1 00:00:00,160 --> 00:00:03,680 Speaker 1: When the on air Mike goes off, the talk talk begins. 2 00:00:03,880 --> 00:00:09,520 Speaker 1: It's talk talk with Martha Quinn. Riddle me this lassies. 3 00:00:10,600 --> 00:00:13,280 Speaker 1: That means ladies and I don't know what it is 4 00:00:13,320 --> 00:00:16,280 Speaker 1: in but Scottish, I don't know. 5 00:00:17,920 --> 00:00:21,880 Speaker 2: Welcome Christy James, Welcome, Martha Quinn, Welcome me. Karina velaskis, 6 00:00:21,920 --> 00:00:23,520 Speaker 2: why do they say lassie? 7 00:00:23,560 --> 00:00:24,040 Speaker 1: I don't know. 8 00:00:24,160 --> 00:00:26,239 Speaker 3: Well, I think it's like lad I think it's like 9 00:00:26,400 --> 00:00:31,800 Speaker 3: lads and lassies. Yeah, so you know, laddies a laddies, 10 00:00:32,240 --> 00:00:35,400 Speaker 3: Hey lassies. But okay, where do they say that. I'm 11 00:00:35,400 --> 00:00:36,440 Speaker 3: gonna guess Scotland. 12 00:00:36,600 --> 00:00:40,040 Speaker 1: I say the UK. I think the UK somewhere over there, Yeah, 13 00:00:40,080 --> 00:00:41,200 Speaker 1: somewhere across the pond. 14 00:00:41,400 --> 00:00:44,959 Speaker 3: But let me shout out the movie Lassie. However that 15 00:00:45,440 --> 00:00:47,400 Speaker 3: what's her name? Elizabeth Taylor? 16 00:00:47,440 --> 00:00:47,599 Speaker 1: Did? 17 00:00:47,640 --> 00:00:50,479 Speaker 3: She was like eight years old. There's like no talking 18 00:00:50,560 --> 00:00:53,920 Speaker 3: in it. It's just basically this dog running around trying 19 00:00:53,960 --> 00:00:57,000 Speaker 3: to find its home. It's so riveting you'll be on 20 00:00:57,080 --> 00:01:00,120 Speaker 3: the edge of your seat. I'm not kidding. So it's 21 00:01:00,160 --> 00:01:02,840 Speaker 3: so good, can't miss. It's a can't miss film. 22 00:01:04,600 --> 00:01:08,480 Speaker 1: Well, I have a can't miss riddle this morning or 23 00:01:08,600 --> 00:01:11,520 Speaker 1: this afternoon or this evening. Depending on whenever you're listening. 24 00:01:11,680 --> 00:01:14,800 Speaker 1: So what has to be broken before you can use it? 25 00:01:15,040 --> 00:01:17,840 Speaker 4: What has to be broken before you can use it? 26 00:01:17,880 --> 00:01:20,600 Speaker 4: Martha Quinn? You want to guess first. 27 00:01:20,720 --> 00:01:25,880 Speaker 3: Well, I'm gonna say, like like the seal on your 28 00:01:25,959 --> 00:01:29,360 Speaker 3: vitamin bottle, you have to break that before you can 29 00:01:29,400 --> 00:01:31,199 Speaker 3: get into the vitamins. No. 30 00:01:31,560 --> 00:01:33,800 Speaker 1: I mean that makes sense, but that's not the answer. 31 00:01:34,280 --> 00:01:35,000 Speaker 3: I don't know this. 32 00:01:35,440 --> 00:01:37,679 Speaker 2: I feel like I'm going to be wrong anyways, Christy 33 00:01:37,720 --> 00:01:39,399 Speaker 2: if I say this, but is it a clock? 34 00:01:39,920 --> 00:01:43,280 Speaker 1: No, that is not it. But you want to give 35 00:01:43,319 --> 00:01:43,480 Speaker 1: us a. 36 00:01:43,440 --> 00:01:47,520 Speaker 3: Clue a promise. No, because if it's broken, then no, 37 00:01:47,800 --> 00:01:50,800 Speaker 3: you can't use it. No, it has to be broken 38 00:01:50,920 --> 00:01:52,960 Speaker 3: a bone before you can. 39 00:01:53,440 --> 00:01:58,280 Speaker 1: How would you break your bone and then use it? Karina, Well, 40 00:01:58,560 --> 00:02:01,520 Speaker 1: we'll just ponder that, but the answer will come up 41 00:02:01,560 --> 00:02:03,480 Speaker 1: a little bit later on in the podcast. 