1 00:00:00,280 --> 00:00:06,880 Speaker 1: Okay, we started this series two weeks ago and it's 2 00:00:07,320 --> 00:00:12,639 Speaker 1: the tongue series. So in part one you made sort 3 00:00:12,680 --> 00:00:17,760 Speaker 1: of the analogy the picture if you will, about the 4 00:00:17,800 --> 00:00:21,080 Speaker 1: tongue as a bucket to the well of your heart. 5 00:00:21,239 --> 00:00:24,000 Speaker 1: Recap that if you wouldn't mind before we move on 6 00:00:24,600 --> 00:00:27,560 Speaker 1: to issue number two here with the tongue. 7 00:00:28,680 --> 00:00:30,480 Speaker 2: Yeah, well, I of us think we have a tongue problem. 8 00:00:30,520 --> 00:00:32,840 Speaker 3: But if the tongue is more like a traditional old 9 00:00:32,880 --> 00:00:35,680 Speaker 3: fashioned well where every time you're talking is because you 10 00:00:35,840 --> 00:00:37,320 Speaker 3: drew out of a deeper source. 11 00:00:37,680 --> 00:00:40,479 Speaker 2: And I'm saying a tongue problem is really a mouth problem. 12 00:00:41,360 --> 00:00:44,239 Speaker 3: So if you think about you're, well, you know what 13 00:00:44,320 --> 00:00:45,559 Speaker 3: kind of bitterness do I have in me? 14 00:00:46,120 --> 00:00:46,320 Speaker 2: Am I? 15 00:00:46,520 --> 00:00:48,720 Speaker 3: Am I sleeping? Well, I'm just am I talking out 16 00:00:48,720 --> 00:00:50,240 Speaker 3: of my own tiredness? Am I talking out of my 17 00:00:50,280 --> 00:00:52,839 Speaker 3: own anger? My talking about my own hurts? Instead of 18 00:00:52,920 --> 00:00:56,080 Speaker 3: just working harder to try and tame the tongue and 19 00:00:56,160 --> 00:00:58,520 Speaker 3: keep your foot out of your mouth? How do I 20 00:00:58,560 --> 00:01:01,320 Speaker 3: get myself to a healthier play where I'm drawing out 21 00:01:01,320 --> 00:01:04,080 Speaker 3: of my heart my thoughts as a healthier place. 22 00:01:04,200 --> 00:01:06,280 Speaker 2: What comes out of me is an expression of what's 23 00:01:06,319 --> 00:01:08,199 Speaker 2: in me. That's kind of what we started two weeks ago. 24 00:01:08,319 --> 00:01:13,080 Speaker 1: Okay, let's pick it up now from there, and the 25 00:01:13,120 --> 00:01:17,640 Speaker 1: opening sentence of part two of our series is the 26 00:01:17,680 --> 00:01:22,720 Speaker 1: tongue is a source of life or death depending on 27 00:01:23,280 --> 00:01:26,399 Speaker 1: how we use it. And look whether you're talking about 28 00:01:26,760 --> 00:01:29,720 Speaker 1: the way you speak and the language you use with 29 00:01:30,280 --> 00:01:31,080 Speaker 1: your spouse. 30 00:01:31,600 --> 00:01:33,040 Speaker 2: So this could be for men or women. 31 00:01:33,040 --> 00:01:37,280 Speaker 1: This isn't just for men or your kids, or your 32 00:01:37,319 --> 00:01:41,759 Speaker 1: co workers or your friends. You have a choice. Are 33 00:01:41,800 --> 00:01:46,840 Speaker 1: you giving life with your tongue or tearing people down 34 00:01:47,280 --> 00:01:48,040 Speaker 1: with your tongue? 35 00:01:49,480 --> 00:01:51,160 Speaker 2: Yeah, we've all been on the receiving end of it too. 36 00:01:51,400 --> 00:01:53,960 Speaker 3: You've had a surprise moment where somebody with it's your 37 00:01:54,000 --> 00:01:56,600 Speaker 3: spouse or your boss or a colleague, notice is something 38 00:01:56,640 --> 00:01:59,200 Speaker 3: you did and you've been doing it for a while, 39 00:01:59,200 --> 00:02:00,680 Speaker 3: but you're like, get said being noticed. 