1 00:00:00,120 --> 00:00:04,000 Speaker 1: Paul Dano, thanks the people. Shaggy does too. We now 2 00:00:04,120 --> 00:00:07,160 Speaker 1: know what the Beatles look like. It's a great big 3 00:00:07,200 --> 00:00:10,360 Speaker 1: galaxy and wear all really puny, just tiny little specks 4 00:00:10,360 --> 00:00:13,320 Speaker 1: about the size of Mickey Rooney. What you're gonna do 5 00:00:13,360 --> 00:00:18,119 Speaker 1: when Lobo Mania runs wild on you, Spider Man's and 6 00:00:18,360 --> 00:00:21,200 Speaker 1: so much more here on news dump. 7 00:00:22,239 --> 00:00:25,840 Speaker 2: Bo's bad boss. What you're gonna do, What you're gonna 8 00:00:25,880 --> 00:00:28,360 Speaker 2: do when Lobo Minion runs well, you bad boys? 9 00:00:28,440 --> 00:00:29,480 Speaker 1: Is that what you would have done? 10 00:00:29,640 --> 00:00:30,920 Speaker 2: That's what it made me think of. 11 00:00:31,200 --> 00:00:34,519 Speaker 1: I went Lobo Mania, Hulkamania, I guess bad boys that 12 00:00:34,640 --> 00:00:37,720 Speaker 1: also it was the what you're gonna do, what you're 13 00:00:37,720 --> 00:00:38,800 Speaker 1: gonna do? Brother? 14 00:00:39,320 --> 00:00:41,919 Speaker 2: When uh, when I was a wee tyke doing by 15 00:00:41,920 --> 00:00:43,919 Speaker 2: we tyke, I mean when I was. 16 00:00:43,880 --> 00:00:45,920 Speaker 1: Eighteen, I was gonna say, you're an adult, right. 17 00:00:45,840 --> 00:00:49,640 Speaker 2: Eighteen years ago, nineteen years ago, this year actually this fall, uh, 18 00:00:49,680 --> 00:00:52,600 Speaker 2: when I was arrested by one time in my life, 19 00:00:52,720 --> 00:00:57,680 Speaker 2: I shouted, I'm not resisting, And in the aftermath of 20 00:00:58,240 --> 00:01:00,640 Speaker 2: my arrest, I cried like a baby. I thought my 21 00:01:00,680 --> 00:01:05,480 Speaker 2: life was over. The officer asked me why or like 22 00:01:05,560 --> 00:01:08,000 Speaker 2: where I got to Lingo? I told what it's because 23 00:01:08,040 --> 00:01:10,319 Speaker 2: I watched so much Cops as a kid. 24 00:01:11,920 --> 00:01:14,080 Speaker 1: I guess one of the biggest surprises in my life 25 00:01:14,120 --> 00:01:15,640 Speaker 1: is that I've never been arrested. 26 00:01:15,800 --> 00:01:19,560 Speaker 2: Yeah yeah, but I would see you more as like 27 00:01:19,720 --> 00:01:22,080 Speaker 2: a PC candidate, Like you got so drunk that the 28 00:01:22,120 --> 00:01:23,640 Speaker 2: cops had to PC. 29 00:01:23,600 --> 00:01:25,040 Speaker 1: You and then you come get picked up by what 30 00:01:25,120 --> 00:01:25,880 Speaker 1: does PC mean? 31 00:01:26,200 --> 00:01:27,160 Speaker 2: Protective custody? 32 00:01:27,200 --> 00:01:28,800 Speaker 1: Okay, so that might have happened to me. 33 00:01:28,920 --> 00:01:31,200 Speaker 2: So when someone's really drunk and they're not really committing 34 00:01:31,240 --> 00:01:33,680 Speaker 2: a crime other than being drug in public, that's what happens. 35 00:01:33,800 --> 00:01:36,679 Speaker 1: I was tie wrapped behind a brighams one time and 36 00:01:36,720 --> 00:01:38,959 Speaker 1: they had to, you know, call my house and my 37 00:01:39,040 --> 00:01:40,759 Speaker 1: sister had to pick me up at like three am. 38 00:01:40,959 --> 00:01:42,240 Speaker 2: Okay, were you smushed? 39 00:01:42,400 --> 00:01:43,360 Speaker 1: I didn't have shoes on. 40 00:01:43,720 --> 00:01:46,320 Speaker 2: Yeah, that's probably so they would have pceed you if 41 00:01:46,360 --> 00:01:47,440 Speaker 2: no one came to pick you up. 42 00:01:47,560 --> 00:01:49,960 Speaker 1: Okay, so I guess I was. I don't know. Yeah, 43 00:01:50,120 --> 00:01:52,320 Speaker 1: let's play the little game mac of has this ever 44 00:01:52,400 --> 00:01:53,160 Speaker 1: happened to you? 45 00:01:53,360 --> 00:01:54,560 Speaker 2: Has this ever happened to you? 46 00:01:54,920 --> 00:01:58,320 Speaker 1: So I was replacing the battery in my fob. You 47 00:01:58,360 --> 00:02:02,360 Speaker 1: know it was zero degrees outside. Sure, the battery wash battery. Yeah, 48 00:02:02,520 --> 00:02:06,800 Speaker 1: little fob, little battery it died. So as I learned, though, 49 00:02:06,840 --> 00:02:09,239 Speaker 1: is that in those fobs you can hold it up 50 00:02:09,280 --> 00:02:12,760 Speaker 1: to the starter. There's always a chip in the fob 51 00:02:12,800 --> 00:02:14,480 Speaker 1: that'll always start the car. You just got to hold 52 00:02:14,480 --> 00:02:15,359 Speaker 1: it up real, real time. 53 00:02:15,400 --> 00:02:17,960 Speaker 2: You got to hold it up against the start button base, right. 54 00:02:18,000 --> 00:02:20,120 Speaker 1: So I did do that. I got to Target, bought 55 00:02:20,120 --> 00:02:23,600 Speaker 1: the batteries, and as I was changing the battery and 56 00:02:23,639 --> 00:02:27,399 Speaker 1: the fob, all the pieces in the fob fell out 57 00:02:27,400 --> 00:02:29,919 Speaker 1: of the fob and now it's in between the seats 58 00:02:29,919 --> 00:02:30,440 Speaker 1: of my car. 59 00:02:30,639 --> 00:02:34,880 Speaker 2: Oh God, goose. So two things. I'm in year eleven 60 00:02:34,960 --> 00:02:37,520 Speaker 2: of having my vehicle. It's awesome. I'm about to hit 61 00:02:37,560 --> 00:02:42,040 Speaker 2: seventy k I actually just hit nine sixty nine thousand 62 00:02:42,080 --> 00:02:43,760 Speaker 2: and ninety miles a Yere. It was a big day. 63 00:02:44,280 --> 00:02:48,240 Speaker 2: So I've changed quite a few batteries. Number One, first 64 00:02:48,280 --> 00:02:50,240 Speaker 2: thing you do when you pop open the fob so 65 00:02:50,280 --> 00:02:52,440 Speaker 2: you have the two halves, take a photo so you 66 00:02:52,480 --> 00:02:53,880 Speaker 2: know what it's supposed to look like when you go 67 00:02:53,919 --> 00:02:55,839 Speaker 2: to put it back, and that helps you which side 68 00:02:55,840 --> 00:02:58,359 Speaker 2: of the battery is supposed to use as well. Number Two, 69 00:02:58,840 --> 00:03:01,760 Speaker 2: the last time I changed the battery, I realized that 70 00:03:02,280 --> 00:03:04,160 Speaker 2: I was lazy. The prior, I just switched to the 71 00:03:04,200 --> 00:03:07,720 Speaker 2: second fob. Obviously you have you have your wife, so 72 00:03:07,760 --> 00:03:09,800 Speaker 2: she probably has the second set of keys. My second 73 00:03:09,800 --> 00:03:11,560 Speaker 2: set of keys just hangs next to my first seat 74 00:03:11,600 --> 00:03:13,880 Speaker 2: of keys. So when the fob ran out of battery, 75 00:03:13,919 --> 00:03:15,280 Speaker 2: I just switched them out. And then last time I 76 00:03:15,280 --> 00:03:16,720 Speaker 2: went to go switch it out, it turns out they 77 00:03:16,760 --> 00:03:18,280 Speaker 2: were both dead because that's what I did last time, 78 00:03:18,320 --> 00:03:19,480 Speaker 2: so I had to get two batteries. 79 00:03:19,520 --> 00:03:21,280 Speaker 1: Well that's what my issue was, that both of my 80 00:03:21,360 --> 00:03:23,440 Speaker 1: fobs were dead, so I just switched it out in both. 81 00:03:24,200 --> 00:03:25,480 Speaker 1: So what I had to do was for a day, 82 00:03:25,560 --> 00:03:28,040 Speaker 1: I just had like the inner parts of the fob 83 00:03:28,320 --> 00:03:32,120 Speaker 1: in my pocketplock back. I might have to do that 84 00:03:32,639 --> 00:03:36,080 Speaker 1: because I don't think I'm gonna find three of the buttons. 85 00:03:35,920 --> 00:03:38,320 Speaker 2: So yeah, that's I don't Maybe you just have a 86 00:03:38,360 --> 00:03:40,880 Speaker 2: poorly made fob. I never dealt with that issue. My 87 00:03:41,160 --> 00:03:44,080 Speaker 2: mine is like mine's the two parts and really just 88 00:03:44,120 --> 00:03:44,880 Speaker 2: the little mother. 89 00:03:44,840 --> 00:03:48,400 Speaker 1: Minds two parts motherboard and then the buttons on each side. 90 00:03:48,920 --> 00:03:50,640 Speaker 1: I guess you can replace them if they crack or 91 00:03:50,680 --> 00:03:54,880 Speaker 1: something like that, you can drop them. Yeah. Yeah, So 92 00:03:55,000 --> 00:03:57,320 Speaker 1: after that happened, I went home and I very very 93 00:03:57,400 --> 00:04:00,600 Speaker 1: gently on the counter of my kitchen, like dope, Burg'll 94 00:04:00,640 --> 00:04:02,480 Speaker 1: lose more. Don't drop this one down to sink. 95 00:04:04,360 --> 00:04:07,320 Speaker 2: So no, that has never happened to me. Also, it's 96 00:04:07,360 --> 00:04:10,040 Speaker 2: expensive to place replace those fogs. Yeah, a couple hundred bucks. 97 00:04:10,120 --> 00:04:11,000 Speaker 1: Yeah that's insane. 98 00:04:11,160 --> 00:04:12,400 Speaker 2: Yeah, you get to find those pieces. 99 00:04:12,440 --> 00:04:15,920 Speaker 1: Bob should be free if I ran a car dealership, 100 00:04:15,960 --> 00:04:16,640 Speaker 1: free fobs. 101 00:04:16,760 --> 00:04:18,240 Speaker 2: All right, look at that mac. 102 00:04:18,279 --> 00:04:22,320 Speaker 1: Has this ever happened to you? What you're sitting there 103 00:04:22,440 --> 00:04:25,039 Speaker 1: enjoying a nice bowl of pasta? Who reached for an 104 00:04:25,200 --> 00:04:27,479 Speaker 1: r and chini? And you're dropping on your only pair 105 00:04:27,520 --> 00:04:28,000 Speaker 1: of pants. 106 00:04:29,760 --> 00:04:32,240 Speaker 2: There was a time in my life where I only 107 00:04:32,279 --> 00:04:34,880 Speaker 2: really had about two pairs of pants I wore. I 108 00:04:34,920 --> 00:04:38,680 Speaker 2: can't recall specifically a saucy r and chini dropping on 109 00:04:38,720 --> 00:04:39,560 Speaker 2: my pants. 110 00:04:39,320 --> 00:04:40,479 Speaker 1: On top us buck. 111 00:04:42,160 --> 00:04:46,919 Speaker 2: However, I eat voraciously. So what happens to me often 112 00:04:47,080 --> 00:04:49,560 Speaker 2: is if like I am eating a salad drenched in dressing, 113 00:04:49,880 --> 00:04:51,560 Speaker 2: it like gets on my and then you get the 114 00:04:51,600 --> 00:04:54,040 Speaker 2: little oil stains from the salad. That's real pain in 115 00:04:54,080 --> 00:04:56,479 Speaker 2: the ass, or on like the knee cap where you 116 00:04:56,560 --> 00:04:59,960 Speaker 2: drop something down. You know, I hate the little oil stains. 117 00:05:00,240 --> 00:05:02,240 Speaker 1: What you're reminding me of is that when my son 118 00:05:02,360 --> 00:05:05,279 Speaker 1: was a child. The bib that I bought him was 119 00:05:05,360 --> 00:05:07,680 Speaker 1: one that you put over his entire body. 120 00:05:07,800 --> 00:05:08,240 Speaker 2: I need that. 121 00:05:08,720 --> 00:05:10,719 Speaker 1: You need the entire body bib. 122 00:05:11,040 --> 00:05:14,560 Speaker 2: Like when I you know of at least if we 123 00:05:14,640 --> 00:05:16,200 Speaker 2: like go out and I have a date night. Now, 124 00:05:16,279 --> 00:05:19,440 Speaker 2: I purposefully like eat slow and methodical. But when I'm 125 00:05:19,480 --> 00:05:21,320 Speaker 2: at home, I'm just shoveling shit down. 126 00:05:21,440 --> 00:05:23,760 Speaker 1: I go for a date, I only eat dry foods. 127 00:05:25,400 --> 00:05:27,440 Speaker 1: I say, you give me your driest food on the menu. 128 00:05:27,520 --> 00:05:29,920 Speaker 1: They say, what do you want to eat? What's your driest? 129 00:05:31,080 --> 00:05:32,560 Speaker 2: How old is your kale? 130 00:05:32,640 --> 00:05:34,960 Speaker 1: I Literally after it happened, I'm like, shit, I guess 131 00:05:35,000 --> 00:05:40,080 Speaker 1: I have to go shovel out the dry event. I 132 00:05:40,120 --> 00:05:42,039 Speaker 1: knew I only had so much time with my one 133 00:05:42,080 --> 00:05:42,760 Speaker 1: pair of pants. 134 00:05:42,920 --> 00:05:45,279 Speaker 2: Yes, yeah, and macs. 135 00:05:45,320 --> 00:05:48,360 Speaker 1: This ever happened to you? What you're doing? Collage night 136 00:05:48,440 --> 00:05:52,239 Speaker 1: with your wife and son? Okay, we do a weekly 137 00:05:52,320 --> 00:05:55,320 Speaker 1: collage night every Monday night. My son started it. He 138 00:05:55,480 --> 00:05:57,279 Speaker 1: challenged us one week. He's like, hey, let's do a 139 00:05:57,320 --> 00:06:00,600 Speaker 1: collage competition. So we started doing it. And what we 140 00:06:00,680 --> 00:06:03,039 Speaker 1: do is we have tons of colored paper. I have 141 00:06:03,080 --> 00:06:05,080 Speaker 1: to use kitchen scissors because I'm the odd man out 142 00:06:05,120 --> 00:06:07,039 Speaker 1: when it comes to anything in my house. 