1 00:00:00,160 --> 00:00:02,400 Speaker 1: We like to hop. We like to hop on top 2 00:00:02,440 --> 00:00:05,480 Speaker 1: of pop. Stop you must not hop on pop. 3 00:00:05,760 --> 00:00:08,960 Speaker 2: I'm DJ Quaals, I'm on the list by Homeland. 4 00:00:08,960 --> 00:00:10,200 Speaker 1: It killed me wife and took me. 5 00:00:10,280 --> 00:00:13,640 Speaker 2: Son, getlemourn some Lisagnya. 6 00:00:13,480 --> 00:00:16,360 Speaker 1: And Jabo's beefy will Boy, all. 7 00:00:16,239 --> 00:00:20,960 Speaker 2: Of that and so much more. Hair on news. Duh, 8 00:00:21,120 --> 00:00:23,279 Speaker 2: that's our new headline battle. Tell us who did better? 9 00:00:23,320 --> 00:00:26,440 Speaker 2: Within there you go, not reading the same headlines? 10 00:00:26,440 --> 00:00:31,800 Speaker 1: Put in keeping you alive on this beautiful spring Daego. 11 00:00:32,040 --> 00:00:34,279 Speaker 1: I don't think it's quite spring yet, but it has 12 00:00:34,320 --> 00:00:35,880 Speaker 1: a very spring feeling today. 13 00:00:36,000 --> 00:00:38,640 Speaker 2: I think next time you'll write your own, I'll write 14 00:00:38,640 --> 00:00:41,080 Speaker 2: my own, and then we'll go for it. Okay, all right, 15 00:00:41,120 --> 00:00:44,000 Speaker 2: but then again we might write the same topic. 16 00:00:43,840 --> 00:00:45,920 Speaker 1: Which would be awesome if we don't pick. 17 00:00:45,800 --> 00:00:47,880 Speaker 2: Up on that, because two of these are actually the 18 00:00:47,920 --> 00:00:51,280 Speaker 2: same topic. Anyways, Okay, sure good enough. DJ Qualls was 19 00:00:51,280 --> 00:00:53,000 Speaker 2: in the Britney Spears Boys. 20 00:00:52,640 --> 00:00:57,720 Speaker 1: Song What's Wait? What song about boys? Oh? That's like 21 00:00:57,800 --> 00:01:00,360 Speaker 1: a c D Taier quality Britney's. 22 00:01:00,320 --> 00:01:02,880 Speaker 2: DJ Qualism on the list I thought you meant I'm 23 00:01:03,000 --> 00:01:08,360 Speaker 2: not a good that's a good one. Obviously, was Lucky 24 00:01:08,440 --> 00:01:10,880 Speaker 2: on the same album. 25 00:01:11,120 --> 00:01:12,759 Speaker 1: Yeah, those were both off the second album. 26 00:01:12,920 --> 00:01:15,920 Speaker 2: Yeah, Lucky's a great Well, she's so lucky, she's a star. 27 00:01:17,760 --> 00:01:20,520 Speaker 1: I mean, though that might have coincided with Crossroads, it 28 00:01:20,560 --> 00:01:21,520 Speaker 1: was right around that time. 29 00:01:21,560 --> 00:01:24,880 Speaker 2: Oh, and that is the era of the Lowest of Jeans. 30 00:01:24,959 --> 00:01:27,520 Speaker 1: We're talking Zoe Saldana, We're talking. 31 00:01:27,680 --> 00:01:30,640 Speaker 2: The Pensacola and Orange is the New Black. 32 00:01:30,760 --> 00:01:33,880 Speaker 1: Yeah, and Jimmy Rabbit's fucking ex girlfriend in eight Mile. 33 00:01:34,240 --> 00:01:35,479 Speaker 1: And then who was the third one? 34 00:01:36,600 --> 00:01:41,959 Speaker 2: Dan Aykroyd, he was the dad, Kim Cattrell. 35 00:01:41,600 --> 00:01:44,640 Speaker 1: The mom, she was the mom. I do recall that. Mac. 36 00:01:44,720 --> 00:01:48,480 Speaker 2: I'm so fucking sleepy right now. I spent so much 37 00:01:48,480 --> 00:01:52,200 Speaker 2: of my late Sunday on daylight savings time as well, 38 00:01:52,280 --> 00:01:55,640 Speaker 2: so lost an hour of sleep. And then we decided 39 00:01:55,680 --> 00:01:57,880 Speaker 2: to get my son a new bed set. It's a 40 00:01:57,920 --> 00:02:01,640 Speaker 2: bunk bed. It's fucking dope. I don't regret that, but 41 00:02:02,040 --> 00:02:04,360 Speaker 2: I had to take apart his old bed build his 42 00:02:04,400 --> 00:02:07,200 Speaker 2: new bed. That is a bunk bed, a dresser, not 43 00:02:07,240 --> 00:02:09,679 Speaker 2: a dresser, like a locker kind of, and then a desk. 44 00:02:09,760 --> 00:02:10,600 Speaker 1: It's a lofted. 45 00:02:10,840 --> 00:02:12,960 Speaker 2: It's a lofted, but it's not really a bunk bed. 46 00:02:13,000 --> 00:02:14,720 Speaker 1: It's like the college set up where you got everything 47 00:02:14,800 --> 00:02:17,440 Speaker 1: underneath the bed beds, like six feet off the ground. 48 00:02:17,520 --> 00:02:20,799 Speaker 2: While buying it, I'm at Ikea, it's a good one. 49 00:02:20,840 --> 00:02:23,160 Speaker 2: Don't fucking brinkle your eye. 50 00:02:23,160 --> 00:02:24,600 Speaker 1: Hate Ikea, hate Ikea. 51 00:02:24,760 --> 00:02:27,600 Speaker 2: I like it. But I was down there and they're like, okay, 52 00:02:27,680 --> 00:02:29,840 Speaker 2: so you want this set, and then you want these 53 00:02:29,880 --> 00:02:32,880 Speaker 2: fourteen pieces, And I'm like, are they gonna give me 54 00:02:32,960 --> 00:02:35,639 Speaker 2: these fourteen pieces when I pay? They said, no, no, 55 00:02:35,680 --> 00:02:37,760 Speaker 2: you ady, you have to go to the warehouse and 56 00:02:37,760 --> 00:02:38,720 Speaker 2: look for these pieces. 57 00:02:38,880 --> 00:02:39,560 Speaker 1: Fuck out of here. 58 00:02:39,600 --> 00:02:42,680 Speaker 2: With that, I said, I am overwhelmed. Please send someone over. 59 00:02:42,960 --> 00:02:45,400 Speaker 1: I'm paying you hundreds of dollars. You can't at least 60 00:02:45,400 --> 00:02:47,680 Speaker 1: give me a little fucking baggy with all the screws. 61 00:02:47,760 --> 00:02:48,960 Speaker 1: Get the fuck out of here. 62 00:02:48,880 --> 00:02:50,760 Speaker 2: All the pieces of what I don't know what goes 63 00:02:50,800 --> 00:02:54,400 Speaker 2: to this set. Yeah, come on, Ile thirty five, box 64 00:02:54,480 --> 00:02:58,280 Speaker 2: thirty four, aisle thirty six. But no, and then while 65 00:02:58,280 --> 00:03:01,160 Speaker 2: they're doing this, we forgot to get one of the pieces. 66 00:03:01,160 --> 00:03:03,560 Speaker 2: So while I'm checking out, they're like, okay, you only 67 00:03:03,600 --> 00:03:07,000 Speaker 2: have thirteen of the fourteen pieces you need. You should 68 00:03:07,000 --> 00:03:09,839 Speaker 2: go back and find the other one. Like, which one 69 00:03:09,880 --> 00:03:10,679 Speaker 2: do I need? But you? 70 00:03:10,880 --> 00:03:11,440 Speaker 1: How about you? 71 00:03:11,680 --> 00:03:14,760 Speaker 2: Yeah? I said, I'm once again, I am overwhelmed. Please 72 00:03:14,840 --> 00:03:17,079 Speaker 2: figure this out for me. I'm giving you a lot 73 00:03:17,120 --> 00:03:20,280 Speaker 2: of money, Please figure this out for me. I go home, 74 00:03:20,360 --> 00:03:24,400 Speaker 2: I build it, and because Ikea, every piece of wood, 75 00:03:24,520 --> 00:03:28,560 Speaker 2: every screw looks the exact same. I misused a screw 76 00:03:29,280 --> 00:03:32,240 Speaker 2: and now I'm up Shit's creek a minus two screws 77 00:03:32,280 --> 00:03:33,680 Speaker 2: in my final stretch run. 78 00:03:33,880 --> 00:03:38,120 Speaker 1: I like the idea. The premise of Ikea makes sense. 