1 00:00:00,680 --> 00:00:04,280 Speaker 1: You're listening to Later with Moe Kelly on demand from 2 00:00:04,400 --> 00:00:06,119 Speaker 1: KFI AM six forty. 3 00:00:05,960 --> 00:00:07,800 Speaker 2: Later with Moe Kelly, we live on YouTube and the 4 00:00:07,840 --> 00:00:10,799 Speaker 2: iHeartRadio app. And I have to give it to Taylor Swift. 5 00:00:11,240 --> 00:00:13,840 Speaker 2: I'm not a swiftye I can name maybe two of 6 00:00:13,840 --> 00:00:19,840 Speaker 2: her songs at most, but I can recognize genius when 7 00:00:19,880 --> 00:00:22,440 Speaker 2: it comes to business. And I would say this about 8 00:00:22,520 --> 00:00:25,560 Speaker 2: people like Kim Kardashian. I don't like what she does, 9 00:00:25,640 --> 00:00:30,000 Speaker 2: but I can't disrespect the business of turning something nothing 10 00:00:30,040 --> 00:00:33,919 Speaker 2: into something, you know, becoming a billionaire. Regardless of how 11 00:00:33,920 --> 00:00:37,200 Speaker 2: you got there, you became a billionaire. And Taylor Swift 12 00:00:37,320 --> 00:00:40,080 Speaker 2: is another person. Not only is she the top music 13 00:00:40,120 --> 00:00:42,480 Speaker 2: artist in the world right now, she has the number 14 00:00:42,479 --> 00:00:47,600 Speaker 2: one movie in the world. And it's weird because Taylor Swift, 15 00:00:47,600 --> 00:00:50,320 Speaker 2: the official release party of A Showgirl is only a 16 00:00:50,360 --> 00:00:52,920 Speaker 2: behind the scenes look at the making of her record. 17 00:00:52,960 --> 00:00:56,840 Speaker 2: In other words, it's just other material. They're just repurposing 18 00:00:57,560 --> 00:00:59,480 Speaker 2: and put it into a movie format. 19 00:00:59,600 --> 00:01:02,120 Speaker 3: They straight to AMC. 20 00:01:01,640 --> 00:01:05,240 Speaker 2: Theaters, which is the distributors, not a movie production company. 21 00:01:05,280 --> 00:01:09,000 Speaker 2: It's AMC Theaters which allowed it the widest coverage. 22 00:01:09,200 --> 00:01:10,280 Speaker 3: That's genius. 23 00:01:10,840 --> 00:01:13,360 Speaker 2: It was in thirty seven hundred theaters and it's the 24 00:01:13,440 --> 00:01:17,200 Speaker 2: number one movie in the world, and it grows fifty 25 00:01:17,520 --> 00:01:22,520 Speaker 2: million dollars thirty four million domestic, sixteen million international. Yeah, 26 00:01:22,520 --> 00:01:26,520 Speaker 2: it didn't have any real competition as far as a 27 00:01:26,560 --> 00:01:29,240 Speaker 2: first week release, but it's fifty million. 28 00:01:29,040 --> 00:01:30,679 Speaker 3: Dollars and all they had to do was keep the 29 00:01:30,720 --> 00:01:34,880 Speaker 3: cameras rolling. While she was making her record, she basically said, Hey, 30 00:01:35,360 --> 00:01:36,640 Speaker 3: take all this edit it. 31 00:01:36,640 --> 00:01:39,520 Speaker 4: We're going to put it in theaters again because I'm 32 00:01:39,600 --> 00:01:43,720 Speaker 4: going to make one hundred percent of that. I'm paying 33 00:01:43,800 --> 00:01:47,480 Speaker 4: AMC bay explain that to stream my film. This is 34 00:01:47,520 --> 00:01:50,440 Speaker 4: the direct deal with me and AMC. I control the 35 00:01:50,440 --> 00:01:53,600 Speaker 4: ticket sales, the time the film shows, all of that. 36 00:01:53,840 --> 00:01:55,120 Speaker 3: It's a partnership with AMC. 37 00:01:55,240 --> 00:01:57,120 Speaker 4: They can get the foot traffic, You sell the hot 38 00:01:57,160 --> 00:02:01,040 Speaker 4: dogs and stuff like that, no time, hell a swift merchandise. 39 00:02:01,280 --> 00:02:04,040 Speaker 4: You can't sell any merchants I like popcorn. No, there's 40 00:02:04,480 --> 00:02:07,280 Speaker 4: no tens. But I'm going to get all of that money. 41 00:02:07,320 --> 00:02:10,680 Speaker 4: So I just made a quick fifty million, just off 42 00:02:10,720 --> 00:02:13,880 Speaker 4: the top and didn't do anything extra or special. It 43 00:02:13,880 --> 00:02:17,800 Speaker 4: wasn't like they had to put together a movie. It 44 00:02:17,880 --> 00:02:21,000 Speaker 4: was stuff that was just filming her while she was recording. 45 00:02:21,720 --> 00:02:25,000 Speaker 4: Just it's basically exaggerated social media. You get to see 46 00:02:25,040 --> 00:02:27,320 Speaker 4: more of what you didn't get to see before. Yeah, 47 00:02:27,400 --> 00:02:29,880 Speaker 4: you might get some behind the scenes of the engagement. 48 00:02:29,960 --> 00:02:32,720 Speaker 4: Oh her looking at her ring, stuff like that. But 49 00:02:33,040 --> 00:02:36,239 Speaker 4: this is absolute genius and she saw how much she 50 00:02:36,440 --> 00:02:39,560 Speaker 4: made and how impactful. The last film that she did 51 00:02:40,040 --> 00:02:41,919 Speaker 4: was when it went to theaters. And this is also 52 00:02:42,000 --> 00:02:44,880 Speaker 4: something for those fans who were not able to purchase 53 00:02:44,919 --> 00:02:49,280 Speaker 4: those big ticket of the. 54 00:02:49,200 --> 00:02:50,480 Speaker 3: Big tickets to the concerts. 55 00:02:50,560 --> 00:02:52,800 Speaker 4: Retard to the concerts, they say, look, I got some 56 00:02:52,840 --> 00:02:54,800 Speaker 4: an extra for you all come to your local theater, 57 00:02:55,200 --> 00:02:59,840 Speaker 4: and they were packing those theaters out. 58 00:02:59,560 --> 00:03:02,680 Speaker 2: To get to take per screen average ninety two hundred dollars, 59 00:03:02,720 --> 00:03:06,200 Speaker 2: which is insane. That's per screen average. I'll give you 60 00:03:06,200 --> 00:03:09,800 Speaker 2: an example or comparison. It's in thirty seven hundred theaters. 61 00:03:10,000 --> 00:03:12,760 Speaker 2: One Battle after Another, which came in second this week, 62 00:03:13,080 --> 00:03:16,520 Speaker 2: is in thirty six hundred and thirty four theaters. Comparable, 63 00:03:17,760 --> 00:03:20,840 Speaker 2: the per screen average for one Battle after Another was 64 00:03:20,880 --> 00:03:26,440 Speaker 2: only three thousand dollars. Wow, Taylor Swift was three times 65 00:03:26,440 --> 00:03:31,280 Speaker 2: that amount kicking leos. But but speaking of one Battle 66 00:03:31,320 --> 00:03:34,079 Speaker 2: after Another in its second week, it's now crossed a 67 00:03:34,200 --> 00:03:38,160 Speaker 2: one hundred million dollar worldwide box office take, and I 68 00:03:38,200 --> 00:03:40,480 Speaker 2: don't know what the budget was, but it will make money. 