1
00:00:01,040 --> 00:00:02,960
Speaker 1: It's night Side with Dan Ray.

2
00:00:03,320 --> 00:00:08,000
Speaker 2: I'm telling you Boston's news radio brother Jay for Dan

3
00:00:08,080 --> 00:00:12,080
Speaker 2: two nights. Let's have some fun. Let's have some more fun. Actually,

4
00:00:12,080 --> 00:00:14,160
Speaker 2: I've been having fun all night. I have to tell

5
00:00:14,200 --> 00:00:20,479
Speaker 2: you honestly, I deeply enjoy the community that the Dan

6
00:00:20,600 --> 00:00:23,479
Speaker 2: has created in night Side, and I'm extremely honored to

7
00:00:23,480 --> 00:00:28,480
Speaker 2: be part of that community. All Right, I had an

8
00:00:28,520 --> 00:00:34,040
Speaker 2: experience that it left me less than dazzled. I went

9
00:00:34,080 --> 00:00:36,240
Speaker 2: to a ballgame and there was something abou about the

10
00:00:36,280 --> 00:00:38,319
Speaker 2: ball game. It was a Red Sox game that I

11
00:00:38,400 --> 00:00:42,559
Speaker 2: really did not like. And I need to share that

12
00:00:42,600 --> 00:00:45,519
Speaker 2: with you and see if you agree with me. But

13
00:00:45,840 --> 00:00:50,680
Speaker 2: further than that, it occurs to me there are other

14
00:00:50,760 --> 00:00:54,680
Speaker 2: events that have things that happen and then they're off putting.

15
00:00:55,680 --> 00:01:00,400
Speaker 2: So I ask you, what are something What is a

16
00:01:00,520 --> 00:01:04,920
Speaker 2: something that happens at a particular type of event that

17
00:01:05,360 --> 00:01:10,600
Speaker 2: puts you off going to that event? For example, well,

18
00:01:10,680 --> 00:01:15,679
Speaker 2: ball games, of course, that's MLB and softball games. I

19
00:01:15,720 --> 00:01:20,800
Speaker 2: have separate things that bother me movie theaters. What happens

20
00:01:20,800 --> 00:01:23,240
Speaker 2: in a movie theater experience that it's off putting and

21
00:01:23,680 --> 00:01:27,280
Speaker 2: almost makes you regret you went. How about a birthday party?

22
00:01:27,959 --> 00:01:30,880
Speaker 2: How about a concert. What things happen at concerts that

23
00:01:31,120 --> 00:01:37,840
Speaker 2: just are off putting, make it almost seem not worth it.

24
00:01:39,959 --> 00:01:44,840
Speaker 2: Even a bus ride. There are things about certain but

25
00:01:45,000 --> 00:01:47,120
Speaker 2: well not certain busses, all buses that bother me. Right,

26
00:01:47,120 --> 00:01:49,600
Speaker 2: I'm talking about the long distance buses, not the city buses.

27
00:01:50,400 --> 00:01:55,640
Speaker 2: Same with trains. Weddings. What happens their weddings that make

28
00:01:55,720 --> 00:02:03,000
Speaker 2: you say, oh God, oh God, let me out of here, concerts,

29
00:02:03,880 --> 00:02:08,799
Speaker 2: even Christmas six, one, seven, two, five, four, ten thirty.

30
00:02:09,160 --> 00:02:11,959
Speaker 2: Think about these things, think about your experiences doing them,

31
00:02:12,160 --> 00:02:17,080
Speaker 2: and think about, ah, the irritant things that happen, the

32
00:02:17,080 --> 00:02:20,840
Speaker 2: irritating things things like again, oh, restaurants, I didn't include

33
00:02:20,880 --> 00:02:26,079
Speaker 2: that before, restaurants, softball game, baseball game, movie, theater, birthday, concert,

34
00:02:26,600 --> 00:02:33,359
Speaker 2: bus ride, train ride, wedding, exorcism. No, that's left over

35
00:02:33,440 --> 00:02:37,800
Speaker 2: from a previous topic. And uh, Christmas even all right,

36
00:02:37,880 --> 00:02:43,280
Speaker 2: let me tell you the story about the ballgame. I

37
00:02:43,280 --> 00:02:46,359
Speaker 2: don't go to many ball games, but enough it's nice

38
00:02:46,400 --> 00:02:50,000
Speaker 2: to go every once in a while because it's because

39
00:02:50,000 --> 00:02:52,560
Speaker 2: of the park. The park is a magical spot in

40
00:02:52,560 --> 00:02:56,000
Speaker 2: the city. The city is hot concrete, and then you

41
00:02:56,040 --> 00:02:58,520
Speaker 2: walk up that ramp and see that green of that ballpark.

42
00:02:58,560 --> 00:02:58,880
Speaker 3: It is.

43
00:03:00,360 --> 00:03:05,360
Speaker 2: To be there magical. I love the park. I live

44
00:03:05,440 --> 00:03:11,000
Speaker 2: the sites of the park, the smells, and I used

45
00:03:11,040 --> 00:03:14,760
Speaker 2: to like the sounds too. So my story goes like this.

46
00:03:15,440 --> 00:03:18,840
Speaker 2: You got, folks, anybody remembered uh, oh Positive the band

47
00:03:20,280 --> 00:03:23,280
Speaker 2: Dave Hurley, he is was the guy is the guy

48
00:03:23,320 --> 00:03:25,320
Speaker 2: that was in Oh Positive. He's got it, by the way,

49
00:03:25,320 --> 00:03:28,560
Speaker 2: He's got a new a new thing out a song

50
00:03:28,600 --> 00:03:30,880
Speaker 2: called good Trouble. It's brand new. It's really great. You

51
00:03:30,960 --> 00:03:33,600
Speaker 2: might want to search for it. But Dave Hurley, he

52
00:03:33,639 --> 00:03:36,640
Speaker 2: called me up and said, hey, I got an extra

53
00:03:36,640 --> 00:03:39,640
Speaker 2: ticket to you want to go to the ballgame? And

54
00:03:39,720 --> 00:03:42,040
Speaker 2: I said yeah, because I am last minute.

55
00:03:42,040 --> 00:03:42,280
Speaker 3: Man.

56
00:03:42,920 --> 00:03:45,960
Speaker 2: If I know something about myself, it's I don't like commitment.

57
00:03:46,280 --> 00:03:50,800
Speaker 2: I'm all about last minute. So yes, I pride myself

58
00:03:50,800 --> 00:03:53,960
Speaker 2: on I'll be there right away. So I went to

59
00:03:54,040 --> 00:03:56,920
Speaker 2: the game, and just as I expressed to you, you

60
00:03:57,000 --> 00:04:00,880
Speaker 2: go inside, you know which way? Did? I? I got

61
00:04:00,880 --> 00:04:06,360
Speaker 2: off at Fenway, walked behind the buildings to the Lansdowne

62
00:04:06,400 --> 00:04:08,880
Speaker 2: Street entrance and went in. And you have the hustle

63
00:04:08,920 --> 00:04:14,040
Speaker 2: and bustle of the concourse there, and then you walk

64
00:04:14,120 --> 00:04:17,320
Speaker 2: up the ramp with the high expectations of seeing that

65
00:04:17,360 --> 00:04:23,320
Speaker 2: magic green. Oh, it's fantastic. And one thing that's fantastic

66
00:04:23,320 --> 00:04:26,240
Speaker 2: about baseball is it has is the tradition. That's what

67
00:04:26,279 --> 00:04:29,039
Speaker 2: it's about. It's about the tradition. It hasn't changed much

68
00:04:29,920 --> 00:04:33,719
Speaker 2: since the eighteen hundreds, is that, right? Do I have?

69
00:04:34,760 --> 00:04:36,360
Speaker 2: There was baseball in the eighteen hundreds?

70
00:04:36,400 --> 00:04:36,640
Speaker 3: Right?

71
00:04:36,920 --> 00:04:44,799
Speaker 2: Yeah, it's largely the same. And I love that about it,

72
00:04:44,880 --> 00:04:53,839
Speaker 2: the routines, the the slowness of it, the baseballness of it.

73
00:04:54,080 --> 00:04:57,000
Speaker 2: Now they do something now that takes away from the

74
00:04:57,040 --> 00:05:00,760
Speaker 2: baseballness of it for me. It takes away from the

75
00:05:00,760 --> 00:05:03,840
Speaker 2: magic of Fanaway Park for me. It takes away from

76
00:05:03,920 --> 00:05:07,440
Speaker 2: the enjoyment of the game for me. And I don't

77
00:05:07,440 --> 00:05:10,000
Speaker 2: know if it does this for you. And I'm so

78
00:05:10,120 --> 00:05:13,240
Speaker 2: glad I have a platform to tell everybody this. I'm

79
00:05:13,279 --> 00:05:17,960
Speaker 2: really pleased about it. What I cannot stand is that

80
00:05:17,960 --> 00:05:23,880
Speaker 2: for Saint Mariason, now, anytime there's ever a gap in

81
00:05:23,960 --> 00:05:33,160
Speaker 2: any action, they're blasting music really loudly, as if as

82
00:05:33,200 --> 00:05:36,480
Speaker 2: if my brain can't take a moment's relaxation. Oh wait

83
00:05:36,480 --> 00:05:41,919
Speaker 2: a minute, the uh, I don't know, the batter stepped

84
00:05:41,920 --> 00:05:44,479
Speaker 2: out of the box. Oh gotta have this music loud

85
00:05:44,480 --> 00:05:46,599
Speaker 2: blah blah blah blah blah blah blah. I don't need that.

86
00:05:46,920 --> 00:05:51,120
Speaker 2: I don't want that. Any music I want from the

87
00:05:51,160 --> 00:05:56,800
Speaker 2: old school, John Kylie Organ, you know. I want the

88
00:05:56,960 --> 00:06:00,880
Speaker 2: old school. I want the tradition. That's why I go there.