79 00:03:38,360 --> 00:03:41,440 Speaker 1: You know, it's direct to consumer, build your own furniture 80 00:03:41,440 --> 00:03:47,240 Speaker 1: for cheaper than buying built furniture. But them creating every 81 00:03:47,360 --> 00:03:52,600 Speaker 1: single possible combination of a screw or fastener is fucking insane. 82 00:03:53,040 --> 00:03:56,280 Speaker 1: Create your intricate furniture, but with regular shit. So I 83 00:03:56,280 --> 00:03:58,400 Speaker 1: can go down to the local home depot and buy 84 00:03:58,400 --> 00:03:58,960 Speaker 1: a replacement. 85 00:03:59,040 --> 00:04:01,840 Speaker 2: It's one of them screw It was like quarter inch 86 00:04:01,920 --> 00:04:06,120 Speaker 2: of thread, and that inch of where you insert another 87 00:04:06,200 --> 00:04:10,680 Speaker 2: screw that clings onto it and tightens the furniture too much. 88 00:04:10,840 --> 00:04:15,240 Speaker 2: I confusingly use that piece instead of a slightly thicker 89 00:04:15,760 --> 00:04:18,560 Speaker 2: one of those screws, and now I have the thicker 90 00:04:18,560 --> 00:04:20,479 Speaker 2: one that does not fit in what I need. 91 00:04:21,320 --> 00:04:23,160 Speaker 1: So that's what she said, Are you gonna? Has this 92 00:04:23,240 --> 00:04:25,440 Speaker 1: been Osha approved is RAFFI able to climb up on 93 00:04:25,480 --> 00:04:26,200 Speaker 1: that thing yet. 94 00:04:26,040 --> 00:04:28,480 Speaker 2: I've already climbed up myself. I rolled around a bit. 95 00:04:28,839 --> 00:04:32,400 Speaker 2: The rail is five inches above where the betting is. 96 00:04:32,560 --> 00:04:36,159 Speaker 2: That is the legal limit of what it is. I might, 97 00:04:36,880 --> 00:04:39,680 Speaker 2: I might create my own little extra couple inches. I 98 00:04:39,680 --> 00:04:40,320 Speaker 2: don't know yet. 99 00:04:40,360 --> 00:04:42,440 Speaker 1: I don't think he's fucking rolling over like a speed 100 00:04:42,480 --> 00:04:43,520 Speaker 1: bumping onto the ground. 101 00:04:43,600 --> 00:04:45,520 Speaker 2: Well, he's slept in my bed last night, and he 102 00:04:45,640 --> 00:04:47,680 Speaker 2: spins around in a circle taking my blanket. 103 00:04:47,760 --> 00:04:51,320 Speaker 1: And also he'll learn pretty quickly with one tumble that 104 00:04:51,440 --> 00:04:52,880 Speaker 1: I don't think I want to tumble anymore. 105 00:04:52,880 --> 00:04:55,119 Speaker 2: So the bed is at least thirteen feet off the ground. 106 00:04:55,760 --> 00:04:56,760 Speaker 1: Gets fall all the time. 107 00:04:57,240 --> 00:05:00,479 Speaker 2: So I am I'm just so fucking tired. What a 108 00:05:00,680 --> 00:05:03,039 Speaker 2: what a ridiculous task for me to take up on 109 00:05:03,080 --> 00:05:03,800 Speaker 2: a Sunday night. 110 00:05:03,960 --> 00:05:06,919 Speaker 1: I don't want to speak to your manlyhood here though, 111 00:05:07,400 --> 00:05:10,760 Speaker 1: but uh, you also don't strike me as someone who 112 00:05:12,040 --> 00:05:12,800 Speaker 1: builds furniture. 113 00:05:12,880 --> 00:05:15,960 Speaker 2: Well, iikeia is pretty simple. It's like adult legos. 114 00:05:15,800 --> 00:05:19,240 Speaker 1: Ikia somehow made a simple process complicated. 115 00:05:19,400 --> 00:05:21,680 Speaker 2: Yeah, like giving me screws that look the same. That's 116 00:05:21,680 --> 00:05:22,400 Speaker 2: not my fault. 117 00:05:22,480 --> 00:05:24,920 Speaker 1: No, no, I know, I'm just saying I don't I 118 00:05:24,960 --> 00:05:27,799 Speaker 1: don't know if I trust your furniture building experience. 119 00:05:27,440 --> 00:05:30,000 Speaker 2: And then I'm gonna personally go up. I'm gonna take 120 00:05:30,040 --> 00:05:32,320 Speaker 2: out the light fixture. I'm gonna put up another light fixture. 121 00:05:32,400 --> 00:05:34,000 Speaker 2: I'm a man, I'm forty. 122 00:05:34,520 --> 00:05:38,159 Speaker 1: I'm forty. I trust you Kaida with electrical stuff, but 123 00:05:38,680 --> 00:05:39,600 Speaker 1: I don't know carpentry. 124 00:05:39,720 --> 00:05:41,880 Speaker 2: I'm a little sure. I kind of want to end 125 00:05:41,880 --> 00:05:44,720 Speaker 2: this podcast. What the hell was that? I'm an alpha? 126 00:05:44,760 --> 00:05:47,640 Speaker 2: What are you doing to me? Why are you laughing? 127 00:05:52,000 --> 00:05:57,760 Speaker 2: News dump over the box office this weekend, Hoppers came 128 00:05:57,800 --> 00:06:01,679 Speaker 2: in first place forty six million eighty eight worldwide. Also 129 00:06:01,720 --> 00:06:04,719 Speaker 2: did quite well on roddy T's I think dual ninety 130 00:06:04,760 --> 00:06:07,000 Speaker 2: four's or at least a low ninety four now with 131 00:06:07,160 --> 00:06:10,400 Speaker 2: the critics, and then on Metacritic almost an eighty. 132 00:06:10,640 --> 00:06:14,559 Speaker 1: Yeah, this is interesting. Steal the draft for Goo. I'm 133 00:06:14,720 --> 00:06:17,599 Speaker 1: so intrigued. I know three people that saw this movie 134 00:06:17,680 --> 00:06:20,760 Speaker 1: Goop adult males, so take this at a grain of salt. 135 00:06:21,400 --> 00:06:24,320 Speaker 1: None of them liked it, so I think. And I 136 00:06:24,360 --> 00:06:27,520 Speaker 1: also read a review that said they middled it again, 137 00:06:27,600 --> 00:06:29,280 Speaker 1: like this is a movie for like ten to twelve 138 00:06:29,320 --> 00:06:32,200 Speaker 1: year olds and not really for young kids. So I 139 00:06:32,279 --> 00:06:34,560 Speaker 1: don't know why this one in particular is doing so 140 00:06:34,680 --> 00:06:37,640 Speaker 1: well because it seems like they've just done exactly what 141 00:06:38,120 --> 00:06:39,919 Speaker 1: they've done for the last ten twelve years. 142 00:06:39,960 --> 00:06:41,800 Speaker 2: I haven't seen it yet, but the blurb that I 143 00:06:41,880 --> 00:06:45,080 Speaker 2: read said, the funniest Pixar movie in years. 144 00:06:45,200 --> 00:06:47,280 Speaker 1: I'm happy you got this for a dollar. 145 00:06:47,480 --> 00:06:52,200 Speaker 2: Thank you. Screen seven dropped seventy three percent in its 146 00:06:52,240 --> 00:06:55,040 Speaker 2: second week. It is up to one hundred and fifty worldwide, 147 00:06:55,080 --> 00:06:57,839 Speaker 2: so that's pretty good. But it only made seventeen point. 148 00:06:57,600 --> 00:07:00,839 Speaker 1: Three and William Delaney has seen it for a second time, 149 00:07:00,880 --> 00:07:02,040 Speaker 1: so he's gonna keep driving. 150 00:07:02,200 --> 00:07:04,360 Speaker 2: Wait hold of them? Did he go by himself? 151 00:07:04,560 --> 00:07:05,920 Speaker 1: Oh? I didn't ask that. I don't know. 152 00:07:06,040 --> 00:07:07,800 Speaker 2: That would be my follow up. Are you going to 153 00:07:07,839 --> 00:07:10,440 Speaker 2: the same movie twice by yourself? Or is it? 154 00:07:10,480 --> 00:07:10,640 Speaker 1: Did? 155 00:07:10,800 --> 00:07:11,679 Speaker 2: Did you bring a lady? 156 00:07:11,880 --> 00:07:13,080 Speaker 1: I'm okay if you do that, as long as you're 157 00:07:13,080 --> 00:07:14,680 Speaker 1: getting popcorn, go for the popcorn. 