WEBVTT - HR. 3 - Craig Gass In Studio

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<v Speaker 1>I need a head north with the power trip.

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<v Speaker 2>Join the guys is up at Brandview Lodge this Thursday

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<v Speaker 2>and Friday. Be there on Thursday night for all fair

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<v Speaker 2>fun and then stick around as we go live on

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<v Speaker 2>the air Friday morning, including the initials game. And you

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<v Speaker 2>were shot at a two night Grand Feu stay with food,

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<v Speaker 2>golf and a massage at their spot at all the

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<v Speaker 2>details today at KFE dot com slash grand View.

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<v Speaker 3>Yeah, it's gonna be fun. I can't wait this week.

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<v Speaker 3>I cannot wait. Thursday night, Friday morning happening. Man, Oh,

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<v Speaker 3>that's happening. That's right, ladies and gentlemen.

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<v Speaker 4>He's at the New Hope Cinemagrill Oh sauce again.

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<v Speaker 3>Five shows this week.

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<v Speaker 5>Oh, Craig Oh, Craig gas gas sennatmcgrell dot com for tickets.

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<v Speaker 5>And you know Craig from not only The House Stern Show,

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<v Speaker 5>but King Queen's Family, Guy, America, Dad, Sex and the

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<v Speaker 5>City and so much much in this show and this.

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<v Speaker 3>Show seven times or something many times, Yeah, many dared.

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<v Speaker 3>How the hell are you?

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<v Speaker 6>Man? Dude?

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<v Speaker 1>When I got in my car, I always like to

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<v Speaker 1>listen so I can jump into the conversation with that.

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<v Speaker 3>Wherever it's going, we want to talk about Marnie's ducks.

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<v Speaker 1>Well, on the way in, I just I was listening, going, wow,

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<v Speaker 1>this is such a crazy conversation, and I thought if

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<v Speaker 1>I was to take this like as a consult like

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<v Speaker 1>a radio consultant.

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<v Speaker 3>A radio consultant is.

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<v Speaker 1>A guy who will come in and give you some weird,

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<v Speaker 1>like mid level executive job advice just to be able

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<v Speaker 1>to justify their job. But they'll play you like a

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<v Speaker 1>segment of your show, and you're and you'll overanalyze, well,

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<v Speaker 1>why'd you pick that segment?

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<v Speaker 3>You know?

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<v Speaker 1>But if I'm to play somebody a break that I

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<v Speaker 1>heard and ask is this a country western morning show?

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<v Speaker 1>Is this a sports station or is this just a

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<v Speaker 1>bunch of stoners doing a podcast?

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<v Speaker 6>Right? Yeah?

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<v Speaker 1>This and this is the audio you would hear.

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<v Speaker 3>Yeah, man, can you imagine if like a moose et

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<v Speaker 3>you do you think about this? What if you could

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<v Speaker 3>hear worms scream like a measurement? Dude? During a worm scream?

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<v Speaker 3>I was like, what do I have a contact time

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<v Speaker 3>listening to here? It was? It was wildly entertaining on

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<v Speaker 3>the way over here. But it's good to see you guys.

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<v Speaker 3>Do you believe that worm screams would be loud. Sauce

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<v Speaker 3>is convinced they would be loud.

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<v Speaker 1>Yeah, I don't know how I jumped into the middle

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<v Speaker 1>of it. That That's the thing is, I didn't know

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<v Speaker 1>what the jumping point. I didn't I just heard that

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<v Speaker 1>middle segment and went like, wait, why are we talking

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<v Speaker 1>about wearing screaming. I don't understand where the what the

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<v Speaker 1>reference was.

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<v Speaker 7>They might be drowning, they might be getting stepped on, like,

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<v Speaker 7>they might be in complete agony at all times.

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<v Speaker 5>It just seems like they have terrible lives.

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<v Speaker 3>Yeah, it sucks to be a worm man agreed, without question.

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<v Speaker 3>I agree, I totally agree.

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<v Speaker 1>I just was enjoying the intensity of the the.

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<v Speaker 7>Micro subject of the country. We try to be as

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<v Speaker 7>profound as possible.

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<v Speaker 5>I never thought about it. So you're right, we do

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<v Speaker 5>sound like stoners sometimes. I agree with you, and that

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<v Speaker 5>definitely is a good example.

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<v Speaker 3>And speaking to stoners. Marni Gelinner, Craig Marte Gollner not

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<v Speaker 3>right now, all right, She's also not, in general very professional.

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<v Speaker 1>I just went through something that have you ever called up.

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<v Speaker 3>An ex just to like dunk on them? Ever, like

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<v Speaker 3>if you were had an ex that you felt like

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<v Speaker 3>the need to like follow up.

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<v Speaker 1>Not lately in college. Sure, I'm not even sure if

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<v Speaker 1>this is appropriate conversation have on the radio. But something

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<v Speaker 1>happened just a couple of weeks ago that was so

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<v Speaker 1>mind blowing that that was attached to an argument that

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<v Speaker 1>I got into twenty years ago. Twenty years ago, I

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<v Speaker 1>go to Anchorage, Alaska for the first time to do

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<v Speaker 1>stand up comedy. My ex is with me when I

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<v Speaker 1>go to the club and we meet a local comedian.

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<v Speaker 1>His name is Matt Becker, Matt with one T Becker,

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<v Speaker 1>and we talked to him for thirty minutes.

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<v Speaker 3>We come out.

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<v Speaker 1>My ex looks at me and goes, I like him.

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<v Speaker 1>I said he's creepy. He's very creepy, and she said,

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<v Speaker 1>we mean he's creepy.

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<v Speaker 3>I see.

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<v Speaker 1>And we got an argument about and we had gotten

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<v Speaker 1>into this argument several times that I think I have

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<v Speaker 1>an intuition about people, and she said, you're always wrong,

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<v Speaker 1>and I said, I do have an intuition about people.

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<v Speaker 1>I'm just saying you can tell something about somebody by

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<v Speaker 1>the words they use, and that guy is creepy.

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<v Speaker 3>He's really really dark. That was the argument twenty years ago.

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<v Speaker 1>If you're able to right now, I'd like you to

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<v Speaker 1>open up your Twitter on your phone and go to

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<v Speaker 1>the Anchorage Police Department's Twitter page, where on March fourteenth,

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<v Speaker 1>the Anchorage Police Department put out a flurry of tweets

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<v Speaker 1>saying to be on the lookout for a man in

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<v Speaker 1>Anchorage who is on a murder spree. He has a

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<v Speaker 1>list of people that he wants to take out, and

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<v Speaker 1>he's starting from the top of the list, and his

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<v Speaker 1>name was Matt Becker.

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<v Speaker 7>With one T Matthew Thomas Becker. Yes, hop about this headline? Dude,

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<v Speaker 7>am I stepping on you touch this headline? Here's the

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<v Speaker 7>headline that you just referenced to March twenty or March

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<v Speaker 7>nineteenth of twenty twenty six. Comedy club owner with terminal

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<v Speaker 7>cancer guns down X in law hunt's ex wife before

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<v Speaker 7>turning up dead.

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<v Speaker 1>Yes, it's a terrible story. Holy it's a terrible, terrible story.

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<v Speaker 1>But here's how much I love being right.

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<v Speaker 3>I cannot tell you the joy of being able to

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<v Speaker 3>call an ex from twenty years ago and hear her

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<v Speaker 3>pick up the phone with like a question mark in

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<v Speaker 3>her voice of like hello, and.

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<v Speaker 1>Be able to go, ah, guess who has intuition, and

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<v Speaker 1>it was such a like I have to believe there

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<v Speaker 1>were people in nineteen forties Germany who were like, I told.

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<v Speaker 3>You not to buy that guy's painting.

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<v Speaker 1>He's here, he's like, you know, like, there's just I

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<v Speaker 1>feel like there's a handful of people out there who

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<v Speaker 1>have the intuition that I have about people. And for you,

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<v Speaker 1>my hope is that someday.

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<v Speaker 3>A crazy murder spree happens for you too, and that

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<v Speaker 3>you can be validated. So but yeah, it's it's that

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<v Speaker 3>was a I'm realizing this story is not going overwhelm.

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<v Speaker 5>Man, dude, I completely would have called hers as well.

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<v Speaker 5>Someone could be I had the same feeling every time

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<v Speaker 5>I'm in a room with meets Paul Lambert.

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<v Speaker 1>Yeah, I knew how somehow I was going to turn

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<v Speaker 1>around to you.

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<v Speaker 5>Yeah yeah.

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<v Speaker 3>How is his material?

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<v Speaker 5>Yeah?

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<v Speaker 3>Was he funny to kill?

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<v Speaker 1>Are there any jokes that are left on the table

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<v Speaker 1>that we could take now? I don't know, but his

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<v Speaker 1>his he was BFFs with Doug Stanhope, who was also

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<v Speaker 1>a pretty dark guy.

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<v Speaker 3>Wow, but yeah not as dark dark? Yeah, pretty dark,

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<v Speaker 3>And his material was like I just remember that he

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<v Speaker 3>was this quirky guy who loved to do magic tricks

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<v Speaker 3>for people, which maybe that's something that kind of triggers

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<v Speaker 3>me as well. Comedians and magicians. Yeah, comedians magicians.

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<v Speaker 7>I don't know, there's like three of those, right, the

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<v Speaker 7>amazing Jonathan Obviously, Penn and Teller are kind of comedians

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<v Speaker 7>slash magicians, right.

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<v Speaker 1>It's pretty rare, very many though. Yeah, Penn and Teller

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<v Speaker 1>are great. I the last time I was in town,

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<v Speaker 1>I asked Chris if he wanted to go see metallicap

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<v Speaker 1>Metallica's before me here, and he was like, yeah, I might,

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<v Speaker 1>and I go, I go, And I didn't want to say, like, dude,

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<v Speaker 1>go because I'm gonna hook it up. And then he said,

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<v Speaker 1>all right, let's go. So we went to the talk

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<v Speaker 1>show and we had this great time.

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<v Speaker 3>We went into.

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<v Speaker 1>The middle of the stage, the snake think pit of

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<v Speaker 1>the show and Chris, you told me a story that

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<v Speaker 1>night that blew my mind that years and years and

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<v Speaker 1>years ago you got to go backstage to a concert once.

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<v Speaker 3>And is it okay to bring this up? They all

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<v Speaker 3>know it, the slaughter story.

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<v Speaker 7>Oh my god, yeah, oh yeah, we all know the story, Okay,

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<v Speaker 7>so legendary.

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<v Speaker 1>My memory of the story is that he got to

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<v Speaker 1>go backstage to a Slaughter show. But the weird thing

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<v Speaker 1>that resonated from that night, that stayed in his memory

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<v Speaker 1>was that the girl who got them the backstage passes

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<v Speaker 1>had emerged from the backstage area with the all access

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<v Speaker 1>passes and she seemed to have white stuff on her. Yeah,

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<v Speaker 1>and it really, it really, uh creeped him out. But

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<v Speaker 1>he went backstage, of course, and I have I just

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<v Speaker 1>did a show three weeks ago opening for Slaughter. You

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<v Speaker 1>did not, No way I did. And uh, this is

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<v Speaker 1>a message from Mark Slaughter here that he wants to

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<v Speaker 1>clarify for Chris.

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<v Speaker 3>Is this real? This is totally real? This is.

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<v Speaker 5>This is this is this is this queen, this is clean.

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<v Speaker 3>This is thirty five years ago.

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<v Speaker 1>That this happened thirty five years ago. I don't know

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<v Speaker 1>why this audio is not all right.

