1 00:00:01,880 --> 00:00:05,359 Speaker 1: Ladies and gentlemen and Father of the Year nominee Jeffrey 2 00:00:05,440 --> 00:00:07,920 Speaker 1: La Roke. Prior to my head, you have my kids 3 00:00:07,920 --> 00:00:09,520 Speaker 1: and my wife and I were really happy. We did 4 00:00:09,520 --> 00:00:11,840 Speaker 1: a lot of stuff together, So that means that you 5 00:00:12,039 --> 00:00:17,520 Speaker 1: would go back and not have kids. Yeah, this is 6 00:00:17,640 --> 00:00:18,880 Speaker 1: rovers morning glory. 7 00:00:28,240 --> 00:00:32,240 Speaker 2: You know what people are talking about and analyzing. 8 00:00:32,560 --> 00:00:35,560 Speaker 1: Huh, hung smiles. 9 00:00:37,880 --> 00:00:39,199 Speaker 3: I don't know what a hung smile is. 10 00:00:39,240 --> 00:00:40,840 Speaker 1: We're gonna explain it to you. Can't wait. 11 00:00:42,200 --> 00:00:48,480 Speaker 2: A hung smile will give you insight as to how 12 00:00:48,560 --> 00:00:52,479 Speaker 2: well endowed a man is, and according to the Internet, 13 00:00:52,520 --> 00:00:55,560 Speaker 2: you can determine how large a man's penis is by 14 00:00:56,040 --> 00:00:56,840 Speaker 2: their smile. 15 00:00:57,080 --> 00:01:01,280 Speaker 1: Do you have a hung smile? Charlie, see a hung smile? 16 00:01:02,400 --> 00:01:08,920 Speaker 1: That's your hung smile. There, Jeffrey, let me see your 17 00:01:09,000 --> 00:01:19,480 Speaker 1: hung smile. He's got it. It looks like he's farting. 18 00:01:20,000 --> 00:01:21,160 Speaker 1: That's your hung smile. 19 00:01:21,400 --> 00:01:22,200 Speaker 4: He's holding it up. 20 00:01:22,680 --> 00:01:26,080 Speaker 5: I have no bloody down to clue what a hung 21 00:01:26,200 --> 00:01:26,920 Speaker 5: smile is. 22 00:01:26,920 --> 00:01:29,200 Speaker 1: This is the first time I've ever heard about it. Well, 23 00:01:29,240 --> 00:01:31,240 Speaker 1: you want to make sure you're doing it the right way. 24 00:01:31,760 --> 00:01:34,560 Speaker 2: Here's a I think I have a guy explaining a 25 00:01:34,680 --> 00:01:38,000 Speaker 2: hung smile in just a second. 26 00:01:39,040 --> 00:01:40,720 Speaker 1: Schnitzer, do you have a hung smile? 27 00:01:40,840 --> 00:01:42,800 Speaker 2: Let me see your smile, and let's see if you 28 00:01:42,880 --> 00:01:44,760 Speaker 2: might be well endowed. 29 00:01:47,760 --> 00:01:56,000 Speaker 6: Mouth mouth closed, rover. You never smile. 30 00:02:00,000 --> 00:02:02,240 Speaker 1: It almost like a winky. No, I thought he was 31 00:02:02,280 --> 00:02:05,640 Speaker 1: looking at somebody else. It's my hung smile. Look down 32 00:02:05,680 --> 00:02:07,880 Speaker 1: there got a lot. 33 00:02:08,440 --> 00:02:12,280 Speaker 2: Here is a guy, and it seems like this guy 34 00:02:13,240 --> 00:02:17,320 Speaker 2: may know hung men. Here is an explanation of the 35 00:02:17,400 --> 00:02:18,240 Speaker 2: hung smile. 36 00:02:18,480 --> 00:02:22,200 Speaker 7: Here is a hung smile explained. Only a certain specific 37 00:02:22,240 --> 00:02:24,640 Speaker 7: group of men can do this smile, and it's because 38 00:02:24,720 --> 00:02:27,079 Speaker 7: they are actually hung, if you know what I mean. 39 00:02:27,639 --> 00:02:29,560 Speaker 7: And here's the thing. When a man is willing down, 40 00:02:29,680 --> 00:02:32,320 Speaker 7: when a man is well blessed with his water bottle, 41 00:02:32,919 --> 00:02:36,240 Speaker 7: he gives this specific smile. And it's not like I'm 42 00:02:36,280 --> 00:02:39,480 Speaker 7: so happy, No, it's more like. 43 00:02:41,440 --> 00:02:41,520 Speaker 2: That. 44 00:02:41,800 --> 00:02:44,680 Speaker 7: It's such a smug smirk, casual smile. 45 00:02:44,720 --> 00:02:47,000 Speaker 2: I didn't notice anything. This guy must not be hung 46 00:02:47,040 --> 00:02:48,960 Speaker 2: when he that's a smirk. 47 00:02:49,080 --> 00:02:50,880 Speaker 1: Yeah, it's just maybe this. 48 00:02:50,880 --> 00:02:53,320 Speaker 2: Guy is too much botox. I mean he's got lip filler. 49 00:02:53,919 --> 00:02:55,800 Speaker 2: I don't know what he's doing with his eyebrows. 50 00:02:55,880 --> 00:02:56,079 Speaker 5: Here. 51 00:02:56,320 --> 00:02:58,760 Speaker 2: It's not a smile. Yeah, that is not a smile. 52 00:02:59,280 --> 00:03:02,400 Speaker 2: That is not a work better explanations, like are just people? 53 00:03:02,520 --> 00:03:04,639 Speaker 2: This is a hung This guy's got a hung smile. 54 00:03:04,760 --> 00:03:06,440 Speaker 2: Right here, that's a hung smile. 55 00:03:06,600 --> 00:03:07,120 Speaker 1: He's hot. 56 00:03:08,760 --> 00:03:11,000 Speaker 2: Who's this There's a guy that played Superman or something. 57 00:03:11,040 --> 00:03:12,880 Speaker 2: I don't remember his name, but yes, I'm just guessing 58 00:03:12,880 --> 00:03:14,320 Speaker 2: because it's one of the super You know why he's 59 00:03:14,320 --> 00:03:16,239 Speaker 2: smiling like that because they just paid him a bunch 60 00:03:16,240 --> 00:03:18,720 Speaker 2: of money to play Superman. I'd be smiling like that too, 61 00:03:18,760 --> 00:03:19,720 Speaker 2: whether I'm hung or not. 62 00:03:21,280 --> 00:03:23,000 Speaker 1: Well, says a hung smile. 63 00:03:23,960 --> 00:03:28,480 Speaker 7: That it's such a smug smirk, casual smile. The corners 64 00:03:28,520 --> 00:03:30,680 Speaker 7: of his mouth don't even go up that much, but 65 00:03:30,720 --> 00:03:32,960 Speaker 7: they are up a little bit, and it just has 66 00:03:33,000 --> 00:03:35,040 Speaker 7: so much confidence behind it. And you may be thinking 67 00:03:35,640 --> 00:03:37,240 Speaker 7: it's just a casual expression. 68 00:03:37,400 --> 00:03:40,360 Speaker 1: No, okay, let me show you my hung smile. 69 00:03:40,480 --> 00:03:46,720 Speaker 3: Then you have no smile. It was like death nothing. 70 00:03:46,840 --> 00:03:49,000 Speaker 1: That's how, that's how, that's how hung. 71 00:03:49,080 --> 00:03:51,880 Speaker 2: I am just a neutral facial expression. 72 00:03:52,800 --> 00:03:56,560 Speaker 1: Here's another hung smile. Okay, let me see. Oh I 73 00:03:56,600 --> 00:03:59,560 Speaker 1: like that one. This is Hugh Jackman. It's like it's 74 00:03:59,560 --> 00:04:08,560 Speaker 1: a smirks a huge aman. My dong is huge. Yeah, yeah, 75 00:04:08,600 --> 00:04:10,720 Speaker 1: all right, So you believe Crystal? Do you think there's 76 00:04:10,760 --> 00:04:11,360 Speaker 1: anything to this. 77 00:04:11,520 --> 00:04:15,040 Speaker 2: Can you determine the size of a man's penis by 78 00:04:15,120 --> 00:04:15,720 Speaker 2: his smile? 79 00:04:15,800 --> 00:04:18,120 Speaker 1: Do you think you saw the huge Jackman one? Yeah? 80 00:04:18,240 --> 00:04:20,840 Speaker 8: Okay, I honestly, I was going to go through my gallery. 81 00:04:20,880 --> 00:04:23,400 Speaker 8: I have an album of pictures of my boyfriend and 82 00:04:23,440 --> 00:04:26,480 Speaker 8: I wanted to see if he makes this specific. 83 00:04:26,000 --> 00:04:27,120 Speaker 1: Smile in the photos. 84 00:04:28,040 --> 00:04:31,559 Speaker 8: Is he huge because he has a nice size, of course, 85 00:04:32,480 --> 00:04:34,520 Speaker 8: I wanted to see it riff that reflects in his 86 00:04:34,600 --> 00:04:35,880 Speaker 8: photos and his smile. 87 00:04:36,240 --> 00:04:39,680 Speaker 2: Hmmm hmm. All right, so here's the more hungsky. Let 88 00:04:39,720 --> 00:04:44,039 Speaker 2: me see. Apparently really the main person that Superman, he 89 00:04:44,720 --> 00:04:45,680 Speaker 2: has the hung smile. 90 00:04:46,480 --> 00:04:48,480 Speaker 1: His smile is basically just this. 91 00:04:48,839 --> 00:04:49,560 Speaker 3: He's adorable. 92 00:04:50,720 --> 00:04:56,880 Speaker 1: It's just off the mouth. Eh, that's it. That's a smile. 93 00:04:56,960 --> 00:04:57,559 Speaker 1: He looks happy. 94 00:04:57,680 --> 00:05:00,440 Speaker 8: Yeah, I told him to do that along time ago. 95 00:05:00,520 --> 00:05:02,840 Speaker 8: He probably smiled with his teeth closed or his lips 96 00:05:02,920 --> 00:05:04,400 Speaker 8: or something. They were like, no, no, no, you look 97 00:05:04,560 --> 00:05:06,320 Speaker 8: best with an open smile. 98 00:05:06,520 --> 00:05:09,159 Speaker 2: So you think they analyzed his smile. You think that 99 00:05:09,360 --> 00:05:14,719 Speaker 2: some agent or pr person or stylist told this guy 100 00:05:14,760 --> 00:05:17,000 Speaker 2: whatever this dude's name is, to go when you smile, 101 00:05:17,320 --> 00:05:20,200 Speaker 2: make sure your mouth is open, like your teeth are not. 102 00:05:20,680 --> 00:05:25,120 Speaker 2: You know because when people smile like your mouth is closed, right, yeah. 103 00:05:24,839 --> 00:05:27,960 Speaker 8: And like my daughter, she won't smile with her teeth exposed. 104 00:05:28,200 --> 00:05:30,599 Speaker 8: She will only smile with her lips closed. 105 00:05:31,240 --> 00:05:31,880 Speaker 1: Why is it? 106 00:05:31,880 --> 00:05:34,960 Speaker 2: Does she need braces or something, or why won't she 107 00:05:35,080 --> 00:05:36,000 Speaker 2: expose her teeth? 108 00:05:36,080 --> 00:05:40,440 Speaker 8: She doesn't like that look in a photo. She will refuse. 109 00:05:40,760 --> 00:05:43,159 Speaker 8: Sometimes I make her like, I'm not gonna post this anywhere. 110 00:05:43,160 --> 00:05:45,600 Speaker 8: It's just for me to have for memory's sake when 111 00:05:45,760 --> 00:05:49,080 Speaker 8: I have Alzheimer's one day, and she'll maybe do it 112 00:05:49,120 --> 00:05:52,000 Speaker 8: with her teeth, but it's always a closed smile. 113 00:05:52,120 --> 00:05:55,000 Speaker 1: So she refuses to bear your teeth. 