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Speaker 1: It's KMF.

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Speaker 2: I am six forty and you're listening to the Conway

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Speaker 2: Show on demand on the iHeartRadio app.

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Speaker 3: Just Timmy, Wow, Timmy.

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Speaker 4: He's a little and he knows.

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Speaker 5: He's always having such a lot of fun, A lot

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Speaker 5: of fun, Timmy, and he knows too.

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Speaker 1: Yes, yes, yes, yes, yes, yes, come on, ding dong.

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Speaker 1: We're watching out of one eye. The United States is

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Speaker 1: playing Mexico in baseball and Mexico is playing over the weekend.

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Speaker 1: And I was at the racetrack and a bunch of

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Speaker 1: I believe Mexicans. We're all watching the TV and rooting

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Speaker 1: for Mexico, and I got into it and I started

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Speaker 1: rooting for Mexico. We win too much crap in this country.

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Speaker 4: You know.

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Speaker 1: We won the gold medal in the Olympics hockey, We

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Speaker 1: won the marathon yesterday. We win all the time, and

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Speaker 1: I think it's time we spread it.

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Speaker 4: Around at Oh, that's interesting. I don't know.

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Speaker 1: We won the World Series from Canada. Yeah, you know,

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Speaker 1: we just you know, we're I think we're winning and Iran.

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Speaker 1: According to some people, I see, yeah, yeah, yeah, yeah,

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Speaker 1: but it's too much. You know, I think spread too.

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Speaker 3: Much, too much winning. You are tired of winning, just

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Speaker 3: like mister Trump said, we would get tired of winning.

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Speaker 1: Yes, well, this would be huge for Mexico to win

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Speaker 1: this game, and for I think it'd be more important

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Speaker 1: for Mexico and Mexicans to win this game that would

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Speaker 1: be for America.

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Speaker 4: That's probably fair. That's probably fair.

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Speaker 1: Yeah, because Americans, you know, they don't they don't even know.

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Speaker 4: What this is.

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Speaker 3: This is it's five to one, though, I'm not going

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Speaker 3: to come back on this team. You've got, You've got

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Speaker 3: some pretty heavy hitters on that US team. Aaron Judges

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Speaker 3: is in.

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Speaker 1: And the guy who's batting right now is Kirk and

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Speaker 1: he's the catcher for the Toronto Blue Jays and he's

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Speaker 1: the guy that hidden hit into a double play to

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Speaker 1: end Toronto's World series. Well he just got on base

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Speaker 1: right there, so well he didn't in Toronto.

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Speaker 3: Okay, I'm sure he probably doesn't want to be reminded

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Speaker 3: of that.

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Speaker 1: Oh he'll always remember that thing.

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Speaker 4: He'll remember exactly. You don't need to remind me.

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Speaker 1: I know, he hit into a double play that ended

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Speaker 1: their their world series, and that's that's a big deal,

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Speaker 1: you know, to Mookie Betts over to Freeman and then

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Speaker 1: remember remember the line, who is the announcer rebellio for

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Speaker 1: the World Series? The Dodger announced, always forget his name, Joe, Joe,

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Speaker 1: Jojo Jojo circus Joe Davis. Joe Davis, Sure, okay, Joe

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Speaker 1: Davis said, when this guy who just got the single

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Speaker 1: hit into a double play in order to beat the champ,

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Speaker 1: you gotta knock him out. That's a great line. That's

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Speaker 1: a great line. And the Dodgers went on to win

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Speaker 1: the World Series. I have that on DVR and I

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Speaker 1: watch it all the time. I watched it, I think

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Speaker 1: last Thursday. You know, I just drink and watch that.

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Speaker 1: You've got that, You've got the Kings. I got the

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Speaker 1: Kings winning Stanley Cup. I also have the gold medal

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Speaker 1: game with the USA versus Canada. And I've got San

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Speaker 1: Francisco losing to Seattle by about eighty.

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Speaker 3: And you also have oh yeah they were getting but

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Speaker 3: tell you have the America's Cup somewhere.

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Speaker 1: I got America's Cup and I lost it somehow we moved.

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Speaker 1: I lost it. But I also have a new one

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Speaker 1: that I watch all the time, and I feel like

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Speaker 1: an idiot. But my newest one that I watch is

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Speaker 1: I recorded last year's Stanley Cup Game six when Florida

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Speaker 1: beat Edmonton, and I watched that whole game last night

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Speaker 1: just to watch Edmonton lose is really magnificent for me.

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Speaker 4: I like that.

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Speaker 1: But I will say this, if you're a USA hockey fan,

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Speaker 1: you know you like and you watch USA play Canada,

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Speaker 1: if you have the Peacock Network, You've got to watch

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Speaker 1: it with the Peacock Network because it's all new footage

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Speaker 1: in high definition and they have like interviews and angles

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Speaker 1: that they didn't have during the Olympics. It's spectacular, it's

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Speaker 1: much closer shots, it's much more energy. If you watch

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Speaker 1: the United States beat Canada for the gold medal, you

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Speaker 1: also must watch it on Peacock. It's a much better

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Speaker 1: televised game.

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Speaker 4: Much better. I wonder where that is. I don't know.

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Speaker 1: It's weird. Why would they not have the best one

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Speaker 1: on us CBC. Yeah, LAX ride Share it might be

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Speaker 1: costing you a lot of money now to go to LAX.

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Speaker 1: There's a fee. There's a feed out to be picked

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Speaker 1: up and dropped off at LAA. I had two different proposals.

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Speaker 6: Both would mean you'd have to pay more to be

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Speaker 6: dropped off here at lax The first proposal, if you

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Speaker 6: want to get dropped off or picked up at lax

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Speaker 6: it that's the right share area, that fee would go

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Speaker 6: up for four to six dollars. Second proposal, if you

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Speaker 6: want to get dropped off or picked up inside the terminal,

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Speaker 6: that fee would go up from five dollars to twelve dollars. Again,

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Speaker 6: these fees are only if you are paying someone to

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Speaker 6: drive you here. Uber says these increased fees would punished travelers, working, families,

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Speaker 6: and seniors who depend on affordable, reliable transportation.

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Speaker 1: So stephanos another reason not to get back into lax Huh.

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Speaker 1: There you go, because that fee is going to have

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Speaker 1: to be passed along to the passenger. Uber drivers aren't

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Speaker 1: going to eat that.

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Speaker 4: You can't. No, absolutely not.

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Speaker 1: So it's gonna be six dollars to drop you off,

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Speaker 1: six dollars to pick you up.

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Speaker 4: Yep. And that's for all Uber.

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Speaker 3: It doesn't matter Uber Black, Uber Xcel, Uber limousines.

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Speaker 7: No, No, the Black, theirs is like a higher tier because

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Speaker 7: it's almost like a limousine service. So like the regular

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Speaker 7: Uber like me, I would that would affect us, I assume.

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Speaker 7: So the higher, the higher level pay more.

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Speaker 3: They wouldn't get affected yet because they're paying so much

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Speaker 3: more already.

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Speaker 1: Yeah, okay, it's what it is for limos and stuff,

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Speaker 1: to the price for everything. I think for cabs too.

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Speaker 1: I think you have to pay for a taxi cab.