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<v Speaker 3>The Wi Fi in here sucks. If that matters, it

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<v Speaker 3>is not hold on a Mark Slaughter.

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<v Speaker 5>Mark Slaughter one of the best ever Up All nights,

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<v Speaker 5>Sleep all day, Flight of the Angels. I just love

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<v Speaker 5>that band.

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<v Speaker 1>Okay, this is on my Instagram at Craig Gas Comedy

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<v Speaker 1>with two s's and Mark I told him the story.

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<v Speaker 1>Mark laughed about it, and he sent.

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<v Speaker 3>Me a message to send along to you where he

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<v Speaker 3>explained that it actually was not. According to him, it

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<v Speaker 3>was not the white stuff that you thought it was.

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<v Speaker 3>I'm waiting for the Yeah, hold on, here we go, Chris.

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<v Speaker 8>My buddy Kreig Gass told me about the one time

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<v Speaker 8>he wanted to go backstage to a Slaughter show and

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<v Speaker 8>you were suspicious about the girl who got the backstage

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<v Speaker 8>passes because she had white.

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<v Speaker 3>Stuff on her.

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<v Speaker 8>Well, I assure you that at every Slaughter show there

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<v Speaker 8>is tons of catering.

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<v Speaker 3>So that was Mani's there you go. It made.

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<v Speaker 5>Thank you Craig Slaughter, Craig Gas and Mark Slaughter.

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<v Speaker 1>Yeah, that video is at Craig Gas Comedy. Craig Gass

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<v Speaker 1>with two S's comedy.

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<v Speaker 5>Remember that, Thank you for that.

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<v Speaker 1>That was one of the craziest stories I've ever heard.

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<v Speaker 3>It was like, never forget the idea of having such

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<v Speaker 3>a cool experience, but going, what did you do to

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<v Speaker 3>get us into this show like that? Yeah, and the

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<v Speaker 3>boyfriend didn't put the two and two together. Carry The

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<v Speaker 3>boyfriend was like, great you met Slaughter. Slaughter by the way, Saws,

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<v Speaker 3>can I ask you a question? Yeah, because this is

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<v Speaker 3>the case for me, Maurnie. Maybe this is the case

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<v Speaker 3>for you as well.

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<v Speaker 7>I just learned about sixty seconds ago that there's a

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<v Speaker 7>guy in Slaughter whose last name is Slaughter.

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<v Speaker 9>Yeah.

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<v Speaker 3>I didn't know that. I don't know that. I just

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<v Speaker 3>thought that was the name of the band. I didn't

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<v Speaker 3>know it was Mark Slaughter. I didn't know this was

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<v Speaker 3>Van Halen or von Jovi.

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<v Speaker 10>Yeah, I didn't know that either. I thought it was Slaughter. Yeah,

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<v Speaker 10>I thought I thought it was just a clever name.

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<v Speaker 10>Was he the only one with the last name Slaughter.

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<v Speaker 10>He is the only one in the band with the

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<v Speaker 10>last name Slaughter, so it is his band.

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<v Speaker 3>Did not know that. He's great, man, I love that guy.

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<v Speaker 3>That's cool. How often, uh do you guys have comedians

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<v Speaker 3>in the studio? Is it maybe four times?

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<v Speaker 6>Yeah?

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<v Speaker 3>Four five times?

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<v Speaker 5>Yeah, we don't do very often yet.

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<v Speaker 1>Well yeah, yeah, who comes in and really like knocks

0:11:10.840 --> 0:11:11.600
<v Speaker 1>it out of the party.

0:11:11.679 --> 0:11:15.320
<v Speaker 7>Daniels, d Daniels, Kelsey Cook, Zion Manson.

0:11:16.160 --> 0:11:17.760
<v Speaker 3>We used to have Mary mac On all the time,

0:11:17.880 --> 0:11:21.120
<v Speaker 3>Tommy Ryman, Well, it's my forgeme. That's about it. Those

0:11:21.160 --> 0:11:22.640
<v Speaker 3>are kind of like our that's our stable.

0:11:22.840 --> 0:11:25.120
<v Speaker 5>We had what student name tell stories all the time.

0:11:25.480 --> 0:11:25.760
<v Speaker 3>He's a.

0:11:27.400 --> 0:11:31.040
<v Speaker 5>Remember we had him in the one time. He writes

0:11:31.080 --> 0:11:32.320
<v Speaker 5>books too, He's.

0:11:32.160 --> 0:11:39.600
<v Speaker 3>Uh, Paul Mercuri, Yeah, we have had this writes books. Yeah,

0:11:39.800 --> 0:11:42.280
<v Speaker 3>you have a comedian come in and just swing and miss.

0:11:43.520 --> 0:11:46.880
<v Speaker 11>Sure about ten minutes ago.

0:11:47.840 --> 0:11:54.400
<v Speaker 3>That's good. You just got slaughtered Marty's stand up comedian. Well,

0:11:55.480 --> 0:11:56.360
<v Speaker 3>why do you bring it up?

0:11:56.480 --> 0:11:59.400
<v Speaker 1>Because you I love having that conversation with radio friends

0:11:59.400 --> 0:12:01.960
<v Speaker 1>to say, like, who's your favorite comedians? You had on

0:12:02.040 --> 0:12:05.440
<v Speaker 1>who's your which comedians come on and just didn't connect

0:12:05.440 --> 0:12:07.280
<v Speaker 1>with you? And you always hear the same names in

0:12:07.320 --> 0:12:09.880
<v Speaker 1>both categories. And then everybody has a Tracy Morgan story

0:12:09.880 --> 0:12:12.240
<v Speaker 1>about how we are Tracy more, how Tracy Morgan tried

0:12:12.280 --> 0:12:15.440
<v Speaker 1>to like assault somebody in the in the hallway or something.

0:12:15.840 --> 0:12:17.760
<v Speaker 5>The only issue we ever had wasn't with a comedian.

0:12:17.840 --> 0:12:22.400
<v Speaker 5>When Chips Enough tried to seduce our Carly Zucker on air, Yeah,

0:12:25.360 --> 0:12:26.480
<v Speaker 5>I was one of the best.

0:12:26.520 --> 0:12:30.360
<v Speaker 3>I know Chips Enough. Yeah you know, yeah, chip Hawk

0:12:30.480 --> 0:12:33.720
<v Speaker 3>loves Hawk loves I love that band. So when I

0:12:33.720 --> 0:12:35.040
<v Speaker 3>love eighty stuff, it's the best I love.

0:12:35.120 --> 0:12:35.320
<v Speaker 6>Yeah.

0:12:35.320 --> 0:12:38.520
<v Speaker 1>For some reason, music musicians have been my biggest supporters

0:12:38.559 --> 0:12:40.920
<v Speaker 1>and and I've opened for a lot of bands over

0:12:40.920 --> 0:12:43.800
<v Speaker 1>the years, like Metallica and System of a Down and uh,

0:12:43.880 --> 0:12:45.640
<v Speaker 1>and then I got in trouble here last time I

0:12:45.679 --> 0:12:47.960
<v Speaker 1>was in town when I did a show at First

0:12:48.000 --> 0:12:52.079
<v Speaker 1>Avenue opening for Pantera, Because I did this whole when

0:12:52.120 --> 0:12:53.560
<v Speaker 1>I opened for a band, I'm too much of a

0:12:53.559 --> 0:12:56.360
<v Speaker 1>puss to say, hey, I'm a stand up comedian. Here's

0:12:56.360 --> 0:12:58.680
<v Speaker 1>some jokes, because I just know, like when I opened

0:12:58.679 --> 0:13:00.800
<v Speaker 1>from Metallica, it don't on me when I got to

0:13:00.840 --> 0:13:05.120
<v Speaker 1>the venue that everyone hears on coke, like what am

0:13:05.120 --> 0:13:05.720
<v Speaker 1>I doing here?

0:13:05.760 --> 0:13:06.080
<v Speaker 3>Like this?

0:13:06.080 --> 0:13:06.600
<v Speaker 6>This is like.

0:13:08.480 --> 0:13:11.600
<v Speaker 1>It's a terrible idea to stand up comedy in front

0:13:11.640 --> 0:13:14.079
<v Speaker 1>of a rock crowd. So I just walked on stage

0:13:14.120 --> 0:13:17.960
<v Speaker 1>and said, hey, my name's Craig On, Metallica's tour manager.

0:13:18.440 --> 0:13:21.679
<v Speaker 3>Yeah, I said, the band has some very important announcements

0:13:21.840 --> 0:13:23.640
<v Speaker 3>they asked me to read, and all of them were fake.

0:13:23.720 --> 0:13:25.360
<v Speaker 3>It was just it was all a bunch of cool

0:13:25.400 --> 0:13:28.280
<v Speaker 3>stuff that's not going to happen, and it gets them

0:13:28.320 --> 0:13:28.800
<v Speaker 3>to listen.

0:13:29.200 --> 0:13:30.839
<v Speaker 1>And when I did it with Pantera, one of the

0:13:30.880 --> 0:13:33.920
<v Speaker 1>announcements was you may have heard some rumors and it's true.

0:13:34.280 --> 0:13:38.120
<v Speaker 1>We are recording our first ever live album right here,

0:13:38.120 --> 0:13:40.920
<v Speaker 1>and the place was like, yeah.

0:13:40.080 --> 0:13:41.040
<v Speaker 3>So I need your attention.

0:13:41.120 --> 0:13:43.840
<v Speaker 1>There's a proper way to yell on a live album,

0:13:44.320 --> 0:13:47.800
<v Speaker 1>and they followed every stupid instruction I gave them. But

0:13:47.960 --> 0:13:51.920
<v Speaker 1>the problem with that was that people who were Pantera

0:13:52.000 --> 0:13:54.800
<v Speaker 1>fans who read about it on metal websites got upset

0:13:55.440 --> 0:13:58.679
<v Speaker 1>that Pantera, who was not the original band there was

0:13:58.720 --> 0:14:01.160
<v Speaker 1>two members who died, was going to do a live album.

0:14:01.200 --> 0:14:03.719
<v Speaker 1>So all these people got pissed and they started posting.

0:14:03.360 --> 0:14:05.000
<v Speaker 3>Like, screw that guy, screw that.

0:14:05.040 --> 0:14:07.440
<v Speaker 1>You know, all these like metal websites were posting these

0:14:07.480 --> 0:14:10.360
<v Speaker 1>stories about a employee for Pantera who announced they were

0:14:10.360 --> 0:14:13.200
<v Speaker 1>doing a live album, and because I was anonymous, I

0:14:13.320 --> 0:14:16.320
<v Speaker 1>started commenting on all the threads, going, yeah, screw that guy,

0:14:16.400 --> 0:14:18.959
<v Speaker 1>he's a beat crap and what a way, and I

0:14:18.960 --> 0:14:20.280
<v Speaker 1>would like reference my jokes.

0:14:20.280 --> 0:14:22.240
<v Speaker 3>Why did it even bring up the size of zech? Well,

0:14:22.360 --> 0:14:26.360
<v Speaker 3>Genitalia wouldn't have to do. And then Pantera put out

0:14:26.560 --> 0:14:30.120
<v Speaker 3>a statement saying, no, we're not doing a live album.

0:14:30.160 --> 0:14:33.240
<v Speaker 3>That was a joke from our buddy Craig Gas and

0:14:33.280 --> 0:14:36.920
<v Speaker 3>they tagged me in everything. So this mob just came

0:14:36.960 --> 0:14:39.200
<v Speaker 3>towards me and I was like, oh man, sorry, guys,

0:14:39.360 --> 0:14:42.640
<v Speaker 3>but like Swifties. Yeah, yeah, they're they're pretty intense.