114 00:05:55,160 --> 00:05:59,400 Speaker 2: Yeah, all right anyway, So all right, So Charlie, that 115 00:05:59,560 --> 00:06:02,680 Speaker 2: super Man and basically as a huge schwan. Apparently that's 116 00:06:02,680 --> 00:06:04,760 Speaker 2: what we've learned. Whoever that guy is in the latest 117 00:06:04,800 --> 00:06:10,000 Speaker 2: Superman movie. Uh, Professor, you're on Rover's Morning, Glory Morning. 118 00:06:11,680 --> 00:06:12,720 Speaker 1: How you dooling Rover? 119 00:06:12,880 --> 00:06:21,039 Speaker 9: I mean, jeffrey smile was just peniful. I mean it 120 00:06:21,160 --> 00:06:24,720 Speaker 9: wasn't even close to a hung smile. He shows no confidence. 121 00:06:24,800 --> 00:06:26,720 Speaker 2: Jeffery, let me see your smile with a little bit 122 00:06:26,720 --> 00:06:29,080 Speaker 2: more confidence. Now, sure we know that you have a 123 00:06:29,120 --> 00:06:33,600 Speaker 2: small twig, but you you've been carrying the weight of 124 00:06:33,640 --> 00:06:36,560 Speaker 2: this small twig, which is a very lightweight. But you've 125 00:06:36,600 --> 00:06:39,320 Speaker 2: been carrying the burden of having a tiny pecker your 126 00:06:39,440 --> 00:06:39,960 Speaker 2: entire life. 127 00:06:40,040 --> 00:06:42,919 Speaker 1: Let's free you of this burden. I know a woman 128 00:06:42,960 --> 00:06:44,960 Speaker 1: in a club or a woman you dated or whatever 129 00:06:45,000 --> 00:06:46,680 Speaker 1: it was, told you that it looks like a a 130 00:06:46,880 --> 00:06:49,320 Speaker 1: small twig decades ago. 131 00:06:50,040 --> 00:06:54,160 Speaker 2: But if you yeah, if let's just just. 132 00:06:54,200 --> 00:06:57,000 Speaker 1: Show us full on confidence. Look right at that camera. 133 00:06:57,080 --> 00:06:59,800 Speaker 1: You can always fire up our MGTV at roverradio dot 134 00:06:59,800 --> 00:07:02,920 Speaker 1: com or with the Rover Radio Web show us full 135 00:07:04,320 --> 00:07:09,280 Speaker 1: big d energy smile over here. Yeah, look at that. 136 00:07:09,800 --> 00:07:16,600 Speaker 2: Oh that's a man who is well endowed. Now there's 137 00:07:16,640 --> 00:07:19,360 Speaker 2: something else that you You may do a little bit 138 00:07:19,360 --> 00:07:22,520 Speaker 2: better on this next one, because that's the hung smile. 139 00:07:22,760 --> 00:07:25,000 Speaker 2: Don't know if there's any science behind that. In fact, 140 00:07:25,120 --> 00:07:29,360 Speaker 2: what I'm reading is no science whatsoever. You cannot tell 141 00:07:30,640 --> 00:07:33,800 Speaker 2: in actuality. You can't tell how hung a man is 142 00:07:33,960 --> 00:07:37,239 Speaker 2: by his smile, as much as you would like two ladies, 143 00:07:37,880 --> 00:07:45,720 Speaker 2: there is science behind something else. Scientists have determined that 144 00:07:47,840 --> 00:07:52,320 Speaker 2: smaller guys have the ability not all, not all, but 145 00:07:53,360 --> 00:07:57,080 Speaker 2: they some smaller guys. Talking about penisize, I'm talking about 146 00:07:57,120 --> 00:08:00,960 Speaker 2: just physical size, They have the ability to appear larger, 147 00:08:02,160 --> 00:08:05,840 Speaker 2: and that you can be dominant in the way that 148 00:08:05,880 --> 00:08:08,120 Speaker 2: you walk, even if you're not the biggest guy, if 149 00:08:08,160 --> 00:08:10,920 Speaker 2: you're not the most muscular guy, if you're not the 150 00:08:11,040 --> 00:08:14,440 Speaker 2: strongest guy. You think, okay, those guys are going to 151 00:08:14,560 --> 00:08:20,200 Speaker 2: have a dominant walk. But that the men can full 152 00:08:20,480 --> 00:08:23,240 Speaker 2: trick people into believing that they are dominant. 153 00:08:23,480 --> 00:08:26,680 Speaker 1: They probably do it subconsciously, and it's all in the 154 00:08:26,760 --> 00:08:30,280 Speaker 1: way that they walk. And there are a couple of 155 00:08:30,320 --> 00:08:33,440 Speaker 1: things that people do. Could Jeffery, I'm gonna we're. 156 00:08:33,280 --> 00:08:37,200 Speaker 2: Gonna analyze your walk here in just a second, because 157 00:08:38,000 --> 00:08:41,000 Speaker 2: I think that he I think he does this. I 158 00:08:41,040 --> 00:08:44,280 Speaker 2: think he actually And they say that men do this 159 00:08:44,600 --> 00:08:45,800 Speaker 2: sort of subconsciously. 160 00:08:45,880 --> 00:08:46,280 Speaker 1: It's a. 161 00:08:48,240 --> 00:08:52,320 Speaker 2: What's the word I'm looking for, it's I don't know, 162 00:08:52,360 --> 00:08:54,640 Speaker 2: but they do it. 163 00:08:54,640 --> 00:08:56,000 Speaker 1: It's it's instinctual. 164 00:08:56,080 --> 00:09:00,120 Speaker 2: I guess they do it to appear more threatening so 165 00:09:00,160 --> 00:09:02,480 Speaker 2: that people, you know, back in the day when we're 166 00:09:02,520 --> 00:09:05,280 Speaker 2: just wild animals, that you weren't going to get eaten. 167 00:09:06,280 --> 00:09:08,439 Speaker 1: So that's why men do it today. 168 00:09:08,520 --> 00:09:13,720 Speaker 2: Don't mess with my girl, don't take my job, don't whatever, 169 00:09:13,840 --> 00:09:18,720 Speaker 2: you know. So they walk with a sway and a swagger, 170 00:09:19,040 --> 00:09:23,280 Speaker 2: And they've done a lot of research on this. I 171 00:09:23,400 --> 00:09:29,640 Speaker 2: was walking behind Jeffrey just yesterday, and this guy walks 172 00:09:29,679 --> 00:09:31,959 Speaker 2: with a lot of sway and a lot of swagger. 173 00:09:32,120 --> 00:09:32,640 Speaker 1: Yeah. 174 00:09:32,679 --> 00:09:36,080 Speaker 2: And the study that I'm reading says that the human 175 00:09:36,160 --> 00:09:41,079 Speaker 2: brain females other males, it actually interprets the way somebody walks, 176 00:09:41,080 --> 00:09:43,240 Speaker 2: and we go, should I mess with that guy or not? 177 00:09:44,240 --> 00:09:47,120 Speaker 2: Can I beat that guy up or not? Could I 178 00:09:47,240 --> 00:09:49,120 Speaker 2: kill that guy or not? I mean, this is just 179 00:09:49,840 --> 00:09:53,440 Speaker 2: this is all subconscious stuff, you know, from when we 180 00:09:53,480 --> 00:09:58,040 Speaker 2: were cavemen or whatever. Remember we are just wild animals. Jeffery, 181 00:09:58,080 --> 00:09:59,760 Speaker 2: you have what we referred to as. 182 00:09:59,600 --> 00:10:00,960 Speaker 1: Your guy walk. 183 00:10:02,679 --> 00:10:05,280 Speaker 2: It's usually when something's like important, it needs to be 184 00:10:05,320 --> 00:10:07,920 Speaker 2: done and you got to get somewhere fast. He turns 185 00:10:07,920 --> 00:10:10,880 Speaker 2: on the cool guy walk mode, which is about half 186 00:10:10,920 --> 00:10:12,840 Speaker 2: speed of normal walk. 187 00:10:12,840 --> 00:10:13,000 Speaker 1: Here. 188 00:10:13,120 --> 00:10:15,480 Speaker 2: So why if you're in a hurry to get somewhere 189 00:10:16,480 --> 00:10:19,199 Speaker 2: you're saying he's in a hurry, or you're anybody? Okay, 190 00:10:19,240 --> 00:10:21,680 Speaker 2: He notices he could sense somebody needs to get around 191 00:10:21,760 --> 00:10:25,280 Speaker 2: him or do something and get around him. He turns 192 00:10:25,280 --> 00:10:28,480 Speaker 2: on a cool guy walk and it's very slow alpha move. 193 00:10:28,520 --> 00:10:29,199 Speaker 1: It's an alpha move. 194 00:10:29,240 --> 00:10:30,839 Speaker 2: Also, if we're going out to the car, so we 195 00:10:30,920 --> 00:10:32,800 Speaker 2: have Oh hey, let's go look at something in the 196 00:10:32,840 --> 00:10:34,160 Speaker 2: parking lot together on the show. 197 00:10:34,280 --> 00:10:35,640 Speaker 1: Uh huh, you should be getting a little bit of 198 00:10:35,640 --> 00:10:37,120 Speaker 1: a rush. We're on the air. Yeah, you have to 199 00:10:37,120 --> 00:10:37,520 Speaker 1: get back. 200 00:10:37,640 --> 00:10:42,400 Speaker 2: Cool guy walk is activated and it's just very slow. 201 00:10:42,880 --> 00:10:46,920 Speaker 2: I see, but it's really cool and everybody's impressed. So 202 00:10:48,280 --> 00:10:52,840 Speaker 2: the human brain understands sway, which is how much someone's 203 00:10:52,920 --> 00:10:55,760 Speaker 2: torso rocks left and right with each step. 204 00:10:56,320 --> 00:10:57,120 Speaker 1: So they measure this. 205 00:10:57,240 --> 00:11:00,280 Speaker 2: They placed a marker on the middle back of one 206 00:11:00,320 --> 00:11:06,120 Speaker 2: and then markers on the hip bones and then they 207 00:11:06,320 --> 00:11:08,960 Speaker 2: you know, sway is determined by how how much are 208 00:11:08,960 --> 00:11:10,840 Speaker 2: you going back and forth this way to the left 209 00:11:10,840 --> 00:11:11,120 Speaker 2: and right? 210 00:11:11,120 --> 00:11:13,559 Speaker 1: What are you looking? How weird is that this is 211 00:11:13,600 --> 00:11:16,400 Speaker 1: how Jeffrey walked. No, we just saw this. I know. 212 00:11:16,559 --> 00:11:17,920 Speaker 3: This is crazy that this. 213 00:11:17,920 --> 00:11:18,480 Speaker 1: Just came out. 214 00:11:18,520 --> 00:11:22,199 Speaker 2: Well, it is also weird that Jeffrey he's a smaller guy. 215 00:11:22,679 --> 00:11:26,080 Speaker 1: How tall are you? Five foot five? Five five? 216 00:11:27,080 --> 00:11:31,160 Speaker 2: He never is confronted physically. No one ever wants to 217 00:11:31,200 --> 00:11:35,760 Speaker 2: beat up. Charlie, on the other hand, is constantly being yeah, 218 00:11:36,000 --> 00:11:39,480 Speaker 2: threatened or challenged by men on the street. Now, part 219 00:11:39,480 --> 00:11:41,400 Speaker 2: of it is at his attitude he can be more 220 00:11:41,440 --> 00:11:45,600 Speaker 2: obnoxious than Jeffrey, but people are willing to step up 221 00:11:45,600 --> 00:11:45,920 Speaker 2: to you. 222 00:11:46,040 --> 00:11:48,199 Speaker 1: Charlie. It seems I need to start doing the cool guy. 223 00:11:48,200 --> 00:11:50,720 Speaker 1: Well you need to. Maybe maybe Jeffrey. 