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Speaker 1: You gotta pay you know six, it's supposed to double

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Speaker 1: even more when the people mover gets going. Oh you

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Speaker 1: know what, that's a great whip around Crozier. I'm glad

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Speaker 1: you brought that up. All right, let's do you got

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Speaker 1: the whip around music? Yeah, okay, you're gonna you're like

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Speaker 1: this one.

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Speaker 4: All right, it's gonna be great good.

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Speaker 1: The people mover is two point five miles two point

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Speaker 1: five miles that you could literally it's from here to

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Speaker 1: the five free Way. That's how far two point five miles?

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Speaker 1: What did that cost? Steps puts a budget on that sucker,

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Speaker 1: high end budget, high end budget the top.

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Speaker 4: Uh one point five billion?

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Speaker 1: One point five billion? All right, bello, you want to

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Speaker 1: take a shot.

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Speaker 4: She's in the can.

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Speaker 1: Oh she is, she's not well? Did Annah? Yeah? I

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Speaker 1: think she's crying in there because John talked to Sam.

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Speaker 3: Yeah yeah, Sam doesn't get sick. Yeah, she's young, unhealthy.

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Speaker 3: Oh hi, hill, she's young and.

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Speaker 1: Angel. What did it cost to put the people move

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Speaker 1: her in?

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Speaker 8: Oh, let's go to two billion, all.

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Speaker 1: Right, Marcus, I'll say one point eight. One point eight

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Speaker 1: is the lovely one back. I think she just went

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Speaker 1: out and started crying collapsing. Okay, all right, Croach, I'll

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Speaker 1: say five bill five billion, right, Okay, the actual I

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Speaker 1: mean this is two point five miles. I will say

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Speaker 1: this though, before I give you the answer. The three

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Speaker 1: tallest buildings in the world hotels, office buildings. I think

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Speaker 1: most of them are the three tallest building. There's like

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Speaker 1: one in Asia, there's one in Saudi Arabia, or there's

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Speaker 1: one in I don't Taipay, whatever. The three largest buildings

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Speaker 1: in the world cost exactly what it costs to put

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Speaker 1: the two point five mile people move a in Japan.

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Speaker 1: Put a seventy five mile high speed train for the

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Speaker 1: same amount of money, same amount of money. High speed

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Speaker 1: train for seventy five miles, and ours is two point

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Speaker 1: five miles. Two point five miles. The high end estimate

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Speaker 1: once this whole thing is done, according to AI, the

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Speaker 1: lax automated people mover they call the APM, is projected

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Speaker 1: to be four point nine billion dollars, about about two

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Speaker 1: billion dollars a mile. Krozier got it. Krozier nailed dead

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Speaker 1: at five billion. I am stunned. Wow that they allowed

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Speaker 1: it to be put in at that kind of price.

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Speaker 1: That's why we have to pay six dollars to get

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Speaker 1: dropped off.

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Speaker 4: Yeah, they got to make it. They got to make

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Speaker 4: it up.

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Speaker 1: Yeah, because the people mover is going to be free.

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Speaker 1: You're not gonna have to pay for that.

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Speaker 4: Crazy.

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Speaker 1: So the guys taking the car stuck in traffic, stuck

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Speaker 1: with all the fumes, the rocket you know, rocket in

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Speaker 1: or jet engine jet fuel, regular inadlighted fuel, diesel fuel

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Speaker 1: in that horseshoe, are going to pay so you can

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Speaker 1: take that for free, right.

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Speaker 3: And they're also trying to disincentivize, right, They're trying to

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Speaker 3: trying to discourage you from taking it all the way

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Speaker 3: to that is to say, the car all the way

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Speaker 3: to the airport, so they're trying to make it more expensive.

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Speaker 1: They're gonna have a huge parking lot at the end

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Speaker 1: of that people mover so you can part there, and

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Speaker 1: and their trains are going to run I think every

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Speaker 1: three minutes they said, or two or three minutes. I mean,

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Speaker 1: it's gonna be a lot of them. But that's a

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Speaker 1: lot of money. I mean four point nine billion dollars

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Speaker 1: for two and a half miles.

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Speaker 3: I mean you said it though. To be a world

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Speaker 3: class city, you have to have some kind of transportation.

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Speaker 1: One hundred percent. And the taxi cab union was so

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Speaker 1: strong that they pervented that that people mover from coming in.

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Speaker 1: And then when Lyft came in and Uber came in,

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Speaker 1: they gave up, but they the taxi union in LA

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Speaker 1: was strong enough to hold off the people mover for

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Speaker 1: a long time. But every world class airport that you

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Speaker 1: go to it you go to Washington, d C. I

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Speaker 1: think the subway or the train coming right, yeah, Seattle

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Speaker 1: the same way, Portland the same way, New York the

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Speaker 1: same way. Dallas has one that goes right, Atlanta right

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Speaker 1: into the airport, except Los Angeles. So we're just getting there,

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Speaker 1: you know, we'll have it ready for you. We're getting close.

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Speaker 1: We do pay top dollar for everything we do.

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Speaker 4: We do, we take it.

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Speaker 1: We take pay top dollar for everything, and then everybody

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Speaker 1: has to pay for it in higher fees. And I

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Speaker 1: hope people understand. You understand that. I understand that exactly.

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Speaker 9: Right, you're listening to Tim Conway Junior on demand from

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Speaker 9: KFI AM six forty.

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Speaker 1: Bellio is back, and she's got a great story about

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Speaker 1: was it Mammoth?

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Speaker 8: Yeah, we were John up when we first started dating,

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Speaker 8: and he was up in Mammoth and he was on

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Speaker 8: the gondola, you know, at the top of the mountain,

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Speaker 8: and he took a picture but there was a woman

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Speaker 8: in it. But he took a picture of the mountain

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Speaker 8: and he sent it to me and he wrote.

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Speaker 1: Wish you were her.

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Speaker 8: He forgot to put the E on here, and so

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Speaker 8: I say, like, it's a picture of a woman and

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Speaker 8: I wish you were her.

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Speaker 4: I'm like, what, that's so great.

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Speaker 8: This time, just letting you know, Samantha, Oh.

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Speaker 4: That's so great. You know.

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Speaker 1: I think we've all got in trouble with misspelling crap

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Speaker 1: on text. You know, you meant to use another word

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Speaker 1: and it came out and then spell corrected it into

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Speaker 1: a different word and you got hosed. But that is

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Speaker 1: the gold stand. Yeah, yeah, that's pretty sure. That's really

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Speaker 1: wish you were her? That is great. Did you know

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Speaker 1: immediately what he meant or did you have to have

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Speaker 1: to call him?

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Speaker 8: I think I called him yeah, you know what you

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Speaker 8: just wrote. And he's like, what, Oh, no, I didn't

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Speaker 8: mean to say that.

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Speaker 4: Oh my god.

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Speaker 1: You know what he's got to do in the future.

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Speaker 1: What's that I wish you were present?

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Speaker 4: He has not.

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Speaker 1: Don't ever type the word here at all ever again.

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Speaker 1: But that's when you just started dating him. Yeah, wow,

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Speaker 1: oh my god, you must have been you know. I

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Speaker 1: I trust that that was the right instinct. Who is

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Speaker 1: this guy you know telling me I wish you were her?