42 00:02:04,720 --> 00:02:09,000 Speaker 3: I like it. Little Cliffhanger, Yeah, who shot jaur Action? 43 00:02:09,200 --> 00:02:12,200 Speaker 3: Going on in Talk Talk with Martha Quinn. What episode 44 00:02:12,280 --> 00:02:13,600 Speaker 3: is this? Kreean of Alaskas. 45 00:02:13,720 --> 00:02:15,840 Speaker 4: This is two hundred and forty two. 46 00:02:15,720 --> 00:02:19,280 Speaker 3: Hundred and forty with Talk Talk with Martha Quinn. So 47 00:02:20,560 --> 00:02:25,200 Speaker 3: the topic this week was inspired by Billy Idyl Billy 48 00:02:25,320 --> 00:02:29,200 Speaker 3: revealed that he's working on a documentary about his life, 49 00:02:29,480 --> 00:02:33,120 Speaker 3: and I love this title. It is so funny. Billy 50 00:02:33,200 --> 00:02:37,760 Speaker 3: Idle should be dead. OI. So we were talking about 51 00:02:37,840 --> 00:02:41,239 Speaker 3: if there is going to be documentaries about each of us, 52 00:02:41,600 --> 00:02:45,799 Speaker 3: what would they be called, Christy James, what would your documentary, 53 00:02:45,800 --> 00:02:49,080 Speaker 3: the documentary about your life be called? If you can't 54 00:02:49,120 --> 00:02:52,080 Speaker 3: think of it, you know, kreanon, I could confer. But 55 00:02:52,160 --> 00:02:53,520 Speaker 3: if you have one, let's hear. 56 00:02:53,440 --> 00:02:54,440 Speaker 1: It going going go. 57 00:02:54,960 --> 00:02:55,880 Speaker 4: Oh good? 58 00:02:56,000 --> 00:03:01,679 Speaker 1: Why because I'm always going somewhere, going somewhere on the go, 59 00:03:02,040 --> 00:03:05,440 Speaker 1: and so I feel like that would sum up everything going, 60 00:03:05,520 --> 00:03:07,320 Speaker 1: going go, which is kind. 61 00:03:07,200 --> 00:03:11,160 Speaker 3: Of a twist on the phrase going going gone, because 62 00:03:11,280 --> 00:03:14,720 Speaker 3: for you it's going going and just still going still 63 00:03:15,200 --> 00:03:18,280 Speaker 3: doesn't end. Gone is kind of an ending. The going 64 00:03:18,320 --> 00:03:21,000 Speaker 3: going go is so good. 65 00:03:21,240 --> 00:03:23,440 Speaker 1: Yeah, And then it could just sum up everything that 66 00:03:23,520 --> 00:03:27,880 Speaker 1: I've done in my life, growing up in Fremont, the Navy, 67 00:03:28,000 --> 00:03:32,840 Speaker 1: going to the Navy, and then going back home to 68 00:03:32,880 --> 00:03:37,080 Speaker 1: pursue radio, and then still on the go. Not to 69 00:03:37,120 --> 00:03:39,800 Speaker 1: be confused with gone girl, no, because that would be 70 00:03:39,880 --> 00:03:40,400 Speaker 1: kind of dark. 71 00:03:41,520 --> 00:03:43,880 Speaker 2: But yeah, I mean I pretty much describes you, Christy, 72 00:03:43,920 --> 00:03:48,640 Speaker 2: because she's literally you're literally always on the go exactly, 73 00:03:48,680 --> 00:03:50,000 Speaker 2: what about you, Martha Quinn? 74 00:03:50,080 --> 00:03:54,200 Speaker 1: What would your documentary be called? I have two choices. 