69 00:03:40,880 --> 00:03:42,600 Speaker 5: I thought it was somewhere around one hundred and forty 70 00:03:42,680 --> 00:03:45,680 Speaker 5: or fifty. Yeah, I've heard different figures, but it's still safe. 71 00:03:45,920 --> 00:03:48,400 Speaker 5: It's the second week. It did not lose any theaters. 72 00:03:48,680 --> 00:03:50,520 Speaker 5: It brought an eleven million domestically. 73 00:03:51,040 --> 00:03:54,240 Speaker 2: It's in a real good position to have legs at 74 00:03:54,320 --> 00:03:56,680 Speaker 2: least five six weeks in theaters. 75 00:03:56,320 --> 00:03:56,640 Speaker 3: I hope. 76 00:03:56,680 --> 00:03:58,720 Speaker 5: So I keep on reading that it's a flop, and 77 00:03:58,880 --> 00:04:01,760 Speaker 5: that's going to affect whether or not movies like that 78 00:04:02,040 --> 00:04:05,360 Speaker 5: are made again. So I hope it becomes a success. 79 00:04:05,560 --> 00:04:07,720 Speaker 5: It wasn't a huge hit right out of the gate, though, 80 00:04:07,840 --> 00:04:08,440 Speaker 5: No it wasn't. 81 00:04:08,520 --> 00:04:10,840 Speaker 2: But I'm talking about it in terms of whether it 82 00:04:10,880 --> 00:04:12,120 Speaker 2: makes its money back. 83 00:04:12,320 --> 00:04:14,400 Speaker 3: Now. I can't deal with expectations. 84 00:04:14,480 --> 00:04:19,200 Speaker 2: I'm just dealing with its listed budget, likely marketing and promotion. 85 00:04:19,720 --> 00:04:23,960 Speaker 2: Let's say it was two hundred million all together, maybe 86 00:04:24,000 --> 00:04:26,080 Speaker 2: that might be of some concern, But if it's in 87 00:04:26,120 --> 00:04:28,279 Speaker 2: the one hundred and sixty million dollar range. 88 00:04:28,120 --> 00:04:29,880 Speaker 5: I think it's going to be okay. I hope people 89 00:04:29,880 --> 00:04:32,159 Speaker 5: go see it. It's really good and I hope we 90 00:04:32,200 --> 00:04:32,919 Speaker 5: get more like it. 91 00:04:33,120 --> 00:04:33,640 Speaker 3: I liked it. 92 00:04:33,920 --> 00:04:38,520 Speaker 2: The Smashing Machine. A twenty four The Little Movie Studio 93 00:04:38,600 --> 00:04:41,919 Speaker 2: Which could. Smashing Machine came in third this week in 94 00:04:41,960 --> 00:04:45,159 Speaker 2: its first week with six million dollars. A twenty four 95 00:04:45,240 --> 00:04:48,839 Speaker 2: is very good for not necessarily big budget pictures, but 96 00:04:50,240 --> 00:04:54,719 Speaker 2: high concept ideas. They can produce on budgets under seventy 97 00:04:54,720 --> 00:04:55,320 Speaker 2: five million. 98 00:04:55,720 --> 00:04:58,920 Speaker 5: Yeah, they're kind of like a slightly more bespoke Blumhouse. 99 00:04:59,200 --> 00:05:02,200 Speaker 2: Yeah yeah, or maybe you know a lions Gate back 100 00:05:02,240 --> 00:05:04,960 Speaker 2: in the day. Yeah, they're not looking for huge numbers, 101 00:05:05,240 --> 00:05:08,520 Speaker 2: but those are the companies will be which more, which 102 00:05:08,560 --> 00:05:10,360 Speaker 2: would be producing more. 103 00:05:12,520 --> 00:05:13,320 Speaker 3: Daring movies. 104 00:05:13,680 --> 00:05:16,279 Speaker 5: They are willing to take chances on movies they've got 105 00:05:16,320 --> 00:05:20,120 Speaker 5: a good reputation, and people make a point of listing 106 00:05:20,160 --> 00:05:22,320 Speaker 5: that it's an A twenty four movie when they mentioned them. 107 00:05:22,600 --> 00:05:23,400 Speaker 3: Yeah. Yeah. 108 00:05:23,520 --> 00:05:26,320 Speaker 2: Gabby's Dollhouse the movie. I have no idea what this is. 109 00:05:27,320 --> 00:05:31,280 Speaker 2: Gabby and Grandma Grandma Gigi's road trip takes an unexpected 110 00:05:31,320 --> 00:05:35,200 Speaker 2: turn when Gabby's prize dollhouse ends up with eccentric cat 111 00:05:35,320 --> 00:05:35,840 Speaker 2: Lady Vera. 112 00:05:35,880 --> 00:05:38,200 Speaker 3: It sounds like a movie I just got to see. 113 00:05:38,400 --> 00:05:39,680 Speaker 3: I don't even know what you just said. 114 00:05:39,960 --> 00:05:42,720 Speaker 2: Look it grows thirty two million worldwide, so somebody's out 115 00:05:42,720 --> 00:05:43,240 Speaker 2: there seeing it. 116 00:05:43,279 --> 00:05:45,200 Speaker 3: I don't think we're the demographic for this. Oh we're not. 117 00:05:45,279 --> 00:05:47,800 Speaker 2: Oh okay, I'll just say super Bowl half time show 118 00:05:47,839 --> 00:05:51,440 Speaker 2: not meant for me. Coming in number five, mark The 119 00:05:51,520 --> 00:05:53,160 Speaker 2: Conjuring last rites. 120 00:05:52,960 --> 00:05:53,880 Speaker 6: I still haven't seen that. 121 00:05:55,040 --> 00:05:59,040 Speaker 2: It is now up to four hundred and fifty nine 122 00:05:59,160 --> 00:06:00,320 Speaker 2: million world wide. 123 00:06:00,400 --> 00:06:03,560 Speaker 6: Good for them. The previous three of those movies were 124 00:06:03,560 --> 00:06:04,120 Speaker 6: a lot of fun. 125 00:06:05,720 --> 00:06:08,600 Speaker 2: Demons Layer came in number six, is still hanging around. 126 00:06:09,880 --> 00:06:14,120 Speaker 2: It has gross six hundred and thirty three million worldwide, 127 00:06:14,320 --> 00:06:17,840 Speaker 2: And honestly, movies like that, Demons Layer and The Conjuring, 128 00:06:18,200 --> 00:06:21,120 Speaker 2: even though this year is down box office wise, movies 129 00:06:21,160 --> 00:06:23,840 Speaker 2: like that are really saving the box office. When you're 130 00:06:23,839 --> 00:06:27,320 Speaker 2: getting these movies which you're getting half a billion, which 131 00:06:27,400 --> 00:06:29,560 Speaker 2: really should not be expected to get half a billion. 132 00:06:29,600 --> 00:06:30,360 Speaker 3: That ought to tell you. 133 00:06:31,080 --> 00:06:34,080 Speaker 2: And Avatar Way of Water twenty twenty five rerelease brought 134 00:06:34,080 --> 00:06:38,760 Speaker 2: in three million. Boom, trash boom. How dare they It's 135 00:06:38,760 --> 00:06:40,039 Speaker 2: not like it's a twenty year old movie. 136 00:06:40,040 --> 00:06:43,200 Speaker 3: We got to re release it. To theannars, it's like 137 00:06:43,279 --> 00:06:44,360 Speaker 3: five years old or something. 138 00:06:45,080 --> 00:06:49,800 Speaker 4: They're literally trying to account for that boastful lie of 139 00:06:49,800 --> 00:06:51,440 Speaker 4: how much you made the first time around. 140 00:06:51,560 --> 00:06:54,120 Speaker 5: Oh, here we go with the avatar trutherism. Look, they're 141 00:06:54,120 --> 00:06:54,440 Speaker 5: just trying. 