1 00:00:00,320 --> 00:00:03,760 Speaker 1: You're listening to KFI AM six forty on demand. 2 00:00:05,120 --> 00:00:07,840 Speaker 2: We got one more hour before we hand it over 3 00:00:07,880 --> 00:00:10,800 Speaker 2: to George Norian Coast to coast. Been keeping my eye 4 00:00:10,800 --> 00:00:14,160 Speaker 2: on some of the national news. Anti ice protesters still 5 00:00:14,200 --> 00:00:19,560 Speaker 2: in Minneapolis, third night in a row now demonstrating after 6 00:00:19,560 --> 00:00:23,279 Speaker 2: the shooting that happened over the weekend. Not a lot 7 00:00:23,360 --> 00:00:26,640 Speaker 2: going on, a lot of people standing around right now. 8 00:00:27,160 --> 00:00:31,080 Speaker 2: But as far as what's what is to come overnight 9 00:00:31,600 --> 00:00:35,400 Speaker 2: as it's very cold, is a big question mark. But 10 00:00:35,479 --> 00:00:40,600 Speaker 2: if anything happens, we will let you know. Back here, 11 00:00:40,800 --> 00:00:43,279 Speaker 2: it's also cold, though nowhere near as cold as it 12 00:00:43,320 --> 00:00:45,960 Speaker 2: is in Minneapolis, Minnesota. We're in the middle of a 13 00:00:46,000 --> 00:00:49,560 Speaker 2: wind event and it is blown. 14 00:00:50,920 --> 00:00:54,240 Speaker 3: It's more winded than usually, like super cold. Like I 15 00:00:54,320 --> 00:00:56,680 Speaker 3: feel like I'm like probably go a norpole or something 16 00:00:56,720 --> 00:00:59,040 Speaker 3: because the wind is like that cold and it feels 17 00:00:59,080 --> 00:01:01,240 Speaker 3: like a through your whole body. 18 00:01:02,000 --> 00:01:06,800 Speaker 2: I love this sound. Kim from KTLA, when she got 19 00:01:06,800 --> 00:01:08,120 Speaker 2: this out of she had to know. She's like, this 20 00:01:08,160 --> 00:01:10,959 Speaker 2: is great, great, great person to put on the dunes. 21 00:01:11,520 --> 00:01:14,759 Speaker 4: The wind and Porter ranch created more work for Carla Flores, 22 00:01:14,840 --> 00:01:17,039 Speaker 4: a manager at roll them up to Keto's. 23 00:01:16,920 --> 00:01:19,280 Speaker 3: Constantly knocking out of chairs five minutes. We gotta go 24 00:01:19,319 --> 00:01:20,840 Speaker 3: back and do it against It's like a work god. 25 00:01:20,959 --> 00:01:21,119 Speaker 5: Ut. 26 00:01:21,280 --> 00:01:23,440 Speaker 3: We tell people no, I don't you know sign because 27 00:01:23,720 --> 00:01:25,920 Speaker 3: it's windy. They don't listen. So they come back in 28 00:01:26,240 --> 00:01:28,759 Speaker 3: not eating their food, but way in their food, and we're. 29 00:01:28,640 --> 00:01:31,360 Speaker 2: Like, we told you, yeah, roll them up and blow away. 30 00:01:31,840 --> 00:01:34,840 Speaker 4: At Mediterranean bistro, the owner noticed some damage to his 31 00:01:34,920 --> 00:01:39,679 Speaker 4: patio heater. What happened, I don't know. The many in 32 00:01:39,720 --> 00:01:44,000 Speaker 4: southern California are experiencing strong wind. There's concern that saturated 33 00:01:44,040 --> 00:01:46,560 Speaker 4: soil from the recent storms could create a risk of 34 00:01:46,640 --> 00:01:50,080 Speaker 4: gusty winds blowing down trees or power lines. For many, 35 00:01:50,160 --> 00:01:51,760 Speaker 4: the wind made for a tiring day. 36 00:01:52,040 --> 00:01:53,680 Speaker 2: The leaves have been falling everywhere. 37 00:01:53,720 --> 00:01:55,800 Speaker 4: The trees have been falling everyone. We have to clean 38 00:01:55,880 --> 00:01:58,320 Speaker 4: up all in our driveway or pool. Like there's all 39 00:01:58,480 --> 00:01:59,880 Speaker 4: leaves everywhere, wake up in them. 40 00:02:00,320 --> 00:02:02,240 Speaker 2: My dad's like, hey, you gotta go clean this up 41 00:02:02,320 --> 00:02:02,680 Speaker 2: right now. 42 00:02:02,720 --> 00:02:04,600 Speaker 6: I was like, no, no, I don't not want to 43 00:02:04,600 --> 00:02:05,160 Speaker 6: clean it up. 44 00:02:05,520 --> 00:02:08,600 Speaker 2: It's never been this bad. This already like fell four 45 00:02:08,680 --> 00:02:14,240 Speaker 2: times here and the choices every word, I said. 46 00:02:14,320 --> 00:02:16,600 Speaker 3: The craziest thing people chasing their dogs to. 47 00:02:17,320 --> 00:02:20,240 Speaker 2: I would just listen to her talk all day. So 48 00:02:20,440 --> 00:02:24,520 Speaker 2: funny wind will be with us all the way until 49 00:02:24,520 --> 00:02:27,799 Speaker 2: the weekend. As you know, the wind advisory in effect 50 00:02:27,880 --> 00:02:30,760 Speaker 2: up until Sunday, So you're talking about potentially gouts up 51 00:02:30,760 --> 00:02:32,480 Speaker 2: to seventy miles an hour for parts of the San 52 00:02:32,560 --> 00:02:37,720 Speaker 2: Gabriel Valley. Now, the good news is, we