1 00:00:00,360 --> 00:00:00,880 Speaker 1: It's k IF. 2 00:00:00,960 --> 00:00:04,280 Speaker 2: I am sixty and you're listening to The Conway Show 3 00:00:04,400 --> 00:00:07,080 Speaker 2: on demand on the iHeartRadio app. 4 00:00:08,280 --> 00:00:11,559 Speaker 3: Andy Reesemeyer here in for Conway Tonight on The Conway Show. 5 00:00:11,640 --> 00:00:14,760 Speaker 3: Guaranteed human indeed, But what part of me guaranteed human? 6 00:00:14,840 --> 00:00:23,239 Speaker 3: I don't know. The nose not totally real thanks to 7 00:00:23,280 --> 00:00:25,680 Speaker 3: doctor Zef back in Indiana in two thousand and nine. 8 00:00:28,280 --> 00:00:29,960 Speaker 4: Is that your only cosmetic tweak? 9 00:00:30,120 --> 00:00:32,239 Speaker 3: Yeah, that's it. But it was like kind of for 10 00:00:32,400 --> 00:00:35,400 Speaker 3: legitimate reasons, I couldn't Breathe got kicked in the face 11 00:00:35,440 --> 00:00:37,720 Speaker 3: at a Leaps and Bounds in the early nineties, and 12 00:00:37,760 --> 00:00:41,519 Speaker 3: it set me on a pathway to stuffed up noses, 13 00:00:41,760 --> 00:00:43,200 Speaker 3: deviated sept I'm sorry. 14 00:00:43,280 --> 00:00:44,760 Speaker 1: Leaps and Bounds, yeah, kind of. 15 00:00:44,920 --> 00:00:47,800 Speaker 3: It was a discovery zone kind of place. Oh okay, 16 00:00:48,400 --> 00:00:50,680 Speaker 3: you know, like a big old ballpit and you run around, 17 00:00:51,000 --> 00:00:54,280 Speaker 3: climb up the ladders and go through the tubes and stuff. Okay, Yeah, 18 00:00:54,480 --> 00:00:57,400 Speaker 3: buddy of mine accidentally kicked me in the face on 19 00:00:57,440 --> 00:01:01,760 Speaker 3: the way up up the stairs. Yeah, I should have known. 20 00:01:01,800 --> 00:01:03,880 Speaker 3: You ever rethink that having a buddy? 21 00:01:03,920 --> 00:01:04,120 Speaker 1: Yeah? 22 00:01:05,040 --> 00:01:07,200 Speaker 3: Yeah, but how he like if he did it like 23 00:01:07,240 --> 00:01:09,480 Speaker 3: on purpose? Now I think it was accidental. He was 24 00:01:09,480 --> 00:01:13,280 Speaker 3: a little bit of a cookie guy, so you know, 25 00:01:13,319 --> 00:01:15,480 Speaker 3: he didn't have a lot of control over the limbs, 26 00:01:15,520 --> 00:01:17,080 Speaker 3: just like a real hyper kid. You know, we had 27 00:01:17,080 --> 00:01:19,040 Speaker 3: a lot of otter pops. 28 00:01:18,760 --> 00:01:21,959 Speaker 1: Back then, don't you bee to the flailing limbs. 29 00:01:22,040 --> 00:01:27,480 Speaker 3: The diet almost completely consisting of sugar. Oh yeah, and whatever. 30 00:01:27,560 --> 00:01:29,160 Speaker 3: I mean, if you want to call it sugar, that's 31 00:01:29,200 --> 00:01:33,640 Speaker 3: probably generous. What kind of high fructose corn syrup red 32 00:01:34,360 --> 00:01:38,600 Speaker 3: red number four? I know, it seems impossible to believe 33 00:01:38,640 --> 00:01:42,399 Speaker 3: that I was raised only eating soy and not real meat. 34 00:01:42,560 --> 00:01:44,319 Speaker 3: This becomes it as a surprise to I'm sure no 35 00:01:44,360 --> 00:01:46,440 Speaker 3: one that I was a vegetarian until I was like fifteen. 36 00:01:46,560 --> 00:01:48,640 Speaker 4: Soy is high in estrogen ride. 37 00:01:49,720 --> 00:01:51,960 Speaker 3: Yeah, I mean, and again, so was I a soy 38 00:01:51,960 --> 00:01:53,000 Speaker 3: boy one hundred percent? 39 00:01:53,040 --> 00:01:53,640 Speaker 1: Through and through? 40 00:01:54,160 --> 00:01:57,840 Speaker 3: Is that where my jaw line went? Perhaps? But I'll 41 00:01:57,840 --> 00:02:01,240 Speaker 3: tell you what, with this haircut this week jaw line, 42 00:02:01,680 --> 00:02:03,080 Speaker 3: I might get carted this weekend. 43 00:02:03,280 --> 00:02:06,280 Speaker 5: You do look like George Michael in Wham. Thank you 44 00:02:06,520 --> 00:02:10,200 Speaker 5: in a good way. That's what everybody wants to hear 45 00:02:10,720 --> 00:02:12,840 Speaker 5: after a haircut. I'm glad you said in a good way. 46 00:02:12,840 --> 00:02:14,919 Speaker 5: I appreciate that. I really don't you know what's so funny? 47 00:02:14,960 --> 00:02:18,280 Speaker 3: I was thinking as like, I'm so lucky that I 48 00:02:18,400 --> 00:02:21,000 Speaker 3: ended up in a job that's really vain, but like, 49 00:02:21,040 --> 00:02:24,400 Speaker 3: I don't really like I maybe I should care more 50 00:02:24,440 --> 00:02:27,440 Speaker 3: about my appearance, but I just it doesn't like everybody 51 00:02:27,480 --> 00:02:30,320 Speaker 3: I know is very, very worried about getting old or 52 00:02:30,680 --> 00:02:31,799 Speaker 3: changing and looking different. 53 00:02:31,800 --> 00:02:34,280 Speaker 1: Like I just I can't imagine being in that studio 54 00:02:34,760 --> 00:02:37,720 Speaker 1: right before a camera goes on, and the primping and 55 00:02:37,800 --> 00:02:39,400 Speaker 1: the and the double checking and the. 56 00:02:39,639 --> 00:02:41,959 Speaker 3: Yeah, which is like totally fair and normal. Because also 57 00:02:42,040 --> 00:02:44,680 Speaker 3: something happens to your brain after a while when you 58 00:02:44,720 --> 00:02:46,520 Speaker 3: see yourself on TV all the time, or if you 59 00:02:46,560 --> 00:02:50,040 Speaker 3: have to edit yourself, god forbid, you just notice every 60 00:02:50,080 --> 00:02:52,160 Speaker 3: weird thing that you've ever done. Eventually, I think you 61 00:02:52,160 --> 00:02:55,440 Speaker 3: can say yeah, yeah, oh yeah, absolutely, and you're like, oh, 62 00:02:55,720 --> 00:02:57,120 Speaker 3: did you go through a phase in your life You're like, 63 00:02:57,160 --> 00:02:58,160 Speaker 3: I can't stand my voice. 64 00:02:58,400 --> 00:03:01,320 Speaker 1: I still do I know voice? Yeah, I hate my voice. 65 00:03:01,760 --> 00:03:03,360 Speaker 3: That's so crazy to staying that it's. 66 00:03:03,320 --> 00:03:05,880 Speaker 1: Kind of unique. You got a cool voice, Well, thank you, 67 00:03:05,919 --> 00:03:07,840 Speaker 1: but I hate it. But you realize you wouldn't be 68 00:03:07,919 --> 00:03:11,160 Speaker 1: doing this job if you had a bad voice. It's 69 00:03:11,200 --> 00:03:12,680 Speaker 1: the sound of it and how I use it, and 70 00:03:12,680 --> 00:03:14,000 Speaker 1: I lean on how I use it. 71 00:03:14,160 --> 00:03:16,359 Speaker 3: You probably do a pretty mean SpongeBob impression. 72 00:03:17,919 --> 00:03:23,560 Speaker 1: Sponge or his his friend the starfish. Patrick? You do, Patrick? Yeah, 73 00:03:23,600 --> 00:03:24,040 Speaker 1: a little bit. 74 00:03:24,880 --> 00:03:25,360 Speaker 3: Isn't that real? 75 00:03:25,480 --> 00:03:25,720 Speaker 6: Low? 76 00:03:26,200 --> 00:03:28,160 Speaker 1: Isn't that like cool? Have a pretty wide range. 77 00:03:28,200 --> 00:03:30,280 Speaker 3: Oh yeah, no, I'm listen. I'm not here trying to 78 00:03:31,480 --> 00:03:35,840 Speaker 3: trying to put bumpers on you. It contains multitudes. Of course, 79 00:03:36,080 --> 00:03:36,560 Speaker 3: I used to. 80 00:03:37,440 --> 00:03:40,480 Speaker 1: I used to back when we had the voicemail machines, 81 00:03:40,720 --> 00:03:42,600 Speaker 1: the message machines that had the tape in it you 82 00:03:42,640 --> 00:03:44,680 Speaker 1: had to record, you know, I would that that would 83 00:03:44,720 --> 00:03:47,240 Speaker 1: be I would be that guy, all the different voices. 