1 00:00:00,480 --> 00:00:03,920 Speaker 1: You're listening to KFI AM six on demand. 2 00:00:04,360 --> 00:00:08,920 Speaker 2: I've been a news from Tinseltown and beyond. Netflix has 3 00:00:08,960 --> 00:00:14,080 Speaker 2: gone all woke you Netflix, straight up woke. I know 4 00:00:14,400 --> 00:00:19,159 Speaker 2: because the Pentagon said so. Indeed, indeed, they've got a 5 00:00:19,200 --> 00:00:24,120 Speaker 2: new series mark have you seen it called Boots. I don't. 6 00:00:24,440 --> 00:00:27,640 Speaker 2: Somebody's asked me about Netflix and I and I don't 7 00:00:27,680 --> 00:00:34,080 Speaker 2: have Netflix. It's the only Netflix in paramount, like the 8 00:00:34,080 --> 00:00:37,280 Speaker 2: only streaming services I don't have because Netflix just started 9 00:00:37,280 --> 00:00:39,120 Speaker 2: to get so expensive and it just started to irritate me, 10 00:00:39,120 --> 00:00:41,800 Speaker 2: so I dumped it. But now everybody else is catching 11 00:00:41,880 --> 00:00:45,400 Speaker 2: up to the Netflix price now. So anyway, Netflix, Netflix 12 00:00:45,400 --> 00:00:47,000 Speaker 2: got the boot first and now they have a new 13 00:00:47,159 --> 00:00:51,360 Speaker 2: series called Boots, which is a dramay about a closeted 14 00:00:51,400 --> 00:00:55,200 Speaker 2: gay marine in nineteen ninety and evidently it is very 15 00:00:55,200 --> 00:00:58,840 Speaker 2: popular on Netflix. So it is a loose adaptation of 16 00:00:58,880 --> 00:01:03,880 Speaker 2: the Pink Marine, which is from Sergeant Greg Cope White. 17 00:01:04,200 --> 00:01:07,520 Speaker 2: And the Pentagon was asked about it because that's journalism. 18 00:01:07,520 --> 00:01:09,280 Speaker 2: Now what are you talking about the new show on Netflix? 19 00:01:10,000 --> 00:01:19,400 Speaker 2: Pentagon press secretary called Netflix content woke garbage. So the 20 00:01:19,400 --> 00:01:24,400 Speaker 2: the Press Secretary, Kingsley Wilson uh put out a statement 21 00:01:24,400 --> 00:01:28,319 Speaker 2: and emphasize a return to the warrior ethos under President 22 00:01:28,360 --> 00:01:34,160 Speaker 2: Trump and Secretary Hexeth, rejecting what she called ideological agendas. Now, 23 00:01:35,720 --> 00:01:38,280 Speaker 2: if you get anything out of this, I want you 24 00:01:38,360 --> 00:01:42,839 Speaker 2: to start paying attention to the way that certain words 25 00:01:42,840 --> 00:01:46,000 Speaker 2: are being used to market to you. So you've got 26 00:01:46,000 --> 00:01:50,800 Speaker 2: the warrior ethos. Okay, what does that do? I didn't 27 00:01:50,840 --> 00:01:53,279 Speaker 2: do anything. I saw there's an ad running. 28 00:01:54,000 --> 00:01:54,160 Speaker 1: Uh. 29 00:01:54,680 --> 00:01:58,280 Speaker 2: I forget what station I saw it on, maybe something Hulu. 30 00:01:58,520 --> 00:02:00,680 Speaker 2: Have you seen this ad market? It's the Uh it's 31 00:02:00,720 --> 00:02:04,480 Speaker 2: for a hoodie and it's got it's a tactical hoodie. 32 00:02:04,720 --> 00:02:07,920 Speaker 3: Well, all guys love tactical gear, that's it. What is 33 00:02:08,160 --> 00:02:10,560 Speaker 3: tactical about a hoodie? Just like we love cargo shorts. 34 00:02:10,600 --> 00:02:14,040 Speaker 2: Come on, what is tactical about a hoodie? They're like, Oh, 35 00:02:14,200 --> 00:02:17,560 Speaker 2: it's a tactical hoodie. What is tactical about it? No, 36 00:02:17,720 --> 00:02:19,239 Speaker 2: you want to say that it's rugged. You want to 37 00:02:19,280 --> 00:02:21,639 Speaker 2: say that it's made with a certain weave that is 38 00:02:21,720 --> 00:02:24,000 Speaker 2: tear resistant, something of that sort. That's fine. It would 39 00:02:24,000 --> 00:02:26,840 Speaker 2: have said it's waterproof. That's great. Look, I've got I've 40 00:02:26,840 --> 00:02:28,959 Speaker 2: got some car hearts that are waterproof and and they're 41 00:02:29,000 --> 00:02:31,360 Speaker 2: the ones I use when I'm doing field work at 42 00:02:31,360 --> 00:02:33,880 Speaker 2: my parents' house. You know, I'll be doing that next week. 43 00:02:33,919 --> 00:02:36,360 Speaker 2: I'll be in Michigan, uh, and I'll be working in 44 00:02:36,440 --> 00:02:38,560 Speaker 2: the in the in the cold. It's the end of October. 45 00:02:38,560 --> 00:02:40,120 Speaker 2: It's cold. I'll be doing leaves and I'll be in 46 00:02:40,200 --> 00:02:45,239 Speaker 2: my my car. Heart. But it's not tactical. The military 47 00:02:45,280 --> 00:02:47,919 Speaker 2: is funny because they have they have what they call 48 00:02:48,160 --> 00:02:55,000 Speaker 2: tactical stretching. Yep, it's tactical stretching. Do you know what 49 00:02:55,080 --> 00:03:01,600 Speaker 2: tactical stretching is? And yoga it's yoga. Yoga, really, it's yoga. Yeah, 50 00:03:01,840 --> 00:03:04,880 Speaker 2: but they can't call it yoga because that doesn't have 51 00:03:04,960 --> 00:03:10,440 Speaker 2: the warrior ethos. So they call it tactical stretching. Okay. 52 00:03:11,600 --> 00:03:13,960 Speaker 3: I guess if you add tactical to anything, it makes 53 00:03:14,000 --> 00:03:16,480 Speaker 3: it sound just a little bit more. Butch doesn't it 54 00:03:16,520 --> 00:03:22,520 Speaker 3: Absolutely it's more manly. Yeah, And I'm not woke. I'm tactical, right. 55 00:03:23,320 --> 00:03:26,040 Speaker 3: And so you start seeing these little dog whistles that 56 00:03:26,080 --> 00:03:29,320 Speaker 3: are being put everywhere, and the military knows, they know it. 57 00:03:29,880 --> 00:03:32,760 Speaker 3: And look, if you're trying to sell yourself as a 58 00:03:32,800 --> 00:03:36,680 Speaker 3: place for young men to sign up and dedicate a 59 00:03:36,720 --> 00:03:38,880 Speaker 3: portion of their young lives to before they head off 60 00:03:38,920 --> 00:03:40,160 Speaker 3: to college or whatever else it is. 61 00:03:40,440 --> 00:03:43,040 Speaker 2: I get it. It makes perfect sense. You know your audience. 62 00:03:43,120 --> 00:03:45,720 Speaker 2: You're marketing to them. I don't like being marketed to 63 00:03:45,800 --> 00:03:49,280 Speaker 2: all the time, though, And look, I actually like a 64 00:03:49,320 --> 00:03:52,360 Speaker 2: good hoodie. I will pay good money, as I did 65 00:03:52,360 --> 00:03:53,000 Speaker 2: for my car herd. 66 00:03:53,040 --> 00:03:55,440 Speaker 3: I will pay good money for a waterproof hoodie that 67 00:03:55,520 --> 00:03:58,160 Speaker 3: is rip resistant and warm and insulated, and I can 68 00:03:58,280 --> 00:04:01,200 Speaker 3: use it when I'm snowblowing or when I'm a rake 69 00:04:01,240 --> 00:04:01,640 Speaker 3: and leaves. 