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Speaker 1: It's k IF. I am six forty and you're listening

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Speaker 1: to the Conway Show on demand on the iHeartRadio app

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Speaker 1: dealing with a parking lot situation. Situation. Yeah, I uh,

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Speaker 1: somebody hit my car and there was no damage on

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Speaker 1: my car or her car. And she said, oh, let's

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Speaker 1: exchange you know, licenses and insurance. I'm like, there's no damage.

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Speaker 1: I mean, you know, you were going two miles an hour.

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Speaker 2: So you were you were in the car at the time.

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Speaker 1: I was in the car. Yeah, I was in the car.

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Speaker 1: I was listening to the radio. I was in the car,

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Speaker 1: and I was about to get out, and she just

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Speaker 1: hit me, like a two miles an hour and she

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Speaker 1: made a big deal out of it, you know, like, hey,

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Speaker 1: you know, do you think it was my fault. I'm like, well,

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Speaker 1: I'm sitting part you know, well I'm not moving and

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Speaker 1: I got hit. Yeah, and you were coming in the

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Speaker 1: spot and you hit me. And she goes, well, you

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Speaker 1: know you want me to do you want to just

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Speaker 1: take care of this with like the body shop. I said, sweetie,

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Speaker 1: there's no damage. Walk away on either car. Walk away,

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Speaker 1: I mean got a mighty you know, just let you know,

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Speaker 1: walk away from this thing. But I was talking to

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Speaker 1: Matt money Smith in the hallways here, like you do, yeah,

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Speaker 1: And I said, man, that NBA, I mean sorry, that

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Speaker 1: World Series got twenty five million viewers in the United

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Speaker 1: States And he said, yay, so that's a big number.

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Speaker 1: That's a huge number. I think that only happened once

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Speaker 1: in the NBA for the NBA Finals.

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Speaker 3: It's funny because it took the game seven for that

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Speaker 3: to happen because it had like horrible numbers prior to that.

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Speaker 1: Yeah, yeah, exactly, west right, and we had they had

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Speaker 1: twenty five million people watch that World Series, which again

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Speaker 1: I watched until three am last night last night, until

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Speaker 1: three am.

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Speaker 2: You think it's going to change up on you.

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Speaker 1: I just I still can't believe they won that game.

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Speaker 2: You got to keep watching. Yeah, I'll think it at

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Speaker 2: some point.

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Speaker 1: The highest rated and most watched NBA Finals of all

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Speaker 1: time where nineteen ninety eight, You may remember, it was

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Speaker 1: a wild series with the Chicago Bulls and the Utah

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Speaker 1: Jazz that averaged twenty nine million viewers on.

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Speaker 2: NBC Michael's last game. Yeah, it was.

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Speaker 1: It was the controversy, the push they you know, there

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Speaker 1: was the it was something like that there was the

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Speaker 1: flu going in. It was like a weird it was

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Speaker 1: weird off court stories and and and an unbelievable you

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Speaker 1: know series. But if you watch you remember the NBA

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Speaker 1: Finals in eighty seven, it was the Lakers in Boston

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Speaker 1: and that was on CBS. That averaged twenty four million

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Speaker 1: viewers Boston LA in basketball twenty four million. Yet Fox

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Speaker 1: got twenty five million people to watch on Saturday night

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Speaker 1: the the the World Series. Now, granted it was a

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Speaker 1: Saturday night. You know, people home, people are broke, so

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Speaker 1: they have nowhere to go.

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Speaker 3: And really importantly, there was no NFL game on, right,

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Speaker 3: no NFL game on and that they were beating World

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Speaker 3: Series games for like a month night football game.

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Speaker 1: Oh yeah, yeah, yeah, the NFL rules, but there was.

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Speaker 1: It was also the day after Halloweens, so people, you know,

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Speaker 1: were partied out on Friday night exactly, they want to

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Speaker 1: hang at home and just do nothing.

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Speaker 3: Normally a lot of them would go out to the

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Speaker 3: bars and watch the game, but having partied the night

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Speaker 3: before from watch.

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Speaker 1: They were full of cors the silver bullets. Cors Light

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Speaker 1: has taken over Halloween with these silver bullets. So in

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Speaker 1: eighty seven it was law La Lakers and Boston Celtics,

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Speaker 1: and again that was twenty four million viewers, and then

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Speaker 1: gave seven of nineteen eighty eight.