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Speaker 1: I well, obviously you still remember that. That wasn't yesterday,

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Speaker 1: that quite some time ago. It's still in there. Woo.

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Speaker 4: That is great.

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Speaker 1: All right, let's sy let's talk about Oh, you know what,

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Speaker 1: you might get some money back here. You'll be buy

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Speaker 1: from tac Ticketmaster used ticket Master. Yeah, for sure, of course,

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Speaker 1: is a settlement coming.

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Speaker 3: I think this let's listen, but I think this settlement

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Speaker 3: was pretty generous to Ticketmaster, Is that right? All right?

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Speaker 1: Let's find up there and it has to do with

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Speaker 1: the you know the obviously the fees and you know

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Speaker 1: what you're paying for these tickets.

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Speaker 10: This has been one of the biggest anti trust fights

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Speaker 10: in the entertainment industry in decades. As optimistic as it

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Speaker 10: sounds I promise to pay less for some of your

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Speaker 10: favorite concerts, including some states like California, though saying that

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Speaker 10: they are not in agreement with the settlement and so

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Speaker 10: they are going to continue on with the trial separate

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Speaker 10: from the US Department of Justice. Ticket Master and its

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Speaker 10: parent company, Live Nation have been accused of building an

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Speaker 10: illegal monopoly over the live concert business, allowing them to

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Speaker 10: control ticketing and charge higher fees.

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Speaker 4: The DOJ said.

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Speaker 10: Today the settlement will ultimately lower ticket prices for consumers.

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Speaker 1: You believe that, uh, you want to that it might

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Speaker 1: be low.

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Speaker 3: Honestly, I mean that it does create competition, so maybe

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Speaker 3: that lower ye.

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Speaker 10: Yeah, that's well, ultimately lower ticket prices for consumers.

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Speaker 1: Yeah, but now I always click on the button include fees.

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Speaker 4: Yeah, of course, I know what I'm for.

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Speaker 10: Live Nation would pay a fine of up to two

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Speaker 10: hundred and eighty million dollars and would divest itself of

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Speaker 10: at least thirteen ampitheaters across the nation. It would also

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Speaker 10: protect a venues.

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Speaker 1: Wait, they own thirteen ampathy rights.

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Speaker 4: Yeah, because it's Live Nation.

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Speaker 1: Oh, I didn't know that.

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Speaker 3: Yeah, so that's the I mean, there's a whole oh

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Speaker 3: my godnopoly going on, unreal.

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Speaker 1: They got them a lot of my money.

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Speaker 10: It would also protect venues from retaliation when they choose

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Speaker 10: other companies other than Live Nation to handle tickets or

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Speaker 10: promotions for events. So that deal not good enough for

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Speaker 10: several states. As mentioned, California among those that will not

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Speaker 10: join the settlement deal. We have larned and will continue

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Speaker 10: with an ongoing trial.

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Speaker 1: Okay, So if California does win a settlement from Ticketmaster,

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Speaker 1: is it gonna be one of those things where we

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Speaker 1: all get eighteen cents credit towards the next tickets?

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Speaker 4: Yeah?

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Speaker 1: Or is it going to be you know, a significant

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Speaker 1: amount of money. If you can prove that you bought

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Speaker 1: tickets from Ticketmaster over the last couple of years, you

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Speaker 1: get money back.

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Speaker 4: I don't know, I don't know.

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Speaker 10: Attorney General Rob BoNT is saying that the fight will

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Speaker 10: continue to get a better deal.

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Speaker 1: Oh boy, it's one hundred and eighty million dollars. Sound

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Speaker 1: it's like a good deal. But does that spread out

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Speaker 1: throughout the United States?

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Speaker 4: I think?

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Speaker 3: I mean, also, you know, think about all the money

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Speaker 3: they made because they were essentially it's a monopoly, you

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Speaker 3: had no option but to go, so they could really

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Speaker 3: slam you on those fees, not to mention the ticket

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Speaker 3: prices themselves could be jacked up. I don't know, they're

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Speaker 3: they're by the way, they're a wildly unpopular company, as

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Speaker 3: you might imagine, like in public poet, I hate Ticketmaster.

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Speaker 1: Yeah, I don't have you know what My fond memory

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Speaker 1: of Ticketmaster is going to Tower Records, and they always

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Speaker 1: had a booth in the back where the guy ran

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Speaker 1: or Ticketmaster. Yeah, and you would say to him, hey,

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Speaker 1: can I get two for the Kings versus the Sabers,

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Speaker 1: you know, next Saturday? And for twenty minutes you'd hear this,

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Speaker 1: and then he'd show you a dirty map and you go,

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Speaker 1: how about these.

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Speaker 4: Too far?

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Speaker 1: All right, twenty more minutes and there's nine people behind you.

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Speaker 1: It took you an hour to get two tickets for anything.

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Speaker 1: But back then tickets were reasonable. Now you're paying six

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Speaker 1: dollars to go see a Kings game.

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Speaker 4: I mean, they've laid fees on.

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Speaker 3: There's also they've monopolized both the ownership of the venues

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Speaker 3: and the ownership of the ticket distribution.

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Speaker 4: So I mean, I don't know.

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Speaker 3: It seems like it's really the consumer totally get screwed

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Speaker 3: in all that.

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Speaker 1: I took advantage of it, though. You remember when AXS

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Speaker 1: came out, you had to have your sugar through Axs.

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Speaker 1: You know, it was another app you had to download.

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Speaker 1: So whenever I went to Staples Center it was Staples

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Speaker 1: back then, it wasn't Crypto. I would walk around the

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Speaker 1: entire stadium like, oh, there he is. There's my guy,

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Speaker 1: and it's his seventy five year old ticket taker. And

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Speaker 1: I walk up and I go, buddy, I don't know

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Speaker 1: how this works. He goes, neither do I go on in?

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Speaker 1: And he'd always let us in for free. I said,

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Speaker 1: I can't download. He goes, yeah, neither can I just

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Speaker 1: go in enjoy the game.

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Speaker 4: It pays tonother territory, that's right. Yeah.

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Speaker 1: And then once I got into Staples, I would look

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Speaker 1: around on my on my cell phone to see where

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Speaker 1: the empty seats were, and they showed you. That's cool,

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Speaker 1: and they're like, hey, there's two down front. Sure you

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Speaker 1: can go down there. That's terrific. Anyone can still do that,

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Speaker 1: you know, because those tickets.

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Speaker 3: Yeah, but now, well, if at least a Lakers game

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Speaker 3: or whatever, you can't. They're checking your ticket once you

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Speaker 3: get pretty close to the floor.

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Speaker 4: Right.

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Speaker 1: But if you mob them, you know, like a half

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Speaker 1: or like a long whistle, you're like And also if

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Speaker 1: you have a popcorn and and a couple of beers

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Speaker 1: and you're like, oh it's in my back pocket, Oh god,

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Speaker 1: we bring it back. You just.

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Speaker 4: You gotta move.

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Speaker 1: You gotta keep moving, you know, compliment and move like

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Speaker 1: buddy that you look great in at red VEZ take off.

