1 00:00:00,160 --> 00:00:03,920 Speaker 1: Mac. I was kind of in shock when finding out 2 00:00:03,920 --> 00:00:06,640 Speaker 1: this news. I don't know how you felt when you 3 00:00:06,720 --> 00:00:09,400 Speaker 1: first found out, but I was sitting in a newsroom 4 00:00:09,440 --> 00:00:12,400 Speaker 1: and someone blurted out Catherine O'Hara died. 5 00:00:12,840 --> 00:00:14,960 Speaker 2: They posed it as a question mark, like Ron Burgundy. 6 00:00:15,040 --> 00:00:16,880 Speaker 1: Right, Well, we only saw it from one source, so 7 00:00:16,920 --> 00:00:19,520 Speaker 1: then we had to follow that up and we found 8 00:00:19,560 --> 00:00:22,920 Speaker 1: it source and it was true. Catherine O'Hara, seventy one 9 00:00:22,960 --> 00:00:24,800 Speaker 1: years old has passed away. 10 00:00:24,960 --> 00:00:27,760 Speaker 2: Yeah, rather young as far as old folks go. Seventy 11 00:00:27,800 --> 00:00:31,760 Speaker 2: once really young. She's also one of those rare celebrities 12 00:00:31,800 --> 00:00:36,320 Speaker 2: that like everyone liked, everyone loved. Every experience anyone's ever 13 00:00:36,400 --> 00:00:39,200 Speaker 2: had with her, He's been positive, Like those are few 14 00:00:39,240 --> 00:00:40,520 Speaker 2: and far between these days. 15 00:00:40,680 --> 00:00:45,120 Speaker 1: Is this the right way of saying it across generational talent? 16 00:00:45,440 --> 00:00:49,239 Speaker 2: Mmm mm hmm. Yep. She is known to many of 17 00:00:49,360 --> 00:00:54,280 Speaker 2: us originally from the Christopher Guest movies Right and Home Alone, 18 00:00:54,520 --> 00:00:58,320 Speaker 2: a long nineties Beetlejuice, Beetlejuice. Yep, you go back a 19 00:00:58,320 --> 00:01:02,640 Speaker 2: little bit further SETV. So everyone like as older as 20 00:01:02,720 --> 00:01:05,080 Speaker 2: us and then ten to fifteen years older grew up 21 00:01:05,120 --> 00:01:08,080 Speaker 2: with this woman, and then a whole new batch of Faces. 22 00:01:08,160 --> 00:01:13,039 Speaker 2: Organs were introduced to her via Shit's Creek, and I've 23 00:01:13,040 --> 00:01:15,319 Speaker 2: said it before, go I actually she's like my least 24 00:01:15,319 --> 00:01:18,720 Speaker 2: favorite character on Shit's Creek because she is so ridiculous, 25 00:01:18,760 --> 00:01:22,600 Speaker 2: but she that shows great. It's it's uh. I almost 26 00:01:22,840 --> 00:01:25,800 Speaker 2: it got its flowers towards the end. I almost think 27 00:01:25,800 --> 00:01:28,720 Speaker 2: it's sort of underrated when you're talking like all time 28 00:01:28,800 --> 00:01:33,240 Speaker 2: great TV shows. But she was reintroduced to a brand 29 00:01:33,280 --> 00:01:36,160 Speaker 2: new or introduced to a brand new set of fans, 30 00:01:36,240 --> 00:01:39,840 Speaker 2: and then people discovering like Home Alone or figuring out 31 00:01:39,880 --> 00:01:42,520 Speaker 2: that that was her in a Home Alone way back 32 00:01:42,560 --> 00:01:45,399 Speaker 2: when it was fun seventy one. Man, that's young, and 33 00:01:45,480 --> 00:01:48,520 Speaker 2: even at that she was in like fifty or sixty something, 34 00:01:49,120 --> 00:01:52,640 Speaker 2: you know things. I just my reaction I found out 35 00:01:52,680 --> 00:01:55,800 Speaker 2: from you was oh fuck, because it was like a 36 00:01:56,160 --> 00:01:58,640 Speaker 2: little bit of an emotional response because she was kind of, 37 00:01:58,960 --> 00:02:01,480 Speaker 2: you know, she was Kevin mcaw mom. She was kind 38 00:02:01,520 --> 00:02:02,800 Speaker 2: of all of our mom at some point. 39 00:02:02,880 --> 00:02:05,040 Speaker 1: We all watch Home Alone at least two or three 40 00:02:05,120 --> 00:02:08,079 Speaker 1: times every single year. And I really go more toward 41 00:02:08,360 --> 00:02:11,480 Speaker 1: if I'm thinking of the heart of the series. I 42 00:02:11,520 --> 00:02:13,679 Speaker 1: do love the second one, but the first one has 43 00:02:13,720 --> 00:02:17,160 Speaker 1: the heart and it's when she returns home and it's 44 00:02:17,200 --> 00:02:19,560 Speaker 1: that quick scene between her and Kevin. 45 00:02:19,960 --> 00:02:21,320 Speaker 2: And the embraces. 46 00:02:21,360 --> 00:02:24,920 Speaker 1: I mentioned watching that scene with my son and seeing 47 00:02:24,960 --> 00:02:28,160 Speaker 1: his reaction to it, like that's gonna always be with me? 48 00:02:28,919 --> 00:02:32,800 Speaker 1: And then you bring up Shit's Creek? Is that like that? 49 00:02:32,960 --> 00:02:36,359 Speaker 1: In Modern Family? Really are the last two of the 50 00:02:36,400 --> 00:02:37,880 Speaker 1: great dying sitcoms? 51 00:02:37,960 --> 00:02:41,720 Speaker 2: Right? Yeah? In going forward, it's going to be sort 52 00:02:41,760 --> 00:02:45,360 Speaker 2: of hard to replicate or you know, break into that 53 00:02:45,480 --> 00:02:46,239 Speaker 2: top tier. 54 00:02:46,080 --> 00:02:50,920 Speaker 1: Up but no one watches fucking primetime, ABC, CBS, FONT. 55 00:02:51,720 --> 00:02:55,119 Speaker 2: We've had some good stuff that has been failed by 56 00:02:55,840 --> 00:02:58,720 Speaker 2: the audience. Like God, I actually I know your brother 57 00:02:58,840 --> 00:03:01,480 Speaker 2: was a big fan of it. Superstore was a great 58 00:03:01,840 --> 00:03:02,600 Speaker 2: Wasn't great show? 59 00:03:02,680 --> 00:03:04,280 Speaker 1: That was a while ago though, wasn't it? 60 00:03:04,280 --> 00:03:08,000 Speaker 2: It's last season was during the pandemic. It got canceled 61 00:03:08,040 --> 00:03:11,079 Speaker 2: after five years. Slash ended the people did that of 62 00:03:11,160 --> 00:03:14,120 Speaker 2: a service? That show was great, And I think we're 63 00:03:14,200 --> 00:03:16,400 Speaker 2: just in a day and age where these types of 64 00:03:16,440 --> 00:03:19,280 Speaker 2: shows are going to have a really hard time succeeding 65 00:03:19,280 --> 00:03:22,080 Speaker 2: and finding their audience because of the way we can see. 66 00:03:22,080 --> 00:03:25,280 Speaker 1: The only one that seems to have anything behind it 67 00:03:25,360 --> 00:03:26,440 Speaker 1: is Abbot Elementary. 68 00:03:26,639 --> 00:03:29,360 Speaker 2: Yeah, and it's Okay, I like it. I like it. 69 00:03:29,360 --> 00:03:32,640 Speaker 2: It's okay, I don't love it. It does people do 70 00:03:32,720 --> 00:03:35,000 Speaker 2: praise it quite a bit. It is funny, but I 71 00:03:35,000 --> 00:03:39,080 Speaker 2: don't think it's as good as many of the shows 72 00:03:39,120 --> 00:03:40,680 Speaker 2: we've seen in the last twenty years. 73 00:03:40,840 --> 00:03:43,720 Speaker 1: But once again, if I'm going to do my Mountain 74 00:03:43,800 --> 00:03:47,280 Speaker 1: rush more, my favorite stuff from Catherine O'Hara, the stuff 75 00:03:47,280 --> 00:03:52,440 Speaker 1: that sticks with me personally, I would say Home Alone, Beetlejuice, 76 00:03:52,840 --> 00:03:55,000 Speaker 1: and what I love about Beatlejuice too. And I'm not 77 00:03:55,040 --> 00:03:58,920 Speaker 1: the biggest fan of Beetlejuice. Beetlejuice is they embraced saying 78 00:03:59,000 --> 00:04:01,640 Speaker 1: Katherine O'Hara is the star of this movie. 79 00:04:01,320 --> 00:04:03,560 Speaker 2: And I believe it ended up being her final acting 80 00:04:03,600 --> 00:04:04,400 Speaker 2: credit Beatle Juice. 81 00:04:04,880 --> 00:04:06,880 Speaker 1: No, she was in the studio with seth Rogen. 82 00:04:07,120 --> 00:04:09,280 Speaker 2: Oh, okay, TV yeah, TV wise, Yes. 83 00:04:09,640 --> 00:04:12,680 Speaker 1: I then go with I do go Shits Creek. I 84 00:04:13,160 --> 00:04:15,320 Speaker 1: was I on it early. I'm gonna pat myself on 85 00:04:15,360 --> 00:04:16,800 Speaker 1: the back. I was on Shits Creek early. 86 00:04:16,920 --> 00:04:19,320 Speaker 2: I think I had to. When I started watching it. 87 00:04:19,560 --> 00:04:21,440 Speaker 2: You said you would only watch like season one or 88 00:04:21,440 --> 00:04:23,960 Speaker 2: something like that. I don't think you had finished it. 89 00:04:24,040 --> 00:04:25,960 Speaker 1: I said, I finished the entire series and you're like, 90 00:04:25,960 --> 00:04:28,479 Speaker 1: we're only on season three. Yeah, I'm in the future 91 00:04:28,520 --> 00:04:32,719 Speaker 1: man that and then you go Christopher guest stuff. 92 00:04:32,920 --> 00:04:42,159 Speaker 2: Yeah one, good three. 93 00:04:41,920 --> 00:04:56,440 Speaker 1: Yeah, job three, King of Queen Mall Street. And I'm 94 00:04:56,440 --> 00:04:58,720 Speaker 1: Mac and we are the Mac and Goop program. We 95 00:04:58,720 --> 00:05:03,120 Speaker 1: bring you Friendship, wonder Man. 96 00:05:03,920 --> 00:05:09,479 Speaker 2: I'm Wonder Mac. Today. Oh, we are discussing the fourteenth 97 00:05:09,560 --> 00:05:14,000 Speaker 2: season of live action television in the MCU. Now that's 98 00:05:14,000 --> 00:05:16,760 Speaker 2: not technically true because it's all been roped in. This 99 00:05:16,839 --> 00:05:19,840 Speaker 2: is the fourteenth season of live action television that was 100 00:05:20,080 --> 00:05:23,720 Speaker 2: created by the MCU, not roped in. Do all of 101 00:05:23,760 --> 00:05:27,600 Speaker 2: these episodes? An eight episode season dropped on the same day, 102 00:05:27,720 --> 00:05:31,320 Speaker 2: January twenty seventh, on Disney Plus and Go. This was 103 00:05:32,120 --> 00:05:35,360 Speaker 2: at least somewhat unexpected from me, although I guess maybe 104 00:05:35,400 --> 00:05:37,440 Speaker 2: because they were released them all at once, you should 105 00:05:37,440 --> 00:05:41,520 Speaker 2: have expected it. This got Marvel's Spotlight branding, which has 106 00:05:41,560 --> 00:05:45,080 Speaker 2: only previously been given to Werewolf by Night like hour 107 00:05:45,160 --> 00:05:49,760 Speaker 2: long movie, and Echo, which was adversly kind of hated. 108 00:05:50,000 --> 00:05:52,960 Speaker 1: They pretty much said, we don't want Echo, let's push 109 00:05:53,000 --> 00:05:54,000 Speaker 1: Echo off to the side. 110 00:05:54,120 --> 00:05:58,600 Speaker 2: Yeah. So the expectations, clearly, oh by the studio were low. 111 00:05:58,800 --> 00:06:03,320 Speaker 1: Comparing this in Echo Echo, Well wasn't great. Took some 112 00:06:03,520 --> 00:06:07,120 Speaker 1: chances with their flashbacks and stuff and how they shot 113 00:06:07,200 --> 00:06:10,400 Speaker 1: certain scenes, so similarities there. 114 00:06:11,200 --> 00:06:13,720 Speaker 2: I mean, yeah, it took chances. But it also the 115 00:06:13,920 --> 00:06:16,720 Speaker 2: issue was, and we'll get into it in a bit, 116 00:06:17,640 --> 00:06:20,440 Speaker 2: they were like really forced Echo upon us and wanted 117 00:06:20,440 --> 00:06:22,719 Speaker 2: her to be a thing. This was the complete opposite. 118 00:06:22,760 --> 00:06:24,920 Speaker 2: They're like, wonder Band's over here if you want to 119 00:06:24,960 --> 00:06:25,320 Speaker 2: watch it. 120 00:06:25,360 --> 00:06:27,719 Speaker 1: Echo is literally the worst Sega game. 121 00:06:27,560 --> 00:06:32,640 Speaker 2: Ever different Echo, but point stand, point. 122 00:06:32,480 --> 00:06:35,679 Speaker 1: Stands worst Sega game and Mac. Before we get into 123 00:06:35,800 --> 00:06:38,000 Speaker 1: wonder Man, I'm gonna ask you right now top of 124 00:06:38,040 --> 00:06:40,680 Speaker 1: your head, what's in a Wonderball? 125 00:06:40,839 --> 00:06:45,440 Speaker 2: Oh? Great question? I forgot about the wonderball? Was the wonderball? 126 00:06:45,520 --> 00:06:48,200 Speaker 2: That was it? Chocolate on the outside and the um 127 00:06:48,600 --> 00:06:51,640 Speaker 2: slee chocolate and then things on the inside shapes inside. 128 00:06:51,760 --> 00:06:52,920 Speaker 2: Can't Okay? There you go? 129 00:06:53,000 --> 00:06:55,520 Speaker 1: Who do? Who? What's in a Wonderball? 130 00:06:56,680 --> 00:07:00,120 Speaker 2: I go? And you know, we've seen all sorts to 131 00:07:00,240 --> 00:07:04,039 Speaker 2: release schedules in Marvel and streaming these days. To me, 132 00:07:04,839 --> 00:07:07,560 Speaker 2: if it's not a great enough show to build interest 133 00:07:07,640 --> 00:07:10,440 Speaker 2: over a season and have it one episode per week, 134 00:07:10,920 --> 00:07:14,040 Speaker 2: every show should be released like this because I think 135 00:07:14,040 --> 00:07:16,880 Speaker 2: it helps the viewer. It helps the viewing experience. Drop 136 00:07:16,920 --> 00:07:19,680 Speaker 2: them all at once, unless you're Severance, unless you're the 137 00:07:19,760 --> 00:07:22,880 Speaker 2: HBO Sunday Sunday Night Show, drop all your episodes at once, 138 00:07:22,920 --> 00:07:28,280 Speaker 2: because I think it fosters a better viewing experience for 139 00:07:28,760 --> 00:07:29,920 Speaker 2: ninety nine percent of viewers. 