1 00:00:00,080 --> 00:00:07,640 Speaker 1: Here's the thing started out friends, it was cool and yeah, yeah, yeah. 2 00:00:08,200 --> 00:00:10,000 Speaker 1: Since you been gone, that's sort of how I sing. 3 00:00:10,039 --> 00:00:12,960 Speaker 2: All songs go about forty percent of the lyrics, many 4 00:00:13,000 --> 00:00:16,720 Speaker 2: of them wrong lyrics. You asked me last episode at 5 00:00:16,720 --> 00:00:19,960 Speaker 2: the culmination of the last episode, how many Kelly Clarkson 6 00:00:20,040 --> 00:00:24,680 Speaker 2: songs could I name? And I firmly stated sixteen, I believe, 7 00:00:25,360 --> 00:00:27,920 Speaker 2: And I also did feel like I was undershooting it, 8 00:00:28,000 --> 00:00:31,160 Speaker 2: and goo, wouldn't you know it? At least twenty one? 9 00:00:31,400 --> 00:00:33,920 Speaker 2: I have at least twenty one Kelly Clarkson songs that 10 00:00:34,040 --> 00:00:36,720 Speaker 2: I know. I mean, she's got so many bangers and singles, 11 00:00:36,720 --> 00:00:38,840 Speaker 2: A couple of deep cuts here. I bet it's closer 12 00:00:38,880 --> 00:00:41,000 Speaker 2: to thirty if I actually break it down, if not more, 13 00:00:41,040 --> 00:00:45,200 Speaker 2: but Kelly Clarkson songs. Here we go because of you, Stronger, 14 00:00:45,560 --> 00:00:48,000 Speaker 2: My life would suck without you. Don't you want to stay? 15 00:00:48,080 --> 00:00:51,080 Speaker 2: That's her and Jason Alden since You've been gone? Of course, 16 00:00:51,200 --> 00:00:56,200 Speaker 2: Heartbeat song, Breakaway Mine behind these Hazel Eyes, piece by piece, 17 00:00:56,280 --> 00:00:58,960 Speaker 2: that might be her best song already gone, A moment 18 00:00:59,040 --> 00:01:01,279 Speaker 2: like this, that's the song you want, American Idol with 19 00:01:01,720 --> 00:01:05,000 Speaker 2: catch My Breath, Misindependent, walk Away, mister know it all. 20 00:01:05,319 --> 00:01:09,120 Speaker 2: He never again dark side Love So Soft Medicine and 21 00:01:09,240 --> 00:01:09,919 Speaker 2: didn't die? 22 00:01:10,360 --> 00:01:12,600 Speaker 3: Where is from Justin to Kelly? 23 00:01:14,200 --> 00:01:16,119 Speaker 2: You know what, I'm sure they have some original music 24 00:01:16,120 --> 00:01:18,600 Speaker 2: in that movie. I don't know or I don't recall 25 00:01:18,760 --> 00:01:21,440 Speaker 2: any of the songs. That, of course is the American 26 00:01:21,480 --> 00:01:23,759 Speaker 2: classic from two thousand and two from Justin to Kelly, 27 00:01:24,080 --> 00:01:26,760 Speaker 2: the movie they made thinking that both people would be 28 00:01:26,880 --> 00:01:30,640 Speaker 2: immensely popular following American idol, and then Justin Guarini Goo. 29 00:01:31,160 --> 00:01:35,160 Speaker 2: He became a little sweet for Dr Peppery sweet. That's 30 00:01:35,200 --> 00:01:36,520 Speaker 2: a that's what happened to him. 31 00:01:36,480 --> 00:01:38,720 Speaker 3: So much sexual attention in that movie and in all 32 00:01:38,800 --> 00:01:40,320 Speaker 3: the little sweet commercials too. 33 00:01:40,520 --> 00:01:44,160 Speaker 1: Yes, yes, Doctor Pepper Goo top two soda easily. 34 00:01:44,560 --> 00:01:50,040 Speaker 3: I'm a big DDP guy though died So good, so good, 35 00:01:50,280 --> 00:01:53,040 Speaker 3: always my number two. I'm never no, I do seek it, 36 00:01:53,160 --> 00:01:55,840 Speaker 3: but usually I'm looking for her like an orange soda. 37 00:01:56,280 --> 00:01:58,080 Speaker 3: But then I see DDP, I'm like, I'm gonna have 38 00:01:58,120 --> 00:01:58,640 Speaker 3: that DDP. 39 00:01:59,160 --> 00:02:02,440 Speaker 2: Yeah, you know I Actually we had a little family 40 00:02:02,640 --> 00:02:05,720 Speaker 2: party the other day, a little dinner, and my stepbrother 41 00:02:05,960 --> 00:02:09,520 Speaker 2: made some pulled pork used Doctor Pepper and his recipe. 42 00:02:09,600 --> 00:02:10,959 Speaker 1: Pretty good, pretty good. 43 00:02:11,080 --> 00:02:12,680 Speaker 3: How many Justin Guarini songs. 44 00:02:12,680 --> 00:02:15,280 Speaker 2: You know, Oh God, I don't. I don't know if 45 00:02:15,320 --> 00:02:19,040 Speaker 2: I know any Justin Guarini songs unless the little Sweet theme. 46 00:02:18,880 --> 00:02:20,959 Speaker 3: Counsel definitely counts. So he got one. 47 00:02:21,240 --> 00:02:21,880 Speaker 1: I got wack. 48 00:02:22,560 --> 00:02:24,079 Speaker 3: Terrible news this week. 49 00:02:23,919 --> 00:02:26,840 Speaker 1: Terrible, terrible news. Justin Guarini didn't win American Idol. 50 00:02:26,960 --> 00:02:30,120 Speaker 3: Clay Aiken also lost to Ruben Studdard. We'll have to 51 00:02:30,200 --> 00:02:32,840 Speaker 3: one day go through. We'll put up the runner up 52 00:02:33,000 --> 00:02:35,720 Speaker 3: and the winner. Tell me who the actual winner is. 53 00:02:35,840 --> 00:02:38,960 Speaker 2: Well, some seasons, like Daughtry season, I think he finished fourth. 54 00:02:39,480 --> 00:02:41,400 Speaker 2: He was the best on that season. That was the 55 00:02:41,400 --> 00:02:43,679 Speaker 2: Taylor Hicks season. I believe Taylor Hicks, Katherin McPhee and 56 00:02:43,680 --> 00:02:46,320 Speaker 2: Elliot Yah mean, I believe for the top three. Uh, 57 00:02:46,480 --> 00:02:49,240 Speaker 2: the Fantasious season. I don't remember much about that, and 58 00:02:49,280 --> 00:02:51,400 Speaker 2: then I sort of fell off. Carrie Underwood came in 59 00:02:51,520 --> 00:02:54,480 Speaker 2: the mix after the first five seasons. I don't remember much. 60 00:02:54,600 --> 00:02:57,080 Speaker 2: I was a big Ryan starfan Goo. She was a 61 00:02:57,120 --> 00:02:59,800 Speaker 2: cast member on season one. She was quite attractive. 62 00:03:00,000 --> 00:03:04,000 Speaker 3: I consider myself the Brian Dunkleman of this show. I've 63 00:03:04,000 --> 00:03:07,160 Speaker 3: always asked myself, how am I gonna get my dad 64 00:03:07,400 --> 00:03:10,560 Speaker 3: to watch or listen to this podcast. Yeah, let's talk 65 00:03:10,560 --> 00:03:13,160 Speaker 3: American Idol and I think he'll finally do it. 66 00:03:13,400 --> 00:03:15,000 Speaker 1: Oh he's an idol guy. 67 00:03:15,120 --> 00:03:17,920 Speaker 3: Oh he has loved Idol since day one, love that 68 00:03:18,440 --> 00:03:21,480 Speaker 3: since day one. Or we can just do stupid reaction videos. 69 00:03:21,800 --> 00:03:23,400 Speaker 1: Was he a big Taylor Hicks guy. I feel like 70 00:03:23,400 --> 00:03:24,639 Speaker 1: he'd be a big Taylor Hicks guy. 71 00:03:24,680 --> 00:03:25,200 Speaker 3: I don't know. 72 00:03:25,440 --> 00:03:27,720 Speaker 1: Taylor Hicks doing Joe Cocker song seems like write up 73 00:03:27,760 --> 00:03:28,359 Speaker 1: your dad's. 74 00:03:28,120 --> 00:03:31,280 Speaker 3: Outre no idea, Yeah, I have no idea. Mac, back 75 00:03:31,320 --> 00:03:34,960 Speaker 3: to what I was saying, terrible news rip Drew Strusan 76 00:03:35,120 --> 00:03:37,240 Speaker 3: and if you do not know the name, you know 77 00:03:37,360 --> 00:03:40,280 Speaker 3: the work. He is one of the most influential movie 78 00:03:40,400 --> 00:03:44,320 Speaker 3: poster artists of all time. Tons of work with Steven 79 00:03:44,360 --> 00:03:47,920 Speaker 3: Spielberg and George Lucas. He battled all timers at the 80 00:03:48,000 --> 00:03:50,200 Speaker 3: end of his life. He passed away at the age 81 00:03:50,600 --> 00:03:55,560 Speaker 3: of seventy eight. But Mac, I ask you, what is 82 00:03:55,600 --> 00:03:57,160 Speaker 3: your favorite of his work? 83 00:03:57,440 --> 00:04:01,240 Speaker 1: So I didn't deep dive his work like you have. 84 00:04:02,120 --> 00:04:05,120 Speaker 2: One of our listeners tweeted us that quick story about 85 00:04:05,160 --> 00:04:08,120 Speaker 2: the thing poster amazing, that that is a great story 86 00:04:08,160 --> 00:04:12,040 Speaker 2: and a great poster and it somehow perfectly encapsulates that 87 00:04:12,080 --> 00:04:14,520 Speaker 2: movie without him knowing anything about the movie. 88 00:04:14,560 --> 00:04:16,240 Speaker 3: I know nothing about the movie. They gave me a 89 00:04:16,240 --> 00:04:17,960 Speaker 3: general thought of it. I knew that it was based 90 00:04:18,000 --> 00:04:20,239 Speaker 3: off this movie from the nineteen fifties. I don't really 91 00:04:20,279 --> 00:04:23,880 Speaker 3: know exactly what's happening in it. I gave them this, Yeahhu, 92 00:04:24,000 --> 00:04:24,600 Speaker 3: how about you? 93 00:04:25,320 --> 00:04:27,280 Speaker 1: Seems like you eat You're cooking up a top ten 94 00:04:27,320 --> 00:04:27,800 Speaker 1: here for them. 95 00:04:27,920 --> 00:04:31,440 Speaker 3: Yeah, top ten. At first, I'm like Mount Rushmore not enough, 96 00:04:31,680 --> 00:04:33,960 Speaker 3: by the way, that's four faces on a rock. Yes, 97 00:04:34,240 --> 00:04:36,240 Speaker 3: we need to remind people because I feel like everyone 98 00:04:36,320 --> 00:04:37,839 Speaker 3: forgets what a Mount Rushmore is. 99 00:04:37,880 --> 00:04:40,400 Speaker 1: Sometimes and I ask you a question, Yeah, how would 100 00:04:40,480 --> 00:04:41,480 Speaker 1: you say? 101 00:04:41,520 --> 00:04:44,120 Speaker 2: You're Drew Strusan. Yeah, and you're given the task with 102 00:04:44,160 --> 00:04:46,640 Speaker 2: promoting Mount Rushmore. Do you think you can come up 103 00:04:46,680 --> 00:04:48,160 Speaker 2: with a good poster from Mount Rushmore? 104 00:04:48,360 --> 00:04:50,919 Speaker 3: Yeah? But I might accidentally draw too many faces on 105 00:04:50,960 --> 00:04:54,320 Speaker 3: that rock. I don't know. Sometimes you just lose track 106 00:04:54,720 --> 00:04:58,120 Speaker 3: a Goo's Juicy six pack. Maybe no, still too many 107 00:04:58,240 --> 00:05:02,120 Speaker 3: great pieces of work. We're gonna stay away from Dirty 108 00:05:02,160 --> 00:05:05,120 Speaker 3: Dozens for a while. Okay, we messed it up last week. 109 00:05:05,160 --> 00:05:08,040 Speaker 3: We lose track of numbers. It's too many numbers. It 110 00:05:08,080 --> 00:05:10,039 Speaker 3: is I want to give a shout out right now. 111 00:05:10,160 --> 00:05:13,960 Speaker 3: He did the artwork on the album cover of Alice 112 00:05:14,000 --> 00:05:15,920 Speaker 3: Cooper's Welcome to My Nightmare. 113 00:05:16,120 --> 00:05:17,600 Speaker 1: Okay, I don't think I know it. 114 00:05:17,600 --> 00:05:21,280 Speaker 3: It's a very theatrical album. One of my favorite songs 115 00:05:21,360 --> 00:05:26,120 Speaker 3: is Steven. I say that without joking. It's very. Uh, 116 00:05:26,240 --> 00:05:29,040 Speaker 3: it's very It's a lot like Salad Fingers singing a song. 117 00:05:29,440 --> 00:05:33,880 Speaker 3: I like it. Let's get to my top ten. Drew 118 00:05:34,240 --> 00:05:39,760 Speaker 3: Strusen movie posters at number ten. I love this because 119 00:05:40,040 --> 00:05:42,320 Speaker 3: he's working with Kevin Smith, and I'd imagine this is 120 00:05:42,320 --> 00:05:44,880 Speaker 3: one of Kevin Smith's goals is to have Drew strus 121 00:05:44,880 --> 00:05:47,320 Speaker 3: And do one of his covers. He did Mal Rats. 122 00:05:47,880 --> 00:05:50,280 Speaker 3: I love the mal Rats cover, all the art on it. 123 00:05:50,320 --> 00:05:54,599 Speaker 3: By the way, it's a it's a photo realistic slash 124 00:05:54,880 --> 00:05:58,120 Speaker 3: kind of a fantasy style that he works with. So 125 00:05:58,200 --> 00:06:01,200 Speaker 3: he was able to get Strewsan to do this comic 126 00:06:01,200 --> 00:06:04,440 Speaker 3: book cover. And not only is it a comic book cover. Now, 127 00:06:04,520 --> 00:06:08,000 Speaker 3: this annoyed me when I bought the movie poster, but 128 00:06:08,560 --> 00:06:11,840 Speaker 3: it's actually elevated off the page as if it is 129 00:06:12,160 --> 00:06:13,280 Speaker 3: a booklet itself. 130 00:06:13,520 --> 00:06:16,440 Speaker 2: Yeah, that's a good one. And speaking of Kevin Smith, 131 00:06:16,640 --> 00:06:22,040 Speaker 2: and getting Drew Strusan for uh this movie. Drew Strusan 132 00:06:22,240 --> 00:06:25,039 Speaker 2: did all the posters for all of Kevin Smith's favorite movie. 133 00:06:25,480 --> 00:06:27,440 Speaker 1: That's like a really cool thing for him. 134 00:06:27,680 --> 00:06:32,200 Speaker 3: Blade Runner, Yep, beautiful poster. The next one up here 135 00:06:32,240 --> 00:06:35,080 Speaker 3: I almost have to put on here because of how 136 00:06:35,520 --> 00:06:38,960 Speaker 3: I mean. It's a great looking poster. But I've seen 137 00:06:39,000 --> 00:06:41,080 Speaker 3: them so many times that maybe I'm just taking them 138 00:06:41,080 --> 00:06:44,360 Speaker 3: for granted. The Indiana Jones posters are great. 139 00:06:44,279 --> 00:06:48,040 Speaker 1: Always great. I like the colors in the Indiana Jones posters. 140 00:06:47,520 --> 00:06:50,280 Speaker 3: And then off the back of the Indiana Jones posters. 141 00:06:50,360 --> 00:06:52,520 Speaker 3: This is not in the top ten, but shout out 142 00:06:52,520 --> 00:06:55,680 Speaker 3: to the Ductails the movie poster which they used similarly 143 00:06:55,720 --> 00:06:59,600 Speaker 3: the Indiana Jones influence, but Ducktails characters. I love the 144 00:06:59,640 --> 00:07:03,760 Speaker 3: look of that one. He did the special edition trilogy 145 00:07:04,320 --> 00:07:06,320 Speaker 3: of Star Wars from the mid nineties. 146 00:07:06,440 --> 00:07:11,040 Speaker 1: Yeah, what is that ninety six, ninety seven? Yeah, okay, yeah, yeah, 147 00:07:11,120 --> 00:07:12,000 Speaker 1: that's uh. 148 00:07:12,040 --> 00:07:15,200 Speaker 2: I think that was when that's significant to you and 149 00:07:15,240 --> 00:07:17,480 Speaker 2: I because that's really when we started to intake the 150 00:07:17,520 --> 00:07:19,720 Speaker 2: Star Wars movies. That's when my dad was showing me 151 00:07:19,800 --> 00:07:21,200 Speaker 2: the Star Wars movies. 152 00:07:20,960 --> 00:07:23,240 Speaker 3: Because he didn't do the original posters. I believe he 153 00:07:23,360 --> 00:07:26,560 Speaker 3: might have done Revenge of the Jedi when they first 154 00:07:26,560 --> 00:07:29,119 Speaker 3: had that concept. No, it was called Revenge first. 155 00:07:29,240 --> 00:07:32,440 Speaker 1: Oh, you're talking to og Yeah, okay, all right, gotcha. 156 00:07:32,560 --> 00:07:34,360 Speaker 3: Then me go to the thing we've already talked about 157 00:07:34,360 --> 00:07:36,680 Speaker 3: that didn't really know what was happening. He gave us 158 00:07:36,720 --> 00:07:40,160 Speaker 3: a beautiful poster. Now let's go here. Now, the next 159 00:07:40,840 --> 00:07:44,480 Speaker 3: four movies might not be the best movies, but the 160 00:07:44,640 --> 00:07:47,720 Speaker 3: movie posters sell you on the movies. 161 00:07:48,480 --> 00:07:51,720 Speaker 1: Yeah, and this is also Goo loves the nineties. 162 00:07:51,840 --> 00:07:55,920 Speaker 3: Goo loves the nineties. Hook. I don't love Hook. This 163 00:07:56,080 --> 00:07:57,880 Speaker 3: movie poster is dynamite. 164 00:07:58,040 --> 00:07:59,160 Speaker 1: It's a great movie poster. 165 00:07:59,360 --> 00:08:03,560 Speaker 3: The Flintstone Owes another movie I don't love, but he 166 00:08:03,600 --> 00:08:05,040 Speaker 3: made me think it Rocks. 167 00:08:05,320 --> 00:08:08,040 Speaker 1: Are you? Are you a Baldwin guy in the in 168 00:08:08,080 --> 00:08:08,760 Speaker 1: the Flintstones? 169 00:08:08,880 --> 00:08:10,960 Speaker 3: Acknowledge what I just said. Rocks? 