84 00:03:47,360 --> 00:03:51,440 Speaker 3: That's great, did you It takes me back to the 85 00:03:51,480 --> 00:03:55,680 Speaker 3: Swingers movie all right where he keeps calling johns Favreau 86 00:03:55,760 --> 00:03:58,120 Speaker 3: keeps calling, calling the girlfriend, leaving a message. Let me 87 00:03:58,880 --> 00:04:02,320 Speaker 3: calls it again, call it again? Sorry I got cut off. 88 00:04:02,840 --> 00:04:03,480 Speaker 3: Yeah that's great. 89 00:04:03,840 --> 00:04:05,160 Speaker 1: Yeah, what do we click? 90 00:04:05,320 --> 00:04:07,960 Speaker 3: What kind of voices would you do for your message machine? Oh? 91 00:04:08,040 --> 00:04:10,839 Speaker 1: God, it would be back then. That's how old I am. 92 00:04:10,960 --> 00:04:12,120 Speaker 1: I did alf? 93 00:04:15,280 --> 00:04:17,320 Speaker 3: What does ALF sound like? Kate? 94 00:04:17,440 --> 00:04:17,640 Speaker 1: Yeah? 95 00:04:17,680 --> 00:04:22,919 Speaker 3: Yeah, yeah, yeah, wait for the babe. I think Leno 96 00:04:22,960 --> 00:04:24,840 Speaker 3: would be good, you know. 97 00:04:26,560 --> 00:04:29,240 Speaker 1: He wasn't in my wheelhouse, but then he's kind of. 98 00:04:29,279 --> 00:04:33,160 Speaker 3: Up here and also thought of Conway. 99 00:04:33,160 --> 00:04:33,760 Speaker 1: Does it so good? 100 00:04:35,000 --> 00:04:38,080 Speaker 3: I do not mean to do this, but I have 101 00:04:38,160 --> 00:04:41,160 Speaker 3: a very good Seinfeld impression, because when I get angry, 102 00:04:41,160 --> 00:04:44,720 Speaker 3: that's just how I sound, that's just how my voice has. 103 00:04:45,480 --> 00:04:47,760 Speaker 3: I can't help bad. That's very good, thank you, And 104 00:04:47,800 --> 00:04:49,520 Speaker 3: it's not I'm not doing an impression. That's just truly. 105 00:04:49,560 --> 00:04:52,440 Speaker 3: When I am like one of my first girlfriends, when 106 00:04:52,440 --> 00:04:54,080 Speaker 3: we get in arguments or whatever, she'd be like, I 107 00:04:54,080 --> 00:04:56,640 Speaker 3: can't take you seriously because you sound like Jerry Seinfeld, 108 00:04:56,880 --> 00:05:01,120 Speaker 3: and I'd say, what are you mean. I'm not trying 109 00:05:01,160 --> 00:05:05,040 Speaker 3: to I've seen a movie. Hey, I teased this earlier. 110 00:05:05,040 --> 00:05:06,800 Speaker 3: I want to get to it. Lots of places, of course, 111 00:05:06,839 --> 00:05:08,839 Speaker 3: across the country are going to be doing ball drops 112 00:05:08,839 --> 00:05:12,000 Speaker 3: for Times for New Year's rather Times Square of course 113 00:05:12,080 --> 00:05:15,000 Speaker 3: is the most famous, perhaps where they have that big 114 00:05:15,680 --> 00:05:21,240 Speaker 3: Swarowski crystal ball. They're gonna do it twice. But elsewhere 115 00:05:21,279 --> 00:05:25,680 Speaker 3: there's some more interesting ones. A giant cheese wedge in Plymouth, Wisconsin. 116 00:05:26,839 --> 00:05:29,760 Speaker 3: They drop a chili pepper in Las Cruces, New Mexico. 117 00:05:30,200 --> 00:05:33,440 Speaker 3: In flagsaff Arizona, everyone gathers around the pine cone to 118 00:05:33,440 --> 00:05:38,440 Speaker 3: see it des send in a conk shell for the 119 00:05:38,480 --> 00:05:42,159 Speaker 3: blue Hairs down in Key West, Pennsylvania, home to a 120 00:05:42,160 --> 00:05:47,520 Speaker 3: bonanza of bizarre New Year's events, the blooney drop in Lebanon, Pennsylvania, 121 00:05:48,720 --> 00:05:53,280 Speaker 3: the pickle drop in Dillsburg and Lewistown, home to the potato. 122 00:05:53,040 --> 00:05:57,480 Speaker 1: Chip drop one just one. 123 00:05:57,920 --> 00:06:02,839 Speaker 3: Copycat celebrations from the Times Square New Year's tradition that 124 00:06:02,880 --> 00:06:04,640 Speaker 3: goes back all the way to nineteen oh seven. Of course, 125 00:06:04,680 --> 00:06:11,839 Speaker 3: are exploding over the past few decades. Beach balls, flip flops, 126 00:06:11,920 --> 00:06:19,120 Speaker 3: moon pies, giant peeps, possum drops. People in western North 127 00:06:19,120 --> 00:06:23,000 Speaker 3: Carolina no longer do they lower a live possum inside 128 00:06:23,000 --> 00:06:27,279 Speaker 3: a glass box at midnight. Twenty nineteen, they put an 129 00:06:27,360 --> 00:06:30,159 Speaker 3: end to that. That's me too for you. Right there, 130 00:06:30,279 --> 00:06:35,320 Speaker 3: there's still a possum drop though in Tallapoosa, Georgia. Long 131 00:06:35,360 --> 00:06:39,360 Speaker 3: ago it was known as possum snout. What a great 132 00:06:39,400 --> 00:06:42,280 Speaker 3: country we live in. Over in Highland Park, there's a 133 00:06:42,320 --> 00:06:45,279 Speaker 3: place called the Garibaldina Society, which is the oldest Italian 134 00:06:45,279 --> 00:06:51,080 Speaker 3: American society in California. Maybe the country seems impossible, but 135 00:06:51,120 --> 00:06:54,479 Speaker 3: it's very, very old. They do a meatball drop every year, 136 00:06:56,440 --> 00:06:59,400 Speaker 3: where the giant paper machet meatball comes down into a 137 00:06:59,440 --> 00:07:04,599 Speaker 3: plate of spaghetti and they shoot. The confetti is parmesan cheese. 138 00:07:06,040 --> 00:07:11,000 Speaker 3: It's great stuff. But it's gonna be raining here, so 139 00:07:11,320 --> 00:07:12,600 Speaker 3: maybe you want to go somewhere inside. 140 00:07:12,640 --> 00:07:14,800 Speaker 1: I love the obvious ones. Like so many places in Florida, 141 00:07:14,840 --> 00:07:18,040 Speaker 1: Like so many cities are doing an orange drop. Oh, 142 00:07:18,120 --> 00:07:19,680 Speaker 1: Atlanta is doing a peach drop. 143 00:07:19,720 --> 00:07:23,400 Speaker 3: Of course it is in la It's just the ball, 144 00:07:23,440 --> 00:07:26,600 Speaker 3: but it's like fent fenta folded ball. It's coming over. 145 00:07:26,760 --> 00:07:30,760 Speaker 1: There's also a place in Florida that, as you would expect, 146 00:07:30,800 --> 00:07:31,840 Speaker 1: does a pineapple drop. 147 00:07:31,960 --> 00:07:34,880 Speaker 3: Yeah, that's good, an upside down pineapple, I think, so 148 00:07:35,080 --> 00:07:35,880 Speaker 3: is it the villages? 149 00:07:36,520 --> 00:07:37,480 Speaker 1: I no, I don't think. 150 00:07:37,360 --> 00:07:39,880 Speaker 3: America's friendliest hometown. How friendly? 151 00:07:39,920 --> 00:07:40,320 Speaker 1: Indeed? 152 00:07:40,680 --> 00:07:43,160 Speaker 3: Coming up, we're gonna play this game. I'm gonna demo 153 00:07:43,240 --> 00:07:44,880 Speaker 3: it before we go to break. You guys ready to 154 00:07:44,920 --> 00:07:50,200 Speaker 3: do a test run here of solo the solo? Okay, foods. 