1 00:00:00,360 --> 00:00:00,880 Speaker 1: It's camp. 2 00:00:00,920 --> 00:00:03,960 Speaker 2: I am six forty and you're listening to The Conway 3 00:00:04,040 --> 00:00:06,640 Speaker 2: Show on demand on the iHeartRadio. 4 00:00:06,760 --> 00:00:12,480 Speaker 3: Appy at your ass, Timmy. 5 00:00:12,640 --> 00:00:16,320 Speaker 1: Wow, Timmy, he's a little lamb. 6 00:00:16,440 --> 00:00:19,960 Speaker 3: It's a lot too. He's always having such a lot 7 00:00:19,960 --> 00:00:20,360 Speaker 3: of fun. 8 00:00:20,440 --> 00:00:32,040 Speaker 1: A lot of fun, Timmy. Yeah time, Dan jall tight. 9 00:00:32,520 --> 00:00:37,200 Speaker 1: It is the Conway Show. I started in radio because 10 00:00:37,240 --> 00:00:39,960 Speaker 1: of a guy named Larry Wax and Eric Hastler, the 11 00:00:40,040 --> 00:00:44,320 Speaker 1: regular guys over at kls X, and I stayed in 12 00:00:44,360 --> 00:00:48,000 Speaker 1: touch with both of them over the years. Larry is 13 00:00:48,560 --> 00:00:52,800 Speaker 1: living in Atlanta or outside of Atlanta doing his podcast 14 00:00:52,960 --> 00:00:55,520 Speaker 1: and and you know, I'm trying to get the old 15 00:00:55,720 --> 00:01:01,600 Speaker 1: regular Guys podcast rolling again, and is also in Atlanta. 16 00:01:01,680 --> 00:01:04,960 Speaker 1: But Eric's on on a station that he's kicking ass 17 00:01:05,080 --> 00:01:09,000 Speaker 1: and doing really well in Atlanta Afternoon Drive in Atlanta, 18 00:01:09,040 --> 00:01:11,960 Speaker 1: and he's with us. Eric, how are you, Bob Conway? 19 00:01:12,880 --> 00:01:13,080 Speaker 3: Man? 20 00:01:13,120 --> 00:01:16,319 Speaker 1: It sounds like you're next door. Those twenty five emails 21 00:01:16,360 --> 00:01:19,080 Speaker 1: and text that went back and forth yesterday really paid off. 22 00:01:19,440 --> 00:01:20,399 Speaker 3: I knew what I was doing. 23 00:01:20,600 --> 00:01:21,440 Speaker 1: Do we try to do this? 24 00:01:21,480 --> 00:01:23,680 Speaker 3: About a year or so ago, my cell signal was 25 00:01:23,720 --> 00:01:27,120 Speaker 3: so bad, and you just you were so unceremonious you 26 00:01:27,160 --> 00:01:28,920 Speaker 3: were just like, get out of here, and I thought, 27 00:01:28,920 --> 00:01:31,479 Speaker 3: I'm never gonna I'm never gonna talk to this guy again. 28 00:01:31,959 --> 00:01:34,800 Speaker 3: So I'm happy to be. I wanted to make. 29 00:01:34,680 --> 00:01:35,720 Speaker 1: Sure we had a good connection. 30 00:01:35,880 --> 00:01:36,199 Speaker 3: Buddy. 31 00:01:36,560 --> 00:01:39,240 Speaker 1: I am so proud of you. You are number one 32 00:01:39,280 --> 00:01:39,880 Speaker 1: in Atlanta. 33 00:01:40,720 --> 00:01:43,160 Speaker 3: Uh well, if that's what if that's that's what people 34 00:01:43,160 --> 00:01:44,679 Speaker 3: tell me. I don't you know. I don't pay attention 35 00:01:44,720 --> 00:01:46,200 Speaker 3: to that kind of I know, we know we do. 36 00:01:46,440 --> 00:01:48,480 Speaker 3: We do a show that I enjoy doing right and 37 00:01:48,520 --> 00:01:49,360 Speaker 3: it's a lot of fun. 38 00:01:49,520 --> 00:01:51,280 Speaker 1: And who do you do it? Who's your partner? 39 00:01:51,640 --> 00:01:54,120 Speaker 3: Uh? Well, we I have a called the Doctrinaire's the 40 00:01:54,160 --> 00:01:56,600 Speaker 3: von Hessler Doctrine. So I've got really great people. I've 41 00:01:56,640 --> 00:02:00,760 Speaker 3: got two unbelievable people who can do voices, Tim Andrews 42 00:02:00,760 --> 00:02:05,360 Speaker 3: and Autumn Fisher, producer Jerry Jamamoto, George Clark behind the glass, 43 00:02:05,400 --> 00:02:08,680 Speaker 3: and we improvised the whole show. We never have guests, 44 00:02:08,680 --> 00:02:11,480 Speaker 3: We don't take any calls. It's four hours. We just 45 00:02:11,639 --> 00:02:14,959 Speaker 3: improvised the whole thing and usually it's a blast, and 46 00:02:15,040 --> 00:02:16,440 Speaker 3: every once in a while it stinks, you know, And 47 00:02:16,440 --> 00:02:17,440 Speaker 3: that's the way it goes. Buddy. 48 00:02:17,560 --> 00:02:19,799 Speaker 1: I remember listening to before we even met. I would 49 00:02:19,880 --> 00:02:22,799 Speaker 1: listen to every one of your shows. And the longer 50 00:02:22,840 --> 00:02:25,639 Speaker 1: you guys came on right after Stern, and the longer 51 00:02:25,919 --> 00:02:29,280 Speaker 1: Stern went, the angrier Larry would be when he came 52 00:02:29,320 --> 00:02:29,760 Speaker 1: on the air. 53 00:02:30,320 --> 00:02:33,400 Speaker 3: That was a bizarre time because we actually, because people remember, 54 00:02:33,760 --> 00:02:36,799 Speaker 3: Stern would sometimes be three if he was doing the movie, 55 00:02:36,840 --> 00:02:39,120 Speaker 3: you would be short. And then sometimes he'd go like 56 00:02:39,200 --> 00:02:40,800 Speaker 3: five hours, so we would have to show up at 57 00:02:40,840 --> 00:02:43,400 Speaker 3: like eight in the morning and just wait, and sometimes 58 00:02:43,400 --> 00:02:45,359 Speaker 3: we would do a four hour show. Sometimes we do 59 00:02:45,400 --> 00:02:48,120 Speaker 3: a two hour show. It's good training, you know. It 60 00:02:48,240 --> 00:02:50,360 Speaker 3: was great though. I met a lot of great people 61 00:02:50,440 --> 00:02:53,880 Speaker 3: through you and Larry. Malibu Dan still one of my 62 00:02:54,080 --> 00:02:56,840 Speaker 3: better one of my best friends. Shout out. 63 00:02:56,880 --> 00:02:58,760 Speaker 1: I don't know, is he doing great. I hope he's 64 00:02:58,800 --> 00:03:02,520 Speaker 1: doing great. He's selling estate in Orange County and kicking ass. 65 00:03:02,760 --> 00:03:02,919 Speaker 3: Well. 66 00:03:02,960 --> 00:03:06,080 Speaker 1: Good for him if he's listening. Hello Malibu, Dan, love you. 67 00:03:06,919 --> 00:03:09,720 Speaker 1: I We just had another guy in yesterday from The 68 00:03:09,760 --> 00:03:13,040 Speaker 1: Woody Show, Sea Bass from The Woody Show who used 69 00:03:13,040 --> 00:03:13,960 Speaker 1: to work on your show. 70 00:03:14,440 --> 00:03:18,200 Speaker 3: Yes he did. He was the producer when well at 71 00:03:18,200 --> 00:03:19,960 Speaker 3: the very end for me with the regular guys, he 72 00:03:20,040 --> 00:03:21,760 Speaker 3: was he was the producer of the last station that 73 00:03:21,800 --> 00:03:23,840 Speaker 3: we were at where I was part of the regular guys, 74 00:03:23,960 --> 00:03:25,519 Speaker 3: it went on a little bit without. 75 00:03:25,200 --> 00:03:28,200 Speaker 1: Me, okay, and there seems to be some bitterness. I 76 00:03:28,360 --> 00:03:28,600 Speaker 1: like that. 77 00:03:28,880 --> 00:03:31,079 Speaker 3: No, no, no, no, there's no bit of carrying our friends. 78 00:03:31,080 --> 00:03:32,359 Speaker 3: We have lunch every once in a while. 79 00:03:32,960 --> 00:03:35,560 Speaker 1: I like that. But Sea Bass has become a huge 80 00:03:35,560 --> 00:03:39,560 Speaker 1: phenom on YouTube. He has, you know, over like nearly 81 00:03:39,600 --> 00:03:42,520 Speaker 1: six hundred and fifty thousand subscribers on that cart narks 82 00:03:42,560 --> 00:03:43,240 Speaker 1: thing that he does. 83 00:03:43,520 --> 00:03:47,880 Speaker 3: Yeah, I know, I've never seen it, but listen is it? 84 00:03:48,120 --> 00:03:50,920 Speaker 3: So what does he if? You don't shame people? 