1 00:00:00,320 --> 00:00:03,680 Speaker 1: You're listening to KFI AM six forty on demand. 2 00:00:04,880 --> 00:00:07,200 Speaker 2: There's a few days away here from the super Bowl, 3 00:00:07,320 --> 00:00:10,320 Speaker 2: and we were talking about super Bowl commercials and asking 4 00:00:10,400 --> 00:00:12,880 Speaker 2: you maybe what your favorite commercial is, maybe your favorite 5 00:00:12,920 --> 00:00:17,000 Speaker 2: sort of time and era of commercials. They felt a 6 00:00:17,000 --> 00:00:19,079 Speaker 2: little more special when I was younger, but maybe I 7 00:00:19,120 --> 00:00:21,799 Speaker 2: was less cynical. That's the only thing I can think of, 8 00:00:21,840 --> 00:00:25,279 Speaker 2: But I really man, that was Saby WhatsUp era, the 9 00:00:25,280 --> 00:00:30,840 Speaker 2: Budweiser that dominated the eBay baby, No, the e Trade baby, 10 00:00:32,880 --> 00:00:36,199 Speaker 2: when Stephen Colbert cracked his head open out of a 11 00:00:36,240 --> 00:00:42,000 Speaker 2: pistachio nut. Oh, those was good times. Now, I swear 12 00:00:42,040 --> 00:00:44,400 Speaker 2: to got it to another commercial, I just like I mean, 13 00:00:44,400 --> 00:00:48,000 Speaker 2: the Shatner one was fantastic. But lots coming up here 14 00:00:48,040 --> 00:00:50,480 Speaker 2: in this hour. We are going to talk about movies later. 15 00:00:50,840 --> 00:00:53,800 Speaker 2: I know that's exciting, but I've been teasing this and 16 00:00:53,800 --> 00:00:55,280 Speaker 2: I really want to get to it. If it seems 17 00:00:55,280 --> 00:00:58,880 Speaker 2: like every man you know is a low t soy boy, 18 00:01:01,280 --> 00:01:03,960 Speaker 2: it's not because you hang out in Los Angeles, go 19 00:01:04,000 --> 00:01:07,440 Speaker 2: to the arawon or listen to my show. There may 20 00:01:07,480 --> 00:01:11,640 Speaker 2: be a reason. It is all thanks to the testosterone influencer. 21 00:01:12,120 --> 00:01:16,560 Speaker 2: Medical doctors fitness coaches, wellness gurus selling hormone treatments to 22 00:01:16,720 --> 00:01:21,559 Speaker 2: millions of men. The issue is on the internet. Most 23 00:01:21,560 --> 00:01:24,040 Speaker 2: of them don't cite a single study to back up 24 00:01:24,480 --> 00:01:28,160 Speaker 2: their claims. Studyfinds dot Org looked at a group of 25 00:01:28,240 --> 00:01:31,880 Speaker 2: these influencers. They reach nearly seven million followers, rack up 26 00:01:31,880 --> 00:01:34,720 Speaker 2: more than sixty five or sixty six hundred and fifty 27 00:01:34,760 --> 00:01:39,080 Speaker 2: thousand likes, but none of them none of them presented 28 00:01:39,080 --> 00:01:41,440 Speaker 2: any scientific evidence. By the way, this is a that's 29 00:01:41,480 --> 00:01:44,560 Speaker 2: a very small group of This is a much bigger trend. 30 00:01:44,640 --> 00:01:46,600 Speaker 2: These are just the ones that they specifically did. A 31 00:01:46,640 --> 00:01:50,240 Speaker 2: survey of seventy two percent of testosterone promoting accounts had 32 00:01:50,240 --> 00:01:54,960 Speaker 2: financial ties to the products that they were selling. Low 33 00:01:55,080 --> 00:01:58,600 Speaker 2: t low testosterone is a problem for men in their 34 00:01:58,640 --> 00:02:02,040 Speaker 2: twenties and thirties. Has been huge for influencer culture on 35 00:02:02,080 --> 00:02:05,880 Speaker 2: the internet because they can prey on the anxiety and 36 00:02:05,920 --> 00:02:12,280 Speaker 2: the insecurity of men not feeling manly enough, performance at 37 00:02:12,280 --> 00:02:17,880 Speaker 2: the gym, performance in the bed in an effort to 38 00:02:17,919 --> 00:02:21,000 Speaker 2: exploit the health benefits of fixing whatever's wrong with you. 39 00:02:21,080 --> 00:02:24,680 Speaker 2: Influencers often don't talk about how high doses of testosterone 40 00:02:24,680 --> 00:02:30,360 Speaker 2: therapy also carry risks like heart attack, infertility, ed gynocommastia, 41 00:02:30,840 --> 00:02:37,120 Speaker 2: and worst baldness. I don't know what's worse, ginocomasty or baldness. 42 00:02:37,960 --> 00:02:41,399 Speaker 2: Now they sell these tests and these treatments through through 43 00:02:41,400 --> 00:02:46,120 Speaker 2: their pages. They also don't mention that it's normal for 44 00:02:46,200 --> 00:02:50,359 Speaker 2: people men, especially for their testosterone to drop as they age, 45 00:02:50,880 --> 00:02:54,639 Speaker 2: and plenty of men with low t are healthy, allegedly 46 00:02:54,680 --> 00:02:56,959 Speaker 2: according to a doctor. One doctor says, what we're seeing 47 00:02:57,000 --> 00:02:59,680 Speaker 2: isn't health education. It's marketing and fear mongering dressed up 48 00:03:00,200 --> 00:03:04,440 Speaker 2: as medical advice. I see not a lot of these, 49 00:03:05,320 --> 00:03:09,760 Speaker 2: which maybe is good, or maybe I'm just beyond beyond hope. 50 00:03:10,000 --> 00:03:13,040 Speaker 2: I do know that back in the seventies men had 51 00:03:13,080 --> 00:03:15,600 Speaker 2: a lot more testosterone than they do now, and there's 52 00:03:15,639 --> 00:03:19,520 Speaker 2: all kinds of reasons for it. Diet, we're a lot 53 00:03:19,560 --> 00:03:23,480 Speaker 2: more sedentary than we were back then. I think we 54 00:03:23,560 --> 00:03:26,639 Speaker 2: had rust in our veins. Now we've got microplastics and 55 00:03:26,760 --> 00:03:30,160 Speaker 2: decrine disruptors. I think we ate a lot more meat. 56 00:03:32,720 --> 00:03:34,440 Speaker 2: Maybe it has something to do with that. I don't know. 57 00:03:37,280 --> 00:03:39,160 Speaker 2: It's funny because like I for me, it's always been 58 00:03:39,160 --> 00:03:42,839 Speaker 2: a joke that I'm not super manly, But like, would 59 00:03:42,880 --> 00:03:48,600 Speaker 2: I really do anything? About it. Nah, it's okay so far. 60 00:03:49,680 --> 00:03:52,320 Speaker 2: Let's listen to some messages from people who've been listening 61 00:03:52,320 --> 00:03:52,920 Speaker 2: to the show tonight. 62 00:03:53,400 --> 00:03:57,160 Speaker 3: Hey Andy, I'm Amy here. Hi Amy, I love your show. 63 00:03:58,400 --> 00:04:01,120 Speaker 3: I hope I can stay up flating up for the 64 00:04:01,160 --> 00:04:06,160 Speaker 3: guitar thing. Anyway, if you ever listen to the John 65 00:04:06,200 --> 00:04:09,000 Speaker 3: Cobalts show, you'd know that the LA Times is not 66 00:04:09,080 --> 00:04:12,120 Speaker 3: all that great, so might want to look into that. 67 00:04:13,920 --> 00:04:15,400 Speaker 3: All right, Audios, brother. 68 00:04:15,320 --> 00:04:15,920 Speaker 2: Thank you Amy. 69 00:04:15,960 --> 00:04:16,040 Speaker 4: So. 70 00:04:16,120 --> 00:04:19,000 Speaker 2: I think we kind of, I could say this almost 71 00:04:19,000 --> 00:04:20,919 Speaker 2: I'll try to say it a politically, we're sort of 72 00:04:20,920 --> 00:04:23,880 Speaker 2: saying the same thing. My point was that the La 73 00:04:24,040 --> 00:04:30,279 Speaker 2: Times has never been anything, but I think there's a 74 00:04:30,320 --> 00:04:33,800 Speaker 2: lot of reporting by a mission where there's not a 75 00:04:33,839 --> 00:04:36,839 Speaker 2: lot of criticism historically and I don't even know this 76 00:04:36,880 --> 00:04:38,479 Speaker 2: is an LA Times thing, but there hasn't been a 77 00:04:38,520 --> 00:04:41,719 Speaker 2: lot of criticism if you look at LA Times, at 78 00:04:41,760 --> 00:04:45,120 Speaker 2: local news, local television stations of the elected officials in 79 00:04:45,160 --> 00:04:47,000 Speaker 2: Los Angeles, and I think that's why you see so 80 00:04:47,160 --> 00:04:49,880 Speaker 2: much fraud. When it gets to a point, you do 81 00:04:49,920 --> 00:04:51,400 Speaker 2: see a lot of reporting on it. But I think 82 00:04:51,440 --> 00:04:53,760 Speaker 2: that the LA Times has done a fairly good job 83 00:04:54,040 --> 00:04:58,240 Speaker 2: post fire of continuing to stay on top of what 84 00:04:58,400 --> 00:05:02,200 Speaker 2: I think is the truth, which is that there's been 85 00:05:02,240 --> 00:05:09,120 Speaker 2: a really kind of weak amount of progress as far 86 00:05:09,120 --> 00:05:13,080 Speaker 2: as rebuilding goes. There's been a lot of opaque messaging 87 00:05:13,160 --> 00:05:18,640 Speaker 2: from the city the county about what happened and what 88 00:05:18,680 --> 00:05:20,400 Speaker 2: we're going to do to make sure it doesn't happen again. 