1 00:00:00,560 --> 00:00:04,040 Speaker 1: KFI AM six forty. You're listening to Dean Sharp the 2 00:00:04,120 --> 00:00:08,639 Speaker 1: House Whisper on demand on the iHeart Radio app. Every 3 00:00:08,680 --> 00:00:11,639 Speaker 1: home has a path forward, we just have to find it. 4 00:00:11,720 --> 00:00:13,720 Speaker 1: And once you find that path, once you see it, 5 00:00:15,160 --> 00:00:19,840 Speaker 1: everything changes, Everything changes. We're helping you find that path. 6 00:00:19,880 --> 00:00:23,040 Speaker 1: Today it's Valentine's Day weekend, and so I thought it 7 00:00:23,040 --> 00:00:26,520 Speaker 1: would be a beautiful time to discuss one of my 8 00:00:26,600 --> 00:00:30,640 Speaker 1: favorite topics, which is upping the romance of your home. 9 00:00:30,680 --> 00:00:33,640 Speaker 1: And again we're not talking about the makeout quality of 10 00:00:33,720 --> 00:00:37,520 Speaker 1: every room. I'm talking about romance from the architectural perspective, 11 00:00:37,800 --> 00:00:42,040 Speaker 1: and that is that classic sense of like, mmmmmm, this 12 00:00:42,120 --> 00:00:44,960 Speaker 1: is such a great space. Oh I love being in 13 00:00:45,000 --> 00:00:48,800 Speaker 1: this space. But to do that, we actually are drawing 14 00:00:48,920 --> 00:00:55,360 Speaker 1: upon classic romantic scenarios. I've already talked about Number one. Well, 15 00:00:55,400 --> 00:00:58,080 Speaker 1: here's what we've covered so far. If you're partnered, if 16 00:00:58,120 --> 00:01:01,240 Speaker 1: you and your partner live in a home, then this 17 00:01:01,320 --> 00:01:03,600 Speaker 1: is an important question to ask. Is it obvious that 18 00:01:03,720 --> 00:01:06,759 Speaker 1: both of you live there? From the design, from the decor. 19 00:01:07,880 --> 00:01:11,040 Speaker 1: Are you living in an over masculinized environment and an 20 00:01:11,120 --> 00:01:16,560 Speaker 1: over feminized environment? An environment in which one person's personality 21 00:01:16,720 --> 00:01:19,600 Speaker 1: is dominant and the other person is just essentially the 22 00:01:19,720 --> 00:01:23,400 Speaker 1: silent partner. That is not a well balanced and ergo 23 00:01:23,760 --> 00:01:28,600 Speaker 1: romantic environment to be in. I want everybody who lives 24 00:01:28,600 --> 00:01:30,720 Speaker 1: in the home to have a presence in the home 25 00:01:30,840 --> 00:01:34,119 Speaker 1: if we've designed it well. In a custom environment, that's 26 00:01:34,160 --> 00:01:38,000 Speaker 1: exactly the case. Okay, if you are single and you 27 00:01:38,040 --> 00:01:40,840 Speaker 1: are not a partnered person, the big question is your 28 00:01:40,840 --> 00:01:43,920 Speaker 1: own value? Are you worth it? Okay? A lot of 29 00:01:43,959 --> 00:01:46,360 Speaker 1: people just dismiss the fact that you know, I'm not 30 00:01:46,400 --> 00:01:49,720 Speaker 1: here with anybody else and nobody usually comes over, and 31 00:01:49,800 --> 00:01:52,280 Speaker 1: so you know, who cares what my house looks like 32 00:01:52,320 --> 00:01:53,000 Speaker 1: on the inside. 33 00:01:53,200 --> 00:01:54,840 Speaker 2: You do? You should? 34 00:01:55,440 --> 00:01:58,320 Speaker 1: You should be worth it? You are worth it. I 35 00:01:58,360 --> 00:02:01,000 Speaker 1: want you to answer yes to that question, and I 36 00:02:01,040 --> 00:02:06,280 Speaker 1: want you to start making those environments romantically increased for you, 37 00:02:07,240 --> 00:02:11,200 Speaker 1: upping the romance for you for you so that you 38 00:02:11,760 --> 00:02:15,120 Speaker 1: get to retreat from work and from your stressful life 39 00:02:15,120 --> 00:02:19,679 Speaker 1: and you come home and you're like, oh, yeah, m 40 00:02:20,200 --> 00:02:22,320 Speaker 1: this is good. You know what I'm saying. All Right, 41 00:02:22,440 --> 00:02:26,080 Speaker 1: We've also covered clutter. I didn't belabor the point, but 42 00:02:26,160 --> 00:02:29,000 Speaker 1: I talked about it enough to get your attention. Clutter 43 00:02:29,160 --> 00:02:33,280 Speaker 1: is the ultimate vibe killer for your home. That's enough said. 44 00:02:33,560 --> 00:02:36,560 Speaker 1: If you just joined us, go back on the podcast 45 00:02:36,680 --> 00:02:40,120 Speaker 1: and make sure you don't miss the first part of 46 00:02:40,160 --> 00:02:43,040 Speaker 1: the show. And then we moved to lighting, and I 47 00:02:43,120 --> 00:02:46,000 Speaker 1: talked about the romantic candle lit dinner and the fact 48 00:02:46,080 --> 00:02:49,960 Speaker 1: that there's a ton of human behavioral science behind it. 49 00:02:50,800 --> 00:02:57,120 Speaker 1: Pupils open up, that increases the beauty perception of somebody's face, warm, 50 00:02:57,240 --> 00:03:01,360 Speaker 1: skin tones. But more importantly even then, that the fact 51 00:03:01,440 --> 00:03:05,640 Speaker 1: that eighteen hundred degrees kelvin, that is the color temperature 52 00:03:05,680 --> 00:03:09,760 Speaker 1: of open flame for a human being. Okay, for two 53 00:03:10,000 --> 00:03:14,760 Speaker 1: million years plus, we have huddled around fires to keep 54 00:03:14,880 --> 00:03:18,440 Speaker 1: us safe, to keep us warm, to cook our food, 55 00:03:19,000 --> 00:03:23,399 Speaker 1: to tell the stories of the tribe, to build community. 