85 00:03:51,080 --> 00:03:54,680 Speaker 1: Yes? Yes, yes, And he gets into some radical arguments 86 00:03:54,680 --> 00:03:57,400 Speaker 1: with people. All he's asking people to do is put 87 00:03:57,480 --> 00:03:59,960 Speaker 1: their cart back in the cart corral, and they refuse 88 00:04:00,120 --> 00:04:00,520 Speaker 1: to do it. 89 00:04:01,240 --> 00:04:03,480 Speaker 3: Every time I see him, all he relates to me 90 00:04:03,760 --> 00:04:06,600 Speaker 3: is that anytime he brings me up to Adam Carola, 91 00:04:06,800 --> 00:04:07,960 Speaker 3: Corola just says. 92 00:04:07,920 --> 00:04:10,240 Speaker 1: And I don't really care for that guy at all. 93 00:04:10,600 --> 00:04:12,320 Speaker 3: This is what I found out. So the thing that 94 00:04:12,360 --> 00:04:15,320 Speaker 3: I found out most since leaving Los Angeles is that 95 00:04:15,360 --> 00:04:17,520 Speaker 3: Adam Carola was never impressed with me. 96 00:04:17,600 --> 00:04:21,479 Speaker 1: That's that's the one thing I've learned. I think that's wrong. 97 00:04:21,560 --> 00:04:23,600 Speaker 1: I think you would find the exact opposite. 98 00:04:23,839 --> 00:04:24,039 Speaker 3: You know. 99 00:04:24,120 --> 00:04:27,240 Speaker 1: I also loved when Larry would say something stupid and 100 00:04:27,279 --> 00:04:29,960 Speaker 1: you had the greatest Oh, Larry. 101 00:04:31,160 --> 00:04:33,360 Speaker 3: That was my Hey, that was my calling card. That's 102 00:04:33,360 --> 00:04:36,279 Speaker 3: all I got. People told me, they said, nobody says 103 00:04:36,360 --> 00:04:38,560 Speaker 3: those two words better than you. And that's how I 104 00:04:38,600 --> 00:04:40,080 Speaker 3: built an empire on that. You know. 105 00:04:40,640 --> 00:04:42,599 Speaker 1: But wait, so let's take it. Let's go back. So 106 00:04:42,960 --> 00:04:43,960 Speaker 1: you guys, by the. 107 00:04:43,920 --> 00:04:45,599 Speaker 3: Way, before you go back, I don't mean to interrupt 108 00:04:45,640 --> 00:04:47,960 Speaker 3: you because this is your show. Sure, this was nearly 109 00:04:48,120 --> 00:04:51,440 Speaker 3: thirty years ago. I can't believe that anybody would even remember, 110 00:04:51,760 --> 00:04:54,000 Speaker 3: but I know we were part of it. But I can't. 111 00:04:54,160 --> 00:04:56,359 Speaker 1: I get people all the time asking about you guys 112 00:04:56,400 --> 00:04:56,960 Speaker 1: all the time. 113 00:04:57,320 --> 00:04:58,720 Speaker 3: Yes, that makes me feel good. 114 00:04:58,800 --> 00:05:01,640 Speaker 1: Rus I'd never have young, But no, it's absolutely true, 115 00:05:02,320 --> 00:05:05,320 Speaker 1: and it was. You know, people remember where they were 116 00:05:05,440 --> 00:05:08,120 Speaker 1: when they heard certain things. You know, like when Larry 117 00:05:08,200 --> 00:05:10,799 Speaker 1: got suspended. Didn't you guys both get suspended. 118 00:05:11,560 --> 00:05:13,960 Speaker 3: Yeah, we were a package deal. So anytime, yeah, we 119 00:05:14,080 --> 00:05:17,400 Speaker 3: got suspended together. When he did somebody, he yelled, he 120 00:05:17,480 --> 00:05:19,680 Speaker 3: yelled at somebody. I think he swore somebody that it 121 00:05:19,800 --> 00:05:21,760 Speaker 3: was a caller or something. Is that how that happened. 122 00:05:21,839 --> 00:05:23,960 Speaker 1: Yeah, and then there was like a porno chick involved 123 00:05:24,000 --> 00:05:28,000 Speaker 1: with one another's suspension or another crazy the Oh that 124 00:05:28,040 --> 00:05:29,159 Speaker 1: was the end. No, I didn't know that. 125 00:05:29,560 --> 00:05:31,039 Speaker 3: Yeah, that was the end. And then we quit on 126 00:05:31,120 --> 00:05:34,560 Speaker 3: the air. We called, as I recall, we called a 127 00:05:34,839 --> 00:05:38,239 Speaker 3: one of those hot lines. We can't say that word anymore, 128 00:05:38,320 --> 00:05:42,599 Speaker 3: unlived hot lines. Do you call? And we we said, look, 129 00:05:42,600 --> 00:05:44,040 Speaker 3: we don't know what to do anymore, we think we 130 00:05:44,120 --> 00:05:46,400 Speaker 3: might want should we quit our jobs? And she told 131 00:05:46,480 --> 00:05:48,520 Speaker 3: us to quit, and so we quit on the air 132 00:05:49,040 --> 00:05:52,080 Speaker 3: and we thought it was a bit, but management didn't agree. 133 00:05:52,200 --> 00:05:53,400 Speaker 3: That was it. We were done. 134 00:05:53,480 --> 00:05:57,000 Speaker 1: My favorite was when you guys, when you called into 135 00:05:57,000 --> 00:05:59,240 Speaker 1: the Howard Stern Show and had a huge fight with him. 136 00:05:59,560 --> 00:06:02,120 Speaker 1: That was that was awesome. That was great radio. 137 00:06:02,520 --> 00:06:05,480 Speaker 3: Yeah, that was once we got here and and it 138 00:06:05,640 --> 00:06:07,880 Speaker 3: was the great thing about that was that we we 139 00:06:07,920 --> 00:06:11,799 Speaker 3: did it on the most hackneyed premise you could imagine. 140 00:06:11,839 --> 00:06:14,440 Speaker 3: That's how we pulled him in. I believe the Braves 141 00:06:14,440 --> 00:06:17,040 Speaker 3: are playing the Yankees or something. And I challenged him 142 00:06:17,400 --> 00:06:20,000 Speaker 3: and we said, hey, if the if the Braves, when 143 00:06:20,200 --> 00:06:22,720 Speaker 3: you have to send us New York stakes and we 144 00:06:22,760 --> 00:06:25,159 Speaker 3: when we sent you a cret of peaches, and you 145 00:06:25,360 --> 00:06:27,040 Speaker 3: just knew he was gonna walk into that. 146 00:06:27,000 --> 00:06:29,800 Speaker 1: And tell us with jerks feeler, and then you went 147 00:06:29,839 --> 00:06:32,840 Speaker 1: after him too. You're like, oh, you're like I remember 148 00:06:32,920 --> 00:06:34,760 Speaker 1: Larry going, how's your show? How's your show? 149 00:06:34,800 --> 00:06:34,960 Speaker 4: Bro? 150 00:06:35,200 --> 00:06:36,559 Speaker 1: How's your show? How's your show? 151 00:06:36,600 --> 00:06:39,720 Speaker 3: Bro? Yeah? I thought I'm not just gonna sit here 152 00:06:39,720 --> 00:06:41,560 Speaker 3: and take you kind of know, I mean, listen, you 153 00:06:41,640 --> 00:06:43,120 Speaker 3: kind of know the way he's gonna go with it, 154 00:06:43,160 --> 00:06:45,320 Speaker 3: which is you guys sat at my feet and now 155 00:06:45,400 --> 00:06:47,839 Speaker 3: you're doing my act. And I just kind of I 156 00:06:47,920 --> 00:06:49,599 Speaker 3: just kind of threw it at him and said, you know, 157 00:06:49,960 --> 00:06:51,520 Speaker 3: let me tell you what Howard's gonna tell you. And 158 00:06:51,560 --> 00:06:53,240 Speaker 3: he just basically said, yeah, that's the way it went. 159 00:06:54,000 --> 00:06:58,360 Speaker 1: I heard a rumor that and maybe you don't want 160 00:06:58,360 --> 00:07:00,679 Speaker 1: to talk about this. Maybe you've meant we'll talk about 161 00:07:00,680 --> 00:07:03,480 Speaker 1: anything really, Okay, all right, let me bring this up then, 162 00:07:03,560 --> 00:07:07,800 Speaker 1: because I heard that on the air you insulted Jimmy 163 00:07:07,880 --> 00:07:10,480 Speaker 1: Kimmel and then Jimmy Kimmel called you and yelled at 164 00:07:10,480 --> 00:07:11,520 Speaker 1: you at home. Is that true? 165 00:07:12,240 --> 00:07:15,440 Speaker 3: That's almost true. We went out for some reason, we 166 00:07:15,560 --> 00:07:17,640 Speaker 3: decided to go out to la as a team. It 167 00:07:17,680 --> 00:07:19,720 Speaker 3: wasn't for radio. Maybe it was like, hey, let's go 168 00:07:19,720 --> 00:07:22,760 