155 00:07:50,240 --> 00:07:52,760 Speaker 3: You're gonna have to operate the audio here on the 156 00:07:53,920 --> 00:07:55,400 Speaker 3: I'm gonna play it from the computer and if it's 157 00:07:55,440 --> 00:07:57,840 Speaker 3: too loud, I'm so sorry. I'm gonna play a clip 158 00:07:58,000 --> 00:08:00,440 Speaker 3: of a solo, and then you've got a call in. 159 00:08:00,520 --> 00:08:02,120 Speaker 3: The number is one one hundred five to two zero 160 00:08:02,120 --> 00:08:05,040 Speaker 3: one five three four hundred five to zero one KFI. 161 00:08:06,200 --> 00:08:09,080 Speaker 3: And let me know who the artist is, what the 162 00:08:09,080 --> 00:08:11,720 Speaker 3: song is, and if it's a different person who played 163 00:08:11,720 --> 00:08:14,160 Speaker 3: the solo, who played the solo. This is just we 164 00:08:14,200 --> 00:08:17,200 Speaker 3: play for fun. There's no I got no money to 165 00:08:17,200 --> 00:08:19,560 Speaker 3: give away here. They have not given me a budget 166 00:08:20,320 --> 00:08:23,040 Speaker 3: to do any giveaways. But it will be all of our, 167 00:08:23,760 --> 00:08:27,640 Speaker 3: our respect and admiration that we will we will give 168 00:08:27,680 --> 00:08:29,240 Speaker 3: to you, whether you like it or not. Here's the 169 00:08:29,280 --> 00:08:44,400 Speaker 3: first one. If you know it, shout it out. 170 00:08:44,520 --> 00:08:45,640 Speaker 1: Always supposed to shout it out. 171 00:08:45,679 --> 00:08:48,520 Speaker 3: Well, if you shout out your name, at least crouze, 172 00:08:48,520 --> 00:08:49,280 Speaker 3: what are we listening to? 173 00:08:49,400 --> 00:08:50,880 Speaker 1: I believe isn't that purple Ra? 174 00:08:51,240 --> 00:08:53,600 Speaker 3: Indeed it is. That was an easy one. We started 175 00:08:53,600 --> 00:08:56,640 Speaker 3: it out a little easy because I didn't you know, 176 00:08:56,640 --> 00:08:57,959 Speaker 3: I didn't want to give I don't give away the 177 00:08:58,000 --> 00:09:00,400 Speaker 3: whole the whole game right off the top. But we're 178 00:09:00,400 --> 00:09:03,240 Speaker 3: gonna play one. Now. We have the phone lines open. 179 00:09:04,840 --> 00:09:20,480 Speaker 3: Call in and tell us what this solo is from. 180 00:09:20,600 --> 00:09:23,120 Speaker 3: I'm not gonna call it out, No, I gotta tease 181 00:09:23,160 --> 00:09:33,480 Speaker 3: it for the listeners is just like cacoffony. It's like 182 00:09:33,520 --> 00:09:34,640 Speaker 3: being in a guitar center. 183 00:09:35,160 --> 00:09:36,920 Speaker 1: Totally. It's like walking into it. 184 00:09:36,960 --> 00:09:40,920 Speaker 3: Just like someone's over there whiling whaling on a on 185 00:09:40,960 --> 00:09:42,280 Speaker 3: a flying v that. 186 00:09:42,120 --> 00:09:44,000 Speaker 1: Guy was on tour with somebody at some point. 187 00:09:44,200 --> 00:09:47,800 Speaker 3: Totally. Absolutely, all right, Well, coming up, we're gonna take 188 00:09:47,840 --> 00:09:49,760 Speaker 3: some of your calls. We'll play a few of these 189 00:09:50,000 --> 00:09:54,280 Speaker 3: because we already have the lines lighting up so exciting. 190 00:09:54,520 --> 00:09:56,440 Speaker 3: The first song we already know the answer to. It's 191 00:09:56,480 --> 00:09:58,800 Speaker 3: Purple Rain by Prince. Everybody knows that. It's the second 192 00:09:58,800 --> 00:10:00,959 Speaker 3: one that you just heard that we're trying to figure 193 00:10:00,960 --> 00:10:05,200 Speaker 3: out if you know the name of it. That's second 194 00:10:05,280 --> 00:10:08,880 Speaker 3: song one hundred five two zero one KFI one eight 195 00:10:08,960 --> 00:10:12,520 Speaker 3: hundred five two zero one five three four. Go ahead, 196 00:10:12,559 --> 00:10:14,160 Speaker 3: come on, call on in. 197 00:10:15,559 --> 00:10:18,720 Speaker 7: You're listening to Tim Conway. Jun you're on demand from 198 00:10:18,800 --> 00:10:20,559 Speaker 7: KFI AM six forty. 199 00:10:22,440 --> 00:10:25,440 Speaker 3: We are so thankful that so many people have been 200 00:10:25,480 --> 00:10:30,120 Speaker 3: calling answering what the song that we're soloing is, and 201 00:10:30,160 --> 00:10:31,560 Speaker 3: we've got a lot of callers on the line. So 202 00:10:31,559 --> 00:10:34,080 Speaker 3: the way we'll do this is we'll put you on hold. 203 00:10:34,160 --> 00:10:35,800 Speaker 3: Nikki will if you call, we'll put you on hold, 204 00:10:35,800 --> 00:10:37,960 Speaker 3: and then we'll just go to you and play the 205 00:10:38,000 --> 00:10:41,600 Speaker 3: next song when we have finished the first one. So, 206 00:10:42,000 --> 00:10:45,760 Speaker 3: first caller is Gary, who's calling from? Where are you 207 00:10:45,800 --> 00:10:46,240 Speaker 3: calling from? 208 00:10:46,240 --> 00:10:50,160 Speaker 8: Gary, I'm calling from San Clemente. 209 00:10:50,320 --> 00:10:54,199 Speaker 3: Hey, Orange County. Love it down there. That's Basic County 210 00:10:54,280 --> 00:11:00,120 Speaker 3: almost almost San Diego love San Clementy, big fan. Yeah, 211 00:11:00,200 --> 00:11:01,720 Speaker 3: let's listen to this song and see if you can 212 00:11:01,840 --> 00:11:14,840 Speaker 3: guess what the solo is. Okay, do you have any ideas? 213 00:11:14,880 --> 00:11:19,720 Speaker 8: I believe that's uh yeah, oh yeah yeah Billy Gibbons Lagrange. 214 00:11:20,040 --> 00:11:20,920 Speaker 3: Being the band. 215 00:11:22,760 --> 00:11:23,600 Speaker 6: ZZ talk. 216 00:11:23,840 --> 00:11:28,720 Speaker 3: Yeah, he got it, very good. Thank you so much 217 00:11:28,720 --> 00:11:29,200 Speaker 3: for calling. 218 00:11:29,280 --> 00:11:29,559 Speaker 6: Gary. 219 00:11:29,679 --> 00:11:31,800 Speaker 3: Enjoy yourself down there in San Clementy. I want a 220 00:11:31,800 --> 00:11:34,320 Speaker 3: little jealous love it down there, Data Point San Clementy 221 00:11:34,760 --> 00:11:38,040 Speaker 3: towards San Diego. Anyway, those those beach cities, just that's 222 00:11:38,120 --> 00:11:41,640 Speaker 3: that's the California dream, you know. Sometimes I'm I'm sitting 223 00:11:41,679 --> 00:11:45,760 Speaker 3: on riverside, on the riverside boulevard, and I'm thinking, how 224 00:11:45,760 --> 00:11:49,960 Speaker 3: did I get this close? And I'm that far away. 225 00:11:51,360 --> 00:11:53,640 Speaker 3: The next song we have will play it real quick 226 00:11:53,640 --> 00:11:55,199 Speaker 3: here and then we will take another call to see 227 00:11:55,200 --> 00:11:57,520 Speaker 3: if we have somebody who can guess. Take a listen. 228 00:12:09,000 --> 00:12:12,600 Speaker 3: Who that's hot? Crazy Crows? You know that I do? 229 00:12:12,920 --> 00:12:13,360 Speaker 8: Yeah? 230 00:12:13,440 --> 00:12:16,120 Speaker 3: Oh, you're so good at this game. We've got let's 231 00:12:16,120 --> 00:12:19,719 Speaker 3: see Janelle calling on the line. Janelle, how are you 232 00:12:19,720 --> 00:12:20,280 Speaker 3: doing this evening? 233 00:12:22,840 --> 00:12:23,000 Speaker 2: Oh? 234 00:12:23,960 --> 00:12:26,959 Speaker 8: Hey hey Andy Rizzle. 235 00:12:26,800 --> 00:12:29,840 Speaker 3: Hey, thanks for thanks for giving us a call. Did 236 00:12:29,840 --> 00:12:30,760 Speaker 3: you hear the solo? 237 00:12:32,400 --> 00:12:32,800 Speaker 9: I did? 238 00:12:32,880 --> 00:12:35,160 Speaker 1: It's so harder on the cold, on the cold drop 239 00:12:35,280 --> 00:12:35,600 Speaker 1: like that. 240 00:12:35,760 --> 00:12:37,800 Speaker 8: Wow, maybe maybe once more. 241 00:12:38,200 --> 00:12:39,439 Speaker 3: I'll give I'll give it to you one more time 242 00:12:39,480 --> 00:13:01,400 Speaker 3: here we get ready. That is such a dirt, nasty solo. 243 00:13:01,840 --> 00:13:05,679 Speaker 3: That is an incredible sound. Do you have any ideas. 