224 00:11:50,400 --> 00:11:53,360 Speaker 2: Could teach a class on how to do that to 225 00:11:53,400 --> 00:11:56,079 Speaker 2: train people, because he doesn't it messed with ever never. 226 00:11:56,360 --> 00:11:59,200 Speaker 1: All right, So Jeffrey has the sway? All right? Does 227 00:11:59,240 --> 00:11:59,959 Speaker 1: he have the sway? 228 00:12:00,400 --> 00:12:05,160 Speaker 2: Let me explain that swagger is holding the shoulders away 229 00:12:05,200 --> 00:12:06,360 Speaker 2: from the chest. 230 00:12:06,880 --> 00:12:10,000 Speaker 1: You have to bend at the elbows, and. 231 00:12:09,920 --> 00:12:14,160 Speaker 2: Then you rotate your arms, you know, back and forth, 232 00:12:14,240 --> 00:12:16,400 Speaker 2: in and out, basically, back and forth back. 233 00:12:16,480 --> 00:12:18,280 Speaker 1: That's that's the swagger. 234 00:12:18,480 --> 00:12:22,599 Speaker 2: Okay, this is the sway is left and right. Swagger 235 00:12:22,760 --> 00:12:25,680 Speaker 2: is more of a rotation basically. 236 00:12:25,800 --> 00:12:29,520 Speaker 1: No, I don't know. He has like rock Cowboy, he 237 00:12:29,640 --> 00:12:30,520 Speaker 1: got both, I think? 238 00:12:31,840 --> 00:12:32,679 Speaker 3: Can we see? 239 00:12:32,760 --> 00:12:33,080 Speaker 2: All right? 240 00:12:33,160 --> 00:12:36,280 Speaker 1: Let me let's try. Well, let's just analyze everyone's walk, 241 00:12:36,480 --> 00:12:38,760 Speaker 1: and you tell me if you'd you tell me, if 242 00:12:38,800 --> 00:12:41,440 Speaker 1: you'd mess with this, ladies, you would be impressed. You 243 00:12:41,440 --> 00:12:43,880 Speaker 1: can tell me how well you are impressed with the 244 00:12:43,880 --> 00:12:44,720 Speaker 1: person's walk. 245 00:12:45,840 --> 00:12:47,959 Speaker 2: Would you like to mate what that person? Which is 246 00:12:48,000 --> 00:12:51,560 Speaker 2: another reason men walk this way? And guys, you tell 247 00:12:51,640 --> 00:12:53,800 Speaker 2: me would you fight this guy. Would you try to 248 00:12:53,800 --> 00:12:57,160 Speaker 2: take this guy's woman? Would you try to take food 249 00:12:57,160 --> 00:12:58,160 Speaker 2: out of this guy's mouth? 250 00:12:58,200 --> 00:13:00,360 Speaker 1: Would you try to take the guy's job? 251 00:13:00,480 --> 00:13:04,240 Speaker 2: Whatever, Jeffrey, let me let's analyze your cool guy walk. 252 00:13:04,360 --> 00:13:04,880 Speaker 1: Come in here. 253 00:13:05,200 --> 00:13:09,000 Speaker 2: C version of Jeffrey's regular guy walk. Okay, also much 254 00:13:09,040 --> 00:13:09,720 Speaker 2: different walk. 255 00:13:10,160 --> 00:13:15,000 Speaker 1: That's it burs out a different slight leaning forward, it 256 00:13:15,080 --> 00:13:18,640 Speaker 1: burns out a much different attitude. Okay, here, Well, I'll 257 00:13:18,679 --> 00:13:20,640 Speaker 1: actually do Jeffries walk. Here it is. 258 00:13:21,320 --> 00:13:23,160 Speaker 2: I have to take my headphones off so I can't see, 259 00:13:23,160 --> 00:13:28,400 Speaker 2: but i'll i'll mimic Jeffery's regular walk, which is this mhmm, 260 00:13:29,120 --> 00:13:31,680 Speaker 2: let's see her if you if you're nailing it, let 261 00:13:31,720 --> 00:13:36,240 Speaker 2: me give Snitzer a minute. Can you camera down a 262 00:13:36,240 --> 00:13:43,439 Speaker 2: little bit? There you go, there go, Yeah, there's obstacle. 263 00:13:43,559 --> 00:13:46,280 Speaker 1: All right, let's see Jefferies regular walk. 264 00:13:46,280 --> 00:13:55,440 Speaker 8: Is no staut more needs to be more bouncing. 265 00:13:55,920 --> 00:13:59,720 Speaker 1: He's more straight. It's straight. You're bouncing. He does not bounce. 266 00:14:01,480 --> 00:14:05,000 Speaker 8: Uh okay, that's a runway walk right thee Yeah, he 267 00:14:05,120 --> 00:14:06,360 Speaker 8: was too straight for ship. 268 00:14:08,200 --> 00:14:11,600 Speaker 3: More out of your tiptoes, a little more hunched over over. 269 00:14:11,720 --> 00:14:12,600 Speaker 1: But straight up. 270 00:14:12,920 --> 00:14:14,160 Speaker 10: The butt is out right. 271 00:14:15,360 --> 00:14:18,880 Speaker 1: The button double your butt, double. 272 00:14:18,600 --> 00:14:21,280 Speaker 10: Your You need to really arch that. 273 00:14:21,440 --> 00:14:25,840 Speaker 2: Yes, yes, scoliosis like a baboons as your body straight 274 00:14:25,920 --> 00:14:26,560 Speaker 2: up somehow. 275 00:14:26,960 --> 00:14:28,360 Speaker 10: Yes, yeah, there you go. 276 00:14:28,880 --> 00:14:30,520 Speaker 4: That's still too bouncy. 277 00:14:30,640 --> 00:14:36,040 Speaker 1: It's still too bouncy. There's no bouncing, there's no yes. 278 00:14:37,920 --> 00:14:41,000 Speaker 10: All right, now let's see your. 279 00:14:41,200 --> 00:14:45,520 Speaker 1: Cool guy walked, Doug, keep those painties on. Here we go. 280 00:14:46,800 --> 00:14:51,320 Speaker 1: Cool guy walked from mister Larow. Here he comes. Oh yeah, 281 00:14:51,440 --> 00:14:55,120 Speaker 1: look at that. It's not really it still. Yeah, he's 282 00:14:55,120 --> 00:14:59,560 Speaker 1: holding he's not doing it as much as you do. 283 00:14:59,800 --> 00:15:02,280 Speaker 1: More more of a cool guy walk. I saw yesterday 284 00:15:02,320 --> 00:15:03,640 Speaker 1: when you were when you were in. 285 00:15:03,600 --> 00:15:05,680 Speaker 2: The parking garage. You kind of hold him back a 286 00:15:05,720 --> 00:15:08,520 Speaker 2: little bit. Don't just do your full on cool guy. 287 00:15:08,560 --> 00:15:10,160 Speaker 2: He's got a little bit of swagger there. 288 00:15:10,640 --> 00:15:15,840 Speaker 1: Not okay, now he has the that's the sway. 289 00:15:18,880 --> 00:15:23,840 Speaker 4: Stand behind him. 290 00:15:24,760 --> 00:15:27,200 Speaker 8: He saw do this it almost as we have a 291 00:15:27,200 --> 00:15:27,880 Speaker 8: silver backer. 292 00:15:27,960 --> 00:15:31,680 Speaker 1: Room off. Watch that cha for get on of mic, what. 293 00:15:40,240 --> 00:15:40,520 Speaker 10: I don't. 294 00:15:40,720 --> 00:15:43,640 Speaker 5: I don't sway my shoulders as much as just it's 295 00:15:43,680 --> 00:15:45,640 Speaker 5: just it's it's like the I let. 296 00:15:45,520 --> 00:15:48,320 Speaker 1: My hands kind of just like this here, I'll do 297 00:15:48,360 --> 00:15:54,840 Speaker 1: it again here all right? They hang low like, no, 298 00:15:54,880 --> 00:15:58,600 Speaker 1: that's not much of that. Yeah, you're right. Yeah, he 299 00:15:58,720 --> 00:16:01,600 Speaker 1: goes more. Still not he goes more. He is he 300 00:16:01,680 --> 00:16:04,720 Speaker 1: does not have the swagger down when I can, I 301 00:16:04,800 --> 00:16:08,000 Speaker 1: can do his cool guy walking the shoulders, the shoulders 302 00:16:08,400 --> 00:16:13,240 Speaker 1: go back and forth forth. You're right, he has no swagger, 303 00:16:13,320 --> 00:16:20,360 Speaker 1: but he has the sweat. Yeah. This way too fast? 304 00:16:21,080 --> 00:16:27,680 Speaker 1: Yeah so fast? Yeah the bottom nowhere close? Okay, let 305 00:16:27,680 --> 00:16:30,960 Speaker 1: me let me all right, you ready for producers? Yeah, 306 00:16:31,040 --> 00:16:32,600 Speaker 1: most of the much. 307 00:16:37,360 --> 00:16:40,560 Speaker 4: Man sway, Raven would not be impressed. 308 00:16:42,800 --> 00:16:45,760 Speaker 1: All right, it's faster than Raven follow. 309 00:16:47,320 --> 00:17:00,480 Speaker 4: Yeah, okay, that's barely anything not doing. 310 00:17:00,640 --> 00:17:02,920 Speaker 1: He's not going cool cool guy's a swagger. 311 00:17:02,960 --> 00:17:06,480 Speaker 10: You got a belt bend at the elbows here and 312 00:17:06,560 --> 00:17:09,359 Speaker 10: then you have to kind of go back and. 313 00:17:09,480 --> 00:17:12,200 Speaker 8: Forth because that's not how he would walk if he 314 00:17:12,280 --> 00:17:13,560 Speaker 8: won a championship belt. 315 00:17:14,040 --> 00:17:17,720 Speaker 10: No, here's my normal walk. Well, I'm walking the walk 316 00:17:18,480 --> 00:17:22,120 Speaker 10: like this. That's pretty good. 317 00:17:22,840 --> 00:17:25,960 Speaker 1: Now, what makes he decided to do a cool guy walk? 318 00:17:26,320 --> 00:17:28,920 Speaker 10: You guys go like this. I slowed down the pace 319 00:17:28,920 --> 00:17:29,320 Speaker 10: a little bit. 320 00:17:29,520 --> 00:17:33,520 Speaker 2: H So why do you slow the pace and do 321 00:17:33,720 --> 00:17:37,600 Speaker 2: the cool guy walk? What what determines whether you're gonna 322 00:17:37,640 --> 00:17:40,200 Speaker 2: do that or not? Like you have a normal walk 323 00:17:40,240 --> 00:17:42,600 Speaker 2: and you have cool guy walk. What determines when the 324 00:17:42,880 --> 00:17:46,080 Speaker 2: cool guy he walk gets pulled out a. 325 00:17:46,119 --> 00:17:48,080 Speaker 1: Lot of times, I know that somebody's probably following. 326 00:17:48,119 --> 00:17:50,000 Speaker 5: I keep thinking that somebody's gonna follow me with a camera. 327 00:17:50,880 --> 00:17:53,280 Speaker 2: So you try to look as cool as possible. Occasionally 328 00:17:53,359 --> 00:17:53,600 Speaker 2: take a. 329 00:17:53,640 --> 00:17:54,200 Speaker 1: Pice of it. 330 00:17:54,359 --> 00:17:57,560 Speaker 5: Well, yeah, I sort of anticipated, even even if I'm 331 00:17:57,600 --> 00:17:59,920 Speaker 5: in public and I know I'm not walking a really 332 00:18:00,119 --> 00:18:01,000 Speaker 5: long distance out. 333 00:18:01,880 --> 00:18:05,119 Speaker 1: It just it just happens. It just happens instinctively, doesn't 334 00:18:05,320 --> 00:18:07,880 Speaker 1: I don't do it on purpose. It just happens instinctively. 