140 00:07:30,080 --> 00:07:32,960 Speaker 1: I think the reason why that helps with this show 141 00:07:33,560 --> 00:07:36,800 Speaker 1: is because the character is not known well enough. 142 00:07:37,040 --> 00:07:39,680 Speaker 2: Yep, that's part of it. That's part of it, and 143 00:07:40,240 --> 00:07:42,560 Speaker 2: we've seen that go either way, right. You know, it's 144 00:07:42,680 --> 00:07:46,080 Speaker 2: nice not having any expectations going in, but sometimes expectations 145 00:07:46,160 --> 00:07:49,320 Speaker 2: is what leads to greatness. So this I knew nothing 146 00:07:49,360 --> 00:07:50,880 Speaker 2: about Wonder Brand, did no fucking thing. 147 00:07:51,000 --> 00:07:53,480 Speaker 1: And also, before we get into nuts and bolts everything else, 148 00:07:53,560 --> 00:07:55,680 Speaker 1: let me just go ahead. I'm gonna stand here. I'm 149 00:07:55,680 --> 00:07:59,280 Speaker 1: gonna sit here and tell you that while I enjoyed 150 00:07:59,360 --> 00:08:06,280 Speaker 1: the show, my viewing experience with Disney Plus with ads 151 00:08:06,360 --> 00:08:11,680 Speaker 1: having to sit through commercials every five minutes pretty much 152 00:08:11,760 --> 00:08:14,640 Speaker 1: two minutes at a time, was rough. 153 00:08:15,120 --> 00:08:18,040 Speaker 2: I welcome you to watch it on the new platform 154 00:08:18,080 --> 00:08:19,560 Speaker 2: you have so you don't have to deal with that. 155 00:08:19,760 --> 00:08:21,880 Speaker 1: I had it on my phone as it was intended 156 00:08:21,880 --> 00:08:26,320 Speaker 1: to be seen. Do we owe our listeners of apology 157 00:08:26,760 --> 00:08:28,200 Speaker 1: now that I'm in their shoes. 158 00:08:28,880 --> 00:08:31,080 Speaker 2: Yeah, if you try to listen to one of our 159 00:08:31,120 --> 00:08:34,120 Speaker 2: episodes on Spotify these days, especially if it hits fifty minutes, 160 00:08:34,400 --> 00:08:35,319 Speaker 2: you get about thirty. 161 00:08:35,120 --> 00:08:38,480 Speaker 1: Five minutes moving forward. This show we're shooting for under 162 00:08:38,559 --> 00:08:42,199 Speaker 1: fifty minutes the other week. Last week, actually. 163 00:08:41,880 --> 00:08:43,200 Speaker 2: Cash grab the podcast. 164 00:08:43,280 --> 00:08:45,760 Speaker 1: I hit fifty one minutes, and I'm like, uh oh, 165 00:08:46,000 --> 00:08:48,480 Speaker 1: looks like everyone's gonna get a nice one hour, ten 166 00:08:48,520 --> 00:08:52,880 Speaker 1: minute podcast. Now. I am sorry. I have learned the 167 00:08:52,920 --> 00:08:53,520 Speaker 1: wrongs of my. 168 00:08:53,520 --> 00:08:55,280 Speaker 2: Way beat up our audio a tic. 169 00:08:55,440 --> 00:08:59,000 Speaker 1: It's kind of like in a Christmas Carol Scrooge learning 170 00:08:59,080 --> 00:09:02,240 Speaker 1: from the wrongs of his once. I keep in mind 171 00:09:02,280 --> 00:09:04,080 Speaker 1: I have no control over this goo. 172 00:09:04,160 --> 00:09:07,920 Speaker 2: Yeah, wonder Man is a TV fourteen mini series. I 173 00:09:07,960 --> 00:09:10,319 Speaker 2: think we can pretty confidently say it's probably just gonna 174 00:09:10,320 --> 00:09:12,600 Speaker 2: be a one off season of telegraon. 175 00:09:12,679 --> 00:09:13,680 Speaker 1: I don't want a season two. 176 00:09:14,640 --> 00:09:15,720 Speaker 2: I agree. I agree. 177 00:09:15,760 --> 00:09:18,360 Speaker 1: I say that in the nicest possible way. I think 178 00:09:18,400 --> 00:09:20,720 Speaker 1: this is exactly what they should do with this character. 179 00:09:21,360 --> 00:09:24,760 Speaker 1: Make mention of them if you want, but I don't 180 00:09:24,800 --> 00:09:27,520 Speaker 1: need more of the story that we've got. 181 00:09:27,720 --> 00:09:31,480 Speaker 2: Yep, I agree. This is an action adventure comedy fantasy 182 00:09:31,520 --> 00:09:34,280 Speaker 2: and sci fi, and I gotta give it credit because 183 00:09:35,080 --> 00:09:38,160 Speaker 2: it doesn't do a ton of all of that, but 184 00:09:38,240 --> 00:09:40,520 Speaker 2: it just finds the right combination of all that in 185 00:09:40,559 --> 00:09:44,040 Speaker 2: pretty much every episode, and there it's dramatic at points 186 00:09:44,080 --> 00:09:47,840 Speaker 2: as well. Like the people, the chef this show up, 187 00:09:47,880 --> 00:09:50,880 Speaker 2: the writers, everyone involved in this show did a nice 188 00:09:51,000 --> 00:09:53,400 Speaker 2: job giving us a coherent story. 189 00:09:53,440 --> 00:09:55,400 Speaker 1: And while I'll say there might be a little bit 190 00:09:55,480 --> 00:09:59,080 Speaker 1: too much of inside baseball for the common man to 191 00:09:59,200 --> 00:10:02,800 Speaker 1: like really sit acting like I love this. There isn't 192 00:10:02,920 --> 00:10:07,719 Speaker 1: a lot of superhero stuff pretty much, there's none, and 193 00:10:07,920 --> 00:10:10,120 Speaker 1: it's more dealing with anxiety yep. 194 00:10:10,200 --> 00:10:13,920 Speaker 2: And I think on a broader spectrum this is gonna 195 00:10:13,960 --> 00:10:16,600 Speaker 2: find a wider audience than some of the Marvel shows 196 00:10:16,600 --> 00:10:18,080 Speaker 2: that we have loved in the past because you don't 197 00:10:18,120 --> 00:10:19,479 Speaker 2: need to know anything. 198 00:10:19,160 --> 00:10:21,680 Speaker 1: Going on the top end. But I think the middle 199 00:10:21,960 --> 00:10:22,880 Speaker 1: bunch yes. 200 00:10:23,160 --> 00:10:26,320 Speaker 2: Go in total. In totality, this was eight episodes that 201 00:10:26,440 --> 00:10:29,000 Speaker 2: was roughly three hours and forty five minutes, so again, 202 00:10:29,679 --> 00:10:33,680 Speaker 2: too much there for just a movie, and also not 203 00:10:33,960 --> 00:10:38,240 Speaker 2: enough to really like build upon a second or lead 204 00:10:38,280 --> 00:10:40,440 Speaker 2: into a second season. It was just it was perfect 205 00:10:40,520 --> 00:10:42,280 Speaker 2: for an eight episode season of television. 206 00:10:42,360 --> 00:10:43,400 Speaker 1: I wouldn't cut anything. 207 00:10:43,679 --> 00:10:44,319 Speaker 2: Yeah, it was. 208 00:10:44,440 --> 00:10:47,400 Speaker 1: It was nice, It was paced really well, and everything 209 00:10:47,480 --> 00:10:50,080 Speaker 1: was really needed. You needed the build up and the 210 00:10:50,120 --> 00:10:53,880 Speaker 1: building of the friendship between the two main characters. And 211 00:10:54,200 --> 00:10:56,920 Speaker 1: there is a great I'm not gonna call it a 212 00:10:56,960 --> 00:11:02,800 Speaker 1: throwaway episode, there's an episode's seeah, episode four that just 213 00:11:02,920 --> 00:11:07,120 Speaker 1: explains something that maybe you could have said in five minutes, 214 00:11:07,320 --> 00:11:10,679 Speaker 1: but you don't. You want more of that twenty five 215 00:11:10,679 --> 00:11:11,959 Speaker 1: to thirty minutes that you got. 216 00:11:12,120 --> 00:11:14,640 Speaker 2: We get a line about the character that's featured in 217 00:11:14,720 --> 00:11:17,520 Speaker 2: episode four at the end of episode three, and you're like, oh, 218 00:11:17,559 --> 00:11:20,040 Speaker 2: that like and then they spend episode four and this 219 00:11:20,080 --> 00:11:23,560 Speaker 2: is why it's getting compared to Atlanta. In the same universe, 220 00:11:23,640 --> 00:11:25,839 Speaker 2: but not with the same characters we just spent three 221 00:11:25,920 --> 00:11:30,600 Speaker 2: episodes with. And it explains that one line, but also 222 00:11:30,800 --> 00:11:33,040 Speaker 2: explains a lot about the universe. 223 00:11:32,720 --> 00:11:35,160 Speaker 1: And the reason why it's being compared to Atlanta is 224 00:11:35,160 --> 00:11:38,160 Speaker 1: because Atlanta, every once in a while, usually like once 225 00:11:38,240 --> 00:11:41,240 Speaker 1: or twice a season, would spend an entire episode with 226 00:11:41,320 --> 00:11:44,280 Speaker 1: one character, and it wasn't always with one of the 227 00:11:44,320 --> 00:11:47,520 Speaker 1: three main characters. It might be a side character, it 228 00:11:47,600 --> 00:11:50,719 Speaker 1: might be a character that no one had ever heard of, 229 00:11:50,920 --> 00:11:55,200 Speaker 1: like not Teddy Ruxman, but the yeah Michael Jackson character 230 00:11:55,280 --> 00:11:57,560 Speaker 1: that Donald Lover played. Yeah, but you would spend an 231 00:11:57,760 --> 00:12:03,480 Speaker 1: entire episode with this week was it Teddy Perkins Teddy Ruxman? 232 00:12:03,840 --> 00:12:07,080 Speaker 1: And You's been an entire episode with this weird concept. 233 00:12:07,640 --> 00:12:12,280 Speaker 1: And while this episode at points felt like an episode 234 00:12:12,320 --> 00:12:16,600 Speaker 1: of The Simpsons where Bart had a catchphrase, became really 235 00:12:16,640 --> 00:12:20,280 Speaker 1: really famous and then became known for that and then 236 00:12:20,360 --> 00:12:24,240 Speaker 1: couldn't break out of it, it stayed as weird as possible, 237 00:12:24,240 --> 00:12:25,640 Speaker 1: and I love how weird it got. 238 00:12:25,840 --> 00:12:28,120 Speaker 2: Yeah, it was great. And like to your credit to 239 00:12:28,280 --> 00:12:31,000 Speaker 2: about this show being just the right amount, not too 240 00:12:31,040 --> 00:12:34,760 Speaker 2: much or too little. Every episode was also like exactly 241 00:12:34,800 --> 00:12:36,559 Speaker 2: the same length. I think one was a little shorter 242 00:12:36,600 --> 00:12:39,400 Speaker 2: than most, but that led to great pacing and great storytelling. 243 00:12:39,400 --> 00:12:41,680 Speaker 2: You didn't have a fifty minute episode and a thirty 244 00:12:41,720 --> 00:12:45,000 Speaker 2: minute episode. They were all roughly thirty which which goes along. 245 00:12:44,960 --> 00:12:47,719 Speaker 1: Also a side venture, like a side trip that they 246 00:12:47,800 --> 00:12:50,640 Speaker 1: have in episode six. I want to say where they're 247 00:12:50,679 --> 00:12:53,280 Speaker 1: going to do, uh, some kind of a deed for 248 00:12:53,360 --> 00:12:57,320 Speaker 1: someone that videotaped them doing something. That's where I think 249 00:12:57,440 --> 00:12:59,720 Speaker 1: a lot of the comedy of the show came from 250 00:12:59,880 --> 00:13:03,680 Speaker 1: was the interactions at this house. I was cackling at points. 251 00:13:03,720 --> 00:13:07,240 Speaker 2: Yeah, it was good, really good. This show is created 252 00:13:07,280 --> 00:13:11,600 Speaker 2: by Daniel Deston Kretin and Andrew Guest. Guest, Uh, he's 253 00:13:11,600 --> 00:13:13,680 Speaker 2: been around, you just wouldn't really know him by name. 254 00:13:14,000 --> 00:13:17,120 Speaker 2: He was a writer on Community Suburgatory in Brooklyn ninety nine, 255 00:13:17,120 --> 00:13:20,400 Speaker 2: a producer on The Hawkeys Show, another one of Marvel's greatest, 256 00:13:20,800 --> 00:13:23,880 Speaker 2: and he's a writer on the upcoming Community movie. So 257 00:13:24,360 --> 00:13:26,240 Speaker 2: if you like everything I just talked about, you're probably 258 00:13:26,280 --> 00:13:27,440 Speaker 2: gonna like the Community movie. 259 00:13:27,480 --> 00:13:29,960 Speaker 1: Community also another show that would take a chance and 260 00:13:30,040 --> 00:13:33,319 Speaker 1: do something a bit weird, but they wouldn't do it. 261 00:13:33,760 --> 00:13:34,120 Speaker 2: I don't know. 262 00:13:34,280 --> 00:13:36,400 Speaker 1: This did feel more like Atlanta than I would say 263 00:13:36,440 --> 00:13:37,520 Speaker 1: a community That's what. 264 00:13:37,520 --> 00:13:39,640 Speaker 2: I I had a hard time describing it to you, 265 00:13:39,640 --> 00:13:40,640 Speaker 2: but I think once you saw it. 266 00:13:40,600 --> 00:13:42,439 Speaker 1: You well, you called it a bottle episode. 267 00:13:42,480 --> 00:13:43,680 Speaker 2: First Well, I don't know terms. 