89
00:06:01,000 --> 00:06:03,840
Speaker 2: I get plenty of loud music in my life. We

90
00:06:03,920 --> 00:06:07,880
Speaker 2: all do. It's there on demand. I don't need that

91
00:06:08,040 --> 00:06:11,039
Speaker 2: at the ball game. It diminishes the experience of the

92
00:06:11,040 --> 00:06:14,880
Speaker 2: ballgame for me, and I know that it must be

93
00:06:15,080 --> 00:06:18,680
Speaker 2: for some of you as well. By the way, I

94
00:06:18,720 --> 00:06:22,640
Speaker 2: admire those vendors. They work so hard. How much do

95
00:06:22,640 --> 00:06:25,600
Speaker 2: you think they make? I was asking myself that what

96
00:06:25,720 --> 00:06:27,960
Speaker 2: is your guests in tips? Now? I don't want to

97
00:06:28,000 --> 00:06:30,720
Speaker 2: know the hourly because you're gonna look it up. They

98
00:06:30,800 --> 00:06:34,839
Speaker 2: must make so much in tips, and they really work hard.

99
00:06:35,839 --> 00:06:39,919
Speaker 2: But for some reason, people are different about money. At

100
00:06:39,960 --> 00:06:41,680
Speaker 2: the ballpark, right, you paid a lot of money to

101
00:06:41,680 --> 00:06:43,800
Speaker 2: get in, You're with people who are watching you. You

102
00:06:43,920 --> 00:06:46,360
Speaker 2: order a hot dog? Can I get two dogs? Please?

103
00:06:46,839 --> 00:06:49,400
Speaker 2: Whatever it is? That's fourteen bucks, I think, and people

104
00:06:49,480 --> 00:06:53,320
Speaker 2: will just be like, here's a twenty keep it. And

105
00:06:53,360 --> 00:06:56,640
Speaker 2: that happens a lot partly because it's a hassle to

106
00:06:56,640 --> 00:06:59,080
Speaker 2: get the change, and partly because they're with friends and

107
00:06:59,120 --> 00:07:03,400
Speaker 2: they want to not see cheap. So that transaction took

108
00:07:03,440 --> 00:07:07,240
Speaker 2: maybe thirty seconds, and they're doing at least the transaction

109
00:07:07,320 --> 00:07:13,120
Speaker 2: a minute. There's big money there, but of course they are.

110
00:07:13,560 --> 00:07:15,559
Speaker 2: And you can tell this big money there because they're

111
00:07:16,080 --> 00:07:21,120
Speaker 2: really working hard and fast. The monetary motivation has to

112
00:07:21,160 --> 00:07:25,640
Speaker 2: be there. So anyway, that's my beef with the ballgame.

113
00:07:26,200 --> 00:07:32,120
Speaker 2: Stop with the loud music. Anytime there's five second break,

114
00:07:32,360 --> 00:07:36,320
Speaker 2: and it's weird, even more irritating because say it's a

115
00:07:36,360 --> 00:07:39,120
Speaker 2: ten second break or a seven second break or five

116
00:07:39,120 --> 00:07:42,200
Speaker 2: second break, they'll play like ten notes of a song.

117
00:07:43,360 --> 00:07:45,000
Speaker 2: Ten notes of a song. They have nothing to do

118
00:07:45,120 --> 00:07:50,040
Speaker 2: with baseball. Ten notes of an I don't want it.

119
00:07:50,080 --> 00:07:53,720
Speaker 2: I want it to go away. And I realize I'm

120
00:07:53,800 --> 00:08:00,400
Speaker 2: risking sounding old. So what is that a crime? The

121
00:08:00,520 --> 00:08:05,400
Speaker 2: tradition and maybe you have to be able to appreciate

122
00:08:05,440 --> 00:08:10,160
Speaker 2: a tradition, so be it, please bring it back. So

123
00:08:10,320 --> 00:08:13,520
Speaker 2: that's my problem with ball games. You know, before we

124
00:08:13,600 --> 00:08:14,880
Speaker 2: go to a break, and then I'll go to Chris

125
00:08:14,960 --> 00:08:18,960
Speaker 2: and cape. God, there's something another thing I can't stand,

126
00:08:19,000 --> 00:08:22,440
Speaker 2: and that is it has to do with the event

127
00:08:22,600 --> 00:08:26,680
Speaker 2: of softball, a softball game. This could be just me,

128
00:08:28,880 --> 00:08:33,920
Speaker 2: but there's something magical about the traditional crack of a

129
00:08:33,960 --> 00:08:38,800
Speaker 2: ball in a baseball or a softball on a wooden bat.

130
00:08:39,840 --> 00:08:44,240
Speaker 2: That's magical crack. There goes the balls. You know, it's

131
00:08:44,280 --> 00:08:45,960
Speaker 2: on the ground between his legs, so it's you know,

132
00:08:46,080 --> 00:08:49,520
Speaker 2: deep to right or it's out of here. The ball

133
00:08:49,640 --> 00:08:57,080
Speaker 2: on a wooden bat sound matters. And this think that

134
00:08:57,240 --> 00:09:02,600
Speaker 2: aluminum bats make is so off putting to me. It's something.

135
00:09:02,720 --> 00:09:07,880
Speaker 2: It's wrong. It's just wrong. It sucks that any dopamine

136
00:09:07,960 --> 00:09:12,360
Speaker 2: I might have had in me sucks it right out. Doink, doink.

137
00:09:13,520 --> 00:09:16,720
Speaker 2: I'm sure there's a reason they use aluminum bats and

138
00:09:16,760 --> 00:09:21,640
Speaker 2: softball games. Whatever, the reason is not good enough. I

139
00:09:21,679 --> 00:09:25,000
Speaker 2: want wooden bats back in softball. Do we go to

140
00:09:25,480 --> 00:09:29,480
Speaker 2: christ and Cape Cod and do you agree with me

141
00:09:29,520 --> 00:09:33,199
Speaker 2: on this baseball music thing, this Fenway Park music thing,

142
00:09:35,440 --> 00:09:38,840
Speaker 2: and maybe the aluminum bad thing, but other thing, other

143
00:09:38,920 --> 00:09:43,040
Speaker 2: situations that have that tend to have irritating things happen

144
00:09:43,440 --> 00:09:46,200
Speaker 2: that make them almost not worth going to. And that,

145
00:09:46,280 --> 00:09:51,400
Speaker 2: as I'm saying, it includes restaurants, for example, a concert.

146
00:09:51,640 --> 00:09:56,360
Speaker 2: Two things about concerts they're way too loud now. And

147
00:09:56,400 --> 00:09:59,240
Speaker 2: I know this is saying if it's too loud year old,

148
00:10:01,120 --> 00:10:04,200
Speaker 2: that's a false saying it's just too loud. The other

149
00:10:04,200 --> 00:10:09,160
Speaker 2: thing is an eighteen dollars beer. Am I that much

150
00:10:09,160 --> 00:10:13,920
Speaker 2: of a sucker? If I'm not mistaken? Beers are insanely

151
00:10:13,960 --> 00:10:18,840
Speaker 2: expensive just for just for bad beer in a plastic cup.

152
00:10:20,120 --> 00:10:24,760
Speaker 2: Not worth it. I'm not doing that. How about you

153
00:10:26,600 --> 00:10:30,239
Speaker 2: more on this after this on WBZY.

154
00:10:30,480 --> 00:10:34,760
Speaker 1: You're on night Side with Dan Ray. I'm WBZ Boston's

155
00:10:34,800 --> 00:10:36,040
Speaker 1: news radio.

156
00:10:36,600 --> 00:10:39,600
Speaker 2: That's right, Brada Jay and for Dan and I just

157
00:10:39,679 --> 00:10:43,280
Speaker 2: went through a whole speech about how I can't stand

158
00:10:43,280 --> 00:10:47,040
Speaker 2: that loud music played in little teeny chunks anytime there's

159
00:10:47,080 --> 00:10:49,880
Speaker 2: a little bit of silence at Benway Park. Also, I

160
00:10:49,920 --> 00:10:55,080
Speaker 2: don't like the sound aluminum bats make in softball. Anything's

161
00:10:55,160 --> 00:10:59,520
Speaker 2: like that at any other events to bother you, weddings, restaurants, Christmas.

162
00:10:59,559 --> 00:11:02,480
Speaker 2: I even have problems with Christmas. We'll get into all that.

163
00:11:02,920 --> 00:11:04,600
Speaker 2: Let me know. If you agree and disagree, come up

164
00:11:04,600 --> 00:11:06,600
Speaker 2: with your own. We have christ and cape cod On

165
00:11:06,720 --> 00:11:12,160
Speaker 2: Cape cod Hi, Chris.

166
00:11:10,679 --> 00:11:12,600
Speaker 3: Hi, Bradley Jay, how are you well?

167
00:11:12,679 --> 00:11:13,120
Speaker 2: Thank you?