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Speaker 2: That was oh no, I'm sorry.

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Speaker 1: In twenty fifteen, the Golden State Warriors and the Cleveland Cavaliers,

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Speaker 1: that was when Lebron James made a huge comeback to win.

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Speaker 1: I believe that's that year, and that averaged nineteen million,

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Speaker 1: almost twenty million viewers, so twenty million in twenty fifteen

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Speaker 1: with the NBA Finals twenty four million with Boston LA.

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Speaker 1: I don't think you get two, you know, teams East Coast,

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Speaker 1: West coast, big rivals like that, and they only got

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Speaker 1: twenty four million, but they had twenty five million viewers

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Speaker 1: on Saturday watching that game. It was unreal, unbelievable. And

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Speaker 1: I always extend when I record a game. I always

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Speaker 1: put on the extension, you know, extend two hours, you know,

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Speaker 1: extended play, extended record two hours. And that game ended

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Speaker 1: literally ten seconds before my allotted time on my recording ended.

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Speaker 1: And if I didn't have that ending, I would have

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Speaker 1: been miserable as hell. So now I have it on

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Speaker 1: TV and I watch it every day. I fast forward

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Speaker 1: through the commercials, I start yet last night I started

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Speaker 1: in the first fing inning. How do you do you

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Speaker 1: have it like on TVO or something. Yeah, well, no,

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Speaker 1: it's on DVRs. So I can just fast forward through

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Speaker 1: the commercials. Say you have a VCR tape. It's an

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Speaker 1: unbelievable game. There was everything in that game bench clearing,

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Speaker 1: you know at one point.

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Speaker 3: But you remember all those days with the VCRs and

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Speaker 3: people would save those games, those yeah games, I did

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Speaker 3: as well.

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Speaker 1: I still have them.

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Speaker 2: Stacks of a VCR tape, I still have them.

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Speaker 1: But that's that's when you know you you have to

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Speaker 1: literally it was such poor quality too. You could barely

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Speaker 1: see it. It looks like from.

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Speaker 2: Years ago, and it was like ten.

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Speaker 1: And then it took a genius to set up the timer.

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Speaker 1: You know, you had to manually do it. And then

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Speaker 1: god forbid you ever get a power outed, you got

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Speaker 1: to go right back and start, got to start over.

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Speaker 2: Daylight saving was a pain in the ass.

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Speaker 1: I had. My wife said to me today, she said, hey,

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Speaker 1: do you know that the lady down the street said hi?

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Speaker 1: And I'm like okay, and she goes, do you know

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Speaker 1: what I'm talking about? I'm like not really, I mean,

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Speaker 1: who is she? She goes, oh, she's the one that

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Speaker 1: worked at your junior high school Portola. And she said,

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Speaker 1: you don't remember her, mister, missus Austro or something.

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Speaker 2: I said.

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Speaker 1: She goes, she came by the house and said hi

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Speaker 1: to you, like five years ago, and said she worked

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Speaker 1: at your junior high and remembers you from junior High.

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Speaker 1: I said, yeah, I you know, I don't know. I mean,

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Speaker 1: I think she's probably a beautiful, wonderful lady. I just

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Speaker 1: my memory is not what he used to be.

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Speaker 2: Do you believe that though?

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Speaker 3: I mean, you're a known person. So if somebody has

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Speaker 3: a conversation like oh, yeah I remember, you know what

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Speaker 3: I mean.

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Speaker 1: So but but then she said you don't remember her,

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Speaker 1: and I said, Keen. The attendance office wasn't a positive

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Speaker 1: experience for me. Every time I was called that attendant's office,

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Speaker 1: I'm like, oh, they finally got me, you know, they

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Speaker 1: they are on to me. And I said, I don't

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Speaker 1: know anybody, Krozer. You where'd you go to junior high?

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Speaker 1: What was the name of your junior Shuegart?

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Speaker 2: Did you know?

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Speaker 1: Do you know anybody from the attendance office? No?

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Speaker 2: Oh good god, No the attendant's office.

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Speaker 1: No, yeah, I do you know? We had one belly.

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Speaker 1: Do you know anybody from your junior high attendance office?