143 00:06:07,200 --> 00:06:08,040 Speaker 2: Those are sharper. 144 00:06:08,080 --> 00:06:09,920 Speaker 1: They are sharper. But I would like to have a 145 00:06:09,920 --> 00:06:12,640 Speaker 1: more skilled pair of scissors when I'm cutting out construction paper. 146 00:06:12,800 --> 00:06:16,440 Speaker 2: Remember when we were we tykes to use a phrase 147 00:06:16,480 --> 00:06:20,960 Speaker 2: I haven't used the three minutes. Remember the little teeth scissors? 148 00:06:21,000 --> 00:06:21,880 Speaker 1: Oh those are nice. 149 00:06:21,960 --> 00:06:23,719 Speaker 2: You could create borders on a piece of paper. 150 00:06:23,839 --> 00:06:26,599 Speaker 1: You like crimp it? Yeah, yeah, yeah, So we do 151 00:06:26,680 --> 00:06:30,160 Speaker 1: collage night. It's only construction paper, there's glue, there's scissors. 152 00:06:30,160 --> 00:06:32,400 Speaker 2: Oh, I haven't had a good piece of construction paper 153 00:06:32,400 --> 00:06:32,960 Speaker 2: in years. 154 00:06:33,240 --> 00:06:36,600 Speaker 1: So we've done it four times now. I won the 155 00:06:36,600 --> 00:06:37,200 Speaker 1: first night. 156 00:06:37,400 --> 00:06:39,400 Speaker 2: You do it themed obviously, Oh no, no. 157 00:06:39,360 --> 00:06:41,320 Speaker 1: It wasn't themed. It's just that everyone gets an our 158 00:06:41,320 --> 00:06:44,440 Speaker 1: free style, free style, everyone gets an hour, and then 159 00:06:44,480 --> 00:06:47,599 Speaker 1: my wife will post all three of them on social 160 00:06:47,640 --> 00:06:49,520 Speaker 1: media without telling you who did. 161 00:06:49,360 --> 00:06:53,359 Speaker 2: What, okay, and using raffis or there's no way to 162 00:06:53,400 --> 00:06:54,400 Speaker 2: discern who's. 163 00:06:54,200 --> 00:06:56,640 Speaker 1: Well, no, I'm about to get to that is so 164 00:06:56,680 --> 00:06:57,720 Speaker 1: the first week I won. 165 00:06:58,080 --> 00:07:00,880 Speaker 2: So I also, here's my issue, and maybe this is 166 00:07:01,000 --> 00:07:04,640 Speaker 2: like a you know, autism or ADHD thing. I would 167 00:07:04,680 --> 00:07:07,880 Speaker 2: need a directive. I would need a theme in order 168 00:07:07,920 --> 00:07:09,680 Speaker 2: to collage. I wouldn't be able to freestyle call. 169 00:07:09,840 --> 00:07:11,080 Speaker 1: So I went to art school. But we're to get 170 00:07:11,080 --> 00:07:16,480 Speaker 1: into that in a second. I majored in collages. So 171 00:07:16,560 --> 00:07:18,400 Speaker 1: the second week he did it. So first off, he's 172 00:07:18,400 --> 00:07:20,000 Speaker 1: done a good job every week, but the second week 173 00:07:20,080 --> 00:07:24,080 Speaker 1: he did a goomba gamba from dog Man right right. 174 00:07:24,200 --> 00:07:27,080 Speaker 1: And he might have gotten a little assistance by me 175 00:07:27,240 --> 00:07:29,680 Speaker 1: at work telling my coworkers, hey go online and vote 176 00:07:29,720 --> 00:07:32,200 Speaker 1: for my son. Let's, you know, get him a win. Yeah, 177 00:07:32,240 --> 00:07:34,600 Speaker 1: and the attitude that he had that one. 178 00:07:35,240 --> 00:07:37,640 Speaker 2: King in the castle. King in the castle, I have 179 00:07:37,680 --> 00:07:38,880 Speaker 2: a chair. I have a chair. 180 00:07:39,000 --> 00:07:41,480 Speaker 1: So since then, I've beaten him this, I've beaten him 181 00:07:41,480 --> 00:07:43,720 Speaker 1: twice in a row. Now I'm three out of four. Yeah, 182 00:07:43,840 --> 00:07:45,040 Speaker 1: my wife doesn't stand a chance. 183 00:07:45,160 --> 00:07:46,119 Speaker 2: She didn't go to art school. 184 00:07:46,160 --> 00:07:48,400 Speaker 1: She didn't go to art school. I went to art school. 185 00:07:48,680 --> 00:07:50,280 Speaker 1: So the other night, my wife's like, hey, you have 186 00:07:50,320 --> 00:07:52,360 Speaker 1: to let him win. No, I don't. 187 00:07:52,520 --> 00:07:55,800 Speaker 2: I agree. Now this isn't the same scenario, but this 188 00:07:55,880 --> 00:07:58,520 Speaker 2: is this is great and this tea. We're teaching life 189 00:07:58,560 --> 00:08:02,760 Speaker 2: lessons here as and siblings. And I say siblings because 190 00:08:03,200 --> 00:08:06,720 Speaker 2: I'm the oldest. So growing up, every year for Easter 191 00:08:06,800 --> 00:08:09,560 Speaker 2: we'd do the Easter egg hunt right, and my sister's 192 00:08:09,640 --> 00:08:13,000 Speaker 2: four years younger. My brother is twelve years younger, so 193 00:08:13,000 --> 00:08:15,360 Speaker 2: he didn't come in until later. Once I was already dominating, 194 00:08:15,760 --> 00:08:18,280 Speaker 2: even at three four years old, I was not letting 195 00:08:18,320 --> 00:08:20,480 Speaker 2: him winning. I would win the Easter egg hunt every 196 00:08:20,520 --> 00:08:22,840 Speaker 2: year to the point where both other siblings would be 197 00:08:22,840 --> 00:08:25,840 Speaker 2: in tears, So no remorse play like a champion. 198 00:08:25,920 --> 00:08:28,400 Speaker 1: The biggest key is having something that looks good. The 199 00:08:28,440 --> 00:08:33,160 Speaker 1: second key is build the background. People like intricate backgrounds. 200 00:08:33,200 --> 00:08:35,000 Speaker 1: Don't just have a character in the front. 201 00:08:35,280 --> 00:08:37,240 Speaker 2: This is on Dana's social media, but it's. 202 00:08:37,160 --> 00:08:39,280 Speaker 1: Only in her stories, so anymore. 203 00:08:39,320 --> 00:08:40,880 Speaker 2: All right, text me next time she posts. 204 00:08:41,000 --> 00:08:43,760 Speaker 1: Okay. Also, what you want to do is, if you're 205 00:08:43,800 --> 00:08:46,200 Speaker 1: not feeling great about it, say what can I add 206 00:08:46,200 --> 00:08:49,320 Speaker 1: to this? What can take this one step further? Now? 207 00:08:49,360 --> 00:08:53,240 Speaker 2: Are you drawing and or coloring or strictly sticking stuff? 208 00:08:53,400 --> 00:08:56,360 Speaker 1: I am strictly sticking. I am strictly cutting and sticking. 209 00:08:56,400 --> 00:08:59,080 Speaker 1: I usually like to build the character first before putting 210 00:08:59,080 --> 00:09:02,240 Speaker 1: through collaging. Right there, I'm really good at collajing. Yeah, 211 00:09:02,320 --> 00:09:04,559 Speaker 1: I don't want to, you know, put myself. That's one 212 00:09:04,600 --> 00:09:07,400 Speaker 1: of my fucking strengths. The next time I apply for 213 00:09:07,480 --> 00:09:13,760 Speaker 1: any job there, Yeah, Adobe audition, construction paper. 214 00:09:13,920 --> 00:09:16,360 Speaker 2: But you guys, so you're it sounds like, not only 215 00:09:16,440 --> 00:09:19,680 Speaker 2: are you collaging, it's a hyper specific collaging where you're 216 00:09:19,720 --> 00:09:23,480 Speaker 2: like building a character from other shit, Whereas in my 217 00:09:23,559 --> 00:09:27,720 Speaker 2: head collaging you have, okay, a dinosaur collage, and I 218 00:09:27,720 --> 00:09:29,880 Speaker 2: just get dinosaurs all over the page. You guys are 219 00:09:30,000 --> 00:09:32,880 Speaker 2: using other pieces a little bit like a Riddler type 220 00:09:32,920 --> 00:09:35,240 Speaker 2: thing and building a character on a page. 221 00:09:35,400 --> 00:09:35,640 Speaker 1: I am. 222 00:09:35,720 --> 00:09:35,920 Speaker 2: Yeah. 223 00:09:35,960 --> 00:09:37,480 Speaker 1: So the first week I did Pikachu, I. 224 00:09:37,440 --> 00:09:39,720 Speaker 2: Don't think it's exactly collaging what you're doing. 225 00:09:40,000 --> 00:09:42,800 Speaker 1: No, it is. I'm taking construction paper and I'm building stuff, 226 00:09:42,800 --> 00:09:44,800 Speaker 1: and I'm cutting out the construction paper myself. 227 00:09:45,080 --> 00:09:49,160 Speaker 2: Yeah, but collaging to me is taking putting all sorts 228 00:09:49,160 --> 00:09:50,680 Speaker 2: of stuff on the page, not one thing. 229 00:09:51,679 --> 00:09:54,840 Speaker 1: I just took a point away from you points to me. 230 00:09:55,480 --> 00:09:58,800 Speaker 2: I didn't major in collaging, So maybe I'm misinformed here. 231 00:09:58,840 --> 00:10:01,600 Speaker 1: Whatever collaging is. First week I did Pikachu, I'm like, 232 00:10:01,600 --> 00:10:02,160 Speaker 1: how can I z. 233 00:10:02,640 --> 00:10:05,320 Speaker 2: Very artsy is what I'm saying. You guys are doing true. 234 00:10:05,160 --> 00:10:07,920 Speaker 1: Art reorganized as this up. I put storm clouds in 235 00:10:07,920 --> 00:10:11,360 Speaker 1: the background with lightning striking Pikachu. Okay, second week I 236 00:10:11,360 --> 00:10:14,320 Speaker 1: did Raphael teenage mutant Ninja turtles. How do I zaz 237 00:10:14,400 --> 00:10:16,640 Speaker 1: this up? I put a clock on there with the 238 00:10:16,640 --> 00:10:19,000 Speaker 1: word pizza right above it. Pizza time. 239 00:10:19,320 --> 00:10:19,520 Speaker 2: Yeah. 240 00:10:19,720 --> 00:10:23,960 Speaker 1: Love that Third week I did, ah what was it? It 241 00:10:23,720 --> 00:10:25,920 Speaker 1: was a winner? Oh animal from the Muppets put a 242 00:10:25,960 --> 00:10:28,920 Speaker 1: drum set in front of him, holding up his drumsticks. 243 00:10:29,600 --> 00:10:31,160 Speaker 1: I forget what I did at the top, but there 244 00:10:31,240 --> 00:10:33,839 Speaker 1: was something there. And then this past week I was 245 00:10:33,880 --> 00:10:36,800 Speaker 1: doing the uphouse and what I did was I put 246 00:10:36,840 --> 00:10:40,679 Speaker 1: the uphouse too high up on the construction paper background. 247 00:10:40,200 --> 00:10:41,120 Speaker 2: On the cliff area. 248 00:10:41,200 --> 00:10:43,880 Speaker 1: And what I had to do. I then attached a 249 00:10:43,920 --> 00:10:46,720 Speaker 1: second piece of paper, but I put it horizontal so 250 00:10:46,800 --> 00:10:49,160 Speaker 1: that I look like I planned that out sure, and 251 00:10:49,200 --> 00:10:51,000 Speaker 1: built a big bouquet of balloons. 252 00:10:51,240 --> 00:10:56,080 Speaker 2: Now, uh, we're really stumbling into this. I'm getting oddly 253 00:10:56,120 --> 00:10:59,640 Speaker 2: excited about construction paper. I think that if you're listening 254 00:10:59,720 --> 00:11:02,680 Speaker 2: at home and you have a significant other and or children, 255 00:11:03,240 --> 00:11:07,480 Speaker 2: you should have I suggest this isn't collaging once again, 256 00:11:07,520 --> 00:11:10,000 Speaker 2: but do what Goo is doing with his family. Tweet 257 00:11:10,000 --> 00:11:11,560 Speaker 2: it at us and we will tweet it out so 258 00:11:11,600 --> 00:11:12,200 Speaker 2: we can vote. 259 00:11:12,320 --> 00:11:15,600 Speaker 1: Yeah. Absolutely no. I suggest this to all young families 260 00:11:15,640 --> 00:11:18,160 Speaker 1: that like a great time I will say for the children, 261 00:11:18,240 --> 00:11:21,320 Speaker 1: get the kids safe scissors. I don't I don't even 262 00:11:21,360 --> 00:11:23,000 Speaker 1: trust my son with the kids safe scissors. 263 00:11:23,040 --> 00:11:25,240 Speaker 2: But do they still make lefty scissors? Is that still 264 00:11:25,240 --> 00:11:25,719 Speaker 2: a thing? Oh? 265 00:11:25,760 --> 00:11:27,360 Speaker 1: He probably needs those, he is a lefty. 266 00:11:27,520 --> 00:11:30,200 Speaker 2: I feel like most pairs of scissors should. 267 00:11:29,960 --> 00:11:32,120 Speaker 1: Have been I haven't been to the left torrean at work. 268 00:11:32,160 --> 00:11:34,480 Speaker 2: For both pairs of hands. But I don't know. I 269 00:11:34,480 --> 00:11:35,720 Speaker 2: don't know anything about scissors. 270 00:11:35,800 --> 00:11:37,800 Speaker 1: So hey, do a collage of Mac and Goo and 271 00:11:37,840 --> 00:11:40,200 Speaker 1: send that in to us. Yeah, all right, and once 272 00:11:40,200 --> 00:11:43,240 Speaker 1: again you're looking at the three time collage Night champion 273 00:11:44,200 --> 00:11:50,240 Speaker 1: Goo News domp Mac. Paul Dano said he's incredibly grateful 274 00:11:50,280 --> 00:11:52,760 Speaker 1: to everyone who spoke up for him after Quentin Tarantino 275 00:11:52,840 --> 00:11:56,560 Speaker 1: called him a limp dick sag member, which I guess 276 00:11:56,640 --> 00:11:59,680 Speaker 1: that's if you're him. That was the best case scenario. 277 00:11:59,840 --> 00:12:01,720 Speaker 1: He he didn't even have to defend himself. 