335 00:18:08,720 --> 00:18:11,399 Speaker 1: All right. So, Charlie, can I see your walk? Can 336 00:18:11,440 --> 00:18:14,520 Speaker 1: I see a swagger? And I just want you to 337 00:18:14,600 --> 00:18:16,480 Speaker 1: know that I noticed the douchey's garbage can? 338 00:18:16,720 --> 00:18:19,280 Speaker 5: Yes, that she has a half eaten bag of rice 339 00:18:19,359 --> 00:18:21,080 Speaker 5: cakes and she has another half eating bag here. 340 00:18:21,400 --> 00:18:25,440 Speaker 1: Oh, maybe just move it for her, mess with it. 341 00:18:25,560 --> 00:18:29,320 Speaker 1: She'll like, I'm not going to touch anything. All right. 342 00:18:29,560 --> 00:18:33,280 Speaker 2: Now, hold on, let's let's analyze Charlie's walk here and 343 00:18:33,440 --> 00:18:36,280 Speaker 2: see here he comes in, he's coming into the studio. 344 00:18:36,880 --> 00:18:46,080 Speaker 2: He's bouncing and bopping. Okay, no, he's trying. He doesn't 345 00:18:46,160 --> 00:18:50,520 Speaker 2: always do this, but he's trying to, you know, Wow. 346 00:18:50,359 --> 00:18:52,760 Speaker 8: I'm blown away by his coolness right now. Uh huh, 347 00:18:53,000 --> 00:18:53,960 Speaker 8: it's so cold in here. 348 00:18:54,480 --> 00:18:56,919 Speaker 1: So cool. I think that's that's the Jeffery cool guy. 349 00:18:57,119 --> 00:19:00,560 Speaker 2: That's the guy if you if you were going to 350 00:19:00,640 --> 00:19:03,800 Speaker 2: do this and you got you're trying to show us 351 00:19:03,880 --> 00:19:07,000 Speaker 2: your male dominance. You've already shown us your hung smile. 352 00:19:08,080 --> 00:19:10,320 Speaker 2: You got the hung smile on your face and the 353 00:19:10,440 --> 00:19:12,760 Speaker 2: walk to tell us don't mess with me. I'm an 354 00:19:12,760 --> 00:19:17,080 Speaker 2: alpha male. What does that walk look like? Oh? 355 00:19:17,280 --> 00:19:19,040 Speaker 1: What, he's man spreading. 356 00:19:19,880 --> 00:19:21,920 Speaker 2: I've never seen this because they look like you're in 357 00:19:21,960 --> 00:19:24,560 Speaker 2: a trip on your dogs and people know, oh my god, 358 00:19:24,640 --> 00:19:25,240 Speaker 2: that guy's hunk. 359 00:19:25,440 --> 00:19:28,840 Speaker 1: Really, So you just putting your almost crouch forward. You're 360 00:19:28,960 --> 00:19:30,359 Speaker 1: leading with the crotch. 361 00:19:31,080 --> 00:19:33,320 Speaker 4: I thought, do you look like roller bleeding or something? 362 00:19:33,560 --> 00:19:38,280 Speaker 1: Pretty simple? People get out of your way? Do you 363 00:19:38,400 --> 00:19:40,880 Speaker 1: unstep your fly and lead with the crotch And people. 364 00:19:40,720 --> 00:19:42,720 Speaker 2: Are like, oh, let me get out of that. Guys, now, 365 00:19:42,800 --> 00:19:46,120 Speaker 2: there's no you don't have to sway. You don't need 366 00:19:46,200 --> 00:19:48,760 Speaker 2: that like I need that, Like I imagine that. They 367 00:19:48,880 --> 00:19:52,000 Speaker 2: describe that as like a cowboy sort of walk. Almost 368 00:19:52,119 --> 00:19:54,320 Speaker 2: you're really caring about the middle part the dong. 369 00:19:54,920 --> 00:19:56,719 Speaker 1: So you got to lead with the dogs. Let them 370 00:19:56,760 --> 00:20:00,639 Speaker 1: know what's important. I see all right, uh Snitzer, our 371 00:20:00,720 --> 00:20:05,520 Speaker 1: video guy. Here, Snitcher's gonna come down and here hold on, 372 00:20:05,960 --> 00:20:08,640 Speaker 1: Charlie's Charlie's jumping back. Here. 373 00:20:09,400 --> 00:20:11,280 Speaker 2: Do you tell me what you think so far about 374 00:20:11,840 --> 00:20:13,680 Speaker 2: Jeffery's walk, about Snitzer's walk? 375 00:20:15,320 --> 00:20:18,480 Speaker 3: Thank you guys all look lame, You all look ridiculous. 376 00:20:18,640 --> 00:20:19,000 Speaker 1: Snitz. 377 00:20:19,080 --> 00:20:21,360 Speaker 2: Now you're walking down the street. Let's say that you're 378 00:20:21,560 --> 00:20:24,119 Speaker 2: Let's say it's two o'clock in the morning. There's a 379 00:20:24,160 --> 00:20:29,000 Speaker 2: group of five guys all right, coming towards you, and 380 00:20:29,119 --> 00:20:31,720 Speaker 2: you have to you want them to know you're not 381 00:20:31,840 --> 00:20:32,440 Speaker 2: a pushover. 382 00:20:32,600 --> 00:20:36,639 Speaker 1: You can't mug Snitzer. Here, show us your tough guy walk. 383 00:20:41,680 --> 00:20:42,439 Speaker 1: That's my favorite. 384 00:20:42,680 --> 00:20:44,840 Speaker 4: Here, it's like inside stories. 385 00:20:45,480 --> 00:20:47,359 Speaker 1: It looks like John Travolta or something. 386 00:20:47,480 --> 00:20:47,600 Speaker 5: Right. 387 00:20:52,240 --> 00:20:58,639 Speaker 1: Fight all right, so let me see here. Let me 388 00:20:59,480 --> 00:21:02,120 Speaker 1: you don't want to do more of like a more 389 00:21:02,240 --> 00:21:05,800 Speaker 1: of a I think what they're trying to say is 390 00:21:06,040 --> 00:21:07,640 Speaker 1: to look as big as possible. 391 00:21:07,720 --> 00:21:10,800 Speaker 10: Get these shoulders. It's these shoulders up like this. 392 00:21:11,080 --> 00:21:16,040 Speaker 2: You know, animals a little bit walk like whoa these 393 00:21:16,200 --> 00:21:17,200 Speaker 2: shoulders going back? 394 00:21:17,440 --> 00:21:18,920 Speaker 1: Does it make you look good? 395 00:21:19,720 --> 00:21:23,280 Speaker 10: Makes me look big? Kick your bitch. 396 00:21:26,040 --> 00:21:29,040 Speaker 1: You look dumb though, Like, no, they're not not DUMBA 397 00:21:29,160 --> 00:21:31,760 Speaker 1: sucking end the triology and flight my chest as much 398 00:21:31,800 --> 00:21:33,960 Speaker 1: as possible to make you think that I work out. 399 00:21:34,160 --> 00:21:37,359 Speaker 1: Don't mess with me? Oh yeah, very We were scared 400 00:21:37,520 --> 00:21:40,320 Speaker 1: in here, all right, trembling. Which which of you ladies 401 00:21:40,440 --> 00:21:44,440 Speaker 1: just ready to drop panties right now? Depending on the 402 00:21:44,480 --> 00:21:47,679 Speaker 1: guy's walk? What did you think I need a mop bucket? 403 00:21:47,840 --> 00:21:50,359 Speaker 1: Oh boy? It was just I don't know. 404 00:21:50,440 --> 00:21:53,040 Speaker 8: I think Snitzer's was honestly my favorite. It seemed like 405 00:21:53,080 --> 00:21:55,480 Speaker 8: he was so jolly. Why would I want to gliding 406 00:21:55,560 --> 00:21:57,840 Speaker 8: on air? Why would I want to mess with that guy? 407 00:21:58,040 --> 00:21:58,240 Speaker 7: You know? 408 00:21:58,520 --> 00:22:00,560 Speaker 8: I mean, and at the same time, like he's got 409 00:22:00,560 --> 00:22:03,440 Speaker 8: a little rhythm, so you're kind of intrigued. Can he dance? 410 00:22:07,040 --> 00:22:08,240 Speaker 4: But he protected me and. 411 00:22:08,440 --> 00:22:11,919 Speaker 8: Dance at the same time, like West Side Story or Charlie. 412 00:22:11,960 --> 00:22:15,000 Speaker 8: Looks like he might give it to you, like he 413 00:22:15,160 --> 00:22:17,120 Speaker 8: might be the one who actually instigates the fight. 414 00:22:17,320 --> 00:22:22,679 Speaker 1: But he was walking, Uh ain't Jeffrey? What does he signify? 415 00:22:23,560 --> 00:22:28,760 Speaker 8: I mean, just he radiates the most masculine man I've 416 00:22:28,800 --> 00:22:32,240 Speaker 8: ever met. I just to me, he's gonna protect me 417 00:22:32,320 --> 00:22:35,000 Speaker 8: at all costs, And then at the same time, probably 418 00:22:35,080 --> 00:22:36,160 Speaker 8: be gentle with my heart. 419 00:22:37,040 --> 00:22:41,200 Speaker 1: Uh, Nick, you're on Rover's Morning, Glory Morning, Nick. You 420 00:22:41,320 --> 00:22:43,040 Speaker 1: know what's up over hey man? What's happening? 421 00:22:44,640 --> 00:22:44,760 Speaker 3: Oh? 422 00:22:44,880 --> 00:22:47,239 Speaker 1: Not much, just pulling into work. I just uh. 423 00:22:48,160 --> 00:22:50,680 Speaker 2: Jeffrey kind of looks like a grand Theft auto NPC 424 00:22:50,920 --> 00:22:55,520 Speaker 2: when he walks. So he looks like basically computer character 425 00:22:55,640 --> 00:22:58,600 Speaker 2: when he walks, like trying to be a tough guy basically. 426 00:22:58,359 --> 00:23:02,399 Speaker 1: Or yeah, like a computer generated like a trip or 427 00:23:02,440 --> 00:23:04,160 Speaker 1: a blood or something like he's doing a crip walk. 428 00:23:04,400 --> 00:23:08,240 Speaker 2: I see, Okay, all right, Jeffery, he did pick up 429 00:23:08,320 --> 00:23:10,880 Speaker 2: this walk. I'm guessing where did you learn your your 430 00:23:11,000 --> 00:23:16,360 Speaker 2: cool guy walk. I didn't learn it. It's just comes naturally. 431 00:23:16,600 --> 00:23:17,800 Speaker 2: It just comes naturally, you. 432 00:23:17,800 --> 00:23:20,960 Speaker 3: Know, Like you said that you kind of picked it 433 00:23:21,040 --> 00:23:21,720 Speaker 3: up in high. 434 00:23:21,560 --> 00:23:24,840 Speaker 5: School when you I mean, sometimes I've seen the way 435 00:23:24,960 --> 00:23:25,720 Speaker 5: other people walk. 436 00:23:25,920 --> 00:23:28,240 Speaker 1: Yeah, sometimes out with swagger. 437 00:23:29,960 --> 00:23:34,160 Speaker 3: Like when he's around a group of people, he kind 438 00:23:34,200 --> 00:23:35,640 Speaker 3: of emulates them. 439 00:23:36,000 --> 00:23:38,200 Speaker 1: And if they're talking, say, when you say a group 440 00:23:38,280 --> 00:23:39,960 Speaker 1: of people, you mean black guys. 441 00:23:40,920 --> 00:23:44,480 Speaker 3: Jol predominantly black school, and so he kind of. 442 00:23:44,560 --> 00:23:47,000 Speaker 1: Took on, picks up some characteristics and. 443 00:23:47,040 --> 00:23:48,760 Speaker 3: He turns into that person. 