56 00:03:24,480 --> 00:03:31,480 Speaker 1: That color temperature of flame is ingrained in us biologically, genetically, 57 00:03:32,240 --> 00:03:36,040 Speaker 1: we react to it. What happens, Our heart rate drops, 58 00:03:36,600 --> 00:03:40,800 Speaker 1: our blood pressure drops, our brain clicks into a more 59 00:03:40,840 --> 00:03:45,320 Speaker 1: relaxed state of brain wave. Nothing but good things happen 60 00:03:45,920 --> 00:03:50,400 Speaker 1: when you and I are near the color temperature of safe. 61 00:03:50,720 --> 00:03:54,840 Speaker 1: I'm not talking about wildfires. I'm talking about contained, controlled, 62 00:03:54,960 --> 00:03:59,720 Speaker 1: intentional open flame. Whether it's candlelight or your fireplace or 63 00:03:59,760 --> 00:04:03,800 Speaker 1: your fire pit or whatever. The lights in your home 64 00:04:04,040 --> 00:04:06,800 Speaker 1: and the color temperature that we have set them at 65 00:04:07,240 --> 00:04:11,680 Speaker 1: in order to give us that vibe. It is real. 66 00:04:12,000 --> 00:04:18,039 Speaker 1: It is real biodynamic design elements that just relax you 67 00:04:18,520 --> 00:04:21,840 Speaker 1: and make you go hmm. That's part of it. Now. 68 00:04:22,279 --> 00:04:24,360 Speaker 1: In addition, this is where we're picking up. That's what 69 00:04:24,360 --> 00:04:28,599 Speaker 1: we've talked about so far. What about the ability to 70 00:04:28,640 --> 00:04:31,919 Speaker 1: control those lights? And right before we went to calls, 71 00:04:32,080 --> 00:04:34,800 Speaker 1: the last thing I mentioned on this topic was a 72 00:04:34,920 --> 00:04:38,880 Speaker 1: lot of you, a lot of folks. Too many folks 73 00:04:39,600 --> 00:04:41,440 Speaker 1: have and if you're a fan of the show, you 74 00:04:41,480 --> 00:04:44,400 Speaker 1: know where I'm going, have way too many recess can 75 00:04:44,480 --> 00:04:48,440 Speaker 1: lights in their home right, houses designed by electricians, who, 76 00:04:48,480 --> 00:04:51,520 Speaker 1: by the way, are not lighting designers, they are electricians. 77 00:04:52,520 --> 00:04:57,560 Speaker 1: So we've got living rooms, family rooms, bedrooms with tons 78 00:04:57,760 --> 00:05:01,440 Speaker 1: of recessed ceiling mount can lighting and you turn those 79 00:05:01,520 --> 00:05:04,960 Speaker 1: on and we're lighting up those spaces. We're driving out shadows, 80 00:05:05,000 --> 00:05:08,479 Speaker 1: as if shadows and darkness is an enemy, it is not. 81 00:05:09,640 --> 00:05:12,960 Speaker 1: We're flattening out, muddying up a room, and we're basically 82 00:05:13,040 --> 00:05:17,239 Speaker 1: turning that space into the equivalent of a sports arena 83 00:05:17,480 --> 00:05:23,480 Speaker 1: or a gymnasium. Not romantic lighting, not conducive for relaxation. 84 00:05:23,800 --> 00:05:26,560 Speaker 1: Lots of glare when we look up from those lights 85 00:05:27,160 --> 00:05:31,520 Speaker 1: and just straight down lighting on a human face not good. 86 00:05:31,880 --> 00:05:35,160 Speaker 1: Not good. And the elimination of shadows in a space 87 00:05:35,320 --> 00:05:39,919 Speaker 1: not good. Shadows create texture, They also define space, especially 88 00:05:39,920 --> 00:05:42,880 Speaker 1: in larger rooms. Can I mention that? Can I touch 89 00:05:42,880 --> 00:05:45,440 Speaker 1: on that for just a second. One of the reasons 90 00:05:45,520 --> 00:05:49,000 Speaker 1: why and this is so important these days because so 91 00:05:49,120 --> 00:05:53,200 Speaker 1: many of us have open planned are common spaces. Right now, 92 00:05:53,240 --> 00:05:56,760 Speaker 1: there's no wall in between the kitchen and the family room. 93 00:05:56,839 --> 00:05:59,160 Speaker 1: Now there may not be a wall between the family 94 00:05:59,240 --> 00:06:01,960 Speaker 1: room and the dining room. We may be family dining 95 00:06:02,000 --> 00:06:07,760 Speaker 1: in kitchen space, all relatively open space. That's a large area, okay. 96 00:06:08,680 --> 00:06:11,559 Speaker 1: And yet you are in the room on your own, 97 00:06:12,040 --> 00:06:14,640 Speaker 1: sitting in one place or another place, And we don't 98 00:06:14,760 --> 00:06:18,839 Speaker 1: need all of the rest of that space to remind 99 00:06:18,880 --> 00:06:21,440 Speaker 1: you that you're a little person sitting in a large 100 00:06:21,560 --> 00:06:26,200 Speaker 1: open space, especially in the evenings or whenever. So here's 101 00:06:26,240 --> 00:06:32,200 Speaker 1: the idea. Pools of light and darkness define smaller spaces 102 00:06:32,240 --> 00:06:37,000 Speaker 1: within a larger open architectural space. Just like I said, 103 00:06:37,040 --> 00:06:40,600 Speaker 1: the candle at dinner, the candles only illuminate the table 104 00:06:40,720 --> 00:06:44,880 Speaker 1: and everything beyond it. It goes fades into darkness that 105 00:06:45,040 --> 00:06:48,080 Speaker 1: gives you focus. The idea of sitting next to a 106 00:06:48,279 --> 00:06:51,200 Speaker 1: fireplace with the open fire going and not a lot 107 00:06:51,200 --> 00:06:53,799 Speaker 1: of light in the rest of the room. Mmmm, It's 108 00:06:53,960 --> 00:07:00,240 Speaker 1: an intimate area. Especially in larger open plan spaces, we 109 00:07:00,279 --> 00:07:06,880 Speaker 1: need subspaces, sub rooms. Okay, a space just for the 110 00:07:07,360 --> 00:07:10,920 Speaker 1: dining table and when people are dining and everything else 111 00:07:10,960 --> 00:07:14,600 Speaker 1: can go the dimmer or dark. When you're sitting on 112 00:07:14,680 --> 00:07:17,680 Speaker 1: the sofa or in that special comfy chair of yours, 113 00:07:17,760 --> 00:07:21,520 Speaker 1: everything else can go dark around you, and that reading 114 00:07:21,640 --> 00:07:25,720 Speaker 1: lamp or that floor lamp or whatever can just light 115 00:07:25,800 --> 00:07:29,240 Speaker 1: up that area. Being able to control that and how 116 00:07:29,240 --> 00:07:31,320 Speaker 1: do we get that control? Number one, we plan it 117 00:07:31,320 --> 00:07:36,760 Speaker 1: and number two the D word dimmers, dimmers, dimmers and 118 00:07:36,880 --> 00:07:39,960 Speaker 1: more dimmers everywhere. Let's talk about that more. On the 119 00:07:40,000 --> 00:07:43,480 Speaker 1: other side of the break. You are Home with Dean Sharp, 120 00:07:43,760 --> 00:07:44,680 Speaker 1: the house whisper. 