170 00:08:11,560 --> 00:08:13,360 Speaker 1: Oh nice, because no. 171 00:08:13,240 --> 00:08:16,000 Speaker 3: It's Ricks. It's Rick Moranas in the. 172 00:08:15,920 --> 00:08:17,880 Speaker 1: First No, I'm asking if you're a Baldwin guy. 173 00:08:18,000 --> 00:08:21,040 Speaker 3: He did do the poster for Viva Rock Vegas, so 174 00:08:21,600 --> 00:08:24,800 Speaker 3: I'm glad that you're asking me this. Return to Oz. 175 00:08:25,040 --> 00:08:27,679 Speaker 3: Now this is from the eighties. I know you said nineties, baby, 176 00:08:27,720 --> 00:08:32,679 Speaker 3: but once again another movie that like, it's a tough watch, 177 00:08:32,720 --> 00:08:36,120 Speaker 3: it's nightmare fuel this poster, You're like, I kind of 178 00:08:36,160 --> 00:08:36,920 Speaker 3: want to watch this. 179 00:08:37,440 --> 00:08:41,920 Speaker 2: I think Returned to Oz is starting to gain a bigger. 180 00:08:41,559 --> 00:08:43,040 Speaker 3: Following all those Wicked people. 181 00:08:43,280 --> 00:08:46,559 Speaker 2: Yeah, in part because of Wicked and the surrounding stuff 182 00:08:46,720 --> 00:08:49,440 Speaker 2: around the Wizard of Oz. So I wouldn't be surprised 183 00:08:49,679 --> 00:08:51,960 Speaker 2: if we have a return to the return of Oz. 184 00:08:52,600 --> 00:08:54,280 Speaker 3: Are we in a return to Oz? 185 00:08:54,400 --> 00:08:56,520 Speaker 1: Sance believe? 186 00:08:56,640 --> 00:09:00,560 Speaker 3: So what a time to be alive. Now. Mac Strusan 187 00:09:00,679 --> 00:09:04,360 Speaker 3: did the movie posters for the original movie, he did 188 00:09:04,360 --> 00:09:07,960 Speaker 3: it for Treasure Island, he did it for Christmas Carol. 189 00:09:08,080 --> 00:09:11,720 Speaker 3: But I think his best Muppet work is The Great 190 00:09:11,840 --> 00:09:16,000 Speaker 3: Muppet Caper. There is so much happening on this poster 191 00:09:16,800 --> 00:09:20,560 Speaker 3: and it just has me asking who, what, where, when. 192 00:09:20,440 --> 00:09:24,559 Speaker 1: Why, which is what a poster should do. 193 00:09:25,000 --> 00:09:29,720 Speaker 3: All the ws along with George too, Yeah, there you go. 194 00:09:30,240 --> 00:09:33,440 Speaker 3: And then finally the poster that you and I had 195 00:09:33,480 --> 00:09:35,280 Speaker 3: hanging in the gutio. 196 00:09:35,240 --> 00:09:36,600 Speaker 1: In my living room above me. 197 00:09:36,760 --> 00:09:39,840 Speaker 3: So we always hung smaller posters all over the gutio, 198 00:09:40,000 --> 00:09:43,560 Speaker 3: but we had two big posters. One of them is 199 00:09:43,600 --> 00:09:45,760 Speaker 3: this one. I think it's the best movie poster of 200 00:09:45,800 --> 00:09:48,080 Speaker 3: all Time, and that is Back to the Future. 201 00:09:48,240 --> 00:09:50,480 Speaker 2: Yeah, it's in the conversation. It'd be hard to argue 202 00:09:50,480 --> 00:09:51,559 Speaker 2: against it, that's for sure. 203 00:09:51,640 --> 00:09:55,160 Speaker 3: So once again, ten through One, mal Rats, Blade Runner, 204 00:09:55,240 --> 00:09:58,080 Speaker 3: Indiana Jones, all of them kind of a cop out. Relax, 205 00:09:58,160 --> 00:10:01,679 Speaker 3: I'm not saying the movie. We're not doing Coppo. It's 206 00:10:01,720 --> 00:10:07,000 Speaker 3: all the Indiana Jones and Ducktails, the Star Wars Special 207 00:10:07,160 --> 00:10:09,640 Speaker 3: Edition Trilogy. I do like his work on the prequels, 208 00:10:09,640 --> 00:10:12,520 Speaker 3: but I like the Special Edition trilogy a little bit more. 209 00:10:12,960 --> 00:10:16,640 Speaker 3: The Thing Hook, The Flintstones, Return to Oz, The Great 210 00:10:16,800 --> 00:10:19,400 Speaker 3: Muppet Caper, and Back to the Future. 211 00:10:19,640 --> 00:10:22,600 Speaker 1: Does Duck Tails the movie make your mount rushmore of 212 00:10:22,640 --> 00:10:23,800 Speaker 1: Indiana Jones movies? 213 00:10:25,200 --> 00:10:28,120 Speaker 3: Well, yeah, god has to. It's the first three and 214 00:10:28,200 --> 00:10:31,199 Speaker 3: not even you could probably put it above last Crusade 215 00:10:31,559 --> 00:10:38,720 Speaker 3: Oho careful, Well, it's about it's two old Scottish fellas. 216 00:10:38,920 --> 00:10:49,120 Speaker 3: So one good three? 217 00:10:49,200 --> 00:10:55,880 Speaker 1: Yeah, job three, King of Queen. 218 00:10:57,920 --> 00:11:06,439 Speaker 3: Mill Street, entertain Go and I am Max and we 219 00:11:06,480 --> 00:11:10,200 Speaker 3: are the Mac and Goo program. We just killed ten minutes. 220 00:11:10,480 --> 00:11:12,920 Speaker 1: How about that credit to us? We've been what a 221 00:11:13,000 --> 00:11:13,960 Speaker 1: time that producers. 222 00:11:14,120 --> 00:11:16,600 Speaker 3: He's going like this, He's like Phil time, Phil, Phil, 223 00:11:16,679 --> 00:11:18,000 Speaker 3: we need we get a Phil. 224 00:11:18,480 --> 00:11:21,640 Speaker 1: Today we are doing another iteration of what have you 225 00:11:21,720 --> 00:11:24,560 Speaker 1: been watching lately? This? What have you been watching? What 226 00:11:24,640 --> 00:11:27,000 Speaker 1: have you been watching? This is our one hundred and fiftieth. 227 00:11:27,200 --> 00:11:28,480 Speaker 1: I don't know. I have no idea how many of 228 00:11:28,480 --> 00:11:29,640 Speaker 1: these we've done. Are you keeping the. 229 00:11:29,640 --> 00:11:33,680 Speaker 3: Same time that I mark in the Google doc? I'm like, oh, 230 00:11:33,720 --> 00:11:35,959 Speaker 3: it's uh, what have you been watching? And then I'll 231 00:11:36,000 --> 00:11:38,600 Speaker 3: put like ten sixteen, Max like, oh, it's our one 232 00:11:38,640 --> 00:11:41,840 Speaker 3: thousand what have you been watching? No, that's the date. 233 00:11:44,559 --> 00:11:49,200 Speaker 2: Today we are discussing three October releases, three recent releases, 234 00:11:49,440 --> 00:11:52,400 Speaker 2: three movies that are still in theaters at the moment. 235 00:11:52,720 --> 00:11:54,920 Speaker 2: I've seen all three. Goo has seen one of three. 236 00:11:55,160 --> 00:11:58,319 Speaker 2: That's still a Hall of Fame average. Don't yell at him. 237 00:11:58,840 --> 00:12:02,520 Speaker 2: I would say all three of these movies do. They're 238 00:12:02,559 --> 00:12:05,480 Speaker 2: all good to a certain degree. It's just how they 239 00:12:05,600 --> 00:12:06,400 Speaker 2: really hit for you. 240 00:12:06,480 --> 00:12:09,040 Speaker 3: What a stupid concept for a podcast. By the way, 241 00:12:10,360 --> 00:12:12,280 Speaker 3: I've seen all three. He's seen one of three, but 242 00:12:12,360 --> 00:12:15,360 Speaker 3: we're still going to the Hall of Fame. I think 243 00:12:15,400 --> 00:12:18,120 Speaker 3: personally that we're starting this episode with a grade at 244 00:12:18,200 --> 00:12:20,320 Speaker 3: the max of like a B minus. 245 00:12:20,800 --> 00:12:23,240 Speaker 2: Two movies came out two weeks ago, one came out 246 00:12:23,280 --> 00:12:26,200 Speaker 2: a week ago. No one is rushing to the theaters 247 00:12:26,240 --> 00:12:28,960 Speaker 2: to see any of these three movies, unfortunately, But I 248 00:12:29,000 --> 00:12:32,520 Speaker 2: do think they are movies that at year end they'll 249 00:12:32,520 --> 00:12:33,360 Speaker 2: be honorable mentioned. 250 00:12:33,400 --> 00:12:34,960 Speaker 3: Do you think they'll love Daddy Long Legs. 251 00:12:35,880 --> 00:12:37,439 Speaker 2: I don't know if they'll have Daddy Long Legs, but 252 00:12:37,480 --> 00:12:40,080 Speaker 2: they will be on like honorable mention lists at the 253 00:12:40,120 --> 00:12:44,199 Speaker 2: end of the year, so they're definitely worth discussing up. First, 254 00:12:44,240 --> 00:12:46,360 Speaker 2: go a movie that I just watched a couple of 255 00:12:46,400 --> 00:12:53,480 Speaker 2: days ago, Rman Ruffman. This is a rated R biography, crime, drama, history, music, 256 00:12:53,520 --> 00:12:54,840 Speaker 2: and romance film Goop. 257 00:12:55,360 --> 00:12:58,280 Speaker 3: Question is the star is the titular star? 258 00:12:58,640 --> 00:12:59,319 Speaker 1: Uh? Huh? 259 00:12:59,760 --> 00:13:02,920 Speaker 3: Is the his last name Rufman? Or does he work 260 00:13:02,960 --> 00:13:03,679 Speaker 3: on roofs? 261 00:13:03,880 --> 00:13:06,920 Speaker 1: We'll get to that. Rufman had a nineteen million dollar budget. 262 00:13:06,960 --> 00:13:09,040 Speaker 1: Goose so pretty cheap. It had an eight million dollar 263 00:13:09,160 --> 00:13:09,800 Speaker 1: domestic open. 264 00:13:09,840 --> 00:13:13,000 Speaker 2: It's up to eleven million worldwide before heading into its 265 00:13:13,000 --> 00:13:13,679 Speaker 2: second weekend. 266 00:13:13,679 --> 00:13:16,160 Speaker 1: I wonder how much money this is actually gonna make. 267 00:13:16,200 --> 00:13:22,640 Speaker 1: But with a nineteen million dollar budget, whoa wonder why 268 00:13:22,880 --> 00:13:24,320 Speaker 1: with a nineteen million dollar budget? 269 00:13:27,840 --> 00:13:30,920 Speaker 2: This is a rated R once again rated OUR film 270 00:13:31,000 --> 00:13:33,760 Speaker 2: that doesn't really have the feel of a rated r film, 271 00:13:33,800 --> 00:13:35,959 Speaker 2: but I think that's part of the issue. I didn't 272 00:13:36,000 --> 00:13:39,400 Speaker 2: love it's it's it's based on a true story, Goo, 273 00:13:39,559 --> 00:13:43,360 Speaker 2: so there's some liberties at play here. But it's a 274 00:13:43,480 --> 00:13:46,520 Speaker 2: very interesting story. How loose I would say, it's like 275 00:13:46,679 --> 00:13:51,040 Speaker 2: seventy five to eighty percent accurate. It's it's mostly true. Yeah, 276 00:13:51,080 --> 00:13:53,720 Speaker 2: they fudged with some of the timeline and how long 277 00:13:53,840 --> 00:13:56,160 Speaker 2: some things actually go with but the core of the 278 00:13:56,160 --> 00:13:58,600 Speaker 2: story is pretty fun. The run time of one hundred 279 00:13:58,640 --> 00:14:00,880 Speaker 2: and twenty six minutes, so just over two hours on 280 00:14:01,040 --> 00:14:04,240 Speaker 2: roddy Teazgo eighty four percent from the critics, eighty six 281 00:14:04,280 --> 00:14:07,040 Speaker 2: percent from the audience, A sixty four and Metacritic, so 282 00:14:07,080 --> 00:14:09,200 Speaker 2: most people seeing this movie are enjoying it to a 283 00:14:09,240 --> 00:14:13,400 Speaker 2: certain degree. This is written by Derek Cian Franz and 284 00:14:13,520 --> 00:14:16,599 Speaker 2: Kurt Gunn. You would not know Kirk Gunn. It's this 285 00:14:16,679 --> 00:14:17,760 Speaker 2: his third ever credit in. 286 00:14:17,800 --> 00:14:22,640 Speaker 3: First Gain right. No, it's g I n N. 287 00:14:23,040 --> 00:14:26,120 Speaker 1: Yeah that's supposed to be hear you. You wouldn't know that, obviously. 288 00:14:25,680 --> 00:14:27,360 Speaker 3: I wouldn't. I thought it was like Ted Gin. 289 00:14:27,400 --> 00:14:29,520 Speaker 2: That was just me on the fly editing. You know, 290 00:14:29,920 --> 00:14:33,960 Speaker 2: thanks for ruining the Wow role I was on. 291 00:14:33,880 --> 00:14:36,080 Speaker 3: When I think of Ted Ginn, I think of of 292 00:14:36,120 --> 00:14:37,320 Speaker 3: a very fast runner. 293 00:14:37,560 --> 00:14:40,160 Speaker 1: Yeah, he's good, great returner, great returner. Why for a 294 00:14:40,200 --> 00:14:42,880 Speaker 1: long time he did he did play for a long time. 295 00:14:43,440 --> 00:14:46,120 Speaker 1: You wouldn't know Kirk Gunn once again. He has three credits, 296 00:14:46,120 --> 00:14:47,720 Speaker 1: and this is his first since two thousand and seven. 297 00:14:48,080 --> 00:14:50,640 Speaker 1: Derek cion Frantz. You have seen some of his stuff. 298 00:14:50,640 --> 00:14:54,960 Speaker 2: He's just he's he operates in a weird level of 299 00:14:55,120 --> 00:14:57,320 Speaker 2: movies here Goo Blue Valentine, which you. 300 00:14:57,280 --> 00:14:59,080 Speaker 3: May have seen, pretty depressing, the. 301 00:14:59,080 --> 00:15:02,040 Speaker 2: Place beyond the Pie. You've seen that, also kind of depressing, 302 00:15:02,760 --> 00:15:05,080 Speaker 2: the light between oceans. I haven't seen that. That's Michael 303 00:15:05,080 --> 00:15:07,680 Speaker 2: Fassbender and Alicia vicandor So. I'm sure it's pretty good. 304 00:15:08,280 --> 00:15:10,280 Speaker 2: Sound of Metal that came out twenty nineteen. A lot 305 00:15:10,280 --> 00:15:12,520 Speaker 2: of people have seen that. And then he also did 306 00:15:12,520 --> 00:15:15,560 Speaker 2: that HBO mini series. I know this much is true 307 00:15:15,600 --> 00:15:18,360 Speaker 2: with Mark Ruffalo. That wasn't a smash success, but I 308 00:15:18,440 --> 00:15:22,040 Speaker 2: think did decently well. This is also directed by Sion Frontz, 309 00:15:22,040 --> 00:15:24,840 Speaker 2: who did all of those things I just mentioned. And 310 00:15:24,920 --> 00:15:28,240 Speaker 2: this is also sort of like in that realm of 311 00:15:29,200 --> 00:15:32,400 Speaker 2: It's not a blockbuster at its core, it's like it's 312 00:15:32,440 --> 00:15:34,760 Speaker 2: got a romance story at its core, which kind of 313 00:15:34,800 --> 00:15:35,280 Speaker 2: all of those? 314 00:15:35,360 --> 00:15:36,720 Speaker 1: Did? I guess? 315 00:15:37,280 --> 00:15:41,880 Speaker 2: Maybe not sound a metal but kind of synopsis of Ruffman. Also, 316 00:15:42,200 --> 00:15:44,040 Speaker 2: it's Rufe Mann, but I just like saying. 317 00:15:44,680 --> 00:15:45,480 Speaker 3: Spider Man. 318 00:15:46,800 --> 00:15:49,960 Speaker 1: Based on the unbelievable true story of Jeffrey Manchester played 319 00:15:50,000 --> 00:15:52,840 Speaker 1: by Tatum my name at JAF, an army, veteran and 320 00:15:52,880 --> 00:15:56,880 Speaker 1: struggling father who turns to robbing McDonald's restaurants by cutting 321 00:15:56,960 --> 00:16:00,320 Speaker 1: holes in their roofs, earning him the nickname roofman. Fuck. 322 00:16:01,800 --> 00:16:05,240 Speaker 2: I like that a lot, Yes, that's his m After 323 00:16:05,360 --> 00:16:08,360 Speaker 2: escaping prison, he secretly lives inside of Toys r Us 324 00:16:08,360 --> 00:16:11,840 Speaker 2: for six months, surviving undetected while planning his next move. 325 00:16:12,200 --> 00:16:13,800 Speaker 1: But when he falls for Lee. 326 00:16:13,560 --> 00:16:16,680 Speaker 2: Played by Kirston Dunst, a divorced mom drawn to his 327 00:16:16,760 --> 00:16:20,400 Speaker 2: undeniable charm, his double life begins to unravel, setting off 328 00:16:20,440 --> 00:16:22,840 Speaker 2: a compelling and suspenseful game of cat and mouse as 329 00:16:22,840 --> 00:16:26,160 Speaker 2: his past closes in once again. Tatum plays Jeffrey Manchester. 330 00:16:26,240 --> 00:16:29,720 Speaker 2: Dunst is Lee, Wayne Scott. The Keith Stanfield plays Tatum's 331 00:16:29,720 --> 00:16:33,520 Speaker 2: best friend, Steve Juno Temple is the Keith Stanfield significant other. 332 00:16:33,800 --> 00:16:36,920 Speaker 2: You also have Peter Dinklage as Mitch, the manager of 333 00:16:36,960 --> 00:16:39,000 Speaker 2: the toys r Uss and then Ben Mendelssohn is all 334 00:16:39,080 --> 00:16:41,840 Speaker 2: seen in here as a pastor who your hand is raised. 335 00:16:41,840 --> 00:16:44,640 Speaker 3: Don't spoil it, but is Jesse Plemmons in this movie? 