1 00:00:00,320 --> 00:00:03,760 Speaker 1: You're listening to KFI AM six forty on demand. 2 00:00:05,200 --> 00:00:07,680 Speaker 2: Tomorrow night, he will be Conway, who moves to the 3 00:00:07,800 --> 00:00:11,240 Speaker 2: nighttime on the new KFI schedule. I'll slap step through 4 00:00:11,880 --> 00:00:14,800 Speaker 2: typically on Tuesday nights. On Tuesday afternoons, I used to 5 00:00:14,840 --> 00:00:17,000 Speaker 2: sit in with Conway, and so tomorrow night I'll sit 6 00:00:17,040 --> 00:00:18,680 Speaker 2: in with Conway, and I think after that it'll probably 7 00:00:18,680 --> 00:00:21,079 Speaker 2: be Monday nights. I'm still kind of working it out, 8 00:00:21,079 --> 00:00:24,040 Speaker 2: but it's great to have you along. We had Diane 9 00:00:24,040 --> 00:00:27,640 Speaker 2: Warren in the first hour. Oscar nominee. We're taking your 10 00:00:27,680 --> 00:00:31,880 Speaker 2: talkbacks on Robert Duval, who just passed away ninety five. 11 00:00:33,080 --> 00:00:35,400 Speaker 3: And if you have a Robert. 12 00:00:35,200 --> 00:00:39,919 Speaker 2: Duval story or favorite part or favorite dialogue, you can 13 00:00:40,000 --> 00:00:42,120 Speaker 2: leave it on the iHeartRadio app, just to leave it 14 00:00:42,159 --> 00:00:44,720 Speaker 2: on the talkback feature. Upper right hand part of the 15 00:00:45,680 --> 00:00:48,400 Speaker 2: screen has the microphone, and there was a talkback here 16 00:00:48,520 --> 00:00:50,640 Speaker 2: was this about dian Warren as that you're telling me about. 17 00:00:50,320 --> 00:00:53,440 Speaker 4: Mark Thompson for Diane all day. 18 00:00:54,000 --> 00:00:56,840 Speaker 3: That was a mecca interview. I absolutely love that. Thank 19 00:00:56,880 --> 00:00:58,040 Speaker 3: you for that, Mark Thompson. 20 00:00:58,560 --> 00:00:59,240 Speaker 4: You will, you. 21 00:00:59,240 --> 00:01:02,280 Speaker 2: Will well, thank you, you rule, you rule for knowing 22 00:01:02,280 --> 00:01:02,880 Speaker 2: that I rule. 23 00:01:03,280 --> 00:01:04,160 Speaker 3: That's how I see it. 24 00:01:04,720 --> 00:01:11,520 Speaker 2: Robert Duval passes away at ninety five. What a remarkable 25 00:01:11,600 --> 00:01:15,959 Speaker 2: career Robert Duval had. I mean that that's a virtuoso actor, 26 00:01:17,160 --> 00:01:21,200 Speaker 2: broke through Gosh, I don't know you think about you 27 00:01:21,240 --> 00:01:24,640 Speaker 2: can check the timing on these. I want to think 28 00:01:24,680 --> 00:01:28,240 Speaker 2: of his early career. I think the Godfather, the great Santini. 29 00:01:30,680 --> 00:01:33,600 Speaker 2: You probably have memories. 30 00:01:33,600 --> 00:01:36,600 Speaker 3: And I'm just doing this off the top of my head. 31 00:01:36,800 --> 00:01:38,959 Speaker 2: I'll work with notes here in a second, but I'm 32 00:01:38,959 --> 00:01:41,640 Speaker 2: just kind of reflecting on the guy's body of work, 33 00:01:41,760 --> 00:01:45,160 Speaker 2: you know, tender mercies of these are I think you 34 00:01:45,200 --> 00:01:46,080 Speaker 2: want the oscar for that. 35 00:01:48,400 --> 00:01:52,200 Speaker 3: Just as I say, top of the game and at 36 00:01:52,320 --> 00:01:53,919 Speaker 3: ninety five, a look back. 37 00:01:53,880 --> 00:01:57,520 Speaker 5: To night here Robert Duval in his own words, the. 38 00:01:57,520 --> 00:02:01,160 Speaker 6: Day will come when you call it quitch. So whenever 39 00:02:01,200 --> 00:02:03,640 Speaker 6: that comes, it comes. But you know, until that time comes, 40 00:02:03,640 --> 00:02:08,040 Speaker 6: you know, you try to live life to the full. 41 00:02:07,880 --> 00:02:13,639 Speaker 3: Of That's it, Richie. I thought there was a look 42 00:02:13,680 --> 00:02:17,080 Speaker 3: back here? Is that tonight here Robert Duval? Is that 43 00:02:17,160 --> 00:02:19,600 Speaker 3: the end of the Oh that's the end of it? Well, 44 00:02:19,600 --> 00:02:21,520 Speaker 3: there it was. It was cued up. It was cued 45 00:02:21,600 --> 00:02:25,000 Speaker 3: up to the end. Be all right, here's the beginning 46 00:02:25,000 --> 00:02:25,200 Speaker 3: of it. 47 00:02:26,040 --> 00:02:29,440 Speaker 5: Oscar Witting actor Robert Duval was a Hollywood legend, his 48 00:02:29,560 --> 00:02:33,480 Speaker 5: career spanning seven decades, known for his ability to disappear 49 00:02:33,520 --> 00:02:35,359 Speaker 5: completely into his wide great. 50 00:02:35,200 --> 00:02:37,040 Speaker 2: The best part of that was Richie said to me, 51 00:02:37,280 --> 00:02:38,919 Speaker 2: because I said, look, I think I'd like to get 52 00:02:38,919 --> 00:02:39,840 Speaker 2: some dialogue from this movie. 53 00:02:39,960 --> 00:02:41,440 Speaker 3: Let me get some dialogue from that movie. Again. 54 00:02:41,440 --> 00:02:42,639 Speaker 2: I had a whole, like the list of things I 55 00:02:42,720 --> 00:02:45,839 Speaker 2: wanted to do. So I'm talking to Richie. He says, 56 00:02:45,880 --> 00:02:48,640 Speaker 2: I got listen, I got a great package for you. 57 00:02:49,160 --> 00:02:51,640 Speaker 2: It's got all the dialogue and it's a good cross section. 58 00:02:52,000 --> 00:02:54,680 Speaker 2: And so then when I hit the audio and at 59 00:02:54,760 --> 00:02:57,359 Speaker 2: last nine seconds, are you really that's it? 60 00:02:57,440 --> 00:02:57,680 Speaker 3: Yeah? 61 00:02:57,720 --> 00:02:59,840 Speaker 2: When they when your time's up, your time's up, That's 62 00:02:59,840 --> 00:03:01,360 Speaker 2: what I felt, was the exactly. 63 00:03:01,360 --> 00:03:02,160 Speaker 4: It was a little tease. 64 00:03:02,320 --> 00:03:04,320 Speaker 3: Yeah. So okay, here here's the beach I know. 65 00:03:05,480 --> 00:03:08,919 Speaker 5: Oscar Witting actor Robert Duval was a Hollywood legend, his 66 00:03:08,960 --> 00:03:12,920 Speaker 5: career spanning seven decades, known for his ability to disappear 67 00:03:12,960 --> 00:03:16,640 Speaker 5: completely into his wide ranging roles. The steely eyed actor 68 00:03:16,680 --> 00:03:19,480 Speaker 5: made his film debut in nineteen sixty two, playing the 69 00:03:19,520 --> 00:03:21,880 Speaker 5: reclusive Bu Radley to Kill a Mockingbird. 70 00:03:22,360 --> 00:03:24,440 Speaker 3: He get to take a Night to Kim mister. 71 00:03:25,440 --> 00:03:28,400 Speaker 2: Oh yeah, how could I forget that he was in 72 00:03:28,480 --> 00:03:33,320 Speaker 2: to kill a mocking Bird? My god, I mean key, 73 00:03:33,560 --> 00:03:37,160 Speaker 2: key role. I was talking about early films, of course, 74 00:03:37,760 --> 00:03:38,200 Speaker 2: to take a. 75 00:03:38,280 --> 00:03:39,400 Speaker 3: Night to Kim Mister. 76 00:03:41,280 --> 00:03:46,440 Speaker 5: His character did not speak once in the entire movie. 