70 00:04:01,680 --> 00:04:05,600 Speaker 2: Whatever it is, right, I'm all for it. To me. 71 00:04:05,720 --> 00:04:06,680 Speaker 2: It's very practical. 72 00:04:06,760 --> 00:04:11,440 Speaker 3: It's utilitarian, but it's not tactical, and I find that 73 00:04:11,520 --> 00:04:12,480 Speaker 3: to be a huge turnoff. 74 00:04:13,320 --> 00:04:18,000 Speaker 2: So anyway, the Pentagon says boots is woke garbage, and 75 00:04:18,040 --> 00:04:22,840 Speaker 2: it's it is. It's not in line with the warrior ethos. 76 00:04:22,839 --> 00:04:25,200 Speaker 3: Well, you're not about to suggest that there could possibly 77 00:04:25,240 --> 00:04:27,800 Speaker 3: be any gay people in the military. 78 00:04:27,279 --> 00:04:29,359 Speaker 2: Are you. No, there are not. We got rid of 79 00:04:29,400 --> 00:04:35,279 Speaker 2: a please. You know, I recall it's been fifteen years 80 00:04:35,320 --> 00:04:37,800 Speaker 2: or more. Did Mark moved them at Dena Jatte? You 81 00:04:37,800 --> 00:04:41,359 Speaker 2: remember that guy? He was ahead of Iran? Oh and yeah, 82 00:04:41,400 --> 00:04:43,159 Speaker 2: so he was. I think he was at the un 83 00:04:43,920 --> 00:04:49,000 Speaker 2: and somebody asked him about how they deal with gay 84 00:04:49,080 --> 00:04:52,320 Speaker 2: people in Iran, How do you deal with gay Iranians? 85 00:04:52,680 --> 00:04:57,560 Speaker 2: And he said, we don't have any. Well, surely you 86 00:04:57,640 --> 00:05:01,440 Speaker 2: have some members of your society that are gay. Nope, 87 00:05:01,480 --> 00:05:05,839 Speaker 2: we don't have any. Okay. And that's what this reminds 88 00:05:05,839 --> 00:05:09,279 Speaker 2: me of, like, oh there are nobody is gay in 89 00:05:09,320 --> 00:05:11,120 Speaker 2: the military. No. 90 00:05:11,120 --> 00:05:17,039 Speaker 3: No, too tactical for him. It's more tactical, tactical sexual encounter. 91 00:05:19,200 --> 00:05:29,600 Speaker 3: This is a tactical release exercise. Careful, we're gonna do 92 00:05:29,640 --> 00:05:31,080 Speaker 3: some tactical bunking up. 93 00:05:32,160 --> 00:05:38,400 Speaker 2: Yeah, what happened? I dropped my tactical soap Good Times. 94 00:05:38,800 --> 00:05:42,560 Speaker 2: All right, enough of that. Uh. The FCC chair Brendan 95 00:05:42,600 --> 00:05:47,960 Speaker 2: Car says we're not tactical enough. He claims it's time 96 00:05:48,040 --> 00:05:51,680 Speaker 2: to start punishing people for thought. Oh good, you know. 97 00:05:51,800 --> 00:05:54,560 Speaker 2: I was worried we weren't barreling toward nineteen eighty four 98 00:05:54,640 --> 00:05:56,280 Speaker 2: fast enough. But lo and behold. 99 00:05:56,520 --> 00:05:58,480 Speaker 1: FCC chair Brendan Car says. 100 00:05:58,240 --> 00:05:59,920 Speaker 2: He from a Barrett media he's. 101 00:05:59,880 --> 00:06:03,560 Speaker 4: Very reopen to revoking broadcast licenses from broadcasters. In an 102 00:06:03,600 --> 00:06:06,760 Speaker 4: interview with Media Research Center President David Bozel, Car stated 103 00:06:06,760 --> 00:06:07,200 Speaker 4: that it's his. 104 00:06:07,200 --> 00:06:09,680 Speaker 2: Book by the way Media Research Center that is a 105 00:06:09,720 --> 00:06:13,720 Speaker 2: way right wing news what do you call them, uh, 106 00:06:14,080 --> 00:06:18,800 Speaker 2: news watchdog. They're kind of like a media watch for the. 107 00:06:18,760 --> 00:06:21,360 Speaker 4: Right belief that leading the FCC means he has a 108 00:06:21,480 --> 00:06:24,760 Speaker 4: duty to reinvigorate the public interest standard, and that broadcasters 109 00:06:24,760 --> 00:06:26,760 Speaker 4: need to serve the needs of their local communities when 110 00:06:26,800 --> 00:06:28,480 Speaker 4: it comes to licensed broadcast TV. 111 00:06:29,360 --> 00:06:31,800 Speaker 2: Okay, there you go. Got to serve the needs of 112 00:06:31,839 --> 00:06:36,279 Speaker 2: the local community. So again we're in a denial phase. 113 00:06:37,080 --> 00:06:38,839 Speaker 2: So it's like, you have to serve the needs of 114 00:06:38,839 --> 00:06:39,640 Speaker 2: your local community. 115 00:06:39,640 --> 00:06:42,040 Speaker 3: And we've got a number of people here who voted 116 00:06:42,040 --> 00:06:44,520 Speaker 3: for President Trump that don't like what this broadcast is saying. 117 00:06:44,600 --> 00:06:47,120 Speaker 3: So you're not serving the needs. What about the people 118 00:06:47,160 --> 00:06:49,680 Speaker 3: that do like it? We don't worry about their needs. 119 00:06:49,720 --> 00:06:52,880 Speaker 2: Were were about our needs, tactical needs. 120 00:06:53,720 --> 00:06:56,800 Speaker 4: Only twenty six percent of news consumers trust AI information. 121 00:06:56,920 --> 00:06:59,520 Speaker 4: According to new data revealed at the NAB Show New York, 122 00:06:59,600 --> 00:07:02,800 Speaker 4: sixty eight percent of respondents that AI generated information is 123 00:07:02,839 --> 00:07:05,640 Speaker 4: not trustworthy. Eight seventy six percent are concerned about AI 124 00:07:05,760 --> 00:07:08,000 Speaker 4: stealing or reproducing local news stories. 125 00:07:08,080 --> 00:07:10,360 Speaker 2: There you go, Mark, AI is gonna do it. We're 126 00:07:10,360 --> 00:07:13,560 Speaker 2: not gonna limit AI, but we're gonna limit people for 127 00:07:14,840 --> 00:07:20,760 Speaker 2: not serving the certain portions of the community. 128 00:07:21,040 --> 00:07:24,200 Speaker 3: Well, what's more American than punishing people for free speech? 129 00:07:25,160 --> 00:07:27,280 Speaker 2: Yeah, or well taking away their broadcast licens. 130 00:07:27,400 --> 00:07:30,119 Speaker 3: Really learned the lesson from that whole Kimmel fiasco leaning 131 00:07:30,120 --> 00:07:30,800 Speaker 3: on ABC. 132 00:07:31,120 --> 00:07:34,440 Speaker 2: Yeah, by the way, did you see that Disney cancelations 133 00:07:34,480 --> 00:07:36,760 Speaker 2: like doubled the rate of cancelations doubled. 134 00:07:36,920 --> 00:07:40,160 Speaker 3: Yeah, story today, and they lost something like five billion 135 00:07:40,200 --> 00:07:42,320 Speaker 3: dollars in market value as well. That. 136 00:07:42,800 --> 00:07:46,119 Speaker 2: Honestly, I saw people saying, I'm canceling, and I'm canceling, 137 00:07:46,120 --> 00:07:49,440 Speaker 2: and I'm canceling it. I never imagined that it was 138 00:07:49,480 --> 00:07:52,600 Speaker 2: going up to four million cancelations. Now. 139 00:07:52,640 --> 00:07:59,400 Speaker 3: They normally have like two million cancelations a month. 