1 00:00:01,840 --> 00:00:04,640 Speaker 1: Everything celebrity sauce has or entertainment part which you have 2 00:00:04,720 --> 00:00:05,040 Speaker 1: for us. 3 00:00:05,080 --> 00:00:07,280 Speaker 2: I know you're wondering what will be the theme of 4 00:00:07,320 --> 00:00:10,160 Speaker 2: this year's met Gala. Well, not this year, next year whenever. 5 00:00:10,480 --> 00:00:12,840 Speaker 2: Bogue has announced with the twenty twenty six Metala will 6 00:00:12,880 --> 00:00:17,840 Speaker 2: follow a new exhibition theme costume Art, marking the debut 7 00:00:18,000 --> 00:00:22,520 Speaker 2: of the mets first permanent costume institute gallery. So the curator, 8 00:00:22,600 --> 00:00:25,000 Speaker 2: his name is Andrew Bolton, calls opening. 9 00:00:24,680 --> 00:00:27,760 Speaker 3: A huge moment. It says, quote the dress. 10 00:00:27,560 --> 00:00:30,320 Speaker 2: Body is front and center at every gallery you come across. 11 00:00:30,440 --> 00:00:31,040 Speaker 3: Unquote. 12 00:00:31,280 --> 00:00:33,879 Speaker 2: I will be honest, I'd never really understand the Mecala 13 00:00:33,920 --> 00:00:38,360 Speaker 2: because you're paying money for costume quote, like you know 14 00:00:38,360 --> 00:00:40,560 Speaker 2: what I'm saying, yep, So isn't that what we're doing? 15 00:00:40,680 --> 00:00:41,040 Speaker 3: Anyway? 16 00:00:41,159 --> 00:00:43,600 Speaker 2: The exhibition at pairs five thousand years of art with 17 00:00:43,720 --> 00:00:47,199 Speaker 2: historical and contemporary garments to show fashion deeconnection to the 18 00:00:47,280 --> 00:00:50,760 Speaker 2: museum's entire collection. So basically, Bolton structure the show around 19 00:00:50,760 --> 00:00:54,000 Speaker 2: three types of bodies and to embrace the body in 20 00:00:54,120 --> 00:00:54,800 Speaker 2: art fashion. 21 00:00:55,200 --> 00:00:57,280 Speaker 3: So very fun. 22 00:00:57,800 --> 00:01:01,160 Speaker 2: The Metala takes place made for its point hoy six, 23 00:01:01,240 --> 00:01:02,840 Speaker 2: how do you second wedding anniversary? 24 00:01:02,880 --> 00:01:05,200 Speaker 3: There you go ce better way. 25 00:01:05,560 --> 00:01:05,800 Speaker 1: Uh. 26 00:01:05,840 --> 00:01:08,399 Speaker 2: So, the Los Angeles Police Department is investigating the home 27 00:01:08,480 --> 00:01:10,920 Speaker 2: robberies of the Real Housewives of Beverly Hill Stars while 28 00:01:10,959 --> 00:01:12,640 Speaker 2: they attended Bravo Con in Vegas. 29 00:01:12,880 --> 00:01:14,440 Speaker 3: So there are two break ins that occurred. 30 00:01:14,480 --> 00:01:17,360 Speaker 2: This was over the weekend and the home of Kathy 31 00:01:17,400 --> 00:01:19,880 Speaker 2: Elton as well Sidon's placed in the middle of the day. 32 00:01:20,000 --> 00:01:21,119 Speaker 3: We're both broken into. 33 00:01:21,240 --> 00:01:23,240 Speaker 2: So her dog walker actually called nine and one to 34 00:01:23,280 --> 00:01:27,000 Speaker 2: report a smash kitchen window, and Kathy's husband also called 35 00:01:27,080 --> 00:01:29,720 Speaker 2: nine and one while three sees were still inside their home, 36 00:01:29,840 --> 00:01:33,200 Speaker 2: which is wild. A police postperson said that the suspects 37 00:01:33,200 --> 00:01:35,959 Speaker 2: did you know they fled the scene, and a friend 38 00:01:36,000 --> 00:01:40,680 Speaker 2: of Kathy Hilton said that everything's fine, yeah, just not great, 39 00:01:40,959 --> 00:01:41,400 Speaker 2: not great. 40 00:01:41,800 --> 00:01:44,040 Speaker 3: And Tom Cruise finally has an oscar. Yeah. 41 00:01:44,080 --> 00:01:48,040 Speaker 2: So this was on Sunday night the sixteenth annual Governor's Ball. Uh. 42 00:01:48,240 --> 00:01:51,200 Speaker 2: It's basically where you know actors are given oscars. 