77 00:03:46,880 --> 00:03:49,200 Speaker 5: Robert Duval would go on to become a household name, 78 00:03:49,520 --> 00:03:54,440 Speaker 5: playing opposite John Wayne in True Grit in nineteen sixty nine. Looster, 79 00:03:57,040 --> 00:04:02,600 Speaker 5: I'm shot to Pisa, waiting an Academy Award for Best 80 00:04:02,640 --> 00:04:04,960 Speaker 5: Actor in Tender Mercies in nineteen eighty four. 81 00:04:06,920 --> 00:04:07,560 Speaker 1: Hey my. 82 00:04:09,080 --> 00:04:16,520 Speaker 5: Oh, his iconic character's part of film history seven Oscar nominations. 83 00:04:16,560 --> 00:04:19,280 Speaker 5: Your father was business, not parsonal Sonny. 84 00:04:19,040 --> 00:04:20,279 Speaker 3: You know how they're gonna come at. 85 00:04:20,160 --> 00:04:22,800 Speaker 5: You, playing the trusted family lawyer in the first two 86 00:04:22,839 --> 00:04:25,960 Speaker 5: Godfather movies alongside al Pacino with Marlon Brando. 87 00:04:26,760 --> 00:04:31,359 Speaker 7: Shots song on the Causeway He's Dead, that. 88 00:04:31,560 --> 00:04:34,760 Speaker 5: Fun sung and delivery were the most memorable lines of 89 00:04:34,800 --> 00:04:38,960 Speaker 5: all time. As Lieutenant Colonel Bill Kilgore a Apocalypse, Now. 90 00:04:40,360 --> 00:04:42,200 Speaker 7: I love the smell of dry pom in the morning. 91 00:04:42,839 --> 00:04:44,479 Speaker 7: People come up with me on the street today like 92 00:04:44,880 --> 00:04:46,360 Speaker 7: I love the smell and EIGHTE Puma the more like 93 00:04:46,400 --> 00:04:48,360 Speaker 7: I never knew it and forgot it after I said 94 00:04:48,360 --> 00:04:51,880 Speaker 7: it like a but I like that character. Yeah, people 95 00:04:51,920 --> 00:04:54,240 Speaker 7: call the guy crazy, which he wasn't. It's not crazy 96 00:04:54,440 --> 00:04:57,479 Speaker 7: when it was in a life or death kind of 97 00:04:57,480 --> 00:04:58,960 Speaker 7: perimeter belly. 98 00:04:58,680 --> 00:05:01,520 Speaker 5: Aching, there was the Great sent in nineteen seventy nine. 99 00:05:02,360 --> 00:05:04,360 Speaker 7: A lot of effect them Arale the Squadron has Fourth 100 00:05:05,040 --> 00:05:06,239 Speaker 7: Do I Make Myself Clear? 101 00:05:08,200 --> 00:05:11,919 Speaker 5: The Apostle in nineteen ninety seven movie he wrote, directed, 102 00:05:12,040 --> 00:05:15,800 Speaker 5: and started. He considered his role in the TV series 103 00:05:15,880 --> 00:05:18,240 Speaker 5: Lonesome Dove his favorite ror. 104 00:05:18,400 --> 00:05:19,400 Speaker 3: Will it be Old Timer? 105 00:05:20,200 --> 00:05:20,360 Speaker 6: Right? 106 00:05:20,480 --> 00:05:23,320 Speaker 3: Will do provided to get here? Quit? Tonight? 107 00:05:23,440 --> 00:05:26,040 Speaker 5: Robert Duval's wife sharing this image of them on their 108 00:05:26,120 --> 00:05:30,359 Speaker 5: Virginia farm, saying he passed away peacefully at home, surrounded 109 00:05:30,400 --> 00:05:33,359 Speaker 5: by love and comfort at the age of ninety five. 110 00:05:34,120 --> 00:05:37,840 Speaker 5: Tonight here Robert Duvall in his own words, the. 111 00:05:37,880 --> 00:05:41,479 Speaker 6: Day will come when you call it quits. So whenever 112 00:05:41,520 --> 00:05:43,960 Speaker 6: that comes, it comes. But you know, until that time comes, 113 00:05:43,960 --> 00:05:48,159 Speaker 6: you know, you try to live life to the full 114 00:05:48,200 --> 00:05:49,880 Speaker 6: ofs Yeah. 115 00:05:49,920 --> 00:05:53,520 Speaker 2: Wow, wow, you're right. That was a great piece. Richy, 116 00:05:53,640 --> 00:06:00,760 Speaker 2: You're welcome. Yeah, really really terrific. His wife, I think he. 117 00:06:02,360 --> 00:06:05,279 Speaker 3: Met her. He was a big tango guy. Like a 118 00:06:05,279 --> 00:06:06,000 Speaker 3: big dancer. 119 00:06:06,520 --> 00:06:09,680 Speaker 4: Yeah, they did a movie called Assassination Tango. 120 00:06:10,120 --> 00:06:10,480 Speaker 3: That's it. 121 00:06:10,760 --> 00:06:11,680 Speaker 4: That's when I met him. 122 00:06:12,160 --> 00:06:15,839 Speaker 3: Oh, no, kidding, you met Robert due. 123 00:06:15,880 --> 00:06:19,320 Speaker 4: I interviewed him. I was an entertainment reporter in Austin, Texas, 124 00:06:20,120 --> 00:06:23,800 Speaker 4: and he was there for a premiere of his film 125 00:06:23,839 --> 00:06:26,719 Speaker 4: with his wife, and I was on the little red 126 00:06:26,760 --> 00:06:28,719 Speaker 4: carpet and I'm doing an interview. So this is the 127 00:06:28,760 --> 00:06:29,760 Speaker 4: awkward moment. 128 00:06:30,080 --> 00:06:30,960 Speaker 3: That I had with him. 129 00:06:31,040 --> 00:06:34,880 Speaker 4: Apparently I had some lint on my black shirt, so he, 130 00:06:35,360 --> 00:06:37,480 Speaker 4: in the middle of the interview just starts picking lint 131 00:06:37,880 --> 00:06:42,640 Speaker 4: off of my shirt. So that he had he happened 132 00:06:42,640 --> 00:06:44,359 Speaker 4: to have someone on his suit, so I pick a 133 00:06:44,360 --> 00:06:48,520 Speaker 4: couple pieces of suit. Here's with his beautiful wife, and 134 00:06:48,520 --> 00:06:50,279 Speaker 4: she just kind of gave me a weird look. But 135 00:06:50,360 --> 00:06:53,920 Speaker 4: I means, yeah, she was absolutely gorgeous. And yeah, that 136 00:06:54,000 --> 00:06:56,599 Speaker 4: was my awkward moment with Robert Dubal. But he was lovely. 137 00:06:56,640 --> 00:06:59,240 Speaker 4: He was great, he was so kind. His wife was 138 00:06:59,360 --> 00:07:00,359 Speaker 4: very sweet. 139 00:07:00,600 --> 00:07:02,240 Speaker 3: She's like forty years younger than he is. 140 00:07:02,320 --> 00:07:04,600 Speaker 4: Yeah, but you know, and that was back in two 141 00:07:04,680 --> 00:07:08,000 Speaker 4: thousand and two, two thousand and three, they've stuck it out. 142 00:07:08,440 --> 00:07:10,040 Speaker 4: Apparently it was the real thing. 143 00:07:10,320 --> 00:07:15,680 Speaker 2: Yeah, I mean exactly right. He was called the American 144 00:07:15,760 --> 00:07:20,640 Speaker 2: Olivier because he was able to sort of transform himself 145 00:07:20,640 --> 00:07:22,080 Speaker 2: the way Laurence Olivier did. 146 00:07:22,200 --> 00:07:22,840 Speaker 4: Great actor. 147 00:07:23,520 --> 00:07:30,960 Speaker 2: Yeah, the range that he had is talked about by 148 00:07:31,000 --> 00:07:34,200 Speaker 2: the rest of the acting community as something truly extraordinary, 149 00:07:35,040 --> 00:07:40,360 Speaker 2: and it's true. You know, it's weird that he became 150 00:07:40,480 --> 00:07:43,680 Speaker 2: so associated with these roles, like he talked about in 151 00:07:43,720 --> 00:07:48,440 Speaker 2: that piece in Apocalypse Now, you know, people yelling up 152 00:07:48,840 --> 00:07:50,920 Speaker 2: to him still. You know, I love love this s 153 00:07:50,920 --> 00:07:56,960 Speaker 2: metal of napalm in the morning smells like victory. It's 154 00:07:57,440 --> 00:08:01,800 Speaker 2: that person is broken in a sense, but he saw 155 00:08:01,840 --> 00:08:05,160 Speaker 2: the person as an actor. He had to view the 156 00:08:05,200 --> 00:08:07,760 Speaker 2: person as a complete person. You know, this is the 157 00:08:07,800 --> 00:08:13,360 Speaker 2: stuff that I think actors understand. You know, you can't. 158 00:08:13,440 --> 00:08:17,480 Speaker 2: They don't have a third eye. These people his character 159 00:08:17,560 --> 00:08:22,680 Speaker 2: to understand, you know, the perhaps the fact that they're broken. 