140 00:07:59,320 --> 00:08:03,840 Speaker 2: Right, they come and they go. So it's not like 141 00:08:03,920 --> 00:08:06,280 Speaker 2: four million people canceled because of Jimmy Kimmel, but you 142 00:08:06,280 --> 00:08:11,000 Speaker 2: could probably reasonably assume that two million plus did their 143 00:08:11,040 --> 00:08:16,240 Speaker 2: normal rate doubled at Hulu and Disney. Yeah, that I 144 00:08:18,160 --> 00:08:21,000 Speaker 2: was wrong. I saw people saying I'm gonna cancel, and 145 00:08:21,000 --> 00:08:23,280 Speaker 2: I thought, yeah, okay, well they don't care about you. 146 00:08:24,640 --> 00:08:28,640 Speaker 2: But also, let me make this point. They got him 147 00:08:28,680 --> 00:08:34,760 Speaker 2: back on, and I think it's important to do a 148 00:08:34,800 --> 00:08:38,920 Speaker 2: follow up to what the subscription rate was after he's 149 00:08:38,960 --> 00:08:42,640 Speaker 2: back on and football season is in the throws because 150 00:08:43,120 --> 00:08:46,040 Speaker 2: as Disney and Hulu carry football, and it's Disney and 151 00:08:46,360 --> 00:08:49,160 Speaker 2: ESPN now are teaming up because now you've got Monday 152 00:08:49,200 --> 00:08:51,480 Speaker 2: night football with Disney, You've got ESPN that's got the 153 00:08:51,679 --> 00:08:55,200 Speaker 2: college football rights, and football is king in America. It 154 00:08:55,320 --> 00:08:59,960 Speaker 2: is driving content and especially appointment viewing more than any 155 00:09:00,000 --> 00:09:04,079 Speaker 2: anything else networks are. They are fighting for sports right 156 00:09:04,120 --> 00:09:07,800 Speaker 2: now because that's where they get their appointment viewing. And 157 00:09:07,880 --> 00:09:11,079 Speaker 2: I think we're going to see those numbers reverse. Maybe 158 00:09:11,080 --> 00:09:12,640 Speaker 2: not at the same rate, but I would not be 159 00:09:12,679 --> 00:09:18,920 Speaker 2: surprised to see that subscription numbers increase more, maybe fifty 160 00:09:18,920 --> 00:09:22,240 Speaker 2: percent rather than rather than double, But I would not 161 00:09:22,280 --> 00:09:25,520 Speaker 2: be surprised to see those numbers come back. But look, 162 00:09:25,600 --> 00:09:27,400 Speaker 2: I was wrong about the cancelations. I could be wrong 163 00:09:27,440 --> 00:09:31,400 Speaker 2: about people returning. Absolutely could happen. It's been known. 164 00:09:31,480 --> 00:09:36,280 Speaker 3: It's been known to not often, but there are instances 165 00:09:36,400 --> 00:09:39,640 Speaker 3: of you being wrong. Yeah, oh heaven forbidden. No, No, 166 00:09:39,720 --> 00:09:43,160 Speaker 3: I mean rare, but it does happen, So mark it down. 167 00:09:45,280 --> 00:09:49,200 Speaker 2: Oh have you ever wanted to own an iconic piece 168 00:09:49,960 --> 00:09:54,680 Speaker 2: of movie memorabilia. Of course, I'd be meat for the collection. 169 00:09:55,400 --> 00:09:57,160 Speaker 2: What if it's too big to throw in the den? 170 00:09:57,880 --> 00:10:00,400 Speaker 2: What if you could just rent it for a week weekend. 171 00:10:01,200 --> 00:10:04,320 Speaker 3: You'll find out where your rental money could go and 172 00:10:04,400 --> 00:10:06,600 Speaker 3: make you the scariest person this Halloween. 173 00:10:07,120 --> 00:10:08,560 Speaker 2: That is next. I'm Chris Merrill. 174 00:10:08,920 --> 00:10:12,320 Speaker 1: You're listening to KFI AM six forty on demand. 175 00:10:12,600 --> 00:10:15,959 Speaker 2: Oh, much to the chagrin of one Mark Ronner will 176 00:10:15,960 --> 00:10:18,480 Speaker 2: get pixel perfect with Ai coming up here after his 177 00:10:18,640 --> 00:10:22,120 Speaker 2: nine thirty news. You love antagonizing me a little bit, 178 00:10:23,720 --> 00:10:26,240 Speaker 2: a little bit, a little bit, little bit. Okay, how 179 00:10:26,240 --> 00:10:35,760 Speaker 2: about the greatest airbnb in southern California for Halloween? Anyway, 180 00:10:36,600 --> 00:10:44,480 Speaker 2: it could be the Poltergeist House. Listen to that eighties soundtrack. Ooh, 181 00:10:44,640 --> 00:10:46,520 Speaker 2: I love that, well done, ABC seven. 182 00:10:46,640 --> 00:10:49,000 Speaker 5: Like the house is getting a new life and people 183 00:10:49,120 --> 00:10:51,680 Speaker 5: able to experience it in really cool and interesting and 184 00:10:51,720 --> 00:10:54,200 Speaker 5: munique ways. Buying this house was not quite what I 185 00:10:54,200 --> 00:10:55,160 Speaker 5: had planned in life. 186 00:10:55,280 --> 00:10:56,280 Speaker 1: I actually had. 187 00:10:56,200 --> 00:10:58,240 Speaker 5: A gut instinct about a month before it went on 188 00:10:58,280 --> 00:11:00,959 Speaker 5: the market. Fast forward a month later, I'm in my 189 00:11:02,200 --> 00:11:04,840 Speaker 5: backyard of my sister's house. She's like, Hey, the Poltergeis 190 00:11:04,880 --> 00:11:06,800 Speaker 5: house is on the market. Next thing. I know, I 191 00:11:06,880 --> 00:11:11,000 Speaker 5: am calling my realtor getting pre approved, and I'm in 192 00:11:11,040 --> 00:11:13,400 Speaker 5: the kitchen in the Poltergeis house. 193 00:11:13,920 --> 00:11:18,080 Speaker 2: Whoo. I kind of love that the house looks just 194 00:11:18,200 --> 00:11:20,760 Speaker 2: like the one next to it and the one next 195 00:11:20,760 --> 00:11:21,040 Speaker 2: to that. 196 00:11:24,800 --> 00:11:27,440 Speaker 5: I grew up watching the culture. I've probably seen it 197 00:11:27,440 --> 00:11:30,440 Speaker 5: about fifty times before I bought the house, and now 198 00:11:30,520 --> 00:11:33,240 Speaker 5: since I bought the house, now probably another fifty. 199 00:11:33,920 --> 00:11:35,120 Speaker 2: Is that one of those things where you just keep 200 00:11:35,160 --> 00:11:37,839 Speaker 2: it rolling, like you just you just have it on 201 00:11:38,000 --> 00:11:43,120 Speaker 2: constant repeat. I give me an example. I think you 202 00:11:43,160 --> 00:11:46,480 Speaker 2: almost have to do this a certain museum pieces. So 203 00:11:47,920 --> 00:11:51,199 Speaker 2: I've made mentioned more than once, probably irritatingly so that 204 00:11:51,720 --> 00:11:55,599 Speaker 2: I grew up in northern Michigan. So last summer, or 205 00:11:55,640 --> 00:11:57,719 Speaker 2: I guess it was a labor day, my wife and 206 00:11:57,760 --> 00:12:00,600 Speaker 2: I went up to the Upper Peninsula and whenever we're 207 00:12:00,640 --> 00:12:01,800 Speaker 2: up there, always like to go up to the white 208 00:12:01,800 --> 00:12:05,760 Speaker 2: Fish Point. If you're unfamiliar, Whitefish Point is where Edmund 209 00:12:05,760 --> 00:12:10,000 Speaker 2: Fitzgerald sank, and so there's a coast Guard station up there, 210 00:12:10,000 --> 00:12:11,880 Speaker 2: and then there's a museum. It's a shipwreck museum. It's 211 