40 00:02:00,720 --> 00:02:02,720 Speaker 2: You just fill the whole room gets filled with life. 41 00:02:03,000 --> 00:02:05,280 Speaker 3: If you've got a department where somebody leads that department 42 00:02:05,320 --> 00:02:09,600 Speaker 3: that they're encouraging people, affirming people, catching people doing something, well, 43 00:02:10,040 --> 00:02:12,600 Speaker 3: if you're head parents who had a tendency to notice 44 00:02:12,720 --> 00:02:15,200 Speaker 3: all the good things you did, rather than you get 45 00:02:15,200 --> 00:02:18,160 Speaker 3: a report card with mostly a's in one c and 46 00:02:18,160 --> 00:02:19,200 Speaker 3: all they want to talk about the C. 47 00:02:20,000 --> 00:02:21,200 Speaker 2: So we need to talk about the C. 48 00:02:21,440 --> 00:02:23,359 Speaker 3: But what does it look like to walk into a 49 00:02:23,440 --> 00:02:26,240 Speaker 3: room and say, how do I give life? I mean, 50 00:02:26,240 --> 00:02:28,440 Speaker 3: the tongue is designed to be a lego builder more 51 00:02:28,520 --> 00:02:30,799 Speaker 3: than a machete, And so you walk in a room 52 00:02:30,840 --> 00:02:33,120 Speaker 3: and say, hey, there's pieces all over the place. How 53 00:02:33,160 --> 00:02:35,680 Speaker 3: do I, like legos build someone up? And that's an 54 00:02:35,720 --> 00:02:39,000 Speaker 3: analogy using the Bible edifying to build someone up. I 55 00:02:39,040 --> 00:02:41,240 Speaker 3: come into a room, most of us have a tendency 56 00:02:41,280 --> 00:02:42,160 Speaker 3: to think about ourselves. 57 00:02:42,200 --> 00:02:44,000 Speaker 2: What are people thinking about me? What are people saying 58 00:02:44,040 --> 00:02:44,400 Speaker 2: about me? 59 00:02:45,280 --> 00:02:47,320 Speaker 3: What if I came in with the mindset, well, how 60 00:02:47,320 --> 00:02:49,600 Speaker 3: could I leave this place a little bit more built 61 00:02:49,760 --> 00:02:52,840 Speaker 3: up than I am? How can I encourage put courage 62 00:02:52,880 --> 00:02:55,840 Speaker 3: into somebody? How can I affirm? And that is the 63 00:02:55,840 --> 00:02:58,440 Speaker 3: motif the Bible uses of life and death, which is 64 00:02:58,639 --> 00:03:02,200 Speaker 3: even throughout the hebrewscriptures. It says, you know, are you 65 00:03:02,280 --> 00:03:04,200 Speaker 3: giving words of life or words of death? 66 00:03:04,639 --> 00:03:06,480 Speaker 2: And you've seen it. You've seen a place where just 67 00:03:06,600 --> 00:03:08,840 Speaker 2: you know, the life gets sucked out of somebody. 68 00:03:08,880 --> 00:03:11,079 Speaker 3: We say that because of what they said, how they 69 00:03:11,080 --> 00:03:13,280 Speaker 3: said it, the way they said it. On the other hand, 70 00:03:13,360 --> 00:03:15,560 Speaker 3: you've seen somebody who came in with their shoulders kind 71 00:03:15,560 --> 00:03:18,040 Speaker 3: of down a little bit, and because of a word, 72 00:03:18,120 --> 00:03:20,080 Speaker 3: because of a comment, because somebody looked them in the 73 00:03:20,080 --> 00:03:24,080 Speaker 3: eye and just affirm something, even their posture changes. 74 00:03:24,919 --> 00:03:28,600 Speaker 2: And yet we all know that we've all not done that. Right. 75 00:03:28,639 --> 00:03:30,440 Speaker 2: I've used my tongue as a machete. 76 00:03:30,560 --> 00:03:32,880 Speaker 3: I've had you seen tears in my daughter's eyes because 77 00:03:32,880 --> 00:03:35,160 Speaker 3: I was too sarcastic, or I wasn't a sensitive to 78 00:03:35,200 --> 00:03:38,720 Speaker 3: the situation, or you know, I've seen my wife just 79 00:03:38,840 --> 00:03:41,560 Speaker 3: react because of the tone I used, or the self 80 00:03:41,640 --> 00:03:42,920 Speaker 3: righteousness in the way I spoke. 81 00:03:43,680 --> 00:03:45,400 Speaker 2: And so really, I think that life. 82 00:03:45,240 --> 00:03:48,400 Speaker 3: Death motif is to acknowledge. Man, I've used my tongue 83 00:03:48,400 --> 00:03:51,760 Speaker 3: as a machete today. Sometimes intentionally I don't unhurt or anger. 