1 00:00:00,480 --> 00:00:03,120 Speaker 1: Hey, it's Neil Savedri. You're listening to kfi EM six 2 00:00:03,240 --> 00:00:06,800 Speaker 1: forty the four Report on demand on the iHeartRadio app 3 00:00:09,400 --> 00:00:16,040 Speaker 1: Gorgeous but Hot Saturday afternoon, the Saturday before the Oscars. 4 00:00:16,040 --> 00:00:20,599 Speaker 1: So this is our Oscar show, really, because we did 5 00:00:20,600 --> 00:00:22,720 Speaker 1: this last year, and I think the year before, I 6 00:00:22,720 --> 00:00:27,160 Speaker 1: think we started him with the famed director Kevin Smith, 7 00:00:27,720 --> 00:00:31,160 Speaker 1: and he and I did Oscar Sundays once or twice 8 00:00:32,000 --> 00:00:34,800 Speaker 1: and then kind of moved into this show. And so 9 00:00:34,920 --> 00:00:38,240 Speaker 1: now we're doing that and you can't. But we've got food, 10 00:00:38,320 --> 00:00:43,280 Speaker 1: great food that actually does tie into the film industry 11 00:00:43,280 --> 00:00:45,360 Speaker 1: as well, because at least one of them, and I 12 00:00:45,360 --> 00:00:48,680 Speaker 1: think both of them might be have had films shot there, 13 00:00:49,280 --> 00:00:52,480 Speaker 1: but we'll figure that out coming up. Plus we'll have 14 00:00:52,840 --> 00:00:57,600 Speaker 1: Michael Corey coming on from Props to History talking about 15 00:00:57,600 --> 00:00:59,840 Speaker 1: props in films. You know, I'm a big fan of 16 00:00:59,840 --> 00:01:02,960 Speaker 1: all that craziness. Gives me an excuse to expose you 17 00:01:03,000 --> 00:01:05,520 Speaker 1: to some really neat people and some fun facts. And 18 00:01:05,600 --> 00:01:08,959 Speaker 1: another neat person who is now part of the weekend 19 00:01:09,000 --> 00:01:12,920 Speaker 1: lineup and always brings the love of film and the 20 00:01:13,040 --> 00:01:17,560 Speaker 1: arts with her, Heather Brooker. Ladies and gentlemen, how are you, Heather. 21 00:01:18,200 --> 00:01:20,840 Speaker 2: I'm good, happy Oscars eve to you. 22 00:01:21,000 --> 00:01:23,800 Speaker 1: Look at this, you know what. I'm so behind. I 23 00:01:23,920 --> 00:01:27,800 Speaker 1: haven't even purchased my Oscar tree. I haven't done any 24 00:01:27,840 --> 00:01:34,000 Speaker 1: of my Oscar gift purchases. It's just gotten so commercial 25 00:01:34,080 --> 00:01:36,800 Speaker 1: for me that I want to go back to its 26 00:01:36,840 --> 00:01:38,560 Speaker 1: religious roots. 27 00:01:38,880 --> 00:01:41,160 Speaker 2: Yeah. You know, it sneaks up on you every year. 28 00:01:41,200 --> 00:01:45,000 Speaker 2: Before you know it, Oscars is here and you haven't 29 00:01:46,040 --> 00:01:48,440 Speaker 2: done all of the things you need to do, the waxing. 30 00:01:48,800 --> 00:01:51,200 Speaker 2: You know, there's a lot, there's a lot involved. 31 00:01:51,360 --> 00:01:54,360 Speaker 1: I will tell you my wife and I. I moved 32 00:01:54,400 --> 00:01:57,240 Speaker 1: in with my wife in her six hundred square foot 33 00:01:57,240 --> 00:02:01,160 Speaker 1: apartment in Hollywood the day we got married, and it 34 00:02:01,360 --> 00:02:04,640 Speaker 1: was off of Gardener right there, off of Gardener and Sunset, 35 00:02:05,200 --> 00:02:08,000 Speaker 1: and we used to walk to the Oscars all the time, 36 00:02:08,720 --> 00:02:12,079 Speaker 1: and I would bring my camera with a telephoto lens 37 00:02:12,160 --> 00:02:15,359 Speaker 1: and just look at the chaos that happens. And it's 38 00:02:15,400 --> 00:02:19,360 Speaker 1: so neat because you have foot patrols LAPD foot patrols, 39 00:02:19,360 --> 00:02:22,600 Speaker 1: which and they're wearing their full uniform and their caps 40 00:02:22,760 --> 00:02:27,800 Speaker 1: and everything, and it just is festive. I don't I 41 00:02:27,800 --> 00:02:31,160 Speaker 1: don't mind the traffic issues. That's part of the fun. 42 00:02:31,240 --> 00:02:33,680 Speaker 1: Of La and we're gonna hate it when it's gone. 43 00:02:34,240 --> 00:02:38,560 Speaker 2: So yeah, it's it's the pomp and circumstance of it all, 44 00:02:38,639 --> 00:02:41,440 Speaker 2: you know. I know people love to hate on you know, 45 00:02:41,639 --> 00:02:43,799 Speaker 2: celebrities and award shows and all of that stuff. 46 00:02:43,919 --> 00:02:47,160 Speaker 1: I'm raising my hand, but it is you're one of those. 