1
00:00:00,200 --> 00:00:00,440
Speaker 1: Mac.

2
00:00:00,680 --> 00:00:02,760
Speaker 2: Just the other day, I was having a discussion with

3
00:00:02,920 --> 00:00:07,280
Speaker 2: really my only friend, my son, about school lunches. He

4
00:00:07,400 --> 00:00:09,800
Speaker 2: was asking me about when I was a kid, what

5
00:00:09,840 --> 00:00:12,880
Speaker 2: would I take for lunch? Would what would the snacks be?

6
00:00:13,320 --> 00:00:16,840
Speaker 2: What would they be serving at my school? And I

7
00:00:16,920 --> 00:00:19,640
Speaker 2: was having a tough time thinking back to the snacks

8
00:00:19,640 --> 00:00:23,040
Speaker 2: that I was being given. But I feel like fruit

9
00:00:23,239 --> 00:00:27,840
Speaker 2: roll ups, fruit by the foot, and gushers were the

10
00:00:28,000 --> 00:00:29,000
Speaker 2: main ingredients.

11
00:00:29,320 --> 00:00:32,000
Speaker 3: So you were a home lunch guy, not a lot.

12
00:00:32,120 --> 00:00:34,680
Speaker 2: No no, So there were some and granted my mother

13
00:00:34,920 --> 00:00:37,760
Speaker 2: would keep an eye on what the school calendar was.

14
00:00:37,840 --> 00:00:40,440
Speaker 2: Now he goes to a school where lunch is free,

15
00:00:40,640 --> 00:00:43,200
Speaker 2: which is the best thing ever. I push Hymnestic every

16
00:00:43,240 --> 00:00:45,120
Speaker 2: single day, being like, just eat that lunch. I don't

17
00:00:45,120 --> 00:00:47,760
Speaker 2: care what it is, try it. But my mother would

18
00:00:47,760 --> 00:00:50,680
Speaker 2: always look ahead and be like, Okay, I either don't

19
00:00:50,720 --> 00:00:53,120
Speaker 2: want you to have this or I don't think you

20
00:00:53,320 --> 00:00:56,000
Speaker 2: like this. So I was never able to because you know,

21
00:00:56,000 --> 00:00:58,440
Speaker 2: you had to bring money for it. I never got

22
00:00:58,480 --> 00:01:00,760
Speaker 2: to have the pasta and meatball sort of the meatball

23
00:01:00,840 --> 00:01:02,800
Speaker 2: sandwich is there because my mother just thought like, why

24
00:01:02,840 --> 00:01:05,240
Speaker 2: would he want this, when in fact it's a kid.

25
00:01:05,280 --> 00:01:06,560
Speaker 1: I really really wanted that.

26
00:01:06,680 --> 00:01:08,720
Speaker 3: Yeah, as a poor I was eating school lunch all

27
00:01:08,800 --> 00:01:11,640
Speaker 3: day or a day. I believe I had to pay

28
00:01:11,680 --> 00:01:13,560
Speaker 3: for breakfast, but it was cheap. It was like a

29
00:01:13,600 --> 00:01:17,080
Speaker 3: reduced price for breakfast. But I used to That was

30
00:01:17,120 --> 00:01:21,280
Speaker 3: my life, school lunch every single day for what fifteen years?

31
00:01:21,319 --> 00:01:22,800
Speaker 3: Thirteen years, however long it is.

32
00:01:22,920 --> 00:01:26,120
Speaker 2: Also, I'm pretty sure that elementary school. Now we went

33
00:01:26,160 --> 00:01:30,440
Speaker 2: to school in the mid nineties, elementary school until two thousand,

34
00:01:30,480 --> 00:01:32,600
Speaker 2: and then middle school early part of two thousands, high

35
00:01:32,600 --> 00:01:37,000
Speaker 2: school until seven. If you went to school and you

36
00:01:37,080 --> 00:01:40,160
Speaker 2: didn't have a lunch and you forgot your money, they

37
00:01:40,160 --> 00:01:42,839
Speaker 2: would give you like a cheap ham sandwich, right.

38
00:01:43,240 --> 00:01:47,520
Speaker 3: I don't recall. They'd probably be like a you?

39
00:01:47,600 --> 00:01:50,440
Speaker 1: What was what's that called a you? What's a you?

40
00:01:50,520 --> 00:01:51,000
Speaker 1: That spells you?

41
00:01:53,280 --> 00:01:55,080
Speaker 3: What's the thing? Would you owe someone something?

42
00:01:55,320 --> 00:02:01,800
Speaker 1: B yob an I owe you? You can't do an

43
00:02:01,840 --> 00:02:03,000
Speaker 1: iowe you with a kid?

44
00:02:03,360 --> 00:02:08,400
Speaker 3: Sometimes? Why in WoT I don't remember any of that

45
00:02:08,480 --> 00:02:10,760
Speaker 3: and that when you're talking about it, you know, going

46
00:02:10,800 --> 00:02:15,000
Speaker 3: through the years, we also began uh school in an

47
00:02:15,040 --> 00:02:19,920
Speaker 3: era where there's no computers in schools, and when we

48
00:02:20,000 --> 00:02:23,120
Speaker 3: graduated high school, that was the year the iPhone debuted,

49
00:02:23,480 --> 00:02:25,400
Speaker 3: so that's insane to think about.

50
00:02:25,560 --> 00:02:27,760
Speaker 2: I also so I do keep an eye on my

51
00:02:27,880 --> 00:02:30,440
Speaker 2: son's lunch menu. First off, if he doesn't like something,

52
00:02:30,480 --> 00:02:33,040
Speaker 2: I'll give him something. But also I make sure that

53
00:02:33,160 --> 00:02:35,600
Speaker 2: I don't double up on what he's eating, so I

54
00:02:35,639 --> 00:02:38,400
Speaker 2: will change what I'm making for him not to have

55
00:02:38,440 --> 00:02:39,720
Speaker 2: two spaghetti meals in a day.

56
00:02:40,400 --> 00:02:42,639
Speaker 3: So the school runs your life, the.

57
00:02:42,600 --> 00:02:45,040
Speaker 2: School runs my life, which I'm perfectly fine with. He's

58
00:02:45,080 --> 00:02:47,720
Speaker 2: there for like way too long during the day. He

59
00:02:47,840 --> 00:02:49,680
Speaker 2: was also asking. I'm like, oh, yeah, they used to

60
00:02:49,840 --> 00:02:52,440
Speaker 2: we could buy snacks, and he's like, whoa, what what

61
00:02:52,480 --> 00:02:54,200
Speaker 2: would they have? And I didn't want to tell him

62
00:02:54,639 --> 00:02:58,080
Speaker 2: that they would sell us candy. They would sell us.

63
00:02:58,200 --> 00:02:59,560
Speaker 1: Yes, ice cream bars.

64
00:03:00,120 --> 00:03:02,560
Speaker 3: Freshman year, we had a massive selection and had that

65
00:03:03,040 --> 00:03:06,000
Speaker 3: the bakery with the cookies. But then once they redid it,

66
00:03:06,080 --> 00:03:08,000
Speaker 3: they got a little healthier and then it was like

67
00:03:08,080 --> 00:03:08,760
Speaker 3: gold fishing. No.

68
00:03:09,040 --> 00:03:12,560
Speaker 2: But they would also have like Snickers, ice cream bars

69
00:03:12,680 --> 00:03:15,200
Speaker 2: or like, yeah there was ice cream section, like a big.

70
00:03:15,000 --> 00:03:17,760
Speaker 1: Ice cream section. Yeah, that I wouldn't want him having.

71
00:03:17,880 --> 00:03:20,720
Speaker 3: Well, they'd also like we had like the regular lunch

72
00:03:20,840 --> 00:03:22,639
Speaker 3: and then we had like the Delhi area too.

73
00:03:22,639 --> 00:03:25,520
Speaker 1: You could that's in high school. He's not in high school, right, That's.

74
00:03:25,400 --> 00:03:27,320
Speaker 3: What I'm talking about. I'm talking about high school. Yeah.

75
00:03:27,400 --> 00:03:28,600
Speaker 1: Let me ask you this, though, Mac.

76
00:03:28,639 --> 00:03:32,040
Speaker 2: As a kid, what was your favorite You show up

77
00:03:32,040 --> 00:03:35,000
Speaker 2: to school, you find out it is this lunch today?

78
00:03:35,680 --> 00:03:37,160
Speaker 1: What got you the most excited?

79
00:03:37,560 --> 00:03:41,720
Speaker 3: Ah, that's a good question, dude. We'd have sloppy Joe's

80
00:03:41,760 --> 00:03:46,000
Speaker 3: off in pizza. Fridays. You have those McRib type of things.

81
00:03:46,240 --> 00:03:49,320
Speaker 2: Oh my god, the ribbicue dippers, either on their own

82
00:03:49,600 --> 00:03:54,840
Speaker 2: or in sandwich form, better than McDonald's McRib sandwich, the

83
00:03:54,880 --> 00:03:57,240
Speaker 2: same thing. It's better whatever they were serving. The last

84
00:03:57,240 --> 00:03:59,840
Speaker 2: time I had a McRib, I had it during the pandemic.

85
00:04:00,320 --> 00:04:03,400
Speaker 2: It wasn't even a meat. It was see through dude.

86
00:04:03,400 --> 00:04:05,080
Speaker 3: That's what it was twenty years ago too.

87
00:04:05,320 --> 00:04:05,680
Speaker 1: Now.

88
00:04:07,600 --> 00:04:10,760
Speaker 3: Uh yeah, I don't know if I had a particular favorite.

89
00:04:10,760 --> 00:04:14,480
Speaker 3: I'm trying to think what The lasting thing that really

90
00:04:14,640 --> 00:04:18,920
Speaker 3: strikes me though, is for breakfast, I would have one

91
00:04:19,040 --> 00:04:22,160
Speaker 3: or two strawberry milks. For lunch, I would have two

92
00:04:22,520 --> 00:04:26,920
Speaker 3: strawberry milks. I was drinking so much milk, and back

93
00:04:26,960 --> 00:04:29,960
Speaker 3: in the day too. For dinner, I loved a cold

94
00:04:30,000 --> 00:04:33,320
Speaker 3: glass of Whole milk. I was drinking so much milk,

95
00:04:33,760 --> 00:04:34,559
Speaker 3: so much milk.

96
00:04:34,600 --> 00:04:38,680
Speaker 2: Okay, first off, the first you having so much strawberry milk,

97
00:04:38,800 --> 00:04:39,520
Speaker 2: oh deus.

98
00:04:39,520 --> 00:04:41,600
Speaker 1: I would lose it on my kit if I found

99
00:04:41,600 --> 00:04:42,160
Speaker 1: out about that.

100
00:04:42,240 --> 00:04:45,200
Speaker 3: What do you mean, she's just having a nice, nice treat, dirt.

101
00:04:45,240 --> 00:04:47,200
Speaker 1: I don't want him having all that sugary milk.

102
00:04:47,400 --> 00:04:49,760
Speaker 3: It's the same thing as chocolate milk. Motherfucker.

103
00:04:49,800 --> 00:04:55,039
Speaker 1: Also, moving forward, you are the milk man, so I want.

104
00:04:55,320 --> 00:04:57,320
Speaker 3: This is probably the seventeenth time I've tried to tell

105
00:04:57,320 --> 00:04:57,680
Speaker 3: this story.

106
00:04:57,760 --> 00:04:59,920
Speaker 1: This explains my milky complaxon truck.

107
00:05:00,240 --> 00:05:04,080
Speaker 3: I tried, as you, tried to dub yourself the big

108
00:05:04,160 --> 00:05:07,120
Speaker 3: rab Goo and it stuck, eventually turning into goo. Uh.

109
00:05:07,440 --> 00:05:10,159
Speaker 3: I tried to dub myself the milkman by drinking a

110
00:05:10,160 --> 00:05:12,760
Speaker 3: gallon of milk in an hour during college and goo.

111
00:05:13,000 --> 00:05:15,400
Speaker 3: I got to the final sip I had, you know,

112
00:05:15,680 --> 00:05:18,440
Speaker 3: you know, the shot sized poor in a red solo cup.

113
00:05:18,520 --> 00:05:21,440
Speaker 3: That bottom line, that's all I had left to finish

114
00:05:21,440 --> 00:05:23,240
Speaker 3: a gallon of milk in an hour, and they were

115
00:05:23,279 --> 00:05:26,280
Speaker 3: counting down from thirty seconds. By the way, I was freezing.

116
00:05:26,360 --> 00:05:28,039
Speaker 3: But they don't tell you when you try to drink

117
00:05:28,040 --> 00:05:29,520
Speaker 3: a gallon of milk an hour that you end up

118
00:05:29,520 --> 00:05:32,359
Speaker 3: fucking shivering it's so cold. I put the fun I

119
00:05:32,400 --> 00:05:35,200
Speaker 3: was very full. I just drank mostly a gallon of milk.

120
00:05:35,320 --> 00:05:36,760
Speaker 3: I also had seven Swedish fish.

121
00:05:36,680 --> 00:05:38,720
Speaker 1: That day, seven bags or seven Swedish fish.

122
00:05:38,760 --> 00:05:40,000
Speaker 3: Seven total Swedish fish.

123
00:05:40,040 --> 00:05:40,760
Speaker 1: That's not that many.

124
00:05:41,160 --> 00:05:44,200
Speaker 3: That was the joke. Uh, the milk hit the back

125
00:05:44,240 --> 00:05:47,640
Speaker 3: of my throat and everything came right up into the

126
00:05:48,040 --> 00:05:51,920
Speaker 3: garbage bough. So I didn't I didn't get I didn't

127
00:05:51,960 --> 00:05:54,080
Speaker 3: earn the nickname the milkman. So that was just real.

128
00:05:54,160 --> 00:05:56,839
Speaker 2: Unfortunately all you had to do so you went for

129
00:05:57,040 --> 00:05:58,760
Speaker 2: the short game.

130
00:05:59,000 --> 00:06:02,599
Speaker 3: If I didn't keep though seven Swedish fish, you went.

131
00:06:02,440 --> 00:06:04,800
Speaker 2: For a quick hitter, trying to get that nickname in

132
00:06:04,880 --> 00:06:08,440
Speaker 2: one day. You should have played the long game. Every day.

133
00:06:08,440 --> 00:06:10,200
Speaker 2: At breakfast you show up, You're like, Wow, this is

134
00:06:10,279 --> 00:06:12,560
Speaker 2: really good strawberry milk. Then at lunch you show up

135
00:06:12,560 --> 00:06:15,599
Speaker 2: in the cafeteria, I'm really enjoying this strawberry.