don't have 53 00:02:37,720 --> 00:02:40,400 Speaker 2: any red flag warnings because of course it's been raining 54 00:02:40,440 --> 00:02:45,040 Speaker 2: so much. The ground is saturated, all of the brush 55 00:02:45,280 --> 00:02:48,200 Speaker 2: not so dry. Compared that to a year ago, where 56 00:02:48,240 --> 00:02:52,280 Speaker 2: of course winds were more intense but also had a 57 00:02:52,280 --> 00:02:53,720 Speaker 2: lot of dry brush, and then of course we had 58 00:02:53,720 --> 00:02:58,239 Speaker 2: to eat and fire and the Palisades fire. Would you 59 00:02:58,280 --> 00:03:02,400 Speaker 2: believe that? In addition to calling Jessica's the new Karen 60 00:03:03,440 --> 00:03:06,720 Speaker 2: not drinking much, gen Z is also halving a problem 61 00:03:06,960 --> 00:03:12,399 Speaker 2: rather approaching women. Like many American men of his generation. 62 00:03:12,560 --> 00:03:16,480 Speaker 2: Ryan Kessler, who's twenty eight, is terrified of talking to women, 63 00:03:16,800 --> 00:03:18,880 Speaker 2: so he tells the New York Post. But it's not 64 00:03:18,880 --> 00:03:21,519 Speaker 2: a lack of smarts or swag that makes this single 65 00:03:21,560 --> 00:03:26,040 Speaker 2: manhattanite hesitant to approach women in the wild. It is 66 00:03:26,080 --> 00:03:30,120 Speaker 2: the fear of being mistaken as a toxically macho, bone 67 00:03:30,160 --> 00:03:33,320 Speaker 2: headed creep if I only knew that that was an 68 00:03:33,360 --> 00:03:35,720 Speaker 2: excuse that I could have used when I was younger 69 00:03:35,960 --> 00:03:38,360 Speaker 2: for why it didn't work out for me, why I 70 00:03:38,360 --> 00:03:41,480 Speaker 2: couldn't muster up the guts to go talk to somebody 71 00:03:41,520 --> 00:03:46,200 Speaker 2: in public. Kessler says that trying to win over a 72 00:03:46,200 --> 00:03:49,360 Speaker 2: potential love interest. When he is trying to win over 73 00:03:49,400 --> 00:03:51,320 Speaker 2: a potential love interest, the last thing he wants to 74 00:03:51,320 --> 00:03:54,560 Speaker 2: be is considered a jerk who makes ladies cringe rather 75 00:03:54,600 --> 00:03:58,320 Speaker 2: than swoon with a clumsy pickup line and unwelcome advances. Now, 76 00:03:58,360 --> 00:04:00,560 Speaker 2: I know that there's no women in the in the 77 00:04:00,640 --> 00:04:04,320 Speaker 2: room here with us. It's a bit of a festival, 78 00:04:05,840 --> 00:04:08,720 Speaker 2: I know. But do you think it helps his case 79 00:04:08,800 --> 00:04:13,920 Speaker 2: or hurts his case by being in this article? Oh? Hurts? Yeah? 80 00:04:13,920 --> 00:04:18,760 Speaker 2: I think so too. There's no question. He says that 81 00:04:18,839 --> 00:04:21,799 Speaker 2: these days, interactions with women are very few and far between, 82 00:04:22,680 --> 00:04:24,599 Speaker 2: but he's still on the hunt for a happily ever 83 00:04:24,640 --> 00:04:27,120 Speaker 2: after he's twenty eight. Yeah, he still thinks he's going 84 00:04:27,200 --> 00:04:30,880 Speaker 2: to find the one. Considering himself a good guy, but 85 00:04:30,920 --> 00:04:34,760 Speaker 2: does not have the courage to approach women and coffee shops, bookstores, 86 00:04:34,839 --> 00:04:35,920 Speaker 2: or even subway platforms. 87 00:04:36,000 --> 00:04:38,159 Speaker 7: Yeah, somebody tell this guy to quit wasting his time 88 00:04:38,160 --> 00:04:41,839 Speaker 7: and just join a monastery already. 89 00:04:41,920 --> 00:04:44,280 Speaker 2: It is fair though. I mean, I haven't been single 90 00:04:44,320 --> 00:04:49,800 Speaker 2: in a long time, which I'm happy about. But I remember, 91 00:04:50,080 --> 00:04:53,320 Speaker 2: especially once the internet dating things started happening and I 92 00:04:53,360 --> 00:04:55,080 Speaker 2: was kind of like single in my twenties and I'm 93 00:04:55,120 --> 00:04:58,120 Speaker 2: smacked out in the middle of that exploding, it felt 94 00:04:58,120 --> 00:05:00,800 Speaker 2: a lot like that was the only way that you 95 00:05:00,839 --> 00:05:04,680 Speaker 2: could be sure that you were meeting somebody who was available, 96 00:05:05,440 --> 00:05:08,119 Speaker 2: because you thought, well, I don't know if this person 97 00:05:08,200 --> 00:05:09,760 Speaker 2: is taken. I don't know if they if they're they 98 00:05:09,839 --> 00:05:12,120 Speaker 2: won any of the attention. It just felt like the 99 00:05:12,240 --> 00:05:18,040 Speaker 2: whole pressure was off, which I think was was nice 100 00:05:18,080 --> 00:05:21,719 Speaker 2: about online dating, But I can also see how now 101 00:05:21,760 --> 00:05:25,000 Speaker 2: ten years or whatever plus of that, people don't have 102 00:05:25,560 --> 00:05:31,560 Speaker 