47 00:02:47,240 --> 00:02:49,880 Speaker 2: Yeah, but it's but there is something fun and we 48 00:02:49,960 --> 00:02:52,600 Speaker 2: definitely would miss it when it's gone. You know, not 49 00:02:52,639 --> 00:02:55,680 Speaker 2: to get too you know, preachy, but it brings jobs, 50 00:02:55,800 --> 00:02:58,400 Speaker 2: It brings a focus on our town and our city, 51 00:02:59,320 --> 00:03:02,560 Speaker 2: and it also so shift the conversation just a little 52 00:03:02,560 --> 00:03:06,040 Speaker 2: bit to something lighter and more fun, like movies, which 53 00:03:06,240 --> 00:03:08,560 Speaker 2: you know, there are a lot of great ones nominated 54 00:03:08,639 --> 00:03:09,040 Speaker 2: this year. 55 00:03:09,440 --> 00:03:12,800 Speaker 1: Okay, so I'm not I don't get to watch with 56 00:03:12,840 --> 00:03:14,480 Speaker 1: a nine year old. I don't get to watch like 57 00:03:14,480 --> 00:03:17,280 Speaker 1: I used to because a lot of them are more 58 00:03:17,320 --> 00:03:21,160 Speaker 1: adult and quite honestly, to find time. I'm not a 59 00:03:21,680 --> 00:03:24,520 Speaker 1: not a down guy. I'm kind kind of always doing 60 00:03:24,600 --> 00:03:28,160 Speaker 1: something and I don't get that TV time. But I 61 00:03:28,280 --> 00:03:31,639 Speaker 1: did get sick a couple of weeks back, and it 62 00:03:31,680 --> 00:03:33,640 Speaker 1: was one of those things where I felt like I 63 00:03:33,680 --> 00:03:36,840 Speaker 1: couldn't do anything else but be on the couch and 64 00:03:36,880 --> 00:03:39,680 Speaker 1: I got to at least dive in to three movies 65 00:03:39,800 --> 00:03:44,320 Speaker 1: that I was curious about, and okay, so I saw 66 00:03:44,760 --> 00:03:49,280 Speaker 1: Frankenstein was one of them. I saw Jammy's all in 67 00:03:49,360 --> 00:03:54,360 Speaker 1: the same category. Unfortunately, I saw Sinners and I saw Weapons. 68 00:03:55,080 --> 00:03:58,360 Speaker 2: So although they feel very nils of as. 69 00:04:01,400 --> 00:04:04,160 Speaker 1: That sounds, and then you went back to your crypt 70 00:04:04,240 --> 00:04:09,720 Speaker 1: and took a nap, right, okay, great, so, and I 71 00:04:09,880 --> 00:04:15,120 Speaker 1: enjoyed all three differently. Weapons is not a great film. 72 00:04:15,160 --> 00:04:19,520 Speaker 1: It's a popcorn film, but has a fantastic a couple 73 00:04:19,600 --> 00:04:26,840 Speaker 1: fantastic acting roles that were squeezed for everything they were worth, 74 00:04:27,279 --> 00:04:29,400 Speaker 1: you know, regardless of what was on the page. They 75 00:04:29,400 --> 00:04:34,120 Speaker 1: were played in a way that were fun. Sinners was 76 00:04:34,440 --> 00:04:42,080 Speaker 1: absolutely just awe inspiring, gorgeous and from a theological perspective, 77 00:04:43,040 --> 00:04:46,719 Speaker 1: which you know obviously is something a favorite of mine, 78 00:04:47,240 --> 00:04:51,320 Speaker 1: and all of the different it was just beautiful and 79 00:04:52,600 --> 00:04:55,719 Speaker 1: I really loved that. And I would put Frankenstein in 80 00:04:55,760 --> 00:04:58,880 Speaker 1: a similar category as if it was just some great 81 00:04:58,920 --> 00:05:06,960 Speaker 1: performances and beautiful to look at and intricate and otherworldly 82 00:05:07,120 --> 00:05:11,080 Speaker 1: and took me to a place that was really fun 83 00:05:11,120 --> 00:05:13,800 Speaker 1: for me. But that's that's where I stop. Where what 84 00:05:13,839 --> 00:05:17,080 Speaker 1: are the What are the movies that stood out to you? 85 00:05:17,440 --> 00:05:19,839 Speaker 1: What do you think are the sleepers or the ones 86 00:05:19,839 --> 00:05:22,719 Speaker 1: that people should see that maybe didn't have the sexy 87 00:05:22,839 --> 00:05:25,920 Speaker 1: forward push marketing wise or things like that. 88 00:05:26,320 --> 00:05:28,360 Speaker 2: Well, I mean, I totally agree with you, first of 89 00:05:28,360 --> 00:05:32,799 Speaker 2: all about Sinners and Frankenstein's. You know, two very different directors. 90 00:05:32,800 --> 00:05:37,400 Speaker 2: And Ryan Coogler who directed Sinners and Guillermo del Toro 91 00:05:37,520 --> 00:05:43,440 Speaker 2: who directed Franklin very different, both incredible visionaries in their directing. 92 00:05:43,600 --> 00:05:47,400 Speaker 2: So I love that you saw those two. If anybody 93 00:05:47,480 --> 00:05:49,799 Speaker 2: is going to watch any movies tonight and they haven't 94 00:05:49,839 --> 00:05:52,360 Speaker 2: seen anything, you know, yet, or they're behind, or maybe 95 00:05:52,400 --> 00:05:54,080 Speaker 2: they want to try to squeeze one more in before 96 00:05:54,080 --> 00:05:59,880 Speaker 2: the big show, I recommend Trained Dreams was one that 97 00:05:59,880 --> 00:06:04,559 Speaker 2: I really really loved. It's a very it's not getting 98 00:06:04,560 --> 00:06:06,239 Speaker 2: a lot of love, not getting a lot of attention, 99 00:06:06,520 --> 00:06:12,200 Speaker 2: it's a very filmmakery film. It's got a slower pace 100 00:06:12,320 --> 00:06:17,200 Speaker 2: to it. It's a beautifully shot, beautifully acted by Joel Ederton, 101 00:06:17,800 --> 00:06:20,240 Speaker 2: and just a wonderful movie there. And also I want 102 