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Speaker 8: Don't you do them on the phone a bit as well?

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Speaker 1: Oh yeah, I'm on the phone with a popcorn and

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Speaker 1: two beers I'm like, oh, it's in my back pocket

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Speaker 1: or something here, I'll just have gone gone. Just confuse them.

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Speaker 1: And look, they're not they don't care where you sit.

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Speaker 1: You probably I just wanted to get home and you know,

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Speaker 1: blow a little weed.

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Speaker 9: You're listening to Tim Conway Junior on demand from KFI

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Speaker 9: AM six forty.

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Speaker 1: Before we get into the program or back to program,

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Speaker 1: I got an email that I think is really interesting

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Speaker 1: and exactly spot on. It's from a woman named Carolyn,

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Speaker 1: and she said, I'm glad you're promoting honoring of our

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Speaker 1: fallen veterans event at Pierce College with the Wall that Heals.

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Speaker 1: And then she said, I just want to make sure

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Speaker 1: and that you I just want to make mention that

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Speaker 1: there's something called the Vietnam Veterans Honor Roll, and these

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Speaker 1: are vets who lost their lives when they came home

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Speaker 1: due to Agent Orange and other injuries. I pray you

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Speaker 1: might consider mentioning the Honor Roll on your show in

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Speaker 1: March as well. And so I think that's obviously right

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Speaker 1: that there are probably a you know, tens of thousands

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Speaker 1: of men and women that came home from Vietnam and

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Speaker 1: died because of the injuries and the ailments that they

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Speaker 1: had over in Vietnam.

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Speaker 3: Now, Agent Orange was just a terrible, terrible scourge for

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Speaker 3: so many Vietnam vets.

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Speaker 4: Horrible.

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Speaker 1: I I remember when you said you were in Vietnam,

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Speaker 1: and I said, wait, you're in Vietnam and no, but

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Speaker 1: you'd just taken a cruise.

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Speaker 4: Yeah.

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Speaker 3: I was in Saigon a couple of times actually, and

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Speaker 3: it's really a Vietnam is one of my favorite places.

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Speaker 1: And uh, I went to that it's super clean. Is

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Speaker 1: that true?

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Speaker 3: It's it's super I suppose it is super clean. It's

397
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Speaker 3: also you know, uh, culturally like so different than the

398
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Speaker 3: US of all that you know, motorcycles and you know

399
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Speaker 3: that you know that thing where there's so many motor

400
00:19:43,160 --> 00:19:45,679
Speaker 3: scooters like and if you you can cross, but you

401
00:19:45,760 --> 00:19:47,680
Speaker 3: have to once you start, you have to keep moving.

402
00:19:47,720 --> 00:19:50,800
Speaker 3: You cannot stop. And uh that I mean it's truly

403
00:19:51,320 --> 00:19:53,439
Speaker 3: like a trick almost. There's a there's a lot of

404
00:19:53,440 --> 00:19:55,840
Speaker 3: great stuff in it. But as a relations to the war,

405
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Speaker 3: two things. One is I went to the War Museum

406
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Speaker 3: in Saigon and it is it's heartbreaking. There's a lot

407
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Speaker 3: of Agent orange stuff there. I mean I was weeping.

408
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Speaker 3: And then I went to uh Danang, which is where

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Speaker 3: they had remember that show China Beach, Yeah, that was

410
00:20:13,960 --> 00:20:16,199
Speaker 3: that was a shot in Danang. So it's kind of

411
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Speaker 3: a surf place and uh I stopped there and as

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Speaker 3: a as as we're there, I see a bus pull

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Speaker 3: up and it says Vietnam vet's returning. Wow, And I thought,

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Speaker 3: oh my god, I've got to go talk to them.

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Speaker 3: I'm really moved by the Vietnam experience a little, I think,

416
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Speaker 3: I am. Anyway, and I go over there and the

417
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Speaker 3: vets are coming off and I go, yeah. I went

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Speaker 3: up to one of them and go, hey, you know,

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Speaker 3: I'm here from Los Angeles and I just want to say,

420
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Speaker 3: what a pleasure it is and.

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Speaker 4: You know that's very wild via to go back.

422
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Speaker 3: Yeah, Vietnam informed so much of you know, my view

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Speaker 3: of the world and the experience that the US had there.

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Speaker 3: And and I was kind of choking up as I

425
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Speaker 3: said it, and he said, yeah, to be honest, we're

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Speaker 3: kind of over it.

427
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Speaker 4: We're just to hear what so you're more. It was great.

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Speaker 3: He said, there are a couple of guys are like you,

429
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Speaker 3: but he said, most of us early over it.

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Speaker 1: I love it. Oh that's a classic. It's like the Fireman.

431
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Speaker 1: The Fireman laying out is exactly the same. You just

432
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Speaker 1: told me a story during the break. I didn't know

433
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Speaker 1: what second acting was.

434
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Speaker 3: Oh yeah, second acting. We used to second act shows

435
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Speaker 3: in New York. I was in Washington, DC, where I

436
00:21:26,840 --> 00:21:28,880
Speaker 3: grew up. But we go up and the only way

437
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Speaker 3: to uh, we had no money, so we were all

438
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Speaker 3: kind of doing community theater at the time. Me and

439
00:21:35,040 --> 00:21:37,360
Speaker 3: a couple of buddies. We went up and we what

440
00:21:37,400 --> 00:21:40,960
Speaker 3: they call second actor show. That means at the intermission.

441
00:21:40,960 --> 00:21:42,840
Speaker 3: Remember most of the shows in New York break around

442
00:21:42,920 --> 00:21:49,000
Speaker 3: the same time, and you could go back into the

443
00:21:49,000 --> 00:21:51,600
Speaker 3: theater even though you hadn't seen the first act, you

444
00:21:51,600 --> 00:21:54,120
Speaker 3: would second act it, you'd get in for free. You're

445
00:21:54,160 --> 00:21:57,359
Speaker 3: just literally walking back in with everybody else because people

446
00:21:57,400 --> 00:21:59,320
Speaker 3: spill out under the street and they don't check tickets

447
00:21:59,320 --> 00:22:02,520
Speaker 3: on the way back in. So the trick is, you know,

448
00:22:02,520 --> 00:22:04,159
Speaker 3: you want to see a good show, but most of

449
00:22:04,160 --> 00:22:06,400
Speaker 3: the good shows are sold out, so you go back

450
00:22:06,440 --> 00:22:08,639
Speaker 3: in maybe you can find as you have to do

451
00:22:08,680 --> 00:22:11,280
Speaker 3: this very quickly, there's almost an art to it, and

452
00:22:11,320 --> 00:22:12,960
Speaker 3: we got pretty good at it. And again we had

453
00:22:12,960 --> 00:22:15,199
Speaker 3: no money and we were hoping to just see some

454
00:22:15,600 --> 00:22:17,600
Speaker 3: of whatever production it was, and if you know the story,

455
00:22:17,640 --> 00:22:20,040
Speaker 3: you can kind of pick it up. So there was

456
00:22:20,080 --> 00:22:23,880
Speaker 3: a sold out show called Equis and it starred Anthony

457
00:22:23,920 --> 00:22:27,520
Speaker 3: Hopkins and we really wanted to see that, so we thought, well,