444 00:23:48,960 --> 00:23:51,720 Speaker 1: Uh huh, so I feel like he gets it that way. 445 00:23:51,840 --> 00:23:54,760 Speaker 5: And then remember that you guys have pointed this out 446 00:23:55,080 --> 00:23:57,800 Speaker 5: how many occasions, and there are many African American listeners 447 00:23:57,880 --> 00:24:00,879 Speaker 5: we have and they noticed that at sometimes pick up 448 00:24:00,920 --> 00:24:01,399 Speaker 5: on their. 449 00:24:03,440 --> 00:24:06,840 Speaker 2: Lingo if you will. Michael says, we're over. Your boobs 450 00:24:06,880 --> 00:24:08,240 Speaker 2: were bouncing on your walk. 451 00:24:08,359 --> 00:24:10,760 Speaker 1: Well, you know that's how I'm just trying to, you know, 452 00:24:11,000 --> 00:24:14,200 Speaker 1: get guys all horned up and riled up, distract them. 453 00:24:14,680 --> 00:24:17,399 Speaker 1: That's not that's my method of survival is to bounce 454 00:24:17,480 --> 00:24:21,840 Speaker 1: my man boobs. Jeffrey's underpants says, you need to do 455 00:24:21,920 --> 00:24:25,120 Speaker 1: the Vince McMann walk from w W E. What's that, Jeffrey? 456 00:24:25,160 --> 00:24:26,520 Speaker 1: Can you what do you know what that is? 457 00:24:27,920 --> 00:24:30,320 Speaker 5: It's it's like his team is Powark when he comes out, 458 00:24:30,400 --> 00:24:32,960 Speaker 5: because he comes out to the south. No chance, No, 459 00:24:33,119 --> 00:24:35,360 Speaker 5: that's that's like his entrance music when he comes out 460 00:24:35,720 --> 00:24:37,680 Speaker 5: and lost something like this. 461 00:24:38,280 --> 00:24:42,200 Speaker 11: Okay, hold on, let me see give me a second. 462 00:24:42,240 --> 00:24:50,160 Speaker 11: Here here comes Jeffrey. All right, give me the Vince mcmamon. 463 00:24:50,640 --> 00:24:54,439 Speaker 10: This is he comes out of Okay mc mcmamon, come out. 464 00:24:55,160 --> 00:25:02,760 Speaker 1: Uh huh oh like that, swinging his arms well wildly. Okay, 465 00:25:03,640 --> 00:25:05,320 Speaker 1: here's a video here's a giff of it. 466 00:25:05,400 --> 00:25:09,240 Speaker 10: If you want to see he comes out and takes Yeah, I. 467 00:25:09,240 --> 00:25:13,080 Speaker 2: Mean his arms are flailing around like it. Just eat 468 00:25:13,160 --> 00:25:19,680 Speaker 2: it like the kicking out. Okay, that is a funny walk. 469 00:25:21,480 --> 00:25:22,800 Speaker 2: All right, I've got to take a break. 470 00:25:23,240 --> 00:25:26,160 Speaker 1: Eight six six Andy Rover eight six six nine six 471 00:25:26,280 --> 00:25:27,360 Speaker 1: seven six eighty three seven. 472 00:25:27,400 --> 00:25:28,960 Speaker 2: So what you learn they don't mess with any of 473 00:25:29,040 --> 00:25:31,960 Speaker 2: the guys on rovers on glory. Yeah, clearly, definitely. 474 00:25:32,160 --> 00:25:40,080 Speaker 1: We'll be right back. Hang on. You're just talking about 475 00:25:40,119 --> 00:25:41,600 Speaker 1: walks and uh. 476 00:25:43,920 --> 00:25:48,320 Speaker 2: If if your walking style can make you seem tougher, 477 00:25:48,600 --> 00:25:51,760 Speaker 2: more dominance, And the answer apparently is yes, even if 478 00:25:51,800 --> 00:25:55,400 Speaker 2: you're a smaller guy, you can't have a an alpha walk. 479 00:25:55,480 --> 00:25:58,919 Speaker 2: And speaking of alpha somebody Sam sent a text message says, over, 480 00:25:59,000 --> 00:26:01,240 Speaker 2: those were not your man, but those are your alpha 481 00:26:01,400 --> 00:26:03,399 Speaker 2: pex that were That's what. 482 00:26:03,440 --> 00:26:05,880 Speaker 1: I thought to bobbling up and up and down there. 483 00:26:06,000 --> 00:26:07,440 Speaker 1: Thank you for pointing that out. 484 00:26:07,640 --> 00:26:10,200 Speaker 2: I didn't want to, you know, assert my dominance so much, 485 00:26:10,280 --> 00:26:11,920 Speaker 2: you know, and I want to make you guys feel bad. 486 00:26:14,480 --> 00:26:18,080 Speaker 2: But speaking of walking, here is a walk of shame. 487 00:26:18,119 --> 00:26:20,200 Speaker 2: And I'm not talking about a normal walk of shame. 488 00:26:21,160 --> 00:26:22,440 Speaker 2: This is a walk of shame. 489 00:26:22,640 --> 00:26:26,959 Speaker 1: In a in a beauty pageant where they have all 490 00:26:27,040 --> 00:26:30,320 Speaker 1: these women that are up there on stage in this 491 00:26:30,520 --> 00:26:31,360 Speaker 1: beauty pageant. 492 00:26:31,480 --> 00:26:31,879 Speaker 6: This is for. 493 00:26:33,400 --> 00:26:34,720 Speaker 1: I don't even know what the hell it is, to 494 00:26:34,800 --> 00:26:37,280 Speaker 1: be honest with you, some sort of beauty pageant. They 495 00:26:37,320 --> 00:26:39,640 Speaker 1: have women from all over the world. I think it's 496 00:26:39,680 --> 00:26:43,840 Speaker 1: something like is it Miss International or something or Miss 497 00:26:43,920 --> 00:26:46,680 Speaker 1: Grand International is what it's called, whatever the hell that is. 498 00:26:46,840 --> 00:26:48,919 Speaker 1: I have no idea. I've never heard of this beauty 499 00:26:48,960 --> 00:26:50,240 Speaker 1: pageant anyway. 500 00:26:50,359 --> 00:26:54,959 Speaker 2: So Miss Panama is up there on stage with all 501 00:26:55,000 --> 00:26:59,040 Speaker 2: these other women and they're calling out, Okay, here's the finalists. 502 00:27:00,000 --> 00:27:03,040 Speaker 2: They're going to announce five finalists or whatever, and Miss Panama, 503 00:27:04,040 --> 00:27:08,600 Speaker 2: here's the host of the beauty pageant, call out Miss Panama, 504 00:27:08,840 --> 00:27:11,240 Speaker 2: or at least she thinks she hears him call out 505 00:27:11,280 --> 00:27:11,960 Speaker 2: Miss Panama. 506 00:27:12,240 --> 00:27:12,560 Speaker 8: Oh no. 507 00:27:14,640 --> 00:27:17,800 Speaker 1: She then makes the long walk through all of the 508 00:27:17,960 --> 00:27:23,840 Speaker 1: girls down the stage, all the way out to the 509 00:27:24,040 --> 00:27:27,840 Speaker 1: end and is standing there the crowd completely silent, because 510 00:27:27,840 --> 00:27:31,879 Speaker 1: I think the crowd realizes he didn't say Panama. Why 511 00:27:32,000 --> 00:27:33,600 Speaker 1: is Panama walking out there? 512 00:27:33,720 --> 00:27:37,800 Speaker 2: And what would you do if this were you, if 513 00:27:37,920 --> 00:27:43,560 Speaker 2: you did something so utterly embarrassing on television? Wherever this 514 00:27:43,760 --> 00:27:47,000 Speaker 2: is being aired. Listen to this and you can hear 515 00:27:47,240 --> 00:27:52,600 Speaker 2: how he announces. I think he announces Miss Paraguay or Paraguay, 516 00:27:52,760 --> 00:27:54,200 Speaker 2: Miss Graham Paraguay. 517 00:27:54,280 --> 00:28:00,439 Speaker 1: Here, listen here, listen to this, God Paraguay. And then 518 00:28:00,640 --> 00:28:04,360 Speaker 1: so there you see Miss Panama thinking that he said Panama. 519 00:28:04,840 --> 00:28:11,480 Speaker 1: So she walks up. All these women said sue, Oh. 520 00:28:11,520 --> 00:28:17,200 Speaker 3: No, She's like, why aren't you guys cheering for me? 521 00:28:24,200 --> 00:28:31,919 Speaker 1: I beg your pardon. I announced Miss grad Paraguay, Paraguay. 522 00:28:35,280 --> 00:28:38,440 Speaker 1: Is she not a noise in this hall? I can 523 00:28:38,520 --> 00:28:40,120 Speaker 1: filled with fans from all over the world. 524 00:28:43,600 --> 00:28:47,360 Speaker 2: So what happened to Miss Panama? Did she just here? 525 00:28:47,440 --> 00:28:50,320 Speaker 2: Does she walk her by? Does she she walks away? 526 00:28:50,520 --> 00:28:55,280 Speaker 2: She walks back to her spot? Oh man, So there 527 00:28:55,360 --> 00:28:57,239 Speaker 2: she is at the end of the runway. And then 528 00:28:57,480 --> 00:29:00,640 Speaker 2: she I don't see her where you'll stay in a second? 529 00:29:01,320 --> 00:29:02,360 Speaker 2: Did you see the back of her head? 530 00:29:02,400 --> 00:29:05,000 Speaker 1: And they don't? Oh my god. So they it's so embarrassing. 531 00:29:05,160 --> 00:29:07,480 Speaker 1: So somebody must have told her. They go, that wasn't you, honey, 532 00:29:08,320 --> 00:29:10,120 Speaker 1: go back to your spot over there. So she was 533 00:29:10,200 --> 00:29:13,520 Speaker 1: not one of the finalists. How embarrassing would that be? 534 00:29:14,200 --> 00:29:16,080 Speaker 1: What do you do? You give up your beauty pageant 535 00:29:16,160 --> 00:29:17,200 Speaker 1: career at that point, right. 536 00:29:17,160 --> 00:29:20,880 Speaker 3: You make she didn't make the finals, that's right. 537 00:29:20,960 --> 00:29:23,800 Speaker 1: Yeah, so you give it up, try you move away, 538 00:29:23,880 --> 00:29:24,600 Speaker 1: you change your name? 539 00:29:24,680 --> 00:29:25,239 Speaker 2: What do I mean? 540 00:29:25,320 --> 00:29:26,880 Speaker 1: What could you imagine? 541 00:29:26,880 --> 00:29:30,000 Speaker 6: That kind of happened to me once? What not on 542 00:29:30,160 --> 00:29:35,240 Speaker 6: television or at a beauty competition. This was a dance 543 00:29:35,320 --> 00:29:41,080 Speaker 6: competition and this was I think it was last season 544 00:29:41,520 --> 00:29:44,120 Speaker 6: or the season before. And the owner of the studio, 545 00:29:45,200 --> 00:29:48,800 Speaker 6: she's like, go up and accept the award, and so 546 00:29:48,880 --> 00:29:53,280 Speaker 6: I went up and accept the award. So later down 547 00:29:53,440 --> 00:29:57,040 Speaker 6: the line, it was like all the the choreographers or 548 00:29:57,080 --> 00:29:59,120 Speaker 6: whatever and ours wasn't there. So I went up there 549 00:29:59,200 --> 00:30:01,400 Speaker 6: and they and you a banner and then you all 550 00:30:01,600 --> 00:30:04,920 Speaker 6: just stand there. You know, what's your name? Who's this four? 551 00:30:05,320 --> 00:30:06,120 Speaker 6: And then you walk down. 552 00:30:06,720 --> 00:30:08,960 Speaker 3: So later on in the night. 