75 00:03:54,400 --> 00:04:00,120 Speaker 3: Number one could be Honhn. Did you hear me, Hon? 76 00:04:00,400 --> 00:04:04,880 Speaker 3: Because that's how I spent my life. Okay, your head, 77 00:04:05,000 --> 00:04:11,040 Speaker 3: that is how I spent my life. Yeah, hon Hon? 78 00:04:11,640 --> 00:04:16,600 Speaker 1: He like, great, well if. 79 00:04:16,520 --> 00:04:20,640 Speaker 3: He would listen, what's that? 80 00:04:20,960 --> 00:04:23,159 Speaker 1: I said, Well, if he would listen, you wouldn't have 81 00:04:23,200 --> 00:04:24,120 Speaker 1: to repeat. 82 00:04:23,720 --> 00:04:28,120 Speaker 3: It exactly, believe me. And and this is what will 83 00:04:28,120 --> 00:04:30,880 Speaker 3: happen like this just happened yesterday. I was I was 84 00:04:30,920 --> 00:04:32,760 Speaker 3: trying to say I kind of knew that this was 85 00:04:32,800 --> 00:04:35,279 Speaker 3: going to be our topic, and I was saying, I said, hey, quick, 86 00:04:35,560 --> 00:04:38,880 Speaker 3: what would a documentary about me be calledn What do 87 00:04:38,880 --> 00:04:41,040 Speaker 3: you think? Quick? And I was trying to make it urgent, 88 00:04:41,080 --> 00:04:43,159 Speaker 3: you know, So he gets with me, quick, we're going 89 00:04:43,240 --> 00:04:44,960 Speaker 3: to be doing our podcast more. What do you got 90 00:04:45,160 --> 00:04:47,320 Speaker 3: still a phone? Phone? Phone? I'm like, okay, well, I 91 00:04:47,360 --> 00:04:49,800 Speaker 3: gotta go, because you know, we had to start, and 92 00:04:49,880 --> 00:04:51,679 Speaker 3: so I go, I gotta go, and all of a sudden, 93 00:04:51,760 --> 00:04:54,240 Speaker 3: I'm literally walking out and then he goes, wait, where 94 00:04:54,240 --> 00:04:56,880 Speaker 3: are you going? And I said, I'm leaving. I used 95 00:04:56,920 --> 00:04:59,520 Speaker 3: up all my time asking you if you heard me. 96 00:05:00,160 --> 00:05:00,960 Speaker 4: That's so funny. 97 00:05:02,000 --> 00:05:07,160 Speaker 2: Han's original MTVVJ Martha Quinn and Hon Hanhun. 98 00:05:07,960 --> 00:05:11,360 Speaker 3: I think it's just Hon Hon Hon. Did you hear 99 00:05:11,400 --> 00:05:15,840 Speaker 3: me Hon? The story of Martha Quinn after MTV? I 100 00:05:15,839 --> 00:05:18,520 Speaker 3: don't know, something like that. But if that wasn't it, 101 00:05:18,880 --> 00:05:22,200 Speaker 3: I think I call my documentary I love rock and roll. 102 00:05:22,400 --> 00:05:24,960 Speaker 1: That's great like that. I think it fits for you. 103 00:05:25,080 --> 00:05:28,400 Speaker 1: I think jone Jets might be a little a little 104 00:05:28,640 --> 00:05:31,679 Speaker 1: bit ticked off since she snatched it from her song, 105 00:05:32,080 --> 00:05:33,800 Speaker 1: and maybe she might want to use it. But I 106 00:05:33,839 --> 00:05:36,800 Speaker 1: feel like if you call Dibbs first, it's yours or. 107 00:05:36,839 --> 00:05:40,000 Speaker 3: It can also be born into rock and roll between 108 00:05:40,040 --> 00:05:41,920 Speaker 3: you and me. That's not a jone Jet song. 109 00:05:42,400 --> 00:05:43,320 Speaker 1: I love rock and roll. 110 00:05:43,640 --> 00:05:46,360 Speaker 3: She made a popular but she is, she's covering it. 111 00:05:46,600 --> 00:05:50,120 Speaker 1: Oh yeah. I don't think you can copyright a title, 112 00:05:50,480 --> 00:05:51,240 Speaker 1: but let's. 113 00:05:51,080 --> 00:05:53,560 Speaker 4: See you can. Yes, you can, because. 