158 00:07:14,680 --> 00:07:17,760 Speaker 2: Did he get the screen bucket? Oh, it's a pretty 159 00:07:17,760 --> 00:07:22,400 Speaker 2: good bucket. Yeah, the bride. Very confusing reviews on this 160 00:07:23,160 --> 00:07:27,680 Speaker 2: uh seven point two domestic on a production budget of 161 00:07:27,840 --> 00:07:32,520 Speaker 2: ninety million dollars. Roddy Tees has it around sixty percent, 162 00:07:32,680 --> 00:07:34,960 Speaker 2: but some are saying the movie is terrible. 163 00:07:35,200 --> 00:07:38,200 Speaker 1: It one hundred percent. Is a movie for a certain crowd, 164 00:07:38,520 --> 00:07:41,160 Speaker 1: And why you would allow a movie for a very 165 00:07:41,200 --> 00:07:45,320 Speaker 1: specific crowd a budget of ninety million, and then this. 166 00:07:45,400 --> 00:07:47,200 Speaker 1: They've been marketing the shit out of this for the 167 00:07:47,280 --> 00:07:50,440 Speaker 1: last month, six weeks, so you have to think that 168 00:07:50,480 --> 00:07:53,080 Speaker 1: the break evens around two hundred million, and this movie's 169 00:07:53,120 --> 00:07:55,480 Speaker 1: only gonna make about thirty million. They're gonna lose over 170 00:07:55,480 --> 00:07:57,600 Speaker 1: one hundred fifty million dollars on this fucking movie. 171 00:07:57,680 --> 00:08:00,360 Speaker 2: Goat still making money, still doing well. Let me go 172 00:08:00,400 --> 00:08:03,360 Speaker 2: to Wuthering Heights dropped forty four percent, down to almost 173 00:08:03,440 --> 00:08:06,080 Speaker 2: four million. It's made two thirteen worldwide. 174 00:08:06,240 --> 00:08:07,640 Speaker 1: Yep, it's been a lot of money. 175 00:08:07,680 --> 00:08:09,440 Speaker 2: What's coming out this week? Do you know anything? 176 00:08:10,120 --> 00:08:10,880 Speaker 1: That's a great question. 177 00:08:10,920 --> 00:08:13,800 Speaker 2: I don't know nothing. Pops out to me news Dope 178 00:08:14,400 --> 00:08:17,720 Speaker 2: God on trailer for the final season of The Boys, 179 00:08:17,800 --> 00:08:22,400 Speaker 2: season five. Solsia boy up in the Hope Me roll. 180 00:08:23,640 --> 00:08:26,520 Speaker 2: He's back and he's talking all sorts of He's like, hey, Homler, 181 00:08:26,680 --> 00:08:27,960 Speaker 2: get out of here. What do you do to me? 182 00:08:28,320 --> 00:08:31,800 Speaker 1: I hope this lands the plane because the Highs of 183 00:08:31,840 --> 00:08:35,360 Speaker 1: the Boys is the best thing on television. There have 184 00:08:35,480 --> 00:08:38,120 Speaker 1: been some ups and downs along the way, and I 185 00:08:38,120 --> 00:08:40,360 Speaker 1: think we kicked the can down the road in this 186 00:08:40,440 --> 00:08:44,640 Speaker 1: last in the previous season. But if this all makes 187 00:08:44,679 --> 00:08:48,640 Speaker 1: sense and it all finishes how it should or promises, 188 00:08:49,200 --> 00:08:51,800 Speaker 1: this is going to be a fantastic season of television. 189 00:08:51,880 --> 00:08:55,079 Speaker 2: Two episode premiere on the eighth of April. The finale 190 00:08:55,120 --> 00:08:58,360 Speaker 2: will be on May twentieth. What is your confidence level 191 00:08:58,440 --> 00:09:00,000 Speaker 2: heading into this final season? 192 00:09:00,960 --> 00:09:02,679 Speaker 1: How do we rank confidence levels here? 193 00:09:02,679 --> 00:09:03,880 Speaker 2: What's making up as we go? 194 00:09:04,160 --> 00:09:07,960 Speaker 1: Okay, I would say a room temperature slice of pizza 195 00:09:08,240 --> 00:09:11,920 Speaker 1: one that was really delicious when you first got it delivered, 196 00:09:12,160 --> 00:09:14,360 Speaker 1: and then twenty minutes later you're like, this is still 197 00:09:14,400 --> 00:09:16,400 Speaker 1: pretty good, but it's not out of tide. 198 00:09:16,400 --> 00:09:19,480 Speaker 2: What are you? Room temperature pizza is the worst pizza. 199 00:09:19,559 --> 00:09:21,839 Speaker 2: I would take cold pizza over that. So if you 200 00:09:21,880 --> 00:09:24,240 Speaker 2: said cold pizza sounds pretty good, there. 201 00:09:24,240 --> 00:09:26,400 Speaker 1: You're one of these cold See there's a faction. 202 00:09:26,840 --> 00:09:30,200 Speaker 2: There's a faction of cold pizza eaters. Cold is a faction. 203 00:09:30,280 --> 00:09:33,839 Speaker 1: Of cold pizza eaters. You're probably the bride people as well. 204 00:09:33,960 --> 00:09:37,000 Speaker 1: It's a really small percentage your truthers. You claim that 205 00:09:37,040 --> 00:09:38,520 Speaker 1: pizza is better cold, you're not. 206 00:09:39,200 --> 00:09:40,600 Speaker 2: You know what I said, it's better cold. 207 00:09:40,679 --> 00:09:42,600 Speaker 1: The whole state of Rhode Island too, with their fucking 208 00:09:42,640 --> 00:09:46,439 Speaker 1: bakery party pizzas bullshit, And that's just sauce and bread. 209 00:09:46,559 --> 00:09:49,680 Speaker 1: Those motherfuckers can get can get at they're at. 210 00:09:50,080 --> 00:09:52,920 Speaker 2: I never said that cold is better than hot. I 211 00:09:52,920 --> 00:09:54,679 Speaker 2: said cold better than room temperature. 212 00:09:54,800 --> 00:09:57,240 Speaker 1: I don't like your attitude in regards to cold pizza. 213 00:09:57,400 --> 00:10:00,719 Speaker 1: It listen, sauce, bread cheese is all going to be good. 214 00:10:00,720 --> 00:10:02,839 Speaker 2: Sauce, bread cheese on the scale. 215 00:10:03,200 --> 00:10:06,319 Speaker 1: Of confidence levels, cold pizzas at the bottom. 216 00:10:07,000 --> 00:10:11,680 Speaker 2: Eh. I'm looking forward to it. My expectations. I don't 217 00:10:11,679 --> 00:10:12,120 Speaker 2: want to get. 218 00:10:12,040 --> 00:10:13,840 Speaker 1: Burned again by too hot of pizza. 219 00:10:13,960 --> 00:10:17,719 Speaker 2: I don't want the pizza to be too hot. He's done. Yeah, 220 00:10:17,760 --> 00:10:21,160 Speaker 2: I would have. If there's four levels, like extremely hot pizza, 221 00:10:21,200 --> 00:10:26,800 Speaker 2: I don't want that hot. Hot's good, not too hot, 222 00:10:26,880 --> 00:10:29,679 Speaker 2: not out of the oven. I don't want to let 223 00:10:29,720 --> 00:10:32,400 Speaker 2: it cool off for seven to eight minutes. You don't 224 00:10:32,440 --> 00:10:35,040 Speaker 2: want to be doing that, but I am allowed to 225 00:10:35,040 --> 00:10:37,120 Speaker 2: give it one of these oh. 226 00:10:37,000 --> 00:10:39,760 Speaker 1: Yeah yeah, or you like right before you bite, you 227 00:10:39,800 --> 00:10:40,040 Speaker 1: do that. 228 00:10:40,640 --> 00:10:42,760 Speaker 2: You want to suck in the hot air first, sometimes 229 00:10:42,960 --> 00:10:46,199 Speaker 2: sometimes and then okay, system, We're gonna eventually teach you 230 00:10:46,240 --> 00:10:48,200 Speaker 2: guys how to eat pizza. You've been doing this for 231 00:10:48,200 --> 00:10:50,520 Speaker 2: a thousand episodes trying to figure it out. Got a 232 00:10:50,559 --> 00:10:54,520 Speaker 2: trailer for Lanterns. This is being released in August question Mark. 233 00:10:55,120 --> 00:10:57,800 Speaker 2: But we see the ring and we see the bit 234 00:10:57,800 --> 00:10:59,800 Speaker 2: of the dynamic between our two lanterns. 