Speaker 3: to la and we went to the Jimmy Kimmel Show 169 00:07:23,160 --> 00:07:25,840 Speaker 3: and then so we got back to Atlanta and the 170 00:07:25,880 --> 00:07:29,160 Speaker 3: guy who was doing sports I believe or no, no, no, no, 171 00:07:29,160 --> 00:07:31,720 Speaker 3: it was it was actually Tim Andrews, who works with 172 00:07:31,760 --> 00:07:34,720 Speaker 3: me now I believe, said something about his son. I 173 00:07:34,760 --> 00:07:38,440 Speaker 3: can't remember what it was, and nobody would cop to it, 174 00:07:38,480 --> 00:07:41,240 Speaker 3: and they just blamed me. I was sleeping at three 175 00:07:41,320 --> 00:07:43,880 Speaker 3: o'clock in the afternoon as I'm doing mornings. At three 176 00:07:43,880 --> 00:07:46,280 Speaker 3: o'clock in the afternoon, my wife wakes me up. Jimmy 177 00:07:46,360 --> 00:07:48,200 Speaker 3: Kimmel's on the phone. I haven't talked to Jimmy Kimmel 178 00:07:48,280 --> 00:07:50,560 Speaker 3: a million years at that point, and I'm like, what, 179 00:07:50,680 --> 00:07:54,480 Speaker 3: so I'm half asleep, and he just he starts yelling 180 00:07:54,480 --> 00:07:57,160 Speaker 3: at me that I said something, and I just thought, 181 00:07:57,240 --> 00:07:58,720 Speaker 3: I guess I got to take one for the team 182 00:07:58,760 --> 00:08:01,440 Speaker 3: here and say I just said, I don't know, I 183 00:08:01,440 --> 00:08:04,920 Speaker 3: don't remember seeing anything, but okay. That was one of 184 00:08:04,960 --> 00:08:08,800 Speaker 3: the strangest Just wake up. I was half asleep, and 185 00:08:08,920 --> 00:08:10,960 Speaker 3: Jimmy and then he said, and by the way, he's 186 00:08:10,960 --> 00:08:13,080 Speaker 3: a good kid. I'm like, Jimmy, I don't know anything 187 00:08:13,200 --> 00:08:18,400 Speaker 3: is your child very strange. I've had a strange life. 188 00:08:18,960 --> 00:08:21,240 Speaker 1: Tell people how they can listen to you, because you 189 00:08:21,240 --> 00:08:24,320 Speaker 1: know when they're not listening to K five exactly. 190 00:08:23,920 --> 00:08:25,840 Speaker 3: If you happen to not be, I mean, you should 191 00:08:25,840 --> 00:08:30,280 Speaker 3: always be listening to k WSB. We have a radio app. 192 00:08:30,280 --> 00:08:33,320 Speaker 3: Everybody has a radio app, and I'm on Eastern Time 193 00:08:33,440 --> 00:08:37,160 Speaker 3: from three pm until seven. They call that Drive Time. 194 00:08:37,360 --> 00:08:40,840 Speaker 3: Like I said, we improvised the whole show. We don't 195 00:08:40,840 --> 00:08:43,600 Speaker 3: do guests, and I don't take calls, but we just 196 00:08:43,720 --> 00:08:46,760 Speaker 3: improvised the whole thing. Run try to have it. This 197 00:08:46,800 --> 00:08:48,600 Speaker 3: is what we do to him. We try to have 198 00:08:49,000 --> 00:08:52,200 Speaker 3: we have as much fun as the twenty four hour 199 00:08:52,280 --> 00:08:53,360 Speaker 3: news cycle will allow. 200 00:08:53,520 --> 00:08:57,679 Speaker 1: Okay, all right, that sounds fair. I you know, in 201 00:08:58,120 --> 00:09:03,000 Speaker 1: Barrett's National poll of Who's number one for two years 202 00:09:03,000 --> 00:09:06,120 Speaker 1: in a row, I was number one in Afternoon Drive 203 00:09:06,440 --> 00:09:09,520 Speaker 1: and Brian Long, our program director, said, hey, if you 204 00:09:09,559 --> 00:09:11,600 Speaker 1: ever slip out of number one, we're gonna put you 205 00:09:11,640 --> 00:09:14,880 Speaker 1: back in the evenings. And because you became number one 206 00:09:14,960 --> 00:09:17,679 Speaker 1: or number two, I'm now back at six to ten. 207 00:09:17,800 --> 00:09:18,400 Speaker 1: So thank you. 208 00:09:18,720 --> 00:09:20,839 Speaker 3: I thought that was a joke. I appreciate me that 209 00:09:21,320 --> 00:09:24,520 Speaker 3: I thought that was a joke, and I apologize for that, 210 00:09:24,600 --> 00:09:26,720 Speaker 3: but I don't even know what that is. I don't 211 00:09:26,720 --> 00:09:28,720 Speaker 3: even know what that means. I don't know. I just 212 00:09:28,800 --> 00:09:31,240 Speaker 3: like we started out. We were in the seventies the 213 00:09:31,240 --> 00:09:33,480 Speaker 3: first time, and then we worked up and next thing, 214 00:09:33,480 --> 00:09:34,360 Speaker 3: I knew, that's. 215 00:09:34,280 --> 00:09:36,960 Speaker 1: Usually the mattering buddy. You should accept that as a 216 00:09:37,040 --> 00:09:39,880 Speaker 1: huge compliment. I accept it. I just don't know what 217 00:09:39,920 --> 00:09:42,160 Speaker 1: it means. Somebody's better to be two than three, right, 218 00:09:42,240 --> 00:09:44,280 Speaker 1: I'm happy. 219 00:09:44,400 --> 00:09:44,760 Speaker 3: I'm happy. 220 00:09:45,000 --> 00:09:47,199 Speaker 1: So we slipped a five and Brian's go, you're going 221 00:09:47,200 --> 00:09:48,800 Speaker 1: back to evens. You know the show sucks. 222 00:09:48,840 --> 00:09:51,959 Speaker 3: I what Conway, I think you're gonna have. I think 223 00:09:51,960 --> 00:09:55,120 Speaker 3: you're gonna have a great second half. I think you're 224 00:09:55,160 --> 00:09:55,640 Speaker 3: coming back. 225 00:09:55,640 --> 00:09:56,719 Speaker 1: All right, Can you stay with us? 226 00:09:57,080 --> 00:09:57,760 Speaker 3: Sure? Okay? 227 00:09:57,800 --> 00:10:00,040 Speaker 1: All right? Eric is with us. Eric Hastler from the 228 00:10:00,160 --> 00:10:03,360 Speaker 1: Regular Guys. A lot of people who listen to me 229 00:10:03,480 --> 00:10:06,160 Speaker 1: and Steckler, they know the Regular Guys. They haven't heard 230 00:10:06,200 --> 00:10:09,120 Speaker 1: from Eric in years and years, and it's nice to 231 00:10:09,160 --> 00:10:11,960 Speaker 1: catch up. And it's nice to be doing radio six 232 00:10:11,960 --> 00:10:13,800 Speaker 1: to ten pm where we can do more of this 233 00:10:14,280 --> 00:10:17,319 Speaker 1: and talk to old guys used to be in LA 234 00:10:17,440 --> 00:10:20,000 Speaker 1: Radio who people still think about all the time. Every 235 00:10:20,040 --> 00:10:23,640 Speaker 1: time we do a remote, every single time somebody brings 236 00:10:23,720 --> 00:10:27,040 Speaker 1: up the Regular Guys. They had a huge impact in 237 00:10:27,200 --> 00:10:29,560 Speaker 1: LA radio, and I had the audio of when they 238 00:10:29,600 --> 00:10:32,800 Speaker 1: went on with Sam Rubin when they were either suspended 239 00:10:32,880 --> 00:10:34,840 Speaker 1: or fired. To be able to hear Sam Rubin and 240 00:10:34,920 --> 00:10:36,880 Speaker 1: the regular guys, it's great audio. We'll play for you 241 00:10:36,920 --> 00:10:37,679 Speaker 1: next on kfive. 242 00:10:38,480 --> 00:10:42,200 Speaker 5: You're listening to Tim Conway Junior on demand from KFI 243 00:10:42,480 --> 00:10:43,079 Speaker 5: AM six. 244 00:10:43,240 --> 00:10:47,200 Speaker 1: Forty half of the Regular Guys used to be on 245 00:10:47,320 --> 00:10:49,360 Speaker 1: here in Los Angeles. On ninety seven point one, the 246 00:10:49,400 --> 00:10:52,600 Speaker 1: FM talk station is with us Eric Hassler. Always nice 247 00:10:52,600 --> 00:10:56,800 Speaker 1: to hear your voice, buddy, and huge success in Atlanta. 248 00:10:56,880 --> 00:10:59,920 Speaker 1: How long you've been doing the show solo without Larry 249 00:11:00,160 --> 00:11:00,960 Speaker 1: in Atlanta? 