121 00:07:45,560 --> 00:07:48,880 Speaker 2: You're listening to Home with Dean Sharp on demand from 122 00:07:49,000 --> 00:07:50,080 Speaker 2: KFI A six. 123 00:07:50,640 --> 00:07:52,920 Speaker 1: Today we're talking about taking your home to the next 124 00:07:53,000 --> 00:07:56,840 Speaker 1: level by increasing the romance in every space in your home. 125 00:07:56,960 --> 00:08:01,440 Speaker 1: Let's get back to it, shall we talking lighting? And 126 00:08:01,840 --> 00:08:04,960 Speaker 1: I've already talked about color temperature of that light, getting 127 00:08:05,000 --> 00:08:10,320 Speaker 1: it warmer. Also not obliterating darkness from a space, especially 128 00:08:10,320 --> 00:08:13,720 Speaker 1: in a larger, open planned space. We want certain things 129 00:08:13,800 --> 00:08:18,760 Speaker 1: darker than other things. Again, focus, hierarchy, focal points, not 130 00:08:18,880 --> 00:08:22,160 Speaker 1: too much stuff, not too much stuff lit up necessarily. Now, 131 00:08:22,200 --> 00:08:25,160 Speaker 1: if it's party night and everything, then you also want 132 00:08:25,200 --> 00:08:26,920 Speaker 1: to be able to set the scene in a room 133 00:08:27,040 --> 00:08:30,280 Speaker 1: where every space is beautifully lit all at once, okay, 134 00:08:30,320 --> 00:08:34,200 Speaker 1: but not overdone. And when it's just you ramble them around, 135 00:08:34,280 --> 00:08:36,920 Speaker 1: or you and your significant other, then you should be 136 00:08:36,960 --> 00:08:40,560 Speaker 1: able to control certain spaces, especially large spaces, to create 137 00:08:40,720 --> 00:08:43,120 Speaker 1: pools of light. You know what a pool of light 138 00:08:43,280 --> 00:08:45,360 Speaker 1: is in one place, in a room. It is the 139 00:08:45,400 --> 00:08:48,920 Speaker 1: definition of a new room inside a room, all right, 140 00:08:49,000 --> 00:08:51,800 Speaker 1: a pool of light and then the rest of the 141 00:08:51,880 --> 00:08:58,160 Speaker 1: room goes away. That's a theatrical effect and it applies 142 00:08:58,440 --> 00:09:01,720 Speaker 1: at home because it's good design. Imagine you're in a theater, 143 00:09:02,120 --> 00:09:04,880 Speaker 1: you know, we've all we've all been in theaters where 144 00:09:04,880 --> 00:09:07,600 Speaker 1: watching a stage play and there are times when the 145 00:09:07,800 --> 00:09:11,040 Speaker 1: entire background, the whole scene is set up and it's 146 00:09:11,040 --> 00:09:14,800 Speaker 1: all lit up beautifully. Okay. There are other times when 147 00:09:14,840 --> 00:09:18,840 Speaker 1: everything goes dark and it's just one spotlight, one spotlight, 148 00:09:19,640 --> 00:09:23,040 Speaker 1: creating a circle of what five feet in diameter down 149 00:09:23,080 --> 00:09:26,000 Speaker 1: on the stage, and one person, one individual sitting or 150 00:09:26,040 --> 00:09:30,120 Speaker 1: standing in that spotlight that is focus. And when that 151 00:09:30,240 --> 00:09:33,920 Speaker 1: spotlight is on, everything outside of that circle of light 152 00:09:34,080 --> 00:09:38,079 Speaker 1: does not exist. It is only there. They could they 153 00:09:38,080 --> 00:09:41,840 Speaker 1: could be standing and probably are standing on a forty 154 00:09:41,960 --> 00:09:46,640 Speaker 1: fifty foot wide stage, but that pool of light is 155 00:09:46,679 --> 00:09:50,240 Speaker 1: the only space in the entire theater. You see what 156 00:09:50,280 --> 00:09:52,959 Speaker 1: I'm saying. This is what I want for your reading area, 157 00:09:53,040 --> 00:09:56,480 Speaker 1: for that comfy chair, and uh and for that one lamp, 158 00:09:56,679 --> 00:09:59,240 Speaker 1: and you know, those are the kinds of things that 159 00:09:59,400 --> 00:10:04,000 Speaker 1: up the romance. Now, this doesn't happen by accident. We 160 00:10:04,080 --> 00:10:08,760 Speaker 1: plan these things, We design them, we contrive them, and 161 00:10:08,800 --> 00:10:14,040 Speaker 1: then we make them easy to access and control. Controls 162 00:10:14,559 --> 00:10:17,520 Speaker 1: are key. Let's talk about theater again. This is why 163 00:10:17,559 --> 00:10:21,000 Speaker 1: I say, when every circuit of lighting in your home, 164 00:10:21,160 --> 00:10:24,360 Speaker 1: especially if you have a home that has a lot 165 00:10:24,400 --> 00:10:30,000 Speaker 1: of recess, can lights, dimmers, dimmers and more dimmers. Okay, 166 00:10:30,200 --> 00:10:33,079 Speaker 1: there should be a dimmer controlling every bank of lights 167 00:10:33,559 --> 00:10:36,080 Speaker 1: in your home. And I would argue even lamps and 168 00:10:36,160 --> 00:10:38,800 Speaker 1: individual lamps, and you can get lamp cord dimmers all 169 00:10:38,800 --> 00:10:40,599 Speaker 1: of this kind of stuff. Or if you want to 170 00:10:40,640 --> 00:10:43,520 Speaker 1: go smart home. I'm a big fan of smart bulbs 171 00:10:43,880 --> 00:10:46,960 Speaker 1: that tie in with your that speak to your Wi 172 00:10:46,960 --> 00:10:50,200 Speaker 1: Fi system and give you control either through your personal 173 00:10:50,240 --> 00:10:53,200 Speaker 1: assistant and you know who I'm talking about. Those names 174 00:10:53,240 --> 00:10:54,679 Speaker 1: that I'm not going to mention because I don't want 175 00:10:54,679 --> 00:10:57,880 Speaker 1: to activate them in your home right now or through 176 00:10:57,920 --> 00:11:01,920 Speaker 1: an app. Okay, we have a smart home setup in 177 00:11:02,120 --> 00:11:06,600 Speaker 1: our looks like nineteen twenties esque decor in our home, 178 00:11:07,360 --> 00:11:09,360 Speaker 1: which we love. We set it up intent, but it's 179 00:11:09,440 --> 00:11:12,720 Speaker 1: very smart hidden away. When I walk into the family 180 00:11:12,760 --> 00:11:15,000 Speaker 1: room at night when we've got guests over, you know, 181 00:11:15,360 --> 00:11:18,640 Speaker 1: there's a scene that I've already pre set in the 182 00:11:18,679 --> 00:11:21,920 Speaker 1: home app that I just speak that I talk to 183 00:11:22,000 --> 00:11:24,920 Speaker 1: my assistant and say set the lights to and da 184 00:11:25,000 --> 00:11:28,520 Speaker 1: da da da, and then all of the lights change 185 00:11:28,720 --> 00:11:31,400 Speaker 1: for that open conversation. If Tina and I are just 186 00:11:31,440 --> 00:11:33,800 Speaker 1: watching a movie, if it's movie night, I literally have 187 00:11:33,840 --> 00:11:38,120 Speaker 1: a scene that's called movie set the lights to movie. 