278 00:12:01,920 --> 00:12:03,840 Speaker 2: It was a net win, it win. 279 00:12:03,960 --> 00:12:05,680 Speaker 1: It really worked out well for It's a lot like 280 00:12:05,679 --> 00:12:07,840 Speaker 1: Bill Belichick not getting into the Hall of Fame. He 281 00:12:07,920 --> 00:12:09,880 Speaker 1: just sat back and everyone's talking for him. 282 00:12:10,000 --> 00:12:13,000 Speaker 2: Yeah, Tarantino went full Poleon. You never go full Poleon. 283 00:12:13,840 --> 00:12:17,679 Speaker 2: I think that Paul Dano. Dano is the type of 284 00:12:17,840 --> 00:12:22,880 Speaker 2: individual that is not seeking praise from the general masses. However, 285 00:12:23,080 --> 00:12:24,640 Speaker 2: it is nice every once in a while to be 286 00:12:24,720 --> 00:12:27,560 Speaker 2: reminded how valuable you are and how much people like you. 287 00:12:27,600 --> 00:12:29,800 Speaker 2: And this was the perfect vehicle. He didn't do it. 288 00:12:30,000 --> 00:12:32,360 Speaker 2: He didn't bring it up. His friends and family didn't 289 00:12:32,360 --> 00:12:34,640 Speaker 2: bring it up. Or I won't say a random director 290 00:12:34,640 --> 00:12:37,040 Speaker 2: because he's a notable director. He's very a director that 291 00:12:37,080 --> 00:12:39,200 Speaker 2: he's never really been attached to, just went out out 292 00:12:39,240 --> 00:12:43,680 Speaker 2: his way to character assassinate him, and the whole country 293 00:12:43,760 --> 00:12:45,199 Speaker 2: was like, no, we love Paul Dano. 294 00:12:45,320 --> 00:12:48,160 Speaker 1: It's like going or you know, seeing your own funeral. Yeah, 295 00:12:48,200 --> 00:12:49,240 Speaker 1: we're hiding in the background. 296 00:12:49,559 --> 00:12:51,679 Speaker 2: It's not unlike that. It's not unlike. 297 00:12:51,440 --> 00:12:54,840 Speaker 1: Matthew Lillard also said, zoinks, thanks to everyone who helped 298 00:12:54,880 --> 00:12:59,880 Speaker 1: me out too, all those rip emails. He also took it. 299 00:13:00,520 --> 00:13:02,719 Speaker 2: He didn't get as much love, but he got some love. 300 00:13:02,840 --> 00:13:06,320 Speaker 1: No, he got for Matthew Lillard obviously, Yeah, but for 301 00:13:06,360 --> 00:13:08,560 Speaker 1: who he is. He's like a lot of fans because 302 00:13:08,559 --> 00:13:11,680 Speaker 1: he doesn't really care too much about like the higher ups. 303 00:13:11,720 --> 00:13:14,000 Speaker 1: But it's it's the fans that he loves. He goes 304 00:13:14,040 --> 00:13:14,880 Speaker 1: to a lot of cons. 305 00:13:15,080 --> 00:13:19,280 Speaker 2: I always think of Matthew Lillard being jealous of Dak 306 00:13:19,360 --> 00:13:21,960 Speaker 2: Shepherd because I feel like Dak Shepherd is the best 307 00:13:22,040 --> 00:13:23,480 Speaker 2: version of what Matthew Lillard was. 308 00:13:24,240 --> 00:13:26,600 Speaker 1: Matthew Lillard is way better than Dak Shepherd. 309 00:13:26,720 --> 00:13:30,200 Speaker 2: I'm saying in terms of like public reception, like he's 310 00:13:30,200 --> 00:13:32,439 Speaker 2: married to Kristen Bell, people really like him. 311 00:13:32,520 --> 00:13:34,680 Speaker 1: I don't think people really like Dak Shepherd. He just 312 00:13:34,720 --> 00:13:36,040 Speaker 1: has his armshare podcast. 313 00:13:36,120 --> 00:13:39,080 Speaker 2: Well he was unpunked Ashton Kutcher's punked. 314 00:13:38,880 --> 00:13:42,560 Speaker 1: Right, But Matthew Lillard was in without a paddle with 315 00:13:42,679 --> 00:13:43,319 Speaker 1: Dak Shepherd. 316 00:13:43,600 --> 00:13:46,120 Speaker 2: Yeah, so now we can do six degrees to separation 317 00:13:46,200 --> 00:13:46,680 Speaker 2: to anyone. 318 00:13:46,840 --> 00:13:50,679 Speaker 1: Also, Seth Green, Seth Green was the third one. I'm 319 00:13:50,679 --> 00:13:51,679 Speaker 1: gonna say, Seth Green. 320 00:13:51,559 --> 00:13:53,720 Speaker 2: What's the one with Breck and Meyer. 321 00:13:54,240 --> 00:13:56,280 Speaker 1: That's like, you know what that might have been without 322 00:13:56,320 --> 00:13:58,040 Speaker 1: a paddle? It might have been it might have been 323 00:13:58,040 --> 00:13:58,480 Speaker 1: Breck and. 324 00:13:58,640 --> 00:14:00,560 Speaker 2: It might have been Breck and Meyer, not Green, but 325 00:14:00,559 --> 00:14:02,600 Speaker 2: it could have been Seth Green. And maybe it's Breck 326 00:14:02,640 --> 00:14:03,840 Speaker 2: and Meyer and Seth Green. 327 00:14:03,960 --> 00:14:05,319 Speaker 1: You know, it was a great show. I want to 328 00:14:05,360 --> 00:14:08,880 Speaker 1: say it was called Inside Schwartz. It ran after Friends, 329 00:14:08,920 --> 00:14:11,840 Speaker 1: and it starred breck and Meyer, and it was a 330 00:14:11,880 --> 00:14:15,720 Speaker 1: sitcom where they treated it like Sports Center, so they 331 00:14:15,760 --> 00:14:18,480 Speaker 1: would stop his life at random points and like talk 332 00:14:18,520 --> 00:14:21,120 Speaker 1: about the highlights of his date and whatnot. 333 00:14:21,840 --> 00:14:26,160 Speaker 2: We were right, My breck and Meyer thing was a distraction. 334 00:14:26,360 --> 00:14:29,120 Speaker 2: Seth Green, Matthew Old, Dak Shepherd. Also when, of course 335 00:14:29,120 --> 00:14:33,200 Speaker 2: Burt Reynolds, Anthony Starz in there goog Ethan Suppley, Wow, 336 00:14:33,440 --> 00:14:35,160 Speaker 2: Rachel Blanchard very underrated? 337 00:14:35,240 --> 00:14:37,200 Speaker 1: Where very underrated is breck and Meyer? 338 00:14:37,560 --> 00:14:38,040 Speaker 2: Yeah? Great? 339 00:14:38,080 --> 00:14:39,880 Speaker 1: Question was he doing about. 340 00:14:40,880 --> 00:14:41,680 Speaker 2: That? Rhetorically? 341 00:14:42,320 --> 00:14:43,800 Speaker 1: I mean, you want to look up where breck and 342 00:14:43,800 --> 00:14:45,640 Speaker 1: Meyers is? Right now, breck and Meyer. 343 00:14:45,840 --> 00:14:50,160 Speaker 2: There should be a website Www. Where's Breckenmeyer dot com? 344 00:14:50,160 --> 00:14:52,440 Speaker 1: And if he should have my find on his phone 345 00:14:52,480 --> 00:14:54,680 Speaker 1: on all the time where we can always track breck 346 00:14:54,720 --> 00:14:56,040 Speaker 1: and Meyer, who, of course. 347 00:14:55,880 --> 00:14:57,840 Speaker 2: It went without a paddle was being made. In two 348 00:14:57,880 --> 00:15:00,280 Speaker 2: thousand and three, breck and Meyer was practicing to be 349 00:15:00,280 --> 00:15:01,840 Speaker 2: the lead in Franklin and Bash. 350 00:15:01,920 --> 00:15:06,040 Speaker 1: Oh, that's right, he was in Franklin and Bash. Him 351 00:15:06,040 --> 00:15:10,360 Speaker 1: and Zach Morris is Zach Morris, is Zach Morris the Bash? 352 00:15:10,480 --> 00:15:12,240 Speaker 1: One of them is Franklin. Oh, by the way, you 353 00:15:12,240 --> 00:15:14,320 Speaker 1: know what I love on social media, and I'll search 354 00:15:14,320 --> 00:15:16,920 Speaker 1: them out every once in a while. What's that Franklin 355 00:15:17,040 --> 00:15:20,080 Speaker 1: memes where people take Franklin the Turtle and they change 356 00:15:20,120 --> 00:15:22,080 Speaker 1: the titles of the books into something funny. 357 00:15:22,200 --> 00:15:23,640 Speaker 2: I loved those books as a child. 358 00:15:23,880 --> 00:15:26,600 Speaker 1: I love those memes. Every one of them makes me laugh. 359 00:15:27,080 --> 00:15:29,000 Speaker 2: I'm trying to scroll back to two thousand and three 360 00:15:29,040 --> 00:15:30,520 Speaker 2: so I could see what breck and Meyer was doing. 361 00:15:30,520 --> 00:15:33,440 Speaker 2: Well without a paddle was in the theater's coo. So 362 00:15:35,840 --> 00:15:38,120 Speaker 2: he has a really interesting Oh cool Garfield came out 363 00:15:38,120 --> 00:15:38,880 Speaker 2: in two thousand and four. 364 00:15:39,040 --> 00:15:42,320 Speaker 1: Oh, he was doing Garfield. Who else is in Garfield? 365 00:15:42,800 --> 00:15:43,800 Speaker 1: Jennifer love Youwett. 366 00:15:43,840 --> 00:15:46,000 Speaker 2: The TV show you're talking about is called Mary to 367 00:15:46,040 --> 00:15:46,560 Speaker 2: the Kellys. 368 00:15:46,760 --> 00:15:48,400 Speaker 1: Inside Schwartz also. 369 00:15:48,160 --> 00:15:50,800 Speaker 2: Herbie fully Loaded with Lindsay Lohan and five For Breck 370 00:15:50,840 --> 00:15:51,440 Speaker 2: and Meyer. 371 00:15:51,400 --> 00:15:55,240 Speaker 1: He was in Clueless. He was in road Rules, not 372 00:15:55,320 --> 00:15:58,440 Speaker 1: road Rules, road trip trip, road Trip. Yeah, this is 373 00:15:58,480 --> 00:16:02,760 Speaker 1: a Breck and Meyer podcast. I like Breck and Meyer. 374 00:16:02,920 --> 00:16:05,040 Speaker 2: We only talk about Peter Boyle and Breck and Meyer. 375 00:16:05,240 --> 00:16:07,520 Speaker 1: It's only Peter Boyle and Breck and Meyer. Paul Dano. 376 00:16:08,360 --> 00:16:10,640 Speaker 1: He was also asked if he'd be returning as the 377 00:16:10,720 --> 00:16:14,160 Speaker 1: Riddler in Matt Reeves the Batman franchise, and he smiled 378 00:16:14,200 --> 00:16:17,840 Speaker 1: and said, oh, I don't know. I can't say. It's 379 00:16:17,840 --> 00:16:19,080 Speaker 1: a good question too. 380 00:16:21,440 --> 00:16:26,360 Speaker 2: It seems like the way in which he is captured 381 00:16:26,400 --> 00:16:28,720 Speaker 2: at the end of the first movie, it feels like 382 00:16:28,760 --> 00:16:30,120 Speaker 2: that he's gonna come back around. 383 00:16:30,520 --> 00:16:32,640 Speaker 1: I mean, it feels like the way that Reeves has 384 00:16:32,640 --> 00:16:36,720 Speaker 1: built this Batman world, everyone is always in play, there, 385 00:16:36,800 --> 00:16:38,240 Speaker 1: always somewhere. 386 00:16:38,000 --> 00:16:40,040 Speaker 2: Just like it should be. It's sort of like a 387 00:16:40,080 --> 00:16:40,720 Speaker 2: television shit. 388 00:16:40,800 --> 00:16:42,880 Speaker 1: Yeah, it's not like when Tim Burton did it and 389 00:16:42,880 --> 00:16:44,640 Speaker 1: they're like, we have to kill someone off at the 390 00:16:44,720 --> 00:16:45,520 Speaker 1: end of every movie. 391 00:16:45,800 --> 00:16:47,600 Speaker 2: Yeah, so let's create a new character. 392 00:16:47,720 --> 00:16:51,800 Speaker 1: He's Depp. Speaking of Breck and Meyer, we have seen 393 00:16:52,040 --> 00:16:56,640 Speaker 1: screenshots of the Fab four, the Beatles in their individual 394 00:16:56,720 --> 00:17:01,640 Speaker 1: Beatles movies, postcards spread out all over New York, in London, 395 00:17:01,720 --> 00:17:05,320 Speaker 1: and now they have made their way to social media. 396 00:17:05,400 --> 00:17:11,040 Speaker 1: Paul Meskull, Harry Dickinson, Barry Hogan, and Joseph Quinn. 397 00:17:11,200 --> 00:17:13,320 Speaker 2: You say those names differently than I say them. I 398 00:17:13,359 --> 00:17:16,080 Speaker 2: say Paul mezcal That's what I said, Harris Dickinson, You 399 00:17:16,119 --> 00:17:18,399 Speaker 2: said Harry. That's because I still don't know how to 400 00:17:18,440 --> 00:17:21,120 Speaker 2: say Barry Keone's last name. But that's how I would 401 00:17:21,160 --> 00:17:22,919 Speaker 2: say it. I guess we agree on Joseph Quinn, so 402 00:17:22,960 --> 00:17:23,520 Speaker 2: we're not a four. 403 00:17:24,880 --> 00:17:26,320 Speaker 1: I hope we agree on Joseph Quinn. 404 00:17:26,359 --> 00:17:32,120 Speaker 2: That's an easy uh soft ja soft j. People were opinionated, 405 00:17:32,200 --> 00:17:34,560 Speaker 2: of course, because it's a Beatles biopic. Four of them. 406 00:17:34,640 --> 00:17:40,679 Speaker 2: In fact, these first looks crushed them. They look all 407 00:17:40,720 --> 00:17:41,440 Speaker 2: four of them. 408 00:17:41,240 --> 00:17:43,399 Speaker 1: Look okay, so you're more of a Beatles boy than 409 00:17:43,440 --> 00:17:43,720 Speaker 1: I am. 410 00:17:43,840 --> 00:17:44,080 Speaker 2: Yeah. 411 00:17:44,160 --> 00:17:46,119 Speaker 1: The only one that I had a question of is 412 00:17:46,240 --> 00:17:50,120 Speaker 1: George Harrison looks mean in his postcard? Was he mean? 413 00:17:51,920 --> 00:17:56,240 Speaker 2: Uh? So George Harrison was upset? I guess so maybe 414 00:17:56,240 --> 00:17:59,000 Speaker 2: that turned into mean this because he was uber talented 415 00:17:59,200 --> 00:18:02,120 Speaker 2: and only got to write like eight songs. So I mean, 416 00:18:02,440 --> 00:18:06,520 Speaker 2: but I think it's Dickinson is playing John LENNI yes, yeah, 417 00:18:06,560 --> 00:18:09,280 Speaker 2: he's tall, and you notice it when they're all standing 418 00:18:09,359 --> 00:18:12,960 Speaker 2: together and like promotional stuff. So I'm wondering how they're 419 00:18:12,960 --> 00:18:16,040 Speaker 2: gonna remedy that when they're all standing together. I don't know. 420 00:18:16,119 --> 00:18:20,879 Speaker 2: I'm just I'm this is such an interesting venture into 421 00:18:20,960 --> 00:18:24,320 Speaker 2: filmmaking and storytelling, and I'm like really looking forward to 422 00:18:24,359 --> 00:18:27,280 Speaker 2: the outcome. I'm not gonna pretend like it's gonna be 423 00:18:27,280 --> 00:18:30,200 Speaker 2: the greatest thing ever. But if they succeed in weaving 424 00:18:30,240 --> 00:18:33,200 Speaker 2: together four films, it's gonna be really fucking cool. 425 00:18:33,320 --> 00:18:37,640 Speaker 1: My two questions is is barry Key Hogan too handsome 426 00:18:38,240 --> 00:18:38,760 Speaker 1: for Ringo? 