336 00:16:44,840 --> 00:16:46,800 Speaker 1: No, Jesse Plemons, there is a like. 337 00:16:47,000 --> 00:16:49,680 Speaker 2: So this movie is acted extremely well, and there's a 338 00:16:49,680 --> 00:16:52,080 Speaker 2: lot of really good actors in here that have like 339 00:16:52,320 --> 00:16:55,160 Speaker 2: two minutes so I don't know, they just maybe really 340 00:16:55,200 --> 00:16:57,200 Speaker 2: like the script, they really like the director, writer or whatever. 341 00:16:57,200 --> 00:16:59,520 Speaker 1: I don't know what it is. But it's really well acted. 342 00:17:00,000 --> 00:17:02,200 Speaker 3: Do you think at any point that Jesse Plemons might 343 00:17:02,240 --> 00:17:02,680 Speaker 3: show up? 344 00:17:02,960 --> 00:17:04,960 Speaker 2: It is the sort of movie that you could see 345 00:17:05,040 --> 00:17:06,119 Speaker 2: Jesse Plemons pop up. 346 00:17:06,119 --> 00:17:09,000 Speaker 1: And of course, with dunst involve anything's possible. 347 00:17:09,000 --> 00:17:11,399 Speaker 3: Should I stop thinking that for movies that she's involved in. 348 00:17:11,640 --> 00:17:14,240 Speaker 1: No, keep thinking that I surprise, all right. 349 00:17:14,480 --> 00:17:19,840 Speaker 2: So this is based on the real life of Jeffrey Manchester, who, 350 00:17:20,040 --> 00:17:23,720 Speaker 2: in real life gu was robbing McDonald's that way, getting 351 00:17:23,720 --> 00:17:26,840 Speaker 2: in through roofs. However, his story I believe it was 352 00:17:26,840 --> 00:17:28,800 Speaker 2: two thousand and four to two thousand and five. He 353 00:17:28,960 --> 00:17:32,560 Speaker 2: was actually staying in an abandoned circuit city adjacent to 354 00:17:32,640 --> 00:17:36,360 Speaker 2: a toys r us and basically bored out a tunnel 355 00:17:36,359 --> 00:17:38,160 Speaker 2: in between the walls between the two stories, and that's 356 00:17:38,200 --> 00:17:40,280 Speaker 2: how he he was not caught in this movie. They 357 00:17:40,320 --> 00:17:42,399 Speaker 2: treat that differently because it's a little more interesting the 358 00:17:42,440 --> 00:17:44,920 Speaker 2: way they do it in this movie. But he's a 359 00:17:44,960 --> 00:17:46,920 Speaker 2: smart guy, he's a bright guy, he's a charming guy. 360 00:17:47,359 --> 00:17:49,959 Speaker 2: And the real life accounts of the people that he 361 00:17:50,080 --> 00:17:52,639 Speaker 2: robbed at McDonald's that basically just talk about like how 362 00:17:52,720 --> 00:17:55,840 Speaker 2: nice of a guy he is. Like he was robbing them, 363 00:17:55,880 --> 00:17:58,080 Speaker 2: so I guess that's threatening, but he like takes care 364 00:17:58,119 --> 00:18:00,719 Speaker 2: of them while he's robbing them, so it just seems 365 00:18:00,720 --> 00:18:02,520 Speaker 2: like it was a guy down in his luck, needed 366 00:18:02,520 --> 00:18:05,240 Speaker 2: some money, that sort of thing. He's still in prison 367 00:18:05,600 --> 00:18:08,040 Speaker 2: currently do still in prison. I won't ruin the end 368 00:18:08,080 --> 00:18:09,920 Speaker 2: of the movie for you, but that probably ruins it 369 00:18:09,920 --> 00:18:10,439 Speaker 2: a little and he. 370 00:18:10,520 --> 00:18:11,240 Speaker 3: Never got caught. 371 00:18:12,400 --> 00:18:13,560 Speaker 1: But essentially this. 372 00:18:13,480 --> 00:18:17,960 Speaker 2: Movie comes down to people seek partnership a lot of 373 00:18:17,960 --> 00:18:21,520 Speaker 2: people most people and need that significant other, need that 374 00:18:21,640 --> 00:18:24,880 Speaker 2: one person in their life. And Kirson Dunce plays that 375 00:18:25,040 --> 00:18:28,000 Speaker 2: role in this movie really well. This movie is predominantly 376 00:18:28,119 --> 00:18:30,560 Speaker 2: chanting Tatum, Kerson Dunst and they're so so good in 377 00:18:30,600 --> 00:18:34,679 Speaker 2: this The problem is like the events themselves just aren't 378 00:18:34,680 --> 00:18:37,680 Speaker 2: that interesting. Little spree at the beginning, and then he's 379 00:18:37,760 --> 00:18:40,720 Speaker 2: hiding out for most of the movie, so it's like, yeah, 380 00:18:40,760 --> 00:18:42,640 Speaker 2: he's doing some fun stuff and the Toys r Us 381 00:18:42,680 --> 00:18:45,920 Speaker 2: and whatnot. But I honestly felt it was it had 382 00:18:45,920 --> 00:18:48,560 Speaker 2: a hard time gripping me, and I think that's just 383 00:18:48,880 --> 00:18:51,479 Speaker 2: the way it is with this story. But the acting 384 00:18:51,600 --> 00:18:54,560 Speaker 2: is really really good, and you're really rooting for Tatum, 385 00:18:54,600 --> 00:18:57,760 Speaker 2: You're really rooting for Kirsten Dunst. So I got this 386 00:18:57,800 --> 00:19:00,200 Speaker 2: at thirty hot Dogs. I think it's worth seeing when 387 00:19:00,200 --> 00:19:03,359 Speaker 2: it comes to home streaming. I wouldn't pay money to 388 00:19:03,359 --> 00:19:05,639 Speaker 2: see in the theaters. I think you can wait. But 389 00:19:05,960 --> 00:19:08,919 Speaker 2: pretty good movie and it is great acting. It's just 390 00:19:09,440 --> 00:19:11,680 Speaker 2: I don't know, maybe more people are gonna have more 391 00:19:11,680 --> 00:19:13,720 Speaker 2: fun with the Toys r Us stuff than that I did. 392 00:19:14,480 --> 00:19:17,840 Speaker 2: It is a little bit of a trip down memory lanes, 393 00:19:17,840 --> 00:19:20,160 Speaker 2: some nostalgia right mid two thousands for us. 394 00:19:20,680 --> 00:19:23,680 Speaker 1: It's just like every aspect of this movie just feels 395 00:19:23,720 --> 00:19:24,760 Speaker 1: a little abbreviated. 396 00:19:24,840 --> 00:19:27,879 Speaker 2: The heist stuff, the Toys r US stuff, the romance stuff, 397 00:19:28,040 --> 00:19:30,600 Speaker 2: it just feels a little abbreviated. Because honestly, in real 398 00:19:30,640 --> 00:19:33,120 Speaker 2: life it kind of was abbreviated. It wasn't that long 399 00:19:33,160 --> 00:19:35,640 Speaker 2: of a time all this stuff went on. But the 400 00:19:35,680 --> 00:19:37,640 Speaker 2: core of the story is good and the performances are great. 401 00:19:37,640 --> 00:19:39,480 Speaker 2: So thirty Hot Dogs, I got it at number twenty 402 00:19:39,520 --> 00:19:42,240 Speaker 2: one in twenty twenty five got and I've now. 403 00:19:42,280 --> 00:19:45,080 Speaker 1: Up to thirty four movies. I think thirty four. 404 00:19:45,280 --> 00:19:47,280 Speaker 3: Let me ask you this, though, is if you were 405 00:19:47,400 --> 00:19:51,760 Speaker 3: robbing McDonald's, would you be distracted by the McNuggets? 406 00:19:52,040 --> 00:19:52,480 Speaker 1: No? 407 00:19:52,480 --> 00:19:54,320 Speaker 2: No, but the fries would get me. If you get 408 00:19:54,320 --> 00:19:55,800 Speaker 2: some hot and fresh fries and fucked. 409 00:19:55,880 --> 00:19:57,720 Speaker 3: Okay, I'll give you the money, but first, do you 410 00:19:57,760 --> 00:19:58,520 Speaker 3: want a French fry? 411 00:19:58,560 --> 00:20:00,800 Speaker 2: I'd have one bag for the money, a second bag 412 00:20:00,840 --> 00:20:02,479 Speaker 2: for the fries, But then I gotta eat all those 413 00:20:02,520 --> 00:20:03,679 Speaker 2: fries in like seven minutes. 414 00:20:03,800 --> 00:20:04,000 Speaker 1: Right. 415 00:20:04,040 --> 00:20:06,080 Speaker 3: But also when you first get those fries, you would 416 00:20:06,119 --> 00:20:10,040 Speaker 3: need like like a heat repelling bag to Yeah, I. 417 00:20:10,080 --> 00:20:11,560 Speaker 1: Need a special bag for sure. 418 00:20:11,840 --> 00:20:14,760 Speaker 2: And I mean one of the best things in this 419 00:20:14,840 --> 00:20:17,719 Speaker 2: world goo, right, is if you get McDonald's and you're 420 00:20:17,760 --> 00:20:19,680 Speaker 2: driving home, you're eating the fries on the way home. 421 00:20:19,960 --> 00:20:22,159 Speaker 2: That's what you have to do. I couldn't imagine a 422 00:20:22,200 --> 00:20:24,520 Speaker 2: better scenario. Maybe there's a movie that does this. If not, 423 00:20:24,600 --> 00:20:26,800 Speaker 2: someone maybe Edgar Wright can work this into a movie 424 00:20:27,160 --> 00:20:29,880 Speaker 2: on an escape. You know Baby Driver too, except he's 425 00:20:29,880 --> 00:20:32,760 Speaker 2: eating fries as he's driving away. You know that's thrilling, 426 00:20:32,880 --> 00:20:34,320 Speaker 2: eating fries and getting away from the popo. 427 00:20:34,480 --> 00:20:37,399 Speaker 3: Give me all your money and those nuggets and some 428 00:20:37,480 --> 00:20:38,720 Speaker 3: sweet and sour sauce. 429 00:20:41,160 --> 00:20:44,480 Speaker 1: I think you. I think McDonald's might have the worst 430 00:20:44,560 --> 00:20:47,000 Speaker 1: nuggets of all the fast food I like the nuggets 431 00:20:47,080 --> 00:20:49,920 Speaker 1: and I don't mind them, but I think they're completely different. 432 00:20:50,119 --> 00:20:51,760 Speaker 3: That's the all thing is, Like the other nuggets are 433 00:20:51,800 --> 00:20:55,359 Speaker 3: all similar. These are completely different from any other nugget 434 00:20:55,359 --> 00:20:55,840 Speaker 3: in the world. 435 00:20:56,119 --> 00:20:58,560 Speaker 2: Actually, you know what, let me take this back. They're 436 00:20:58,600 --> 00:21:01,640 Speaker 2: not a nugget, but burger k chicken fries terrible. 437 00:21:01,720 --> 00:21:02,440 Speaker 3: Those are bad. 438 00:21:02,840 --> 00:21:04,080 Speaker 1: Their nuggets pretty good, though. 439 00:21:04,160 --> 00:21:06,679 Speaker 3: I like the McDonald's nuggets. It's uh, you know, it 440 00:21:06,760 --> 00:21:09,439 Speaker 3: takes the white meat, it blends it up, it adds 441 00:21:09,480 --> 00:21:10,679 Speaker 3: some weird stuff to it. 442 00:21:10,840 --> 00:21:13,000 Speaker 1: No, I think they're just putting pink goo into molds. 443 00:21:13,080 --> 00:21:14,359 Speaker 3: Yeah, it's delicious, pink goo. 444 00:21:14,680 --> 00:21:16,000 Speaker 1: Wendy's has the best nuggets. 445 00:21:16,040 --> 00:21:19,440 Speaker 3: Wendy's has good nuggets, but McDonald's are different. From every 446 00:21:19,480 --> 00:21:20,520 Speaker 3: other place. That's what I'm saying. 447 00:21:20,760 --> 00:21:22,720 Speaker 1: Spicy nugget. I'll eat fifty of. 448 00:21:22,640 --> 00:21:25,000 Speaker 3: Them if something is unique, I like that. 449 00:21:25,280 --> 00:21:26,760 Speaker 1: Do you think you could eat fifty nuggets? 450 00:21:26,880 --> 00:21:27,520 Speaker 3: Yeah, easily. 451 00:21:27,920 --> 00:21:30,480 Speaker 2: I think I could get to forty. From thirty to 452 00:21:30,520 --> 00:21:32,199 Speaker 2: fifty is a lot. I think I would hit a 453 00:21:32,200 --> 00:21:33,879 Speaker 2: wall sometime between thirty and forty. 454 00:21:34,000 --> 00:21:38,359 Speaker 3: I'll be going to Magadita's soon to do their uh 455 00:21:39,160 --> 00:21:44,720 Speaker 3: tacoh toctob Taco Toba. There we go Taco tober Challenge. 456 00:21:44,840 --> 00:21:48,359 Speaker 3: It is a two pound taco. You're gonna eat it 457 00:21:48,359 --> 00:21:49,159 Speaker 3: in one sitting. 458 00:21:49,840 --> 00:21:50,159 Speaker 1: Easy. 459 00:21:50,240 --> 00:21:51,480 Speaker 3: Yeah, It's gonna be really easy. 460 00:21:51,600 --> 00:21:54,240 Speaker 1: Should I go with you if you want? Can you 461 00:21:54,280 --> 00:21:56,000 Speaker 1: pick the fillings? No? 462 00:21:56,000 --> 00:21:58,880 Speaker 3: No, it's it's four different meats all put in there. 463 00:21:59,080 --> 00:22:02,120 Speaker 3: It's a bunch of different sauces. It's a bunch of meat. 464 00:22:02,160 --> 00:22:03,720 Speaker 3: So you gotta do what the challenge is. 465 00:22:03,720 --> 00:22:05,560 Speaker 1: What is it? Pork, beef, chicken and what. 466 00:22:05,960 --> 00:22:08,800 Speaker 3: I haven't I don't know. It's on the website somewhere. Okay, 467 00:22:08,920 --> 00:22:11,159 Speaker 3: I'll be doing that next week and then I'll be 468 00:22:11,200 --> 00:22:12,240 Speaker 3: doing the advanced one. 469 00:22:12,280 --> 00:22:13,360 Speaker 1: You go in to Moody Street. 470 00:22:13,480 --> 00:22:15,520 Speaker 3: Yeah, all right, because they also have one where they 471 00:22:15,600 --> 00:22:17,800 Speaker 3: put flame and hot Cheetos on top. You get a 472 00:22:17,800 --> 00:22:20,359 Speaker 3: T shirt if you do that, I want that t shirt. 473 00:22:20,760 --> 00:22:22,399 Speaker 1: Yeah, how much is this taco? 474 00:22:22,840 --> 00:22:25,560 Speaker 3: Fifteen bucks? Maybe that's worth it for the T shirt. Yeah, 475 00:22:25,560 --> 00:22:27,240 Speaker 3: and if you eat the whole thing free tacos for 476 00:22:27,280 --> 00:22:30,080 Speaker 3: a year, that can't be true. It's absolutely true. 477 00:22:30,200 --> 00:22:30,840 Speaker 1: Are you kidding me? 478 00:22:30,920 --> 00:22:32,040 Speaker 3: You get a taco every week? 479 00:22:32,359 --> 00:22:33,560 Speaker 1: Oh, one taco a week? 480 00:22:33,920 --> 00:22:36,720 Speaker 3: That's still something. Don't sneeze at a taco every week. 481 00:22:36,600 --> 00:22:38,320 Speaker 2: And you're still paying thirty bucks. You gotta get in 482 00:22:38,320 --> 00:22:40,640 Speaker 2: the door. You're having a couple of drinks. I would 483 00:22:40,720 --> 00:22:43,480 Speaker 2: rather four tacos a week, but then i'd have to 484 00:22:43,480 --> 00:22:45,400 Speaker 2: take three weeks off in between sittings. 485 00:22:45,680 --> 00:22:46,800 Speaker 1: So four tacos a month. 486 00:22:47,119 --> 00:22:51,040 Speaker 3: Try and negotiate with them. See what happens. Let's move 487 00:22:51,080 --> 00:22:53,879 Speaker 3: on here, Mac to the movie that we thought was 488 00:22:53,880 --> 00:22:57,200 Speaker 3: gonna have a little bigger impact at least box office wise, 489 00:22:57,200 --> 00:22:59,719 Speaker 3: but it still might do well in a ward season. 490 00:23:00,119 --> 00:23:00,399 Speaker 1: Yeah. 491 00:23:00,520 --> 00:23:04,400 Speaker 2: The next up is The Smashing Machine, which we've kind 492 00:23:04,400 --> 00:23:06,200 Speaker 2: of alluded to a couple times here over the last 493 00:23:06,240 --> 00:23:08,520 Speaker 2: couple of weeks, but now we'll actually sit down and 494 00:23:08,520 --> 00:23:10,119 Speaker 2: give you a little bit of a discussion on it. 495 00:23:10,520 --> 00:23:17,320 Speaker 2: So This is uh Benny Saftie's you know, first venture 496 00:23:17,400 --> 00:23:20,520 Speaker 2: into writing and directing on his own, separate from Josh, 497 00:23:20,600 --> 00:23:22,720 Speaker 2: his brother. They have been a team that has worked 498 00:23:22,720 --> 00:23:25,240 Speaker 2: together for the last decade plus whatever it is. Now 499 00:23:25,240 --> 00:23:27,800 Speaker 2: they both have movies out, and it's going to be 500 00:23:27,800 --> 00:23:30,720 Speaker 2: interesting to discuss the differences between the two. The Smashing 501 00:23:30,720 --> 00:23:33,520 Speaker 2: Machine fifty million dollar budget goup. It had a five 502 00:23:33,560 --> 00:23:37,320 Speaker 2: point eight million dollar opening weekend, which fell well short 503 00:23:37,320 --> 00:23:39,800 Speaker 2: of what they were expecting. It's only up to seventeen 504 00:23:39,800 --> 00:23:42,560 Speaker 2: million world worldwide as it hits its third weekend. 