1 00:00:00,320 --> 00:00:03,760 Speaker 1: You're listening to KFI AM six forty on demand. 2 00:00:05,519 --> 00:00:06,200 Speaker 2: In the last hour. 3 00:00:06,320 --> 00:00:10,600 Speaker 3: I asked, does anybody know what music video might have 4 00:00:10,680 --> 00:00:13,840 Speaker 3: been filmed at Universal Studios Orlando, Florida in the early 5 00:00:13,880 --> 00:00:17,560 Speaker 3: two thousands where there was a scene of like New 6 00:00:17,640 --> 00:00:20,919 Speaker 3: York Street in the theme park, kind of the backlot, 7 00:00:20,960 --> 00:00:25,280 Speaker 3: but actually in the theme park where they flooded the street. 8 00:00:26,400 --> 00:00:29,000 Speaker 3: We put a call out to every single one of 9 00:00:29,040 --> 00:00:31,920 Speaker 3: the ten to fifteen million people in the in the 10 00:00:32,000 --> 00:00:35,960 Speaker 3: listening area. And it's night, so am radio goes even 11 00:00:36,000 --> 00:00:38,600 Speaker 3: further than usual, so it could be forty million people 12 00:00:38,920 --> 00:00:42,360 Speaker 3: at this point. You think that's right? Fush, you think 13 00:00:42,400 --> 00:00:44,199 Speaker 3: forty million people are listening right now. 14 00:00:44,159 --> 00:00:44,680 Speaker 4: Give or take it? 15 00:00:44,800 --> 00:00:45,199 Speaker 2: I think so. 16 00:00:46,080 --> 00:00:47,199 Speaker 4: It could be listening to on the other side of 17 00:00:47,240 --> 00:00:48,840 Speaker 4: the world with the iHeartRadio app. 18 00:00:49,000 --> 00:00:51,519 Speaker 2: That's right. So okay, there you go. 19 00:00:51,800 --> 00:00:55,400 Speaker 3: Six and a half seven billion people are listening tonight. 20 00:00:55,920 --> 00:01:00,440 Speaker 3: We had two callers, one who couldn't hang through the 21 00:01:01,000 --> 00:01:07,360 Speaker 3: Zelman's commercial. Your mistake, sir, and Drew. Who is on 22 00:01:07,400 --> 00:01:11,440 Speaker 3: the line here? Drew, You're on caf I AM six forty. 23 00:01:11,480 --> 00:01:13,160 Speaker 3: Do you have an answer for us this evening? 24 00:01:14,480 --> 00:01:18,440 Speaker 5: Yeah, and hopefully you give a little backstory on the 25 00:01:18,520 --> 00:01:22,200 Speaker 5: lead singer. If this is the right band. Yeah, his 26 00:01:22,280 --> 00:01:27,319 Speaker 5: name's his name's Richard Patrick. His brother was the T 27 00:01:27,520 --> 00:01:30,759 Speaker 5: one thousand in Terminator two Wow. 28 00:01:31,080 --> 00:01:35,959 Speaker 3: Okay, so it is not it is not Richard Patrick, 29 00:01:36,000 --> 00:01:39,280 Speaker 3: and it is not the nine inch Nails. It is. 30 00:01:39,360 --> 00:01:40,520 Speaker 5: Oh so it's not Filter. 31 00:01:41,040 --> 00:01:45,360 Speaker 2: No, it's not Filter either. Oh that hurts. Foush foosh 32 00:01:45,440 --> 00:01:48,400 Speaker 2: hit you with us? That does hurt? 33 00:01:48,880 --> 00:01:53,160 Speaker 3: Well, you know what if anybody o there, tell me 34 00:01:53,160 --> 00:01:56,000 Speaker 3: what your story about Filter then and Richard Patrick and 35 00:01:56,080 --> 00:01:59,680 Speaker 3: nine inch Nails. 36 00:01:58,440 --> 00:02:01,880 Speaker 5: Well, no, well, not anything about nine inch Nails. The 37 00:02:02,440 --> 00:02:07,960 Speaker 5: music video called a Picture is like they're on a boat. 38 00:02:08,360 --> 00:02:12,920 Speaker 5: The whole scene is partially underwater, partially where he's on 39 00:02:12,960 --> 00:02:16,160 Speaker 5: top of a house sing in the band's playing underwater 40 00:02:16,200 --> 00:02:18,200 Speaker 5: as a girl in the boat. I figured that was it. 41 00:02:18,280 --> 00:02:20,839 Speaker 3: That's a really good guess, and I will say, right 42 00:02:20,919 --> 00:02:24,040 Speaker 3: era maybe a little older, and it is, I guess 43 00:02:24,080 --> 00:02:26,360 Speaker 3: technically the same genre. And for the purpose of what 44 00:02:26,480 --> 00:02:29,440 Speaker 3: we're talking about here, take a Picture. This is a 45 00:02:29,480 --> 00:02:32,840 Speaker 3: cool song. And this is a song that I've mentioned 46 00:02:32,840 --> 00:02:35,079 Speaker 3: this on the show before, so I apologize to anybody 47 00:02:35,080 --> 00:02:39,720 Speaker 3: who I have told this before too. But Filters take 48 00:02:39,760 --> 00:02:42,880 Speaker 3: a Picture was a song that was playing when I 49 00:02:42,919 --> 00:02:46,040 Speaker 3: worked at the Gap in my gap year after high school. 50 00:02:46,160 --> 00:02:49,120 Speaker 3: It was like NonStop. It would play all the time, 51 00:02:50,200 --> 00:02:53,560 Speaker 3: and I thought it was kind of a jam. You 52 00:02:53,600 --> 00:02:55,760 Speaker 3: know this, this has got it's got like a beat 53 00:02:55,760 --> 00:03:02,320 Speaker 3: and you can dance to it. And you're right. He 54 00:03:07,800 --> 00:03:10,680 Speaker 3: is in the water floating and there is an airplane 55 00:03:10,680 --> 00:03:15,000 Speaker 3: crash and there's a beautiful girl on the boat looking 56 00:03:15,000 --> 00:03:15,320 Speaker 3: for him. 57 00:03:15,320 --> 00:03:19,040 Speaker 2: He's underwater. It's a good song. 58 00:03:19,760 --> 00:03:21,600 Speaker 3: So did you ever did you meet him? Did you 59 00:03:21,600 --> 00:03:22,880 Speaker 3: work with him? 60 00:03:23,520 --> 00:03:25,720 Speaker 5: No? I worked in Hollywood for a while, but I 61 00:03:25,760 --> 00:03:28,200 Speaker 5: never met him. But he wrote that from the perspective 62 00:03:28,240 --> 00:03:31,480 Speaker 5: of a kit of a child want his parents to 63 00:03:31,520 --> 00:03:34,360 Speaker 5: take where he says, you want to take my picture 64 00:03:34,800 --> 00:03:39,440 Speaker 5: because I won't remember. Like he's a two three four 65 00:03:39,520 --> 00:03:43,480 Speaker 5: year old talking about the memories that their parents gave 66 00:03:43,560 --> 00:03:47,000 Speaker 5: them through pictures that they enjoyed when they got older. 67 00:03:47,040 --> 00:03:49,480 Speaker 2: What a cool story. I had always heard that. 68 00:03:49,560 --> 00:03:51,240 Speaker 3: It was that he had some kind of freak out 69 00:03:51,240 --> 00:03:54,160 Speaker 3: on an airplane and he literally woke up and took 70 00:03:54,200 --> 00:03:57,080 Speaker 3: his clothes off because he was having some kind of meltdown, 71 00:03:57,120 --> 00:03:59,080 Speaker 3: and then he and then he got sober after that 72 00:03:59,440 --> 00:04:02,800 Speaker 3: but either way, I like the story and I thank 73 00:04:02,800 --> 00:04:05,280 Speaker 3: you so much Drew for Colin. We don't have any 74 00:04:05,320 --> 00:04:07,680 Speaker 3: answers though to the to the song, and I think 75 00:04:07,680 --> 00:04:09,480 Speaker 3: that I don't think anybody's gonna call, but I'll just 76 00:04:09,480 --> 00:04:13,280 Speaker 3: tell you since you're here. The song was by a band. 77 00:04:15,560 --> 00:04:19,719 Speaker 3: M hold on, let me pull it up. This is 78 00:04:19,720 --> 00:04:22,039 Speaker 3: a good radio, right. We listen to somebody typing in 79 00:04:22,080 --> 00:04:22,680 Speaker 3: the background. 