250 00:11:01,920 --> 00:11:05,480 Speaker 3: Well, I mean straight through this one, probably about seven 251 00:11:05,559 --> 00:11:08,400 Speaker 3: or eight years. I've been as about twelve years. But 252 00:11:08,440 --> 00:11:10,160 Speaker 3: you know I walked in there, did fill ins that 253 00:11:10,240 --> 00:11:12,480 Speaker 3: kind of thing, right, So yeah, I've been doing this 254 00:11:12,520 --> 00:11:15,320 Speaker 3: show about somewhere between seven or eight years time. I'm 255 00:11:15,360 --> 00:11:18,000 Speaker 3: not good with time, so I don't somewhere get that. 256 00:11:18,160 --> 00:11:20,599 Speaker 1: I love the audio. I should say the video, but 257 00:11:20,600 --> 00:11:23,199 Speaker 1: I'm gonna play the audio here of when you guys 258 00:11:23,200 --> 00:11:25,600 Speaker 1: were fired. You went out with Sam Rubin on KTLA. 259 00:11:26,200 --> 00:11:28,120 Speaker 1: God bless uh Samson. 260 00:11:29,080 --> 00:11:29,920 Speaker 3: He was a great dude. 261 00:11:30,120 --> 00:11:32,439 Speaker 1: He was a great, great guy. And you brought your 262 00:11:32,640 --> 00:11:35,640 Speaker 1: son out, Nick, who had to be who. 263 00:11:35,640 --> 00:11:38,880 Speaker 3: Just he just celebrated his forty first birthday. You gotta 264 00:11:38,920 --> 00:11:41,040 Speaker 3: be kidding me. I am not. That's how old we 265 00:11:41,080 --> 00:11:41,439 Speaker 3: are to. 266 00:11:41,559 --> 00:11:44,559 Speaker 1: Oh my god, he was like eleven or twelve? When, yes, 267 00:11:44,960 --> 00:11:47,200 Speaker 1: when here he is. I'm gonna play the audio here. 268 00:11:47,240 --> 00:11:51,319 Speaker 1: This is on KTLA, shortly after the regular guys were 269 00:11:51,360 --> 00:11:54,040 Speaker 1: fired from KLSX. I mean, look, let me just make 270 00:11:54,520 --> 00:11:56,439 Speaker 1: Nick come here, come here. This is Eric's boy there 271 00:11:56,440 --> 00:11:58,559 Speaker 1: he is. Look at this, Look at this young man. 272 00:11:58,600 --> 00:12:01,319 Speaker 1: Look at this Nick. Look the people, look at the camera. 273 00:12:01,440 --> 00:12:04,319 Speaker 1: Tell him, tell him, tell him. Go ahead, daddy, I'm hungry. 274 00:12:07,000 --> 00:12:10,000 Speaker 1: That such a great life, such a great read too. 275 00:12:10,520 --> 00:12:12,640 Speaker 1: I would say, I was gonna guess he's twenty one, 276 00:12:12,800 --> 00:12:14,440 Speaker 1: twenty two, he's forty one. 277 00:12:15,080 --> 00:12:18,400 Speaker 3: No, No, you're by the child Ian that was born 278 00:12:18,600 --> 00:12:20,559 Speaker 3: right after it. You know when we when we did 279 00:12:20,600 --> 00:12:22,680 Speaker 3: that and we quit on the air. I remember coming 280 00:12:22,760 --> 00:12:25,680 Speaker 3: home that day and as I was walking down the 281 00:12:25,720 --> 00:12:27,880 Speaker 3: steps back into my home, I saw my wife and 282 00:12:27,920 --> 00:12:31,240 Speaker 3: I was reminded, Oh, she's seven months pregnant. Well that 283 00:12:31,280 --> 00:12:34,360 Speaker 3: probably wasn't a good idea. And he just celebrated his 284 00:12:34,720 --> 00:12:38,320 Speaker 3: twenty eighth birthday, so okay, we're getting old to him again. 285 00:12:38,720 --> 00:12:41,120 Speaker 1: But you met, you know, like any time, like everyone's 286 00:12:41,160 --> 00:12:44,040 Speaker 1: been fired in radio, and you did the exact same thing. 287 00:12:44,080 --> 00:12:46,640 Speaker 1: And I did that. Everybody did you go home? And 288 00:12:46,679 --> 00:12:49,000 Speaker 1: you say, oh, I could probably get five hundred for 289 00:12:49,080 --> 00:12:51,120 Speaker 1: the couch. I could probably get two hundred for the TV. 290 00:12:51,720 --> 00:12:55,360 Speaker 1: You know, you just start, you know, downsizing immediately exactly. 291 00:12:55,360 --> 00:12:57,240 Speaker 3: Well, you know what I remember about that day, going 292 00:12:57,240 --> 00:13:00,720 Speaker 3: to kt LA that morning, and I couldn't have been 293 00:13:00,800 --> 00:13:03,240 Speaker 3: totally broke yet and it just happened. But I didn't 294 00:13:03,240 --> 00:13:05,319 Speaker 3: have any cash on me, and you know they send 295 00:13:05,360 --> 00:13:08,200 Speaker 3: they send limos. They sent a limo driver to pick 296 00:13:08,280 --> 00:13:10,760 Speaker 3: up me and my son, and the guy was so nice. 297 00:13:10,800 --> 00:13:13,120 Speaker 3: I remember he got the paper and he probably he 298 00:13:13,160 --> 00:13:15,560 Speaker 3: handed it to me the newspaper, remember those things. He 299 00:13:15,559 --> 00:13:19,520 Speaker 3: gave me the newspaper, and he was so nice to us, 300 00:13:19,800 --> 00:13:21,440 Speaker 3: took us all the way down there, and I'm thinking, 301 00:13:21,480 --> 00:13:24,520 Speaker 3: I have no money, I don't have the ability to 302 00:13:24,559 --> 00:13:27,320 Speaker 3: tip this guy, and I didn't say anything. So that 303 00:13:27,480 --> 00:13:29,679 Speaker 3: day I really enjoyed that day. It was. It was 304 00:13:29,720 --> 00:13:32,720 Speaker 3: a great hit at KTLA, but it ended poorly because 305 00:13:32,760 --> 00:13:34,880 Speaker 3: I said, hey man, I don't have any money to 306 00:13:34,920 --> 00:13:37,800 Speaker 3: tip you, and I I mean, the guy's just spent 307 00:13:37,840 --> 00:13:39,800 Speaker 3: what four hours doing this, and. 308 00:13:41,360 --> 00:13:43,640 Speaker 1: I still feel bad about that. Those things. 309 00:13:43,920 --> 00:13:46,760 Speaker 3: I still so if that guy's out there, if I 310 00:13:46,800 --> 00:13:48,839 Speaker 3: ever see you again, there's there's twenty bucks. There's twenty 311 00:13:48,840 --> 00:13:52,720 Speaker 3: bucks waiting for you, buddy. I wish you the most luck. 312 00:13:53,280 --> 00:13:57,959 Speaker 3: You and Larry were are probably the biggest reason why 313 00:13:58,400 --> 00:14:00,559 Speaker 3: I'm still in radio. You guys gave me a shot 314 00:14:00,600 --> 00:14:03,200 Speaker 3: there and nobody else did, and I will always always 315 00:14:03,320 --> 00:14:05,400 Speaker 3: be grateful for that. Well, I am proud of you 316 00:14:05,440 --> 00:14:08,040 Speaker 3: as well. Still go. I'm sorry I knocked you into nights, 317 00:14:08,080 --> 00:14:10,000 Speaker 3: but it sounds like you're enjoying it. You've got a 318 00:14:10,040 --> 00:14:12,800 Speaker 3: little more breathing room, a little more time hang out 319 00:14:12,840 --> 00:14:16,280 Speaker 3: with people. I'm doing what I can for you, Jim Conway. 320 00:14:16,040 --> 00:14:17,760 Speaker 1: I have more time to go to the racetractor in 321 00:14:17,800 --> 00:14:18,840 Speaker 1: the day, you know, which. 322 00:14:18,720 --> 00:14:20,800 Speaker 3: Is we're still cambling your life away. 323 00:14:20,680 --> 00:14:25,240 Speaker 1: Still going. Yeah, that sounded exactly like my wife exact tone. 324 00:14:26,000 --> 00:14:29,040 Speaker 3: I love you, man. Anybody that's out there that worked 325 00:14:29,040 --> 00:14:31,840 Speaker 3: with us and it's listening. I miss all of you guys. 326 00:14:31,880 --> 00:14:34,040 Speaker 3: You're great, and I hope everybody's doing well. 327 00:14:34,080 --> 00:14:35,920 Speaker 1: And when you come to town, please come in. You 328 00:14:35,960 --> 00:14:38,720 Speaker 1: know we we have you know, we're on six to ten. 329 00:14:38,760 --> 00:14:40,520 Speaker 1: We got four hours to Phil would love to sit 330 00:14:40,560 --> 00:14:42,160 Speaker 1: and talk about old radio for an hour. 331 00:14:42,320 --> 00:14:45,040 Speaker 3: I was gonna I was gonna come by in July 332 00:14:45,160 --> 00:14:47,080 Speaker 3: fourth and cause some trouble. But I heard the fire 333 00:14:47,160 --> 00:14:49,680 Speaker 3: chief last night, and I guess that's all the Yeah, 334 00:14:49,720 --> 00:14:52,120 Speaker 3: you're not allowed. That's exactly right, buddy. 