235 00:11:00,200 --> 00:11:04,040 Speaker 1: This show. When it was announced and the two actors, 236 00:11:04,080 --> 00:11:09,000 Speaker 1: the two leads were cast, uh what's his face? 237 00:11:09,320 --> 00:11:12,600 Speaker 2: You got that winning actor and the. 238 00:11:12,559 --> 00:11:14,160 Speaker 1: Guy whose name I don't know but I've seen in 239 00:11:14,240 --> 00:11:18,439 Speaker 1: Things per year, Yes, Pierre Garson. When these two guys 240 00:11:18,440 --> 00:11:21,080 Speaker 1: were cast and this was turned into a series and 241 00:11:21,080 --> 00:11:24,160 Speaker 1: not a show, I was like, Oh, they're gonna make 242 00:11:24,200 --> 00:11:27,520 Speaker 1: this an HBO show, Like this might be fantastic. First 243 00:11:27,600 --> 00:11:29,040 Speaker 1: trailer looks great. 244 00:11:29,160 --> 00:11:32,240 Speaker 2: I mean it's HBO, and I'm very excited about Juan Pierre. 245 00:11:35,360 --> 00:11:37,400 Speaker 2: I don't know any other pierres and we just ran 246 00:11:37,440 --> 00:11:39,280 Speaker 2: through our two. Do you know another one? 247 00:11:39,640 --> 00:11:42,360 Speaker 1: We went to sixth grade with a kid named Pierre 248 00:11:42,400 --> 00:11:44,120 Speaker 1: from the Hosmer School. You remember that kid. He was 249 00:11:44,120 --> 00:11:45,760 Speaker 1: a piece of shit. Yeah, he sucked. 250 00:11:46,840 --> 00:11:49,320 Speaker 2: Those are three peers. Throw a fourth one at us 251 00:11:49,360 --> 00:11:53,800 Speaker 2: for a mount rushmore. Juan Garsone, the kid Mac went 252 00:11:53,840 --> 00:11:56,640 Speaker 2: to school with you went to middle school. I didn't 253 00:11:56,640 --> 00:11:58,800 Speaker 2: know everyone in middle school yet. Sixth grade is a 254 00:11:58,960 --> 00:12:02,719 Speaker 2: was a learning experience? Yeah, sure it was news Dope 255 00:12:03,800 --> 00:12:07,000 Speaker 2: a trailer for In the Gray. This is a Guy 256 00:12:07,320 --> 00:12:11,560 Speaker 2: Ritchie flick being released in theaters on May fifteenth, starring 257 00:12:11,600 --> 00:12:14,920 Speaker 2: Henry Cavill, Jake jillen Hall, and Isaac go Zalez. 258 00:12:15,080 --> 00:12:18,920 Speaker 1: Isaac goon Zalez is Moy Caliente, Jake Jillenhall and Henry 259 00:12:18,960 --> 00:12:22,040 Speaker 1: Cavill very good. I'm just not a guy guy. I'm 260 00:12:22,040 --> 00:12:24,599 Speaker 1: not a richie guy like I'll see it when it 261 00:12:24,640 --> 00:12:27,160 Speaker 1: gets to streaming, which I think Guy Ritchie movies are 262 00:12:27,160 --> 00:12:29,560 Speaker 1: great streaming options, but I don't. I'm not a theater 263 00:12:29,760 --> 00:12:30,280 Speaker 1: guy guy. 264 00:12:30,360 --> 00:12:33,400 Speaker 2: So now personally I'm a shy guy. I eventually see it, 265 00:12:33,440 --> 00:12:35,480 Speaker 2: but little Timid getting in there? 266 00:12:35,600 --> 00:12:39,120 Speaker 1: Sure, sure, yeah, you gotta go with Billy news Depe. 267 00:12:39,600 --> 00:12:42,920 Speaker 2: How many times will Billy see fucking scream seven? I 268 00:12:42,960 --> 00:12:48,240 Speaker 2: don't know. Lewis Paulman says that Avengers Doomsday doesn't end 269 00:12:48,400 --> 00:12:50,720 Speaker 2: up being a cameo fest. 270 00:12:50,920 --> 00:12:54,120 Speaker 1: What did he say? Every character has their moment that 271 00:12:54,200 --> 00:12:57,040 Speaker 1: builds the dimensions of them. The Russer brothers did that 272 00:12:57,080 --> 00:12:59,679 Speaker 1: so well, they do not want anyone just sitting in 273 00:12:59,720 --> 00:13:03,600 Speaker 1: the back, no bazaars. He was interviewed for a schoir. 274 00:13:05,280 --> 00:13:07,920 Speaker 1: It does imply the way he says, this implies that 275 00:13:07,960 --> 00:13:10,680 Speaker 1: at one point it is a cameo fest, which makes 276 00:13:10,720 --> 00:13:11,559 Speaker 1: sense to right. 277 00:13:11,600 --> 00:13:14,800 Speaker 2: Well, yeah, you dump all the toys out, you separate them, 278 00:13:14,800 --> 00:13:16,720 Speaker 2: and then you say, let's figure out why they're here. 279 00:13:18,040 --> 00:13:20,520 Speaker 1: I like the ideaed up with the toy box and 280 00:13:20,559 --> 00:13:22,200 Speaker 1: then I'm sitting in the toy box to play with 281 00:13:22,240 --> 00:13:23,600 Speaker 1: the toys. So that's what I used to do. 282 00:13:26,760 --> 00:13:29,679 Speaker 2: But why would you do that? Though it's fun, it's nice, nice, 283 00:13:29,720 --> 00:13:31,360 Speaker 2: No I would I mean, I would still sit on 284 00:13:31,400 --> 00:13:32,960 Speaker 2: the floor, but I'd use like the couch as a 285 00:13:33,000 --> 00:13:35,080 Speaker 2: stage or something, or it is like a mountain. 286 00:13:35,200 --> 00:13:37,400 Speaker 1: Well, I'm sure I had other pieces of furniture around me, 287 00:13:37,480 --> 00:13:40,120 Speaker 1: but sitting in the sitting in the toy box after 288 00:13:40,160 --> 00:13:41,960 Speaker 1: you've dumped all the toys out, to play with the 289 00:13:42,000 --> 00:13:44,240 Speaker 1: toys is not a unique experience. 290 00:13:44,320 --> 00:13:46,120 Speaker 2: I'm trying to think of what I would use the 291 00:13:46,160 --> 00:13:49,560 Speaker 2: most as like my scenery while I was playing. The 292 00:13:49,600 --> 00:13:52,080 Speaker 2: couch would definitely be in there. The coffee table. I 293 00:13:52,080 --> 00:13:54,480 Speaker 2: didn't have an automan the automan seems like an ideal 294 00:13:54,520 --> 00:13:55,080 Speaker 2: spot though. 295 00:13:55,280 --> 00:13:57,880 Speaker 1: Well in the late nineties too, I also had like 296 00:13:58,360 --> 00:14:01,600 Speaker 1: three wrestling rings that I would utilize in some sort 297 00:14:01,600 --> 00:14:04,760 Speaker 1: of fashion. I also had this lego castle setup that 298 00:14:04,800 --> 00:14:06,680 Speaker 1: I think everyone had in the late nineties. Me and 299 00:14:06,720 --> 00:14:08,720 Speaker 1: you both had it, yep, so you could always, you know, 300 00:14:08,880 --> 00:14:10,319 Speaker 1: to be fair though, role play with that. 301 00:14:10,440 --> 00:14:13,520 Speaker 2: I didn't own it. My grandfather did, and if I 302 00:14:13,600 --> 00:14:15,680 Speaker 2: wanted to use it, I had to ask his permission 303 00:14:15,679 --> 00:14:16,480 Speaker 2: and he sat with me. 304 00:14:17,000 --> 00:14:21,320 Speaker 1: Also, there was that like little Tykes Fisher Price plastic 305 00:14:21,360 --> 00:14:24,280 Speaker 1: castle thing that everyone had. Oh yeah, that guy that 306 00:14:24,360 --> 00:14:25,520 Speaker 1: got some good play as well. 307 00:14:25,600 --> 00:14:28,000 Speaker 2: I mean I had so many fucking bat caves and 308 00:14:28,080 --> 00:14:30,680 Speaker 2: it was the same bat cave. They just put different 309 00:14:30,680 --> 00:14:35,200 Speaker 2: stickers on