00:12:11,880 --> 00:12:14,480 Speaker 2: a great lake. Shipwreck museum is there at Whitefish Point, 212 00:12:14,720 --> 00:12:18,040 Speaker 2: and a cool place goes through all the different shipwrecks, 213 00:12:18,040 --> 00:12:20,080 Speaker 2: and of course Edmond Fitzgerald is prominently featured, but there 214 00:12:20,080 --> 00:12:22,640 Speaker 2: are a number of others, hundreds of shipwrecks in the 215 00:12:22,679 --> 00:12:26,400 Speaker 2: Great Lakes. When you walk in, they have Gordon Lightfoot 216 00:12:26,440 --> 00:12:31,320 Speaker 2: playing on repeat, which must be absolute torture for the 217 00:12:31,360 --> 00:12:33,920 Speaker 2: people working there. Granted, it's a great song, but any 218 00:12:33,960 --> 00:12:37,440 Speaker 2: song over and over and over again, day in and 219 00:12:37,520 --> 00:12:39,480 Speaker 2: day out, day in and day out. I mean, that's 220 00:12:39,520 --> 00:12:43,000 Speaker 2: that's how you break terraces, right, that's Abu Grebe stuff. 221 00:12:43,080 --> 00:12:46,600 Speaker 3: Come on, who doesn't love a shanty, a good shanty. 222 00:12:46,720 --> 00:12:49,760 Speaker 3: Everybody loves a show. 223 00:12:53,400 --> 00:12:55,800 Speaker 2: So anyway, I'm just thinking when you when you're at 224 00:12:55,840 --> 00:12:58,520 Speaker 2: the Poltergeist House, you basically have to have that running 225 00:12:59,200 --> 00:13:02,720 Speaker 2: NonStop and room anyway, don't you. You have to. 226 00:13:03,440 --> 00:13:06,840 Speaker 5: I wanted to bring the feeling of the eerie charm, 227 00:13:07,080 --> 00:13:09,040 Speaker 5: but also have it warm and inviting. 228 00:13:09,280 --> 00:13:15,440 Speaker 2: I wanted warm and inviting, like when she disappeared and 229 00:13:15,600 --> 00:13:17,760 Speaker 2: was talking through the television, to have. 230 00:13:17,679 --> 00:13:21,480 Speaker 5: A balance between modern amenities. Especially there's a lot of 231 00:13:21,520 --> 00:13:23,839 Speaker 5: families that come here, and so kids may not want 232 00:13:23,880 --> 00:13:25,760 Speaker 5: to play on the Atari. They might want to play 233 00:13:25,760 --> 00:13:28,240 Speaker 5: on the Xbox on the app on the smart TV. 234 00:13:28,360 --> 00:13:30,600 Speaker 2: It doesn't matter. You still end up getting sucked into 235 00:13:30,600 --> 00:13:31,240 Speaker 2: a vortex. 236 00:13:31,520 --> 00:13:35,240 Speaker 5: Yeah, instead and again, just bringing people together and families together. 237 00:13:35,320 --> 00:13:37,080 Speaker 5: And what do you love to do around a fire? 238 00:13:37,760 --> 00:13:41,280 Speaker 5: Die signature Poultergeist, some moors at the Poltergeist House. 239 00:13:41,400 --> 00:13:41,679 Speaker 2: Okay. 240 00:13:42,000 --> 00:13:45,520 Speaker 5: What's interesting is that every time somebody inquires about the house, 241 00:13:45,640 --> 00:13:49,000 Speaker 5: they tell me their story. And it's really cool because 242 00:13:49,840 --> 00:13:52,880 Speaker 5: it's never just a Hey, I want to book the house. 243 00:13:53,000 --> 00:13:56,720 Speaker 5: It's Poltergeist. The movie means something to me and I 244 00:13:56,760 --> 00:13:58,959 Speaker 5: want to be able to experience it in real life. 245 00:14:00,080 --> 00:14:04,400 Speaker 2: Okay, are you in or are you one of those 246 00:14:04,480 --> 00:14:08,240 Speaker 2: that that freaks out? It was just a movie, But 247 00:14:08,320 --> 00:14:12,400 Speaker 2: are you in? Because I am. I am one of 248 00:14:12,440 --> 00:14:16,120 Speaker 2: these people that does not get spooked by uh by, Look, 249 00:14:16,679 --> 00:14:18,560 Speaker 2: I got the little hesitation, I got the little hold. 250 00:14:18,640 --> 00:14:20,360 Speaker 2: Did you hear that in the back of my head? Look, 251 00:14:20,440 --> 00:14:23,480 Speaker 2: I get that. But whenever I watched all these ghost 252 00:14:23,560 --> 00:14:27,520 Speaker 2: hunting shows, I've just rolled my eyes. I'm more fascinated 253 00:14:27,560 --> 00:14:30,520 Speaker 2: with the history of the facility where there it's always 254 00:14:30,520 --> 00:14:34,960 Speaker 2: like an asylum or an old prison, something like that. Right, 255 00:14:35,600 --> 00:14:37,720 Speaker 2: I'm always more fascinated by that than I am the 256 00:14:37,720 --> 00:14:39,640 Speaker 2: whole whose thing? 257 00:14:40,120 --> 00:14:42,440 Speaker 3: Oh look, gosh, I just got a chill. Oh my gosh, 258 00:14:42,520 --> 00:14:44,080 Speaker 3: did you hear that? I think the wind blew? Oh 259 00:14:44,120 --> 00:14:48,760 Speaker 3: my gosh, I hate that crap. Poltergeist House was never 260 00:14:48,880 --> 00:14:51,720 Speaker 3: actually haunted. It was just the setting for a film. 261 00:14:52,040 --> 00:14:54,920 Speaker 3: But some people still are going to freak out. 262 00:14:55,080 --> 00:14:56,920 Speaker 2: Not me. I would love it. I'm with this lady 263 00:14:57,040 --> 00:14:59,960 Speaker 2: like I. I would just love to be there, so great. 264 00:15:00,480 --> 00:15:01,160 Speaker 2: I'd stay there. 265 00:15:01,160 --> 00:15:03,480 Speaker 3: But I do think we're getting dumber if people are 266 00:15:03,560 --> 00:15:05,880 Speaker 3: worried about a movie Seid. But would you stay in 267 00:15:05,880 --> 00:15:08,200 Speaker 3: some place like the Amityville actual houis? 268 00:15:08,400 --> 00:15:09,640 Speaker 2: Absolutely you would. 269 00:15:09,920 --> 00:15:14,880 Speaker 3: Yeah, Okay, yeah, I know it's like, oh, but how 270 00:15:14,880 --> 00:15:16,440 Speaker 3: could it's actually haunted? 271 00:15:17,040 --> 00:15:21,000 Speaker 2: Okay, sure it is. Okay, No, I'm not a big 272 00:15:21,040 --> 00:15:23,840 Speaker 2: fan of that side. I just don't look. Let me 273 00:15:24,440 --> 00:15:27,960 Speaker 2: here's here's what it was. We get this all the time. 274 00:15:28,000 --> 00:15:29,760 Speaker 2: You go. You ever watch one of those shows where 275 00:15:29,760 --> 00:15:33,560 Speaker 2: they're hunting big foot and they're like, oh do you 276 00:15:33,600 --> 00:15:37,800 Speaker 2: hear that? Oh wait, that was that was a big foot. 277 00:15:38,160 --> 00:15:40,360 Speaker 2: That was a big foot, that was a squatch, that 278 00:15:40,440 --> 00:15:42,960 Speaker 2: was a squatch, And you're like, oh my gosh, you're 279 00:15:43,000 --> 00:15:44,360 Speaker 2: in the woods and you heard a noise, and you 280 00:15:44,360 --> 00:15:45,800 Speaker 2: know that it was a squatch. Yeah, come over here, 281 00:15:45,800 --> 00:15:48,520 Speaker 2: Lo Gooas, see the way his twigs are broken, Lucas. 