0:14:42.880 --> 0:14:46.560
<v Speaker 1>Is has Chris done any justice and trying to get

0:14:46.560 --> 0:14:47.600
<v Speaker 1>you to listen to his music?

0:14:48.560 --> 0:14:48.640
<v Speaker 6>Me?

0:14:49.080 --> 0:14:51.880
<v Speaker 5>Yeah, oh yeah, they've they've all they all have downplayed

0:14:51.880 --> 0:14:53.680
<v Speaker 5>it and poop put it quite a bit. So herm

0:14:53.680 --> 0:14:57.080
<v Speaker 5>Marnie once came to a show and left early, got

0:14:57.120 --> 0:14:58.320
<v Speaker 5>on the tour bus and rode all the way to

0:14:58.320 --> 0:15:00.320
<v Speaker 5>Milwaukee with me one time my shows and then left.

0:15:00.400 --> 0:15:02.360
<v Speaker 3>This is a true story. So he went to see

0:15:02.360 --> 0:15:06.560
<v Speaker 3>Paul Simon exactly, so to Milwaukee.

0:15:06.080 --> 0:15:08.840
<v Speaker 7>To quote see Chris and then left to go see

0:15:08.840 --> 0:15:09.560
<v Speaker 7>Paul Simon.

0:15:09.760 --> 0:15:12.200
<v Speaker 3>So essentially got a free ride to Milwaukee to see

0:15:12.200 --> 0:15:14.920
<v Speaker 3>Paul Simon. Really turned tour bus into an uber.

0:15:14.960 --> 0:15:17.080
<v Speaker 5>It was great, No, it was it was fine. I

0:15:17.080 --> 0:15:18.680
<v Speaker 5>don't blame I go see Paul Simon as well, and

0:15:18.680 --> 0:15:20.320
<v Speaker 5>I'm me But before we.

0:15:20.280 --> 0:15:21.920
<v Speaker 1>Get Simon was in another vegae.

0:15:21.920 --> 0:15:23.360
<v Speaker 3>You got it right up there to go to another

0:15:23.400 --> 0:15:25.960
<v Speaker 3>show that you didn't first.

0:15:25.840 --> 0:15:28.640
<v Speaker 9>I literally did not know Paul Simon was going to

0:15:28.720 --> 0:15:30.840
<v Speaker 9>be there. And then somebody that was in Hawks fan

0:15:31.040 --> 0:15:33.000
<v Speaker 9>was like, you know, Paul Simon's there, and I'm like

0:15:33.880 --> 0:15:36.000
<v Speaker 9>got to go to that. Yeah, And I bought a

0:15:36.040 --> 0:15:38.680
<v Speaker 9>ticket at the box office and it was like third row.

0:15:38.840 --> 0:15:41.520
<v Speaker 3>It was sweet. I bet it was fine. Yeah, it

0:15:41.560 --> 0:15:43.400
<v Speaker 3>was better. It was absolutely the right choice. That was

0:15:43.480 --> 0:15:44.360
<v Speaker 3>not great.

0:15:44.400 --> 0:15:46.320
<v Speaker 7>Remember like the last time you were in town, right,

0:15:46.360 --> 0:15:48.000
<v Speaker 7>you were like, Corey, come see my show, and I'm like,

0:15:48.120 --> 0:15:49.720
<v Speaker 7>all right, So you drove me to the New Hope

0:15:49.760 --> 0:15:51.280
<v Speaker 7>Cinema grill and what did I do?

0:15:51.360 --> 0:15:53.440
<v Speaker 3>I went across town and saw Matt Becker.

0:15:53.640 --> 0:15:56.840
<v Speaker 7>Yeah, dude, don't comedy first out he was He was

0:15:56.840 --> 0:15:58.520
<v Speaker 7>a killer, killed.

0:15:58.120 --> 0:15:59.560
<v Speaker 3>And killed it, killed it.

0:15:59.680 --> 0:16:01.560
<v Speaker 5>Hey before we get break, because I want to get back.

0:16:01.560 --> 0:16:02.800
<v Speaker 5>We got to get into sports and you can just

0:16:03.040 --> 0:16:05.600
<v Speaker 5>hang out and comment as we go. But how did

0:16:05.600 --> 0:16:07.280
<v Speaker 5>you get a chance to talk to Steve Gleeson?

0:16:08.240 --> 0:16:10.440
<v Speaker 1>I knew Steve Gleeson form my friend Mike, who plays

0:16:10.480 --> 0:16:15.440
<v Speaker 1>guitar for Pearl Jam. Steve Gleeson did they tell that

0:16:15.640 --> 0:16:19.560
<v Speaker 1>Pearl Jam story lesson I was here? But yeah, yeah,

0:16:19.880 --> 0:16:21.920
<v Speaker 1>Mike's been a buddy of mine for over twenty years

0:16:22.680 --> 0:16:25.160
<v Speaker 1>and Steve Gleason is a huge Pearl Jam fan.

0:16:25.200 --> 0:16:25.720
<v Speaker 3>So I've met him.

0:16:25.760 --> 0:16:27.640
<v Speaker 1>I met him at Mike's house a couple of times,

0:16:27.640 --> 0:16:32.120
<v Speaker 1>at like barbecues and hangouts and then he has turned

0:16:32.120 --> 0:16:33.720
<v Speaker 1>out to be one of the funniest people I've ever

0:16:34.160 --> 0:16:35.800
<v Speaker 1>met in my life. Like, for those of you who

0:16:35.800 --> 0:16:38.200
<v Speaker 1>don't know, Steve Gleeson used to play for the Saints.

0:16:38.560 --> 0:16:44.760
<v Speaker 1>He has als did a documentary documenting his his descent

0:16:44.840 --> 0:16:48.880
<v Speaker 1>into his physical disability. It's it's really crazy and really

0:16:50.120 --> 0:16:55.000
<v Speaker 1>tough to watch. But now he's raised millions and millions

0:16:55.040 --> 0:16:58.160
<v Speaker 1>of dollars for people to get the equipment, Like he

0:16:58.240 --> 0:16:59.960
<v Speaker 1>has to be able to make their lives easy.

0:17:00.640 --> 0:17:01.720
<v Speaker 3>And the guy is just.

0:17:04.720 --> 0:17:06.240
<v Speaker 1>He came to a show of mine, like a couple

0:17:06.240 --> 0:17:10.280
<v Speaker 1>of years ago, and after the show he said through

0:17:10.320 --> 0:17:13.439
<v Speaker 1>his little voicebox thing, he said, Craig, that was a

0:17:13.520 --> 0:17:14.000
<v Speaker 1>great show.

0:17:14.040 --> 0:17:15.959
<v Speaker 3>And I said, oh man, thank you. That's dude. I'm

0:17:16.000 --> 0:17:17.199
<v Speaker 3>so glad you made it out here. Can I give

0:17:17.200 --> 0:17:17.560
<v Speaker 3>you a hug?

0:17:17.560 --> 0:17:19.760
<v Speaker 1>And he said, I love hugs, And I went to

0:17:19.840 --> 0:17:21.800
<v Speaker 1>hug him and he said, not as much as I

0:17:21.840 --> 0:17:27.080
<v Speaker 1>love Bjason. What I remember he introduced me to some friends.

0:17:27.240 --> 0:17:29.680
<v Speaker 1>I was backstage at a Pearl Jam consent and he said, hey, Craig,

0:17:29.760 --> 0:17:32.440
<v Speaker 1>come here and talk to my friends. And I say,

0:17:32.480 --> 0:17:35.080
<v Speaker 1>and he goes do some impressions for them. I go, hey,

0:17:35.160 --> 0:17:38.600
<v Speaker 1>and I started doing impressions for them, and he starts

0:17:38.600 --> 0:17:42.720
<v Speaker 1>saying through his voicebox. Craig's whole family is deaf. That's

0:17:42.760 --> 0:17:47.160
<v Speaker 1>probably how he got good at impressions. And I said, that's, dude,

0:17:47.200 --> 0:17:49.639
<v Speaker 1>that is so smart. That is absolutely true. I've always

0:17:49.640 --> 0:17:51.760
<v Speaker 1>been able to do any voice that I hear because

0:17:52.000 --> 0:17:54.159
<v Speaker 1>growing up in a deaf family, I couldn't learn how

0:17:54.200 --> 0:17:55.560
<v Speaker 1>to talk for my family. I learned how to talk

0:17:55.560 --> 0:17:58.120
<v Speaker 1>by watching TV and copying all the voices I heard

0:17:58.160 --> 0:18:00.960
<v Speaker 1>on TV. That's why I now do Celebrity Voice, Family Guide,

0:18:00.960 --> 0:18:04.840
<v Speaker 1>American Dad and Steve Goes. My kids will probably end

0:18:04.920 --> 0:18:06.040
<v Speaker 1>up sounding like robots.

0:18:07.440 --> 0:18:09.520
<v Speaker 3>Gos was amazing.

0:18:10.359 --> 0:18:12.000
<v Speaker 5>I'm watching this because I watched the interview you did

0:18:12.040 --> 0:18:12.880
<v Speaker 5>with them on YouTube.

0:18:13.080 --> 0:18:14.120
<v Speaker 3>Yeah, so his.

0:18:15.560 --> 0:18:17.359
<v Speaker 5>He speaks by looking at letters?

0:18:17.400 --> 0:18:19.199
<v Speaker 3>Is that right? Is that how it? Dude? You know

0:18:19.280 --> 0:18:19.920
<v Speaker 3>what's crazy?

0:18:20.160 --> 0:18:23.359
<v Speaker 1>Like, there's nuances of being around deaf people that only

0:18:23.480 --> 0:18:26.200
<v Speaker 1>people who grew up with deaf people can see and understand.

0:18:27.440 --> 0:18:30.160
<v Speaker 1>He Steve Glease and people with the als use their

0:18:30.200 --> 0:18:33.199
<v Speaker 1>eyes and look at a keyboard and they move their

0:18:33.240 --> 0:18:36.639
<v Speaker 1>eyes around to form words. His keyboard was down that

0:18:36.720 --> 0:18:38.760
<v Speaker 1>day when I was at his house and he had

0:18:38.760 --> 0:18:41.280
<v Speaker 1>two assistants who one of them sat in front of

0:18:41.320 --> 0:18:42.960
<v Speaker 1>him and said, look at me, just look at me.

0:18:43.000 --> 0:18:46.119
<v Speaker 1>Tell me what's going on. And she's she's watching his

0:18:46.240 --> 0:18:52.120
<v Speaker 1>eyes and she goes, h yep e yeah, he yep,

0:18:52.200 --> 0:18:58.040
<v Speaker 1>he w wants possible. She's just watching the subtlety of

0:18:58.080 --> 0:19:00.920
<v Speaker 1>the direction of his eyes and reading a keyboard off

0:19:00.960 --> 0:19:01.640
<v Speaker 1>his eyeballs.

0:19:01.680 --> 0:19:04.960
<v Speaker 3>It was one of the craziest things I've ever seen.

0:19:05.080 --> 0:19:07.480
<v Speaker 1>But yeah, Gleason has come out to many of my

0:19:07.520 --> 0:19:11.600
<v Speaker 1>comedy shows, and he's a stellar human being. And side note,

0:19:11.600 --> 0:19:15.199
<v Speaker 1>I always think it's an interesting asterisk to his story.