427 00:18:39,280 --> 00:18:42,080 Speaker 2: I think they they uglyad them up. And I also 428 00:18:42,119 --> 00:18:44,480 Speaker 2: don't think he's that attractive. He's he's got a kind 429 00:18:44,480 --> 00:18:45,040 Speaker 2: of weird looking for. 430 00:18:45,200 --> 00:18:47,680 Speaker 1: And then also, where's Pete Best? 431 00:18:47,920 --> 00:18:49,240 Speaker 2: Great question, what are. 432 00:18:49,119 --> 00:18:50,960 Speaker 1: They gonna do? Because they are gonna merge all of 433 00:18:51,000 --> 00:18:53,720 Speaker 1: these together to then make a movie after with all four? 434 00:18:53,840 --> 00:18:57,119 Speaker 2: Right, I'm assuming, So I'm assuming, So I don't really 435 00:18:57,640 --> 00:18:58,359 Speaker 2: I don't really know. 436 00:18:58,560 --> 00:19:03,480 Speaker 1: All right, news dope, but a trailer for Super Mario 437 00:19:03,640 --> 00:19:07,760 Speaker 1: Galaxy our first look at Yoshi, Berdo and Mauser. Chris 438 00:19:07,800 --> 00:19:11,280 Speaker 1: Pratt also said that there are characters that we have 439 00:19:11,359 --> 00:19:15,119 Speaker 1: not seen yet that's will be revealed in the movie. 440 00:19:15,320 --> 00:19:20,240 Speaker 2: I uh, don't know a lot of these ancillary Mario characters. 441 00:19:21,000 --> 00:19:23,199 Speaker 2: I've like seen them, I'm aware of them, but I 442 00:19:23,200 --> 00:19:23,760 Speaker 2: don't really know. 443 00:19:23,960 --> 00:19:27,760 Speaker 1: Birdo and Mauser are from Super Mario two, and it 444 00:19:27,840 --> 00:19:30,760 Speaker 1: looks like Princess Peach is in some kind of like 445 00:19:30,840 --> 00:19:35,000 Speaker 1: a like a casino, so maybe they're playing into those 446 00:19:35,080 --> 00:19:38,480 Speaker 1: extra levels in Mario two. Those are Mario two characters. 447 00:19:38,520 --> 00:19:41,560 Speaker 1: There's a you know, just a scene where they acknowledge 448 00:19:41,600 --> 00:19:45,840 Speaker 1: Super Mario two, which of course is just skins of 449 00:19:45,960 --> 00:19:46,959 Speaker 1: Dokiye Dokie Panic. 450 00:19:48,280 --> 00:19:50,760 Speaker 2: Yeah. I think this movie's gonna be fun. I just 451 00:19:50,800 --> 00:19:54,359 Speaker 2: don't want it to. I mean, I guess it's gonna 452 00:19:54,400 --> 00:19:55,280 Speaker 2: go full fan service. 453 00:19:55,520 --> 00:19:57,480 Speaker 1: That's all though. That's what the first one is. It's 454 00:19:57,600 --> 00:20:00,640 Speaker 1: just fan service fun. Every line is a Easter egg. 455 00:20:00,800 --> 00:20:02,760 Speaker 2: No, you're I mean, yeah, you're you're right. 456 00:20:02,800 --> 00:20:09,240 Speaker 1: I guess it was demp so much. Jason Momoa Lobo. 457 00:20:09,359 --> 00:20:11,679 Speaker 1: We have seen a little teaser. We've gotten a poster. 458 00:20:11,880 --> 00:20:13,679 Speaker 1: I sent you a clip of him talking to some 459 00:20:13,880 --> 00:20:19,560 Speaker 1: social media show. When he originally auditioned for the DCEU 460 00:20:19,800 --> 00:20:23,440 Speaker 1: or DCU with Zack Snyder, he assumed Lobo and then 461 00:20:23,560 --> 00:20:27,680 Speaker 1: Snyder told him Aquaman, and he's like, all right, that 462 00:20:27,960 --> 00:20:29,120 Speaker 1: was Goo's. 463 00:20:28,920 --> 00:20:32,919 Speaker 2: Not fabricating that. That was his legit reaction U And 464 00:20:33,040 --> 00:20:36,280 Speaker 2: I you know, I think his his version of Aquaman 465 00:20:36,440 --> 00:20:39,400 Speaker 2: was largely successful. The two stories and the two movies 466 00:20:39,440 --> 00:20:42,000 Speaker 2: that made not so great, But I didn't mind. 467 00:20:42,160 --> 00:20:43,719 Speaker 1: The first one made a lot of money. 468 00:20:44,000 --> 00:20:45,520 Speaker 2: Yeah, sure, did, sure did. 469 00:20:45,600 --> 00:20:47,240 Speaker 1: The second one is brother eight Bugs. 470 00:20:47,880 --> 00:20:52,040 Speaker 2: He definitely is more tailored to play a character like Lobo, though, 471 00:20:52,119 --> 00:20:53,120 Speaker 2: and you know. 472 00:20:53,200 --> 00:20:55,679 Speaker 1: I mean he looks like him. He looks like Lobo. 473 00:20:55,920 --> 00:20:59,399 Speaker 2: And sometimes I do think you get a little bit 474 00:20:59,400 --> 00:21:02,359 Speaker 2: of a shark situation, where like the actor's been wanting 475 00:21:02,400 --> 00:21:04,160 Speaker 2: to play it for so long and asking, and then 476 00:21:04,320 --> 00:21:07,600 Speaker 2: so the expectations are super high and then it's just okay. However, 477 00:21:07,880 --> 00:21:10,320 Speaker 2: I don't think anyone has a real acting expectation for 478 00:21:10,359 --> 00:21:12,440 Speaker 2: Lobo as abcaus he's cool and doing cool shit. That's 479 00:21:12,440 --> 00:21:13,000 Speaker 2: all we care about. 480 00:21:13,080 --> 00:21:17,880 Speaker 1: Motorcycles, guns, scars. I also saw another clip of him. 481 00:21:17,920 --> 00:21:21,160 Speaker 1: He was also with uh, is it Jacob Battalone? Yeah, 482 00:21:21,240 --> 00:21:22,560 Speaker 1: it was another one with Alan. 483 00:21:22,600 --> 00:21:23,840 Speaker 2: I don't know how to say his name either. 484 00:21:23,880 --> 00:21:25,560 Speaker 1: And then also, there should be. 485 00:21:25,520 --> 00:21:28,720 Speaker 2: A podcast dedicated to just naming actors and how to 486 00:21:28,760 --> 00:21:29,120 Speaker 2: say that. 487 00:21:29,119 --> 00:21:31,720 Speaker 1: It's not this one. It's not it's not this one. 488 00:21:32,920 --> 00:21:36,160 Speaker 1: Uh and Marina Backer and they were eating food and 489 00:21:36,200 --> 00:21:37,880 Speaker 1: he was putting a lot of salt on his food. 490 00:21:37,880 --> 00:21:38,800 Speaker 1: I'm a little concerned. 491 00:21:38,920 --> 00:21:42,120 Speaker 2: Oh, I love salt. There's only been like three times 492 00:21:42,119 --> 00:21:44,000 Speaker 2: in my life where I thought to myself, there's too 493 00:21:44,080 --> 00:21:44,560 Speaker 2: much salt. 494 00:21:44,600 --> 00:21:46,879 Speaker 1: So let me tell you this, as someone who cooks, 495 00:21:47,440 --> 00:21:49,440 Speaker 1: I need you to taste the food before you put 496 00:21:49,480 --> 00:21:49,879 Speaker 1: salt on. 497 00:21:50,240 --> 00:21:53,959 Speaker 2: I don't agree, I do. I think baseline. Now, when 498 00:21:54,000 --> 00:21:56,399 Speaker 2: you're seasoning stuff and when you're making a sauce and 499 00:21:56,440 --> 00:21:58,719 Speaker 2: shit like that, you have to add salt. Originally, it's 500 00:21:58,720 --> 00:21:59,080 Speaker 2: part of it. 501 00:21:59,200 --> 00:22:01,920 Speaker 1: I put salt in sauce. What I'm telling you, though, 502 00:22:01,960 --> 00:22:04,399 Speaker 1: is taste the sauce first before you start adding salt. 503 00:22:04,560 --> 00:22:07,200 Speaker 2: Oh oh, I agree with that. Yeah yeah, yeah, I've. 504 00:22:07,119 --> 00:22:09,080 Speaker 1: Just slapped me in the face and assume I didn't 505 00:22:09,119 --> 00:22:09,639 Speaker 1: put salt in. 506 00:22:09,760 --> 00:22:13,160 Speaker 2: I agree. And there have been times, especially like at work, 507 00:22:13,200 --> 00:22:15,919 Speaker 2: when someone cooks, I add salt to most things. I 508 00:22:16,040 --> 00:22:18,640 Speaker 2: just like stuff really salty. You know. The only time 509 00:22:18,680 --> 00:22:21,280 Speaker 2: it really becomes an issue for me maybe if I'm 510 00:22:21,320 --> 00:22:23,919 Speaker 2: cooking food for other people. It's like, obviously, when you're 511 00:22:23,960 --> 00:22:26,000 Speaker 2: cooking steak at home, you put a lot of salt 512 00:22:26,040 --> 00:22:27,800 Speaker 2: and get a nice crust. But I put a lot. 513 00:22:27,920 --> 00:22:30,440 Speaker 1: So I know, when I'm making steak, I do as 514 00:22:30,560 --> 00:22:32,560 Speaker 1: much salt and pepper as I possibly can. 515 00:22:32,680 --> 00:22:35,159 Speaker 2: But some people don't care for that, you know, So 516 00:22:35,320 --> 00:22:37,080 Speaker 2: then you know, I understand. 517 00:22:36,720 --> 00:22:38,760 Speaker 1: That a lot of it cooks off. Yeah, you have 518 00:22:38,840 --> 00:22:40,040 Speaker 1: to put a lot on at the beginning. 519 00:22:40,119 --> 00:22:41,919 Speaker 2: I agree, what are we doing? I also think the 520 00:22:41,960 --> 00:22:44,280 Speaker 2: salt perfectly accentuates beefy flavors. 521 00:22:44,359 --> 00:22:46,320 Speaker 1: And then Max says, give me all the A one 522 00:22:46,400 --> 00:22:49,080 Speaker 1: sauce you have. I need to add this A one 523 00:22:49,160 --> 00:22:50,960 Speaker 1: sauce to my beautiful ribbot. 524 00:22:51,040 --> 00:22:54,560 Speaker 2: I'm gonna egg your house with bottles of A one. 525 00:22:55,359 --> 00:23:00,320 Speaker 1: There's done. Mama also praised Timothy shallow maze perform moments 526 00:23:00,359 --> 00:23:03,359 Speaker 1: in Dune three, saying congrats to him on his recent 527 00:23:03,480 --> 00:23:05,800 Speaker 1: Oscar nomination, and that could have been in any of 528 00:23:05,840 --> 00:23:09,400 Speaker 1: the last three years. Actually he works so hard. Wait 529 00:23:09,480 --> 00:23:12,240 Speaker 1: until you see doing three. Some of the best acting 530 00:23:12,440 --> 00:23:16,760 Speaker 1: I have ever seen him do. Ever. I'm serious, Timmy's 531 00:23:16,880 --> 00:23:20,520 Speaker 1: killing it. Write this shit down, don't give a fuck. 532 00:23:21,119 --> 00:23:27,199 Speaker 1: Telling you the way that he punctuates his thoughts, I 533 00:23:27,320 --> 00:23:30,320 Speaker 1: was kind of like, I used to love Jason Momoa. Yeah, 534 00:23:30,400 --> 00:23:32,080 Speaker 1: And then I was like, all right, Mamoa, we're getting 535 00:23:32,080 --> 00:23:34,240 Speaker 1: a little too much. Mamoa. He's got giant hats. 536 00:23:33,960 --> 00:23:36,080 Speaker 2: On, and shit, Mama, hardly newer. 537 00:23:38,840 --> 00:23:43,280 Speaker 1: Then he starts doing this stuff again. Mamoa's all right, 538 00:23:43,400 --> 00:23:44,240 Speaker 1: Momo is the man. 539 00:23:44,400 --> 00:23:47,720 Speaker 2: Yeah, yeah, freed of the chains of you know. 540 00:23:47,800 --> 00:23:52,160 Speaker 1: Anything, the DCU of anything. He's free balling all over 541 00:23:52,200 --> 00:23:54,360 Speaker 1: the place. This man doesn't own any underwear. 542 00:23:54,680 --> 00:23:58,280 Speaker 2: I would like to see him reflect upon Shalla May's 543 00:23:58,280 --> 00:24:00,800 Speaker 2: performance in Doune Too, because I don't think it's going 544 00:24:00,880 --> 00:24:02,240 Speaker 2: to be better than that in Dune three. 