142 00:06:54,480 --> 00:06:56,840 Speaker 4: They're trying to make their uh, they're trying to make 143 00:06:56,880 --> 00:07:01,919 Speaker 4: their dollars and their sense seeing it upon the masses trash. 144 00:07:02,000 --> 00:07:04,960 Speaker 5: And I will not be seeing it this time either. True, 145 00:07:05,120 --> 00:07:08,400 Speaker 5: you don't know anyone that will. Casper twenty twenty five 146 00:07:08,440 --> 00:07:13,320 Speaker 5: re release. You talked about lazy. It's lazy, like. 147 00:07:13,320 --> 00:07:15,720 Speaker 3: Theaters are just like, give give me another. 148 00:07:16,200 --> 00:07:19,400 Speaker 2: They've turned themselves into a damn VHS video store. 149 00:07:19,960 --> 00:07:20,120 Speaker 3: You know. 150 00:07:20,160 --> 00:07:22,640 Speaker 2: It's like they'll just put soft up every now and then, 151 00:07:23,840 --> 00:07:25,720 Speaker 2: just in case you missed it. Thirty years ago, no 152 00:07:25,760 --> 00:07:27,640 Speaker 2: one was asking for a Casper re release. 153 00:07:28,800 --> 00:07:34,120 Speaker 4: You know, they're redoing another anniversary triple play of Back 154 00:07:34,160 --> 00:07:36,320 Speaker 4: to the Future. And I said to myself, well, that's 155 00:07:36,400 --> 00:07:38,560 Speaker 4: just lazy. You already did that on the date that 156 00:07:39,000 --> 00:07:41,520 Speaker 4: fifteeners supposed to have happened, So why are you doing 157 00:07:41,560 --> 00:07:42,080 Speaker 4: it now? 158 00:07:42,480 --> 00:07:43,680 Speaker 3: I don't know. I don't know. 159 00:07:44,000 --> 00:07:45,680 Speaker 2: When we come back, we have to talk about Lionel 160 00:07:45,760 --> 00:07:50,880 Speaker 2: Richie and his thoughts on Michael Jackson, and I'm going 161 00:07:50,920 --> 00:07:54,240 Speaker 2: to also tell you my stories of similar stories of 162 00:07:54,280 --> 00:07:55,360 Speaker 2: people in the industry. 163 00:07:55,800 --> 00:07:57,600 Speaker 3: Lionel Richie Obviously. 164 00:07:57,200 --> 00:08:00,360 Speaker 2: Since Michael Jackson's been gone for some sixteen years, believe 165 00:08:00,400 --> 00:08:03,320 Speaker 2: it or not, you know, he probably feels more comfortable 166 00:08:03,320 --> 00:08:08,680 Speaker 2: with telling certain inside stories about MJ and others. And 167 00:08:09,160 --> 00:08:11,600 Speaker 2: I want to tell you not only am I okay 168 00:08:11,600 --> 00:08:14,920 Speaker 2: with him telling the story, I pretty much believe it 169 00:08:14,960 --> 00:08:15,320 Speaker 2: as well. 170 00:08:15,560 --> 00:08:16,880 Speaker 3: We'll tell you why when we come back. 171 00:08:17,560 --> 00:08:21,160 Speaker 1: You're listening to Later with Moe Kelly on demand from 172 00:08:21,240 --> 00:08:22,800 Speaker 1: KFI AM six forty. 173 00:08:23,560 --> 00:08:26,240 Speaker 3: Lina Richie has his new memoir out. 174 00:08:26,640 --> 00:08:28,600 Speaker 2: It's titled Truly, which is also the name of one 175 00:08:28,640 --> 00:08:32,600 Speaker 2: of his songs, Lionel Richie. And this is common of 176 00:08:32,679 --> 00:08:35,320 Speaker 2: all these memoirs. It does not matter who it is. 177 00:08:36,040 --> 00:08:38,599 Speaker 2: There are things, obviously that people put in the books 178 00:08:39,320 --> 00:08:43,240 Speaker 2: which will get people to buy them. It will generate 179 00:08:43,320 --> 00:08:47,920 Speaker 2: interest for people to interview him or her regarding the 180 00:08:47,960 --> 00:08:52,520 Speaker 2: book salacious, but more often not they are true. And 181 00:08:52,679 --> 00:08:58,480 Speaker 2: Lionel Richie obviously has known Michael Jackson for most of 182 00:08:58,600 --> 00:09:02,120 Speaker 2: Michael's life. If you know the history of Motown and 183 00:09:02,200 --> 00:09:06,560 Speaker 2: CBS Records and with the Commodores when Lona was with 184 00:09:06,600 --> 00:09:10,520 Speaker 2: the Commodoores. But Lona Richie said that Michael Jackson was 185 00:09:10,640 --> 00:09:16,520 Speaker 2: nicknamed Smelly for poor hygiene and allegedly would wear pants 186 00:09:16,679 --> 00:09:20,839 Speaker 2: until they were unwearable. That's what Lona Richie had to say. 187 00:09:20,880 --> 00:09:23,080 Speaker 2: When I saw this, I said, yeah, it's probably true. 188 00:09:23,520 --> 00:09:25,960 Speaker 2: It probably is true, if only because when you're in 189 00:09:26,000 --> 00:09:30,880 Speaker 2: the music industry you are dealing with people not as celebrities. 190 00:09:30,920 --> 00:09:33,040 Speaker 3: You're just dealing with them as people. 191 00:09:33,120 --> 00:09:36,120 Speaker 2: You're rehearsing with them, maybe you're on the road with them, 192 00:09:36,440 --> 00:09:39,679 Speaker 2: you're hanging out with them, you're partying with them. You 193 00:09:39,760 --> 00:09:44,440 Speaker 2: get to see the non famous side of someone. And 194 00:09:44,480 --> 00:09:46,280 Speaker 2: I don't know how many times I told a story 195 00:09:46,520 --> 00:09:49,600 Speaker 2: about Lenny Kravitz on here as far as how badly 196 00:09:49,640 --> 00:09:50,280 Speaker 2: he smelled. 197 00:09:50,920 --> 00:09:51,959 Speaker 3: And there are a number of people. 198 00:09:52,000 --> 00:09:54,080 Speaker 2: There are singers that you wouldn't know the name of, 199 00:09:54,160 --> 00:09:57,880 Speaker 2: but they're semi famous, who had horrible dental. 200 00:09:57,520 --> 00:09:59,240 Speaker 3: Hygiene, all that kind of stuff. 201 00:10:00,080 --> 00:10:04,160 Speaker 2: But I did notice when you get to the super famous, 202 00:10:05,040 --> 00:10:10,240 Speaker 2: the more disconnected those individuals happen to be with the 203 00:10:10,280 --> 00:10:12,280 Speaker 2: things that we consider normal. 204 00:10:14,120 --> 00:10:15,560 Speaker 3: Higien usually is one of them. 205 00:10:15,840 --> 00:10:19,000 Speaker 2: Usually, you know, they kind of do whatever they want, 206 00:10:19,040 --> 00:10:22,760 Speaker 2: however they want, whenever they want, because nobody ever tells them. No, 207 00:10:23,640 --> 00:10:27,319 Speaker 2: there is no real guidance to say, hey, go wash 208 00:10:27,320 --> 00:10:30,199 Speaker 2: your ass, you know, take a shower, brush your teeth 209 00:10:30,240 --> 00:10:31,160 Speaker 2: like a parent would. 