114 00:05:53,320 --> 00:05:55,640 Speaker 3: I know not a tit not a title. Do you 115 00:05:55,720 --> 00:05:56,320 Speaker 3: have a song? 116 00:05:56,440 --> 00:05:58,680 Speaker 4: Because I could have swear Taylor Swift does it all 117 00:05:58,720 --> 00:05:59,040 Speaker 4: the time. 118 00:05:59,320 --> 00:06:00,360 Speaker 1: No, you can't. 119 00:06:00,400 --> 00:06:02,480 Speaker 4: Can't copyright a title, a song title. 120 00:06:02,680 --> 00:06:04,640 Speaker 3: You have to be able to ever have a biography 121 00:06:04,720 --> 00:06:06,840 Speaker 3: called I Love rock and Roll. I think she does 122 00:06:07,160 --> 00:06:11,800 Speaker 3: I'm just asking my bestie chat. I'm pretty sure that 123 00:06:12,360 --> 00:06:15,680 Speaker 3: Joan Jet does not have a biography totaled titled I 124 00:06:15,760 --> 00:06:18,200 Speaker 3: Love rock and Roll. That's however, her life and career 125 00:06:18,200 --> 00:06:20,480 Speaker 3: have been documented in various forms, and the phrase I 126 00:06:20,480 --> 00:06:23,080 Speaker 3: Love rock and Roll is closely associated with her due 127 00:06:23,160 --> 00:06:27,440 Speaker 3: to her iconic nineteen eighty one hit. But however, there's 128 00:06:27,480 --> 00:06:30,599 Speaker 3: no evidence of a Joan Jet biography specifically titled I 129 00:06:30,640 --> 00:06:33,000 Speaker 3: Love rock and Roll. Oh okay, Well, if I can't 130 00:06:33,000 --> 00:06:34,800 Speaker 3: have I Love rock and Roll, well, I don't know. 131 00:06:35,080 --> 00:06:36,320 Speaker 3: I think I think I got it. 132 00:06:36,920 --> 00:06:39,080 Speaker 1: I said that she didn't think about it because you 133 00:06:39,160 --> 00:06:42,200 Speaker 1: snatched it first. But since you are calling dibbs on 134 00:06:42,279 --> 00:06:44,040 Speaker 1: it first, it's yours. 135 00:06:44,440 --> 00:06:48,479 Speaker 3: Well. I keep waiting for Madonna to call herself the 136 00:06:48,560 --> 00:06:50,560 Speaker 3: Queen of the eighties. Maybe she doesn't want to be 137 00:06:50,640 --> 00:06:53,520 Speaker 3: identified with the eighties, but one of these days I'm 138 00:06:53,520 --> 00:06:56,600 Speaker 3: gonna snatch it, because nobody's stepping up to the plate 139 00:06:56,640 --> 00:06:59,279 Speaker 3: and calling themselves the queen of the eighties. I think 140 00:06:59,520 --> 00:06:59,760 Speaker 3: I could. 141 00:07:00,960 --> 00:07:03,560 Speaker 1: I feel like you could own that, because technically it 142 00:07:03,640 --> 00:07:08,400 Speaker 1: is true. She could say queen of pop. But I 143 00:07:08,440 --> 00:07:11,200 Speaker 1: don't think she's the queen of the eighties. I don't 144 00:07:11,240 --> 00:07:13,800 Speaker 1: see Madonna as being the Queen of the eighties. I 145 00:07:13,840 --> 00:07:15,600 Speaker 1: would give that one to you, Martha Queen, if you 146 00:07:15,600 --> 00:07:16,800 Speaker 1: want it. 147 00:07:16,320 --> 00:07:19,280 Speaker 3: I feel like maybe I'm the princess of the eighties, 148 00:07:19,320 --> 00:07:22,280 Speaker 3: like maybe not the queen maybe or would be the 149 00:07:22,360 --> 00:07:23,480 Speaker 3: Queen of the eighties. 150 00:07:24,840 --> 00:07:25,560 Speaker 4: Cindy Lapper. 151 00:07:25,640 --> 00:07:28,120 Speaker 1: I say, Cindy Lapper. That's who comes to my mind, 152 00:07:28,680 --> 00:07:30,960 Speaker 1: and I think queen of the Eighties. I feel like 153 00:07:31,040 --> 00:07:34,760 Speaker 1: Cindy Lapper would be my first pick over anyone. 