244 00:13:05,360 --> 00:13:08,800 Speaker 8: That that is one talented guitarist. 245 00:13:09,000 --> 00:13:10,920 Speaker 1: I'm gonna go with anything van Halen, but. 246 00:13:10,880 --> 00:13:12,280 Speaker 6: I really don't think that's correct. 247 00:13:12,480 --> 00:13:14,800 Speaker 3: Pretty close, Crows, do we have a do you have 248 00:13:14,840 --> 00:13:15,520 Speaker 3: a hint for it? 249 00:13:17,160 --> 00:13:17,480 Speaker 10: Uh? 250 00:13:17,760 --> 00:13:20,520 Speaker 1: Same era? Mm hmm, so the same time frame. 251 00:13:21,800 --> 00:13:24,120 Speaker 3: I will say the guitarists were. 252 00:13:23,960 --> 00:13:24,840 Speaker 1: Compared to each other. 253 00:13:25,000 --> 00:13:32,800 Speaker 3: Yes, and he the guitarist is the guitarist died died young, sadly, 254 00:13:33,360 --> 00:13:37,679 Speaker 3: but was in a band with a rock legend, a 255 00:13:37,720 --> 00:13:39,640 Speaker 3: metal legend who just passed away this year. 256 00:13:41,520 --> 00:13:44,720 Speaker 8: Okay, so he's in a band with Ozzy and the 257 00:13:44,840 --> 00:13:52,320 Speaker 8: guitar Oh wow, somebody from Sabbath. That's close I'm going 258 00:13:52,360 --> 00:13:52,800 Speaker 8: to get. 259 00:13:52,720 --> 00:13:55,000 Speaker 3: Okay, Well, that's okay, you got really close. 260 00:13:55,040 --> 00:14:01,360 Speaker 1: We got we got right there, you know. He yeah, 261 00:14:02,280 --> 00:14:04,679 Speaker 1: you love you everybody. 262 00:14:04,840 --> 00:14:07,720 Speaker 3: Thank you. Yeah, love to monks as well. We'll see 263 00:14:07,720 --> 00:14:09,400 Speaker 3: you soon. Thanks Janelle for calling Monk. 264 00:14:10,280 --> 00:14:12,400 Speaker 5: Love Angel, Bye bye. 265 00:14:12,240 --> 00:14:14,840 Speaker 3: Hey Angel, you got the shout out there, Love you Janelle. 266 00:14:15,000 --> 00:14:16,800 Speaker 3: Oh great, Angel? Do you know who this is? 267 00:14:17,440 --> 00:14:18,520 Speaker 4: I do you do? 268 00:14:19,280 --> 00:14:20,760 Speaker 3: Are you a big were you a big metal head? 269 00:14:22,120 --> 00:14:24,880 Speaker 4: My first concert was Ozzy Osbourne. 270 00:14:24,960 --> 00:14:28,560 Speaker 3: Oh that's awesome, that's cool. Yeah, that's so cool, and 271 00:14:29,640 --> 00:14:32,520 Speaker 3: yeah it was. It was one of the first shows 272 00:14:32,760 --> 00:14:36,360 Speaker 3: after the plane crash that took Randy Rose. 273 00:14:37,040 --> 00:14:40,160 Speaker 1: That same thing with me, that same that same concert. 274 00:14:40,360 --> 00:14:44,880 Speaker 3: Well, well on that note, I guess, I guess, I 275 00:14:44,880 --> 00:14:51,680 Speaker 3: guess as Angel got okay, all right, well, yes, if 276 00:14:51,680 --> 00:14:54,600 Speaker 3: anybody can guess the name of the song at this point, 277 00:14:55,000 --> 00:14:57,160 Speaker 3: that is indeed Randy Rhodes. We've got another caller on 278 00:14:57,200 --> 00:15:01,320 Speaker 3: the line, Greg, who's gonna guess this song? Are you there? 279 00:15:01,360 --> 00:15:06,200 Speaker 6: Greg? I'm gonna guess mister Crowley. 280 00:15:05,840 --> 00:15:10,400 Speaker 3: Hey, that is correct, he got it. Of course, Randy 281 00:15:10,480 --> 00:15:13,680 Speaker 3: Roads there playing that song, and that is that is 282 00:15:13,720 --> 00:15:16,640 Speaker 3: I think a Randy Rhodes original. 283 00:15:18,120 --> 00:15:22,640 Speaker 6: You gave that girl too many him I know, I know, well. 284 00:15:22,480 --> 00:15:24,360 Speaker 3: You know, we're trying to we're trying to do our 285 00:15:24,400 --> 00:15:25,960 Speaker 3: best here and we're trying to. It's this is this 286 00:15:26,040 --> 00:15:29,920 Speaker 3: is this to you? That's right. She still didn't get it, 287 00:15:30,240 --> 00:15:33,040 Speaker 3: but you did, well, have. 288 00:15:33,160 --> 00:15:35,440 Speaker 6: You, guys? I listened all the time. I'm calling from 289 00:15:35,480 --> 00:15:39,560 Speaker 6: Las Vegas listening on the iHeart radio app love. 290 00:15:39,400 --> 00:15:42,160 Speaker 3: That are you. Have you been to the Sphere yet? 291 00:15:43,560 --> 00:15:47,640 Speaker 6: I have not been to the Sphere? Uh, it's too expensive. 292 00:15:47,720 --> 00:15:49,760 Speaker 6: I wanted to go see you two when they when 293 00:15:49,800 --> 00:15:53,440 Speaker 6: they opened it, but the cheapest ticket was five hundred dollars. 294 00:15:55,560 --> 00:15:57,920 Speaker 3: You know what, if you get a seat, that's not great. 295 00:15:58,040 --> 00:16:01,000 Speaker 3: It's really it's you don't get the full experience of it, 296 00:16:01,040 --> 00:16:01,440 Speaker 3: for sure. 297 00:16:01,800 --> 00:16:03,680 Speaker 1: And I totally feel the. 298 00:16:03,640 --> 00:16:08,120 Speaker 3: Eagles tickets are like two thousand dollars for nosebleeds, which 299 00:16:08,160 --> 00:16:08,520 Speaker 3: is great. 300 00:16:09,600 --> 00:16:13,560 Speaker 6: Well, thanks for coming, Thank you, And until Angel, I'm 301 00:16:13,600 --> 00:16:16,240 Speaker 6: working on the pension, working on the pension. 302 00:16:16,280 --> 00:16:17,960 Speaker 3: Angel, you hear that all right? 303 00:16:18,080 --> 00:16:20,040 Speaker 9: Well, you know, if you're working on it, you don't 304 00:16:20,040 --> 00:16:21,840 Speaker 9: have it yet, so get back to me when you 305 00:16:21,920 --> 00:16:22,280 Speaker 9: have it. 306 00:16:25,360 --> 00:16:28,920 Speaker 3: There, he goes, Greg very good. We have another song. 307 00:16:29,000 --> 00:16:53,760 Speaker 3: Let's just keep on rolling here through solo. The solo. 308 00:16:54,640 --> 00:16:55,600 Speaker 3: That's a hard one. 309 00:16:56,680 --> 00:16:56,960 Speaker 1: Crows. 310 00:16:57,040 --> 00:16:57,480 Speaker 3: You think you know? 311 00:16:58,640 --> 00:16:59,320 Speaker 1: No, not quite. 312 00:16:59,440 --> 00:17:03,960 Speaker 3: Let's see if Danny call he number five on our 313 00:17:04,480 --> 00:17:08,720 Speaker 3: our rundown here, might know the artist or the song 314 00:17:08,800 --> 00:17:09,719 Speaker 3: behind that solo. 315 00:17:11,240 --> 00:17:14,240 Speaker 8: I know the artist, but I don't remember the name 316 00:17:14,280 --> 00:17:15,240 Speaker 8: of the song. I know it. 317 00:17:16,880 --> 00:17:18,760 Speaker 6: Mister cat Scratch Beaver, Ted Dudge. 318 00:17:18,920 --> 00:17:24,639 Speaker 3: Hey, you got it? Danny killing me? That is very impressive. 319 00:17:26,400 --> 00:17:27,560 Speaker 6: It's I know. 320 00:17:27,640 --> 00:17:29,240 Speaker 8: It's not him singing on the song either. 321 00:17:29,480 --> 00:17:29,680 Speaker 1: No. 322 00:17:30,240 --> 00:17:33,120 Speaker 3: Uh, it is the Nuge that is correct, Ted Nugent. 323 00:17:33,480 --> 00:17:36,440 Speaker 3: The song is from Would it help if I told 324 00:17:36,480 --> 00:17:39,600 Speaker 3: you the album? 