136
00:06:15,880 --> 00:06:18,240
Speaker 3: Also trying to earn nicknames in high school and then

137
00:06:18,920 --> 00:06:22,080
Speaker 3: college though, yeah, and then you get down there shout

138
00:06:22,080 --> 00:06:23,080
Speaker 3: out the use.

139
00:06:23,200 --> 00:06:26,279
Speaker 2: You should have taken this with you to college where

140
00:06:26,800 --> 00:06:28,760
Speaker 2: if you did this for a month where you just

141
00:06:28,839 --> 00:06:31,839
Speaker 2: had breakfast, lunch, and dinner milk, you would have gotten

142
00:06:31,880 --> 00:06:32,880
Speaker 2: your milkman nickname.

143
00:06:32,960 --> 00:06:35,000
Speaker 3: By the way, I have not stepped foot back on campus,

144
00:06:35,080 --> 00:06:35,560
Speaker 3: so I left.

145
00:06:35,800 --> 00:06:38,120
Speaker 2: That's because you threw up Swedish fish everywhere. You're not

146
00:06:38,160 --> 00:06:38,839
Speaker 2: allowed to bad.

147
00:06:48,640 --> 00:06:59,599
Speaker 1: One good three yeah, jaw three. King of Queen Mill Street.

148
00:07:02,760 --> 00:07:03,520
Speaker 3: Entertainment.

149
00:07:03,680 --> 00:07:06,200
Speaker 2: I'm Go and I'm Mac and we are the Mac

150
00:07:06,240 --> 00:07:14,640
Speaker 2: and Goo program here to bring you lot lainly keep

151
00:07:14,680 --> 00:07:19,520
Speaker 2: it SHORTTN right now, shout out Nora is the terrible.

152
00:07:20,160 --> 00:07:23,040
Speaker 2: That's his original song. Yes, if you're watching the video,

153
00:07:23,080 --> 00:07:26,200
Speaker 2: it's just us singing, but in the audio vera, it

154
00:07:26,280 --> 00:07:26,920
Speaker 2: probably him.

155
00:07:27,280 --> 00:07:30,800
Speaker 3: Go Yeah. You and I were both invited to a

156
00:07:30,880 --> 00:07:34,240
Speaker 3: heck of a screening h this past week. I unfortunately

157
00:07:34,240 --> 00:07:37,320
Speaker 3: had to work. But this is not only the earliest

158
00:07:37,320 --> 00:07:39,960
Speaker 3: but one of the cooler screening experiences we've been offered

159
00:07:40,400 --> 00:07:45,040
Speaker 3: in our time as podcasters. Here, you were invited to

160
00:07:45,120 --> 00:07:48,000
Speaker 3: go see a screen of Project Hail Mary, the latest

161
00:07:48,040 --> 00:07:50,680
Speaker 3: Lord and Miller film starring Ryan Gossing, at the Boston

162
00:07:50,720 --> 00:07:51,600
Speaker 3: Museum of Science.

163
00:07:51,840 --> 00:07:55,240
Speaker 2: And I'll tell you right now it was a unique experience.

164
00:07:55,840 --> 00:07:59,560
Speaker 2: But and this is really a first world problem the

165
00:07:59,600 --> 00:08:00,600
Speaker 2: screen was too big.

166
00:08:01,080 --> 00:08:04,240
Speaker 3: Yeah. So if you've never been to the Museum of

167
00:08:04,280 --> 00:08:08,560
Speaker 3: Science in Boston, which is like kind of in Cambridge.

168
00:08:08,080 --> 00:08:10,640
Speaker 1: More than it is, and it's in Cambridge, yes.

169
00:08:10,480 --> 00:08:11,840
Speaker 3: If you're not from the area, or if you've just

170
00:08:11,880 --> 00:08:14,320
Speaker 3: never been, they have this planetarium that you can go

171
00:08:14,320 --> 00:08:17,560
Speaker 3: in there, and it's really cool. It is literally the

172
00:08:17,600 --> 00:08:21,400
Speaker 3: whole think, the whole roof is yeah, and the seats

173
00:08:21,600 --> 00:08:24,880
Speaker 3: are aimed up. So I was curious about how this

174
00:08:25,120 --> 00:08:27,840
Speaker 3: film would be displayed on that screen. And then when

175
00:08:27,880 --> 00:08:31,200
Speaker 3: I saw your photo, I was tremendously underwhelmed.

176
00:08:31,240 --> 00:08:33,960
Speaker 2: Well no, no, so that was just a picture. When

177
00:08:33,960 --> 00:08:36,120
Speaker 2: it went to the movie, it was the full dome.

178
00:08:36,360 --> 00:08:38,960
Speaker 2: It was yeah, but they said don't take any pictures.

179
00:08:39,360 --> 00:08:42,000
Speaker 3: Oh wow, that's cool. Yoh.

180
00:08:42,160 --> 00:08:42,240
Speaker 4: No.

181
00:08:42,480 --> 00:08:46,680
Speaker 2: So for a movie like Project Hail Mary, it wasn't

182
00:08:46,760 --> 00:08:49,680
Speaker 2: that bad because it wasn't an action packed movie. A

183
00:08:49,720 --> 00:08:52,240
Speaker 2: lot of it is just right here, we're in this

184
00:08:52,360 --> 00:08:57,319
Speaker 2: practical spaceship, practical effects, so like there's not like action

185
00:08:57,480 --> 00:09:00,000
Speaker 2: going on. If there was more happening in the movie

186
00:09:00,080 --> 00:09:04,320
Speaker 2: where I had to run my head back and forth, whiplash.

187
00:09:04,040 --> 00:09:07,520
Speaker 3: Okay, I'd like to see Interstellar on that screen.

188
00:09:07,600 --> 00:09:09,199
Speaker 2: Well, they have said that they're going to put more

189
00:09:09,240 --> 00:09:11,960
Speaker 2: space movies in there, so that that might be one

190
00:09:12,000 --> 00:09:12,280
Speaker 2: of them.

191
00:09:12,520 --> 00:09:17,120
Speaker 3: Coo, I know you loved Project X as a young man.

192
00:09:17,440 --> 00:09:21,200
Speaker 3: Tell us briefly a tease about Project Yes.

193
00:09:21,120 --> 00:09:24,440
Speaker 2: Man, because I don't think the embargo on reviews. I

194
00:09:24,440 --> 00:09:26,480
Speaker 2: think certain people are allowed to do it. I'm not

195
00:09:26,480 --> 00:09:28,839
Speaker 2: sure if we have teas or react. Yeah, just a

196
00:09:28,920 --> 00:09:33,280
Speaker 2: quick reaction, I'll tell you right now. Looks amazing. Ryan

197
00:09:33,320 --> 00:09:36,560
Speaker 2: Gosling amazing in it. I can't think of the female lead.

198
00:09:36,760 --> 00:09:38,199
Speaker 2: She's also very good in it.

199
00:09:38,320 --> 00:09:39,240
Speaker 3: Nice work, Nice work.

200
00:09:39,320 --> 00:09:42,840
Speaker 2: The way that the story is told, where it's a

201
00:09:43,080 --> 00:09:46,360
Speaker 2: nonlinear way of doing it, of finding out why he's

202
00:09:46,400 --> 00:09:49,920
Speaker 2: in the spaceship, how we got to this. In general,

203
00:09:50,080 --> 00:09:51,080
Speaker 2: I loved all of that.

204
00:09:51,320 --> 00:09:54,000
Speaker 3: There's a little bit of a passenger situation going on,

205
00:09:54,120 --> 00:09:55,080
Speaker 3: right mm hm.

206
00:09:55,280 --> 00:09:57,840
Speaker 2: Now let me tell you this, Mac. My big question

207
00:09:58,000 --> 00:10:01,400
Speaker 2: after the movie is how much of it did I

208
00:10:01,480 --> 00:10:05,959
Speaker 2: find entertaining and how much of it did I find interesting?

209
00:10:06,400 --> 00:10:09,480
Speaker 2: And where does that come in between? And how do

210
00:10:09,640 --> 00:10:12,480
Speaker 2: I want to view a movie? Because I think a

211
00:10:12,520 --> 00:10:15,800
Speaker 2: lot of it was very interesting, but I wasn't entertained

212
00:10:15,840 --> 00:10:16,120
Speaker 2: by it.

213
00:10:16,800 --> 00:10:20,600
Speaker 3: Okay, so, but it held your interest?

214
00:10:20,760 --> 00:10:21,920
Speaker 1: No, it held my interest.

215
00:10:22,200 --> 00:10:25,000
Speaker 3: So that's what you're having trouble with. As far as

216
00:10:25,040 --> 00:10:27,160
Speaker 3: like what you're going to give it for a score, Yes,

217
00:10:27,720 --> 00:10:31,040
Speaker 3: give me a range of what you're thinking about dog

218
00:10:31,120 --> 00:10:31,800
Speaker 3: score wise.

219
00:10:31,880 --> 00:10:36,080
Speaker 2: Oh no, I'm definitely at least mid to upper thirties.

220
00:10:36,480 --> 00:10:38,760
Speaker 3: Okay. So do you think this has a chance to

221
00:10:38,840 --> 00:10:41,480
Speaker 3: be the best movie of the year or it didn't

222
00:10:41,520 --> 00:10:42,200
Speaker 3: quite get there?

223
00:10:42,440 --> 00:10:45,440
Speaker 1: I don't believe it has the rewatchability?

224
00:10:45,600 --> 00:10:48,160
Speaker 3: Okay? Will this be in the cut? Will this be

225
00:10:48,240 --> 00:10:50,960
Speaker 3: on a lot of people's year end list of best

226
00:10:51,000 --> 00:10:51,600
Speaker 3: movie of the year?

227
00:10:51,760 --> 00:10:54,280
Speaker 1: How truthful are people with themselves?

228
00:10:55,120 --> 00:10:57,839
Speaker 2: That's I guess for you know how people lie and

229
00:10:57,880 --> 00:10:59,640
Speaker 2: they're like this is the best when in fact they

230
00:10:59,640 --> 00:11:00,800
Speaker 2: don't really like it that much.

231
00:11:00,880 --> 00:11:06,200
Speaker 3: No, no, don't. I'm expecting to like it quite a bit.

232
00:11:06,880 --> 00:11:10,480
Speaker 3: It getting a screening two in three weeks early is impressive.

233
00:11:10,800 --> 00:11:13,040
Speaker 3: We don't see that too often these days, So it

234
00:11:13,160 --> 00:11:16,360
Speaker 3: sounds like me. Sounds to me like the studio is

235
00:11:16,400 --> 00:11:19,400
Speaker 3: confident in the product, and the pre sale numbers are

236
00:11:19,440 --> 00:11:21,280
Speaker 3: probably a little low, so they're trying to drive interest

237
00:11:21,320 --> 00:11:22,800
Speaker 3: with some early screenings and reviews.

238
00:11:22,880 --> 00:11:27,560
Speaker 2: Also, once again, looks fantastic well written. I heard some

239
00:11:27,679 --> 00:11:31,280
Speaker 2: book people on the way out complaining that they skimmed

240
00:11:31,320 --> 00:11:33,920
Speaker 2: over or they rushed through a part of the movie.

241
00:11:34,240 --> 00:11:37,760
Speaker 3: Well, Ryan Davy and the audiences, no, but they're.

242
00:11:37,240 --> 00:11:39,080
Speaker 1: Like this part felt a little rushed.

243
00:11:39,120 --> 00:11:41,559
Speaker 2: And I'm talking to myself being like, it was two

244
00:11:41,600 --> 00:11:42,520
Speaker 2: and a half hours long?

245
00:11:42,600 --> 00:11:44,040
Speaker 1: How long did you want this thing?

246
00:11:45,120 --> 00:11:47,600
Speaker 3: All? Right, So I'll see that in a week or two.

247
00:11:47,679 --> 00:11:50,120
Speaker 3: There's a couple more opportunities I'm not sure i'll catch.

248
00:11:50,320 --> 00:11:52,280
Speaker 3: We'll be talking about that a couple of weeks, hopefully.

249
00:11:52,400 --> 00:11:54,800
Speaker 1: I read the book in preparation for the movie. Why

250
00:11:55,080 --> 00:11:57,920
Speaker 1: the movies here? Now? This is the exact time where

251
00:11:57,920 --> 00:11:59,960
Speaker 1: you never need to read the book ever again.

252
00:12:00,280 --> 00:12:02,560
Speaker 3: The rest of the movies will be discussing in the

253
00:12:02,600 --> 00:12:07,120
Speaker 3: next twenty or thirty minutes. I would describe as middling

254
00:12:07,679 --> 00:12:11,640
Speaker 3: movies that I don't know if anyone should be spending

255
00:12:11,720 --> 00:12:15,640
Speaker 3: money on, but I'm interested to hear their opinions on

256
00:12:15,679 --> 00:12:19,040
Speaker 3: it because I don't think there's a movie. Now. I

257
00:12:19,080 --> 00:12:20,160
Speaker 3: didn't see two of the movies.

258
00:12:20,280 --> 00:12:22,679
Speaker 1: I think there are some skips in here, but go ahead.

259
00:12:22,520 --> 00:12:25,280
Speaker 3: Okay, I don't think there's a movie in here that's

260
00:12:25,360 --> 00:12:28,840
Speaker 3: really worthwhile. Of a solo episode, which is nice while

261
00:12:28,840 --> 00:12:32,560
Speaker 3: we're doing it here today like this, but yeah, let's

262
00:12:32,640 --> 00:12:35,800
Speaker 3: get it. And also, if you're looking for a fuller

263
00:12:35,840 --> 00:12:39,080
Speaker 3: review on this first one up, Scream seven Goo was

264
00:12:39,120 --> 00:12:42,280
Speaker 3: on the hashtag Dork podcast this week with Billy Dee

265
00:12:42,360 --> 00:12:44,880
Speaker 3: also talking this movie, so if you want a more

266
00:12:44,960 --> 00:12:48,200
Speaker 3: length was also yeah, that's implied, well what if it was?

267
00:12:48,280 --> 00:12:52,960
Speaker 3: Davey Okay, So if you're looking for a lengthier conversation,

268
00:12:53,000 --> 00:12:53,679
Speaker 3: go check that out.

269
00:12:53,760 --> 00:12:57,439
Speaker 2: Yes, the movie is Scream seven. This is the thirtieth

270
00:12:57,480 --> 00:13:00,840
Speaker 2: the anniversary of the original Scream. By the way, same weekend,

271
00:13:00,880 --> 00:13:01,880
Speaker 2: do or I don't know?

272
00:13:01,960 --> 00:13:07,920
Speaker 1: Man? All right, dumb question? That was any more brain

273
00:13:07,960 --> 00:13:08,640
Speaker 1: busters Goo.