it for each movie. Yeah, he's done. Ted 310 00:14:35,560 --> 00:14:40,040 Speaker 2: is back currently on Hulu. Season two is available. They're 311 00:14:40,120 --> 00:14:43,360 Speaker 2: not sure right now with a season three. Because of 312 00:14:43,400 --> 00:14:46,080 Speaker 2: the high production value that goes into this show. 313 00:14:46,480 --> 00:14:48,520 Speaker 1: I don't think there's gonna be one. 314 00:14:48,560 --> 00:14:51,840 Speaker 2: Butinally there is going to be an animated show that 315 00:14:51,920 --> 00:14:53,920 Speaker 2: might pick up where this show left off. 316 00:14:54,080 --> 00:14:56,280 Speaker 1: I think it picks up where the movie left off. 317 00:14:56,360 --> 00:14:57,600 Speaker 2: Okay, I'm fine with that too. 318 00:14:57,680 --> 00:15:01,160 Speaker 1: I'm not sure but they Wahlberg was confirmed for the 319 00:15:01,440 --> 00:15:02,200 Speaker 1: animated show. 320 00:15:02,240 --> 00:15:03,600 Speaker 2: Oh give me that done. That's fine. 321 00:15:03,680 --> 00:15:06,920 Speaker 1: So I have watched Ted season two, and I mean 322 00:15:06,960 --> 00:15:11,360 Speaker 1: it's classic seth MacFarland, classic family guy. I haha at 323 00:15:11,400 --> 00:15:14,200 Speaker 1: like eighty to ninety percent of it. But the one 324 00:15:14,800 --> 00:15:18,080 Speaker 1: or two jokes per episode that kill me, fucking killed me. 325 00:15:18,320 --> 00:15:21,440 Speaker 1: There's there's like three or four great lines in this 326 00:15:21,520 --> 00:15:25,560 Speaker 1: season that I already know will be sounders on hashtag dork. 327 00:15:25,560 --> 00:15:27,160 Speaker 1: I'm looking forward to them talking about it. 328 00:15:27,240 --> 00:15:31,200 Speaker 2: Yeah, I watch it, but I'm like seventy five percent 329 00:15:31,280 --> 00:15:33,640 Speaker 2: paying attention, So I'm listening to it. I'm watching. I'm 330 00:15:33,640 --> 00:15:36,040 Speaker 2: the same, Yeah, and I'm enjoying. Like every once in 331 00:15:36,040 --> 00:15:38,320 Speaker 2: a while, you'll catch a joke and you're like, that 332 00:15:38,520 --> 00:15:42,280 Speaker 2: is that's where it's at. I am disappointed. I saw 333 00:15:42,320 --> 00:15:45,400 Speaker 2: that the Bill Clinton that they used is actually AI. 334 00:15:45,840 --> 00:15:46,080 Speaker 1: Yeah. 335 00:15:46,240 --> 00:15:46,960 Speaker 2: Not a fan of that. 336 00:15:47,200 --> 00:15:50,360 Speaker 1: Yeah. McFarlane said that they tried that scene in like 337 00:15:50,560 --> 00:15:53,120 Speaker 1: every type of way and just couldn't nail the makeup, 338 00:15:53,200 --> 00:15:55,920 Speaker 1: and so they went AI. I don't really care who cares. 339 00:15:56,320 --> 00:16:01,640 Speaker 2: I did not have sexual relations with that woman. That 340 00:16:01,760 --> 00:16:04,200 Speaker 2: was me, It wasn't them. That was a really bad one. 341 00:16:04,200 --> 00:16:06,200 Speaker 2: I'm not really proud of that. Can I do it again? 342 00:16:06,680 --> 00:16:07,320 Speaker 1: Yeah? Take two. 343 00:16:07,320 --> 00:16:11,240 Speaker 2: I'd rather not news dump. You need to tell me 344 00:16:11,320 --> 00:16:12,040 Speaker 2: no sometimes. 345 00:16:12,240 --> 00:16:13,360 Speaker 1: Yeah, I am your no guy. 346 00:16:13,440 --> 00:16:15,960 Speaker 2: You need to rain me in. Sometimes you didn't do 347 00:16:16,000 --> 00:16:18,840 Speaker 2: it right there. I'm kind of disappointed in you got 348 00:16:18,920 --> 00:16:21,640 Speaker 2: our first look or second look. I don't know. We've 349 00:16:21,680 --> 00:16:24,600 Speaker 2: seen this a couple of times. Maybe job of the huts. 350 00:16:24,680 --> 00:16:27,640 Speaker 2: Sun got a new look, oh, a new look at 351 00:16:27,720 --> 00:16:31,000 Speaker 2: his son Rata. In the Mandalorian and Grogu he is 352 00:16:31,120 --> 00:16:34,640 Speaker 2: voiced by Jeremy Allen White. Saw this an Empire magazine. 353 00:16:34,680 --> 00:16:38,640 Speaker 2: And my disappointment is this thing looks nothing like Jeremy Allen. 354 00:16:38,440 --> 00:16:42,560 Speaker 1: White or any of the other huts. This thing is yoked. 355 00:16:42,680 --> 00:16:43,280 Speaker 2: It's big. 356 00:16:43,560 --> 00:16:45,800 Speaker 1: I do like the idea of this, though, because it 357 00:16:45,880 --> 00:16:49,160 Speaker 1: implies that all the other huts and we've seen in 358 00:16:49,160 --> 00:16:53,720 Speaker 1: Star Wars history are just these lazy you know. Hearkens 359 00:16:53,760 --> 00:16:57,200 Speaker 1: back to like medieval times where these fat kings and 360 00:16:57,280 --> 00:17:00,240 Speaker 1: queens would just get fed grapes all the time, which 361 00:17:00,240 --> 00:17:02,200 Speaker 1: is sort of implied with the huts, and we've seen 362 00:17:02,240 --> 00:17:05,040 Speaker 1: that in the movie. But this hut is a warrior hut, 363 00:17:05,160 --> 00:17:05,440 Speaker 1: you know. 364 00:17:05,520 --> 00:17:09,200 Speaker 2: Can you give me an athlete that you would compare 365 00:17:09,240 --> 00:17:13,000 Speaker 2: the body to where it's a heavier fella, but really 366 00:17:13,200 --> 00:17:15,280 Speaker 2: big shoulders arms. 367 00:17:15,640 --> 00:17:19,000 Speaker 1: I'm trying. So there's some wrestlers that are gian bit 368 00:17:19,040 --> 00:17:20,919 Speaker 1: of a powder keg if you will. Yeah, there's some 369 00:17:21,000 --> 00:17:23,639 Speaker 1: powder keg style wrestlers that you wouldn't think have a 370 00:17:23,680 --> 00:17:25,639 Speaker 1: six pack. And then they take their shirt off or 371 00:17:25,640 --> 00:17:28,320 Speaker 1: they're leotard off and they actually have abs, and you're like, 372 00:17:28,320 --> 00:17:29,320 Speaker 1: how is that possible? 373 00:17:29,440 --> 00:17:30,280 Speaker 2: So what are you thinking? 374 00:17:30,640 --> 00:17:31,880 Speaker 1: Like the Big Show when he got. 375 00:17:31,800 --> 00:17:35,800 Speaker 2: In shakes, Okay, I'll take that. McK foley, his name 376 00:17:35,880 --> 00:17:38,440 Speaker 2: is Paul, Paul something. I don't think mc foley actually 377 00:17:38,520 --> 00:17:39,159 Speaker 2: falls into this. 378 00:17:39,320 --> 00:17:41,320 Speaker 1: I think mcfoley's ever touched the weight in his life. 379 00:17:41,359 --> 00:17:46,159 Speaker 2: He doesn't have to. He's out personality. New's dope. Did 380 00:17:46,240 --> 00:17:50,200 Speaker 2: McK foley have mister Socom? That was Greg Beach's email. 381 00:17:53,600 --> 00:17:58,080 Speaker 1: Mcfoley had Mankind with mister Socko, Dude Love and Cactus Jack. 382 00:17:58,440 --> 00:18:01,080 Speaker 1: Those are his three? Wait what you don't recall that? 383 00:18:01,119 --> 00:18:02,160 Speaker 2: Why would he have so many? 384 00:18:02,320 --> 00:18:04,000 Speaker 1: Well, he was Dude Love for a while. 385 00:18:04,200 --> 00:18:05,440 Speaker 2: That's a cool name, I guess. 