553 00:30:10,720 --> 00:30:13,920 Speaker 6: Something happened where we won this like big award and 554 00:30:14,080 --> 00:30:18,000 Speaker 6: all these people were on stage and uh, and. 555 00:30:19,640 --> 00:30:20,160 Speaker 1: I went up. 556 00:30:20,240 --> 00:30:23,800 Speaker 3: They announced the name and I went up, and everyone. 557 00:30:23,560 --> 00:30:27,240 Speaker 6: In the in our dance They're like screaming, like my name, 558 00:30:27,440 --> 00:30:29,320 Speaker 6: and I'm like, okay, I'm going, I'm going. 559 00:30:29,680 --> 00:30:32,280 Speaker 3: And they're like screaming and I'm like, okay. 560 00:30:32,080 --> 00:30:32,560 Speaker 1: I'm going. 561 00:30:32,720 --> 00:30:34,600 Speaker 3: I'm going as fast as I can. And I go 562 00:30:34,840 --> 00:30:39,080 Speaker 3: up on stage and I'm like, yay, you know here 563 00:30:39,120 --> 00:30:39,520 Speaker 3: we are. 564 00:30:39,680 --> 00:30:44,400 Speaker 6: Absolute dance Company's amazing for the piece called. 565 00:30:46,360 --> 00:30:46,960 Speaker 1: Sugar Bill. 566 00:30:47,440 --> 00:30:50,480 Speaker 6: I don't know the name of it, don't I'm making 567 00:30:50,520 --> 00:30:51,800 Speaker 6: it all Sugarville is not the Bea. 568 00:30:51,880 --> 00:30:55,040 Speaker 3: So I'm standing up there with the award and I 569 00:30:55,920 --> 00:30:59,520 Speaker 3: come back down and they all were freaking out. They're like, 570 00:30:59,600 --> 00:31:00,440 Speaker 3: what do you doing? 571 00:31:00,840 --> 00:31:03,640 Speaker 1: I go what we won? No, it wasn't our piece. 572 00:31:03,760 --> 00:31:06,520 Speaker 3: It was a different studio that won. Oh my god, 573 00:31:06,680 --> 00:31:09,840 Speaker 3: that wasn't yours. And there was a delay and they 574 00:31:09,880 --> 00:31:11,360 Speaker 3: didn't tell me, no, you didn't win. 575 00:31:11,800 --> 00:31:15,560 Speaker 6: They just scrambled and ran off stage because the other person, 576 00:31:15,680 --> 00:31:19,040 Speaker 6: the correct person went out, went out up. 577 00:31:19,040 --> 00:31:21,000 Speaker 1: On stage, so they hear their. 578 00:31:20,960 --> 00:31:22,160 Speaker 3: Name, they go up. 579 00:31:22,360 --> 00:31:23,000 Speaker 12: I go up. 580 00:31:23,240 --> 00:31:24,440 Speaker 3: So they gave us both an. 581 00:31:24,320 --> 00:31:28,800 Speaker 1: Award and I'm like, you're welcome. My god, Jen, what 582 00:31:29,200 --> 00:31:29,880 Speaker 1: how amared? 583 00:31:29,920 --> 00:31:30,040 Speaker 6: Is that? 584 00:31:30,240 --> 00:31:30,560 Speaker 1: The matter? 585 00:31:30,720 --> 00:31:30,760 Speaker 6: Like? 586 00:31:30,840 --> 00:31:32,840 Speaker 1: What would like? Kids dance? Things? 587 00:31:36,080 --> 00:31:36,960 Speaker 3: Really really dumb? 588 00:31:37,040 --> 00:31:38,800 Speaker 6: And they were all and I'm like, god, I was wondering, 589 00:31:38,840 --> 00:31:42,640 Speaker 6: why were you saying. I'm like, I thought you were 590 00:31:42,760 --> 00:31:45,920 Speaker 6: yelling at me to go faster. They were laughing so hard. 591 00:31:46,080 --> 00:31:48,560 Speaker 1: How dumb I look? What is that the most embarrassing? 592 00:31:49,600 --> 00:31:52,400 Speaker 6: No, God, no, I walk into walls all the time. 593 00:31:52,760 --> 00:31:54,200 Speaker 6: I'm pretty dumb. 594 00:31:54,920 --> 00:31:57,520 Speaker 1: Humiliate. I know you've walked into glass doors before what 595 00:31:57,600 --> 00:31:59,720 Speaker 1: you thought was like a sliding door at a grocery 596 00:31:59,760 --> 00:32:02,440 Speaker 1: store all the time. And she walks right into a 597 00:32:02,480 --> 00:32:07,920 Speaker 1: glass window and bank their giant How do you keep 598 00:32:08,000 --> 00:32:08,320 Speaker 1: doing that? 599 00:32:08,920 --> 00:32:11,040 Speaker 3: I think that I don't see it there, like I 600 00:32:11,120 --> 00:32:12,840 Speaker 3: don't see the windows. 601 00:32:12,480 --> 00:32:16,960 Speaker 2: There, Charlie, what's the most embarrassed you've ever been? I 602 00:32:17,040 --> 00:32:20,320 Speaker 2: mean this, this is gonna be humilifying, humiliating for this 603 00:32:20,440 --> 00:32:23,480 Speaker 2: Miss Panama, of course. Yeah, but you could get over 604 00:32:23,520 --> 00:32:25,520 Speaker 2: and last at that in like a minute. I'm trying 605 00:32:25,520 --> 00:32:28,120 Speaker 2: to think the most embarrassed have ever been? The key 606 00:32:28,200 --> 00:32:29,680 Speaker 2: to life is not to get embarrassed. 607 00:32:29,960 --> 00:32:33,120 Speaker 3: Yeah, but there's got to be stuff I get. 608 00:32:33,040 --> 00:32:37,760 Speaker 2: Embarrassed, like over little things like this is very really stupid. 609 00:32:37,800 --> 00:32:39,720 Speaker 2: But if you're ever like a deli and somebody the 610 00:32:39,800 --> 00:32:41,480 Speaker 2: lady's like, hey, can I help you? And then you 611 00:32:41,560 --> 00:32:43,480 Speaker 2: start answering and she goes, I wasn't talking to you, 612 00:32:44,040 --> 00:32:47,160 Speaker 2: and he was like, okay, do you walk out? Then 613 00:32:47,360 --> 00:32:49,320 Speaker 2: it's a big idiot. You go, oh, I didn't see 614 00:32:49,360 --> 00:32:51,520 Speaker 2: that other person, or if like somebody is talking to 615 00:32:51,600 --> 00:32:53,920 Speaker 2: you and you answer and then and then and then 616 00:32:53,960 --> 00:32:56,480 Speaker 2: you realize the guy has air pods in and he's like, 617 00:32:56,560 --> 00:32:57,720 Speaker 2: I'm talking on the phone. 618 00:32:57,520 --> 00:32:58,480 Speaker 1: Not to you, you idiot. 619 00:32:58,600 --> 00:33:01,080 Speaker 2: The waves when people waved to you, and then you're 620 00:33:01,200 --> 00:33:03,680 Speaker 2: wave back and why is this person waiting to me? 621 00:33:03,760 --> 00:33:04,360 Speaker 1: I don't even know this? 622 00:33:04,520 --> 00:33:06,520 Speaker 2: And then it turns out to somebody behind you they're 623 00:33:06,520 --> 00:33:08,280 Speaker 2: waving to and they're both laughing at you. 624 00:33:08,360 --> 00:33:09,360 Speaker 1: Now because you're the more on. 625 00:33:11,160 --> 00:33:21,880 Speaker 2: Huge embarrassment, I'm not sure what's yours massive embarrassment? Most 626 00:33:22,000 --> 00:33:23,240 Speaker 2: embarrassed I've ever been? 627 00:33:23,640 --> 00:33:26,800 Speaker 1: I don't maybe my boob's bouncing up and down during 628 00:33:26,840 --> 00:33:29,040 Speaker 1: that gold guy right there. I mean, that's got to 629 00:33:29,080 --> 00:33:30,840 Speaker 1: be one of them up there on the list. 630 00:33:32,120 --> 00:33:35,400 Speaker 2: One time, I was my rap group was performing and 631 00:33:35,640 --> 00:33:41,680 Speaker 2: we uh drank a lot before the before the concert 632 00:33:42,000 --> 00:33:44,280 Speaker 2: and I was on stage and we're all wrapping and 633 00:33:44,440 --> 00:33:46,280 Speaker 2: my part was coming up, and he said, you know 634 00:33:46,280 --> 00:33:48,360 Speaker 2: what'd be sweet if I jump off the stage. 635 00:33:48,400 --> 00:33:48,680 Speaker 1: Stage? 636 00:33:48,800 --> 00:33:50,680 Speaker 2: Wasn't that big of I'll jump off into the crowd 637 00:33:51,240 --> 00:33:54,720 Speaker 2: like a stage. I've not jump in the middle, I see, okay, 638 00:33:54,920 --> 00:33:56,800 Speaker 2: like a cipher or something. I'm just gonna be rapping 639 00:33:56,840 --> 00:34:00,080 Speaker 2: with the crowd, and as soon as I landed, I 640 00:34:00,160 --> 00:34:03,840 Speaker 2: forgot all of my lyrics. Just now, I'm just staying. 641 00:34:03,880 --> 00:34:05,520 Speaker 2: I'm just standing there in the middle of this crowd 642 00:34:05,840 --> 00:34:08,960 Speaker 2: with nothing to say, nothing to doing nothing, doing literally nothing, 643 00:34:09,400 --> 00:34:11,920 Speaker 2: hoping that somebody else in the group would pick up 644 00:34:11,960 --> 00:34:12,160 Speaker 2: for you. 645 00:34:12,360 --> 00:34:12,759 Speaker 1: Pick up. 646 00:34:12,840 --> 00:34:15,680 Speaker 2: I think they did, but still very embarrassing to do 647 00:34:15,840 --> 00:34:19,239 Speaker 2: a cool guy jump off and then nothing. I don't 648 00:34:19,239 --> 00:34:21,479 Speaker 2: know about being embarrassed in front of a big group 649 00:34:21,560 --> 00:34:24,799 Speaker 2: of people like that, but I've I told the story 650 00:34:24,880 --> 00:34:27,200 Speaker 2: of the time I a girl picked me up to 651 00:34:27,239 --> 00:34:29,200 Speaker 2: go to a concert and I had eaten. This was 652 00:34:29,280 --> 00:34:32,560 Speaker 2: in I was in high school, and I wanted to 653 00:34:32,640 --> 00:34:34,160 Speaker 2: go out on a date with this girl for a 654 00:34:34,280 --> 00:34:38,680 Speaker 2: long time. And then finally I convince her, after you know, 655 00:34:39,400 --> 00:34:43,080 Speaker 2: months of trying, that we should go to this festival 656 00:34:43,160 --> 00:34:45,280 Speaker 2: during the day, like on a Saturday or something. 