80 00:04:23,839 --> 00:04:24,440 Speaker 2: Stand bye. 81 00:04:24,520 --> 00:04:26,800 Speaker 3: We got to listen to a there's a there's a 82 00:04:26,800 --> 00:04:30,000 Speaker 3: commercial for uh, what is this taco bell? Okay, we're 83 00:04:30,040 --> 00:04:32,360 Speaker 3: not gonna go. Oh it's McDonald's for the McDonald's rap. 84 00:04:32,560 --> 00:04:32,720 Speaker 4: Oh. 85 00:04:32,760 --> 00:04:36,000 Speaker 3: Now, there's an American Airlines commercial. That's pretty cool. You 86 00:04:36,080 --> 00:04:39,160 Speaker 3: may be booking a flight sometime. You might go on 87 00:04:39,160 --> 00:04:40,720 Speaker 3: American Airlines. So thanks for the song. 88 00:04:42,800 --> 00:04:43,280 Speaker 4: This is the. 89 00:04:43,279 --> 00:05:21,840 Speaker 6: Song, that's right. 90 00:05:22,320 --> 00:05:25,640 Speaker 3: Scott Staff in Creed, I was at the Creed My 91 00:05:25,839 --> 00:05:27,400 Speaker 3: Sacrifice music video. 92 00:05:28,320 --> 00:05:32,039 Speaker 2: Nice Nice is indeed. 93 00:05:32,400 --> 00:05:33,840 Speaker 3: And it was crazy because I saw it come out 94 00:05:33,880 --> 00:05:35,479 Speaker 3: on t r L, you know a few months later, 95 00:05:35,480 --> 00:05:39,160 Speaker 3: and I was like, I was there. 96 00:05:48,400 --> 00:05:50,839 Speaker 2: Okay, so Christmas music or Creed? 97 00:05:51,480 --> 00:05:52,320 Speaker 4: What do you think? Foods? 98 00:05:53,240 --> 00:05:54,359 Speaker 2: What are we ready for? 99 00:05:54,600 --> 00:05:58,880 Speaker 3: December nineteenth? Right right in the cusp here, we go. 100 00:05:59,000 --> 00:06:08,239 Speaker 3: I gotta hit the chorus. It's kind of a cool song. 101 00:06:08,960 --> 00:06:11,839 Speaker 3: I think with time, you know, people were really people 102 00:06:11,960 --> 00:06:17,040 Speaker 3: ragged on Creed. That band was huge. Three and fifty 103 00:06:17,080 --> 00:06:21,919 Speaker 3: two million views on that that song My sacrifice on 104 00:06:22,000 --> 00:06:25,760 Speaker 3: YouTube and I got to be there. That's the most 105 00:06:25,800 --> 00:06:30,400 Speaker 3: viewed video that I've been a part of. 106 00:06:30,800 --> 00:06:31,200 Speaker 4: Shoot. 107 00:06:31,880 --> 00:06:32,560 Speaker 2: Oh bummer. 108 00:06:33,120 --> 00:06:35,920 Speaker 3: Oh we got a lot more callers though here everybody 109 00:06:35,960 --> 00:06:37,640 Speaker 3: knows the song now, dang it. 110 00:06:38,720 --> 00:06:39,360 Speaker 2: Now we got it. 111 00:06:39,440 --> 00:06:41,360 Speaker 3: Well, now you know the song because I've played it. 112 00:06:43,000 --> 00:06:46,359 Speaker 3: I think well, I think, oh yeah, line too. I 113 00:06:46,360 --> 00:06:49,000 Speaker 3: think knew before, they knew before. Okay, so let's see. 114 00:06:49,040 --> 00:06:56,760 Speaker 3: Let's hear can we hear? Karen from Montabello? Hello, Hi Karen? 115 00:06:56,839 --> 00:06:57,560 Speaker 3: You're on KFI. 116 00:06:59,080 --> 00:07:00,480 Speaker 7: Oh my gosh, you know what? 117 00:07:00,839 --> 00:07:02,760 Speaker 5: I have the wrong song because it's too old. 118 00:07:04,520 --> 00:07:05,320 Speaker 4: What do you think it was? 119 00:07:06,600 --> 00:07:07,280 Speaker 7: White Snake? 120 00:07:07,720 --> 00:07:08,720 Speaker 2: Oh that's pretty good. 121 00:07:08,920 --> 00:07:09,559 Speaker 4: No, I wasn't. 122 00:07:09,560 --> 00:07:11,160 Speaker 2: I wasn't around when they were doing the White Snake 123 00:07:11,240 --> 00:07:12,200 Speaker 2: music video. 124 00:07:13,680 --> 00:07:15,560 Speaker 7: With Tanya Kichin on the cars. 125 00:07:15,560 --> 00:07:18,480 Speaker 2: Oh yeah, oh yeah, was that was it? Here I 126 00:07:18,520 --> 00:07:18,960 Speaker 2: go again? 127 00:07:19,040 --> 00:07:19,400 Speaker 5: Here I go? 128 00:07:19,960 --> 00:07:21,000 Speaker 8: Yeah, Here I go. 129 00:07:21,440 --> 00:07:24,200 Speaker 2: Yeah, that is a killer song. 130 00:07:25,080 --> 00:07:28,400 Speaker 8: Oh I just thought that was the one. 131 00:07:28,520 --> 00:07:32,120 Speaker 7: Yeah, but my daughter just said, oh, no, I think 132 00:07:32,200 --> 00:07:35,559 Speaker 7: that was and here I go again as an eighties song. 133 00:07:35,720 --> 00:07:38,600 Speaker 3: Yeah, yeah, I was. I was born a year after that. 134 00:07:38,640 --> 00:07:41,360 Speaker 3: But but I love that song. Uh, and the music 135 00:07:41,400 --> 00:07:43,600 Speaker 3: video is very cool. I think they shot that in La. 136 00:07:43,880 --> 00:07:47,920 Speaker 3: I think that's a downtown La. Yeah. But Karen, thank 137 00:07:47,920 --> 00:07:49,560 Speaker 3: you for calling on this on this Friday night. I 138 00:07:49,560 --> 00:07:52,280 Speaker 3: hope you have a wonderful evening, a happy Holidays, and 139 00:07:52,280 --> 00:07:53,240 Speaker 3: a merry Christmas. 140 00:07:52,960 --> 00:07:55,960 Speaker 7: To you you too, Thank you very much. 141 00:07:56,000 --> 00:07:58,760 Speaker 3: All right, let's check in with Marshall Collin from Mercida. 142 00:07:58,920 --> 00:07:59,760 Speaker 3: What's up by day? 143 00:08:01,320 --> 00:08:01,560 Speaker 4: Why? 144 00:08:02,160 --> 00:08:02,720 Speaker 2: How you doing? 145 00:08:02,760 --> 00:08:04,600 Speaker 4: Fred? Hi? 146 00:08:04,840 --> 00:08:05,560 Speaker 9: This isn't Fred? 147 00:08:05,640 --> 00:08:06,240 Speaker 6: Is this Andy? 148 00:08:06,360 --> 00:08:06,440 Speaker 10: No? 149 00:08:06,520 --> 00:08:08,239 Speaker 2: I said, how are you doing? Friend? This is Andy? 150 00:08:08,320 --> 00:08:11,280 Speaker 2: Yeah I was. I've talked to you before, so you 151 00:08:11,320 --> 00:08:13,240 Speaker 2: act like we're not old friends. 152 00:08:12,920 --> 00:08:16,400 Speaker 9: Now I'm sorry, okay, but this is Marshall. Yes, Hi, 153 00:08:16,480 --> 00:08:16,880 Speaker 9: how are you? 154 00:08:17,000 --> 00:08:17,200 Speaker 4: Yes? 155 00:08:17,240 --> 00:08:18,760 Speaker 2: Marshall? What can I do for you this Friday? 156 00:08:20,240 --> 00:08:23,560 Speaker 9: I wanted to answer the music the music question? 157 00:08:24,360 --> 00:08:25,480 Speaker 2: Okay, sure, why not we do? 158 00:08:26,840 --> 00:08:27,119 Speaker 4: What? 159 00:08:27,120 --> 00:08:28,400 Speaker 2: What do you think the song is? 160 00:08:29,680 --> 00:08:32,560 Speaker 5: That was creed my sacrifice? 161 00:08:32,800 --> 00:08:33,400 Speaker 4: Amazing? 