160 00:08:23,000 --> 00:08:26,720 Speaker 2: The same is true in the Apostle when he plays 161 00:08:26,800 --> 00:08:33,400 Speaker 2: this evangelist. It's a really fascinating world of human experience 162 00:08:34,440 --> 00:08:37,920 Speaker 2: that he captures in all of these different roles. Wow, 163 00:08:40,679 --> 00:08:43,920 Speaker 2: he came up with Dustin Hoffman. I think, didn't you 164 00:08:44,040 --> 00:08:45,920 Speaker 2: room with Dustin Hoffman? Eilean did you know that. 165 00:08:46,240 --> 00:08:47,040 Speaker 4: I did not know that. 166 00:08:47,160 --> 00:08:47,360 Speaker 3: Yeah. 167 00:08:47,400 --> 00:08:47,640 Speaker 1: Wow. 168 00:08:48,240 --> 00:08:52,280 Speaker 2: A couple of other sort of interesting little facts about 169 00:08:52,320 --> 00:08:54,679 Speaker 2: Robert Duval, and you see how a lot of these 170 00:08:54,679 --> 00:08:58,720 Speaker 2: people who are sort of that vintage connected as actors. 171 00:08:58,960 --> 00:09:01,960 Speaker 2: I'll give you a few more of those facts as 172 00:09:01,960 --> 00:09:02,640 Speaker 2: we continue. 173 00:09:03,480 --> 00:09:06,920 Speaker 1: You're listening to KFI AM six forty on demand. 174 00:09:08,840 --> 00:09:11,520 Speaker 2: Mark Thompson here and KFI Amsxhorty were live everywhere on 175 00:09:11,559 --> 00:09:14,720 Speaker 2: the iHeartRadio app. I'm coming off of my YouTube show. 176 00:09:14,760 --> 00:09:18,320 Speaker 2: It's a politics and news may not be your jam, 177 00:09:18,440 --> 00:09:20,439 Speaker 2: but I mention it. It's out there, it's free. It's 178 00:09:20,480 --> 00:09:22,840 Speaker 2: on the iHeart Radio app. Also, it's also on YouTube 179 00:09:22,960 --> 00:09:26,319 Speaker 2: live every day from eleven to one Pacific. We're in 180 00:09:26,320 --> 00:09:30,640 Speaker 2: the middle of talking about Robert Duval, and we talked 181 00:09:30,679 --> 00:09:34,720 Speaker 2: about all of his tremendous acting. You know, Oscar Winner. 182 00:09:35,280 --> 00:09:39,720 Speaker 2: He was considered sort of the American Olivier called that 183 00:09:40,040 --> 00:09:44,680 Speaker 2: by high profile film critics. But early on he was 184 00:09:44,720 --> 00:09:49,800 Speaker 2: with other like major actors who they themselves were referred 185 00:09:49,800 --> 00:09:52,959 Speaker 2: to sort of in the same way. He I believe 186 00:09:53,000 --> 00:09:58,040 Speaker 2: he roomed with Gene Hackman and Dustin Hoffman. Here he 187 00:09:58,160 --> 00:10:01,839 Speaker 2: is talking about that in an interview years and years 188 00:10:01,880 --> 00:10:04,760 Speaker 2: ago talking about those early days as an actor, trying 189 00:10:04,800 --> 00:10:09,600 Speaker 2: to come up and indeed rooming with these guys so much. 190 00:10:10,120 --> 00:10:12,160 Speaker 8: Jean said to me, I knew Gene Hackman first, and 191 00:10:12,200 --> 00:10:13,760 Speaker 8: he had known Dusty first. I guess he said, you 192 00:10:13,800 --> 00:10:16,439 Speaker 8: know this kid that's going to become to New York 193 00:10:16,440 --> 00:10:18,400 Speaker 8: with a great big nose and the shock of black hair, 194 00:10:18,559 --> 00:10:20,720 Speaker 8: and he usually sleeps on my kitchen floor. And his 195 00:10:20,800 --> 00:10:23,280 Speaker 8: name is Dusty, Dusty Hoffmann. So we met and we 196 00:10:23,320 --> 00:10:27,600 Speaker 8: became friends, and then Jean. I saw Jean periodically, but Dusty, 197 00:10:27,760 --> 00:10:30,280 Speaker 8: my older brother, me and two or three other guys. 198 00:10:30,920 --> 00:10:32,480 Speaker 8: There was a Canter, a singer. 199 00:10:33,360 --> 00:10:35,120 Speaker 3: We all had one apartment in the Upper. 200 00:10:34,920 --> 00:10:38,080 Speaker 8: West West Side, and we had great parties and times 201 00:10:38,080 --> 00:10:38,680 Speaker 8: and so forth. 202 00:10:38,720 --> 00:10:40,480 Speaker 3: So I had John Voight join this group. 203 00:10:40,760 --> 00:10:43,200 Speaker 8: Well, I was never really close friends with John, but 204 00:10:43,280 --> 00:10:45,439 Speaker 8: he joined kind of the group of Ulu and all 205 00:10:45,440 --> 00:10:47,640 Speaker 8: of us. We had a production of A View from 206 00:10:47,640 --> 00:10:51,439 Speaker 8: the Bridge off Broadway, in which Dusty was the assistant 207 00:10:51,480 --> 00:10:54,640 Speaker 8: stage manager, which before Dusty had made his mark really 208 00:10:54,720 --> 00:10:56,400 Speaker 8: you know, and so he was always to get in 209 00:10:56,400 --> 00:10:59,319 Speaker 8: the bones, you know. I took him along to a 210 00:10:59,480 --> 00:11:02,080 Speaker 8: naked did he uh said to Herbert learning the producer 211 00:11:02,120 --> 00:11:04,959 Speaker 8: read this kid, he's terrific. So and then I somebody 212 00:11:04,960 --> 00:11:06,920 Speaker 8: else that happened was so maryon Dherty said, when you're 213 00:11:06,920 --> 00:11:08,840 Speaker 8: not acting, I'll I'll let you be a a casting 214 00:11:08,880 --> 00:11:11,040 Speaker 8: agent if you want. But Dusty then he kind of 215 00:11:11,120 --> 00:11:15,040 Speaker 8: like t catapulted, you know, in some ways, in some 216 00:11:15,600 --> 00:11:18,199 Speaker 8: obvious ways, more than all of us. You know, his 217 00:11:18,360 --> 00:11:20,959 Speaker 8: stardom has been and it was like the old days 218 00:11:21,040 --> 00:11:23,680 Speaker 8: really that it doesn't happen that way anymore. You know, 219 00:11:23,880 --> 00:11:26,120 Speaker 8: when he did the graduate, it just went he took off. 220 00:11:26,360 --> 00:11:28,240 Speaker 8: But it's funny, you know when you when you talk 221 00:11:28,280 --> 00:11:30,600 Speaker 8: about that. And Jimmy Conn and I were good friends 222 00:11:30,600 --> 00:11:33,000 Speaker 8: for a while. But like I was at Jimmy Conn's 223 00:11:33,000 --> 00:11:35,560 Speaker 8: house one time and there's a nucleus of Mexican gardeners 224 00:11:35,640 --> 00:11:37,839 Speaker 8: in in the LA district. That's kind of they've kind 225 00:11:37,840 --> 00:11:40,280 Speaker 8: of taken over the work from the from the Japanese gardeners. 226 00:11:40,480 --> 00:11:42,840 Speaker 3: And I said to Jimmy's. 227 00:11:42,520 --> 00:11:45,160 Speaker 8: Gardener from Mexico, Uh, oh, you work for Gene Hackman. 