505 00:23:42,800 --> 00:23:46,040 Speaker 3: I think it was projected twenty million at first, Like 506 00:23:46,080 --> 00:23:48,720 Speaker 3: when they first started doing up months ago, and then 507 00:23:49,240 --> 00:23:51,560 Speaker 3: leading into the weekend they were around like twelve and 508 00:23:51,600 --> 00:23:52,800 Speaker 3: a half thirteen and. 509 00:23:52,760 --> 00:23:56,560 Speaker 2: Then made twelve yeah, yeah, And now it's up to seventeen, 510 00:23:56,640 --> 00:23:59,199 Speaker 2: so this might get up to twenty five. This is 511 00:23:59,240 --> 00:24:03,359 Speaker 2: gonna lose money, however, because it will be involved in 512 00:24:03,440 --> 00:24:05,480 Speaker 2: award season, it might have a little bit of a 513 00:24:05,520 --> 00:24:07,040 Speaker 2: second life. They'll make some money better. 514 00:24:06,960 --> 00:24:12,240 Speaker 1: I'll sell some DVDs and ultimately, ultimately, even though it's 515 00:24:12,320 --> 00:24:16,080 Speaker 1: lost some money, I think it's encouraging for everyone involved, 516 00:24:16,080 --> 00:24:18,760 Speaker 1: for safty for the Rock especially the Rock and Emily Oh, 517 00:24:18,800 --> 00:24:19,120 Speaker 1: I have a. 518 00:24:19,040 --> 00:24:21,440 Speaker 3: Fun topic that I want to do soon. It's gonna 519 00:24:21,440 --> 00:24:23,960 Speaker 3: be movies that made the least amount of money at 520 00:24:23,960 --> 00:24:26,600 Speaker 3: the theater but then made the most on home release. 521 00:24:26,800 --> 00:24:27,760 Speaker 1: Napoleon Dynamite. 522 00:24:27,840 --> 00:24:30,679 Speaker 3: Napoleon Dynamite is one of them. I heard Nick swartzon 523 00:24:30,840 --> 00:24:32,119 Speaker 3: on a podcast. 524 00:24:31,640 --> 00:24:32,680 Speaker 1: The other Demo's Boy. 525 00:24:32,800 --> 00:24:35,320 Speaker 3: He was saying that Grandma's Boy made less than five 526 00:24:35,400 --> 00:24:38,080 Speaker 3: million at the theater and then made over one hundred 527 00:24:38,119 --> 00:24:41,120 Speaker 3: million with its vas. 528 00:24:40,600 --> 00:24:42,840 Speaker 1: I believe it. That's the era though mid two thousands. 529 00:24:42,920 --> 00:24:46,080 Speaker 3: He was also told by the CEO of Blockbuster that 530 00:24:46,080 --> 00:24:48,720 Speaker 3: that was the most stolen DVD they've ever dealt with. 531 00:24:48,920 --> 00:24:49,560 Speaker 1: That's awesome. 532 00:24:51,359 --> 00:24:55,240 Speaker 2: Good with a Smashing Machine is an R rated action, biography, drama, 533 00:24:55,320 --> 00:24:58,760 Speaker 2: history and support two biographic movies right in a row 534 00:24:58,760 --> 00:25:04,440 Speaker 2: here subject boxing movie, docu drama, period drama, psychological drama. 535 00:25:04,600 --> 00:25:06,040 Speaker 2: This is a run time of one hundred and twenty 536 00:25:06,040 --> 00:25:09,280 Speaker 2: three minutes, just over two hours on roddy te's seventy 537 00:25:09,320 --> 00:25:11,920 Speaker 2: one percent from the critics, seventy six percent from the audience, 538 00:25:12,160 --> 00:25:16,120 Speaker 2: a sixty five on Metacritic, and I totally understand that 539 00:25:16,200 --> 00:25:19,320 Speaker 2: if you go into this expecting like this raw rah 540 00:25:19,359 --> 00:25:22,000 Speaker 2: great sports movie or this rocky level type story. 541 00:25:22,240 --> 00:25:24,479 Speaker 1: You don't get that. No, you don't get that. 542 00:25:24,920 --> 00:25:27,600 Speaker 2: And I think most of us were expecting that sort 543 00:25:27,640 --> 00:25:29,760 Speaker 2: of thing because a lot of people don't know Mark Kurst. 544 00:25:29,880 --> 00:25:32,520 Speaker 3: May I say this. It subverts your expectations. 545 00:25:32,560 --> 00:25:35,639 Speaker 2: It subverts your expectations, and to me, actually does something 546 00:25:36,080 --> 00:25:38,360 Speaker 2: better and greater than your classic sports movie. 547 00:25:38,440 --> 00:25:40,239 Speaker 3: I like what they do at the end of it. 548 00:25:40,720 --> 00:25:44,280 Speaker 3: My issue is the build up to that. I thought 549 00:25:44,320 --> 00:25:48,159 Speaker 3: it was kind of boring because his fight style is 550 00:25:48,440 --> 00:25:49,600 Speaker 3: really really boring. 551 00:25:50,000 --> 00:25:52,399 Speaker 1: Yeah, that's just what nineties mma was, right. 552 00:25:52,320 --> 00:25:53,840 Speaker 3: But if you're gonna show me that for a half 553 00:25:53,840 --> 00:25:56,719 Speaker 3: an hour straight of the exact same action over and 554 00:25:56,800 --> 00:25:59,520 Speaker 3: over again, I'm like, let's get to the end here. 555 00:26:00,560 --> 00:26:03,399 Speaker 3: You know, he didn't say that once? What are you talking. 556 00:26:03,160 --> 00:26:06,640 Speaker 1: About, gou once again? 557 00:26:06,640 --> 00:26:09,040 Speaker 2: This is written directed by Benny Safti. You would know 558 00:26:09,119 --> 00:26:12,960 Speaker 2: him as the writer and director of Uncut Gems. He 559 00:26:13,040 --> 00:26:15,760 Speaker 2: was the director of Good Time Split Those with his brother. 560 00:26:15,920 --> 00:26:16,960 Speaker 3: He was in Oppenheimer. 561 00:26:17,200 --> 00:26:18,480 Speaker 1: Yep, he's He's. 562 00:26:18,320 --> 00:26:22,120 Speaker 2: Also somewhat of an accomplished actor now actually happy Gilmore too. 563 00:26:22,240 --> 00:26:26,560 Speaker 2: He's also writer creator of the series The Curse HBO 564 00:26:26,600 --> 00:26:31,440 Speaker 2: mini series with Emma Stone and Nathan Fielder upcoming, He's 565 00:26:31,440 --> 00:26:33,320 Speaker 2: writing and directing something called Lizard Music. 566 00:26:33,320 --> 00:26:34,760 Speaker 1: Who knows what the fuck that's about. 567 00:26:35,280 --> 00:26:37,840 Speaker 2: But I think what we're seeing here Gou and his 568 00:26:37,920 --> 00:26:40,600 Speaker 2: brother Josh has a movie coming out very soon called 569 00:26:40,640 --> 00:26:44,080 Speaker 2: Marty Supreme starring Tim Shallomey. I think what we're seeing 570 00:26:44,200 --> 00:26:48,200 Speaker 2: amongst the brothers both great directors. Benny has more of 571 00:26:48,280 --> 00:26:51,000 Speaker 2: the acting talent, Josh has more of the writing talent. 572 00:26:51,119 --> 00:26:53,879 Speaker 2: Because everything I've read about Marty Supreme is it's one 573 00:26:53,920 --> 00:26:56,200 Speaker 2: of the best movies of the year and Shallo May's, 574 00:26:56,640 --> 00:26:59,920 Speaker 2: you know, probably gonna win Lead Actor and in part 575 00:27:00,040 --> 00:27:01,679 Speaker 2: because of Josh Shaftie's writing. 576 00:27:01,880 --> 00:27:04,359 Speaker 3: Maybe we can save this for award season so you 577 00:27:04,359 --> 00:27:06,159 Speaker 3: can sit on this for a while. You don't have 578 00:27:06,200 --> 00:27:09,320 Speaker 3: to answer right now. Who do you think wins in 579 00:27:09,359 --> 00:27:13,400 Speaker 3: a ping pong match, Marty Supreme or Forrest Gump. Don't 580 00:27:13,440 --> 00:27:15,760 Speaker 3: answer now, save your answer for January. 581 00:27:16,040 --> 00:27:19,639 Speaker 2: Okay, I'll sit on that for three months. Synopsis of 582 00:27:19,640 --> 00:27:22,760 Speaker 2: The Smashing Machine, the story of Mixed Martial Arts and 583 00:27:22,880 --> 00:27:27,119 Speaker 2: UFC champion Mark Kerr, Simple Go. This stars Dwayne the 584 00:27:27,200 --> 00:27:30,040 Speaker 2: Rock Johnson as Mark Kerr, Emily Blunt as Don Staples, 585 00:27:30,320 --> 00:27:34,840 Speaker 2: Ryan Baters, Mark Coleman, Boss Ruton as himself, Alexander Usik 586 00:27:34,920 --> 00:27:39,679 Speaker 2: as Eager above Von Chanchion. Most MMA fans will know 587 00:27:39,800 --> 00:27:42,960 Speaker 2: Mark Coleman and Boss Ruten. Mark Kerr was a little 588 00:27:42,960 --> 00:27:46,240 Speaker 2: bit before most MMA fans, because most MMA fans came 589 00:27:46,240 --> 00:27:48,399 Speaker 2: in the mid late two thousands and Mark Kerr was 590 00:27:49,240 --> 00:27:52,320 Speaker 2: done by then. So this is I really like that 591 00:27:52,320 --> 00:27:55,680 Speaker 2: they're telling a story of one of the earliest, most 592 00:27:55,680 --> 00:28:00,240 Speaker 2: influential MMA guys that really helped kick off this mad 593 00:28:00,320 --> 00:28:01,760 Speaker 2: craze that we saw in the two thousands. 594 00:28:01,760 --> 00:28:04,600 Speaker 3: He was in it by what UFC seven Is that 595 00:28:04,600 --> 00:28:05,480 Speaker 3: what they said. 596 00:28:05,400 --> 00:28:08,160 Speaker 2: Something like that any fought in Pride as well, which 597 00:28:08,200 --> 00:28:10,520 Speaker 2: was UFC's main competitor in the late nineties and early 598 00:28:10,560 --> 00:28:15,679 Speaker 2: two thousands. But because Mark Kerr never quite achieved the 599 00:28:15,720 --> 00:28:19,920 Speaker 2: greatness of say Mark Coleman, this story just naturally goes 600 00:28:19,960 --> 00:28:23,560 Speaker 2: down a path that you're like, oh it okay sort 601 00:28:23,560 --> 00:28:26,920 Speaker 2: of thing, and that's where it really subverts your expectations. 602 00:28:27,119 --> 00:28:31,040 Speaker 3: He's also not like this big, boisterous athlete out there, 603 00:28:31,160 --> 00:28:36,120 Speaker 3: you know, promoting himself. He's a very quiet, self contained person. 604 00:28:36,000 --> 00:28:38,120 Speaker 1: A mild mannered, nice dude. 605 00:28:38,160 --> 00:28:40,800 Speaker 3: That's what I like about the movie though. That's my 606 00:28:41,000 --> 00:28:44,520 Speaker 3: favorite part of this movie is how he's this mild mannered, 607 00:28:44,600 --> 00:28:48,560 Speaker 3: seemingly a very very nice person, but then when you 608 00:28:48,640 --> 00:28:52,080 Speaker 3: mix him with Dawn, they're so bad together. 609 00:28:52,320 --> 00:28:52,760 Speaker 1: Volatile. 610 00:28:53,000 --> 00:28:56,440 Speaker 3: Yeah, throughout the movie, you're trying to figure out who 611 00:28:56,560 --> 00:28:59,400 Speaker 3: you feel bad form, but then you. 612 00:28:59,360 --> 00:29:00,800 Speaker 1: Realize it changes. 613 00:29:00,960 --> 00:29:03,560 Speaker 3: It goes back and forth the entire time. Because even 614 00:29:03,680 --> 00:29:06,760 Speaker 3: at the beginning of the movie slight spoilery here, but 615 00:29:06,880 --> 00:29:09,760 Speaker 3: like at the beginning of the movie when she starts 616 00:29:09,760 --> 00:29:13,480 Speaker 3: to cry when she's taking a photo of Mark and 617 00:29:13,520 --> 00:29:15,520 Speaker 3: the other people, I'm like, you don't need to cry 618 00:29:15,560 --> 00:29:17,560 Speaker 3: about this. Why would they want you in their photo? 619 00:29:18,080 --> 00:29:20,200 Speaker 3: So it's like you're kind of making it about yourself. 620 00:29:20,480 --> 00:29:22,600 Speaker 2: I was opposite reaction there. I'm like, oh, he's not 621 00:29:23,000 --> 00:29:25,520 Speaker 2: valuing her enough. And then when she's making his shake 622 00:29:25,560 --> 00:29:28,760 Speaker 2: and messes it up like they do it great. So 623 00:29:28,800 --> 00:29:32,480 Speaker 2: the best part of this movie is everything in between. 624 00:29:32,520 --> 00:29:38,400 Speaker 1: The fighting exactly of this volatile, toxic love story between 625 00:29:38,480 --> 00:29:40,880 Speaker 1: Mark and Don is fucking great good. 626 00:29:41,520 --> 00:29:44,080 Speaker 2: I loved that part of the movie. If we got 627 00:29:44,120 --> 00:29:46,560 Speaker 2: more of that, I would have loved this movie. I 628 00:29:46,640 --> 00:29:47,320 Speaker 2: really liked it. 629 00:29:47,360 --> 00:29:50,200 Speaker 1: As is, but it's almost like the sports stuff gets 630 00:29:50,200 --> 00:29:52,760 Speaker 1: in the way of like the truly great stuff in 631 00:29:52,800 --> 00:29:53,280 Speaker 1: this movie. 632 00:29:53,320 --> 00:29:55,640 Speaker 3: I would say, the sports stuff, how long is this movie? 633 00:29:55,920 --> 00:29:59,240 Speaker 3: What's just over two hours? Okay, two hours three minutes. 634 00:29:59,280 --> 00:30:01,959 Speaker 3: I think if they were able to keep the sports 635 00:30:02,000 --> 00:30:05,040 Speaker 3: stuff to a much smaller percentage of the movie and 636 00:30:05,120 --> 00:30:07,760 Speaker 3: really focused on those two and kept those two on 637 00:30:07,800 --> 00:30:10,760 Speaker 3: the screen as much as possible, because also Emily Blunt 638 00:30:10,800 --> 00:30:13,320 Speaker 3: is maybe used two sparingly in this. 639 00:30:13,600 --> 00:30:15,160 Speaker 1: Yeah, I agree with you. 640 00:30:15,640 --> 00:30:17,640 Speaker 2: The coolest part about the sports stuff of the MMA 641 00:30:17,680 --> 00:30:19,600 Speaker 2: stuff was the way it was shot and how like 642 00:30:19,960 --> 00:30:22,520 Speaker 2: the direction there in the cinematography was great. When it 643 00:30:22,560 --> 00:30:24,360 Speaker 2: came to the MMA stuff and taking it back to 644 00:30:24,400 --> 00:30:26,880 Speaker 2: like nineteen ninety nine, this movie set between ninety seven 645 00:30:26,920 --> 00:30:28,240 Speaker 2: and oh one, I believe. 646 00:30:28,280 --> 00:30:30,880 Speaker 1: All that stuff was great. The period piece stuff was great. 647 00:30:31,440 --> 00:30:36,000 Speaker 1: Just the sports story here, because we're not used to it, 648 00:30:36,120 --> 00:30:39,360 Speaker 1: sort of takes you for a ride you're not really wanting. 649 00:30:39,760 --> 00:30:41,640 Speaker 2: However, when you sit back about it and you think 650 00:30:41,680 --> 00:30:44,440 Speaker 2: about the Rocks performance and where this story ends up, 651 00:30:44,960 --> 00:30:47,080 Speaker 2: I fucking loved it. Like I really liked it when 652 00:30:47,080 --> 00:30:48,680 Speaker 2: I left the theater. The more I've thought about the 653 00:30:48,760 --> 00:30:51,120 Speaker 2: Rock of this movie. He truly is great, and I 654 00:30:51,200 --> 00:30:53,880 Speaker 2: really hope he gets not what in Christopher Nolan that say? 655 00:30:54,040 --> 00:30:55,640 Speaker 2: What did Christopher Nolan say? 656 00:30:55,800 --> 00:30:56,040 Speaker 1: Dude? 657 00:30:56,120 --> 00:30:59,800 Speaker 2: Christopher Nolan gave major praise to the Rock for this movie. 658 00:31:00,080 --> 00:31:02,200 Speaker 2: He says, I think it's an incredible performance. I don't 659 00:31:02,200 --> 00:31:04,640 Speaker 2: think you'll see a better performance this year or most 660 00:31:04,640 --> 00:31:05,160 Speaker 2: other years. 661 00:31:05,400 --> 00:31:06,640 Speaker 1: And I don't think he's wrong. 662 00:31:07,040 --> 00:31:10,000 Speaker 2: Now, the movie not being that successful is gonna hurt 663 00:31:10,240 --> 00:31:12,200 Speaker 2: his chance at winning Best Actor. 664 00:31:12,400 --> 00:31:16,000 Speaker 1: But I like, I think Leo was a smidge better. 665 00:31:15,920 --> 00:31:18,880 Speaker 3: Yes, but also just for the Rock. If he just 666 00:31:19,000 --> 00:31:21,840 Speaker 3: gets nominated, that's an accomplishment. 667 00:31:22,120 --> 00:31:24,920 Speaker 2: I mean, dude, we've been talking about this Rock Dwayne 668 00:31:25,000 --> 00:31:27,160 Speaker 2: Johnson fatigue for a few years now, how he's just 669 00:31:27,160 --> 00:31:30,560 Speaker 2: playing himself and everything, and this legit is such a 670 00:31:30,640 --> 00:31:33,600 Speaker 2: legitimate switch up to greatness for him, Like we talk 671 00:31:33,640 --> 00:31:36,440 Speaker 2: about how Dave Batista's been great John senor like these 672 00:31:36,880 --> 00:31:39,920 Speaker 2: wrestlers turn actors who should be good actors because they're 673 00:31:39,960 --> 00:31:42,560 Speaker 2: doing it while they're wrestling. The Rock just has never 674 00:31:42,640 --> 00:31:45,200 Speaker 2: taken a chance like this, a leap like this. And 675 00:31:45,880 --> 00:31:48,000 Speaker 2: you know when when this was first announced a year 676 00:31:48,000 --> 00:31:50,000 Speaker 2: and a half two years ago, were like I don't 677 00:31:50,160 --> 00:31:52,479 Speaker 2: know if the fucking rock can pull this off, and 678 00:31:52,520 --> 00:31:53,280 Speaker 2: he really does. 679 00:31:53,320 --> 00:31:56,280 Speaker 1: He smashes it goo huh yeah about that. 680 00:31:56,360 --> 00:31:58,560 Speaker 3: He's more machine than anything else in this movie, which 681 00:31:58,600 --> 00:31:59,280 Speaker 3: is also great. 