268 00:13:43,679 --> 00:13:45,240 Speaker 1: I didn't go to art school, and I told you 269 00:13:45,520 --> 00:13:48,040 Speaker 1: first and first day of art school, they're like, we're 270 00:13:48,040 --> 00:13:51,840 Speaker 1: gonna build collages the second day. What's a bottle episode? Guy? 271 00:13:51,920 --> 00:13:54,120 Speaker 1: It's when a TV show spends all of their money 272 00:13:54,120 --> 00:13:56,280 Speaker 1: on all the other episodes, but there's an order for 273 00:13:56,320 --> 00:13:59,360 Speaker 1: twenty two episodes, so they say, can we shoot this 274 00:13:59,440 --> 00:14:01,160 Speaker 1: episode all in one location. 275 00:14:01,360 --> 00:14:03,280 Speaker 2: Dorman did drink out of a lot of bottles in 276 00:14:03,320 --> 00:14:04,000 Speaker 2: the episode, so. 277 00:14:03,960 --> 00:14:06,400 Speaker 1: Amazing he did that. You saw bottles, you know, like, 278 00:14:06,760 --> 00:14:09,360 Speaker 1: this is a bottle episode, icy bottles. 279 00:14:09,400 --> 00:14:12,440 Speaker 2: So that was me talking to myself. Uh go. Deston 280 00:14:12,559 --> 00:14:16,320 Speaker 2: Daniel Creton directed shang Chi and is also the director 281 00:14:16,360 --> 00:14:20,000 Speaker 2: on the upcoming spider Man Brand New Day movie. I 282 00:14:20,160 --> 00:14:20,800 Speaker 2: like with this guy. 283 00:14:21,080 --> 00:14:24,320 Speaker 1: I'm excited for this because what he shows here and 284 00:14:24,360 --> 00:14:26,840 Speaker 1: this is what I wanted my Spider Man movie is 285 00:14:26,840 --> 00:14:29,800 Speaker 1: that you can do an off to the side story, 286 00:14:30,360 --> 00:14:34,360 Speaker 1: make it feel fun, feel important, but when you leave, 287 00:14:34,400 --> 00:14:37,880 Speaker 1: you say that built the world. But it wasn't this 288 00:14:37,960 --> 00:14:39,760 Speaker 1: big universe changing thing. 289 00:14:39,960 --> 00:14:43,000 Speaker 2: And honestly, gu you know, the worst part of shang 290 00:14:43,080 --> 00:14:44,840 Speaker 2: Chi is the third act when we get into the 291 00:14:44,840 --> 00:14:48,160 Speaker 2: crazy superhero lore stuff. The best part is the street 292 00:14:48,240 --> 00:14:52,160 Speaker 2: level stuff. Like I think this says me jacked up 293 00:14:52,200 --> 00:14:55,280 Speaker 2: for the Spider Man movie and Deston Daniel Creton, I'm 294 00:14:55,320 --> 00:14:55,840 Speaker 2: in on this. 295 00:14:55,760 --> 00:14:59,280 Speaker 1: Gume wherever I had it in my most anticipated slide 296 00:14:59,280 --> 00:14:59,720 Speaker 1: it up one. 297 00:15:01,080 --> 00:15:05,240 Speaker 2: Now it's behind Doomsday. He's also doing the upcoming Naruto movie. 298 00:15:05,280 --> 00:15:07,080 Speaker 2: So if you're into that. I bet that's gonna be good. 299 00:15:07,080 --> 00:15:09,920 Speaker 2: He's got a Shane che sequel on its way and 300 00:15:10,000 --> 00:15:13,760 Speaker 2: a television series, so can't give enough credit to him. 301 00:15:14,160 --> 00:15:17,520 Speaker 2: Very impressively. This show has a dual eighty nine percent 302 00:15:17,520 --> 00:15:22,200 Speaker 2: on Rotten Tomatoes. And as much as I borderline loved 303 00:15:22,200 --> 00:15:25,680 Speaker 2: this show, afterwards, I was worried that this would be 304 00:15:26,240 --> 00:15:29,080 Speaker 2: at risk of review bombing type of thing, just because 305 00:15:29,240 --> 00:15:32,360 Speaker 2: people are dummies. I'm glad that didn't happen. I'm glad 306 00:15:32,360 --> 00:15:36,240 Speaker 2: the general consensus people really liking this show seventy four 307 00:15:36,360 --> 00:15:39,760 Speaker 2: on Metacritics, so to put those in context. Skew at 308 00:15:39,760 --> 00:15:42,280 Speaker 2: eighty nine percent from the audience. It is the second 309 00:15:42,320 --> 00:15:45,880 Speaker 2: highest audience score currently out of the fourteen live action 310 00:15:46,360 --> 00:15:50,160 Speaker 2: MCU television seasons, just behind Loki season one, just ahead 311 00:15:50,200 --> 00:15:51,240 Speaker 2: of Hawkeye and Moonnight. 312 00:15:51,320 --> 00:15:54,200 Speaker 1: It's also kind of crazy, so they spent an entire 313 00:15:54,320 --> 00:15:57,920 Speaker 1: movie trying to tell you that the Incredible Hulk mattered. Like, 314 00:15:58,000 --> 00:16:00,200 Speaker 1: that's a good movie, go back and watch it again. 315 00:16:00,240 --> 00:16:03,080 Speaker 1: We're using all these characters again. Here's the Hulk too. 316 00:16:03,360 --> 00:16:06,040 Speaker 1: That was Captain America, the one that just came out. Yeah, 317 00:16:06,080 --> 00:16:10,400 Speaker 1: they have now given us Trevor Slattery twice and both times, 318 00:16:10,840 --> 00:16:12,400 Speaker 1: and this is what they want you to do with 319 00:16:12,440 --> 00:16:15,560 Speaker 1: the Hulk. It sits back and you say, wait a second, 320 00:16:16,080 --> 00:16:20,160 Speaker 1: Do I like Iron Man three because I really like 321 00:16:20,240 --> 00:16:21,000 Speaker 1: this character? 322 00:16:21,360 --> 00:16:25,040 Speaker 2: Yeah? It it helps round out that story. Yeah sure. 323 00:16:25,480 --> 00:16:29,840 Speaker 2: And to be fair, ten of the fourteen now seasons 324 00:16:29,840 --> 00:16:32,440 Speaker 2: of live action Marvel Television have scored at least eighty 325 00:16:32,480 --> 00:16:35,720 Speaker 2: percent from the audience. The ones that didn't were Echo, Ironheart, 326 00:16:35,800 --> 00:16:38,800 Speaker 2: Secret Invasion, and She Hulk, So maybe take that with 327 00:16:38,800 --> 00:16:41,280 Speaker 2: a grain of salt. But at seventy four goo, the 328 00:16:41,320 --> 00:16:45,280 Speaker 2: only scores higher from critics are A miss Marvel and WandaVision, 329 00:16:45,480 --> 00:16:47,800 Speaker 2: and it's tied with Loki season one and The Falcon 330 00:16:47,840 --> 00:16:50,480 Speaker 2: and the Winter Soldiers. So doesn't matter who you talk 331 00:16:50,520 --> 00:16:53,240 Speaker 2: to about this show, it seems like everyone has liked it. 332 00:16:53,280 --> 00:16:55,400 Speaker 1: Okay, so let me say this for me. I know 333 00:16:55,480 --> 00:16:58,320 Speaker 1: it's not for you. I don't speak for you yet 334 00:16:58,600 --> 00:17:02,160 Speaker 1: wait until I figure out the AA MAC, But I 335 00:17:02,200 --> 00:17:06,760 Speaker 1: think watching this it compared well to me to the 336 00:17:06,800 --> 00:17:10,959 Speaker 1: first seven or eight episodes of WandaVision of I watched 337 00:17:11,000 --> 00:17:14,399 Speaker 1: with a lot of intrigue and a lot of curled eyebrow, 338 00:17:15,000 --> 00:17:17,760 Speaker 1: saying to myself, Ah, I wonder where they take this. 339 00:17:17,920 --> 00:17:20,480 Speaker 1: I wonder man where they take this. And while I 340 00:17:20,520 --> 00:17:24,919 Speaker 1: didn't like the end of WandaVision, I kind of like 341 00:17:25,240 --> 00:17:28,320 Speaker 1: the weird turn they take in the final episode here. 342 00:17:28,760 --> 00:17:32,080 Speaker 1: We'll get more into that in spoilers. But WandaVision took 343 00:17:32,119 --> 00:17:35,080 Speaker 1: a lot of chances, especially in their first TV show, 344 00:17:35,119 --> 00:17:37,560 Speaker 1: of like let's get off the let's get off the 345 00:17:37,640 --> 00:17:41,440 Speaker 1: grid with this weird genre show. This did the same thing. 346 00:17:42,160 --> 00:17:46,200 Speaker 1: And I might have WandaVision a little bit higher personally, 347 00:17:46,280 --> 00:17:47,280 Speaker 1: but this is close. 348 00:17:47,760 --> 00:17:51,960 Speaker 2: I think what you are really, you know, leaving out there. 349 00:17:52,119 --> 00:17:54,800 Speaker 2: And the most important thing, at least to me is 350 00:17:54,840 --> 00:17:59,240 Speaker 2: the expectations and excitement going into WandaVision was so high, 351 00:17:59,840 --> 00:18:04,119 Speaker 2: and they gave you the curveball obviously, but it also 352 00:18:04,680 --> 00:18:07,840 Speaker 2: kind of ended up not being meaningful what it was 353 00:18:07,840 --> 00:18:10,440 Speaker 2: supposed to be because Multiverse of Madness. 354 00:18:10,119 --> 00:18:13,040 Speaker 1: Was so not we fleshed out the character. It's not 355 00:18:13,160 --> 00:18:14,080 Speaker 1: the show's fault. 356 00:18:14,480 --> 00:18:17,320 Speaker 2: This is the opposite end of the spectrum. We expected 357 00:18:17,359 --> 00:18:20,879 Speaker 2: absolutely no ramifications or meaningful things in here, and so 358 00:18:21,080 --> 00:18:26,000 Speaker 2: going in you're much more open to chance taking and 359 00:18:26,080 --> 00:18:29,320 Speaker 2: curveballs and offspeed type of stuff and so I think 360 00:18:29,359 --> 00:18:32,000 Speaker 2: that matters when you're talking about the two shows. I 361 00:18:32,040 --> 00:18:36,000 Speaker 2: agree that they've been the weirdest for sure, but on 362 00:18:36,160 --> 00:18:38,960 Speaker 2: completely different ess. And no, they're not exactly the same. 363 00:18:39,240 --> 00:18:44,040 Speaker 1: You mentioned expectations. I waited four days to watch this 364 00:18:44,080 --> 00:18:46,480 Speaker 1: because I'm a fucking sleepy boy. Plus my wife was 365 00:18:46,520 --> 00:18:48,840 Speaker 1: watching Bridgerton. I'm not going to push her away from that. 366 00:18:49,080 --> 00:18:51,280 Speaker 1: I'm curious. How many babies do you think have been 367 00:18:51,320 --> 00:18:54,280 Speaker 1: conceived during Bridgerton? It's that sexy, it seems to get 368 00:18:54,280 --> 00:18:57,080 Speaker 1: how the women going all right, all right, that's a 369 00:18:57,560 --> 00:19:07,040 Speaker 1: I didn't do anything, But what was I talking about? No, 370 00:19:07,320 --> 00:19:10,320 Speaker 1: So I watched this about four days in and that 371 00:19:10,480 --> 00:19:14,119 Speaker 1: was after you told me all these reviewers on the 372 00:19:14,160 --> 00:19:17,880 Speaker 1: internet told me. Wesley Burho told me that this show 373 00:19:17,960 --> 00:19:21,680 Speaker 1: is wonderful. So I did build up my expectations for this, 374 00:19:22,119 --> 00:19:25,359 Speaker 1: and I'm gonna put it mainly on you because I 375 00:19:25,400 --> 00:19:26,000 Speaker 1: respect you. 376 00:19:27,240 --> 00:19:30,560 Speaker 2: Of wonder Man, Hollywood actor Simon Williams is thrust into 377 00:19:30,560 --> 00:19:32,720 Speaker 2: the world of superheroes as he gets powers of his 378 00:19:32,800 --> 00:19:36,399 Speaker 2: own and becomes the new superhero wonder Man. There was 379 00:19:36,480 --> 00:19:40,080 Speaker 2: no synopsis that was really going to accurately describe what 380 00:19:40,160 --> 00:19:42,200 Speaker 2: goes on in this season of television. I'll take that thought. 381 00:19:42,240 --> 00:19:44,560 Speaker 1: An actor has a secret and he wants to be 382 00:19:44,600 --> 00:19:47,719 Speaker 1: an actor. There we go. It was kind of like Entourage. 383 00:19:47,960 --> 00:19:49,919 Speaker 1: I wish he had exactly like that. I wish he 384 00:19:50,000 --> 00:19:52,280 Speaker 1: had a turtle. I wish he had an e I 385 00:19:52,359 --> 00:19:53,760 Speaker 1: wish he had a Johnny drama. 386 00:19:54,040 --> 00:19:57,200 Speaker 2: This show stars really just two people. We'll run through 387 00:19:57,200 --> 00:19:59,920 Speaker 2: some other stuff here. Yeah, yah, Abdul Matteine the second 388 00:20:00,080 --> 00:20:05,000 Speaker 2: Simon Williams. So we saw him as Black Manta in 389 00:20:05,160 --> 00:20:08,920 Speaker 2: the two Aquaman movies and he wasn't good. But now 390 00:20:08,960 --> 00:20:10,000 Speaker 2: I think we realize the right thing. 