188 00:11:38,559 --> 00:11:42,040 Speaker 1: Everything dims down. Two of the lights that are out 189 00:11:42,080 --> 00:11:43,959 Speaker 1: in front of our face. The three of them actually 190 00:11:44,280 --> 00:11:48,160 Speaker 1: go blue. They turn blue because they're smart bulbs, multicolored bulbs. 191 00:11:48,440 --> 00:11:52,240 Speaker 1: They go boot blue. This dim blue that avoids glare, 192 00:11:52,320 --> 00:11:55,240 Speaker 1: It sets up the frame really nicely, and so on 193 00:11:55,280 --> 00:11:57,800 Speaker 1: and so forth. So that's another option that you have. 194 00:11:58,000 --> 00:12:03,120 Speaker 1: But know that these things are all very very intentional. Okay, 195 00:12:03,440 --> 00:12:07,120 Speaker 1: but let's get back to basics here. Lighting in a 196 00:12:07,160 --> 00:12:11,240 Speaker 1: house lighting? What what are we lighting? We do not 197 00:12:11,400 --> 00:12:15,360 Speaker 1: light rooms. I will repeat this mantra every time this 198 00:12:15,480 --> 00:12:19,600 Speaker 1: subject comes up. The key, the fundamental key to lighting 199 00:12:19,640 --> 00:12:23,200 Speaker 1: design in a home is just like lighting a stage 200 00:12:23,800 --> 00:12:28,400 Speaker 1: in theater. We do not light the stage. We light 201 00:12:28,480 --> 00:12:31,960 Speaker 1: things on the stage. We do not light rooms in 202 00:12:32,040 --> 00:12:39,959 Speaker 1: a home. No, we light things, not rooms. Things. So 203 00:12:40,280 --> 00:12:43,080 Speaker 1: all those recessed downlights that you have, and some of 204 00:12:43,120 --> 00:12:46,000 Speaker 1: you right now are thinking, what do we do. I'm 205 00:12:46,000 --> 00:12:48,560 Speaker 1: not gonna you know, we paid a lot of money 206 00:12:48,559 --> 00:12:50,840 Speaker 1: to put him in. What are we gonna do? Pull 207 00:12:50,880 --> 00:12:52,320 Speaker 1: them back out? No, you don't have to pull them 208 00:12:52,360 --> 00:12:57,920 Speaker 1: back out. But there is a relatively inexpensive fix for 209 00:12:58,160 --> 00:13:02,640 Speaker 1: that bank of six or eight perfectly organized like a 210 00:13:02,679 --> 00:13:06,640 Speaker 1: domino on your ceiling recess can lights. There is a fix. 211 00:13:07,080 --> 00:13:08,720 Speaker 1: It will cost you a little bit of money, but 212 00:13:08,760 --> 00:13:11,920 Speaker 1: not a lot. You can radically change the way they 213 00:13:11,920 --> 00:13:14,240 Speaker 1: affect that room. We'll talk about it when we come 214 00:13:14,280 --> 00:13:16,920 Speaker 1: back your Home with Dean Sharp, the house Whisperer. 215 00:13:17,800 --> 00:13:21,079 Speaker 2: You're listening to Home with Dean Sharp on demand from 216 00:13:21,200 --> 00:13:23,000 Speaker 2: KFI AM six forty. 217 00:13:24,320 --> 00:13:27,439 Speaker 1: Here to help you transform your ordinary house into an 218 00:13:27,480 --> 00:13:32,920 Speaker 1: extraordinary home. Let's continue discussing the romancing of your home. 219 00:13:33,920 --> 00:13:38,000 Speaker 1: So lighting, what what are we romantically lighting? We are 220 00:13:38,080 --> 00:13:43,080 Speaker 1: lighting things, not rooms. And the question is I've got 221 00:13:43,120 --> 00:13:46,520 Speaker 1: like these eight recess can lights all spread out across 222 00:13:46,600 --> 00:13:50,199 Speaker 1: my family room ceiling. When we use that? Now, some 223 00:13:50,240 --> 00:13:54,200 Speaker 1: of you use them. Others have already recognized that there's 224 00:13:54,240 --> 00:13:56,640 Speaker 1: too much glare, there's too much weirdness to it, and 225 00:13:56,679 --> 00:13:58,640 Speaker 1: you just don't even use them. I want you to 226 00:13:58,720 --> 00:14:02,080 Speaker 1: use them. They're there. You might as well use them. 227 00:14:02,160 --> 00:14:04,520 Speaker 1: You don't have to go in tear them all out, 228 00:14:04,760 --> 00:14:07,200 Speaker 1: Not that I would be angry if you did, but 229 00:14:07,360 --> 00:14:09,200 Speaker 1: you don't have to tear them all out. I actually 230 00:14:09,240 --> 00:14:11,640 Speaker 1: want some in there. But here is the trick that 231 00:14:11,679 --> 00:14:15,040 Speaker 1: I promised right before the break. It's going to cost 232 00:14:15,040 --> 00:14:17,200 Speaker 1: you a little bit of money. It's understanding what a 233 00:14:17,240 --> 00:14:19,800 Speaker 1: recess can light is all about. Now, those of you 234 00:14:19,880 --> 00:14:24,600 Speaker 1: who have had little pucks, little light led lighting pucks, 235 00:14:24,640 --> 00:14:28,160 Speaker 1: which are so popular and so inexpensive, these days. This 236 00:14:28,280 --> 00:14:31,760 Speaker 1: is not going to apply to you unfortunately. Okay, this 237 00:14:31,920 --> 00:14:34,440 Speaker 1: trick will not apply to you the same way. But 238 00:14:35,040 --> 00:14:39,920 Speaker 1: if you have a regular kind of standard traditional recessed 239 00:14:39,960 --> 00:14:44,840 Speaker 1: can light, okay, recess lighting comes in two parts. There 240 00:14:44,880 --> 00:14:48,720 Speaker 1: is the housing the can as it were, the housing 241 00:14:49,080 --> 00:14:52,040 Speaker 1: that has been mounted in and is up above the 242 00:14:52,120 --> 00:14:55,520 Speaker 1: dry wall. Right, the housing is up in the ceiling 243 00:14:55,560 --> 00:14:58,080 Speaker 1: where you can't see it. And then there's the part 244 00:14:58,120 --> 00:15:00,360 Speaker 1: that you do see, and that is what's no as 245 00:15:00,400 --> 00:15:03,480 Speaker 1: the trim of this light. Now, the trim can be 246 00:15:03,600 --> 00:15:06,440 Speaker 1: pulled out. The trim is in there with you know, 247 00:15:06,600 --> 00:15:10,640 Speaker 1: pressurized springs, and you can grab onto the side of 248 00:15:10,680 --> 00:15:12,640 Speaker 1: the trim, pry it down a little bit and just 249 00:15:12,680 --> 00:15:16,320 Speaker 1: pull it out with your hand to replace it. The 250 00:15:16,360 --> 00:15:23,040 Speaker 1: trim is something that can be pretty easily homeowner replaced. 