0:19:15.600 --> 0:19:19.520
<v Speaker 1>The single largest donor to all of his als charities

0:19:19.600 --> 0:19:22.159
<v Speaker 1>is an NFL owner, and it's not the owner of

0:19:22.200 --> 0:19:26.720
<v Speaker 1>the Saints. It's the owner of the Atlanta Falcons, Arthur

0:19:26.760 --> 0:19:28.880
<v Speaker 1>Blank sixty five.

0:19:30.280 --> 0:19:31.040
<v Speaker 3>On this website.

0:19:31.320 --> 0:19:34.320
<v Speaker 1>Wow Yeah, And Arthur Blank is far and away the

0:19:34.400 --> 0:19:36.879
<v Speaker 1>largest donor to all of Steve Leeson's charities.

0:19:36.880 --> 0:19:40.359
<v Speaker 3>He's a stellar human being, amazing He sorry. Greg Gass

0:19:40.400 --> 0:19:41.560
<v Speaker 3>is here New Hope Cinemagrill.

0:19:41.560 --> 0:19:44.440
<v Speaker 1>When cinema grill this weekend Thursday through Saturday, I'm usually

0:19:44.480 --> 0:19:46.560
<v Speaker 1>funny cinemagrill dot com.

0:19:46.760 --> 0:19:49.080
<v Speaker 3>I like that place. Sauce just did stand up there

0:19:49.080 --> 0:19:52.280
<v Speaker 3>like a week. Yeah, how you go? It went well? Yeah?

0:19:52.359 --> 0:19:54.320
<v Speaker 1>How are you like hitting up open mics and stuff

0:19:54.320 --> 0:19:54.520
<v Speaker 1>like that?

0:19:54.680 --> 0:20:00.920
<v Speaker 3>No, I just do comedy with our other coworker. Yeah, okay, Yeah.

0:20:01.440 --> 0:20:02.280
<v Speaker 5>Sometimes it's good.

0:20:02.600 --> 0:20:05.159
<v Speaker 3>Yeah, sometimes it's well. When it's not good, that's when

0:20:05.200 --> 0:20:06.200
<v Speaker 3>you become a better comedian.

0:20:06.359 --> 0:20:11.080
<v Speaker 7>Yeah, and he's getting great.

0:20:10.840 --> 0:20:15.560
<v Speaker 3>All right. So Martins, I know you're a big You're

0:20:15.560 --> 0:20:19.320
<v Speaker 3>a big thirty rock fan, right. You like Saturday Night Live? Suh?

0:20:19.960 --> 0:20:22.800
<v Speaker 3>You've never heard Craig gases Tracy Morgan. Wait until you

0:20:22.840 --> 0:20:28.280
<v Speaker 3>hear it when we come back. It's infamous Craig gas

0:20:28.320 --> 0:20:30.680
<v Speaker 3>After this POWERTRAI Morning Shoe on the Fan.

0:20:46.119 --> 0:20:50.080
<v Speaker 5>Welcome back, everybody part Morning Shoe. Here we are, final

0:20:50.119 --> 0:20:51.760
<v Speaker 5>segment of the show. Today. Marny Gelmer's over there.

0:20:51.800 --> 0:20:54.800
<v Speaker 3>Look at him feeling good? Looking good?

0:20:55.320 --> 0:20:55.639
<v Speaker 8>Marny?

0:20:55.920 --> 0:20:58.280
<v Speaker 5>All right, by when do you work again?

0:21:00.760 --> 0:21:03.160
<v Speaker 11>I have the rest of the week for the Twins,

0:21:03.240 --> 0:21:08.480
<v Speaker 11>but not tonight because it's exclusively Tuesdays.

0:21:08.040 --> 0:21:10.720
<v Speaker 3>Are on Fox nine. Wow, Mel loves that.

0:21:11.080 --> 0:21:14.240
<v Speaker 11>So it's a Jim Rich production tonight and then I

0:21:14.280 --> 0:21:17.120
<v Speaker 11>hop back on tomorrow for the rest of the week.

0:21:17.760 --> 0:21:22.040
<v Speaker 5>So spend time with mister mister Shelton. You sure Shelty

0:21:22.760 --> 0:21:24.439
<v Speaker 5>all the time? Does he ever ask about meat Sauce?

0:21:25.520 --> 0:21:29.480
<v Speaker 11>Yes, he does, and just wants to know when you're

0:21:29.520 --> 0:21:31.080
<v Speaker 11>coming around and how you been.

0:21:31.080 --> 0:21:33.359
<v Speaker 3>And I've been great. Okay, I'll let him know.

0:21:33.520 --> 0:21:36.119
<v Speaker 7>Yeah, So you are working tonight. You said not to

0:21:36.480 --> 0:21:37.639
<v Speaker 7>not tonight. Do you know who's going to be at

0:21:37.640 --> 0:21:38.200
<v Speaker 7>the game tonight?

0:21:39.320 --> 0:21:45.399
<v Speaker 3>Uh, Iron Buckston. Nope, he's not even Sauce.

0:21:45.880 --> 0:21:51.080
<v Speaker 7>No, No, bigger name, bigger than Sauce, yes, name wise,

0:21:51.119 --> 0:21:54.440
<v Speaker 7>not head wise, bigger than that.

0:21:55.119 --> 0:22:01.479
<v Speaker 3>I think like Saturday Night Live, Big Tracy More Twins

0:22:01.560 --> 0:22:03.919
<v Speaker 3>game ton I watch, I'm gonna be there. I'll be

0:22:03.960 --> 0:22:09.120
<v Speaker 3>hanging out in the parking lot making pornos. That's crazy.

0:22:09.840 --> 0:22:16.000
<v Speaker 3>What's happening you? Sexy sexy Tracy, Marny Marny Tracy. I

0:22:16.160 --> 0:22:20.160
<v Speaker 3>like her. I want to choke her. Somebody you loved them? Yeah,

0:22:20.200 --> 0:22:20.600
<v Speaker 3>we all do.

0:22:22.920 --> 0:22:26.600
<v Speaker 1>Tracy Morgan certified certifiably insane. I started a show with

0:22:26.680 --> 0:22:30.280
<v Speaker 1>a musician, Buddy Mine, Chris Kale from oh I introduced.

0:22:29.880 --> 0:22:32.640
<v Speaker 3>You to Chris from five Finger Death Punch. Good dude.

0:22:32.720 --> 0:22:35.560
<v Speaker 1>We have a show now called Uh Beardo and Weirdo.

0:22:35.720 --> 0:22:39.080
<v Speaker 1>We've already got over fifteen million views on our Instagram

0:22:39.160 --> 0:22:43.040
<v Speaker 1>reels alone. And we had Horatio Sands and Chris Catan

0:22:43.200 --> 0:22:45.720
<v Speaker 1>in a couple of days ago, and we were sharing

0:22:46.280 --> 0:22:48.760
<v Speaker 1>SNL stories and very specifically I wanted to ask them

0:22:48.800 --> 0:22:52.440
<v Speaker 1>what their experience was, because every time Tracy Morgan was

0:22:52.480 --> 0:22:56.040
<v Speaker 1>around any social situation with comedians in New York, there

0:22:56.040 --> 0:22:57.879
<v Speaker 1>would always be one comedian who would look at you

0:22:57.880 --> 0:23:02.399
<v Speaker 1>and go try to talk to that guy because it

0:23:02.520 --> 0:23:04.760
<v Speaker 1>was such an odd dude. He just would always talk

0:23:04.800 --> 0:23:08.720
<v Speaker 1>in euphemisms. And there's actually an urban legend that when

0:23:08.840 --> 0:23:12.000
<v Speaker 1>Tina Fey pitched him the idea for thirty Rock, she said,

0:23:12.119 --> 0:23:14.920
<v Speaker 1>have this idea for this comedian that I think he'd

0:23:14.960 --> 0:23:17.679
<v Speaker 1>be perfect for for this sitcom that I'm writing about,

0:23:17.720 --> 0:23:22.720
<v Speaker 1>a job at thirty Rock, where he's he's a comedian

0:23:22.760 --> 0:23:26.600
<v Speaker 1>who the country loves this comedian. They love him. Everybody

0:23:26.680 --> 0:23:28.919
<v Speaker 1>loves this guy. But what the country doesn't know is

0:23:28.920 --> 0:23:35.200
<v Speaker 1>that he's crazy. He's certifiably like insane. Do you think

0:23:35.200 --> 0:23:38.280
<v Speaker 1>you could play that? And the urban as the urban

0:23:38.359 --> 0:23:40.480
<v Speaker 1>legend goes, Tracy said.

0:23:40.359 --> 0:23:43.360
<v Speaker 3>Yeah, I could do that. I'm a Jedi, I used

0:23:43.359 --> 0:23:46.440
<v Speaker 3>to live on Dagoba. I'm personal friends with obi wan Kenobi.

0:23:46.760 --> 0:23:50.440
<v Speaker 3>What does that mean? Like that's him all the time.

0:23:50.960 --> 0:23:53.040
<v Speaker 1>First time I met Tracy Morgan, I used to write

0:23:53.080 --> 0:23:54.959
<v Speaker 1>for a Weekend Update at SNL and I saw him

0:23:55.000 --> 0:23:55.800
<v Speaker 1>in the hallways and I.

0:23:55.720 --> 0:23:57.719
<v Speaker 3>Said, Tracy, hey man, I just want to say hi.

0:23:57.720 --> 0:23:59.639
<v Speaker 3>My name's Craig. I'm a comedian. I write for Colin

0:23:59.760 --> 0:24:01.040
<v Speaker 3>down the hall and I just want to say I

0:24:01.080 --> 0:24:02.800
<v Speaker 3>think you're the funniest guy on the show. And he

0:24:02.840 --> 0:24:06.600
<v Speaker 3>said yeah, that's crazy, and I go yeah. He goes,

0:24:06.840 --> 0:24:09.679
<v Speaker 3>what you doing next Friday? And I go what? And

0:24:09.680 --> 0:24:12.440
<v Speaker 3>he goes next Friday? What you doing next Friday? And

0:24:12.520 --> 0:24:13.800
<v Speaker 3>I go, I don't know what am I doing. He said,

0:24:13.800 --> 0:24:15.200
<v Speaker 3>you gonna open up for me at the New York

0:24:15.200 --> 0:24:18.200
<v Speaker 3>Comedy Club and I was like, WHOA, Really, I would

0:24:18.240 --> 0:24:20.720
<v Speaker 3>love to do that. Back then, I had no gigs

0:24:20.760 --> 0:24:23.159
<v Speaker 3>and I was telling everybody I'm opening for Tracy Morgan.

0:24:23.520 --> 0:24:26.920
<v Speaker 1>Get to the show. I do my set. Crowd, thank

0:24:26.960 --> 0:24:29.960
<v Speaker 1>god was into it. I get off stage. Tracy Morgan

0:24:30.000 --> 0:24:30.879
<v Speaker 1>is sitting over by the barn and.