228 00:11:45,200 --> 00:11:45,800 Speaker 1: What does he live? 229 00:11:46,200 --> 00:11:46,679 Speaker 7: So he told me. 230 00:11:46,720 --> 00:11:47,480 Speaker 3: I went knocked on the door. 231 00:11:47,520 --> 00:11:49,040 Speaker 8: I hadn't seen him a couple of years, said Jimmy 232 00:11:49,240 --> 00:11:50,640 Speaker 8: Jimmy's gardener, who's your gardener? 233 00:11:50,720 --> 00:11:51,480 Speaker 3: Told me where you live? 234 00:11:51,760 --> 00:11:54,040 Speaker 8: Cause the point I'm making is when people begin to 235 00:11:54,040 --> 00:11:55,800 Speaker 8: make it, it seems you never see each other again. 236 00:11:56,320 --> 00:11:58,120 Speaker 8: Go this way, you go this way, you go this way, 237 00:11:58,240 --> 00:11:59,800 Speaker 8: And I don't see those guys much anymore. 238 00:11:59,800 --> 00:12:03,040 Speaker 3: But I don't know why. It's just one of those things. 239 00:12:03,160 --> 00:12:05,120 Speaker 3: Isn't that wild? Isn't that wild? 240 00:12:05,200 --> 00:12:09,640 Speaker 2: They were all together as actors, Gene Hackman, Dustin Hoffman, 241 00:12:10,200 --> 00:12:15,000 Speaker 2: Robert Duval. Robert Duval obviously having just passed away at 242 00:12:16,240 --> 00:12:20,120 Speaker 2: ninety five. He was a His dad was a career 243 00:12:20,280 --> 00:12:26,000 Speaker 2: Navy guy, retired with the rank of rear admiral. Actually, 244 00:12:26,080 --> 00:12:30,520 Speaker 2: his dad told him shape up and start acting. He says, 245 00:12:30,559 --> 00:12:34,920 Speaker 2: I wasn't pushed into it, but suggested into it. They 246 00:12:34,920 --> 00:12:37,000 Speaker 2: figured I did skits around the house. They figured I 247 00:12:37,000 --> 00:12:39,640 Speaker 2: had a calling or whatever in that line, and they 248 00:12:39,640 --> 00:12:49,160 Speaker 2: figured correctly. The Irish Americans Consiliari and the unhinged army 249 00:12:49,160 --> 00:12:53,120 Speaker 2: colonel who loved the smell of napalm in the morning again, 250 00:12:53,840 --> 00:12:57,360 Speaker 2: just two of his iconic roles. I mean you hear 251 00:12:57,400 --> 00:13:00,600 Speaker 2: that iconic role. Iconic is kind of a one of 252 00:13:00,600 --> 00:13:04,839 Speaker 2: these words I think that's used a lot, but it's 253 00:13:04,920 --> 00:13:08,760 Speaker 2: used in the context of Robert Duval quite appropriately. You know, 254 00:13:09,240 --> 00:13:16,720 Speaker 2: his stuff was just so well known, and I encourage 255 00:13:16,760 --> 00:13:18,960 Speaker 2: you to go back and see some of his early stuff. 256 00:13:19,000 --> 00:13:23,240 Speaker 2: You know, the great Santini was terrific, the Apostle and 257 00:13:23,320 --> 00:13:27,280 Speaker 2: of course all this stuff in The Godfather he was 258 00:13:27,320 --> 00:13:33,720 Speaker 2: in the paper. Really special actor and what a life. 259 00:13:34,520 --> 00:13:38,559 Speaker 2: Met his wife, Eileen says, it's the you know, she's Argentinian. 260 00:13:39,280 --> 00:13:44,280 Speaker 2: Met her in the in the world of dancing. It's 261 00:13:44,360 --> 00:13:48,920 Speaker 2: never too late. Forty years his junior. By the way, 262 00:13:49,120 --> 00:13:54,520 Speaker 2: how many times do you think Robert Duval was married? 263 00:13:54,559 --> 00:13:58,400 Speaker 2: He married her? What number is that? What do you think? 264 00:13:58,480 --> 00:14:06,080 Speaker 2: I'll ask you, Eileen, how many times? Where's Robert du Yeah. 265 00:14:06,320 --> 00:14:09,480 Speaker 4: I'm gonna say two. Has he stayed with this one 266 00:14:09,480 --> 00:14:11,640 Speaker 4: for a long time? There may have been one before 267 00:14:11,679 --> 00:14:12,760 Speaker 4: that he was with for a long time. 268 00:14:12,840 --> 00:14:16,319 Speaker 2: Feels like a long hauler, doesn't it. Yeah? What about you, Steffush, 269 00:14:16,320 --> 00:14:18,000 Speaker 2: are you with us? Are you working on something else? 270 00:14:18,480 --> 00:14:20,840 Speaker 3: Something? Sorry? Okay, that's okay, Richie. 271 00:14:21,200 --> 00:14:23,360 Speaker 4: Well, because he's a Hollywood playboy. 272 00:14:23,040 --> 00:14:25,160 Speaker 2: I'm going to say maybe at least four. I don't 273 00:14:25,160 --> 00:14:29,720 Speaker 2: think he's a playboy, but maybe he is a playboy. Yeah, well, 274 00:14:29,720 --> 00:14:32,760 Speaker 2: I'm going to give it to Richie. Four is the answer. Yeah, 275 00:14:32,760 --> 00:14:35,080 Speaker 2: although he said at least four, he tried to cover himself. 276 00:14:35,240 --> 00:14:36,840 Speaker 2: I think it's over more. But hey, I'll give it 277 00:14:36,840 --> 00:14:38,800 Speaker 2: to you. You said the word four, so that counts. 278 00:14:39,080 --> 00:14:39,320 Speaker 3: Yeah. 279 00:14:39,320 --> 00:14:44,720 Speaker 2: That's his fourth wife, the Argentinian dancer. So, uh, maybe 280 00:14:44,760 --> 00:14:47,000 Speaker 2: he was you know, he got around why. 281 00:14:46,800 --> 00:14:49,280 Speaker 4: Not, Well, I mean he was older, so I mean 282 00:14:49,280 --> 00:14:53,000 Speaker 4: throughout that long lifespan, that's really not a whole lot. 283 00:14:53,360 --> 00:14:53,520 Speaker 3: Yeah. 284 00:14:53,560 --> 00:14:55,960 Speaker 2: I mean, let's face it, he met he must have 285 00:14:56,000 --> 00:14:58,800 Speaker 2: been every bit of seventy when he met her, right, 286 00:14:59,520 --> 00:15:04,960 Speaker 2: we pretty impressive and I think that I'm certain that 287 00:15:05,000 --> 00:15:07,680 Speaker 2: all that exercise, that tango dance and kept him young. 288 00:15:07,800 --> 00:15:11,520 Speaker 2: Oh yeah, sure, yeah, I guess he was quite the 289 00:15:11,600 --> 00:15:15,280 Speaker 2: mimic when he was young. He had he could do dialects, mannerisms. 290 00:15:15,320 --> 00:15:18,040 Speaker 2: It was all sort of part of who he became. 291 00:15:20,320 --> 00:15:24,280 Speaker 2: He was, you know, able to do impressions of other 292 00:15:24,320 --> 00:15:26,320 Speaker 2: people on the set. He did an impression of Marlon 293 00:15:26,320 --> 00:15:31,360 Speaker 2: Brando on the set of the Godfather, and you know, 294 00:15:31,480 --> 00:15:36,080 Speaker 2: he made fun of Marlon Brando and the ways in 295 00:15:36,160 --> 00:15:39,800 Speaker 2: which Marlon Brando couldn't remember the lines and he literally 296 00:15:39,880 --> 00:15:42,640 Speaker 2: had the lines written everywhere. They were written on the desk, 297 00:15:42,680 --> 00:15:44,920 Speaker 2: they were written on the ceiling, they were written on 298 00:15:45,080 --> 00:15:51,960 Speaker 2: other actors who were holding cards. Marlon Brando famously went 299 00:15:52,040 --> 00:15:54,680 Speaker 2: to an earwig, you know, a thing that you put 300 00:15:54,720 --> 00:15:57,360 Speaker 2: into your ear it was like a communicator, and had 301 00:15:57,360 --> 00:16:00,680 Speaker 2: the lines read