84 00:03:52,200 --> 00:03:55,000 Speaker 3: Sometimes I've used it just out of inexperience. Man, I 85 00:03:55,280 --> 00:03:57,960 Speaker 3: grew up seeing the tongue use as a machete, And honestly, 86 00:03:58,280 --> 00:04:01,000 Speaker 3: it can be hilarious to see people cut other people down. 87 00:04:01,520 --> 00:04:03,360 Speaker 3: And one since you're supposed to not you know, you're 88 00:04:03,320 --> 00:04:05,120 Speaker 3: supposed to condemn it, but you also go, boy, that 89 00:04:05,240 --> 00:04:07,400 Speaker 3: was really cool the way that I commanded this presence, 90 00:04:07,400 --> 00:04:09,240 Speaker 3: the way he took control of the room, And so 91 00:04:09,280 --> 00:04:11,840 Speaker 3: we had these bad habits, and we saw the upsides 92 00:04:11,840 --> 00:04:14,560 Speaker 3: of the bad habits, but we didn't see the downsides 93 00:04:14,560 --> 00:04:16,760 Speaker 3: of bad habits. And often a win in the moment 94 00:04:17,279 --> 00:04:21,359 Speaker 3: is a pretty tragic withdrawal from the relationship. And the 95 00:04:21,400 --> 00:04:24,960 Speaker 3: same leader or boss or manager you had that had 96 00:04:25,000 --> 00:04:28,080 Speaker 3: a quick whip and would you know, make something sarcastic meeting. 97 00:04:28,520 --> 00:04:30,080 Speaker 3: It might have been a good laugh for a moment, 98 00:04:30,120 --> 00:04:32,520 Speaker 3: but eventually all the good people eventually. 99 00:04:32,120 --> 00:04:32,960 Speaker 2: Don't want to work there. 100 00:04:33,000 --> 00:04:34,839 Speaker 3: You don't want to work in a place where there's 101 00:04:34,880 --> 00:04:37,440 Speaker 3: machetes running around because if somebody's going to talk about 102 00:04:37,480 --> 00:04:40,160 Speaker 3: a colleague that way when they're not in the room, 103 00:04:40,480 --> 00:04:41,960 Speaker 3: you kind of wonder whether they're saying about. 104 00:04:41,760 --> 00:04:45,200 Speaker 1: Me or I'm not there, sure, you know, and I 105 00:04:45,320 --> 00:04:47,480 Speaker 1: want to circle back to something here in a second. 106 00:04:47,480 --> 00:04:51,800 Speaker 1: But you know, it's almost like you'll hear oftentimes I've 107 00:04:51,839 --> 00:04:54,119 Speaker 1: heard this with coaches, but there are people in life 108 00:04:54,120 --> 00:04:56,680 Speaker 1: in general that this is held true. But you know, 109 00:04:56,920 --> 00:05:00,279 Speaker 1: it's sort of like the analogy of it. If you 110 00:05:00,360 --> 00:05:04,560 Speaker 1: walk in a room and there's some trash in the room, right, 111 00:05:04,880 --> 00:05:08,440 Speaker 1: why not leave it better than when you walked in? Now, 112 00:05:08,440 --> 00:05:12,160 Speaker 1: look in no shape or form because you know, knowing 113 00:05:12,240 --> 00:05:15,200 Speaker 1: your personality. I mean, look, we're not saying you can't 114 00:05:15,440 --> 00:05:17,840 Speaker 1: when you're hanging out with your buddies, that you can't 115 00:05:17,839 --> 00:05:19,839 Speaker 1: give them a hard time and rib them and take 116 00:05:19,880 --> 00:05:21,880 Speaker 1: shots at him and that kind of thing. That's not 117 00:05:21,920 --> 00:05:25,360 Speaker 1: what we're talking about here. We're talking about words that 118 00:05:25,400 --> 00:05:28,000 Speaker 1: you can use. And you gave I thought a really 119 00:05:28,000 --> 00:05:32,039 Speaker 1: interesting sample of something that your son remembered that you 120 00:05:32,200 --> 00:05:35,120 Speaker 1: never even remembered, of a way that you referred to 121 00:05:35,200 --> 00:05:38,279 Speaker 1: him many many years ago, as an illustration of how 122 00:05:38,440 --> 00:05:42,400 Speaker 1: long something like that might actually harbor in somebody. 123 00:05:43,440 --> 00:05:45,320 Speaker 3: Yeah, it was the Allison Wonderland movie come out with 124 00:05:45,360 --> 00:05:46,760 Speaker 3: Johnny Depp, and in one. 125 00:05:46,640 --> 00:05:48,520 Speaker 2: Of the scenes, he just turns this kid says, it'll 126 00:05:48,520 --> 00:05:49,120 Speaker 2: be a mumbler. 