89 00:05:22,040 --> 00:05:26,159 Speaker 2: And I guess my thought is the La Times isn't 90 00:05:26,200 --> 00:05:32,000 Speaker 2: going to print something that's critical of the mayor unless 91 00:05:32,040 --> 00:05:34,520 Speaker 2: they're absolutely sure that it's right. 92 00:05:34,760 --> 00:05:37,440 Speaker 5: That stuff goes through so much vetting, and I speak 93 00:05:37,440 --> 00:05:40,360 Speaker 5: from experience. I came from a newspaper background. They don't 94 00:05:40,360 --> 00:05:42,480 Speaker 5: just print stuff willy nilly. It's not Fox News. They 95 00:05:42,480 --> 00:05:44,680 Speaker 5: don't just say stuff. They've never been sued and had 96 00:05:44,680 --> 00:05:47,800 Speaker 5: to pay nearly a billion dollars. If you want to 97 00:05:47,800 --> 00:05:50,480 Speaker 5: find fault with the La Times, you can find it 98 00:05:50,560 --> 00:05:54,560 Speaker 5: in their owner, doctor Patrick sun Shong, who has interfered 99 00:05:54,600 --> 00:05:57,560 Speaker 5: with the independence of the journalism and the opinions. 100 00:05:57,960 --> 00:06:00,640 Speaker 2: Yeah, they did that AI thing, which was real, and I. 101 00:06:00,560 --> 00:06:03,680 Speaker 5: Mean the owner has no appreciation or understanding of journalism. 102 00:06:03,760 --> 00:06:06,000 Speaker 5: But as far as the actual journalism that the rank 103 00:06:06,040 --> 00:06:09,000 Speaker 5: and file people are doing, that's a world class newspaper. 104 00:06:09,080 --> 00:06:11,280 Speaker 6: Still, I disagree. 105 00:06:11,440 --> 00:06:14,839 Speaker 7: I don't think journalists should be voters, and since the 106 00:06:14,960 --> 00:06:20,080 Speaker 7: nineteen six that's journalists have been Democrats, so they. 107 00:06:20,000 --> 00:06:22,240 Speaker 6: Skew that way. 108 00:06:21,600 --> 00:06:25,279 Speaker 2: But I think that's insane. But I think it actually 109 00:06:25,360 --> 00:06:28,520 Speaker 2: what you're both saying supports the idea that they're not 110 00:06:28,560 --> 00:06:32,800 Speaker 2: going to print something critical of the mayor unless they 111 00:06:32,839 --> 00:06:34,600 Speaker 2: can back it up exactly. 112 00:06:34,600 --> 00:06:37,160 Speaker 5: They've got to be bulletproof and lawsuit proof when they 113 00:06:37,160 --> 00:06:39,680 Speaker 5: print something like that, and it goes through layers and 114 00:06:39,800 --> 00:06:43,880 Speaker 5: layers of vetting and checking and legal and editors. 115 00:06:44,440 --> 00:06:47,280 Speaker 2: They it's not just gossip. No, I mean, I think 116 00:06:47,320 --> 00:06:49,880 Speaker 2: that's that's you know, like I said, you can have 117 00:06:49,920 --> 00:06:51,880 Speaker 2: whatever opinion you want about the LA Times if it 118 00:06:51,920 --> 00:06:54,200 Speaker 2: doesn't align with your values or you think that they've 119 00:06:54,240 --> 00:06:55,919 Speaker 2: missed the mark on things in the past, like I 120 00:06:55,960 --> 00:06:58,400 Speaker 2: get it. You know, news organizations are made up of 121 00:06:58,720 --> 00:07:01,760 Speaker 2: hundreds of people. There are things that happen at KTLA 122 00:07:01,839 --> 00:07:04,320 Speaker 2: that I think, why did we write that like that? 123 00:07:04,360 --> 00:07:07,440 Speaker 2: Why did we post that that way? That's not correct 124 00:07:07,520 --> 00:07:11,280 Speaker 2: or that's not right? And is it a conspiracy. No, 125 00:07:11,320 --> 00:07:13,680 Speaker 2: it's most likely just somebody either being lazy or trying 126 00:07:13,680 --> 00:07:17,520 Speaker 2: to get something out quickly and awkwardly putting it out. 127 00:07:17,520 --> 00:07:19,400 Speaker 2: There's not a lot of like, at least in the 128 00:07:19,400 --> 00:07:21,800 Speaker 2: experience that I've had working in newsrooms, there's very little 129 00:07:21,840 --> 00:07:24,600 Speaker 2: collusion going on because we're just quite frankly like not 130 00:07:24,840 --> 00:07:27,760 Speaker 2: smart enough to put to keep it together, you know 131 00:07:27,800 --> 00:07:31,480 Speaker 2: what I mean. Like I I remember when I first 132 00:07:31,480 --> 00:07:33,480 Speaker 2: started working there, and you know, I had family members 133 00:07:33,520 --> 00:07:36,640 Speaker 2: or whatever. It's like, oh, you know, it's the everything. 134 00:07:36,800 --> 00:07:38,920 Speaker 2: You guys are all getting your marching orders from above. 135 00:07:38,920 --> 00:07:43,080 Speaker 2: It's like, bro, we can hardly get on TV with 136 00:07:43,120 --> 00:07:45,800 Speaker 2: a story like if the amount of times we miss 137 00:07:45,800 --> 00:07:49,240 Speaker 2: slot because the computer crashed on the export, He's like, 138 00:07:49,320 --> 00:07:51,440 Speaker 2: you wish we had it together to the point where 139 00:07:51,440 --> 00:07:55,520 Speaker 2: we were able to put conspiracies thoughtfully together in a 140 00:07:55,520 --> 00:07:58,320 Speaker 2: big way. It may be happening outside of my purview, 141 00:07:58,440 --> 00:08:03,960 Speaker 2: but in my world absolutely not. But I'm fascinated by 142 00:08:04,000 --> 00:08:06,400 Speaker 2: this turn with the La Times as far as like 143 00:08:06,440 --> 00:08:10,080 Speaker 2: really saying, look, we're gonna hold these people accountable. I 144 00:08:10,080 --> 00:08:14,400 Speaker 2: think that's great. Truth is important. Truth exists outside even 145 00:08:14,440 --> 00:08:18,880 Speaker 2: ideological bent. And if there's corruption happening, if there's waste, 146 00:08:18,960 --> 00:08:24,200 Speaker 2: if there's spending that is outrageous, you don't have to 147 00:08:24,240 --> 00:08:26,640 Speaker 2: be a genius to look around Los Angeles and know 148 00:08:26,720 --> 00:08:31,760 Speaker 2: that over the past twenty years things have got worse, crime, homelessness, 149 00:08:32,240 --> 00:08:40,920 Speaker 2: mental health issues, support, potholes, water. I think it's important 150 00:08:40,960 --> 00:08:42,720 Speaker 2: we look at these things. I'm trying to fix them, 151 00:08:42,920 --> 00:08:44,959 Speaker 2: and I'm just glad at least that somebody over there 152 00:08:45,000 --> 00:08:45,400 Speaker 2: is doing that. 153 00:08:46,679 --> 00:08:50,479 Speaker 1: You're listening to KFI AM six forty on demand. 