274
00:13:08,760 --> 00:13:12,800
Speaker 3: Scream seven is making right now too much money, over

275
00:13:12,840 --> 00:13:16,040
Speaker 3: one hundred million dollars worldwide and made sixty something million

276
00:13:16,040 --> 00:13:18,960
Speaker 3: domestically in its opening weekend off a forty five million

277
00:13:19,040 --> 00:13:21,040
Speaker 3: dollar budget. It's gonna make his money back.

278
00:13:21,080 --> 00:13:24,360
Speaker 2: And then Sam the Scream franchise. If I am whoever

279
00:13:24,480 --> 00:13:26,480
Speaker 2: runs it right now, I think it's I don't know,

280
00:13:26,559 --> 00:13:29,360
Speaker 2: is it still Dimension? I don't know who runs Dimension anymore?

281
00:13:29,679 --> 00:13:33,720
Speaker 2: But if I'm them, I go to chat GPT again

282
00:13:33,880 --> 00:13:35,880
Speaker 2: and I say, hey, can you shot out a Scream

283
00:13:35,920 --> 00:13:38,000
Speaker 2: eight that we can put out in two weeks because

284
00:13:38,040 --> 00:13:40,319
Speaker 2: the people are throffing at the mouth at this thing.

285
00:13:41,880 --> 00:13:44,600
Speaker 3: Goo. Scream seven is an R rated horror, mystery and

286
00:13:44,600 --> 00:13:46,760
Speaker 3: thriller with a run time of one hundred and fourteen minutes,

287
00:13:47,160 --> 00:13:50,760
Speaker 3: just shy of two hours on Roddy Tea's Goo. Thirty

288
00:13:50,800 --> 00:13:53,680
Speaker 3: one percent from the critics, seventy six percent from the

289
00:13:53,720 --> 00:13:59,199
Speaker 3: audience on Metacritica, thirty five goo. On the hashtag Dirk podcast,

290
00:13:59,280 --> 00:13:59,920
Speaker 3: you gave.

291
00:13:59,720 --> 00:14:02,920
Speaker 2: It a one and a half stone. I feel a

292
00:14:02,920 --> 00:14:04,840
Speaker 2: little high on that. I should I just went with one,

293
00:14:05,160 --> 00:14:09,320
Speaker 2: But also I think the more damning number here. We

294
00:14:09,320 --> 00:14:14,960
Speaker 2: were expecting a poor critic review for a legacy sequel

295
00:14:15,120 --> 00:14:19,840
Speaker 2: for a movie franchise that people love. For the audience

296
00:14:19,920 --> 00:14:23,760
Speaker 2: to only be at seventy six percent, that says a lot.

297
00:14:24,000 --> 00:14:27,440
Speaker 3: Uh good. We'll peek behind the curtain here. Keith gave

298
00:14:27,480 --> 00:14:29,120
Speaker 3: it a three, Billy gave it a three and a half.

299
00:14:29,160 --> 00:14:32,240
Speaker 3: In your episode, I'm much closer to them than I

300
00:14:32,280 --> 00:14:33,200
Speaker 3: am to you.

301
00:14:33,440 --> 00:14:35,640
Speaker 1: That's because you have no respect for this franchise.

302
00:14:35,680 --> 00:14:38,680
Speaker 3: Shit in your cheerios the morning of your Scream viewing.

303
00:14:38,760 --> 00:14:42,960
Speaker 3: But I didn't mind it. Not gonna say I liked it.

304
00:14:43,400 --> 00:14:46,800
Speaker 3: I was entertained enough. There's some things in there that

305
00:14:46,840 --> 00:14:48,800
Speaker 3: you're like, I don't know why this is happening, but

306
00:14:49,360 --> 00:14:53,360
Speaker 3: it was. As far as you know, shitty horror movies go,

307
00:14:53,720 --> 00:14:55,720
Speaker 3: this is one of the more entertaining ones we've seen

308
00:14:55,720 --> 00:14:55,880
Speaker 3: in a.

309
00:14:55,920 --> 00:14:59,720
Speaker 2: Lot of This is the exact movie that Scream one

310
00:14:59,760 --> 00:15:02,360
Speaker 2: from nineteen ninety six was railing against.

311
00:15:02,560 --> 00:15:04,040
Speaker 3: Yeah, I'm not gonna disagree with that.

312
00:15:04,160 --> 00:15:07,240
Speaker 2: If Nev Campbell was not in this movie, you would

313
00:15:07,320 --> 00:15:09,560
Speaker 2: have no idea it's a scream movie.

314
00:15:09,600 --> 00:15:13,400
Speaker 3: If this movie was called Knife Mcstabby, you would be

315
00:15:13,480 --> 00:15:14,680
Speaker 3: talking differently about.

316
00:15:14,640 --> 00:15:17,600
Speaker 1: Save that name. Save that fucking name.

317
00:15:18,160 --> 00:15:19,480
Speaker 2: I don't know if we want to use it as

318
00:15:19,520 --> 00:15:21,640
Speaker 2: the title of our movie or the name of our killer.

319
00:15:22,520 --> 00:15:25,240
Speaker 2: But he also uses a gun, which confuses the fuck

320
00:15:25,280 --> 00:15:27,840
Speaker 2: out of people. I was thinking about that earlier of

321
00:15:28,040 --> 00:15:32,479
Speaker 2: you can have the same suspenseful movie as like a slasher,

322
00:15:32,840 --> 00:15:35,360
Speaker 2: but instead of using a dumb knife, the guy uses

323
00:15:35,400 --> 00:15:38,600
Speaker 2: a gun. Right, No, it's not as personal, it's not

324
00:15:38,720 --> 00:15:41,560
Speaker 2: as personal, but like, why are you bringing a knife?

325
00:15:42,160 --> 00:15:43,600
Speaker 1: Where are you finding my knife?

326
00:15:43,600 --> 00:15:45,600
Speaker 3: Forks? Give me a guy with two forks spoons.

327
00:15:45,840 --> 00:15:49,160
Speaker 1: I've seen that you've played knife, he spoony before, dude.

328
00:15:49,640 --> 00:15:53,520
Speaker 3: Scream seven is written by Kevin Williamson, Guy Busick, and

329
00:15:53,640 --> 00:15:57,640
Speaker 3: James Vanderbilt. Busick and Vanderbilt are the team behind the

330
00:15:57,720 --> 00:16:02,560
Speaker 3: last two. Williamson is the original writer in the screen franchise.

331
00:16:02,640 --> 00:16:05,040
Speaker 3: He wrote the first movie. It was his first ever

332
00:16:05,120 --> 00:16:07,320
Speaker 3: writing credit. He also wrote I Know What You Did

333
00:16:07,400 --> 00:16:10,720
Speaker 3: Last Summer, Scream two, Scream four. He was the creator

334
00:16:10,760 --> 00:16:14,000
Speaker 3: of Dawson's Creek. He wrote and directed the fantastic movie

335
00:16:14,040 --> 00:16:16,520
Speaker 3: The Faculty or Teaching Missus Tingle. He also wrote The

336
00:16:16,520 --> 00:16:19,680
Speaker 3: Faculty and he was the creator of The Vampire Diaries

337
00:16:19,680 --> 00:16:22,280
Speaker 3: as well. So this man has had quite the career.

338
00:16:23,200 --> 00:16:27,760
Speaker 1: And he came back to pen this after the dramas.

339
00:16:27,440 --> 00:16:31,080
Speaker 3: Yes, and he came back only after this movie fell

340
00:16:31,120 --> 00:16:33,320
Speaker 3: apart at the scenes and they're like, Kevin Williamson can

341
00:16:33,400 --> 00:16:36,880
Speaker 3: save it, and no he couldn't. This movie is not good.

342
00:16:36,880 --> 00:16:37,760
Speaker 3: Don't get me robbed.

343
00:16:37,840 --> 00:16:39,120
Speaker 1: No, you just said it's great.

344
00:16:39,160 --> 00:16:43,360
Speaker 3: What are you lampoo? You lampoo? Guy Busick and James

345
00:16:43,440 --> 00:16:46,360
Speaker 3: Vanderbilt again, they wrote the last two, starring Melissa Barrera

346
00:16:46,400 --> 00:16:49,400
Speaker 3: and Jenna Ortega. Busic you would know from Ready or

347
00:16:49,400 --> 00:16:54,520
Speaker 3: Not Castle, Rocks, Screams five and six, Abigail, Final Destination, Bloodlines. Also,

348
00:16:54,560 --> 00:16:57,000
Speaker 3: he's Got Ready or Not two coming out this year.

349
00:16:57,360 --> 00:17:00,560
Speaker 3: Vanderbilt has quite the career go He wrote The Rundown,

350
00:17:00,880 --> 00:17:06,359
Speaker 3: starring The Rock and Sean Williams, Scott Zodiac, the both

351
00:17:06,359 --> 00:17:10,880
Speaker 3: amazing Spider Man movies White House Down, Independent, Independence Day, Resurgence,

352
00:17:11,400 --> 00:17:15,160
Speaker 3: Murder Mysteries one and two in Nuremberg. Upcoming he has

353
00:17:15,200 --> 00:17:18,840
Speaker 3: something called the Jansen Directive. So the amount of experience

354
00:17:18,960 --> 00:17:22,520
Speaker 3: behind this movie, you would have led to believe you

355
00:17:22,640 --> 00:17:25,320
Speaker 3: in thinking, despite all of the off screen stuff that

356
00:17:25,359 --> 00:17:28,920
Speaker 3: occurred with Ortega, Barrera and the making of this movie,

357
00:17:29,080 --> 00:17:32,600
Speaker 3: that these three could have saved this movie. And I

358
00:17:32,720 --> 00:17:39,400
Speaker 3: do think that this movie is decent enough. I mean,

359
00:17:39,440 --> 00:17:43,160
Speaker 3: we're seeing it with the box office right. This movie

360
00:17:43,200 --> 00:17:48,119
Speaker 3: didn't make me mad, like I was entertained, barely attached

361
00:17:48,200 --> 00:17:52,720
Speaker 3: to the screen world, but it was entertaining enough. Like

362
00:17:52,760 --> 00:17:55,920
Speaker 3: the pacing was good. Whether or not what you liked

363
00:17:55,960 --> 00:17:58,280
Speaker 3: on the screen was good is up for you to decide.

364
00:17:58,320 --> 00:18:01,040
Speaker 3: But I thought the pacing was pretty good. The story

365
00:18:01,400 --> 00:18:04,960
Speaker 3: not so great, but the pacing in the kills kept

366
00:18:05,000 --> 00:18:06,080
Speaker 3: you alive a little bit.

367
00:18:06,200 --> 00:18:08,320
Speaker 2: I thought it was clunky. I thought the whole thing

368
00:18:08,440 --> 00:18:11,200
Speaker 2: was clunky. I thought Nev Campbell did a pretty good job,

369
00:18:11,480 --> 00:18:15,000
Speaker 2: but outside of her, I didn't really care for anyone else.

370
00:18:15,320 --> 00:18:17,399
Speaker 3: Well, I'll get to that goop. That's a great point

371
00:18:17,440 --> 00:18:20,440
Speaker 3: about the anyone else synopsis. When a new ghost face

372
00:18:20,520 --> 00:18:23,520
Speaker 3: killer emerges in the town where Sidney Prescott has built

373
00:18:23,520 --> 00:18:26,040
Speaker 3: the New Life, her darkest fears are realized as her

374
00:18:26,119 --> 00:18:29,680
Speaker 3: daughter becomes the next target. This movie stars good Nev

375
00:18:29,720 --> 00:18:33,159
Speaker 3: Campbell as Sidney Evans, her married name, Courtney Cox is

376
00:18:33,200 --> 00:18:36,960
Speaker 3: Gail weathers Isabelle mayas Tatum Evans, that is Sidney's daughter,

377
00:18:37,200 --> 00:18:40,400
Speaker 3: Jasmine Saphoi Brown as Mindy meeks Martin. Mason Goodinga's Chad

378
00:18:40,400 --> 00:18:42,960
Speaker 3: meeks Martin. We saw them in the last two. They're

379
00:18:43,000 --> 00:18:46,200
Speaker 3: the only real returning cast from the New Couple movies.

380
00:18:46,680 --> 00:18:49,119
Speaker 3: Anna camp Is Here is Jessica bout In the neighbor

381
00:18:49,240 --> 00:18:52,080
Speaker 3: of Sydney. Joel McHale plays her husband, Mark Evans, and

382
00:18:52,119 --> 00:18:53,200
Speaker 3: he was terrible.

383
00:18:53,280 --> 00:18:55,880
Speaker 2: I didn't quite understand the casting on this, And I'm

384
00:18:55,880 --> 00:18:58,720
Speaker 2: a big Joel McHale guy. I know you're not, and

385
00:18:58,840 --> 00:19:01,000
Speaker 2: I am, and I didn't understand.

386
00:19:00,600 --> 00:19:03,440
Speaker 3: It was distracting. He was in a different movie.

387
00:19:03,440 --> 00:19:04,840
Speaker 1: He should have just started doing the soup.

388
00:19:06,200 --> 00:19:10,000
Speaker 3: Uh celest O'Connor as Chloe Parker, Tatum's friend. Sam Rechner

389
00:19:10,080 --> 00:19:14,240
Speaker 3: as Ben Brown The Creepy Boys. Us Ad Jerman as

390
00:19:14,320 --> 00:19:20,159
Speaker 3: Lucas Bowden. He's the neighbor Anna Camp's son, Jessica Boden's son.

391
00:19:20,359 --> 00:19:22,560
Speaker 3: We also saw him in gen V. He's pretty great

392
00:19:22,560 --> 00:19:24,960
Speaker 3: in gen V. He's pretty good in this. McKenna Grace

393
00:19:25,080 --> 00:19:27,480
Speaker 3: is Hannah Thurman. They do a little bit of a

394
00:19:27,800 --> 00:19:31,920
Speaker 3: Drew Barrymore situation with her in this movie. Matthew Lillard,

395
00:19:31,960 --> 00:19:36,880
Speaker 3: your boy, Matthew Lillard. At least his digital presence is back, and.

396
00:19:36,840 --> 00:19:40,840
Speaker 2: He has turned up not even to eleven, he's beyond eleven.

397
00:19:40,960 --> 00:19:44,600
Speaker 3: Yeah, yeah, And this movie is not good enough where

398
00:19:44,600 --> 00:19:48,000
Speaker 3: there's gonna be no spoilers here, So if you don't

399
00:19:48,000 --> 00:19:49,840
Speaker 3: want to hear any spoilers, stop listening right now because

400
00:19:49,840 --> 00:19:50,600
Speaker 3: we're gonna get into that.