386 00:18:05,400 --> 00:18:08,520 Speaker 1: Became Yeah, he was like a hippie, then became Cactus Jack, 387 00:18:09,080 --> 00:18:12,080 Speaker 1: his meteoric rise became as Mankind, but then he went 388 00:18:12,160 --> 00:18:14,440 Speaker 1: back to Cactus Jack post Mankind. 389 00:18:14,680 --> 00:18:17,680 Speaker 2: Can you walk me through this and describe the personalities 390 00:18:17,720 --> 00:18:20,320 Speaker 2: more so Hippie to what was cactus Jack? What was 391 00:18:20,320 --> 00:18:20,680 Speaker 2: his thing? 392 00:18:20,760 --> 00:18:24,040 Speaker 1: Cactus Jack was just like your classic Texas brawler. 393 00:18:24,200 --> 00:18:25,880 Speaker 2: So hippie to cowboy. 394 00:18:25,560 --> 00:18:27,600 Speaker 1: And then cowboy to bondage boy. 395 00:18:28,119 --> 00:18:29,440 Speaker 2: I don't know if that works out well. 396 00:18:29,920 --> 00:18:32,119 Speaker 1: Mankind was the perfect character. 397 00:18:32,240 --> 00:18:34,520 Speaker 2: I don't know if I believe in that evolution. If 398 00:18:34,520 --> 00:18:36,240 Speaker 2: you ask me, that doesn't make any sense to me. 399 00:18:36,280 --> 00:18:41,960 Speaker 2: That's like a digimon one agreed on that Mac. This 400 00:18:42,119 --> 00:18:44,359 Speaker 2: was the first note that I put on our doc 401 00:18:44,400 --> 00:18:46,240 Speaker 2: and this is all I had on the dock until 402 00:18:46,280 --> 00:18:50,000 Speaker 2: about an hour ago. Lamar and Morris will be the 403 00:18:50,119 --> 00:18:54,560 Speaker 2: voice of Garfield in an upcoming animated series on Paramount Plus. 404 00:18:55,200 --> 00:18:58,120 Speaker 2: I'm very excited about this. I'm not a Garfield guy. 405 00:18:58,480 --> 00:19:03,240 Speaker 2: I'm more of a Heathcliff but Garfield with lamoarn Morris's voice. 406 00:19:03,280 --> 00:19:06,080 Speaker 2: He plays Winnie the Bish in New Girl. It's got 407 00:19:06,080 --> 00:19:06,800 Speaker 2: me intrigued. 408 00:19:07,080 --> 00:19:10,680 Speaker 1: So my question is were you aware that he was 409 00:19:10,720 --> 00:19:14,600 Speaker 1: a Garfield boy? Garfield guy? No idea because you're a 410 00:19:14,640 --> 00:19:18,400 Speaker 1: New Girl guy, and you're Garfield guy, and I never 411 00:19:18,600 --> 00:19:21,400 Speaker 1: heard you talking about Lamarne Morris voice in Garfield. 412 00:19:21,480 --> 00:19:22,159 Speaker 2: It just popped up. 413 00:19:22,160 --> 00:19:24,840 Speaker 1: He just did this like he never did an impression 414 00:19:24,840 --> 00:19:26,359 Speaker 1: and new girl. That seems like something he could have 415 00:19:26,359 --> 00:19:26,880 Speaker 1: worked in there. 416 00:19:26,920 --> 00:19:28,679 Speaker 2: What would an impression of Garfield be? 417 00:19:28,800 --> 00:19:30,800 Speaker 1: Though, I'm not a new guy guy. You got any 418 00:19:30,880 --> 00:19:35,159 Speaker 1: Lazugna a new girl guy getting confused. 419 00:19:34,800 --> 00:19:38,000 Speaker 2: With what I also heard on his podcast. He called 420 00:19:38,160 --> 00:19:41,120 Speaker 2: Nassine Pedrod that's her name, correct, She's atracted. He called 421 00:19:41,160 --> 00:19:43,119 Speaker 2: her mid show and asked her on a date. She 422 00:19:43,240 --> 00:19:46,600 Speaker 2: is very attractive, and she said, yes, I'm excited for them. 423 00:19:46,840 --> 00:19:47,360 Speaker 1: I am too. 424 00:19:47,440 --> 00:19:48,879 Speaker 2: I also liked her on SNL. 425 00:19:49,040 --> 00:19:51,040 Speaker 1: I just love dudes that I'll kick their coverage now. 426 00:19:51,119 --> 00:19:52,000 Speaker 2: Lamourne's a good guy. 427 00:19:52,119 --> 00:19:54,280 Speaker 1: He is a good guy. See Pedro is way more 428 00:19:54,320 --> 00:19:55,119 Speaker 1: attractive than he is. 429 00:19:55,160 --> 00:19:57,000 Speaker 2: I'm telling you right now, I feel like I am 430 00:19:57,040 --> 00:20:04,280 Speaker 2: friends with Lamorne, with uh, with Jake Johnson, and with Schmid. 431 00:20:05,080 --> 00:20:08,040 Speaker 2: I'm really into friendship humor now. I figured that out 432 00:20:08,119 --> 00:20:08,520 Speaker 2: last night. 433 00:20:08,600 --> 00:20:10,479 Speaker 1: No, you did text me the other night about how 434 00:20:10,480 --> 00:20:11,359 Speaker 1: funny Phoebe was. 435 00:20:11,480 --> 00:20:14,280 Speaker 2: So yeah, I love friends. I love when people are 436 00:20:14,320 --> 00:20:16,280 Speaker 2: just pounding around you. 437 00:20:16,359 --> 00:20:18,600 Speaker 1: Did off the air. Prior to this, you were singing 438 00:20:18,640 --> 00:20:21,160 Speaker 1: Smelly Cat Los Dope. 439 00:20:21,920 --> 00:20:24,560 Speaker 2: We're getting a third Monsters inc. This is being reported 440 00:20:24,600 --> 00:20:25,800 Speaker 2: by Wall Street Journal. 441 00:20:28,080 --> 00:20:31,520 Speaker 1: The prequel Monsters You is maybe the worst thing Pixar 442 00:20:31,560 --> 00:20:32,080 Speaker 1: has ever done. 443 00:20:32,160 --> 00:20:33,320 Speaker 2: I hate it. I hate it. 444 00:20:33,800 --> 00:20:36,120 Speaker 1: So hopefully this is a sequel. I don't know. 445 00:20:36,320 --> 00:20:38,000 Speaker 2: I don't really need to go back to this world. 446 00:20:38,000 --> 00:20:39,720 Speaker 2: The first one is a classic. I love it. The 447 00:20:39,760 --> 00:20:44,200 Speaker 2: first one is a perfect movie. Do. Another very good 448 00:20:44,240 --> 00:20:48,320 Speaker 2: animated movie is also getting a sequel, The Wild Robot two. Now, 449 00:20:48,480 --> 00:20:50,360 Speaker 2: this is a part of a book series, so there 450 00:20:50,400 --> 00:20:54,200 Speaker 2: is source material to go off of. But Chris Sanders 451 00:20:54,320 --> 00:20:58,280 Speaker 2: is returning to write the scripts. Tony I'm Sorry, Troy 452 00:20:58,480 --> 00:21:03,280 Speaker 2: Quain and and Heidi Joe Gilbert will co direct the film. 453 00:21:03,920 --> 00:21:06,439 Speaker 2: I really enjoyed the first one. I think I cried 454 00:21:06,440 --> 00:21:07,080 Speaker 2: three times. 455 00:21:07,200 --> 00:21:10,200 Speaker 1: I was just gonna say, I distinctly remember I watched 456 00:21:10,240 --> 00:21:12,160 Speaker 1: this movie because you told me it made you cry 457 00:21:12,200 --> 00:21:15,359 Speaker 1: three times. I may have also cried watching this movie. 458 00:21:15,720 --> 00:21:18,480 Speaker 1: And the world building they did in this movie was 459 00:21:18,520 --> 00:21:21,080 Speaker 1: good enough I think to also warrant a sequel. It 460 00:21:21,160 --> 00:21:23,679 Speaker 1: was great and the quality of the movie warrants a sequel, 461 00:21:23,840 --> 00:21:25,639 Speaker 1: But I think the world building was good enough that 462 00:21:25,680 --> 00:21:26,800 Speaker 1: it warrants the sequel. 463 00:21:26,520 --> 00:21:29,520 Speaker 2: To the Robot Taught the Duck how to fly and. 464 00:21:29,480 --> 00:21:31,720 Speaker 1: Then Dude the Duck returns later on. 465 00:21:32,000 --> 00:21:40,280 Speaker 2: Right Right Spoilers New's Dump, Ryan Coogler said, what did 466 00:21:40,320 --> 00:21:43,080 Speaker 2: he say? Well, he isn't worried about winning an Oscar. 