168
00:11:14,520 --> 00:11:17,720
Speaker 3: My biggest grievance about Fenway in the music is the

169
00:11:17,760 --> 00:11:23,800
Speaker 3: seventh inning stretch with the Neil Diamond Sweet Caroline. It

170
00:11:23,880 --> 00:11:27,640
Speaker 3: is an urban legend apparently that a lot of people

171
00:11:27,720 --> 00:11:32,079
Speaker 3: think that it's a homage or a tribute to Caroline Kennedy,

172
00:11:32,160 --> 00:11:41,479
Speaker 3: when in fact it is a miss a actually unintended

173
00:11:42,160 --> 00:11:46,240
Speaker 3: tribute to his Neil Diamond's ex wife, Marsha, and he

174
00:11:46,360 --> 00:11:51,040
Speaker 3: needed a three syllable name to cut it into his

175
00:11:51,280 --> 00:11:57,079
Speaker 3: song about his ex wife, Marsha. It is annoying. I

176
00:11:57,120 --> 00:12:02,960
Speaker 3: know that I'm a battle against virtually every person in

177
00:12:03,000 --> 00:12:06,440
Speaker 3: the stands, but it's just not that great a song

178
00:12:06,480 --> 00:12:13,079
Speaker 3: in my opinion, and it is I think, has become

179
00:12:13,240 --> 00:12:18,600
Speaker 3: a part of the Fenway Park experience for so many

180
00:12:19,280 --> 00:12:23,360
Speaker 3: that tune in in the seventh inning stretch to Sweet Caroline,

181
00:12:24,080 --> 00:12:28,319
Speaker 3: when in fact they started playing it for and in

182
00:12:28,480 --> 00:12:34,440
Speaker 3: tribute to, apparently a Fenway Park employee who had just

183
00:12:34,559 --> 00:12:38,840
Speaker 3: had a daughter born by the name of Caroline. So

184
00:12:39,600 --> 00:12:45,439
Speaker 3: that's my speel on Sweet Caroline and music at Fenway

185
00:12:45,600 --> 00:12:51,080
Speaker 3: as a long standing past season ticket holder.

186
00:12:51,280 --> 00:12:56,200
Speaker 2: Okay, here's what the Internet says, and it backs you up,

187
00:12:56,920 --> 00:13:01,640
Speaker 2: because remember, the Internet's wrong all the time. But it

188
00:13:01,720 --> 00:13:03,760
Speaker 2: is not a love song written to a child. At

189
00:13:03,760 --> 00:13:06,600
Speaker 2: the time, the song was written, as you say, for

190
00:13:06,720 --> 00:13:10,720
Speaker 2: Neil Diamond's wife, Marsha, but because the melody did not

191
00:13:10,960 --> 00:13:16,080
Speaker 2: fit the name Marsha musically, Neil chose to say that

192
00:13:16,120 --> 00:13:19,719
Speaker 2: a picture of Caroline Kennedy inspired him. So he said that,

193
00:13:19,760 --> 00:13:22,720
Speaker 2: But it's not He just said that, like people say stuff,

194
00:13:22,760 --> 00:13:27,240
Speaker 2: it's not true. There you go, it was not written

195
00:13:27,440 --> 00:13:30,040
Speaker 2: for Caroline Kennedy. You are correct, sir, And so that

196
00:13:30,120 --> 00:13:32,160
Speaker 2: really is it the song that bothers you or the

197
00:13:32,200 --> 00:13:35,560
Speaker 2: fact that people think it's about Caroline Kennedy.

198
00:13:36,040 --> 00:13:39,319
Speaker 3: No, I think it's one song. I just don't think

199
00:13:39,360 --> 00:13:42,240
Speaker 3: it's that greatest song. And what about the tradition?

200
00:13:43,200 --> 00:13:48,640
Speaker 2: And I myself agree, however, having gone to the park

201
00:13:48,720 --> 00:13:51,840
Speaker 2: for tradition, I'm willing to be part of that whole thing.

202
00:13:52,520 --> 00:13:56,400
Speaker 3: No, it's become a tradition and I respect it to

203
00:13:56,480 --> 00:13:59,800
Speaker 3: the extent that I have to endure it.

204
00:14:00,120 --> 00:14:01,200
Speaker 2: You go to many.

205
00:14:01,000 --> 00:14:06,000
Speaker 3: Games, yeah, have gone to many games, but not recently.

206
00:14:06,120 --> 00:14:07,600
Speaker 2: Do you go the games down in the Cape in

207
00:14:07,600 --> 00:14:08,160
Speaker 2: that league?

208
00:14:10,720 --> 00:14:13,720
Speaker 3: I don't, but it's those are the best games that

209
00:14:13,720 --> 00:14:17,440
Speaker 3: that money doesn't have to buy. Yeah, I mean, there

210
00:14:17,800 --> 00:14:23,240
Speaker 3: is the talent that is. I mean, the legendary feeding

211
00:14:23,520 --> 00:14:29,400
Speaker 3: of the of MLB from the Cape League is astonishing.

212
00:14:29,880 --> 00:14:33,560
Speaker 3: I mean, if you want a great ballgame with young,

213
00:14:34,680 --> 00:14:40,920
Speaker 3: energetic and to be Major League stars, it is the

214
00:14:40,960 --> 00:14:43,440
Speaker 3: best event you can go to.

215
00:14:44,040 --> 00:14:46,680
Speaker 2: If I lived down there, if I had a way

216
00:14:46,680 --> 00:14:48,320
Speaker 2: to get down there, I would go. There's two things

217
00:14:48,320 --> 00:14:52,600
Speaker 2: I would do a lot. I would go to these games,

218
00:14:52,600 --> 00:14:54,520
Speaker 2: and I would also go to all those bar pizza

219
00:14:54,520 --> 00:14:57,800
Speaker 2: places that are so famous down here down in the Cape.

220
00:14:58,560 --> 00:15:00,400
Speaker 2: I'm sure you've been to those as well, all right.

221
00:15:01,640 --> 00:15:06,560
Speaker 3: For sure, do you have a favorite. I don't get

222
00:15:06,600 --> 00:15:08,600
Speaker 3: to those as much. I'm on the outer Cape, so

223
00:15:09,520 --> 00:15:11,640
Speaker 3: we don't have those out here, but we have Spirit

224
00:15:11,680 --> 00:15:13,680
Speaker 3: of Pizza and Provence sand which is the best.

225
00:15:13,920 --> 00:15:17,000
Speaker 2: Okay. I love Provincetown, Chris, thank you so much for chatting.

226
00:15:18,480 --> 00:15:20,880
Speaker 3: Great to talk to you badly, Jay, keep it up.

227
00:15:21,040 --> 00:15:22,000
Speaker 3: You're very interesting.

228
00:15:22,120 --> 00:15:25,120
Speaker 2: Thank you very much, Chris on Cape Cod. I went

229
00:15:25,160 --> 00:15:28,560
Speaker 2: to Provincetown this summer. I'd love Provincetown so much. I

230
00:15:28,680 --> 00:15:31,600
Speaker 2: love taking the ferry. I wish the faerry would run,

231
00:15:31,840 --> 00:15:34,800
Speaker 2: the high speed ferry would run all year. Man, it's

232
00:15:34,840 --> 00:15:37,040
Speaker 2: so much better than driving down there for me. I

233
00:15:37,040 --> 00:15:39,240
Speaker 2: shouldn't be telling you this because you're going to go

234
00:15:39,320 --> 00:15:41,640
Speaker 2: in the ferry and it's going to drive up demand

235
00:15:41,960 --> 00:15:44,000
Speaker 2: and it's going to drive up the price, and then

236
00:15:44,040 --> 00:15:47,000
Speaker 2: I won't be able to afford it. But it's so

237
00:15:47,200 --> 00:15:49,960
Speaker 2: good just to get on that ferry and if you

238
00:15:50,040 --> 00:15:53,400
Speaker 2: want to have a beer, open a nice beer. Ninety

239
00:15:53,400 --> 00:15:56,880
Speaker 2: minute ride. This is what we do. We go down

240
00:15:57,000 --> 00:16:03,160
Speaker 2: the first first boat, first yeah, boat, get off. I

241
00:16:03,160 --> 00:16:05,240
Speaker 2: don't know what time we get there, maybe ten, ten thirty.

242
00:16:05,960 --> 00:16:09,520
Speaker 2: And we go to this this particular place again. If

243
00:16:09,520 --> 00:16:11,480
Speaker 2: I tell you, you're all going to go there, but I'll

244
00:16:11,480 --> 00:16:15,520
Speaker 2: tell you anyway. Is the canteen. Ya if you go

245
00:16:15,560 --> 00:16:19,600
Speaker 2: down to Promise Town, you know the canteen. I love

246
00:16:19,680 --> 00:16:22,640
Speaker 2: the canteen. Get there just as it opens, get a

247
00:16:22,640 --> 00:16:27,800
Speaker 2: table in the sand, order some stuff, a couple of frozs,

248
00:16:28,320 --> 00:16:31,160
Speaker 2: and then we get back on the boat. The two

249
00:16:31,200 --> 00:16:34,160
Speaker 2: I think it's a two o'clock, three o'clock boat. We're

250
00:16:34,240 --> 00:16:40,200
Speaker 2: back in Boston by like four. It's fantastic. It's like

251
00:16:40,240 --> 00:16:45,520
Speaker 2: you went on a trip. And I love the spirit

252
00:16:45,560 --> 00:16:47,600
Speaker 2: down on the cape. And by the way, i'd of

253
00:16:47,720 --> 00:16:51,920
Speaker 2: Bob Allison, Professor Bob Allison from Suffolk University. Great friend

254
00:16:51,960 --> 00:16:54,000
Speaker 2: and a great guest. He hangs out, he goes down

255
00:16:54,040 --> 00:16:56,000
Speaker 2: there with his wife all the time. Maybe I'll see

256
00:16:56,000 --> 00:16:59,200
Speaker 2: you down there sometime, Bob, let's talk to Tom in Lancaster.

257
00:16:59,520 --> 00:17:02,680
Speaker 4: Hi, Tom, Hey, Bradley, how you doing?

258
00:17:02,800 --> 00:17:03,040
Speaker 3: Great?

259
00:17:03,120 --> 00:17:06,680
Speaker 2: Is that Lancaster, Pennsylvania, Lancaster, Massachusetts, New Hampshire.

260
00:17:06,680 --> 00:17:09,159
Speaker 4: No, no, right here, right here in central La May.