210 00:10:31,720 --> 00:10:32,920 Speaker 3: And so I've. 211 00:10:32,679 --> 00:10:39,040 Speaker 2: Encountered a number of quote unquote celebrities with questionable HIGI. 212 00:10:39,520 --> 00:10:43,360 Speaker 4: Yeah, it's it's kind of part and parcel to the business. 213 00:10:43,360 --> 00:10:45,800 Speaker 4: I mean, these people that you think are just oh 214 00:10:45,840 --> 00:10:48,560 Speaker 4: my god, there's so and so, and if you so 215 00:10:48,760 --> 00:10:51,080 Speaker 4: happen to run up on them and maybe get a 216 00:10:51,160 --> 00:10:53,360 Speaker 4: hug or whatever, you may find yourself one to go 217 00:10:53,400 --> 00:10:54,840 Speaker 4: on and take a shower afterwards. 218 00:10:55,040 --> 00:10:55,840 Speaker 3: We'll put it this way. 219 00:10:56,000 --> 00:11:00,840 Speaker 2: If a guy had a pet chim pansy and was 220 00:11:00,960 --> 00:11:05,480 Speaker 2: known for eccentricities, how much of a leap are we 221 00:11:05,559 --> 00:11:12,200 Speaker 2: talking about where he probably had some sort of hygiene deficiency. 222 00:11:12,800 --> 00:11:16,440 Speaker 2: You know what other weird stuff might that include. 223 00:11:16,840 --> 00:11:24,040 Speaker 4: Well, look, there are several groups who maybe the KFI 224 00:11:24,120 --> 00:11:27,040 Speaker 4: audience wouldn't know. They wouldn't know some of these groups, 225 00:11:27,080 --> 00:11:29,559 Speaker 4: but now they probably Weren'tah, but there's a girl group 226 00:11:30,760 --> 00:11:33,240 Speaker 4: by the name of Total And one time we did 227 00:11:33,240 --> 00:11:35,400 Speaker 4: there are a group that was under a bad. 228 00:11:35,200 --> 00:11:37,920 Speaker 3: Boy and we'll be talking about p. 229 00:11:38,320 --> 00:11:41,520 Speaker 4: Nicks And we did a show and they came through 230 00:11:41,640 --> 00:11:45,160 Speaker 4: artists check in and I don't know who in the group, 231 00:11:45,400 --> 00:11:46,880 Speaker 4: so I don't want to say all three of them, 232 00:11:47,760 --> 00:11:53,120 Speaker 4: but one of them was ripe as Orangutank asked, well. 233 00:11:53,520 --> 00:11:55,800 Speaker 2: When do you say right? It's a girl group, so 234 00:11:55,840 --> 00:11:57,600 Speaker 2: I have to ask the question. I'm not trying to 235 00:11:57,600 --> 00:12:01,360 Speaker 2: be disrespectful, but I think we make a distation. Was 236 00:12:01,400 --> 00:12:04,520 Speaker 2: it like body odor or was it a feminine older 237 00:12:04,720 --> 00:12:11,280 Speaker 2: It was more of a feminine pungency. Ooh, and I oh, hot, damn, 238 00:12:11,480 --> 00:12:14,760 Speaker 2: I need to go. I was because I was there 239 00:12:14,800 --> 00:12:16,840 Speaker 2: and I'm standing and this is one of them is 240 00:12:16,840 --> 00:12:19,400 Speaker 2: standing in front of me, and I'm like, is it 241 00:12:19,440 --> 00:12:20,040 Speaker 2: the leather? 242 00:12:20,920 --> 00:12:21,640 Speaker 3: Is it you? 243 00:12:23,000 --> 00:12:27,520 Speaker 2: It's it's the thing with leather, though, because whenever I 244 00:12:27,520 --> 00:12:29,320 Speaker 2: saw Lendykravitsky was always wearing leather. 245 00:12:29,480 --> 00:12:30,760 Speaker 3: Your story is leather. 246 00:12:32,040 --> 00:12:34,319 Speaker 2: Someone in the chat, Tommy god Love, reminded us of 247 00:12:34,400 --> 00:12:38,920 Speaker 2: Matthew McConaughey. He doesn't wear deodorant. That's been publicly reported. 248 00:12:38,960 --> 00:12:42,560 Speaker 2: That's yes, that is common. 249 00:12:43,000 --> 00:12:43,200 Speaker 5: Was it? 250 00:12:43,480 --> 00:12:44,319 Speaker 3: Ashton Kutcher? 251 00:12:45,000 --> 00:12:47,880 Speaker 2: And I think milakunis they only bathed like twice a 252 00:12:47,920 --> 00:12:52,000 Speaker 2: week or something like that. It's common in Hollywood, these 253 00:12:52,200 --> 00:12:57,920 Speaker 2: weird hygiene practices. Me, You will never catch me on 254 00:12:57,920 --> 00:12:59,960 Speaker 2: a day in which I didn't shower unless I am 255 00:13:01,120 --> 00:13:04,040 Speaker 2: really really sick and in the bed and I'm not 256 00:13:04,080 --> 00:13:04,720 Speaker 2: going anywhere. 257 00:13:04,720 --> 00:13:05,559 Speaker 3: You're not going anywhere. 258 00:13:05,640 --> 00:13:07,920 Speaker 2: That's the only way you're not gonna catch me out 259 00:13:07,960 --> 00:13:11,800 Speaker 2: in public. Like I'm I take a shower before I 260 00:13:11,840 --> 00:13:14,960 Speaker 2: go to workout, before I go to hopketle one, because 261 00:13:15,000 --> 00:13:17,880 Speaker 2: it's kind of expected. Clearliness and hygiene is part of 262 00:13:17,880 --> 00:13:23,400 Speaker 2: our dojong expectations, but also just me, I take a 263 00:13:23,440 --> 00:13:28,160 Speaker 2: shower before I go work out. But in Hollywood it's 264 00:13:28,320 --> 00:13:31,800 Speaker 2: not It's not all that uncommon for people to have 265 00:13:31,920 --> 00:13:36,840 Speaker 2: questionable hygiene habits. And I say that because I wasn't 266 00:13:36,880 --> 00:13:40,840 Speaker 2: surprised when Lionel Richie was quoted as saying that, you know, 267 00:13:40,880 --> 00:13:44,400 Speaker 2: Michael Jackson was nicknamed smelly. I'm quite sure there's probably 268 00:13:44,440 --> 00:13:47,439 Speaker 2: another forty to fifty people who could corroborate that story. 269 00:13:47,480 --> 00:13:49,160 Speaker 3: He's not just making that up. 270 00:13:49,480 --> 00:13:51,400 Speaker 4: I mean, when you look back on any of those 271 00:13:51,520 --> 00:13:55,120 Speaker 4: old school album covers from the seventy you got dudes 272 00:13:55,160 --> 00:13:58,640 Speaker 4: all bunched up together with no shirts on. You know, 273 00:13:58,679 --> 00:14:03,199 Speaker 4: there's some funky mofa funky moff a lot of leather 274 00:14:03,880 --> 00:14:07,000 Speaker 4: you know, I always thought, what was the name of 275 00:14:07,040 --> 00:14:10,920 Speaker 4: that group, uh Africa ban Bada and them. He used 276 00:14:10,920 --> 00:14:13,880 Speaker 4: to wear those gigantic outfits. All I could think to 277 00:14:13,920 --> 00:14:16,760 Speaker 4: myself is, man, those brothers must be funky. 