545 00:24:02,359 --> 00:24:03,800 Speaker 1: He probably Dads spoken about it. 546 00:24:03,880 --> 00:24:08,280 Speaker 2: June three is probably gonna be a more focused, in 547 00:24:08,680 --> 00:24:10,760 Speaker 2: more one note type of character. But I don't know. 548 00:24:10,800 --> 00:24:12,920 Speaker 2: I don't know that story, and there is a time jump, 549 00:24:13,000 --> 00:24:14,600 Speaker 2: so maybe that's what he's talking about. He's playing a 550 00:24:14,600 --> 00:24:18,479 Speaker 2: more advanced, older, experienced character. But chill May and done too. 551 00:24:18,680 --> 00:24:19,440 Speaker 2: I'll put it this way. 552 00:24:19,520 --> 00:24:19,560 Speaker 1: Go. 553 00:24:20,160 --> 00:24:24,080 Speaker 2: He's gonna win the Oscar for Best Actor for Marty Supreme, 554 00:24:24,840 --> 00:24:28,000 Speaker 2: and I'm okay with that. He deserved it for Doune Too, 555 00:24:29,400 --> 00:24:29,960 Speaker 2: even I know. 556 00:24:30,080 --> 00:24:36,560 Speaker 1: Insane insane Daniel Our destined Daniel Creton on Tom Hollands's 557 00:24:36,560 --> 00:24:38,679 Speaker 1: performance in Spider Man Brand New Day, which, by the way, 558 00:24:38,720 --> 00:24:41,720 Speaker 1: I'm assuming we're gonna get a trailer during the Super Bowl. 559 00:24:41,720 --> 00:24:44,439 Speaker 2: I hope. So I'm I'm goo after and I know 560 00:24:44,480 --> 00:24:48,680 Speaker 2: you you haven't finished it after watching wonder Man, which 561 00:24:49,080 --> 00:24:51,720 Speaker 2: no spoilers here. You could tell me it is part 562 00:24:51,720 --> 00:24:53,480 Speaker 2: of the MCU and it isn't, and it wouldn't matter 563 00:24:53,520 --> 00:24:56,800 Speaker 2: because it's like there, it just barely connects. It's the 564 00:24:56,840 --> 00:25:01,480 Speaker 2: spotlight thing for Marvel. It's really good good, and I've 565 00:25:01,520 --> 00:25:03,960 Speaker 2: already been reving up the engines for MCU again. The 566 00:25:04,000 --> 00:25:06,639 Speaker 2: juices are flowing again. I am so down for a 567 00:25:06,720 --> 00:25:07,800 Speaker 2: sick mc trailer. 568 00:25:08,000 --> 00:25:11,359 Speaker 1: He said about Spider Man Tom Holland. I am really 569 00:25:11,400 --> 00:25:13,760 Speaker 1: excited for everyone to see Tom Holland in this movie 570 00:25:13,840 --> 00:25:17,120 Speaker 1: because he killed in. His performance is incredible. He went 571 00:25:17,200 --> 00:25:21,120 Speaker 1: to places that I think people will feel very connected 572 00:25:21,160 --> 00:25:25,320 Speaker 1: to emotionally that we are exploring. It is a very 573 00:25:25,359 --> 00:25:28,760 Speaker 1: fun movie. Write this shit down. I don't give a fuck. 574 00:25:28,920 --> 00:25:29,800 Speaker 1: I'm telling you. 575 00:25:34,040 --> 00:25:40,440 Speaker 2: That was Dustin Daniel Critton quoting Jason Momoa. I think 576 00:25:40,600 --> 00:25:45,159 Speaker 2: sometimes because Spider Man is so popular and he is 577 00:25:45,240 --> 00:25:47,960 Speaker 2: really cool and has cool abilities, we forget that the 578 00:25:48,000 --> 00:25:51,879 Speaker 2: magic in the character and why people love the character. 579 00:25:52,000 --> 00:25:55,199 Speaker 2: Peter Parker, Yeah, Peter Parker and Peter Parker. Just like 580 00:25:55,200 --> 00:25:58,359 Speaker 2: with Batman doing Bruce Wayne stuff, you have to tether 581 00:25:58,520 --> 00:26:01,879 Speaker 2: him into the real world him go through real world emotions, 582 00:26:02,480 --> 00:26:07,080 Speaker 2: and I think in no way home we sort of 583 00:26:07,119 --> 00:26:09,800 Speaker 2: lost a little bit of that, as fun as that was, 584 00:26:10,480 --> 00:26:13,240 Speaker 2: and it's gonna be good to get back to him 585 00:26:13,440 --> 00:26:16,640 Speaker 2: having to deal with everyday life stuff and deal with 586 00:26:17,080 --> 00:26:20,280 Speaker 2: you know, girlfriend problems or lack of girlfriend problems, and 587 00:26:20,359 --> 00:26:23,720 Speaker 2: so I think Spider Man is in a really good spot. 588 00:26:23,880 --> 00:26:27,800 Speaker 1: Speaking of Spider Man news Deap, Sam Raimi was asked 589 00:26:27,840 --> 00:26:31,679 Speaker 1: about making another Spider Man film with Toby Maguire. He said, 590 00:26:31,760 --> 00:26:34,880 Speaker 1: I think the kids would like to see him. Right now, 591 00:26:34,960 --> 00:26:39,000 Speaker 1: Marvel is a Marvel is very successful with their own 592 00:26:39,040 --> 00:26:42,359 Speaker 1: Spider Man. So I don't think it makes sense right now, 593 00:26:42,440 --> 00:26:45,960 Speaker 1: but the day might come and I'd love to do it. 594 00:26:46,200 --> 00:26:48,840 Speaker 1: Write this shit down, I don't give a fuck. I'm 595 00:26:48,840 --> 00:26:49,359 Speaker 1: telling you. 596 00:26:50,200 --> 00:26:52,320 Speaker 2: I mean, Toby Maguire is going to be in Doomsday, 597 00:26:52,400 --> 00:26:56,120 Speaker 2: so we're getting him again. Did you also see that 598 00:26:56,640 --> 00:27:00,639 Speaker 2: Raymie mentioned that he had spoken to John Malkovich about 599 00:27:00,640 --> 00:27:02,160 Speaker 2: playing the Vulture and Spider Man. 600 00:27:02,119 --> 00:27:04,480 Speaker 1: For Yeah, so that was a while ago. 601 00:27:04,680 --> 00:27:08,439 Speaker 2: Well, he just she's talking about it again, Sam Raimi. 602 00:27:09,440 --> 00:27:12,960 Speaker 2: The idea of Spider Man for in him perpetually talking 603 00:27:13,000 --> 00:27:15,560 Speaker 2: about the idea of Spider Man for is better than anything. 604 00:27:15,600 --> 00:27:17,159 Speaker 1: I mean, I think what's gonna end up happening, and 605 00:27:17,200 --> 00:27:21,240 Speaker 1: they did this in DC is. They created a Batman 606 00:27:21,359 --> 00:27:25,040 Speaker 1: eighty nine comic where it picks up after Batman returns 607 00:27:25,720 --> 00:27:30,320 Speaker 1: and it keeps Billy d Williams's two face. Yeah, Marlon 608 00:27:30,359 --> 00:27:31,320 Speaker 1: Wayams's Robin. 609 00:27:31,480 --> 00:27:34,040 Speaker 2: So you satisfy those fans that are wanting That's what 610 00:27:34,080 --> 00:27:36,960 Speaker 2: they should have done with Zack Snyder's stuff. Don't don't 611 00:27:37,000 --> 00:27:39,840 Speaker 2: give him any more money, Just make a little comic. 612 00:27:40,000 --> 00:27:41,960 Speaker 1: I have the comic. It isn't great, but I like 613 00:27:42,040 --> 00:27:43,840 Speaker 1: the idea of it. I believe they also did it 614 00:27:43,840 --> 00:27:49,040 Speaker 1: with Superman seventy eight. Okay, cool, there's dope. Ryan Reynolds 615 00:27:49,080 --> 00:27:52,600 Speaker 1: is reportedly currently focused on developing a new Deadpool movie. 616 00:27:52,640 --> 00:27:56,439 Speaker 1: This is via puck News. Why don't they cover hockey? Do? 617 00:27:56,600 --> 00:27:56,879 Speaker 2: Oh? 618 00:27:56,920 --> 00:27:59,280 Speaker 1: You know what? They might? He's Canadian. He wanted to 619 00:27:59,280 --> 00:28:00,320 Speaker 1: buy the Senator, so I. 620 00:28:00,440 --> 00:28:03,480 Speaker 2: Figured it out. Yeah good. What's the capital of Canada? 621 00:28:03,680 --> 00:28:04,280 Speaker 1: It's Ottawa. 622 00:28:04,440 --> 00:28:06,320 Speaker 2: Yeah, there you go. Most people don't know that. 623 00:28:06,400 --> 00:28:09,000 Speaker 1: But wasn't his original plan when he bought Wrexham was 624 00:28:09,040 --> 00:28:11,080 Speaker 1: to build that up enough to then sell it and 625 00:28:11,119 --> 00:28:12,240 Speaker 1: then buy the Senators. 626 00:28:12,400 --> 00:28:14,400 Speaker 2: I think you just made that up, but it would 627 00:28:14,480 --> 00:28:14,960 Speaker 2: be surprised. 628 00:28:15,119 --> 00:28:15,959 Speaker 1: I get points for that. 629 00:28:16,560 --> 00:28:18,680 Speaker 2: I would be surprised if his end game is owning 630 00:28:18,680 --> 00:28:22,440 Speaker 2: an NHL team, and not for nothing. You know good, 631 00:28:22,480 --> 00:28:25,440 Speaker 2: I like hockey. I'm not really watching much NHL these days. 632 00:28:25,960 --> 00:28:29,800 Speaker 2: At some point, your your English football club is going 633 00:28:29,880 --> 00:28:31,880 Speaker 2: to be worth more than the NHL team, right. 634 00:28:31,760 --> 00:28:33,720 Speaker 1: It depends on how many leagues it goes up. But 635 00:28:33,800 --> 00:28:36,320 Speaker 1: I also, I mean, he does care about money, but 636 00:28:36,840 --> 00:28:40,120 Speaker 1: I think he would care more about having a hockey team. 637 00:28:40,120 --> 00:28:42,440 Speaker 1: And if I'm the NHL, i'd want Ryan Reynolds in 638 00:28:42,480 --> 00:28:43,080 Speaker 1: my league. 639 00:28:43,200 --> 00:28:45,280 Speaker 2: I agree with both of those things. And also, if 640 00:28:45,280 --> 00:28:47,880 Speaker 2: I'm Ryan Reynolds, now I don't have to travel over 641 00:28:47,920 --> 00:28:49,720 Speaker 2: a fucking ocean to go watch the team that. 642 00:28:49,680 --> 00:28:51,120 Speaker 1: I also, i'd like to get out of the house. 643 00:28:51,120 --> 00:28:54,320 Speaker 1: If I'm Ryan Reynolds too, well, I don't know, judging 644 00:28:54,360 --> 00:28:57,000 Speaker 1: by all those texts like Lively in the house. Yeah 645 00:28:57,000 --> 00:28:57,880 Speaker 1: that's what I'm saying though. 646 00:28:58,000 --> 00:29:00,120 Speaker 2: Oh oh, personality wise, you're saying. 647 00:29:00,080 --> 00:29:04,840 Speaker 1: You've seen those justin Boloney stories. Have you seen that 648 00:29:04,880 --> 00:29:11,520 Speaker 1: in the news lately? That's a recent story. Yeah, so 649 00:29:11,600 --> 00:29:12,840 Speaker 1: Ryan Reynolds, did. 650 00:29:12,680 --> 00:29:14,800 Speaker 2: You add the PTI sounds By the way. 651 00:29:15,640 --> 00:29:18,680 Speaker 1: Don't ask me questions. It's a negative point. For you. 652 00:29:18,680 --> 00:29:27,720 Speaker 1: You know what he's been muted, Ryan Coogler, I don't 653 00:29:27,760 --> 00:29:30,480 Speaker 1: know was he asked about drinking soda. So it's on 654 00:29:30,560 --> 00:29:32,800 Speaker 1: the Good Hang podcast with Amy Poehler, so I could 655 00:29:32,800 --> 00:29:34,520 Speaker 1: see her out of nowher being like, Hey, how do 656 00:29:34,520 --> 00:29:35,360 Speaker 1: you feel about soda? 657 00:29:35,480 --> 00:29:38,360 Speaker 2: Well, Cucko's also just a weird dude, so sometimes she 658 00:29:38,480 --> 00:29:41,000 Speaker 2: goes into these Michael Scott esque rants where you're like, 659 00:29:41,000 --> 00:29:42,240 Speaker 2: I don't really know where he's going. 660 00:29:42,320 --> 00:29:44,440 Speaker 1: So he said, I'm not a big soda person, but 661 00:29:44,760 --> 00:29:47,360 Speaker 1: when they started to let you mix and match, I 662 00:29:47,400 --> 00:29:48,280 Speaker 1: got involved with that. 663 00:29:48,520 --> 00:29:50,520 Speaker 2: He's got a good point. He's got a good point. 664 00:29:50,800 --> 00:29:53,280 Speaker 1: Yes and no, because I like the idea of my 665 00:29:53,440 --> 00:29:56,320 Speaker 1: mixing and matching of soda, but what always happens is 666 00:29:56,360 --> 00:29:59,240 Speaker 1: I just end up with a DDP or orange diet crush. 667 00:29:59,320 --> 00:30:02,680 Speaker 2: I agree with. But the idea of giving the user 668 00:30:02,840 --> 00:30:05,360 Speaker 2: freedom as to adding how much or how little of 669 00:30:05,400 --> 00:30:08,280 Speaker 2: an ingredient they want is great. Like the minute they 670 00:30:08,320 --> 00:30:11,080 Speaker 2: introduced the first time I saw it was the Burlington 671 00:30:11,120 --> 00:30:14,560 Speaker 2: AMC Movie Theater, the minute they introduced those Coca Cola 672 00:30:14,600 --> 00:30:17,800 Speaker 2: machines with the touch screens, and you know, you can 673 00:30:17,840 --> 00:30:19,920 Speaker 2: decide what you want. That was one of the coolest 674 00:30:20,000 --> 00:30:20,640 Speaker 2: days of my life. 675 00:30:20,760 --> 00:30:23,200 Speaker 1: Movie theaters can do this. Take this, I'm gonna save 676 00:30:23,240 --> 00:30:26,760 Speaker 1: your business right now. Instead of giving people one large cup, 677 00:30:27,200 --> 00:30:30,080 Speaker 1: give them a flight of Dixie cups that they can 678 00:30:30,480 --> 00:30:33,440 Speaker 1: create their own markets board of sodas with. 679 00:30:33,840 --> 00:30:36,040 Speaker 2: So you want people in the lobby of the theater 680 00:30:36,240 --> 00:30:38,560 Speaker 2: mixing and matching until they find their right combination. 681 00:30:38,680 --> 00:30:40,920 Speaker 1: I don't want them mixing and matching. I want them. 682 00:30:41,240 --> 00:30:43,120 Speaker 1: In each of their Dixie cups, they can put whatever 683 00:30:43,160 --> 00:30:45,600 Speaker 1: flavor they want in there. So I would I'd have 684 00:30:45,680 --> 00:30:48,240 Speaker 1: like three different flavors, but I'd have seven different cups 685 00:30:48,240 --> 00:30:48,360 Speaker 1: with you. 686 00:30:48,440 --> 00:30:51,200 Speaker 2: So your proposal is every movie theater should have a 687 00:30:51,200 --> 00:30:52,680 Speaker 2: soda lab in the lobby. 