43 00:01:51,280 --> 00:01:51,720 Speaker 1: So uh. 44 00:01:52,000 --> 00:01:54,680 Speaker 2: It was for his unwavering commitment to the filmmaking community, 45 00:01:54,800 --> 00:01:58,680 Speaker 2: his support for theatrical experiences, and his unmatched body of work. 46 00:01:58,760 --> 00:02:01,600 Speaker 2: So when he accepted the war, Cruise did stress that 47 00:02:01,680 --> 00:02:04,000 Speaker 2: the films were much more about the star. He said, 48 00:02:04,040 --> 00:02:06,560 Speaker 2: quote a single performance is built by the communities and 49 00:02:06,560 --> 00:02:08,840 Speaker 2: who passed that knowledge hand to hand, set to set, 50 00:02:08,880 --> 00:02:12,000 Speaker 2: generation to generations. And then he also named many people 51 00:02:12,400 --> 00:02:15,959 Speaker 2: and jobs that you know he's worked with, and yeah, 52 00:02:16,000 --> 00:02:17,519 Speaker 2: I know that was cool. But he has been nominated 53 00:02:17,560 --> 00:02:19,040 Speaker 2: for an OSCAR three times and this. 54 00:02:18,919 --> 00:02:19,840 Speaker 3: Is the first time we got one. 55 00:02:19,880 --> 00:02:22,120 Speaker 2: So very cool. If you're looking forward somebody watching it. 56 00:02:22,200 --> 00:02:24,200 Speaker 2: There's nothing on TV except You has Got the Stars 57 00:02:24,280 --> 00:02:27,639 Speaker 2: that's on ABC. But charging we've got Polaribus, Apple TV, 58 00:02:27,680 --> 00:02:31,000 Speaker 2: plus your favorite hate that word Number two the BCME 59 00:02:31,160 --> 00:02:33,520 Speaker 2: on Netflix. Number three is the last Gama standing. Also 60 00:02:33,560 --> 00:02:35,200 Speaker 2: on Netflix, exhaust Welcome. 61 00:02:35,280 --> 00:02:37,040 Speaker 1: If you need someone listen today, Hey you st crisis 62 00:02:37,120 --> 00:02:39,320 Speaker 1: Podcasts out talking about the new trailer for follow Out 63 00:02:39,360 --> 00:02:41,840 Speaker 1: season two. You can listen to y Miss radio dot com. 64 00:02:42,400 --> 00:02:44,239 Speaker 1: I saw this and maybe I'm just in the minority. 65 00:02:44,760 --> 00:02:48,600 Speaker 1: There's a new study that communal tables at restaurants are 66 00:02:48,600 --> 00:02:49,400 Speaker 1: making a comeback. 67 00:02:49,680 --> 00:02:50,680 Speaker 3: I did I did hear that. 68 00:02:51,240 --> 00:02:54,040 Speaker 1: I've never been a fan of that. I think it's awkwards. 69 00:02:54,120 --> 00:02:55,919 Speaker 1: It's basically it was like the long table where you 70 00:02:55,919 --> 00:02:58,600 Speaker 1: could have likes to four or to sit and then 71 00:02:58,880 --> 00:03:01,080 Speaker 1: it's the worst of it's a bench. Bench seating at 72 00:03:01,080 --> 00:03:03,880 Speaker 1: restaurants should be banned. Yeah. I hate so awkward having 73 00:03:03,880 --> 00:03:05,760 Speaker 1: to get on a bench. It's it's the worst. 74 00:03:05,840 --> 00:03:06,440 Speaker 3: It's not for me. 75 00:03:06,480 --> 00:03:08,040 Speaker 1: And if it's packed, it's like, can somebody pick me 76 00:03:08,120 --> 00:03:10,040 Speaker 1: up at the crane because I want to have to 77 00:03:10,080 --> 00:03:11,760 Speaker 1: like try to over somebody. 78 00:03:11,840 --> 00:03:14,560 Speaker 2: It's hard for people to get in comfortably, especially maybe 79 00:03:14,560 --> 00:03:16,880 Speaker 2: if you have an injury or you're just your body 80 00:03:16,880 --> 00:03:19,600 Speaker 2: doesn't fit like yeah, and you can't move the whole bench. 81 00:03:19,520 --> 00:03:22,040 Speaker 1: Or to get warmer on people, and then you start sweating. 82 00:03:22,600 --> 00:03:25,520 Speaker 1: So they say Camilo dining game popularity in the nineties 83 00:03:25,680 --> 00:03:27,800 Speaker 1: and the eighties and the two thousands. Since then, it's 84 00:03:27,840 --> 00:03:31,760 Speaker 1: been polarizing. But now Resie is saying, apparently we love them. 85 00:03:31,880 --> 00:03:34,440 Speaker 2: I feel like they're more popular at food halls. 