251 00:15:23,320 --> 00:15:26,240 Speaker 1: All right, So here's the thing. Go grab one of 252 00:15:26,240 --> 00:15:31,200 Speaker 1: those trims, pull it out, take it with you down 253 00:15:31,240 --> 00:15:33,840 Speaker 1: to the big box store or the local lighting store 254 00:15:33,880 --> 00:15:36,560 Speaker 1: and say, here is the trim that's pulled out of 255 00:15:36,600 --> 00:15:39,240 Speaker 1: the recess can lights that are in my living room. 256 00:15:39,720 --> 00:15:42,840 Speaker 1: I would like to know what's available and for this size, 257 00:15:42,880 --> 00:15:45,840 Speaker 1: it'll fit into this can with this little you know, 258 00:15:45,920 --> 00:15:49,560 Speaker 1: low voltage connection or the LED connection. I would like 259 00:15:49,600 --> 00:15:53,320 Speaker 1: to know what's available in terms of a gimbal. Now 260 00:15:53,440 --> 00:15:56,120 Speaker 1: with somebody at the big box store who's only worked 261 00:15:56,120 --> 00:15:59,040 Speaker 1: in the electrical department for a day, they will raise 262 00:15:59,080 --> 00:16:01,440 Speaker 1: their eye and say, what is a gimbal? They won't 263 00:16:01,480 --> 00:16:04,040 Speaker 1: you won't get that reaction at the lighting shot. They know. 264 00:16:04,480 --> 00:16:07,680 Speaker 1: A gimbal is simply this. It is a trim that 265 00:16:08,000 --> 00:16:12,120 Speaker 1: rotates and can be pointed directionally. It's what in the 266 00:16:12,160 --> 00:16:15,680 Speaker 1: biz we used to call wall washers or eyeballs. They 267 00:16:15,720 --> 00:16:18,600 Speaker 1: don't look like eyeballs anymore, so thank god, because those 268 00:16:18,640 --> 00:16:21,600 Speaker 1: are pretty ugly. But the point is this, we can 269 00:16:21,640 --> 00:16:25,240 Speaker 1: put a trim in and trim might be you know, 270 00:16:25,480 --> 00:16:28,360 Speaker 1: typically a wall washing trim for a typical recess can 271 00:16:28,440 --> 00:16:31,720 Speaker 1: lights running about thirty dollars. That doesn't break the bank 272 00:16:32,480 --> 00:16:35,320 Speaker 1: to change out a room if you save up a 273 00:16:35,320 --> 00:16:37,320 Speaker 1: little bit for it, and you can make this change 274 00:16:37,320 --> 00:16:40,040 Speaker 1: and it's literally something you can do in an hour 275 00:16:40,280 --> 00:16:42,680 Speaker 1: or so to you know, get on a ladder and 276 00:16:42,760 --> 00:16:47,160 Speaker 1: change out those trims to gimbals. And I want every 277 00:16:47,280 --> 00:16:51,640 Speaker 1: recess can light in this room that's pointing straight down 278 00:16:51,720 --> 00:16:56,200 Speaker 1: at the floor, pointed against the walls against the walls, 279 00:16:56,600 --> 00:16:59,600 Speaker 1: not the floor. Believe me, it will not change the 280 00:16:59,600 --> 00:17:01,960 Speaker 1: amount of light you have in the room, but it 281 00:17:02,000 --> 00:17:06,400 Speaker 1: will refocus it to important things like artwork on the walls, 282 00:17:06,600 --> 00:17:09,760 Speaker 1: or highlighting a window or a door. It will get 283 00:17:09,760 --> 00:17:12,720 Speaker 1: the glare out of everybody's eyes because as you look up, 284 00:17:12,760 --> 00:17:15,960 Speaker 1: they won't be a headlight from a car pointing straight 285 00:17:16,000 --> 00:17:18,399 Speaker 1: down at you. It will be diverted off in a 286 00:17:18,400 --> 00:17:21,760 Speaker 1: different direction. It'll light up the grandfather clock in the room, 287 00:17:21,960 --> 00:17:28,120 Speaker 1: or the bookshelf, or the painting above the fireplace mantle, 288 00:17:28,240 --> 00:17:32,479 Speaker 1: and on and on it goes. Turn those against the 289 00:17:32,520 --> 00:17:36,640 Speaker 1: walls so that you can utilize those lights. Put that 290 00:17:36,880 --> 00:17:40,520 Speaker 1: light on a dimmer, that circuit of lights on a dimmer, 291 00:17:40,680 --> 00:17:44,240 Speaker 1: so you can dim and raise the intensity of the 292 00:17:44,320 --> 00:17:48,320 Speaker 1: light depending on the mood. And here's the third thing. 293 00:17:49,960 --> 00:17:55,280 Speaker 1: The quality of the light, whether you're using independent bulbs 294 00:17:55,400 --> 00:17:59,159 Speaker 1: inside of you know, floor lamps or table lamps, or 295 00:17:59,800 --> 00:18:06,960 Speaker 1: the quality of the led trims, the trims these down 296 00:18:07,040 --> 00:18:12,080 Speaker 1: trims or angled you know, directional trims. The quality of 297 00:18:12,119 --> 00:18:14,760 Speaker 1: those lights need to be high. Now what does that mean. 298 00:18:15,520 --> 00:18:18,600 Speaker 1: It means that there is a thing called the color 299 00:18:18,840 --> 00:18:23,959 Speaker 1: rendering index that measures the quality of white light coming 300 00:18:24,000 --> 00:18:29,200 Speaker 1: out of a lighting fixture or a bulb. You can 301 00:18:29,320 --> 00:18:32,479 Speaker 1: find it somewhere on the packaging. And if you don't 302 00:18:33,280 --> 00:18:36,440 Speaker 1: find it somewhere on the packaging, put that light bulb 303 00:18:36,520 --> 00:18:40,040 Speaker 1: back on the shelf. Because the color rendering index is 304 00:18:40,080 --> 00:18:43,879 Speaker 1: about how full of a spectrum of white light it 305 00:18:44,000 --> 00:18:48,920 Speaker 1: is producing and therefore how it reflects and pulls out 306 00:18:48,960 --> 00:18:52,359 Speaker 1: the natural colors and tonality of what that light is 307 00:18:52,440 --> 00:18:58,080 Speaker 1: lighting up. Okay, short order instruction, here is this A 308 00:18:58,119 --> 00:19:05,240 