401
00:19:50,680 --> 00:19:52,240
Speaker 1: We need listeners. Don't do that to us.

402
00:19:52,640 --> 00:19:55,359
Speaker 3: Last four here, Craig Dane plays Carl Gibbs, the creepy

403
00:19:55,400 --> 00:20:01,679
Speaker 3: mental Institution. Guy Evan Embry nineties star Ethan Embry plays

404
00:20:01,720 --> 00:20:05,960
Speaker 3: the institution who he was Oh the minute I saw him,

405
00:20:06,119 --> 00:20:07,760
Speaker 3: I knew exactly the other until he.

406
00:20:08,000 --> 00:20:09,960
Speaker 4: Said it on the podcast, and I'm like, no, you

407
00:20:10,000 --> 00:20:11,879
Speaker 4: didn't realize that was wow.

408
00:20:12,119 --> 00:20:14,199
Speaker 1: He's barely in the movie.

409
00:20:14,000 --> 00:20:16,480
Speaker 3: As soon as they showed him. You don't cast that

410
00:20:16,600 --> 00:20:19,240
Speaker 3: role as that guy unless they're gonna play a factor

411
00:20:19,600 --> 00:20:22,720
Speaker 3: market Suelis is Robbie Rivers and Roger Jackson. His back

412
00:20:22,840 --> 00:20:24,960
Speaker 3: is the voice. He's that iconic voice.

413
00:20:25,000 --> 00:20:27,000
Speaker 1: Hello Sidney, can you do it?

414
00:20:27,080 --> 00:20:28,160
Speaker 3: Hello? Sidney?

415
00:20:28,280 --> 00:20:31,920
Speaker 1: Both bad, Both bad go.

416
00:20:32,119 --> 00:20:37,280
Speaker 3: This movie tries to flip the script in turn the

417
00:20:37,600 --> 00:20:42,679
Speaker 3: classic screen movie plots upside down. But eventually, when you

418
00:20:42,720 --> 00:20:45,320
Speaker 3: flip the script on a screen movie that's already flipped

419
00:20:45,320 --> 00:20:47,639
Speaker 3: the script on normal movies, you get your run of

420
00:20:47,720 --> 00:20:48,800
Speaker 3: the mill harm movie.

421
00:20:48,840 --> 00:20:50,399
Speaker 1: You just become a normal movie.

422
00:20:50,520 --> 00:20:53,880
Speaker 3: Yes, and so that's really what this is. The killer's

423
00:20:53,920 --> 00:20:56,560
Speaker 3: not in the room, it's not amongst the friends. It's

424
00:20:56,640 --> 00:21:00,679
Speaker 3: just a couple of deranged individuals. The neighbor played by

425
00:21:00,680 --> 00:21:03,960
Speaker 3: Anna Camp, who, once again, if you're casting that role

426
00:21:04,040 --> 00:21:06,520
Speaker 3: with someone that notable, they're probably gonna play a part

427
00:21:06,600 --> 00:21:10,760
Speaker 3: later on. And so Anna Camp is obsessed with Sidney

428
00:21:11,440 --> 00:21:13,520
Speaker 3: because she loved her book, and her book helped her and.

429
00:21:13,520 --> 00:21:17,280
Speaker 2: Her son is obsessed with the whole story of what

430
00:21:17,320 --> 00:21:18,200
Speaker 2: Sydney went through.

431
00:21:18,280 --> 00:21:21,440
Speaker 3: Yeah, and you know the book helped Anna camp get

432
00:21:21,440 --> 00:21:23,680
Speaker 3: through her marriage. We come to find out she actually

433
00:21:23,760 --> 00:21:29,760
Speaker 3: killed her husband and then Ethan Embry decides to help

434
00:21:29,760 --> 00:21:33,160
Speaker 3: her and they are the killers in this movie, and

435
00:21:33,240 --> 00:21:37,200
Speaker 3: it's a pretty underwhelming reveal. So outside of the final

436
00:21:37,280 --> 00:21:40,439
Speaker 3: like twenty minutes, though, I didn't mind this movie.

437
00:21:40,480 --> 00:21:42,560
Speaker 1: I was entertaining when he pulled the mask off.

438
00:21:42,800 --> 00:21:46,399
Speaker 3: I was just like what I was like, yep, fully

439
00:21:46,400 --> 00:21:47,159
Speaker 3: expected that.

440
00:21:47,840 --> 00:21:49,160
Speaker 1: I used to work for Google.

441
00:21:49,440 --> 00:21:51,200
Speaker 3: I did like go. There was a couple of things

442
00:21:51,200 --> 00:21:55,040
Speaker 3: in this movie. I liked three things. Number one, I

443
00:21:55,200 --> 00:21:59,560
Speaker 3: liked the opening ten or so minutes with our boy

444
00:22:00,080 --> 00:22:05,359
Speaker 3: Jimmy Tattro. I liked that they killed one of the

445
00:22:05,440 --> 00:22:08,480
Speaker 3: ghost face members movers of the crew, which we haven't

446
00:22:08,480 --> 00:22:10,840
Speaker 3: really seen until the final act in a movie that

447
00:22:10,880 --> 00:22:14,560
Speaker 3: happens pretty early. And I did like this idea of

448
00:22:14,760 --> 00:22:18,919
Speaker 3: kind of using technology to pull some stuff from the

449
00:22:18,960 --> 00:22:20,119
Speaker 3: past into the present.

450
00:22:20,640 --> 00:22:23,520
Speaker 2: Favorite line of the movie has to do with that.

451
00:22:24,320 --> 00:22:27,480
Speaker 2: And that's when uh so and so was like, you

452
00:22:27,520 --> 00:22:29,200
Speaker 2: thought he was real? What are you stupid?

453
00:22:32,480 --> 00:22:34,400
Speaker 3: Good? I don't have much to say about this movie.

454
00:22:34,720 --> 00:22:38,439
Speaker 3: I didn't expect it to be good following your review

455
00:22:38,480 --> 00:22:41,199
Speaker 3: of it and your couple of lines to me, I

456
00:22:41,280 --> 00:22:42,880
Speaker 3: was expecting it to be the worst movie I've seen

457
00:22:42,920 --> 00:22:46,000
Speaker 3: in a couple of years. It's nowhere near that. To me,

458
00:22:46,240 --> 00:22:49,879
Speaker 3: this movie was entertaining enough. I would have liked to

459
00:22:50,119 --> 00:22:52,879
Speaker 3: been eating some popcorn with it. It's like twenty two

460
00:22:52,920 --> 00:22:55,760
Speaker 3: hot dogs, twenty four hot dogs in that range. Maybe

461
00:22:55,840 --> 00:22:59,199
Speaker 3: just sinking, maybe it's barely floating. I didn't mind it.

462
00:22:59,520 --> 00:23:03,080
Speaker 2: Have a little more respect for fucking Wes Craven. I'm

463
00:23:03,080 --> 00:23:04,680
Speaker 2: telling you right now, by the end of the year,

464
00:23:04,720 --> 00:23:07,200
Speaker 2: when we do our Cinemac and Googy Awards for twenty

465
00:23:07,200 --> 00:23:09,320
Speaker 2: twenty six, yes I know that we still owe you

466
00:23:09,359 --> 00:23:12,119
Speaker 2: twenty twenty five, look for it next week. This is

467
00:23:12,160 --> 00:23:15,560
Speaker 2: gonna win the Holding Pattern Award for Let's just put

468
00:23:15,600 --> 00:23:18,480
Speaker 2: a movie out to remind people that were a franchise

469
00:23:18,560 --> 00:23:21,240
Speaker 2: and we'll get back to it later. I hated this.

470
00:23:21,440 --> 00:23:24,800
Speaker 2: I hated everything about it. It was boring, it was clunky,

471
00:23:24,880 --> 00:23:25,480
Speaker 2: it was I.

472
00:23:25,440 --> 00:23:28,280
Speaker 3: Didn't think it was boring. Nonsensical, yes, boring.

473
00:23:28,560 --> 00:23:31,360
Speaker 2: It didn't have any of the bite of a normal

474
00:23:31,440 --> 00:23:33,520
Speaker 2: scream movie, and don't get me wrong. I didn't love

475
00:23:33,560 --> 00:23:36,359
Speaker 2: Scream six. I thought Scream six thought that it sells

476
00:23:36,359 --> 00:23:37,160
Speaker 2: you know what, I like cool?

477
00:23:37,440 --> 00:23:40,240
Speaker 3: What's that I forget? I like a panic room. We

478
00:23:40,280 --> 00:23:41,040
Speaker 3: get a panic room.

479
00:23:41,119 --> 00:23:42,000
Speaker 1: Thank you movie.

480
00:23:42,119 --> 00:23:46,320
Speaker 2: I also thought that this movie didn't have any tense scenes.

481
00:23:46,320 --> 00:23:46,880
Speaker 3: Oh wrong.

482
00:23:47,000 --> 00:23:49,560
Speaker 1: There was no tension. There was no scare For me.

483
00:23:49,800 --> 00:23:51,640
Speaker 3: I thought the pacing and the tension was the best

484
00:23:51,640 --> 00:23:52,240
Speaker 3: part of the movie.

485
00:23:52,240 --> 00:23:54,760
Speaker 2: And we know when talking about this with Billy and Keith,

486
00:23:54,880 --> 00:23:57,639
Speaker 2: it feels like they upped the violence to make up

487
00:23:57,640 --> 00:23:58,720
Speaker 2: for the lack of tension.

488
00:23:58,960 --> 00:24:01,960
Speaker 3: I think they upped the violence because the story was bad.

489
00:24:02,240 --> 00:24:04,320
Speaker 1: They ought the violence to make up for something.

490
00:24:04,440 --> 00:24:08,240
Speaker 3: There was some tension and there were some creepy moments.

491
00:24:08,840 --> 00:24:11,639
Speaker 3: I think the violence exists in this movie because the

492
00:24:11,680 --> 00:24:12,560
Speaker 3: story is not good.

493
00:24:12,800 --> 00:24:15,920
Speaker 2: Like I would take. Once again, did not like Scream six.

494
00:24:16,320 --> 00:24:19,159
Speaker 2: But the convenience store scene fine. I didn't care for

495
00:24:19,160 --> 00:24:23,119
Speaker 2: the ratitude. The convenience store scene and the scene on

496
00:24:23,160 --> 00:24:25,880
Speaker 2: the subway. I thought those were really good tense scene.

497
00:24:26,560 --> 00:24:27,800
Speaker 3: Yeah, both those scenes were great.

498
00:24:27,920 --> 00:24:29,600
Speaker 1: Yep, But I don't think this had that.

499
00:24:30,000 --> 00:24:34,040
Speaker 3: Yeah, I I once again entertaining enough. I was expecting

500
00:24:34,080 --> 00:24:35,040
Speaker 3: the worst movie of the year.

501
00:24:35,200 --> 00:24:38,080
Speaker 2: Something else I brought up with the Scream team is

502
00:24:38,280 --> 00:24:41,760
Speaker 2: whoever made the AI of Stu. I don't know how

503
00:24:41,800 --> 00:24:44,359
Speaker 2: they figured out how he would look at this age,

504
00:24:44,400 --> 00:24:46,800
Speaker 2: So they would have to find a photo of them

505
00:24:46,840 --> 00:24:48,600
Speaker 2: at that time and say, hey, can you age him

506
00:24:48,680 --> 00:24:49,960
Speaker 2: up thirty years?

507
00:24:50,359 --> 00:24:52,040
Speaker 1: How would they have his voice?

508
00:24:52,560 --> 00:24:56,000
Speaker 2: Would they have tried to find some archive footage to

509
00:24:56,520 --> 00:24:58,639
Speaker 2: use there, because I don't know how it would have

510
00:24:58,640 --> 00:25:00,480
Speaker 2: made more sense In the first one. I don't know

511
00:25:00,520 --> 00:25:02,560
Speaker 2: how they would have known this at the time. Is

512
00:25:02,600 --> 00:25:04,840
Speaker 2: if someone was walking around with a little video camera

513
00:25:04,920 --> 00:25:06,520
Speaker 2: getting Stu talking well.

514
00:25:06,359 --> 00:25:08,600
Speaker 3: Goo, wouldn't you know it? One of his best pals,

515
00:25:08,640 --> 00:25:12,639
Speaker 3: Randy Meeks, was a movie buff and probably recorded all

516
00:25:12,680 --> 00:25:13,600
Speaker 3: his friends all the time.

517
00:25:13,640 --> 00:25:16,760
Speaker 2: He never talked about it, never talked about figured out.

518
00:25:16,800 --> 00:25:20,240
Speaker 2: And then also Stu does act a little silly.

519
00:25:20,359 --> 00:25:22,960
Speaker 4: Don't overthink the plot. No, it's not good. It's what

520
00:25:23,000 --> 00:25:25,119
Speaker 4: they did with Stu. I don't want to talk about

521
00:25:25,200 --> 00:25:28,240
Speaker 4: they did Stu dirty. So Stu is silly in the

522
00:25:28,240 --> 00:25:31,760
Speaker 4: movie Live or Alone, but he cranks it up in

523
00:25:31,800 --> 00:25:34,960
Speaker 4: that final scene where it's just him, Billy and Sydney.

524
00:25:35,600 --> 00:25:38,159
Speaker 4: How would the people that made the AI Stu know

525
00:25:38,640 --> 00:25:41,520
Speaker 4: to crank him up that high when talking to Sydney.

526
00:25:41,760 --> 00:25:44,360
Speaker 3: Well, he killed a lot of people, so I think

527
00:25:44,400 --> 00:25:45,920
Speaker 3: he can get crazy, Sydney.

528
00:25:45,960 --> 00:25:49,359
Speaker 1: I'm good, due, But did your tongue back in your mouth?

529
00:25:49,440 --> 00:25:52,960
Speaker 3: Matthew? All right? Goo didn't like it? No? No, sorry, sorry?

530
00:25:53,160 --> 00:25:53,919
Speaker 3: Goo hated it?

531
00:25:53,960 --> 00:25:54,240
Speaker 1: I did.

532
00:25:54,320 --> 00:25:59,080
Speaker 3: I didn't mind it. I did screams yeah, Goo. Next

533
00:25:59,160 --> 00:26:01,800
Speaker 3: up is a movie that I will probably never see.

534
00:26:02,359 --> 00:26:05,240
Speaker 3: And you saw with your wife Wuthering Heights in quotational

535
00:26:05,359 --> 00:26:06,119
Speaker 3: Weathering Heights. What?