86 00:03:34,760 --> 00:03:34,960 Speaker 3: Yeah. 87 00:03:34,960 --> 00:03:37,160 Speaker 1: I guess that kind of makes sense because that's also 88 00:03:37,320 --> 00:03:40,080 Speaker 1: like not long term dining. Yeah right, it's more of 89 00:03:40,120 --> 00:03:43,600 Speaker 1: like a you're at the Universal Studios, you're getting a 90 00:03:43,640 --> 00:03:44,840 Speaker 1: snack before you ride. 91 00:03:45,080 --> 00:03:46,920 Speaker 2: I would prefer to not go out to dinner and 92 00:03:47,080 --> 00:03:49,360 Speaker 2: sit at a communal data dining table. 93 00:03:49,480 --> 00:03:51,600 Speaker 1: It's the worst. Yeah, Or if it's like the booth 94 00:03:51,640 --> 00:03:53,640 Speaker 1: where it's like the round boots and a group, You're like, 95 00:03:53,640 --> 00:03:54,520 Speaker 1: what if I'm in the middle, I have to go 96 00:03:54,520 --> 00:03:55,040 Speaker 1: to the bathroom? 97 00:03:55,640 --> 00:03:57,960 Speaker 3: Makes people move on kids the highchair. 98 00:03:58,200 --> 00:04:01,880 Speaker 1: According to survey, ninety percent z diners like communit commual tables, 99 00:04:02,360 --> 00:04:05,560 Speaker 1: sixty percent baby boomers, sixty three percent of respondent staek 100 00:04:05,640 --> 00:04:07,320 Speaker 1: meal tables are great for meeting new people. 101 00:04:07,480 --> 00:04:09,760 Speaker 3: Well yeah, but yeah awesome are they? 102 00:04:09,760 --> 00:04:09,880 Speaker 2: Though? 103 00:04:09,920 --> 00:04:12,280 Speaker 1: Unless it's a sports game maybe and it's like that. 104 00:04:12,720 --> 00:04:14,480 Speaker 1: I think it depends on the vibe because I think 105 00:04:14,480 --> 00:04:17,159 Speaker 1: the places where like, all of a sudden, we're like 106 00:04:17,279 --> 00:04:17,840 Speaker 1: talking to. 107 00:04:17,800 --> 00:04:18,800 Speaker 3: The people next to us. 108 00:04:18,839 --> 00:04:22,039 Speaker 2: Yeah, if you see something that they're eating, like, oh 109 00:04:22,080 --> 00:04:22,719 Speaker 2: where did you get that? 110 00:04:22,760 --> 00:04:24,560 Speaker 3: And then that could lead to a whole other conversation. 111 00:04:24,720 --> 00:04:28,159 Speaker 1: Sir. Fifty percent said they've been interested in conversations with 112 00:04:28,200 --> 00:04:31,520 Speaker 1: somebody in nearby. They leaned it, And I would. 113 00:04:31,279 --> 00:04:33,880 Speaker 2: Think that if you're eating a communit communal table, just 114 00:04:34,960 --> 00:04:37,480 Speaker 2: like think that you're going to probably talk to somebody. 115 00:04:37,560 --> 00:04:40,760 Speaker 1: I suppose that's true. That's probably more to the point. Yeah, 116 00:04:40,839 --> 00:04:43,200 Speaker 1: they said. One to three said they made friends thanks 117 00:04:43,240 --> 00:04:45,920 Speaker 1: commute tables nice. One to seven even land a date. 118 00:04:46,440 --> 00:04:46,960 Speaker 3: Oh cool. 119 00:04:48,400 --> 00:04:52,160 Speaker 2: I prefer bars as my communale table, like sitting at 120 00:04:52,200 --> 00:04:52,359 Speaker 2: the bar. 121 00:04:52,600 --> 00:04:53,760 Speaker 3: Yes, that's mine. 122 00:04:53,960 --> 00:04:56,120 Speaker 1: Yeah, I think that's more fun because there's so at 123 00:04:56,160 --> 00:04:58,800 Speaker 1: least I get more against leaving. Yet at least the 124 00:04:58,839 --> 00:05:01,080 Speaker 1: bar you can back out. Yeah, I mean meal table 125 00:05:01,120 --> 00:05:03,440 Speaker 1: like that's embarrassing. Yeah, having to get back in there. 126 00:05:03,440 --> 00:05:05,800 Speaker 2: And they like and I'm small, so I'll just make 127 00:05:05,800 --> 00:05:07,760 Speaker 2: myself look like a child to get out of that thing. 