282 00:15:48,560 --> 00:15:50,360 Speaker 2: You see this hair? See this hair I found on 283 00:15:50,440 --> 00:15:56,640 Speaker 2: this branch. That's not, dear a squatch. And yet they 284 00:15:56,640 --> 00:15:59,840 Speaker 2: never find a squad. We are squatch free, right. And 285 00:16:00,160 --> 00:16:04,120 Speaker 2: then you go to some cabin in the woods, right 286 00:16:04,160 --> 00:16:06,320 Speaker 2: deep in the woods where they're hunting ghosts, and then 287 00:16:06,360 --> 00:16:08,960 Speaker 2: they hear something. Do you hear that there's a ghost? 288 00:16:09,520 --> 00:16:11,800 Speaker 2: And we've got the history and so and so died 289 00:16:11,840 --> 00:16:16,120 Speaker 2: here in eighteen ninety four and it was there's scary 290 00:16:16,120 --> 00:16:20,360 Speaker 2: circumstances and it was a but we've got we've got 291 00:16:20,360 --> 00:16:22,400 Speaker 2: our ghost meter, and our ghost meter says the ghost 292 00:16:22,480 --> 00:16:24,160 Speaker 2: is in here. And you go, oh my gosh, it's 293 00:16:24,160 --> 00:16:26,640 Speaker 2: definitely haunted. We know because the ghost meter said. So 294 00:16:27,440 --> 00:16:29,920 Speaker 2: you ever notice that when they're hunting ghosts, they never 295 00:16:30,040 --> 00:16:33,320 Speaker 2: accidentally find bigfoot, and when they're hunting bigfoot, they never 296 00:16:33,360 --> 00:16:36,640 Speaker 2: accidentally find the ghosts. Well, you want to stay focused. Yeah, 297 00:16:36,680 --> 00:16:41,320 Speaker 2: that isn't that something? You know? Isn't that something really interesting? 298 00:16:41,360 --> 00:16:44,280 Speaker 2: Because I gotta tell you, if I'm looking for sharks, 299 00:16:45,040 --> 00:16:47,640 Speaker 2: there's a chance I run across in Orca because it's 300 00:16:47,680 --> 00:16:50,760 Speaker 2: the ocean, right. Oh, I was looking for sharks, but 301 00:16:50,760 --> 00:16:53,800 Speaker 2: I found this killer whale. Crazy how those things cohabitate. 302 00:16:53,920 --> 00:16:59,000 Speaker 2: But evidently bigfoot and ghosts don't cohabitate because it's all lore. 303 00:16:59,120 --> 00:17:01,880 Speaker 2: So yeah, I would add, stay in the Ambityville home. 304 00:17:02,760 --> 00:17:05,199 Speaker 2: Adjust your ghost meter so that it'll it'll pick up 305 00:17:05,200 --> 00:17:09,840 Speaker 2: the ghost meter. Yeah, gotta go ghost meter. 306 00:17:11,080 --> 00:17:14,240 Speaker 3: It's all about the settings. That's exactly right. You gotta 307 00:17:14,240 --> 00:17:14,919 Speaker 3: get the settings right. 308 00:17:15,000 --> 00:17:17,320 Speaker 2: Yeah. See, if they had just used that when they 309 00:17:17,320 --> 00:17:21,200 Speaker 2: were hunting Bigfoot, we would have caught them by now. Unbelievable. 310 00:17:22,080 --> 00:17:23,840 Speaker 2: Oh my gosh, did you hear that it's a demon? 311 00:17:24,040 --> 00:17:26,840 Speaker 2: No way? Yeah, I know a guy. He's an exorcist. 312 00:17:27,000 --> 00:17:31,040 Speaker 2: Oh okay, that's amazing, Okay, perfect. Yeah, Hey, while you're 313 00:17:31,040 --> 00:17:34,080 Speaker 2: out there, see if you see, if you smell the sasquatch, 314 00:17:34,119 --> 00:17:35,920 Speaker 2: they smell really bad. It's terrible. It's got to be 315 00:17:35,920 --> 00:17:36,520 Speaker 2: out there somewhere. 316 00:17:36,600 --> 00:17:38,159 Speaker 3: I think if you're not careful, you're gonna get an 317 00:17:38,160 --> 00:17:39,879 Speaker 3: earful from George in a few minutes. 318 00:17:41,400 --> 00:17:47,280 Speaker 2: Yeah. I love the fantasy, and I love watching like 319 00:17:47,800 --> 00:17:53,000 Speaker 2: ancient aliens. I love watching ancient aliens that show humors. 320 00:17:53,080 --> 00:17:54,520 Speaker 2: The heck out of me. Plus I pick up a 321 00:17:54,520 --> 00:17:56,960 Speaker 2: little bit of history. Well it's mainly that guy's hair though, right. 322 00:17:57,320 --> 00:18:02,240 Speaker 2: Oh yeah, who, by the way, live in San Diego County, 323 00:18:03,160 --> 00:18:07,359 Speaker 2: I believe, oh did Yeah, yeah, yeah, yeah he was, 324 00:18:07,400 --> 00:18:09,840 Speaker 2: Actually he's I think he lived real close to He 325 00:18:09,880 --> 00:18:13,280 Speaker 2: was in Rancho Santa Fe and I was Rancho Santa 326 00:18:13,280 --> 00:18:15,560 Speaker 2: Fe adjacent in the poor neighborhood. At least that was 327 00:18:15,600 --> 00:18:18,640 Speaker 2: my understanding. So anyway, Yeah, no, he's a cool guy, 328 00:18:19,080 --> 00:18:22,240 Speaker 2: smart guy too. All right, we'll go pixel perfect and 329 00:18:22,280 --> 00:18:26,080 Speaker 2: we'll see how AI ready you are next time. Chris Merrill, you're. 330 00:18:25,920 --> 00:18:29,080 Speaker 1: Listening to KFI AM sixty on demand. 331 00:18:29,280 --> 00:18:31,480 Speaker 2: Yesterday we're talking about AI. Marked doesn't like AI. I 332 00:18:31,520 --> 00:18:35,040 Speaker 2: think it's fantastic because it keeps yet, it keeps you guessing. 333 00:18:35,800 --> 00:18:38,760 Speaker 2: It just keeps you on your toes and then here 334 00:18:38,840 --> 00:18:41,040 Speaker 2: you look, it keeps you on your toes enough that 335 00:18:41,160 --> 00:18:43,600 Speaker 2: it's it's gonna start popping up in places where you 336 00:18:43,640 --> 00:18:47,280 Speaker 2: don't even want it, Like when you want credible information. 337 00:18:47,440 --> 00:18:51,080 Speaker 2: That's the fear everybody has, what if the person giving 338 00:18:51,080 --> 00:18:54,400 Speaker 2: you that credible information is themselves incredible. 339 00:18:54,720 --> 00:18:58,159 Speaker 6: It seemed like a normal news report until the end it. 340 00:18:58,200 --> 00:19:02,160 Speaker 2: Was from the Today show I'm Not Real last. 341 00:19:02,040 --> 00:19:05,920 Speaker 6: Night, UK audiences watching a show about AI taking jobs 342 00:19:06,359 --> 00:19:09,520 Speaker 6: stunned to learn that was happening in front of their eyes, 343 00:19:09,560 --> 00:19:13,200 Speaker 6: and a British TV first, I'm actually an AI presenter. 344 00:19:14,080 --> 00:19:15,320 Speaker 1: I wasn't on location. 345 00:19:16,040 --> 00:19:19,560 Speaker 2: You know what the most disturbing part was she was hot, 346 00:19:21,040 --> 00:19:22,560 Speaker 2: and then I felt gross. 347 00:19:22,680 --> 00:19:23,920 Speaker 6: Reporting this story. 348 00:19:24,400 --> 00:19:28,600 Speaker 1: My image and voice were generated using AI. 349 00:19:30,000 --> 00:19:33,680 Speaker 6: Before that point, the documentary had shown the host reporting 350 00:19:33,800 --> 00:19:37,160 Speaker 6: in multiple settings, explaining it was part of a deliberate 351 00:19:37,200 --> 00:19:41,040 Speaker 6: on screen stunt to show just how convincing artificial intelligence 352 00:19:41,040 --> 00:19:45,480 Speaker 6: has become. The dramatic reveal just the latest demonstration of 353 00:19:45,560 --> 00:19:47,159 Speaker 6: AI's growing influence. 