162 00:08:33,520 --> 00:08:36,199 Speaker 2: You got it, buddy, you got it absolutely. 163 00:08:36,360 --> 00:08:37,960 Speaker 9: I want to I was so happy to call it 164 00:08:38,040 --> 00:08:40,160 Speaker 9: because you're my favorite weather Fortocaster. 165 00:08:40,559 --> 00:08:43,400 Speaker 2: Oh, yes, thank you. I do I do my best. 166 00:08:43,679 --> 00:08:47,080 Speaker 3: I do my best to fake my way through it. 167 00:08:47,400 --> 00:08:49,520 Speaker 3: And that's and that's that's all I'm going to say 168 00:08:49,559 --> 00:08:51,760 Speaker 3: about that, Marshall. 169 00:08:52,080 --> 00:08:53,960 Speaker 2: I'm looking forward, Okay, go ahead. 170 00:08:54,280 --> 00:08:56,040 Speaker 3: I was just gonna ask you what you were doing 171 00:08:56,080 --> 00:08:59,240 Speaker 3: on this Friday night that led you to listen into CAFI. 172 00:09:00,440 --> 00:09:02,880 Speaker 9: Oh right now. I was actually watching two different programs. 173 00:09:03,240 --> 00:09:05,800 Speaker 9: David Letterman is on a reruner Johnny Carson. I love 174 00:09:05,880 --> 00:09:08,520 Speaker 9: David Letterman, and I'm also watching at the same time 175 00:09:08,800 --> 00:09:11,200 Speaker 9: Yoga's First Christmas on the CW. 176 00:09:11,360 --> 00:09:12,160 Speaker 2: Hey, look at that. 177 00:09:12,280 --> 00:09:14,079 Speaker 3: Are you going in between like when there's a commercial, 178 00:09:14,160 --> 00:09:15,679 Speaker 3: Rick you hop back between one and the other? Or 179 00:09:15,679 --> 00:09:17,080 Speaker 3: do you have both of them on at the same 180 00:09:17,120 --> 00:09:18,400 Speaker 3: time with the volume blow? 181 00:09:18,440 --> 00:09:20,400 Speaker 9: No, I keep going back and forth because I could 182 00:09:20,440 --> 00:09:23,360 Speaker 9: do that, but I get my I go crazy doing that, 183 00:09:23,400 --> 00:09:25,959 Speaker 9: So I want to enjoy one by yourself, and then 184 00:09:26,160 --> 00:09:27,640 Speaker 9: I'm listening to you at the same time. 185 00:09:28,080 --> 00:09:30,439 Speaker 3: You are multitasking for sure. Well, Marshall, thank you so 186 00:09:30,559 --> 00:09:33,079 Speaker 3: much for calling. As always, I'm out of time on 187 00:09:33,160 --> 00:09:35,160 Speaker 3: this on this block, but we're going to keep the 188 00:09:35,240 --> 00:09:38,320 Speaker 3: music vibes going for the next forty five minutes. 189 00:09:38,400 --> 00:09:41,040 Speaker 2: Music man Jack Primavera is going to join me. A 190 00:09:41,080 --> 00:09:41,480 Speaker 2: couple of things. 191 00:09:41,520 --> 00:09:44,000 Speaker 3: We're talking about new music for people who don't like 192 00:09:44,080 --> 00:09:46,880 Speaker 3: new music, love this. This is one of my favorite 193 00:09:46,880 --> 00:09:50,280 Speaker 3: things ever. It makes me still feel relevant. Heck yeah. 194 00:09:50,320 --> 00:09:52,880 Speaker 3: And also we're going to solo the solo. Can you 195 00:09:53,000 --> 00:09:58,640 Speaker 3: guess what solo this guitar or what song this guitar 196 00:09:58,720 --> 00:10:02,000 Speaker 3: solo is from? This sounds a lot easier than it 197 00:10:02,040 --> 00:10:04,360 Speaker 3: actually is, and I'm curious to see how this goes. 198 00:10:05,200 --> 00:10:06,240 Speaker 2: Ronner, are you on board? 199 00:10:07,080 --> 00:10:07,400 Speaker 4: Sure? 200 00:10:08,559 --> 00:10:09,240 Speaker 2: How about the news? 201 00:10:09,320 --> 00:10:11,000 Speaker 4: Is that convincing? Did that sound convincing? 202 00:10:11,120 --> 00:10:12,719 Speaker 3: Well, you don't have a choice. You gotta be here 203 00:10:12,720 --> 00:10:15,480 Speaker 3: for I'm leaving at ten, So okay, it's up to you. 204 00:10:15,559 --> 00:10:17,440 Speaker 4: I know I'm one hundred percent on board. 205 00:10:18,240 --> 00:10:21,680 Speaker 1: You're listening to KFI AM six forty on demand. 206 00:10:25,840 --> 00:10:28,880 Speaker 2: I've just a quick update out of Miami. Jake Paul. 207 00:10:30,320 --> 00:10:36,240 Speaker 3: Has been knocked out on this Friday night fight. As expected, 208 00:10:36,240 --> 00:10:39,880 Speaker 3: Anthony Joshua knocked out Jake Paul. What was not expected 209 00:10:39,920 --> 00:10:41,880 Speaker 3: is that it took Paul until round six to finish 210 00:10:41,960 --> 00:10:46,440 Speaker 3: off the influencer turned boxer. That implies that he's like 211 00:10:46,480 --> 00:10:49,760 Speaker 3: done influencing. I don't maybe he is. I haven't seen 212 00:10:49,840 --> 00:10:51,880 Speaker 3: him do a slime video in quite some time. The 213 00:10:51,920 --> 00:10:54,160 Speaker 3: fight was ugly from the jump, CBS Sports says, with 214 00:10:54,200 --> 00:10:57,480 Speaker 3: Paul getting in on the proverbial bicycle and moving latterly 215 00:10:57,559 --> 00:11:00,400 Speaker 3: along the ropes, forcing Joshua to chase him around the ring. 216 00:11:01,000 --> 00:11:03,080 Speaker 3: The strategy was effective, though, is Paul did not take 217 00:11:03,120 --> 00:11:05,240 Speaker 3: clean shots round after round, and it allowed him to 218 00:11:05,240 --> 00:11:09,520 Speaker 3: have an argument to win one or two of the 219 00:11:09,640 --> 00:11:15,680 Speaker 3: four opening rounds. In round five, josh was finally able 220 00:11:15,720 --> 00:11:18,439 Speaker 3: to land a few clean shots that was enough to 221 00:11:18,520 --> 00:11:21,840 Speaker 3: hurt the smaller Paul. A left from Joshua buckled Paul's 222 00:11:21,920 --> 00:11:25,000 Speaker 3: legs and allowed josh to pounce and score his first 223 00:11:25,040 --> 00:11:29,120 Speaker 3: knockdown to the fight. A second knockdown followed as Joshua 224 00:11:29,240 --> 00:11:33,120 Speaker 3: landed a right hand counter. Paul escaped that round, but 225 00:11:33,160 --> 00:11:38,040 Speaker 3: he looked exhausted from the movement. Round six lasted not 226 00:11:38,280 --> 00:11:40,680 Speaker 3: very long. Josh landed a bomb of a right hand 227 00:11:40,679 --> 00:11:41,320 Speaker 3: to drop Paul. 228 00:11:41,480 --> 00:11:42,000 Speaker 4: Paul was. 229 00:11:43,679 --> 00:11:45,680 Speaker 3: Unable to beat the referees count and the fight ended 230 00:11:45,840 --> 00:11:48,280 Speaker 3: at the one thirty one mark. A round six and 231 00:11:48,360 --> 00:11:56,000 Speaker 3: I'm going to continue calling Anthony Joshua Josh Oh Boy 232 00:11:56,120 --> 00:11:59,600 Speaker 3: joining me right now, one of my oldest friends and 233 00:12:00,040 --> 00:12:04,559 Speaker 3: also somebody who I think is. 234 00:12:02,920 --> 00:12:04,679 Speaker 2: Somebody I look up to in the industry. 