688 00:30:52,760 --> 00:30:55,800 Speaker 1: A soda lab, a nice wooden slab where you can 689 00:30:55,880 --> 00:30:58,360 Speaker 1: keep your Dixie cups. It has to be big enough 690 00:30:58,360 --> 00:31:00,360 Speaker 1: to put on your seat, too, so keep that mind. 691 00:31:00,800 --> 00:31:04,840 Speaker 2: Oh see, my idea was, ultimately, at the conclusion of 692 00:31:04,880 --> 00:31:07,720 Speaker 2: your soda lab experience, you leave with one soda that. 693 00:31:07,720 --> 00:31:09,480 Speaker 1: You no, no, no, You get a flight that you put 694 00:31:09,520 --> 00:31:11,160 Speaker 1: on your seat, and then you know that's what you're. 695 00:31:10,960 --> 00:31:12,840 Speaker 2: Doing in the soda lab. That's the point of the 696 00:31:12,880 --> 00:31:13,280 Speaker 2: soda lab. 697 00:31:13,320 --> 00:31:15,719 Speaker 1: Yeah, but what you're suggesting is that you get up 698 00:31:15,720 --> 00:31:18,480 Speaker 1: every time to change your flavor of soda, no name, 699 00:31:18,560 --> 00:31:19,640 Speaker 1: get your different soda flame. 700 00:31:19,680 --> 00:31:22,200 Speaker 2: You're like at a bar. You're at a bar with 701 00:31:22,600 --> 00:31:24,680 Speaker 2: all your options, and you get the little things and 702 00:31:24,680 --> 00:31:27,000 Speaker 2: your mixing and matching, and ultimately you're gonna come up 703 00:31:27,000 --> 00:31:29,280 Speaker 2: with a perfect concoction that you didn't take into the theater. 704 00:31:29,640 --> 00:31:31,160 Speaker 2: So now you have to get to the theater two 705 00:31:31,200 --> 00:31:33,160 Speaker 2: hours early so you can figure out what your soda 706 00:31:33,160 --> 00:31:34,080 Speaker 2: concoction is going to be. 707 00:31:34,200 --> 00:31:37,000 Speaker 1: Say, I have eight Dixie cups. I'm gonna go to 708 00:31:37,360 --> 00:31:39,600 Speaker 1: diet Crush. I'm gonna go to DDP. 709 00:31:40,040 --> 00:31:43,320 Speaker 2: I knocking the triangle water ones or like. 710 00:31:43,240 --> 00:31:46,680 Speaker 1: The can it doesn't matter, Okay, use your imagination, Mac. 711 00:31:47,080 --> 00:31:49,440 Speaker 1: And then in the other four maybe I'll add a 712 00:31:49,440 --> 00:31:51,960 Speaker 1: little bit of cherry into my DDP. Maybe I'll add 713 00:31:51,960 --> 00:31:54,240 Speaker 1: a little bit of vanilla into my DDP. I don't know. 714 00:31:54,360 --> 00:31:56,280 Speaker 2: I don't like those waxy ones that you get at 715 00:31:56,320 --> 00:31:56,840 Speaker 2: the dentist. 716 00:31:57,080 --> 00:31:58,920 Speaker 1: I don't know what the overhead is on these cups. 717 00:31:58,960 --> 00:31:59,960 Speaker 1: So we need to think finance. 718 00:32:00,520 --> 00:32:03,520 Speaker 2: Yeah, yeah, can think of No, let's draw back the 719 00:32:03,560 --> 00:32:06,600 Speaker 2: soda lab I did until we have full financing. 720 00:32:07,840 --> 00:32:10,840 Speaker 1: News dub what's this story? You out of it? 721 00:32:11,080 --> 00:32:14,320 Speaker 2: Uh Goo? I know you're a big John Rambo guy, 722 00:32:15,560 --> 00:32:19,400 Speaker 2: and I will say I do think First Blood is 723 00:32:19,440 --> 00:32:21,680 Speaker 2: one of the like twenty five best movies of all time. 724 00:32:21,720 --> 00:32:25,680 Speaker 2: First Blood is fucking sick. There's a Rambo prequel in 725 00:32:25,720 --> 00:32:31,400 Speaker 2: the works starring Noah Sentineo, directed by cisu's Jalmi Hellander. 726 00:32:31,680 --> 00:32:33,440 Speaker 2: I believe they just came out with a second seasu, 727 00:32:33,520 --> 00:32:36,640 Speaker 2: but people love that first one. It's in production. We 728 00:32:36,720 --> 00:32:38,880 Speaker 2: got a little movie poster from it, and it's going 729 00:32:38,920 --> 00:32:42,000 Speaker 2: to be produced by the Russo brothers. Now, I do think, 730 00:32:42,760 --> 00:32:47,400 Speaker 2: very much like say Halloween or Friday the Thirteenth, the 731 00:32:47,760 --> 00:32:51,719 Speaker 2: First Blood John Rambo franchise lost its way very quickly, 732 00:32:51,960 --> 00:32:54,080 Speaker 2: but that first movie is an all time great. 733 00:32:53,920 --> 00:32:55,560 Speaker 1: Hear me out. I just thought of this much like 734 00:32:55,600 --> 00:32:58,680 Speaker 1: my Soda Machine idea with the Dixie Cups. Much like 735 00:32:58,840 --> 00:33:03,040 Speaker 1: how they've found a way to flip Predator on its head, 736 00:33:03,560 --> 00:33:05,800 Speaker 1: they need to find a way to flip Rambo on 737 00:33:05,840 --> 00:33:06,200 Speaker 1: its head. 738 00:33:06,280 --> 00:33:08,840 Speaker 2: Yeah, so I'm curious here because they did it also 739 00:33:09,160 --> 00:33:12,560 Speaker 2: with the Rocky franchise. You know, there is an avenue 740 00:33:12,600 --> 00:33:15,880 Speaker 2: to have one or two nice stories in the Rambo 741 00:33:15,960 --> 00:33:18,959 Speaker 2: franchise pre First Blood, because by the time we get 742 00:33:19,000 --> 00:33:21,920 Speaker 2: the First Blood, he already has major PTSD. He's come 743 00:33:22,000 --> 00:33:22,680 Speaker 2: back for more. 744 00:33:22,760 --> 00:33:25,400 Speaker 1: You know, can we do a movie where we see 745 00:33:25,520 --> 00:33:28,720 Speaker 1: Rambo from the other side, from the attackers. I was 746 00:33:28,760 --> 00:33:31,680 Speaker 1: just gonna say out how to take down this monster? 747 00:33:31,800 --> 00:33:34,920 Speaker 2: I was just gonna say also, inherently because of the 748 00:33:35,000 --> 00:33:39,080 Speaker 2: nature of the war, Vietnam is a really interesting story 749 00:33:39,240 --> 00:33:41,680 Speaker 2: and there's a lot of stuff you can play with 750 00:33:42,280 --> 00:33:46,760 Speaker 2: PTSD wise, you know, with the Vietcong and the US 751 00:33:46,800 --> 00:33:50,880 Speaker 2: like essentially losing the war, so there's a lot of 752 00:33:50,880 --> 00:33:53,120 Speaker 2: stuff at play there. I don't know how interesting it'll 753 00:33:53,120 --> 00:33:55,120 Speaker 2: be to the masses, but if it has the Rambo 754 00:33:55,200 --> 00:33:56,560 Speaker 2: name attached to it'll do all right. 755 00:33:56,600 --> 00:34:00,400 Speaker 1: Okay, my thought earlier that I forgot of with Avengers Doomsday, 756 00:34:00,440 --> 00:34:02,360 Speaker 1: I was gonna bring this up. I was talking to 757 00:34:02,400 --> 00:34:05,320 Speaker 1: a coworker the other day about it and what hit me. 758 00:34:05,680 --> 00:34:08,840 Speaker 1: And I think what made Infinity War and Endgame so 759 00:34:09,000 --> 00:34:12,160 Speaker 1: good is that, yes, the Russo Brothers that they did 760 00:34:12,200 --> 00:34:15,440 Speaker 1: a great job with keeping that as tight as possible 761 00:34:15,440 --> 00:34:18,160 Speaker 1: while also letting all the characters breathe and do their thing. 762 00:34:18,719 --> 00:34:22,760 Speaker 1: But didn't the movie have Taikawatiti and James Gunn punching 763 00:34:22,760 --> 00:34:26,120 Speaker 1: it up for their characters and also making a little 764 00:34:26,120 --> 00:34:26,800 Speaker 1: more playable. 765 00:34:26,880 --> 00:34:30,480 Speaker 2: They consulted on it, so in my mind that means 766 00:34:31,160 --> 00:34:33,800 Speaker 2: the Russo's wrote the script and probably sent it to 767 00:34:33,840 --> 00:34:34,440 Speaker 2: them and said. 768 00:34:34,360 --> 00:34:35,800 Speaker 1: Hey, can you fix your characters? 769 00:34:35,960 --> 00:34:38,360 Speaker 2: Or yeah, is there anything I'm doing wrong here? Is 770 00:34:38,440 --> 00:34:40,600 Speaker 2: there is this something a character would or wouldn't do? 771 00:34:40,960 --> 00:34:43,359 Speaker 2: And I have to imagine for the most part, they 772 00:34:43,400 --> 00:34:47,480 Speaker 2: wouldn't really change much. I'm sure they'd be like, uh, 773 00:34:47,520 --> 00:34:49,080 Speaker 2: he probably would do this instead of this, but it's 774 00:34:49,080 --> 00:34:51,239 Speaker 2: probably just one or two things for each character. 775 00:34:50,920 --> 00:34:52,759 Speaker 1: Because I would assume that you're not getting help from 776 00:34:52,760 --> 00:34:54,320 Speaker 1: either of them on this next movie. 777 00:34:54,560 --> 00:34:56,080 Speaker 2: Yeah, you're probably right, all. 778 00:34:56,080 --> 00:35:00,560 Speaker 1: Right, that was my thought. News dumb hey white lotus boy. Yeah, 779 00:35:00,719 --> 00:35:02,239 Speaker 1: you see the cast for season four? 780 00:35:02,400 --> 00:35:03,759 Speaker 2: No, I haven't. Please tell me who was. 781 00:35:03,960 --> 00:35:06,600 Speaker 1: Helena Bonham, Carter eh Steve Coogan. 782 00:35:06,760 --> 00:35:07,600 Speaker 2: I don't know who that is. 783 00:35:07,880 --> 00:35:09,560 Speaker 1: I don't know either. He's a cool name, though he 784 00:35:09,560 --> 00:35:12,400 Speaker 1: does have a cool name. Caleb Jonte Edwards. 785 00:35:12,520 --> 00:35:13,759 Speaker 2: I also do not know who that is. 786 00:35:14,000 --> 00:35:14,799 Speaker 1: Marissa Long. 787 00:35:15,080 --> 00:35:16,400 Speaker 2: Make that three people. I don't know. 788 00:35:16,600 --> 00:35:19,840 Speaker 1: Alexander Ludwig I do know him. Chris Messina, I do 789 00:35:19,920 --> 00:35:20,480 Speaker 1: know him too. 790 00:35:20,520 --> 00:35:22,880 Speaker 2: I actually like Christmasina is really good at being a dickhead. 791 00:35:23,040 --> 00:35:25,879 Speaker 1: And aj Mishaka, Yeah you know her. 792 00:35:25,920 --> 00:35:28,759 Speaker 2: She was a Disney Channel girl Ali and aj Kure's. 793 00:35:28,960 --> 00:35:32,520 Speaker 2: Here's my problem with White Lotus. I've heard the season 794 00:35:32,520 --> 00:35:34,600 Speaker 2: three is not very good. You've watched all three seasons. 795 00:35:34,680 --> 00:35:38,360 Speaker 1: Yes, yes, I've seen parts of all three seasons. 796 00:35:38,560 --> 00:35:41,040 Speaker 2: So I'm like smack dab in the middle of season 797 00:35:41,080 --> 00:35:43,600 Speaker 2: two and it's kind of losing steam for me. So 798 00:35:44,200 --> 00:35:46,479 Speaker 2: do I continue to watch it? Because I heard season 799 00:35:46,560 --> 00:35:49,920 Speaker 2: two is great? I loved season one. Season three. I 800 00:35:49,960 --> 00:35:52,359 Speaker 2: might just skip all together and start with season four 801 00:35:52,480 --> 00:35:54,480 Speaker 2: up again. I don't know should I finish season two? 802 00:35:54,640 --> 00:35:58,760 Speaker 1: Season three wasn't bad. Plus season three has the Sam 803 00:35:58,840 --> 00:36:00,000 Speaker 1: Rockwell stuff too. 804 00:36:00,000 --> 00:36:01,799 Speaker 2: All right, so I should just watch just watch it. 805 00:36:01,880 --> 00:36:03,799 Speaker 1: You watch a lot of TV if you were me, 806 00:36:04,000 --> 00:36:05,839 Speaker 1: and you know I don't have time to do shit, 807 00:36:06,520 --> 00:36:07,680 Speaker 1: so like I wouldn't do it. 808 00:36:07,719 --> 00:36:08,920 Speaker 2: Well, you're too busy, Collajia. 809 00:36:09,040 --> 00:36:11,760 Speaker 1: I'm too busy, Collajia. I'm too busy winning collages. 810 00:36:12,200 --> 00:36:15,960 Speaker 2: Sorry. Sorry, Now you have to keep a whiteboard of 811 00:36:16,520 --> 00:36:17,839 Speaker 2: the standings. 812 00:36:17,520 --> 00:36:20,080 Speaker 1: So I have the standings in my head, I should 813 00:36:20,280 --> 00:36:20,840 Speaker 1: you should. 814 00:36:20,600 --> 00:36:22,799 Speaker 2: Award one, two and three points. First place you get three, 815 00:36:22,840 --> 00:36:24,879 Speaker 2: second place you get two, third place you get one point. 816 00:36:24,960 --> 00:36:27,080 Speaker 1: So third place is just like a participation. You shouldn't 817 00:36:27,080 --> 00:36:28,640 Speaker 1: get any points for third place, all. 818 00:36:28,600 --> 00:36:30,520 Speaker 2: Right, So three to one in zero then first place 819 00:36:30,560 --> 00:36:32,200 Speaker 2: you get three, second place you get one point, third 820 00:36:32,200 --> 00:36:33,360 Speaker 2: place you get zero points. 821 00:36:33,200 --> 00:36:35,480 Speaker 1: Or you go two for the win. Like a hockey game. 822 00:36:35,520 --> 00:36:38,239 Speaker 1: You win in regulation, you get two points. Second place 823 00:36:38,320 --> 00:36:40,960 Speaker 1: is an overtime, and then third is just a loss. 824 00:36:41,080 --> 00:36:43,480 Speaker 2: Well that you're sort of devaluing the win. Now, should 825 00:36:43,520 --> 00:36:46,160 Speaker 2: the wins be paramount? So three one zero, I think? 