536
00:26:06,160 --> 00:26:09,239
Speaker 2: This is the most deviceve movie in a while. I

537
00:26:09,280 --> 00:26:12,679
Speaker 2: am seeing so much hate for it. I'm seeing some

538
00:26:12,880 --> 00:26:14,919
Speaker 2: love for it, and the people that hate it and

539
00:26:14,960 --> 00:26:17,480
Speaker 2: they see that other people love it, they're mad at them.

540
00:26:19,240 --> 00:26:21,480
Speaker 3: A lot of people have seen this movie, Goo. It's

541
00:26:21,520 --> 00:26:24,439
Speaker 3: made seventy three point seven million domestically. It's up to

542
00:26:24,520 --> 00:26:28,000
Speaker 3: almost two hundred million worldwide. That's off an eighty million

543
00:26:28,040 --> 00:26:30,600
Speaker 3: dollar budget, so it's definitely made its money back already.

544
00:26:30,800 --> 00:26:34,200
Speaker 3: It's an rated drama and romance movie based off.

545
00:26:34,080 --> 00:26:36,200
Speaker 1: Of novel eighteen forty seven.

546
00:26:36,400 --> 00:26:38,560
Speaker 3: This runs one hundred and thirty six minutes, so it

547
00:26:38,600 --> 00:26:42,360
Speaker 3: is long. Two hours and sixteen minutes On Roddy teasegu

548
00:26:42,600 --> 00:26:46,479
Speaker 3: fifty eight percent from the critics, seventy six percent from

549
00:26:46,520 --> 00:26:51,080
Speaker 3: the audience. So seventy six percent is confusing because the

550
00:26:51,119 --> 00:26:55,520
Speaker 3: way I've heard several women talk about this movie, you

551
00:26:55,520 --> 00:26:57,719
Speaker 3: would think it'd be about ninety percent. But then I

552
00:26:57,760 --> 00:27:00,560
Speaker 3: hear you and other voices in the back on being like,

553
00:27:00,840 --> 00:27:02,040
Speaker 3: it's not that good.

554
00:27:02,119 --> 00:27:05,360
Speaker 2: I'm caught in an algorithm because my wife watched all

555
00:27:05,400 --> 00:27:07,240
Speaker 2: the behind the scenes of this which, by the way,

556
00:27:07,280 --> 00:27:09,560
Speaker 2: that is really what the best part of this movie is.

557
00:27:09,560 --> 00:27:11,880
Speaker 1: It's the set design, it's the attention to be going.

558
00:27:11,880 --> 00:27:13,760
Speaker 3: To be what made the budget so high, right.

559
00:27:13,760 --> 00:27:16,120
Speaker 2: Like, it's a really nice looking movie. I believe it's

560
00:27:16,160 --> 00:27:19,280
Speaker 2: on location. They spent a lot of time and effort

561
00:27:19,400 --> 00:27:22,320
Speaker 2: creating a dollhouse of the house that is it are

562
00:27:22,720 --> 00:27:25,520
Speaker 2: of the house that it's inside of, and everything looks

563
00:27:25,560 --> 00:27:29,760
Speaker 2: identical to it. The dresses in it look great, so

564
00:27:30,119 --> 00:27:32,320
Speaker 2: they did a great job with that. I have just

565
00:27:32,680 --> 00:27:36,920
Speaker 2: the people that love the book refuse to accept anyone

566
00:27:37,000 --> 00:27:40,120
Speaker 2: liking this movie, and if you do. We talked about

567
00:27:40,160 --> 00:27:43,359
Speaker 2: this during news dump. I've seen reviews and I set

568
00:27:43,400 --> 00:27:46,520
Speaker 2: you a list of like the reviews, referring to those

569
00:27:46,560 --> 00:27:47,920
Speaker 2: people as smooth brains.

570
00:27:49,000 --> 00:27:53,600
Speaker 3: Well here, here's the thing too, Like everything's expectations based, right,

571
00:27:54,040 --> 00:27:56,840
Speaker 3: and so if you have a beloved book and you

572
00:27:56,920 --> 00:27:59,640
Speaker 3: make a movie about it, when you decide to take

573
00:27:59,720 --> 00:28:02,800
Speaker 3: liberes and loosely adapt the book, people are gonna be.

574
00:28:02,960 --> 00:28:05,600
Speaker 2: Let me tell you what Emerald Fennel did. Who I've

575
00:28:05,600 --> 00:28:08,639
Speaker 2: seen people, they're like Emerald Fennel is the Colleen Hoover

576
00:28:08,760 --> 00:28:13,040
Speaker 2: of directors. That's another people don't care for her. She

577
00:28:13,080 --> 00:28:15,840
Speaker 2: sells a lot of books though, all right, so what

578
00:28:15,920 --> 00:28:19,879
Speaker 2: she did is she put Wuthering Heights in quotations. Yes,

579
00:28:20,040 --> 00:28:20,919
Speaker 2: she did it on purpose.

580
00:28:20,960 --> 00:28:23,080
Speaker 3: Being like, there was pressed about this movie about a

581
00:28:23,119 --> 00:28:27,000
Speaker 3: month before it came out, with Emerald Fennel talking about

582
00:28:27,040 --> 00:28:30,360
Speaker 3: how this movie's inspired by the book, it's not really

583
00:28:30,400 --> 00:28:35,000
Speaker 3: an adaptation of the book, and so people don't consume media.

584
00:28:35,040 --> 00:28:37,320
Speaker 3: I guess the way that we do went in thinking

585
00:28:37,359 --> 00:28:41,560
Speaker 3: it's a faithful adaptation. That said, only twenty four percent

586
00:28:41,600 --> 00:28:43,720
Speaker 3: of the book nerds, I guess they are lampoon this movie.

587
00:28:43,840 --> 00:28:47,440
Speaker 3: Some of those are the critics, though, fifty five on Metacritics,

588
00:28:47,480 --> 00:28:50,440
Speaker 3: so I guess critics had higher hopes as well.

589
00:28:50,440 --> 00:28:53,520
Speaker 2: Here's my issue with the movie and Mac I'll read

590
00:28:53,520 --> 00:28:56,480
Speaker 2: the synopsis really quick. A passionate and tumultuous love stories

591
00:28:56,520 --> 00:29:01,240
Speaker 2: set against the backdrop of the Yorkshire More is exploring

592
00:29:01,280 --> 00:29:05,640
Speaker 2: the intense and destructive relationship between Heathcliff. Not the cat

593
00:29:05,920 --> 00:29:07,520
Speaker 2: that way that confused me the whole time.

594
00:29:07,480 --> 00:29:09,200
Speaker 3: Not former Red Sox closer Slope.

595
00:29:09,280 --> 00:29:12,520
Speaker 2: Anytime someone said Heathcliff, I'm looking around for that little cat,

596
00:29:12,880 --> 00:29:16,680
Speaker 2: it wasn't him. It was Jacobal Lordie and Catherine. Catherine

597
00:29:16,920 --> 00:29:19,880
Speaker 2: is played by Margot Robbie. Jacobal Lordi is Heathcliff. The

598
00:29:19,880 --> 00:29:21,640
Speaker 2: rest of the people, they don't matter. The cops said,

599
00:29:21,640 --> 00:29:26,360
Speaker 2: they don't matter. My issue with this movie is opening scene.

600
00:29:26,720 --> 00:29:30,320
Speaker 2: There is a hanging, someone is being hung, The person

601
00:29:30,400 --> 00:29:34,000
Speaker 2: being hung gets an erection, and then people in the

602
00:29:34,120 --> 00:29:38,479
Speaker 2: audience watching the hanging start like making out and like

603
00:29:38,840 --> 00:29:42,240
Speaker 2: fondling each other and like doing over the pants hand

604
00:29:42,360 --> 00:29:46,800
Speaker 2: jobs and stuff. Well, so I'm I'm like, Okay, this

605
00:29:46,840 --> 00:29:50,800
Speaker 2: is gonna be kind of like a perverted sexy movie,

606
00:29:50,800 --> 00:29:55,240
Speaker 2: a little taboo if you will, for the next forty

607
00:29:55,240 --> 00:29:58,600
Speaker 2: five minutes to an hour, not a lot of taboo stuff,

608
00:29:59,680 --> 00:30:00,840
Speaker 2: not lot going on.

609
00:30:01,080 --> 00:30:03,080
Speaker 3: Here's my question for you, because once again I'm never

610
00:30:03,120 --> 00:30:03,840
Speaker 3: gonna see this one.

611
00:30:03,880 --> 00:30:05,280
Speaker 1: Yeah, let's talk about Toboth So.

612
00:30:05,480 --> 00:30:08,840
Speaker 3: Emerald Fennel is the creator of the show Killing Eve

613
00:30:09,560 --> 00:30:12,280
Speaker 3: and also wrote and directed the two movies Promising Young

614
00:30:12,400 --> 00:30:16,720
Speaker 3: Woman and Saltburn. I loved Promising Young Woman starring Carry Mully,

615
00:30:16,760 --> 00:30:17,760
Speaker 3: and she was fantastic that movies.

616
00:30:17,960 --> 00:30:20,040
Speaker 1: I loved most of it. Go Ahead Saltburn.

617
00:30:20,240 --> 00:30:23,640
Speaker 3: I had a weird viewing experience with it. I get

618
00:30:23,680 --> 00:30:26,440
Speaker 3: why some people turned it into what it was. I

619
00:30:26,480 --> 00:30:29,800
Speaker 3: didn't think it was that great, but that movie certainly

620
00:30:29,840 --> 00:30:32,480
Speaker 3: took the torch from Promising Young Young Woman and got

621
00:30:32,800 --> 00:30:38,000
Speaker 3: super taboo and weird and full hog. Why then in

622
00:30:38,040 --> 00:30:41,040
Speaker 3: her third outing here, when she's got all the backing

623
00:30:41,040 --> 00:30:44,520
Speaker 3: of everyone with two pretty successful movies, does she drop

624
00:30:44,680 --> 00:30:46,120
Speaker 3: back with the taboo neiss.

625
00:30:46,680 --> 00:30:50,719
Speaker 2: I'm thinking here now that Catherine and Heathcliff are older,

626
00:30:50,800 --> 00:30:52,680
Speaker 2: and Catherine still is you know, she's a bit of

627
00:30:52,680 --> 00:30:56,280
Speaker 2: a Proude, She's not quite there yet. And she witnesses

628
00:30:56,480 --> 00:31:00,640
Speaker 2: two of the househands getting down to some stuff in

629
00:31:00,680 --> 00:31:03,800
Speaker 2: the stable. The woman puts like a horse harness on

630
00:31:03,880 --> 00:31:06,360
Speaker 2: herself and like there's a lot. So I'm like, okay,

631
00:31:06,960 --> 00:31:09,040
Speaker 2: I think Catherine's gonna see this and now she wants

632
00:31:09,080 --> 00:31:11,120
Speaker 2: to get into this type of stuff. What do we

633
00:31:11,200 --> 00:31:14,360
Speaker 2: see this missionary missionary dock.

634
00:31:14,280 --> 00:31:18,040
Speaker 3: And missionary mission docking missionary we're talking she's in the

635
00:31:18,040 --> 00:31:18,960
Speaker 3: bottom and I'm on top.

636
00:31:19,080 --> 00:31:21,440
Speaker 2: But not only that, it's like it's that and they're

637
00:31:21,480 --> 00:31:25,360
Speaker 2: fully clothed at more clothing than when they're not having sex.

638
00:31:25,440 --> 00:31:29,080
Speaker 3: Yeah. Yeah, in my head, this would have was the

639
00:31:29,120 --> 00:31:32,960
Speaker 3: opportunity for Emerald Feedle to really stamp her mark on

640
00:31:33,080 --> 00:31:36,360
Speaker 3: a massive, kind of pseudo blockbuster type of movie. But

641
00:31:36,400 --> 00:31:38,320
Speaker 3: it seems like she went the other way, played it

642
00:31:38,400 --> 00:31:40,800
Speaker 3: safe so that the big studio would want her.

643
00:31:41,120 --> 00:31:43,880
Speaker 2: Now what I would have done. So this is produced

644
00:31:43,920 --> 00:31:47,240
Speaker 2: by Margot Robbie's company, and obviously you need Margot Robbie

645
00:31:47,280 --> 00:31:48,920
Speaker 2: in it to make this amount of money.

646
00:31:49,000 --> 00:31:49,760
Speaker 1: I do believe that.

647
00:31:50,000 --> 00:31:52,840
Speaker 2: Sure, sure, I think this movie would have been better

648
00:31:53,680 --> 00:31:58,720
Speaker 2: if you had someone else play Catherine who maybe they

649
00:31:58,760 --> 00:31:59,600
Speaker 2: were able.

650
00:31:59,320 --> 00:32:01,640
Speaker 1: To get a little little bit looser with the rules,

651
00:32:02,000 --> 00:32:02,480
Speaker 1: an up.

652
00:32:02,400 --> 00:32:06,480
Speaker 3: And comer who wasn't making probably thirty million dollars and

653
00:32:07,200 --> 00:32:10,280
Speaker 3: is maybe trying to make their mark be more memorable.

654
00:32:10,680 --> 00:32:13,200
Speaker 3: I mean, what we're talking about here is Margot Roby

655
00:32:13,280 --> 00:32:15,600
Speaker 3: in Wolf of Wall Street that's sort of what we're

656
00:32:15,760 --> 00:32:16,240
Speaker 3: talking about.

657
00:32:16,280 --> 00:32:20,080
Speaker 2: So this needed a little more raunchiness to it. That

658
00:32:20,320 --> 00:32:21,920
Speaker 2: horniness was inconsistent.

659
00:32:22,160 --> 00:32:25,520
Speaker 3: Yeah, and that's why I'm so curious, because it felt

660
00:32:25,600 --> 00:32:28,480
Speaker 3: like after Saltburn, Emerald Fennel was trending this way and

661
00:32:28,520 --> 00:32:29,920
Speaker 3: this movie brought it back down.

662
00:32:29,960 --> 00:32:33,520
Speaker 2: Like you got to keep up that weird, consistent hanging horny.

663
00:32:33,800 --> 00:32:36,200
Speaker 1: Yeah, look got him, he's going stiffy.

664
00:32:36,400 --> 00:32:39,080
Speaker 3: Your wife's dog score roughly, what do you think she

665
00:32:39,480 --> 00:32:39,880
Speaker 3: gave it?

666
00:32:39,960 --> 00:32:42,680
Speaker 1: Fifty? My wife loves this movie.

667
00:32:42,800 --> 00:32:44,600
Speaker 3: Your dog score is in what range?

668
00:32:45,040 --> 00:32:45,640
Speaker 1: Twenty five?