325 00:17:39,720 --> 00:17:43,320 Speaker 8: No, because it's it's before Before My Time. 326 00:17:43,440 --> 00:17:47,440 Speaker 3: Yeah, it's tech Ted Nugent and the song is from 327 00:17:47,480 --> 00:17:48,639 Speaker 3: nineteen seventy five. 328 00:17:49,560 --> 00:17:49,760 Speaker 8: Uh. 329 00:17:49,800 --> 00:17:51,440 Speaker 3: And maybe do we have any other people who are 330 00:17:51,480 --> 00:17:54,320 Speaker 3: calling who might be able to guess the next Yeah, 331 00:17:54,359 --> 00:17:56,280 Speaker 3: we can have James, right, James says, we haven't. We 332 00:17:56,280 --> 00:17:58,879 Speaker 3: haven't heard from James yet. I will give you most 333 00:17:58,880 --> 00:18:01,480 Speaker 3: credit for Tad Nugent for sure. That was a hard one. 334 00:18:04,720 --> 00:18:09,119 Speaker 3: Let's talk to James. James, You're life on I am 335 00:18:09,200 --> 00:18:11,880 Speaker 3: six forty so we know that that's a tech nugent song. 336 00:18:12,320 --> 00:18:13,320 Speaker 3: But do you know the song? 337 00:18:16,359 --> 00:18:18,520 Speaker 8: I no, I thought you were gonna give me another one. 338 00:18:19,119 --> 00:18:22,520 Speaker 3: Well, I guess I'll give you another one. We got 339 00:18:22,520 --> 00:18:23,719 Speaker 3: to get out of here anyway, so yeah, we can. 340 00:18:23,760 --> 00:18:25,280 Speaker 3: We'll wrap this up here. I'll play one more and 341 00:18:25,320 --> 00:18:27,159 Speaker 3: then you can try to guess and see if if 342 00:18:27,160 --> 00:18:42,320 Speaker 3: you can get it. Here we go stand by. 343 00:18:46,800 --> 00:18:50,560 Speaker 6: Yeah, I know. Yeah, Garry Manelo, Garry Manelo. 344 00:18:52,280 --> 00:18:54,560 Speaker 3: That is introduction. That's close. 345 00:18:55,600 --> 00:18:58,439 Speaker 8: Yeah, yea, yeah, yeah, yeah, all right, that's. 346 00:18:58,320 --> 00:18:59,639 Speaker 3: Partial partial credit. 347 00:19:00,000 --> 00:19:00,360 Speaker 8: All right. 348 00:19:01,320 --> 00:19:04,960 Speaker 7: You're listening to Tim Conway Junior on demand from kf 349 00:19:04,960 --> 00:19:20,159 Speaker 7: I AM six forty. 350 00:19:24,840 --> 00:19:28,800 Speaker 3: We have a caller on the line, Mike. Where are 351 00:19:28,840 --> 00:19:29,960 Speaker 3: you calling from there? Mike? 352 00:19:31,520 --> 00:19:33,080 Speaker 8: Hey, Andy, can you hear me? 353 00:19:33,240 --> 00:19:35,359 Speaker 3: Yes, sir, I can hear you. Well, do you have 354 00:19:35,400 --> 00:19:36,000 Speaker 3: a guest. 355 00:19:35,840 --> 00:19:36,440 Speaker 7: For that one? 356 00:19:38,359 --> 00:19:44,840 Speaker 8: It sounds like, uh, yeah, you know what, I forgot 357 00:19:44,840 --> 00:19:49,480 Speaker 8: the name. But also also Andy, I actually called for 358 00:19:49,560 --> 00:19:50,080 Speaker 8: something else. 359 00:19:50,160 --> 00:19:50,960 Speaker 3: Okay, what's up. 360 00:19:52,320 --> 00:19:55,240 Speaker 8: Randy Road you were talking about? You know he's buried 361 00:19:55,280 --> 00:19:58,840 Speaker 8: in San Bernardino right there on fortieth Street. 362 00:19:59,040 --> 00:20:00,000 Speaker 3: No, I didn't know that. 363 00:20:01,000 --> 00:20:04,680 Speaker 8: Yeah, and I saw by accident actually a long long 364 00:20:04,720 --> 00:20:08,040 Speaker 8: time ago. Uh. He has like a little modelium thing. 365 00:20:08,480 --> 00:20:11,719 Speaker 8: Oh right when you leave, when you leave, and it 366 00:20:11,800 --> 00:20:14,840 Speaker 8: has a his uh the famous guitar you know he invented, 367 00:20:14,920 --> 00:20:18,919 Speaker 8: I think the arrowhead guitar. It's drawing. It's a drawing 368 00:20:18,920 --> 00:20:20,800 Speaker 8: of that. You probably looked at it. I'd probably google it, 369 00:20:20,880 --> 00:20:25,199 Speaker 8: I think. Anyway, I used to go for birthday in December, 370 00:20:25,760 --> 00:20:29,480 Speaker 8: if the third, something like that. Wow, And a lot 371 00:20:29,480 --> 00:20:31,359 Speaker 8: of people, a lot of people throw guitar picks in 372 00:20:31,400 --> 00:20:34,280 Speaker 8: there because it has like a it's bar, it has bars. 373 00:20:34,720 --> 00:20:38,000 Speaker 3: That's fascinating. I know he was born in Santa Monica, 374 00:20:38,160 --> 00:20:40,000 Speaker 3: so what how did he end up there? Buried in 375 00:20:40,000 --> 00:20:40,680 Speaker 3: San Bernardino? 376 00:20:42,320 --> 00:20:45,040 Speaker 8: He was born well his I thought his mom owned 377 00:20:45,080 --> 00:20:49,280 Speaker 8: the music studio in uh maybe yeah, s Bordino. 378 00:20:50,200 --> 00:20:53,480 Speaker 3: That's pretty cool. So wow, that's amazing. Well yeah, you're right. 379 00:20:53,520 --> 00:20:57,359 Speaker 3: It's at the Mountain View Cemetery in San Bernardino, California. 380 00:20:57,480 --> 00:20:58,679 Speaker 3: Yeah wow, well. 381 00:20:58,560 --> 00:21:01,280 Speaker 8: Yeah, right right right as you leave the Yeah, if 382 00:21:01,280 --> 00:21:05,160 Speaker 8: you leave the exit and right there, it's really neat. 383 00:21:05,200 --> 00:21:06,360 Speaker 8: It's Mike Marble. 384 00:21:06,560 --> 00:21:06,800 Speaker 6: Yeah. 385 00:21:06,840 --> 00:21:09,080 Speaker 3: Well, well, thank you, Mike, thank you, thank you so 386 00:21:09,160 --> 00:21:11,120 Speaker 3: much for Colin. We really appreciate you. We've got lots 387 00:21:11,119 --> 00:21:12,560 Speaker 3: of people to get to. But that was a good 388 00:21:12,600 --> 00:21:14,800 Speaker 3: that's a good little little piece of trivia there tonight 389 00:21:14,880 --> 00:21:17,440 Speaker 3: for UH for you on Randy Rhodes checking in with 390 00:21:19,119 --> 00:21:22,000 Speaker 3: UH Alfredo on line one. Who's going to try to 391 00:21:22,040 --> 00:21:24,960 Speaker 3: guess this solo? ALFREDA, how are you doing? 392 00:21:25,240 --> 00:21:25,400 Speaker 11: Yeah? 393 00:21:25,440 --> 00:21:27,159 Speaker 6: I want to Yeah, it's me. 394 00:21:27,359 --> 00:21:27,719 Speaker 10: Hello. 395 00:21:27,760 --> 00:21:31,879 Speaker 8: Anybody's cool? I want to say it's Ben Haleian hostitution. 396 00:21:32,119 --> 00:21:36,640 Speaker 3: Yes, sir, that is correct. Oh, you got you got 397 00:21:38,480 --> 00:21:41,120 Speaker 3: you rock? Thank you, brother, appreciate you. All right, We've 398 00:21:41,119 --> 00:21:45,320 Speaker 3: got one more here and another caller, so who will 399 00:21:45,320 --> 00:21:49,760 Speaker 3: be playing for the next one will be Carlos from Glendora. Carlos, 400 00:21:49,800 --> 00:21:53,960 Speaker 3: Are you ready to play solo? The solo? 401 00:21:55,280 --> 00:21:56,640 Speaker 1: Are you there? Carlos? 402 00:21:57,560 --> 00:22:00,000 Speaker 3: Yes, sir, go ahead and turn out turned down your 403 00:22:00,040 --> 00:22:04,600 Speaker 3: radio forest please, okay, alrighty now listen, listen closely to 404 00:22:04,640 --> 00:22:14,680 Speaker 3: this one. Hold on. What's going on here? Oh we're 405 00:22:14,720 --> 00:22:19,000 Speaker 3: buffering everybody. We're just waiting for the internet to kick 406 00:22:19,080 --> 00:22:19,399 Speaker 3: back in. 407 00:22:20,640 --> 00:22:20,960 Speaker 1: Wow. 408 00:22:22,440 --> 00:22:35,760 Speaker 11: Great, any idea what that is? 409 00:22:35,840 --> 00:22:36,399 Speaker 3: Carlos? 410 00:22:37,640 --> 00:22:39,919 Speaker 6: Yeah, that's the Beatle text man. 411 00:22:40,119 --> 00:22:44,720 Speaker 3: Yes, sir, very good, excellent. That one was kind of easy, 412 00:22:44,800 --> 00:22:46,520 Speaker 3: wasn't it. That was sort of a gimme? 