354 00:19:47,640 --> 00:19:48,880 Speaker 2: It's happening fast too. 355 00:19:49,200 --> 00:19:51,399 Speaker 3: Three seasons and a podcast. 356 00:19:51,680 --> 00:19:54,800 Speaker 6: Last month, Hollywood responding to the debut of a one 357 00:19:55,640 --> 00:20:00,280 Speaker 6: AI generated actress. Yeah that is gross, Tillie Norwood, you 358 00:20:00,400 --> 00:20:01,760 Speaker 6: are what a dumb name? 359 00:20:02,520 --> 00:20:08,320 Speaker 1: Suddenly up again something that's been generated with five thousand 360 00:20:08,400 --> 00:20:09,680 Speaker 1: other actors. 361 00:20:10,240 --> 00:20:11,960 Speaker 2: Yeah as gross too, whoopee. 362 00:20:12,200 --> 00:20:15,800 Speaker 6: But fears of AI's growth going beyond the screen, with 363 00:20:15,920 --> 00:20:19,520 Speaker 6: many American workers worried about the very question posed in 364 00:20:19,560 --> 00:20:20,600 Speaker 6: that documentary. 365 00:20:20,760 --> 00:20:21,520 Speaker 3: So we want to. 366 00:20:21,440 --> 00:20:24,880 Speaker 6: Find out will AI take your job? 367 00:20:25,400 --> 00:20:34,080 Speaker 2: Will AI take your job. Well, this could be This 368 00:20:34,160 --> 00:20:40,439 Speaker 2: could be a bloom for the unions because you're going 369 00:20:40,520 --> 00:20:43,040 Speaker 2: to have to have some collective bargaining. You're not going 370 00:20:43,119 --> 00:20:46,439 Speaker 2: to be able to save your job from AI. If 371 00:20:46,480 --> 00:20:49,840 Speaker 2: the boss wants to cut you, you're cut. However, if 372 00:20:49,840 --> 00:20:52,480 Speaker 2: you've got collective bargaining and you're a member of a 373 00:20:52,640 --> 00:20:57,200 Speaker 2: union that can come together and say you can't use 374 00:20:57,280 --> 00:21:02,879 Speaker 2: AI instead of people, you may find yourself a little 375 00:21:02,880 --> 00:21:05,800 Speaker 2: more leverage. If you try to go it alone, you're 376 00:21:05,800 --> 00:21:07,800 Speaker 2: not gonna be able to They're gonna say, well, I 377 00:21:07,800 --> 00:21:11,720 Speaker 2: don't need you. But if all of a sudden they realize, 378 00:21:11,760 --> 00:21:14,800 Speaker 2: oh I actually need I need some employees, and if 379 00:21:14,840 --> 00:21:17,720 Speaker 2: I start wiping people out, I'm not gonna have anybody 380 00:21:17,800 --> 00:21:20,800 Speaker 2: left and I can't have AI doing everything, then you've 381 00:21:20,800 --> 00:21:23,880 Speaker 2: got some more leverage. That's when you have some leverage. 382 00:21:24,720 --> 00:21:26,879 Speaker 2: I teach you yesterday, I said I was I have 383 00:21:27,000 --> 00:21:32,280 Speaker 2: one of those self evaluations due for my real job. 384 00:21:32,359 --> 00:21:37,359 Speaker 2: Oh yeah, Uh, you want to try to have AI 385 00:21:37,440 --> 00:21:40,119 Speaker 2: fill this out. I don't know if I'm comfortable with this. No, 386 00:21:40,480 --> 00:21:42,439 Speaker 2: because it does not sound like me. Let's put your 387 00:21:42,440 --> 00:21:44,320 Speaker 2: money where your mouth gow right here, Come on, all right. 388 00:21:44,400 --> 00:21:48,359 Speaker 2: Question number one, Please describe your progress in your key 389 00:21:48,400 --> 00:21:52,920 Speaker 2: priorities or goals over the past six months. So here's 390 00:21:52,960 --> 00:21:55,560 Speaker 2: what AI says. Over the past six months, I've made 391 00:21:55,600 --> 00:21:59,840 Speaker 2: significant progress across my core priorities, particularly in segment development, editorial, 392 00:22:00,400 --> 00:22:04,760 Speaker 2: in audience engagement. For KFI, I've expanded and streamlined our 393 00:22:04,800 --> 00:22:08,320 Speaker 2: segment bank, organizing content into distinct editorial lanes to allow 394 00:22:08,359 --> 00:22:12,800 Speaker 2: for instant pivots in show tone and flow. Conversational. Man, 395 00:22:12,840 --> 00:22:16,280 Speaker 2: this is crap. This is great. But the thing is, 396 00:22:16,320 --> 00:22:20,320 Speaker 2: my boss loves this garbage. She loves corporate speak like 397 00:22:20,400 --> 00:22:23,800 Speaker 2: this could be really good. I launched and iterated numerous 398 00:22:23,840 --> 00:22:27,800 Speaker 2: benchmark segments, pairing tight new summaries with weird personal questions 399 00:22:27,800 --> 00:22:30,399 Speaker 2: that drive listener engagement and spark on air debate. 400 00:22:30,600 --> 00:22:33,200 Speaker 3: Iterated, Yeah, we don't do enough iterating. Oh my gosh, 401 00:22:33,240 --> 00:22:34,920 Speaker 3: I need to iterate and do some more iterating. 402 00:22:35,119 --> 00:22:38,720 Speaker 2: Overall, I've deepened our editorial identity, improved workflow agility, and 403 00:22:38,760 --> 00:22:43,439 Speaker 2: elevated the creative bar across the radio program. I've no energized. Man, 404 00:22:44,040 --> 00:22:47,879 Speaker 2: I know, right, but this is the kind of stuff 405 00:22:47,920 --> 00:22:57,840 Speaker 2: because my daytime boss, she absolutely loves loves meetings. She 406 00:22:58,040 --> 00:23:01,040 Speaker 2: wants told me, I mean because I radio oh side 407 00:23:01,040 --> 00:23:05,160 Speaker 2: of KFI as well, And she once said, she says, 408 00:23:05,160 --> 00:23:06,560 Speaker 2: I don't get to listen to your show very often 409 00:23:06,560 --> 00:23:09,359 Speaker 2: because it's when I schedule my meetings. Don't tell your 410 00:23:09,400 --> 00:23:13,800 Speaker 2: employees that you don't listen to them, you know, but 411 00:23:13,880 --> 00:23:16,960 Speaker 2: I'm in their meetings. Oh, she loves meetings. She just 412 00:23:17,040 --> 00:23:20,320 Speaker 2: loves corporate stuff. Okay, how do you incorporate the company 413 00:23:20,400 --> 00:23:22,920 Speaker 2: values in your day to day work activities? Please share 414 00:23:22,920 --> 00:23:25,680 Speaker 2: at least one example of how you use core values 415 00:23:25,760 --> 00:23:30,040 Speaker 2: in your work. I consistently incorporate values in my daily work, 416 00:23:30,119 --> 00:23:33,920 Speaker 2: especially throughout my commitment to pursue excellence and work together. 