682 00:31:59,680 --> 00:32:02,240 Speaker 2: I don't harp on it, but the greatest part of 683 00:32:02,240 --> 00:32:05,760 Speaker 2: this movie is that depiction of a toxic love story 684 00:32:05,920 --> 00:32:09,680 Speaker 2: and how addiction seeps into every aspect of someone's life. 685 00:32:09,680 --> 00:32:12,760 Speaker 2: It affects everyone involved, your partner, your people that are 686 00:32:12,760 --> 00:32:15,440 Speaker 2: around you all the time, and then when you're dealing 687 00:32:15,480 --> 00:32:18,400 Speaker 2: with two addicts, it's even worse and you end up 688 00:32:18,400 --> 00:32:22,320 Speaker 2: with explosive situations. There's like a three to five minute 689 00:32:22,360 --> 00:32:25,800 Speaker 2: scene towards the end of this movie between Blunt and 690 00:32:26,280 --> 00:32:31,160 Speaker 2: Dwayne Johnson that is fucking credible, dude. The emotional aspect 691 00:32:31,240 --> 00:32:33,800 Speaker 2: of that, like you're actually on the edge of your 692 00:32:33,800 --> 00:32:36,760 Speaker 2: seat for a few Like that scene is great, and 693 00:32:36,800 --> 00:32:39,520 Speaker 2: you know what, that's the scene they're gonna show when 694 00:32:39,640 --> 00:32:42,160 Speaker 2: one or both get nominated, because it's so fucking. 695 00:32:42,080 --> 00:32:44,120 Speaker 3: So that's a great scene. I also love the scene 696 00:32:44,120 --> 00:32:47,840 Speaker 3: in the hospital when Coleman is talking to him and 697 00:32:47,880 --> 00:32:50,320 Speaker 3: it's just a normal conversation and Kerr is like really 698 00:32:50,360 --> 00:32:52,400 Speaker 3: trying to get around of like well, this, this, and 699 00:32:52,400 --> 00:32:54,880 Speaker 3: this is like all right, so what's going on? And 700 00:32:55,560 --> 00:32:58,520 Speaker 3: the way that The Rock just like zones in right 701 00:32:58,560 --> 00:33:01,800 Speaker 3: there and loses that was the first thing in the movie. 702 00:33:01,840 --> 00:33:03,320 Speaker 3: I'm like, yeah, this is pretty legit. 703 00:33:03,560 --> 00:33:06,239 Speaker 2: Yeah, The Rock does such a good job in the 704 00:33:06,280 --> 00:33:09,360 Speaker 2: low moments of this movie and being subdued and really, 705 00:33:09,880 --> 00:33:13,520 Speaker 2: you know, from all accounts, playing Mark Kerr dude to 706 00:33:13,560 --> 00:33:17,000 Speaker 2: that point, I thought, by far the weakest part of 707 00:33:17,000 --> 00:33:20,520 Speaker 2: this movie was Ryan Bater's Mark Coleman. Now, I think, 708 00:33:21,080 --> 00:33:24,680 Speaker 2: you know, Benny Stafty really enjoyed involving these legit MMA 709 00:33:24,800 --> 00:33:27,480 Speaker 2: guys in this movie, and it was necessary on most accounts. 710 00:33:28,160 --> 00:33:31,000 Speaker 2: I just thought Ryan Baterer, like in the emotional moments, 711 00:33:31,040 --> 00:33:32,080 Speaker 2: it just didn't work for me. 712 00:33:32,240 --> 00:33:33,000 Speaker 1: It didn't work. 713 00:33:33,400 --> 00:33:35,600 Speaker 2: I did love Boss Routon playing himself, though I thought 714 00:33:35,640 --> 00:33:38,080 Speaker 2: he was fucking phenomenal a couple of times where he's 715 00:33:38,320 --> 00:33:41,719 Speaker 2: he's asked to show some emotion. It's just, you know, 716 00:33:42,440 --> 00:33:45,200 Speaker 2: it's a weird viewing your first time because you're expecting 717 00:33:45,240 --> 00:33:49,000 Speaker 2: so much more different of a story and you have 718 00:33:49,040 --> 00:33:50,640 Speaker 2: a weird feeling at the end of this movie. But 719 00:33:50,680 --> 00:33:52,760 Speaker 2: The Rock is great, Emily Blunt is great, but to 720 00:33:52,800 --> 00:33:54,959 Speaker 2: your point under utilized. It should have been more her 721 00:33:55,400 --> 00:33:58,200 Speaker 2: less sports stuff. But I you know what, I might 722 00:33:58,280 --> 00:34:01,120 Speaker 2: actually rewatch this, just go in knowing the story and 723 00:34:01,120 --> 00:34:03,680 Speaker 2: maybe pick up on a couple different beats. But the 724 00:34:03,720 --> 00:34:08,040 Speaker 2: scenes between Blunt and Dwayn Johnson are fucking phenomenal, as 725 00:34:08,160 --> 00:34:11,120 Speaker 2: is Goo. I think I have this thirty four hot Dogs. 726 00:34:11,120 --> 00:34:13,200 Speaker 2: It's in the top ten of the year, number nine, 727 00:34:13,200 --> 00:34:14,960 Speaker 2: I have it. I think I might have had at 728 00:34:14,960 --> 00:34:17,480 Speaker 2: a dog higher initially, and that's come down a little. 729 00:34:17,239 --> 00:34:18,840 Speaker 1: Bit, but that might go back up. I don't know. 730 00:34:19,640 --> 00:34:22,799 Speaker 2: The performances between Blunt and the Rock do leave you 731 00:34:22,880 --> 00:34:23,840 Speaker 2: with a lasting impact. 732 00:34:24,080 --> 00:34:26,800 Speaker 3: I go thirty two just because I really did find 733 00:34:26,840 --> 00:34:30,120 Speaker 3: and it's a lot of sports in this movie. I 734 00:34:30,200 --> 00:34:33,319 Speaker 3: like sports. Don't take this, but like, I think all 735 00:34:33,320 --> 00:34:37,120 Speaker 3: the sports action in this movie is quite boring. And 736 00:34:37,360 --> 00:34:41,680 Speaker 3: also the last half an hour of their tournament, the 737 00:34:41,760 --> 00:34:46,400 Speaker 3: announcer is maybe the most annoying announcer I've ever heard. 738 00:34:46,719 --> 00:34:48,879 Speaker 3: If I have to hear one more time that it's 739 00:34:49,000 --> 00:34:52,680 Speaker 3: life changing money, I'm gonna lose my mind. Yamo burn 740 00:34:52,760 --> 00:34:53,680 Speaker 3: this place in the ground. 741 00:34:55,000 --> 00:34:56,960 Speaker 1: I get that, I get that Goo, but. 742 00:34:57,000 --> 00:35:00,239 Speaker 3: Also, once again, the amount of times they have you 743 00:35:00,320 --> 00:35:03,279 Speaker 3: switch in your opinion on both of these characters during 744 00:35:03,280 --> 00:35:05,080 Speaker 3: the movie is outrageous. 745 00:35:05,239 --> 00:35:07,200 Speaker 1: That's the magic of the movie. It's it's what makes 746 00:35:07,239 --> 00:35:09,200 Speaker 1: this movie as good as it is, even though it's not. 747 00:35:09,360 --> 00:35:12,399 Speaker 3: It seems like he's so nice, but then he's just. 748 00:35:12,400 --> 00:35:16,080 Speaker 1: The passive aggressive, so passive aggressive, so good, so good. 749 00:35:16,239 --> 00:35:20,720 Speaker 3: He believes the entire time that like, I'm one hundred 750 00:35:20,760 --> 00:35:24,560 Speaker 3: percent right, Yeah, and he can't tell her exactly what 751 00:35:24,600 --> 00:35:25,840 Speaker 3: he wants at any point. 752 00:35:26,160 --> 00:35:27,280 Speaker 1: Yeah, No, it's great. 753 00:35:27,520 --> 00:35:30,440 Speaker 2: And she's so good at being frustrated with him to 754 00:35:30,480 --> 00:35:33,600 Speaker 2: the point that it ruins her life essentially. 755 00:35:33,200 --> 00:35:35,440 Speaker 3: And then you think like, oh, like she's the victim, 756 00:35:35,480 --> 00:35:38,160 Speaker 3: but then she also is so bad to him. 757 00:35:38,600 --> 00:35:42,080 Speaker 2: Yes, it's so back around, and then the end of 758 00:35:42,120 --> 00:35:45,600 Speaker 2: his real life story it swerves you. And then I 759 00:35:45,640 --> 00:35:47,920 Speaker 2: also really like what Safty chose to do at the 760 00:35:48,000 --> 00:35:49,200 Speaker 2: end of this movie as well. 761 00:35:49,360 --> 00:35:51,799 Speaker 1: I thought that was nice, so that that helped. 762 00:35:51,520 --> 00:35:55,319 Speaker 3: It also me this movie told us I don't know 763 00:35:55,719 --> 00:35:58,080 Speaker 3: more than a handful of times that he's six foot two, 764 00:35:59,040 --> 00:36:01,000 Speaker 3: and I'm like, the rock is like six foot six. 765 00:36:01,360 --> 00:36:03,920 Speaker 1: No, the rock's like six three six four, The rocks. 766 00:36:03,640 --> 00:36:08,080 Speaker 3: Like seven foot three. You see Victor Wehnbinyama grew two inches. 767 00:36:08,320 --> 00:36:09,320 Speaker 1: Yeah, he's a young lad. 768 00:36:09,600 --> 00:36:11,680 Speaker 3: I know. As soon as I saw that, I said, 769 00:36:11,800 --> 00:36:14,080 Speaker 3: slap some money down on MVP. He's in the eighth 770 00:36:14,080 --> 00:36:15,160 Speaker 3: feet by the end of the year. 771 00:36:15,320 --> 00:36:17,080 Speaker 1: Yeah, this could be the year. This could be the year. 772 00:36:17,160 --> 00:36:20,279 Speaker 3: Imagine going through a growth spurt when you're already seven 773 00:36:20,280 --> 00:36:20,759 Speaker 3: foot three. 774 00:36:22,360 --> 00:36:24,080 Speaker 1: I could use a couple of inches in a lot 775 00:36:24,080 --> 00:36:24,960 Speaker 1: of places. 776 00:36:24,640 --> 00:36:27,880 Speaker 3: But we can't. We've been told we're too old to grow. 777 00:36:28,600 --> 00:36:31,560 Speaker 3: We're stuck where we are. Wembley's like twenty years old, 778 00:36:31,719 --> 00:36:33,520 Speaker 3: so yeah, and we're twenty five. 779 00:36:36,320 --> 00:36:37,200 Speaker 1: I think he's twenty two. 780 00:36:37,680 --> 00:36:39,879 Speaker 3: Mac rip through Good Boy as quick as you can. 781 00:36:39,920 --> 00:36:41,560 Speaker 3: The producers giving me one of these. 782 00:36:41,520 --> 00:36:44,080 Speaker 1: Fuck you all right, third and final movie. Y'all have 783 00:36:44,200 --> 00:36:46,280 Speaker 1: the producer, not me good Boy. 784 00:36:46,440 --> 00:36:49,200 Speaker 2: This movie also came out the same weekend as The 785 00:36:49,239 --> 00:36:52,520 Speaker 2: Smashing Machine two point three million. In its opening weekend, 786 00:36:52,600 --> 00:36:55,120 Speaker 2: GOO on a two point three million dollar budget, so 787 00:36:55,200 --> 00:36:57,279 Speaker 2: it's already made its money back. It's up to five 788 00:36:57,280 --> 00:37:01,080 Speaker 2: million worldwide as it approaches its third weekend. This was 789 00:37:01,120 --> 00:37:04,600 Speaker 2: a movie that once I saw it teased four so 790 00:37:04,800 --> 00:37:07,759 Speaker 2: five or so months ago, I was very intrigued by it. 791 00:37:07,800 --> 00:37:10,759 Speaker 2: This is a PG thirteen comedy horror thriller. I don't 792 00:37:10,760 --> 00:37:13,360 Speaker 2: know why comedy's throwing there. Nothing in this movie is funny, 793 00:37:14,160 --> 00:37:15,200 Speaker 2: Nothing is even intended. 794 00:37:15,320 --> 00:37:17,160 Speaker 3: Have you thought that maybe you don't have a good 795 00:37:17,160 --> 00:37:17,800 Speaker 3: sense of humor? 796 00:37:17,840 --> 00:37:19,040 Speaker 1: That might be it? That might be it? 797 00:37:19,160 --> 00:37:22,799 Speaker 2: Goo, you're like this runtime of seventy three minutes, hour 798 00:37:22,880 --> 00:37:26,080 Speaker 2: and thirteen minutes. It's barely a movie. It's barely a movie. 799 00:37:26,120 --> 00:37:26,840 Speaker 3: Is there a rule? 800 00:37:27,600 --> 00:37:31,040 Speaker 1: There's eighty minutes? To me, always felt like the cutoff, right. 801 00:37:30,960 --> 00:37:33,960 Speaker 3: But eighty minutes? Is that before or after credits? Can 802 00:37:34,000 --> 00:37:34,759 Speaker 3: you buff it out? 803 00:37:34,920 --> 00:37:38,279 Speaker 1: Good Good Boy? Eighty nine percent from the critics, eighty 804 00:37:38,320 --> 00:37:40,839 Speaker 1: three percent from the audience, a seventy three on Metacritic. 805 00:37:41,120 --> 00:37:43,359 Speaker 2: And I know why the critics are really liking this. 806 00:37:43,400 --> 00:37:44,440 Speaker 2: I'll get to that in a second. 807 00:37:44,760 --> 00:37:48,040 Speaker 1: This is written by Alex Cannon and Bed ben Lienberg. 808 00:37:48,719 --> 00:37:51,160 Speaker 1: They have done nothing, really but shorts, so you don't 809 00:37:51,160 --> 00:37:54,960 Speaker 1: know any of their shit. Directed by Ben Leenberg. The 810 00:37:55,000 --> 00:37:58,480 Speaker 1: synopsis Scoop, a loyal dog moves to a rural family 811 00:37:58,520 --> 00:38:02,160 Speaker 1: home with his owner, only to discover supernatural forces lurking 812 00:38:02,200 --> 00:38:05,680 Speaker 1: in the shadows. As dark entities threaten his human companion, 813 00:38:05,960 --> 00:38:08,279 Speaker 1: the brave Pop must fight to protect the one he 814 00:38:08,320 --> 00:38:11,399 Speaker 1: loves most. This movie is. 815 00:38:11,360 --> 00:38:17,120 Speaker 2: A horror thriller movie from a dog's perspective, and that 816 00:38:17,320 --> 00:38:19,640 Speaker 2: is an incredibly interesting concept. 