0:24:30.880 --> 0:24:33.800
<v Speaker 3>Goes, Craig, what you drinking? And I go, oh, uh,

0:24:34.200 --> 0:24:35.680
<v Speaker 3>can I have a corona? And he goes, yeah, you

0:24:35.720 --> 0:24:38.199
<v Speaker 3>could have a Corona. So, how you like this? And

0:24:38.240 --> 0:24:41.879
<v Speaker 3>I said, how do I like this club? And he said, no,

0:24:41.960 --> 0:24:43.800
<v Speaker 3>how you like stand up comedy? And I was like,

0:24:43.840 --> 0:24:46.640
<v Speaker 3>oh I've I'm head over heels and love a stand

0:24:46.720 --> 0:24:48.639
<v Speaker 3>up comedy. And he said, you gotta be like Bruce

0:24:48.720 --> 0:24:52.040
<v Speaker 3>Lee and the six foot kick. And I go the

0:24:52.160 --> 0:24:53.879
<v Speaker 3>what he goes? You don't know about Bruce Lee and

0:24:53.880 --> 0:24:56.439
<v Speaker 3>a six foot kick? They say when Bruce Lee kick you,

0:24:56.440 --> 0:25:00.960
<v Speaker 3>you go back six feet. That's why I want people

0:25:01.040 --> 0:25:04.240
<v Speaker 3>like Tracy, how are you living? I'm like, I'm six

0:25:04.240 --> 0:25:07.560
<v Speaker 3>foot kicking it. You got six foot kick your way

0:25:07.600 --> 0:25:09.679
<v Speaker 3>through life? That's the way you got. Was like, what

0:25:09.680 --> 0:25:11.639
<v Speaker 3>are we talking? I have no idea what we're talking about.

0:25:12.040 --> 0:25:14.280
<v Speaker 3>Have you guys ever had him in studio? No. I

0:25:15.200 --> 0:25:15.520
<v Speaker 3>love him.

0:25:15.560 --> 0:25:17.439
<v Speaker 5>I'm a huge fan, but I'm I'm afraid of him.

0:25:17.560 --> 0:25:18.480
<v Speaker 5>It would be incredible.

0:25:18.600 --> 0:25:20.840
<v Speaker 1>I'm scared to death. I mean, he's just he's just

0:25:20.880 --> 0:25:23.960
<v Speaker 1>such an unusual guy. He's just such a quirky guy.

0:25:24.040 --> 0:25:27.600
<v Speaker 1>But but I love hearing Tracy Morgan's stories. So yeah,

0:25:27.640 --> 0:25:31.760
<v Speaker 1>those guys Catan and Horatio had great stories about him

0:25:31.800 --> 0:25:35.960
<v Speaker 1>and about hosts and about how weird Christopher Walking is

0:25:36.160 --> 0:25:40.120
<v Speaker 1>and and uh, all, it's just I'm an SNL fan,

0:25:40.280 --> 0:25:42.879
<v Speaker 1>so it was neat to have them on.

0:25:43.080 --> 0:25:45.040
<v Speaker 5>But there is no bigger SNL fan than the one

0:25:45.040 --> 0:25:46.600
<v Speaker 5>beside you there, Marte gmt.

0:25:46.680 --> 0:25:50.400
<v Speaker 3>To be honest, that was the dream, Yeah, very far.

0:25:50.680 --> 0:25:53.800
<v Speaker 1>Well, did you do characters or I had.

0:25:53.640 --> 0:25:56.080
<v Speaker 3>A notebook my senior year in high school.

0:25:56.080 --> 0:25:58.639
<v Speaker 11>I jotted down a couple of ideas and then I

0:25:58.680 --> 0:25:59.440
<v Speaker 11>lost the notebook.

0:26:00.119 --> 0:26:03.080
<v Speaker 3>Yes, I mean wherever that notebook is, So the dream died.

0:26:03.880 --> 0:26:06.679
<v Speaker 3>Do you know Molly Shannon? I mean like personally? Obviously

0:26:06.720 --> 0:26:08.200
<v Speaker 3>you know who she is. Do you know her personally?

0:26:08.240 --> 0:26:10.119
<v Speaker 1>I don't know her personally, but I've always really wanted to.

0:26:10.119 --> 0:26:12.280
<v Speaker 1>I've met her like a couple of times at SNL parties,

0:26:12.280 --> 0:26:13.560
<v Speaker 1>but I never really like sat down and had a

0:26:13.560 --> 0:26:14.400
<v Speaker 1>conversation with her.

0:26:14.680 --> 0:26:16.639
<v Speaker 3>She's my all time favorite, yea favorite.

0:26:16.680 --> 0:26:18.600
<v Speaker 7>We tried to We tried to, like go through our

0:26:18.720 --> 0:26:20.200
<v Speaker 7>entire list of contacts.

0:26:20.960 --> 0:26:22.359
<v Speaker 3>Was that about nine years ago? Yeah?

0:26:23.800 --> 0:26:29.359
<v Speaker 4>Long from my fifteen years ago, and we were trying

0:26:29.359 --> 0:26:32.280
<v Speaker 4>to we were trying to surprise Marnie, and we tapped

0:26:32.280 --> 0:26:34.840
<v Speaker 4>on every famous person we knew, and nobody had a

0:26:34.840 --> 0:26:36.440
<v Speaker 4>direct path to Molly Shannon.

0:26:36.160 --> 0:26:37.439
<v Speaker 5>And she had a book that it just come out

0:26:37.480 --> 0:26:40.199
<v Speaker 5>as like people were saying you avoid them, like they

0:26:40.240 --> 0:26:41.320
<v Speaker 5>were telling her not to talk.

0:26:41.480 --> 0:26:43.880
<v Speaker 7>We reached out to her like pr Staff and we're like, hey,

0:26:43.960 --> 0:26:44.600
<v Speaker 7>we got a gal.

0:26:45.240 --> 0:26:47.159
<v Speaker 3>She's a huge fan. She turned in fifty. We'd love

0:26:47.200 --> 0:26:47.960
<v Speaker 3>to have Molly Hunter.

0:26:48.440 --> 0:26:50.760
<v Speaker 7>And you know, probably some eighteen year old interns like

0:26:50.800 --> 0:26:52.440
<v Speaker 7>we're going to pass.

0:26:53.080 --> 0:26:55.440
<v Speaker 3>You didn't even ask her. That is the worst.

0:26:55.440 --> 0:26:55.640
<v Speaker 6>Man.

0:26:55.800 --> 0:26:59.400
<v Speaker 1>If you asked somebody face to face and pitch them

0:26:59.800 --> 0:27:03.280
<v Speaker 1>a an interesting idea, you can get that what you want.

0:27:03.400 --> 0:27:05.679
<v Speaker 1>But it's the people in between that will screw the the.

0:27:05.680 --> 0:27:07.560
<v Speaker 5>Truth, man, they no doubt about it. Ain't that the truth?

0:27:07.600 --> 0:27:09.399
<v Speaker 3>Hey, speaking maybe someday speaking.

0:27:09.119 --> 0:27:10.280
<v Speaker 5>Of Molly Shannon. By the way, I want to be

0:27:10.320 --> 0:27:12.240
<v Speaker 5>chest because I'm glad you guys brought this up. So

0:27:12.400 --> 0:27:14.199
<v Speaker 5>I only watched like the first twenty minutes of it

0:27:14.240 --> 0:27:16.439
<v Speaker 5>last night. There's a new show on I Think Prime

0:27:16.880 --> 0:27:17.800
<v Speaker 5>with Mark Wahlberg.

0:27:17.840 --> 0:27:18.320
<v Speaker 3>A movie.

0:27:18.400 --> 0:27:20.920
<v Speaker 5>It's got a bunch of stars in it, and it's

0:27:20.960 --> 0:27:22.960
<v Speaker 5>called Balls Up, and it's about a condom that goes

0:27:22.960 --> 0:27:25.240
<v Speaker 5>over your nuts and your and your shaft.

0:27:25.359 --> 0:27:25.560
<v Speaker 6>Yeah.

0:27:25.720 --> 0:27:27.439
<v Speaker 5>I know that sounds ridiculous, but that's what it is.

0:27:27.520 --> 0:27:30.600
<v Speaker 5>It's about It's an entire show, and it has Mark Wahlberg,

0:27:30.640 --> 0:27:32.280
<v Speaker 5>all these huge stars and it including the guy who

0:27:32.280 --> 0:27:35.960
<v Speaker 5>played the Atlantic bomber of the Walter Get these giant

0:27:35.960 --> 0:27:38.359
<v Speaker 5>stars in it, and Molly Shannon is their boss. The

0:27:38.400 --> 0:27:41.040
<v Speaker 5>first fifteen minutes she made me laugh out loud twice,

0:27:41.359 --> 0:27:43.240
<v Speaker 5>really cussing, really really hard.

0:27:43.440 --> 0:27:44.960
<v Speaker 3>Really I haven't seen it. I can't.

0:27:45.000 --> 0:27:46.680
<v Speaker 5>I can't give you thumbs up your thumbs down except

0:27:46.680 --> 0:27:48.600
<v Speaker 5>for the first fifteen minutes, and I laughed out loud

0:27:49.119 --> 0:27:50.040
<v Speaker 5>twice because.

0:27:49.800 --> 0:27:50.159
<v Speaker 3>Of them all.

0:27:50.359 --> 0:27:50.800
<v Speaker 6>So you have to know.

0:27:50.960 --> 0:27:53.320
<v Speaker 1>Can I try to help Marnie get on SNL right now?

0:27:53.359 --> 0:27:53.600
<v Speaker 9>Go on?

0:27:53.720 --> 0:27:55.679
<v Speaker 3>Yes, all right, Marnie, I'm gonna teach you. I'm going

0:27:55.720 --> 0:27:57.760
<v Speaker 3>to teach you the easiest impression in the world.

0:27:58.119 --> 0:28:00.000
<v Speaker 1>I do voices. I've always had a knack for doing

0:28:00.240 --> 0:28:02.439
<v Speaker 1>voices because I grew up in a deaf family and

0:28:02.920 --> 0:28:04.760
<v Speaker 1>or as and I know I said this before when

0:28:04.800 --> 0:28:08.400
<v Speaker 1>I opened from Itallica As Lars Ulrich described it very

0:28:08.440 --> 0:28:11.359
<v Speaker 1>insensitively because apparently he only heard half my story. He

0:28:11.400 --> 0:28:14.080
<v Speaker 1>introduced me to his band by saying, Hey, man, this

0:28:14.160 --> 0:28:16.880
<v Speaker 1>is Craig. This is the guy does all the voices

0:28:17.000 --> 0:28:19.600
<v Speaker 1>and check it out his whole family is retarded.

0:28:20.040 --> 0:28:20.520
<v Speaker 3>Retarded.

0:28:21.320 --> 0:28:26.159
<v Speaker 1>Yeah, yeah, Lars Olrich wildly misunderstood my story. But I

0:28:26.200 --> 0:28:28.800
<v Speaker 1>can teach you how to do a Mark Wahlberg impression.

0:28:28.840 --> 0:28:31.800
<v Speaker 1>It's really easy, all right. It's it's it's two parts.

0:28:32.160 --> 0:28:34.280
<v Speaker 1>The first part is you just have to like do

0:28:34.400 --> 0:28:36.480
<v Speaker 1>heavy breathing. It's because for some reason, he's always out

0:28:36.480 --> 0:28:36.720
<v Speaker 1>of breath.

0:28:36.720 --> 0:28:43.600
<v Speaker 3>It's just that is half of a perfect Mark Wahlberg impression.

0:28:43.760 --> 0:28:44.080
<v Speaker 12>Okay.

0:28:44.080 --> 0:28:46.600
<v Speaker 1>The other half is you have to say a few

0:28:46.640 --> 0:28:49.640
<v Speaker 1>words at a time, and the words have to be

0:28:49.680 --> 0:28:52.960
<v Speaker 1>distressful because again, he's always stressed out about something.

0:28:53.000 --> 0:29:02.080
<v Speaker 3>So it's just guys, sious, try that.

0:29:04.320 --> 0:29:07.080
<v Speaker 1>Lord Michaels, you're listening and watching right now here we go.

0:29:12.800 --> 0:29:20.760
<v Speaker 3>God serious, that was Carmen.