128 00:05:07,800 --> 00:05:09,320 Speaker 1: It's kind of like when you go to a sports game, 129 00:05:09,360 --> 00:05:10,880 Speaker 1: like when I went to the football game in Iowa, 130 00:05:11,080 --> 00:05:13,559 Speaker 1: it was bench seating. And that's also the worst because 131 00:05:13,600 --> 00:05:15,560 Speaker 1: it's like if you leave to go to the restroom, 132 00:05:15,560 --> 00:05:19,200 Speaker 1: you come back, you've lost inches. Oh true, Yeah, kind 133 00:05:19,200 --> 00:05:22,320 Speaker 1: of like edge your way in haly facing and it's 134 00:05:22,360 --> 00:05:24,159 Speaker 1: it's just not it's it's not the vibe. Thank you. 135 00:05:24,560 --> 00:05:27,120 Speaker 1: They say shareplaces become a new standard, especially among gen Z. 136 00:05:27,680 --> 00:05:30,160 Speaker 1: Meal table is a perfect setting for that. Naturally they 137 00:05:30,200 --> 00:05:31,760 Speaker 1: turn it into a shared experience. 138 00:05:31,839 --> 00:05:32,760 Speaker 3: Yeah, that makes sense. 139 00:05:32,960 --> 00:05:35,719 Speaker 1: So I also hate doing shared plates. I don't know. 140 00:05:35,960 --> 00:05:38,280 Speaker 1: I like it's if it's like me, it got a 141 00:05:38,279 --> 00:05:39,880 Speaker 1: couple of people, but it's a big group, then it's 142 00:05:39,920 --> 00:05:41,120 Speaker 1: like you almost eat two of every plate. 143 00:05:41,320 --> 00:05:42,720 Speaker 3: I just don't like that. I like to pick. I 144 00:05:42,720 --> 00:05:43,200 Speaker 3: don't like up. 145 00:05:43,400 --> 00:05:45,320 Speaker 2: I just pick at my food like I'm not necessarily 146 00:05:45,320 --> 00:05:46,640 Speaker 2: I am a picky eater, but like you know what 147 00:05:46,680 --> 00:05:48,159 Speaker 2: I'm saying, Like I don't eat like a ton in 148 00:05:48,160 --> 00:05:50,640 Speaker 2: one sitting, so I just like eat randomally. Sure, So 149 00:05:50,800 --> 00:05:51,960 Speaker 2: I would I like shared plates. 150 00:05:52,480 --> 00:05:54,800 Speaker 1: Somebody texted nine nine three three the only kamil and dining. 151 00:05:54,839 --> 00:05:56,920 Speaker 1: I'll accept this Abaci restaurants. Yeah, at least that has 152 00:05:56,960 --> 00:05:59,000 Speaker 1: a share of those. You can back out, Like, that's 153 00:05:59,240 --> 00:06:00,720 Speaker 1: the benches what make sit horrendous. 154 00:06:00,920 --> 00:06:01,400 Speaker 3: That's fair. 155 00:06:01,480 --> 00:06:03,600 Speaker 1: It really is the bench. Yeah, Like the chair is 156 00:06:03,720 --> 00:06:07,440 Speaker 1: you need the chair? Yeah? The chair? We hotels with 157 00:06:07,480 --> 00:06:09,520 Speaker 1: actual doors on it and fans, you know what I mean. 158 00:06:09,720 --> 00:06:11,160 Speaker 3: The bathroom, yes. 159 00:06:11,160 --> 00:06:13,359 Speaker 1: The sliding door thing is whoever it meant that should 160 00:06:13,360 --> 00:06:14,159 Speaker 1: being jolly. 161 00:06:14,120 --> 00:06:16,560 Speaker 2: And losing, especially because sometimes I forget and then I 162 00:06:16,560 --> 00:06:18,320 Speaker 2: almost take it off the hinges and break the door. 163 00:06:18,600 --> 00:06:21,440 Speaker 1: That happened because me and my brother were in and. 164 00:06:21,440 --> 00:06:23,279 Speaker 3: I got stuck in the bathroom. No, it was me. 165 00:06:23,440 --> 00:06:25,160 Speaker 3: I got stuck in the bathroom because I've. 166 00:06:25,080 --> 00:06:28,360 Speaker 2: Raned the door so hard. Yeah, and then the hinge 167 00:06:28,400 --> 00:06:30,880 Speaker 2: I'm stuck. No, it was my birthday. 168 00:06:30,920 --> 00:06:31,479 Speaker 3: It's fine. 169 00:06:31,800 --> 00:06:32,520 Speaker 1: What's her birthday? 170 00:06:32,520 --> 00:06:33,960 Speaker 3: Your super birthday, my stupid birthday. 171 00:06:34,160 --> 00:06:36,000 Speaker 1: Love your thoughts. You can text nine ninety three three eight. 172 00:06:36,040 --> 00:06:38,400 Speaker 1: I want to hit this Tupia Tuesday. How you're supposed 173 00:06:38,400 --> 00:06:41,400 Speaker 1: to text your crush without being annoying? Give me about 174 00:06:41,400 --> 00:06:42,440 Speaker 1: four minutes, intern 175 00:06:42,520 --> 00:06:45,599 Speaker 2: John in your morning show's true I Heart Radio