278 00:14:16,840 --> 00:14:20,040 Speaker 2: In the seventies, it was all about leather and exposed 279 00:14:20,160 --> 00:14:23,920 Speaker 2: chess with chest hair. It just looked like everybody's sweating 280 00:14:24,000 --> 00:14:26,760 Speaker 2: under those hot lights. And this is not even a 281 00:14:26,840 --> 00:14:30,320 Speaker 2: quote which is attributable to line of Richie. He's saying 282 00:14:30,360 --> 00:14:34,960 Speaker 2: that Quincy Jones said it, and he also experienced it. 283 00:14:35,360 --> 00:14:37,880 Speaker 2: But the quote of the nickname comes from Quincy Jones, 284 00:14:37,880 --> 00:14:41,320 Speaker 2: and Quincy Jones was notorious for telling stories about people 285 00:14:41,360 --> 00:14:43,320 Speaker 2: and letting all the business go before he died. 286 00:14:43,440 --> 00:14:44,360 Speaker 3: Yeah, yeah, yeah, yeah. 287 00:14:44,400 --> 00:14:46,760 Speaker 2: So all I say is people are gonna give this 288 00:14:46,840 --> 00:14:48,720 Speaker 2: a lot of press, including us, but I want you 289 00:14:48,720 --> 00:14:52,920 Speaker 2: to put it in this correct context. This is nothing unusual. 290 00:14:53,360 --> 00:14:55,480 Speaker 2: I'm sorry, you know, you make grossy out. It grosses 291 00:14:55,560 --> 00:14:58,800 Speaker 2: me out, But I'm saying within Hollywood, it's nothing unusual. 292 00:14:58,880 --> 00:15:03,520 Speaker 3: Yeah, people's thing, people's thing. Yeah. 293 00:15:03,560 --> 00:15:07,640 Speaker 2: And I never met Michael Jackson. I met Janet, worked 294 00:15:07,640 --> 00:15:09,880 Speaker 2: with Janet, but I never met Michael, so I couldn't 295 00:15:09,880 --> 00:15:12,480 Speaker 2: tell you one way or the other. I'm just saying, 296 00:15:12,480 --> 00:15:14,720 Speaker 2: from my professional experience of all these years of working 297 00:15:14,760 --> 00:15:18,920 Speaker 2: in entertainment, that is not uncommon, and it's especially less 298 00:15:19,000 --> 00:15:22,240 Speaker 2: uncommon when you get to the bigger and bigger and 299 00:15:22,240 --> 00:15:25,640 Speaker 2: bigger stars. I'm saying, they all have their quirks and 300 00:15:26,720 --> 00:15:31,760 Speaker 2: you know hygiene. You're Michael Jackson, who is telling you no. 301 00:15:31,760 --> 00:15:32,360 Speaker 3: Now See. 302 00:15:32,400 --> 00:15:36,040 Speaker 4: Conversely, when you brought Janet Jackson to the Beam, I 303 00:15:36,080 --> 00:15:37,760 Speaker 4: can tell you for a fact, yes I did. I 304 00:15:37,760 --> 00:15:40,200 Speaker 4: think next to her and taking a picture with her. 305 00:15:40,520 --> 00:15:45,760 Speaker 4: She smells like kittens and rainbows and everything a woman 306 00:15:45,880 --> 00:15:46,680 Speaker 4: is supposed to smell like. 307 00:15:47,240 --> 00:15:47,800 Speaker 3: True story. 308 00:15:47,960 --> 00:15:51,720 Speaker 4: I wanted to hug her and hold her so badly, 309 00:15:51,800 --> 00:15:54,320 Speaker 4: but of course I was warned that I would be 310 00:15:54,440 --> 00:15:55,200 Speaker 4: dead with it in. 311 00:15:55,720 --> 00:15:57,520 Speaker 3: Committe because he had the bodyguards with that. 312 00:15:57,800 --> 00:16:02,360 Speaker 4: Her assassin Navy sell like bodyguards will kill you if 313 00:16:02,400 --> 00:16:02,880 Speaker 4: you touch her. 314 00:16:02,880 --> 00:16:04,520 Speaker 2: I have to say that is since you mentioned that, 315 00:16:04,600 --> 00:16:08,200 Speaker 2: one of the highlights of my life. On this particular day, 316 00:16:09,120 --> 00:16:13,200 Speaker 2: I was escorting Jana Jackson around to the various radio 317 00:16:13,240 --> 00:16:16,920 Speaker 2: stations because she was in tour support of Velvet Rope. 318 00:16:17,000 --> 00:16:18,240 Speaker 2: You know, you have a song come out, you have 319 00:16:18,240 --> 00:16:19,920 Speaker 2: the artists go to the station and say yeah, I 320 00:16:19,920 --> 00:16:20,520 Speaker 2: got a new album. 321 00:16:20,520 --> 00:16:21,480 Speaker 3: It's called The Velvet Rope. 322 00:16:21,480 --> 00:16:23,280 Speaker 2: And yet heah yeah, blah blah blah, and they get 323 00:16:23,320 --> 00:16:25,320 Speaker 2: to do some interviews with what they call drops and 324 00:16:25,400 --> 00:16:27,880 Speaker 2: liners of like, Hi, my name's Jenna Jackson. You're listening 325 00:16:27,880 --> 00:16:30,400 Speaker 2: to the ninety two point three The Beat LA's home 326 00:16:30,440 --> 00:16:31,600 Speaker 2: for hip hop and R and B whatever. 327 00:16:31,640 --> 00:16:34,200 Speaker 3: It was okay, that was it, And. 328 00:16:34,320 --> 00:16:35,760 Speaker 2: My job was just take her for the station and 329 00:16:36,360 --> 00:16:39,960 Speaker 2: this okay, and I would arrange the pictures were say 330 00:16:40,000 --> 00:16:41,920 Speaker 2: all right, all right, another ten people, come get in 331 00:16:41,960 --> 00:16:44,640 Speaker 2: the picture with Jana Jackson's that's one of the best 332 00:16:44,680 --> 00:16:47,240 Speaker 2: days of my life. And yes, she smelled like puppies 333 00:16:47,280 --> 00:16:49,040 Speaker 2: and rainbows and kittens and all that. 334 00:16:52,320 --> 00:16:56,320 Speaker 5: Yeah, Mark, I assume she'd smell nasty. 335 00:17:00,040 --> 00:17:02,920 Speaker 6: Come on, Sam, No, there we go. 336 00:17:04,000 --> 00:17:11,160 Speaker 3: He earned it. Yeah, let's pop. Let's talk p Diddy 337 00:17:11,200 --> 00:17:11,680 Speaker 3: when we come back. 338 00:17:12,520 --> 00:17:16,320 Speaker 2: Oh yeah, and still we have a huge mo Kelly 339 00:17:16,440 --> 00:17:21,200 Speaker 2: Halloween soore a party update and it's gonna blow your mind. 340 00:17:21,840 --> 00:17:22,680 Speaker 3: Pull the show's over. 341 00:17:23,200 --> 00:17:26,800 Speaker 1: You're listening to Later with mo Kelly on demand from 342 00:17:26,880 --> 00:17:28,480 Speaker 1: KFI AM six forty. 343 00:17:28,840 --> 00:17:31,480 Speaker 2: Did he as you know by now was sentenced to 344 00:17:31,520 --> 00:17:35,520 Speaker 2: four years and two months in prison. I can't say 345 00:17:35,520 --> 00:17:37,880 Speaker 2: I was surprised, but I was kind of surprised at 346 00:17:37,880 --> 00:17:38,760 Speaker 2: the length of the sentence. 347 00:17:38,760 --> 00:17:40,199 Speaker 3: I thought it was gonna be a little less than that. 348 00:17:40,760 --> 00:17:44,760 Speaker 2: But then when you look deeper into the judge's decision 349 00:17:45,680 --> 00:17:48,000 Speaker 2: that there was, according to the judge, a need for 350 00:17:48,119 --> 00:17:52,480 Speaker 2: deterrence and he was unconvinced that if Combs is released, 351 00:17:52,640 --> 00:17:55,080 Speaker 2: these crimes won't happen again. 