458
00:22:27,520 --> 00:22:29,840
Speaker 3: we'll second act it. But it's sold out. There's no

459
00:22:29,920 --> 00:22:32,760
Speaker 3: way there's even a seat left. But we found out

460
00:22:32,800 --> 00:22:36,159
Speaker 3: that the seating for Equis it takes place in and

461
00:22:36,200 --> 00:22:39,600
Speaker 3: around a stable where there are horses and stuff. There's

462
00:22:39,640 --> 00:22:42,439
Speaker 3: a semi circular riding ring that they set up on

463
00:22:42,560 --> 00:22:47,280
Speaker 3: stage with bench seating, so it's tiered bench seating, and

464
00:22:47,320 --> 00:22:51,720
Speaker 3: that is important because we thought, hm, we can second

465
00:22:51,800 --> 00:22:54,440
Speaker 3: act it, go back in with everybody, we don't really

466
00:22:54,480 --> 00:22:56,840
Speaker 3: need seats. We can go back up, and it's on stage,

467
00:22:56,840 --> 00:22:59,000
Speaker 3: so it's a little triggy, but you go up and

468
00:22:59,200 --> 00:23:01,280
Speaker 3: just sit there at the end of the bench and

469
00:23:01,280 --> 00:23:03,240
Speaker 3: everybody will scoot over a little bit. I mean, no

470
00:23:03,240 --> 00:23:05,359
Speaker 3: one's gonna make a scene over there. You know's probably

471
00:23:05,359 --> 00:23:07,479
Speaker 3: a sub vision room. And sure enough, that's what we did.

472
00:23:07,560 --> 00:23:09,960
Speaker 3: And that's exactly what happened. Everybody just scooed it over

473
00:23:09,960 --> 00:23:12,520
Speaker 3: and we sat there on stage, you know, a few

474
00:23:12,560 --> 00:23:16,560
Speaker 3: feet from Anthony Hopkins, watching this incredible performance and second

475
00:23:16,560 --> 00:23:19,760
Speaker 3: acting equits. But the other thing that happened is as

476
00:23:19,840 --> 00:23:23,480
Speaker 3: we left the stage, we realized, wait a minute, we're

477
00:23:23,600 --> 00:23:27,640
Speaker 3: on stage right now. That is backstage two feet from

478
00:23:27,640 --> 00:23:29,919
Speaker 3: where we are, and we just turned left and we

479
00:23:29,960 --> 00:23:34,080
Speaker 3: walked right into the backstage area and then we walked

480
00:23:34,160 --> 00:23:36,960
Speaker 3: up some stairs. I had way more guts back then

481
00:23:37,000 --> 00:23:41,080
Speaker 3: than I do now. And to Anthony Hopkins' dressing room.

482
00:23:41,359 --> 00:23:43,720
Speaker 3: We knock on the door. There's no security or that

483
00:23:43,840 --> 00:23:48,200
Speaker 3: it was before the advent of security, right, and knocked

484
00:23:48,200 --> 00:23:51,040
Speaker 3: in the door and he comes to the door, Anthony

485
00:23:51,040 --> 00:23:54,040
Speaker 3: Hopkins and me and my buddy who's an actor. Wow,

486
00:23:54,200 --> 00:23:57,800
Speaker 3: and we said, look, we're actors from Washington.

487
00:23:57,560 --> 00:23:57,760
Speaker 4: D C.

488
00:23:58,000 --> 00:24:00,119
Speaker 3: We just came up and we just wanted to tell

489
00:24:00,160 --> 00:24:03,760
Speaker 3: you how incredible performance was. And he said, you must

490
00:24:03,760 --> 00:24:05,639
Speaker 3: come across the street and have a drink with me

491
00:24:05,640 --> 00:24:08,120
Speaker 3: at Childie. No way, and I wasn't even ol enough

492
00:24:08,119 --> 00:24:10,320
Speaker 3: to drink. I was not old enough to drink. We

493
00:24:10,359 --> 00:24:12,760
Speaker 3: went across the street, We go to Charlie's. We're waiting

494
00:24:12,760 --> 00:24:14,439
Speaker 3: and I'm thinking he's not going to show up. Boom,

495
00:24:14,480 --> 00:24:16,760
Speaker 3: Anthony Huffkins comes right in the door, sits right down

496
00:24:16,760 --> 00:24:18,480
Speaker 3: next to us, and we're drinking with him for I

497
00:24:18,520 --> 00:24:21,159
Speaker 3: don't know two hours wow, and then we come you've

498
00:24:21,200 --> 00:24:23,720
Speaker 3: never told me this, I'm surprised I haven't. I'm surprised

499
00:24:23,800 --> 00:24:26,959
Speaker 3: I haven't. But I confessed to him, or one of us,

500
00:24:26,960 --> 00:24:29,560
Speaker 3: did I forget. We confessed to him that we hadn't.

501
00:24:29,760 --> 00:24:32,320
Speaker 3: We had second act of the show, and he said,

502
00:24:32,880 --> 00:24:34,840
Speaker 3: I insist you come tomorrow night.

503
00:24:34,720 --> 00:24:35,400
Speaker 4: As my guests.

504
00:24:35,440 --> 00:24:36,120
Speaker 1: Oh my god.

505
00:24:36,359 --> 00:24:39,080
Speaker 4: We went the next night. It was terrific. Yeah, unbelievable,

506
00:24:39,200 --> 00:24:41,880
Speaker 4: great story. It was really terrific, really really terrific.

507
00:24:42,440 --> 00:24:45,240
Speaker 1: That's I don't have the experience with second acting, but

508
00:24:45,280 --> 00:24:47,720
Speaker 1: I went to when my wife and I were in

509
00:24:47,760 --> 00:24:49,840
Speaker 1: New York with my daughter. We went to see Chicago

510
00:24:50,560 --> 00:24:54,600
Speaker 1: and my mom loved that place. Chicago and all the

511
00:24:54,640 --> 00:25:01,120
Speaker 1: songs that I knew. They played him in the first act. Dazzle, Yeah,

512
00:25:01,160 --> 00:25:04,480
Speaker 1: all that, that's great. Yeah, you know you know the gun,

513
00:25:04,560 --> 00:25:06,399
Speaker 1: the gun, the gun, the gun, all that. It was

514
00:25:06,440 --> 00:25:09,080
Speaker 1: the first act. I know all this song is the

515
00:25:09,080 --> 00:25:10,720
Speaker 1: first act. That means I'm not going to know anything

516
00:25:10,760 --> 00:25:14,840
Speaker 1: in the second act. So I said to her, I said, hey, Jen,

517
00:25:15,440 --> 00:25:19,160
Speaker 1: I'll buy you a nice dinner or something, but can

518
00:25:19,200 --> 00:25:23,400
Speaker 1: we leave at halftime? And her response was great because

519
00:25:23,400 --> 00:25:24,800
Speaker 1: I was whispering to her. I'm like, hey, can we

520
00:25:24,880 --> 00:25:27,639
Speaker 1: leave it halftime? And she said, if you make me

521
00:25:27,680 --> 00:25:29,840
Speaker 1: a deal, we'll leave it halftime. Okay, what's the deal?