235 00:12:04,840 --> 00:12:07,800 Speaker 3: As they say, music man, Jack Primavera, you've been with 236 00:12:07,880 --> 00:12:09,719 Speaker 3: us before, you're with us again. Thank you so much 237 00:12:10,120 --> 00:12:11,920 Speaker 3: for being with us this evening, on this Friday. Happy 238 00:12:11,920 --> 00:12:14,200 Speaker 3: Friday to you. Happy Friday, Andy. I'm so happy to 239 00:12:14,240 --> 00:12:16,040 Speaker 3: be back. I'm always honored to be a guest here. 240 00:12:16,120 --> 00:12:17,920 Speaker 3: It's a lot of fun. I love chatting with you. 241 00:12:18,080 --> 00:12:20,840 Speaker 2: Well, this voice a show which you work on. 242 00:12:21,200 --> 00:12:25,200 Speaker 10: Yes, yes, finally week we crowned a new winner of 243 00:12:25,200 --> 00:12:25,960 Speaker 10: season twenty eight. 244 00:12:26,000 --> 00:12:27,280 Speaker 2: This week, season twenty eight. 245 00:12:27,320 --> 00:12:29,680 Speaker 3: I feel like when you first started coming doing the show, 246 00:12:29,840 --> 00:12:32,360 Speaker 3: you were only at season twenty two, and now here 247 00:12:32,400 --> 00:12:35,480 Speaker 3: we are three months later at season twenty eight. 248 00:12:35,559 --> 00:12:38,679 Speaker 10: Yeah, we do like roughly six a month. But no, 249 00:12:39,280 --> 00:12:42,920 Speaker 10: it's definitely exciting. We have a new winner from Team 250 00:12:43,000 --> 00:12:46,040 Speaker 10: Nile Aiden Ross. Check him out, very very beautiful voice. 251 00:12:46,120 --> 00:12:47,800 Speaker 3: Was it a good season? Are you Are you feeling 252 00:12:47,880 --> 00:12:49,760 Speaker 3: a little tired? Are you feeling good to have a 253 00:12:49,760 --> 00:12:50,560 Speaker 3: couple of weeks off? 254 00:12:50,800 --> 00:12:53,320 Speaker 8: Yeah, man, I'm excited to have a couple of weeks off. 255 00:12:53,360 --> 00:12:54,480 Speaker 8: It was a good season. 256 00:12:54,760 --> 00:12:56,520 Speaker 10: You know, for the first time ever, we had one 257 00:12:56,679 --> 00:13:02,520 Speaker 10: week of lives and packed into it as anyone could 258 00:13:02,559 --> 00:13:04,720 Speaker 10: have won in my opinion, like it was a stacked 259 00:13:04,880 --> 00:13:08,839 Speaker 10: like lineup of amazing singers, but Aiden took it home. 260 00:13:08,880 --> 00:13:12,800 Speaker 3: America voted, well, you are a music expert, as evidenced 261 00:13:12,800 --> 00:13:17,080 Speaker 3: by your credentials working in music television. But also because 262 00:13:17,200 --> 00:13:19,079 Speaker 3: I don't know that I know anybody, and I know 263 00:13:19,120 --> 00:13:21,400 Speaker 3: a lot of people in the music world, but who 264 00:13:21,480 --> 00:13:25,280 Speaker 3: is as devoted to the craft of understanding music as 265 00:13:25,320 --> 00:13:26,840 Speaker 3: you are? So I wanted to bring you on to 266 00:13:26,880 --> 00:13:30,240 Speaker 3: do this new segment called New Music Friday for people 267 00:13:30,240 --> 00:13:33,120 Speaker 3: who don't like new music, because I feel like so 268 00:13:33,280 --> 00:13:35,160 Speaker 3: much of the music that comes out is all geared 269 00:13:35,160 --> 00:13:37,200 Speaker 3: towards kids, oh for sure. 270 00:13:37,280 --> 00:13:39,360 Speaker 10: For sure, and a lot of people over a certain age. 271 00:13:39,400 --> 00:13:41,480 Speaker 10: You kind of have your favorites. You know what your 272 00:13:41,559 --> 00:13:43,800 Speaker 10: love song is, you know what your hype up song is. 273 00:13:43,920 --> 00:13:46,319 Speaker 10: Get you get stuck in your ways? Yeah, will yeah, 274 00:13:46,440 --> 00:13:47,200 Speaker 10: But here we are. 275 00:13:47,280 --> 00:13:49,319 Speaker 3: We got some new music coming out, This first one 276 00:13:49,360 --> 00:13:53,040 Speaker 3: from Tyler Childers called Cut and Teeth. Give me a 277 00:13:53,040 --> 00:13:54,440 Speaker 3: little backstory here and then we'll play. 278 00:13:54,559 --> 00:13:57,440 Speaker 10: So we got Tyler Childers it's from his new album, 279 00:13:57,520 --> 00:14:01,120 Speaker 10: Snipe Hunter. And so you know Tyler Childer big, big 280 00:14:01,200 --> 00:14:04,480 Speaker 10: Kentucky In huge in the you know, Midwest and the 281 00:14:04,520 --> 00:14:06,720 Speaker 10: country scene, but kind of did it his way. His 282 00:14:06,720 --> 00:14:10,480 Speaker 10: first couple of albums were produced by Sergel Simpson and 283 00:14:10,880 --> 00:14:13,480 Speaker 10: he has just this beautiful voice. But this new album, 284 00:14:13,559 --> 00:14:16,559 Speaker 10: Snipe Hunter, was actually produced by Rick Rubin, and it's 285 00:14:16,640 --> 00:14:18,599 Speaker 10: kind of like big, kind of I don't want to 286 00:14:18,600 --> 00:14:21,560 Speaker 10: say his breakout, because he's had some breakouts, but it's 287 00:14:21,640 --> 00:14:25,320 Speaker 10: very much a mainstream one and the sound is just 288 00:14:25,440 --> 00:14:29,120 Speaker 10: very different, very polished, that Rick Rubin, you know Rick 289 00:14:29,200 --> 00:14:29,920 Speaker 10: Rubin sound. 290 00:14:29,960 --> 00:14:30,760 Speaker 8: Yeah, it's a lot of fun. 291 00:14:30,920 --> 00:14:33,880 Speaker 3: Let's listen to Tyler Childer's cutting teeth. It's got this 292 00:14:34,040 --> 00:14:36,680 Speaker 3: real roomy vibe to it, Like you listen to him 293 00:14:36,680 --> 00:14:38,560 Speaker 3: singing and you listen to those instruments, like you could 294 00:14:38,600 --> 00:14:39,400 Speaker 3: really hear the room. 295 00:14:39,560 --> 00:14:41,880 Speaker 8: Oh for sure. He's got a great band, the Food Stamps. 296 00:14:41,960 --> 00:14:44,920 Speaker 10: They actually saw them at the Hollywood Bowl this last year. 297 00:14:45,640 --> 00:14:48,400 Speaker 10: Amazing live act and I think Rick Rubin and Tyler 298 00:14:48,480 --> 00:14:50,560 Speaker 10: like really kind of captured the live sound, but like 299 00:14:50,600 --> 00:14:53,200 Speaker 10: in a studio setting, yeah, totally. And you know, this 300 00:14:53,240 --> 00:14:55,200 Speaker 10: is actually pretty tame track. Some of the like the 301 00:14:55,200 --> 00:14:58,920 Speaker 10: sonic experiments on this album, you know, go you know, 302 00:14:59,080 --> 00:15:00,360 Speaker 10: pedal steel like. 303 00:15:00,320 --> 00:15:01,600 Speaker 8: Pedals and effects to it. 304 00:15:01,720 --> 00:15:02,120 Speaker 2: Awesome. 305 00:15:02,240 --> 00:15:03,920 Speaker 10: But yeah, this is just if you like country or 306 00:15:04,000 --> 00:15:06,600 Speaker 10: that outlaw Merle Haggard like that kind of stuff. Like 307 00:15:06,880 --> 00:15:09,840 Speaker 10: I would highly recommend checking out Tyler Childers this album 308 00:15:10,080 --> 00:15:11,200 Speaker 10: or any of his albums. 309 00:15:11,400 --> 00:15:13,800 Speaker 3: The album is called Snipe Hunter. It's Cutting Teeth by 310 00:15:13,960 --> 00:15:16,680 Speaker 3: Tyler Childers. It's hard for me to say Tyler Childers. 