00:06:20,240 --> 00:06:24,240 Speaker 2: to say Hamnet Hamnett was an incredible movie. If you 103 00:06:25,080 --> 00:06:30,080 Speaker 2: like Shakespeare, if you like dramas, Haim that really goes 104 00:06:30,120 --> 00:06:33,120 Speaker 2: there in terms of like drama, and those are going 105 00:06:33,200 --> 00:06:35,440 Speaker 2: to be a couple that I think Trained Dreams is 106 00:06:35,440 --> 00:06:38,320 Speaker 2: probably not going to win much, if anything at all, 107 00:06:38,320 --> 00:06:41,800 Speaker 2: but Hamnt certainly will, especially Jesse Buckley. She's nominated for 108 00:06:42,360 --> 00:06:46,640 Speaker 2: Best Actress. She has swept the entire award season so far, 109 00:06:46,720 --> 00:06:49,479 Speaker 2: and there's a pretty good chance she's gonna win again tonight. 110 00:06:49,600 --> 00:06:52,560 Speaker 1: Now, the first time I saw Tomorrow Tomorrow, I know 111 00:06:52,640 --> 00:06:54,760 Speaker 1: Han gets all wrapped in together. The first time I 112 00:06:54,800 --> 00:06:59,520 Speaker 1: saw her was in I think Fargo. Was she in 113 00:07:00,279 --> 00:07:03,120 Speaker 1: one of the fargoes or was it Gosh. 114 00:07:02,720 --> 00:07:04,920 Speaker 2: She might have been. You know, she's been acting for 115 00:07:05,200 --> 00:07:09,240 Speaker 2: a very long time and you know, kind of I 116 00:07:09,279 --> 00:07:12,560 Speaker 2: would say under the radar, But this is certainly the 117 00:07:12,640 --> 00:07:14,960 Speaker 2: movie that she's getting a lot of attention for. She 118 00:07:15,160 --> 00:07:20,960 Speaker 2: was in The Bribe, Lost Daughter Men, Judy, The Career Finger, 119 00:07:21,000 --> 00:07:23,280 Speaker 2: a movie called Fingernails a couple of years ago. Do 120 00:07:23,320 --> 00:07:24,240 Speaker 2: you remember that that was. 121 00:07:24,200 --> 00:07:27,400 Speaker 1: A weird I don't, but the others I've heard, But 122 00:07:27,520 --> 00:07:31,600 Speaker 1: she stood out to me in what I saw in 123 00:07:31,680 --> 00:07:36,160 Speaker 1: and I said, oh, that's you can tell when somebody 124 00:07:36,400 --> 00:07:40,120 Speaker 1: is not self aware as an actor, if that makes sense, 125 00:07:40,120 --> 00:07:41,520 Speaker 1: that they're completely. 126 00:07:41,080 --> 00:07:44,400 Speaker 2: Very humble, very humble, Yeah, enveloped. 127 00:07:43,920 --> 00:07:47,480 Speaker 1: By who she is playing to where you don't see 128 00:07:47,520 --> 00:07:50,680 Speaker 1: them and you see this other person. And she played 129 00:07:50,800 --> 00:07:56,440 Speaker 1: kind of a grifter of sorts, and that speed to 130 00:07:56,680 --> 00:08:02,400 Speaker 1: think improvably in an in provisational mind as a grifter 131 00:08:02,760 --> 00:08:05,040 Speaker 1: is different than somebody is trying to do comedy, right. 132 00:08:05,400 --> 00:08:11,240 Speaker 1: So they they're just as quick to make, you know, 133 00:08:11,320 --> 00:08:16,000 Speaker 1: to make build that story you know, behind them, and 134 00:08:16,080 --> 00:08:19,880 Speaker 1: to put all these things together. And she, even though 135 00:08:19,920 --> 00:08:22,680 Speaker 1: it's written page, to be able to play that off 136 00:08:23,440 --> 00:08:28,480 Speaker 1: smartly and subtly to me is a difficult thing knowing grifters. 137 00:08:28,520 --> 00:08:31,960 Speaker 1: Actually throughout my life. I actually a buddy of mine 138 00:08:32,320 --> 00:08:36,400 Speaker 1: was the consultant in the movie Grifters for the Grifts 139 00:08:36,080 --> 00:08:40,560 Speaker 1: and so yeah, interesting, fascinating guy, but God rest his soul, 140 00:08:40,600 --> 00:08:45,000 Speaker 1: he's not with us anymore. But it was a teacher 141 00:08:45,000 --> 00:08:47,600 Speaker 1: and a mentor of mine at one point. The learning 142 00:08:47,640 --> 00:08:49,920 Speaker 1: and understanding slight of hand and things like that. But 143 00:08:50,800 --> 00:08:55,080 Speaker 1: there's so many of these, you know, actors that do 144 00:08:55,160 --> 00:08:58,760 Speaker 1: these things where they build a pretext in a way 145 00:08:58,840 --> 00:09:02,400 Speaker 1: that is so beautiful full that it makes it seamless. 