154 00:08:52,760 --> 00:08:52,880 Speaker 4: Now. 155 00:08:52,960 --> 00:08:55,240 Speaker 2: I was reflecting on a couple of things, you know, 156 00:08:55,320 --> 00:08:59,640 Speaker 2: and it's been thinking about sort of what I was 157 00:08:59,640 --> 00:09:02,400 Speaker 2: doing yesterday and today we're doing this Super Bowl SmackDown 158 00:09:02,480 --> 00:09:05,000 Speaker 2: and I'm kt a morning news where I was running 159 00:09:05,040 --> 00:09:09,080 Speaker 2: back and forth in this obstacle. Course, I didn't do 160 00:09:09,160 --> 00:09:12,440 Speaker 2: super great. Even though Henry de Carlo fell face planet 161 00:09:12,520 --> 00:09:15,160 Speaker 2: off of a balance beam, I still lost to him. 162 00:09:15,880 --> 00:09:17,840 Speaker 2: Wasn't my finest moment, which is why I don't like 163 00:09:18,360 --> 00:09:21,520 Speaker 2: to do physical stuff on TV. But the moment that 164 00:09:21,600 --> 00:09:24,000 Speaker 2: he fell, I was like, oh my god, I have 165 00:09:24,080 --> 00:09:27,280 Speaker 2: to do everything within my power not to fall. So 166 00:09:27,480 --> 00:09:29,640 Speaker 2: when we watch the tape back, I'm like running like 167 00:09:29,640 --> 00:09:33,360 Speaker 2: a weirdo and I'm just trying not to fall. Which 168 00:09:33,400 --> 00:09:35,560 Speaker 2: when you run like you're trying not to fall, you 169 00:09:35,559 --> 00:09:39,480 Speaker 2: look like you're an insane person, and I'm trying to 170 00:09:39,520 --> 00:09:44,920 Speaker 2: throw this football, which you know, I played tennis low 171 00:09:44,960 --> 00:09:48,800 Speaker 2: te soy boys played tennis and golf and do a 172 00:09:48,840 --> 00:09:51,679 Speaker 2: lot of football. So you know, I didn't do too 173 00:09:51,679 --> 00:09:55,200 Speaker 2: great there. And we got back after the shoot and 174 00:09:55,240 --> 00:09:57,079 Speaker 2: Glenn Walker comes over to me, you know, the anchor 175 00:09:57,120 --> 00:10:00,720 Speaker 2: for the day side shows on KT. Lady goes, oh, 176 00:10:00,760 --> 00:10:05,880 Speaker 2: Henry really had a really bit huh, and I was like, 177 00:10:05,880 --> 00:10:10,040 Speaker 2: oh yeah, yeah yeah. He's like, also, what was that throwing? 178 00:10:11,600 --> 00:10:13,160 Speaker 2: And I was like, I don't know, man, I don't know. 179 00:10:13,200 --> 00:10:17,200 Speaker 2: I was trying to tell you something. Next time we'll 180 00:10:17,840 --> 00:10:19,400 Speaker 2: I'll give you some tips before we go out there, 181 00:10:19,880 --> 00:10:23,160 Speaker 2: which I thought was so nice. So Glenn Walker is 182 00:10:23,200 --> 00:10:27,360 Speaker 2: gonna it's gonna take me out to the courtyard. We're 183 00:10:27,360 --> 00:10:28,640 Speaker 2: gonna throw the ball back and forth. 184 00:10:28,760 --> 00:10:30,560 Speaker 5: Is he going to start with showing you how to peece? 185 00:10:30,559 --> 00:10:32,839 Speaker 5: Standing up? What I mean? Come on? 186 00:10:32,960 --> 00:10:36,480 Speaker 2: How condescending? He was great, he was he was being nice, 187 00:10:36,559 --> 00:10:38,720 Speaker 2: he was being kind. I was kidding because I was 188 00:10:38,880 --> 00:10:41,040 Speaker 2: you know, I had said, you know, well I don't 189 00:10:41,080 --> 00:10:43,000 Speaker 2: have a dad anymore to help teach me how to 190 00:10:43,120 --> 00:10:45,640 Speaker 2: how to throw the football, which is a dark joke. 191 00:10:46,040 --> 00:10:49,560 Speaker 2: And he goes, well, well, we'll show you how to 192 00:10:49,600 --> 00:10:53,160 Speaker 2: do it next time. I'll be your dad. We used to, right, 193 00:10:53,200 --> 00:10:55,320 Speaker 2: we used to. We used to say, as a joke, 194 00:10:55,440 --> 00:10:58,400 Speaker 2: we used to call him dad like because he called 195 00:10:58,440 --> 00:10:59,719 Speaker 2: us like the kids. I don't know, I don't know 196 00:10:59,720 --> 00:11:02,079 Speaker 2: how it's It was a joke because we would do 197 00:11:02,120 --> 00:11:04,920 Speaker 2: the show that was on at twelve and two and 198 00:11:04,960 --> 00:11:06,680 Speaker 2: he would do the shows that were on eleven and 199 00:11:06,760 --> 00:11:10,680 Speaker 2: twelve or eleven and one and three or something, and 200 00:11:12,320 --> 00:11:13,800 Speaker 2: so we would have a lot of cross talk, you know. 201 00:11:13,800 --> 00:11:15,440 Speaker 2: We we'd go back and forth with Teas on their 202 00:11:15,480 --> 00:11:17,720 Speaker 2: show and stuff like that, and so we it was, 203 00:11:17,760 --> 00:11:19,360 Speaker 2: you know, cause they were like our legit they are 204 00:11:19,520 --> 00:11:21,720 Speaker 2: legit news anchors. He's got like the hair and the 205 00:11:21,720 --> 00:11:23,520 Speaker 2: look and the voice and the real news. And we 206 00:11:23,520 --> 00:11:26,480 Speaker 2: would just do goofy stuff down in the storage closet 207 00:11:26,480 --> 00:11:28,520 Speaker 2: down the hallway, and so it was always like, oh, 208 00:11:28,520 --> 00:11:32,000 Speaker 2: what are the kids doing today? So good, dude, very good, 209 00:11:32,160 --> 00:11:35,600 Speaker 2: very like good human being, which is cool because in 210 00:11:35,679 --> 00:11:38,880 Speaker 2: TV and in a lot of those jobs, I think 211 00:11:38,920 --> 00:11:41,800 Speaker 2: you don't have to be nice, but it's really great 212 00:11:42,040 --> 00:11:42,400 Speaker 2: when you. 213 00:11:42,400 --> 00:11:44,760 Speaker 5: Are well after the show, Andy, y'all show you how 214 00:11:44,800 --> 00:11:48,520 Speaker 5: to operate a wood lathe. 215 00:11:48,600 --> 00:11:50,880 Speaker 2: Great? Do you have a bone saw? I feel like 216 00:11:50,880 --> 00:11:52,960 Speaker 2: you do. I should. I don't want to know more 217 00:11:53,080 --> 00:11:53,760 Speaker 2: why I. 218 00:11:53,640 --> 00:11:55,640 Speaker 6: I'll show you how to walk in heels. But something 219 00:11:55,679 --> 00:11:56,400 Speaker 6: tells me you know that? 220 00:11:56,679 --> 00:12:02,760 Speaker 2: Oh got him? That's great? Another talkback? 221 00:12:02,840 --> 00:12:05,440 Speaker 8: Listen, do you guys remember commercial that came out of 222 00:12:05,480 --> 00:12:08,720 Speaker 8: all a couple of Super Bowls back? It's a helpful 223 00:12:08,720 --> 00:12:13,920 Speaker 8: Honda where the helpful Honda guy was helping the lady, 224 00:12:14,200 --> 00:12:17,720 Speaker 8: the housewife, Oh yeah, find her son's pet rat, and 225 00:12:17,760 --> 00:12:20,360 Speaker 8: he found a I guess would. 226 00:12:20,160 --> 00:12:25,240 Speaker 2: Be a not a pitt rat. Whatever happened to that commercial, 227 00:12:28,120 --> 00:12:30,760 Speaker 2: I'm not sure I knew where that was going. I 228 00:12:30,800 --> 00:12:32,920 Speaker 2: don't remember that at all. I'm googling it now. 229 00:12:33,080 --> 00:12:35,880 Speaker 9: Helpful the helpful Honda, I mean, they've been around, that's 230 00:12:35,880 --> 00:12:37,760 Speaker 9: been around for a long time, and he's searching for 231 00:12:37,800 --> 00:12:38,840 Speaker 9: a rat. 232 00:12:38,960 --> 00:12:44,560 Speaker 2: Is Willard working for Honda? It was the it was 233 00:12:44,600 --> 00:12:48,480 Speaker 2: the Stuart Little Honda promo, maybe for the movie. I'm 234 00:12:48,559 --> 00:12:53,760 Speaker 2: looking now. I googled helpful Honda pet rat and I 235 00:12:53,760 --> 00:12:57,160 Speaker 2: I am not getting any responses. So this man's query 236 00:12:57,200 --> 00:13:00,280 Speaker 2: of where did that commercial go? If it indeed was 237 00:13:00,320 --> 00:13:03,360 Speaker 2: a real commercial, or it wasn't like a you know, 238 00:13:03,400 --> 00:13:05,880 Speaker 2: a gummy hallucination, which you know we've we've been there, 239 00:13:05,880 --> 00:13:06,440 Speaker 2: We've all been there. 240 00:13:06,480 --> 00:13:08,920 Speaker 9: Really, Yeah, I'm thinking that or maybe he confused it 241 00:13:08,920 --> 00:13:14,480 Speaker 9: with another like brand. Yeah, because that I don't I mean, 242 00:13:14,480 --> 00:13:16,480 Speaker 9: they do have a lot, but I don't not remember 243 00:13:16,520 --> 00:13:17,520 Speaker 9: that that would have stuck out. 244 00:13:17,920 --> 00:13:19,760 Speaker 2: You would you're you would have clocked that one, is 245 00:13:19,800 --> 00:13:20,280 Speaker 2: what you're saying. 