2: the social skills to go up and introduce themselves. And 103 00:05:31,640 --> 00:05:34,000 Speaker 2: I definitely think that that whole pickup artist thing is 104 00:05:34,040 --> 00:05:38,640 Speaker 2: super gross. But I'll tell you what, if you're at 105 00:05:38,640 --> 00:05:42,920 Speaker 2: a place I don't know, I hesitate to be like, 106 00:05:42,960 --> 00:05:44,800 Speaker 2: here's how you do that, here's how you talk to 107 00:05:44,839 --> 00:05:51,320 Speaker 2: a stranger. It's always different. But most of the time, 108 00:05:51,360 --> 00:05:54,960 Speaker 2: if you're at a ware person, there will be something 109 00:05:55,000 --> 00:05:59,200 Speaker 2: that happens in a place, and you can comment on it, 110 00:06:00,040 --> 00:06:03,640 Speaker 2: and in that moment you will either have a person 111 00:06:03,920 --> 00:06:06,240 Speaker 2: who's wanting to talk to you pick up on that 112 00:06:06,640 --> 00:06:09,599 Speaker 2: and then continue the conversation, or they won't. The key 113 00:06:09,720 --> 00:06:13,880 Speaker 2: is if they don't, you gotta just move on. Otherwise 114 00:06:15,360 --> 00:06:17,359 Speaker 2: I think that's when you become the creep. But I 115 00:06:17,400 --> 00:06:19,120 Speaker 2: do feel bad for people who are in that generation 116 00:06:19,440 --> 00:06:22,760 Speaker 2: because they can't use the bathroom at work, they're afraid, 117 00:06:23,560 --> 00:06:26,120 Speaker 2: they don't know how to talk to each other. They're 118 00:06:26,160 --> 00:06:29,080 Speaker 2: going to you know, they spent most of their social 119 00:06:29,120 --> 00:06:33,320 Speaker 2: years in the pandemic being isolated. That's tough. 120 00:06:33,920 --> 00:06:36,679 Speaker 7: Well, everybody's looking for a shortcut and they don't understand 121 00:06:36,720 --> 00:06:39,200 Speaker 7: that nothing worthwhile is easy. 122 00:06:39,400 --> 00:06:43,680 Speaker 2: The stark terror is part of the whole ritual bingo. Yeah, 123 00:06:43,680 --> 00:06:46,479 Speaker 2: and I feel like that. You watch movies and TV 124 00:06:46,520 --> 00:06:49,880 Speaker 2: shows growing up thinking like you need that meet cute, 125 00:06:50,520 --> 00:06:51,880 Speaker 2: you need to be able to have that sort of 126 00:06:51,920 --> 00:06:55,600 Speaker 2: serendipitous thing where somebody says a witty comment and someone 127 00:06:55,600 --> 00:06:58,160 Speaker 2: else responds, but like, life isn't really like that. If 128 00:06:58,160 --> 00:07:00,800 Speaker 2: that happens, that's great. Yeah. Boy, the James Bond movies too, 129 00:07:01,880 --> 00:07:04,680 Speaker 2: they're bad for that. Yeah, that's true. That's kind of 130 00:07:04,680 --> 00:07:05,640 Speaker 2: in that pickup. 131 00:07:05,320 --> 00:07:09,359 Speaker 7: Artist realm consent is kind of ignored in some of 132 00:07:09,360 --> 00:07:10,280 Speaker 7: the Bond films. 133 00:07:10,480 --> 00:07:13,880 Speaker 2: Yeah, it's fiction. He also murders people, This is true. 134 00:07:15,080 --> 00:07:18,320 Speaker 2: So it is what it is. I guess. Do you 135 00:07:18,360 --> 00:07:20,880 Speaker 2: have any recommendations Runner for talking to people in public? 136 00:07:21,800 --> 00:07:24,560 Speaker 7: Oh? No, I've always been terrible at that. In fact, 137 00:07:24,600 --> 00:07:27,360 Speaker 7: I did a piece when I was a newspaper guy 138 00:07:27,680 --> 00:07:31,040 Speaker 7: with a supposed pickup artist and I made him walk 139 00:07:31,080 --> 00:07:33,840 Speaker 7: around downtown with me and just pointed him at people, 140 00:07:33,840 --> 00:07:35,920 Speaker 7: and I'm like, Okay, go to work on that one. 141 00:07:36,240 --> 00:07:39,360 Speaker 7: I just stood there and watched and cringed. It's painful. 142 00:07:39,440 --> 00:07:40,880 Speaker 2: Yeah, it is painful. I think here's the other thing. 143 00:07:41,400 --> 00:07:43,080 Speaker 2: And I've learned this from being a reporter and doing 144 00:07:43,080 --> 00:07:45,760 Speaker 2: live shots and stuff like that. I will talk to anybody, 145 00:07:45,760 --> 00:07:47,800 Speaker 2: and I can talk to anybody, but I want to 146 00:07:47,800 --> 00:07:50,880 Speaker 2: talk to them and have it just be about doing that. 147 00:07:51,280 --> 00:07:53,680 Speaker 2: If you approach somebody, no matter what it is, with 148 00:07:53,760 --> 00:07:57,640 Speaker 2: an ulterior motive, whether that be try to date them 149 00:07:57,720 --> 00:07:59,280 Speaker 2: or try to get them to do something or be 150 00:07:59,680 --> 00:08:02,800 Speaker 2: sell whatever, they will pick up on that it will 151 00:08:02,800 --> 00:08:05,560 Speaker 2: be weird. I feel like if you approach situations with 152 00:08:05,600 --> 00:08:09,680 Speaker 2: people about trying to just have a fun conversation and 153 00:08:09,800 --> 00:08:14,440 Speaker 2: say whatever will go from this, will go from this. Great. Also, 154 00:08:14,520 --> 00:08:15,880 Speaker 2: the law of averages does work. 155 00:08:15,960 --> 00:08:18,119 Speaker 7: So what you and I might look at and find 156 00:08:18,160 --> 00:08:21,360 Speaker 7: just unbearably cheesy that would make our skin crawl, you know, 157 00:08:21,440 --> 00:08:23,800 Speaker 7: one person out of one hundred, oh is going to 158 00:08:23,840 --> 00:08:24,480 Speaker 7: respond to it. 159 00:08:24,600 --> 00:08:28,600 Speaker 2: Brother man, I have known musicians. I've known guitar players 160 00:08:28,760 --> 00:08:32,640 Speaker 2: for a long time in my life, and I will 161 00:08:32,720 --> 00:08:34,760 Speaker 2: Jack Brinvera's here at studio with us now, and I 162 00:08:35,840 --> 00:08:38,600 Speaker 2: do you know who I'm referring to? There are people 163 00:08:38,600 --> 00:08:42,040 Speaker 2: who I have known, guitar players perhaps who It's just 164 00:08:42,080 --> 00:08:43,839 Speaker 2: like a numbers game. You know, you just if you, 165 00:08:44,040 --> 00:08:46,960 Speaker 2: if you, if you cast a wide enough net, you 166 00:08:47,000 --> 00:08:47,840 Speaker 2: will catch a fish. 167 00:08:47,920 --> 00:08:51,640 Speaker 7: Oh yeah, my oldest friend was like that, just an 168 00:08:51,840 --> 00:08:56,880 Speaker 7: unbearable cretan. But some women would respond to this and 169 00:08:57,160 --> 00:08:59,480 Speaker 7: he would work the numbers. Yeah, broken clock, I saw 170 00:08:59,520 --> 00:08:59,959 Speaker 7: this happen. 171 00:09:00,200 --> 00:09:04,160 Speaker 2: Yeah, well, all right, enough of that coming up by 172 00:09:04,240 --> 00:09:06,480 Speaker 2: New Music Friday for people who don't like new music, 173 00:09:06,559 --> 00:09:08,000 Speaker 2: and we're soloing the solo. 174 00:09:08,520 --> 00:09:12,319 Speaker 1: You're listening to KFI AM six forty on demand. 175 00:09:16,440 --> 00:09:20,200 Speaker 2: And we are alive everywhere on the iHeartRadio app alongside fouj, 176 00:09:21,440 --> 00:09:25,040 Speaker 2: Jack Primavera, Mark Ronner Ritchie. On the ones and twos, 177 00:09:25,120 --> 00:09:27,440 Speaker 2: we got callers on the line. It is time to 178 00:09:27,520 --> 00:09:32,240 Speaker 2: play solo, the solo. That's where I play a solo. 179 00:09:32,840 --> 00:09:34,959 Speaker 2: I have you call in one five two zerre A 180 00:09:35,000 --> 00:09:37,160 Speaker 2: one five three four, and you got to tell me 181 00:09:37,880 --> 00:09:40,200 Speaker 2: what the artist is, what song it is, and for 182 00:09:40,240 --> 00:09:44,320 Speaker 2: a bonus point, who the guitarist is. This is a 183 00:09:44,320 --> 00:09:45,960 Speaker 2: pretty fun game that I feel like is kind of 184 00:09:46,000 --> 00:09:48,920 Speaker 2: hard to fake your way through. 185 00:09:49,080 --> 00:09:50,000 Speaker 8: Oh yeah, you know. 186 00:09:50,120 --> 00:09:52,360 Speaker 2: And it's surprising because even though it sounds like a 187 00:09:52,440 --> 00:09:55,600 Speaker 2: coffinist nightmare, as if you stepped into a guitar center 188 00:09:55,640 --> 00:09:59,000 Speaker 2: on an afternoon, it also is cool because there's songs 189 00:09:59,000 --> 00:10:00,679 Speaker 2: that you're like, oh, I know that, but I don't 190 00:10:00,679 --> 00:10:04,319 Speaker 2: know where that's from. We'll start out with one for 191 00:10:04,400 --> 00:10:09,360 Speaker 2: the boys in the room. Foosh, Runner, Jack, Ritchie. We'll 192 00:10:09,360 --> 00:10:14,320 Speaker 2: play this song and if you know the solo, say 193 00:10:14,360 --> 00:10:37,880 Speaker 2: your name, but give it a beat. Just take a listen, anybody. 194 00:10:38,400 --> 00:10:42,800 Speaker 2: I mean, it's it's so hard. This one's nuts. No no, no, no. 195 00:10:43,040 --> 00:10:44,680 Speaker 8: I feel like it's trick like do you know it? 196 00:10:44,760 --> 00:10:48,760 Speaker 2: Ronner I might. Do you want to guess is it 197 00:10:48,880 --> 00:10:51,319 Speaker 2: van Halen? Who it is? Is it jump? 198 00:10:51,400 --> 00:10:52,080 Speaker 6: It's jump? 199 00:10:52,440 --> 00:10:54,760 Speaker 2: Okay, that's great. And you know how you can tell 200 00:10:54,920 --> 00:10:58,880 Speaker 2: right here at the end that that I was thinking, 201 00:10:59,760 --> 00:11:01,600 Speaker 2: very very good. So that's how you play the game. 202 00:11:02,040 --> 00:11:04,840 Speaker 2: Pretty simple. We're gonna play another one. We've got people 203 00:11:04,880 --> 00:11:08,760 Speaker 2: online already to see if they can guess what is 204 00:11:08,800 --> 00:11:12,560 Speaker 2: the solo on solo the solo? People in the room, 205 00:11:12,600 --> 00:11:15,200 Speaker 2: I'm sorry you can't guess anymore, but thank you for 206 00:11:15,240 --> 00:11:34,720 Speaker 2: being here. These are like hard, These are two very 207 00:11:34,760 --> 00:11:35,719 Speaker 2: hard ones back to back. 208 00:11:35,760 --> 00:11:37,320 Speaker 8: I feel like this is a very hard one. 209 00:11:37,360 --> 00:11:38,000 Speaker 2: This is too hard. 210 00:11:38,080 --> 00:11:41,200 Speaker 5: You think I will be very surprised. And this is 211 00:11:41,240 --> 00:11:42,120 Speaker 5: coming from uh huh. 212 00:11:42,160 --> 00:11:45,880 Speaker 2: Okay, all right, let's see if Marshall from Recita, our 213 00:11:45,920 --> 00:11:48,880 Speaker 2: friend Marshall. Hey, how you doing, buddy, you're on campus. 214 00:11:50,200 --> 00:11:52,280 Speaker 9: It's fun to hear you got this other radio again 215 00:11:52,320 --> 00:11:52,959 Speaker 9: our Friday night. 216 00:11:53,080 --> 00:11:54,640 Speaker 2: Yes, thank you. It's fun to be here. It's also 217 00:11:54,679 --> 00:11:55,960 Speaker 2: fun to hear you. Okay, do you have a guest 218 00:11:56,000 --> 00:11:56,880 Speaker 2: here for this song? 219 00:11:57,160 --> 00:11:57,199 Speaker 7: No? 220 00:11:58,360 --> 00:11:59,680 Speaker 9: Thank you? A shout out to Robert. 221 00:12:00,160 --> 00:12:01,680 Speaker 2: Yeah, give a shout out to Robert Pointe. 222 00:12:02,120 --> 00:12:04,800 Speaker 9: Okay, Hey, Robert, I hope you're feeling better and break 223 00:12:04,800 --> 00:12:05,120 Speaker 9: a leg. 224 00:12:05,360 --> 00:12:09,520 Speaker 2: A very funny. Robert Point just had surgery on his hip, 225 00:12:10,040 --> 00:12:12,000 Speaker 2: So that's the that's the joke. There you go. Well, 226 00:12:12,000 --> 00:12:13,320 Speaker 2: thank you all. We'll tell them. 227 00:12:13,240 --> 00:12:15,440 Speaker 9: That's because of the hipster. 228 00:12:15,960 --> 00:12:19,679 Speaker 2: That's right, it's Torn Labrahm. He's the most intense hipster 229 00:12:19,720 --> 00:12:20,760 Speaker 2: that there ever was. All Right, do you want to 230 00:12:20,800 --> 00:12:24,040 Speaker 2: guess Marshall or no? I couldn't figure out. Can you 231 00:12:24,040 --> 00:12:35,960 Speaker 2: play one we're talking about? Sure? Here we go. This 232 00:12:36,040 --> 00:12:37,920 Speaker 2: is so hard, this is really hard. 233 00:12:37,920 --> 00:12:40,320 Speaker 5: I'm mad at myself for I'll also say that it 234 00:12:40,400 --> 00:12:44,959 Speaker 5: is not this person that plays the solo is not 235 00:12:45,280 --> 00:12:47,559 Speaker 5: the lead guitar player in this group. 236 00:12:47,640 --> 00:12:51,400 Speaker 2: There you go. Okay, Marshal, any guesses I thought it 237 00:12:51,440 --> 00:12:52,600 Speaker 2: was BB King, but it's not. 238 00:12:52,760 --> 00:12:53,840 Speaker 9: Okay, I'm not I'm wrong. 239 00:12:53,920 --> 00:12:55,760 Speaker 2: It's not BB King, it's not. But thank you for 240 00:12:55,760 --> 00:12:58,680 Speaker 2: Colin Marshall. We really appreciate you. Call us again sometime soon. 241 00:12:59,520 --> 00:13:04,480 Speaker 2: Let's let's go with DJ in Laverne, California. DJ, you're 242 00:13:04,480 --> 00:13:07,400 Speaker 2: on KFI. Do you know who played that solo? On solo? 243 00:13:07,440 --> 00:13:07,840 Speaker 2: The solo? 244 00:13:09,920 --> 00:13:12,520 Speaker 9: Oh, that's something from the fifties or something. 245 00:13:14,400 --> 00:13:16,000 Speaker 2: Okay, we'll play it. One more time here and then 246 00:13:16,040 --> 00:13:19,960 Speaker 2: if if nobody gets this one, I'm gonna I might 247 00:13:20,040 --> 00:13:31,679 Speaker 2: jump to Ryan, who just called after this It sounds 248 00:13:31,679 --> 00:13:39,600 Speaker 2: like SpongeBob square Fit and he guesses, God, I'll tell 249 00:13:39,640 --> 00:13:41,760 Speaker 2: you what DJ you hang on the line here. We're 250 00:13:41,800 --> 00:13:44,760 Speaker 2: gonna see if Ryan from Fullerton knows what it is. 251 00:13:45,240 --> 00:13:47,440 Speaker 2: This one is so hard. I hate to like have people, 252 00:13:47,960 --> 00:13:50,240 Speaker 2: you know, hang up because they don't know. Do you 253 00:13:50,280 --> 00:13:53,080 Speaker 2: have a do you have a guest, mister Ryan, not 254 00:13:53,240 --> 00:13:56,719 Speaker 2: a clue? That's brutal. I know it's too hard, all right, hard, 255 00:13:56,880 --> 00:13:58,400 Speaker 2: but it's a fun one. It's a fun well let's 256 00:13:58,480 --> 00:14:01,320 Speaker 2: let's should we just give away Jack? Jack knows it. 257 00:14:01,360 --> 00:14:02,760 Speaker 2: He guessed it met me. 258 00:14:02,960 --> 00:14:06,440 Speaker 7: Do you know it sounds like Les Paul Ooh, so 259 00:14:06,520 --> 00:14:07,520 Speaker 7: I will help you out here. 260 00:14:07,600 --> 00:14:09,880 Speaker 2: It is not a Less Paul, but it is an epiphone. 