146 00:09:02,640 --> 00:09:04,120 Speaker 1: All right, stick around, I want to talk to you 147 00:09:04,160 --> 00:09:08,720 Speaker 1: more about your breakdowns and thoughts. We come back, Heather Brooker, 148 00:09:08,880 --> 00:09:11,760 Speaker 1: now heard at noon on Sundays. Right, do you gonon 149 00:09:11,800 --> 00:09:12,040 Speaker 1: to two? 150 00:09:12,640 --> 00:09:14,800 Speaker 2: Noon to one. It's a quick little hour. I think 151 00:09:14,840 --> 00:09:17,000 Speaker 2: they were like, she could only handle one hour, Just 152 00:09:17,040 --> 00:09:17,640 Speaker 2: give her one. 153 00:09:17,800 --> 00:09:21,200 Speaker 1: They don't know, they don't know. Not wrong, they're wrong, No, 154 00:09:21,559 --> 00:09:24,920 Speaker 1: they don't know. Please, I could talk to you for hours, 155 00:09:25,000 --> 00:09:29,400 Speaker 1: but we'll come back. We'll chat and I'll let you 156 00:09:29,520 --> 00:09:31,920 Speaker 1: lead with what's on your mind about the Oscars. Heather 157 00:09:31,960 --> 00:09:35,240 Speaker 1: Brooker with us, So go nowhere. It's the Fork Report 158 00:09:35,240 --> 00:09:38,120 Speaker 1: Oscar Edition. Still a lot of food and stuff to come, 159 00:09:38,160 --> 00:09:40,920 Speaker 1: but breaking down the Oscars as well. So go nowhere. 160 00:09:41,360 --> 00:09:44,360 Speaker 3: You're listening to the Fork Report with Neil Savedra on 161 00:09:44,480 --> 00:09:48,640 Speaker 3: demand from KFI AM six forty. 162 00:09:48,760 --> 00:09:54,640 Speaker 1: Neil Savedra KFI, Heather Brooker KFI tomorrow at noon. Don't 163 00:09:54,679 --> 00:09:57,960 Speaker 1: miss her. It's one hour man. She's here for our 164 00:09:58,000 --> 00:10:00,920 Speaker 1: Oscar Show or annual Oscar Show. We've got food. We're 165 00:10:00,920 --> 00:10:03,559 Speaker 1: gonna be talking food and the like, but we're talking 166 00:10:03,559 --> 00:10:08,560 Speaker 1: about the Oscars. Your h picks, Miss Booker. 167 00:10:09,880 --> 00:10:13,520 Speaker 2: Yes, so I think that in terms inund that was 168 00:10:13,559 --> 00:10:16,240 Speaker 2: a long break. I can't believe it's already time to 169 00:10:16,240 --> 00:10:16,680 Speaker 2: break again. 170 00:10:17,480 --> 00:10:19,280 Speaker 1: I did two shows during that break. 171 00:10:20,280 --> 00:10:24,680 Speaker 2: Are you really did? My picks? For Best Picture? Is 172 00:10:24,760 --> 00:10:28,720 Speaker 2: going to be one battle after another with a close 173 00:10:29,120 --> 00:10:32,320 Speaker 2: potential upset from sinners. I think Jesse Buckley is gonna 174 00:10:32,360 --> 00:10:35,320 Speaker 2: walk away with Best Actress. I think Michael B. Jordan 175 00:10:35,520 --> 00:10:41,199 Speaker 2: is going to win Best Actor. Maybe maybe Leonardo DiCaprio, 176 00:10:41,320 --> 00:10:43,640 Speaker 2: but I feel like Michael B. Jordan has some momentum, 177 00:10:43,640 --> 00:10:48,800 Speaker 2: momentum behind him and then gosh, let's see what else. 178 00:10:48,920 --> 00:10:51,920 Speaker 2: Director Paul Thomas Anderson. I think that's pretty much a lock. 179 00:10:52,000 --> 00:10:55,840 Speaker 2: Everyone kind of assumes he is going to win. You know. Overall, 180 00:10:55,960 --> 00:10:59,720 Speaker 2: I'm really looking forward to Conan O'Brien hosting. I really 181 00:10:59,760 --> 00:11:01,679 Speaker 2: like it a lot. I think he's very funny. 182 00:11:01,880 --> 00:11:04,640 Speaker 1: I'm looking forward to Yeah. 183 00:11:04,960 --> 00:11:08,280 Speaker 2: I think he does a good job of balancing what's 184 00:11:08,320 --> 00:11:14,200 Speaker 2: currently happening with the absurd with like a sense of 185 00:11:14,240 --> 00:11:17,640 Speaker 2: old Hollywood grandeur and a little bit of goofball, you know. 186 00:11:17,720 --> 00:11:19,520 Speaker 2: I think he's going to do a really good job 187 00:11:19,600 --> 00:11:22,280 Speaker 2: up there. He said he's going to try some new 188 00:11:22,360 --> 00:11:25,560 Speaker 2: things this year, so we'll see how that goes, and 189 00:11:25,640 --> 00:11:27,400 Speaker 2: I think it's get to be an interesting time on 190 00:11:27,440 --> 00:11:29,160 Speaker 2: the Red Carpet. You know, there's a little bit of 191 00:11:29,200 --> 00:11:31,680 Speaker 2: heaviness hanging over us right now because of what's going 192 00:11:31,679 --> 00:11:35,800 Speaker 2: on overseas, and I think also people, you know, their 193 00:11:35,800 --> 00:11:38,080 Speaker 2: hearts are going to be sort of torn a little 194 00:11:38,080 --> 00:11:40,520 Speaker 2: bit like what you know, the excitement of the moment 195 00:11:40,600 --> 00:11:43,480 Speaker 2: versus the heaviness of what's happening overseas. So it's going 196 00:11:43,520 --> 00:11:45,760 Speaker 2: to be an interesting show. But if Hollywood is going 197 00:11:45,840 --> 00:11:49,040 Speaker 2: to Hollywood, there's definitely going to bring that pomp and circumstance, 198 00:11:49,280 --> 00:11:50,920 Speaker 2: and it's still going to be a really fun show. 199 00:11:51,360 --> 00:11:55,520 Speaker 1: The judgtaposition, I agree with everything you said. And Michael B. 200 00:11:55,640 --> 00:11:58,080 Speaker 1: Jordan and I'm not always a fan of some of 201 00:11:58,120 --> 00:12:01,640 Speaker 1: his work. There's an energy behind some of it sometimes 202 00:12:01,640 --> 00:12:04,000 Speaker 1: that I don't know is