817 00:38:19,960 --> 00:38:23,200 Speaker 1: The POV is from the dog. You barely see human 818 00:38:23,200 --> 00:38:25,799 Speaker 1: faces in this movie. You see like waist chest because 819 00:38:25,800 --> 00:38:28,200 Speaker 1: you're seeing it from a dog's perspective. So it's a 820 00:38:28,239 --> 00:38:30,840 Speaker 1: swing here. He takes a swing and for the critics 821 00:38:30,840 --> 00:38:33,440 Speaker 1: see he hit a double maybe, you know, obviously not 822 00:38:33,480 --> 00:38:36,880 Speaker 1: a home run. But it's a really interesting concept. So 823 00:38:37,160 --> 00:38:37,879 Speaker 1: knowing that, I. 824 00:38:37,800 --> 00:38:41,040 Speaker 2: Think it's very intriguing going into it. This movie stars 825 00:38:41,120 --> 00:38:43,759 Speaker 2: Indie the Dog. The dog is great. Do I don't 826 00:38:43,760 --> 00:38:47,520 Speaker 2: know my you know, we talked about this a week 827 00:38:47,600 --> 00:38:50,719 Speaker 2: or two ago. Animal actors, it's haired to compare it 828 00:38:50,800 --> 00:38:54,640 Speaker 2: because this is a movie. I don't think an animal's 829 00:38:54,640 --> 00:38:57,640 Speaker 2: ever really acted. But India Dog is great. Also, Shane 830 00:38:57,719 --> 00:39:00,520 Speaker 2: Jensen is Todd, that's the owner. Ariel Friedman and as Vera. 831 00:39:01,000 --> 00:39:03,920 Speaker 2: Larry President as Grandpa. You just see like home videos 832 00:39:03,960 --> 00:39:07,920 Speaker 2: of him and Stuart Ruden as Richard. So the premise 833 00:39:07,960 --> 00:39:11,400 Speaker 2: of this movie is Todd. You know, Indie's owner moves 834 00:39:11,400 --> 00:39:14,680 Speaker 2: to the countryside to his Grandpa as abandoned home, and 835 00:39:14,880 --> 00:39:17,920 Speaker 2: the abandoned home is very spooky, but something has happened 836 00:39:17,920 --> 00:39:20,120 Speaker 2: in Todd's life, which is why he's moved there. And 837 00:39:20,360 --> 00:39:22,320 Speaker 2: you know, anyone that's ever owned a dog loves dogs. 838 00:39:22,360 --> 00:39:25,200 Speaker 2: You know that dogs, dogs are man's best friend and 839 00:39:25,280 --> 00:39:26,880 Speaker 2: all they want to do is hang out with you, 840 00:39:26,960 --> 00:39:30,200 Speaker 2: love you, look out for you, and in the face. Yes, 841 00:39:31,000 --> 00:39:35,560 Speaker 2: So this movie takes that idea and frames its concept 842 00:39:35,680 --> 00:39:39,000 Speaker 2: through that. What this movie is really about is human 843 00:39:39,120 --> 00:39:42,440 Speaker 2: mental health, and it's framed through the viewpoint of Indie, 844 00:39:42,440 --> 00:39:46,759 Speaker 2: the dog, you know, viewing his owner slipping into this 845 00:39:46,880 --> 00:39:51,480 Speaker 2: like despair, depression, and his health, both mental and physical, 846 00:39:51,520 --> 00:39:54,480 Speaker 2: gets worse and worse, and so it really preys on 847 00:39:55,080 --> 00:39:57,319 Speaker 2: that help was feeling humans can have, but obviously this 848 00:39:57,400 --> 00:40:00,880 Speaker 2: dog has while you're watching someone slowly declined. So it 849 00:40:01,000 --> 00:40:05,200 Speaker 2: uses these like forces, these you know, ghosts or whatever 850 00:40:05,239 --> 00:40:07,759 Speaker 2: that the dog is seeing as like a you know 851 00:40:08,360 --> 00:40:12,480 Speaker 2: thematically demons that the human is battling, and so the 852 00:40:12,960 --> 00:40:16,759 Speaker 2: dog can like pick up on this. So I mean, 853 00:40:16,880 --> 00:40:19,719 Speaker 2: I'm maybe I'm misinterpreting it, but I don't think there 854 00:40:19,760 --> 00:40:22,800 Speaker 2: really are demons in this movie. It's just what the 855 00:40:22,920 --> 00:40:26,400 Speaker 2: human is going through and so I know why the 856 00:40:26,440 --> 00:40:29,520 Speaker 2: critics are really liking this movie. However, for me, it 857 00:40:29,600 --> 00:40:31,880 Speaker 2: didn't really land, like I get what it was trying 858 00:40:31,920 --> 00:40:35,160 Speaker 2: to go for it, but I wasn't scared. Ever, there 859 00:40:35,239 --> 00:40:37,359 Speaker 2: is some fun scenes where the dog gets scared, runs 860 00:40:37,400 --> 00:40:40,000 Speaker 2: under you know, a bed and stuff like that. 861 00:40:40,080 --> 00:40:42,560 Speaker 1: It just wasn't scared to me. You know, I get 862 00:40:42,560 --> 00:40:45,680 Speaker 1: what it's going for. It's a unique movie, that's for sure. 863 00:40:46,080 --> 00:40:49,520 Speaker 2: It's a unique experience viewing experience. I just like, I 864 00:40:49,560 --> 00:40:51,760 Speaker 2: was like, oh, all right, I get it. It's solid, 865 00:40:51,920 --> 00:40:54,680 Speaker 2: you know. I just I don't think it's really warranting 866 00:40:54,680 --> 00:40:55,560 Speaker 2: the reviews it's getting. 867 00:40:55,640 --> 00:40:56,080 Speaker 1: But it's not. 868 00:40:56,320 --> 00:40:58,080 Speaker 2: No one's really saying it's the best movie of the year. 869 00:40:58,239 --> 00:41:01,120 Speaker 2: But a seventy three on Meta Critic Night, three percent, 870 00:41:01,360 --> 00:41:03,560 Speaker 2: that's really It's up there with a lot of movies. 871 00:41:03,600 --> 00:41:05,799 Speaker 2: So I don't think you need to see this anytime soon. 872 00:41:06,080 --> 00:41:09,319 Speaker 2: But it's quick and it's a unique experience. So when 873 00:41:09,320 --> 00:41:11,560 Speaker 2: it's streaming for free, you should should check it out. 874 00:41:11,840 --> 00:41:13,880 Speaker 2: I got it at twenty seven Hot Dogs. You know, 875 00:41:13,960 --> 00:41:16,200 Speaker 2: to me, it was like just fine, I think it 876 00:41:16,200 --> 00:41:19,239 Speaker 2: could have done. Like to me, I get what it's 877 00:41:19,280 --> 00:41:21,800 Speaker 2: going for and there is a great version of this movie. 878 00:41:21,840 --> 00:41:24,120 Speaker 2: I just think this movie didn't get there. But because 879 00:41:24,120 --> 00:41:26,640 Speaker 2: it's unique and it's maybe the first venture into this 880 00:41:26,680 --> 00:41:30,080 Speaker 2: sort of framing of a story, people are really liking it. 881 00:41:30,120 --> 00:41:31,600 Speaker 2: So catch it when it's free. 882 00:41:31,800 --> 00:41:35,320 Speaker 3: Three questions. Yeah, number one, where would you tear it? 883 00:41:35,360 --> 00:41:37,640 Speaker 3: Is it a whale of a time raising the proof 884 00:41:37,840 --> 00:41:43,920 Speaker 3: great cats be horse and around? Uh that's sary. 885 00:41:44,560 --> 00:41:46,719 Speaker 2: That's tough to say because I already forget what I 886 00:41:46,840 --> 00:41:50,680 Speaker 2: teared in those tears. If someone loves this movie, I 887 00:41:50,719 --> 00:41:54,680 Speaker 2: wouldn't push back against it. But I also think it 888 00:41:54,840 --> 00:41:57,799 Speaker 2: just like it did things like baseline, well, but it 889 00:41:57,840 --> 00:41:59,040 Speaker 2: didn't like crush anything. 890 00:41:59,080 --> 00:42:01,440 Speaker 1: I don't know. It's quick, oh seventy three minutes. It's 891 00:42:01,440 --> 00:42:02,560 Speaker 1: hard to be upset with it, you. 892 00:42:02,480 --> 00:42:06,120 Speaker 3: Know, Weskit on the fence. Second question is does the 893 00:42:06,160 --> 00:42:07,440 Speaker 3: dog talk at any point? 894 00:42:07,640 --> 00:42:08,080 Speaker 1: No? No. 895 00:42:08,239 --> 00:42:10,719 Speaker 2: Speaking from the movie the Dog, they get the dog 896 00:42:10,800 --> 00:42:13,279 Speaker 2: to do some impressive things in the movie, like that part. 897 00:42:13,320 --> 00:42:15,520 Speaker 1: Whoever's in charge of the dog did a great job. 898 00:42:15,600 --> 00:42:18,760 Speaker 3: And then third question, does the dog consider calling hunters 899 00:42:18,800 --> 00:42:19,400 Speaker 3: at any point? 900 00:42:19,880 --> 00:42:20,080 Speaker 1: No? 901 00:42:20,280 --> 00:42:22,160 Speaker 3: No, that did not happen because that would have saved 902 00:42:22,200 --> 00:42:24,760 Speaker 3: the day pretty quick, right, and they could have started 903 00:42:24,760 --> 00:42:25,760 Speaker 3: as saying, yeah. 904 00:42:25,600 --> 00:42:27,920 Speaker 2: I mean, there's a lot of downtime in this movie 905 00:42:27,960 --> 00:42:31,800 Speaker 2: because it's like a severely depressed person or a person 906 00:42:31,840 --> 00:42:35,040 Speaker 2: going through some substance abuse who's like going through it, 907 00:42:35,080 --> 00:42:38,080 Speaker 2: and the dog's watching the human go through it helplessly. 908 00:42:38,560 --> 00:42:40,160 Speaker 1: So it's like praying upon a certain thing. 909 00:42:40,200 --> 00:42:43,000 Speaker 2: There's gonna be certain people that really identify with this 910 00:42:43,040 --> 00:42:45,680 Speaker 2: movie somehow, you know, even though it's through a dog's perspective, 911 00:42:46,040 --> 00:42:48,799 Speaker 2: But there will be people, and those people might love 912 00:42:48,800 --> 00:42:49,560 Speaker 2: it a lot more than me. 913 00:42:55,000 --> 00:43:00,880 Speaker 3: Let's get into Max Sack, and Max Sack could be anything. 914 00:43:00,960 --> 00:43:02,680 Speaker 3: It could be a boat. 915 00:43:02,920 --> 00:43:03,160 Speaker 1: Mac. 916 00:43:03,239 --> 00:43:06,520 Speaker 3: You brought this up a couple of weeks ago. Ask 917 00:43:06,680 --> 00:43:12,360 Speaker 3: and you shall receive. Let's get to tiering of Leonardo 918 00:43:12,400 --> 00:43:16,480 Speaker 3: DiCaprio movies. Ooh, okay, keep in mind we don't have 919 00:43:16,600 --> 00:43:19,520 Speaker 3: that much time, so rap it fire, put it in 920 00:43:19,560 --> 00:43:23,320 Speaker 3: the tier. You do get stamps, you get stamp removers, 921 00:43:23,360 --> 00:43:27,759 Speaker 3: you can veto, you can Mario make, you can call 922 00:43:27,840 --> 00:43:30,520 Speaker 3: the DJ to pick up the phone. You have a request. 923 00:43:31,000 --> 00:43:32,080 Speaker 3: Shall I give you the tears? 924 00:43:32,320 --> 00:43:33,480 Speaker 1: Yeah, read me the tears? 925 00:43:33,719 --> 00:43:38,640 Speaker 3: The tears for this tier? I suppose the what if 926 00:43:38,640 --> 00:43:40,920 Speaker 3: you want to call it here we have at the bottom. 927 00:43:41,000 --> 00:43:43,600 Speaker 3: Excuse my ignorance. I don't know this movie. 928 00:43:43,800 --> 00:43:45,799 Speaker 1: Oh okay. I was gonna say, what is that in 929 00:43:45,800 --> 00:43:46,840 Speaker 1: reference to? But now I get it. 930 00:43:46,880 --> 00:43:48,439 Speaker 3: You can it is in reference to. If I say 931 00:43:48,440 --> 00:43:50,360 Speaker 3: a movie, you don't know what it is. Just excuse 932 00:43:50,400 --> 00:43:51,000 Speaker 3: my ignorance. 933 00:43:51,200 --> 00:43:51,520 Speaker 1: Got it? 934 00:43:51,600 --> 00:43:54,759 Speaker 3: Roger the next one up here is no nobility in poverty? 935 00:43:55,120 --> 00:43:56,200 Speaker 1: What is this reference to? 936 00:43:56,440 --> 00:43:59,680 Speaker 3: You think it's bad? It's from Wolf of Wall Street? Okay, 937 00:44:00,040 --> 00:44:02,439 Speaker 3: all right, I'm sorry. If you look at your wall 938 00:44:02,520 --> 00:44:06,000 Speaker 3: right now, it's all Jordan Balford quotes up and down. 939 00:44:06,600 --> 00:44:08,359 Speaker 1: I have'm tattooed on my back. 940 00:44:08,480 --> 00:44:09,840 Speaker 3: Yeah, don't act like you're above it. 941 00:44:10,160 --> 00:44:12,239 Speaker 1: Listen. I like Wolf of Wall Street way more than 942 00:44:12,280 --> 00:44:12,400 Speaker 1: you do. 943 00:44:12,520 --> 00:44:16,080 Speaker 3: Then we go to He's good. Movie's okay, So you 944 00:44:16,120 --> 00:44:18,560 Speaker 3: think that it's a great performance, but the movie's lacking 945 00:44:18,560 --> 00:44:19,040 Speaker 3: a little bit. 946 00:44:19,040 --> 00:44:20,120 Speaker 1: There's quite a few of those. 947 00:44:20,520 --> 00:44:23,400 Speaker 3: Second to the top is Drew Brees, the man who 948 00:44:23,480 --> 00:44:27,160 Speaker 3: finished four times as the runner up as the MVP 949 00:44:27,520 --> 00:44:30,239 Speaker 3: in the National Football League never won an MVP. 950 00:44:30,320 --> 00:44:34,360 Speaker 2: YEP, completely against Tom Brady, Peyton Manning, a host of 951 00:44:34,400 --> 00:44:38,480 Speaker 2: other fellas Major and Peterson won one in his time frame. Yeah, 952 00:44:38,560 --> 00:44:39,600 Speaker 2: Drew Brees was very good. 953 00:44:41,520 --> 00:44:44,520 Speaker 1: The movies that are, you know, just outside of the top. 954 00:44:44,560 --> 00:44:46,960 Speaker 3: I get it, just a bit outside. Do you ever 955 00:44:46,960 --> 00:44:51,279 Speaker 3: hear of that Bob? Youucker? And then finally at the 956 00:44:51,280 --> 00:44:52,680 Speaker 3: top King of the World. 957 00:44:52,680 --> 00:44:57,640 Speaker 1: I'm like, is he here that might end up there 958 00:44:57,680 --> 00:44:58,160 Speaker 1: just because of. 959 00:44:58,080 --> 00:45:02,080 Speaker 3: A titty I was label it's something else the top one. 960 00:45:02,080 --> 00:45:05,040 Speaker 3: I'm like, no, let's let's not be crass. Two weeks 961 00:45:05,080 --> 00:45:08,520 Speaker 3: in a row, all right, Mac the first one up here. 962 00:45:08,520 --> 00:45:13,800 Speaker 3: These are in alphabetical order. From twenty oh four The Aviator. 963 00:45:13,600 --> 00:45:15,160 Speaker 1: Ah, he's good. Movie's okay. 964 00:45:15,480 --> 00:45:17,600 Speaker 3: The Basketball Diaries. 965 00:45:17,760 --> 00:45:20,880 Speaker 2: Oh, Basketball Diaries is a good movie. I like it 966 00:45:20,960 --> 00:45:21,600 Speaker 2: more than The Aviator. 967 00:45:21,640 --> 00:45:24,960 Speaker 3: We'll go Drew Brees, Max's Not Afraid to Think Outside 968 00:45:25,120 --> 00:45:29,640 Speaker 3: the Bun from two thousand, The Yeah, two thousand. 969 00:45:30,480 --> 00:45:35,160 Speaker 1: The Beach, Uh, no nobility in poverty here, No thank 970 00:45:35,200 --> 00:45:35,640 Speaker 1: you on the. 971 00:45:35,600 --> 00:45:39,719 Speaker 3: Beach from twenty oh six. Blood Diamond, Oh, Blood. 972 00:45:39,480 --> 00:45:42,000 Speaker 1: Diamond is Drew Brees. Blood Diamonds Drew Brees. 973 00:45:42,320 --> 00:45:45,920 Speaker 2: You know, it's not Leo's best movie, but Jamon Hansu 974 00:45:46,200 --> 00:45:47,200 Speaker 2: is great in that movie. 975 00:45:47,480 --> 00:45:50,200 Speaker 3: From the Great Year twenty oh eight, Body of. 976 00:45:50,239 --> 00:45:54,240 Speaker 1: Lies, Body Lies, I have not seen so Excuse my ignorance. 977 00:45:54,280 --> 00:45:57,000 Speaker 3: From nineteen ninety three This Boy's. 978 00:45:56,719 --> 00:45:58,680 Speaker 1: Life, Excuse my ignorance. 979 00:45:59,080 --> 00:46:03,000 Speaker 3: Thank you, Steve Harvey from twenty oh two, with a 980 00:46:03,120 --> 00:46:06,600 Speaker 3: ninety six percent on right teas not to tip your 981 00:46:06,600 --> 00:46:09,799 Speaker 3: hand or force you into anything. Catch Me if you can. 982 00:46:10,239 --> 00:46:13,080 Speaker 2: I think Tom Hanks is fucking terrible in this movie. 983 00:46:13,120 --> 00:46:16,359 Speaker 2: I think I love this movie. I'm gonna go King 984 00:46:16,400 --> 00:46:17,640 Speaker 2: of the World for Catch Me if you can. 985 00:46:17,800 --> 00:46:18,319 Speaker 3: You gotter have? 986 00:46:18,880 --> 00:46:21,360 Speaker 2: I think Tom Hanks legit gives you the worst Boston 987 00:46:21,400 --> 00:46:25,200 Speaker 2: accent I've ever fucking heard Kyle Hanratty. But Leo's so 988 00:46:25,320 --> 00:46:27,520 Speaker 2: good in this and it's a great story, even though 989 00:46:27,640 --> 00:46:29,319 Speaker 2: most of it's fake, but great movie. 990 00:46:29,360 --> 00:46:31,400 Speaker 3: I don't plan on stepping on you for most of this. 991 00:46:31,440 --> 00:46:33,080 Speaker 3: I'm gonna let you do your thing. This is a 992 00:46:33,080 --> 00:46:35,600 Speaker 3: tier that you wanted. If you had put it anywhere else, 993 00:46:35,680 --> 00:46:38,560 Speaker 3: I would have vetoed you fair enough. Let's move on 994 00:46:38,880 --> 00:46:43,200 Speaker 3: to from nineteen ninety eight Celebrity. Excuse my ignorance, And 995 00:46:43,280 --> 00:46:45,560 Speaker 3: you wanted to do this tier? You haven't seen any 996 00:46:45,560 --> 00:46:46,280 Speaker 3: of his movies. 997 00:46:46,680 --> 00:46:48,279 Speaker 1: You haven't seen those three movies either. 998 00:46:48,680 --> 00:46:52,280 Speaker 3: This isn't my tier Critters three. 999 00:46:52,960 --> 00:46:55,200 Speaker 1: Okay, excuse me, my ignorance. You haven't seen that either. 1000 00:46:55,320 --> 00:46:57,759 Speaker 3: I've definitely seen critics three. Its a zero percent on 1001 00:46:57,840 --> 00:46:58,680 Speaker 3: roddy Teas. 1002 00:46:59,440 --> 00:47:00,720 Speaker 1: How old was in this movie? 1003 00:47:00,960 --> 00:47:02,920 Speaker 3: Let's see, it's from nineteen ninety three, so that but no, 1004 00:47:02,920 --> 00:47:04,919 Speaker 3: I'm sorry, nineteen ninety one, so that would be right 1005 00:47:05,000 --> 00:47:10,760 Speaker 3: in the time of his growing pains, actually just before 1006 00:47:10,840 --> 00:47:13,960 Speaker 3: growing pains. I personally love this movie. 1007 00:47:13,640 --> 00:47:16,040 Speaker 1: Do you Yeah, he was born in seventy four, he 1008 00:47:16,120 --> 00:47:17,160 Speaker 1: was seventeen. 1009 00:47:17,160 --> 00:47:21,160 Speaker 3: So I'm gonna I'll say, no nobility in poverty because. 1010 00:47:21,360 --> 00:47:24,080 Speaker 1: Oh, all right, you just you just use one air moves. 1011 00:47:24,320 --> 00:47:27,440 Speaker 3: Oh well, yeah, I'm not gonna waste to move. I'm sorry, no, 1012 00:47:27,520 --> 00:47:29,319 Speaker 3: I am I'll waste to move there, all right. 