391 00:20:10,080 --> 00:20:12,399 Speaker 1: It was the writing. It was the writing, especially the 392 00:20:12,520 --> 00:20:16,040 Speaker 1: whatever the one was of, like I'm gonna kill yawk Man. 393 00:20:16,400 --> 00:20:17,520 Speaker 2: I'm gonna kill him dead. 394 00:20:17,680 --> 00:20:20,280 Speaker 1: No, that's that's Michael Keaton. Don't don't you dare? 395 00:20:21,240 --> 00:20:24,520 Speaker 2: But good. We also saw him in Watchman, another TV 396 00:20:24,600 --> 00:20:27,800 Speaker 2: mini series that was fantastic, and he was great in 397 00:20:27,840 --> 00:20:30,840 Speaker 2: that in a limited role. But he was great in this. Goot, 398 00:20:30,920 --> 00:20:35,200 Speaker 2: he's fucking awesome. He's so good, so good, so so good, 399 00:20:35,720 --> 00:20:38,280 Speaker 2: And I guess I just was underrating him or hadn't 400 00:20:38,320 --> 00:20:40,760 Speaker 2: really experienced enough of yah Yah, I'm all in on. 401 00:20:40,680 --> 00:20:44,040 Speaker 1: He was so good, but you needed Ben Kingsley as 402 00:20:44,080 --> 00:20:47,399 Speaker 1: Trevor Slattery to really have that Yin Yang. 403 00:20:47,600 --> 00:20:50,080 Speaker 2: Yeah. You get a great Yan Yang Buddy Kopp type 404 00:20:50,080 --> 00:20:54,080 Speaker 2: of dynamic here, and the show doesn't work without either one. 405 00:20:54,240 --> 00:20:57,719 Speaker 2: The show is successful because of the chemistry between these 406 00:20:57,720 --> 00:21:00,720 Speaker 2: two characters and the writing of the two characters. You 407 00:21:00,760 --> 00:21:04,440 Speaker 2: also have ex Mayo's Janelle Jackson. That is Simon's agent, 408 00:21:05,880 --> 00:21:10,080 Speaker 2: Arian Moyette. He's agent Cleary. This is the DODC agent 409 00:21:10,119 --> 00:21:13,159 Speaker 2: we've seen a couple times now that kind of matters 410 00:21:13,200 --> 00:21:15,960 Speaker 2: but kind of doesn't and also puts it like firmly 411 00:21:16,440 --> 00:21:20,959 Speaker 2: somewhat in the MCU timeline story. You have Zlato Burrick 412 00:21:21,040 --> 00:21:23,640 Speaker 2: as von Kovak, who I think we saw on Thunderbolts. 413 00:21:23,680 --> 00:21:26,919 Speaker 2: I want to say he's the director Dan Donnie who 414 00:21:26,960 --> 00:21:30,159 Speaker 2: was deputy Secretary of Higher Doll Camra Jay Meadows is 415 00:21:30,200 --> 00:21:32,440 Speaker 2: young Simon who we get a nice few scenes and 416 00:21:32,520 --> 00:21:37,720 Speaker 2: flashbacks there. Schola Outa will See as Martha Williams, the 417 00:21:37,760 --> 00:21:41,920 Speaker 2: mother Byron Bauers gu Here's Damar Davis. Damar Doorman Davis 418 00:21:42,480 --> 00:21:45,000 Speaker 2: a single episode. I don't know how the Emmys work, 419 00:21:45,040 --> 00:21:46,520 Speaker 2: but I'd like to give this man an Emmy for 420 00:21:46,720 --> 00:21:47,760 Speaker 2: his work in this episode. 421 00:21:47,840 --> 00:21:49,399 Speaker 1: I'd like to give Josh Gadd something. 422 00:21:49,600 --> 00:21:53,600 Speaker 2: Josh Gadd in the same episode as Josh Gadd. Laren 423 00:21:53,640 --> 00:21:56,080 Speaker 2: Weedman as Kathy Friedman, also on a one off, is 424 00:21:56,160 --> 00:22:00,080 Speaker 2: really good in her role. Joe Pantoliano pops up into Ai, 425 00:22:00,080 --> 00:22:02,399 Speaker 2: so it's here, and the second time he pops up, 426 00:22:02,440 --> 00:22:04,840 Speaker 2: I fucking cackled. It was perfect. It was a perfect 427 00:22:04,840 --> 00:22:08,840 Speaker 2: setup and payoff of the prior interaction. Ashley Green playing 428 00:22:08,880 --> 00:22:11,399 Speaker 2: Ashley Green. You'd know Ashley Green from Twilight Goo. She 429 00:22:11,520 --> 00:22:15,000 Speaker 2: was like the third most important character, fourth most important character, 430 00:22:15,000 --> 00:22:17,400 Speaker 2: I should say in that story. And then Mario Lopez. 431 00:22:17,440 --> 00:22:19,640 Speaker 2: Of course, if you're gonna do any projects, you gotta 432 00:22:19,640 --> 00:22:20,600 Speaker 2: get Mario Lopez in. 433 00:22:20,520 --> 00:22:23,520 Speaker 1: Here, as I would have gotten Maria Minunos. 434 00:22:23,440 --> 00:22:27,520 Speaker 2: In Boston's own Goo. Before we get to the Gauntlet 435 00:22:27,720 --> 00:22:32,800 Speaker 2: and spoilers. I think it's really important that I have 436 00:22:32,920 --> 00:22:37,320 Speaker 2: lower expectations going into things, because I loved going into 437 00:22:37,400 --> 00:22:40,280 Speaker 2: this not knowing the character, not having any expectations, just 438 00:22:40,280 --> 00:22:42,840 Speaker 2: hoping it would be decent, and when most of the 439 00:22:42,880 --> 00:22:45,040 Speaker 2: time when you go into something like that, you come 440 00:22:45,080 --> 00:22:52,040 Speaker 2: away impressed. Episode four, Doorman is fucking fantastic. It's so 441 00:22:52,240 --> 00:22:55,720 Speaker 2: good because most of the time, and we've seen this 442 00:22:56,040 --> 00:22:59,359 Speaker 2: in X amount of TV shows, when you have a 443 00:22:59,400 --> 00:23:02,399 Speaker 2: story building, building and you get the rising action, and 444 00:23:02,440 --> 00:23:04,280 Speaker 2: then they take you out of the story with a 445 00:23:04,359 --> 00:23:08,000 Speaker 2: random episode, either for a backdoor pilot or in this instance, 446 00:23:08,080 --> 00:23:09,520 Speaker 2: explaining life. 447 00:23:09,119 --> 00:23:11,920 Speaker 1: Thought to go shrimping on a random planet. 448 00:23:12,960 --> 00:23:16,600 Speaker 2: It's usually bothersome and annoying. But this roped you right 449 00:23:16,640 --> 00:23:18,600 Speaker 2: in immediately. I loved it. Well. 450 00:23:18,600 --> 00:23:20,600 Speaker 1: So when you first told me about it, my first 451 00:23:20,920 --> 00:23:24,359 Speaker 1: my idea, My first thought went to community where once 452 00:23:24,480 --> 00:23:27,040 Speaker 1: or twice a season they would have something where you 453 00:23:27,040 --> 00:23:31,040 Speaker 1: would say, is this cannon? Does the paintball episode count? 454 00:23:31,480 --> 00:23:35,040 Speaker 1: Does this weird Dungeons and Dragons episode count? Does the 455 00:23:35,160 --> 00:23:38,159 Speaker 1: zombie Halloween count? So they would do these random things. 456 00:23:38,440 --> 00:23:41,200 Speaker 1: My name is Earl would also always do this too. 457 00:23:41,640 --> 00:23:44,000 Speaker 1: I didn't like it as much on my name as Earl. 458 00:23:44,119 --> 00:23:46,320 Speaker 1: It was creative, but I'm like, let's just get back 459 00:23:46,359 --> 00:23:46,840 Speaker 1: to the list. 460 00:23:46,960 --> 00:23:50,639 Speaker 2: Also, I'd like to reiterate this being a Marvel Spotlight 461 00:23:51,000 --> 00:23:54,359 Speaker 2: production means that the studio had no faith this was 462 00:23:54,400 --> 00:23:57,120 Speaker 2: going to be good or find its audience. So I'm 463 00:23:57,160 --> 00:23:58,880 Speaker 2: happy it did, and I'm happy and it's doing well, 464 00:23:58,920 --> 00:24:02,920 Speaker 2: and once again them not forcing this show down our 465 00:24:02,960 --> 00:24:06,359 Speaker 2: throats in just letting us watch it if we feel 466 00:24:06,400 --> 00:24:08,440 Speaker 2: like it is polar opposite to act. 467 00:24:08,520 --> 00:24:12,159 Speaker 1: That's actually the weird they were. Watch it if you 468 00:24:12,280 --> 00:24:12,959 Speaker 1: feel like it. 469 00:24:14,480 --> 00:24:17,240 Speaker 2: And then finally go, I have a question or questions 470 00:24:17,240 --> 00:24:19,160 Speaker 2: about his power because once again I don't know fucking 471 00:24:19,160 --> 00:24:21,400 Speaker 2: thing about wonder Man, and they don't explain it either 472 00:24:21,400 --> 00:24:22,600 Speaker 2: in the show, which was fine. 473 00:24:22,760 --> 00:24:23,280 Speaker 1: I don't know. 474 00:24:23,520 --> 00:24:27,000 Speaker 2: So his power is like harnessing ionic energy? Sure? Can 475 00:24:27,000 --> 00:24:28,639 Speaker 2: he heal himself? Can he not get hurt? I mean, 476 00:24:28,720 --> 00:24:31,200 Speaker 2: we get the backstory about the fire, he's not hurt all. 477 00:24:31,240 --> 00:24:32,480 Speaker 2: I don't know what he can or can't do. 478 00:24:32,640 --> 00:24:35,840 Speaker 1: But also I thought it points and it was shown 479 00:24:35,880 --> 00:24:37,720 Speaker 1: to not be the case. Is I thought he had 480 00:24:37,760 --> 00:24:40,640 Speaker 1: no control over it, and it was really more of 481 00:24:40,680 --> 00:24:44,840 Speaker 1: when the anxiety or not anger per se, But when 482 00:24:44,960 --> 00:24:47,960 Speaker 1: things really built up in him, when he started to 483 00:24:48,000 --> 00:24:50,600 Speaker 1: lose control, that's when it would come too. 484 00:24:51,040 --> 00:24:51,320 Speaker 2: Yeah. 485 00:24:51,359 --> 00:24:53,639 Speaker 1: But then there's a scene or two where he is 486 00:24:53,720 --> 00:24:54,679 Speaker 1: able to control it. 487 00:24:54,800 --> 00:24:58,639 Speaker 2: Yeah. So thematically you've seen that before. Write a hero 488 00:24:58,840 --> 00:25:01,320 Speaker 2: or a villain letting emotions get the best of them, 489 00:25:01,359 --> 00:25:05,040 Speaker 2: and that ultimately you know, has their powers pop, but 490 00:25:05,200 --> 00:25:08,040 Speaker 2: it does feel like he definitely has control most of 491 00:25:08,080 --> 00:25:10,479 Speaker 2: the time because he's actively not using them. And then 492 00:25:10,480 --> 00:25:12,800 Speaker 2: obviously we see because he's an actor, a couple. 493 00:25:12,560 --> 00:25:15,679 Speaker 1: Scenes where he because he's an actor. 494 00:25:15,119 --> 00:25:20,040 Speaker 2: When he's not upset. So yeah, he's obviously still harnessing 495 00:25:20,080 --> 00:25:23,000 Speaker 2: his powers because he's not really using him getting a 496 00:25:23,080 --> 00:25:25,919 Speaker 2: chance to hone them. But yeah, there was there was 497 00:25:26,000 --> 00:25:26,600 Speaker 2: quite a bit of. 498 00:25:26,560 --> 00:25:29,720 Speaker 1: That shall we do the Gauntlet, let's do it fun factor. 499 00:25:30,359 --> 00:25:32,320 Speaker 1: It's the main duo on the screen. 500 00:25:32,280 --> 00:25:36,520 Speaker 2: The Buddy Cup you know, bromance sort of thing here between. Yeah, yeah, 501 00:25:36,560 --> 00:25:40,480 Speaker 2: and Ben Kingsley is great. The characters, you know are 502 00:25:41,560 --> 00:25:45,040 Speaker 2: I was so surprised and like Trevor Slattery. Yeah, it 503 00:25:45,080 --> 00:25:47,639 Speaker 2: was funny seeing him pop up again and Shang Xi like, 504 00:25:48,080 --> 00:25:50,719 Speaker 2: I don't think I wanted Trevor Slattery, and we got 505 00:25:50,760 --> 00:25:51,920 Speaker 2: a lot of them and I loved it. 506 00:25:52,080 --> 00:25:55,240 Speaker 1: I laughed every time when someone said, wait, aren't you 507 00:25:55,240 --> 00:25:56,240 Speaker 1: The Mandarin. 508 00:25:57,720 --> 00:26:00,359 Speaker 2: Was the setup when they go into the Tremoy Boy's 509 00:26:00,440 --> 00:26:03,399 Speaker 2: house and Simon comes up with this whole law and 510 00:26:03,480 --> 00:26:06,240 Speaker 2: order plan and they're like, wait, you're the mannering, aren't you? 511 00:26:06,280 --> 00:26:07,720 Speaker 2: And they're like I guess that's right off the one 512 00:26:07,760 --> 00:26:08,359 Speaker 2: does also. 513 00:26:08,880 --> 00:26:11,000 Speaker 1: I mean, I think Marvel knows this is that you 514 00:26:11,040 --> 00:26:14,280 Speaker 1: can say something that's only kind of funny, but when 515 00:26:14,280 --> 00:26:17,800 Speaker 1: you say it with that specific British accent, it makes 516 00:26:17,840 --> 00:26:19,480 Speaker 1: it twenty percent funnier. 517 00:26:19,640 --> 00:26:23,760 Speaker 2: Yeah, yeah, yeah. I also really liked that Simon was 518 00:26:23,840 --> 00:26:26,399 Speaker 2: such a big fan of like movies and television that 519 00:26:26,440 --> 00:26:29,440 Speaker 2: it basically is how he would react to stuff. He 520 00:26:29,440 --> 00:26:32,640 Speaker 2: would just reference stuff he's seen, so that was fun too. 521 00:26:32,720 --> 00:26:34,280 Speaker 1: I think that also gets into how much of an 522 00:26:34,320 --> 00:26:37,080 Speaker 1: outcast he is and how movies and the mother even 523 00:26:37,080 --> 00:26:40,160 Speaker 1: talks about this of how he didn't have any friends, 524 00:26:40,840 --> 00:26:45,200 Speaker 1: and movies and television mainly movies is like those were 525 00:26:45,240 --> 00:26:48,359 Speaker 1: his friends. That's who he was able to connect to, 526 00:26:48,600 --> 00:26:51,720 Speaker 1: and that's how he then when speaking to someone else 527 00:26:51,760 --> 00:26:54,359 Speaker 1: in the real world. Is this is all I know? 528 00:26:54,680 --> 00:26:55,920 Speaker 2: Yeah, right, exactly. 529 00:26:56,000 --> 00:26:59,320 Speaker 1: Satisfactor, the final episode does something that's all a bit weird, 530 00:26:59,359 --> 00:27:03,560 Speaker 1: isn't it? But I like it because the character that 531 00:27:03,600 --> 00:27:07,840 Speaker 1: he's trying to play this entire series is about redemption 532 00:27:08,720 --> 00:27:10,720 Speaker 1: and doing the right thing. 