154 00:07:34,840 --> 00:07:37,560 Speaker 3: So what do you think of a documentary title for me? 155 00:07:37,640 --> 00:07:39,920 Speaker 3: Martha Quinn? Girls just want to have fun? Do you 156 00:07:39,920 --> 00:07:45,200 Speaker 3: think of you appropriate? I'm just going to find people's songs. So, 157 00:07:45,320 --> 00:07:48,520 Speaker 3: Karina of Alaska is what would a documentary about your 158 00:07:48,600 --> 00:07:49,040 Speaker 3: life be? 159 00:07:49,480 --> 00:07:54,840 Speaker 2: Minees would be Corina's Wild Vine, a tale wait, a 160 00:07:54,880 --> 00:07:59,840 Speaker 2: Mexican family tale of wine love. I wanted to add 161 00:07:59,880 --> 00:08:02,440 Speaker 2: my dog in there somewhere, but something around like along 162 00:08:02,480 --> 00:08:08,960 Speaker 2: those lines. A Mexican family tale of love, wine and friendship. 163 00:08:09,080 --> 00:08:09,840 Speaker 1: That's a long tide. 164 00:08:11,440 --> 00:08:14,120 Speaker 3: I was just thinking, if you wanted to tweet about 165 00:08:14,160 --> 00:08:18,320 Speaker 3: this book, this documentary, you've used up all of your 166 00:08:18,440 --> 00:08:22,400 Speaker 3: characters just with the Tarna's Wild Vine. 167 00:08:22,760 --> 00:08:26,120 Speaker 4: So karinas I gotta kind of I'll figure na wild Vine. 168 00:08:26,400 --> 00:08:29,720 Speaker 3: So you're trying to pick you're trying to include vine 169 00:08:29,800 --> 00:08:32,839 Speaker 3: in there, right, and you're trying to like combine Karna's 170 00:08:33,120 --> 00:08:38,400 Speaker 3: Wild Ride with Karna's Wild Vine. Is that what you're 171 00:08:38,440 --> 00:08:40,680 Speaker 3: trying to do, like mister Toad's Wild Ride? 172 00:08:40,760 --> 00:08:41,880 Speaker 4: Yeah, oh, mister Toad. 173 00:08:41,920 --> 00:08:45,599 Speaker 1: Dan I would say vita vino familia. I like that 174 00:08:47,480 --> 00:08:52,720 Speaker 1: Na vita vino familia because it's like wine, live family. 175 00:08:53,160 --> 00:08:58,240 Speaker 1: And then what's crazy in Spanish loca so vina vida 176 00:08:58,360 --> 00:09:03,320 Speaker 1: familia or loca the movie vino vida familiar. Yeah, there 177 00:09:03,360 --> 00:09:07,200 Speaker 1: is a there is a movie called that's very, very famous. 178 00:09:07,240 --> 00:09:10,800 Speaker 1: So you guys are all stealing ideas. I just don't understand. 179 00:09:11,480 --> 00:09:15,120 Speaker 3: And doesn't Ricky Martin have something along those lines. 180 00:09:16,240 --> 00:09:19,000 Speaker 1: Living yeah, living the crazy line? 181 00:09:19,040 --> 00:09:21,440 Speaker 3: So I don't know, Ricky Martin's going to be calling you, 182 00:09:21,960 --> 00:09:23,600 Speaker 3: Joan Jet's gonna be calling me. 183 00:09:23,840 --> 00:09:25,880 Speaker 1: I'm good to go, yeah, and Christy's good to go. 184 00:09:26,000 --> 00:09:29,120 Speaker 2: Yeah, that's okay because everyone's stealing everything now, right, you know, 185 00:09:29,160 --> 00:09:32,560 Speaker 2: there's no there's no originals. Now everyone's doing remakes of 186 00:09:32,600 --> 00:09:35,400 Speaker 2: this and remakes of shows and remakes of movies, and 187 00:09:35,520 --> 00:09:36,800 Speaker 2: there's there's hardly. 188 00:09:36,520 --> 00:09:39,839 Speaker 4: Any like fresh ideas. So unless your name is Christy. 189 00:09:39,640 --> 00:09:43,280 Speaker 1: James, holler at me if you need a fresh idea, Christy. 