261
00:17:09,240 --> 00:17:10,760
Speaker 4: There's no no horse and buggies.

262
00:17:10,880 --> 00:17:13,199
Speaker 2: Okay, good? What's going on?

263
00:17:14,240 --> 00:17:16,840
Speaker 4: We have talked the past. I'm from Brooklyn, New York,

264
00:17:17,160 --> 00:17:20,679
Speaker 4: and I'm just listening to your previous caller being like

265
00:17:20,800 --> 00:17:23,879
Speaker 4: fed up with that, uh you know, the sweet Caroline

266
00:17:23,960 --> 00:17:27,199
Speaker 4: thing going on at Fenway, which I didn't even know

267
00:17:27,320 --> 00:17:29,240
Speaker 4: until they moved up here a couple of years ago.

268
00:17:29,440 --> 00:17:30,360
Speaker 4: I realized that.

269
00:17:30,800 --> 00:17:31,440
Speaker 5: Uh.

270
00:17:31,480 --> 00:17:34,920
Speaker 4: But even more, he should point out that Neil Diamond

271
00:17:34,960 --> 00:17:39,600
Speaker 4: is from my hometown. Oh, I did not know he's

272
00:17:39,600 --> 00:17:42,160
Speaker 4: a Brooklyn guy. Why can't you guys find your own

273
00:17:42,200 --> 00:17:46,520
Speaker 4: local famous artists and use that guy's theme song or

274
00:17:46,560 --> 00:17:49,679
Speaker 4: that woman's theme song for for Fenway. Wouldn't it make

275
00:17:49,720 --> 00:17:50,240
Speaker 4: more sense?

276
00:17:50,960 --> 00:17:53,800
Speaker 2: Oh? Yeah, actually it would. I'll agree with you.

277
00:17:54,520 --> 00:17:58,240
Speaker 4: Born born in Brooklyn, New York. He's he's our guy.

278
00:17:58,960 --> 00:18:01,400
Speaker 2: You know, that's you know, that's and that's scary news.

279
00:18:01,440 --> 00:18:03,080
Speaker 2: A lot of people are not going to like to

280
00:18:03,160 --> 00:18:04,399
Speaker 2: hear that. They're not gonna want to know.

281
00:18:04,520 --> 00:18:07,200
Speaker 4: Yeah, well, I mean very easy to look up. I mean,

282
00:18:07,359 --> 00:18:09,480
Speaker 4: you know a lot of there's a lot of famous

283
00:18:09,560 --> 00:18:12,480
Speaker 4: artists born and born in New York City. But then again,

284
00:18:12,760 --> 00:18:15,320
Speaker 4: I'm sure there's a lot of famous ones born up here.

285
00:18:15,440 --> 00:18:18,360
Speaker 2: Yeah. Let me ask everybody this. Let's say we get

286
00:18:18,440 --> 00:18:22,239
Speaker 2: rid of Sweet Caroline to replace it with a an

287
00:18:22,320 --> 00:18:26,200
Speaker 2: appropriate Boston band. What song would you would you play

288
00:18:27,800 --> 00:18:30,880
Speaker 2: cream on? I suppose you could stretch seventh inning?

289
00:18:31,359 --> 00:18:34,600
Speaker 4: Great, that's great, that's a great idea. Let me tell

290
00:18:34,640 --> 00:18:37,600
Speaker 4: you I fell out of baseball years ago because I

291
00:18:37,600 --> 00:18:41,520
Speaker 4: couldn't afford it anymore. But when the Red Sox went

292
00:18:41,560 --> 00:18:45,600
Speaker 4: to play, you know, the Yankees this week, I said,

293
00:18:45,880 --> 00:18:48,840
Speaker 4: let me tune in and check it out support my

294
00:18:49,080 --> 00:18:52,840
Speaker 4: old favorite team because I'm from the days of Reggie Jackson.

295
00:18:53,520 --> 00:18:57,480
Speaker 4: And I was like, wow, a local native from massachusettss

296
00:18:57,600 --> 00:19:00,639
Speaker 4: kicking their butt. I was like, that's gonna be a

297
00:19:00,680 --> 00:19:01,800
Speaker 4: little bit of sweet you know.

298
00:19:03,080 --> 00:19:05,280
Speaker 2: Yeah, boy, you make a real good point about that song.

299
00:19:05,480 --> 00:19:07,200
Speaker 2: I don't think I can live with that anymore.

300
00:19:07,280 --> 00:19:14,520
Speaker 4: So here's the thing now, and yeah, it just got

301
00:19:14,640 --> 00:19:19,680
Speaker 4: whooped by Massachusetts native pitcher. Uh, you better get rid

302
00:19:19,680 --> 00:19:22,000
Speaker 4: of Neil Diamond. And it's time to get a native,

303
00:19:22,200 --> 00:19:27,520
Speaker 4: a native local, uh, you know, famous musician and adapt

304
00:19:27,840 --> 00:19:28,440
Speaker 4: their song.

305
00:19:28,720 --> 00:19:33,760
Speaker 2: You know, good one man, that's fantastic. Anything else? Do

306
00:19:33,840 --> 00:19:37,080
Speaker 2: you have any other events that have things take place

307
00:19:37,160 --> 00:19:40,600
Speaker 2: in them that irritate you that makes you think, Ah,

308
00:19:40,640 --> 00:19:41,560
Speaker 2: why did I go to this?

309
00:19:42,320 --> 00:19:43,080
Speaker 3: Well, let me tell you.

310
00:19:43,200 --> 00:19:46,000
Speaker 4: Let me tell you when that Without watching baseball for

311
00:19:46,080 --> 00:19:49,840
Speaker 4: many years and switching over the soccer, I thought the

312
00:19:49,920 --> 00:19:52,560
Speaker 4: soccer things like when they make a goal and they

313
00:19:52,560 --> 00:19:56,120
Speaker 4: do all these you know, gymnastic moves on the field,

314
00:19:56,280 --> 00:19:58,359
Speaker 4: and then some of them get down on their knees

315
00:19:58,400 --> 00:20:00,240
Speaker 4: and they pray up to heaven and this and that.

316
00:20:00,760 --> 00:20:04,480
Speaker 4: I'm like, what's that all about? But the the every

317
00:20:04,520 --> 00:20:06,639
Speaker 4: time they had a home run in baseball now or

318
00:20:06,640 --> 00:20:08,520
Speaker 4: at the end of the game, is like they won

319
00:20:08,600 --> 00:20:11,160
Speaker 4: the World Series with all these fifth pumps and chess

320
00:20:11,480 --> 00:20:13,960
Speaker 4: chess but whatever the hell you call it them, when

321
00:20:13,960 --> 00:20:14,639
Speaker 4: did that start?

322
00:20:14,800 --> 00:20:19,200
Speaker 2: Yeah, you know, coming old school, but I don't like that.

323
00:20:19,240 --> 00:20:25,440
Speaker 2: And also end end zone celebrations in football, yawn, give

324
00:20:25,440 --> 00:20:26,880
Speaker 2: me a break. What about the team?

325
00:20:27,160 --> 00:20:31,280
Speaker 4: Yeah, I mean they used to win the game in baseball,

326
00:20:31,840 --> 00:20:34,720
Speaker 4: run into the dugout, shake each other's hand, high five

327
00:20:34,800 --> 00:20:36,919
Speaker 4: whatever that was it. Now they got to do all

328
00:20:37,000 --> 00:20:39,760
Speaker 4: this stuff. But some of them actually, you knowed piling

329
00:20:39,840 --> 00:20:41,640
Speaker 4: on top of each other. Some of them get hurt,

330
00:20:42,280 --> 00:20:44,640
Speaker 4: like you didn't win the World Series, you just won

331
00:20:44,720 --> 00:20:45,280
Speaker 4: one game.

332
00:20:45,760 --> 00:20:49,760
Speaker 2: Yep, I will you. You're an interesting cat, Tom, and

333
00:20:49,840 --> 00:20:51,840
Speaker 2: I agree with everything you said so far.

334
00:20:52,880 --> 00:20:53,680
Speaker 3: Thank you, my friend.

335
00:20:53,840 --> 00:20:55,280
Speaker 2: Okay, take care of brother.

336
00:20:55,400 --> 00:20:56,520
Speaker 4: Always good to talk to you.

337
00:20:56,720 --> 00:21:01,600
Speaker 2: Likewise, speaking of the well, did we speak of the Yankees?

338
00:21:02,000 --> 00:21:05,159
Speaker 2: We spoke in New York. Did you see, and this

339
00:21:05,200 --> 00:21:08,639
Speaker 2: is related to the Red Sox, did you see the

340
00:21:08,720 --> 00:21:11,520
Speaker 2: new Spike Lee movie. I'm not going to give it away.

341
00:21:12,320 --> 00:21:15,760
Speaker 2: I'm not going to spoil anything. It's brand new crime

342
00:21:15,800 --> 00:21:21,440
Speaker 2: thriller twenty twenty five. It's called Highest to Lowest. There

343
00:21:21,480 --> 00:21:25,720
Speaker 2: is a scene in there where Spike Lee is absolutely

344
00:21:26,520 --> 00:21:32,800
Speaker 2: one hundred dis in the socks it takes. There's a

345
00:21:33,840 --> 00:21:35,640
Speaker 2: I don't want to give it away, but you will

346
00:21:35,680 --> 00:21:40,320
Speaker 2: see someone almost break the fourth wall and look right

347
00:21:40,320 --> 00:21:45,000
Speaker 2: in the camera inappropriate like clearly having nothing to do

348
00:21:45,040 --> 00:21:47,760
Speaker 2: with the scenes, like a little aside looks right into

349
00:21:47,800 --> 00:21:53,440
Speaker 2: the camera and this is the socks. You will see

350
00:21:53,480 --> 00:21:55,439
Speaker 2: it when You'll know what I'm talking about when you

351
00:21:55,480 --> 00:21:59,159
Speaker 2: see it and it's it's it's kind of intense and

352
00:21:59,200 --> 00:22:03,399
Speaker 2: pretty funny. I'll go through my list of things that

353
00:22:03,440 --> 00:22:07,239
Speaker 2: happen to various events that bother me and see if

354
00:22:07,240 --> 00:22:09,240
Speaker 2: you agree. It's WBZ.