533 00:27:11,080 --> 00:27:11,600 Speaker 2: Yeah. 534 00:27:11,720 --> 00:27:13,959 Speaker 1: Yeah, it does play with that. 535 00:27:14,160 --> 00:27:19,280 Speaker 2: There's something specifically satisfying with Trevor Slattery that happens that 536 00:27:19,400 --> 00:27:22,119 Speaker 2: I really really liked, and then in the finale you 537 00:27:22,200 --> 00:27:25,400 Speaker 2: get obviously the end that was like more of a fun, 538 00:27:25,480 --> 00:27:26,600 Speaker 2: satisfying type of thing. 539 00:27:27,000 --> 00:27:31,159 Speaker 1: Borometer. I don't think so, because even getting into the 540 00:27:31,200 --> 00:27:36,240 Speaker 1: first episode or so, you see the overthinking version of 541 00:27:36,320 --> 00:27:41,040 Speaker 1: Simon that really helps flesh out what we see moving forward. 542 00:27:41,080 --> 00:27:43,640 Speaker 1: So I don't even think getting into the story was boring. 543 00:27:43,800 --> 00:27:47,399 Speaker 2: The pacing is great, and because the episodes are max. 544 00:27:47,480 --> 00:27:51,160 Speaker 2: Thirty thirty five minutes, you just don't have a chance 545 00:27:51,160 --> 00:27:53,560 Speaker 2: to even feel the bore. And the chemistry between the 546 00:27:53,600 --> 00:27:55,359 Speaker 2: two is so great that the tit for tat, the 547 00:27:55,920 --> 00:27:59,320 Speaker 2: ping pong, the tennis match they're having on screen keeps you, 548 00:27:59,320 --> 00:28:01,960 Speaker 2: you know, engage Halloween. Will this wane over time? 549 00:28:02,200 --> 00:28:02,440 Speaker 1: Yeah? 550 00:28:02,480 --> 00:28:05,399 Speaker 2: Sure, probably right, probably, you know, if it doesn't have 551 00:28:05,400 --> 00:28:07,760 Speaker 2: any ramifications. It was a nice one off viewing, but 552 00:28:08,040 --> 00:28:09,200 Speaker 2: yeah probably. 553 00:28:08,840 --> 00:28:11,200 Speaker 1: Aw Quater World, I would say it's better than nineteen 554 00:28:11,280 --> 00:28:13,160 Speaker 1: ninety five Water World. 555 00:28:13,200 --> 00:28:16,080 Speaker 2: And also tying into Aquaman. 556 00:28:15,800 --> 00:28:19,200 Speaker 1: With better than Aquaman. It is certainly better the mission 557 00:28:19,240 --> 00:28:22,920 Speaker 1: to come aboard on the first ten minutes of Aquaman, 558 00:28:23,119 --> 00:28:28,560 Speaker 1: Rule Pants, ten City Excite bike Mania. What got you 559 00:28:28,640 --> 00:28:30,199 Speaker 1: going in this show? Uh? 560 00:28:30,359 --> 00:28:34,040 Speaker 2: This is spoilery ish, so I'll save it, but okay, 561 00:28:34,280 --> 00:28:37,960 Speaker 2: the beginning of the finale episode, the beginning of episode eight, 562 00:28:38,000 --> 00:28:40,640 Speaker 2: we get a reveal with Trevor Slattery that I thought 563 00:28:40,680 --> 00:28:44,600 Speaker 2: was awesome, super super cool and it loved. I loved 564 00:28:44,680 --> 00:28:46,000 Speaker 2: seeing him do that. 565 00:28:46,200 --> 00:28:48,360 Speaker 1: I would say that would be the only like true 566 00:28:48,440 --> 00:28:50,480 Speaker 1: peak of the show, because I don't it's a nice 567 00:28:50,480 --> 00:28:51,400 Speaker 1: it's a nice valley. 568 00:28:51,560 --> 00:28:54,400 Speaker 2: It doesn't necessarily crush a high high, but it's so 569 00:28:54,520 --> 00:28:56,360 Speaker 2: consistently good it didn't really need to. 570 00:28:56,480 --> 00:29:00,160 Speaker 1: I suppose plemonade Jesse Plemmon's pops on the screen to 571 00:29:00,200 --> 00:29:01,840 Speaker 1: think of a new name for this soon, because the 572 00:29:02,240 --> 00:29:05,280 Speaker 1: man is a super star. The man is just Yes, 573 00:29:05,360 --> 00:29:09,440 Speaker 1: Jesse Plemmons makes everything better. Who in a small role 574 00:29:09,640 --> 00:29:12,680 Speaker 1: on this show did their plemonade? 575 00:29:12,720 --> 00:29:16,840 Speaker 2: Byron Bauers in his one episode as Damar Dorman Davis 576 00:29:17,120 --> 00:29:20,360 Speaker 2: is great and sells you on the emotion and they 577 00:29:20,400 --> 00:29:23,640 Speaker 2: tell that story of why Hollywood is the way it 578 00:29:23,720 --> 00:29:26,440 Speaker 2: is with that and the Josh gadd stuff, and I 579 00:29:26,480 --> 00:29:27,400 Speaker 2: thought it was phenomenal. 580 00:29:27,400 --> 00:29:30,120 Speaker 1: I mean, you mentioned Josh Gadd. I was never really 581 00:29:30,160 --> 00:29:34,360 Speaker 1: a gad guy, and after this episode, I kinda kind 582 00:29:34,360 --> 00:29:35,160 Speaker 1: of like Josh. 583 00:29:35,000 --> 00:29:36,800 Speaker 2: Gadd gad making fun of dad is good. 584 00:29:36,960 --> 00:29:40,320 Speaker 1: What I really liked. I think the really the emotional 585 00:29:40,400 --> 00:29:42,560 Speaker 1: rock of this show is when they would go back 586 00:29:43,200 --> 00:29:48,120 Speaker 1: to the scenes of the young Simon with his father. 587 00:29:48,640 --> 00:29:51,520 Speaker 1: There's only two or three, but it was his father 588 00:29:51,720 --> 00:29:55,800 Speaker 1: really understanding him and you know he's different, so he 589 00:29:55,880 --> 00:29:58,880 Speaker 1: doesn't fit in. I really love the scene of them 590 00:29:58,960 --> 00:30:02,280 Speaker 1: dropping off the brother and saying, hey, you're you're sick, right, 591 00:30:02,520 --> 00:30:04,800 Speaker 1: What do you mean that's a bad cough you have? 592 00:30:05,320 --> 00:30:08,560 Speaker 1: It's the relationship between the father and son. Yeah, and 593 00:30:08,680 --> 00:30:14,240 Speaker 1: bringing him, bringing him to the movie that he truly 594 00:30:14,320 --> 00:30:19,080 Speaker 1: connects with and the father full support of him of like, no, 595 00:30:19,200 --> 00:30:22,440 Speaker 1: you weren't just good in your play because like I 596 00:30:22,480 --> 00:30:25,600 Speaker 1: think you know you're my kid. I truly believe in you. 597 00:30:26,240 --> 00:30:29,640 Speaker 1: And those two or three scenes I thought really set 598 00:30:29,720 --> 00:30:33,280 Speaker 1: into like why Simon is still doing this? Yeah, for sure, 599 00:30:33,600 --> 00:30:34,560 Speaker 1: I love those scenes. 600 00:30:34,640 --> 00:30:38,320 Speaker 2: It gives proper motivation and good background, and those little 601 00:30:38,320 --> 00:30:41,400 Speaker 2: scenes in this season of television, if we do see 602 00:30:41,440 --> 00:30:45,120 Speaker 2: Simon Williams again, really makes you want to root for 603 00:30:45,200 --> 00:30:48,400 Speaker 2: him as a fan, Like there are many characters we've 604 00:30:48,400 --> 00:30:50,840 Speaker 2: been introduced to that you just know and like because 605 00:30:50,840 --> 00:30:54,200 Speaker 2: of Colic Books or whatever, this we actually like because 606 00:30:54,200 --> 00:30:55,080 Speaker 2: of what we saw. 607 00:30:55,320 --> 00:30:58,640 Speaker 1: Let's go to Max's Credit Union and I'll jump on 608 00:30:58,680 --> 00:31:03,120 Speaker 1: this one first, destined Daniel crettin Yeah, Yeah, I thought 609 00:31:03,200 --> 00:31:05,000 Speaker 1: I really loved it. I thought the pacing of the 610 00:31:05,040 --> 00:31:08,479 Speaker 1: show was great. I love the fact that it's a 611 00:31:08,520 --> 00:31:12,880 Speaker 1: world builder but not necessarily super important, and I think 612 00:31:12,960 --> 00:31:15,040 Speaker 1: that could be what we're looking at with Spider Man. 613 00:31:15,080 --> 00:31:17,360 Speaker 2: Now, I have to give it. Like deston Daniel Kreton, 614 00:31:17,360 --> 00:31:20,520 Speaker 2: I would say I probably liked going into this dude. 615 00:31:20,720 --> 00:31:23,960 Speaker 2: Sui yeah ya Abdulah Mateen the second didn't have a 616 00:31:23,960 --> 00:31:27,200 Speaker 2: strong opinion on either way. Didn't wouldn't say I necessarily 617 00:31:27,280 --> 00:31:29,680 Speaker 2: liked him. And after this season television, I'm like, this 618 00:31:29,720 --> 00:31:32,560 Speaker 2: guy's a fucking man Like he's so good, He's so 619 00:31:32,720 --> 00:31:35,120 Speaker 2: good in this one role that I'm probably gonna like 620 00:31:35,160 --> 00:31:35,800 Speaker 2: this dude forever. 621 00:31:35,960 --> 00:31:37,880 Speaker 1: For those of you tarty to the Mac and Goop party, 622 00:31:37,880 --> 00:31:41,120 Speaker 1: we rate everything on a forty hot dog rating system. 623 00:31:41,200 --> 00:31:43,840 Speaker 1: Mac I have already I think we've both already gushed. 624 00:31:44,320 --> 00:31:47,200 Speaker 1: I'm not sure that this is necessarily the best thing 625 00:31:47,520 --> 00:31:49,800 Speaker 1: that Marvel has given us, let alone the best thing 626 00:31:49,840 --> 00:31:53,800 Speaker 1: that Marvel has given us as a television show. I'm 627 00:31:53,800 --> 00:31:56,520 Speaker 1: still gonna look at Loki season one. I'm still gonna 628 00:31:56,520 --> 00:32:01,000 Speaker 1: go with the WandaVision. But this is up the especially 629 00:32:01,200 --> 00:32:04,720 Speaker 1: with a character that we didn't know much about, and 630 00:32:05,200 --> 00:32:09,440 Speaker 1: moving forward really might not matter outside of a mention 631 00:32:09,600 --> 00:32:12,320 Speaker 1: or two. He might never appear again, and that's absolutely 632 00:32:12,400 --> 00:32:14,720 Speaker 1: fine with me because this tight story that we got 633 00:32:15,360 --> 00:32:17,920 Speaker 1: I had a really fun time with. I had some laughs. 634 00:32:18,600 --> 00:32:21,960 Speaker 1: I thought that this was a show that you don't 635 00:32:22,080 --> 00:32:25,040 Speaker 1: need to be a fan of this genre to enjoy. 636 00:32:25,680 --> 00:32:29,640 Speaker 1: It's just, you know, his power is a heightened version 637 00:32:29,880 --> 00:32:33,000 Speaker 1: of stuff that we deal with every day. You know, 638 00:32:33,160 --> 00:32:36,200 Speaker 1: we all get angry, we all have anxiety. His just 639 00:32:36,280 --> 00:32:39,320 Speaker 1: comes out in you know, he's got this power that 640 00:32:39,360 --> 00:32:42,400 Speaker 1: comes out of it. Yeah, right, thirty five hot talks, Wow, 641 00:32:42,560 --> 00:32:43,920 Speaker 1: gool Yeah. 642 00:32:43,760 --> 00:32:49,920 Speaker 2: You and I just like fucking power line. I legitimately, 643 00:32:49,960 --> 00:32:53,280 Speaker 2: I thought long and hard. I don't think there's anything 644 00:32:53,280 --> 00:32:55,920 Speaker 2: in this show I would have changed now. It doesn't 645 00:32:55,920 --> 00:32:58,160 Speaker 2: make it a perfect show, because I think going into 646 00:32:58,160 --> 00:33:00,000 Speaker 2: it it was limited as to how good it could be. 647 00:33:00,920 --> 00:33:03,280 Speaker 2: I think it's as good as it could have possibly been. 648 00:33:04,080 --> 00:33:05,800 Speaker 2: Going in, I would have said best case for the 649 00:33:05,840 --> 00:33:09,200 Speaker 2: show was like probably like thirty six hot Dogs, thirty 650 00:33:09,200 --> 00:33:12,280 Speaker 2: five hot Dogs, thirty four hot Dogs, that range, because 651 00:33:12,320 --> 00:33:15,280 Speaker 2: we knew probably wasn't gonna matter. But it's so good 652 00:33:15,280 --> 00:33:18,320 Speaker 2: that I hope it matters, and I think I have 653 00:33:18,400 --> 00:33:21,600 Speaker 2: it so in a tier of its own at the 654 00:33:21,640 --> 00:33:24,520 Speaker 2: top of the MCU television stuff. I've got Loki Season one, 655 00:33:25,120 --> 00:33:28,320 Speaker 2: then in a tier of its own, second clearly behind that, 656 00:33:28,360 --> 00:33:30,880 Speaker 2: but I still think clearly better than everything else is Hawkeye. 657 00:33:31,280 --> 00:33:33,160 Speaker 2: And then I have like a muddied middle of Miss 658 00:33:33,160 --> 00:33:37,320 Speaker 2: Marvel WandaVision, Loki Season two, Daredevil, Born Again, Agatha All Along, 659 00:33:37,400 --> 00:33:39,959 Speaker 2: and Iron Hot I think this is better than all 660 00:33:40,040 --> 00:33:43,440 Speaker 2: of those. I think this is a border lying great 661 00:33:43,480 --> 00:33:46,280 Speaker 2: season of television. So to me, that's like thirty five 662 00:33:46,360 --> 00:33:50,360 Speaker 2: thirty six hot Dogs. I gave Hawkeye thirty five, and 663 00:33:50,400 --> 00:33:52,520 Speaker 2: I don't think I think I like Hawkeye a tad more, 664 00:33:52,520 --> 00:33:54,840 Speaker 2: a little more satisfying stuff there, so I'll give it 665 00:33:54,880 --> 00:33:58,400 Speaker 2: thirty five. I think it's third best of the fourteen 666 00:33:58,480 --> 00:34:01,239 Speaker 2: seasons of live action Marvel television we've gotten, but it's 667 00:34:01,280 --> 00:34:03,240 Speaker 2: in that second tier with Hawkeye. 