190 00:09:43,720 --> 00:09:47,400 Speaker 3: In the documentary about your life, Go Go, Go Going, 191 00:09:47,600 --> 00:09:51,440 Speaker 3: what is one of the going going going going going going, going, 192 00:09:51,440 --> 00:09:54,680 Speaker 3: going going going go oh going going go. Okay, Okay, 193 00:09:54,679 --> 00:09:58,760 Speaker 3: got it going going go going going go? What it is? Okay? 194 00:09:59,520 --> 00:10:04,400 Speaker 3: What the scene is that scene where everybody's like, is 195 00:10:04,440 --> 00:10:05,559 Speaker 3: she gonna make it through? 196 00:10:05,880 --> 00:10:12,520 Speaker 1: Probably when I am going to boot camp, and my 197 00:10:12,600 --> 00:10:16,880 Speaker 1: first night of boot camp or the weekend I did 198 00:10:17,520 --> 00:10:19,920 Speaker 1: my aircheck and then turned it in to be on 199 00:10:20,000 --> 00:10:21,560 Speaker 1: the radio here in the Bay Area. 200 00:10:21,679 --> 00:10:23,840 Speaker 3: Okay, and what did that look like to give us 201 00:10:23,880 --> 00:10:26,640 Speaker 3: a little preview of what's going on. 202 00:10:26,880 --> 00:10:27,600 Speaker 1: For which one? 203 00:10:28,000 --> 00:10:32,199 Speaker 3: Uh, Well, since you seem to really settle into the aircheck, 204 00:10:32,240 --> 00:10:34,080 Speaker 3: you seem to really sell that one. 205 00:10:34,240 --> 00:10:37,280 Speaker 1: Mm hmm. That's the one, Okay. So I would just 206 00:10:37,600 --> 00:10:40,760 Speaker 1: be hard at work as an intern at iHeartRadio in 207 00:10:40,800 --> 00:10:44,040 Speaker 1: San Francisco, and then one weekend I decide I have 208 00:10:44,160 --> 00:10:47,960 Speaker 1: to sit down and really try and do the best 209 00:10:48,000 --> 00:10:51,480 Speaker 1: aircheck of my life. And I spent a Saturday here 210 00:10:51,559 --> 00:10:54,480 Speaker 1: working on it, and then Monday morning, I walked it 211 00:10:54,559 --> 00:10:57,400 Speaker 1: into the office and gave it to the assistant program 212 00:10:57,440 --> 00:10:59,920 Speaker 1: director with my fingers crossed and all the hopes and 213 00:11:00,080 --> 00:11:02,960 Speaker 1: the world and dreams hanging on that I would finally 214 00:11:03,000 --> 00:11:06,679 Speaker 1: get an opportunity to have the radio job of my dreams. 215 00:11:07,000 --> 00:11:08,800 Speaker 1: And that's it, and the rest is history. 216 00:11:09,080 --> 00:11:11,360 Speaker 3: And here you are in the same building. 217 00:11:12,040 --> 00:11:16,880 Speaker 1: That crazy, That is so crazy, It is crazy. What 218 00:11:17,040 --> 00:11:20,480 Speaker 1: about you, Karina? What would be that moment in Veno 219 00:11:20,760 --> 00:11:26,880 Speaker 1: Vita familia parnas extravagance and super long movie title. 220 00:11:28,240 --> 00:11:31,280 Speaker 4: What would be the moment? Well, we didn't incorporate my 221 00:11:31,559 --> 00:11:35,800 Speaker 4: probably my family. Probably my family. Would I incorporate my family? 222 00:11:35,840 --> 00:11:39,839 Speaker 3: I don't know what's the what's the scene in the documentary? 223 00:11:40,040 --> 00:11:43,360 Speaker 3: You know there's always this scene where you're like, are 224 00:11:43,400 --> 00:11:46,199 Speaker 3: they gonna make it through? You know, this is the 225 00:11:46,840 --> 00:11:49,600 Speaker 3: edge of your seat scene. I can think of one 226 00:11:49,800 --> 00:11:50,560 Speaker 3: for you, Karina. 