826 00:36:46,239 --> 00:36:46,839 Speaker 2: Does it? Well? 827 00:36:47,000 --> 00:36:50,040 Speaker 1: Maybe we do fifty points for a win, one point 828 00:36:50,080 --> 00:36:52,880 Speaker 1: for a second place, and then zero for third. 829 00:36:52,920 --> 00:36:54,560 Speaker 2: But if you get zero percent of the vote in 830 00:36:54,600 --> 00:36:55,680 Speaker 2: third place, that's one hundred. 831 00:36:55,840 --> 00:36:57,480 Speaker 1: Oh are we gonna work percentages into this? 832 00:36:58,000 --> 00:36:58,200 Speaker 2: No? 833 00:36:58,520 --> 00:37:01,279 Speaker 1: Okay, because I did get seventy five percent on my 834 00:37:01,320 --> 00:37:05,480 Speaker 1: wow wow once again. Art school it's like an election. 835 00:37:05,800 --> 00:37:08,000 Speaker 2: It's just whether you either win or you lose. 836 00:37:08,040 --> 00:37:10,200 Speaker 1: Although my son does tell me now, whenever I tell him, 837 00:37:10,520 --> 00:37:12,000 Speaker 1: I'm like, hey, I went to art School's like I 838 00:37:12,040 --> 00:37:14,240 Speaker 1: want to go to art school. My first reactions always 839 00:37:14,400 --> 00:37:17,320 Speaker 1: like hell you are. You are not going to art school. 840 00:37:18,640 --> 00:37:21,480 Speaker 2: My favorite note about you going to art school is 841 00:37:21,520 --> 00:37:24,719 Speaker 2: you went to art school and then shortly after graduating 842 00:37:24,800 --> 00:37:26,759 Speaker 2: art school, the art school disappeared. 843 00:37:26,840 --> 00:37:29,120 Speaker 1: It disappeared. It was a chain, it was a it 844 00:37:29,160 --> 00:37:30,800 Speaker 1: was a pyramid scheme, it was a scam. 845 00:37:30,920 --> 00:37:34,320 Speaker 2: Yeah. Yeah, did you pay back all your money before 846 00:37:34,360 --> 00:37:35,000 Speaker 2: they folded? 847 00:37:35,200 --> 00:37:35,480 Speaker 1: Yeah? 848 00:37:35,600 --> 00:37:36,640 Speaker 2: Oh that's unfortunate. 849 00:37:36,760 --> 00:37:40,640 Speaker 1: I know. So I work with three other people that 850 00:37:40,719 --> 00:37:43,080 Speaker 1: went to my art school. Yeah, and we always joke 851 00:37:43,120 --> 00:37:45,840 Speaker 1: around that were the most successful people from our art school. 852 00:37:46,880 --> 00:37:49,440 Speaker 2: Yeah. You and then another one of my best pals 853 00:37:49,880 --> 00:37:51,440 Speaker 2: went to the same school at the same time, and 854 00:37:51,480 --> 00:37:55,759 Speaker 2: you guys were meant to be perpetually the host in 855 00:37:56,200 --> 00:37:58,680 Speaker 2: number one alumni of that school, and now the school 856 00:37:58,840 --> 00:37:59,280 Speaker 2: no longer. 857 00:37:59,360 --> 00:38:02,840 Speaker 1: I mean, I'm still annumber one alumni. That Daily's probably 858 00:38:02,840 --> 00:38:04,839 Speaker 1: the number daily has got the most get the most 859 00:38:04,920 --> 00:38:05,560 Speaker 1: juice right now? 860 00:38:05,680 --> 00:38:07,400 Speaker 2: Ah, the bar things crushing it. 861 00:38:07,400 --> 00:38:10,480 Speaker 1: Well. I was gonna say, is this a podcast or 862 00:38:10,560 --> 00:38:15,400 Speaker 1: is it a Seeger podcast? I'm hoping to be in 863 00:38:15,400 --> 00:38:16,160 Speaker 1: one of his videos. 864 00:38:16,200 --> 00:38:18,360 Speaker 2: That's it. That's all you gotta do is ask, He'll go. 865 00:38:18,560 --> 00:38:21,600 Speaker 1: Oh I already asked. Hopefully this next weekend you want 866 00:38:21,600 --> 00:38:21,959 Speaker 1: to join. 867 00:38:22,160 --> 00:38:23,320 Speaker 2: Are you going to go to the place down the 868 00:38:23,320 --> 00:38:23,799 Speaker 2: street from you? 869 00:38:24,000 --> 00:38:25,160 Speaker 1: Is there a place down the street from me? 870 00:38:25,239 --> 00:38:27,080 Speaker 2: Yeah? That I had that sandwich from like a month ago. 871 00:38:27,200 --> 00:38:29,640 Speaker 1: That was a good Loans. Yes, I do love Sloans. 872 00:38:29,680 --> 00:38:30,239 Speaker 2: You should go there. 873 00:38:30,320 --> 00:38:31,200 Speaker 1: I do love Sloans. 874 00:38:31,320 --> 00:38:33,319 Speaker 2: Yeah, that place is nice. I've had one meal from 875 00:38:33,320 --> 00:38:34,319 Speaker 2: there and I really enjoyed it. 876 00:38:34,360 --> 00:38:36,280 Speaker 1: I've had several. You know what they make, it's amazing. 877 00:38:36,760 --> 00:38:38,359 Speaker 1: Before I lose what's your hand? 878 00:38:38,440 --> 00:38:41,520 Speaker 2: Go ahead? That trade of Joe's nare you it was hectic? 879 00:38:41,680 --> 00:38:44,200 Speaker 1: It is insane. Getting in and out of there is crazy. 880 00:38:44,239 --> 00:38:46,120 Speaker 1: If you go on a Sunday, you are stuck. 881 00:38:46,320 --> 00:38:48,680 Speaker 2: Yes, yeah, all right, So Loans. 882 00:38:47,800 --> 00:38:51,040 Speaker 1: Sloans great chicken wings. First off, get the chicken wings 883 00:38:51,040 --> 00:38:55,640 Speaker 1: next time, either dry or with buffalo both great. Second point, 884 00:38:55,800 --> 00:39:01,960 Speaker 1: they have an amazing deconstructed Snickers bars. Okay that sometimes 885 00:39:02,040 --> 00:39:06,360 Speaker 1: I go there just for that. Wow, I'm intrigued. It's intrigued. 886 00:39:06,800 --> 00:39:09,680 Speaker 2: I like the idea of deconstructing things. I don't know 887 00:39:09,719 --> 00:39:11,799 Speaker 2: if it works out that often, but I like the 888 00:39:11,840 --> 00:39:12,520 Speaker 2: idea of it. 889 00:39:12,600 --> 00:39:14,560 Speaker 1: None of my family will go with me because they 890 00:39:14,600 --> 00:39:19,600 Speaker 1: say it's too rich. It's dessert people. 891 00:39:19,719 --> 00:39:21,880 Speaker 2: Yeah, you gotta walk in there with your Harvard sweatshirt 892 00:39:21,920 --> 00:39:23,000 Speaker 2: and your Harvard ball cap. 893 00:39:23,200 --> 00:39:24,719 Speaker 1: I walk in there with the top hat and my 894 00:39:24,760 --> 00:39:29,399 Speaker 1: smoking jacket. I'm here for you're deconstructed snookers ball. 895 00:39:29,520 --> 00:39:33,279 Speaker 2: You're constantly asking if you if asking people in there 896 00:39:33,280 --> 00:39:34,640 Speaker 2: if they like apples. 897 00:39:34,560 --> 00:39:37,400 Speaker 1: That I'm always, you know, saying, oh I drop my 898 00:39:37,440 --> 00:39:41,279 Speaker 1: gold coins. Sorry, I pick them up, put them back 899 00:39:41,280 --> 00:39:42,800 Speaker 1: in my pocket. I have a hole in my pocket. 900 00:39:43,080 --> 00:39:46,200 Speaker 1: But still man news, don't. 901 00:39:48,080 --> 00:39:50,799 Speaker 2: I'd say, uh goo yeah, Now that we get to 902 00:39:50,840 --> 00:39:51,880 Speaker 2: the final topic here. 903 00:39:51,800 --> 00:39:53,960 Speaker 1: Well there's two more, but go ahead. Oh oh all right, 904 00:39:54,000 --> 00:39:56,160 Speaker 1: Oh Jordan Peel he spoke about I forget where he 905 00:39:56,239 --> 00:39:58,279 Speaker 1: spoke about this. I saw it on Instagram. I had 906 00:39:58,320 --> 00:40:00,000 Speaker 1: to Google it later. So this is according to Google 907 00:40:00,000 --> 00:40:03,200 Speaker 1: will Ai overview. So maybe it's maybe it's right, maybe 908 00:40:03,200 --> 00:40:06,480 Speaker 1: it's wrong. Who cares? But he said something along the 909 00:40:06,480 --> 00:40:10,040 Speaker 1: lines of the reason why he switched from acting to directing, 910 00:40:10,120 --> 00:40:13,480 Speaker 1: like his focus went to directing is he was offered 911 00:40:13,520 --> 00:40:17,680 Speaker 1: the role as the poop Emoji in the Emoji movie, 912 00:40:17,680 --> 00:40:20,439 Speaker 1: and he's sat back and said what are we doing? 913 00:40:20,880 --> 00:40:23,319 Speaker 1: What is this? And then he shifted and said, I'm 914 00:40:23,360 --> 00:40:24,520 Speaker 1: gonna make my own movies. 915 00:40:24,880 --> 00:40:27,040 Speaker 2: So get Out came out in twenty seventeen, so I 916 00:40:27,040 --> 00:40:27,759 Speaker 2: don't know if that's in time. 917 00:40:27,880 --> 00:40:29,759 Speaker 1: Well, so the movie came the Emoji movie came out 918 00:40:29,760 --> 00:40:32,560 Speaker 1: in twenty seventeen, but they probably started prep three years prior. 919 00:40:32,560 --> 00:40:35,560 Speaker 2: True, that's true. This is interesting to think about because 920 00:40:35,680 --> 00:40:39,160 Speaker 2: Keeg and Michael Key has gotten some dramatic and serious 921 00:40:39,280 --> 00:40:41,720 Speaker 2: roles in the year since Key and Peel and Jordan 922 00:40:41,800 --> 00:40:45,520 Speaker 2: Peele hasn't. They are different in the in their styles, 923 00:40:45,560 --> 00:40:47,960 Speaker 2: but they both showed the ability to like do something. 924 00:40:48,040 --> 00:40:49,000 Speaker 2: I would say things. 925 00:40:49,120 --> 00:40:52,440 Speaker 1: I would say that Jordan Peele was probably offered several roles, 926 00:40:52,440 --> 00:40:55,320 Speaker 1: but he's just taken on a whole new thought process. 927 00:40:55,480 --> 00:40:57,439 Speaker 2: Yeah, no, I understand it. But like Keegan, Michael Key 928 00:40:57,560 --> 00:41:01,280 Speaker 2: was acting in more things even back then than Jordan 929 00:41:01,360 --> 00:41:03,440 Speaker 2: Peele was, so I'm curious if he had already sort 930 00:41:03,480 --> 00:41:06,440 Speaker 2: of went down that play behind the camera stuff. 931 00:41:06,480 --> 00:41:09,720 Speaker 1: I've watched a lot of Ben Affleck and Matt Damon 932 00:41:10,040 --> 00:41:12,320 Speaker 1: interviews over the last three or four weeks. Whenever I 933 00:41:12,360 --> 00:41:13,839 Speaker 1: see a new one on YouTube, I'm like, I'm gonna 934 00:41:13,840 --> 00:41:16,600 Speaker 1: watch this. I just love their chemistry, I just love 935 00:41:16,680 --> 00:41:19,920 Speaker 1: their friendship and they always talk about how like Damon 936 00:41:20,040 --> 00:41:23,480 Speaker 1: is more selective with what he picks than Affleck or 937 00:41:23,520 --> 00:41:25,720 Speaker 1: he was at the beginning. Affleck would just do anything 938 00:41:25,760 --> 00:41:29,719 Speaker 1: at the beginning, and then morphing into a director. And 939 00:41:29,760 --> 00:41:31,399 Speaker 1: then one of the questions was do you think Matt 940 00:41:31,480 --> 00:41:34,360 Speaker 1: Damon would be a good director, And he's like, I 941 00:41:34,400 --> 00:41:37,759 Speaker 1: think he'd be amazing, But he also wants to have 942 00:41:37,800 --> 00:41:40,000 Speaker 1: a life, and if you're a director, you can't have 943 00:41:40,040 --> 00:41:40,520 Speaker 1: a life. 944 00:41:40,600 --> 00:41:44,440 Speaker 2: Yeah, no, that that makes sense. Yeah, I I like 945 00:41:44,520 --> 00:41:48,240 Speaker 2: when it comes to to Peel, I'm just curious because 946 00:41:48,280 --> 00:41:51,040 Speaker 2: it is an interesting thing to think about. Like the 947 00:41:51,160 --> 00:41:53,760 Speaker 2: dynamic I guess is not necessarily the same as Affleck 948 00:41:53,800 --> 00:41:56,760 Speaker 2: and Damon, but yeah, there is a lot that goes 949 00:41:56,800 --> 00:41:59,919 Speaker 2: into deciding what you want to do, you know, whether 950 00:42:00,040 --> 00:42:02,680 Speaker 2: you want and it's not black and white, right, So 951 00:42:03,280 --> 00:42:06,640 Speaker 2: when you're more selective, you know, maybe in ten years 952 00:42:06,680 --> 00:42:08,520 Speaker 2: you'll be less selective. Or maybe I'd like to make 953 00:42:08,680 --> 00:42:10,799 Speaker 2: a fat check, you know, like I would love a 954 00:42:11,080 --> 00:42:12,440 Speaker 2: check's ebbs and flows to it. 955 00:42:12,520 --> 00:42:14,080 Speaker 1: I would love a fat check. 956 00:42:14,239 --> 00:42:17,479 Speaker 2: I think Jordan Peel, as much as his directing career 957 00:42:17,520 --> 00:42:21,520 Speaker 2: has been uneven, and he set the expectations super high 958 00:42:21,600 --> 00:42:24,520 Speaker 2: with Get out. He's shown enough in all of his 959 00:42:24,600 --> 00:42:26,839 Speaker 2: movies to let you know that every time he makes 960 00:42:26,840 --> 00:42:29,040 Speaker 2: a movie, it might be the best movie of the year. 961 00:42:29,120 --> 00:42:30,960 Speaker 2: So I think he chose correctly. 