0:29:29.720 --> 0:29:33.040
<v Speaker 1>That's a really good Carmen, Lauren Martie, Why did you give.

0:29:34.600 --> 0:29:34.680
<v Speaker 5>That?

0:29:34.760 --> 0:29:39.040
<v Speaker 3>Was an interesting choice? He just channeling him. I do that.

0:29:39.960 --> 0:29:42.120
<v Speaker 1>I do that unintentionally with Paul Stanley, when I do

0:29:42.160 --> 0:29:43.400
<v Speaker 1>my Paul Stanley and Brish.

0:29:43.160 --> 0:29:45.680
<v Speaker 3>And it's like, you know, a lot of people are

0:29:45.840 --> 0:29:50.880
<v Speaker 3>envious of kids. I'm even envious of kids. I don't

0:29:50.880 --> 0:29:52.280
<v Speaker 3>know why I can't do it even when I do

0:29:52.320 --> 0:29:55.080
<v Speaker 3>the there's also on stage Paul Stanley where I've heard

0:29:55.160 --> 0:29:57.800
<v Speaker 3>him say this on stage in Las Vegas. He said,

0:29:58.200 --> 0:30:00.160
<v Speaker 3>all people not living.

0:30:01.480 --> 0:30:06.040
<v Speaker 13>You know, I know this town, Las Vegas, Nevada is

0:30:06.160 --> 0:30:09.400
<v Speaker 13>known for its buffets. And I can tell you right

0:30:09.400 --> 0:30:11.320
<v Speaker 13>now after this show, I see a lot of.

0:30:11.360 --> 0:30:13.480
<v Speaker 3>People in the front row that I really want to eat.

0:30:13.680 --> 0:30:15.800
<v Speaker 3>And then he starts fixing his hands. I'm like, what

0:30:15.880 --> 0:30:16.640
<v Speaker 3>you're talking about.

0:30:17.040 --> 0:30:20.960
<v Speaker 1>I saw the same show like three months later in

0:30:21.080 --> 0:30:23.440
<v Speaker 1>New York, and I brought a bunch of comedians backstage

0:30:23.520 --> 0:30:26.720
<v Speaker 1>to go to the show. Jeff Ross, Jim Norton and

0:30:26.760 --> 0:30:30.160
<v Speaker 1>Steve Byrne and anyone that works for Kiss that's walking by.

0:30:30.360 --> 0:30:33.680
<v Speaker 1>I go, hey, did you hear Paul Stanley on stage

0:30:33.760 --> 0:30:35.480
<v Speaker 1>in Vegas say he was going to eat the front row?

0:30:35.920 --> 0:30:38.920
<v Speaker 1>And three different employees said, do you hear what he

0:30:38.920 --> 0:30:40.960
<v Speaker 1>said in Omaha? And I said no, And He's like,

0:30:41.280 --> 0:30:43.800
<v Speaker 1>ask him about what happened to Omaha? And apparently in

0:30:43.880 --> 0:30:46.720
<v Speaker 1>Omaha Paul Stanley gave a stage rapper he said, oh.

0:30:46.760 --> 0:30:51.040
<v Speaker 13>Right, people, now listen, you know I know this town,

0:30:51.320 --> 0:30:56.040
<v Speaker 13>oh Maha in Nebraska is known for its agus beef,

0:30:57.120 --> 0:30:59.600
<v Speaker 13>and I can tell you right after this show I'm

0:30:59.600 --> 0:31:01.600
<v Speaker 13>gonna want to take my teeth into some meat.

0:31:01.960 --> 0:31:06.400
<v Speaker 3>And the whole arena went and then there's a long pause,

0:31:06.400 --> 0:31:08.720
<v Speaker 3>and he went, not, wait a minute, hold on, hold on,

0:31:09.880 --> 0:31:12.720
<v Speaker 3>you know what I'm talking about. I'm talking about a

0:31:12.840 --> 0:31:15.760
<v Speaker 3>thigh or a rump roast.

0:31:15.920 --> 0:31:20.640
<v Speaker 1>And the arena went what And apparently the guitar text

0:31:20.720 --> 0:31:22.040
<v Speaker 1>behind the stage were going, the hell.

0:31:21.920 --> 0:31:23.520
<v Speaker 3>Are you doing? What's going on?

0:31:24.160 --> 0:31:28.200
<v Speaker 1>But yeah, I sometimes will add a lisp to an

0:31:28.240 --> 0:31:33.320
<v Speaker 1>impression so I won't judge for some reason, For some reason,

0:31:33.360 --> 0:31:34.880
<v Speaker 1>I don't do it to Mark Wahlberg, but I but

0:31:34.920 --> 0:31:36.440
<v Speaker 1>people have pointed out that they do a list with

0:31:36.480 --> 0:31:37.920
<v Speaker 1>other people and trying to think like I think my

0:31:38.040 --> 0:31:38.840
<v Speaker 1>Tracy has a list.

0:31:38.880 --> 0:31:45.080
<v Speaker 3>Sometimes, Uh, you're walking doesn't. No, walking doesn't. It's because

0:31:46.000 --> 0:31:51.360
<v Speaker 3>walking sounds like a deaf guy. It's so good. It's

0:31:51.440 --> 0:31:56.600
<v Speaker 3>so good because his voice has no tone. It's gotten

0:31:56.600 --> 0:31:58.600
<v Speaker 3>no tone, like a deaf guy.

0:32:00.240 --> 0:32:03.640
<v Speaker 1>Pachino, I can't because Pacino is too low to have

0:32:03.680 --> 0:32:04.080
<v Speaker 1>a list.

0:32:04.640 --> 0:32:09.640
<v Speaker 6>He's just a guy that's can't look right through you.

0:32:10.480 --> 0:32:16.000
<v Speaker 6>Oh yeah, who oh? What about your Gene Simmons Gene

0:32:16.040 --> 0:32:17.360
<v Speaker 6>Simmons from Kiss.

0:32:17.440 --> 0:32:19.680
<v Speaker 3>If you miss any part of this interview, go to

0:32:19.760 --> 0:32:21.719
<v Speaker 3>kiss online dot com. I'm trying to think.

0:32:21.760 --> 0:32:24.120
<v Speaker 1>I started doing Shaquille O'Neil's podcast, and I do a

0:32:24.120 --> 0:32:27.600
<v Speaker 1>bunch of voices on his podcast, and the first one

0:32:27.640 --> 0:32:29.360
<v Speaker 1>I did was like I didn't even want to do

0:32:29.400 --> 0:32:32.680
<v Speaker 1>the impression. I just I walked in the studio and said, man,

0:32:33.720 --> 0:32:35.480
<v Speaker 1>I'm so happy to be here. I feel like we're

0:32:35.480 --> 0:32:39.560
<v Speaker 1>gonna be friends. And crazy story, dude. Last night before

0:32:39.600 --> 0:32:41.880
<v Speaker 1>you flew me to Atlanta, I was at a comedy

0:32:41.880 --> 0:32:44.320
<v Speaker 1>club and Adam Sandler walked in and he did a

0:32:44.400 --> 0:32:46.080
<v Speaker 1>joke about you when he was on stage, and I

0:32:46.160 --> 0:32:48.120
<v Speaker 1>was like, oh, man, I'm hanging out with that guy.

0:32:48.600 --> 0:32:52.600
<v Speaker 1>And Shack said, what was the joke? And I was like, oh,

0:32:52.640 --> 0:32:55.280
<v Speaker 1>I don't. I don't think I should tell you that.

0:32:55.560 --> 0:32:57.440
<v Speaker 1>He said, what was the joke?

0:32:57.640 --> 0:33:05.320
<v Speaker 3>And I go, well, according to Adam.

0:33:03.800 --> 0:33:06.080
<v Speaker 1>He said, he gave you a role in Grown Ups Too?

0:33:06.200 --> 0:33:08.720
<v Speaker 3>Is that true? And he said, and I go okay.

0:33:08.760 --> 0:33:12.160
<v Speaker 3>And apparently during the filming there was a break where

0:33:12.720 --> 0:33:16.400
<v Speaker 3>you Shaquille O'Neal announced to the whole everyone on the set,

0:33:16.840 --> 0:33:21.280
<v Speaker 3>I'm gonna go take a shower, and Adam Sandler said,

0:33:21.800 --> 0:33:25.560
<v Speaker 3>that's uh. That's when I knew that, Uh, this is it.

0:33:25.760 --> 0:33:30.440
<v Speaker 3>This is my chance to see Shaquille Eel's penis. It's

0:33:30.480 --> 0:33:32.920
<v Speaker 3>not gay, it's not it's not gay. I just I

0:33:33.160 --> 0:33:35.680
<v Speaker 3>want to be able to tell my kids, Hey, your

0:33:35.760 --> 0:33:40.840
<v Speaker 3>dad saw something amazing once. So anyway, so the way

0:33:40.880 --> 0:33:43.120
<v Speaker 3>the story goes is that Adam Sandler sneaks into the

0:33:43.160 --> 0:33:46.120
<v Speaker 3>shower and all of a sudden, Sequill Neil's bodyguard pops

0:33:46.200 --> 0:33:48.400
<v Speaker 3>up boom, and Shaquille Neil's bodyguard is even bigger than

0:33:48.440 --> 0:33:50.960
<v Speaker 3>Shaquill o'neile's big black dude in ball Head, and and

0:33:51.000 --> 0:33:52.560
<v Speaker 3>Adam goes, oh, man. He goes back out to the

0:33:52.600 --> 0:33:55.480
<v Speaker 3>set and he's feeling bad because he's now he knows

0:33:55.480 --> 0:33:58.320
<v Speaker 3>he has to explain to Shaquille O'Neal why he was

0:33:58.360 --> 0:34:01.120
<v Speaker 3>even in the shower. And Shaq comes back out and

0:34:01.120 --> 0:34:06.120
<v Speaker 3>he goes, hey, buddy, I know, I know that you

0:34:07.480 --> 0:34:09.920
<v Speaker 3>heard that I was trying to sneak into the shower.

0:34:10.239 --> 0:34:12.960
<v Speaker 3>Your bodyguard probably told you I was just trying to look.

0:34:13.040 --> 0:34:15.360
<v Speaker 3>And he said, I don't have a bodyguardicle yeah, the

0:34:15.360 --> 0:34:17.040
<v Speaker 3>big black guy. And he goes, nope, that was my

0:34:17.120 --> 0:34:21.320
<v Speaker 3>penis and saidlor jokes.

0:34:22.080 --> 0:34:25.399
<v Speaker 1>New hope Cinema Grill this weekend Thursday through Saturday, said

0:34:25.880 --> 0:34:26.799
<v Speaker 1>cinema Grill dot com.

0:34:27.120 --> 0:34:30.480
<v Speaker 12>What are your Family Guy characters? I do celebrity voices

0:34:30.640 --> 0:34:33.800
<v Speaker 12>on Family Okay okay, and they use me as utility

0:34:33.840 --> 0:34:40.480
<v Speaker 12>guy to do voices. Though I'll get random voices. They'll

0:34:40.520 --> 0:34:41.680
<v Speaker 12>say can.

0:34:41.560 --> 0:34:42.520
<v Speaker 3>You match this voice?

0:34:42.520 --> 0:34:45.759
<v Speaker 1>It's it's a voice match audition, which I get all

0:34:45.800 --> 0:34:49.120
<v Speaker 1>the time for Howard Stern Family Guy.

0:34:49.160 --> 0:34:51.279
<v Speaker 7>And then I'll work on the voice and then I'll aw,

0:34:51.320 --> 0:34:53.960
<v Speaker 7>long does that take? They give you a name today?