meant for me or I 203 00:12:04,520 --> 00:12:08,079 Speaker 1: read it properly, But I will tell you holy smokes, 204 00:12:08,640 --> 00:12:15,080 Speaker 1: well literally Stack and smokes. He deserves an Oscar. What 205 00:12:15,200 --> 00:12:18,920 Speaker 1: a brilliant performance and a difficult one at that. To 206 00:12:19,679 --> 00:12:26,600 Speaker 1: like two and they were distinctively two different characters, but 207 00:12:27,440 --> 00:12:30,760 Speaker 1: to have the similarity of brothers obviously being twins, but 208 00:12:31,280 --> 00:12:36,720 Speaker 1: the power of two very different people and energy. I 209 00:12:36,760 --> 00:12:39,959 Speaker 1: was blown away. I think it showed his chops very, 210 00:12:40,040 --> 00:12:45,040 Speaker 1: very well and to I was fascinated by the fact 211 00:12:45,040 --> 00:12:49,680 Speaker 1: that the special effects in that movie are invisible. You 212 00:12:49,960 --> 00:12:53,520 Speaker 1: just don't. They kind of blend in the background. So 213 00:12:53,640 --> 00:12:55,720 Speaker 1: much is going on with taking you back to that 214 00:12:55,960 --> 00:13:01,920 Speaker 1: time period that you don't see. It just blends the colors, 215 00:13:02,000 --> 00:13:04,320 Speaker 1: the textures. It's like a moving painting. 216 00:13:04,520 --> 00:13:07,880 Speaker 2: That's really Yeah, that's really a testament to Ryan Coogler 217 00:13:08,360 --> 00:13:11,200 Speaker 2: as a director. I mean, he's a really talented director, 218 00:13:11,280 --> 00:13:14,559 Speaker 2: and I think we're going to see even more beautiful 219 00:13:14,600 --> 00:13:17,839 Speaker 2: films and from him in the next two years. For sure, 220 00:13:18,720 --> 00:13:20,440 Speaker 2: I know I will be out there. I'm going to 221 00:13:20,440 --> 00:13:21,959 Speaker 2: be on the right carpet for a little bit, and 222 00:13:22,280 --> 00:13:23,840 Speaker 2: then I'm also going to be in the press room 223 00:13:23,840 --> 00:13:27,160 Speaker 2: and interview room so that when the winners come off 224 00:13:27,200 --> 00:13:28,760 Speaker 2: the stage, I'm going to be there and try to 225 00:13:28,800 --> 00:13:31,600 Speaker 2: get in a couple questions for KFI if awesome, if 226 00:13:31,600 --> 00:13:33,280 Speaker 2: I can. I don't know how wild it's going to 227 00:13:33,320 --> 00:13:35,000 Speaker 2: be in there, but I'm going to do my best. 228 00:13:35,040 --> 00:13:39,280 Speaker 1: All the dresses you were picking, you'll get their attention, sister. 229 00:13:39,800 --> 00:13:42,240 Speaker 1: Do you have some time to stick around for another segment? 230 00:13:43,040 --> 00:13:45,520 Speaker 2: Sure, I'll do whatever you need. Buddy, I'm always here 231 00:13:45,559 --> 00:13:45,839 Speaker 2: for you. 232 00:13:45,960 --> 00:13:48,000 Speaker 1: Okay, I'll be leaving the rest of the show is 233 00:13:48,000 --> 00:13:51,240 Speaker 1: going to be done by Heather Brooker. I'll get a 234 00:13:51,320 --> 00:13:53,960 Speaker 1: short day, all right. Stick around. Heather Brooker's with us, 235 00:13:54,360 --> 00:13:57,000 Speaker 1: hosting our own show now on Sundays at noon. And 236 00:13:57,040 --> 00:13:59,040 Speaker 1: of course you hear her here, she's going to be 237 00:13:59,080 --> 00:14:00,800 Speaker 1: out at the Oscars tomorrow. Oh, this is our Oscar 238 00:14:00,840 --> 00:14:03,559 Speaker 1: show on the Fork Report. So go know where. 239 00:14:04,200 --> 00:14:07,200 Speaker 3: You're listening to The Fork Report with Nil Savedra on 240 00:14:07,320 --> 00:14:09,600 Speaker 3: demand from KFI AM six. 241 00:14:09,480 --> 00:14:13,880 Speaker 1: Forty, your friendly neighborhood Fork Reporter. I'd love for you 242 00:14:13,960 --> 00:14:19,720 Speaker 1: to join me on the Insta webs at Instagram, I 243 00:14:19,760 --> 00:14:24,320 Speaker 1: am at fork Reporter. That's for the show and food 244 00:14:24,360 --> 00:14:28,560 Speaker 1: stuff and the vast majority of silliness and frivolity. And 245 00:14:28,800 --> 00:14:35,880 Speaker 1: if you are a crafter, maker, artist, builder, fixer type 246 00:14:35,920 --> 00:14:39,320 Speaker 1: person or you just like watching that type stuff. I 247 00:14:39,360 --> 00:14:41,800 Speaker 1: do have a secondary one that I started some time 248 00:14:41,800 --> 00:14:44,040 Speaker 1: ago that you can join me on, and that is 249 00:14:44,160 --> 00:14:52,720 Speaker 1: savco Industries. That's SAA v COO Industries on Instagram. And 250 00:14:52,760 --> 00:14:55,400 Speaker 1: that's the stuff that I do that doesn't have anything 251 00:14:55,400 --> 00:15:00,560 Speaker 1: to do with radio, making things, fixing things, doing artography, 252 00:15:00,640 --> 00:15:03,160 Speaker 1: all kinds of stuff, and if you are an artist 253 00:15:03,240 --> 00:15:06,440 Speaker 1: as well or into those things, then I can follow 254 00:15:06,480 --> 00:15:08,920 Speaker 1: you as well, and I can be inspired by your stuff. 