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Speaker 1: Where did you go to junior high? Uh?

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Speaker 4: Manning Junior High in Golden color Applewood, Colorado?

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Speaker 1: Is that right?

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Speaker 2: Is that named after the Manning brothers? Yes?

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Speaker 1: It was Tim? Is that right?

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Speaker 4: I went to Eli Manning.

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Speaker 1: Born then Yeah. No, but the Mannings were a dynasty

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Speaker 1: even before you were born.

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Speaker 2: Peyton, Yeah, I know, Archie Archie man Ye, Archie Manning.

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Speaker 2: What about you, Angel Martinez?

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Speaker 5: You know?

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Speaker 1: But where'd you go to junior High?

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Speaker 4: I went to junior High at Low Saliso's in Mission

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Speaker 4: Via Hos.

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Speaker 1: Wow, got a snobby? What did you do you remember

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Speaker 1: anybody from the attendant's office? No, yeah, I don't. I

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Speaker 1: don't even I couldn't point where the attendant's office was.

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Speaker 1: I don't know.

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Speaker 2: But my daughter and my wife are all like, you know,

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Speaker 2: you said hi, or you.

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Speaker 6: Don't know, you're getting old, you're getting out of here,

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Speaker 6: go make money at the radio, your fart, And they're like,

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Speaker 6: you know, But but I will say when when my

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Speaker 6: dad was doing the Carbonet show, I used to have

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Speaker 6: him sign a piece of paper and say, hey, this

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Speaker 6: kid at school wants your autograph, and he go, okay,

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Speaker 6: he assigned piece of paper, and then on the way

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Speaker 6: to school, above it, I'd write, please excuse him for

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Speaker 6: the last day he had the flu?

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Speaker 1: Did he really?

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Speaker 2: I did that twenty thirty times easily?

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Speaker 1: Did you really do that? And then my dad caught

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Speaker 1: on to me. So he signed a piece of paper

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Speaker 1: and goes, oh, what's the kid's name?

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Speaker 2: There you go.

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Speaker 1: He goes by mister Kaufman. He's very formal, he's a

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Speaker 1: he's a very formable friend of mine and juniors to

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Speaker 1: whom we may concerns. And then he got really smart

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Speaker 1: and he started signing autograph pictures instead of pieces of paper.

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Speaker 1: And then it's really difficult to write on the paper

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Speaker 1: on the picture, but they probably would accept it in

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Speaker 1: the picture. You're down with an autograph, alright. But I

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Speaker 1: remember him looking at me, go witmute. Your friend's name

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Speaker 1: is mister Kaufman. Yeah, he's a formal friend of mine.

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Speaker 1: He's a British guy. He's he's an old school, old

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Speaker 1: school guy. Old school. All right, we're live on kf

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Speaker 1: I am six forty. There is some news on planes

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Speaker 1: being cut back, and we'll get to that.

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Speaker 5: You're listening to Tim Conway Junior on demand from KFI

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Speaker 5: AM sixty monks joins us hi you bub.

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Speaker 1: I'm all right.

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Speaker 7: I'm certainly too better than some of these poor folks

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Speaker 7: who lost their houses in the January wild fires, who

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Speaker 7: are just continuing to suffer, and they've had it, and

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Speaker 7: they are calling for a resignation.

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Speaker 1: Tim, Yes, at the insurance commissioner, I believe right. Yeah,

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Speaker 1: his name is Ricardo Laura.

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Speaker 7: You may have heard his name frequently recently in media reports,

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Speaker 7: as there has been documentation of his widespread travel, is

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Speaker 7: lavish spending, and really the lack of proper oversight, some

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Speaker 7: would say, of the insurance agents of the insurance industry.

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Speaker 1: Right, really in bed with the big insurance company. Well,

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Speaker 1: that's what it looks like. And here's what happened, Okay.

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Speaker 7: Group of survivors of the Eton fire and the Palisades

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Speaker 7: Fire got together today to ask Governor Newsom to join

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Speaker 7: them in calling for Ricardo Laura's resignation. This little press

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Speaker 7: event that they organized today was inspired by an article

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Speaker 7: that came out in the New York Times a few

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Speaker 7: days ago.