522
00:25:30,119 --> 00:25:32,800
Speaker 1: She goes, you got to stop calling it half time.

523
00:25:35,440 --> 00:25:37,000
Speaker 1: I said, well you know what I mean. She goes, Damn,

524
00:25:37,000 --> 00:25:38,840
Speaker 1: it's intermission. It's not half.

525
00:25:38,880 --> 00:25:40,720
Speaker 4: It's funny that you called it halftime.

526
00:25:41,400 --> 00:25:42,480
Speaker 1: Well it was halftime.

527
00:25:42,680 --> 00:25:45,080
Speaker 4: Yeah it is that. Yeah that wrong.

528
00:25:45,320 --> 00:25:47,359
Speaker 1: Split went to a great restaurant, and the nice thing

529
00:25:47,400 --> 00:25:51,200
Speaker 1: about New York City is every restaurant has to be good,

530
00:25:51,800 --> 00:25:53,520
Speaker 1: because if it's not, it's going to go out. Of

531
00:25:53,520 --> 00:25:55,439
Speaker 1: business because you can go to a restaurant next to

532
00:25:55,480 --> 00:25:58,959
Speaker 1: it that's great. But in La you'll say, Okay, that

533
00:25:59,000 --> 00:26:02,640
Speaker 1: restaurant's all right, but the great restaurant's thirty minutes from here.

534
00:26:02,760 --> 00:26:03,880
Speaker 1: Let's just go eat this crap.

535
00:26:06,640 --> 00:26:08,480
Speaker 4: The restaurant business is tough all over.

536
00:26:08,480 --> 00:26:10,880
Speaker 1: It's horrible, But in New York you have to have

537
00:26:11,000 --> 00:26:13,720
Speaker 1: good food or you're gonna go out of business. The

538
00:26:13,800 --> 00:26:16,600
Speaker 1: very first night we've arrived in New York, it was

539
00:26:17,000 --> 00:26:20,080
Speaker 1: right before the pandemic, was six months before the pandemic,

540
00:26:20,440 --> 00:26:22,480
Speaker 1: and my daughter was hungry. I was hungry, so was

541
00:26:22,520 --> 00:26:25,040
Speaker 1: my wife. But really to the point we're irritated with

542
00:26:25,119 --> 00:26:27,000
Speaker 1: each other because we were so hungry. So I said,

543
00:26:27,040 --> 00:26:28,720
Speaker 1: let's just go. You know, we're in New York. Let's

544
00:26:28,720 --> 00:26:30,760
Speaker 1: go get pizza. We go across the street, the first

545
00:26:30,760 --> 00:26:33,399
Speaker 1: pizza place we see, We go in, we get a slice,

546
00:26:33,440 --> 00:26:35,439
Speaker 1: and we sit down and have a salad bar and

547
00:26:35,480 --> 00:26:38,320
Speaker 1: a slice of pizza. And that very first night in

548
00:26:38,520 --> 00:26:45,879
Speaker 1: New York City we ate at Numero Uno. How about

549
00:26:45,880 --> 00:26:49,400
Speaker 1: that for a high end guy, that's great. Five three

550
00:26:49,480 --> 00:26:51,679
Speaker 1: thousand miles to eat at Numero Un.

551
00:26:51,840 --> 00:26:53,960
Speaker 4: Go with what you know, Go with what you know.

552
00:26:54,160 --> 00:26:56,240
Speaker 1: And that's what I said to my wife. I said, Look,

553
00:26:56,240 --> 00:26:58,439
Speaker 1: they'd be a lot more honest with people around here

554
00:26:58,440 --> 00:27:04,000
Speaker 1: if they named it Nume Dose, which I think was

555
00:27:04,040 --> 00:27:07,200
Speaker 1: the original name of that restaurant. But you can't call

556
00:27:07,240 --> 00:27:09,720
Speaker 1: it Numero Dose. You know, Hey, you guys looking to

557
00:27:09,800 --> 00:27:12,280
Speaker 1: Numero Dose A you kidding? Get out of here, just

558
00:27:12,280 --> 00:27:13,680
Speaker 1: getting over the last one.

559
00:27:14,240 --> 00:27:17,920
Speaker 9: You're listening to Tim Conway Junior on demand from KFI

560
00:27:18,240 --> 00:27:19,200
Speaker 9: Am sixty.

561
00:27:20,680 --> 00:27:23,800
Speaker 1: We have a warning for people who are going to

562
00:27:23,840 --> 00:27:28,240
Speaker 1: the Oscars. It's a week from yesterday, this Sunday, and

563
00:27:28,600 --> 00:27:34,160
Speaker 1: they are concerned about a possible sleeper cell. Oh no,

564
00:27:34,480 --> 00:27:38,960
Speaker 1: and the Oscars, the Academy Awards. Let's find out what's

565
00:27:38,960 --> 00:27:39,959
Speaker 1: going on here.

566
00:27:40,840 --> 00:27:44,520
Speaker 5: It's the shocking moment cops say an Ices inspired terrorist

567
00:27:44,640 --> 00:27:46,879
Speaker 5: tosses a bomb right in front of the Mayor of

568
00:27:46,920 --> 00:27:50,480
Speaker 5: New York's mansion. We're learning today that sheer luck prevented

569
00:27:50,560 --> 00:27:53,440
Speaker 5: a massacre. Two bombs failed to explode.

570
00:27:53,600 --> 00:27:58,639
Speaker 4: These were improvised explosive devices made to injure maime or worse.

571
00:27:58,800 --> 00:28:00,320
Speaker 1: You know, these are too wealthy kids.

572
00:28:00,320 --> 00:28:00,880
Speaker 4: They did that.

573
00:28:01,359 --> 00:28:02,680
Speaker 1: You know that one of them listened a two and

574
00:28:02,680 --> 00:28:05,800
Speaker 1: a half million dollar home in Pennsylvania, and the other

575
00:28:05,840 --> 00:28:08,320
Speaker 1: one lives in a like a nine hundred thousand dollars home.

576
00:28:08,560 --> 00:28:09,479
Speaker 4: What's going to happen to them?

577
00:28:09,680 --> 00:28:11,680
Speaker 1: I don't know, man, I have a feeling they're gonna

578
00:28:11,680 --> 00:28:13,240
Speaker 1: spend a long time in prison.

579
00:28:13,320 --> 00:28:15,760
Speaker 4: I think that, yeah, a long time. This is not

580
00:28:15,800 --> 00:28:16,640
Speaker 4: stuff to mess with.

581
00:28:16,840 --> 00:28:22,720
Speaker 1: They threw two bombs at is it Gracy Manor? That's

582
00:28:22,720 --> 00:28:25,800
Speaker 1: where the mayor lives. And I think the mayor was

583
00:28:25,800 --> 00:28:27,960
Speaker 1: home with his wife and the kids. I think he

584
00:28:28,000 --> 00:28:31,720
Speaker 1: has kids, doesn't he? And if those bombs had gone off,

585
00:28:31,760 --> 00:28:35,159
Speaker 1: it could have killed somebody or any everybody in that house.