227 00:11:51,000 --> 00:11:51,640 Speaker 4: I want to hear it. 228 00:11:51,920 --> 00:11:56,480 Speaker 3: Well, what comes to my mind is you on the 229 00:11:56,480 --> 00:12:02,920 Speaker 3: balcony throwing clothes off. Wait, what when you were going 230 00:12:02,960 --> 00:12:07,880 Speaker 3: through a breakup? Yeah, that's a good one. That's a 231 00:12:07,880 --> 00:12:09,720 Speaker 3: good documentary scene right there. 232 00:12:09,800 --> 00:12:12,840 Speaker 2: Yeah, like when, oh, I know, when I caught my 233 00:12:13,200 --> 00:12:16,440 Speaker 2: when I saw the marriage license. Well, I was dating 234 00:12:16,480 --> 00:12:19,960 Speaker 2: someone for a while and I find the marriage license 235 00:12:20,240 --> 00:12:21,600 Speaker 2: and done, done done. 236 00:12:22,200 --> 00:12:24,280 Speaker 4: What happens next? That's a cliffhanger right there. 237 00:12:24,400 --> 00:12:28,000 Speaker 3: Yep, that's that's that's that's good. That's good right there, 238 00:12:28,320 --> 00:12:29,440 Speaker 3: that's in the trailer. 239 00:12:29,600 --> 00:12:32,120 Speaker 4: He's the one with the clothes. So yes, yep, yep, yep. 240 00:12:32,559 --> 00:12:33,439 Speaker 1: The next thing we. 241 00:12:33,440 --> 00:12:36,520 Speaker 3: Know, flying clothes, flying clothes. 242 00:12:36,600 --> 00:12:37,600 Speaker 1: Yeah, I like it. 243 00:12:37,720 --> 00:12:38,320 Speaker 4: I like it. 244 00:12:38,360 --> 00:12:40,000 Speaker 1: Martha Quinn Quinn. 245 00:12:40,960 --> 00:12:45,160 Speaker 3: Oh gosh, what would it be? What would it be? Well, 246 00:12:45,600 --> 00:12:48,800 Speaker 3: I would let me think, let me think, is she 247 00:12:48,920 --> 00:12:49,920 Speaker 3: going to make it through? 248 00:12:50,160 --> 00:12:52,720 Speaker 1: It wouldn't be getting on the bus to go to 249 00:12:52,760 --> 00:12:55,680 Speaker 1: your MTV interview running from the radio station. 250 00:12:56,040 --> 00:12:57,680 Speaker 2: Yeah, I think that's a cool that would be like 251 00:12:57,840 --> 00:13:00,480 Speaker 2: does she make I mean, I guess, But. 252 00:13:00,440 --> 00:13:05,640 Speaker 3: I feel like other cliffhanger stuff has gone on in 253 00:13:05,720 --> 00:13:12,320 Speaker 3: my life, Like it could be I went into the 254 00:13:12,400 --> 00:13:15,680 Speaker 3: hospital and delivered a two and a half pound baby, 255 00:13:15,960 --> 00:13:19,560 Speaker 3: and what happened next? You know, that was that was 256 00:13:19,600 --> 00:13:22,800 Speaker 3: a cliffhanger moment. I've had so many. I feel like 257 00:13:22,840 --> 00:13:28,040 Speaker 3: my life after MTV, just life stuff happened. That was 258 00:13:28,360 --> 00:13:31,199 Speaker 3: that was. I don't know if i'd want my documentary 259 00:13:31,760 --> 00:13:37,520 Speaker 3: to be exclusively dealing with the MTV era, But you 260 00:13:37,559 --> 00:13:41,040 Speaker 3: called it I love rock abte but it's true I do, 261 00:13:41,200 --> 00:13:44,559 Speaker 3: and rock and roll is sort of a thread that 262 00:13:45,160 --> 00:13:49,320 Speaker 3: has seen me through, like to this day. My husband 263 00:13:49,360 --> 00:13:52,720 Speaker 3: and I this morning, we're at the bagel store. Michael 264 00:13:52,840 --> 00:13:56,120 Speaker 3: Jackson's Don't Stop till You Yet Enough was playing. My 265 00:13:56,200 --> 00:13:59,640 Speaker 3: husband