467 00:21:43,240 --> 00:21:46,119 Speaker 2: The opportunity to make movies is his award. 468 00:21:46,400 --> 00:21:50,520 Speaker 1: Yeah. I mean, I don't think people get into movie 469 00:21:50,560 --> 00:21:54,960 Speaker 1: making to win Oscars or worry about winning awards. However, 470 00:21:55,560 --> 00:21:58,320 Speaker 1: at one point in your life and your career and 471 00:21:58,359 --> 00:22:02,240 Speaker 1: your artistry, you start to think about that stuff because 472 00:22:02,720 --> 00:22:06,040 Speaker 1: you're only remembered in the pantheon of things when you 473 00:22:06,080 --> 00:22:09,160 Speaker 1: win these awards. Yes and no, I'm sure there were 474 00:22:09,200 --> 00:22:13,040 Speaker 1: a lot of great directors in the seventies, eighties and 475 00:22:13,080 --> 00:22:15,680 Speaker 1: even nineties that made a lot of good movies and 476 00:22:15,840 --> 00:22:18,160 Speaker 1: no one remembers them. They didn't win any awards. 477 00:22:18,400 --> 00:22:21,199 Speaker 2: Like I don't make this podcast to win a party. 478 00:22:22,359 --> 00:22:24,719 Speaker 2: If someone wanted to offer me a partty, I'd take it, 479 00:22:24,760 --> 00:22:25,480 Speaker 2: but I don't do it. 480 00:22:25,480 --> 00:22:30,440 Speaker 1: Here's an idea. We do a podcast awards show called 481 00:22:30,480 --> 00:22:31,040 Speaker 1: the Potties. 482 00:22:31,119 --> 00:22:31,320 Speaker 2: Wow. 483 00:22:31,400 --> 00:22:33,960 Speaker 1: The winners win Golden Squatty potties. 484 00:22:34,080 --> 00:22:36,920 Speaker 2: You say that that is one of the categories in 485 00:22:37,119 --> 00:22:40,280 Speaker 2: the end of the week's episode, the Cinemac and Goovie Awards. 486 00:22:40,960 --> 00:22:43,280 Speaker 2: So let's see if we take that one home. Okay, 487 00:22:43,600 --> 00:22:46,560 Speaker 2: we'll see, we'll see. Well, I don't do it for that, 488 00:22:46,720 --> 00:22:49,160 Speaker 2: So if the judges are listening, it doesn't fucking matter 489 00:22:49,200 --> 00:22:52,600 Speaker 2: to me. I don't care about it. I do this 490 00:22:52,720 --> 00:22:56,679 Speaker 2: for you. Get the money first, then you get the women. 491 00:22:57,080 --> 00:23:00,679 Speaker 1: Listen. You talked about it earlier. Sleep. I think the 492 00:23:00,680 --> 00:23:03,240 Speaker 1: two most important things in this world, whether you agree 493 00:23:03,280 --> 00:23:06,480 Speaker 1: with me or not, outside of love and family, sleep 494 00:23:06,480 --> 00:23:07,240 Speaker 1: in money. 495 00:23:06,960 --> 00:23:09,679 Speaker 2: Mount rushmore. Foremost important things of life. 496 00:23:09,560 --> 00:23:14,040 Speaker 1: Go sleep, money, procreation. Food. 497 00:23:14,320 --> 00:23:16,920 Speaker 2: Okay, food is good. What about beverage? Are you including 498 00:23:16,960 --> 00:23:17,600 Speaker 2: that in food? 499 00:23:17,920 --> 00:23:19,520 Speaker 1: I think it's strapped in there? Yeah? 500 00:23:19,600 --> 00:23:22,000 Speaker 2: Could you stretch that to a Goose juicy six pack? 501 00:23:22,200 --> 00:23:23,320 Speaker 1: Love and marriage? There you go. 502 00:23:23,520 --> 00:23:24,760 Speaker 2: Where does health fall in this? 503 00:23:25,240 --> 00:23:27,399 Speaker 1: Yeah? Eighth, maybe eighth. 504 00:23:27,400 --> 00:23:28,680 Speaker 2: Okay, let's stretch it to a ten. 505 00:23:28,760 --> 00:23:30,920 Speaker 1: Go ahead, Well, I gotta get a seventh as well. 506 00:23:31,040 --> 00:23:33,159 Speaker 2: Right, you can skip seven if you want seven. 507 00:23:35,280 --> 00:23:40,400 Speaker 1: Let's put health at seven, your domicile at eight, where 508 00:23:40,400 --> 00:23:43,480 Speaker 1: you're living, which is tied into money. So it's implied 509 00:23:44,720 --> 00:23:46,040 Speaker 1: nine and ten are gonna be tough. 510 00:23:47,320 --> 00:23:49,920 Speaker 2: What's crazy is that everything you just said, all eight 511 00:23:49,960 --> 00:23:52,119 Speaker 2: of these so far, all tied into money. 512 00:23:52,280 --> 00:23:54,560 Speaker 1: Yeah, that's why money and sleep are the top two. 513 00:23:54,880 --> 00:23:57,840 Speaker 2: You can buy sleep, though you can't really. If you 514 00:23:57,880 --> 00:24:00,639 Speaker 2: are wealthy, you can sleep easy at night. I have 515 00:24:00,720 --> 00:24:03,280 Speaker 2: time to sleep. I don't because I'm fucking rolling around 516 00:24:03,280 --> 00:24:03,919 Speaker 2: with anxiety. 517 00:24:05,720 --> 00:24:07,840 Speaker 1: You're waking up scrounger for coins. 518 00:24:07,880 --> 00:24:10,520 Speaker 2: I'm open. I keep on going to my couch looking 519 00:24:10,560 --> 00:24:12,720 Speaker 2: for coins. In my way, I found five shekels. My 520 00:24:12,760 --> 00:24:15,600 Speaker 2: wife keeps on saying, we don't carry change in this house. 521 00:24:15,600 --> 00:24:16,760 Speaker 2: Stop looking for corners. 522 00:24:16,800 --> 00:24:19,520 Speaker 1: I agree. I am also an anti change house. What 523 00:24:19,560 --> 00:24:20,199 Speaker 1: do you do with it? 524 00:24:20,320 --> 00:24:24,280 Speaker 2: I sometimes keep like small bills in my house because 525 00:24:24,320 --> 00:24:26,600 Speaker 2: that's the best way to like bribe my son. 526 00:24:27,440 --> 00:24:28,640 Speaker 1: He doesn't care about coins. 527 00:24:28,880 --> 00:24:30,679 Speaker 2: I can't just say I owe you five dollars. I 528 00:24:30,680 --> 00:24:32,120 Speaker 2: need to show him the five dollars. 529 00:24:32,560 --> 00:24:35,000 Speaker 1: This is unlocking a weird memory for me. Right now. 530 00:24:35,400 --> 00:24:39,080 Speaker 1: I was walking. I must have been somewhere between twelve 531 00:24:39,119 --> 00:24:42,320 Speaker 1: and fifteen years old. I was walking somewhere near my 532 00:24:42,400 --> 00:24:45,760 Speaker 1: house once. I don't know where my destination was. Old 533 00:24:45,760 --> 00:24:49,760 Speaker 1: woman pulled over she's decrepit and asked me to put 534 00:24:49,760 --> 00:24:51,520 Speaker 1: a letter in the mailbox for her. That was at 535 00:24:51,520 --> 00:24:51,960 Speaker 1: the corner. 536 00:24:52,000 --> 00:24:53,080 Speaker 2: Did she get out of her car? 537 00:24:53,440 --> 00:24:55,720 Speaker 1: No, that was the whole point. She was at decrepit, 538 00:24:56,160 --> 00:24:59,240 Speaker 1: and she did or she handed me the letter. I did, 539 00:24:59,280 --> 00:25:01,640 Speaker 1: and she pulled up to me because I wasn't yet 540 00:25:01,640 --> 00:25:04,399 Speaker 1: at the corner, and handed me and I'll always remember 541 00:25:04,440 --> 00:25:09,320 Speaker 1: this number of cents, handed me coins that came to 542 00:25:09,800 --> 00:25:12,760 Speaker 1: thirty seven cents. She gave me thirty seven cents. 543 00:25:12,560 --> 00:25:15,320 Speaker 2: The old Kirschill granted for like ten seconds. 