127 00:05:49,720 --> 00:05:51,760 Speaker 3: And so I was trying to help my son be 128 00:05:51,760 --> 00:05:53,600 Speaker 3: a little more confident on the phone back in the 129 00:05:53,680 --> 00:05:56,039 Speaker 3: days like eight or whatever it was, and I said, hey, 130 00:05:56,520 --> 00:06:00,480 Speaker 3: try and articulate, trying to speak up and getting better 131 00:06:00,560 --> 00:06:02,520 Speaker 3: at it. And so as you got a film, I said, 132 00:06:02,680 --> 00:06:05,200 Speaker 3: don't be a mumbler. And so that was kind of 133 00:06:05,240 --> 00:06:08,560 Speaker 3: like a shorthand to say it. But man, that I 134 00:06:08,600 --> 00:06:11,239 Speaker 3: found out ten years later that it stuck with him again. 135 00:06:11,279 --> 00:06:15,960 Speaker 3: He was very much gracious and accept in my apology, 136 00:06:16,000 --> 00:06:17,839 Speaker 3: but I didn't even realize that was the case. But 137 00:06:17,920 --> 00:06:20,120 Speaker 3: to your point too, I do think, yeah, we live 138 00:06:20,160 --> 00:06:23,600 Speaker 3: in a culture that's obsessed with being obsessed with being offended. 139 00:06:24,240 --> 00:06:26,000 Speaker 3: And one of the things I love about being a 140 00:06:26,000 --> 00:06:27,440 Speaker 3: gen xer, And I don't know if this is true 141 00:06:27,440 --> 00:06:29,600 Speaker 3: across the board, but certainly as a gen xer, one 142 00:06:29,640 --> 00:06:31,760 Speaker 3: of the ways as guys you show affection is you 143 00:06:31,880 --> 00:06:34,080 Speaker 3: harass each other. And of course there's times that you 144 00:06:34,120 --> 00:06:36,240 Speaker 3: cross the line, other times. 145 00:06:35,920 --> 00:06:38,880 Speaker 2: That you know, pushed a little too hard, a little 146 00:06:38,920 --> 00:06:42,000 Speaker 2: too sarcastic. But often as guys, we show affection by 147 00:06:42,080 --> 00:06:45,720 Speaker 2: ribbing each other. And there's certainly times that you know, hey, 148 00:06:45,720 --> 00:06:47,640 Speaker 2: I look too far. Hey sorry man, I did anything 149 00:06:47,680 --> 00:06:47,960 Speaker 2: by that. 150 00:06:48,000 --> 00:06:50,919 Speaker 3: I've done that meetings recently, after a meeting, hey, I 151 00:06:50,960 --> 00:06:53,039 Speaker 3: didn't mean to come across that way once, you know, 152 00:06:53,040 --> 00:06:55,960 Speaker 3: I appreciate that we clarify anything, but I do think 153 00:06:55,960 --> 00:06:59,280 Speaker 3: in a culture that's kind of racing to see who 154 00:06:59,320 --> 00:07:04,320 Speaker 3: can be the most offended, suddenly everything becomes way too 155 00:07:04,400 --> 00:07:08,120 Speaker 3: overly sensitized and way too overly offended by. But I 156 00:07:08,160 --> 00:07:11,520 Speaker 3: do think if that death life motif is correct, then 157 00:07:11,520 --> 00:07:13,280 Speaker 3: what that means is the set of like, I'm a 158 00:07:13,320 --> 00:07:15,720 Speaker 3: bad person. I need to get better and try harder. 159 00:07:16,120 --> 00:07:17,960 Speaker 3: If it's a life source and I got a dead 160 00:07:17,960 --> 00:07:19,960 Speaker 3: spot in my heart, I got a dead spot in 161 00:07:19,960 --> 00:07:21,760 Speaker 3: my mouth, I got a dead spot in my thoughts, 162 00:07:22,280 --> 00:07:24,280 Speaker 3: then I don't need to go from bad to good. 163 00:07:24,400 --> 00:07:26,480 Speaker 3: I need to go from death to life. And the 164 00:07:26,520 --> 00:07:28,560 Speaker 3: problem is I'm not a good life source, right. I 165 00:07:28,600 --> 00:07:31,760 Speaker 3: can't produce life. So I need a life source to 166 00:07:31,840 --> 00:07:34,480 Speaker 3: produce life in me. And so God says he's the 167 00:07:34,520 --> 00:07:36,800 Speaker 3: ultimate life source. So if you find yourself using your 168 00:07:36,840 --> 00:07:39,200 Speaker 3: tongue in a way that is honestly producing a lot 169 00:07:39,200 --> 00:07:41,000 Speaker 3: of dead stuff, you find yourself kind of being a 170 00:07:41,000 --> 00:07:43,679 Speaker 3: bit of a zombie in the way you're using your tongue. 