352 00:17:55,840 --> 00:17:59,280 Speaker 3: So, in other words, there is a belief, the least. 353 00:17:59,359 --> 00:18:02,560 Speaker 2: From the judge that Combs will go back to doing 354 00:18:02,600 --> 00:18:05,679 Speaker 2: what he was doing before. And yeah, I agree with that, 355 00:18:05,760 --> 00:18:08,920 Speaker 2: but I don't know from a legal standpoint whether that 356 00:18:09,160 --> 00:18:12,399 Speaker 2: is within the bounds of the sentencing guidelines. 357 00:18:12,600 --> 00:18:15,560 Speaker 3: But here's a larger issue. It's not going to make 358 00:18:15,560 --> 00:18:17,439 Speaker 3: any difference. It's not going to make any. 359 00:18:17,280 --> 00:18:20,439 Speaker 2: Difference because I would bet dollars to donuts he is 360 00:18:20,480 --> 00:18:23,000 Speaker 2: going to be pardoned by Donald Trump. 361 00:18:23,080 --> 00:18:24,679 Speaker 3: President Trump, he thinks. 362 00:18:24,400 --> 00:18:27,760 Speaker 2: So I think he is, and the president, and part 363 00:18:27,800 --> 00:18:31,520 Speaker 2: of what President Trump usually does, he talks about it 364 00:18:32,040 --> 00:18:35,840 Speaker 2: to get people ready for him doing it. And he said, 365 00:18:35,880 --> 00:18:38,880 Speaker 2: I think it was today that he said explicitly that 366 00:18:39,240 --> 00:18:42,280 Speaker 2: Diddy had reached out to him asking for pardon. Why 367 00:18:42,560 --> 00:18:45,800 Speaker 2: he would mention that, I don't know other than he's 368 00:18:45,840 --> 00:18:47,160 Speaker 2: probably going to do it well. 369 00:18:47,200 --> 00:18:50,200 Speaker 4: He also said, I don't know about that because Diddy 370 00:18:50,240 --> 00:18:53,760 Speaker 4: said some really nasty, terrible things about me while I 371 00:18:53,800 --> 00:18:56,200 Speaker 4: was running. He didn't believe in me. He talked bad 372 00:18:56,240 --> 00:18:59,880 Speaker 4: about me. You know, he really was supporting the Democrats. 373 00:19:00,200 --> 00:19:03,080 Speaker 3: Twelve jd Vance. 374 00:19:03,640 --> 00:19:08,520 Speaker 2: Called him America's hitler and ended up as vice president. 375 00:19:08,800 --> 00:19:11,960 Speaker 3: Oh, I forgot about that. I'm not going to put 376 00:19:12,000 --> 00:19:19,280 Speaker 3: too much stock in I'm not saying I'm just saying, Yeah. 377 00:19:18,320 --> 00:19:22,480 Speaker 2: There are a lot of people who have criticized the 378 00:19:22,560 --> 00:19:28,080 Speaker 2: civilian Donald Trump and the president Donald Trump. But if 379 00:19:28,119 --> 00:19:30,359 Speaker 2: you play the right notes or sing the right tune 380 00:19:30,600 --> 00:19:33,919 Speaker 2: after that, you can get what you want from Donald Trump. 381 00:19:33,960 --> 00:19:38,439 Speaker 4: He probably could use Diddy to you know, spread the word, 382 00:19:38,880 --> 00:19:41,479 Speaker 4: you know, preach the gospel about Trump's goodness. 383 00:19:41,560 --> 00:19:46,920 Speaker 2: He definitely could do that. And here's the reality. Donald 384 00:19:46,920 --> 00:19:52,399 Speaker 2: Trump has been very close to music in Hollywood. He's 385 00:19:52,440 --> 00:19:55,959 Speaker 2: had a relationship with Diddy on a New York level 386 00:19:56,160 --> 00:19:59,280 Speaker 2: and a New York scene level for many years. They're 387 00:19:59,320 --> 00:20:03,840 Speaker 2: not unfamiliar with each other, and for whatever reasons, he 388 00:20:04,240 --> 00:20:07,080 Speaker 2: as far as the pardoning of black people, for the 389 00:20:07,119 --> 00:20:09,960 Speaker 2: most part, it has to do with entertainment celebrities. As 390 00:20:10,000 --> 00:20:13,000 Speaker 2: celebrities we're connected to. We talked to Harry O, you know, 391 00:20:13,080 --> 00:20:16,399 Speaker 2: one of the founders of death Row Records. We know 392 00:20:17,280 --> 00:20:21,280 Speaker 2: his posthumous pardon of Jack Johnson, the boxer. 393 00:20:22,200 --> 00:20:23,960 Speaker 3: There are a lot of things you can see. 394 00:20:23,760 --> 00:20:26,520 Speaker 2: Patterns, and this is one of his patterns. This is 395 00:20:26,560 --> 00:20:28,399 Speaker 2: something that he probably would do because it would be 396 00:20:28,480 --> 00:20:29,080 Speaker 2: high profile. 397 00:20:29,920 --> 00:20:30,760 Speaker 3: It's something that. 398 00:20:30,680 --> 00:20:34,080 Speaker 2: He can say he's you know, he would probably make 399 00:20:34,080 --> 00:20:37,560 Speaker 2: the argument that it was very unfair what happened to 400 00:20:37,600 --> 00:20:39,960 Speaker 2: p Diddy, even though there's no evidence to support that 401 00:20:40,000 --> 00:20:44,000 Speaker 2: it was unfair. But that has been a familiar theme 402 00:20:44,080 --> 00:20:47,000 Speaker 2: for him, a continuing theme about the supposed unfairness of 403 00:20:47,400 --> 00:20:51,400 Speaker 2: the justice system. And he's more likely than not to 404 00:20:51,440 --> 00:20:54,479 Speaker 2: pardon him. And I think he's going to pardon Gelan 405 00:20:54,600 --> 00:20:57,040 Speaker 2: Maxwell eventually. Now, whether he does it in the near 406 00:20:57,160 --> 00:20:59,359 Speaker 2: term or whether he does it out the door at 407 00:20:59,359 --> 00:21:02,080 Speaker 2: the end of his I don't know, but I bet 408 00:21:02,080 --> 00:21:04,040 Speaker 2: dollars to donuts he's going to do that as well. 409 00:21:04,119 --> 00:21:04,280 Speaker 5: Well. 410 00:21:04,320 --> 00:21:06,560 Speaker 3: He's talking about both of them within the space of 411 00:21:06,800 --> 00:21:08,280 Speaker 3: today to day. 412 00:21:08,440 --> 00:21:11,760 Speaker 2: So it's yeah, first he said what he said something 413 00:21:11,760 --> 00:21:14,960 Speaker 2: to the effective paraphrasing Gilay Maxwell's like, I haven't heard 414 00:21:14,960 --> 00:21:16,600 Speaker 2: that name in a long time. You just talked about 415 00:21:16,600 --> 00:21:19,840 Speaker 2: it two months ago. You just sent your you know, 416 00:21:19,920 --> 00:21:23,840 Speaker 2: deputy Attorney general to talk to her in her prison cell, 417 00:21:24,160 --> 00:21:25,399 Speaker 2: and all of a sudden she ended up in a 418 00:21:25,400 --> 00:21:26,720 Speaker 2: better prison location. 419 00:21:26,920 --> 00:21:27,879 Speaker 3: So stop that. 420 00:21:28,400 --> 00:21:32,040 Speaker 2: But yes, both names came up in regard to pardons 421 00:21:32,440 --> 00:21:36,520 Speaker 2: today out of his mouth, and he didn't rule out either. 