246 00:13:20,400 --> 00:13:22,760 Speaker 9: Yeah, that wouldn't have been That wouldn't have been like 247 00:13:22,760 --> 00:13:25,000 Speaker 9: something we had to dig in the memory banks. 248 00:13:25,120 --> 00:13:26,640 Speaker 2: Let me try to listen to this one more time 249 00:13:26,679 --> 00:13:28,320 Speaker 2: and see if a jog's anything for us. 250 00:13:28,360 --> 00:13:32,880 Speaker 4: Where the helpful honded guy was helping the lady, the 251 00:13:32,920 --> 00:13:36,720 Speaker 4: housewife find her son's pit rat, and he found a 252 00:13:37,760 --> 00:13:38,760 Speaker 4: I guess would be a. 253 00:13:40,520 --> 00:13:43,840 Speaker 2: Not a pit rat. Whatever happened to that commercial? I 254 00:13:43,880 --> 00:13:48,319 Speaker 2: don't just do nothing but raise questions. I don't know, 255 00:13:48,440 --> 00:13:50,920 Speaker 2: but I love it. I'll look for it in the 256 00:13:50,960 --> 00:13:54,360 Speaker 2: next commercial break, I mean my quick YouTube search. Uh, 257 00:13:54,400 --> 00:13:57,000 Speaker 2: there's a Quizno's commercial with the rats. We remember those. 258 00:13:57,080 --> 00:13:59,679 Speaker 2: That's like from twenty years ago now, like two thousand 259 00:13:59,720 --> 00:14:03,480 Speaker 2: and seven. In two thousand and six, and then National 260 00:14:03,520 --> 00:14:06,800 Speaker 2: Geographic posted a thing that I didn't even know is possible, 261 00:14:07,240 --> 00:14:12,720 Speaker 2: how easily rats can wiggle up your toilet? Okay, did 262 00:14:12,760 --> 00:14:14,920 Speaker 2: you even know that was a problem. I've seen it. 263 00:14:15,080 --> 00:14:17,559 Speaker 5: You've seen a rat wriggle up a toilet. It's terrifying. 264 00:14:17,880 --> 00:14:19,440 Speaker 5: It makes you never want to sit again. 265 00:14:19,560 --> 00:14:21,680 Speaker 2: I mean, I feel like I've been you know, I've 266 00:14:22,280 --> 00:14:23,720 Speaker 2: I don't know if I've lived like a lap of 267 00:14:23,800 --> 00:14:26,880 Speaker 2: luxury life. I've been around. We weren't exposed to many 268 00:14:26,960 --> 00:14:29,640 Speaker 2: rats as a child, but my travels I didn't. I 269 00:14:29,680 --> 00:14:32,520 Speaker 2: didn't see a rat wriggling up the toilet, never hit 270 00:14:32,600 --> 00:14:34,680 Speaker 2: bottom and had to fix up a little rat frickacy. 271 00:14:35,280 --> 00:14:36,800 Speaker 2: I never frickasied a rat. No. 272 00:14:38,360 --> 00:14:42,200 Speaker 5: Most brands probably don't want to be associated with rats, 273 00:14:42,320 --> 00:14:44,160 Speaker 5: especially like Quizno's. 274 00:14:43,680 --> 00:14:45,400 Speaker 2: Right now place that serves food now, No. 275 00:14:45,560 --> 00:14:47,200 Speaker 5: So if it's a Honda commercial, what is it like 276 00:14:47,440 --> 00:14:50,520 Speaker 5: drive the new g Gordon Liddy rat nine or thousand? 277 00:14:51,760 --> 00:14:53,840 Speaker 2: What the hell is that? I don't know. We'll try 278 00:14:53,880 --> 00:14:56,840 Speaker 2: to We'll try to look if if anybody remembers, let 279 00:14:56,960 --> 00:14:58,840 Speaker 2: us know. You can find us on the iHeartRadio app 280 00:14:59,240 --> 00:15:00,600 Speaker 2: with that talk back feature. 281 00:15:00,920 --> 00:15:04,440 Speaker 10: Proving that adults can be easily led, I tried the 282 00:15:04,520 --> 00:15:07,920 Speaker 10: chicken and banana combo as a food, and it's really 283 00:15:08,240 --> 00:15:13,240 Speaker 10: rather good. Their recipes Fried chicken and banana together is 284 00:15:13,440 --> 00:15:14,000 Speaker 10: quite good. 285 00:15:14,120 --> 00:15:16,640 Speaker 2: I can see that. Yeah, it makes a lot of sense, 286 00:15:16,680 --> 00:15:20,480 Speaker 2: a sweet, starchy banana with the fried chicken. I mean, listen, 287 00:15:20,520 --> 00:15:23,080 Speaker 2: anything has been from sauce. You must have the correct sauce, 288 00:15:23,080 --> 00:15:24,920 Speaker 2: that's right. I think like a nice that's like a 289 00:15:25,320 --> 00:15:27,640 Speaker 2: chicken and waffle situation. So I think like a maple 290 00:15:28,120 --> 00:15:30,840 Speaker 2: syrup would go well with that, all right. One hundred 291 00:15:30,840 --> 00:15:33,320 Speaker 2: and one Best Los Angeles Movies according to the LA Times. 292 00:15:33,720 --> 00:15:37,920 Speaker 2: The list is comprised of films that were chosen by 293 00:15:38,040 --> 00:15:41,840 Speaker 2: their movie critics, their LA people, and then they basically 294 00:15:41,880 --> 00:15:45,600 Speaker 2: put them all together, and then each they each ranked 295 00:15:45,640 --> 00:15:47,880 Speaker 2: their top movies and then they put it into a 296 00:15:47,920 --> 00:15:50,080 Speaker 2: big old list that then came out with everything. So 297 00:15:50,520 --> 00:15:53,600 Speaker 2: at one hundred and one is Babylon from twenty twenty two. 298 00:15:53,720 --> 00:15:57,640 Speaker 2: The Damien Chazelle movie moving up the list at number 299 00:15:57,720 --> 00:16:00,440 Speaker 2: fifty is To Live and Die in La. Oh, that 300 00:16:00,440 --> 00:16:02,640 Speaker 2: deserves to be much higher. I kind of agree with you. 301 00:16:02,720 --> 00:16:07,280 Speaker 2: That's a classic. I mean, Wang Chung's the song itself. 302 00:16:07,080 --> 00:16:10,440 Speaker 5: Wang Chung, William Friedkin directed it. And it is every 303 00:16:10,440 --> 00:16:12,600 Speaker 5: bit as good as the French Connection, and it's got 304 00:16:12,640 --> 00:16:16,000 Speaker 5: the best of all time William Peterson performance outside of Manhunter. 305 00:16:16,080 --> 00:16:17,160 Speaker 5: It's a terrific movie. 306 00:16:17,240 --> 00:16:19,760 Speaker 2: So do you think it is better than the nineteen 307 00:16:19,840 --> 00:16:23,160 Speaker 2: fifty four version of A Star Is Born? I've never 308 00:16:23,160 --> 00:16:25,760 Speaker 2: seen that that came into thirty four? La La Land 309 00:16:27,000 --> 00:16:31,880 Speaker 2: from twenty sixteen. Also Damian Chazelle thirty five. I like 310 00:16:31,960 --> 00:16:33,880 Speaker 2: that movie, but I'm a I'm a loser. 311 00:16:34,480 --> 00:16:34,600 Speaker 10: Uh. 312 00:16:35,080 --> 00:16:38,160 Speaker 2: Training Day amazingly thirty two. I feel like that's low. 313 00:16:38,520 --> 00:16:40,400 Speaker 2: Training Day to me is like one of the ultimate 314 00:16:40,640 --> 00:16:43,360 Speaker 2: la that should be way Haigher. I think so too solid. 315 00:16:44,040 --> 00:16:46,760 Speaker 2: The Player, the William Waltman film Fro nineteen ninety two 316 00:16:46,920 --> 00:16:49,600 Speaker 2: with I think that's one of the greatest winners of 317 00:16:49,640 --> 00:16:54,040 Speaker 2: all time. Number sixteen. Here we go to the top 318 00:16:54,080 --> 00:16:57,400 Speaker 2: ten and we're going to continue my favorite, But what's 319 00:16:57,400 --> 00:16:59,640 Speaker 2: your favorite? Well, we'll find out. Is it in the 320 00:16:59,640 --> 00:17:00,000 Speaker 2: top ten? 321 00:17:00,280 --> 00:17:00,640 Speaker 6: I didn't know. 322 00:17:00,760 --> 00:17:02,200 Speaker 2: Is it Once upon a Time in Hollywood? The one 323 00:17:02,200 --> 00:17:07,080 Speaker 2: you were talking about, that's at number twelve. The Long Goodbye, 324 00:17:07,240 --> 00:17:09,719 Speaker 2: also an ultimate film, is at number eleven. 