355
00:22:13,160 --> 00:22:17,400
Speaker 1: You're on Night Side with Dan Ray on WBZ Boston's

356
00:22:17,480 --> 00:22:19,359
Speaker 1: news radio.

357
00:22:19,720 --> 00:22:21,320
Speaker 2: Let's quickly go right to Tim in Winter.

358
00:22:21,520 --> 00:22:24,240
Speaker 5: Hi, Tim, how I do when I got two points?

359
00:22:24,800 --> 00:22:27,239
Speaker 5: The first one is a weird things that happen here.

360
00:22:27,960 --> 00:22:30,760
Speaker 5: When I go to the movie theater. I sit down

361
00:22:30,800 --> 00:22:32,600
Speaker 5: the seat like I'll go in the matinee in the

362
00:22:32,600 --> 00:22:34,960
Speaker 5: afternoon where it's like ten people. You've probably done the

363
00:22:35,000 --> 00:22:36,600
Speaker 5: same thing, right, Bradley all the time.

364
00:22:36,880 --> 00:22:39,360
Speaker 2: I never go on it's full. I only go when

365
00:22:39,359 --> 00:22:40,320
Speaker 2: it's only about ten years.

366
00:22:40,359 --> 00:22:43,720
Speaker 5: Yeah, great, it's great, Okay. I go in there, I

367
00:22:43,760 --> 00:22:45,600
Speaker 5: sit in the seat. Maybe there's a couple down the

368
00:22:45,600 --> 00:22:48,679
Speaker 5: front and there's a couple of scattered people. I always

369
00:22:48,680 --> 00:22:53,000
Speaker 5: get this person that has any seat to choose him.

370
00:22:53,040 --> 00:22:55,560
Speaker 5: He sits right next to me, and I go, WHOA

371
00:22:56,000 --> 00:22:59,600
Speaker 5: Is that weird? Is that weird Bradley or what it is?

372
00:22:59,640 --> 00:22:59,960
Speaker 2: Weird?

373
00:23:00,600 --> 00:23:00,800
Speaker 3: Yeah?

374
00:23:00,840 --> 00:23:02,520
Speaker 5: It is weird. You have all the seats to choose

375
00:23:02,520 --> 00:23:03,280
Speaker 5: from you, you know what I mean?

376
00:23:03,720 --> 00:23:05,080
Speaker 2: Yes, why would they do that?

377
00:23:06,119 --> 00:23:08,159
Speaker 5: I don't know. They made a perverse or something. I

378
00:23:08,200 --> 00:23:10,439
Speaker 5: don't know what they are, but it bothers me.

379
00:23:10,640 --> 00:23:13,760
Speaker 2: Okay, I have a couple of questions. So it's an

380
00:23:13,760 --> 00:23:17,119
Speaker 2: empty theater. You have pretty much your choice of any seats.

381
00:23:17,160 --> 00:23:19,680
Speaker 2: What's your ultimate seat? When you get to pick any seat?

382
00:23:19,720 --> 00:23:21,040
Speaker 2: Which one do you pick? You don't go?

383
00:23:21,760 --> 00:23:26,320
Speaker 5: I tick on the aisle seats on the aisle seat,

384
00:23:26,359 --> 00:23:28,440
Speaker 5: and I put my bag, I bring my own pop gun,

385
00:23:28,880 --> 00:23:31,639
Speaker 5: I bring my own drinks. I put it in my

386
00:23:31,720 --> 00:23:33,520
Speaker 5: gym bag and put it next to me on the

387
00:23:33,520 --> 00:23:37,240
Speaker 5: next seat. And it's nice and quiet. I'm all myself.

388
00:23:37,320 --> 00:23:40,680
Speaker 5: I'm relaxing. It's beautiful. Yeah, that's nice.

389
00:23:40,960 --> 00:23:42,960
Speaker 2: Oh man. And there's nobody there. And there's nice air

390
00:23:43,000 --> 00:23:44,480
Speaker 2: conditioning in the summer. That's key.

391
00:23:44,680 --> 00:23:47,679
Speaker 5: No no air conditioning. To help my friend, Oh, I

392
00:23:47,760 --> 00:23:52,840
Speaker 5: have to bring a sometimes that's another beat. They put

393
00:23:52,840 --> 00:23:54,680
Speaker 5: it on like you hang meeting there? You know what

394
00:23:54,760 --> 00:23:55,080
Speaker 5: I mean?

395
00:23:55,440 --> 00:23:58,280
Speaker 2: Okay, I now have a moral question for you related

396
00:23:58,280 --> 00:23:59,400
Speaker 2: to the movies. Are you ready?

397
00:23:59,720 --> 00:23:59,920
Speaker 5: Right?

398
00:24:01,040 --> 00:24:03,320
Speaker 2: Let's say you've just watched a movie.

399
00:24:03,560 --> 00:24:05,400
Speaker 5: I did last night, movie number.

400
00:24:05,200 --> 00:24:09,399
Speaker 2: One, and there's all kinds of movies. Most of the

401
00:24:09,760 --> 00:24:13,360
Speaker 2: there it's a multiplex. You could probably get away. We're

402
00:24:13,400 --> 00:24:16,440
Speaker 2: going sneaking into another one. Do you have any probably.

403
00:24:16,080 --> 00:24:18,560
Speaker 5: Can't do that anymore. They fix that. They only put

404
00:24:18,600 --> 00:24:21,200
Speaker 5: the times up so you don't do that anymore.

405
00:24:21,400 --> 00:24:24,800
Speaker 2: So how do you mean they start them so that, no,

406
00:24:25,040 --> 00:24:27,440
Speaker 2: your movie gets when your movie gets out, the other

407
00:24:27,440 --> 00:24:29,480
Speaker 2: ones are all half done or something like that.

408
00:24:29,760 --> 00:24:33,560
Speaker 5: No, it just says seventeen. It doesn't get the movies anymore.

409
00:24:34,080 --> 00:24:36,159
Speaker 5: On this when you're walking down the hallways.

410
00:24:36,280 --> 00:24:37,840
Speaker 6: Oh see how.

411
00:24:37,760 --> 00:24:40,080
Speaker 5: They get around that? But I can get around that.

412
00:24:40,200 --> 00:24:42,280
Speaker 5: I go downstairs and I look at the people, and

413
00:24:42,359 --> 00:24:45,199
Speaker 5: I have an inside information of the theater. I know

414
00:24:45,240 --> 00:24:47,359
Speaker 5: what's playing another one, but I don't see two movies.

415
00:24:47,400 --> 00:24:48,000
Speaker 5: That's too much.

416
00:24:48,119 --> 00:24:51,040
Speaker 2: I don't see why they care because it's not costing

417
00:24:51,080 --> 00:24:54,840
Speaker 2: them any money. I'm not encouraging people to do that. However,

418
00:24:55,040 --> 00:24:58,320
Speaker 2: I will say I don't understand why they care because

419
00:24:58,880 --> 00:25:01,919
Speaker 2: it doesn't cost them any money. I mean, if you leave,

420
00:25:02,280 --> 00:25:05,119
Speaker 2: they make zero more. And if you see it in

421
00:25:05,119 --> 00:25:08,560
Speaker 2: the Man. They make zero more. Plus if you stick around,

422
00:25:08,960 --> 00:25:12,119
Speaker 2: you're more likely to get hungry and buy some popcorn

423
00:25:12,200 --> 00:25:13,520
Speaker 2: or some whatever you buy.

424
00:25:13,680 --> 00:25:15,720
Speaker 5: I don't buy anything in that. That's how I save money.

425
00:25:16,760 --> 00:25:20,080
Speaker 5: Fifty cents for two bads for the smart popcorn, real

426
00:25:20,160 --> 00:25:22,639
Speaker 5: cheaper igo seventy nine cents. I get two bags of that,

427
00:25:23,320 --> 00:25:27,240
Speaker 5: and I got an Arizona energy drink, which is good,

428
00:25:27,320 --> 00:25:29,320
Speaker 5: and I put that in there. I paint a total

429
00:25:29,359 --> 00:25:32,320
Speaker 5: of like maybe two bucks, and then go in there

430
00:25:32,520 --> 00:25:36,680
Speaker 5: and get the Mattine Special. I'm senior, knew he meant

431
00:25:36,760 --> 00:25:39,959
Speaker 5: the seen you and it cost me maybe eight bucks

432
00:25:40,040 --> 00:25:43,399
Speaker 5: ten bucks. That's pretty good. But last night I didn't

433
00:25:43,400 --> 00:25:45,880
Speaker 5: want to watch The Red Sox. I get too baseball stressed,

434
00:25:46,400 --> 00:25:49,720
Speaker 5: so I went to the movie call with DiCaprio. Overheard

435
00:25:49,720 --> 00:25:53,800
Speaker 5: that new movie out, a big movie. It's called I

436
00:25:53,840 --> 00:25:58,480
Speaker 5: Think One Battle after Another. It's one of the best

437
00:25:58,520 --> 00:26:01,959
Speaker 5: movies since I Once upon a Time in Hollywood a

438
00:26:01,960 --> 00:26:04,000
Speaker 5: couple of years ago. This movie is going to be

439
00:26:04,000 --> 00:26:07,320
Speaker 5: a classic. It's a real good movie. And it starts

440
00:26:07,320 --> 00:26:09,679
Speaker 5: out I'm up, I'm political a little bit, but I

441
00:26:09,800 --> 00:26:12,720
Speaker 5: put that aside at the beginning of it. It start

442
00:26:12,760 --> 00:26:14,760
Speaker 5: of political. Then it turned out to will be a

443
00:26:14,760 --> 00:26:18,359
Speaker 5: regular movie and it got better and it just was

444
00:26:18,400 --> 00:26:21,760
Speaker 5: the human part about the movie and about the characters.