to him as he said them. And 302 00:16:01,120 --> 00:16:07,560 Speaker 2: Duval either said it directly or it was implied. I 303 00:16:07,560 --> 00:16:11,200 Speaker 2: don't think he respected that particularly. Yeah, he certainly laughed 304 00:16:11,240 --> 00:16:13,760 Speaker 2: at it. I've heard him in interviews laughing about it. 305 00:16:14,360 --> 00:16:20,680 Speaker 2: But I mean, Brando a great actor, But I'd suggest 306 00:16:20,720 --> 00:16:24,840 Speaker 2: that Robert Duval absolutely top of the game all the 307 00:16:24,880 --> 00:16:31,600 Speaker 2: way to the end. What happens to those medals that 308 00:16:31,640 --> 00:16:34,640 Speaker 2: you win at the Olympics. We are in the sweet 309 00:16:34,680 --> 00:16:38,520 Speaker 2: spot of the Olympics. I know you're captured by the magic, 310 00:16:38,680 --> 00:16:43,240 Speaker 2: the slalom, the Grand Slalom, the double mogul thing. That's 311 00:16:43,320 --> 00:16:46,480 Speaker 2: kind of cool. I was watching that last night. I've 312 00:16:46,480 --> 00:16:49,440 Speaker 2: told you about the controversy and curling, really getting into 313 00:16:49,440 --> 00:16:53,080 Speaker 2: the curling, of course, the figure skating, the heartbreak. So 314 00:16:53,280 --> 00:16:58,360 Speaker 2: many Olympians, brilliant Olympians come out of this country, brilliant performances, 315 00:16:58,480 --> 00:17:03,960 Speaker 2: right brilliant athletics. What do they do with the metals? 316 00:17:04,400 --> 00:17:07,959 Speaker 2: Where are they in their house? In a special I 317 00:17:08,160 --> 00:17:10,240 Speaker 2: will tell you that story. 318 00:17:10,440 --> 00:17:15,200 Speaker 1: Next you're listening to KFI AM six forty on demand. 319 00:17:19,440 --> 00:17:23,399 Speaker 2: That were between I guess poundings from this storm. It 320 00:17:23,480 --> 00:17:27,679 Speaker 2: was pretty intense today, but there's more still ahead, so 321 00:17:28,240 --> 00:17:30,679 Speaker 2: heed all warnings. Will keep you posted on all of 322 00:17:30,720 --> 00:17:34,159 Speaker 2: them here at KFI. I told you about the Olympics, 323 00:17:34,200 --> 00:17:39,040 Speaker 2: which have been filled with interesting stuff for older boys 324 00:17:39,040 --> 00:17:42,639 Speaker 2: and girls. Two US moms and their forties getting gold 325 00:17:43,080 --> 00:17:48,120 Speaker 2: and bronze in the Olympic, Bob sled the controversy involving 326 00:17:48,200 --> 00:17:52,959 Speaker 2: curling with the Canadians. I love all the events that 327 00:17:53,040 --> 00:17:56,639 Speaker 2: are sort of they come out of the extreme sports world. 328 00:17:56,720 --> 00:18:03,480 Speaker 2: You know, the snowboarding, the double mogul stuff and the 329 00:18:03,840 --> 00:18:07,520 Speaker 2: hot dog stuff is just always so much fun. And 330 00:18:07,560 --> 00:18:12,120 Speaker 2: of course the downhill and the slaloms that's so intense. 331 00:18:13,240 --> 00:18:15,679 Speaker 2: We know what happened to Lindsay Vaughn. And then the 332 00:18:15,720 --> 00:18:19,119 Speaker 2: figure skating is you know, gorgeous. So that's just you know, 333 00:18:19,200 --> 00:18:22,840 Speaker 2: some of what's going on and what's it called. When 334 00:18:22,880 --> 00:18:27,199 Speaker 2: they they shoot, then they ski a little bit, then 335 00:18:27,240 --> 00:18:28,840 Speaker 2: they shoot some more, then they scalp. 336 00:18:29,000 --> 00:18:29,880 Speaker 3: I didn't even know. 337 00:18:29,840 --> 00:18:32,760 Speaker 9: That existed until my dad was obsessed with that, so 338 00:18:32,840 --> 00:18:33,440 Speaker 9: I caught it. 339 00:18:33,480 --> 00:18:35,680 Speaker 3: I'm like, what is this he goes, yeah, I don't 340 00:18:35,680 --> 00:18:38,040 Speaker 3: know how. I don't know how they do that. It's 341 00:18:38,080 --> 00:18:38,679 Speaker 3: so great. 342 00:18:38,800 --> 00:18:40,600 Speaker 2: It's like a ski race and they stop to shoot 343 00:18:40,720 --> 00:18:44,840 Speaker 2: and keep going right, So it works like this. They 344 00:18:45,200 --> 00:18:49,800 Speaker 2: cross country ski for quite some distance, then they stand 345 00:18:49,920 --> 00:18:53,320 Speaker 2: and shoot, then they cross country ski for another distance, 346 00:18:53,520 --> 00:18:57,080 Speaker 2: then they lie down and shoot, and then I think 347 00:18:57,080 --> 00:18:59,520 Speaker 2: they cross country ski across the finish line, and then 348 00:19:00,280 --> 00:19:03,560 Speaker 2: variation of that and then some variation of the length 349 00:19:03,560 --> 00:19:07,040 Speaker 2: that they have to cross country ski that puts it 350 00:19:07,080 --> 00:19:10,800 Speaker 2: all together. But yeah, I get it's just called biathlon 351 00:19:10,960 --> 00:19:13,879 Speaker 2: biathlon right, and it was born I think in Norway, 352 00:19:13,920 --> 00:19:16,760 Speaker 2: I want to say, when there was sort of it was. 353 00:19:16,920 --> 00:19:20,600 Speaker 2: It came out of the world of hunting and it 354 00:19:20,640 --> 00:19:26,119 Speaker 2: became a sport, you know. But it's really like a 355 00:19:26,160 --> 00:19:29,919 Speaker 2: throwback to what they had to do, like you know, uh, 356 00:19:30,680 --> 00:19:33,600 Speaker 2: ski a bunch and actually fire a shot and you 357 00:19:33,640 --> 00:19:34,320 Speaker 2: know all. 358 00:19:34,880 --> 00:19:38,240 Speaker 9: So it's in the Nordic language. It's even called ski shooting. 359 00:19:38,359 --> 00:19:40,639 Speaker 9: So is there just about to make it sound cooler 360 00:19:40,680 --> 00:19:41,280 Speaker 9: in English? 361 00:19:41,520 --> 00:19:41,760 Speaker 3: Yeah? 362 00:19:42,040 --> 00:19:44,680 Speaker 2: It does sound cooler. It's a really I mean, and 363 00:19:44,760 --> 00:19:47,480 Speaker 2: the idea you have to hold that rifle steady after 364 00:19:47,520 --> 00:19:50,119 Speaker 2: you know, you're breathing like crazy, your heart is beating 365 00:19:50,119 --> 00:19:52,320 Speaker 2: out of there, you know, et cetera. But and you 366 00:19:52,320 --> 00:19:55,800 Speaker 2: know it's an endurance test. But many have excelled at 367 00:19:55,800 --> 00:20:00,000 Speaker 2: the Games. Where do they put the metals? I mean, 368 00:20:00,320 --> 00:20:05,680 Speaker 2: the most coveted prizes in sports. They can spend decades 369 00:20:05,720 --> 00:20:09,159 Speaker 2: trying to get them, and only the greatest in the 370 00:20:09,160 --> 00:20:14,640 Speaker 2: world succeed. Where would you put your medal? Alex Hall, 371 00:20:14,840 --> 00:20:19,399 Speaker 2: a slope style skier, has a gold medal from the 372 00:20:19,400 --> 00:20:22,399 Speaker 2: twenty twenty two Games, says, my parents wanted me to 373 00:20:22,400 --> 00:20:27,240 Speaker 2: get a safe for it, but that sounded ridiculous. So 374 00:20:28,600 --> 00:20:32,320 