255 00:15:09,160 --> 00:15:11,920 Speaker 1: But having fun doing that. It's a small group. I 256 00:15:11,960 --> 00:15:14,320 Speaker 1: think there's sixteen hundred of us there right now, but 257 00:15:14,320 --> 00:15:17,080 Speaker 1: I'd love for you to join me. I'm having a blast. 258 00:15:17,720 --> 00:15:20,280 Speaker 1: I posted some stuff of a little sign that I 259 00:15:20,360 --> 00:15:24,800 Speaker 1: made for my buddy Dave Koontz over at ABC and 260 00:15:24,880 --> 00:15:28,360 Speaker 1: his Mannix car, which is stunning. But sometimes it's little 261 00:15:28,360 --> 00:15:30,960 Speaker 1: stuff like that. Sometimes it's bigger things that I'm building 262 00:15:32,920 --> 00:15:35,680 Speaker 1: film related stuff. Strangely enough, in my backyard, I like 263 00:15:35,760 --> 00:15:41,440 Speaker 1: making little vignettes. Got a full size Velociraptor back there. 264 00:15:41,520 --> 00:15:47,680 Speaker 1: I'm building a what an Idiot? And I'm building an 265 00:15:47,680 --> 00:15:50,640 Speaker 1: Indiana Jones theme area and all kinds of stuff. So 266 00:15:50,720 --> 00:15:53,720 Speaker 1: you can join my stupidity if you wish. At Savco 267 00:15:53,840 --> 00:15:59,040 Speaker 1: Industries on Instagram, Heather Brooker is with us. Of course, 268 00:15:59,080 --> 00:16:01,000 Speaker 1: She's the hostess with the most just when it comes 269 00:16:01,080 --> 00:16:06,440 Speaker 1: to all things Hollywood and beyond, an actress and a comedian. 270 00:16:07,840 --> 00:16:12,640 Speaker 1: But also she will be there tomorrow, what as somebody 271 00:16:12,680 --> 00:16:17,520 Speaker 1: who's reporting there tomorrow? Heather and out there doing your thing, 272 00:16:17,680 --> 00:16:21,520 Speaker 1: like you said, trying to get answers and your questions answered. 273 00:16:22,200 --> 00:16:25,400 Speaker 1: What's the experience like, when does your day start, when 274 00:16:25,440 --> 00:16:28,000 Speaker 1: does it end, and what is it like when you're there? 275 00:16:28,320 --> 00:16:32,880 Speaker 2: Well, the carpet closes at noon, so most of the 276 00:16:32,920 --> 00:16:35,280 Speaker 2: media outlets who are going to be on the Red 277 00:16:35,280 --> 00:16:38,880 Speaker 2: Carpet have to be there by noon tomorrow because they 278 00:16:38,880 --> 00:16:41,360 Speaker 2: close it down, and that's when they start welcoming in 279 00:16:41,600 --> 00:16:45,280 Speaker 2: guests to arrival early. Nobody really comes that early, none 280 00:16:45,320 --> 00:16:48,880 Speaker 2: of the main nominees do. But they close it down 281 00:16:48,880 --> 00:16:51,120 Speaker 2: at noon, probably for security purposes and just to make 282 00:16:51,160 --> 00:16:54,680 Speaker 2: sure everybody's there. And then their spot and then almost 283 00:16:55,000 --> 00:16:58,720 Speaker 2: you know, you're in a one foot by one foot space, 284 00:16:59,280 --> 00:17:02,680 Speaker 2: shoulder and shoulder or with other media outlets. Sometimes you 285 00:17:02,720 --> 00:17:04,760 Speaker 2: may be next to a TV person. Sometimes you may 286 00:17:04,760 --> 00:17:07,560 Speaker 2: be next to a print journalist or another radio person. 287 00:17:08,800 --> 00:17:11,760 Speaker 2: Into this space. Yes, it's like flying, and you get 288 00:17:11,800 --> 00:17:16,840 Speaker 2: your own middle seats. Everyone has a middle seat. And 289 00:17:17,560 --> 00:17:20,359 Speaker 2: it's yes, but such a joy and you're just in 290 00:17:20,400 --> 00:17:24,280 Speaker 2: there sweating and when the stars start to arrive, it's 291 00:17:24,440 --> 00:17:28,000 Speaker 2: like it's like a cattle call. You just start yelling 292 00:17:28,040 --> 00:17:32,400 Speaker 2: for people, hoping they come over and you know, give 293 00:17:32,440 --> 00:17:34,280 Speaker 2: you a couple of seconds of their time if they 294 00:17:34,320 --> 00:17:36,920 Speaker 2: have it. If you know a publicist, maybe a publicist 295 00:17:36,960 --> 00:17:40,320 Speaker 2: will help you out. Generally they go to the larger outlets, 296 00:17:40,320 --> 00:17:44,520 Speaker 2: the big media outlets like E Access Hollywood is leaving, 297 00:17:44,560 --> 00:17:46,919 Speaker 2: so you know they'll but they'll be there tomorrow. So 298 00:17:47,400 --> 00:17:49,159 Speaker 2: and then if you're lucky, you get you may get 299 00:17:49,200 --> 00:17:52,600 Speaker 2: a few people who uh who have some time to 300 00:17:52,680 --> 00:17:54,600 Speaker 2: talk with you, and so that's sort of the hope. 301 00:17:54,960 --> 00:17:56,399 Speaker 2: And then you just sit there