171 00:07:43,720 --> 00:07:46,280 Speaker 3: You've tried harder to make it better, but it's not working. 172 00:07:46,560 --> 00:07:48,360 Speaker 3: Trying harder is probably not going to get it done. 173 00:07:48,920 --> 00:07:52,480 Speaker 3: Insteading to say, man, I need a life source beyond myself. 174 00:07:52,800 --> 00:07:54,960 Speaker 3: It's like, right before I'm about to speak, I shoot 175 00:07:55,000 --> 00:07:57,400 Speaker 3: up a quick prayer. God, I need you to give 176 00:07:57,400 --> 00:08:00,000 Speaker 3: me your perspective. Quick prayer, God, I need some life 177 00:08:00,080 --> 00:08:02,800 Speaker 3: breathed into the situation right now, Hey, my wife's listening. 178 00:08:02,800 --> 00:08:04,640 Speaker 3: I'm starting to get defensive and starting to get angry 179 00:08:05,040 --> 00:08:07,560 Speaker 3: right now, God help me, life source. 180 00:08:07,720 --> 00:08:09,720 Speaker 2: I need your life to be able to listen before 181 00:08:09,760 --> 00:08:10,280 Speaker 2: I react. 182 00:08:10,800 --> 00:08:13,200 Speaker 3: Just those little short I call them popcorn prayers, a 183 00:08:13,240 --> 00:08:16,640 Speaker 3: little quick popcorn prayers in a situation, and think about 184 00:08:16,680 --> 00:08:18,200 Speaker 3: like with a cell phone, like we'll even say, Hey, 185 00:08:18,240 --> 00:08:19,720 Speaker 3: I can't hear you right now, or can you hear 186 00:08:19,760 --> 00:08:23,200 Speaker 3: me now? I'm in a dead spot. So if you're 187 00:08:23,200 --> 00:08:24,920 Speaker 3: in a dead spot with a cell phone, what do 188 00:08:24,960 --> 00:08:26,520 Speaker 3: you do? You don't go, I'm gonna try harder to 189 00:08:26,520 --> 00:08:28,800 Speaker 3: make the cell phone work. I need to move to 190 00:08:28,880 --> 00:08:31,680 Speaker 3: a better spot to get better reception. So as you 191 00:08:31,720 --> 00:08:34,640 Speaker 3: see yourself with you know some dead spots in your communication, 192 00:08:35,040 --> 00:08:36,839 Speaker 3: dead spots in the way you're using your tongue in 193 00:08:36,920 --> 00:08:37,760 Speaker 3: a destructive way. 194 00:08:38,400 --> 00:08:40,520 Speaker 2: I would just encourage you. You know, wherever you are 195 00:08:40,520 --> 00:08:41,600 Speaker 2: in your relationship. 196 00:08:41,160 --> 00:08:42,960 Speaker 3: With God, whether you call it a higher power or 197 00:08:43,000 --> 00:08:45,240 Speaker 3: your follower of Jesus as I am, you need to 198 00:08:45,280 --> 00:08:47,920 Speaker 3: get to a better reception or I have access to 199 00:08:48,000 --> 00:08:51,720 Speaker 3: someone else's self control because mine's run out, someone else's compassion, 200 00:08:51,720 --> 00:08:54,680 Speaker 3: because mine's run out someone else's peace. And joy because 201 00:08:54,720 --> 00:08:58,080 Speaker 3: mine's run out. How do I organize my life to say? 202 00:08:58,400 --> 00:09:01,160 Speaker 3: How can I throw up maybe two or three quick 203 00:09:01,200 --> 00:09:03,640 Speaker 3: prayers in a given day about to going to this meeting? 