311 00:15:17,280 --> 00:15:20,560 Speaker 3: Tyler Tilders is what I keep wanting to say, which 312 00:15:20,600 --> 00:15:23,120 Speaker 3: means I probably have some wires crossed in my brain 313 00:15:23,200 --> 00:15:26,400 Speaker 3: the wrong way. This next band definitely does not have 314 00:15:26,440 --> 00:15:29,480 Speaker 3: any wires crossed in a bad way. It's Stanley Simmons, 315 00:15:29,960 --> 00:15:33,720 Speaker 3: which are the name is a combination of these two guys, 316 00:15:33,920 --> 00:15:37,720 Speaker 3: rock star dads, Geene Simmons and Paul Stanley. 317 00:15:37,760 --> 00:15:38,640 Speaker 8: I've heard of them. 318 00:15:38,720 --> 00:15:40,480 Speaker 3: You've heard them. They're in a band called Kiss. But 319 00:15:40,600 --> 00:15:47,640 Speaker 3: this new record from Evan Stanley and Nick Simmons is 320 00:15:47,680 --> 00:15:50,680 Speaker 3: completely different than Kiss, and I think harkens back to 321 00:15:50,720 --> 00:15:54,560 Speaker 3: the sort of Laurel Canyon, Crosby Sales, Nash and Young, 322 00:15:55,080 --> 00:15:57,200 Speaker 3: maybe even some Simon and Garfunks. 323 00:15:57,040 --> 00:15:58,560 Speaker 8: Eagles as harmonies. 324 00:15:58,680 --> 00:16:01,840 Speaker 3: Yeah, this song is called Bodied. I I'll say this 325 00:16:01,840 --> 00:16:04,120 Speaker 3: in full disclosure. I got to hear this song before 326 00:16:04,120 --> 00:16:07,600 Speaker 3: it came out because I interviewed just randomly the producer 327 00:16:07,640 --> 00:16:08,480 Speaker 3: of it, Rob Cavallo. 328 00:16:08,920 --> 00:16:09,720 Speaker 2: I had him on the show. 329 00:16:09,880 --> 00:16:12,320 Speaker 3: A big fan of his always, and sometimes when you 330 00:16:12,360 --> 00:16:14,600 Speaker 3: ask nicely and you have KFI behind you, you can 331 00:16:14,640 --> 00:16:15,280 Speaker 3: get somebody to. 332 00:16:15,200 --> 00:16:15,880 Speaker 2: Come and talk to you. 333 00:16:16,200 --> 00:16:17,000 Speaker 8: That's incredible. 334 00:16:17,040 --> 00:16:18,000 Speaker 2: And they put this song out. 335 00:16:18,000 --> 00:16:19,760 Speaker 3: They're doing a whole record, and I think that what's 336 00:16:19,800 --> 00:16:23,280 Speaker 3: exciting is that they're going away from what their dads 337 00:16:23,320 --> 00:16:25,480 Speaker 3: are doing to kind of carve their own niche. 338 00:16:25,760 --> 00:16:28,480 Speaker 10: First thing I thought, this is not kiss you know, 339 00:16:28,600 --> 00:16:32,280 Speaker 10: this is very much its own you said, CSNY. Definitely 340 00:16:32,320 --> 00:16:35,640 Speaker 10: get those vibes from it, the Laurel Canyon sound. And 341 00:16:35,680 --> 00:16:37,320 Speaker 10: then when you share this song with me, one thing 342 00:16:37,360 --> 00:16:40,080 Speaker 10: I loved and would go into our next segment very well, 343 00:16:40,160 --> 00:16:40,720 Speaker 10: is there's an. 344 00:16:40,640 --> 00:16:44,400 Speaker 8: Awesome guitar solo. That's right, it's got that bear that vibe. 345 00:16:44,960 --> 00:16:45,600 Speaker 2: Well, I'll tell you what. 346 00:16:45,720 --> 00:16:48,160 Speaker 3: Those are two very cool new songs for people who 347 00:16:48,200 --> 00:16:51,080 Speaker 3: do not like new songs. On this New Music Friday, 348 00:16:51,480 --> 00:16:52,800 Speaker 3: we are going to take a quick break. When we 349 00:16:52,840 --> 00:16:54,400 Speaker 3: come back, maybe we'll do one more song and then 350 00:16:54,400 --> 00:16:56,680 Speaker 3: we'll move to our game, and then we're gonna have 351 00:16:56,720 --> 00:16:58,360 Speaker 3: people call it. We gotta have them call in and 352 00:16:58,400 --> 00:17:00,560 Speaker 3: guess the solos. I think we'll do it is we'll 353 00:17:00,560 --> 00:17:02,320 Speaker 3: play a couple solos and then you can call in. 354 00:17:02,400 --> 00:17:04,480 Speaker 3: You can try to tell us what those solos were. 355 00:17:05,359 --> 00:17:08,760 Speaker 1: You're listening to KFI AM six forty on demand. 356 00:17:10,320 --> 00:17:13,840 Speaker 3: We're soloing a solo, and you got to call in 357 00:17:13,920 --> 00:17:17,560 Speaker 3: and tell us what it is. I think tell us 358 00:17:17,560 --> 00:17:19,320 Speaker 3: the name of the band, the name of the song, 359 00:17:19,480 --> 00:17:22,479 Speaker 3: and for a bonus point, who played the solo. So 360 00:17:22,520 --> 00:17:25,200 Speaker 3: we're gonna do one first that we'll have everybody. For 361 00:17:25,600 --> 00:17:28,119 Speaker 3: the listeners, you can call in and let us know 362 00:17:28,200 --> 00:17:31,639 Speaker 3: what it is, and then we'll while we get all 363 00:17:31,680 --> 00:17:33,760 Speaker 3: the calls coming in, we'll play a couple more and 364 00:17:33,920 --> 00:17:35,879 Speaker 3: the boys in studio here will have to guess. But 365 00:17:35,920 --> 00:17:50,800 Speaker 3: here's our first one for the listeners. We're soloing the solo. 366 00:18:01,200 --> 00:18:03,840 Speaker 3: That's all you get twenty seconds. Do you think it's 367 00:18:03,880 --> 00:18:07,160 Speaker 3: too easy, Jack, I mean you knew it, okay, don't 368 00:18:07,160 --> 00:18:10,359 Speaker 3: say one hundred five to zero one five three four. 369 00:18:10,400 --> 00:18:13,320 Speaker 3: That's one hundred five to zero one five three four. 370 00:18:13,920 --> 00:18:15,480 Speaker 3: I don't know if I would have known that immediately, 371 00:18:15,520 --> 00:18:18,600 Speaker 3: and I'm a guitar person, so I feel like I 372 00:18:18,920 --> 00:18:21,240 Speaker 3: don't know. Let's do another one here for all the 373 00:18:21,240 --> 00:18:24,080 Speaker 3: folks in studio. Mister Ronner, are you ready bring it? 374 00:18:24,280 --> 00:18:25,560 Speaker 2: Foosh? Are you locked and loaded? 375 00:18:25,640 --> 00:18:26,119 Speaker 4: Let's do it. 376 00:18:26,200 --> 00:18:30,480 Speaker 3: Jack Primavera, go, Matt Toffler. I know you're there and 377 00:18:30,480 --> 00:18:35,000 Speaker 3: you're not gonna play, but screening, screening calls. I know, 378 00:18:35,400 --> 00:18:40,200 Speaker 3: here we go. Don't shout out your your answer, shout 379 00:18:40,200 --> 00:18:57,360 Speaker 3: out your name when you get it. Now, this one 380 00:18:57,440 --> 00:19:00,879 Speaker 3: is so easy. Jack thinks you know the answer, Roner. 381 00:19:00,920 --> 00:19:03,120 Speaker 3: Do you know it's on the tip of my tongue. 382 00:19:03,160 --> 00:19:05,320 Speaker 3: I think I know who it is at the very least. Foosh, 383 00:19:05,359 --> 00:19:13,520 Speaker 3: I think I know. Jack feels the most confident I know. 384 00:19:13,640 --> 00:19:20,440 Speaker 3: Jack knows push ah it guns and Roses? Yeah, yes, sir, 385 00:19:21,440 --> 00:19:23,920 Speaker 3: Oh the solo. What's the song? 386 00:19:25,119 --> 00:19:26,320 Speaker 4: That's what I can't remember? 