586
00:28:35,840 --> 00:28:39,400
Speaker 1: And they're in these kids inspired by ices. But these

587
00:28:39,400 --> 00:28:41,760
Speaker 1: are wealthy kids. These are kids that grew up in

588
00:28:41,760 --> 00:28:45,120
Speaker 1: a very affluent area. And I don't know if that

589
00:28:45,160 --> 00:28:47,160
Speaker 1: matters or not. I don't think it does. But still

590
00:28:47,440 --> 00:28:49,440
Speaker 1: I don't know. I think you gotta keep it.

591
00:28:49,560 --> 00:28:53,000
Speaker 3: I mean, I think Osama bin Laden came up from

592
00:28:53,000 --> 00:28:55,680
Speaker 3: a wealthy family. Yeah, right now, it's crazy how these

593
00:28:55,720 --> 00:28:56,920
Speaker 3: guys get radicalized.

594
00:28:57,840 --> 00:29:00,240
Speaker 1: All right, let's continue here find out if they is

595
00:29:00,320 --> 00:29:04,920
Speaker 1: any danger that they're predicting for the oscars. God, I

596
00:29:04,920 --> 00:29:07,520
Speaker 1: hope not. I really hope cops say second, I guess

597
00:29:07,520 --> 00:29:08,160
Speaker 1: everybody hosts that.

598
00:29:08,800 --> 00:29:11,040
Speaker 4: Yeah, I think we are. We can all stipulate to that.

599
00:29:11,680 --> 00:29:14,680
Speaker 5: Cops say. Seconds after throwing the first bomb, the suspect

600
00:29:14,720 --> 00:29:18,120
Speaker 5: grabbed the second from his accused accomplice. He dropped it

601
00:29:18,200 --> 00:29:21,160
Speaker 5: and police chased him down. He was overpowered close to

602
00:29:21,200 --> 00:29:24,960
Speaker 5: where the bomb lay on the sidewalk got New.

603
00:29:24,920 --> 00:29:30,840
Speaker 11: York Police Department officers running to the danger, knowing that

604
00:29:30,880 --> 00:29:34,120
Speaker 11: these might be explosive devices, knowing that they might explode.

605
00:29:34,400 --> 00:29:34,640
Speaker 9: Yamn.

606
00:29:34,960 --> 00:29:38,600
Speaker 11: That is the kind of commitment that makes this city great.

607
00:29:39,000 --> 00:29:42,920
Speaker 5: The heart stopping drama unfolded outside Gracie Mansion, the mayor's

608
00:29:42,960 --> 00:29:47,400
Speaker 5: official residence, where far right anti Islam protesters clashed with

609
00:29:47,600 --> 00:29:48,680
Speaker 5: counter protesters.

610
00:29:48,760 --> 00:29:50,840
Speaker 1: Yeah, there's a big I think it's going to go

611
00:29:50,880 --> 00:29:54,280
Speaker 1: on every day out there outside of that Gracie Mansion.

612
00:29:54,280 --> 00:29:58,120
Speaker 5: Authority say the two suspects were radicalized by watching ICE's

613
00:29:58,120 --> 00:30:02,360
Speaker 5: propaganda videos on their computer. Authority say eighteen year old

614
00:30:02,360 --> 00:30:05,800
Speaker 5: Amir Ballot had returned from a trip to Turkey in January.

615
00:30:05,960 --> 00:30:09,040
Speaker 4: All occupant come out through the front door with the job.

616
00:30:09,600 --> 00:30:13,160
Speaker 5: Sunday, the FBI raided their homes in Bucks County, Pennsylvania.

617
00:30:13,280 --> 00:30:15,840
Speaker 5: The two bombs were made from jars filled with a

618
00:30:15,960 --> 00:30:20,520
Speaker 5: powerful explosive widely used by terror groups. The explosive is

619
00:30:20,560 --> 00:30:24,240
Speaker 5: made from readily available household items and is nicknamed the

620
00:30:24,240 --> 00:30:26,640
Speaker 5: Mother of Satan. The jars were filled with.

621
00:30:26,680 --> 00:30:28,880
Speaker 1: Nail wow, I about that for a name of the bomb.

622
00:30:30,680 --> 00:30:33,680
Speaker 5: And is nicknamed the Mother of Satan. The jars were

623
00:30:33,720 --> 00:30:36,880
Speaker 5: filled with nails, screws, and other metal items that could

624
00:30:36,920 --> 00:30:40,640
Speaker 5: have caused serious injuries and deaths. Now there's fere that

625
00:30:40,760 --> 00:30:44,400
Speaker 5: ICE's terror cells may be targeting next Sunday's Oscars.

626
00:30:44,440 --> 00:30:46,240
Speaker 4: Oh no not.

627
00:30:46,360 --> 00:30:49,760
Speaker 5: The oscars security expert Kent Moyer spoke with Jim Array

628
00:30:49,880 --> 00:30:51,840
Speaker 5: amid preparations at the Dolby Theater.

629
00:30:52,120 --> 00:30:55,440
Speaker 9: What scares me is that it could be somebody that

630
00:30:55,520 --> 00:30:58,200
Speaker 9: nobody's looking at and all of a sudden, somehow they

631
00:30:58,200 --> 00:30:58,640
Speaker 9: come out of.

632
00:30:58,640 --> 00:31:01,880
Speaker 4: Nowhere and we are not able to identify the threat.

633
00:31:04,840 --> 00:31:07,160
Speaker 3: Well, you know, they all to start looking at more

634
00:31:07,160 --> 00:31:09,880
Speaker 3: people then, yes, I'm in security is going to be

635
00:31:10,000 --> 00:31:12,000
Speaker 3: unbelievable for the Oscars.

636
00:31:12,080 --> 00:31:14,400
Speaker 1: Yeah, it's not gonna be one of those casual things

637
00:31:14,440 --> 00:31:17,800
Speaker 1: where you know, Steve Gregory's just walking around backstage.

638
00:31:19,840 --> 00:31:21,480
Speaker 4: Has that been the trick in the past.

639
00:31:21,360 --> 00:31:23,840
Speaker 1: And yeah, he goes I think he goes every year

640
00:31:24,000 --> 00:31:26,479
Speaker 1: and then reports back. I don't think we'll have him

641
00:31:26,480 --> 00:31:30,280
Speaker 1: on this year, but he does go backstage at the

642
00:31:30,680 --> 00:31:32,880
Speaker 1: Grammy's and he said it's pretty casual. It's not going

643
00:31:32,920 --> 00:31:36,680
Speaker 1: to be pretty casual. It's going to be a lot

644
00:31:36,960 --> 00:31:37,440
Speaker 1: of people.

645
00:31:37,760 --> 00:31:40,000
Speaker 3: If I asked you to me, because we are the

646
00:31:40,600 --> 00:31:41,840
Speaker 3: heart of Hollywood here.

647
00:31:41,960 --> 00:31:45,080
Speaker 1: That's right. Everybody in Hollywood can hear us.

648
00:31:45,160 --> 00:31:49,560
Speaker 3: I just feel as though the Oscars and the movie

649
00:31:49,680 --> 00:31:53,000
Speaker 3: business which is taking some body blows from a lot

650
00:31:53,040 --> 00:31:57,280
Speaker 3: of stuff. COVID lost, the studios, people will been out production,

651
00:31:57,440 --> 00:31:58,880
Speaker 3: outzer actors, writers' drikes.