422 00:21:36,880 --> 00:21:38,160 Speaker 3: Yeah, yeah, yeah. 423 00:21:38,240 --> 00:21:42,800 Speaker 4: I actually, in looking at Diddy sentencing, I for the 424 00:21:42,840 --> 00:21:48,960 Speaker 4: first time in the history of America trying popular or 425 00:21:49,240 --> 00:21:54,600 Speaker 4: celebrity African American men, I thought that his sentence was 426 00:21:54,720 --> 00:21:58,760 Speaker 4: actually just by way of just by way of charging 427 00:21:58,800 --> 00:22:01,600 Speaker 4: them with the Man Act, which does carry some three 428 00:22:01,640 --> 00:22:03,800 Speaker 4: to four years. And I know that the judge said, 429 00:22:04,080 --> 00:22:07,200 Speaker 4: I'm making sure that I give you the extent of 430 00:22:07,240 --> 00:22:12,440 Speaker 4: this because of my feelings about things that I think 431 00:22:12,480 --> 00:22:14,359 Speaker 4: you should be charged for that I can't, so I'm 432 00:22:14,400 --> 00:22:16,719 Speaker 4: going to make sure I at least make sure that 433 00:22:16,880 --> 00:22:20,680 Speaker 4: you get served the maximum for his manager, but still 434 00:22:20,760 --> 00:22:24,199 Speaker 4: for if he would have been charged more than that, 435 00:22:24,400 --> 00:22:27,040 Speaker 4: then I would have actually cried foul because I'm like, well. 436 00:22:26,920 --> 00:22:28,199 Speaker 3: That's not what he was on trial for. 437 00:22:28,240 --> 00:22:30,359 Speaker 4: Because everyone wants him to get tried for things that 438 00:22:30,400 --> 00:22:32,679 Speaker 4: he did in the past that were not connected to 439 00:22:32,840 --> 00:22:36,439 Speaker 4: the actual case. So in looking at his sentencing, I'm like, Okay, 440 00:22:36,520 --> 00:22:37,320 Speaker 4: that was fair. 441 00:22:38,359 --> 00:22:43,719 Speaker 2: Yeah, I'm look, there's been a lot of discussion about 442 00:22:43,960 --> 00:22:47,240 Speaker 2: the sentence, and I think people are missing the bigger picture. 443 00:22:47,880 --> 00:22:52,280 Speaker 2: This sentence is likely not going to stand because of 444 00:22:52,320 --> 00:22:56,960 Speaker 2: a pardon. And yes, he's going to monetize all of this, 445 00:22:57,560 --> 00:22:59,880 Speaker 2: all of this. He's going to drop a book. He's 446 00:22:59,880 --> 00:23:02,120 Speaker 2: gonna turn it into a movie, and I'm not saying 447 00:23:02,160 --> 00:23:04,480 Speaker 2: he shouldn't, because that's the American way and that will 448 00:23:04,520 --> 00:23:07,200 Speaker 2: be his right as a free person at that point. 449 00:23:07,400 --> 00:23:11,800 Speaker 2: You can't monetize your crimes while you're a prisoner. But 450 00:23:12,119 --> 00:23:13,600 Speaker 2: you know, there's there are too many ways that he's 451 00:23:13,640 --> 00:23:15,640 Speaker 2: going to make money about this, and I don't begrudge 452 00:23:15,680 --> 00:23:17,840 Speaker 2: him for that. I just think that people who have 453 00:23:18,440 --> 00:23:23,000 Speaker 2: missed the bigger picture just all together. This is this 454 00:23:23,040 --> 00:23:25,119 Speaker 2: is not about the sentence. This is about the eventual pardon. 455 00:23:25,320 --> 00:23:28,639 Speaker 4: The interviews alone that he will be charging, but for 456 00:23:28,720 --> 00:23:32,240 Speaker 4: the first interview, the second interview. He will be charging 457 00:23:32,280 --> 00:23:35,879 Speaker 4: for at least the first four to five interviews after 458 00:23:35,920 --> 00:23:39,359 Speaker 4: he is released. Plus he still has people forget he 459 00:23:39,400 --> 00:23:42,159 Speaker 4: still does own Bad Boy and the Catalog and all that. 460 00:23:42,240 --> 00:23:45,200 Speaker 4: Whatever he owns, he still owns, so he's not necessarily 461 00:23:45,359 --> 00:23:50,720 Speaker 4: hurting because of this sentencing. He'll you know, look, he'll 462 00:23:50,760 --> 00:23:54,000 Speaker 4: be fine when he gets out. He will, He'll be fine. 463 00:23:54,280 --> 00:23:56,440 Speaker 4: He'll absolutely be fine. It's Later with mo Kelly. You 464 00:23:56,480 --> 00:23:58,800 Speaker 4: want to check in with George Norri when we come back. 465 00:23:59,040 --> 00:24:01,600 Speaker 4: Canf I AM six four Live everywhere in the iHeartRadio app. 466 00:24:02,160 --> 00:24:05,760 Speaker 1: You're listening to Later with Moe Kelly on demand from 467 00:24:05,840 --> 00:24:07,159 Speaker 1: KFI AM six. 468 00:24:07,119 --> 00:24:18,120 Speaker 2: Forty Later with Moe Kelly, We're live everywhere the iHeartRadio app. 469 00:24:19,440 --> 00:24:21,600 Speaker 2: Let's find out what's coming up with Coast to Coast 470 00:24:21,600 --> 00:24:22,480 Speaker 2: AM and George North. 471 00:24:22,520 --> 00:24:25,240 Speaker 7: Hey, George, I'm always going to talk about some real 472 00:24:25,320 --> 00:24:27,800 Speaker 7: science and gravity and how it affects all of us. 473 00:24:27,840 --> 00:24:29,800 Speaker 7: And then later on in the show, a little walk 474 00:24:29,840 --> 00:24:33,320 Speaker 7: on the paranormal side on Coast to Coast, All. 475 00:24:33,280 --> 00:24:36,880 Speaker 3: Right, I can't wait. I love the paranormal side all right. 476 00:24:36,920 --> 00:24:40,720 Speaker 2: Then, before we go, just got to let you know 477 00:24:41,560 --> 00:24:45,920 Speaker 2: when we did the first year of the Halloween Swore 478 00:24:46,200 --> 00:24:49,879 Speaker 2: it was a tremendous success. I loved it. It was 479 00:24:49,960 --> 00:24:52,920 Speaker 2: something that was more than I thought it would be. 480 00:24:53,680 --> 00:24:58,280 Speaker 2: Your response to it was fantastic as well. And it 481 00:24:58,400 --> 00:25:02,000 Speaker 2: was something I think everyone in and thought that it's 482 00:25:02,000 --> 00:25:05,439 Speaker 2: something that we should do every single year, and I 483 00:25:05,480 --> 00:25:06,200 Speaker 2: agreed with you. 484 00:25:06,720 --> 00:25:07,240 Speaker 3: I agree with you. 485 00:25:07,280 --> 00:25:10,280 Speaker 2: I think it was something we should do every single year, 486 00:25:11,400 --> 00:25:13,800 Speaker 2: start of an annual tradition. And we could just own 487 00:25:13,880 --> 00:25:17,359 Speaker 2: it with Halloween October thirty first. You know, they'll be 488 00:25:17,480 --> 00:25:21,760 Speaker 2: our thing like it just it just be our annual 489 00:25:22,320 --> 00:25:24,879 Speaker 2: thing where we would have the later with Moke Kelly 490 00:25:25,400 --> 00:25:26,240 Speaker 2: Halloween swore. 