Jordan says to me, is this just Michael or 266 00:13:59,679 --> 00:14:02,680 Speaker 3: our his brother is singing background vocals? I feel like 267 00:14:02,760 --> 00:14:05,560 Speaker 3: I hear his brothers and like the bagel guy, the 268 00:14:05,600 --> 00:14:07,720 Speaker 3: guy who owns the bagel store, was right there and 269 00:14:07,760 --> 00:14:11,880 Speaker 3: he's heavy into the eighties, And I say into my phone, 270 00:14:12,040 --> 00:14:15,800 Speaker 3: who's singing background vocals on Michael Jackson's Uh Don't stop 271 00:14:15,840 --> 00:14:20,080 Speaker 3: till You Get Enough? And I thought, this is so fascinating. 272 00:14:20,320 --> 00:14:22,680 Speaker 3: Everybody in the bagel store has got to be like 273 00:14:23,760 --> 00:14:26,600 Speaker 3: on the edge of their seat waiting to find out. 274 00:14:26,920 --> 00:14:29,880 Speaker 3: But it's just me and Jordan in our own little 275 00:14:29,880 --> 00:14:32,760 Speaker 3: world like we couldn't wait to find out. Turns out 276 00:14:32,880 --> 00:14:35,720 Speaker 3: it was mostly Michael, but his brothers were in fact 277 00:14:35,840 --> 00:14:39,000 Speaker 3: singing background vocals on don't stop Tea Get Enough? So 278 00:14:39,480 --> 00:14:42,720 Speaker 3: rock and roll gets me through every weekend. My husband 279 00:14:42,720 --> 00:14:44,640 Speaker 3: I've got music on gets us through? 280 00:14:44,760 --> 00:14:46,760 Speaker 4: What whatd a documentary about us? Three? What would be 281 00:14:46,800 --> 00:14:48,960 Speaker 4: the title? Les Amigas that's. 282 00:14:48,800 --> 00:14:52,880 Speaker 3: It rockers, I don't know, no lost, no less traces, 283 00:14:53,000 --> 00:14:56,080 Speaker 3: Chace amigas, the off for one, one for all. It 284 00:14:56,160 --> 00:14:58,480 Speaker 3: is No, we don't need to say the three amigas. 285 00:14:58,640 --> 00:15:03,160 Speaker 3: Everybody knows less Chase a megas. Okay, anyway, thank you 286 00:15:03,200 --> 00:15:06,080 Speaker 3: for listening to episode number two hundred and forty of 287 00:15:06,160 --> 00:15:09,000 Speaker 3: Talk Talk with Martha Quinn. Hey, that would be a 288 00:15:09,040 --> 00:15:14,680 Speaker 3: good name for a documentary. How about that? And we'll 289 00:15:14,720 --> 00:15:17,680 Speaker 3: see you in episode number two hundred and forty one. 290 00:15:17,800 --> 00:15:19,120 Speaker 3: Until then, I'm Martha Quinn. 291 00:15:19,280 --> 00:15:21,960 Speaker 1: I'm Christy with the answer to the riddle. 292 00:15:22,160 --> 00:15:24,240 Speaker 4: Oh yeah, I forgot what was the give us the 293 00:15:24,280 --> 00:15:25,160 Speaker 4: riddle real quick. 294 00:15:24,960 --> 00:15:27,320 Speaker 1: Though of what has to be broken before you can 295 00:15:27,440 --> 00:15:31,760 Speaker 1: use it? An egg? Oh you're vegan, so Martha, you 296 00:15:31,760 --> 00:15:33,160 Speaker 1: gelt it passed for not knowing that one. 297 00:15:33,240 --> 00:15:36,520 Speaker 2: That's that's a good way. Good at that. Yeah, that 298 00:15:36,600 --> 00:15:41,280 Speaker 2: was good. Thank you Christy for the answer. Filled with 299 00:15:41,320 --> 00:15:44,400 Speaker 2: a bunch of yolks around here her. 300 00:15:45,360 --> 00:15:47,920 Speaker 3: I'm Martha. Christy already did her thing. Karina, your last 301 00:15:48,520 --> 00:15:50,520 Speaker 3: Alaska miss You're ready