261 00:14:10,240 --> 00:14:13,840 Speaker 2: And I think it's an epiphone one seventy five. Oh 262 00:14:13,880 --> 00:14:17,760 Speaker 2: you buried the lead there with the epiphone. Yeah. And 263 00:14:17,800 --> 00:14:20,920 Speaker 2: this man was also known to play I guess Gibson's 264 00:14:20,920 --> 00:14:22,760 Speaker 2: and he played some Gretchen. 265 00:14:22,520 --> 00:14:25,280 Speaker 5: Definitely, and some Ricker rickenbackerrick En Boker, not the most 266 00:14:25,280 --> 00:14:27,320 Speaker 5: famous of the group that played the Rickenbaker. 267 00:14:27,400 --> 00:14:29,760 Speaker 2: Oh yeah, that should that should help. Foush. What language 268 00:14:29,800 --> 00:14:35,560 Speaker 2: are they speaking right now? All right? If we have 269 00:14:35,680 --> 00:14:36,240 Speaker 2: no guesses? 270 00:14:38,440 --> 00:14:41,600 Speaker 5: It is the one the only John Lennon from the 271 00:14:41,600 --> 00:14:44,720 Speaker 5: Beatles on the song honey Pie from the White album 272 00:14:44,840 --> 00:14:46,480 Speaker 5: otherwise the Beatles album. 273 00:14:46,600 --> 00:14:47,560 Speaker 2: Oh wow. 274 00:14:47,640 --> 00:14:49,480 Speaker 8: John is playing rhythm and lead on this. 275 00:14:49,720 --> 00:14:52,720 Speaker 5: Yeah, George is playing the six string bass, and Paul's 276 00:14:52,720 --> 00:14:53,800 Speaker 5: on piano and vocals. 277 00:14:53,960 --> 00:14:56,360 Speaker 8: It's a very crazy, very hard. 278 00:14:56,160 --> 00:15:00,000 Speaker 2: One, crazy stuff. Jack Rivera got it. That's you're you're insane. 279 00:15:01,200 --> 00:15:02,920 Speaker 2: Here's the next song. We've got people on. 280 00:15:02,880 --> 00:15:04,440 Speaker 8: The line here. 281 00:15:08,840 --> 00:15:10,680 Speaker 2: This is brutal, is that Yoko? 282 00:15:13,120 --> 00:15:13,440 Speaker 9: Well but. 283 00:15:16,040 --> 00:15:19,400 Speaker 2: This is almost not even fair this one. Okay, this 284 00:15:19,480 --> 00:15:22,640 Speaker 2: is too hard. Nope, we're moving on too hard. You 285 00:15:22,640 --> 00:15:24,880 Speaker 2: have to tell what it was that was? Well, maybe 286 00:15:24,920 --> 00:15:26,440 Speaker 2: I can. I can probably put it here. Maybe maybe 287 00:15:26,440 --> 00:15:36,840 Speaker 2: you'll try again with this part of it now, I'm 288 00:15:36,840 --> 00:15:39,160 Speaker 2: not gonna do that. That's the chain by Fleetwood Mac 289 00:15:40,520 --> 00:15:41,880 Speaker 2: Too hard, all right, I. 290 00:15:41,840 --> 00:15:44,400 Speaker 8: Think I think actually there's certain parts like that. 291 00:15:45,320 --> 00:15:46,960 Speaker 2: Yeah, I know, I just think that was too it's 292 00:15:46,960 --> 00:15:49,880 Speaker 2: too crazy. Here is the next one. We've got callers 293 00:15:49,920 --> 00:15:52,520 Speaker 2: on the line here. We've gotta have Julia Julia. Playing 294 00:15:52,520 --> 00:16:11,880 Speaker 2: for this next one? Julia, do you have any guesses? 295 00:16:13,520 --> 00:16:16,680 Speaker 1: The only thing I can think of is, well, the 296 00:16:16,800 --> 00:16:18,320 Speaker 1: songs from Back to the Future. 297 00:16:18,560 --> 00:16:22,080 Speaker 2: Oh, it's very close in time. But I'll tell you what. 298 00:16:22,280 --> 00:16:24,120 Speaker 2: Stay on the line here. When we come back. We'll 299 00:16:24,120 --> 00:16:26,920 Speaker 2: continue to play solo the Solo on KFI AM six forty. 300 00:16:27,480 --> 00:16:30,920 Speaker 1: You're listening to KFI AM six forty on demand. 301 00:16:32,600 --> 00:16:36,200 Speaker 2: As we continue our solo the Solo, I've decided to say, 302 00:16:36,440 --> 00:16:38,000 Speaker 2: just change gears a little bit, make it a little 303 00:16:38,000 --> 00:16:41,360 Speaker 2: bit more palatable, a little less screechy. I don't know 304 00:16:41,360 --> 00:16:43,080 Speaker 2: why I thought earlier when I previous to these are like, Oh, 305 00:16:43,080 --> 00:16:47,400 Speaker 2: everybody's gonna get these. How wrong I was. Here's the 306 00:16:47,440 --> 00:16:53,680 Speaker 2: next one playing from San Antonio, Texas. Is Julia Julia. 307 00:16:53,760 --> 00:16:55,800 Speaker 2: That's cool. I was born in San Antonio. 308 00:16:57,640 --> 00:16:58,120 Speaker 9: I'm sorry. 309 00:16:58,560 --> 00:16:59,400 Speaker 2: Are you there, Julia? 310 00:17:00,520 --> 00:17:01,080 Speaker 7: Yeah? 311 00:17:01,200 --> 00:17:03,280 Speaker 2: Are you? Are you calling from San Antonio, Texas? That's 312 00:17:03,280 --> 00:17:06,000 Speaker 2: what it says here on the on the call screening. Yes, 313 00:17:06,280 --> 00:17:09,520 Speaker 2: that's amazing, that's good. Well, I will never forget the ALBUMO. 