204 00:09:03,640 --> 00:09:07,400 Speaker 3: God give me the wisdom not to say everything the 205 00:09:07,440 --> 00:09:08,680 Speaker 3: minute it comes into my head. 206 00:09:09,120 --> 00:09:11,280 Speaker 2: Let me make sure I assess the situation before I 207 00:09:11,320 --> 00:09:12,040 Speaker 2: respond to it. 208 00:09:12,160 --> 00:09:14,360 Speaker 3: Okay, And that can be just a really practical way 209 00:09:14,400 --> 00:09:15,719 Speaker 3: to deal with that in a given day. 210 00:09:15,840 --> 00:09:18,280 Speaker 1: Okay, that's a stained glass side of it. Okay, a 211 00:09:18,280 --> 00:09:21,280 Speaker 1: lot of people out there understand that. Let's just assume 212 00:09:21,320 --> 00:09:25,120 Speaker 1: for a second we move into the plane glass side. Okay, 213 00:09:25,760 --> 00:09:26,600 Speaker 1: is there something? 214 00:09:26,880 --> 00:09:27,120 Speaker 4: Is there? 215 00:09:27,800 --> 00:09:28,240 Speaker 2: I mean, is it? 216 00:09:28,559 --> 00:09:28,839 Speaker 3: Is it? 217 00:09:28,920 --> 00:09:32,040 Speaker 1: Something? Is easy? You know when I hear somebody tell 218 00:09:32,120 --> 00:09:35,040 Speaker 1: me take a breath and count to ten. You and 219 00:09:35,080 --> 00:09:38,600 Speaker 1: I both know that in theory that sounds great, But 220 00:09:38,720 --> 00:09:41,679 Speaker 1: when you're engaging, that's why I like to pop up 221 00:09:41,720 --> 00:09:44,640 Speaker 1: thing because that can take two seconds. But you know, 222 00:09:45,040 --> 00:09:48,840 Speaker 1: but I mean, do you recommend, like, hey, just take 223 00:09:48,880 --> 00:09:52,240 Speaker 1: a breath, take two breaths, count to five. What would 224 00:09:52,240 --> 00:09:55,160 Speaker 1: you suggest before? Because you know when something's about to 225 00:09:55,160 --> 00:09:57,760 Speaker 1: come out, right, most times you do? 226 00:09:58,720 --> 00:10:01,360 Speaker 3: Yeah, yeah, And I was say, typically what happens, it's 227 00:10:01,400 --> 00:10:06,440 Speaker 3: trigger than talk. I was triggered by that event, triggered 228 00:10:06,440 --> 00:10:08,760 Speaker 3: by what you said, triggered by what I thought you said, 229 00:10:09,120 --> 00:10:11,439 Speaker 3: And so it's trigger talks. I would say on the 230 00:10:11,480 --> 00:10:14,640 Speaker 3: plane cleft side, I want to try and recognize that 231 00:10:14,720 --> 00:10:18,880 Speaker 3: it actually goes trigger thought talk. So I'm having a thought. 232 00:10:18,960 --> 00:10:22,240 Speaker 3: My wife is communicating something. I could be totally innocent, 233 00:10:22,280 --> 00:10:24,120 Speaker 3: Like my wife when we were first married, would say 234 00:10:24,320 --> 00:10:27,600 Speaker 3: I think I heard a sound in the car. I 235 00:10:27,679 --> 00:10:29,760 Speaker 3: quickly would react with no, I think it's fine. What 236 00:10:29,800 --> 00:10:30,400 Speaker 3: do you think it's fine? 237 00:10:30,520 --> 00:10:32,040 Speaker 2: He's saying I didn't hear something. I heard something. 238 00:10:32,559 --> 00:10:35,080 Speaker 3: I didn't recognize that I actually had a thought that 239 00:10:35,120 --> 00:10:37,720 Speaker 3: I didn't know it no I had, which is trigger 240 00:10:38,200 --> 00:10:40,280 Speaker 3: My wife says it's a sound in the car. The 241 00:10:40,360 --> 00:10:42,520 Speaker 3: thought I didn't realize I had was oh, my goodness, 242 00:10:42,520 --> 00:10:43,920 Speaker 3: I wish I'd made more money so we didn't have 243 00:10:43,960 --> 00:10:46,240 Speaker 3: such crappy cars that are always breaking down. I don't 244 00:10:46,240 --> 00:10:48,880 Speaker 3: really have the budget to fix this. Whatever it is, Uh, 245 00:10:48,920 --> 00:10:51,520 Speaker 3: it's going to be killer for our budget. I'm reacting. 246 00:10:51,880 --> 00:10:54,240 Speaker 3: I wasn't even really reacting to what my wife said, 247 00:10:54,480 --> 00:10:56,800 Speaker 3: or even reacting to the car itself. I was reacting 248 00:10:56,800 --> 00:11:00,240 Speaker 3: to some internal like frustration that man I always feel 249 00:11:00,320 --> 00:11:02,400 Speaker 3: with fix the car. So what you want to do 250 00:11:02,440 --> 00:11:04,240 Speaker 3: is you want to say, Okay, there is a trigger 251 00:11:04,440 --> 00:11:05,199 Speaker 3: thought talk. 252 00:11:05,760 --> 00:11:07,640 Speaker 2: I don't always recognize. 