962 00:42:31,080 --> 00:42:33,360 Speaker 1: I was also there was another interview, and I forget 963 00:42:33,360 --> 00:42:35,920 Speaker 1: who he was talking with, but Matt Damon did say 964 00:42:36,000 --> 00:42:38,880 Speaker 1: that when you work with Netflix, they tell you that 965 00:42:38,960 --> 00:42:41,280 Speaker 1: you need to have an action scene within the first 966 00:42:41,320 --> 00:42:43,560 Speaker 1: five minutes. Yeah, I saw this, And you need to 967 00:42:43,719 --> 00:42:45,719 Speaker 1: remind the audience of what the plot is. 968 00:42:45,760 --> 00:42:48,160 Speaker 2: You have to reiterate the story like four times. 969 00:42:48,239 --> 00:42:51,879 Speaker 1: They didn't say need, but they suggested maybe you kind 970 00:42:51,920 --> 00:42:54,200 Speaker 1: of mentioned what the plot is it three or four times. 971 00:42:54,280 --> 00:42:58,280 Speaker 2: Yeah, And and he's right because a streaming movie inherently 972 00:42:58,719 --> 00:43:01,080 Speaker 2: is going to be received differently in the theater movie. 973 00:43:01,200 --> 00:43:03,800 Speaker 2: When I'm at home, I'm gonna have my phone and 974 00:43:03,880 --> 00:43:05,520 Speaker 2: if the story is good enough, yeah, sure, I'll put 975 00:43:05,520 --> 00:43:08,080 Speaker 2: my phone down when I have In most cases, I'm 976 00:43:08,320 --> 00:43:13,879 Speaker 2: have my laptop, I have my hog out, doesn't matter. 977 00:43:13,880 --> 00:43:16,720 Speaker 1: At the time of the day, I've already mixed my soda. 978 00:43:16,840 --> 00:43:21,759 Speaker 1: I can do whatever I want at home. It's done. 979 00:43:23,040 --> 00:43:26,600 Speaker 1: And finally, Oh, I wonder, wonder, wonder, wonder, who I 980 00:43:26,800 --> 00:43:29,480 Speaker 1: what who what's in a wonder Man. 981 00:43:30,480 --> 00:43:34,680 Speaker 2: I'm happy to report that wonder Man was an absolute 982 00:43:34,760 --> 00:43:40,160 Speaker 2: delight of a viewing. It was really, really enjoyable. Uh 983 00:43:40,320 --> 00:43:43,400 Speaker 2: yahya abdulah Mateen. I think his name is I'll just 984 00:43:43,400 --> 00:43:45,520 Speaker 2: call him yah yah because I can't remember his last name. 985 00:43:45,880 --> 00:43:48,800 Speaker 2: And Ben Kingsley are fucking great together. 986 00:43:49,200 --> 00:43:53,080 Speaker 1: I'm looking forward to watching it. I'm it. I turned 987 00:43:53,080 --> 00:43:55,440 Speaker 1: it on last night because I've had to wait until 988 00:43:55,480 --> 00:44:00,200 Speaker 1: my wife finished Bridgerton, okay, and I fell asleep the 989 00:44:00,200 --> 00:44:02,760 Speaker 1: first five minutes, not because of the show, but because 990 00:44:03,080 --> 00:44:04,600 Speaker 1: it's goddamn weak, just won't end. 991 00:44:04,760 --> 00:44:07,319 Speaker 2: Yeah, and it's eight episodes. I think it's twenty five 992 00:44:07,360 --> 00:44:11,640 Speaker 2: minute episodes. They're they're pretty quick. The duo is great, 993 00:44:11,920 --> 00:44:14,759 Speaker 2: they're great together. We go back and forth on this 994 00:44:14,840 --> 00:44:18,080 Speaker 2: right because I do ultimately want the stuff i'm watching 995 00:44:18,160 --> 00:44:21,480 Speaker 2: to matter. I'm not sure if this will. But it's 996 00:44:21,520 --> 00:44:25,160 Speaker 2: so good that I don't care. So it's not like 997 00:44:25,480 --> 00:44:27,400 Speaker 2: I don't think it's a forty dog or anything like that, 998 00:44:27,520 --> 00:44:30,879 Speaker 2: but it's it's a real pleasant surprise, and it's they're 999 00:44:30,920 --> 00:44:33,520 Speaker 2: just so good together, and the story is paced well, 1000 00:44:33,960 --> 00:44:36,120 Speaker 2: you know, you have you have a couple episodes that 1001 00:44:36,120 --> 00:44:38,880 Speaker 2: are a little slower, but the pacing's strong. And then 1002 00:44:38,920 --> 00:44:41,840 Speaker 2: there's an episode in this show, gou it's either I 1003 00:44:41,840 --> 00:44:45,600 Speaker 2: think it's episode five or six that a lot of 1004 00:44:45,600 --> 00:44:48,200 Speaker 2: people online are comparing it to an episode of Atlanta, 1005 00:44:48,320 --> 00:44:50,759 Speaker 2: and they're absolutely right, Like what is it called? Like 1006 00:44:50,800 --> 00:44:53,960 Speaker 2: a bottle episode? Or yeah, it's an all time great like. 1007 00:44:53,920 --> 00:44:56,239 Speaker 1: All in one spot, not all in one spot. I 1008 00:44:56,239 --> 00:44:57,640 Speaker 1: guess that's what a bottle episode. 1009 00:44:57,800 --> 00:45:00,680 Speaker 2: It's one like Atlanta used to do, like a off where. 1010 00:45:00,920 --> 00:45:03,080 Speaker 1: Okay, so are you saying that it's is it one 1011 00:45:03,280 --> 00:45:04,280 Speaker 1: consistent shot? 1012 00:45:04,440 --> 00:45:08,680 Speaker 2: No? No, No, it's introduces. There's like a character or 1013 00:45:08,760 --> 00:45:12,200 Speaker 2: story mentioned prior to the episode, and this episode is 1014 00:45:12,239 --> 00:45:13,799 Speaker 2: all about that one character. 1015 00:45:13,600 --> 00:45:16,439 Speaker 1: And they do like a complete side episode. Yes, which 1016 00:45:16,600 --> 00:45:19,480 Speaker 1: so Atlanta did that and I feel like Community used 1017 00:45:19,520 --> 00:45:20,640 Speaker 1: to do it a ton as well. 1018 00:45:20,760 --> 00:45:22,919 Speaker 2: Yeah, so this is very much like that. But it's 1019 00:45:22,920 --> 00:45:23,759 Speaker 2: fucking phenomenal. 1020 00:45:23,840 --> 00:45:28,239 Speaker 1: Okay, I know I've so much Bridgerton and I've I've 1021 00:45:28,280 --> 00:45:33,000 Speaker 1: only seen bits and pieces. I don't fully understand the 1022 00:45:33,080 --> 00:45:34,520 Speaker 1: appeal of it. Have you seen Bridgerton? 1023 00:45:34,719 --> 00:45:36,640 Speaker 2: No? No, I surely have not any. 1024 00:45:36,440 --> 00:45:38,399 Speaker 1: Of your loved ones? No? 1025 00:45:38,400 --> 00:45:42,280 Speaker 2: No, my loved one is more into like the trash television. 1026 00:45:42,320 --> 00:45:44,200 Speaker 2: She likes to take her mind off things when. 1027 00:45:44,080 --> 00:45:46,600 Speaker 1: She's well, this is this is trash. 1028 00:45:46,680 --> 00:45:49,200 Speaker 2: Oh okay, I thought it was like a British I 1029 00:45:49,200 --> 00:45:50,400 Speaker 2: thought it was like Dunton Abbey. 1030 00:45:50,480 --> 00:45:54,239 Speaker 1: So it's that oh but with fucking oh. 1031 00:45:53,760 --> 00:45:55,840 Speaker 2: Okay, yeah, color remain intrigued. 1032 00:45:55,960 --> 00:45:58,759 Speaker 1: So my wife was telling her mother about it. She's like, oh, 1033 00:45:58,840 --> 00:46:01,239 Speaker 1: it's a period piece, so you could it's it's kind 1034 00:46:01,239 --> 00:46:04,279 Speaker 1: of like period porn. So it's a period piece and 1035 00:46:04,880 --> 00:46:08,560 Speaker 1: it's the meanings to that gude and uh. She's telling 1036 00:46:08,600 --> 00:46:10,280 Speaker 1: her mom like, oh, it's all these you know, British 1037 00:46:10,280 --> 00:46:13,160 Speaker 1: actors and they're it's kind of like a primetime soaproper 1038 00:46:13,200 --> 00:46:15,400 Speaker 1: a kind of like Gossip Girl but with that. And 1039 00:46:15,440 --> 00:46:18,600 Speaker 1: I'm like, tell your mother how raunchy the show is. 1040 00:46:18,760 --> 00:46:21,320 Speaker 1: Tell her how crass the show is for the boys. 1041 00:46:21,520 --> 00:46:24,439 Speaker 1: Don't let her walk into it being like, oh, I'm 1042 00:46:24,480 --> 00:46:25,800 Speaker 1: not going to see someone's hog. 1043 00:46:25,840 --> 00:46:28,120 Speaker 2: Well, if she's just watching it on her own or 1044 00:46:28,120 --> 00:46:30,560 Speaker 2: with your father in law, then it doesn't really matter, right. 1045 00:46:30,640 --> 00:46:33,600 Speaker 1: If you're gonna suggest something to someone, you need to 1046 00:46:33,640 --> 00:46:36,160 Speaker 1: be very upfront first off, Know who the person is, 1047 00:46:36,960 --> 00:46:40,440 Speaker 1: Know what might you know throw them off, or like 1048 00:46:40,719 --> 00:46:42,480 Speaker 1: you need to tell them about that stuff when you're 1049 00:46:42,480 --> 00:46:43,080 Speaker 1: suggesting it. 1050 00:46:43,200 --> 00:46:45,840 Speaker 2: Yeah. Yeah, my lady friend is more into like the 1051 00:46:45,880 --> 00:46:47,160 Speaker 2: Bravo Network shows. 1052 00:46:47,520 --> 00:46:52,440 Speaker 1: Oh, this is more like Dicko Network jews. 1053 00:46:53,360 --> 00:47:03,400 Speaker 2: Fucking yeah. I used to love You'd hear that and 1054 00:47:03,400 --> 00:47:05,799 Speaker 2: you'd see what he Paige yelling so a. 1055 00:47:05,760 --> 00:47:08,080 Speaker 1: Little behind the scenes. I was grabbing this sound. Yesterday 1056 00:47:08,120 --> 00:47:11,239 Speaker 1: I watched a full episode from two thousand and nine. Wow, 1057 00:47:11,640 --> 00:47:12,840 Speaker 1: I was loving it. 1058 00:47:12,920 --> 00:47:17,000 Speaker 2: Let me guess the cast Ja at Donde, Yes, Woody Paige, Yes, 1059 00:47:17,440 --> 00:47:18,320 Speaker 2: Jackie McMullen. 1060 00:47:18,600 --> 00:47:22,400 Speaker 1: No, I don't think there was any Boston. Is he 1061 00:47:22,480 --> 00:47:24,920 Speaker 1: the guy with the goate the hair? So that was him? Yeah? 1062 00:47:24,960 --> 00:47:27,439 Speaker 1: And then one more, one more that I forgot about, 1063 00:47:27,440 --> 00:47:30,200 Speaker 1: and I forgot how much of a dickhead this guy is? 1064 00:47:33,200 --> 00:47:33,719 Speaker 2: Dickhead? 1065 00:47:33,840 --> 00:47:37,680 Speaker 1: Damn was the guy's name Mariotti? Oh, Jay Mariotti, j Marriotti. 1066 00:47:37,760 --> 00:47:40,080 Speaker 1: He had a smug dickhead. 1067 00:47:40,280 --> 00:47:41,560 Speaker 2: Yeah, yeah, good. 1068 00:47:41,600 --> 00:47:42,480 Speaker 1: It was a great episode. 1069 00:47:42,480 --> 00:47:43,960 Speaker 2: I used to love PTI. 1070 00:47:44,400 --> 00:47:47,040 Speaker 1: That was one of my goals as a freshman in 1071 00:47:47,080 --> 00:47:48,759 Speaker 1: high school. Mike, Well, all I want to do in 1072 00:47:48,800 --> 00:47:50,600 Speaker 1: life is beyond around the horn. 1073 00:47:52,120 --> 00:47:55,600 Speaker 2: Wait, actually, wasn't Jay Mariotti the host of Cold Pizza. 1074 00:47:55,600 --> 00:47:56,520 Speaker 2: What was that guy's name? 1075 00:47:56,600 --> 00:47:59,920 Speaker 1: No, Cold Pizza wasn't that? Because Cold Pizza turned in 1076 00:48:00,120 --> 00:48:01,600 Speaker 1: to first take. 1077 00:48:01,640 --> 00:48:03,800 Speaker 2: Oh it is Ja Mary out of you were thinking about, Yeah, 1078 00:48:03,920 --> 00:48:08,240 Speaker 2: what a smug What a smug motherfucker look at this dickhead. Yeah, 1079 00:48:08,280 --> 00:48:12,800 Speaker 2: who was the guy that hosted cold Pizza? Pizza Dana 1080 00:48:12,920 --> 00:48:15,319 Speaker 2: Jacobson and Jay whatever wasn't it. 1081 00:48:16,160 --> 00:48:18,440 Speaker 1: Who's the cold Pizza host? Go ahead, look it up. 1082 00:48:18,480 --> 00:48:21,399 Speaker 1: Cold Pizza, which, by the way, if you're gonna eat 1083 00:48:21,440 --> 00:48:23,759 Speaker 1: pizza a way that I would suggest that you do it. 1084 00:48:23,760 --> 00:48:27,839 Speaker 1: It's not my number one, but cold it's good. I mean, 1085 00:48:28,640 --> 00:48:32,040 Speaker 1: I disagree, Jay Crawford, Jacon Crawford, you never had cold pizza. 1086 00:48:32,200 --> 00:48:34,440 Speaker 2: Yeah, I'll eat it if I'd have no way to 1087 00:48:34,880 --> 00:48:36,919 Speaker 2: warm it up, but I would prefer it warm. 1088 00:48:37,000 --> 00:48:39,520 Speaker 1: If you get a thick slice of pizza, a nice, 1089 00:48:39,560 --> 00:48:42,040 Speaker 1: oily slice of pizza, and you eat that cold, it 1090 00:48:42,120 --> 00:48:42,759 Speaker 1: holds it. Well. 1091 00:48:42,920 --> 00:48:45,480 Speaker 2: Oh, the original hosts were Jay Crawford and Kit Hoover, 1092 00:48:45,920 --> 00:48:48,480 Speaker 2: But then I think it got most popular when it 1093 00:48:48,520 --> 00:48:50,280 Speaker 2: was Jay Crawford and Dana Jacobson. 1094 00:48:50,360 --> 00:48:52,400 Speaker 1: Well, I don't think it got more popular until it 1095 00:48:52,480 --> 00:48:54,520 Speaker 1: hit First Take, and it was steven A. Smith. 1096 00:48:54,719 --> 00:48:56,600 Speaker 2: Well, no, so they used to have a segment on 1097 00:48:56,719 --> 00:48:59,759 Speaker 2: Cold Pizza where Woody Page and Skip Bayless would debate 1098 00:48:59,800 --> 00:49:02,560 Speaker 2: each other, which ultimately turned into what we've seen now. 1099 00:49:02,560 --> 00:49:07,120 Speaker 1: Today, which is turned into what ESPN is now News 1100 00:49:07,200 --> 00:49:07,439 Speaker 1: don't