335 00:14:52,240 --> 00:14:55,880 Speaker 1: Congratulations, great success, and please next time you're in La, 336 00:14:55,960 --> 00:14:59,480 Speaker 1: please come by absolutely. I will man miss you, I 337 00:14:59,520 --> 00:15:01,240 Speaker 1: love you. I'll talk to you soon. You bet say 338 00:15:01,240 --> 00:15:01,960 Speaker 1: how to your kids? 339 00:15:02,160 --> 00:15:02,720 Speaker 3: I will all right? 340 00:15:02,720 --> 00:15:06,160 Speaker 1: Thanks man, all right, there he goes Larry. I'm sorry, Larry, 341 00:15:06,480 --> 00:15:11,360 Speaker 1: Eric Hastler. But what a great team, the regular guys. 342 00:15:12,200 --> 00:15:14,360 Speaker 1: If you know they have that really catchy tune. I 343 00:15:14,400 --> 00:15:17,320 Speaker 1: can't find it online, but the regular guys, you know 344 00:15:17,480 --> 00:15:20,960 Speaker 1: song two great really smart, funny guys who are in 345 00:15:21,160 --> 00:15:24,640 Speaker 1: LA and really shaped radio for a long time coming 346 00:15:24,680 --> 00:15:27,000 Speaker 1: on after Howard Stern and I know there's a lot 347 00:15:27,040 --> 00:15:29,480 Speaker 1: of people listening right now who do remember the regular 348 00:15:29,480 --> 00:15:32,560 Speaker 1: guys because every time we do a remote, somebody asked 349 00:15:32,600 --> 00:15:35,280 Speaker 1: me about Larry and Eric. I mean, to have that 350 00:15:35,400 --> 00:15:39,720 Speaker 1: kind of impact on people where thirty years later people 351 00:15:39,760 --> 00:15:42,480 Speaker 1: are asking about them is pretty great. It's pretty great. 352 00:15:42,560 --> 00:15:44,960 Speaker 1: All Right, we're live, we'll come back. Dean Sharp is 353 00:15:44,960 --> 00:15:47,280 Speaker 1: gonna be with us the house whisper, another guy that 354 00:15:47,320 --> 00:15:47,840 Speaker 1: people love. 355 00:15:48,760 --> 00:15:52,400 Speaker 5: You're listening to Tim Conway Junior on demand from kf 356 00:15:52,440 --> 00:15:53,800 Speaker 5: I AM six forty. 357 00:15:55,400 --> 00:15:59,280 Speaker 1: Dean Sharp is on this station every Saturday six to 358 00:15:59,320 --> 00:16:02,960 Speaker 1: eight am, every Sunday nine am until noon. It's one 359 00:16:02,960 --> 00:16:05,400 Speaker 1: of the great shows in radio, not just on weekends 360 00:16:05,400 --> 00:16:07,760 Speaker 1: but in all of radio. And he joins us, Dean, 361 00:16:07,840 --> 00:16:11,520 Speaker 1: how you bob bringing the heat? Let's row. Hey, I 362 00:16:11,560 --> 00:16:13,240 Speaker 1: gotta ask you a couple of questions before we get 363 00:16:13,280 --> 00:16:16,520 Speaker 1: into us spring cleaning and the spring deal. I was 364 00:16:16,560 --> 00:16:20,760 Speaker 1: listening to Adam Corolla, who's also got a huge background 365 00:16:20,760 --> 00:16:24,000 Speaker 1: in construction, and he said, some of these homes that 366 00:16:24,040 --> 00:16:27,600 Speaker 1: they're going to build along pch on the ocean side, 367 00:16:28,000 --> 00:16:32,680 Speaker 1: they're going to spend three million dollars just on casons 368 00:16:32,760 --> 00:16:37,160 Speaker 1: and the and the foundation. That's incredible. Yeah, that's true. 369 00:16:37,640 --> 00:16:41,120 Speaker 4: Yeah, Wow, I'm now granted, you know, and now all 370 00:16:41,160 --> 00:16:43,040 Speaker 4: has to do with how many casons, how big the 371 00:16:43,040 --> 00:16:46,680 Speaker 4: home is? Sure, okay, but casons are not cheap. 372 00:16:46,880 --> 00:16:48,840 Speaker 1: They're not cheap. What is the process? How far do 373 00:16:48,840 --> 00:16:50,400 Speaker 1: you drill down? Do you drill down to bedrock? 374 00:16:50,600 --> 00:16:50,960 Speaker 3: You do it? 375 00:16:51,080 --> 00:16:51,320 Speaker 1: Yeah? 376 00:16:51,680 --> 00:16:54,120 Speaker 4: Which which depending on where you're at. I have a 377 00:16:54,120 --> 00:16:57,960 Speaker 4: little bit of experience with this in Malibu. Could be 378 00:16:58,000 --> 00:17:02,120 Speaker 4: anywhere from forty five to seventy five feet down. 379 00:17:02,280 --> 00:17:07,080 Speaker 1: Wow, seventy five feet Yeah, that's incredible. And you know, 380 00:17:07,119 --> 00:17:08,399 Speaker 1: I guess you know when you hit it, what does 381 00:17:08,440 --> 00:17:12,040 Speaker 1: a drill start to bust apart? No, no, no it doesn't. 382 00:17:12,080 --> 00:17:13,960 Speaker 1: But but yeah, you know when you hit it, you've 383 00:17:13,960 --> 00:17:17,640 Speaker 1: already here's the thing. It's already been calculated because your 384 00:17:17,720 --> 00:17:22,360 Speaker 1: soils analogy, your soils report analysis has already gone out. 385 00:17:22,560 --> 00:17:25,240 Speaker 1: They've already drilled down. They already know how deep bedrock is. 386 00:17:25,320 --> 00:17:27,720 Speaker 1: So we've already calculated the cost. We know how deep 387 00:17:27,720 --> 00:17:32,640 Speaker 1: we're drilling, and we just drilled down until we embed. Yeah, 388 00:17:32,680 --> 00:17:35,080 Speaker 1: it depends on the soils engineer. But you embed a 389 00:17:35,119 --> 00:17:37,520 Speaker 1: few feet into the bedrock, it kind of locks the 390 00:17:37,520 --> 00:17:39,920 Speaker 1: bottom of the case on in and boom, there you go. 391 00:17:40,080 --> 00:17:42,280 Speaker 4: And then that has to be filled with cement. Yeah, 392 00:17:42,359 --> 00:17:45,679 Speaker 4: cement and a lot of rebar coming up. And so 393 00:17:45,800 --> 00:17:49,440 Speaker 4: people sometimes think, gosh, that's just so perilous out there. 394 00:17:49,480 --> 00:17:54,280 Speaker 4: Here's the truth. You've got two sets of expensive homes 395 00:17:54,600 --> 00:17:55,200 Speaker 4: on the coast. 396 00:17:55,200 --> 00:17:56,720 Speaker 1: Out there on PCH. You got the. 397 00:17:56,680 --> 00:18:00,840 Speaker 4: Houses overhanging literally with water coming up underneath them at 398 00:18:00,920 --> 00:18:03,919 Speaker 4: high tide. They're sitting on cassons. And then on the 399 00:18:03,960 --> 00:18:07,840 Speaker 4: other side, on the land side of PCH, you've got 400 00:18:07,920 --> 00:18:10,600 Speaker 4: those houses way up on the cliffs that are crumbling. 401 00:18:11,000 --> 00:18:14,600 Speaker 4: Those houses far less safe to be in. If I 402 00:18:14,680 --> 00:18:16,760 Speaker 4: had to choose between the two, I'd be in the 403 00:18:16,800 --> 00:18:17,640 Speaker 4: ones sitting on. 404 00:18:17,600 --> 00:18:20,600 Speaker 1: The casons right on the water. Okay, well, no question again, 405 00:18:20,960 --> 00:18:22,800 Speaker 1: and I believe him. I'm just saying there's a lot 406 00:18:22,800 --> 00:18:25,240 Speaker 1: of cement. He said that the home that they're building, 407 00:18:25,280 --> 00:18:28,399 Speaker 1: there's only one home that's currently being built on PCH 408 00:18:28,480 --> 00:18:32,200 Speaker 1: on the ocean side, and they're calling for three thousand 409 00:18:32,800 --> 00:18:37,600 Speaker 1: yards of concrete. Yeah, got them, mighty, that's unbelievable. Yeah, 410 00:18:37,640 --> 00:18:40,159 Speaker 1: it's a lot, it's a lot, and the concrete of 411 00:18:40,320 --> 00:18:44,480 Speaker 1: that kind of concrete work can just you know, blow 412 00:18:44,840 --> 00:18:48,919 Speaker 1: every budget. Right, I've got a house in a thousand 413 00:18:48,960 --> 00:18:51,600 Speaker 1: oaks West Lake in which we're going to be building 414 00:18:51,640 --> 00:18:55,240 Speaker 1: a pool on a very on the edge of a slope. 