Speaker 2: it's beneath a pile of socks and thermal underwear. It 375 00:20:32,359 --> 00:20:37,840 Speaker 2: hasn't seen sunlight in a long time, he said. Now 376 00:20:37,880 --> 00:20:40,359 Speaker 2: he has to find space for the silver medal. I 377 00:20:40,400 --> 00:20:44,080 Speaker 2: guess there's probably space in the same drawer. Mikayla Schiffrin, 378 00:20:44,560 --> 00:20:47,040 Speaker 2: one of the greatest alpine skiers of all time, the 379 00:20:47,080 --> 00:20:51,359 Speaker 2: owner of three Olympic medals. She has it in a 380 00:20:52,200 --> 00:21:00,320 Speaker 2: special encased, especially lit area of the living room. No no, no, no, 381 00:21:00,440 --> 00:21:06,320 Speaker 2: she's a sock drawer person. Also, Mikhaylas Schiffrin's medals, all 382 00:21:06,440 --> 00:21:10,479 Speaker 2: three of them are in the sock drawer. Ryan Lochte 383 00:21:11,480 --> 00:21:16,959 Speaker 2: twelve medals. He's the second most decorated male swimmer in 384 00:21:17,000 --> 00:21:25,439 Speaker 2: the history of the Olympics. They are in a drawer, again, 385 00:21:26,480 --> 00:21:33,160 Speaker 2: a sock drawer. The ikea dresser drawer where Christopher Masder 386 00:21:33,640 --> 00:21:38,080 Speaker 2: keeps his twenty eighteen silver medal holds not only his 387 00:21:38,920 --> 00:21:43,240 Speaker 2: socks but other important possessions like belts and ties along 388 00:21:43,240 --> 00:21:46,200 Speaker 2: with the silver medal. They've all got them in the 389 00:21:46,240 --> 00:21:51,919 Speaker 2: sock drawer. Dresser drawers are where they have the metals. 390 00:21:51,960 --> 00:21:54,199 Speaker 2: And again it's not like they're in a drawer and 391 00:21:54,240 --> 00:21:59,560 Speaker 2: that's all that's there. They're there coexisting with sunglasses, with socks, 392 00:21:59,600 --> 00:22:00,680 Speaker 2: with un where. 393 00:22:01,119 --> 00:22:03,560 Speaker 4: They work so hard for those and then they just 394 00:22:03,600 --> 00:22:04,399 Speaker 4: throw it in a drawer. 395 00:22:04,640 --> 00:22:08,200 Speaker 2: I mean, I'm sure they place it in the drawer carefully, 396 00:22:08,240 --> 00:22:10,720 Speaker 2: but nonetheless, your point is well taken. You'd think you'd 397 00:22:10,720 --> 00:22:15,840 Speaker 2: have it somewhere in a more prominent spot. But I mean, 398 00:22:16,160 --> 00:22:20,679 Speaker 2: they're so hard to get, and they recognize such excellence 399 00:22:20,720 --> 00:22:24,199 Speaker 2: in performance, you'd think you have them somewhere in a 400 00:22:24,320 --> 00:22:28,240 Speaker 2: place of greater honor. Have you ever won an award 401 00:22:28,240 --> 00:22:30,680 Speaker 2: of any kind, maybe a ribbon for. 402 00:22:32,000 --> 00:22:32,439 Speaker 3: I don't know. 403 00:22:32,680 --> 00:22:34,639 Speaker 4: I won bicycle rodeo awards. 404 00:22:35,160 --> 00:22:38,080 Speaker 3: That's pretty element What is a bicycle rodeo? 405 00:22:38,480 --> 00:22:41,600 Speaker 4: In elementary they used to have these contests where you 406 00:22:41,800 --> 00:22:44,520 Speaker 4: show your bike skills, like how slow you can go 407 00:22:44,600 --> 00:22:49,320 Speaker 4: through like little obstacle courses and stuff. Yeah, that's it. 408 00:22:50,200 --> 00:22:50,840 Speaker 3: That's something. 409 00:22:52,080 --> 00:22:55,320 Speaker 2: I was a rider horses when I was a teenager, 410 00:22:55,880 --> 00:22:58,000 Speaker 2: and and we didn't have horses or anything. 411 00:22:58,000 --> 00:22:59,359 Speaker 3: I had to ride other people's horses. 412 00:23:00,359 --> 00:23:03,000 Speaker 2: And that's the trick because a lot of horses are really, 413 00:23:03,440 --> 00:23:08,080 Speaker 2: you know, terrific at various events, and others are not, 414 00:23:08,200 --> 00:23:09,880 Speaker 2: and you have to just sort of ride with whatever 415 00:23:09,960 --> 00:23:14,600 Speaker 2: you get. And it was jumping, like you're jumping these horses, 416 00:23:15,119 --> 00:23:17,440 Speaker 2: and it was pretty intense. As I recall, I had 417 00:23:17,520 --> 00:23:20,840 Speaker 2: some blue ribbons, and the blue ribbons in the horse 418 00:23:20,880 --> 00:23:25,359 Speaker 2: world those are the top ribbons, and I think I 419 00:23:25,400 --> 00:23:27,520 Speaker 2: had them on a corkboard, you know, there is my 420 00:23:28,000 --> 00:23:32,200 Speaker 2: kind of my corkboard of fame. I had some pretty 421 00:23:32,920 --> 00:23:35,720 Speaker 2: brutal times, though, I'll tell you. Let me tell you 422 00:23:35,880 --> 00:23:39,080 Speaker 2: the one thing I couldn't do as a rider, and 423 00:23:39,119 --> 00:23:43,040 Speaker 2: this is still true today. I have a deficiency and 424 00:23:43,119 --> 00:23:46,560 Speaker 2: it kind of comes up in weird ways. And here's 425 00:23:46,560 --> 00:23:50,200 Speaker 2: what it is, and it's a quick thing. The way 426 00:23:50,240 --> 00:23:54,880 Speaker 2: that jumping works with the horses is you're not allowed 427 00:23:54,920 --> 00:23:57,919 Speaker 2: to take the horse into the ring to show the 428 00:23:58,000 --> 00:24:02,040 Speaker 2: horse defenses. Walk the ring, at least the way it 429 00:24:02,160 --> 00:24:04,520 Speaker 2: was when I was doing it. You can walk the ring, 430 00:24:04,560 --> 00:24:06,800 Speaker 2: you can walk the fences, you can look at the fences, 431 00:24:06,840 --> 00:24:09,119 Speaker 2: you can size the whole thing up, but you have 432 00:24:09,200 --> 00:24:12,680 Speaker 2: to walk at yourself without the horse. The other thing 433 00:24:12,760 --> 00:24:16,480 Speaker 2: they have you do is they have you memorize the course. 434 00:24:16,880 --> 00:24:18,880 Speaker 2: You can't take the fences in any order you want. 435 00:24:18,920 --> 00:24:20,359 Speaker 2: You have to take them in a certain order. And 436 00:24:20,400 --> 00:24:24,639 Speaker 2: it's very illogical the order, like it doesn't seem to 437 00:24:24,800 --> 00:24:28,040 Speaker 2: follow all the fences on one side, then all the 438 00:24:28,040 --> 00:24:30,080 Speaker 2: fences on the other. That's not the way it works. 439 00:24:31,840 --> 00:24:34,479 Speaker 2: And the thing that I couldn't do is I couldn't 440 00:24:34,520 --> 00:24:39,240 Speaker 2: remember the damn course. And that is I mean, it 441 00:24:39,240 --> 00:24:41,399 Speaker 2: didn't happen all the time, but it would happen, and 442 00:24:41,440 --> 00:24:43,359 Speaker 2: there's this moment where you go, oh my god, I 443 00:24:43,400 --> 00:24:46,000 Speaker 2: don't remember what fence I'm supposed to take next? And 444 00:24:46,080 --> 00:24:50,360 Speaker 2: so you're riding well, but this is what happens when 445 00:24:50,359 --> 00:24:52,960 Speaker 2: you miss the fence, like you're taking the wrong fence. 