325 00:17:09,920 --> 00:17:13,439 Speaker 5: Terrific. Yeah, Elliott Gould is such a cool. Philip Marlow 326 00:17:13,520 --> 00:17:15,360 Speaker 5: in that and he's also a cat lover. 327 00:17:15,720 --> 00:17:18,200 Speaker 2: Yeah, that's a great movie. That's one of those movies 328 00:17:18,200 --> 00:17:20,320 Speaker 2: where you're like, what am I watching for a little while. 329 00:17:20,480 --> 00:17:22,359 Speaker 2: But also, I don't know if you've read any of 330 00:17:22,119 --> 00:17:25,760 Speaker 2: the Raymond Chandler the books most of them, Yes, in 331 00:17:25,920 --> 00:17:31,119 Speaker 2: Great La Stories. It feels like, even though it's set 332 00:17:31,160 --> 00:17:34,200 Speaker 2: in the seventies, because it was made in nineteen seventy three, 333 00:17:34,280 --> 00:17:38,159 Speaker 2: it feels like it's of It has the quality of 334 00:17:38,200 --> 00:17:41,720 Speaker 2: the noir from the Raymond Chandler books, which I guess 335 00:17:41,760 --> 00:17:46,679 Speaker 2: was probably what forties, but the vibe and the coolness 336 00:17:46,680 --> 00:17:48,720 Speaker 2: and the swagger of the early nineteen seventies. 337 00:17:48,760 --> 00:17:50,760 Speaker 5: Yeah, it's a neo noir, and it's really kind of 338 00:17:50,760 --> 00:17:52,760 Speaker 5: of a piece with another terrific one that came out 339 00:17:52,760 --> 00:17:54,560 Speaker 5: at the same time that nobody ever talks about, called 340 00:17:54,600 --> 00:17:58,000 Speaker 5: Hickey and Bogs that starred Robert Culp and Bill Cosby. 341 00:17:58,440 --> 00:17:58,680 Speaker 2: Oh. 342 00:17:58,720 --> 00:18:00,720 Speaker 5: I mean probably the less you say it about Cosby 343 00:18:00,760 --> 00:18:04,640 Speaker 5: now the better. Yeah, But an absolutely fantastic neo noir. 344 00:18:04,840 --> 00:18:06,520 Speaker 5: That would be a great double bill with that in 345 00:18:06,680 --> 00:18:07,919 Speaker 5: LA I love it. 346 00:18:09,320 --> 00:18:13,679 Speaker 2: Let's see Revel without a Cause fifty two, number forty 347 00:18:13,720 --> 00:18:17,000 Speaker 2: one is Friday. That seems low to Licorice. Pizza at 348 00:18:17,000 --> 00:18:19,400 Speaker 2: thirty eight, The Graduate at thirty seven doesn't really feel 349 00:18:19,400 --> 00:18:20,800 Speaker 2: like an LA movie to me, but I guess so 350 00:18:21,560 --> 00:18:23,640 Speaker 2: drive at thirty three and when we come back, we'll 351 00:18:23,640 --> 00:18:25,760 Speaker 2: do the top ten and we'll ask Ronner what he 352 00:18:25,760 --> 00:18:29,480 Speaker 2: thinks about every single one of them in a way 353 00:18:29,480 --> 00:18:32,119 Speaker 2: that only a movie dork. The movie shut in a 354 00:18:32,160 --> 00:18:32,720 Speaker 2: movie shut in. 355 00:18:32,800 --> 00:18:37,200 Speaker 1: Can you're listening to KFI AM six forty on demand? 356 00:18:38,680 --> 00:18:41,600 Speaker 2: You can also reach me on my Instagram or Twitter 357 00:18:41,880 --> 00:18:44,440 Speaker 2: at Andy KTLA. I'll be checking it. 358 00:18:44,760 --> 00:18:46,840 Speaker 5: Or you can leave a snide comment on Reddit. 359 00:18:47,160 --> 00:18:50,280 Speaker 2: You can go to the subreddit for KFI Yeah, and 360 00:18:50,320 --> 00:18:52,520 Speaker 2: you can see what kind of things they're talking about there. 361 00:18:52,600 --> 00:18:54,600 Speaker 2: Let me let me just pop over there real quick. 362 00:18:55,280 --> 00:18:57,600 Speaker 2: Are you sure you want to do that? Yeah? The 363 00:18:57,680 --> 00:19:00,479 Speaker 2: question is are you a typical KFI listener? Listening to 364 00:19:00,480 --> 00:19:02,080 Speaker 2: Andy's show gives a shout out on the air. I 365 00:19:02,080 --> 00:19:04,600 Speaker 2: wanted to know if we on Reddit are typical Cafie listeners, 366 00:19:04,840 --> 00:19:07,439 Speaker 2: and more importantly, what exactly is a typical CAFI listener. 367 00:19:07,480 --> 00:19:10,280 Speaker 2: I've wondered for years, and there's some people saying I'm 368 00:19:10,280 --> 00:19:16,600 Speaker 2: from I'm in Kansas City. I'm in San Diego. I 369 00:19:16,680 --> 00:19:19,800 Speaker 2: like Andy. I like Tim Conway Jr. That's pretty cool. 370 00:19:21,000 --> 00:19:23,639 Speaker 2: They like handle, Gary and Shannon. That's pretty much everybody, 371 00:19:23,680 --> 00:19:27,600 Speaker 2: John and they like all. They like everybody. Some people 372 00:19:27,600 --> 00:19:30,240 Speaker 2: live in the IE and they say that we don't 373 00:19:30,280 --> 00:19:33,640 Speaker 2: talk about the Ie enough. I hear that criticism from 374 00:19:33,920 --> 00:19:36,479 Speaker 2: katl A viewers too as well. We don't spend as 375 00:19:36,560 --> 00:19:38,760 Speaker 2: much time as we should in the Inland Empire, and 376 00:19:38,920 --> 00:19:40,720 Speaker 2: I think that's a fair criticism. There's a lot of 377 00:19:40,720 --> 00:19:44,359 Speaker 2: people out there who don't get the same kind of attention. 378 00:19:45,960 --> 00:19:48,040 Speaker 2: But I've been able to go out there a few times, 379 00:19:48,240 --> 00:19:51,159 Speaker 2: many times, too many times to count, do a lot 380 00:19:51,160 --> 00:19:56,399 Speaker 2: of restaurant reviews at Riverside, Redlands, Marino Valley, love me some, 381 00:19:56,440 --> 00:20:00,760 Speaker 2: San Bernardino County love Riverside County, all the way to 382 00:20:00,800 --> 00:20:04,160 Speaker 2: the IE, all the way to Palm Desert. All right. 383 00:20:05,280 --> 00:20:08,399 Speaker 2: The list of one hundred and one movies the best 384 00:20:08,480 --> 00:20:11,600 Speaker 2: LA movies according to the La Times, which we've decided 385 00:20:11,640 --> 00:20:13,560 Speaker 2: together that we kind of agree with and don't agree with. 386 00:20:14,359 --> 00:20:16,560 Speaker 2: But this is an interesting list, And mister Ronner, I 387 00:20:16,640 --> 00:20:18,520 Speaker 2: wonder now that you're looking at the full one hundred 388 00:20:18,520 --> 00:20:21,280 Speaker 2: and one movies. What's your takeaway on this? 389 00:20:22,040 --> 00:20:24,760 Speaker 5: It's just kind of like they threw everything with LA 390 00:20:25,280 --> 00:20:28,000 Speaker 5: in it, or as an aspect of it, onto the list, 391 00:20:28,359 --> 00:20:30,600 Speaker 5: and the order of it is pretty suspect. I mean, 392 00:20:31,040 --> 00:20:32,680 Speaker 5: look at the state, what would you say, To Live 393 00:20:32,680 --> 00:20:36,440 Speaker 5: and Die in La is number fifty to fifty, and 394 00:20:36,520 --> 00:20:39,200 Speaker 5: you're gonna put spaw Night. 395 00:20:39,359 --> 00:20:42,120 Speaker 2: In front of that. I don't even know, Oh, spaw Night, 396 00:20:42,920 --> 00:20:44,359 Speaker 2: I don't know what that is, like a night at 397 00:20:44,359 --> 00:20:47,520 Speaker 2: the spa. Well, let me see us a google it. 398 00:20:47,600 --> 00:20:50,920 Speaker 9: I like licorice pizza quite a bit, but that's that. 399 00:20:51,080 --> 00:20:52,840 Speaker 2: Oh that doesn't deserve to be in front of To 400 00:20:52,880 --> 00:20:55,600 Speaker 2: Live and Die in La, Perhaps, okay, Ronner, It is 401 00:20:56,320 --> 00:21:00,240 Speaker 2: the atmospheric film, a portrait of forbidden sexual awakening in 402 00:21:00,280 --> 00:21:03,680 Speaker 2: the nocturnal world of spas and karaoke bars in Los 403 00:21:03,720 --> 00:21:05,200 Speaker 2: Angeles's Korea Town. 404 00:21:06,119 --> 00:21:07,480 Speaker 5: This is kind of a function of a lot of 405 00:21:07,480 --> 00:21:11,480 Speaker 5: critics being sort of snooty and esoteric and not mainstream 406 00:21:11,520 --> 00:21:13,959 Speaker 5: in their tastes. And this is why I'll never get 407 00:21:14,040 --> 00:21:16,200 Speaker 5: a job as a critic at the LA Times. 