415 00:18:55,600 --> 00:18:58,880 Speaker 1: And because of that, because pools are very heavy, we've 416 00:18:58,880 --> 00:19:02,639 Speaker 1: got to put casonsunderneath this pool. The pool itself would 417 00:19:02,680 --> 00:19:06,320 Speaker 1: normally cost this sized pool would probably cost about one 418 00:19:06,400 --> 00:19:08,760 Speaker 1: hundred and fifty one hundred and seventy five thousand dollars 419 00:19:08,840 --> 00:19:09,679 Speaker 1: to put this pool in. 420 00:19:10,480 --> 00:19:13,000 Speaker 4: Just double it. When we heard that we had we 421 00:19:13,480 --> 00:19:16,800 Speaker 4: just had to double the budget show for the caissons underneath. 422 00:19:16,960 --> 00:19:19,439 Speaker 1: Right, So when you're doing Kisson work and you know, 423 00:19:19,480 --> 00:19:22,080 Speaker 1: the guy comes out and tells you about, you know, 424 00:19:22,119 --> 00:19:24,280 Speaker 1: within two or three feet where the bed rock is, 425 00:19:24,680 --> 00:19:25,840 Speaker 1: and is he usually right? 426 00:19:26,480 --> 00:19:28,960 Speaker 4: Oh, he's right on the money? Really yeah, okay, on 427 00:19:29,000 --> 00:19:30,960 Speaker 4: the money. They've already drilled it. They've drilled it with 428 00:19:31,040 --> 00:19:33,480 Speaker 4: small bits core samples. 429 00:19:33,560 --> 00:19:35,199 Speaker 1: They know exactly where it's at. You know, because up 430 00:19:35,240 --> 00:19:38,159 Speaker 1: in Oregon and Washington, if you're out in the country 431 00:19:38,800 --> 00:19:40,440 Speaker 1: and you're up in the hills, you know, you don't 432 00:19:40,440 --> 00:19:43,760 Speaker 1: have city sewage, you don't have city water. They have 433 00:19:43,800 --> 00:19:47,000 Speaker 1: to drill water wells and those are always a crapshoot. 434 00:19:47,000 --> 00:19:48,840 Speaker 1: You could go one hundred and fifty feet and come 435 00:19:48,920 --> 00:19:51,439 Speaker 1: up with nothing, and you could go ten feet and 436 00:19:51,480 --> 00:19:53,560 Speaker 1: come up with great water. It's all, yeah, that's actually 437 00:19:53,880 --> 00:19:57,159 Speaker 1: that's that's because you don't know at what level. You know, 438 00:19:57,240 --> 00:20:00,199 Speaker 1: what kind of rock the water is migrating through. You 439 00:20:00,240 --> 00:20:04,040 Speaker 1: don't know what level the water is actually in that rock. Okay, 440 00:20:04,080 --> 00:20:06,359 Speaker 1: but when we're looking for bedrock, we know where the 441 00:20:06,440 --> 00:20:08,920 Speaker 1: rock is. That's all we're looking for, and and and 442 00:20:08,960 --> 00:20:11,560 Speaker 1: real quick, then we'll get into spring. I heard that 443 00:20:11,640 --> 00:20:15,520 Speaker 1: the that the new sort of norm to try to 444 00:20:15,520 --> 00:20:19,080 Speaker 1: prevent fires in those in those fire prone areas is 445 00:20:19,119 --> 00:20:24,159 Speaker 1: not to do crawl space space but slabs. Uh yeah, 446 00:20:24,200 --> 00:20:26,520 Speaker 1: I mean that's a lot of people are doing that. Yeah, 447 00:20:26,680 --> 00:20:28,320 Speaker 1: that you know. 448 00:20:28,400 --> 00:20:30,879 Speaker 4: Here's the thing, there are a lot of overreactions to 449 00:20:30,920 --> 00:20:33,520 Speaker 4: the fire. I'm gonna be honest with you as far 450 00:20:33,560 --> 00:20:36,080 Speaker 4: as what needs to be done to a house to 451 00:20:36,080 --> 00:20:38,000 Speaker 4: make it fire safe. A lot of people are choosing 452 00:20:38,080 --> 00:20:41,480 Speaker 4: to do slab as opposed to a crawl space, thinking 453 00:20:41,520 --> 00:20:44,360 Speaker 4: that the fire can whip up underneath the house. It's 454 00:20:44,480 --> 00:20:47,320 Speaker 4: very rare, it is, okay, okay, and there are ways 455 00:20:47,359 --> 00:20:47,840 Speaker 4: to stop it. 456 00:20:47,880 --> 00:20:48,160 Speaker 1: Again. 457 00:20:48,520 --> 00:20:51,719 Speaker 4: You've got inver proof vents on your crawl space. The 458 00:20:51,760 --> 00:20:55,480 Speaker 4: fire is not getting underneath the house. So you know, hey, 459 00:20:55,560 --> 00:20:58,400 Speaker 4: I'm not going to criticize anybody's choice for whatever house 460 00:20:58,440 --> 00:21:00,679 Speaker 4: they want to live in, but I'm just telling homeowners 461 00:21:00,680 --> 00:21:04,679 Speaker 4: in general, when a disaster happens to your home, we 462 00:21:04,720 --> 00:21:07,000 Speaker 4: should all wake up. We should take a serious look 463 00:21:07,080 --> 00:21:10,800 Speaker 4: at where, uh you know what, where where was the 464 00:21:10,840 --> 00:21:13,560 Speaker 4: weak spot? Okay, and how do we deal with that? 465 00:21:13,960 --> 00:21:16,920 Speaker 4: But to overreact and say things like, you know, we're 466 00:21:16,960 --> 00:21:20,000 Speaker 4: just gonna build this house underground in a bunker. Now 467 00:21:20,400 --> 00:21:23,600 Speaker 4: that's every house in La right, but does yeah. 468 00:21:23,400 --> 00:21:26,399 Speaker 1: That's nothing. That's historically what we do. We overreact to 469 00:21:26,440 --> 00:21:28,360 Speaker 1: every natural disaster. We do. 470 00:21:28,680 --> 00:21:31,639 Speaker 4: The pendulum swings big time, big time. You know, the 471 00:21:31,720 --> 00:21:35,240 Speaker 4: drought hit and every you know, the city, Oh my gosh, 472 00:21:35,400 --> 00:21:38,400 Speaker 4: I just wish I could go back. The city was telling, 473 00:21:38,440 --> 00:21:40,440 Speaker 4: you know, we'll give you money if you tear out 474 00:21:40,440 --> 00:21:44,360 Speaker 4: your lawn an artificial turf, and you know what's happening 475 00:21:44,400 --> 00:21:46,359 Speaker 4: now the city is like, oh, yeah, you know you 476 00:21:46,400 --> 00:21:48,840 Speaker 4: should probably take out that artificial turf and plant some 477 00:21:48,920 --> 00:21:51,600 Speaker 4: green grass because it makes everything cooler. 478 00:21:51,960 --> 00:21:54,800 Speaker 1: That's great. Yeah. So yeah, I remember when there was 479 00:21:55,280 --> 00:21:57,640 Speaker 1: you know, the energy shortage that you know, they're screaming 480 00:21:57,640 --> 00:22:00,200 Speaker 1: everybody's got to go windmills and solar and like, well, 481 00:22:00,280 --> 00:22:02,600 Speaker 1: let's calm down, you know, I think there's still you know, 482 00:22:02,920 --> 00:22:05,440 Speaker 1: some gas out there. All right, let's talk about spring. 483 00:22:05,880 --> 00:22:09,000 Speaker 1: Welcome to spring. It certainly hit us hard. We're actually 484 00:22:09,040 --> 00:22:10,879 Speaker 1: in winter right now for another couple of days, and 485 00:22:10,880 --> 00:22:12,280 Speaker 1: it's one hundred and seven degrees out. 486 00:22:12,640 --> 00:22:16,360 Speaker 4: Well, yeah, we're in winter for I think, if I'm 487 00:22:16,359 --> 00:22:19,639 Speaker 4: not mistaken, I think we're in winter for another like 488 00:22:20,960 --> 00:22:25,120 Speaker 4: twelve hours or something. Okay, all right, Okay, Tomorrow, March 489 00:22:25,240 --> 00:22:30,600 Speaker 4: twentieth seven, forty six am gone is the spring solstice. 