446 00:24:53,320 --> 00:24:56,680 Speaker 2: The announcer comes in over and he goes number thirty two. 447 00:24:56,760 --> 00:25:00,600 Speaker 2: You're excused. They just say you're excused, and then you 448 00:25:00,640 --> 00:25:03,399 Speaker 2: know it's time to hit the road. Never even in 449 00:25:03,480 --> 00:25:05,960 Speaker 2: the but I love watching the equestrian events during the 450 00:25:05,960 --> 00:25:09,080 Speaker 2: Summer Olympics. Those people are just brilliant and those horses are, 451 00:25:09,200 --> 00:25:13,720 Speaker 2: you know, gorgeous animals. But if I ever had a medal, 452 00:25:14,280 --> 00:25:16,560 Speaker 2: I promise you it would not be in the sock drawer. 453 00:25:17,400 --> 00:25:19,800 Speaker 2: It would find its way to some place of prominence. 454 00:25:20,920 --> 00:25:25,399 Speaker 2: But clearly the biggest medal winners just toss it in 455 00:25:25,440 --> 00:25:26,200 Speaker 2: with the underwear. 456 00:25:27,240 --> 00:25:30,640 Speaker 1: You're listening to KFI AM six forty on demand. 457 00:25:32,240 --> 00:25:34,639 Speaker 2: It's a rainy day. I mean to call it rainy 458 00:25:34,720 --> 00:25:36,920 Speaker 2: is to understate it. I mean it was really intense. 459 00:25:37,440 --> 00:25:40,840 Speaker 2: The wind was astounding, it was really stormy. And so 460 00:25:41,359 --> 00:25:43,280 Speaker 2: there's more where that came from. There are watches and 461 00:25:43,320 --> 00:25:46,560 Speaker 2: warnings posted will keep you posted on all developments as 462 00:25:46,600 --> 00:25:48,560 Speaker 2: it changes through. 463 00:25:48,400 --> 00:25:49,760 Speaker 3: The week, but it's going to be a wet week. 464 00:25:50,880 --> 00:25:56,000 Speaker 2: The GU three investigation continues frustrating. They found a glove 465 00:25:57,200 --> 00:26:02,200 Speaker 2: miles away and it matches those gloves of the massed 466 00:26:02,240 --> 00:26:06,640 Speaker 2: intruder who's seen on the doorbell footage. DNA was recovered 467 00:26:06,680 --> 00:26:10,720 Speaker 2: from it. That's sort of the first major breakthrough after 468 00:26:10,840 --> 00:26:17,800 Speaker 2: weeks of dead ends. The family continues emotional please, Savannah 469 00:26:17,800 --> 00:26:22,840 Speaker 2: Guthrie urging kidnappers to quote do the right thing. And 470 00:26:22,960 --> 00:26:26,400 Speaker 2: this is an elderly woman. She has daily heart medication. 471 00:26:26,560 --> 00:26:34,080 Speaker 2: She needs. The investigation entering its third week. They've cleared 472 00:26:34,080 --> 00:26:40,400 Speaker 2: direct members of the family as possible suspects. Authorities are 473 00:26:40,760 --> 00:26:44,480 Speaker 2: awaiting the DNA evidence. Now no sign of the eighty 474 00:26:44,520 --> 00:26:49,320 Speaker 2: four year old. On Sunday, the FBI and d said 475 00:26:49,359 --> 00:26:52,520 Speaker 2: the DNA was found on that glove, but it takes 476 00:26:52,560 --> 00:26:56,200 Speaker 2: time to run the DNA tests. As you know, there 477 00:26:56,240 --> 00:27:01,880 Speaker 2: have been questions about where they sat everything. They They 478 00:27:01,920 --> 00:27:04,240 Speaker 2: sent a lot of the lab work to Florida when 479 00:27:04,240 --> 00:27:06,000 Speaker 2: they could have done it locally. There's sort of the 480 00:27:06,040 --> 00:27:09,439 Speaker 2: suggestion that maybe the I think it's even more than 481 00:27:09,440 --> 00:27:13,880 Speaker 2: a suggestion. The local investigators haven't been as on top 482 00:27:13,880 --> 00:27:19,080 Speaker 2: of the game as they'd like, But I think this 483 00:27:19,960 --> 00:27:25,280 Speaker 2: probably is the lynchpin to any sort of real breakthrough 484 00:27:25,320 --> 00:27:26,960 Speaker 2: in this case, wouldn't you say. I mean, once you 485 00:27:27,000 --> 00:27:28,840 Speaker 2: can get that DNA, you can run it against a 486 00:27:29,040 --> 00:27:33,600 Speaker 2: number of different databases. It's possible you come up with something. 487 00:27:35,880 --> 00:27:41,960 Speaker 2: February first, the whole thing happened, and the release of 488 00:27:42,000 --> 00:27:45,840 Speaker 2: the footage was probably the first major break in this case. 489 00:27:46,440 --> 00:27:52,200 Speaker 2: It showed that armed man wearing a balaklava gloves backpack. 490 00:27:55,600 --> 00:27:58,520 Speaker 2: And then they detained a guy at a traffic stop 491 00:27:58,640 --> 00:28:02,280 Speaker 2: in Rio Rica, which is this community like twelve miles 492 00:28:02,440 --> 00:28:07,080 Speaker 2: north of the US Mexico border, and I kind of thought, oh, 493 00:28:08,520 --> 00:28:15,400 Speaker 2: they got this thing now. No, they released him. Deputies 494 00:28:15,400 --> 00:28:21,159 Speaker 2: and FBI forensic experts. An agent searched that home overnight, 495 00:28:21,320 --> 00:28:24,760 Speaker 2: didn't locate Guthrie or any sign of Guthrie. The man 496 00:28:24,840 --> 00:28:32,320 Speaker 2: was released, apparently stating quite emphatically, he has nothing to 497 00:28:32,359 --> 00:28:37,680 Speaker 2: do with the disappearance of Guthrie. Authorities served a search 498 00:28:37,720 --> 00:28:40,760 Speaker 2: warrant at a home in Tucson this is Friday night 499 00:28:43,040 --> 00:28:49,600 Speaker 2: and made no arrests. Apparently no breakthrough there. President Trump 500 00:28:50,080 --> 00:28:53,320 Speaker 2: sang today that the kidnappers would face quote the most 501 00:28:53,360 --> 00:28:56,600 Speaker 2: severe punishment. When asked if he was referring to the 502 00:28:56,640 --> 00:29:02,120 Speaker 2: death penalty, the President said the most. Yeah, that's true. 503 00:29:02,360 --> 00:29:04,480 Speaker 2: Guthrie was discovered missing it, so she shouldn't show up. 504 00:29:04,520 --> 00:29:06,120 Speaker 2: She didn't show up to a friend's house to watch 505 00:29:06,160 --> 00:29:09,080 Speaker 2: a church service. It was taken from her home without 506 00:29:09,080 --> 00:29:12,000 Speaker 2: her heart medication. Unclear how long she can survive without it. 507 00:29:13,400 --> 00:29:19,120 Speaker 2: A day after she disappeared, news outlets got this ransom note, 508 00:29:19,240 --> 00:29:22,440 Speaker 2: I mean it was delivered to news outlets of this 509 00:29:22,640 --> 00:29:26,960 Speaker 2: identical ransom note, and investigators to treating the note as legitimate. 