652
00:32:00,160 --> 00:32:00,400
Speaker 4: Though.

653
00:32:00,920 --> 00:32:03,880
Speaker 3: Streaming has also really hurt it because I feel people

654
00:32:03,920 --> 00:32:07,560
Speaker 3: are sometimes and in many instances, more aware of the

655
00:32:07,560 --> 00:32:08,920
Speaker 3: streamers than they are of the movies.

656
00:32:09,400 --> 00:32:12,240
Speaker 4: You know what I mean. Percent you know the nominations.

657
00:32:12,280 --> 00:32:13,480
Speaker 3: If you stop something in the street and say, can

658
00:32:13,520 --> 00:32:15,440
Speaker 3: you name three of the nominated movies for the Oscars,

659
00:32:15,560 --> 00:32:18,400
Speaker 3: I don't know. I mean maybe people could, maybe they couldn't.

660
00:32:18,560 --> 00:32:20,960
Speaker 3: I think i'd lean toward probably not. Yeah, No, I

661
00:32:21,000 --> 00:32:21,560
Speaker 3: think you're right.

662
00:32:21,640 --> 00:32:25,440
Speaker 1: I think people are a lot of people are fearful

663
00:32:25,480 --> 00:32:27,880
Speaker 1: of going out, you know, even though it's it's not

664
00:32:28,000 --> 00:32:31,480
Speaker 1: a legitimate fear. The murder rate is way way down

665
00:32:31,560 --> 00:32:34,800
Speaker 1: from what it used to be in this in this part.

666
00:32:35,280 --> 00:32:36,880
Speaker 4: It safer now, it's much safer.

667
00:32:36,920 --> 00:32:39,080
Speaker 3: And yet if you ask people, can you name three

668
00:32:39,120 --> 00:32:42,480
Speaker 3: streaming things that you're watching, Like, oh yeah, move on,

669
00:32:42,520 --> 00:32:45,320
Speaker 3: Netflix is on AMLETV. I just feel like people are

670
00:32:45,600 --> 00:32:48,040
Speaker 3: the entertainment business is being reoriented a little bit.

671
00:32:48,400 --> 00:32:53,160
Speaker 1: Streaming is really great for for your schedule. You know,

672
00:32:53,200 --> 00:32:56,000
Speaker 1: you don't have to be anywhere any time to see anything.

673
00:32:56,040 --> 00:32:59,000
Speaker 1: Like all I do is watch stand up comedians almost,

674
00:32:59,200 --> 00:33:01,520
Speaker 1: you know, every weekend that's allly due, you know, three

675
00:33:01,600 --> 00:33:04,960
Speaker 1: four hours just watch you know, Nate Barghetti or or

676
00:33:05,400 --> 00:33:08,320
Speaker 1: you know, an old George Carlin or whatever. And it's great,

677
00:33:08,720 --> 00:33:11,640
Speaker 1: even the stuff I've already seen before. I watched Mike

678
00:33:11,720 --> 00:33:13,720
Speaker 1: Epps last night for an hour and a half. I

679
00:33:13,800 --> 00:33:16,840
Speaker 1: knew I've already seen that before, but it's still it's great.

680
00:33:16,880 --> 00:33:18,160
Speaker 1: He's one of the funniest you know who he is,

681
00:33:18,200 --> 00:33:20,120
Speaker 1: Mike Epps. Yeah, he's one of the funniest.

682
00:33:19,720 --> 00:33:21,880
Speaker 4: Guys around, very funny. Yeah, he really is great.

683
00:33:22,440 --> 00:33:24,920
Speaker 1: But so it's so easy to do that, you know,

684
00:33:25,080 --> 00:33:26,520
Speaker 1: just sit at home and not go to a theater.

685
00:33:26,600 --> 00:33:28,640
Speaker 1: And not go out to dinner and not you spend

686
00:33:28,680 --> 00:33:32,920
Speaker 1: a lot of money, just sit home almost for free

687
00:33:32,920 --> 00:33:34,760
Speaker 1: because you put on a credit card a month ago.

688
00:33:34,800 --> 00:33:36,800
Speaker 1: You don't remember, you don't know how much it was,

689
00:33:37,360 --> 00:33:39,600
Speaker 1: and you get to watch it free. Sure, and it's safer,

690
00:33:39,640 --> 00:33:41,320
Speaker 1: and you have your own food. I mean, and you

691
00:33:41,360 --> 00:33:42,800
Speaker 1: can stop it and go take a league and stop it.

692
00:33:42,840 --> 00:33:43,960
Speaker 1: Go get a beer. You can stop it, go a

693
00:33:44,040 --> 00:33:45,160
Speaker 1: vodka and stop it. A a ciger.

694
00:33:45,680 --> 00:33:48,000
Speaker 3: But I mean, we've just reoriented ourselves to that that

695
00:33:48,040 --> 00:33:50,120
Speaker 3: you just described. I mean, I think you could also

696
00:33:50,160 --> 00:33:52,840
Speaker 3: say the theater experience used to be so great. It's immersive,

697
00:33:52,880 --> 00:33:57,320
Speaker 3: it's dark, everybody's that's a shared thing. But a lot

698
00:33:57,320 --> 00:34:00,640
Speaker 3: of the conveniences you just described sort of now trump

699
00:34:00,680 --> 00:34:04,800
Speaker 3: that stuff, Like they just make that a preferred experience,

700
00:34:04,840 --> 00:34:08,279
Speaker 3: the home experience, right, And I think people misbehave in

701
00:34:08,280 --> 00:34:10,440
Speaker 3: the theater, people on their phone. It's just like so

702
00:34:10,480 --> 00:34:12,280
Speaker 3: it kind of sucks when you're paying all that money.

703
00:34:12,520 --> 00:34:15,399
Speaker 1: Plus you never have to keep an eye on an

704
00:34:15,440 --> 00:34:17,759
Speaker 1: individual at home like you do in a theater.

705
00:34:17,840 --> 00:34:18,239
Speaker 4: That is true.

706
00:34:18,239 --> 00:34:20,319
Speaker 1: It's like, hey, Jen, let's keep an eye on that

707
00:34:20,360 --> 00:34:22,560
Speaker 1: one guy looks sketchy. Yeah, this guy is gonna blow

708
00:34:22,600 --> 00:34:25,080
Speaker 1: this place up. Yeah, let's get out of here. It's halftime.

709
00:34:25,160 --> 00:34:27,800
Speaker 1: Let's go all right. Conway and Thompson were live on

710
00:34:27,920 --> 00:34:28,879
Speaker 1: KFI AM six.

711
00:34:31,040 --> 00:34:32,400
Speaker 4: This is KFI.

712
00:34:32,640 --> 00:34:35,120
Speaker 2: This has been the Conway Show on demand on the

713
00:34:35,200 --> 00:34:39,640
Speaker 2: iHeartRadio app. There is live Join us on KFI AM

714
00:34:39,719 --> 00:34:43,520
Speaker 2: six forty weeknight six to ten pm, Monday through Friday.

715
00:34:43,719 --> 00:34:44,880
Speaker 4: Thing go along with this app