490 00:22:30,800 --> 00:22:34,280 Speaker 4: So spring comes in tomorrow morning. There you go, And 491 00:22:34,280 --> 00:22:36,840 Speaker 4: and yeah, it doesn't change the fact that it's one 492 00:22:36,920 --> 00:22:40,320 Speaker 4: hundred and eighty seven degrees outside, like we've just skipped 493 00:22:40,400 --> 00:22:43,159 Speaker 4: right over it. So yeah, we we should. You know, 494 00:22:43,680 --> 00:22:47,200 Speaker 4: here's the thing we've It looks as though now we're 495 00:22:47,200 --> 00:22:49,840 Speaker 4: going to talk meteorology right now. It looks as though 496 00:22:50,040 --> 00:22:53,200 Speaker 4: there have been a lot of articles about meteorologists predicting 497 00:22:53,240 --> 00:22:55,560 Speaker 4: that we're we've moved out of the l Nina and 498 00:22:55,680 --> 00:22:59,960 Speaker 4: into what may be an intense, like normal and abnormally 499 00:23:00,080 --> 00:23:04,359 Speaker 4: intense El Nino year, which could mean this winter a 500 00:23:04,400 --> 00:23:07,840 Speaker 4: lot more rain and craziness, but before that a lot 501 00:23:07,880 --> 00:23:10,160 Speaker 4: more heat, both extremes, both extremes. 502 00:23:10,440 --> 00:23:13,360 Speaker 1: I do like spring. Doug Steckler's favorite poem. I think 503 00:23:13,400 --> 00:23:18,360 Speaker 1: he wrote this, spring is sprung the grasses, Riz tell 504 00:23:18,400 --> 00:23:21,200 Speaker 1: me where the flowers is? Yeah, and that doesn't really 505 00:23:21,200 --> 00:23:21,640 Speaker 1: make sense? 506 00:23:21,720 --> 00:23:22,040 Speaker 3: All right? 507 00:23:22,080 --> 00:23:24,040 Speaker 1: Hold one sec. Dean Sharp is with us. We'll come 508 00:23:24,040 --> 00:23:27,199 Speaker 1: back and talk about spring. Welcome to Spring. What you 509 00:23:27,240 --> 00:23:29,520 Speaker 1: need to do to get ready for spring and summer? 510 00:23:29,840 --> 00:23:32,800 Speaker 1: What does the yard look like? Less yards, more garden? 511 00:23:33,040 --> 00:23:35,640 Speaker 1: How many rooms in your garden? Windows and doors will 512 00:23:35,640 --> 00:23:38,480 Speaker 1: cover it all? Next with Dean Sharp. 513 00:23:39,320 --> 00:23:43,040 Speaker 5: You're listening to Tim Conway Junior on demand from KFI 514 00:23:43,320 --> 00:23:44,320 Speaker 5: AM six forty. 515 00:23:45,440 --> 00:23:49,240 Speaker 1: Dean Sharp is with us House Whisper every Saturday six 516 00:23:49,320 --> 00:23:54,680 Speaker 1: to eight am, every Sunday nine am until noon. You know, Dean, 517 00:23:54,880 --> 00:23:57,320 Speaker 1: you put something here on this on the cheat sheet 518 00:23:57,359 --> 00:24:01,480 Speaker 1: for this week. Welcome to Spring. Great view, capture it, 519 00:24:02,200 --> 00:24:05,639 Speaker 1: no view created. I think that could really change the 520 00:24:05,720 --> 00:24:08,960 Speaker 1: house more than almost anything you do. Yeah, I think 521 00:24:09,000 --> 00:24:11,320 Speaker 1: so too. I think so too. I've never heard that before. 522 00:24:11,440 --> 00:24:14,280 Speaker 1: It makes perfect sense. Yeah for you. Capture it. 523 00:24:14,640 --> 00:24:18,240 Speaker 4: Yeah, you've got here's the thing. Every house has one 524 00:24:18,240 --> 00:24:25,240 Speaker 4: of two views. You've either got a view or you don't, Okay, right, 525 00:24:26,480 --> 00:24:29,000 Speaker 4: that's with everything in life. Either you've got money or 526 00:24:29,040 --> 00:24:31,200 Speaker 4: you don't. Either you've got a great wife or you don't. 527 00:24:31,359 --> 00:24:31,560 Speaker 3: You know. 528 00:24:32,160 --> 00:24:35,919 Speaker 4: So so you know, we work with and there are problems, 529 00:24:36,240 --> 00:24:39,320 Speaker 4: especially when it comes to tract homes with both right, right, 530 00:24:39,359 --> 00:24:40,280 Speaker 4: I've been, I've been. 531 00:24:40,440 --> 00:24:41,120 Speaker 1: To tract home. 532 00:24:41,160 --> 00:24:44,359 Speaker 4: I was one, you know, a few weeks ago, sitting 533 00:24:44,440 --> 00:24:51,200 Speaker 4: up a beautiful knoll overlooking the entire valley below it, 534 00:24:51,600 --> 00:24:55,119 Speaker 4: and not a single damn window out that side of 535 00:24:55,160 --> 00:24:58,360 Speaker 4: the house. Because you know, again, tract homes aren't designed 536 00:24:58,400 --> 00:25:00,840 Speaker 4: with that thinking in mind. They you know, they PLoP 537 00:25:00,880 --> 00:25:04,520 Speaker 4: them down. So here's a situation where hey, that's the 538 00:25:04,640 --> 00:25:07,359 Speaker 4: money shot for this entire piece of property, and we 539 00:25:07,440 --> 00:25:10,679 Speaker 4: don't have any way to see it from inside the house. 540 00:25:10,760 --> 00:25:14,800 Speaker 4: So that was our first mission there right now. And 541 00:25:14,880 --> 00:25:18,120 Speaker 4: the opposite would be, like my house, I have zero view. 542 00:25:18,280 --> 00:25:22,440 Speaker 4: I'm just in sitting in the flats in a normal neighborhood, 543 00:25:22,440 --> 00:25:26,679 Speaker 4: surrounded by neighbors. Right, there's no expansive view. And so 544 00:25:26,960 --> 00:25:30,000 Speaker 4: in our situation, we got to create it. We got 545 00:25:30,040 --> 00:25:33,000 Speaker 4: to create what we see outside. And it doesn't take 546 00:25:33,440 --> 00:25:36,000 Speaker 4: tons of money, and it doesn't take lots of land 547 00:25:36,280 --> 00:25:38,719 Speaker 4: to create that view. Some of the views that we 548 00:25:38,800 --> 00:25:41,560 Speaker 4: create most successfully, or for people who are sitting in 549 00:25:41,600 --> 00:25:44,080 Speaker 4: their normal tracked home, they got a five yard or 550 00:25:44,119 --> 00:25:47,000 Speaker 4: five foot to sideyard, and they happen to have the 551 00:25:47,040 --> 00:25:50,840 Speaker 4: bedroom or the room with the windows that faces the sideyard, 552 00:25:50,880 --> 00:25:53,760 Speaker 4: so five feet away there's a block wall, cinder block wall, 553 00:25:53,840 --> 00:25:56,280 Speaker 4: or a wood fence or something. But here's the thing 554 00:25:56,320 --> 00:25:59,680 Speaker 4: that I remind my clients of. Hey, you remember when 555 00:25:59,680 --> 00:26:02,240 Speaker 4: you were in second grade when your teacher said, Hey, 556 00:26:02,280 --> 00:26:04,720 Speaker 4: you're gonna have to bring in a diorama next week. 557 00:26:04,760 --> 00:26:06,800 Speaker 4: It's a shoe box with a hole in it and 558 00:26:06,960 --> 00:26:10,640 Speaker 4: inside we want to see something theatrical. Well, that's exactly 559 00:26:10,720 --> 00:26:14,840 Speaker 4: the kind of thing that we can create just outside 560 00:26:15,000 --> 00:26:17,560 Speaker 4: those windows with quote unquote no view. 561 00:26:18,040 --> 00:26:18,200 Speaker 3: Right. 562 00:26:18,240 --> 00:26:21,520 Speaker 1: You know who's famous for that are cruise ships. You know, 563 00:26:21,760 --> 00:26:24,800 Speaker 1: when you have an outside cabin, you have a view. 564 00:26:25,119 --> 00:26:27,720 Speaker 1: But when you have an inside cabin, they created a view, 565 00:26:27,920 --> 00:26:31,000 Speaker 1: you know, with a light box behind a drape and 566 00:26:31,080 --> 00:26:33,280 Speaker 1: like a fake photo that you can barely see through 567 00:26:33,600 --> 00:26:35,400 Speaker 1: the drapes and you feel like you have a view. 568 00:26:36,000 --> 00:26:38,320 Speaker 4: Yeah, and you know what, there's just a a. There's 569 00:26:38,359 --> 00:26:41,040 Speaker 4: one hundred different ways to get creative about it. I 570 00:26:41,040 --> 00:26:42,959 Speaker 4: don't want to sound bougie when I say this, but 571 00:26:43,080 --> 00:26:44,959 Speaker 4: you know, Tina and I just got back from Paris. 