668 00:34:03,240 --> 00:34:05,400 Speaker 1: I would have it on my Mount Rushmore. I'd probably 669 00:34:05,400 --> 00:34:09,440 Speaker 1: say so. Daredevil, I also really enjoyed. But it's a 670 00:34:09,440 --> 00:34:12,160 Speaker 1: lot of the stuff that we've already seen, so this 671 00:34:12,400 --> 00:34:14,759 Speaker 1: is something that they're kind of taking a chance with 672 00:34:14,800 --> 00:34:15,799 Speaker 1: and I appreciate that. 673 00:34:16,000 --> 00:34:18,960 Speaker 2: Yeah, for sure, for sure. It's just such a such 674 00:34:18,960 --> 00:34:19,800 Speaker 2: a pleasant surprise. 675 00:34:19,840 --> 00:34:25,160 Speaker 1: Shall we spoil spiler spiler spoilers? I truly appreciate. And 676 00:34:25,280 --> 00:34:28,160 Speaker 1: this is at that house in episode six. I want 677 00:34:28,160 --> 00:34:32,440 Speaker 1: to say, uh, there is a great Stevie Nicks cocaine 678 00:34:32,560 --> 00:34:33,439 Speaker 1: up the butt joke. 679 00:34:34,840 --> 00:34:38,759 Speaker 2: It's episode five. Yeah, so they finally get into the 680 00:34:38,800 --> 00:34:41,080 Speaker 2: house to help the scooter boy who has the footage, 681 00:34:41,520 --> 00:34:45,200 Speaker 2: and they're making Chamoy candy, which has become very popular 682 00:34:45,239 --> 00:34:48,440 Speaker 2: on like TikTok and whatnot. And they naturally as too 683 00:34:48,480 --> 00:34:51,440 Speaker 2: old to assume they're drugs and making drugs. So that 684 00:34:51,560 --> 00:34:55,560 Speaker 2: was pretty funny. And yeah, Trevor makes a great Stevie 685 00:34:55,680 --> 00:34:56,160 Speaker 2: Nicks joke. 686 00:34:56,239 --> 00:34:58,560 Speaker 1: I'm mark excited and Steve Nis getting cocaine blown up 687 00:34:58,600 --> 00:34:59,000 Speaker 1: a bum. 688 00:35:00,080 --> 00:35:02,000 Speaker 2: I just want to talk about the doorband stuff now 689 00:35:02,040 --> 00:35:06,240 Speaker 2: that it's spoiler full. Ding Dong killed me. Perfect dumb 690 00:35:06,520 --> 00:35:07,920 Speaker 2: catchphrase for a cat. 691 00:35:07,880 --> 00:35:09,080 Speaker 1: Should be saying knock knock. 692 00:35:09,360 --> 00:35:14,439 Speaker 2: Yeah, his fans are called door knobs. Unbelievable. Uh, there's 693 00:35:14,480 --> 00:35:17,920 Speaker 2: a reference where he gets his little goo power from 694 00:35:18,920 --> 00:35:21,759 Speaker 2: was under a rocks and dumpster, which apparently was in 695 00:35:21,800 --> 00:35:24,840 Speaker 2: the Cloak and Dagger show as well. Josh Gadd obviously 696 00:35:24,920 --> 00:35:26,520 Speaker 2: the cash Grab movie Cash Grab. 697 00:35:26,600 --> 00:35:28,759 Speaker 1: Okay, so Josh Gadd in this, I want to give 698 00:35:28,800 --> 00:35:32,560 Speaker 1: complete credit. So Josh Gadd is first off, Max is acting, 699 00:35:32,719 --> 00:35:36,560 Speaker 1: but also is at a club doing a club remix 700 00:35:36,840 --> 00:35:40,000 Speaker 1: of the Oloff in the Summer song. 701 00:35:40,120 --> 00:35:42,120 Speaker 2: Oh yeah, that's what it was. That's what yeah, yeah, 702 00:35:42,160 --> 00:35:43,000 Speaker 2: what do ins? 703 00:35:44,760 --> 00:35:46,719 Speaker 1: And while in there, Now keep in mind, I'm gonna 704 00:35:46,719 --> 00:35:48,360 Speaker 1: explain this to you, real simple man, because you're a 705 00:35:48,400 --> 00:35:52,520 Speaker 1: simple man. Oloff is a snowman. Right while in the club, 706 00:35:52,760 --> 00:35:53,840 Speaker 1: it catches on fire. 707 00:35:54,000 --> 00:35:54,440 Speaker 2: Look at that. 708 00:35:54,560 --> 00:35:58,480 Speaker 1: So I'm thinking to myself, are they gonna Josh Gadd 709 00:35:58,480 --> 00:36:01,080 Speaker 1: the Snowman and his Disney property have him die in 710 00:36:01,120 --> 00:36:01,560 Speaker 1: a fire? 711 00:36:01,920 --> 00:36:04,920 Speaker 2: They didn't, But gout, I think, I mean he's missing 712 00:36:05,040 --> 00:36:07,960 Speaker 2: right now. He's a missing person because he just disappears 713 00:36:08,000 --> 00:36:12,040 Speaker 2: in whatever void that Doorman kind of connects to. And 714 00:36:12,520 --> 00:36:14,680 Speaker 2: I also felt like you talked it was a little 715 00:36:14,800 --> 00:36:18,279 Speaker 2: maybe two inside baseball with acting in studio stuff. They 716 00:36:18,320 --> 00:36:20,120 Speaker 2: also we get a little bit of that depiction of 717 00:36:20,120 --> 00:36:22,040 Speaker 2: like a one hit wonder character too with. 718 00:36:22,280 --> 00:36:25,080 Speaker 1: Those Like I said, so that's I think season four 719 00:36:25,160 --> 00:36:28,920 Speaker 1: of The Simpsons, Bart becomes famous. He's on the Krusty Show. 720 00:36:29,000 --> 00:36:32,480 Speaker 1: He knocks something over. I didn't do it. So after that, 721 00:36:32,640 --> 00:36:35,040 Speaker 1: the entire episode is everyone like, oh, I didn't do it. 722 00:36:35,080 --> 00:36:36,480 Speaker 1: I didn't do what. He keeps on saying it, and 723 00:36:36,520 --> 00:36:39,480 Speaker 1: then at a certain point everyone's like, this is old this, 724 00:36:39,600 --> 00:36:42,359 Speaker 1: We're sick of this. And then he tries another catchphrase, 725 00:36:42,840 --> 00:36:46,319 Speaker 1: and then he is cast aside forever, and then you know. 726 00:36:46,280 --> 00:36:48,840 Speaker 2: It shows him being cast as the same role in movies, 727 00:36:48,880 --> 00:36:51,400 Speaker 2: television hosting, Like he gets pigeonholed. 728 00:36:50,960 --> 00:36:53,040 Speaker 1: Even to a certain point, and I feel like this 729 00:36:53,280 --> 00:36:56,480 Speaker 1: is a nod to The Simpsons. On that episode, Bart 730 00:36:56,520 --> 00:36:59,720 Speaker 1: goes on the Conan O'Brien show and he's like, well, Conan, 731 00:36:59,760 --> 00:37:02,239 Speaker 1: I'm more than just a catch phrase. I feel like 732 00:37:02,280 --> 00:37:05,359 Speaker 1: they said that exact same line during that talk show 733 00:37:05,400 --> 00:37:06,759 Speaker 1: that the doorman was, oh yeah, that. 734 00:37:06,760 --> 00:37:09,279 Speaker 2: He's got the skull doing that that scene. 735 00:37:09,080 --> 00:37:11,160 Speaker 1: And then Conan's like, just say the line. And then 736 00:37:11,200 --> 00:37:16,680 Speaker 1: Bart tries to dance and Conan's like, only I may dance, and. 737 00:37:16,760 --> 00:37:22,760 Speaker 2: This whole episode stands as proving ground to the dodc's 738 00:37:23,000 --> 00:37:26,279 Speaker 2: stance of banning powers from Hollywood. That's all. That's what 739 00:37:26,320 --> 00:37:28,680 Speaker 2: this episode stood for. And it did such a good 740 00:37:28,760 --> 00:37:30,759 Speaker 2: job because you're like, oh, this is kind of dumb 741 00:37:30,800 --> 00:37:32,760 Speaker 2: that they banned powers, and then you watch the episode 742 00:37:32,760 --> 00:37:34,480 Speaker 2: you're like, I get it makes sense. 743 00:37:34,640 --> 00:37:38,040 Speaker 1: I also really laughed at so when the Doorman first 744 00:37:38,040 --> 00:37:41,719 Speaker 1: said go through me, and the woman's like, go into you. 745 00:37:41,800 --> 00:37:43,880 Speaker 1: I'm not going into you, and then Josh Gad steps 746 00:37:43,920 --> 00:37:47,960 Speaker 1: in the man said go through him. It was a 747 00:37:47,960 --> 00:37:50,400 Speaker 1: good line, good delivery. I had good time with that. 748 00:37:50,840 --> 00:37:53,200 Speaker 2: So speaking, I don't know if we'll ever see Doorman again, 749 00:37:53,719 --> 00:37:56,880 Speaker 2: but wonder Man Simon Williams at the end goes in. 750 00:37:56,960 --> 00:38:01,600 Speaker 2: So in episode eight, Trevor Slattery takes the Mandarin Mandel 751 00:38:01,800 --> 00:38:06,919 Speaker 2: mantle and claims the explosion on the set, and he's 752 00:38:06,960 --> 00:38:10,280 Speaker 2: in characters satisfying. 753 00:38:09,840 --> 00:38:11,960 Speaker 1: The explosion was his fault. 754 00:38:12,360 --> 00:38:18,120 Speaker 2: Yes, emotionally. Emotionally yeah, because we find Simon finally finds 755 00:38:18,120 --> 00:38:21,680 Speaker 2: out with when sitting down with Kathy Friedman that Trevor 756 00:38:21,680 --> 00:38:23,319 Speaker 2: has been playing him the whole time and he's been 757 00:38:23,360 --> 00:38:25,600 Speaker 2: an agent for the d d C, which also what 758 00:38:26,000 --> 00:38:26,560 Speaker 2: causes that. 759 00:38:26,680 --> 00:38:29,879 Speaker 1: Slattery also knew what he was capable of and he 760 00:38:29,960 --> 00:38:33,319 Speaker 1: pretty much set that bomb off in So while not 761 00:38:33,480 --> 00:38:36,200 Speaker 1: the Mandarin, Slattery did do that. 762 00:38:36,440 --> 00:38:39,239 Speaker 2: Yeah, and he feels the guilt for it. And ultimately 763 00:38:39,600 --> 00:38:42,120 Speaker 2: a big part of the magic of this show is 764 00:38:42,280 --> 00:38:45,520 Speaker 2: Trevor finding out he fucking loves Simon during the season 765 00:38:45,960 --> 00:38:48,400 Speaker 2: and turning against the d O DC and that's that 766 00:38:48,520 --> 00:38:51,320 Speaker 2: was pretty satisfying. There was also a couple of notes. 767 00:38:51,520 --> 00:38:54,960 Speaker 2: Before Simon officially meets Kathy Friedman, they throw a couple 768 00:38:54,960 --> 00:38:57,440 Speaker 2: of celebrities out there. Glenn Howardon was one of them. 769 00:38:57,480 --> 00:38:59,640 Speaker 2: She wrote like a hit piece because the way he 770 00:38:59,760 --> 00:39:01,840 Speaker 2: ate his arugul o salad or something like that, and 771 00:39:01,840 --> 00:39:02,160 Speaker 2: he's the. 772 00:39:02,120 --> 00:39:05,480 Speaker 1: Most charming man in Hollywood. Yeah, which I would assume 773 00:39:05,520 --> 00:39:07,680 Speaker 1: that has to do with So Glenn Howarden was the 774 00:39:07,800 --> 00:39:10,719 Speaker 1: runner up to be star Lord. Okay, so maybe that's 775 00:39:10,760 --> 00:39:14,200 Speaker 1: just like throwing him something. Now he's in this universe. 776 00:39:14,400 --> 00:39:17,440 Speaker 2: One of my favorite bits that you didn't think it 777 00:39:17,440 --> 00:39:21,719 Speaker 2: was gonna come back but mattered Joe Pantoliano playing himself 778 00:39:21,920 --> 00:39:26,000 Speaker 2: and ultimately like backstabbed Trevor Slattery twenty thirty years ago. 779 00:39:26,400 --> 00:39:29,600 Speaker 2: And then when he gets Recash as Barnaby. That reveal 780 00:39:29,840 --> 00:39:32,120 Speaker 2: fucking killed me. I loved that. That was great, and 781 00:39:32,160 --> 00:39:35,320 Speaker 2: he is He's good at playing like a slimy character always, 782 00:39:35,320 --> 00:39:37,600 Speaker 2: so I loved his little tidbit in here. Yeah. The 783 00:39:37,680 --> 00:39:40,440 Speaker 2: question I have for you do you think we see 784 00:39:40,560 --> 00:39:41,560 Speaker 2: Simon Williams again? 785 00:39:41,640 --> 00:39:43,520 Speaker 1: I don't know where you use him, man, I know. 786 00:39:43,560 --> 00:39:45,640 Speaker 2: So that's the second question is like, what could this 787 00:39:45,719 --> 00:39:47,640 Speaker 2: have set up or lead into. I don't really know. 788 00:39:48,000 --> 00:39:50,120 Speaker 1: Oh guy, So I think this plays well into the 789 00:39:50,120 --> 00:39:53,960 Speaker 1: future of if you're mentioning something in Hollywood or whatever 790 00:39:54,000 --> 00:39:55,560 Speaker 1: it is, you just reference him. 791 00:39:55,680 --> 00:39:58,560 Speaker 2: Yeah, yeah, true. All right, run through the episodes. 792 00:39:58,400 --> 00:40:00,360 Speaker 1: Okay, really quick. So we get the first stup and 793 00:40:00,360 --> 00:40:03,440 Speaker 1: that really does show off the overthinking that Simon does. 794 00:40:03,719 --> 00:40:06,919 Speaker 1: He is on the set of American Horror Story and 795 00:40:07,280 --> 00:40:11,400 Speaker 1: while trying to create this character backstory, Hey, it's his 796 00:40:11,480 --> 00:40:12,480 Speaker 1: last day on the set. 797 00:40:12,680 --> 00:40:15,960 Speaker 2: Yeah, he's He's got one line and he's trying to 798 00:40:16,000 --> 00:40:18,680 Speaker 2: make it more than it is. They ultimately cut him 799 00:40:19,040 --> 00:40:21,799 Speaker 2: and then he runs into Trevor Slattery. We find out 800 00:40:21,880 --> 00:40:26,000 Speaker 2: intentionally at a screening of Midnight Cowboy, which is a 801 00:40:26,080 --> 00:40:29,360 Speaker 2: nice you know, like nod to some old time Hollywood stuff. 