491 00:25:27,119 --> 00:25:30,200 Speaker 3: So are you ready for the big announcement? Sam? You're 492 00:25:30,200 --> 00:25:33,959 Speaker 3: ready for the big announcement? Oh yeah, I am pumped. 493 00:25:34,160 --> 00:25:36,240 Speaker 2: Okay, Mark? Are you ready for the big announcement? Because 494 00:25:36,240 --> 00:25:37,760 Speaker 2: I haven't even told you yet. I'm not sure. What 495 00:25:37,800 --> 00:25:41,120 Speaker 2: if it's too big? Well it's not too big, Okay, yeah, 496 00:25:41,240 --> 00:25:42,040 Speaker 2: it'll fit Mark. 497 00:25:43,760 --> 00:25:46,000 Speaker 3: I want to leave that alone. Let's have it. I'm 498 00:25:46,040 --> 00:25:50,119 Speaker 3: gonna leave that alone. Well, I don't know. Should I 499 00:25:50,119 --> 00:25:52,800 Speaker 3: tell them tonight? Tualla? I don't know. Sam? Do you 500 00:25:52,840 --> 00:25:53,880 Speaker 3: have a drum roll? Maybe? 501 00:25:53,880 --> 00:25:54,040 Speaker 5: Hand? 502 00:25:54,040 --> 00:25:54,080 Speaker 3: No? 503 00:25:54,160 --> 00:25:54,320 Speaker 7: No? 504 00:25:54,320 --> 00:25:56,560 Speaker 3: No, no, we got away. It has to be the last. 505 00:25:56,280 --> 00:26:01,119 Speaker 2: Thing they hear right before we sign off, because I 506 00:26:01,200 --> 00:26:04,720 Speaker 2: want to leave them with their mouths open. They're not 507 00:26:04,800 --> 00:26:07,480 Speaker 2: going to believe when I'm getting ready to tell them. 508 00:26:07,880 --> 00:26:11,680 Speaker 2: Given the success of this last year, given how well 509 00:26:11,680 --> 00:26:14,320 Speaker 2: it was perceived last year. 510 00:26:14,960 --> 00:26:16,919 Speaker 3: It's a lot of innuendo for this announcement. 511 00:26:17,520 --> 00:26:20,680 Speaker 2: Eric Lisardo has put drum rolls in the mom Migos chat. 512 00:26:21,000 --> 00:26:26,399 Speaker 2: Darryl Sexton says, yes, just me says, great show, thank you. 513 00:26:29,840 --> 00:26:32,560 Speaker 2: The anticipation is killing me. I want to tell them. 514 00:26:32,600 --> 00:26:34,440 Speaker 2: I want to just get it over with and let 515 00:26:34,440 --> 00:26:40,880 Speaker 2: them know. Twala, Shall I make him wait till tomorrow night? 516 00:26:40,920 --> 00:26:41,680 Speaker 6: No, no, let it out. 517 00:26:41,880 --> 00:26:44,560 Speaker 3: It will feel good. Yeah, you gotta get out. DK 518 00:26:44,640 --> 00:26:46,200 Speaker 3: Fuel says, I'm excited. 519 00:26:47,320 --> 00:26:49,879 Speaker 2: Darryl Sexton says, you get tickets, you get ticket, you 520 00:26:49,920 --> 00:26:53,320 Speaker 2: get ticket, you get a ticket. I can't wait to 521 00:26:53,320 --> 00:26:56,840 Speaker 2: see their expressions when I tell them. I cannot wait 522 00:26:57,320 --> 00:26:59,199 Speaker 2: to see them. Mark, you really don't know. 523 00:26:59,560 --> 00:27:03,119 Speaker 5: Listen, nobody likes a dirty tease. It's a clean tease. 524 00:27:03,600 --> 00:27:06,159 Speaker 5: It's clean dirty, it's nothing dirty about this. 525 00:27:06,320 --> 00:27:08,600 Speaker 3: Let's have it. No no, no, no, you didn't hear. You didn't. 526 00:27:09,840 --> 00:27:10,760 Speaker 6: Tells me anything ever. 527 00:27:10,840 --> 00:27:11,000 Speaker 3: Here. 528 00:27:11,000 --> 00:27:12,600 Speaker 6: I'm gonna last to find out. Have you ever heard 529 00:27:12,600 --> 00:27:12,840 Speaker 6: to one? 530 00:27:12,880 --> 00:27:16,920 Speaker 3: And I talk about this. Oh Mark, I would have 531 00:27:16,920 --> 00:27:19,919 Speaker 3: thought you had heard. Oh my goodness, I am really disappointed. 532 00:27:19,920 --> 00:27:21,199 Speaker 2: I thought you were one of the team in the 533 00:27:21,280 --> 00:27:23,879 Speaker 2: show where you knew about everything which was going on 534 00:27:23,920 --> 00:27:27,280 Speaker 2: with the show. Just me says, we're ready. No, you're 535 00:27:27,280 --> 00:27:30,520 Speaker 2: not ready for this. You are not ready for what 536 00:27:30,560 --> 00:27:32,640 Speaker 2: I'm about to tell you. And let me just say, 537 00:27:32,960 --> 00:27:37,920 Speaker 2: just me. That's that's the person's handle. It is one 538 00:27:37,960 --> 00:27:43,880 Speaker 2: hundred percent true. It is one hundred percent true. Say 539 00:27:43,920 --> 00:27:48,680 Speaker 2: it now, please, Okay. I have been talking with station management. 540 00:27:49,440 --> 00:27:53,240 Speaker 2: I've been talking with various vendors, people who are gonna 541 00:27:53,640 --> 00:27:56,760 Speaker 2: give us food, people are gonna work security for us. 542 00:27:56,760 --> 00:28:02,800 Speaker 2: And and here is the big announcement for year two. 543 00:28:04,160 --> 00:28:11,240 Speaker 3: Of the annual later with mo Kelly Halloween swore a tawala. 544 00:28:11,359 --> 00:28:12,200 Speaker 3: Should I give it to him? 545 00:28:12,240 --> 00:28:12,440 Speaker 2: Now? 546 00:28:12,920 --> 00:28:13,520 Speaker 3: Give it to him. 547 00:28:13,560 --> 00:28:15,280 Speaker 2: Okay, I'm gonna give it to you, and I'm gonna 548 00:28:15,640 --> 00:28:20,560 Speaker 2: immediately sign off immediately. So Daniel, as soon as I 549 00:28:20,560 --> 00:28:26,199 Speaker 2: announced this, fade to black immediately, because I'm not going 550 00:28:26,280 --> 00:28:30,280 Speaker 2: to even wait for all the comments. Just know that 551 00:28:30,320 --> 00:28:32,920 Speaker 2: I'm telling you the truth. All right here it is. 552 00:28:33,560 --> 00:28:36,600 Speaker 2: Let me stretch out. We ran out of drum. 553 00:28:36,440 --> 00:28:41,040 Speaker 3: Roll all right, it's a minute long drum roll. Well, 554 00:28:41,040 --> 00:28:46,000 Speaker 3: here we go. Give me one more minute. I'm waiting. 555 00:28:46,520 --> 00:28:48,640 Speaker 5: I need a drum roll. This better be good. Oh 556 00:28:48,680 --> 00:28:51,080 Speaker 5: it's good. It's gonna blow your mind. 557 00:28:52,200 --> 00:28:56,480 Speaker 2: The twenty twenty five later with mo' kelly Halloween Swore 558 00:29:01,360 --> 00:29:04,360 Speaker 2: Ethnic canceled due to circumstances beyond our control. Can'tf I 559 00:29:04,400 --> 00:29:06,120 Speaker 2: am six forty live everywhere in I Heart Ready 560 00:29:06,160 --> 00:29:12,080 Speaker 1: Well as I and k os t h D two, 561 00:29:12,360 --> 00:29:16,120 Speaker 1: Los Angeles, Orange County, more stimulating talk