572 00:26:45,200 --> 00:26:48,080 Speaker 1: Wow, kind of bougie. Uh okay. 573 00:26:48,920 --> 00:26:51,600 Speaker 4: So we ended our little European trip with a few 574 00:26:51,640 --> 00:26:54,480 Speaker 4: days in Paris. And as we were walking along these 575 00:26:54,520 --> 00:26:56,440 Speaker 4: tight streets in Paris, I looked up at one point 576 00:26:56,440 --> 00:26:58,840 Speaker 4: and I realized, Yeah, people live in that apartment up 577 00:26:58,840 --> 00:27:02,080 Speaker 4: there really don't have any view other than the side 578 00:27:02,119 --> 00:27:05,760 Speaker 4: of the building next to them. And somebody painted the 579 00:27:05,760 --> 00:27:08,600 Speaker 4: Mona Lisa on the side of this building, and so 580 00:27:08,720 --> 00:27:10,960 Speaker 4: now they look out their windows and you see Mona 581 00:27:11,000 --> 00:27:14,480 Speaker 4: Lisa like peering in the windows of your flat, which 582 00:27:14,520 --> 00:27:17,000 Speaker 4: is the coolest thing in the world. So the point 583 00:27:17,080 --> 00:27:19,640 Speaker 4: is there's always an answer. Let me ask you a question. 584 00:27:19,680 --> 00:27:23,720 Speaker 4: Dean Sharp's with us a house whisper. I heard that 585 00:27:24,240 --> 00:27:27,000 Speaker 4: the you know, the old rule of thumb is windows 586 00:27:27,040 --> 00:27:31,480 Speaker 4: and doors you know cost you money with air conditioning 587 00:27:31,520 --> 00:27:35,280 Speaker 4: and heating. But now with brand new, you know, very 588 00:27:35,320 --> 00:27:39,320 Speaker 4: well built windows, they're insulated. More windows and doors save 589 00:27:39,400 --> 00:27:43,480 Speaker 4: you money. Well, they certainly can. Yeah, they can. 590 00:27:43,760 --> 00:27:43,960 Speaker 3: See. 591 00:27:43,960 --> 00:27:48,000 Speaker 4: Here's the thing, it's not about some brute fact that like, 592 00:27:48,040 --> 00:27:49,840 Speaker 4: if you've got too much glass in your house, you're 593 00:27:49,840 --> 00:27:50,679 Speaker 4: gonna lose energy. 594 00:27:50,920 --> 00:27:51,639 Speaker 1: The truth is. 595 00:27:51,800 --> 00:27:56,480 Speaker 4: The truth is, yeah, a window, even a triple paned window, 596 00:27:56,800 --> 00:28:00,359 Speaker 4: sitting right next to a fully well insulated wall, is 597 00:28:00,520 --> 00:28:04,159 Speaker 4: not as well insulated. Okay, it's not holding in the 598 00:28:04,200 --> 00:28:07,280 Speaker 4: heat or keeping out the cold quite as well. But 599 00:28:08,880 --> 00:28:12,399 Speaker 4: that window is also a means of sunlight coming in 600 00:28:12,440 --> 00:28:15,520 Speaker 4: the house, which means on cold days, if it's facing 601 00:28:15,520 --> 00:28:18,560 Speaker 4: in the right direction, it can actually invite heat into 602 00:28:18,680 --> 00:28:22,639 Speaker 4: a room. Okay, And so there are ways of positioning 603 00:28:22,640 --> 00:28:26,760 Speaker 4: window and doors to actually recoup energy. And yeah, you're 604 00:28:26,800 --> 00:28:31,680 Speaker 4: absolutely right. These days, there's very little difference really practically speaking, 605 00:28:31,720 --> 00:28:35,280 Speaker 4: between the window that's double or triple glazed right next 606 00:28:35,320 --> 00:28:36,359 Speaker 4: to an insulated wall. 607 00:28:36,480 --> 00:28:38,800 Speaker 1: So why not I'm always. 608 00:28:38,360 --> 00:28:41,719 Speaker 4: Begging for more glass, more glass, please, more glass, because 609 00:28:42,400 --> 00:28:45,880 Speaker 4: you know, it is far less expensive to add a 610 00:28:45,920 --> 00:28:49,280 Speaker 4: big window or a big sliding glass door to a room, 611 00:28:49,720 --> 00:28:54,959 Speaker 4: and by seeing the outside visually that now belongs to 612 00:28:55,000 --> 00:28:57,600 Speaker 4: the room and makes the room feel more spacious. It's 613 00:28:57,680 --> 00:29:00,480 Speaker 4: far less expensive to add the glass to the wall 614 00:29:00,920 --> 00:29:03,680 Speaker 4: then to actually expand the square footage. 615 00:29:03,360 --> 00:29:05,320 Speaker 1: Of the house. I see all right, So this weekend, 616 00:29:05,360 --> 00:29:08,240 Speaker 1: Welcome to Spring on Saturday and Sunday. 617 00:29:09,120 --> 00:29:12,040 Speaker 4: Saturday, as always it's an all calls day, so if 618 00:29:12,040 --> 00:29:14,680 Speaker 4: anybody wants to call about Spring, they can. But whatever 619 00:29:14,720 --> 00:29:16,960 Speaker 4: the case may be, Welcome to Spring is the big 620 00:29:17,000 --> 00:29:18,040 Speaker 4: show on Sunday morning. 621 00:29:18,240 --> 00:29:20,360 Speaker 1: I will be there, Thank you, sir, thank you, but 622 00:29:20,720 --> 00:29:26,480 Speaker 1: welcome back from France as a world traveler and Tina 623 00:29:26,560 --> 00:29:29,440 Speaker 1: getting out there. All right, that is great. Listen to 624 00:29:29,480 --> 00:29:32,560 Speaker 1: the show six to eight am on Saturday and then 625 00:29:32,680 --> 00:29:35,640 Speaker 1: Sunday nine am until noon. I think you'll enjoy it, 626 00:29:35,720 --> 00:29:37,880 Speaker 1: especially if you have a long drive, you're going to church, 627 00:29:37,920 --> 00:29:40,920 Speaker 1: wherever you're going. That is a great show. 628 00:29:41,960 --> 00:29:42,280 Speaker 3: All right. 629 00:29:42,280 --> 00:29:44,240 Speaker 1: We have got to take that break, but when we 630 00:29:44,360 --> 00:29:46,200 Speaker 1: come back, we'll have more for you. But while we're 631 00:29:46,240 --> 00:29:49,040 Speaker 1: taking this break, I urge you to leave a talk back. 632 00:29:49,600 --> 00:29:53,360 Speaker 1: Download the app it's called iHeart, then find Conway Show, 633 00:29:53,720 --> 00:29:55,760 Speaker 1: then click on the red button with a white microphone. 634 00:29:56,080 --> 00:30:00,200 Speaker 1: And today is absolutely incredible kid day. Leave us to 635 00:30:00,200 --> 00:30:02,320 Speaker 1: talk back about how great your kids are. If you 636 00:30:02,400 --> 00:30:04,720 Speaker 1: got great kids. If you've got crappy kids, uh you know, 637 00:30:04,840 --> 00:30:07,400 Speaker 1: maybe pass. But if you've got great kids, leave us 638 00:30:07,400 --> 00:30:09,040 Speaker 1: to talk back and maybe we'll play it tonight and 639 00:30:09,080 --> 00:30:11,320 Speaker 1: maybe your kidd'll hear it, and that will be a 640 00:30:11,360 --> 00:30:14,680 Speaker 1: moment that your kid remember for about about a week, 641 00:30:15,560 --> 00:30:18,280 Speaker 1: maybe ten days. All Right, We're live on KFI AM 642 00:30:18,320 --> 00:30:21,240 Speaker 1: six forty. This is KFI. 643 00:30:21,480 --> 00:30:24,000 Speaker 2: This has been the Conway Show on demand on the 644 00:30:24,040 --> 00:30:28,720 Speaker 2: iHeartRadio app Dere's Live. Join us on KFI AM six 645 00:30:28,840 --> 00:30:32,360 Speaker 2: forty weeknight, six to ten pm Monday through Friday. 646 00:30:32,560 --> 00:30:33,760 Speaker 1: Dinged wlong with this app.