Speaker 1: CRI color rendering in rating of ninety or above is good. 309 00:19:05,840 --> 00:19:09,320 Speaker 1: The color rendering index goes to one hundred, so ninety 310 00:19:09,359 --> 00:19:15,320 Speaker 1: eight is exceptional and excellent. Okay, ninety is fine. Below ninety, no, 311 00:19:15,840 --> 00:19:19,239 Speaker 1: you don't want it. Okay. And here's the thing. The 312 00:19:19,280 --> 00:19:22,520 Speaker 1: package probably won't say it that it's below ninety, and 313 00:19:22,560 --> 00:19:24,679 Speaker 1: it just won't say anything about it. And that's why 314 00:19:24,760 --> 00:19:26,840 Speaker 1: you put it back on the shelf, because it hasn't 315 00:19:27,000 --> 00:19:31,560 Speaker 1: passed that threshold. So you pick up a bulb and 316 00:19:32,040 --> 00:19:34,199 Speaker 1: you're looking at it and it's like, you know, CRI 317 00:19:34,480 --> 00:19:37,960 Speaker 1: rating or color rendering index ninety six ninety said, that's 318 00:19:38,040 --> 00:19:41,560 Speaker 1: the bulb. Okay. That means that the color of green 319 00:19:41,720 --> 00:19:45,639 Speaker 1: on that wall against those things will come back full. 320 00:19:46,119 --> 00:19:49,960 Speaker 1: It won't be muddy, it won't be you know, gray cast, 321 00:19:50,400 --> 00:19:54,320 Speaker 1: It'll be full and rendered beautiful colors. And of course 322 00:19:54,520 --> 00:19:58,560 Speaker 1: color temperature. Now I said eighteen hundred degrees kelvin is 323 00:19:58,720 --> 00:20:01,240 Speaker 1: romantic candlelight. You don't want all the lights in your 324 00:20:01,240 --> 00:20:04,040 Speaker 1: house to be eighteen hundred degrees kelvin because everything is 325 00:20:04,119 --> 00:20:08,240 Speaker 1: just amber amber warm on warm, too warm. But we 326 00:20:08,400 --> 00:20:13,000 Speaker 1: don't want the color index of indoor bulbs going over 327 00:20:13,119 --> 00:20:17,159 Speaker 1: three thousand, because then they start to turn blue, okay, 328 00:20:17,280 --> 00:20:20,720 Speaker 1: and blue is harsh and it's cold, and it doesn't 329 00:20:20,760 --> 00:20:24,600 Speaker 1: work for indoor and it does not increase romance at all. 330 00:20:25,359 --> 00:20:30,440 Speaker 1: So ideally three thousand, ideally twenty eight hundred kelvin. Twenty 331 00:20:30,440 --> 00:20:32,359 Speaker 1: eight hundred k that's what it should say on the 332 00:20:32,400 --> 00:20:35,879 Speaker 1: side of the bulb. Three thousand max. Okay, you can 333 00:20:35,960 --> 00:20:38,000 Speaker 1: get by with three thousand. It's very bright, but it's 334 00:20:38,040 --> 00:20:42,960 Speaker 1: not cold. Anything above three thousand, no, not for indoor lighting. Okay. 335 00:20:43,359 --> 00:20:47,800 Speaker 1: So we want the bulbs or the trims in those 336 00:20:47,840 --> 00:20:51,560 Speaker 1: recess can lights changed out so that they're pointing towards 337 00:20:51,720 --> 00:20:55,280 Speaker 1: things on the walls, not straight down on the floor. 338 00:20:55,520 --> 00:20:57,920 Speaker 1: The light will bounce off the wall. I promise you 339 00:20:57,960 --> 00:21:01,000 Speaker 1: the room will not be darker, just as much light 340 00:21:01,359 --> 00:21:04,720 Speaker 1: it's just reflecting off the walls instead of coming straight 341 00:21:04,800 --> 00:21:08,879 Speaker 1: down overhead, onto the floor and onto you. You got that? 342 00:21:09,440 --> 00:21:12,880 Speaker 1: Are you with me? All right? I'm handing to pearls here, 343 00:21:13,040 --> 00:21:16,720 Speaker 1: my friends. These are inexpensive ways of upping the romance. 344 00:21:16,760 --> 00:21:21,560 Speaker 1: And then, like a good theater manager, right, my engineer 345 00:21:21,600 --> 00:21:24,400 Speaker 1: is sitting in the studio right now with audio control 346 00:21:24,480 --> 00:21:26,600 Speaker 1: of this show. And guess what. Yeah, there are little 347 00:21:26,640 --> 00:21:29,880 Speaker 1: switches to turn on feeds, but above every switch there 348 00:21:29,960 --> 00:21:33,440 Speaker 1: is a slider. You know what I'm talking about. A slider. 349 00:21:33,840 --> 00:21:37,680 Speaker 1: That's what a dimmer is. It's theatrical control for the room, 350 00:21:37,800 --> 00:21:42,639 Speaker 1: so that you've got a choice beyond off and on. No, 351 00:21:42,920 --> 00:21:45,679 Speaker 1: you should have every choice in between, depending on the 352 00:21:45,720 --> 00:21:48,080 Speaker 1: time of day, the noun of light that's coming in, 353 00:21:48,119 --> 00:21:49,960 Speaker 1: the amount of people in the room, and the way 354 00:21:50,000 --> 00:21:52,640 Speaker 1: you want to use the room. Get control of those 355 00:21:52,720 --> 00:21:56,800 Speaker 1: lights with dimmers. All right, got a couple more to 356 00:21:56,800 --> 00:22:00,280 Speaker 1: hand you before we're done today, So don't go anywhere. 357 00:22:00,480 --> 00:22:03,280 Speaker 1: We will continue this conversation when we come back. You 358 00:22:03,359 --> 00:22:05,879 Speaker 1: are home with Dean Shark. The house Whisper. 359 00:22:06,400 --> 00:22:09,680 Speaker 2: You're listening to Home with Dean Sharp on demand from 360 00:22:09,800 --> 00:22:11,600 Speaker 2: KFI AM six forty. 361 00:22:11,320 --> 00:22:13,080 Speaker 1: Here to take your home to the next level. We've 362 00:22:13,119 --> 00:22:15,280 Speaker 1: been talking about raising the romance of your home. Here 363 00:22:15,280 --> 00:22:17,760 Speaker 1: we are in the last segment. Don't go anywhere. I've 364 00:22:17,760 --> 00:22:19,640 Speaker 1: still got some comments for you you're not gonna want 365 00:22:19,640 --> 00:22:23,080 Speaker 1: to miss. Thank you for hanging in there with us today. 