408 00:21:16,240 --> 00:21:18,960 Speaker 2: Well, maybe moving up the list here. Twenty eight Fast 409 00:21:18,960 --> 00:21:22,399 Speaker 2: Times at Ridgemont High Classic, one of the greatest Valley 410 00:21:22,440 --> 00:21:22,960 Speaker 2: movies ever? 411 00:21:23,920 --> 00:21:26,120 Speaker 9: Do you think of LA though when you watch that? Yeah, 412 00:21:26,160 --> 00:21:29,400 Speaker 9: oh my god, the Valley? Yes, totally okay. So number 413 00:21:29,440 --> 00:21:32,600 Speaker 9: twenty seven here is Mildred Pierce, which is a famous 414 00:21:32,680 --> 00:21:35,760 Speaker 9: noir movie. I think, not David Goodis, it's James M. 415 00:21:35,840 --> 00:21:38,200 Speaker 2: Kaine. I think I get a mixed up in nineteen 416 00:21:38,280 --> 00:21:39,720 Speaker 2: forty three five. 417 00:21:40,119 --> 00:21:42,760 Speaker 5: But I don't think of that as an LA movie. 418 00:21:42,800 --> 00:21:44,560 Speaker 5: I just think of it as a crime movie. I 419 00:21:44,600 --> 00:21:46,760 Speaker 5: don't know what Tangerine is. Number twenty six. 420 00:21:46,880 --> 00:21:49,320 Speaker 2: That was a movie made on an iPhone and it 421 00:21:49,359 --> 00:21:51,480 Speaker 2: won an Oscar maybe or was nominated for an Oscar. 422 00:21:51,920 --> 00:21:53,760 Speaker 2: And that's better than die Hard. 423 00:21:53,960 --> 00:21:54,800 Speaker 1: Well, it's also like. 424 00:21:54,800 --> 00:21:58,280 Speaker 2: How do you know better? Is such a subject I mean, 425 00:21:58,280 --> 00:22:00,920 Speaker 2: this whole idea of ranking one hundred movies at all 426 00:22:01,040 --> 00:22:04,600 Speaker 2: is crazy, you know, but if we buy in for sure, well, 427 00:22:04,600 --> 00:22:09,200 Speaker 2: it's subjective for sure. Collateral number twenty one. It's a 428 00:22:09,240 --> 00:22:11,399 Speaker 2: Michael Mann movie, of course, that had Jamie Fox and 429 00:22:11,400 --> 00:22:15,240 Speaker 2: Tom Cruise. That's a very specific kind of LA uh huh, 430 00:22:15,320 --> 00:22:17,280 Speaker 2: pulp fiction. At nineteen some of that shot in the 431 00:22:17,320 --> 00:22:20,000 Speaker 2: KTLA newsroom. That's kind of exciting. Oh I didn't know that. Yeah, 432 00:22:20,040 --> 00:22:22,959 Speaker 2: that's about the stringer or the guy a photographer who 433 00:22:23,000 --> 00:22:25,360 Speaker 2: is a freelance photographer who goes around and shoots car 434 00:22:25,400 --> 00:22:27,600 Speaker 2: accidents and crime scenes and then sells the video to 435 00:22:27,640 --> 00:22:31,040 Speaker 2: television stations. Oh yeah, Nightcrawler pulp Fiction at twenty. But 436 00:22:31,080 --> 00:22:31,840 Speaker 2: if you're gonna tell. 437 00:22:31,760 --> 00:22:35,399 Speaker 5: Me Night Crawler is a better movie than pulp Fiction, 438 00:22:36,320 --> 00:22:37,040 Speaker 5: you're out of your mind. 439 00:22:37,119 --> 00:22:39,880 Speaker 2: Yeah that's that's it's one better. But that is kind 440 00:22:39,880 --> 00:22:42,320 Speaker 2: of crazy, Like that just seems like you're doing that 441 00:22:42,359 --> 00:22:43,040 Speaker 2: to make us mad. 442 00:22:43,200 --> 00:22:45,680 Speaker 5: Night Crawler is a better movie than The Graduate, Get 443 00:22:45,760 --> 00:22:46,440 Speaker 5: Out of Here. 444 00:22:48,760 --> 00:22:51,280 Speaker 2: Who Framed Roger Rabbit at number twenty three. I think 445 00:22:51,359 --> 00:22:54,240 Speaker 2: that is a remarkable film. I love it. It's one 446 00:22:54,280 --> 00:22:56,600 Speaker 2: of my favorite movies. Is it an LA movie? I 447 00:22:56,640 --> 00:22:58,440 Speaker 2: don't even think it's really set in Los Angeles? Is 448 00:22:58,520 --> 00:23:01,960 Speaker 2: it it's set in two Come on, Okay, so it 449 00:23:01,960 --> 00:23:04,240 Speaker 2: is set in Los Angeles. I thought it was New York. No, 450 00:23:04,400 --> 00:23:06,480 Speaker 2: it's definitely. I think they shot it in Hollywood or 451 00:23:06,520 --> 00:23:09,160 Speaker 2: Highland Park. But I don't know if it has a location, 452 00:23:09,400 --> 00:23:12,000 Speaker 2: Like I know that Toontown is the location, but but 453 00:23:12,119 --> 00:23:15,639 Speaker 2: not like it doesn't just like describe where it is. 454 00:23:15,640 --> 00:23:17,479 Speaker 2: I don't think maybe it does. No, maybe it does 455 00:23:17,520 --> 00:23:19,159 Speaker 2: because there's a there's a movie studio. 456 00:23:19,240 --> 00:23:21,160 Speaker 9: I guess it's been so long since I've seen it. It 457 00:23:21,200 --> 00:23:22,879 Speaker 9: just gave me a New York vibe. Yeah, No, it 458 00:23:22,880 --> 00:23:23,399 Speaker 9: definitely has. 459 00:23:23,440 --> 00:23:25,760 Speaker 2: I mean anything that's noir does have the tendency to 460 00:23:25,760 --> 00:23:28,040 Speaker 2: feel like it's like it's a New York vibe for sure. 461 00:23:28,080 --> 00:23:30,320 Speaker 5: A one bedroom in Tunetown is probably still more than 462 00:23:30,359 --> 00:23:31,560 Speaker 5: any of us could afford. 463 00:23:31,400 --> 00:23:35,920 Speaker 2: That's true, but they have access to unbelievable public health services. 464 00:23:38,119 --> 00:23:41,080 Speaker 2: A little bit up the list, Magnolia is number seventeen. That, 465 00:23:41,160 --> 00:23:42,960 Speaker 2: of course, is a great Valley movie, also by Paul 466 00:23:43,000 --> 00:23:47,840 Speaker 2: Thomas Anderson. The Player sixteen. Like I said, I can't 467 00:23:47,880 --> 00:23:50,879 Speaker 2: believe La Confidential is fifteen. 468 00:23:51,000 --> 00:23:52,439 Speaker 5: That needs to be up higher. That's one of my 469 00:23:52,480 --> 00:23:55,520 Speaker 5: all time favorites. I think I wish Curtis Hansen had 470 00:23:55,560 --> 00:23:59,160 Speaker 5: done more of those James Elroy novels because he did 471 00:23:59,200 --> 00:24:01,040 Speaker 5: such a magnific job with that. 472 00:24:01,040 --> 00:24:03,760 Speaker 2: That's one of the most Like, there's a few movies 473 00:24:03,800 --> 00:24:06,280 Speaker 2: that I will watch over and over again. Training Day 474 00:24:06,359 --> 00:24:08,600 Speaker 2: is one of those. Eli Confidential is one of those. 475 00:24:08,600 --> 00:24:10,440 Speaker 2: I like to watch it around Christmas time. Feels like 476 00:24:10,440 --> 00:24:12,280 Speaker 2: a Christmas movie in a weird way. I know it's not, 477 00:24:12,720 --> 00:24:15,679 Speaker 2: but it starts in you know, the Christmas Day massacre 478 00:24:15,800 --> 00:24:16,160 Speaker 2: or whatever. 479 00:24:16,400 --> 00:24:18,359 Speaker 5: Yeah, and you you want to go around to all 480 00:24:18,400 --> 00:24:20,560 Speaker 5: the places like the Formosa Cafe that you've seen it, 481 00:24:20,800 --> 00:24:22,600 Speaker 5: and that Jerry Goldsmith's score. 482 00:24:25,240 --> 00:24:27,239 Speaker 2: Maybe we'll listen to that later. The best scene in 483 00:24:27,240 --> 00:24:31,080 Speaker 2: that movie is when, uh, when the two detectives walk 484 00:24:31,119 --> 00:24:33,640 Speaker 2: over to the table at the Foremosa and they say, 485 00:24:33,640 --> 00:24:35,280 Speaker 2: we're not going to listen to you. You're just a 486 00:24:35,640 --> 00:24:37,840 Speaker 2: We certainly don't listen to whores, and especially whores that 487 00:24:37,840 --> 00:24:40,080 Speaker 2: are cut to look like a lot of Turner. Yes, 488 00:24:40,680 --> 00:24:42,399 Speaker 2: And then the other guy looks at her, go, well 489 00:24:42,440 --> 00:24:45,120 Speaker 2: it's it's uh. Kevin Spacey looks at guy Riching goes, 490 00:24:46,280 --> 00:24:47,760 Speaker 2: you idiot, that is a lot of Turner. 