802 00:40:29,640 --> 00:40:33,680 Speaker 2: Episode two is when he and Trevor are trying to 803 00:40:33,920 --> 00:40:37,920 Speaker 2: shoot you the little tape so that Trevor so that 804 00:40:38,360 --> 00:40:42,040 Speaker 2: Simon can get in on the audition. And this is 805 00:40:42,080 --> 00:40:45,120 Speaker 2: where like the Buddy Cop sort of Yin Yang drama 806 00:40:45,200 --> 00:40:47,920 Speaker 2: starts happening. It exists for basically the rest of the season, 807 00:40:47,920 --> 00:40:53,360 Speaker 2: which is great. Episode three is Pacoima, Simon's mom's birthday party, 808 00:40:53,600 --> 00:40:56,240 Speaker 2: and this is where you get that backstory that really 809 00:40:56,320 --> 00:40:59,400 Speaker 2: gets you as a viewer behind Simon. 810 00:40:59,120 --> 00:41:01,320 Speaker 1: And then also the stuff with him and his brother. 811 00:41:01,760 --> 00:41:04,400 Speaker 2: Episode four is Dorman, which we've already talked about. Episode 812 00:41:04,400 --> 00:41:08,319 Speaker 2: five found footage Simon gets caught using his powers to 813 00:41:08,400 --> 00:41:12,640 Speaker 2: defend Trevor, the scooter boy, the Chamoy stuff. In episode six, 814 00:41:13,239 --> 00:41:15,360 Speaker 2: you get at the end episode five, they get the 815 00:41:15,400 --> 00:41:19,200 Speaker 2: callback they go to von Kovac's house. This was probably 816 00:41:19,239 --> 00:41:22,480 Speaker 2: the slowest episode, so if you talk barometer, I could 817 00:41:22,480 --> 00:41:25,960 Speaker 2: see someone argue this. But you also get the best 818 00:41:26,000 --> 00:41:29,200 Speaker 2: scene in the whole season between Trevor and Simon when 819 00:41:29,320 --> 00:41:33,520 Speaker 2: Simon completely flubs you know, his audition moment. In there 820 00:41:33,680 --> 00:41:37,799 Speaker 2: they go outside and Trevor empowers Simon to be who 821 00:41:37,880 --> 00:41:40,799 Speaker 2: he can be, and it was really great and really good. 822 00:41:41,320 --> 00:41:44,319 Speaker 2: They ultimately get cast in the movie because of this. 823 00:41:44,520 --> 00:41:47,080 Speaker 1: That also shows itself, I believe in the final or 824 00:41:47,120 --> 00:41:50,040 Speaker 1: the seventh episode, when he is getting worked up and 825 00:41:50,080 --> 00:41:53,600 Speaker 1: he can't bring himself down and it's Trevor that's able 826 00:41:53,640 --> 00:41:56,600 Speaker 1: to really talk him down and go through those breathing exercises. 827 00:41:56,680 --> 00:41:59,319 Speaker 2: There's also a great fake out in episode six at 828 00:41:59,400 --> 00:42:02,279 Speaker 2: von Kovac House when he punches the dude straight to 829 00:42:02,360 --> 00:42:02,840 Speaker 2: the face. 830 00:42:03,239 --> 00:42:05,440 Speaker 1: I was like, oh shit, I kind of wish it 831 00:42:05,480 --> 00:42:05,839 Speaker 1: was real. 832 00:42:06,000 --> 00:42:08,760 Speaker 2: I'd same same, It would have been a different outcome 833 00:42:08,800 --> 00:42:09,760 Speaker 2: for the rest of the season. 834 00:42:09,520 --> 00:42:10,520 Speaker 1: Because I always did that. 835 00:42:10,719 --> 00:42:11,040 Speaker 2: Yeah. 836 00:42:11,160 --> 00:42:13,640 Speaker 1: I thought at first it was some kind of a 837 00:42:13,680 --> 00:42:16,319 Speaker 1: weird special effect that they had planned on, and then 838 00:42:16,360 --> 00:42:18,200 Speaker 1: it was real. But then it wasn't. 839 00:42:18,280 --> 00:42:20,000 Speaker 2: Yeah that it was all a day dream. Yeah, but 840 00:42:20,200 --> 00:42:22,480 Speaker 2: that was that was a cool, little many fake aha. 841 00:42:23,320 --> 00:42:26,960 Speaker 2: Episode seven, we get the interview with Kathy Friedman. In 842 00:42:26,960 --> 00:42:29,480 Speaker 2: the whole time, you're getting roped in because of the 843 00:42:29,480 --> 00:42:32,600 Speaker 2: setup with Simon's family. That shit, someone's gonna, you know, 844 00:42:32,680 --> 00:42:35,200 Speaker 2: say something about Simon and it ends up being a 845 00:42:35,280 --> 00:42:38,880 Speaker 2: hit piece on Trevor. She starts hammering him. So now 846 00:42:39,040 --> 00:42:42,800 Speaker 2: Simon finds out about Trevor that leads to the ionic 847 00:42:42,840 --> 00:42:47,400 Speaker 2: explosion on the lot. Episode eight opens with Trevor retaking 848 00:42:47,440 --> 00:42:52,000 Speaker 2: that Mandarin mantle one last time, claiming responsibility, and then 849 00:42:52,040 --> 00:42:54,480 Speaker 2: we also sit in we see the premiere Simon's famous 850 00:42:54,520 --> 00:42:57,279 Speaker 2: it's a little bit of like a epilogue, prologue whatever 851 00:42:57,280 --> 00:42:59,440 Speaker 2: it's called, whatever the one that comes after is called. 852 00:42:59,600 --> 00:43:01,000 Speaker 1: It's like seven months later. 853 00:43:01,120 --> 00:43:04,920 Speaker 2: And then we see Simon, who we think is preparing 854 00:43:04,960 --> 00:43:07,239 Speaker 2: for a new role, like method acting sort of thing, 855 00:43:07,280 --> 00:43:08,600 Speaker 2: you know, shadowing somewhere. 856 00:43:08,640 --> 00:43:10,279 Speaker 1: I will say, though, I kind of knew the whole 857 00:43:10,280 --> 00:43:11,160 Speaker 1: time what he was doing. 858 00:43:11,239 --> 00:43:14,600 Speaker 2: Okay, it was it was, I mean, the jig was up, 859 00:43:14,680 --> 00:43:16,800 Speaker 2: but halfway through, but it originally I didn't. 860 00:43:16,960 --> 00:43:19,000 Speaker 1: I thought they were spending too much time on it 861 00:43:19,040 --> 00:43:21,400 Speaker 1: for it not to lead to some kind of a breakout. No, 862 00:43:21,440 --> 00:43:23,400 Speaker 1: it's true, because they had talked so many times in 863 00:43:23,440 --> 00:43:26,320 Speaker 1: the show about Slattery breaking out of jail in the past. 864 00:43:26,440 --> 00:43:29,200 Speaker 2: Yeah, and so Simon, in the last moment of this 865 00:43:29,320 --> 00:43:32,839 Speaker 2: show breaks Slattery out and just flies away into the sky. 866 00:43:32,920 --> 00:43:35,239 Speaker 1: I was foreshadowed early on of like can you Fly. 867 00:43:37,640 --> 00:43:40,719 Speaker 2: It's good, really good ending, really good season at television, 868 00:43:41,160 --> 00:43:45,560 Speaker 2: and like it's it's good enough, where like if someone 869 00:43:45,600 --> 00:43:47,920 Speaker 2: said it was their favorite season of Marvel Television, it 870 00:43:47,920 --> 00:43:50,120 Speaker 2: wouldn't even bother me because it was so enjoyable. 871 00:43:50,200 --> 00:43:52,479 Speaker 1: Yeah, it's enjoyable, and it's such a great one off, 872 00:43:52,480 --> 00:43:55,600 Speaker 1: and sometimes you need one offs like that. That, like 873 00:43:55,640 --> 00:43:58,359 Speaker 1: I said, is something that can be mentioned, but it 874 00:43:58,360 --> 00:44:01,880 Speaker 1: doesn't necessarily have to matter. So thirty five I'm pretty 875 00:44:01,880 --> 00:44:02,120 Speaker 1: good on. 876 00:44:02,280 --> 00:44:02,520 Speaker 2: Yeah. 877 00:44:02,680 --> 00:44:04,640 Speaker 1: Same, I think if he punched the hole through that 878 00:44:04,640 --> 00:44:06,920 Speaker 1: guy's head, I'd be it could have went in a 879 00:44:06,920 --> 00:44:07,640 Speaker 1: different direction. 880 00:44:07,920 --> 00:44:10,720 Speaker 2: So that's the only thing I said at the beginning. 881 00:44:10,760 --> 00:44:13,160 Speaker 2: I wouldn't have changed anything about this show. But had 882 00:44:13,200 --> 00:44:15,239 Speaker 2: they gone down that route and it did go like 883 00:44:15,320 --> 00:44:18,080 Speaker 2: full superhero mode like we get in the final thirty seconds, 884 00:44:18,520 --> 00:44:20,400 Speaker 2: starting off with the head punch, would have been a 885 00:44:20,480 --> 00:44:21,480 Speaker 2: great leap point. 886 00:44:21,560 --> 00:44:24,239 Speaker 1: I don't need full superhero mode. That's not what I 887 00:44:24,320 --> 00:44:26,759 Speaker 1: wanted in this. But what I do like is. 888 00:44:26,760 --> 00:44:29,040 Speaker 2: That's dif between you and I at the end of WandaVision, 889 00:44:29,200 --> 00:44:30,360 Speaker 2: you didn't like the conclusion. 890 00:44:30,320 --> 00:44:33,000 Speaker 1: I hated that final episode. Yeah, but what I would 891 00:44:33,040 --> 00:44:35,640 Speaker 1: have liked in this is not necessarily break out the 892 00:44:35,680 --> 00:44:41,000 Speaker 1: superhero stuff, but you instead break out him completely losing control. 893 00:44:40,760 --> 00:44:43,960 Speaker 2: Well, it would naturally lead to superhero stuff. Before no power. 894 00:44:43,880 --> 00:44:45,960 Speaker 1: Could have been the end of the powerful stuff. It's 895 00:44:45,960 --> 00:44:47,640 Speaker 1: now him dealing with the repercussions. 896 00:44:47,920 --> 00:44:49,240 Speaker 2: It's just sitting in court. 897 00:44:49,600 --> 00:44:51,440 Speaker 1: Yeah, and then Daredevil has to pop in. 898 00:44:52,440 --> 00:44:52,799 Speaker 2: There you go? 899 00:44:52,880 --> 00:44:55,440 Speaker 1: Do you even know who else is in this fucking university? 900 00:44:55,840 --> 00:44:58,640 Speaker 1: Comes back Daredevil verse, she held there you go? And 901 00:44:58,680 --> 00:45:02,320 Speaker 1: then they do it again. Hell yeah, they watched Bridgerton 902 00:45:02,360 --> 00:45:14,399 Speaker 1: and they do it again. Let's get into Max Sack 903 00:45:14,880 --> 00:45:17,240 Speaker 1: and Max sac could be anything. It could be a boat. 904 00:45:17,400 --> 00:45:19,880 Speaker 1: And just the other day I was sitting there minding 905 00:45:19,880 --> 00:45:21,799 Speaker 1: my own business. Has this ever happened to you? 906 00:45:21,920 --> 00:45:23,000 Speaker 2: Has this ever happened to you? 907 00:45:23,360 --> 00:45:27,279 Speaker 1: And you know, someone a coworker sends you a Facebook 908 00:45:27,480 --> 00:45:32,520 Speaker 1: message saying, hey goo, check this out. It's on Facebook marketplace. 909 00:45:33,120 --> 00:45:38,000 Speaker 1: It is a poster of Nomar Garciapara reading a Harry 910 00:45:38,040 --> 00:45:38,680 Speaker 1: Potter book. 911 00:45:38,760 --> 00:45:41,359 Speaker 2: Yeah, I've never seen this poster in my life. I 912 00:45:41,920 --> 00:45:44,200 Speaker 2: what I do now as an old is I Peru's 913 00:45:44,200 --> 00:45:48,520 Speaker 2: Facebook marketplace. Far too often I come across a poster 914 00:45:48,719 --> 00:45:53,160 Speaker 2: of Nomar Garctipara relatively close to where Gou is, and 915 00:45:53,200 --> 00:45:55,799 Speaker 2: I said, hey, Gou, this might interest. 916 00:45:55,520 --> 00:45:58,440 Speaker 1: You, and it did, and I sent a message to 917 00:45:58,520 --> 00:46:02,239 Speaker 1: the person. I said, is this still available? Almost an 918 00:46:02,280 --> 00:46:05,439 Speaker 1: immediate yes. I think I'm in. I think I'm good. 919 00:46:05,680 --> 00:46:06,200 Speaker 2: Yeah. 920 00:46:06,320 --> 00:46:09,400 Speaker 1: My next question was, so it was listed for thirty dollars? 921 00:46:09,719 --> 00:46:13,040 Speaker 1: Can I have it for twenty? They have not responded. Oh, 922 00:46:13,400 --> 00:46:15,640 Speaker 1: so it looks like the fish has fallen off the hook. 923 00:46:15,719 --> 00:46:19,880 Speaker 2: So he responded instantly, she and then so she responded instantly. 924 00:46:20,280 --> 00:46:23,239 Speaker 2: And you offered twenty dollars if you're hard earned American, 925 00:46:23,239 --> 00:46:26,040 Speaker 2: cold hard cash, and they ghosted you, you. 926 00:46:26,000 --> 00:46:27,839 Speaker 1: Know what it might be. I feel like they are 927 00:46:27,920 --> 00:46:31,239 Speaker 1: a Facebook market veteran and they don't deal with nonsense. 928 00:46:31,960 --> 00:46:34,000 Speaker 2: I mean, twenty dollars for a poster that no one 929 00:46:34,080 --> 00:46:35,680 Speaker 2: really wants seems like a reasonable offer. 930 00:46:35,719 --> 00:46:37,400 Speaker 1: I feel like I just said it on the podcast. 