413 00:22:46,600 --> 00:22:49,800 Speaker 6: Yeah, I was coming for the vanil one, but also 414 00:22:49,840 --> 00:22:52,040 Speaker 6: know the Technesian one was stranglehold. 415 00:22:52,160 --> 00:22:53,960 Speaker 3: Hey, he got it. There we go. I was hoping 416 00:22:53,960 --> 00:22:55,639 Speaker 3: somebody would say it so I wouldn't have to have 417 00:22:55,720 --> 00:22:57,520 Speaker 3: to let that one go. So you get a point 418 00:22:57,520 --> 00:22:59,400 Speaker 3: there as well. And I hope you all are keeping 419 00:22:59,400 --> 00:23:02,280 Speaker 3: track because you get a deduction on your income tax 420 00:23:02,280 --> 00:23:03,439 Speaker 3: at the end of the year if you've won a 421 00:23:03,440 --> 00:23:06,399 Speaker 3: lot of these. I don't know if anybody knows that. Yeah, 422 00:23:06,480 --> 00:23:10,680 Speaker 3: so there you go. I may not, may not be true, 423 00:23:11,400 --> 00:23:13,880 Speaker 3: may not be true at all. All right, let's see, 424 00:23:13,880 --> 00:23:16,680 Speaker 3: we've got another song here, and we've got Nikki. Do 425 00:23:16,720 --> 00:23:18,280 Speaker 3: we have another caller? We have anybody else who's on 426 00:23:18,280 --> 00:23:19,320 Speaker 3: the line who wants to keep playing? 427 00:23:19,359 --> 00:23:19,800 Speaker 1: Or are we done? 428 00:23:20,720 --> 00:23:21,600 Speaker 4: I can get another one? 429 00:23:21,960 --> 00:23:23,640 Speaker 3: All right, let's just. 430 00:23:23,560 --> 00:23:24,240 Speaker 1: Work on right now. 431 00:23:24,359 --> 00:23:26,040 Speaker 3: Let's just all listen for a second, and then you 432 00:23:26,119 --> 00:23:29,639 Speaker 3: can we can try to guess. 433 00:23:31,440 --> 00:23:32,040 Speaker 1: Or no or not? 434 00:23:33,040 --> 00:23:34,280 Speaker 3: Is that we have no more callers? 435 00:23:34,680 --> 00:23:36,800 Speaker 1: No? I thought we were listening. Are you know you 436 00:23:36,800 --> 00:23:39,000 Speaker 1: can't hear that? Huh, No, we can't hear it. It's 437 00:23:39,000 --> 00:23:39,280 Speaker 1: not on. 438 00:23:49,720 --> 00:23:51,440 Speaker 3: That's got to be one of the easiest ones ever. 439 00:23:51,560 --> 00:23:55,880 Speaker 3: Right ever, I'm almost embarrassed that I played that one. 440 00:23:57,600 --> 00:24:03,240 Speaker 3: We did it well, we have another caller, we can nope, Okay, 441 00:24:03,680 --> 00:24:06,760 Speaker 3: croze nos. This is fun. You know, a day before 442 00:24:06,800 --> 00:24:10,040 Speaker 3: New Year's Eve, hanging out with your buds, trying to 443 00:24:10,040 --> 00:24:13,480 Speaker 3: get the internet to work. I played guess this thing 444 00:24:13,520 --> 00:24:15,160 Speaker 3: that is playing? Can you imagine if I was sitting 445 00:24:15,160 --> 00:24:17,640 Speaker 3: here playing all these solos I thought you were going 446 00:24:17,680 --> 00:24:20,520 Speaker 3: to I'd be pretty sweet. What an annoying thing that 447 00:24:20,560 --> 00:24:22,280 Speaker 3: would be if I'd have to bring an amplifier in? 448 00:24:23,080 --> 00:24:25,520 Speaker 1: Learn it. Not be the first person to do that, So. 449 00:24:25,520 --> 00:24:27,120 Speaker 3: Learn how to play. I have played my own band 450 00:24:27,160 --> 00:24:29,280 Speaker 3: on the air, though, for sure, so it was pretty annoying. 451 00:24:29,280 --> 00:24:32,320 Speaker 3: I guess Emily is calling your line number five? 452 00:24:34,720 --> 00:24:36,960 Speaker 1: Oh is this an un for excitement? 453 00:24:37,119 --> 00:24:37,239 Speaker 8: Oh? 454 00:24:39,240 --> 00:24:43,959 Speaker 3: Hello, Emily, you're on KFI. Hi, that's Tears for Fears. 455 00:24:44,040 --> 00:24:45,440 Speaker 7: Everybody wants to rule the world. 456 00:24:45,480 --> 00:24:49,280 Speaker 3: You got it? Very good. Appreciate you for colling. That 457 00:24:49,359 --> 00:24:52,439 Speaker 3: was an easy one. I was hoping that the hoping 458 00:24:52,440 --> 00:24:55,159 Speaker 3: that the solo was the part we heard, but I 459 00:24:55,160 --> 00:24:56,920 Speaker 3: guess we just were just here in the intro part, 460 00:24:56,920 --> 00:24:59,880 Speaker 3: which everybody has heard a million times. So very good. 461 00:25:00,000 --> 00:25:02,919 Speaker 3: Thank you for Colin, Thanks for playing here on this evening, 462 00:25:03,000 --> 00:25:06,840 Speaker 3: this Tuesday, December thirtieth. We have so many people calling, 463 00:25:06,880 --> 00:25:09,639 Speaker 3: but we're out of songs. That's all the songs that 464 00:25:09,680 --> 00:25:12,840 Speaker 3: they made are There are no more more songs now 465 00:25:13,119 --> 00:25:18,520 Speaker 3: we did all of them. Oh no, yeah, sorry, better 466 00:25:18,600 --> 00:25:23,560 Speaker 3: luck next time. Bucco bucko, that's right, that's right, bucko, 467 00:25:24,400 --> 00:25:27,280 Speaker 3: bucker reno, buckeroo, buckle up, buckeroo. 468 00:25:27,520 --> 00:25:28,359 Speaker 1: There you go, there you go. 469 00:25:28,440 --> 00:25:30,679 Speaker 3: Indeed. Yeah, so that's a fun game. We'll try to 470 00:25:30,680 --> 00:25:32,960 Speaker 3: play again next time. And thank you all so much 471 00:25:33,000 --> 00:25:35,359 Speaker 3: for Colin and all of the people who gave us 472 00:25:35,400 --> 00:25:38,679 Speaker 3: a ring this evening were very, very appreciative. And I 473 00:25:38,720 --> 00:25:41,960 Speaker 3: wish now that I know that it's so popular, I 474 00:25:42,000 --> 00:25:43,040 Speaker 3: will clip more songs. 475 00:25:44,359 --> 00:25:44,680 Speaker 6: I will. 476 00:25:44,920 --> 00:25:48,160 Speaker 3: I will make that happen for us. By the way, 477 00:25:48,800 --> 00:25:50,960 Speaker 3: when we see you next time, I want to talk 478 00:25:51,000 --> 00:25:56,000 Speaker 3: about gen Z and the shows that they like. You know, 479 00:25:56,040 --> 00:26:00,520 Speaker 3: they hate us so much. I'm a millennial, pretty pretty proudly, 480 00:26:00,560 --> 00:26:02,840 Speaker 3: and all I see on the internet is young people 481 00:26:02,920 --> 00:26:06,960 Speaker 3: bashing us about how cringey we are, how whack we are. 482 00:26:08,000 --> 00:26:12,560 Speaker 3: Boomers don't like us. Gen Z doesn't like us. Our 483 00:26:12,560 --> 00:26:14,000 Speaker 3: grandparents aren't even alive anymore. 484 00:26:15,720 --> 00:26:17,320 Speaker 4: Gen X doesn't like you either. 485 00:26:17,320 --> 00:26:18,600 Speaker 3: Thank you right, Yeah, that's true. 486 00:26:20,080 --> 00:26:23,040 Speaker 1: And make sure that on behalf of millennial too. 487 00:26:23,280 --> 00:26:24,680 Speaker 4: I speak on behalf of jene. 488 00:26:25,200 --> 00:26:29,160 Speaker 5: We're the coolest, the smallest group though, that's why we're cool. 489 00:26:29,240 --> 00:26:32,280 Speaker 3: We're rare. I do think that. I love gen X, 490 00:26:32,640 --> 00:26:34,119 Speaker 3: thank you. Growing up, I thought they were the coolest 491 00:26:34,160 --> 00:26:36,720 Speaker 3: people because they were like the older siblings in my era. 492 00:26:36,880 --> 00:26:40,400 Speaker 4: They were the ones zygo gen X though, right. 