1013 00:47:31,360 --> 00:47:35,319 Speaker 2: There's so much wrong with this movie. Leo's great in it. Though, 1014 00:47:35,520 --> 00:47:37,800 Speaker 2: Leo's great, so i'll put it smacked out in the middle. 1015 00:47:37,800 --> 00:47:39,120 Speaker 1: He's good. Movie's okay. 1016 00:47:39,320 --> 00:47:40,360 Speaker 3: Django unchained. 1017 00:47:40,440 --> 00:47:43,080 Speaker 2: Personally, I hate the movie, but I get some people 1018 00:47:43,440 --> 00:47:46,480 Speaker 2: Django King of the World, and he's fucking phenomenal in it. 1019 00:47:46,680 --> 00:47:48,920 Speaker 3: That movie is so good, so good, and say what 1020 00:47:48,960 --> 00:47:50,759 Speaker 3: you want about it. Maybe being drawn out a little 1021 00:47:50,760 --> 00:47:52,680 Speaker 3: bit at the end, I don't know, there's a little bit, Yeah, 1022 00:47:52,840 --> 00:47:56,600 Speaker 3: I love all three of our main characters. 1023 00:47:56,840 --> 00:47:59,319 Speaker 2: It's the first time we saw Leo play like a 1024 00:47:59,360 --> 00:48:00,359 Speaker 2: really bad dude. 1025 00:48:00,400 --> 00:48:03,240 Speaker 3: But the thing is that that they flipped the script. 1026 00:48:03,360 --> 00:48:05,600 Speaker 3: He's the bad guy. Christoph Waltz is the good guy. 1027 00:48:06,239 --> 00:48:07,000 Speaker 1: Were never in yet. 1028 00:48:07,080 --> 00:48:12,720 Speaker 2: Yeah, it's because most most film watchers, viewers, theater goers. 1029 00:48:12,800 --> 00:48:14,919 Speaker 3: Obviously Jamie Fox is great too, by the way, but yes, 1030 00:48:14,960 --> 00:48:15,680 Speaker 3: go ahead, and. 1031 00:48:15,680 --> 00:48:18,840 Speaker 1: Only seen Christoph Waltz in Inglorious Bastards. 1032 00:48:18,680 --> 00:48:20,839 Speaker 2: And Pretty Bad Guy in that he's great at it 1033 00:48:21,120 --> 00:48:23,080 Speaker 2: and everyone knew Leo's a good guy, and that movie 1034 00:48:23,120 --> 00:48:24,880 Speaker 2: flips it in such fantastic fashion. 1035 00:48:25,000 --> 00:48:28,439 Speaker 3: Oh, tier idea moving forward? Maybe next week our tier 1036 00:48:28,520 --> 00:48:32,360 Speaker 3: for Octeerber for next week. Movies where people dressed like 1037 00:48:32,400 --> 00:48:37,239 Speaker 3: Austin Powers. Okay, I have four movies so far that 1038 00:48:37,280 --> 00:48:40,040 Speaker 3: I'm gonna right, that's on the list. Yep, it's Austin 1039 00:48:40,080 --> 00:48:45,360 Speaker 3: Powers one, two, three in Django. We'll cross that bridge 1040 00:48:45,400 --> 00:48:47,719 Speaker 3: next week when we come to it. From twenty oh one, 1041 00:48:48,000 --> 00:48:54,160 Speaker 3: don's plumb excuse my, don't look up twenty twenty one. 1042 00:48:54,760 --> 00:48:58,080 Speaker 1: He's great in it. The movie's fine. Put it in 1043 00:48:58,120 --> 00:48:58,520 Speaker 1: the middle. 1044 00:48:58,800 --> 00:48:59,800 Speaker 3: The Great Gatsby. 1045 00:49:00,360 --> 00:49:01,680 Speaker 1: Ah, you know. 1046 00:49:01,640 --> 00:49:03,960 Speaker 2: He's to me he's like just okay in it, and 1047 00:49:04,000 --> 00:49:06,040 Speaker 2: the movie's not that good. 1048 00:49:06,640 --> 00:49:10,359 Speaker 1: Ah. I might put no nobility and poverty on this one. 1049 00:49:10,440 --> 00:49:12,520 Speaker 3: Goo right next to critters three. 1050 00:49:12,760 --> 00:49:14,319 Speaker 1: The movie was pretty disappointing. 1051 00:49:14,640 --> 00:49:17,160 Speaker 3: It's disappointing. It's not bad, it's disappointing. 1052 00:49:17,320 --> 00:49:17,680 Speaker 1: Yeah. 1053 00:49:17,760 --> 00:49:21,480 Speaker 2: Yeah, considering the stars and the story, it's very disappointing. 1054 00:49:21,560 --> 00:49:22,680 Speaker 3: Gangs of nyack. 1055 00:49:23,160 --> 00:49:25,640 Speaker 2: I don't really like this movie, but he's great in it, 1056 00:49:26,160 --> 00:49:27,880 Speaker 2: so smack dab in the middle, he's good. 1057 00:49:27,960 --> 00:49:28,640 Speaker 1: Movie's okay. 1058 00:49:28,960 --> 00:49:30,040 Speaker 3: Have you heard of Inception? 1059 00:49:30,480 --> 00:49:32,960 Speaker 2: Inception might be the greatest movie of all time? Goo 1060 00:49:33,000 --> 00:49:34,680 Speaker 2: put at the top of King of the World. 1061 00:49:34,960 --> 00:49:38,040 Speaker 3: How about Jay Edgar from twenty eleven. 1062 00:49:38,239 --> 00:49:40,439 Speaker 1: I actually haven't seen this. Have you seen this one? 1063 00:49:40,760 --> 00:49:40,840 Speaker 3: No? 1064 00:49:41,440 --> 00:49:43,759 Speaker 1: Yeah, so I guess. 1065 00:49:43,160 --> 00:49:44,399 Speaker 3: Killers of the Flower Moon. 1066 00:49:44,920 --> 00:49:47,400 Speaker 2: This is a tough one because I definitely like this 1067 00:49:47,480 --> 00:49:49,520 Speaker 2: movie more than like everyone on the planet. 1068 00:49:50,280 --> 00:49:53,320 Speaker 1: But it's not it's not elite. I'll go Drew Brees 1069 00:49:53,400 --> 00:49:53,719 Speaker 1: on this. 1070 00:49:54,160 --> 00:49:57,319 Speaker 3: The Man in the Iron Mask, he's good. 1071 00:49:57,360 --> 00:49:58,040 Speaker 1: Movie's okay. 1072 00:49:58,400 --> 00:50:00,520 Speaker 3: Once upon a time in Hollywood. 1073 00:50:00,320 --> 00:50:02,280 Speaker 2: It's got to be in the top. King of the World, 1074 00:50:02,920 --> 00:50:05,560 Speaker 2: and he's fucking he's so fun in that movie. 1075 00:50:05,760 --> 00:50:08,319 Speaker 3: They're all so good in this movie. Yeah, all the 1076 00:50:08,360 --> 00:50:12,200 Speaker 3: main actors, all the supporting actors, the story. Uh, maybe 1077 00:50:12,239 --> 00:50:14,600 Speaker 3: the most satisfactor ending of all time. 1078 00:50:14,920 --> 00:50:17,160 Speaker 1: Yes, so fucking satisfying. 1079 00:50:17,320 --> 00:50:21,160 Speaker 3: Like Brad Pitt's character is one of our favorite characters 1080 00:50:21,160 --> 00:50:23,799 Speaker 3: of all time. But Leo might be better than him 1081 00:50:23,840 --> 00:50:26,200 Speaker 3: in the movie. It's just not as memorable. 1082 00:50:26,000 --> 00:50:28,200 Speaker 2: Right right, I mean the scene he as with the 1083 00:50:28,239 --> 00:50:32,160 Speaker 2: little girl is fucking so amazing. It's so good, one 1084 00:50:32,280 --> 00:50:35,600 Speaker 2: battle after another. Yeah, clearly King of the World. I 1085 00:50:35,600 --> 00:50:38,000 Speaker 2: wouldn't put it above an inception, but it's up there. 1086 00:50:38,160 --> 00:50:39,719 Speaker 3: I mean, you can move these around after if you 1087 00:50:39,800 --> 00:50:42,120 Speaker 3: really want to, sure, because I'll let you do a 1088 00:50:42,160 --> 00:50:44,440 Speaker 3: screenshot and you can share this on social media and 1089 00:50:44,440 --> 00:50:46,760 Speaker 3: you can see this is how I feel about Leo movies. 1090 00:50:46,760 --> 00:50:50,440 Speaker 3: And then everyone will say, uh, you haven't seen uh, 1091 00:50:50,719 --> 00:50:56,640 Speaker 3: Don's You've been seen Don's plumb kind of heart. Yeah, 1092 00:50:56,680 --> 00:51:00,880 Speaker 3: it's delicious. The quirk, I'm so sorry, the quick d 1093 00:51:00,920 --> 00:51:01,320 Speaker 3: the Dead. 1094 00:51:01,960 --> 00:51:05,080 Speaker 1: I have not seen this either. Excuse excuse my ignorance. 1095 00:51:05,200 --> 00:51:08,200 Speaker 3: Ignorance. By the way, the other Billy D made this. 1096 00:51:08,280 --> 00:51:10,240 Speaker 3: So if you have an issue with you being so ignorant, 1097 00:51:10,239 --> 00:51:13,720 Speaker 3: talk to him. Okay, If anything he's making you sound 1098 00:51:13,800 --> 00:51:17,000 Speaker 3: and look ignorant revolutionary road. 1099 00:51:17,320 --> 00:51:22,200 Speaker 1: I haven't seen this one that yeah, sorry sorry, put 1100 00:51:22,239 --> 00:51:26,040 Speaker 1: that one, folcus uh. I think this. 1101 00:51:26,080 --> 00:51:29,239 Speaker 2: Movie is incredibly overrated. Obviously, he's good in it. Put 1102 00:51:29,280 --> 00:51:29,800 Speaker 2: in the Middle. 1103 00:51:30,080 --> 00:51:34,160 Speaker 3: Oh even he won an Academy Award for that he did. 1104 00:51:34,239 --> 00:51:36,560 Speaker 1: I don't think the movie's that good though, Romeo and 1105 00:51:36,640 --> 00:51:40,920 Speaker 1: Juliet sort of the same, sort of the same. Put it. 1106 00:51:41,000 --> 00:51:41,720 Speaker 1: He's good movies. 1107 00:51:41,760 --> 00:51:43,360 Speaker 3: Okay, Shutter Island. 1108 00:51:43,880 --> 00:51:46,480 Speaker 2: I don't love Shutter Island the way some people do, 1109 00:51:46,560 --> 00:51:48,520 Speaker 2: but it's still really fucking good. 1110 00:51:49,200 --> 00:51:50,960 Speaker 1: Put Drew Brees on Shutter Island. 1111 00:51:51,200 --> 00:51:52,960 Speaker 3: Have you ever heard of Titanic? 1112 00:51:53,400 --> 00:51:56,040 Speaker 1: This is an interesting one because I love this movie 1113 00:51:56,680 --> 00:51:58,560 Speaker 1: because I was like eight years old when I saw it. 1114 00:51:59,520 --> 00:52:02,880 Speaker 1: Rewatch she this movie. It's like, it's fucking three and 1115 00:52:02,920 --> 00:52:10,160 Speaker 1: a half hours. It's a lot, It's it's what I 1116 00:52:10,200 --> 00:52:13,400 Speaker 1: would like to hear your your two sets on Titanic. 1117 00:52:13,800 --> 00:52:15,680 Speaker 3: I think it's a very good movie. 1118 00:52:15,960 --> 00:52:17,600 Speaker 1: We'll go Drew Brees on Drew Brees. 1119 00:52:17,640 --> 00:52:21,000 Speaker 3: Now, let me ask you this. If this was a 1120 00:52:21,160 --> 00:52:24,840 Speaker 3: tearing of Kathy Bates movies, would it be at the 1121 00:52:24,880 --> 00:52:25,920 Speaker 3: top of her movies? 1122 00:52:26,440 --> 00:52:31,840 Speaker 1: She's so mean, she is so good I wanted to 1123 00:52:31,920 --> 00:52:33,000 Speaker 1: use the C word good. 1124 00:52:33,040 --> 00:52:35,400 Speaker 3: I didn't you know what we might do Kathy baits 1125 00:52:35,400 --> 00:52:35,920 Speaker 3: next week. 1126 00:52:36,280 --> 00:52:37,600 Speaker 1: That's not a bad idea. 1127 00:52:38,080 --> 00:52:42,839 Speaker 3: Water Boy, Yep, it's the Devil, Misery, Misery. That's three 1128 00:52:42,880 --> 00:52:44,759 Speaker 3: movies right there about Schmidt. 1129 00:52:45,520 --> 00:52:47,239 Speaker 1: She's kind of the devil in all three of those. 1130 00:52:47,440 --> 00:52:51,080 Speaker 3: Matt Locke a couple episodes of the Office. 1131 00:52:51,400 --> 00:52:52,880 Speaker 1: Yeah, the Office season seven. 1132 00:52:54,040 --> 00:52:57,480 Speaker 3: I hated their storyline. I hated their storyline so much. 1133 00:52:58,520 --> 00:52:59,520 Speaker 3: I loved Gabe though. 1134 00:53:00,120 --> 00:53:00,719 Speaker 1: Gabe's great. 1135 00:53:00,840 --> 00:53:02,759 Speaker 3: That might be one that might be a thing too, 1136 00:53:02,840 --> 00:53:06,200 Speaker 3: of like best character is added to a show when 1137 00:53:06,200 --> 00:53:06,720 Speaker 3: it's bad. 1138 00:53:07,000 --> 00:53:10,680 Speaker 2: Yeah, I don't know. That's really finite amount of characters. 1139 00:53:10,680 --> 00:53:12,799 Speaker 2: But Gabe's up there in the commy. 1140 00:53:12,520 --> 00:53:15,560 Speaker 3: Gabe is good. Maybe at one point he's rest as 1141 00:53:15,600 --> 00:53:17,120 Speaker 3: Austin Powers and we can put him on the other 1142 00:53:17,160 --> 00:53:20,880 Speaker 3: list too. Speaking of Gee's Totally Eclips nineteen ninety. 1143 00:53:20,680 --> 00:53:22,239 Speaker 1: Five, I thought you were gonna go, what it's eating 1144 00:53:22,239 --> 00:53:23,040 Speaker 1: Gilbert Grape here? 1145 00:53:23,120 --> 00:53:23,800 Speaker 3: No, not yet. 1146 00:53:24,040 --> 00:53:26,200 Speaker 1: I haven't seen Total Eclips Ignorant. 1147 00:53:25,880 --> 00:53:27,640 Speaker 3: So ignorant, Gilbert Grape. 1148 00:53:27,840 --> 00:53:31,280 Speaker 1: I really like Gilbert great. Is it a good movie? 1149 00:53:32,080 --> 00:53:34,880 Speaker 1: I don't know. I don't know. Let's put it in 1150 00:53:34,880 --> 00:53:36,000 Speaker 1: the middle tier Goo. 1151 00:53:35,800 --> 00:53:39,080 Speaker 3: And then finally a movie that gets a lot of hate, 1152 00:53:40,320 --> 00:53:41,640 Speaker 3: The Wolf of Wall Street. 1153 00:53:41,920 --> 00:53:45,319 Speaker 2: To me, this like defines Drew Brees. I understand all 1154 00:53:45,360 --> 00:53:48,440 Speaker 2: of the criticisms of this movie. However, I enjoyed the 1155 00:53:48,480 --> 00:53:50,640 Speaker 2: shit out of it. And there's some truly great performances 1156 00:53:50,640 --> 00:53:54,880 Speaker 2: in it. Burenthal's great, Jonah Hill's great, fucking Margot, Robbie come. 1157 00:53:54,760 --> 00:53:57,200 Speaker 3: On March, Bob Kristin Miliatti. 1158 00:53:57,040 --> 00:54:00,279 Speaker 1: Yeah right, the og Wife. I just think it's a 1159 00:54:00,360 --> 00:54:02,120 Speaker 1: tier below of the elite stuff. 1160 00:54:01,880 --> 00:54:04,640 Speaker 3: All right, Max, So before we get to reading off 1161 00:54:04,680 --> 00:54:07,840 Speaker 3: these tiers, I am gonna ask you, is there anything 1162 00:54:07,840 --> 00:54:08,640 Speaker 3: that we have to move? 1163 00:54:09,200 --> 00:54:11,759 Speaker 2: I just want to order the top five there, goot, 1164 00:54:11,920 --> 00:54:15,759 Speaker 2: put Inception number one, put one bettal after another, two, 1165 00:54:16,560 --> 00:54:19,839 Speaker 2: Put Once upon a Time in Hollywood, three, Django, four, 1166 00:54:19,920 --> 00:54:20,680 Speaker 2: Catch Me if you Can. 1167 00:54:20,800 --> 00:54:21,040 Speaker 1: Five. 1168 00:54:21,280 --> 00:54:24,640 Speaker 3: So, now, while I semi agree with you on this, 1169 00:54:24,800 --> 00:54:27,840 Speaker 3: Catch Me if you Can might be my favorite Leo movie. 1170 00:54:28,080 --> 00:54:31,360 Speaker 3: Really yeah, he is great. He's so good, he's so charming. 1171 00:54:31,400 --> 00:54:33,400 Speaker 3: I was gonna do a category of just charming, but 1172 00:54:33,520 --> 00:54:34,720 Speaker 3: he's charming and everything. 1173 00:54:34,800 --> 00:54:37,160 Speaker 1: So, but do you not agree that Tom Hanks kind 1174 00:54:37,160 --> 00:54:37,719 Speaker 1: of sucks in it? 1175 00:54:37,800 --> 00:54:40,200 Speaker 3: But Leo is so good in it, and Amy Adams. 1176 00:54:40,520 --> 00:54:41,440 Speaker 1: Yeah, that's right. 1177 00:54:41,520 --> 00:54:43,959 Speaker 3: She has braces in it, and then she takes them off. 1178 00:54:44,960 --> 00:54:49,560 Speaker 3: She smiles. It's nice, all right? So can you read 1179 00:54:49,560 --> 00:54:51,600 Speaker 3: what these bottom ones are? It's way too small for me. 1180 00:54:51,960 --> 00:54:53,160 Speaker 1: No, I cannot. 1181 00:54:52,920 --> 00:54:55,520 Speaker 3: Excuse max ignorance on a couple movies. 1182 00:54:55,360 --> 00:54:58,359 Speaker 1: One, two, three, four, five, six, seven, eight Leo movies 1183 00:54:58,400 --> 00:54:58,959 Speaker 1: I haven't seen. 1184 00:54:59,080 --> 00:55:01,960 Speaker 3: One of them is Don's, one is Celebrity, one is 1185 00:55:02,080 --> 00:55:04,480 Speaker 3: Jay Edgar, one is. 1186 00:55:04,719 --> 00:55:05,640 Speaker 1: Something about Lies. 1187 00:55:05,680 --> 00:55:08,080 Speaker 3: He's really young. At one point, let's move on to 1188 00:55:08,160 --> 00:55:11,719 Speaker 3: the category or the tearing of no nobility in poverty, 1189 00:55:12,200 --> 00:55:14,719 Speaker 3: The Beach Critters three and The Great Gatsby. 