445
00:26:21,960 --> 00:26:25,680
Speaker 5: The characters is Sean Penn, he's a bad guy. And

446
00:26:26,720 --> 00:26:32,639
Speaker 5: uh because Dicaprios a the father of this little baby.

447
00:26:33,000 --> 00:26:34,040
Speaker 2: Don't tell me too much.

448
00:26:34,760 --> 00:26:38,760
Speaker 5: I'll tell you what happens. But Benico de Toro, he's

449
00:26:38,800 --> 00:26:39,560
Speaker 5: a good actor. You know.

450
00:26:40,080 --> 00:26:42,000
Speaker 2: I love all those I can't wait to see it.

451
00:26:42,320 --> 00:26:45,719
Speaker 5: Okay, the three of them make the movie. And at

452
00:26:45,760 --> 00:26:48,360
Speaker 5: the beginning of the movie, see, I'm a conservative and

453
00:26:48,600 --> 00:26:50,880
Speaker 5: I just couldn't handle it. I was gonna walk out

454
00:26:50,920 --> 00:26:52,280
Speaker 5: and I'll let him give it it. Gave it a

455
00:26:52,400 --> 00:26:54,720
Speaker 5: chance and it turned into be a good movie, a

456
00:26:54,760 --> 00:26:55,720
Speaker 5: real great movie.

457
00:26:56,680 --> 00:26:59,640
Speaker 2: Oh and one you mentioned once upon a time in Hollywood.

458
00:26:59,680 --> 00:27:02,000
Speaker 2: That's the Brad Pitt one, right, That.

459
00:27:02,080 --> 00:27:04,560
Speaker 5: Is how they change. It was funny how they change.

460
00:27:04,600 --> 00:27:06,440
Speaker 5: Remember at the end, do you see that?

461
00:27:06,960 --> 00:27:09,199
Speaker 2: Yeah, it was, but we probably shouldn't give the end,

462
00:27:09,200 --> 00:27:13,399
Speaker 2: but it is kind of it's it's about the Manson

463
00:27:13,480 --> 00:27:15,280
Speaker 2: murder with an alternative ending kind of.

464
00:27:15,680 --> 00:27:18,960
Speaker 5: Yeah, it's pretty good. It's it's a good film. We

465
00:27:19,080 --> 00:27:20,960
Speaker 5: walk out of the feeling good. You know what I mean?

466
00:27:21,359 --> 00:27:24,800
Speaker 2: Yep. And I love Brad Pitt. You know, I have

467
00:27:25,040 --> 00:27:28,000
Speaker 2: certain people. I always go see George Clooney. I always

468
00:27:28,040 --> 00:27:29,560
Speaker 2: go see Brad Pitt, always goes.

469
00:27:29,480 --> 00:27:32,359
Speaker 5: See I'm not a Clooney fan at all, but I

470
00:27:32,440 --> 00:27:32,920
Speaker 5: do like.

471
00:27:33,200 --> 00:27:35,560
Speaker 2: How do you how do you not like George George Clooney?

472
00:27:35,760 --> 00:27:36,960
Speaker 2: How do you like him?

473
00:27:37,359 --> 00:27:40,400
Speaker 5: I don't like you know, he's kind of cocky and

474
00:27:40,760 --> 00:27:43,719
Speaker 5: I just don't like the guy. But is a lot

475
00:27:43,760 --> 00:27:44,359
Speaker 5: of people do that.

476
00:27:45,040 --> 00:27:47,399
Speaker 2: It's too bad because he always speaks very highly of you.

477
00:27:48,160 --> 00:27:50,600
Speaker 5: He didn't know me, Tim, thanks a lot.

478
00:27:50,600 --> 00:27:53,680
Speaker 2: I gotta I got a scoot. Thank you. Great call

479
00:27:53,760 --> 00:27:58,640
Speaker 2: once again another example of why the night side community

480
00:27:58,680 --> 00:28:03,520
Speaker 2: is so so great. Okay, I'm gonna run through. There's

481
00:28:03,520 --> 00:28:05,720
Speaker 2: a lot of a lot of items here on my

482
00:28:05,800 --> 00:28:11,040
Speaker 2: list of kind of deal breakers for events. As I mentioned,

483
00:28:12,520 --> 00:28:16,280
Speaker 2: Fenery Park, that loud music between every little break, any

484
00:28:16,320 --> 00:28:19,400
Speaker 2: five second window where nothing is happening, blah blah blah.

485
00:28:19,480 --> 00:28:21,360
Speaker 2: I don't I don't even want to. That's a deal

486
00:28:21,359 --> 00:28:27,119
Speaker 2: breaker for me. Now let's move on. Two. Well, we

487
00:28:27,280 --> 00:28:32,800
Speaker 2: just talked about a movie theater. Uh, obviously somebody talking

488
00:28:32,880 --> 00:28:36,159
Speaker 2: in the movie theater. I can't take it because you

489
00:28:36,240 --> 00:28:39,840
Speaker 2: go into the movie theater to suspend disbelief, to get

490
00:28:40,080 --> 00:28:43,920
Speaker 2: sucked into the movie. And when there's somebody talking, it's ruined.

491
00:28:45,600 --> 00:28:48,000
Speaker 2: And a sad question is will you say would you

492
00:28:48,040 --> 00:28:50,400
Speaker 2: ever say anything to people like please be quiet? Ohsh

493
00:28:51,000 --> 00:28:52,680
Speaker 2: do you shut people in the movie? Are you afraid

494
00:28:52,680 --> 00:28:59,040
Speaker 2: of getting you know what it? Getting hurt by them?

495
00:28:59,200 --> 00:28:59,840
Speaker 3: Ah?

496
00:29:00,120 --> 00:29:07,920
Speaker 2: I hate it. Birthday parties for me a joke gift.

497
00:29:09,160 --> 00:29:11,080
Speaker 2: I don't want a joke gift. Don't give me a

498
00:29:11,200 --> 00:29:16,479
Speaker 2: joke gift. Not cool. Bus ride all right, I go.

499
00:29:16,600 --> 00:29:19,400
Speaker 2: I go to the White Mountains a lot. Sometimes I'll

500
00:29:19,400 --> 00:29:21,920
Speaker 2: meet people and conquered and I'll take the bus up there.

501
00:29:22,200 --> 00:29:27,120
Speaker 2: I love taking the bus. With one caveat bus companies,

502
00:29:27,400 --> 00:29:32,640
Speaker 2: please balance your tires better. The whole the notion of

503
00:29:32,680 --> 00:29:34,920
Speaker 2: the bus is to get on there and relax and

504
00:29:34,960 --> 00:29:37,920
Speaker 2: not have to worry about traffic, take a nap, snooze

505
00:29:37,920 --> 00:29:43,000
Speaker 2: a little. But when the bus is gone and it's coffee,

506
00:29:43,000 --> 00:29:45,400
Speaker 2: you say you have a coffee, it's spilling over the edge.

507
00:29:46,160 --> 00:29:50,440
Speaker 2: There's no need for that. I know that the tickets

508
00:29:50,480 --> 00:29:53,000
Speaker 2: are cheap, but how much does it cost to balance

509
00:29:53,280 --> 00:29:58,400
Speaker 2: your tires. I did find this though it seems to

510
00:30:00,360 --> 00:30:02,320
Speaker 2: I don't know why, but the front seems to vibrate

511
00:30:03,400 --> 00:30:06,560
Speaker 2: less than the back. This little tip if you feel

512
00:30:06,640 --> 00:30:11,520
Speaker 2: like I do on this and now train rides. I've

513
00:30:11,600 --> 00:30:21,360
Speaker 2: done many long distance Amtrak rides. I went from Chicago

514
00:30:21,360 --> 00:30:24,400
Speaker 2: to LA, Chicago to San Francisco. I went to Chicago

515
00:30:24,440 --> 00:30:27,520
Speaker 2: to Seattle and then back from Seattle to Chicago. I

516
00:30:27,600 --> 00:30:31,640
Speaker 2: went from New Orleans to LA and then went from

517
00:30:31,680 --> 00:30:35,680
Speaker 2: New Orleans to Memphis. And so I've done it a lot.

518
00:30:35,920 --> 00:30:37,880
Speaker 2: Some of those are forty eight hour rides. And one thing,

519
00:30:40,040 --> 00:30:44,000
Speaker 2: one thing that's been my experience that has bothersome to

520
00:30:44,120 --> 00:30:46,000
Speaker 2: me when it happens to me. Maybe it doesn't happen

521
00:30:46,000 --> 00:30:48,920
Speaker 2: all the time, but when it does happen, it bothers me,

522
00:30:48,960 --> 00:30:53,440
Speaker 2: and I wish it would not happen. Is whoever gets

523
00:30:53,480 --> 00:31:00,360
Speaker 2: on the loudspeaker, we'll say sometimes I have in the past. Anyway, Okay, everybody,

524
00:31:00,400 --> 00:31:02,800
Speaker 2: we're coming in to stop. It's gonna be really crowded,

525
00:31:03,160 --> 00:31:07,400
Speaker 2: gonna be it's gonna be full, gonna be crowded. You

526
00:31:07,440 --> 00:31:11,000
Speaker 2: don't need to remind me at every stop. You don't

527
00:31:11,040 --> 00:31:14,200
Speaker 2: need to give me that cringy. Oh god, I'm gonna

528
00:31:14,200 --> 00:31:16,640
Speaker 2: have somebody sitting beside me. What are they gonna be like?