253 00:11:07,080 --> 00:11:11,319 Speaker 3: That before I talk. I've already thought my wife is 254 00:11:11,360 --> 00:11:14,200 Speaker 3: attacking me, and she's like, what are we doing attacking me? 255 00:11:14,240 --> 00:11:16,600 Speaker 3: And of course she'd probably your wife, and you could 256 00:11:16,600 --> 00:11:18,320 Speaker 3: probably do a better job of wording hee's better. 257 00:11:18,720 --> 00:11:20,760 Speaker 2: But I need to I need to create some space. 258 00:11:20,880 --> 00:11:22,080 Speaker 2: I think that's what I recommend. 259 00:11:22,280 --> 00:11:24,320 Speaker 3: I need to create a pause in my in my 260 00:11:24,400 --> 00:11:28,800 Speaker 3: process or space to let another voice speak in another 261 00:11:28,880 --> 00:11:31,200 Speaker 3: thought come in. So think to yourself when you're about 262 00:11:31,240 --> 00:11:33,760 Speaker 3: to speak. I just went from trigger to talk in 263 00:11:33,840 --> 00:11:36,560 Speaker 3: like half a second. I want to try and get 264 00:11:36,600 --> 00:11:39,679 Speaker 3: even one second in there came I'm about to gossip. 265 00:11:39,840 --> 00:11:41,959 Speaker 2: I'm about to try and get control. I'm try and 266 00:11:42,000 --> 00:11:42,360 Speaker 2: win this. 267 00:11:42,920 --> 00:11:45,040 Speaker 3: What if I had a thought to say listen first, 268 00:11:45,360 --> 00:11:47,000 Speaker 3: just that I want to get just enough and say 269 00:11:47,000 --> 00:11:50,520 Speaker 3: listen first. May there's enough legitimate things to get angry 270 00:11:50,559 --> 00:11:54,440 Speaker 3: about in life. We all often get angry at misinterpretations 271 00:11:54,440 --> 00:11:57,880 Speaker 3: and miscommunications. So just real quick to say to yourself, 272 00:11:58,200 --> 00:12:00,720 Speaker 3: don't react until you make sure you know what they're saying, 273 00:12:01,480 --> 00:12:04,520 Speaker 3: you know, so trigger thought, talk and if you can 274 00:12:04,559 --> 00:12:09,000 Speaker 3: create that space and that pause, that's where and that's 275 00:12:09,000 --> 00:12:09,920 Speaker 3: where breathing can help. 276 00:12:10,000 --> 00:12:12,000 Speaker 2: That's where walking away can help. But even a quick 277 00:12:12,000 --> 00:12:12,680 Speaker 2: prayer can help. 278 00:12:12,960 --> 00:12:14,800 Speaker 3: But really I'm trying to say, I want to engage 279 00:12:14,840 --> 00:12:17,760 Speaker 3: the rational part of my brain into that moment when 280 00:12:17,760 --> 00:12:19,800 Speaker 3: the emotional side of my brain has taken over. Because 281 00:12:19,800 --> 00:12:23,319 Speaker 3: the emotional side goes trigger, I'm under attack. I'm either 282 00:12:23,320 --> 00:12:25,640 Speaker 3: gonna fight or gonna fight. I gotta smack back at you. 283 00:12:25,880 --> 00:12:27,240 Speaker 3: Let you know you can't talk to me that way. 284 00:12:27,679 --> 00:12:30,080 Speaker 3: I gotta win this argument. So that's the main thing 285 00:12:30,080 --> 00:12:32,800 Speaker 3: I would say, move from trigger to thought to talk 286 00:12:32,840 --> 00:12:33,640 Speaker 3: and trying to create. 287 00:12:33,480 --> 00:12:38,480 Speaker 1: That instead of fire. Aim ready, okay, yeah, right right, Chad, 288 00:12:38,520 --> 00:12:40,800 Speaker 1: thanks as always for your time. Well that part three, 289 00:12:40,920 --> 00:12:43,560 Speaker 1: the tongue as a puzzle. We'll look forward to that 290 00:12:43,640 --> 00:12:45,040 Speaker 1: next week. I hope you have a great rest of 291 00:12:45,040 --> 00:12:45,800 Speaker 1: your day. Thank you. 292 00:12:46,840 --> 00:12:48,200 Speaker 2: That's good. Tug you soon. All right. 