314 00:17:12,560 --> 00:17:14,080 Speaker 2: Take a listen to our next song here and try 315 00:17:14,119 --> 00:17:31,480 Speaker 2: to guess if you can solo the solo. Do you 316 00:17:31,480 --> 00:17:32,760 Speaker 2: have a guess, Julia. 317 00:17:33,119 --> 00:17:34,760 Speaker 5: I have not heard that song before. 318 00:17:34,960 --> 00:17:38,119 Speaker 2: You've never I promise you you've heard it before. Do 319 00:17:38,160 --> 00:17:39,560 Speaker 2: you want to hear the solo one more time? 320 00:17:41,119 --> 00:17:46,200 Speaker 5: No, that's okay, you're just gonna give up, all right, Okay, 321 00:17:46,200 --> 00:17:48,000 Speaker 5: you stay on the line and if DJ gets. 322 00:17:47,800 --> 00:17:50,560 Speaker 2: It then then we'll have another one for you that 323 00:17:50,600 --> 00:17:55,440 Speaker 2: you could try. D Jerry with us this evening. All right, 324 00:17:55,560 --> 00:17:56,720 Speaker 2: do you need to hear it again? Or do you 325 00:17:56,760 --> 00:17:57,320 Speaker 2: have a guess? 326 00:17:59,240 --> 00:18:00,040 Speaker 9: I got it? 327 00:18:00,160 --> 00:18:00,639 Speaker 2: What is it? 328 00:18:00,640 --> 00:18:02,080 Speaker 1: Sarah? 329 00:18:02,200 --> 00:18:04,679 Speaker 9: Did no one get the last one? Warren D. Martis? 330 00:18:05,760 --> 00:18:10,520 Speaker 2: Hey, yeah, yes, that was that was correct, right, rat 331 00:18:10,760 --> 00:18:13,240 Speaker 2: rat Yeah yeah, yeah, yeah, yeah, yeah, a hundred percent. 332 00:18:13,440 --> 00:18:16,199 Speaker 2: That's awesome. Okay, well you definitely won that one. And 333 00:18:16,240 --> 00:18:18,040 Speaker 2: then did you you get them this one that you 334 00:18:18,119 --> 00:18:25,560 Speaker 2: just listened to? Oh and that's rolling, yes, sir. 335 00:18:26,520 --> 00:18:29,280 Speaker 9: And the and the solos at the start of the song, 336 00:18:29,320 --> 00:18:30,159 Speaker 9: which doesn't. 337 00:18:29,880 --> 00:18:31,840 Speaker 2: Happen very often, that's right, that's right. 338 00:18:31,960 --> 00:18:35,639 Speaker 9: And Tears for Fears head over Heels, got it? 339 00:18:35,720 --> 00:18:38,480 Speaker 2: Yes, that's a that's a clean sweep. That's a clean 340 00:18:38,520 --> 00:18:40,359 Speaker 2: sweep on one that I gave up on, which I 341 00:18:40,400 --> 00:18:43,680 Speaker 2: feel like I've never seen Jeopardy where like Alex would 342 00:18:43,680 --> 00:18:46,040 Speaker 2: have been like, no, we're done with that question. That's 343 00:18:46,080 --> 00:18:48,320 Speaker 2: not even a fair one. And then someone came back 344 00:18:48,320 --> 00:18:51,080 Speaker 2: and got it right. That is amazing. So well, you 345 00:18:51,240 --> 00:18:54,600 Speaker 2: truly are a music head DJ. Thank you so much 346 00:18:54,600 --> 00:18:56,600 Speaker 2: for calling are you? Are you a guitarist yourself? 347 00:18:58,160 --> 00:18:59,000 Speaker 9: Drummer? Actually? 348 00:18:59,200 --> 00:19:02,400 Speaker 2: Wow? Cool? Cool, cool, that's good though, I mean that's 349 00:19:02,480 --> 00:19:06,560 Speaker 2: you know your parts. Yeah, I even know that. 350 00:19:06,840 --> 00:19:09,399 Speaker 9: You'd probably know the backstory of Warren De Martini and 351 00:19:09,400 --> 00:19:12,760 Speaker 9: how he helped out George Lynch when he was trying 352 00:19:12,800 --> 00:19:18,160 Speaker 9: out for Ozzie's band. Oh you didn't hear about that. 353 00:19:19,000 --> 00:19:21,880 Speaker 2: I may have missed that one. Well. 354 00:19:21,920 --> 00:19:26,120 Speaker 9: George Lynch was having a fallout with Dawkin Randy Rhodes 355 00:19:26,119 --> 00:19:32,119 Speaker 9: has passed away, I believe is, and he went to 356 00:19:32,160 --> 00:19:34,600 Speaker 9: Warren De Martini who helped him out with you know, 357 00:19:34,680 --> 00:19:38,119 Speaker 9: getting the style of the solos, and George Lynch just 358 00:19:38,240 --> 00:19:41,639 Speaker 9: cut his hair short, pretty short. 359 00:19:42,680 --> 00:19:44,160 Speaker 2: Did he take a picture with him. 360 00:19:45,560 --> 00:19:47,920 Speaker 9: I man, I think he did. I think that turned 361 00:19:47,960 --> 00:19:50,520 Speaker 9: off that he cut his hair, you know, and he 362 00:19:50,600 --> 00:19:55,560 Speaker 9: went with a went with a guitarist from I forgot 363 00:19:55,600 --> 00:19:58,920 Speaker 9: what band he was from, but I you know, I'd 364 00:19:58,920 --> 00:19:59,960 Speaker 9: have to look it up on the internet. 