529
00:31:17,720 --> 00:31:19,800
Speaker 2: You know, I have my own little seat, nobody beside me.

530
00:31:20,000 --> 00:31:23,880
Speaker 2: Don't keep reminding me. It's gonna be really crowded. Yep.

531
00:31:25,720 --> 00:31:27,760
Speaker 2: And to me it makes me feel a little bit

532
00:31:28,080 --> 00:31:35,360
Speaker 2: like a head of cattle. That's just me. Weddings, all right,

533
00:31:37,440 --> 00:31:39,520
Speaker 2: And if you agree with me on any of these things,

534
00:31:39,640 --> 00:31:41,120
Speaker 2: or have a take on any of these things, let

535
00:31:41,120 --> 00:31:47,280
Speaker 2: me know. Weddings, well, some persons might not like to drunk.

536
00:31:47,440 --> 00:31:50,520
Speaker 2: You know, people get drunk and do toasts that are

537
00:31:50,680 --> 00:31:53,360
Speaker 2: way too long. I don't I don't mind that because

538
00:31:53,360 --> 00:31:56,280
Speaker 2: that's funny. One thing I do not like is the

539
00:31:56,320 --> 00:32:01,120
Speaker 2: destination wedding. Please do not make me get on a

540
00:32:01,160 --> 00:32:05,200
Speaker 2: plane and go somewhere how arrogant. I'm sorry. Maybe you

541
00:32:05,240 --> 00:32:08,600
Speaker 2: had a destination wedding, and I guess I'm calling you arrogon,

542
00:32:08,680 --> 00:32:15,240
Speaker 2: but you gotta understand my point of view. It takes

543
00:32:15,280 --> 00:32:16,880
Speaker 2: so much time out of my life to go there,

544
00:32:16,880 --> 00:32:20,560
Speaker 2: It takes money to buy the tickets. It's just a

545
00:32:20,560 --> 00:32:24,800
Speaker 2: big asshole. God, Please, no, I really don't want to

546
00:32:24,840 --> 00:32:29,200
Speaker 2: go to the wedding at all. I'd rather buy you

547
00:32:29,240 --> 00:32:33,120
Speaker 2: a better gift than not go allow me to get

548
00:32:33,160 --> 00:32:35,560
Speaker 2: you a great gift and not attend. And here's another thing.

549
00:32:35,880 --> 00:32:37,200
Speaker 2: I don't know if it happens all the time, but

550
00:32:37,440 --> 00:32:40,800
Speaker 2: I saw a wedding where all the members of the

551
00:32:40,840 --> 00:32:45,480
Speaker 2: wedding party had to do some sort of weird dance

552
00:32:45,560 --> 00:32:51,400
Speaker 2: as they came in, like wrestling. Right, they have your

553
00:32:51,600 --> 00:32:54,760
Speaker 2: entrance music, so they have some music, and each one

554
00:32:55,360 --> 00:32:57,440
Speaker 2: of the wedding party has to be like, look at me,

555
00:32:57,640 --> 00:33:03,320
Speaker 2: I'm coming in and I'm dancing this weird dance. Good God,

556
00:33:04,480 --> 00:33:12,680
Speaker 2: please dispense with that business. Concerts. Two things again, it's

557
00:33:12,720 --> 00:33:17,360
Speaker 2: really too loud. There's a point where it's just too loud.

558
00:33:18,800 --> 00:33:22,880
Speaker 2: When you leave and you can't hear it was too loud.

559
00:33:25,320 --> 00:33:28,080
Speaker 2: And the other thing is those expensive beers at those venues.

560
00:33:28,480 --> 00:33:31,480
Speaker 2: Come on, I'm just not doing that. I've already told

561
00:33:31,480 --> 00:33:38,800
Speaker 2: you that Christmas. Oh no, he's going to attack Christmas.

562
00:33:39,360 --> 00:33:45,200
Speaker 2: Oh no, okay, Yankee swap, do away with it. No

563
00:33:45,400 --> 00:33:51,920
Speaker 2: Yankee swap. Please, all those joke gifts and the Yankee swap. No,

564
00:33:53,920 --> 00:33:57,160
Speaker 2: I don't know. Most people are addicted to gift giving

565
00:33:57,200 --> 00:33:59,840
Speaker 2: and receiving on Christmas. And I can certainly understand that

566
00:33:59,840 --> 00:34:03,480
Speaker 2: it's part of the tradition. I found a superior tradition.

567
00:34:04,200 --> 00:34:08,040
Speaker 2: At least it's superior for me. There's no wondering what

568
00:34:08,080 --> 00:34:10,840
Speaker 2: to get a person. There's no pretending you like the

569
00:34:10,840 --> 00:34:13,719
Speaker 2: gift you got. There's no gift giving at all in

570
00:34:13,840 --> 00:34:19,360
Speaker 2: my Christmases. It's taken me decades to get to this point.

571
00:34:20,000 --> 00:34:22,879
Speaker 2: No gift giving. It's just a meal. We all take

572
00:34:22,920 --> 00:34:24,880
Speaker 2: the money we would have spent on gifts that know

573
00:34:25,120 --> 00:34:28,400
Speaker 2: that the person may or may not like, we go

574
00:34:28,560 --> 00:34:31,600
Speaker 2: up for an extravagant meal anywhere we want. Think of

575
00:34:31,640 --> 00:34:33,120
Speaker 2: the money you have to work with if you're not

576
00:34:33,160 --> 00:34:43,760
Speaker 2: buying gifts. No stress, no hassle, fancy restaurant, go crazy

577
00:34:44,440 --> 00:34:49,520
Speaker 2: so you know Yankee swap and conscious too, loud weddings,

578
00:34:49,719 --> 00:34:57,560
Speaker 2: frame bus ride. Yeah that's pretty much does it? Oh yeah,

579
00:34:57,640 --> 00:35:01,399
Speaker 2: that completely does it? All right, we have about ten

580
00:35:01,440 --> 00:35:03,319
Speaker 2: minutes left. I'll make it open lines call and talk

581
00:35:03,320 --> 00:35:06,080
Speaker 2: about anything you like. Say hi if you like, and

582
00:35:06,120 --> 00:35:07,560
Speaker 2: I do have something coming up I want to tell

583
00:35:07,600 --> 00:35:10,239
Speaker 2: you about that I'm doing. I'll just catch you up

584
00:35:10,280 --> 00:35:12,880
Speaker 2: on on on what I'm doing. By the way, if

585
00:35:12,920 --> 00:35:15,719
Speaker 2: you like to know how to get in contact, how

586
00:35:15,760 --> 00:35:17,880
Speaker 2: to contact me or follow me on any of the

587
00:35:17,920 --> 00:35:20,000
Speaker 2: social media go to I should have. I should tell

588
00:35:20,000 --> 00:35:24,480
Speaker 2: you this every hour bradleyj Dot org b R A

589
00:35:24,520 --> 00:35:28,280
Speaker 2: D L E Y j A Y that's Jay dot

590
00:35:28,280 --> 00:35:32,520
Speaker 2: O RG. And it has a link to my original music,

591
00:35:32,560 --> 00:35:36,640
Speaker 2: a link to my collaboration on Spotify, has a link

592
00:35:36,680 --> 00:35:41,759
Speaker 2: to the chat travel channel, it has a bio, it

593
00:35:41,840 --> 00:35:44,840
Speaker 2: has uh oh. And I'm going to start posting actually

594
00:35:45,960 --> 00:35:52,760
Speaker 2: the Nightside on Demand from like tomorrow. I'm in the future.

595
00:35:52,840 --> 00:35:56,160
Speaker 2: I will post one of the hours from the night

596
00:35:56,200 --> 00:35:59,440
Speaker 2: before on that site so you'll be able to get there.

597
00:35:59,600 --> 00:36:02,360
Speaker 2: Nightside on Demand is cool. I listened a lot on

598
00:36:02,520 --> 00:36:07,640
Speaker 2: Knightside on Demand. Just Google Nightside on Demand and Rob

599
00:36:08,160 --> 00:36:10,560
Speaker 2: Brooks he posts, he posts the hours all up there

600
00:36:10,560 --> 00:36:13,160
Speaker 2: and they're there. I think they're there forever, right, Yeah,

601
00:36:14,200 --> 00:36:16,680
Speaker 2: So that's cool. All right, let's chat at the moment on.

602
00:36:16,760 --> 00:36:23,960
Speaker 1: WBZ knights Side with Dan Ray on WBZ Boston's news Radio.

603
00:36:24,400 --> 00:36:27,520
Speaker 2: Bradley Jaffer, Dan, let's go whipping right over the Watertown

604
00:36:27,560 --> 00:36:29,360
Speaker 2: and sucked to Neil and Watertown.

605
00:36:29,440 --> 00:36:31,760
Speaker 6: Hello Neil, Hello Bradley.

606
00:36:31,840 --> 00:36:32,160
Speaker 2: Jay.

607
00:36:32,480 --> 00:36:34,320
Speaker 6: I used to go to the movies when I was younger.

608
00:36:35,280 --> 00:36:37,560
Speaker 6: Two things stick out in my memory that I didn't

609
00:36:37,600 --> 00:36:42,759
Speaker 6: like irritated me at the time. One was a movie

610
00:36:42,800 --> 00:36:48,399
Speaker 6: called American Jigglow's by Paul Schrader and Paul Schrader, And

611
00:36:48,440 --> 00:36:51,320
Speaker 6: before he became a director and screenwriter, was an academic.