366 00:22:23,160 --> 00:22:26,520 Speaker 1: It's been a lot of fun, great calls as always, 367 00:22:27,320 --> 00:22:31,919 Speaker 1: and it's always a pleasure and a privilege to spend 368 00:22:31,920 --> 00:22:34,199 Speaker 1: time with you on the weekend. I know what your 369 00:22:34,200 --> 00:22:36,400 Speaker 1: weekends are like. I get them, I get how important 370 00:22:36,440 --> 00:22:38,760 Speaker 1: they are. And that's why it is not lost on 371 00:22:38,840 --> 00:22:40,720 Speaker 1: me that you and I get to spend time together 372 00:22:40,760 --> 00:22:44,520 Speaker 1: talking about this all important thing that we call home. 373 00:22:45,040 --> 00:22:48,360 Speaker 1: All right, raising the romance level. There's so many more 374 00:22:48,400 --> 00:22:51,480 Speaker 1: things that we could talk about. They really, really, truly 375 00:22:51,640 --> 00:22:54,240 Speaker 1: are I just want to hit a few other items here. 376 00:22:54,320 --> 00:22:57,399 Speaker 1: I've left lighting behind. Now let's talk about textures in 377 00:22:57,440 --> 00:23:00,159 Speaker 1: a room. You notice today by the way, that I 378 00:23:00,200 --> 00:23:02,800 Speaker 1: could have gone into the whole major remodel thing. Yeah, 379 00:23:02,800 --> 00:23:05,800 Speaker 1: we could talk about tearing the bathroom into an oasis, 380 00:23:05,840 --> 00:23:10,320 Speaker 1: soaking tubs and rainfowl rainfall, shower heads and heated floors. 381 00:23:10,400 --> 00:23:12,920 Speaker 1: And we could talk about the kitchen. That's another area 382 00:23:12,960 --> 00:23:16,600 Speaker 1: of huge romance, right the heart of the home, absolutely 383 00:23:16,680 --> 00:23:19,960 Speaker 1: the heart of the American home. The romance of food 384 00:23:20,280 --> 00:23:24,600 Speaker 1: should be self explanatory, Okay, whether you are a foodie 385 00:23:24,680 --> 00:23:27,760 Speaker 1: or not, food affects you. The aroma of food, the 386 00:23:27,800 --> 00:23:31,800 Speaker 1: taste of food, the emotions that good food elicits, and 387 00:23:32,119 --> 00:23:35,639 Speaker 1: the time that can be spent in the food preparation area, 388 00:23:35,800 --> 00:23:41,240 Speaker 1: bonding as family, in relationships with each other, cooperating, working together, 389 00:23:41,359 --> 00:23:43,719 Speaker 1: producing our food, you know, and on and on and on, 390 00:23:43,880 --> 00:23:48,520 Speaker 1: so many facets. And we will spend time this year 391 00:23:48,520 --> 00:23:51,920 Speaker 1: talking about each of those things for their own shows, okay, 392 00:23:52,040 --> 00:23:54,280 Speaker 1: but I'm just touching on it now. And then outdoors, 393 00:23:54,320 --> 00:23:57,680 Speaker 1: of course, all of that kind of stuff. Outdoor ambiance 394 00:23:57,840 --> 00:24:01,920 Speaker 1: is huge. That's primal romance, by the way. Primal romance 395 00:24:02,520 --> 00:24:06,240 Speaker 1: destinations in your outdoor space instead of just oh the 396 00:24:06,359 --> 00:24:11,480 Speaker 1: yard rooms, creating rooms out there, not out of walls 397 00:24:11,480 --> 00:24:15,399 Speaker 1: and dry wall and studs, but out of spatial definition 398 00:24:16,200 --> 00:24:20,159 Speaker 1: out there, pathways to patios away from the house. The 399 00:24:20,200 --> 00:24:22,639 Speaker 1: patio doesn't have to be that big slab of cement 400 00:24:22,880 --> 00:24:25,639 Speaker 1: connected to the house, right up next to the hot 401 00:24:25,760 --> 00:24:28,600 Speaker 1: stucco walls of the house. We can get away from 402 00:24:28,600 --> 00:24:30,439 Speaker 1: the house. We can get out into the yard and 403 00:24:30,480 --> 00:24:33,600 Speaker 1: spend time out there. Where is the best spot to 404 00:24:33,720 --> 00:24:36,879 Speaker 1: stand in your yard? Forget about what's underneath your feet, 405 00:24:37,040 --> 00:24:40,119 Speaker 1: forget about what's there or not there. Walk your yard 406 00:24:40,160 --> 00:24:43,280 Speaker 1: and ask yourself this question, where is the space that 407 00:24:43,359 --> 00:24:46,440 Speaker 1: I would love to just sit in my yard? Well, 408 00:24:46,680 --> 00:24:49,480 Speaker 1: why isn't there a table there? Let's get it there, 409 00:24:50,160 --> 00:24:53,520 Speaker 1: string lighting in the yard, the fire pit, you know, obviously, 410 00:24:54,359 --> 00:24:58,160 Speaker 1: seating for two or more, sometimes seating for just two. 411 00:24:58,320 --> 00:25:01,639 Speaker 1: Sometimes areas if you've got the room for you know, 412 00:25:01,760 --> 00:25:05,320 Speaker 1: intimate parties or the large feast table for the family. 413 00:25:05,359 --> 00:25:07,359 Speaker 1: There are so many things we can talk about in 414 00:25:07,400 --> 00:25:11,879 Speaker 1: regards to outdoor romance, and then sound. Sound is a 415 00:25:11,880 --> 00:25:16,800 Speaker 1: whole nother aspect, whether it's musical, the ability to get 416 00:25:16,880 --> 00:25:20,800 Speaker 1: music playing across the yard, the ability to bring nature 417 00:25:20,840 --> 00:25:24,440 Speaker 1: sounds inside the house, or the ability to mask out 418 00:25:24,520 --> 00:25:27,160 Speaker 1: the sounds of the city or traffic, and so on. 419 00:25:27,520 --> 00:25:31,520 Speaker 1: Sound is a foundation of emotion and connection when it 420 00:25:31,560 --> 00:25:35,640 Speaker 1: comes to just human biology. So all of those things possible, 421 00:25:35,680 --> 00:25:38,360 Speaker 1: but I've stayed away from the major remodel bucks. I'm 422 00:25:38,359 --> 00:25:41,520 Speaker 1: focusing on things that we can change now and change 423 00:25:41,560 --> 00:25:43,240 Speaker 1: for not a whole lot of money. And so the 424 00:25:43,280 --> 00:25:46,200 Speaker 1: last thing I just want to touch on textures inside 425 00:25:46,200 --> 00:25:51,320 Speaker 1: the house. How does your furniture feel, feel, not look 426 00:25:51,840 --> 00:25:59,280 Speaker 1: feel okay? Warmth, coziness, comfort, sleek, cool, All of these 427 00:25:59,320 --> 00:26:03,440 Speaker 1: things going into play. Our living room is I think 428 00:26:03,440 --> 00:26:05,800 Speaker 1: we've done a pretty good job with it. We have leather. 