0:34:54.280 --> 0:34:56.520
<v Speaker 7>How long before you know whether or not you can

0:34:56.560 --> 0:34:56.839
<v Speaker 7>do it?

0:34:57.040 --> 0:34:57.200
<v Speaker 3>Well?

0:34:58.080 --> 0:34:59.319
<v Speaker 1>I don't know if I should say this out loud,

0:34:59.360 --> 0:35:01.879
<v Speaker 1>but the first thing I always say is like, oh, yeah,

0:35:01.920 --> 0:35:04.719
<v Speaker 1>I can do that. I just I always lie and

0:35:04.760 --> 0:35:07.359
<v Speaker 1>go I like, I just remember them sending me like

0:35:07.880 --> 0:35:09.760
<v Speaker 1>Owen Wilson. They're like, hey, can you do oh Wilson.

0:35:09.760 --> 0:35:12.120
<v Speaker 1>I go, oh, that's like one of my favorite My

0:35:12.160 --> 0:35:14.279
<v Speaker 1>buddy Hockey and I. Whenever we talk to each other,

0:35:14.320 --> 0:35:16.960
<v Speaker 1>that's our things we do. We do doing Owen Wilson.

0:35:17.200 --> 0:35:19.000
<v Speaker 1>But let me ask you a question, when do you

0:35:19.120 --> 0:35:20.960
<v Speaker 1>need the Owen Wilson audio buy?

0:35:21.040 --> 0:35:22.640
<v Speaker 3>And they'd be like, oh, by next Friday, I'm like, oh,

0:35:22.680 --> 0:35:24.759
<v Speaker 3>no problem, and then I'll just watch.

0:35:25.480 --> 0:35:27.560
<v Speaker 1>Figure it out, and I'll try to figure out and

0:35:27.560 --> 0:35:28.640
<v Speaker 1>the way I'll do an impression.

0:35:29.640 --> 0:35:34.000
<v Speaker 3>Oh oh yeah, Owen's like wow, man, I love Owin, Like, yeah,

0:35:34.040 --> 0:35:40.040
<v Speaker 3>it's it's it's that kind of soft kind of thing. Yes, yeah, dude, Marty,

0:35:41.360 --> 0:35:43.919
<v Speaker 3>Marty should be opening and New Hope this weekend. What's

0:35:43.960 --> 0:35:44.479
<v Speaker 3>going on?

0:35:45.040 --> 0:35:50.600
<v Speaker 1>But what I do is, and I feel bad for

0:35:49.719 --> 0:35:53.839
<v Speaker 1>for a lisp again, I think that's here listening, that's

0:35:53.880 --> 0:35:58.000
<v Speaker 1>actually a good impression. Well now I'm hearing a weird

0:35:58.160 --> 0:35:59.879
<v Speaker 1>cartman thing at the end of that. But what I'll

0:35:59.880 --> 0:36:03.680
<v Speaker 1>do is I'll try to get like a sound and

0:36:03.680 --> 0:36:06.120
<v Speaker 1>and uh, it's like playing an instrument. You try to

0:36:06.120 --> 0:36:09.440
<v Speaker 1>figure out your first note. And like with Christopher Walking,

0:36:09.760 --> 0:36:13.759
<v Speaker 1>I couldn't do anything with Christopher Walking except a little man.

0:36:14.600 --> 0:36:15.120
<v Speaker 3>That was it.

0:36:15.200 --> 0:36:18.440
<v Speaker 1>That's if I did any other words, it didn't sound

0:36:18.480 --> 0:36:21.000
<v Speaker 1>like him. But I could keep coming back to a

0:36:21.080 --> 0:36:24.040
<v Speaker 1>little man, and I just kept doing that sound over

0:36:24.080 --> 0:36:24.600
<v Speaker 1>and over again.

0:36:24.680 --> 0:36:28.680
<v Speaker 3>And then you keep going until you're able to fill

0:36:28.719 --> 0:36:33.120
<v Speaker 3>out other parts of the canvas and make a full picture.

0:36:33.280 --> 0:36:36.759
<v Speaker 3>You know, the same thing with Kennison, Sam Kennison all

0:36:36.760 --> 0:36:40.239
<v Speaker 3>I could do was uh, oh, you bastard, And that

0:36:40.360 --> 0:36:43.000
<v Speaker 3>was all I could do, was just that giggle and

0:36:43.040 --> 0:36:47.520
<v Speaker 3>that and then and then slowly I started to figure

0:36:47.520 --> 0:36:51.040
<v Speaker 3>out some other notes and I finally became the day.

0:36:55.320 --> 0:36:58.279
<v Speaker 1>And it's it's like starting out by the way.

0:36:58.640 --> 0:37:00.239
<v Speaker 3>You know who did one of the greatest in with

0:37:00.239 --> 0:37:04.600
<v Speaker 3>Sam Kinison was Bob Costas, of all people when he

0:37:04.680 --> 0:37:06.879
<v Speaker 3>had his later show. I loved that show, Matt.

0:37:07.000 --> 0:37:09.399
<v Speaker 5>That was one of the Bob seeger on one time,

0:37:09.440 --> 0:37:10.960
<v Speaker 5>still one of my favorite interviews.

0:37:10.560 --> 0:37:14.920
<v Speaker 3>I've ever seen you. Yeah, literally eighty percent or more

0:37:15.160 --> 0:37:17.640
<v Speaker 3>of the people that Bob Costas interviewed would at some

0:37:17.680 --> 0:37:20.120
<v Speaker 3>point during the interview go, how'd you know that?

0:37:20.320 --> 0:37:22.600
<v Speaker 1>Like he did unbelievable research.

0:37:22.600 --> 0:37:25.400
<v Speaker 3>So when he said tonight, I'm gonna have Sam Kinnison on,

0:37:25.840 --> 0:37:28.239
<v Speaker 3>I remember thinking, what does Bob Costas.

0:37:27.960 --> 0:37:30.120
<v Speaker 1>Know about Sam Kinnison? And it blew my mind. When

0:37:30.120 --> 0:37:34.440
<v Speaker 1>the interview started, Bob said, Sam, I used to watch

0:37:34.480 --> 0:37:37.960
<v Speaker 1>you back in the early eighties before you were famous,

0:37:38.000 --> 0:37:40.080
<v Speaker 1>and back then I used to see you at the

0:37:40.120 --> 0:37:43.000
<v Speaker 1>comedy s tour and your entire act was based on

0:37:43.560 --> 0:37:47.279
<v Speaker 1>that day's obituaries. And I remember thinking to myself, you

0:37:47.320 --> 0:37:49.880
<v Speaker 1>know what. This guy's funny, but he's too dark and

0:37:49.880 --> 0:37:52.600
<v Speaker 1>he's never gonna make it. And Sam Kinnison said, man,

0:37:52.640 --> 0:37:55.480
<v Speaker 1>that's and he explained the bit. I've never heard this before,

0:37:55.760 --> 0:37:59.560
<v Speaker 1>but Sam Kinnison said, yeah. I used to go on

0:37:59.719 --> 0:38:04.239
<v Speaker 1>stage and I would have Today's obituaries with me and

0:38:04.280 --> 0:38:07.839
<v Speaker 1>I'd walk on stage and go, hey, folks, my name

0:38:07.880 --> 0:38:10.000
<v Speaker 1>is Sam Kennison. I want to thank you guys for.

0:38:09.920 --> 0:38:13.560
<v Speaker 3>Coming out, thanks for supporting stand up comedy.

0:38:14.440 --> 0:38:15.759
<v Speaker 1>I'll tell you a couple of people you won't be

0:38:15.800 --> 0:38:18.320
<v Speaker 1>seeing here tonight. And he would just start reading the

0:38:18.400 --> 0:38:22.080
<v Speaker 1>names like sad people who just died, and go like

0:38:22.200 --> 0:38:28.320
<v Speaker 1>Astor Goldberg. Now she didn't catch the bus, but apparently

0:38:28.600 --> 0:38:30.520
<v Speaker 1>if if you want to see her work, it's gonna

0:38:30.520 --> 0:38:35.600
<v Speaker 1>be on display on Sunday at ever Green Morty. Like my,

0:38:36.760 --> 0:38:39.640
<v Speaker 1>I know these guys have heard the story before, but

0:38:39.760 --> 0:38:43.719
<v Speaker 1>my first episode of Family Guy, I genuinely creeped out

0:38:43.880 --> 0:38:47.160
<v Speaker 1>Seth MacFarlane because I was so excited to meet him

0:38:47.640 --> 0:38:52.000
<v Speaker 1>that I just I just overdid it. I went in

0:38:52.040 --> 0:38:54.160
<v Speaker 1>for a recording session. We met up at the studio

0:38:55.360 --> 0:38:58.840
<v Speaker 1>and the whole recording session lasted like five minutes. It

0:38:58.880 --> 0:39:00.239
<v Speaker 1>was just it's like Eth.

0:39:00.200 --> 0:39:02.480
<v Speaker 3>MacFarland kept doing one line as Peter Griffin where he

0:39:02.560 --> 0:39:03.920
<v Speaker 3>kept saying, this is crazier.

0:39:03.920 --> 0:39:07.520
<v Speaker 1>The one al Pacino was a slumlugg Laundroman tenant Hey,

0:39:08.200 --> 0:39:11.200
<v Speaker 1>and then they cut to me as al Pacino surrounded

0:39:11.239 --> 0:39:13.680
<v Speaker 1>by a bunch of broken down washers and dryers, going.

0:39:14.880 --> 0:39:20.640
<v Speaker 6>You're out of warder and you're out of water and

0:39:20.880 --> 0:39:23.480
<v Speaker 6>you're all out of water.

0:39:23.880 --> 0:39:26.600
<v Speaker 1>And we did that three for like three lines, three

0:39:26.640 --> 0:39:28.879
<v Speaker 1>or four takes, and then Seth goes, all right, man,

0:39:29.560 --> 0:39:32.800
<v Speaker 1>I think we're good. But I was so nervous because

0:39:32.880 --> 0:39:36.600
<v Speaker 1>I genuinely thought in my mind that we were going

0:39:36.680 --> 0:39:39.200
<v Speaker 1>to be friends now because we're working together. I actually

0:39:39.239 --> 0:39:40.640
<v Speaker 1>have the same insecurity with Chris.

0:39:40.920 --> 0:39:42.880
<v Speaker 3>I'll text Chris during the year and be like, hey, man,

0:39:42.920 --> 0:39:47.000
<v Speaker 3>good look to your vikings and then nothing like. But

0:39:47.160 --> 0:39:49.960
<v Speaker 3>I go miss and we do this recording session and

0:39:50.000 --> 0:39:52.480
<v Speaker 3>I stood up and I was like, uh so, uh

0:39:53.640 --> 0:39:55.719
<v Speaker 3>you want to hang out or and he goes and

0:39:55.760 --> 0:39:57.719
<v Speaker 3>Seth McFarlane said, what do you mean hang on?

0:39:57.840 --> 0:39:58.160
<v Speaker 6>And I go.

0:40:00.080 --> 0:40:02.840
<v Speaker 3>To grab a coffee or something, and he goes, I

0:40:02.880 --> 0:40:04.960
<v Speaker 3>gotta work, And I said, all right, you want me

0:40:04.960 --> 0:40:06.319
<v Speaker 3>to leave? And he goes, yeah, get the hell out.