1190 00:55:15,080 --> 00:55:17,040 Speaker 1: Yeah, all right, I like that. I like that clump 1191 00:55:17,120 --> 00:55:17,560 Speaker 1: of movies. 1192 00:55:17,800 --> 00:55:26,000 Speaker 3: He's good. Movie's okay. Aviator Departed, Don't Look Up? Butterfly Effect, 1193 00:55:27,480 --> 00:55:35,160 Speaker 3: but that no one that looks like butterfly effect? Right, poster? 1194 00:55:36,760 --> 00:55:40,759 Speaker 1: What is it? Uh? Don't get me started on the 1195 00:55:40,760 --> 00:55:41,440 Speaker 1: butterfly Effect? 1196 00:55:41,480 --> 00:55:44,920 Speaker 3: Director, Gangs of New York Man in the Iron Mask, 1197 00:55:45,239 --> 00:55:48,520 Speaker 3: The Revenants, Romeo and Juliet Gilbert Grape. 1198 00:55:48,680 --> 00:55:50,640 Speaker 2: You folks didn't think you were tuning into a podcast 1199 00:55:50,640 --> 00:55:52,200 Speaker 2: today where Don't Look Up was gonna be in the 1200 00:55:52,200 --> 00:55:55,720 Speaker 2: same category as that departed in The Revenant or Butterfly Effect. 1201 00:55:58,120 --> 00:56:00,759 Speaker 1: Amy smart, How about it. 1202 00:56:01,160 --> 00:56:03,560 Speaker 3: Let's go on to the second best category. Can never 1203 00:56:03,560 --> 00:56:07,680 Speaker 3: win MVP, but finished second a bunch and might not 1204 00:56:07,719 --> 00:56:09,239 Speaker 3: have won the Super Bowl if not for that on 1205 00:56:09,320 --> 00:56:11,960 Speaker 3: site's kick. If it was the new NFL rules not 1206 00:56:12,040 --> 00:56:13,040 Speaker 3: winning that Super. 1207 00:56:12,760 --> 00:56:15,080 Speaker 1: Bowl, Yep, Tracy Porter picked six sealed it. 1208 00:56:15,200 --> 00:56:18,320 Speaker 3: He had those tattoos like the raised skin. He'd be 1209 00:56:18,400 --> 00:56:21,560 Speaker 3: GB's on that talking about Drew Brees, I am talking 1210 00:56:21,600 --> 00:56:26,440 Speaker 3: about Drew Brees Breese, Basketball Diaries, Blood Diamond, Killers of 1211 00:56:26,480 --> 00:56:29,759 Speaker 3: the Flower, Moon, Shutter Island, Titanic, and The Wolf of 1212 00:56:29,800 --> 00:56:32,760 Speaker 3: Wall Street. Bang love it and Max's top tier. 1213 00:56:32,880 --> 00:56:33,080 Speaker 1: Mac. 1214 00:56:33,200 --> 00:56:37,240 Speaker 3: Can you give me your top five? Leonardo DiCaprio movies? 1215 00:56:37,360 --> 00:56:40,120 Speaker 3: All you consider The King of the World. 1216 00:56:40,120 --> 00:56:41,120 Speaker 1: From five to one? 1217 00:56:41,800 --> 00:56:45,439 Speaker 2: Cash me if you can django Once upon a Time 1218 00:56:45,440 --> 00:56:48,440 Speaker 2: in Hollywood, one battle after another and a number one 1219 00:56:48,560 --> 00:56:49,520 Speaker 2: of course inception. 1220 00:56:49,880 --> 00:56:51,960 Speaker 1: Now do I have some regrets about this? Tears? Yeah, 1221 00:56:52,000 --> 00:56:55,120 Speaker 1: but pickt and stick it. Maybe Basketball Diaries is too high, 1222 00:56:55,320 --> 00:56:56,839 Speaker 1: maybe the part is too low. 1223 00:56:57,160 --> 00:56:58,520 Speaker 3: You could have moved all these things. 1224 00:56:58,640 --> 00:56:59,759 Speaker 1: Nope, pick and stick it. 1225 00:57:00,280 --> 00:57:02,479 Speaker 3: Reactions All right, Mac, we did it again. We nailed 1226 00:57:02,480 --> 00:57:03,640 Speaker 3: another tear. Good work. 1227 00:57:04,960 --> 00:57:06,480 Speaker 1: Ain't no tears up to cry. 1228 00:57:08,000 --> 00:57:09,759 Speaker 3: No motzious. 1229 00:57:11,640 --> 00:57:16,400 Speaker 1: I thought you were gonna say, no more, mister, nice guy, No. 1230 00:57:16,000 --> 00:57:20,800 Speaker 3: More, mister. We did talk about Alice Cooper earlier, but 1231 00:57:20,840 --> 00:57:24,520 Speaker 3: I'm I'm more into his is you know, crazy theatrical 1232 00:57:24,520 --> 00:57:26,400 Speaker 3: alem Alice Cooper? Yeah? 1233 00:57:26,640 --> 00:57:28,080 Speaker 1: Nice, look at that tied it back. 1234 00:57:28,320 --> 00:57:31,480 Speaker 3: We always start and end the episodes with Alice Cooper. 1235 00:57:31,520 --> 00:57:34,439 Speaker 3: Alice Cooper famously started a hot dog place in Las 1236 00:57:34,560 --> 00:57:37,800 Speaker 3: Vegas or in Arizona with Randy Johnson. It's called the 1237 00:57:37,840 --> 00:57:41,560 Speaker 3: Big Unit. They sell big hot dogs. I think it 1238 00:57:41,640 --> 00:57:42,720 Speaker 3: might be out of business now. 1239 00:57:42,760 --> 00:57:44,120 Speaker 1: I mean, if you're gonna get a bad. 1240 00:57:43,960 --> 00:57:45,560 Speaker 3: Business model, it's a bad business mode. 1241 00:57:45,560 --> 00:57:47,240 Speaker 1: If you're gonna go for wieners, go for big ones. 1242 00:57:47,560 --> 00:57:49,200 Speaker 1: You know who's got an underrated dog? Goo? 1243 00:57:49,280 --> 00:57:51,200 Speaker 3: I say underrated dick, because. 1244 00:57:51,280 --> 00:57:56,080 Speaker 2: Well, Papa Gino's great wiener, Papa Gino's toasted bun, great wiener, 1245 00:57:56,160 --> 00:57:59,080 Speaker 2: foot long, Papa Gino's dog where it's at. 1246 00:57:59,360 --> 00:58:02,840 Speaker 3: I'm still try to get our Papagino sponsorship. Maybe we 1247 00:58:02,920 --> 00:58:05,360 Speaker 3: add the to the big Mac and Goo meal deal. 1248 00:58:05,880 --> 00:58:10,720 Speaker 3: It's the pepperoni pie, cheese pie buffalo chicken strips and 1249 00:58:10,800 --> 00:58:12,840 Speaker 3: hot dogs forty hot dogs. 1250 00:58:12,880 --> 00:58:16,439 Speaker 2: Well, we're still gonna need the the the Centniment's six six, 1251 00:58:16,560 --> 00:58:18,520 Speaker 2: the breadt breads or cinnamons. 1252 00:58:18,400 --> 00:58:19,680 Speaker 1: You know what. We just love. 1253 00:58:19,960 --> 00:58:22,680 Speaker 2: We need a Popagino sponsorship. There's only like seven left. 1254 00:58:22,760 --> 00:58:25,120 Speaker 2: We need one of the seven should sponsor us. 1255 00:58:25,160 --> 00:58:28,680 Speaker 3: I'm not gonna I once again, I love Papaginos. I'm 1256 00:58:28,720 --> 00:58:31,360 Speaker 3: not gonna apologize for it. I'm not gonna tiptoe around 1257 00:58:31,400 --> 00:58:33,080 Speaker 3: it and not gonna be like, well it's good. No, 1258 00:58:33,240 --> 00:58:35,840 Speaker 3: I love Papa Gino's and I will do whatever for them. 1259 00:58:35,920 --> 00:58:38,760 Speaker 1: How many Papa Gino's locations are left? There are seventy 1260 00:58:38,840 --> 00:58:41,840 Speaker 1: nine Papagino's locations as of August twenty twenty five, primarily 1261 00:58:41,920 --> 00:58:45,120 Speaker 1: concentrated in the New England states of Connecticut, Massachusetts, New Hampshire, 1262 00:58:45,120 --> 00:58:47,360 Speaker 1: and Rhode Island. Massachusetts has the nine highest number of 1263 00:58:47,360 --> 00:58:51,120 Speaker 1: locations with sixty three. We have sixty three chances at 1264 00:58:51,120 --> 00:58:52,960 Speaker 1: a Papagino sponsorship. 1265 00:58:52,400 --> 00:58:54,960 Speaker 3: Go individual locations are not going to reach out to us. 1266 00:58:55,000 --> 00:58:57,439 Speaker 3: It'd be like it'd be the daddy Papa Ginos. It'd 1267 00:58:57,440 --> 00:58:58,880 Speaker 3: be the Papa papah Yeah. 1268 00:58:59,040 --> 00:59:02,040 Speaker 2: Probably tell you what though, don't bring up Papa d 1269 00:59:02,160 --> 00:59:05,080 Speaker 2: in my face though, don't you dare. The closest location 1270 00:59:05,120 --> 00:59:07,480 Speaker 2: I think is Walfam. I want to say Papa Gino's. 1271 00:59:07,720 --> 00:59:10,880 Speaker 3: I would also do a sponsorship, not for money, but 1272 00:59:10,960 --> 00:59:12,920 Speaker 3: if they put a brick wall in my house and 1273 00:59:13,000 --> 00:59:16,480 Speaker 3: just put that old logo on the wall, I would 1274 00:59:16,520 --> 00:59:17,080 Speaker 3: do it for that. 1275 00:59:17,360 --> 00:59:21,080 Speaker 2: Papa Gino's near me four point one miles Walfam, eight 1276 00:59:21,120 --> 00:59:27,680 Speaker 2: miles Deadham nine point three Dorchester, uh Ide Park, Natick, Burlington. 1277 00:59:27,680 --> 00:59:32,160 Speaker 2: I was one of Burlington Sudbury Stoneham sagas. Next time 1278 00:59:32,160 --> 00:59:34,520 Speaker 2: you visit, you're in lass gets a Papa Ginos. 1279 00:59:34,680 --> 00:59:36,920 Speaker 3: The root one. Yeah, it's still open there you go. 1280 00:59:37,080 --> 00:59:38,680 Speaker 3: The only issue is that no one else my family 1281 00:59:38,720 --> 00:59:39,240 Speaker 3: will eat it. 1282 00:59:39,360 --> 00:59:43,080 Speaker 2: They used to have h these like mozzarella twists too. 1283 00:59:43,160 --> 00:59:45,400 Speaker 2: I remember those things. They were like they almost look 1284 00:59:45,440 --> 00:59:46,720 Speaker 2: like a curly fry, but mozzarella. 1285 00:59:46,800 --> 00:59:48,120 Speaker 3: They got nice meatballs too. 1286 00:59:48,560 --> 00:59:49,600 Speaker 1: Fucking love them. You know what? 1287 00:59:49,760 --> 00:59:53,040 Speaker 3: Okay, the mac and doo meal deal moving forward, it's 1288 00:59:53,160 --> 00:59:59,000 Speaker 3: everything on the menu in a box price TBD. 1289 00:59:59,520 --> 01:00:02,320 Speaker 1: Yeah, well we'll give you like a twenty percent discount 1290 01:00:02,440 --> 01:00:05,520 Speaker 1: because you're ordering everything. No drink included. 1291 01:00:05,080 --> 01:00:10,640 Speaker 3: Though, b Yob all right, Mac, where can the folks 1292 01:00:10,640 --> 01:00:11,120 Speaker 3: find us? 1293 01:00:11,280 --> 01:00:14,600 Speaker 1: You can find us on x and Instagram, at mac 1294 01:00:14,640 --> 01:00:19,920 Speaker 1: and goog podcast that's I'm a fucking off. 1295 01:00:20,480 --> 01:00:22,520 Speaker 3: Well that's because you're thinking about Papa Gino's. I know 1296 01:00:22,680 --> 01:00:25,480 Speaker 3: it's close to dinner. You want some pie? I get it? 1297 01:00:25,680 --> 01:00:28,640 Speaker 1: Get on there. The social media is all the podcast apps, 1298 01:00:28,680 --> 01:00:32,400 Speaker 1: most importantly Apple podcasts. Rate review, subscribe five stars. If 1299 01:00:32,440 --> 01:00:35,400 Speaker 1: you do that, you get a free McGoose shirt, maybe 1300 01:00:35,400 --> 01:00:38,400 Speaker 1: with your maybe with the pill. 1301 01:00:38,840 --> 01:00:41,640 Speaker 3: You know, if you write a review on Apple Podcasts, 1302 01:00:41,840 --> 01:00:43,240 Speaker 3: We're gonna send you a pizza. 1303 01:00:44,800 --> 01:00:48,840 Speaker 1: Uh, get on there. Rate subscribe, rate review, subscribe, watchtown 1304 01:00:48,840 --> 01:00:52,160 Speaker 1: Sports where watchtownsports dot com expert screenprinting and ambar. 1305 01:00:52,440 --> 01:00:56,240 Speaker 3: Teapupic dot com March check us out at the top 1306 01:00:56,240 --> 01:00:58,800 Speaker 3: of next week for a news dump. We have to 1307 01:00:58,840 --> 01:01:01,400 Speaker 3: talk about who is gonna be the voice of the 1308 01:01:01,440 --> 01:01:03,840 Speaker 3: cowardly Lion. Who's it gonna be? 1309 01:01:04,960 --> 01:01:06,440 Speaker 1: So John M. 1310 01:01:06,520 --> 01:01:09,520 Speaker 2: Chew, the director of Wicked for Good, the second Wicked movie. 1311 01:01:09,960 --> 01:01:13,840 Speaker 2: I have a weird feeling it's gonna be like lin Manuel. 1312 01:01:13,960 --> 01:01:15,240 Speaker 3: Can I put my hand up and tell you who 1313 01:01:15,280 --> 01:01:17,720 Speaker 3: I think it's gonna be? Who if we can bet 1314 01:01:17,720 --> 01:01:20,320 Speaker 3: on it? M hmm, it's gonna be James Cordon. 1315 01:01:21,040 --> 01:01:24,120 Speaker 2: No because lin he directed In the Heights, which was 1316 01:01:24,160 --> 01:01:28,480 Speaker 2: the adaptation of Lin Manuel's Broadway stage play, and obviously 1317 01:01:28,880 --> 01:01:34,120 Speaker 2: Linn Manuel loves Broadway. Wicked massively successful Broadway film. I 1318 01:01:34,160 --> 01:01:35,960 Speaker 2: think it's gonna be Lynn Manuel Miranda. 1319 01:01:36,240 --> 01:01:39,800 Speaker 3: Okay, so little friendly bet here. Okay, Maybe there's a 1320 01:01:39,800 --> 01:01:41,560 Speaker 3: Papa Gino's pie going back and forth. 1321 01:01:41,800 --> 01:01:47,040 Speaker 2: And if it's anyone else, uh, Billy Dio's as a pie. No, 1322 01:01:47,160 --> 01:01:49,480 Speaker 2: we owe Billy dea pie. How about that? That makes 1323 01:01:49,520 --> 01:01:51,880 Speaker 2: more sense. But the two Billy D's gotta split it. 1324 01:01:52,160 --> 01:01:52,840 Speaker 1: No, here it is. 1325 01:01:52,920 --> 01:01:55,000 Speaker 3: If it's James Cordon, I get the pie. 1326 01:01:55,200 --> 01:01:55,480 Speaker 1: Yeah. 1327 01:01:55,480 --> 01:01:58,200 Speaker 3: If it is Lynn Manuel Miranda, you get the pie. 1328 01:01:58,920 --> 01:02:03,200 Speaker 3: If it is Clark, the first Billy d gets the pie, okay, 1329 01:02:03,520 --> 01:02:06,400 Speaker 3: and then if it is Wayne Knight, the second Billy 1330 01:02:06,440 --> 01:02:07,200 Speaker 3: d gets the pie. 1331 01:02:07,320 --> 01:02:07,680 Speaker 1: All right. 1332 01:02:08,040 --> 01:02:10,800 Speaker 3: Feel it's like a little four square. Imagine that four 1333 01:02:10,880 --> 01:02:12,240 Speaker 3: square on the fucking playground. 1334 01:02:12,480 --> 01:02:14,520 Speaker 1: Hey, I'd like to play four square. 1335 01:02:14,520 --> 01:02:17,080 Speaker 3: Four square is a great game with those four and 1336 01:02:17,320 --> 01:02:18,160 Speaker 3: like I. 1337 01:02:18,080 --> 01:02:19,720 Speaker 2: Mean, you going back, if we could maybe a little 1338 01:02:19,760 --> 01:02:22,640 Speaker 2: acl injury in there, but not much movement, not much. 1339 01:02:22,760 --> 01:02:25,440 Speaker 3: Have you started playing? Uh, pickleball. 1340 01:02:25,600 --> 01:02:26,760 Speaker 1: I haven't, I haven't. 1341 01:02:26,800 --> 01:02:28,120 Speaker 3: I know that was one of your dreams a couple 1342 01:02:28,120 --> 01:02:28,600 Speaker 3: of weeks ago. 1343 01:02:30,520 --> 01:02:32,920 Speaker 1: Now it's cold, so now there's limited. 1344 01:02:33,160 --> 01:02:35,560 Speaker 3: There's indoor pickleball places all over the place. There's one 1345 01:02:35,560 --> 01:02:36,040 Speaker 3: in Natick. 1346 01:02:36,240 --> 01:02:38,520 Speaker 1: I've looked it up. It's like reservation only, and they're 1347 01:02:38,560 --> 01:02:39,600 Speaker 1: always fucking booked. 1348 01:02:39,680 --> 01:02:41,280 Speaker 3: It's pretty nice in there. I've been in there. 1349 01:02:41,440 --> 01:02:43,000 Speaker 1: I think i'd be really good at pickleball. 1350 01:02:43,160 --> 01:02:45,000 Speaker 3: You're really good at stupid games. 1351 01:02:44,960 --> 01:02:48,360 Speaker 1: Really good stupid games. I have short area quickness, fucking 1352 01:02:48,400 --> 01:02:49,120 Speaker 1: right up my alley. 1353 01:02:49,120 --> 01:02:52,200 Speaker 3: Now, pickle ball is a smaller tennis court, correct. 1354 01:02:52,320 --> 01:02:52,880 Speaker 1: Much smaller. 1355 01:02:52,960 --> 01:02:54,560 Speaker 3: Yeah, you could probably do it. 1356 01:02:55,160 --> 01:02:55,920 Speaker 1: Yeah, agreed. 1357 01:02:56,040 --> 01:03:01,520 Speaker 3: You'll probably get hurt though, because you're soft. Come on, gotcha. 1358 01:03:03,440 --> 01:03:06,840 Speaker 3: Tuesdays are goosdays. I have used kangaroos, tamburton. 1359 01:03:07,400 --> 01:03:07,800 Speaker 1: Bye. 1360 01:03:13,880 --> 01:03:16,480 Speaker 3: Please flip the cassette over to side B to continue 1361 01:03:16,480 --> 01:03:18,840 Speaker 3: the adventure. And now it's time for girls jumping on 1362 01:03:18,920 --> 01:03:19,920 Speaker 3: trambopa leines