544 00:25:14,920 --> 00:25:18,600 Speaker 1: Of work, so you know, good return there. I probably 545 00:25:18,640 --> 00:25:20,159 Speaker 1: just rolled the sense into the street. I don't know 546 00:25:20,160 --> 00:25:22,280 Speaker 1: what I'm doing with thirty seven cents. Even back in 547 00:25:22,320 --> 00:25:23,520 Speaker 1: like two thousand and one. 548 00:25:23,400 --> 00:25:25,800 Speaker 2: Two thousand and one, could you have gotten well, no, 549 00:25:25,840 --> 00:25:27,560 Speaker 2: you have to save up for the fruit striped gum 550 00:25:27,640 --> 00:25:30,000 Speaker 2: at that point. Yeah, I've never been given money in 551 00:25:30,000 --> 00:25:36,320 Speaker 2: my life. News dope. And finally, Christian Bale responds to 552 00:25:36,359 --> 00:25:40,520 Speaker 2: the upcoming American Psycho adaptation, saying, whoever wants to give 553 00:25:40,520 --> 00:25:43,400 Speaker 2: it a shot, all the best to them, bold choice 554 00:25:43,440 --> 00:25:45,080 Speaker 2: of anyone trying. 555 00:25:46,280 --> 00:25:50,679 Speaker 1: Yeah, I I don't know who thought this was a 556 00:25:50,680 --> 00:25:56,840 Speaker 1: good idea. Originally to remake or readapt this that is 557 00:25:56,960 --> 00:26:01,080 Speaker 1: clearly one of like the greatest performances of all time, 558 00:26:01,240 --> 00:26:04,280 Speaker 1: in part because it was before Bail was Bail we 559 00:26:04,280 --> 00:26:07,800 Speaker 1: didn't know him as well. And also it's one of 560 00:26:07,840 --> 00:26:10,399 Speaker 1: the I'm not gonna say rare, but one of the 561 00:26:10,480 --> 00:26:13,919 Speaker 1: few performances that, given more time looks better and better. 562 00:26:14,160 --> 00:26:16,439 Speaker 1: A lot of people didn't understand the choices made at 563 00:26:16,440 --> 00:26:19,080 Speaker 1: the time, you and I included, we were fucking twelve 564 00:26:19,160 --> 00:26:21,680 Speaker 1: years old, speaking of two thousand and one. I think 565 00:26:21,720 --> 00:26:25,919 Speaker 1: that trying to dive back into that world when the 566 00:26:26,000 --> 00:26:30,160 Speaker 1: performance given is like the definitive performance in that sort 567 00:26:30,160 --> 00:26:32,160 Speaker 1: of arena, is pretty stupid. 568 00:26:32,520 --> 00:26:37,560 Speaker 2: Feed the ATM a stray cat. Also, what would you 569 00:26:37,840 --> 00:26:42,840 Speaker 2: do to improve or say something differently than what you've already. 570 00:26:42,760 --> 00:26:45,760 Speaker 1: I don't think you can. And like, so, the only 571 00:26:45,800 --> 00:26:48,240 Speaker 1: person that's gonna get cast in this role, it's gonna 572 00:26:48,240 --> 00:26:50,840 Speaker 1: be someone that's not known, because anyone known is gonna 573 00:26:50,880 --> 00:26:52,879 Speaker 1: be like I can't do that or I can't do 574 00:26:52,960 --> 00:26:55,440 Speaker 1: better than that. Like it's gonna be an unknown, which 575 00:26:55,520 --> 00:26:56,560 Speaker 1: I don't mind. 576 00:26:56,800 --> 00:27:00,680 Speaker 2: But uh tall task was Austin Butler rumored for this. 577 00:27:01,000 --> 00:27:03,280 Speaker 1: He may have been he may have been. Maybe he's confirmed. 578 00:27:03,280 --> 00:27:05,600 Speaker 2: I don't even know he's someone that could dive into 579 00:27:05,640 --> 00:27:08,320 Speaker 2: this character, but I get weird. It just be it'd 580 00:27:08,320 --> 00:27:10,080 Speaker 2: be similar to what we already saw or. 581 00:27:10,160 --> 00:27:13,919 Speaker 1: A in ninety nine percent of REMAKESKO. What we say, 582 00:27:14,200 --> 00:27:17,000 Speaker 1: what we come and always say is what's the point? 583 00:27:17,200 --> 00:27:20,240 Speaker 1: What's the point is depth checks out. 584 00:27:20,240 --> 00:27:21,639 Speaker 2: At the end of the week, we'll be doing our 585 00:27:21,720 --> 00:27:25,679 Speaker 2: Cinemac and Goofy Awards. Twenty twenty six. I have so 586 00:27:25,880 --> 00:27:29,000 Speaker 2: many five it is the year twenty twenty six. It's 587 00:27:29,000 --> 00:27:31,200 Speaker 2: like when video games used to have the number of 588 00:27:31,240 --> 00:27:34,760 Speaker 2: the next year. In fact, they fixed that. Though they 589 00:27:34,840 --> 00:27:36,760 Speaker 2: fixed that, we're gonna fix it too. 590 00:27:37,080 --> 00:27:39,000 Speaker 1: They didn't fix that. It's still the same thing. No. 591 00:27:39,119 --> 00:27:40,439 Speaker 2: In MLB, they fixed it. 592 00:27:40,480 --> 00:27:42,399 Speaker 1: Well, MLB the season takes place in one. 593 00:27:42,560 --> 00:27:45,320 Speaker 2: But MLB used to have the year of the note 594 00:27:45,400 --> 00:27:46,640 Speaker 2: next year and they fixed it. 595 00:27:46,880 --> 00:27:47,040 Speaker 1: No. 596 00:27:47,240 --> 00:27:49,480 Speaker 2: Yeah, I think it was six O six that had 597 00:27:49,520 --> 00:27:52,879 Speaker 2: the and they fixed it. There are two MLBO sixes MLB. 598 00:27:53,119 --> 00:27:55,280 Speaker 2: I don't think did that talk for one second. I'm 599 00:27:55,280 --> 00:27:56,159 Speaker 2: gonna confirm myself. 600 00:27:56,200 --> 00:27:59,920 Speaker 1: I'm trying to think MVPO four with poolholes, but yeah, 601 00:28:00,000 --> 00:28:02,640 Speaker 1: and MVPO five was Manny after they want to know four. 602 00:28:02,800 --> 00:28:05,560 Speaker 2: You're wrong, that's MVP stupid, I'm saying MLB. 603 00:28:05,800 --> 00:28:09,119 Speaker 1: I like the show. Yeah, well, I mean, I don't know. 604 00:28:09,640 --> 00:28:12,320 Speaker 1: The reason that was done is because the season ends 605 00:28:12,440 --> 00:28:15,119 Speaker 1: in that calendar year. So in baseball it's all on 606 00:28:15,200 --> 00:28:17,080 Speaker 1: the same calendar year. That's why it is the way 607 00:28:17,119 --> 00:28:17,440 Speaker 1: it is. 608 00:28:17,760 --> 00:28:19,480 Speaker 2: I know. And Chippard Jones was on the cover of 609 00:28:19,520 --> 00:28:22,679 Speaker 2: nine eight nine Baseball Sports. I can't find it, but 610 00:28:22,680 --> 00:28:25,320 Speaker 2: I'll confirm that. I am right. It's taken too long 611 00:28:25,359 --> 00:28:27,200 Speaker 2: to google. I'm not gonna waste everyone's time. 612 00:28:27,400 --> 00:28:27,960 Speaker 1: Understood. 613 00:28:28,040 --> 00:28:30,920 Speaker 2: Also, if you can do me a favor, and when 614 00:28:31,000 --> 00:28:34,400 Speaker 2: you are going through the categories, highlight in red where 615 00:28:34,440 --> 00:28:36,959 Speaker 2: you feel like the category is redundant. 616 00:28:37,160 --> 00:28:39,240 Speaker 1: Okay, that might end up being half the spreadsheet. 617 00:28:39,240 --> 00:28:41,400 Speaker 2: I know that because we need to kind of whittle 618 00:28:41,440 --> 00:28:41,840 Speaker 2: this down. 619 00:28:42,040 --> 00:28:42,400 Speaker 1: Okay. 620 00:28:42,440 --> 00:28:44,640 Speaker 2: And if things are the same, I don't want to 621 00:28:44,640 --> 00:28:48,000 Speaker 2: waste people's time by googling. If nine eight nine sports 622 00:28:48,040 --> 00:28:51,520 Speaker 2: has different fucking games, okay, lose dou