493 00:26:40,320 --> 00:26:43,919 Speaker 3: Because that means what's the cusp? What is it? 494 00:26:43,960 --> 00:26:44,240 Speaker 11: Eighty? 495 00:26:44,320 --> 00:26:46,320 Speaker 3: Is that the thing that cuts off basically that becomes 496 00:26:46,400 --> 00:26:47,280 Speaker 3: that becomes millennial. 497 00:26:47,400 --> 00:26:49,960 Speaker 5: I believe I always thought it was seventy nine, but 498 00:26:50,000 --> 00:26:51,640 Speaker 5: you might be corrected as eighty. 499 00:26:51,520 --> 00:26:54,360 Speaker 3: Eighty, okay. And then when it goes so, it goes 500 00:26:54,520 --> 00:26:58,120 Speaker 3: Boomer gen X, gen Z. No, I'm sorry, general, why 501 00:26:58,280 --> 00:27:01,719 Speaker 3: no millennial, millennial gen Z and then Gen Alpha. 502 00:27:01,760 --> 00:27:04,120 Speaker 4: But do you remember who's above the boomers? No one 503 00:27:04,160 --> 00:27:04,679 Speaker 4: remembers this. 504 00:27:05,760 --> 00:27:06,880 Speaker 3: Are they the lost generation? 505 00:27:07,280 --> 00:27:09,639 Speaker 5: It's the silent, just silent generally. And before them is 506 00:27:09,680 --> 00:27:11,040 Speaker 5: the greatest generation. 507 00:27:11,160 --> 00:27:12,720 Speaker 3: Those were the people who fought in World War Two. 508 00:27:12,760 --> 00:27:14,320 Speaker 4: Yeah, and before them it's just cavemen. 509 00:27:16,960 --> 00:27:19,240 Speaker 3: Well, either way, for as much as they hate us, 510 00:27:19,280 --> 00:27:21,720 Speaker 3: they sure seem to like a lot of our content. 511 00:27:22,960 --> 00:27:26,640 Speaker 7: You're listening to Tim Conway Junior on demand from KFI 512 00:27:26,960 --> 00:27:28,240 Speaker 7: AM six forty. 513 00:27:30,520 --> 00:27:32,719 Speaker 3: Story. We've been talking about young kids like old shows. 514 00:27:32,720 --> 00:27:35,520 Speaker 3: A study from the National Research Group found that sixty 515 00:27:35,520 --> 00:27:41,480 Speaker 3: percent of all TV that they're consuming is old library content. 516 00:27:41,920 --> 00:27:44,120 Speaker 3: Nearly half of Gen Z say that they watch older 517 00:27:44,160 --> 00:27:47,879 Speaker 3: shows because they find them comforting and nostalgic. Disney's own 518 00:27:47,920 --> 00:27:50,480 Speaker 3: research found that twenty five percent of the program's kids 519 00:27:50,520 --> 00:27:55,119 Speaker 3: called their favorites or maybe before twenty ten. For Gen Alpha, 520 00:27:55,160 --> 00:27:58,120 Speaker 3: that would mean most of them before they were born. 521 00:27:59,320 --> 00:28:02,440 Speaker 3: It is fair the most recent era of peak TV 522 00:28:04,040 --> 00:28:07,800 Speaker 3: premium content did not preoccupy itself with being cozy or comfortable. 523 00:28:08,800 --> 00:28:14,320 Speaker 3: Can't imagine watching Dexter or Madmen and cozy and up 524 00:28:14,359 --> 00:28:17,920 Speaker 3: to the TV shows may have been better back then. 525 00:28:18,320 --> 00:28:21,240 Speaker 3: I think they probably might have been, but I'm kind 526 00:28:21,280 --> 00:28:23,760 Speaker 3: of an old soul. I guess young people are, though, 527 00:28:23,800 --> 00:28:26,680 Speaker 3: of course, in mass watching the Internet a lot more YouTube. 528 00:28:26,840 --> 00:28:30,920 Speaker 3: Never week on kid programming, you got Skibby, Toilet, Brain Rot, 529 00:28:31,160 --> 00:28:34,480 Speaker 3: Baby Shark, some more educational fair like Miss Rachel, whatever 530 00:28:34,480 --> 00:28:38,720 Speaker 3: it is on the iPad. Modern TV might not be 531 00:28:38,760 --> 00:28:41,600 Speaker 3: able to match the scale of Internet content for kids. 532 00:28:41,640 --> 00:28:43,240 Speaker 3: I think is really what this comes down to. But 533 00:28:43,280 --> 00:28:45,120 Speaker 3: I'm also not sure how much of this is new. 534 00:28:45,480 --> 00:28:47,680 Speaker 3: I might be a weirdo, but my childhood was defined 535 00:28:47,720 --> 00:28:52,320 Speaker 3: by nickod Knight reruns, Brady Bunch, Flintstones, Scooby Doo. Shows 536 00:28:52,320 --> 00:28:54,440 Speaker 3: I could watch with my parents, giving me a glimpse 537 00:28:54,440 --> 00:28:58,040 Speaker 3: into a window of life before me. Like to see 538 00:28:58,080 --> 00:29:01,760 Speaker 3: how my dad, who was a pro baseball player, opened 539 00:29:01,840 --> 00:29:04,240 Speaker 3: up a bar in Boston, or how my mom and 540 00:29:04,240 --> 00:29:07,040 Speaker 3: her best friend worked putting bottle caps on bottles at 541 00:29:07,040 --> 00:29:14,560 Speaker 3: a brewery in Wisconsin. Those were the shows. We got 542 00:29:14,560 --> 00:29:16,280 Speaker 3: some messages here. Let's take a listen. 543 00:29:17,160 --> 00:29:21,920 Speaker 8: It's stranglehold. Stranglehold. You guys are driving me cra It's stranglehold. 544 00:29:22,440 --> 00:29:24,240 Speaker 3: That is my goal for this, because I am also 545 00:29:24,360 --> 00:29:27,720 Speaker 3: you all the time when I'm watching TV or listening 546 00:29:27,720 --> 00:29:29,440 Speaker 3: to the radio and somebody's trying to figure out something 547 00:29:29,520 --> 00:29:31,400 Speaker 3: like I know it and I'm screaming it at the 548 00:29:31,400 --> 00:29:36,160 Speaker 3: TV or screaming it at the radio. Thank you for 549 00:29:36,200 --> 00:29:43,440 Speaker 3: the message. Here's another, Hi, Andy, It's Sabrina. This lush 550 00:29:43,440 --> 00:29:47,320 Speaker 3: you know Zelmans is also available now in Spearman. Heck, yeah, 551 00:29:47,360 --> 00:29:48,239 Speaker 3: so check it out. 552 00:29:48,400 --> 00:29:49,520 Speaker 1: I think it's on the website. 553 00:29:49,640 --> 00:29:52,800 Speaker 3: Okay, where do I get Selmon's though in real life 554 00:29:52,840 --> 00:29:54,600 Speaker 3: I don't want to have to order them on the internet. 555 00:29:54,720 --> 00:29:57,200 Speaker 3: I know there's a plug here. I know somebody's got 556 00:29:57,200 --> 00:30:04,120 Speaker 3: the hookup. Well, Hi, and wasn't Sammy Hagar from Fontana. 557 00:30:04,280 --> 00:30:04,760 Speaker 3: That's cool? 558 00:30:06,600 --> 00:30:08,080 Speaker 8: Oh those were the good old days. 559 00:30:08,280 --> 00:30:08,440 Speaker 6: Man. 560 00:30:08,480 --> 00:30:11,160 Speaker 3: There's a really great book that I saw that is 561 00:30:11,200 --> 00:30:15,200 Speaker 3: all about cruising up and down Van Nuys Boulevard in 562 00:30:15,240 --> 00:30:19,000 Speaker 3: the early eighties. It's like Fast Time at Ridgemont High era. 563 00:30:19,320 --> 00:30:25,280 Speaker 3: Fast Times at Ridgemont High Era, Phoebe Kate's great stuff, 564 00:30:27,440 --> 00:30:29,240 Speaker 3: Good Times. I wish I had I wish I had 565 00:30:29,240 --> 00:30:31,040 Speaker 3: been there. One of the things I like about living 566 00:30:31,080 --> 00:30:33,560 Speaker 3: in the Valleys that I'm close ish in proximity to that, 567 00:30:34,400 --> 00:30:36,040 Speaker 3: and I think about that a lot, and I think, man, 568 00:30:36,040 --> 00:30:37,680 Speaker 3: that would have been. I felt like that was kind 569 00:30:37,720 --> 00:30:38,520 Speaker 3: of where I wanted to be. 570 00:30:38,920 --> 00:30:41,960 Speaker 8: And you're doing Drake, sir, Thank you, cro You're a 571 00:30:41,960 --> 00:30:45,520 Speaker 8: good man, probably one of the most novelheaded guys that 572 00:30:45,640 --> 00:30:45,920 Speaker 8: I know. 573 00:30:46,400 --> 00:30:48,120 Speaker 1: When it comes to radio. 