293 00:12:48,200 --> 00:12:50,480 Speaker 1: At eight fifty three, let's check those roadways. I mean, 294 00:12:50,559 --> 00:12:52,880 Speaker 1: people can get triggered. I think there's a whole lot 295 00:12:52,920 --> 00:12:55,719 Speaker 1: of bad language. Maybe this morning going on shot. 296 00:12:55,880 --> 00:12:59,719 Speaker 4: There probably was because there were an awful lot of 297 00:13:00,000 --> 00:13:03,800 Speaker 4: ams earlier. I don't think so much now. This from 298 00:13:03,840 --> 00:13:06,680 Speaker 4: the u See Health Tramphing Center at u See Health. 299 00:13:06,800 --> 00:13:10,439 Speaker 4: They never miss a beat. Your heart shouldn't either. If 300 00:13:10,480 --> 00:13:13,079 Speaker 4: you have signs of a cardiac rhythm disorder, don't we 301 00:13:13,320 --> 00:13:17,439 Speaker 4: to be seen. Schedule online at ucehealth dot com. Southbound 302 00:13:17,480 --> 00:13:20,120 Speaker 4: seventy five is the last of the slow going that's 303 00:13:20,120 --> 00:13:22,360 Speaker 4: in and outam Lachland and next to three to four 304 00:13:22,400 --> 00:13:25,240 Speaker 4: minutes will do the trick. Northbound seventy five pretty much 305 00:13:25,320 --> 00:13:29,480 Speaker 4: clear out of Earlblinger into downtown. Same for northbound fourth 306 00:13:29,559 --> 00:13:33,679 Speaker 4: seventy one. Chucking from News Radio seven hundred wlw R 307 00:13:34,040 --> 00:13:38,040 Speaker 4: WCPO nine First Warning Forecast presented by Jennifer Ketchmark Man. 308 00:13:38,080 --> 00:13:41,360 Speaker 1: It's a good one. I mean it's a really good one. Today. 309 00:13:41,360 --> 00:13:45,800 Speaker 1: We're looking at sunshine. We're up to fifty two degrees tonight. 310 00:13:46,440 --> 00:13:48,600 Speaker 1: If you're out and about, you know, get home from 311 00:13:48,600 --> 00:13:50,520 Speaker 1: workout for a walk, it's still going to be in 312 00:13:50,559 --> 00:13:54,280 Speaker 1: the mid to upper forties. Now overnight there is a 313 00:13:54,480 --> 00:13:58,600 Speaker 1: chance we get some light snow, very light, but it 314 00:13:58,679 --> 00:14:03,000 Speaker 1: could affect your commute to school, work, et cetera. Tomorrow. 315 00:14:03,120 --> 00:14:07,320 Speaker 1: But that's in the morning because by lunchtime, it's going 316 00:14:07,400 --> 00:14:11,719 Speaker 1: to be sunny and fifty or forty seven degrees. I'll 317 00:14:11,720 --> 00:14:13,640 Speaker 1: get to the fifties here in a minute, because that's 318 00:14:13,679 --> 00:14:20,280 Speaker 1: coming on Friday, Friday sunshine high at fifty five Saturday sunshine. 319 00:14:20,840 --> 00:14:27,080 Speaker 1: We're getting up to sixty degrees on Saturday. We might 320 00:14:27,160 --> 00:14:29,600 Speaker 1: next week, you know, continue in the forty degree range. 321 00:14:29,600 --> 00:14:35,560 Speaker 1: But let's really enjoy today, Tomorrow, Friday, Saturday, thank God, 322 00:14:35,640 --> 00:14:39,200 Speaker 1: going to be beautiful, beautiful days. Scott Sloane, of course, 323 00:14:39,240 --> 00:14:43,160 Speaker 1: is coming up here at nine o'clock, and then Willie's 324 00:14:43,240 --> 00:14:46,680 Speaker 1: back today. You'll be here at high noon. I talk 325 00:14:46,760 --> 00:14:51,360 Speaker 1: all the time about the difference in your life if 326 00:14:51,480 --> 00:14:55,040 Speaker 1: you go get a shelter dog or cat. No matter 327 00:14:55,080 --> 00:14:59,960 Speaker 1: how crummy your day is, there's always a happy face 328 00:15:00,840 --> 00:15:06,240 Speaker 1: waiting for you to get home. Why not experience that 329 00:15:06,440 --> 00:15:10,000 Speaker 1: face each and every day. It is eight fifty five 330 00:15:10,360 --> 00:15:13,240 Speaker 1: on seven hundred WLW, Cincinnati,