931 00:46:37,440 --> 00:46:39,640 Speaker 1: Everyone is gonna be looking for it on Facebook marketplace 932 00:46:41,440 --> 00:46:45,439 Speaker 1: once again. No more Garcia Para reading a Harry Potter book. 933 00:46:45,480 --> 00:46:48,200 Speaker 2: Yeah, I've never come across it that image, And like 934 00:46:48,520 --> 00:46:52,640 Speaker 2: you and I were so ingrained as baseball fans and 935 00:46:52,800 --> 00:46:55,840 Speaker 2: like baseball card fans and that sort of memorabilia and 936 00:46:55,880 --> 00:46:58,759 Speaker 2: posters as kids, you would have thought the image would 937 00:46:58,800 --> 00:47:00,719 Speaker 2: be familiar to either of us, and it was not 938 00:47:00,760 --> 00:47:01,360 Speaker 2: familiar to me. 939 00:47:01,480 --> 00:47:03,840 Speaker 1: No, let's do this really quick. Mac. Tell me the 940 00:47:03,880 --> 00:47:06,000 Speaker 1: posters that were on your wall as a. 941 00:47:06,040 --> 00:47:09,960 Speaker 2: Kid, oh would Fortunately, I was from like a sports 942 00:47:10,000 --> 00:47:12,440 Speaker 2: illustrated in like ninety six or ninety seven. I had 943 00:47:12,480 --> 00:47:16,640 Speaker 2: this huge life size Karl Malone one. And it turns 944 00:47:16,640 --> 00:47:19,319 Speaker 2: out he's a really bad guy. The mailman's really bad. 945 00:47:19,440 --> 00:47:21,200 Speaker 1: Mac would always tell us the school is like, I'm 946 00:47:21,239 --> 00:47:23,920 Speaker 1: not like a big basketball fan, but this guy seems 947 00:47:23,960 --> 00:47:24,560 Speaker 1: like a role moe. 948 00:47:24,640 --> 00:47:27,160 Speaker 2: I just like what this guy does in real life. 949 00:47:27,920 --> 00:47:29,759 Speaker 1: We had to tell him that he played basketball. 950 00:47:29,880 --> 00:47:32,000 Speaker 2: Goode. I always wanted a fat head when we were younger, 951 00:47:32,040 --> 00:47:34,400 Speaker 2: but they were too expensive. I never got one. To 952 00:47:34,440 --> 00:47:36,400 Speaker 2: be honest with you, I don't fully remember all of 953 00:47:36,440 --> 00:47:38,920 Speaker 2: the I would cycle through. I would have hang up. 954 00:47:38,960 --> 00:47:41,239 Speaker 2: I would like pull stuff out of magazines and put 955 00:47:41,280 --> 00:47:44,320 Speaker 2: it up. But I distinctly remember because it was so large, 956 00:47:44,320 --> 00:47:46,240 Speaker 2: the Karl Malone one I had. 957 00:47:46,560 --> 00:47:50,120 Speaker 1: Thank you for asking me. It was Nomar Garciapara. It 958 00:47:50,160 --> 00:47:52,840 Speaker 1: was him leading off of a base maybe third base, 959 00:47:53,320 --> 00:47:56,520 Speaker 1: also a Manny Ramirez. He's in the center of the poster. 960 00:47:56,640 --> 00:47:59,000 Speaker 1: It's arounded by like red and blue and he has 961 00:47:59,040 --> 00:48:01,879 Speaker 1: like one leg up ready to swing. The coolest Manny 962 00:48:01,960 --> 00:48:05,719 Speaker 1: was the coolest. We like sports, by the way. I 963 00:48:05,920 --> 00:48:12,279 Speaker 1: then had Peeder, Martinez, Rayborc, Bobby or all signed. But 964 00:48:12,800 --> 00:48:16,600 Speaker 1: it was the place from Watertown that got busted for 965 00:48:17,760 --> 00:48:18,839 Speaker 1: fake signatures. 966 00:48:18,920 --> 00:48:20,239 Speaker 2: So that place them all. 967 00:48:20,400 --> 00:48:23,120 Speaker 1: I'd have to get them all redone again. If that's 968 00:48:23,160 --> 00:48:23,520 Speaker 1: the case. 969 00:48:23,640 --> 00:48:25,759 Speaker 2: I forgot about that they did get busted. It was 970 00:48:25,840 --> 00:48:28,480 Speaker 2: next to It was next to eb Electronics boutique. 971 00:48:28,520 --> 00:48:32,160 Speaker 1: I tried to do a sports illustrated swimsuit model thing 972 00:48:32,200 --> 00:48:33,880 Speaker 1: on my wall one time, and my dad had a 973 00:48:33,920 --> 00:48:39,799 Speaker 1: talk with me because he's like, hey, come on, and 974 00:48:39,840 --> 00:48:44,400 Speaker 1: I said, I did no, No, what else did I have? 975 00:48:44,680 --> 00:48:47,120 Speaker 1: I did a red sox O four like with the 976 00:48:47,160 --> 00:48:50,120 Speaker 1: cutouts because I feel like the Boston Globe did this 977 00:48:50,160 --> 00:48:52,160 Speaker 1: thing where once a week they would put a mini 978 00:48:52,239 --> 00:48:56,160 Speaker 1: poster in the newspaper, and I collected all of them 979 00:48:56,520 --> 00:48:58,799 Speaker 1: and then I hung them all up like that. If 980 00:48:58,800 --> 00:49:01,520 Speaker 1: you hear Mark Bellhorn, I had that guy. 981 00:49:01,880 --> 00:49:03,719 Speaker 2: Or Fantasy Baseball League is named after him. 982 00:49:03,760 --> 00:49:06,520 Speaker 1: So that's what was on my wall growing up. Now 983 00:49:06,600 --> 00:49:08,880 Speaker 1: as an adult, though, I have very similar things in 984 00:49:08,920 --> 00:49:09,279 Speaker 1: my wall. 985 00:49:09,440 --> 00:49:12,480 Speaker 2: I have nothing in my bedroom which I just sleep 986 00:49:12,480 --> 00:49:15,000 Speaker 2: in my bedroom. But in my living room I have movies. 987 00:49:15,120 --> 00:49:17,239 Speaker 1: You only sleep in your bedroom, No, I just sleep 988 00:49:17,239 --> 00:49:19,919 Speaker 1: in the couch sometimes, may I suggest bridgardson. 989 00:49:21,920 --> 00:49:25,560 Speaker 2: Good. Here's an interesting dilemma I'll be having when a 990 00:49:25,600 --> 00:49:28,600 Speaker 2: loved one moves in. I have movie posters in the 991 00:49:28,640 --> 00:49:32,600 Speaker 2: living room. She's not necessarily keen on that. No, that's 992 00:49:32,600 --> 00:49:35,000 Speaker 2: not like you get a whole bedroom you can decorate. 993 00:49:35,960 --> 00:49:40,760 Speaker 1: I have so in my studio in my office. 994 00:49:40,520 --> 00:49:42,520 Speaker 2: Flamed movie posters. By the way, I'm not they're not 995 00:49:42,600 --> 00:49:43,439 Speaker 2: just taped up there. 996 00:49:43,480 --> 00:49:45,720 Speaker 1: But like, yeah, I have because in the old studio, 997 00:49:45,719 --> 00:49:47,759 Speaker 1: when I had a ton of wall space, we had 998 00:49:47,880 --> 00:49:50,400 Speaker 1: really nice movie posters up. We had a whole wall 999 00:49:50,440 --> 00:49:53,799 Speaker 1: of mini posters. I don't really have any of those 1000 00:49:53,840 --> 00:49:56,320 Speaker 1: mini posters up anymore. I have a very small space 1001 00:49:56,360 --> 00:49:59,000 Speaker 1: that I'm able to use now. In my bedroom, I 1002 00:49:59,000 --> 00:50:01,879 Speaker 1: have built French framed thing up. I don't get to 1003 00:50:01,920 --> 00:50:03,480 Speaker 1: decide anything else in my house. 1004 00:50:03,600 --> 00:50:06,719 Speaker 2: Yeah, I think what's gonna happen is the room I'm 1005 00:50:06,880 --> 00:50:10,000 Speaker 2: recording in is in the basement. I have a nice 1006 00:50:10,000 --> 00:50:12,680 Speaker 2: little finished basement room down here that behind me has 1007 00:50:13,440 --> 00:50:16,200 Speaker 2: reasonable Funko pops. I got Pokemon cards in that corner 1008 00:50:16,239 --> 00:50:18,839 Speaker 2: over there, which you can't see. And I think all 1009 00:50:18,880 --> 00:50:21,080 Speaker 2: of my stuff is going to end up down here, 1010 00:50:21,400 --> 00:50:22,360 Speaker 2: which I okay. 1011 00:50:22,160 --> 00:50:25,520 Speaker 1: With, although I will say that as my son gets older, 1012 00:50:25,800 --> 00:50:28,719 Speaker 1: he's pretty much letting me design what he's doing in 1013 00:50:28,719 --> 00:50:33,200 Speaker 1: his room because he thinks I'm cool now. So pretty 1014 00:50:33,239 --> 00:50:35,840 Speaker 1: much his room is like a mini version of my office. 1015 00:50:35,840 --> 00:50:38,880 Speaker 2: Oh, by the way, speak of Facebook marketplace, I might 1016 00:50:38,920 --> 00:50:41,799 Speaker 2: have to list your love seat that's down here on 1017 00:50:41,800 --> 00:50:43,560 Speaker 2: Facebook Marketplace in order to get rid of it. 1018 00:50:43,600 --> 00:50:45,560 Speaker 1: Can you mention all the stuff that I've done on it? 1019 00:50:45,719 --> 00:50:45,919 Speaker 2: Yes? 1020 00:50:46,040 --> 00:50:49,040 Speaker 1: Slash Also that mort sat on at one time and 1021 00:50:49,080 --> 00:50:52,360 Speaker 1: didn't want to talk to me while on the Only 1022 00:50:52,480 --> 00:50:53,440 Speaker 1: Vocal podcast. 1023 00:50:53,840 --> 00:50:57,560 Speaker 2: Because one of the ways to make space go when 1024 00:50:57,600 --> 00:51:01,440 Speaker 2: two lives are becoming one to take the recliner from upstairs? 1025 00:51:01,480 --> 00:51:05,560 Speaker 1: Do we come one? I need someone I I never 1026 00:51:05,680 --> 00:51:09,520 Speaker 1: need love before up want to make love to ye baby. 1027 00:51:09,680 --> 00:51:11,439 Speaker 1: I was listening to that song the other day. Don't 1028 00:51:11,480 --> 00:51:15,680 Speaker 1: ask me why it is such a sexual song. 1029 00:51:15,640 --> 00:51:16,799 Speaker 2: But Bie Girls were great. 1030 00:51:16,920 --> 00:51:19,200 Speaker 1: It's a very sexual song. But it was almost like 1031 00:51:19,239 --> 00:51:20,840 Speaker 1: it was written by a middle schooler. 1032 00:51:21,360 --> 00:51:23,760 Speaker 2: Well it was written for middle schoolers. 1033 00:51:23,520 --> 00:51:27,160 Speaker 1: I know, but so like they're saying stuff, but they're 1034 00:51:27,200 --> 00:51:28,520 Speaker 1: not really saying anything. 1035 00:51:28,640 --> 00:51:31,359 Speaker 2: Yes, yes, yes, yes, that's how you do it. Uh 1036 00:51:31,360 --> 00:51:33,960 Speaker 2: So I think ultimately I'm gonna have to bring the 1037 00:51:33,960 --> 00:51:36,000 Speaker 2: recliner down here to replace the love sea because the 1038 00:51:36,000 --> 00:51:37,880 Speaker 2: love seat just takes up too much space. But it 1039 00:51:37,960 --> 00:51:39,480 Speaker 2: was great, well it was here. 1040 00:51:40,000 --> 00:51:41,319 Speaker 1: Noah, you had it for six months. 1041 00:51:41,400 --> 00:51:43,080 Speaker 2: Yeah, before I got a real couch, I just had 1042 00:51:43,080 --> 00:51:44,040 Speaker 2: a small love seat. 1043 00:51:45,040 --> 00:51:46,960 Speaker 1: All right, we have nothing else to talk about. The 1044 00:51:47,000 --> 00:51:47,680 Speaker 1: people find us. 1045 00:51:47,800 --> 00:51:50,720 Speaker 2: We already went over fifteen minutes, so you're thirty five commercials. 1046 00:51:50,800 --> 00:51:52,040 Speaker 1: I'm cutting us down to fifty. 1047 00:51:52,080 --> 00:51:54,000 Speaker 2: You can find us on Twitter and Instagram, at mac 1048 00:51:54,000 --> 00:51:57,319 Speaker 2: andoo podcast, every other platform where Mac ampersand good. That's 1049 00:51:57,360 --> 00:52:01,120 Speaker 2: mac shift seven Good, It's facebook'stitch tune in box, Spreaker, Google. 1050 00:52:00,880 --> 00:52:02,000 Speaker 1: Play, Iheiradio. 1051 00:52:02,280 --> 00:52:04,759 Speaker 2: We're on Spotify. More importantly, Apple podcasts. To get on there, 1052 00:52:04,800 --> 00:52:06,680 Speaker 2: rate review, subscribe five stars. If you do that, we'll 1053 00:52:06,680 --> 00:52:09,040 Speaker 2: get you a free macagoog t shirt from the folks 1054 00:52:09,040 --> 00:52:13,439 Speaker 2: over at Watertown sports Where watertownsports Where dot com expert screenprinting. 1055 00:52:12,920 --> 00:52:15,759 Speaker 1: And embroidered tepublic dot com merg check us out at 1056 00:52:15,760 --> 00:52:17,960 Speaker 1: the end of the week for a news dump. Next 1057 00:52:18,000 --> 00:52:22,040 Speaker 1: week to start, technically a news dump, but it's everything 1058 00:52:22,280 --> 00:52:23,640 Speaker 1: but the super Bowl. 1059 00:52:24,680 --> 00:52:25,880 Speaker 2: Yeah, super bowls this weekend. 1060 00:52:25,920 --> 00:52:28,160 Speaker 1: That is this weekend, so we'll do something. And the 1061 00:52:28,719 --> 00:52:30,200 Speaker 1: next week telling. 1062 00:52:30,000 --> 00:52:33,680 Speaker 2: Us we're not getting the Spider Man trailer at the. 1063 00:52:33,600 --> 00:52:35,239 Speaker 1: Super Bowl, Well we'll see about that. 1064 00:52:35,680 --> 00:52:36,719 Speaker 2: Well pissed about that. 1065 00:52:36,960 --> 00:52:40,440 Speaker 1: I saw on Facebook that DC isn't gonna put out 1066 00:52:40,440 --> 00:52:42,840 Speaker 1: a Supergirl trailer because they have no faith in the 1067 00:52:42,840 --> 00:52:46,200 Speaker 1: movie because it's gonna suck. And Facebook always tells me 1068 00:52:46,200 --> 00:52:47,080 Speaker 1: stuff that's real. 1069 00:52:47,280 --> 00:52:48,359 Speaker 2: Facebook's never been wrong. 1070 00:52:48,640 --> 00:52:50,200 Speaker 1: It's Goosday's I Abuse Kangaroos. 1071 00:52:50,239 --> 00:52:53,200 Speaker 2: Taamber Bye. 1072 00:52:57,320 --> 00:52:59,840 Speaker 1: Please flip the cassette over to side B to continue 1073 00:52:59,880 --> 00:53:03,800 Speaker 1: the adventure. Now it's time for girls jumping on trampopolines.