365 00:20:00,080 --> 00:20:02,439 Speaker 2: That's a crazy story. Yeah wow, Well, thank you so 366 00:20:02,520 --> 00:20:04,760 Speaker 2: much for calling, and I appreciate you. We'll see you 367 00:20:04,760 --> 00:20:09,280 Speaker 2: out there playing the drum sometime. DJ all right, brother, 368 00:20:09,359 --> 00:20:12,040 Speaker 2: there you go. Okay, I'm gonna bring Julia back in 369 00:20:12,080 --> 00:20:14,720 Speaker 2: from San Antonio, Texas. Julia, we got two other songs 370 00:20:14,720 --> 00:20:20,120 Speaker 2: that you can guess. Are you ready? All right, here we. 371 00:20:20,119 --> 00:20:46,560 Speaker 6: Go and he guesses Julia. 372 00:20:44,359 --> 00:20:55,280 Speaker 8: Ooh close, right era another l band Yep, I'm blowing up. 373 00:20:55,680 --> 00:20:56,600 Speaker 6: I'm really bad. 374 00:20:56,600 --> 00:20:57,119 Speaker 9: I'm sorry. 375 00:20:57,240 --> 00:20:59,720 Speaker 2: That's okay, No, you're great. This is fun, Ronerd, do 376 00:20:59,760 --> 00:21:05,359 Speaker 2: you know I don't got it? Foosh, no idea, Jack knows, 377 00:21:06,000 --> 00:21:10,000 Speaker 2: Jimmy Page, led Seppling, that is right, okay, all right, 378 00:21:10,000 --> 00:21:13,840 Speaker 2: here's the last one led Zeppelin? What which song? Oh dog? 379 00:21:14,280 --> 00:21:19,720 Speaker 2: Oh no, heartbreaker? Oh gosh, uh leave, I got you 380 00:21:19,760 --> 00:21:21,040 Speaker 2: don't belong here anymore. 381 00:21:21,800 --> 00:21:22,920 Speaker 8: He said it so confidently. 382 00:21:23,000 --> 00:21:25,360 Speaker 2: I know, I know. Well, thank you Ronner for keeping 383 00:21:25,440 --> 00:21:28,640 Speaker 2: us honest as well. Going back to Julia, though, here's 384 00:21:28,640 --> 00:21:31,159 Speaker 2: your last, your last opportunity. This is not a solo. 385 00:21:31,200 --> 00:21:33,760 Speaker 2: This is just solo guitars with a backing track. So 386 00:21:33,840 --> 00:21:35,679 Speaker 2: if you can guess this, we'll all win and go 387 00:21:35,720 --> 00:21:38,360 Speaker 2: to bed and sleep well, nice, sleep well tonight when 388 00:21:38,400 --> 00:22:02,480 Speaker 2: we go to bed and he guesses three, you got one? 389 00:22:03,800 --> 00:22:04,880 Speaker 9: No three? 390 00:22:05,280 --> 00:22:07,719 Speaker 2: Oh that's okay. Hey tell you what you are more 391 00:22:07,760 --> 00:22:10,280 Speaker 2: than welcome to call back anytime and keep playing solo 392 00:22:10,400 --> 00:22:12,960 Speaker 2: the solo. Does anybody else know in the room potentially 393 00:22:12,960 --> 00:22:13,760 Speaker 2: what that is? 394 00:22:13,760 --> 00:22:13,919 Speaker 9: Is it? 395 00:22:13,960 --> 00:22:14,720 Speaker 2: Who's that lady? 396 00:22:14,840 --> 00:22:14,959 Speaker 7: Oh? 397 00:22:15,040 --> 00:22:18,720 Speaker 2: It's close. Would have been the same era, maybe a 398 00:22:18,760 --> 00:22:21,720 Speaker 2: little bit older. This is from the original eight track recording, 399 00:22:22,240 --> 00:22:24,360 Speaker 2: two guitars. This is crazy because it's one of those 400 00:22:24,359 --> 00:22:25,919 Speaker 2: things like you can't believe that this is going on 401 00:22:25,960 --> 00:22:28,240 Speaker 2: in the background of this song, but once you hear it, 402 00:22:28,240 --> 00:22:44,960 Speaker 2: you're like, oh yeah, totally. Marvin Gaye, Tammy Terrell, ain't 403 00:22:45,000 --> 00:22:53,320 Speaker 2: you no mountain high enough? There you go, There you go, 404 00:22:53,880 --> 00:22:58,240 Speaker 2: very good. Thank you so much for calling DJ Julia, everybody, Jack, 405 00:22:58,560 --> 00:23:00,239 Speaker 2: thank you for being here as always for the new 406 00:23:00,280 --> 00:23:02,320 Speaker 2: music Friday for people who don't like music and playing 407 00:23:02,320 --> 00:23:05,200 Speaker 2: solo the solo. Mister Mark Ronnert, it is so wonderful 408 00:23:05,240 --> 00:23:07,360 Speaker 2: to be reunited. Always a pleasure. What do you say 409 00:23:07,400 --> 00:23:09,840 Speaker 2: we do this next Monday? Let's give it a shot. 410 00:23:10,000 --> 00:23:13,560 Speaker 2: Let's try it. Foosh are you in? I will be here. Ritchie, 411 00:23:13,920 --> 00:23:15,960 Speaker 2: are you on the skuy I have no idea. If 412 00:23:16,000 --> 00:23:18,480 Speaker 2: I am, I'm down, okay good. If you're not, I 413 00:23:18,480 --> 00:23:21,280 Speaker 2: also need you to be down or down as you 414 00:23:21,400 --> 00:23:26,440 Speaker 2: just said. It's KFI AM six forty. I'm Andy Riismyer. 415 00:23:26,520 --> 00:23:28,960 Speaker 2: Thanks for being with us. We are live everywhere as 416 00:23:29,000 --> 00:23:32,000 Speaker 2: always without fail, twenty four to seven, seven days a 417 00:23:32,000 --> 00:23:33,320 Speaker 2: week on the iHeartRadio 418 00:23:33,320 --> 00:23:36,600 Speaker 1: App, KFI AM six forty on demand