387 00:19:26,960 --> 00:19:27,680 Speaker 2: Very good, Ronner. 388 00:19:27,720 --> 00:19:30,400 Speaker 4: Do you know I'm blanking? I know I know it though. 389 00:19:31,680 --> 00:19:34,440 Speaker 2: Guns and Roses is correct, Jackie Boy, bring it home. 390 00:19:34,480 --> 00:19:38,520 Speaker 8: Sweet Child of Min's slash his finest. 391 00:19:38,080 --> 00:19:41,040 Speaker 3: There it is there, it is. It's like crazy because 392 00:19:41,040 --> 00:19:42,199 Speaker 3: I was thinking about this earlier. 393 00:19:42,560 --> 00:19:43,280 Speaker 2: You know it. 394 00:19:43,640 --> 00:19:45,760 Speaker 3: You're like, I know I've heard this a million times, 395 00:19:45,800 --> 00:19:48,240 Speaker 3: but where what is it? 396 00:19:48,320 --> 00:19:48,600 Speaker 4: Solo? 397 00:19:48,640 --> 00:19:49,040 Speaker 2: The solo? 398 00:19:49,119 --> 00:19:49,439 Speaker 4: Baby. 399 00:19:49,520 --> 00:19:52,360 Speaker 3: It's also funny because solos sound so silly by themselves. 400 00:19:52,359 --> 00:19:54,359 Speaker 3: They just sound like a guy in guitar center, just 401 00:19:54,400 --> 00:19:57,480 Speaker 3: like ripping it. Just imagine like a neighbor being like, 402 00:19:57,560 --> 00:20:00,080 Speaker 3: turn it down. Don't you have a special connection? And 403 00:20:00,160 --> 00:20:02,600 Speaker 3: with Slash, since there's the whole Indiana. 404 00:20:02,200 --> 00:20:04,040 Speaker 8: Thing, is he a hoosier? 405 00:20:04,160 --> 00:20:06,920 Speaker 10: I thought, Oh, that's Axel the Axel axl Rose is 406 00:20:06,960 --> 00:20:07,560 Speaker 10: from Indiana. 407 00:20:08,040 --> 00:20:11,600 Speaker 11: Yeah, okay, right, because I did some hard time in Lafayette, Indiana. 408 00:20:12,359 --> 00:20:13,800 Speaker 8: I did some hard time there too. 409 00:20:13,840 --> 00:20:16,680 Speaker 11: I wes Lafayette. Okay, same, Yeah, I went to grad 410 00:20:16,680 --> 00:20:17,439 Speaker 11: school at Purdue. 411 00:20:17,600 --> 00:20:22,240 Speaker 3: Nice boiler up. How's your how's your team's going this year? 412 00:20:22,359 --> 00:20:24,040 Speaker 4: Oh? I couldn't possibly care less. 413 00:20:25,720 --> 00:20:29,439 Speaker 3: You all right, here's the next track, and we have 414 00:20:29,480 --> 00:20:32,119 Speaker 3: oh my god, we have so many callers. We have 415 00:20:32,240 --> 00:20:36,600 Speaker 3: so many callers. I'd made it too easy. We should 416 00:20:36,640 --> 00:20:39,720 Speaker 3: go to the calls because, uh, we have Jay on 417 00:20:39,760 --> 00:20:41,000 Speaker 3: the line. Jay, what's up? 418 00:20:41,040 --> 00:20:41,320 Speaker 2: Brother? 419 00:20:45,240 --> 00:20:46,400 Speaker 8: I did there too? 420 00:20:47,320 --> 00:20:48,040 Speaker 4: Oh j J? 421 00:20:48,200 --> 00:20:49,560 Speaker 2: Can you turn your radio down please? 422 00:20:49,680 --> 00:20:50,560 Speaker 4: Another boiler there? 423 00:20:51,760 --> 00:20:54,440 Speaker 8: Yeah, it's down alrighty, what. 424 00:20:54,560 --> 00:20:58,000 Speaker 2: Is the solo that you listen to the first song there? 425 00:20:59,520 --> 00:21:02,760 Speaker 3: The first one was Crazy Trained, Yes, sir. 426 00:21:03,119 --> 00:21:08,359 Speaker 5: Of course Ozzy Osbourne. I think the guitarist is Zach Wilde. 427 00:21:09,320 --> 00:21:12,200 Speaker 3: It is not you did you got partial credit though? Jay, 428 00:21:12,240 --> 00:21:14,640 Speaker 3: Thank you so much for calling, and uh, I appreciate 429 00:21:14,640 --> 00:21:16,880 Speaker 3: you calling about the Creed song too. And I'm sorry 430 00:21:16,880 --> 00:21:18,919 Speaker 3: weren't able to get you on there, but you you. 431 00:21:19,000 --> 00:21:22,320 Speaker 3: I would say ninety percent all the way there. That's 432 00:21:22,359 --> 00:21:23,200 Speaker 3: a pretty good answer. 433 00:21:23,240 --> 00:21:24,439 Speaker 5: Thanky, Thank you, buddy. 434 00:21:25,080 --> 00:21:29,000 Speaker 2: Let's see calling now. It's Mark from Northridge. 435 00:21:29,280 --> 00:21:30,600 Speaker 4: To the first. 436 00:21:31,040 --> 00:21:32,280 Speaker 2: Hello. Mark, you're on kf I. 437 00:21:33,840 --> 00:21:34,040 Speaker 5: Guy. 438 00:21:34,400 --> 00:21:39,320 Speaker 3: The first song was Crazy Tray, Yes, sir, bye, Ozzy 439 00:21:39,359 --> 00:21:40,880 Speaker 3: Osbourne from nineteen eighty one. 440 00:21:40,960 --> 00:21:42,920 Speaker 2: Do you know who played the solo on that song? 441 00:21:44,880 --> 00:21:46,680 Speaker 5: I member it was band, that's all I can say. 442 00:21:46,840 --> 00:21:49,520 Speaker 2: All right, that's good. No, No, that's good. You're absolutely right. 443 00:21:49,520 --> 00:21:51,520 Speaker 3: We're just gonna keep going until we get anybody who 444 00:21:51,520 --> 00:21:54,560 Speaker 3: has the name of the uh the guitarist. 445 00:21:54,440 --> 00:21:57,040 Speaker 10: Legendary guitarist. Yeah, there you go, gone too soon. 446 00:21:57,040 --> 00:22:00,520 Speaker 3: As a clue, We've got Doug Colin from Hollister, California. 447 00:22:00,600 --> 00:22:01,480 Speaker 2: Doug, you're on kf I. 448 00:22:04,640 --> 00:22:08,600 Speaker 3: What is the name of the song, the artist and 449 00:22:08,640 --> 00:22:10,159 Speaker 3: the guitarists who played the solo? 450 00:22:14,240 --> 00:22:19,520 Speaker 5: Well, it was Ozzy Osbourne, Crazy Train, Randy Rhoads. 451 00:22:19,680 --> 00:22:21,280 Speaker 2: Hey got it? 452 00:22:21,400 --> 00:22:23,880 Speaker 3: You go, you go, Doug, thanks so much for calling. 453 00:22:23,960 --> 00:22:28,840 Speaker 3: Doug all right, the one and only. How's things going 454 00:22:28,840 --> 00:22:29,439 Speaker 3: down in Hollister? 455 00:22:31,200 --> 00:22:33,720 Speaker 4: Oh it's all right, pretty pretty nice evening. 456 00:22:34,560 --> 00:22:36,439 Speaker 3: I love to hear it. Well, thanks for calling. All right, 457 00:22:36,520 --> 00:22:40,840 Speaker 3: let's get to another caller here. We've got Mitch, Mitch 458 00:22:40,840 --> 00:22:41,800 Speaker 3: from Agore Hills. 459 00:22:42,880 --> 00:22:43,120 Speaker 4: Mitch. 460 00:22:43,200 --> 00:22:47,359 Speaker 3: Now, we've had everybody identify those solos or the the 461 00:22:47,440 --> 00:22:52,760 Speaker 3: the items from that solo where we had guitarist Randy Rhodes. 462 00:22:53,080 --> 00:22:57,040 Speaker 3: Ozzy Osbourne is the is the artist, and we've got 463 00:22:57,040 --> 00:22:59,879 Speaker 3: the song Crazy Train. Now I've got a new solo 464 00:23:00,080 --> 00:23:03,879 Speaker 3: for everybody here and Mark you can play along before 465 00:23:03,880 --> 00:23:06,920 Speaker 3: we go to break in and Mark, I'm sorry. Mitch 466 00:23:06,960 --> 00:23:08,520 Speaker 3: from mcgore Hills you can also play along. 