657 00:34:46,440 --> 00:34:48,880 Speaker 1: Uh, And I'm like, this is my this is my shot. Here, 658 00:34:49,280 --> 00:34:52,719 Speaker 1: I'm going to score. And the night before I'm so dumb, 659 00:34:52,880 --> 00:34:54,920 Speaker 1: and I knew I was doing it as I was 660 00:34:55,000 --> 00:34:59,879 Speaker 1: doing it. I ate buffalo chicken fingers, you know, spy 661 00:35:00,120 --> 00:35:03,560 Speaker 1: see so delicious with all the ranch and everything, and 662 00:35:03,760 --> 00:35:06,520 Speaker 1: I was drinking a bunch of beer and I knew 663 00:35:06,560 --> 00:35:08,880 Speaker 1: it was gonna cause me stomach problems, but I'm like, 664 00:35:09,000 --> 00:35:12,040 Speaker 1: I think I'll be okay. The next morning, I wake 665 00:35:12,160 --> 00:35:15,279 Speaker 1: up and my stomach is like and I go, hmm, 666 00:35:16,120 --> 00:35:18,399 Speaker 1: but I have this date set and I can't back 667 00:35:18,440 --> 00:35:20,760 Speaker 1: out of this. The girl picks me up. We're driving 668 00:35:20,920 --> 00:35:23,640 Speaker 1: and I'm I just feel like I'm starting to sweat, 669 00:35:23,800 --> 00:35:28,799 Speaker 1: like I'm driving, and then just immediately I go, oh, man, 670 00:35:28,880 --> 00:35:31,319 Speaker 1: I'm gonna crap my pants here as this as we're 671 00:35:31,360 --> 00:35:33,480 Speaker 1: driving to this concert. So I'm like, I just have 672 00:35:33,600 --> 00:35:35,560 Speaker 1: to use the you go, I have to go take 673 00:35:35,600 --> 00:35:37,600 Speaker 1: a leak, pull into this gas I didn't want to 674 00:35:37,600 --> 00:35:39,239 Speaker 1: tell her, like I have the squirts, I have to 675 00:35:39,320 --> 00:35:40,440 Speaker 1: poop my brains out. 676 00:35:40,960 --> 00:35:44,719 Speaker 2: So I'm like, I have to take a leak. And 677 00:35:44,719 --> 00:35:47,680 Speaker 2: as we pull into this gas station, and I mean, 678 00:35:47,760 --> 00:35:50,640 Speaker 2: she knew what was going on. First of all, I'm 679 00:35:50,800 --> 00:35:55,160 Speaker 2: I'm letting out these these just gas Oh my god, 680 00:35:55,239 --> 00:35:59,279 Speaker 2: these deathly funts that smell like a dead animal. I mean, 681 00:35:59,360 --> 00:36:01,600 Speaker 2: it's just and the whole time I'm thinking, maybe she 682 00:36:01,719 --> 00:36:04,600 Speaker 2: doesn't smell this, you know, But no, she's just being polite. 683 00:36:04,920 --> 00:36:07,360 Speaker 2: That was probably in a one on one situation, probably 684 00:36:07,400 --> 00:36:09,279 Speaker 2: the most embarrassed I've been in a one of them. 685 00:36:09,320 --> 00:36:13,200 Speaker 2: That's a major in front of a bunch of people. 686 00:36:13,360 --> 00:36:15,200 Speaker 1: I I don't know. 687 00:36:15,320 --> 00:36:18,840 Speaker 2: I'm sure something's happened. Nothing sticks out. I must like 688 00:36:19,280 --> 00:36:22,000 Speaker 2: put it out of my like a like a traumatic experience. 689 00:36:22,040 --> 00:36:25,600 Speaker 2: You know, somebody who's been abused or something, they can 690 00:36:25,760 --> 00:36:28,120 Speaker 2: they like block it out of their memory. 691 00:36:28,320 --> 00:36:29,240 Speaker 1: You know it's forgotten. 692 00:36:30,239 --> 00:36:33,359 Speaker 2: I probably blocked every embarrassing moment out of my out 693 00:36:33,400 --> 00:36:35,319 Speaker 2: of my out of my brain because I don't want 694 00:36:35,360 --> 00:36:38,640 Speaker 2: to relive that moment over and over again, torturing myself. 695 00:36:39,040 --> 00:36:44,120 Speaker 6: That's a different scenario, Like I think the most horrifying 696 00:36:44,280 --> 00:36:46,359 Speaker 6: moment where I'm going to crap my pants in front 697 00:36:46,360 --> 00:36:49,560 Speaker 6: of another human is a whole nother situation. 698 00:36:50,360 --> 00:36:52,600 Speaker 3: Like is that that date right there? 699 00:36:52,640 --> 00:36:54,680 Speaker 6: We're like, okay, I'm just gonna I'm just gonna crap 700 00:36:54,719 --> 00:36:56,719 Speaker 6: my pants right here in front of a girl. 701 00:36:57,040 --> 00:36:59,440 Speaker 3: Because that's that's a whole story. 702 00:36:59,640 --> 00:37:02,800 Speaker 1: That does not you never lived that down. That's something 703 00:37:02,840 --> 00:37:03,040 Speaker 1: you have. 704 00:37:03,200 --> 00:37:05,520 Speaker 2: Not only is it embarrassing in the moment, but you 705 00:37:05,640 --> 00:37:07,400 Speaker 2: are now the guy that crapt his pants on a 706 00:37:07,480 --> 00:37:10,560 Speaker 2: date like it just you don't in high school. 707 00:37:10,640 --> 00:37:13,239 Speaker 1: Yeah, you have to. I would have to like move 708 00:37:13,320 --> 00:37:14,640 Speaker 1: to Hawaii or something. 709 00:37:15,080 --> 00:37:19,520 Speaker 6: So I when I worked in Chicago, they flew me 710 00:37:19,719 --> 00:37:22,719 Speaker 6: to New York City to go train with someone, and 711 00:37:22,800 --> 00:37:25,920 Speaker 6: they flew me to LA to go train with someone. 712 00:37:26,080 --> 00:37:28,879 Speaker 6: It was a huge show that I trained with Mark 713 00:37:28,920 --> 00:37:32,160 Speaker 6: and Brian you know who that is, right, And I 714 00:37:32,280 --> 00:37:34,880 Speaker 6: hit it off with one of the main guys. He 715 00:37:35,200 --> 00:37:39,560 Speaker 6: comes to Chicago and he wants to go to a 716 00:37:39,640 --> 00:37:43,600 Speaker 6: Bears game and your pants perhaps, Yeah, I did get them. 717 00:37:43,840 --> 00:37:48,120 Speaker 6: We were stuck in traffic and I got you know me, 718 00:37:48,360 --> 00:37:51,560 Speaker 6: when I get in a situation where there's no out 719 00:37:51,800 --> 00:37:54,879 Speaker 6: and there's traffic, I get nervous and I then get 720 00:37:54,960 --> 00:37:58,800 Speaker 6: the nervous poops and sure enough, I'm. 721 00:37:58,719 --> 00:37:59,640 Speaker 1: Like, I got it. 722 00:37:59,680 --> 00:38:01,400 Speaker 6: I gotta but we gotta, we got to pull off. 723 00:38:01,440 --> 00:38:04,520 Speaker 6: We gotta gotta do something. And I'm thinking, here I am, 724 00:38:05,640 --> 00:38:08,000 Speaker 6: I'm going to crap my pants. He's going to go 725 00:38:08,160 --> 00:38:10,520 Speaker 6: back to LA. It's gonna be a great story for 726 00:38:10,640 --> 00:38:12,240 Speaker 6: him talking about. 727 00:38:12,040 --> 00:38:15,160 Speaker 1: It on the air. Yeah, you know, And I made it. 728 00:38:15,560 --> 00:38:18,040 Speaker 6: But as soon as, like I had to, I had 729 00:38:18,080 --> 00:38:19,680 Speaker 6: to go to the bathroom. Right when we got to 730 00:38:20,040 --> 00:38:23,040 Speaker 6: the stadium. That was embarrassing when you're you get the 731 00:38:23,160 --> 00:38:24,080 Speaker 6: nervous and you're on. 732 00:38:24,120 --> 00:38:24,759 Speaker 1: A date with the guy. 733 00:38:24,840 --> 00:38:27,000 Speaker 2: What about the John Cusack thing where you're up on 734 00:38:27,120 --> 00:38:31,239 Speaker 2: stage and uh, it's just completely bombing Or did you 735 00:38:31,360 --> 00:38:35,120 Speaker 2: not realize ignorance is bliss because she didn't realize she was. 736 00:38:35,160 --> 00:38:37,160 Speaker 1: Bombing at that thing. I remember because I think I 737 00:38:37,239 --> 00:38:40,320 Speaker 1: called her the next morning. I was like okay. She's like, 738 00:38:40,719 --> 00:38:41,200 Speaker 1: what do you mean? 739 00:38:41,320 --> 00:38:42,080 Speaker 3: I started crying. 740 00:38:42,120 --> 00:38:44,239 Speaker 1: Have you seeing the article yet? I don't you saw 741 00:38:44,239 --> 00:38:46,360 Speaker 1: the article? But I was like you okay? And she 742 00:38:46,520 --> 00:38:48,680 Speaker 1: says why and I was like, yeah, he broke the 743 00:38:48,800 --> 00:38:50,839 Speaker 1: do how did you think go last night? 744 00:38:50,880 --> 00:38:54,239 Speaker 2: She's like, I think pretty good. You know, nothing wasn't great. 745 00:38:54,360 --> 00:38:56,040 Speaker 2: I don't think she was bragging like there was awesome 746 00:38:56,080 --> 00:38:56,319 Speaker 2: or anything. 747 00:38:56,360 --> 00:38:57,920 Speaker 1: I was like, I didn't know there was an article 748 00:38:58,080 --> 00:39:01,000 Speaker 1: on the actual like the print newspaper, about how horrible. 749 00:39:01,560 --> 00:39:06,040 Speaker 1: Oh well, all right, we don't up to day. Then 750 00:39:06,080 --> 00:39:07,040 Speaker 1: I'll talk to you tomorrow. 751 00:39:07,640 --> 00:39:11,040 Speaker 3: I sat in my bed and just cried. 752 00:39:11,400 --> 00:39:13,239 Speaker 1: So when did you find out? The next with you? 753 00:39:13,640 --> 00:39:15,279 Speaker 3: Yeah, you're the one that told me. 754 00:39:17,000 --> 00:39:17,200 Speaker 9: I was. 755 00:39:17,440 --> 00:39:19,080 Speaker 12: I was calling to be like you okay, because I 756 00:39:19,080 --> 00:39:22,600 Speaker 12: thought I didn't sidle or something. It was bad so 757 00:39:22,880 --> 00:39:25,080 Speaker 12: that I don't know if I was I was hurt. 758 00:39:25,480 --> 00:39:28,600 Speaker 12: I don't know if I was embarrassed that was that hurt. 759 00:39:28,800 --> 00:39:30,719 Speaker 1: I slipped on ice here one time. 760 00:39:32,239 --> 00:39:35,160 Speaker 2: And I was walking downtown and I was at a 761 00:39:35,560 --> 00:39:38,480 Speaker 2: like all these cars were in a red light, and 762 00:39:38,880 --> 00:39:42,040 Speaker 2: I just hit ice as I was crossing the street 763 00:39:42,120 --> 00:39:44,680 Speaker 2: in front of all these cars and feet went up. 764 00:39:45,760 --> 00:39:48,920 Speaker 2: I go down, and like, that's an embarrassing that's embarrassing 765 00:39:48,960 --> 00:39:52,320 Speaker 2: because you can't immediately pop up from something like that 766 00:39:52,440 --> 00:39:54,600 Speaker 2: as much as you want to, because but because you're 767 00:39:54,640 --> 00:39:55,640 Speaker 2: on ice or. 768 00:39:57,560 --> 00:40:01,759 Speaker 1: Yes, you're like, oh, are you really goofully trying to 769 00:40:01,840 --> 00:40:04,719 Speaker 1: get back up, because I know I would laugh at 770 00:40:04,880 --> 00:40:07,320 Speaker 1: at somebody who embarrassed. I don't think they embarrassed me. 771 00:40:07,640 --> 00:40:10,239 Speaker 1: I don't think they would that it embarrassed me. I 772 00:40:10,320 --> 00:40:11,160 Speaker 1: was embarrassed, but I. 773 00:40:11,200 --> 00:40:14,319 Speaker 2: Did get embarrassed falling snowboarding once, I was going really 774 00:40:14,400 --> 00:40:16,320 Speaker 2: fast into the when I was at the end of 775 00:40:16,360 --> 00:40:18,320 Speaker 2: the hill really fast, I tried to stop and I 776 00:40:18,400 --> 00:40:21,320 Speaker 2: clipped my front edge and I flew. It fell like 777 00:40:21,400 --> 00:40:25,600 Speaker 2: twenty feet just forward into just the snow. But it's 778 00:40:25,680 --> 00:40:27,279 Speaker 2: right in front of where everybody lines up for the 779 00:40:27,320 --> 00:40:30,000 Speaker 2: ski left, so hundreds of people just watching me, and 780 00:40:30,080 --> 00:40:31,680 Speaker 2: then the ski patrol had to come over and ask 781 00:40:31,719 --> 00:40:32,400 Speaker 2: if I was okay. 782 00:40:32,840 --> 00:40:37,560 Speaker 1: I needed to ride the ten feet the ski patrol 783 00:40:37,680 --> 00:40:40,319 Speaker 1: in hospitals right there, they put you on that little 784 00:40:40,360 --> 00:40:41,680 Speaker 1: like gurny thing that they pulled. 