491 00:24:47,960 --> 00:24:52,840 Speaker 5: Yeah, it's great, full of fantastic moments. Heat number fourteen 492 00:24:53,119 --> 00:24:56,240 Speaker 5: another Michael Mann should be up higher. Heat's terrific, and 493 00:24:56,240 --> 00:24:58,520 Speaker 5: and that shootout in the street is immortal. 494 00:24:58,640 --> 00:25:01,120 Speaker 2: Yeah, that's a fantastic That's a real LA movie for sure. 495 00:25:01,359 --> 00:25:03,920 Speaker 2: Once upon a Time in Hollywood at number twelve eleven, 496 00:25:04,119 --> 00:25:07,400 Speaker 2: long goodbye ten Killer of Sheep? Have you seen Killer 497 00:25:07,440 --> 00:25:10,560 Speaker 2: of Sheep? I'm not even shrimp familiar with it. I don't. 498 00:25:10,640 --> 00:25:14,040 Speaker 2: I don't know either. Nineteen seventy eight Double Indemnity at 499 00:25:14,080 --> 00:25:16,960 Speaker 2: number nine. That's a good one. That's a fantastic Marie. Yeah, 500 00:25:17,080 --> 00:25:18,800 Speaker 2: that's a class that's like, you want to feel like 501 00:25:18,840 --> 00:25:21,000 Speaker 2: you're in old Hollywood, you put on Double Indentity. That 502 00:25:21,080 --> 00:25:23,000 Speaker 2: is one of the top five noirs of all time. 503 00:25:23,119 --> 00:25:25,600 Speaker 2: It's a great movie. Singing in the Rain comes in 504 00:25:25,600 --> 00:25:28,879 Speaker 2: at number eight. I'm gonna let you handle the musical. 505 00:25:29,320 --> 00:25:31,000 Speaker 2: I don't know that I think of that as an 506 00:25:31,119 --> 00:25:36,400 Speaker 2: LA movie either. Boogie Knights Paul Thomas Anderson once again, 507 00:25:36,520 --> 00:25:41,000 Speaker 2: number seven, one LA movie I love. Yeah, that's a 508 00:25:41,000 --> 00:25:44,320 Speaker 2: fantastic movie. Nicky just loves like the last five minutes 509 00:25:44,359 --> 00:25:50,280 Speaker 2: of Cookie Knights five seconds. Yeah, she likes it all. 510 00:25:50,600 --> 00:25:51,919 Speaker 2: You like all of it. Yes, there's a lot of 511 00:25:51,960 --> 00:25:59,480 Speaker 2: it there as well. Boy. Number six is Los Angeles 512 00:25:59,520 --> 00:26:02,280 Speaker 2: Plays it Self, which is a documentary, which is a 513 00:26:02,320 --> 00:26:05,399 Speaker 2: great movie. It used to be on Vimeo and it was. 514 00:26:05,600 --> 00:26:09,639 Speaker 2: It's it's all about how La has been represented in film, 515 00:26:09,840 --> 00:26:14,680 Speaker 2: both as a place that is that is uh La 516 00:26:14,920 --> 00:26:18,000 Speaker 2: indeed a location of Los Angeles, and also everywhere it's 517 00:26:18,000 --> 00:26:19,880 Speaker 2: a metachoice get it off the list. Yeah, I don't 518 00:26:19,920 --> 00:26:21,240 Speaker 2: know about that either, but it's a great movie. Blade 519 00:26:21,280 --> 00:26:26,520 Speaker 2: Runner number five, can't argue sure. Clueless number four, I 520 00:26:26,520 --> 00:26:27,840 Speaker 2: think that's too high. I think it's. 521 00:26:28,080 --> 00:26:32,280 Speaker 5: Yeah, it's a little highless ahead of a transcendent piece 522 00:26:32,320 --> 00:26:32,600 Speaker 5: of art. 523 00:26:32,920 --> 00:26:38,359 Speaker 2: Yea or nights you're gonna put Clueless over LA Confidential. 524 00:26:38,880 --> 00:26:41,200 Speaker 9: Yeah, I don't know about that one or the player. 525 00:26:43,080 --> 00:26:45,200 Speaker 9: It's iconic, but not not above those. 526 00:26:45,640 --> 00:26:48,320 Speaker 2: Some great inflation on that. Yeah, the the top three, 527 00:26:48,400 --> 00:26:52,000 Speaker 2: I do, I think they belong here. Number three Sunset Boulevard. 528 00:26:52,160 --> 00:26:56,000 Speaker 2: It's terrific. Not a lot of better movies. I think 529 00:26:56,040 --> 00:26:58,720 Speaker 2: that that represent that era of LA. 530 00:26:58,920 --> 00:27:01,439 Speaker 5: If you have to watch a movie about William Holden 531 00:27:01,480 --> 00:27:03,080 Speaker 5: getting drowned, that's your movie. 532 00:27:03,119 --> 00:27:09,760 Speaker 2: That's the one to watch. Number two Mulholland Drive. Don't 533 00:27:09,800 --> 00:27:14,120 Speaker 2: pretend you understand it either. I have watched every YouTube video. 534 00:27:14,160 --> 00:27:17,120 Speaker 2: I was gonna say, how what the ending of Maholland 535 00:27:17,200 --> 00:27:22,240 Speaker 2: Drive explained? Cilenio Andy, Oh the Celensio. Indeed, I love 536 00:27:22,240 --> 00:27:24,360 Speaker 2: that movie. I think it's fantastic too. I'm a big 537 00:27:24,400 --> 00:27:26,200 Speaker 2: David Lynch guy, so I think it's a great movie. 538 00:27:26,280 --> 00:27:28,119 Speaker 2: Great score too, if you just want to feel like 539 00:27:28,160 --> 00:27:29,919 Speaker 2: you're in a movie, you put on you go on 540 00:27:29,960 --> 00:27:32,440 Speaker 2: Spotify or Apple Music or whatever, and you just put 541 00:27:32,440 --> 00:27:34,359 Speaker 2: on the Mahallan Drive soundtrack when you drive home, and 542 00:27:34,400 --> 00:27:37,399 Speaker 2: you will feel like you are in a movie. Number 543 00:27:37,440 --> 00:27:41,239 Speaker 2: one from nineteen seventy four, mister Honor, what is it? 544 00:27:41,760 --> 00:27:47,399 Speaker 5: Stone cold Masterpiece? Chinatown? Yes, I nice Roman Polanski. I 545 00:27:47,720 --> 00:27:49,760 Speaker 5: you know, you think what you want about him, But 546 00:27:49,960 --> 00:27:52,120 Speaker 5: I read a doorstop of a book about the making 547 00:27:52,160 --> 00:27:55,520 Speaker 5: of Chinatown and Robert Town's process of writing it, and 548 00:27:55,560 --> 00:27:57,360 Speaker 5: it's just the more you learn about it, the more 549 00:27:57,359 --> 00:27:59,680 Speaker 5: you appreciate it and want to watch it and rewatch 550 00:27:59,720 --> 00:28:01,439 Speaker 5: it and get all the stuff that you may not 551 00:28:01,480 --> 00:28:04,639 Speaker 5: have gotten on your first watch. I love Chinatown. It's 552 00:28:04,680 --> 00:28:05,520 Speaker 5: a terrific movie. 553 00:28:05,920 --> 00:28:09,400 Speaker 2: It's I mean yeah, and it feels like it hits 554 00:28:09,440 --> 00:28:16,359 Speaker 2: all the points of noir, LA crime, classic, Hollywood Jack Nicle. 555 00:28:16,440 --> 00:28:19,119 Speaker 2: I mean, it's like all of it just works so 556 00:28:19,359 --> 00:28:24,840 Speaker 2: well as an LA movie. It's a perfect movie. 557 00:28:24,840 --> 00:28:26,800 Speaker 5: It's one of the few movies that you could point 558 00:28:26,840 --> 00:28:29,920 Speaker 5: to and say, if I were the boss of everything, 559 00:28:30,040 --> 00:28:32,120 Speaker 5: I can't think of a single thing I would change 560 00:28:32,119 --> 00:28:32,840 Speaker 5: about that movie. 561 00:28:33,400 --> 00:28:35,920 Speaker 2: Forget about it. Ronner. This is Chinatown. 562 00:28:36,160 --> 00:28:40,520 Speaker 1: Yeah, you're listening to KFI AM six forty on demand. 563 00:28:42,440 --> 00:28:45,000 Speaker 2: I Andy Reesmeyer. You know, we spent a lot of 564 00:28:45,080 --> 00:28:48,960 Speaker 2: time in Indiana, going up to the Upper Peninsula of Michigan, 565 00:28:49,200 --> 00:28:52,160 Speaker 2: going up to Michigan, Family of Michigan, and up in 566 00:28:52,200 --> 00:28:54,400 Speaker 2: the up as they call it. It is a different 567 00:28:54,520 --> 00:28:58,040 Speaker 2: kind of different kind of world. And they say there's 568 00:28:58,040 --> 00:29:05,560 Speaker 2: a saying up there, which is Upper Peninsula. Strong like bull, smart, 569 00:29:05,680 --> 00:29:08,600 Speaker 2: like tractor. Those are just the kind of people who 570 00:29:08,600 --> 00:29:16,360 Speaker 2: are up there, strong like bull, smart like tractor. As 571 00:29:16,360 --> 00:29:19,120 Speaker 2: we continue to talk about these movies, you know, I 572 00:29:19,480 --> 00:29:21,600 Speaker 2: wanted to go back for a second because I was wrong. 