417 00:23:34,320 --> 00:23:37,040 Speaker 2: Over the past six months, I've led the development of 418 00:23:37,040 --> 00:23:40,440 Speaker 2: a dynamic segment bank, which is totally a I speak 419 00:23:40,480 --> 00:23:42,720 Speaker 2: for when I'm putting the show together, I'm like, hang 420 00:23:42,760 --> 00:23:44,240 Speaker 2: on to this, put this in the segment bank. 421 00:23:44,320 --> 00:23:46,080 Speaker 3: Is it also a rule that you got to repeat 422 00:23:46,119 --> 00:23:49,040 Speaker 3: the wording of the question. Yes, I guess so, okay, 423 00:23:49,080 --> 00:23:53,040 Speaker 3: thank you you caught that. Yeah, let's see oh and again. 424 00:23:53,240 --> 00:23:56,000 Speaker 2: Organizing content in an editorial lanes that allow for instant 425 00:23:56,000 --> 00:24:00,800 Speaker 2: pivots and tone and flow. Oh, this is wonderful. I 426 00:24:00,840 --> 00:24:04,560 Speaker 2: also leaned into work together by collaborating closely with producers, writers, 427 00:24:04,600 --> 00:24:10,720 Speaker 2: and tech partners to troubleshoot workflows and improve segment turnaround. Tony, 428 00:24:10,760 --> 00:24:13,280 Speaker 2: don't you feel like we've worked together hand in hand 429 00:24:13,400 --> 00:24:14,720 Speaker 2: to troubleshoot workflows and. 430 00:24:14,720 --> 00:24:22,560 Speaker 3: Improve segment turnaround? Yes, I concur your iteration is accurate. 431 00:24:22,640 --> 00:24:24,080 Speaker 3: You've improved each other's flow. 432 00:24:24,280 --> 00:24:29,480 Speaker 2: Wow, Oh my gosh, that is such crap. Yeah, I 433 00:24:29,480 --> 00:24:31,680 Speaker 2: gotta tell you. If I turned that in, the boss 434 00:24:31,680 --> 00:24:35,400 Speaker 2: will be like, do it again. Yeah, this is just garbage, 435 00:24:35,440 --> 00:24:37,920 Speaker 2: although there's a big part of me that's really tempted. 436 00:24:38,160 --> 00:24:41,159 Speaker 2: Tomorrow morning, I actually have to sit in on uh 437 00:24:42,440 --> 00:24:46,440 Speaker 2: AI training for my company. So they're going to teach 438 00:24:46,520 --> 00:24:51,159 Speaker 2: us how to use the company approved AI, which my 439 00:24:51,320 --> 00:24:54,000 Speaker 2: understanding was that the last company and they change it 440 00:24:54,040 --> 00:24:57,480 Speaker 2: every week. The last company approved AI was co Pilot, 441 00:24:57,680 --> 00:25:00,280 Speaker 2: which is chat GPT. But then I I think they 442 00:25:00,320 --> 00:25:02,719 Speaker 2: found out that Copilot was using chat GPT and they 443 00:25:02,720 --> 00:25:05,640 Speaker 2: were like, wait, we said no to chat GPT. Yeah, 444 00:25:06,200 --> 00:25:08,439 Speaker 2: so now we've got a new completely never heard of 445 00:25:08,440 --> 00:25:11,000 Speaker 2: it before. AI. Oh. I can't wait for this training. 446 00:25:11,720 --> 00:25:14,680 Speaker 2: Maybe I'll use the company's AI to help me rate 447 00:25:14,800 --> 00:25:16,119 Speaker 2: up my self evaluation. 448 00:25:16,640 --> 00:25:18,840 Speaker 3: Yeah, just have it kind of feed on itself like 449 00:25:18,880 --> 00:25:22,280 Speaker 3: one of those Ora Borros images. Yes, it'll just it's 450 00:25:22,359 --> 00:25:26,120 Speaker 3: just like I use AI to develop new ideas, which 451 00:25:26,119 --> 00:25:29,119 Speaker 3: helped me to create more ideas, to feed into AI 452 00:25:29,240 --> 00:25:31,679 Speaker 3: to create new ideas. Oh great, it's the kind of 453 00:25:31,680 --> 00:25:34,480 Speaker 3: thing Captain Kirk would do to make a computer explode. 454 00:25:35,000 --> 00:25:38,720 Speaker 2: Do that. You're you're so right. He would, You're exactly right. 455 00:25:38,760 --> 00:25:41,480 Speaker 3: He would create a Santax error in order to to like, 456 00:25:42,040 --> 00:25:43,520 Speaker 3: you know, bomb the Klingons. 457 00:25:44,400 --> 00:25:47,080 Speaker 2: You're exactly right, be Captain Kirk. You can do it. 458 00:25:47,600 --> 00:25:52,040 Speaker 2: I could do it, and I will. All right, forget 459 00:25:52,080 --> 00:25:57,479 Speaker 2: about AI making your workflow iterations more effective to pivot quickly. 460 00:25:57,560 --> 00:26:00,520 Speaker 2: There's a new vehicle, a flying camera in the city 461 00:26:00,520 --> 00:26:05,280 Speaker 2: that is betting on surveillance over sirens. Miami's latest police 462 00:26:05,320 --> 00:26:09,879 Speaker 2: tech just got weird. The question is will their new 463 00:26:10,000 --> 00:26:13,600 Speaker 2: RoboCop work. We'll find out next. I'm Chris Merrill. 464 00:26:13,800 --> 00:26:17,480 Speaker 1: You're listening to KFI A six on demand. 465 00:26:17,440 --> 00:26:20,640 Speaker 2: Kiss me normally on Sunday afternoons. Let's do a little 466 00:26:20,640 --> 00:26:23,280 Speaker 2: Sunday afternoon show. And I just it's just it's fun. 467 00:26:23,359 --> 00:26:26,840 Speaker 2: I love doing it. I'm out this weekend doing a 468 00:26:26,840 --> 00:26:30,600 Speaker 2: little traveling. I'll be raking leaves, so going to the 469 00:26:30,600 --> 00:26:33,800 Speaker 2: Great White North to rake some leaves this weekend, so 470 00:26:33,880 --> 00:26:36,320 Speaker 2: I will not be here, but we'll get a chance 471 00:26:36,359 --> 00:26:38,760 Speaker 2: to catch up with you soon enough. So thank you 472 00:26:38,800 --> 00:26:41,080 Speaker 2: so much for making us a part of your evening. 473 00:26:42,160 --> 00:26:45,360 Speaker 2: Could not could not be more honored that you would 474 00:26:45,440 --> 00:26:48,960 Speaker 2: choose Kfie, especially when I'm on it. That's that's great. 475 00:26:49,359 --> 00:26:52,800 Speaker 2: So the city of Miami, Miami is piloting Actually it's not. 476 00:26:52,880 --> 00:26:56,960 Speaker 2: It's Miami. Miami is a city in Missouri. Did you 477 00:26:57,000 --> 00:27:00,480 Speaker 2: know that? It's true? Miami is piloting a new autonomous 478 00:27:00,520 --> 00:27:05,000 Speaker 2: police SUV that can launch surveillance drones mid patrol. So 479 00:27:05,040 --> 00:27:11,359 Speaker 2: I want you to think, uh, weymo with drone launching capabilities. 