680 --> 00:42:03,839
Speaker 5: We got a lot of stuff coming up.

935
00:42:03,840 --> 00:42:07,360
Speaker 7: So ww Florida Comedy Collective dot com.

936
00:42:07,440 --> 00:42:07,680
Speaker 2: Nice.

937
00:42:07,800 --> 00:42:11,239
Speaker 1: Nice Wednesday night, twenty first, I will be at Craves

938
00:42:11,239 --> 00:42:14,000
Speaker 1: Comedy Club, Flagler Beach, Craves.

939
00:42:14,200 --> 00:42:15,600
Speaker 2: It's the whole Real Labs crew.

940
00:42:15,640 --> 00:42:18,680
Speaker 1: It'll be me, Miguel and James John and Jeff Kaufman.

941
00:42:18,800 --> 00:42:20,799
Speaker 2: Might swing through. When I tell you one of the.

942
00:42:20,760 --> 00:42:23,440
Speaker 1: Best steaks I have ever had in my life is

943
00:42:23,520 --> 00:42:26,400
Speaker 1: at Craves. So you're not doing anything it is This

944
00:42:26,440 --> 00:42:29,479
Speaker 1: week is a seven pm. The Real Labs crew will

945
00:42:29,480 --> 00:42:31,680
Speaker 1: be at Crave, So come on through, man, But we

946
00:42:31,719 --> 00:42:32,600
Speaker 1: got to get up out of here.

947
00:42:32,640 --> 00:42:35,040
Speaker 2: Appreciate y'all again for sitting in with me. Man. The

948
00:42:35,120 --> 00:42:36,719
Speaker 2: crew will be back tomorrow.

949
00:42:36,960 --> 00:42:39,359
Speaker 1: I am Kim Miller. That is route, that is Amy Man.

950
00:42:39,440 --> 00:42:40,399
Speaker 1: Thank y'all so much.

951
00:42:40,520 --> 00:42:42,680
Speaker 2: Enjoy the rest of your night, and rude tell her

952
00:42:42,760 --> 00:42:43,279
Speaker 2: what to do.

953
00:42:44,280 --> 00:42:46,000
Speaker 4: Tack you ask too bad.

954
00:42:47,080 --> 00:42:58,280
Speaker 2: Good night,