612
00:36:52,000 --> 00:36:56,120
Speaker 6: He wrote his PhD thesis, Chanson Dental Style on the

613
00:36:56,160 --> 00:37:01,719
Speaker 6: film Bayson Ozuo and Dryer wrote Everyboy's Son. He's he's

614
00:37:01,760 --> 00:37:03,920
Speaker 6: not a household named. He's one of the great directors

615
00:37:03,960 --> 00:37:07,960
Speaker 6: of the world. And in nineteen fifty nine he made Pickpocket.

616
00:37:08,600 --> 00:37:12,880
Speaker 6: And it's a long story, but the end, the protagonist,

617
00:37:13,280 --> 00:37:16,960
Speaker 6: Martin Masel, puts his finger He's in prison, he's been caught,

618
00:37:17,320 --> 00:37:20,200
Speaker 6: and he puts his fingers up against the bars and

619
00:37:21,000 --> 00:37:23,520
Speaker 6: America Green and he says to her, change to reach you.

620
00:37:23,719 --> 00:37:27,400
Speaker 6: What an odd death I had to take. So Schrader,

621
00:37:27,440 --> 00:37:30,799
Speaker 6: when he became a director, he just pretty much copied that.

622
00:37:32,120 --> 00:37:34,200
Speaker 6: He copied it when he was a scriptwriter for a

623
00:37:34,480 --> 00:37:37,799
Speaker 6: Taxi Driver and then for an American Jiggle. And so

624
00:37:37,840 --> 00:37:42,200
Speaker 6: I'm waiting for this. It's Richard Richard Gere and Lauren Hutton.

625
00:37:42,320 --> 00:37:43,960
Speaker 6: He's like he's about to do the same thing. And

626
00:37:44,000 --> 00:37:45,719
Speaker 6: the usher comes up and he's getting a head start

627
00:37:45,800 --> 00:37:47,440
Speaker 6: in his duty's he balks right in front of me,

628
00:37:49,320 --> 00:37:52,319
Speaker 6: and I'm sure he's a nice person, but you got

629
00:37:52,800 --> 00:37:53,439
Speaker 6: through what.

630
00:37:53,360 --> 00:37:55,680
Speaker 2: Happened again, now what happened? You get to the crucial

631
00:37:55,719 --> 00:37:56,960
Speaker 2: scene and as you did.

632
00:37:56,760 --> 00:38:01,120
Speaker 6: Something, Yeah, well I'm waiting. I'm waiting for Richard Gear

633
00:38:01,200 --> 00:38:07,040
Speaker 6: and Lauren Hutton to emulate Martin masel And and America

634
00:38:07,040 --> 00:38:10,520
Speaker 6: Green from nineteen fifty nine. And the usher walked right

635
00:38:10,560 --> 00:38:12,759
Speaker 6: in front of me. He blocked the same because he

636
00:38:12,760 --> 00:38:14,919
Speaker 6: didn't well, I'm just, you know, it's ready to close

637
00:38:15,000 --> 00:38:17,720
Speaker 6: up because it was the end of the movie. I'm

638
00:38:17,920 --> 00:38:20,680
Speaker 6: I'm you know, I'm a bit ideological. It's you know,

639
00:38:20,719 --> 00:38:23,400
Speaker 6: it's just it's one of the most famous movies, and

640
00:38:24,000 --> 00:38:24,880
Speaker 6: this is the most famous.

641
00:38:25,360 --> 00:38:28,279
Speaker 2: This is the big, big point, the most famous movie.

642
00:38:28,320 --> 00:38:30,520
Speaker 2: You love the movie. Key points coming up and the

643
00:38:30,600 --> 00:38:32,800
Speaker 2: usher just blocks your view, right.

644
00:38:32,680 --> 00:38:34,840
Speaker 6: And it's not probably not his fault because he probably

645
00:38:34,880 --> 00:38:36,920
Speaker 6: just didn't realize it was him.

646
00:38:37,239 --> 00:38:38,920
Speaker 2: Yeah, but if you're an usher, isn't that kind of

647
00:38:39,480 --> 00:38:41,520
Speaker 2: one of the rules of being an ushers don't block

648
00:38:41,560 --> 00:38:42,560
Speaker 2: the fa Yeah.

649
00:38:43,120 --> 00:38:47,560
Speaker 6: But then one more, just one more instant. It was

650
00:38:48,120 --> 00:38:52,080
Speaker 6: this in nineteen, nineteen seventy two, I think, and John

651
00:38:52,120 --> 00:38:55,520
Speaker 6: Wayne came to the Harvard Square Theater and this movie

652
00:38:55,680 --> 00:39:00,520
Speaker 6: was mckue. Now I'm not like John Wayne, but you

653
00:39:00,520 --> 00:39:03,439
Speaker 6: know it's John Wayne and these and all in these

654
00:39:03,560 --> 00:39:06,000
Speaker 6: like I don't know. These these guys are heckling and

655
00:39:06,080 --> 00:39:08,799
Speaker 6: heckling and heckling and one one not him. But when

656
00:39:08,840 --> 00:39:13,400
Speaker 6: the movie is on, and so my friend and I, well,

657
00:39:13,400 --> 00:39:15,719
Speaker 6: you have respectful, you have respectful, you have respect and

658
00:39:15,760 --> 00:39:18,800
Speaker 6: I got something came over me and I looked around

659
00:39:18,800 --> 00:39:20,759
Speaker 6: that one guy. I said, if you don't shut up,

660
00:39:20,800 --> 00:39:26,000
Speaker 6: we'll get you. Afterwards said that yeah, And then I

661
00:39:26,000 --> 00:39:27,680
Speaker 6: think it was like what he all' said in the movie.

662
00:39:27,760 --> 00:39:30,040
Speaker 1: You don't I say that, so you.

663
00:39:30,000 --> 00:39:35,080
Speaker 2: Seem you don't seem like a I don't know, you

664
00:39:35,080 --> 00:39:36,720
Speaker 2: don't seem like a street fighting man.

665
00:39:37,120 --> 00:39:40,279
Speaker 6: But I just thought it was very disrespectful, and I mean,

666
00:39:40,400 --> 00:39:44,000
Speaker 6: you don't have and wow, you don't you know you

667
00:39:44,040 --> 00:39:47,080
Speaker 6: could be on the other side of the divide and

668
00:39:47,160 --> 00:39:48,880
Speaker 6: just watch the movie and you can only.

669
00:39:48,680 --> 00:39:53,000
Speaker 2: Push from Watertown so far or he will snap.

670
00:39:53,840 --> 00:39:56,120
Speaker 6: No how lucky they took the blow because.

671
00:39:59,120 --> 00:40:00,759
Speaker 2: You don't know this about me, Neil. But I was

672
00:40:00,760 --> 00:40:05,280
Speaker 2: once an usher in a movie theater. Yep, it's true.

673
00:40:06,600 --> 00:40:09,040
Speaker 2: I think it was the Strand in Dover, New Hampshire.

674
00:40:09,040 --> 00:40:11,520
Speaker 2: I was in college and my job, Yep, I took

675
00:40:11,560 --> 00:40:14,319
Speaker 2: the I did everything. I took the tickets and uh

676
00:40:14,600 --> 00:40:17,200
Speaker 2: then I would go in during the movie and make

677
00:40:17,239 --> 00:40:21,799
Speaker 2: sure the kids shut up. It's like quiet when you're

678
00:40:21,800 --> 00:40:23,840
Speaker 2: an usher in a movie theater, at least that because

679
00:40:23,840 --> 00:40:27,359
Speaker 2: there was nothing to do. Really, so I saw there

680
00:40:27,400 --> 00:40:30,520
Speaker 2: were certain movies I saw, like I don't know twenty

681
00:40:30,640 --> 00:40:34,320
Speaker 2: times and this, this is the this is this is

682
00:40:34,360 --> 00:40:37,000
Speaker 2: the giveaway of that when it was it was O

683
00:40:37,239 --> 00:40:41,040
Speaker 2: to Billy Joe was one of the movies, and I

684
00:40:41,080 --> 00:40:43,600
Speaker 2: don't know a couple of others. Neil, I love to

685
00:40:43,600 --> 00:40:47,120
Speaker 2: hear from you. Thanks so much. I appreciate it. You okay, Well,

686
00:40:47,200 --> 00:40:50,480
Speaker 2: once again, such a blast, and I'm very thankful to

687
00:40:50,480 --> 00:40:55,000
Speaker 2: be part of the Nightside team and be a pinch

688
00:40:55,000 --> 00:40:57,520
Speaker 2: shater on a team. And of course the best part

689
00:40:57,560 --> 00:40:59,880
Speaker 2: is getting the interact with you you plural. Thank you

690
00:40:59,880 --> 00:41:03,600
Speaker 2: so much. Thank you Rob Brooks, and thank you Marita.

691
00:41:03,960 --> 00:41:07,200
Speaker 2: Thank you very much, Dan Ray And once again, if

692
00:41:07,200 --> 00:41:11,000
Speaker 2: you'd like to connect, you can connect with me like

693
00:41:11,040 --> 00:41:13,800
Speaker 2: a Facebook messenger and the link to do that is

694
00:41:13,840 --> 00:41:17,799
Speaker 2: it BRADLEYJ dot O r G B r A d

695
00:41:18,040 --> 00:41:21,520
Speaker 2: l E y j a U Y dot O r G.

696
00:41:21,840 --> 00:41:23,960
Speaker 2: I'm looking forward to next time, but I can talk

697
00:41:24,000 --> 00:41:26,000
Speaker 2: to you all again and talk to the folks who

698
00:41:26,160 --> 00:41:28,960
Speaker 2: I did not talk to you Tonight Night, Rob Night.

699
00:41:29,000 --> 00:41:31,760
Speaker 2: Everybody's WBZ News Radio, ten thirty