669
00:32:46,280 --> 00:32:47,840
Speaker 3: Okay, so barely pass once again.

670
00:32:47,880 --> 00:32:50,880
Speaker 1: I like the look of this. Sure, I appreciate the look.

671
00:32:51,240 --> 00:32:52,239
Speaker 3: Yeah, I understand that.

672
00:32:52,480 --> 00:32:56,920
Speaker 2: I appreciate the effort. The colors when they're outside are

673
00:32:57,080 --> 00:32:58,200
Speaker 2: so fucking dull.

674
00:32:58,440 --> 00:33:00,760
Speaker 3: It's a lens lens on there.

675
00:33:00,840 --> 00:33:03,840
Speaker 2: Yeah, you want an English breakfast? Have this disgusting sausage

676
00:33:03,880 --> 00:33:07,880
Speaker 2: and beans. This makes you when watching this, you feel

677
00:33:07,960 --> 00:33:09,560
Speaker 2: like you're eating a big bowl of beans.

678
00:33:10,280 --> 00:33:12,680
Speaker 3: Good. Next up is a movie that I kept in

679
00:33:12,720 --> 00:33:13,400
Speaker 3: the movie draft.

680
00:33:13,480 --> 00:33:15,800
Speaker 1: You shouldn't have strictly because.

681
00:33:15,560 --> 00:33:18,320
Speaker 3: The director had showed some promise and it had a

682
00:33:18,400 --> 00:33:20,840
Speaker 3: couple of good stars. Uh, how to make a killing.

683
00:33:21,200 --> 00:33:24,240
Speaker 3: This came out a couple of weeks ago. It has

684
00:33:24,280 --> 00:33:26,920
Speaker 3: made six point three million dollars domestically on a fifteen

685
00:33:26,920 --> 00:33:29,960
Speaker 3: million dollar budget. This movie is not gonna make its

686
00:33:29,960 --> 00:33:33,120
Speaker 3: money back. It is an R rated comedy, drama, mystery,

687
00:33:33,120 --> 00:33:35,400
Speaker 3: and thriller at one hundred and five minutes, so it

688
00:33:35,520 --> 00:33:40,120
Speaker 3: is brief enough on roddy t's forty six percent from

689
00:33:40,120 --> 00:33:43,000
Speaker 3: the critics, seventy eight percent from the audience, a fifty

690
00:33:43,040 --> 00:33:47,000
Speaker 3: one on Metacritic, and I think I understand why this

691
00:33:47,080 --> 00:33:49,880
Speaker 3: movie is easy to watch but also good.

692
00:33:49,960 --> 00:33:53,200
Speaker 2: So you said one hundred and five minutes it's short enough.

693
00:33:53,920 --> 00:33:57,160
Speaker 2: I honestly thought the movie was two hours and twenty minutes.

694
00:33:57,520 --> 00:33:59,600
Speaker 2: When I finished the movie, I had a different viewing.

695
00:34:00,080 --> 00:34:02,000
Speaker 2: Walked up my wife's like, oh, I can't believe it

696
00:34:02,040 --> 00:34:04,640
Speaker 2: was only one hundred and five minutes, and it blew

697
00:34:04,720 --> 00:34:08,920
Speaker 2: my brain thinking I really thought it was well over

698
00:34:08,960 --> 00:34:10,239
Speaker 2: two hours.

699
00:34:11,480 --> 00:34:14,240
Speaker 3: You've had a couple of rough theater experiences. I suppose

700
00:34:14,400 --> 00:34:15,000
Speaker 3: I liked.

701
00:34:14,840 --> 00:34:17,160
Speaker 1: That the really big screen movie I just saw.

702
00:34:17,360 --> 00:34:21,640
Speaker 3: I thought this movie was made for the commoner.

703
00:34:22,120 --> 00:34:23,880
Speaker 1: For that Howell does.

704
00:34:24,200 --> 00:34:26,239
Speaker 3: Yeah, but it's an A twenty four movie and a

705
00:34:26,280 --> 00:34:28,560
Speaker 3: fifteen million dollar budget. I would have thought they would

706
00:34:28,560 --> 00:34:30,359
Speaker 3: have got a little gritterer. And do I say that

707
00:34:30,640 --> 00:34:33,520
Speaker 3: because this movie is written directed by John Patton Ford

708
00:34:33,880 --> 00:34:36,680
Speaker 3: who wrote and directed the movie Emily the Criminal from

709
00:34:36,760 --> 00:34:39,960
Speaker 3: three years ago or two years ago, uh, starring Aubrey

710
00:34:39,960 --> 00:34:42,560
Speaker 3: Plaza that we both borderline loved. That was a really

711
00:34:42,680 --> 00:34:45,719
Speaker 3: underrated movie. Couple. Yeah, I'm pretty sure you're the one

712
00:34:45,719 --> 00:34:46,400
Speaker 3: that told me to watch it.

713
00:34:46,520 --> 00:34:47,560
Speaker 1: No, I never saw that.

714
00:34:47,560 --> 00:34:50,200
Speaker 3: That movie is one of the better and more underrated

715
00:34:50,200 --> 00:34:53,480
Speaker 3: movies the last three or four years. And for that

716
00:34:53,520 --> 00:34:56,799
Speaker 3: guy to make this movie was very confusing because this

717
00:34:56,880 --> 00:35:01,080
Speaker 3: is the polar opperson that is like subdue dude, gritty

718
00:35:01,239 --> 00:35:04,440
Speaker 3: character driven. This was not at all any of that.

719
00:35:04,680 --> 00:35:06,880
Speaker 3: And go, you know what this movie does that I

720
00:35:06,920 --> 00:35:10,920
Speaker 3: hate ninety nine percent of the time. It opens at

721
00:35:10,960 --> 00:35:13,520
Speaker 3: the end point and goes back let me tell you

722
00:35:13,560 --> 00:35:15,319
Speaker 3: how we got here. And I was like, Ah, we're

723
00:35:15,360 --> 00:35:18,880
Speaker 3: doing this fucking thing. Synopsis. Disowned at birth by his

724
00:35:18,920 --> 00:35:22,560
Speaker 3: obscenely wealthy family, a blue collar man will stop at

725
00:35:22,600 --> 00:35:26,160
Speaker 3: nothing to reclaim his inheritance, no matter how many relatives

726
00:35:26,239 --> 00:35:27,000
Speaker 3: stand in his way.

727
00:35:27,040 --> 00:35:29,960
Speaker 2: So it needs is a blue collar, very handsome man

728
00:35:30,160 --> 00:35:33,440
Speaker 2: because while he is yes, blue collar because of how

729
00:35:33,480 --> 00:35:36,400
Speaker 2: he looks, he's able to slip in with anybody.

730
00:35:35,880 --> 00:35:37,920
Speaker 3: You wanted Steve Buscemi in the role, if.

731
00:35:37,760 --> 00:35:42,440
Speaker 1: You had Clint Howard as the main actor in this movie. Yeah,

732
00:35:42,520 --> 00:35:43,640
Speaker 1: I think we're cooking good.

733
00:35:43,680 --> 00:35:47,239
Speaker 3: This movie stars Glenn Powell as the main actor, Beckett Redfellow,

734
00:35:47,400 --> 00:35:51,759
Speaker 3: Margaret Qualley as Julia, who's largely wasted, Jessica Henwick as Ruth,

735
00:35:51,760 --> 00:35:54,640
Speaker 3: who I thought was great. She's the only redeeming quality

736
00:35:54,680 --> 00:35:58,160
Speaker 3: in this movie, and Ed Harris's White Law red Fellow,

737
00:35:58,719 --> 00:36:03,600
Speaker 3: and essentially this movie just hopes you really love Glenn

738
00:36:03,640 --> 00:36:07,560
Speaker 3: Powell doing kind of fun stuff for what is going

739
00:36:07,560 --> 00:36:10,000
Speaker 3: on on screen and the potential of the story. It

740
00:36:10,080 --> 00:36:12,480
Speaker 3: plays it so safe and it's so innoc.

741
00:36:12,320 --> 00:36:15,120
Speaker 1: And misses out on the fun factor that could have

742
00:36:15,200 --> 00:36:15,640
Speaker 1: been had.

743
00:36:15,760 --> 00:36:20,160
Speaker 3: Yeah, it's just it's just even the family members, it's lazy.

744
00:36:20,239 --> 00:36:23,080
Speaker 2: The family members that we go and we kill are

745
00:36:23,239 --> 00:36:27,760
Speaker 2: so generic and boring. It felt like different movies, obviously,

746
00:36:27,840 --> 00:36:31,720
Speaker 2: but it felt like what was the David Harbor Santa movie?

747
00:36:32,560 --> 00:36:33,080
Speaker 3: That one?

748
00:36:33,160 --> 00:36:36,600
Speaker 2: So when you drop the the fun Santa killings in there,

749
00:36:36,920 --> 00:36:39,239
Speaker 2: that's fine, but then you get to the family where

750
00:36:39,239 --> 00:36:42,719
Speaker 2: it's all these generic rich people that we've seen in

751
00:36:42,719 --> 00:36:45,160
Speaker 2: the past. There's no fun to it.

752
00:36:44,960 --> 00:36:50,200
Speaker 3: It's almost just no character building and establishing faceless Yeah. Yeah,

753
00:36:50,239 --> 00:36:52,040
Speaker 3: and Glen Powell's decent.

754
00:36:54,080 --> 00:36:56,440
Speaker 1: Has he done this a lot in his other movies where.

755
00:36:56,239 --> 00:36:59,399
Speaker 4: He like, Yeah, he definitely does that's a lot. Ask

756
00:36:59,480 --> 00:37:05,520
Speaker 4: me a question, good, what's your name? I'm doing the

757
00:37:05,520 --> 00:37:06,040
Speaker 4: mouth thing.

758
00:37:06,040 --> 00:37:09,600
Speaker 3: Right that I predeces. What's the word I'm looking for?

759
00:37:09,640 --> 00:37:12,279
Speaker 3: I don't know. I'm having a hard time jaw. You

760
00:37:12,280 --> 00:37:13,799
Speaker 3: said your name than asked you your name? Is what

761
00:37:13,840 --> 00:37:18,360
Speaker 3: I was getting at, dude. Jessica Henwick Mayamo Goo shows

762
00:37:18,880 --> 00:37:22,080
Speaker 3: great emotion of this movie. She's like the backbone of

763
00:37:22,080 --> 00:37:24,680
Speaker 3: the movie. There's not enough of her and we don't

764
00:37:24,680 --> 00:37:27,120
Speaker 3: care enough about Glenn Powell's character to really fully get

765
00:37:27,120 --> 00:37:30,040
Speaker 3: the emotions of this movie. I felt like this movie

766
00:37:30,080 --> 00:37:32,239
Speaker 3: did just enough for me to not hate it. Like

767
00:37:32,320 --> 00:37:32,880
Speaker 3: it's decent.

768
00:37:32,960 --> 00:37:35,239
Speaker 1: It's like it's fifteen twists at the end.

769
00:37:35,760 --> 00:37:38,839
Speaker 3: Yeah. I think I think like this strikes me as

770
00:37:38,880 --> 00:37:42,360
Speaker 3: a movie that would do well on TNT in twelve years,

771
00:37:42,440 --> 00:37:44,920
Speaker 3: you know, like it's a cable TV movie.

772
00:37:45,080 --> 00:37:46,440
Speaker 1: I think it's missing a little bit.

773
00:37:46,640 --> 00:37:47,439
Speaker 3: It's of the ILK.

774
00:37:47,640 --> 00:37:50,360
Speaker 2: I think it's missing the fun factor of what you

775
00:37:50,480 --> 00:37:51,279
Speaker 2: need to be on there.

776
00:37:51,320 --> 00:37:54,000
Speaker 3: It's not the best cable TV movie, but it's of that.

777
00:37:54,000 --> 00:37:57,080
Speaker 2: Qual Also, when you got to their final twist, I

778
00:37:57,080 --> 00:37:59,360
Speaker 2: don't think that would have been allowed.

779
00:38:00,080 --> 00:38:01,920
Speaker 1: I just I'm not a lawyer or nothing.

780
00:38:02,080 --> 00:38:05,359
Speaker 3: Like. If you tell me Glenn Powell Margaret Qualley in

781
00:38:05,560 --> 00:38:11,040
Speaker 3: this like psycho sexual murdery movie, I my expectations were

782
00:38:11,120 --> 00:38:12,880
Speaker 3: so much higher, so much higher.

783
00:38:12,880 --> 00:38:15,120
Speaker 2: That's a good point out of these movies. I feel

784
00:38:15,120 --> 00:38:17,240
Speaker 2: like because we were on an upswing of like movies

785
00:38:17,239 --> 00:38:18,440
Speaker 2: were getting sexy again.

786
00:38:19,400 --> 00:38:20,960
Speaker 1: Now they're kind of getting desexied.

787
00:38:22,840 --> 00:38:25,680
Speaker 3: I have this like it's not sinking, it's not floating,

788
00:38:25,680 --> 00:38:26,760
Speaker 3: it's twenty four hot dogs.

789
00:38:26,760 --> 00:38:27,719
Speaker 1: I'm right around the same.

790
00:38:27,920 --> 00:38:30,120
Speaker 3: I'm probably never gonna watch it again, but I'm not

791
00:38:30,239 --> 00:38:31,040
Speaker 3: mad at the movie.

792
00:38:31,120 --> 00:38:33,239
Speaker 2: I think I'm disappointed by it. I thought it was

793
00:38:33,320 --> 00:38:36,560
Speaker 2: an interesting concept. Yeah, I'm not sure how I feel

794
00:38:36,560 --> 00:38:37,640
Speaker 2: about Glen Powell anymore.

795
00:38:37,960 --> 00:38:40,960
Speaker 3: That's that's my takeaway as well. I liked his his

796
00:38:41,040 --> 00:38:43,640
Speaker 3: outings more than you did last year. But I'm starting

797
00:38:43,680 --> 00:38:46,480
Speaker 3: to think that you know what is not always chucked

798
00:38:46,560 --> 00:38:46,879
Speaker 3: up the bit.

799
00:38:47,000 --> 00:38:49,560
Speaker 2: I think we need Glenn Powell as the bad Boy again.

800
00:38:49,840 --> 00:38:55,080
Speaker 2: We keep giving him like the starring the protagonists. We

801
00:38:55,080 --> 00:38:56,120
Speaker 2: need him to be the aunt.

802
00:38:56,560 --> 00:38:59,040
Speaker 3: Now, dude, they were in the same movie. You know

803
00:38:59,080 --> 00:39:03,000
Speaker 3: who should be playing Glenn Powell, rolls Miles Teller. Miles

804
00:39:03,040 --> 00:39:05,200
Speaker 3: Teller is better being Glenn poll than Glen Powell.