510 00:29:29,560 --> 00:29:33,920 Speaker 2: They really don't have, though, even though they're treating as legitimate, 511 00:29:34,040 --> 00:29:41,280 Speaker 2: any actual evidence that whoever authored the note has Guthrie, right, 512 00:29:41,280 --> 00:29:44,960 Speaker 2: they're just kind of operating under the presumption that they 513 00:29:45,000 --> 00:29:48,880 Speaker 2: have Guthrie. They said that the note felt credible because 514 00:29:48,920 --> 00:29:55,360 Speaker 2: it included details about a specified piece of property and 515 00:29:55,400 --> 00:29:57,560 Speaker 2: it was a damaged piece of property and the placement 516 00:29:57,600 --> 00:30:00,440 Speaker 2: of an accessory in the house that hadn't been made public, 517 00:30:00,480 --> 00:30:05,240 Speaker 2: and so those pacifics they felt reflected authenticity. The ransom 518 00:30:05,280 --> 00:30:08,720 Speaker 2: note demanded six million dollars in bitcoin. The family stating, 519 00:30:08,880 --> 00:30:11,440 Speaker 2: you know in that video you've probably seen it by now, 520 00:30:12,080 --> 00:30:15,880 Speaker 2: that they would pay, but the deadline passed and there 521 00:30:16,000 --> 00:30:22,400 Speaker 2: was no money. Sent another letter to TMZ claims to 522 00:30:22,440 --> 00:30:27,120 Speaker 2: know where Nancy Guthrie is. Harvey Levin taking to social 523 00:30:27,160 --> 00:30:29,480 Speaker 2: media with a direct plea to the person who sent 524 00:30:29,560 --> 00:30:36,160 Speaker 2: that to TMZ, I guess they had several letters sent 525 00:30:36,240 --> 00:30:39,600 Speaker 2: claiming to have information about the disappearance of Nancy Guthrie, 526 00:30:40,960 --> 00:30:43,920 Speaker 2: Levin urging the sender to provide specific details if they 527 00:30:44,000 --> 00:30:49,560 Speaker 2: want the reward money. This is a fourth letter that 528 00:30:49,720 --> 00:30:54,800 Speaker 2: TMZ has received from the same person who says that 529 00:30:55,920 --> 00:31:00,280 Speaker 2: they have Guthrie. I should tell everybody that. In this letter, 530 00:31:00,320 --> 00:31:03,480 Speaker 2: it says I know what I saw five days ago 531 00:31:03,640 --> 00:31:06,239 Speaker 2: south of the border, and I was told to shut up. 532 00:31:06,440 --> 00:31:08,800 Speaker 2: So this is a person who claims they have information 533 00:31:08,840 --> 00:31:13,440 Speaker 2: about Guthrie but is not holding Guthrie. So it continues, 534 00:31:13,920 --> 00:31:17,720 Speaker 2: I know who he is, and that was definitely Nancy 535 00:31:17,720 --> 00:31:21,600 Speaker 2: with them. This is the second time he's referred to 536 00:31:21,640 --> 00:31:24,440 Speaker 2: more than one person involved in this, says Harvey eleven. 537 00:31:26,120 --> 00:31:28,560 Speaker 2: He said there's a main person and there are others. 538 00:31:29,160 --> 00:31:31,760 Speaker 2: Again that's a quote from Harvey eleven. The FBI has 539 00:31:31,760 --> 00:31:36,120 Speaker 2: offered one hundred thousand dollars for information leading to Guthrie's 540 00:31:36,120 --> 00:31:39,960 Speaker 2: recovery or conviction. Last seen at her home on January 541 00:31:39,960 --> 00:31:43,440 Speaker 2: thirty first and last week, of course, the FBI releasing 542 00:31:43,480 --> 00:31:46,840 Speaker 2: footage of that person outside of Guthrie's front door before 543 00:31:46,880 --> 00:31:51,720 Speaker 2: she vanished. Reported ransom notes have been sentive news outlets 544 00:31:51,760 --> 00:31:56,640 Speaker 2: like TMZ, but the authenticity again not confirmed. So this 545 00:31:56,720 --> 00:32:00,440 Speaker 2: is one that is starting to get grimmer and grimmer. 546 00:32:00,680 --> 00:32:08,520 Speaker 2: You know, these high profile cases of kidnapping, generally they 547 00:32:08,560 --> 00:32:13,120 Speaker 2: have some kind of proof of life, you know. That's 548 00:32:13,160 --> 00:32:17,840 Speaker 2: the thing that's truly missing here. And it's such a 549 00:32:18,040 --> 00:32:25,240 Speaker 2: high profile case that you'd think there'd be two things 550 00:32:25,280 --> 00:32:28,920 Speaker 2: going on here, one proof of life early, the two 551 00:32:29,560 --> 00:32:31,840 Speaker 2: trying to wrap things up early if you're the kidnappers. 552 00:32:31,880 --> 00:32:35,200 Speaker 2: And three, and this is perhaps the grimmest thing, the 553 00:32:35,240 --> 00:32:39,920 Speaker 2: reality that there is such heat around this that there's 554 00:32:40,000 --> 00:32:42,960 Speaker 2: just no way to get away with this, And that 555 00:32:44,080 --> 00:32:47,440 Speaker 2: leads me to believe that it's likely that these kidnappers 556 00:32:47,520 --> 00:32:53,320 Speaker 2: just you know, have cut their losses. That's the grimmest obviously, 557 00:32:53,440 --> 00:32:56,000 Speaker 2: the grimmest narrative on one level, but I feel like 558 00:32:56,040 --> 00:32:58,840 Speaker 2: it respects the facts. And Explain to me why we've 559 00:32:58,840 --> 00:33:02,720 Speaker 2: gone so long without proof of life. Explain to me 560 00:33:02,800 --> 00:33:04,840 Speaker 2: how an eighty four year old woman who takes daily 561 00:33:04,880 --> 00:33:08,640 Speaker 2: heart medication could likely still be alive. 562 00:33:08,720 --> 00:33:08,800 Speaker 6: Now. 563 00:33:08,880 --> 00:33:10,480 Speaker 2: To be fair, I don't know, you know, if it's 564 00:33:11,400 --> 00:33:15,040 Speaker 2: you know, anti cholesterol medication or blood thinner medication that 565 00:33:15,080 --> 00:33:18,000 Speaker 2: she could you know, conceivably survive without it. It's just 566 00:33:18,040 --> 00:33:21,160 Speaker 2: that you know, it's suboptimal to not have it. So 567 00:33:21,880 --> 00:33:24,880 Speaker 2: I don't know, but I do think that as you 568 00:33:24,960 --> 00:33:28,400 Speaker 2: follow the beats of what we've seen, I think you 569 00:33:28,800 --> 00:33:31,240 Speaker 2: begin to come to grimmer and grimmer conclusions. 570 00:33:31,280 --> 00:33:33,160 Speaker 3: And it's really really a sad case. 571 00:33:34,200 --> 00:33:37,160 Speaker 2: So obviously any breaks in the case, it's one of 572 00:33:37,160 --> 00:33:41,719 Speaker 2: the most watched cases in the history of American crime. 573 00:33:42,640 --> 00:33:45,480 Speaker 2: We'll have it for you here. Also watching the weather situation, 574 00:33:45,640 --> 00:33:49,920 Speaker 2: which is dicey. There's been a kind of break tonight 575 00:33:49,960 --> 00:33:52,040 Speaker 2: at sea level anyway. I think it's still kind of 576 00:33:52,480 --> 00:33:55,240 Speaker 2: rocking in the mountains and in parts of southern California 577 00:33:55,320 --> 00:33:59,280 Speaker 2: as well. We'll give you updates on that as we 578 00:33:59,320 --> 00:34:06,200 Speaker 2: continue tomorrow night. Conway in this time period, this is 579 00:34:06,240 --> 00:34:12,200 Speaker 2: our big farewell, yeah, forget it after this. It's the 580 00:34:12,239 --> 00:34:15,240 Speaker 2: whole Conway crew in here, so we've got the power 581 00:34:15,400 --> 00:34:19,240 Speaker 2: hours still to go. Mark Thompson here on KFI AM 582 00:34:19,320 --> 00:34:22,480 Speaker 2: six forty live everywhere on the iHeartRadio 583 00:34:22,520 --> 00:34:25,880 Speaker 1: App KFI AM six forty on demand