480 00:27:11,720 --> 00:27:17,520 Speaker 2: We are officially living in sci fi world. In fact, 481 00:27:17,560 --> 00:27:20,200 Speaker 2: I think Mark, you were mocking something yesterday about AI 482 00:27:20,359 --> 00:27:23,560 Speaker 2: doing things that and you were like, okay, sure, you 483 00:27:23,600 --> 00:27:26,080 Speaker 2: know you can't make it. No, no, no, we're catching up 484 00:27:26,080 --> 00:27:28,119 Speaker 2: to what sci fi was predicting years ago, in the 485 00:27:28,160 --> 00:27:30,320 Speaker 2: same way that we finally caught up to many of 486 00:27:30,359 --> 00:27:35,320 Speaker 2: the different predictions from Star Trek. There wasn't a question 487 00:27:35,359 --> 00:27:39,480 Speaker 2: of whether or not we'd have handheld communication devices that 488 00:27:39,520 --> 00:27:42,920 Speaker 2: flip open. This is a question of when and we do. 489 00:27:43,680 --> 00:27:47,280 Speaker 2: In the same way, RoboCop is coming to life. Now, 490 00:27:47,359 --> 00:27:52,000 Speaker 2: we've got autonomous police SUVs. So think weimo that can 491 00:27:52,080 --> 00:27:57,000 Speaker 2: launch surveillance drones while they're driving. Okay, The vehicle is 492 00:27:57,040 --> 00:28:00,560 Speaker 2: designed to operate without a human driver deploy the flying 493 00:28:00,560 --> 00:28:03,720 Speaker 2: cameras to monitor public spaces. The city claims it's a 494 00:28:03,800 --> 00:28:06,600 Speaker 2: leap forward in public safety and emergency use. Civil liberties 495 00:28:06,600 --> 00:28:10,240 Speaker 2: groups though I don't like it. They say the tech 496 00:28:10,280 --> 00:28:17,879 Speaker 2: will normalize mass surveillance and erode privacy rights. Since when 497 00:28:19,080 --> 00:28:25,439 Speaker 2: has in society a police state every roaded privacy rights? 498 00:28:26,920 --> 00:28:33,080 Speaker 2: After all, as as the smartest people among us say, 499 00:28:34,240 --> 00:28:36,480 Speaker 2: what do you got to hide? Right? 500 00:28:37,400 --> 00:28:41,280 Speaker 3: I mean, if you're not doing anything wrong, what do 501 00:28:41,320 --> 00:28:47,400 Speaker 3: you got to hide? Fourth amendmentists that you'll wasted time. 502 00:28:48,000 --> 00:28:50,200 Speaker 3: Just focus on the second. That's the only one cares 503 00:28:50,240 --> 00:28:54,120 Speaker 3: about that. That's the only amendment that counts. What do 504 00:28:54,160 --> 00:28:55,120 Speaker 3: you got to hide? 505 00:28:56,240 --> 00:28:58,320 Speaker 2: The drought equipped suv is part of a broader push 506 00:28:58,360 --> 00:29:02,120 Speaker 2: to automate law enforcement. What could go wrong? It does 507 00:29:02,200 --> 00:29:05,560 Speaker 2: raise questions about accountability biased in the future of policing. 508 00:29:05,680 --> 00:29:12,240 Speaker 2: So I guess my question is if something goes awry, 509 00:29:13,560 --> 00:29:15,360 Speaker 2: and let's say the drone is doing things that it's 510 00:29:15,400 --> 00:29:18,000 Speaker 2: not supposed to because it's decided that it needs to 511 00:29:18,040 --> 00:29:21,880 Speaker 2: follow you, because it's following some algorithms, some protocol, some 512 00:29:21,880 --> 00:29:25,239 Speaker 2: some line of code that told it this was a 513 00:29:25,280 --> 00:29:28,760 Speaker 2: priority over protecting someone's privacy. What happens when the drone 514 00:29:29,040 --> 00:29:31,560 Speaker 2: starts flying over your bathroom window while you're trying to 515 00:29:31,560 --> 00:29:34,880 Speaker 2: take a shower because it sees a mysterious figure in 516 00:29:34,920 --> 00:29:37,280 Speaker 2: a room that shouldn't between the hours of nine pm 517 00:29:37,320 --> 00:29:40,360 Speaker 2: and one am have any emotion in it. How do 518 00:29:40,400 --> 00:29:44,120 Speaker 2: you hold that robot accountable? If a drone violates your rights? 519 00:29:45,440 --> 00:29:48,920 Speaker 2: Who do you see? You sue the city? But are 520 00:29:48,920 --> 00:29:50,640 Speaker 2: we going to give that drone the same kind of 521 00:29:52,520 --> 00:29:55,640 Speaker 2: what do they call it? Qualified immunity? I was looking 522 00:29:55,640 --> 00:29:58,120 Speaker 2: for you. I always think of it as the license 523 00:29:58,160 --> 00:30:03,120 Speaker 2: to badge who do you? Does the drone get qualified immunity? 524 00:30:04,200 --> 00:30:05,920 Speaker 2: And I said this before when we were talking about 525 00:30:05,920 --> 00:30:08,560 Speaker 2: automation AI yesterday, I said, there is no steak in 526 00:30:08,600 --> 00:30:11,720 Speaker 2: the game for the machines. There is steak in the 527 00:30:11,760 --> 00:30:14,040 Speaker 2: game when someone else is driving on the road. We 528 00:30:14,080 --> 00:30:16,520 Speaker 2: get angry when we see Weimo doing something crazy, even 529 00:30:16,560 --> 00:30:19,080 Speaker 2: though statistically it's far less likely to get into an action. 530 00:30:19,240 --> 00:30:21,520 Speaker 2: We get angry because that weimo has no steak in 531 00:30:21,560 --> 00:30:24,480 Speaker 2: the games is no threat. It's only a threat to you. 532 00:30:24,680 --> 00:30:26,480 Speaker 2: It is not a threat to itself because it is 533 00:30:26,520 --> 00:30:31,120 Speaker 2: not syndient. As a result, the drones don't care about 534 00:30:31,160 --> 00:30:33,320 Speaker 2: your civil liberties. They don't care about your civil rights. 535 00:30:33,360 --> 00:30:37,280 Speaker 2: It has nothing to lose by violating them. There's no 536 00:30:38,000 --> 00:30:41,880 Speaker 2: steak in the game. All right, I have a great night. 537 00:30:41,960 --> 00:30:44,400 Speaker 2: Nora is up next. Mark. I love you, pal. I 538 00:30:44,920 --> 00:30:46,560 Speaker 2: love doing the show with you. I just do. You're 539 00:30:46,560 --> 00:30:49,160 Speaker 2: gonna get me emotional. I just do. I love to 540 00:30:49,160 --> 00:30:53,000 Speaker 2: make you cry too. That's my favorite party. And Tony 541 00:30:53,120 --> 00:30:54,720 Speaker 2: is like the coolest guy to hang out. Tony is 542 00:30:54,760 --> 00:30:56,640 Speaker 2: the guy you want at every party because it's like 543 00:30:56,960 --> 00:30:59,200 Speaker 2: Tony's such a quirky dude. Well, as long as the 544 00:30:59,240 --> 00:31:01,320 Speaker 2: party is at his I want to go to house. 545 00:31:01,560 --> 00:31:03,080 Speaker 2: I want to go to his house and hang out. Yeah, 546 00:31:03,120 --> 00:31:04,680 Speaker 2: we do. We have to do that. He's like the 547 00:31:04,920 --> 00:31:06,959 Speaker 2: He's like the funnest guy to be around. He's just 548 00:31:07,400 --> 00:31:10,200 Speaker 2: and not like not like pretentious or like, hey, but 549 00:31:10,440 --> 00:31:13,880 Speaker 2: I'm cool. No, he's just he's just fun. And then Richie, 550 00:31:14,400 --> 00:31:16,200 Speaker 2: he's been working from home. But what you guys can't see, 551 00:31:16,240 --> 00:31:18,360 Speaker 2: he's been sending me audio all night long. He's been 552 00:31:18,400 --> 00:31:20,400 Speaker 2: just busting his tail behind the scenes. Just great people 553 00:31:20,440 --> 00:31:21,920 Speaker 2: all the way around here at KFI. I love you 554 00:31:21,920 --> 00:31:23,320 Speaker 2: guys to death. Can't wait till the next time. Have 555 00:31:23,360 --> 00:31:25,920 Speaker 2: a great night. Chris Merril CAFI AM six forty Live 556 00:31:25,960 --> 00:31:27,080 Speaker 2: everywhere on the iHeartRadio 557 00:31:27,080 --> 00:31:30,160 Speaker 1: App, KFI AM six forty on demand