467 00:23:10,480 --> 00:23:11,080 Speaker 2: Are you with us? 468 00:23:11,119 --> 00:23:13,040 Speaker 4: Mitch? Yep? 469 00:23:13,200 --> 00:23:29,480 Speaker 2: All right, here we go. Did you get it? 470 00:23:30,080 --> 00:23:32,440 Speaker 11: I'm stumped, but I like your head movements that nobody 471 00:23:32,480 --> 00:23:34,720 Speaker 11: on the radio can see. Are you doing the overbite too? 472 00:23:34,840 --> 00:23:46,520 Speaker 3: Oh yeah, dude, I'm like a white guy dancing a Yeah, 473 00:23:46,560 --> 00:23:48,520 Speaker 3: this is I didn't realize that this game would just 474 00:23:48,520 --> 00:23:51,320 Speaker 3: be like the sounds of a guitar center on Saturday afternoon. 475 00:23:51,840 --> 00:23:54,159 Speaker 2: This is just crazy, Mitch. Do you have any guesses 476 00:23:54,160 --> 00:23:54,520 Speaker 2: for that one? 477 00:23:54,520 --> 00:23:55,840 Speaker 8: A couple of stairways they haven't thrown in? 478 00:23:56,000 --> 00:23:57,280 Speaker 7: Huh, I don't. 479 00:23:58,000 --> 00:24:01,600 Speaker 3: That's a tough one. Alrighty, Mitch, thanks for calling. We're 480 00:24:01,640 --> 00:24:02,960 Speaker 3: going to take a break. When we come back, we'll 481 00:24:02,960 --> 00:24:04,879 Speaker 3: wrap this game up. We've got lots of other people 482 00:24:05,040 --> 00:24:08,679 Speaker 3: who can guess maybe what this solo is. 483 00:24:09,600 --> 00:24:12,120 Speaker 2: This is a tough one. One more time. 484 00:24:12,160 --> 00:24:12,720 Speaker 4: As we got a. 485 00:24:12,640 --> 00:24:26,040 Speaker 2: Break, Mark Runner turned that dang thing down. 486 00:24:27,280 --> 00:24:30,680 Speaker 1: You're listening to KFI Am sixty on demand. 487 00:24:33,080 --> 00:24:35,520 Speaker 3: Yeah, I just got a notification here that Sky five, 488 00:24:35,680 --> 00:24:38,199 Speaker 3: the helicopter that is associated with the day job that 489 00:24:38,280 --> 00:24:41,920 Speaker 3: I have at KTLA, has launched for an on again, 490 00:24:41,960 --> 00:24:45,560 Speaker 3: off again pursuit of a possible stolen ambulance. But unfortunately, 491 00:24:45,560 --> 00:24:50,960 Speaker 3: because of fog, we've had to turn around, so it 492 00:24:51,040 --> 00:24:54,280 Speaker 3: might be out there. Someone may have stolen an ambulance 493 00:24:54,520 --> 00:25:00,880 Speaker 3: somewhere in the Southland. Listen for sirens. That's right, those 494 00:25:00,920 --> 00:25:03,680 Speaker 3: stolen ambulances. You don't get a lot of those pursuits. Here, 495 00:25:03,880 --> 00:25:06,399 Speaker 3: we're playing a game called solo ing the solo, and 496 00:25:06,400 --> 00:25:08,600 Speaker 3: that is where, of course, you listen to a solo 497 00:25:08,760 --> 00:25:10,840 Speaker 3: track and we have people call in to try to 498 00:25:10,880 --> 00:25:15,800 Speaker 3: guess what the song is, who the artist is, and 499 00:25:15,880 --> 00:25:21,040 Speaker 3: for bonus points, who the guitarist who played the solo was. 500 00:25:21,640 --> 00:25:23,119 Speaker 3: This is the one that we talked about before we 501 00:25:23,160 --> 00:25:25,679 Speaker 3: went to break. Let's see if we have anybody the 502 00:25:25,680 --> 00:25:28,359 Speaker 3: lines of lit up. I've never in all of my 503 00:25:28,720 --> 00:25:31,119 Speaker 3: three months of working here, never seen the lines lit 504 00:25:31,240 --> 00:25:31,879 Speaker 3: up like this. 505 00:25:47,000 --> 00:25:48,080 Speaker 2: Has some good picking. 506 00:25:49,119 --> 00:25:52,199 Speaker 3: We've got Danny on the line calling Danny, where are 507 00:25:52,200 --> 00:25:53,679 Speaker 3: you calling from on this Friday night? 508 00:25:55,560 --> 00:25:56,200 Speaker 5: From Verne? 509 00:25:56,560 --> 00:25:59,960 Speaker 3: Hey, we love Laverne. What do you think that that's 510 00:26:00,119 --> 00:26:01,639 Speaker 3: song was that you just heard? 511 00:26:03,080 --> 00:26:03,240 Speaker 7: Uh? 512 00:26:04,720 --> 00:26:07,160 Speaker 5: Yeah, I got two guesses, but I'm gonna go my gut. 513 00:26:07,760 --> 00:26:10,640 Speaker 5: I think it's uh Eric Clapton Crossroads. 514 00:26:10,720 --> 00:26:13,399 Speaker 3: Ooh, that's close. That's a good clothes, A good guess. 515 00:26:13,440 --> 00:26:15,320 Speaker 3: I'll tell you the year. It was nineteen seventy two, 516 00:26:15,440 --> 00:26:17,920 Speaker 3: so you're right in there. However, that is not right. 517 00:26:17,960 --> 00:26:20,399 Speaker 3: Do you have another guess? Because there's no rules. 518 00:26:20,119 --> 00:26:23,359 Speaker 5: Here, Well, it wouldn't be Stevie worry Vaughn. 519 00:26:23,800 --> 00:26:25,560 Speaker 3: No, it was not, but I'll tell you what. I 520 00:26:25,640 --> 00:26:28,200 Speaker 3: appreciate you calling Danny. We'll play the game again. Call 521 00:26:28,280 --> 00:26:31,360 Speaker 3: us next time and uh and we'll talk to you soon. 522 00:26:32,000 --> 00:26:33,800 Speaker 3: We've got Janelle on the line, who would like to 523 00:26:33,880 --> 00:26:37,359 Speaker 3: guess and participate. Here you're listening to Kfi. Janelle, do 524 00:26:37,440 --> 00:26:38,560 Speaker 3: you know the solo? 525 00:26:40,160 --> 00:26:42,639 Speaker 7: Hello, dear Andy. I thought I was calling this for 526 00:26:42,680 --> 00:26:45,320 Speaker 7: the Auzie thing because nobody got the guitarist yet, right. 527 00:26:45,440 --> 00:26:48,680 Speaker 3: Oh, no, we got it somebody I think, uh Mitch 528 00:26:48,800 --> 00:26:52,840 Speaker 3: maybe got it from maybe Doug from Hollister. I'm not sure, 529 00:26:52,840 --> 00:26:54,359 Speaker 3: but yeah, somebody got Randy Rhodes. 530 00:26:55,800 --> 00:26:58,360 Speaker 7: Oh yeah, yeah, yeah, that was That would have been 531 00:26:58,359 --> 00:26:58,800 Speaker 7: my guest. 532 00:26:58,960 --> 00:26:59,919 Speaker 2: You were right, Janete. 533 00:27:00,840 --> 00:27:05,560 Speaker 7: Oh you know what the Ausy clip honestly was on 534 00:27:05,600 --> 00:27:09,080 Speaker 7: a one to ten scale, it was. It was probably 535 00:27:09,359 --> 00:27:12,000 Speaker 7: a one, like easy, and then this one is probably 536 00:27:12,040 --> 00:27:13,120 Speaker 7: like a seven or eight. 537 00:27:13,240 --> 00:27:15,200 Speaker 3: This is super hard hard. Yeah, I know this one. 538 00:27:15,240 --> 00:27:18,040 Speaker 3: This one's really hard. It might be too hard. So uh, 539 00:27:18,160 --> 00:27:20,159 Speaker 3: I'll tell you what we were gonna We're gonna take 540 00:27:20,200 --> 00:27:25,280 Speaker 3: one more call and uh, if nobody gets the next one, 541 00:27:25,359 --> 00:27:29,040 Speaker 3: Janelle will go back to you. Mark from San Juan Capistrano, 542 00:27:29,200 --> 00:27:31,639 Speaker 3: do you have the answer to this solo. 543 00:27:32,200 --> 00:27:34,200 Speaker 5: That's a tough one, but I'm just gonna guess. 