574 00:30:48,160 --> 00:30:49,200 Speaker 10: You guys being Drake. 575 00:30:49,360 --> 00:30:50,840 Speaker 1: Thank you for the entertainment. 576 00:30:50,960 --> 00:30:53,440 Speaker 3: You're welcome. Also, thank you for that talk back in 577 00:30:53,480 --> 00:30:59,080 Speaker 3: that cool voice. What a voice, boy, oh boy, future 578 00:30:59,080 --> 00:30:59,960 Speaker 3: in radio for that guy. 579 00:31:00,120 --> 00:31:03,040 Speaker 9: I think, Andy, it's great to hear the younger generation 580 00:31:03,160 --> 00:31:06,640 Speaker 9: are starting to watch these older shows. There's so much 581 00:31:06,680 --> 00:31:10,920 Speaker 9: great stuff to discover, totally, the crime shows. 582 00:31:10,600 --> 00:31:15,080 Speaker 3: Colombo, Colombo. Colombo is a great time capsule of Los 583 00:31:15,120 --> 00:31:21,000 Speaker 3: Angeles sixties seventies. My mom huge fan of that show. 584 00:31:21,040 --> 00:31:22,920 Speaker 3: Anytime she comes out to LA she's like, I gotta 585 00:31:22,960 --> 00:31:25,680 Speaker 3: go to the Columbo filming locations the top of the 586 00:31:25,680 --> 00:31:27,560 Speaker 3: car and drive over to bell Air or drive over 587 00:31:27,600 --> 00:31:30,840 Speaker 3: to the sportsman Lodge. She saw that there's an episode 588 00:31:30,840 --> 00:31:32,680 Speaker 3: that was filmed at the Sportsman's Lodge before they turn 589 00:31:32,720 --> 00:31:36,040 Speaker 3: it into the Arawon Equinox Complex, and so I took 590 00:31:36,040 --> 00:31:40,600 Speaker 3: some pictures of her, like recreating scenes from Colombo, the. 591 00:31:40,600 --> 00:31:47,240 Speaker 9: Crime Shows, Colombo, Rockford Files, banicek Cannon, the scary stuff 592 00:31:47,320 --> 00:31:51,320 Speaker 9: like Night Gallery Thriller. Of course, everyone knows the Twilight Zone. 593 00:31:52,400 --> 00:31:55,040 Speaker 9: The better for them. 594 00:31:55,160 --> 00:31:59,600 Speaker 3: Yeah, Peter Fox, great guy, cool actor, good vibes. I 595 00:31:59,600 --> 00:32:02,480 Speaker 3: think TV back then, you know, everything is you look 596 00:32:02,520 --> 00:32:05,120 Speaker 3: at everything with a lens of nostalgia, you know. I 597 00:32:05,120 --> 00:32:06,840 Speaker 3: think about the stuff that back in the early nineties 598 00:32:06,840 --> 00:32:09,240 Speaker 3: when I was grown up, or even in the two thousands, 599 00:32:09,480 --> 00:32:11,600 Speaker 3: even things ten years old that I have nostalgia for 600 00:32:11,720 --> 00:32:15,720 Speaker 3: pre pandemic stuff that I'm a wistful person about. But 601 00:32:15,800 --> 00:32:20,200 Speaker 3: all that stuff, it looks better with time. Some of 602 00:32:20,240 --> 00:32:23,040 Speaker 3: it was better. I mean, I guarantee you Colombo was. 603 00:32:23,160 --> 00:32:26,040 Speaker 3: There was more more money put into episodes of Colombo 604 00:32:26,120 --> 00:32:28,480 Speaker 3: than a lot of the YouTube junk that everybody's watching. 605 00:32:30,040 --> 00:32:31,920 Speaker 3: So I think there is some something fair to that. 606 00:32:32,360 --> 00:32:33,880 Speaker 3: Here's another talk back from Nevada. 607 00:32:34,360 --> 00:32:37,840 Speaker 1: Hey, Andy, nice job. I'm enjoying the show. 608 00:32:37,880 --> 00:32:38,320 Speaker 3: Thank you. 609 00:32:38,640 --> 00:32:41,000 Speaker 2: Grew up right there in Highland Park, but now I 610 00:32:41,040 --> 00:32:43,560 Speaker 2: live in Hawthorne, Nevada. 611 00:32:43,800 --> 00:32:48,000 Speaker 1: Cool twenty four this morning. I don't think you folks 612 00:32:48,000 --> 00:32:51,040 Speaker 1: could handle that. Oh man, all right, have a nice evening. 613 00:32:51,640 --> 00:32:55,440 Speaker 3: Twenty four degrees. Have not seen those numbers in a 614 00:32:55,480 --> 00:33:00,000 Speaker 3: long time, ron or what do you think? 615 00:33:00,320 --> 00:33:03,000 Speaker 12: I think that's a bit chilly. I mean, I grew 616 00:33:03,080 --> 00:33:05,160 Speaker 12: up in the Pacific Northwest, so I don't mind the cold. 617 00:33:05,480 --> 00:33:07,960 Speaker 12: But now that I'm acclimated, now we're weak to la. 618 00:33:08,040 --> 00:33:09,720 Speaker 1: Yeah. I couldn't handle that. I'd cry. 619 00:33:09,800 --> 00:33:11,080 Speaker 3: I can tell you this all the time I used 620 00:33:11,120 --> 00:33:12,959 Speaker 3: to walk around Indianapolis. 621 00:33:13,280 --> 00:33:15,320 Speaker 1: Oh, Indianapolis is miserable. 622 00:33:14,920 --> 00:33:18,720 Speaker 3: Freezing cold, from October to May. It is bad. 623 00:33:18,800 --> 00:33:22,200 Speaker 1: I'm surprised you don't have frostbite amputations, do you? 624 00:33:22,280 --> 00:33:23,840 Speaker 3: Well, you've never seen my toes. 625 00:33:24,040 --> 00:33:27,360 Speaker 12: I've you've remained clothed, thankfully you've never asked. 626 00:33:27,640 --> 00:33:32,000 Speaker 10: Hey, guys, speaking of voices, the Aussie girl, is that 627 00:33:32,000 --> 00:33:32,360 Speaker 10: what I hear? 628 00:33:32,440 --> 00:33:32,840 Speaker 12: Do I hear? 629 00:33:32,880 --> 00:33:37,720 Speaker 1: Is Sheila? Yeah? Whenever I maybe she's maybe she's key 630 00:33:37,760 --> 00:33:38,040 Speaker 1: we I. 631 00:33:37,960 --> 00:33:41,760 Speaker 10: Don't know, but whenever I hear her, yeah, I think 632 00:33:41,800 --> 00:33:44,680 Speaker 10: of Dora the Explorer. She kind of let you know 633 00:33:44,800 --> 00:33:47,960 Speaker 10: that slow talked. She kind of like asks a question, 634 00:33:48,200 --> 00:33:49,640 Speaker 10: sort of in her slow voice. 635 00:33:49,800 --> 00:33:53,280 Speaker 3: Is that you Nikki? Anyway? I carry up purse? 636 00:33:53,520 --> 00:33:54,600 Speaker 6: I carry a purse. 637 00:33:57,000 --> 00:33:59,720 Speaker 3: That's a Sidefelder. Very good. Thank you guys so much 638 00:33:59,720 --> 00:34:02,640 Speaker 3: for being a part of the show. I will see 639 00:34:02,640 --> 00:34:08,200 Speaker 3: you next Monday. It's seven pm here on KFI where Ronner, Fush, 640 00:34:08,280 --> 00:34:10,000 Speaker 3: Nikki and I will be reunited once again. 641 00:34:10,040 --> 00:34:11,960 Speaker 1: Wait, we were just getting started. You're leaving now? 642 00:34:12,320 --> 00:34:14,439 Speaker 3: Well I gotta leave. I'll come back. I'll be back 643 00:34:14,480 --> 00:34:17,360 Speaker 3: next Yeah, I got I'm done. I was here I 644 00:34:17,360 --> 00:34:17,959 Speaker 3: started four. 645 00:34:18,120 --> 00:34:19,040 Speaker 1: This makes no sense. 646 00:34:20,440 --> 00:34:23,640 Speaker 3: Cafi am six forty Andy Reismaer in for Conway and 647 00:34:23,680 --> 00:34:26,080 Speaker 3: the Conway Show We're live everywhere on the iHeartRadio app. 648 00:34:26,680 --> 00:34:30,840 Speaker 2: Conway Show on demand on the iHeartRadio app. Now, you 649 00:34:30,840 --> 00:34:34,000 Speaker 2: can always hear us live on KFI Am six forty 650 00:34:34,120 --> 00:34:38,000 Speaker 2: four to seven pm Monday through Friday, and anytime on 651 00:34:38,120 --> 00:34:40,600 Speaker 2: demand on the iHeart Radio app.