805
00:39:05,440 --> 00:39:08,239
Speaker 2: I was trying to think of someone with because I

806
00:39:08,280 --> 00:39:11,000
Speaker 2: don't I don't know how much I like Glenn Powell's charisma.

807
00:39:11,120 --> 00:39:13,799
Speaker 3: You know it's charisma Miles Teller with Miles.

808
00:39:13,560 --> 00:39:15,799
Speaker 2: Teller, Miles Teller on my face, Miles Teller. I think

809
00:39:15,840 --> 00:39:18,000
Speaker 2: Glenn Powell is just like so straight down the middle

810
00:39:18,040 --> 00:39:21,120
Speaker 2: making movies for everybody, which that's, you know, something that

811
00:39:21,160 --> 00:39:21,839
Speaker 2: you want to have a.

812
00:39:21,760 --> 00:39:24,080
Speaker 3: Goal with poor man's Ryan Reynolds.

813
00:39:24,239 --> 00:39:26,279
Speaker 2: I was gonna say someone that I think would have

814
00:39:26,320 --> 00:39:28,200
Speaker 2: done a better job in this, and I wouldn't want

815
00:39:28,239 --> 00:39:29,280
Speaker 2: him to waste his time.

816
00:39:29,400 --> 00:39:30,560
Speaker 1: It's like a Ryan Gosling.

817
00:39:31,000 --> 00:39:33,520
Speaker 3: No, no, don't, don't don't bring.

818
00:39:33,280 --> 00:39:36,200
Speaker 1: The Do you give me silly Goss. I want silly go.

819
00:39:36,320 --> 00:39:38,240
Speaker 3: Goss on the mind because you just saw the goss

820
00:39:38,680 --> 00:39:43,719
Speaker 3: Powell is doing weak minded Ryan Reynolds, not Ryan Gosling.

821
00:39:43,880 --> 00:39:45,880
Speaker 1: I'm saying I'd prefer Gossling.

822
00:39:45,520 --> 00:39:47,440
Speaker 3: Now, of course we'd all prefer goss.

823
00:39:47,680 --> 00:39:51,279
Speaker 2: So that's what I'm saying. All right, fuck you, all right,

824
00:39:51,560 --> 00:39:52,560
Speaker 2: what's the next movie?

825
00:39:52,840 --> 00:39:56,680
Speaker 3: Final movie? Up on the day is good Luck, Have Fun,

826
00:39:56,840 --> 00:39:59,719
Speaker 3: Don't Die. Fun name for a movie, fun concept for

827
00:39:59,760 --> 00:40:03,160
Speaker 3: a movie. This has made eight point two million worldwide

828
00:40:03,160 --> 00:40:05,520
Speaker 3: so far on a twenty million dollar budget. It's also

829
00:40:05,760 --> 00:40:06,600
Speaker 3: not gonna make its.

830
00:40:06,400 --> 00:40:08,799
Speaker 1: Best They weren't expecting it to make its money back though.

831
00:40:08,840 --> 00:40:11,879
Speaker 3: Yeah. It is an R rated action comedy in sci fi,

832
00:40:12,480 --> 00:40:14,759
Speaker 3: running two hours and fourteen minutes, so it's on the

833
00:40:14,760 --> 00:40:18,359
Speaker 3: long end. However, on roddy teazgu eighty two percent from

834
00:40:18,360 --> 00:40:21,520
Speaker 3: the critics, eighty six percent from the audience, by far

835
00:40:21,600 --> 00:40:24,359
Speaker 3: the best movie we're talking about today. Sons Project Hell

836
00:40:24,400 --> 00:40:27,720
Speaker 3: Mary on Metacritic of sixty six. This movie is written

837
00:40:27,760 --> 00:40:31,480
Speaker 3: by Matthew Robinson, who wrote the invention of Lying Monster Trucks,

838
00:40:31,800 --> 00:40:35,120
Speaker 3: Door on the Lost City of Gold, Loved Monsters, Very

839
00:40:35,160 --> 00:40:38,919
Speaker 3: weird writing history for him upcoming, He's got four things

840
00:40:38,960 --> 00:40:41,800
Speaker 3: on the slate, well, two confirmed, two not so confirmed.

841
00:40:42,080 --> 00:40:45,280
Speaker 3: Four Kids Walk into a Bank eleven eighty one seven,

842
00:40:45,520 --> 00:40:47,880
Speaker 3: and he was the writer attached to the Patty Jenkins

843
00:40:47,920 --> 00:40:51,480
Speaker 3: star Wars Rogue Squadron movie that was Alive, Dead, Killed back.

844
00:40:51,520 --> 00:40:54,040
Speaker 3: Who knows where that's at? And he's also signed on

845
00:40:54,200 --> 00:40:58,080
Speaker 3: to the Live Dive Repeat sequel Live Dive, Repeat and Repeat.

846
00:40:58,280 --> 00:41:02,280
Speaker 3: How about that working title. This movie's directed by Gored Verbinski,

847
00:41:02,360 --> 00:41:05,440
Speaker 3: who also has a very curious history. He was the

848
00:41:05,480 --> 00:41:09,040
Speaker 3: director of mouse Hunt, The Ring Three Pirates movies, Curse

849
00:41:09,080 --> 00:41:11,279
Speaker 3: of the Black Pearl, dead Man's Chests, at World's End,

850
00:41:11,800 --> 00:41:14,839
Speaker 3: Rango The Lone Ranger, which was terrible and a Cure

851
00:41:14,880 --> 00:41:17,520
Speaker 3: for Wellness. He hasn't directed a movie in like seven

852
00:41:17,600 --> 00:41:20,680
Speaker 3: years ago. He comes back to direct Sam Rockwell in

853
00:41:20,719 --> 00:41:24,160
Speaker 3: this I have not seen it, you have, so I'm

854
00:41:24,280 --> 00:41:27,920
Speaker 3: curious what your thoughts are. Synopsis. A Man from the

855
00:41:27,920 --> 00:41:30,560
Speaker 3: Future arrives at a diner in la where he must

856
00:41:30,600 --> 00:41:34,520
Speaker 3: recruit the precise combination of disgruntled patrons to join him

857
00:41:34,719 --> 00:41:37,080
Speaker 3: on a one night quest to save the world from

858
00:41:37,120 --> 00:41:40,800
Speaker 3: the terminal threat of a rogue artificial intelligence. Once again,

859
00:41:40,840 --> 00:41:44,280
Speaker 3: Sam Rockwell stars as the Man from the Future.

860
00:41:44,480 --> 00:41:46,480
Speaker 1: Spoiler free here very very quickly.

861
00:41:47,000 --> 00:41:51,040
Speaker 2: I enjoyed this movie, but it felt like a bad

862
00:41:51,120 --> 00:41:53,000
Speaker 2: episode of Black Mirror.

863
00:41:53,280 --> 00:41:55,760
Speaker 3: Oh, a bad episode of Black Marriage.

864
00:41:55,760 --> 00:41:58,560
Speaker 2: No, I'm sorry, sorry, sorry, A middling episode of Black Mirror.

865
00:41:58,719 --> 00:42:01,319
Speaker 3: Okay, all right, you didn't regret watching one.

866
00:42:01,320 --> 00:42:03,800
Speaker 2: I didn't regret watching, but not one of their better ones.

867
00:42:03,880 --> 00:42:06,719
Speaker 2: I think that anytime Sam Rockwell's character is not on

868
00:42:06,760 --> 00:42:09,320
Speaker 2: the screen, you're asking everyone else in the room, I

869
00:42:09,320 --> 00:42:10,640
Speaker 2: wonder where Sam Rockwell went.

870
00:42:11,400 --> 00:42:13,600
Speaker 3: Well, I was gonna ask you, Giu, And now it's

871
00:42:13,640 --> 00:42:15,640
Speaker 3: a dumb question considering what you just said. But I

872
00:42:15,680 --> 00:42:17,680
Speaker 3: was gonna say this or Project kil Mary.

873
00:42:17,440 --> 00:42:20,520
Speaker 2: Oh, Project heil Mary easily. I feel like when they're

874
00:42:20,560 --> 00:42:24,439
Speaker 2: giving the backstories to the other characters and why they're

875
00:42:24,480 --> 00:42:27,279
Speaker 2: being selected to go on this mission, it takes a

876
00:42:27,360 --> 00:42:31,360
Speaker 2: long time to get through those. They're okay, there's an

877
00:42:31,440 --> 00:42:35,320
Speaker 2: interesting little story that goes with the Juno Temple character

878
00:42:35,400 --> 00:42:37,880
Speaker 2: that I thought there was a funny line with it,

879
00:42:37,960 --> 00:42:40,400
Speaker 2: but they could have gone a little differently at the

880
00:42:40,520 --> 00:42:42,840
Speaker 2: end with it. I liked it, didn't love it. I

881
00:42:42,880 --> 00:42:45,440
Speaker 2: think it is a wait until it's available for free

882
00:42:45,480 --> 00:42:46,719
Speaker 2: on a streamer and check it out.

883
00:42:46,960 --> 00:42:49,319
Speaker 3: All right, Yeah, that's I'm gonna get to it in

884
00:42:49,360 --> 00:42:51,320
Speaker 3: the next week or two. Like you said, you know,

885
00:42:51,440 --> 00:42:54,120
Speaker 3: Juno Temple's in here. Haleelu Richardson, who I really like

886
00:42:54,360 --> 00:42:57,560
Speaker 3: Michael Painiez as he beats so does have a decent cast.

887
00:42:57,600 --> 00:43:00,800
Speaker 3: I probably will enjoy it if it's in the right setting,

888
00:43:01,200 --> 00:43:03,360
Speaker 3: but I think this is another one not quite on

889
00:43:03,840 --> 00:43:06,919
Speaker 3: how to make a killing level, where the promise outweighed

890
00:43:07,040 --> 00:43:09,919
Speaker 3: what we actually got, which is disappointing because the teas

891
00:43:09,960 --> 00:43:13,600
Speaker 3: for the movie was so great. All right, quick, catch

892
00:43:13,600 --> 00:43:15,960
Speaker 3: you up on some quick TV. What have you been

893
00:43:16,000 --> 00:43:19,200
Speaker 3: watching lately? For some reason, Good doesn't watch television anymore.

894
00:43:19,239 --> 00:43:21,960
Speaker 3: He was the TV guy once upon a time. I

895
00:43:22,000 --> 00:43:24,719
Speaker 3: finished Fallout season two, as everyone did a few weeks back.

896
00:43:25,440 --> 00:43:28,400
Speaker 3: I think it was a little underwhelming, not up to

897
00:43:28,480 --> 00:43:31,560
Speaker 3: snuff with the quality of season one. I know they're

898
00:43:31,600 --> 00:43:34,000
Speaker 3: world building and widening things, but I was kind of

899
00:43:34,000 --> 00:43:37,040
Speaker 3: disappointed on it. I would be surprised if I don't

900
00:43:37,040 --> 00:43:40,560
Speaker 3: watch another episode of that show, and I would. I

901
00:43:40,560 --> 00:43:43,920
Speaker 3: would be too upset about that. I'm also fucking balls

902
00:43:43,960 --> 00:43:46,560
Speaker 3: deep in the Pit Goo. The Pit's gotten a lot

903
00:43:46,600 --> 00:43:49,840
Speaker 3: of love this year for season one. I finished season

904
00:43:49,880 --> 00:43:52,680
Speaker 3: one a couple weeks ago, two episodes into season two.

905
00:43:53,280 --> 00:43:56,319
Speaker 3: It's the best show on television. It's about an er

906
00:43:56,560 --> 00:43:59,640
Speaker 3: in Pittsburgh. It's a teaching hospital. I started having some

907
00:44:00,520 --> 00:44:02,680
Speaker 3: knowledge of those settings, and I was like kind of

908
00:44:02,680 --> 00:44:05,120
Speaker 3: snobby about it, didn't care about it about it, and

909
00:44:05,120 --> 00:44:07,279
Speaker 3: then by the end of the first season, I wanted more.

910
00:44:07,320 --> 00:44:09,799
Speaker 3: I wanted so much more. I'm so in on it.

911
00:44:09,880 --> 00:44:12,239
Speaker 3: So if you're watching the Pit, let me know. I

912
00:44:12,239 --> 00:44:14,080
Speaker 3: do think it's the best show on TV right now.

913
00:44:14,640 --> 00:44:19,640
Speaker 3: Qu Survivor Season fifty premiered this past couple weeks. I

914
00:44:19,640 --> 00:44:22,120
Speaker 3: think second episode just came out last night. It's a

915
00:44:22,120 --> 00:44:24,279
Speaker 3: pretty good cast, pretty good cast. Think it's gonna be

916
00:44:24,320 --> 00:44:27,479
Speaker 3: a really strong season. So if you're watching Survivor, feel

917
00:44:27,520 --> 00:44:30,279
Speaker 3: free to tweet at me in an alternate timeline. I

918
00:44:30,320 --> 00:44:33,080
Speaker 3: have a very popular Survivor podcast. I don't know what

919
00:44:33,120 --> 00:44:36,120
Speaker 3: timeline that is, but that's the only Survivor's the only

920
00:44:36,160 --> 00:44:37,800
Speaker 3: thing I would like to talk about on a weekly

921
00:44:37,840 --> 00:44:41,239
Speaker 3: basis that's not movies. So I like that. And then

922
00:44:41,280 --> 00:44:43,920
Speaker 3: gou one final teas. We opened with a teas for

923
00:44:44,080 --> 00:44:47,160
Speaker 3: you on hashtag dork this week, We'll close. I was

924
00:44:47,200 --> 00:44:50,000
Speaker 3: also on hashtag dork this week with Adam Jones and

925
00:44:50,120 --> 00:44:53,439
Speaker 3: Christopher schi and we were talking The Traders Season four,

926
00:44:54,160 --> 00:44:58,600
Speaker 3: wildly entertaining season of television. If you're into reality TV, competition,

927
00:44:58,680 --> 00:45:01,760
Speaker 3: reality TV and shit like that. I highly recommend watching

928
00:45:02,120 --> 00:45:04,120
Speaker 3: The Traders and listening to that episode.

929
00:45:04,160 --> 00:45:07,319
Speaker 2: I also listened to the entire Johnny Knoxville interview with

930
00:45:07,400 --> 00:45:10,399
Speaker 2: Conan O'Brien earlier in the week, and he said that

931
00:45:10,440 --> 00:45:13,360
Speaker 2: he's been trying to pitch Traders on a Jackass season.