0:40:07.480 --> 0:40:08.960
<v Speaker 3>I grabbed my papers, I walked out, and I was

0:40:09.000 --> 0:40:12.520
<v Speaker 3>like and then I remember they didn't call me again

0:40:13.120 --> 0:40:16.560
<v Speaker 3>for like six months, and then Linda, the casting director

0:40:16.600 --> 0:40:17.640
<v Speaker 3>started calling me and saying.

0:40:17.480 --> 0:40:20.839
<v Speaker 1>Hey, Craig, can you do this voice or this voice?

0:40:20.880 --> 0:40:22.600
<v Speaker 1>And every time she calls, I can do any voice

0:40:22.600 --> 0:40:23.919
<v Speaker 1>that you want. I can do any voice that you need.

0:40:24.080 --> 0:40:26.799
<v Speaker 1>And every time I go back in, Seth McFarlane is

0:40:26.960 --> 0:40:30.719
<v Speaker 1>never around. It's always this guy Mike Henry, who's the

0:40:30.760 --> 0:40:32.799
<v Speaker 1>voice of Cleveland and the creepy old guy.

0:40:32.840 --> 0:40:34.279
<v Speaker 3>And every time I see Mike, I go, hey, Mike,

0:40:34.920 --> 0:40:37.600
<v Speaker 3>is uh Seth around? And every time I see him,

0:40:37.600 --> 0:40:39.160
<v Speaker 3>he goes, don't worry about Seth. We'll get you out

0:40:39.160 --> 0:40:41.520
<v Speaker 3>of here. I seen him a girl dot com.

0:40:41.520 --> 0:40:42.600
<v Speaker 5>By the way, I want to make sure we say

0:40:42.600 --> 0:40:44.160
<v Speaker 5>that again, sen him a girl dot com for tickets.

0:40:44.200 --> 0:40:46.040
<v Speaker 5>I want to ask you a real question before the

0:40:46.040 --> 0:40:49.160
<v Speaker 5>show ends, though, because obviously you've been involved in Howard

0:40:49.200 --> 0:40:51.279
<v Speaker 5>Sterns show for a very long time, and there is

0:40:51.320 --> 0:40:53.160
<v Speaker 5>as I don't want to put you in a bad spot,

0:40:53.200 --> 0:40:54.960
<v Speaker 5>but a lawsuit from somebody used to work for him,

0:40:54.960 --> 0:41:01.040
<v Speaker 5>saying it's a hostile workplace. Well A obviously radio, it's entertainment.

0:41:01.920 --> 0:41:04.080
<v Speaker 5>A lot of it's hot. But what are your thoughts

0:41:04.080 --> 0:41:05.560
<v Speaker 5>on that? And have you read about that? And do

0:41:05.640 --> 0:41:07.040
<v Speaker 5>you think there's likes to stand on here?

0:41:07.120 --> 0:41:09.480
<v Speaker 1>Yeah, there were people that sent me links to it,

0:41:09.520 --> 0:41:12.120
<v Speaker 1>but it struck me as very odd because I don't

0:41:12.200 --> 0:41:15.080
<v Speaker 1>relate to anything that's being And Plus this woman that

0:41:15.080 --> 0:41:18.720
<v Speaker 1>made the accusation, she was not an employee of the show.

0:41:18.960 --> 0:41:22.759
<v Speaker 1>She's an employee of Howard and Beth at their home.

0:41:22.880 --> 0:41:24.600
<v Speaker 3>Oh ok, ok, got it.

0:41:24.640 --> 0:41:27.000
<v Speaker 1>Yeah, I had no idea who the girl was, although

0:41:27.000 --> 0:41:29.640
<v Speaker 1>I do have to say I worked with Howard in

0:41:29.920 --> 0:41:31.920
<v Speaker 1>What Was I started in the mid nineties and then

0:41:31.920 --> 0:41:34.080
<v Speaker 1>I started sitting next to him in two thousand and one.

0:41:34.800 --> 0:41:38.319
<v Speaker 1>And then when and they wanted me to audition to

0:41:38.320 --> 0:41:43.560
<v Speaker 1>be Howard's sidekick. They auditioned me and Norm MacDonald, Doug Stanhope,

0:41:43.760 --> 0:41:46.200
<v Speaker 1>Chappelle came in, Jeff Frost came in. They finally narrowed

0:41:46.200 --> 0:41:48.120
<v Speaker 1>it down to me, and already they gave Arty the job,

0:41:48.160 --> 0:41:50.239
<v Speaker 1>and then I just kind of stop. I went on

0:41:50.280 --> 0:41:52.000
<v Speaker 1>to King of Queens, I did Sex in the City

0:41:52.040 --> 0:41:55.880
<v Speaker 1>and started doing Family Guy after that, and twenty years

0:41:55.920 --> 0:41:58.719
<v Speaker 1>later Howard reached out to start working on the show,

0:41:58.760 --> 0:42:00.520
<v Speaker 1>and there was a whole bunch of people never met

0:42:00.520 --> 0:42:05.600
<v Speaker 1>before and it was a much bigger production, so there

0:42:05.600 --> 0:42:07.960
<v Speaker 1>were a lot of people I needed to acquaint myself

0:42:08.000 --> 0:42:09.880
<v Speaker 1>with that I'd never known before.

0:42:09.920 --> 0:42:12.759
<v Speaker 3>But this woman is part of their personal life. So

0:42:13.440 --> 0:42:14.520
<v Speaker 3>I don't know anything about that story.

0:42:14.560 --> 0:42:18.600
<v Speaker 1>But that is a weird thing where I always remember

0:42:19.120 --> 0:42:21.400
<v Speaker 1>there's things that I've said on the air before with

0:42:21.560 --> 0:42:24.000
<v Speaker 1>Howard that Gary goes, hey, you can't say that on

0:42:24.040 --> 0:42:26.719
<v Speaker 1>our show, and I'll go, dude, I was on this

0:42:26.800 --> 0:42:28.959
<v Speaker 1>show in Minnesota last week and I said the exact

0:42:28.960 --> 0:42:29.480
<v Speaker 1>same story.

0:42:29.480 --> 0:42:30.799
<v Speaker 3>It was fine, he goes, yeah.

0:42:30.840 --> 0:42:33.400
<v Speaker 1>But the problem is is that when they hear it

0:42:33.440 --> 0:42:35.640
<v Speaker 1>on the Howard Serain show, then people will decide, you

0:42:35.640 --> 0:42:37.919
<v Speaker 1>know what, I think, I'm offended now and I want

0:42:37.920 --> 0:42:41.680
<v Speaker 1>to send a lawyer, you know, and because they read

0:42:42.120 --> 0:42:45.719
<v Speaker 1>twenty million dollars a year and you know they're going

0:42:45.719 --> 0:42:47.680
<v Speaker 1>for a settlement. And he said, so, so we have

0:42:47.719 --> 0:42:48.920
<v Speaker 1>to be a little more particular, we have to be

0:42:48.960 --> 0:42:53.480
<v Speaker 1>a little more careful. So so the learning curve is different.

0:42:53.560 --> 0:42:56.960
<v Speaker 1>Trying to be funny in that, I mean, there's all

0:42:57.000 --> 0:43:00.399
<v Speaker 1>these rules about doing prank phone calls and and getting

0:43:00.440 --> 0:43:03.279
<v Speaker 1>people's permission and stuff like that.

0:43:03.320 --> 0:43:06.880
<v Speaker 3>But so yeah, there you go. Yeah, but dude, you're

0:43:06.880 --> 0:43:07.160
<v Speaker 3>the best.

0:43:07.239 --> 0:43:09.000
<v Speaker 5>Yeah, and you're gonna get money on Sorry Life, which

0:43:09.000 --> 0:43:09.799
<v Speaker 5>we're all thankful for.

0:43:09.880 --> 0:43:13.800
<v Speaker 7>Make it happen, Thank you said Thursday Friday, Saturday, Thursday

0:43:13.800 --> 0:43:15.120
<v Speaker 7>Friday Cinema, New.

0:43:15.000 --> 0:43:17.000
<v Speaker 1>Hope, Cinema, Grow and New Hope. If you're a fan

0:43:17.040 --> 0:43:18.520
<v Speaker 1>of any of the shows I've been on, King of Queen,

0:43:18.640 --> 0:43:21.040
<v Speaker 1>Sex and The City Family Guy, you will love the show.

0:43:21.120 --> 0:43:24.960
<v Speaker 3>I'm usually funny and I love my mom. I don't know, sorry,

0:43:25.680 --> 0:43:29.040
<v Speaker 3>but a great combo. Greg, do you have a website

0:43:29.040 --> 0:43:29.680
<v Speaker 3>as well?

0:43:30.200 --> 0:43:33.040
<v Speaker 1>With two getgas dot com. Get gas with two us

0:43:33.040 --> 0:43:35.960
<v Speaker 1>dot com and check out the new episode of Beardo

0:43:36.040 --> 0:43:38.600
<v Speaker 1>and Weirdo where we talk to James from Love on

0:43:38.640 --> 0:43:40.480
<v Speaker 1>the Spectrum. I love that kid from Love on the

0:43:40.480 --> 0:43:44.440
<v Speaker 1>Spectrum this week and uh and then a really interesting

0:43:44.440 --> 0:43:46.839
<v Speaker 1>conversation with Stebo last week from Jackass, who I've gotten

0:43:46.880 --> 0:43:49.839
<v Speaker 1>in a lot of trouble with together when he got

0:43:49.880 --> 0:43:52.000
<v Speaker 1>thrown out of the roast Gene Simmons four and you

0:43:52.000 --> 0:43:53.400
<v Speaker 1>can see the picture on my Instagram.

0:43:53.880 --> 0:43:57.520
<v Speaker 3>He relieved himself. Sure on Danny Bonaducci. It was the

0:43:57.520 --> 0:44:01.360
<v Speaker 3>cool It's I have the picture. It's on my Instagram.

0:44:01.400 --> 0:44:04.640
<v Speaker 1>It's at craig Gas Comedy at craig Gas Comedy with

0:44:04.680 --> 0:44:05.960
<v Speaker 1>two s's do we have to dump that?

0:44:06.239 --> 0:44:06.359
<v Speaker 6>No?

0:44:06.360 --> 0:44:08.920
<v Speaker 3>No, no, okay, Marnie, let's end the show like this.

0:44:09.040 --> 0:44:11.840
<v Speaker 7>Craig Gas new host and or Grill Thursday, Friday, Saturday,

0:44:12.600 --> 0:44:15.760
<v Speaker 7>one more time, just briefly your Mark Wahlberg impression.

0:44:21.400 --> 0:44:28.399
<v Speaker 3>Hey, you forgot. It's a great Marny Gonge. We'll see

0:44:28.440 --> 0:44:29.600
<v Speaker 3>you Friday.

0:44:29.719 --> 0:44:33.120
<v Speaker 1>And if you missed it, Mark Slaughter actually responded to

0:44:33.400 --> 0:44:37.160
<v Speaker 1>Hockey story about what happened man when Hockey got to

0:44:37.200 --> 0:44:39.879
<v Speaker 1>that Slaughter concert years and years ago where that woman

0:44:39.920 --> 0:44:44.200
<v Speaker 1>emerged with white stuff on her. Mark Slaughter explained what

0:44:44.280 --> 0:44:46.840
<v Speaker 1>the white stuff was. And you can see that response

0:44:46.880 --> 0:44:49.319
<v Speaker 1>on my Instagram at craig Gas Comedy with two us.

0:44:49.360 --> 0:44:56.600
<v Speaker 7>What a slow play payoff just decades in the Marning

0:44:57.040 --> 0:44:57.560
<v Speaker 7>Bye

0:44:57.760 --> 0:44:59.319
<v Speaker 3>I already have a wonder for day