429 00:26:06,920 --> 00:26:09,760 Speaker 1: You can lay down on some leather and at the 430 00:26:09,800 --> 00:26:14,640 Speaker 1: same time grab a thick, cozy blanket that feels like fur. 431 00:26:14,720 --> 00:26:18,800 Speaker 1: It isn't fur, but feels like fur. Lush, cozy, warm, 432 00:26:19,240 --> 00:26:23,920 Speaker 1: curl up in that contrast in texture, the contrasting difference 433 00:26:23,960 --> 00:26:27,960 Speaker 1: between leather and fur, for instance, as a just two 434 00:26:28,040 --> 00:26:31,840 Speaker 1: textures to contrast each other. All of that kind of stuff. 435 00:26:31,840 --> 00:26:35,320 Speaker 1: How does the house feel if you were a blind person, 436 00:26:35,640 --> 00:26:39,600 Speaker 1: a sightless person, and you lived in that space, how 437 00:26:39,600 --> 00:26:43,600 Speaker 1: would the design focus and affect you? Because guess what 438 00:26:44,200 --> 00:26:49,200 Speaker 1: those same things focus or not and affect you. That's 439 00:26:49,240 --> 00:26:52,560 Speaker 1: simply the truth of it, all right. So that's where 440 00:26:52,600 --> 00:26:54,760 Speaker 1: we're going to leave it for today, except for a 441 00:26:54,840 --> 00:26:58,600 Speaker 1: closing thought which is very much related to it along 442 00:26:58,640 --> 00:27:01,320 Speaker 1: the way. You know, all of this that we're talking 443 00:27:01,320 --> 00:27:06,240 Speaker 1: about is about intention. Romance relationships are about intention. It's 444 00:27:06,240 --> 00:27:10,440 Speaker 1: about what I intentional. They don't happen by accident. Life 445 00:27:10,520 --> 00:27:15,280 Speaker 1: changing relationships don't happen by accident. Your relationship with your 446 00:27:15,320 --> 00:27:21,320 Speaker 1: home does not happen by accident. It happens through intention. 447 00:27:21,560 --> 00:27:28,239 Speaker 1: That is life. Success in life is about intention. I 448 00:27:28,240 --> 00:27:31,000 Speaker 1: think about archery. I know that's a weird thought, but 449 00:27:31,040 --> 00:27:34,439 Speaker 1: it's simply this. You know, I enjoy archery. I have 450 00:27:34,480 --> 00:27:37,320 Speaker 1: a couple of bows, and here's the principle of archery. 451 00:27:37,840 --> 00:27:41,960 Speaker 1: A bow is a temporary battery for energy that you 452 00:27:42,040 --> 00:27:45,159 Speaker 1: possession your own body. Do you know that when I 453 00:27:45,200 --> 00:27:49,720 Speaker 1: stretch a bow, I am transferring strength from my arm 454 00:27:49,760 --> 00:27:54,240 Speaker 1: and chest muscles into the curve of that bow. I've 455 00:27:54,320 --> 00:27:58,119 Speaker 1: just moved that energy from me into the bow. And 456 00:27:58,160 --> 00:28:01,560 Speaker 1: then when I release that string, all of that energy 457 00:28:01,640 --> 00:28:05,399 Speaker 1: is released and it flings the arrow forward into time 458 00:28:05,440 --> 00:28:10,280 Speaker 1: and space. That's intention. You intentionally invest in a thing 459 00:28:10,680 --> 00:28:14,520 Speaker 1: and then it comes back and it reflects back to you. 460 00:28:16,000 --> 00:28:20,800 Speaker 1: Winston Churchill possibly my one all time favorite quote about 461 00:28:20,920 --> 00:28:24,919 Speaker 1: architecture and design by a non architect, non designer, but 462 00:28:25,000 --> 00:28:29,440 Speaker 1: he recognized the value of it we shape our buildings, 463 00:28:30,080 --> 00:28:36,919 Speaker 1: and afterwards our buildings shape us. Truer words could not 464 00:28:37,040 --> 00:28:40,720 Speaker 1: be spoken the profound influence of architecture and design on 465 00:28:41,000 --> 00:28:45,600 Speaker 1: human behavior and human character. And how does that apply 466 00:28:45,680 --> 00:28:48,320 Speaker 1: to life? Well, just fill in the blank. We shape 467 00:28:48,400 --> 00:28:52,280 Speaker 1: our blank and afterwards they shape us. We shape our 468 00:28:52,320 --> 00:28:56,160 Speaker 1: relationships and they shape us. We shape our private lives 469 00:28:56,200 --> 00:28:59,080 Speaker 1: and they shape us. We shape our character and they 470 00:28:59,120 --> 00:29:03,360 Speaker 1: shape us. We shape our lives with the intentions that 471 00:29:03,400 --> 00:29:07,600 Speaker 1: we put into them, and afterwards those lives feedback and 472 00:29:07,680 --> 00:29:10,880 Speaker 1: they shape us. And that is why every week at 473 00:29:10,920 --> 00:29:12,920 Speaker 1: the end of this show, no matter what we've been 474 00:29:12,960 --> 00:29:15,880 Speaker 1: talking about, I encourage you in this way to tell 475 00:29:15,920 --> 00:29:18,880 Speaker 1: you take on the rest of this day and to 476 00:29:18,920 --> 00:29:23,800 Speaker 1: get out there and to start building yourself a beautiful life. 477 00:29:23,840 --> 00:29:26,200 Speaker 1: That's exactly what I want for you. We'll be here 478 00:29:26,480 --> 00:29:28,800 Speaker 1: next weekend and we're gonna be talking about the best 479 00:29:28,840 --> 00:29:32,200 Speaker 1: of the International Builders Show, which is happening this week, 480 00:29:32,640 --> 00:29:36,720 Speaker 1: the best of next Sunday. Don't miss it until then. 481 00:29:37,480 --> 00:29:40,000 Speaker 1: Enjoy this day, Get out your umbrella. It's going to 482 00:29:40,120 --> 00:29:44,000 Speaker 1: rain tomorrow in southern California. You hang tight, build yourself 483 00:29:44,000 --> 00:29:45,880 Speaker 1: a beautiful life, and we will see you right back 484 00:29:45,920 --> 00:29:49,480 Speaker 1: here next weekend, and this has been pulled with Dean 485 00:29:49,520 --> 00:29:52,600 Speaker 1: Sharp the house Whisper. Tune into the live broadcast on 486 00:29:52,680 --> 00:29:56,120 Speaker 1: KFI AM six forty every Saturday morning from six to 487 00:29:56,160 --> 00:29:59,200 Speaker 1: eight Pacific time, and every Sunday morning from nine to 488 00:29:59,280 --> 00:30:05,320 Speaker 1: noon Pacific, or anytime on demand on the iHeartRadio app