932
00:45:13,560 --> 00:45:17,560
Speaker 3: The great thing about Traders is you can take that

933
00:45:17,719 --> 00:45:20,760
Speaker 3: format or something like it and drop it into any

934
00:45:20,880 --> 00:45:24,440
Speaker 3: sort of group like Jackass and it would be wildly entertaining.

935
00:45:24,719 --> 00:45:27,160
Speaker 2: Also, much like I said in News Dump, I recommend

936
00:45:27,280 --> 00:45:29,400
Speaker 2: I believe the third episode might be out by now,

937
00:45:29,440 --> 00:45:31,080
Speaker 2: but the revival of Scrubs.

938
00:45:31,560 --> 00:45:34,000
Speaker 3: Okay, okay, I'm not gonna recommend that.

939
00:45:39,480 --> 00:45:41,160
Speaker 1: Let's get into.

940
00:45:42,360 --> 00:45:45,680
Speaker 2: Maxack and Maxak could be anything. It could be a

941
00:45:45,719 --> 00:45:49,840
Speaker 2: boat and mac. I was suggested a real on social

942
00:45:49,880 --> 00:45:53,600
Speaker 2: media of the Dudes on Dudes podcast, that is Julian

943
00:45:53,760 --> 00:45:58,719
Speaker 2: Edelman and Rob Gronkowski of Edelman asking Gronkowski what is

944
00:45:58,920 --> 00:46:02,960
Speaker 2: favorite Asian food. After Gronk had a second to think

945
00:46:02,960 --> 00:46:07,000
Speaker 2: about what Asia is and Damman told him like China,

946
00:46:07,200 --> 00:46:09,480
Speaker 2: they eventually got into the conversation of what their favorite

947
00:46:09,520 --> 00:46:11,920
Speaker 2: Asian food is. I want to ask you because you

948
00:46:12,080 --> 00:46:14,440
Speaker 2: are the king of pad Thai, I am. Can you

949
00:46:14,560 --> 00:46:19,120
Speaker 2: please rank your favorite Asian foods. I'm saying, like the

950
00:46:19,160 --> 00:46:24,319
Speaker 2: big general Chinese, Japanese, Vietnamese, and then I'll just I'll

951
00:46:24,320 --> 00:46:25,680
Speaker 2: do some Filipino stuff after.

952
00:46:25,840 --> 00:46:29,360
Speaker 3: Okay, So at the bottom for me is Indian food.

953
00:46:29,440 --> 00:46:32,160
Speaker 3: It's too spicy. I haven't tried enough of it. It's

954
00:46:32,200 --> 00:46:34,600
Speaker 3: more my ignorance to it because the spice level has

955
00:46:34,600 --> 00:46:37,080
Speaker 3: turned me off to it. So it's just not it's

956
00:46:37,080 --> 00:46:37,600
Speaker 3: not my thing.

957
00:46:37,640 --> 00:46:38,560
Speaker 1: But they have none.

958
00:46:38,680 --> 00:46:39,560
Speaker 3: It's not what I do love.

959
00:46:39,600 --> 00:46:40,560
Speaker 1: Not nine is the best.

960
00:46:40,760 --> 00:46:43,840
Speaker 3: It's just not my thing. Next up, I guess Korean.

961
00:46:44,000 --> 00:46:47,480
Speaker 3: I like Korean food, but specifically Korean fried chicken is

962
00:46:47,560 --> 00:46:50,040
Speaker 3: so good. I don't really dive into too much of

963
00:46:50,120 --> 00:46:53,759
Speaker 3: Korean food though, so that's gotta be next. Now it's

964
00:46:53,840 --> 00:46:56,440
Speaker 3: tough though. So you have Chinese food, Thai food, pad Thai,

965
00:46:56,960 --> 00:47:00,719
Speaker 3: Japanese sushi, and Vietnamese A Bond sandwiches.

966
00:47:00,840 --> 00:47:02,040
Speaker 1: Fucking they're so good.

967
00:47:02,160 --> 00:47:08,080
Speaker 3: It's so good. That would be my mount rushmore Chinese, Thie, Japanese, Vietnamese.

968
00:47:08,800 --> 00:47:12,840
Speaker 3: Chinese has the most versatility or the wider amount of options.

969
00:47:12,880 --> 00:47:16,120
Speaker 3: I guess at least here state side Japanese. There's a

970
00:47:16,120 --> 00:47:20,560
Speaker 3: lot of options too. I'm really been on a sushi kick,

971
00:47:20,600 --> 00:47:27,359
Speaker 3: so I I i'd go Japanese one, Chinese two. I

972
00:47:27,360 --> 00:47:31,160
Speaker 3: guess three would be tie for pad Thai, and then

973
00:47:31,320 --> 00:47:34,560
Speaker 3: Vietnamese would be four. But I love about a bondomme sandwich,

974
00:47:34,760 --> 00:47:36,560
Speaker 3: Korean five, Indians six.

975
00:47:36,640 --> 00:47:39,239
Speaker 2: Yeah, I think, and granted I love Vietnamese food. I

976
00:47:39,280 --> 00:47:43,759
Speaker 2: think i'd have that closer to the bottom. Korean. There's

977
00:47:43,800 --> 00:47:46,880
Speaker 2: a lot of Korean places by where I live. The

978
00:47:46,960 --> 00:47:50,000
Speaker 2: Korean fried chicken is awesome. There's an amazing it's a

979
00:47:50,040 --> 00:47:54,640
Speaker 2: fusion of Korean and Mexican by my house, so they make.

980
00:47:55,440 --> 00:47:57,880
Speaker 3: Are for Asian and Asian fusion foods.

981
00:47:58,120 --> 00:48:01,200
Speaker 2: Indian I only have certain days there, but I love

982
00:48:01,320 --> 00:48:04,400
Speaker 2: chicken Tika masala. I love non. I can eat just

983
00:48:04,640 --> 00:48:07,040
Speaker 2: bowls of that and the sauce I asked for as

984
00:48:07,080 --> 00:48:09,640
Speaker 2: spicy as possible. Try and kill me, do your best,

985
00:48:10,040 --> 00:48:10,759
Speaker 2: it will kill me.

986
00:48:10,920 --> 00:48:13,200
Speaker 1: Thai food. I really only eat pad Thai.

987
00:48:13,440 --> 00:48:17,000
Speaker 3: Yeah, but it's versatile and it's so good, and I

988
00:48:17,080 --> 00:48:18,040
Speaker 3: just love bad tie.

989
00:48:18,080 --> 00:48:23,760
Speaker 2: I might slip Filipino right around here. Granted, I usually

990
00:48:23,800 --> 00:48:26,279
Speaker 2: only like my mother in law's food because then when

991
00:48:26,320 --> 00:48:29,040
Speaker 2: I try other people's food. When it's the same dish,

992
00:48:29,080 --> 00:48:31,640
Speaker 2: I don't like it. So maybe it's very specific to

993
00:48:31,680 --> 00:48:36,160
Speaker 2: how she makes her synegang or her chicken adobo. Actually,

994
00:48:36,239 --> 00:48:39,640
Speaker 2: chicken adobo is good everywhere. I will say that. But also,

995
00:48:39,800 --> 00:48:42,040
Speaker 2: and she doesn't really make this, But I love sissig,

996
00:48:42,520 --> 00:48:47,120
Speaker 2: which is it's pig jowl mixed with onions, egg.

997
00:48:47,360 --> 00:48:50,520
Speaker 1: It's really, it's really really, it's very crunchy. It's delicious.

998
00:48:50,680 --> 00:48:52,680
Speaker 3: I'm a big texture guy when it comes to food.

999
00:48:52,680 --> 00:48:54,040
Speaker 1: By the way, sometimes you get little bit of bone

1000
00:48:54,040 --> 00:48:55,839
Speaker 1: in there, a little bit of cartilage.

1001
00:48:55,400 --> 00:48:58,360
Speaker 3: The right textures. It makes or breaks the dish.

1002
00:48:58,520 --> 00:49:00,000
Speaker 1: Chinese, but it's very hit or.

1003
00:49:00,800 --> 00:49:02,520
Speaker 3: I mean that's true. But when it's at its best,

1004
00:49:02,840 --> 00:49:03,960
Speaker 3: you really can't beat it.

1005
00:49:04,120 --> 00:49:06,759
Speaker 1: Then we look at do I only have Japanese left?

1006
00:49:06,920 --> 00:49:07,160
Speaker 3: Yeah?

1007
00:49:07,239 --> 00:49:08,440
Speaker 1: Yeah, Japanese is number one.

1008
00:49:08,440 --> 00:49:13,240
Speaker 3: I love sushi and Japanese versus Chinese. The Japanese cuisine

1009
00:49:13,239 --> 00:49:15,560
Speaker 3: feels a little lighter than the Chinese cuisine, so you

1010
00:49:15,640 --> 00:49:17,800
Speaker 3: don't feel as shitty after you eat it.

1011
00:49:17,880 --> 00:49:20,480
Speaker 2: Taraiaki chicken, you go to the mall and you get

1012
00:49:20,520 --> 00:49:22,280
Speaker 2: free samples of taraiaki chicken.

1013
00:49:22,600 --> 00:49:24,760
Speaker 1: Living like a king. Terry as okay.

1014
00:49:24,800 --> 00:49:29,719
Speaker 2: So mine was Vietnamese, Korean, Indian, Thai, Filipino and you

1015
00:49:29,719 --> 00:49:33,279
Speaker 2: can probably flip those. Actually Chinese Japanese you have, we get.

1016
00:49:33,200 --> 00:49:39,839
Speaker 3: The same top two. I went Indian, Korean, Vietnamese, Thai, Chinese, Japanese. Mac.

1017
00:49:39,920 --> 00:49:41,080
Speaker 1: Where can the people find us?

1018
00:49:41,160 --> 00:49:43,759
Speaker 3: You can find us on x and on Instagram, at

1019
00:49:43,840 --> 00:49:46,839
Speaker 3: Mac and Goo podcast every other platform where you're Mac

1020
00:49:46,920 --> 00:49:50,399
Speaker 3: ampersan gou, Mac Shift seven gou that includes Facebook, Stitcher,

1021
00:49:50,400 --> 00:49:51,279
Speaker 3: tuning castworks.

1022
00:49:51,000 --> 00:49:52,520
Speaker 1: For your Google Play, iHeartRadio.

1023
00:49:52,760 --> 00:49:55,200
Speaker 3: We're on Spotify. More importantly, Apple podcasts. Get on there,

1024
00:49:55,239 --> 00:49:57,920
Speaker 3: rate review, subscribe five stars. If you do that, we'll

1025
00:49:57,920 --> 00:50:00,000
Speaker 3: get you a free T shirt in an alternate time

1026
00:50:00,080 --> 00:50:01,040
Speaker 3: line of the met.

1027
00:50:01,040 --> 00:50:02,839
Speaker 1: Oh, we don't have any t shirts. Don't expect it

1028
00:50:02,880 --> 00:50:04,080
Speaker 1: from Watertown Sports Where.

1029
00:50:04,080 --> 00:50:07,759
Speaker 3: That's Watertown Sports Where thirty four on Auburn Street in Watertown.

1030
00:50:07,920 --> 00:50:11,320
Speaker 3: Watertown Sports dot com experts, green printing and embroidered.

1031
00:50:10,960 --> 00:50:15,280
Speaker 2: Tepublic dot com mercer. We're gonna have the awards next week.

1032
00:50:15,640 --> 00:50:17,160
Speaker 2: We're gonna do it.

1033
00:50:17,160 --> 00:50:19,480
Speaker 3: It works because the the oscars are a couple of

1034
00:50:19,480 --> 00:50:20,120
Speaker 3: weeks exactly.

1035
00:50:20,200 --> 00:50:22,560
Speaker 2: But I think it's actually the Sunday after we put

1036
00:50:22,560 --> 00:50:25,440
Speaker 2: out the awards, so we need to do it for

1037
00:50:25,520 --> 00:50:25,960
Speaker 2: next week.

1038
00:50:26,000 --> 00:50:27,919
Speaker 3: It's our money and we need it now.

1039
00:50:28,200 --> 00:50:30,359
Speaker 2: I can't record it here at work because it's gonna

1040
00:50:30,360 --> 00:50:32,759
Speaker 2: be a seven hour podcast and people are gonna start talking.

1041
00:50:32,800 --> 00:50:34,319
Speaker 3: I get a busy night life these days.

1042
00:50:34,760 --> 00:50:39,440
Speaker 2: I sleep. I played Pokemon fire Red. That's all I

1043
00:50:39,480 --> 00:50:39,960
Speaker 2: do at night.

1044
00:50:40,480 --> 00:50:43,440
Speaker 3: I was up to midnight playing Pokemon Leaf Green night.

1045
00:50:44,120 --> 00:50:45,759
Speaker 3: So if you got if you guys are playing, if

1046
00:50:45,800 --> 00:50:47,480
Speaker 3: you're playing fire Red and leaf Green on the Switch,

1047
00:50:47,600 --> 00:50:50,840
Speaker 3: tweet us your teams. I'm I good.

1048
00:50:50,719 --> 00:50:55,600
Speaker 1: And I are talking strategy. It's all about strategy now.

1049
00:50:57,000 --> 00:50:59,719
Speaker 3: But now you're your next playthrough. I also think what

1050
00:50:59,800 --> 00:51:02,719
Speaker 3: I realized, so on the original versions you could have

1051
00:51:02,760 --> 00:51:05,200
Speaker 3: three save files on the game Boy. I think on

1052
00:51:05,280 --> 00:51:07,400
Speaker 3: Switch you just have to create a new profile and

1053
00:51:07,440 --> 00:51:08,160
Speaker 3: then start the game.

1054
00:51:08,239 --> 00:51:10,480
Speaker 2: I have three profiles. I have mine, my wife's, and

1055
00:51:10,520 --> 00:51:13,080
Speaker 2: my sons. So if I'll probably first off, because I

1056
00:51:13,120 --> 00:51:15,319
Speaker 2: kind of hijacked his game, yeah, I'll probably just start

1057
00:51:15,360 --> 00:51:16,799
Speaker 2: a new game for him on his own page.

1058
00:51:16,880 --> 00:51:22,120
Speaker 1: Yeah alright, so te uh the Tuesdays or Goosdays?

1059
00:51:22,160 --> 00:51:27,520
Speaker 2: I abuse kangaroos, Dam Martin Bye.

1060
00:51:30,680 --> 00:51:33,280
Speaker 1: Please flip the cassette over to side B to continue

1061
00:51:33,280 --> 00:51:35,919
Speaker 1: the adventure. Now it's time for girls jumping on trim

1062
00:51:35,960 --> 00:51:36,760
Speaker 1: Papa Line's