544 00:27:34,560 --> 00:27:37,440 Speaker 3: Leonard Skinnard, great guest, was you know, we were thinking 545 00:27:37,440 --> 00:27:40,840 Speaker 3: of one of those, but but unfortunately, no, that is 546 00:27:40,880 --> 00:27:41,320 Speaker 3: not correct. 547 00:27:41,359 --> 00:27:42,119 Speaker 2: Any other guesses. 548 00:27:44,920 --> 00:27:46,399 Speaker 3: This one's got me stumped. 549 00:27:46,320 --> 00:27:47,320 Speaker 2: Me too. It's hard. 550 00:27:47,400 --> 00:27:49,880 Speaker 3: Okay, I've got a good clue. Stay on the line 551 00:27:49,880 --> 00:27:51,440 Speaker 3: here for the next one. But yeah, drop a clue 552 00:27:51,480 --> 00:27:52,080 Speaker 3: and so the clue. 553 00:27:52,119 --> 00:27:53,960 Speaker 10: As you were talking about how this game feels a 554 00:27:54,000 --> 00:27:56,040 Speaker 10: lot like something you hear at Guitar Center, uh huh, 555 00:27:56,160 --> 00:28:00,200 Speaker 10: Well this, I'll just say this band in question, I'll 556 00:28:00,200 --> 00:28:02,560 Speaker 10: hear a lot of a specific riff from this band, 557 00:28:02,600 --> 00:28:03,720 Speaker 10: a guitar sound that is. 558 00:28:03,960 --> 00:28:07,120 Speaker 3: Almost impossibly unhelpful. But but I appreciate that. The try 559 00:28:07,760 --> 00:28:10,280 Speaker 3: Roland from Glendora, do you have a guest for what 560 00:28:10,520 --> 00:28:11,760 Speaker 3: solo we were just listening to? 561 00:28:13,119 --> 00:28:17,040 Speaker 5: Oh my god, uh is it Space Truck in by 562 00:28:17,040 --> 00:28:17,600 Speaker 5: Deep Purple. 563 00:28:17,720 --> 00:28:19,560 Speaker 1: It is rolling. 564 00:28:21,240 --> 00:28:24,640 Speaker 2: I cannot believe it. I cannot believe. 565 00:28:26,400 --> 00:28:28,320 Speaker 5: My dad loves that song. 566 00:28:28,640 --> 00:28:32,800 Speaker 3: That's awesome. That's such a great moment. 567 00:28:33,000 --> 00:28:34,639 Speaker 2: Well, thank you. I'm so glad we got to you. 568 00:28:34,720 --> 00:28:35,080 Speaker 4: Roland. 569 00:28:35,560 --> 00:28:37,520 Speaker 3: You are the You are the winner for sure on 570 00:28:37,560 --> 00:28:39,960 Speaker 3: that one. All right, we've got another solo here. Oh yeah, 571 00:28:39,960 --> 00:28:42,640 Speaker 3: one more time here with deep Purple Space truck in. 572 00:28:42,720 --> 00:28:44,840 Speaker 8: Do we know the guitar player. The guitarist is. 573 00:28:49,000 --> 00:28:55,080 Speaker 5: Quote, I'll just take a shot in the dark. Uh okay, 574 00:28:55,160 --> 00:28:56,480 Speaker 5: I know it's not it's not a. 575 00:28:59,320 --> 00:28:59,800 Speaker 7: It's the guy. 576 00:29:00,920 --> 00:29:04,840 Speaker 5: It's it's almost Ricky, Ricky Blackmore. 577 00:29:04,880 --> 00:29:08,640 Speaker 3: You got it, Richie Blackmore, Richie Blackmore, man, were killing it. 578 00:29:08,800 --> 00:29:09,480 Speaker 4: There's no there. 579 00:29:09,520 --> 00:29:12,040 Speaker 3: I wish we could give away prizes because this is incredible. 580 00:29:12,360 --> 00:29:15,160 Speaker 3: That was amazing, rolland oh my god, you're killing it man, 581 00:29:15,360 --> 00:29:17,360 Speaker 3: Thank you so much, Glendora. Whatever is in the water 582 00:29:17,400 --> 00:29:18,080 Speaker 3: down there, we. 583 00:29:18,160 --> 00:29:20,120 Speaker 8: Need to get Fender on board. Give a guitar away. 584 00:29:20,240 --> 00:29:21,400 Speaker 2: That's right, that's right. 585 00:29:21,440 --> 00:29:24,080 Speaker 3: Here we go one more time with deep Purple Space trucking. 586 00:29:33,640 --> 00:29:36,320 Speaker 3: Heck yeah, very good. All right, last one here, truly, 587 00:29:36,400 --> 00:29:39,200 Speaker 3: last one before we get out of here. Uh this uh, 588 00:29:39,560 --> 00:29:41,480 Speaker 3: this is I think this is a pretty easy one. 589 00:29:41,520 --> 00:29:42,000 Speaker 2: Personally. 590 00:29:42,160 --> 00:29:43,840 Speaker 3: We have some callers still and we'll just go one 591 00:29:43,880 --> 00:30:05,760 Speaker 3: by one. That is such a nasty sound, so distinctive. 592 00:30:05,800 --> 00:30:07,120 Speaker 2: I'm gonna give I'll give a clue here. 593 00:30:07,120 --> 00:30:10,920 Speaker 3: It's Steve Lucather and Eddie Van Halen, here, So let's 594 00:30:11,000 --> 00:30:13,760 Speaker 3: check in with Danny. Do you know what you were 595 00:30:13,800 --> 00:30:16,000 Speaker 3: just listening to? Can you spot the solo? 596 00:30:17,440 --> 00:30:24,960 Speaker 5: Yeah, Steve Lucas from Toto obviously, and uh Michael Jackson's 597 00:30:25,000 --> 00:30:25,320 Speaker 5: beat it? 598 00:30:25,520 --> 00:30:27,400 Speaker 2: Yes, sir, that is correct. 599 00:30:28,040 --> 00:30:28,720 Speaker 4: What a game? 600 00:30:29,240 --> 00:30:29,840 Speaker 2: What a night? 601 00:30:29,920 --> 00:30:31,000 Speaker 8: And Hale? 602 00:30:31,200 --> 00:30:33,200 Speaker 2: Yeah, was that eddievan Halen who's doing the solo on that? 603 00:30:33,920 --> 00:30:37,000 Speaker 10: Steve did like the rhythm of it, and then the 604 00:30:37,120 --> 00:30:39,120 Speaker 10: solo was Eddie got it. 605 00:30:41,160 --> 00:30:45,040 Speaker 2: Guitars in the song are just incredible. I could do that. 606 00:30:45,880 --> 00:30:46,200 Speaker 4: I don't know. 607 00:30:46,200 --> 00:30:46,920 Speaker 2: It's a great song. 608 00:30:47,160 --> 00:30:49,200 Speaker 3: All right, everybody, Thank you so much for listening, Thanks 609 00:30:49,200 --> 00:30:53,160 Speaker 3: for calling, everybody who called and and participated. What a fun, 610 00:30:53,680 --> 00:30:55,800 Speaker 3: fun game. We'll try to do that next week as well. 611 00:30:55,880 --> 00:30:58,920 Speaker 3: Jack pri Riva as so much. Thank you here. 612 00:30:59,400 --> 00:31:00,720 Speaker 2: Mark Ronner, you're the best. 613 00:31:00,760 --> 00:31:04,280 Speaker 3: See you next time, mister Foush, Mister Matt Toffler, thank you, sir. 614 00:31:04,840 --> 00:31:07,880 Speaker 3: Have a great Friday evening. Happy holidays. I'll see y'all 615 00:31:07,920 --> 00:31:11,400 Speaker 3: on Sunday, I believe, and then Monday. I'm Andy Reestmeyer. 616 00:31:11,600 --> 00:31:13,640 Speaker 3: You can find me on the internet at Andy KTLA. 617 00:31:13,840 --> 00:31:16,040 Speaker 3: This is KFI AM six forty. We're live everywhere on 618 00:31:16,080 --> 00:31:17,240 Speaker 3: the iHeartRadio app 619 00:31:17,720 --> 00:31:20,280 Speaker 1: Kfi AM six forty on demand