785 00:40:43,520 --> 00:40:44,080 Speaker 10: Totally funny. 786 00:40:44,480 --> 00:40:49,040 Speaker 1: I'm covering snow to cover that was embarrassing. Did people 787 00:40:49,120 --> 00:40:50,239 Speaker 1: actually laugh at you? 788 00:40:50,320 --> 00:40:50,480 Speaker 6: Oh? 789 00:40:50,640 --> 00:40:52,920 Speaker 1: Sure I would. I would have definitely laughing. Yeah. 790 00:40:53,000 --> 00:40:55,960 Speaker 8: Falling is definitely I feel like embarrassing for a brief moment, 791 00:40:56,600 --> 00:40:59,440 Speaker 8: like recently when I had fallen. I'm walking in some 792 00:40:59,600 --> 00:41:02,560 Speaker 8: slides in the winter time with my daughter and I 793 00:41:03,200 --> 00:41:06,160 Speaker 8: I go, it's slippery, be careful, And not long after that, 794 00:41:06,719 --> 00:41:08,640 Speaker 8: my feet went out from under me and I am 795 00:41:08,760 --> 00:41:12,680 Speaker 8: completely covered in snow and ice on the one side stopping, 796 00:41:12,800 --> 00:41:15,040 Speaker 8: I'm in sweatpants and a woman is like, are you 797 00:41:15,160 --> 00:41:17,279 Speaker 8: all right? And that's when you are That's when you 798 00:41:17,320 --> 00:41:19,360 Speaker 8: feel embarrassed, I think is when other people are around 799 00:41:19,360 --> 00:41:22,279 Speaker 8: and they go, whoa, are you okay? And you're like, 800 00:41:24,560 --> 00:41:30,279 Speaker 8: tell you you're trying to I'm fineiut of that. 801 00:41:30,560 --> 00:41:30,759 Speaker 1: Yeah. 802 00:41:31,200 --> 00:41:33,920 Speaker 8: I also fell one time when the X and I 803 00:41:34,040 --> 00:41:37,400 Speaker 8: went on our wedding moon because we got married in Jamaica. 804 00:41:37,560 --> 00:41:40,520 Speaker 8: We stated as Sandals resort. They were having a dance 805 00:41:40,600 --> 00:41:44,040 Speaker 8: competition by the pool side, and I was like, all right, 806 00:41:44,080 --> 00:41:45,719 Speaker 8: They're like, go up there, you should do this. 807 00:41:45,960 --> 00:41:46,520 Speaker 1: You can dance. 808 00:41:48,560 --> 00:41:50,960 Speaker 8: So I'm up there that I'm doing my moves. The 809 00:41:51,040 --> 00:41:54,279 Speaker 8: girl next to me is copying every move that I do. 810 00:41:54,520 --> 00:41:57,279 Speaker 8: She starts doing so I'm like, I'm gonna up the 811 00:41:57,360 --> 00:41:59,960 Speaker 8: ante here. I'm gonna throw in an actual dance trick. 812 00:42:00,480 --> 00:42:02,920 Speaker 8: I'm I'm going to do a specific turn in the 813 00:42:03,000 --> 00:42:06,320 Speaker 8: air at axle. I'm gonna do this at why the 814 00:42:06,440 --> 00:42:09,319 Speaker 8: pool side is wet, it's tile. When I come down, 815 00:42:09,440 --> 00:42:12,160 Speaker 8: I slip on that water in front of everybody. 816 00:42:12,200 --> 00:42:14,560 Speaker 4: And I mean, there's nothing you could do. 817 00:42:14,680 --> 00:42:16,080 Speaker 1: So I think I went down into. 818 00:42:15,960 --> 00:42:18,520 Speaker 8: Like a downward dog like twerking, like I just got 819 00:42:18,560 --> 00:42:19,640 Speaker 8: onto the floor, just kept. 820 00:42:19,480 --> 00:42:26,080 Speaker 1: Going on the ground, broken arm. I won that competition. 821 00:42:26,320 --> 00:42:29,680 Speaker 8: I walked away with like coffee, coffee, muggs, whole basket 822 00:42:29,760 --> 00:42:31,800 Speaker 8: of stuff. I think it might have been sympathy for 823 00:42:31,880 --> 00:42:33,920 Speaker 8: the fact that I fell in front of everybody. 824 00:42:33,600 --> 00:42:46,520 Speaker 1: But everyone, Oh yeah, brother eighty X, you're on rovers 825 00:42:46,600 --> 00:42:51,719 Speaker 1: morning glory Good morning brother eighty X. Good morning semen breath. 826 00:42:52,400 --> 00:42:56,359 Speaker 9: I wanted do you forget about the attack in Miami. 827 00:42:57,520 --> 00:43:00,640 Speaker 2: Where I at a mommie attack where I bit into 828 00:43:00,880 --> 00:43:02,759 Speaker 2: a mommy and a peeve, hit a guy in the 829 00:43:02,960 --> 00:43:06,960 Speaker 2: face and then he attacked me. Uh, that wasn't embarrassing. 830 00:43:07,080 --> 00:43:10,719 Speaker 2: I let that guy off easily. That was actually self restraint. 831 00:43:10,800 --> 00:43:12,800 Speaker 2: I didn't want to, you know, I didn't want to 832 00:43:12,960 --> 00:43:15,800 Speaker 2: hurt or kill somebody there, Brother ad X. 833 00:43:17,000 --> 00:43:20,200 Speaker 1: Okay, now what about Doozy and she left. 834 00:43:20,000 --> 00:43:21,479 Speaker 9: Her purse on top of the car. 835 00:43:21,480 --> 00:43:23,600 Speaker 1: And lay right in front of the police station. 836 00:43:24,360 --> 00:43:25,080 Speaker 3: It's not embarrassing. 837 00:43:25,239 --> 00:43:30,320 Speaker 1: She doesn't. He actually has from from what I know 838 00:43:30,520 --> 00:43:34,800 Speaker 1: of Doocie, she has very little shame. She has almost 839 00:43:34,960 --> 00:43:38,319 Speaker 1: it's I work with you guys, I got pretty. It's 840 00:43:38,320 --> 00:43:41,800 Speaker 1: hard to embarrass her, I think, and she just doesn't. 841 00:43:41,880 --> 00:43:45,600 Speaker 1: Whereas I would be embarrassed by these by these. 842 00:43:45,480 --> 00:43:47,960 Speaker 2: Things like you weren't target, you lost your you put 843 00:43:48,000 --> 00:43:50,120 Speaker 2: your cell phone on a shelf the other day, and 844 00:43:50,239 --> 00:43:52,360 Speaker 2: you have five target workers helping you. 845 00:43:52,480 --> 00:43:52,640 Speaker 7: Look. 846 00:43:52,800 --> 00:43:57,960 Speaker 1: I personally, I would be embarrassed by that because it's 847 00:43:58,040 --> 00:44:01,880 Speaker 1: so stupid, because because every one of those workers is 848 00:44:01,960 --> 00:44:04,840 Speaker 1: like can people leave the stupid bitch. 849 00:44:05,520 --> 00:44:08,080 Speaker 3: Why am I a stupid bitch? That's such a That's 850 00:44:08,120 --> 00:44:08,839 Speaker 3: what they were thinking. 851 00:44:09,000 --> 00:44:09,799 Speaker 1: That's what they were thinking. 852 00:44:10,480 --> 00:44:13,160 Speaker 3: Are like you and call people student you're a stupid bitch? 853 00:44:13,640 --> 00:44:14,120 Speaker 10: Who does that? 854 00:44:14,320 --> 00:44:14,920 Speaker 1: No one does that? 855 00:44:15,000 --> 00:44:17,040 Speaker 2: Would you like to read my text messages right now? 856 00:44:17,120 --> 00:44:17,920 Speaker 2: I'm talking about you. 857 00:44:18,040 --> 00:44:20,840 Speaker 1: I care about that. I don't care. That's what I 858 00:44:20,880 --> 00:44:22,680 Speaker 1: think people are thinking in their in their head. 859 00:44:22,960 --> 00:44:24,680 Speaker 8: Well, they're at least probably telling a story of this 860 00:44:24,800 --> 00:44:25,879 Speaker 8: woman lost her phone. 861 00:44:25,960 --> 00:44:28,560 Speaker 1: We all had to go find it. We have helping 862 00:44:28,640 --> 00:44:34,720 Speaker 1: find They probably told the story gloves. 863 00:44:34,760 --> 00:44:36,719 Speaker 3: You see that all the time. It's not like, look 864 00:44:36,760 --> 00:44:37,279 Speaker 3: what hep to us. 865 00:44:37,400 --> 00:44:37,920 Speaker 1: I don't care. 866 00:44:38,040 --> 00:44:39,960 Speaker 8: They they do. 867 00:44:40,600 --> 00:44:43,800 Speaker 6: People leave their cell phone. It happens all the time. Okay, 868 00:44:44,960 --> 00:44:46,360 Speaker 6: when's the last time you were on a target? 869 00:44:46,920 --> 00:44:50,680 Speaker 1: Exactly? Never. I've got to take a break. We do 870 00:44:50,800 --> 00:44:52,400 Speaker 1: have these shoosy coming up the news. What do you 871 00:44:52,440 --> 00:44:52,920 Speaker 1: have on the way? 872 00:44:54,080 --> 00:44:55,440 Speaker 3: Coming up in the news. 873 00:44:55,920 --> 00:44:58,719 Speaker 6: Roger Goodell has a message for all the people that 874 00:44:58,840 --> 00:45:01,520 Speaker 6: are criticizing the Super Bowl halftime show. 875 00:45:01,600 --> 00:45:02,959 Speaker 3: I'll tell you what he says next. 876 00:45:03,160 --> 00:45:04,400 Speaker 1: We'll get to that in just a moment. 877 00:45:04,560 --> 00:45:08,440 Speaker 2: Ryan Synday text message, I had my tear away sweats 878 00:45:08,719 --> 00:45:10,800 Speaker 2: ripped off in high school by the lockers. 879 00:45:11,400 --> 00:45:13,000 Speaker 1: I had on tighty whities. 880 00:45:13,320 --> 00:45:16,360 Speaker 2: It was so embarious, tough, so like he had to 881 00:45:16,440 --> 00:45:18,319 Speaker 2: kind of with like the snaps all the way down 882 00:45:18,480 --> 00:45:20,560 Speaker 2: or something, and somebody came up ripped them off, and 883 00:45:20,719 --> 00:45:21,520 Speaker 2: he just says. 884 00:45:21,600 --> 00:45:25,080 Speaker 8: A little tighty white hem in in high school, huh uh, 885 00:45:25,200 --> 00:45:26,319 Speaker 8: we will be right back. 886 00:45:26,480 --> 00:45:26,840 Speaker 1: Hang on,