and you sweat for 302 00:17:56,400 --> 00:17:59,120 Speaker 2: a few hours, and everybody goes in that they have 303 00:17:59,200 --> 00:18:01,720 Speaker 2: to be in there and see when the show starts 304 00:18:01,960 --> 00:18:04,920 Speaker 2: at five o'clock. And then at that point they start 305 00:18:04,960 --> 00:18:07,360 Speaker 2: breaking down the red carpet and I will move over 306 00:18:07,520 --> 00:18:10,159 Speaker 2: into the interview room and the press room where the 307 00:18:10,160 --> 00:18:13,640 Speaker 2: winners will come backstage after they have won, and once 308 00:18:13,680 --> 00:18:15,879 Speaker 2: again I will try to, like, you know, get a 309 00:18:15,960 --> 00:18:18,600 Speaker 2: couple of questions in there. I mean, we're talking about 310 00:18:18,800 --> 00:18:22,960 Speaker 2: hundreds of media outlets that go to these things, and 311 00:18:23,320 --> 00:18:26,360 Speaker 2: it is really tough to get a question if you're 312 00:18:26,359 --> 00:18:29,399 Speaker 2: not one of the larger outlets. But I'm going to 313 00:18:29,440 --> 00:18:31,359 Speaker 2: you my best, you know, If anything, I'm just gonna 314 00:18:31,359 --> 00:18:34,240 Speaker 2: take a bunch of selfies and post it on my 315 00:18:34,760 --> 00:18:36,920 Speaker 2: post it on my page, maybe even a KA five page. 316 00:18:36,920 --> 00:18:38,439 Speaker 2: I'm sure Michelle Cube will love that. 317 00:18:38,880 --> 00:18:43,040 Speaker 1: Oh absolutely. I just think, man, that is I'm like, 318 00:18:43,119 --> 00:18:45,680 Speaker 1: what would you do to get attention? Do you wear 319 00:18:45,680 --> 00:18:48,239 Speaker 1: a funny hat? Do you put look at me on 320 00:18:48,280 --> 00:18:49,800 Speaker 1: your forehead? Do you? You know? 321 00:18:49,880 --> 00:18:52,520 Speaker 2: It's like, listen, I've heard some people, but you know 322 00:18:52,560 --> 00:18:56,600 Speaker 2: what's really bad about it are the still photographers. Those 323 00:18:56,600 --> 00:19:00,000 Speaker 2: guys will say the craziest stuff. Look over here, look 324 00:19:00,080 --> 00:19:02,399 Speaker 2: over I mean you may have heard them on any know, 325 00:19:02,400 --> 00:19:04,040 Speaker 2: if you've ever seen a clip of video of some 326 00:19:04,080 --> 00:19:06,520 Speaker 2: of the others red carpets, they're just yelling at them. 327 00:19:06,560 --> 00:19:08,480 Speaker 2: Look over here. It looks center, it looks center. And 328 00:19:08,960 --> 00:19:14,320 Speaker 2: you know, I remember one time, one time I was 329 00:19:14,359 --> 00:19:17,040 Speaker 2: on mycarpet for used to work for NBCLA. I was 330 00:19:17,040 --> 00:19:21,000 Speaker 2: an entertainment reporter there and I am an old I'm 331 00:19:21,040 --> 00:19:25,120 Speaker 2: an old person. I don't know all of the Jonahs brothers, uh. 332 00:19:25,359 --> 00:19:27,520 Speaker 2: And I was so excited because I was at this 333 00:19:27,760 --> 00:19:29,920 Speaker 2: red carpet thing and one of the Jonahs brothers was 334 00:19:29,960 --> 00:19:34,119 Speaker 2: walking by and I was yelling, Joe, Joe, tell me 335 00:19:34,119 --> 00:19:36,199 Speaker 2: about your wife's dress, tell me about her role in 336 00:19:36,200 --> 00:19:38,400 Speaker 2: this movie. Joe, you know, can you come and talk 337 00:19:38,400 --> 00:19:40,560 Speaker 2: to me for a second, Joe, And he just keeps 338 00:19:40,600 --> 00:19:44,000 Speaker 2: walking on by, and then I realized it was actually 339 00:19:44,080 --> 00:19:46,800 Speaker 2: Nick Jonas, totally different Joe Bro. 340 00:19:47,960 --> 00:19:55,840 Speaker 1: Wow, no, yeah, oh damn than Joe. Joe, what do 341 00:19:55,880 --> 00:19:57,480 Speaker 1: you know? Not my name? 342 00:19:58,640 --> 00:20:01,639 Speaker 2: Oh my name looks at me and smiled, and he 343 00:20:01,800 --> 00:20:04,080 Speaker 2: was probably thinking what an idiot? Or is she doing 344 00:20:04,080 --> 00:20:07,080 Speaker 2: it on purpose? Like they probably wonder that, like because 345 00:20:07,080 --> 00:20:09,320 Speaker 2: people do yell insane stuff at them, But I nope, 346 00:20:09,320 --> 00:20:12,679 Speaker 2: I just literally just completely spaced and did not realize 347 00:20:12,680 --> 00:20:15,720 Speaker 2: it was the other Joe Bro. I say, that's the 348 00:20:15,760 --> 00:20:17,879 Speaker 2: only time something like that has happened, but it's not. 349 00:20:18,320 --> 00:20:20,880 Speaker 1: You know what, I'm going to try this now. I'm 350 00:20:20,880 --> 00:20:24,040 Speaker 1: not a professional like you, but when you're standing there 351 00:20:24,320 --> 00:20:27,160 Speaker 1: when someone you really want go oh my god, I'm 352 00:20:27,200 --> 00:20:30,160 Speaker 1: gonna throw up, and just see if one you get 353 00:20:30,160 --> 00:20:33,520 Speaker 1: their attention, and then you go no, I'm good, hey, 354 00:20:33,880 --> 00:20:37,840 Speaker 1: by the way, and then ask these are new techniques 355 00:20:37,880 --> 00:20:40,120 Speaker 1: you probably haven't tried. I'm good at bom. 356 00:20:40,280 --> 00:20:43,520 Speaker 2: There's a technique I haven't tried. I'm gonna bone And 357 00:20:43,560 --> 00:20:46,840 Speaker 2: then they come running over and I'm like, mister Pitt, 358 00:20:48,080 --> 00:20:48,560 Speaker 2: tell me. 359 00:20:50,960 --> 00:20:54,760 Speaker 1: And when they're giving you the himelike, then you can say, 360 00:20:54,840 --> 00:20:57,879 Speaker 1: by the way, thank you for saving my life and 361 00:20:59,160 --> 00:20:59,879 Speaker 1: who are you wearing. 362 00:21:01,200 --> 00:21:03,159 Speaker 2: I'm gonna do it. You don't think i'll do it, 363 00:21:03,200 --> 00:21:05,520 Speaker 2: I'm gonna do it. I will try anything. I mean, 364 00:21:05,640 --> 00:21:08,240 Speaker 2: sometimes we get death pray where it's like, can anybody 365 00:21:08,520 --> 00:21:13,760 Speaker 2: besides the fourth key Grip on one battle after another? 366 00:21:14,400 --> 00:21:16,320 Speaker 2: Although I would love to talk to the fourth key Grip, 367 00:21:16,320 --> 00:21:18,160 Speaker 2: I'm sure he has some fun stories me too. 368 00:21:18,280 --> 00:21:20,320 Speaker 1: They're the people that I want to go drink with. 369 00:21:20,359 --> 00:21:21,359 Speaker 1: All the behind the scenes. 370 00:21:21,960 --> 00:21:24,359 Speaker 2: I'm sure they have the best stories. Yeah, because they 371 00:21:24,920 --> 00:21:29,840 Speaker 2: I'm excited they do. I'm excited. I think it'll be fun. 372 00:21:29,960 --> 00:21:32,480 Speaker 2: You know, I may not be the best entertainer reporter 373 00:21:32,600 --> 00:21:34,520 Speaker 2: on the carpet. I may not know all the facts, 374 00:21:34,520 --> 00:21:36,280 Speaker 2: but dad gumman, I have a good time. 375 00:21:36,440 --> 00:21:38,800 Speaker 1: Well do they feed you guys at all? Do they 376 00:21:38,800 --> 00:21:41,639 Speaker 1: have anything for reporters? Nothing? 377 00:21:41,920 --> 00:21:45,040 Speaker 2: No, absolutely, Matt, Nope. I bring my own water. They 378 00:21:45,080 --> 00:21:47,160 Speaker 2: never have anything, not even. 379 00:21:49,040 --> 00:21:49,679 Speaker 1: I think they. 380 00:21:49,560 --> 00:21:51,720 Speaker 2: Probably have water in the press room. You know. I'll 381 00:21:51,760 --> 00:21:56,240 Speaker 2: report back and let you know, but they don't know. 382 00:21:56,480 --> 00:21:58,000 Speaker 2: They want you to get in and. 383 00:21:59,000 --> 00:22:02,520 Speaker 1: Does buy get out, give you an amuse boosh nothing, 384 00:22:03,440 --> 00:22:03,879 Speaker 1: you know what. 385 00:22:03,960 --> 00:22:06,240 Speaker 2: I will say one the last year I was out there, 386 00:22:06,240 --> 00:22:08,920 Speaker 2: I think the first year was at the Oscars. 387 00:22:09,160 --> 00:22:09,400 Speaker 3: Uh. 388 00:22:09,440 --> 00:22:12,280 Speaker 2: He did come by and he had little tiny chocolate 389 00:22:12,359 --> 00:22:15,080 Speaker 2: Oscars and my friend Kasey Potts, who was like one 390 00:22:15,080 --> 00:22:18,280 Speaker 2: of his top people at the time, was like, you 391 00:22:18,359 --> 00:22:20,679 Speaker 2: have to have one to Heather Brooker at NBC and 392 00:22:20,720 --> 00:22:24,680 Speaker 2: he was like, oh, of course, of course, you know, uh. 393 00:22:24,680 --> 00:22:28,560 Speaker 1: Yeah, they're head of catering. Is an amazing, amazing man 394 00:22:28,640 --> 00:22:32,199 Speaker 1: and chef and also hard to understand. But have a 395 00:22:32,240 --> 00:22:36,879 Speaker 1: wonderful time, Heather Brooker. She'll be at the Oscars tomorrow 396 00:22:37,119 --> 00:22:39,359 Speaker 1: and so are you. On tomorrow at. 397 00:22:39,280 --> 00:22:43,280 Speaker 2: Noon here there will be a show. It might be 398 00:22:43,359 --> 00:22:47,240 Speaker 2: pre taped, even though it's called KFI Live. Tomorrow may 399 00:22:47,280 --> 00:22:49,240 Speaker 2: not be live because this was live. 400 00:22:49,200 --> 00:22:54,520 Speaker 1: One it was live, excellent. Well, congratulations and thanks for 401 00:22:54,560 --> 00:22:57,160 Speaker 1: taking the time. I know your weekends are busy, my friend. 402 00:22:57,720 --> 00:22:59,480 Speaker 2: Always always happy to chat with you. 403 00:22:59,520 --> 00:23:03,200 Speaker 1: Neil, you've been listening to the Fork Report. You can 404 00:23:03,240 --> 00:23:06,120 Speaker 1: always hear us live on KFI AM six forty two 405 00:23:06,160 --> 00:23:09,840 Speaker 1: to five pm on Saturday and anytime on demand on 406 00:23:09,920 --> 00:23:11,080 Speaker 1: the iHeartRadio app,