573 00:29:21,640 --> 00:29:26,480 Speaker 2: I called Guy pierceky Ritchie from the La Confidential movie. 574 00:29:26,480 --> 00:29:28,800 Speaker 2: That was, Oh yeah, that was silly and dumb of 575 00:29:28,840 --> 00:29:31,640 Speaker 2: a printer retraction. I apologize. But here's that scene with 576 00:29:32,560 --> 00:29:36,760 Speaker 2: Kevin Spacey and Guy Pierce from the Formosa Cafe. The 577 00:29:36,800 --> 00:29:38,400 Speaker 2: two of them walk into the cafe and up to 578 00:29:38,440 --> 00:29:41,160 Speaker 2: a table with characters we haven't met before. But it's 579 00:29:41,160 --> 00:29:45,240 Speaker 2: a blonde woman who looks very glamorous and a man 580 00:29:45,240 --> 00:29:48,600 Speaker 2: who looks like he might be related to gangster sorts. 581 00:29:50,440 --> 00:29:54,480 Speaker 5: An autograph right to MGM since when the two bit 582 00:29:54,560 --> 00:29:56,040 Speaker 5: hoods and hookers give that autoback. 583 00:29:57,400 --> 00:29:59,760 Speaker 2: Just say to me, Lapd sit down? 584 00:30:00,120 --> 00:30:02,000 Speaker 6: Go in the hell do you think you want to. 585 00:30:02,240 --> 00:30:04,360 Speaker 2: Take a walk? Honey before I all your ass downtown. 586 00:30:04,440 --> 00:30:06,240 Speaker 2: You are making a large mistake. 587 00:30:06,440 --> 00:30:07,440 Speaker 3: Get away from Martin. 588 00:30:07,640 --> 00:30:11,840 Speaker 2: Shut up. The hooker cut to look like Lana Turner. 589 00:30:11,920 --> 00:30:15,160 Speaker 2: Still a hooker, she just looks like Lana Turner. She 590 00:30:15,320 --> 00:30:16,000 Speaker 2: is Lana Turner? 591 00:30:16,840 --> 00:30:18,120 Speaker 10: What she is? 592 00:30:18,160 --> 00:30:23,240 Speaker 2: Lana Turner? And she throws a Martini in his face. 593 00:30:25,760 --> 00:30:28,480 Speaker 2: Kevin Spacey and Guy Pierce leave the foremosta back to 594 00:30:28,760 --> 00:30:45,640 Speaker 2: us supposed to their car. It's a great scene. That's 595 00:30:45,680 --> 00:30:48,200 Speaker 2: such a perfect movie. It is a perfect movie. 596 00:30:48,280 --> 00:30:52,000 Speaker 7: Getting his name wrong feels like Australian Erasia. 597 00:30:52,080 --> 00:30:53,760 Speaker 2: I just like to say, is it a hate crime? 598 00:30:53,800 --> 00:30:55,160 Speaker 2: Do you think it qualifies to the level? 599 00:30:55,360 --> 00:30:58,160 Speaker 6: Yes, we're gonna put you in stocks and send you 600 00:30:58,200 --> 00:30:58,720 Speaker 6: down on the. 601 00:30:58,960 --> 00:31:00,600 Speaker 2: Is that what happens to be people who break the 602 00:31:00,640 --> 00:31:01,360 Speaker 2: law in Australia. 603 00:31:02,000 --> 00:31:04,480 Speaker 6: No, you get sent to Australia when you break the. 604 00:31:04,480 --> 00:31:08,040 Speaker 5: Little Oh yes, it's an island of criminal criminals. 605 00:31:08,040 --> 00:31:09,600 Speaker 2: What I say once I get there, like is it cool? 606 00:31:09,680 --> 00:31:09,800 Speaker 10: Or like? 607 00:31:09,880 --> 00:31:10,360 Speaker 2: What do I do? 608 00:31:10,680 --> 00:31:13,320 Speaker 7: You get bitten? By a shark or a snake or something. 609 00:31:13,440 --> 00:31:15,760 Speaker 7: We have snakes in our toilets. 610 00:31:15,320 --> 00:31:17,280 Speaker 2: Oh my god. And when I'm worried about rats, and 611 00:31:17,280 --> 00:31:19,200 Speaker 2: now I got to think about snakes coming up. 612 00:31:19,080 --> 00:31:22,320 Speaker 7: The toilet, snakes up the toilet bowl, and great big 613 00:31:22,320 --> 00:31:24,040 Speaker 7: spiders on the toilet paper. 614 00:31:24,080 --> 00:31:27,960 Speaker 2: Oh my god, beware, great big spiders on the toilet paper. 615 00:31:28,200 --> 00:31:30,040 Speaker 7: When you pull down the toilet paper when you want 616 00:31:30,040 --> 00:31:33,800 Speaker 7: to wipe your tushiyah, there'll be a spider that you know. 617 00:31:33,840 --> 00:31:36,560 Speaker 2: I'm not a squeamish person. I'm not freaked out by 618 00:31:36,600 --> 00:31:41,880 Speaker 2: spiders and and things like that. But the fact that 619 00:31:41,920 --> 00:31:45,520 Speaker 2: there are cockroaches everywhere in Los Angeles is a very 620 00:31:45,760 --> 00:31:48,800 Speaker 2: was a hard pill for me to swallow, because coming 621 00:31:48,800 --> 00:31:51,400 Speaker 2: from the Midwest, you did not ever see a cockroach 622 00:31:51,520 --> 00:31:54,520 Speaker 2: unless you were in somewhere bad, like if you were 623 00:31:54,720 --> 00:31:57,000 Speaker 2: in the dump, you know what I mean, Like you 624 00:31:57,040 --> 00:31:59,560 Speaker 2: went to the city dump. There might be cockroaches, but 625 00:31:59,600 --> 00:32:03,000 Speaker 2: we didn't have them roaming around. They don't just exist, 626 00:32:03,440 --> 00:32:05,320 Speaker 2: but like they do here where you're walking up Melrose 627 00:32:05,400 --> 00:32:06,880 Speaker 2: or whatever, and there's just like, oh, a family of 628 00:32:06,920 --> 00:32:08,680 Speaker 2: little baby cockroaches crossing the street. 629 00:32:08,760 --> 00:32:11,560 Speaker 7: It's funny you say that because I'm so pleased by 630 00:32:11,600 --> 00:32:14,720 Speaker 7: the fact there are so few cockroaches in LA because 631 00:32:14,720 --> 00:32:16,680 Speaker 7: they're terrifying in Australia. 632 00:32:16,800 --> 00:32:17,719 Speaker 2: Oh are they huge? 633 00:32:17,760 --> 00:32:21,160 Speaker 7: They're huge. So they're big, huh and massive and they 634 00:32:21,200 --> 00:32:23,400 Speaker 7: fly and they fly at you and they attack you. 635 00:32:23,480 --> 00:32:25,360 Speaker 7: And I've been in my bed twice and had a 636 00:32:25,360 --> 00:32:26,760 Speaker 7: cockroach land on my face. 637 00:32:27,040 --> 00:32:30,880 Speaker 6: I had to take a volume after that. I'm terrified 638 00:32:30,920 --> 00:32:31,240 Speaker 6: of them. 639 00:32:31,400 --> 00:32:34,200 Speaker 2: Yeah, no, thanks, not good. Uh. Coming up, we're gonna 640 00:32:34,200 --> 00:32:36,720 Speaker 2: talk about Alamo Draft House. Is it going to be 641 00:32:36,880 --> 00:32:41,040 Speaker 2: ruined by this one change? Plus it's New Music Friday 642 00:32:41,080 --> 00:32:42,880 Speaker 2: for people who do not like new music with our 643 00:32:43,000 --> 00:32:46,160 Speaker 2: very own Jack Primavera, mister music man, a producer on 644 00:32:46,240 --> 00:32:49,080 Speaker 2: the voice who always has I think great things to 645 00:32:49,080 --> 00:32:52,120 Speaker 2: say about music, the music business and more. Plus we're 646 00:32:52,120 --> 00:32:55,280 Speaker 2: playing Solo the Solo Bass Edition were we're gonna play 647 00:32:55,280 --> 00:32:58,440 Speaker 2: a clip from a song we're gonna solo isolate that instrument, 648 00:32:58,880 --> 00:33:00,200 Speaker 2: and then we're gonna ask you to call in and 649 00:33:00,280 --> 00:33:05,640 Speaker 2: guess on this Friday night in southern California. Solop Sism 650 00:33:05,720 --> 00:33:10,080 Speaker 2: be damned Sism. Excuse me, I'm Andy Reesmeyer. Stick with 651 00:33:10,160 --> 00:33:12,320 Speaker 2: us for the next hour. Don't go anywhere it's KFI 652 00:33:12,360 --> 00:33:16,600 Speaker 2: AM six forty and as always, we'll live everywhere on 653 00:33:16,600 --> 00:33:18,040 Speaker 2: the iHeartRadio app. I'm very tired.