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Speaker 1: Nobody locally will write about it in California. There's been

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Speaker 1: some writing, but not like this.

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Speaker 7: This was a deep dive. And this New York Times

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Speaker 7: article has five bylines on it. It's very rare that

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Speaker 7: you have an article with that many journalists attached to it,

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Speaker 7: and the New York Times sent five people out here

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Speaker 7: to take a look at how the insurance situation in

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Speaker 7: this state got to where it was specifically related to

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Speaker 7: the fires. And so these survivors say, there's a couple

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Speaker 7: of issues, and that's what was explored in this article. One,

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Speaker 7: people who have insurance and suffered losses in the fires

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Speaker 7: are not able to get what they thought they were

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Speaker 7: paying for. It's not working fast enough. Two other people

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Speaker 7: can't get insurance at all.

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Speaker 1: And a bunch of policies were canceled really like moments

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Speaker 1: before that fire hit.

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Speaker 7: That's the crux of this article, maybe the most damning

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Speaker 7: part of it. If you read the article, they explain

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Speaker 7: this deal that Ricardo Laura was trying to work out

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Speaker 7: with the insurance industry. The goal was one to get

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Speaker 7: people insured, but also to get people off of the

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Speaker 7: state program. It doesn't offer as much a coverage as

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Speaker 7: a private policy. You're often paying more for less basically

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Speaker 7: is what happens. And so The New York Times writes,

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Speaker 7: the central promise was that insurers would have to write

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Speaker 7: policies in fire prone areas at a rate equal to

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Speaker 7: at least eighty five percent of their market share across

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Speaker 7: the state. In other words, let's get a deal going.

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Speaker 7: We're going to help you increase your rates as you

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Speaker 7: want to do, but you have to ensure more people.

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Speaker 7: You have to promise to do that. Okay, okay, they say,

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Speaker 7: but this deal was riddled with loopholes. Ah, and so

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Speaker 7: the insurance agencies were still able to increase the rates.

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Speaker 7: But we're also able to cancel thousands and thousands and

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Speaker 7: thousands of insurance policies, including in the fire prone areas.

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Speaker 7: And instead of reducing the number of people on the

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Speaker 7: fare Plan as it's known the state insurance program, the

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Speaker 7: numbers almost doubled.

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Speaker 1: Oh my god, you know. And then there's people, you

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Speaker 1: know who weren't affected by the fire and don't live

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Speaker 1: in a fire zone, like well me who So before

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Speaker 1: the fire, my home insurance for a year was twenty

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Speaker 1: four hundred dollars. I just got the bill last week

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Speaker 1: for next year, it's fifty six hundred dollars. I just

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Speaker 1: gone up by it was twenty four hundred. It's gone

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Speaker 1: up thirty two hundred dollars more.

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Speaker 7: I just got to notice from my Renter's insurance going

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Speaker 7: up that they're canceling us.

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Speaker 1: Oh my god.

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Speaker 7: And I've been meaning to look into that because I

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Speaker 7: don't know if that's something other people are dealing with.

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Speaker 7: If I about even the Renter's insurance market in this

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Speaker 7: state is about to collapse because we've had them for

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Speaker 7: almost three full years, and now when the term expires

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Speaker 7: in January, we got to find somebody else.

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Speaker 1: And that's that's tough. You know, it's expensive too, Renter's

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Speaker 1: insurance and it doesn't cover a lot. I think maximum

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Speaker 1: is twenty five thousand dollars for like a typical policy.

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Speaker 1: But the insurance in this state has always been a scam.

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Speaker 1: It's tough, it's expensive, and you're not getting enough for it.

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Speaker 1: These survivors who got together today calling for Ricardo Lar's

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Speaker 1: resignation say seventy percent of insured survivors of Eton and

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Speaker 1: Palisades fires what they call systemic under insurance and delays

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Speaker 1: and denials blocking their recovery, and that there are more

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Speaker 1: than eight and ten Los Angeles fire survivors displaced still wow,

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Speaker 1: with most expected to lose their temporary housing coverage within months.

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Speaker 2: Oh my god.

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Speaker 1: And then this guy, Laura the commissioner, is flying all

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Speaker 1: over the world on our dime and posting pictures on

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Speaker 1: social media. It's pretty brazen. I mean, look, I understand

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Speaker 1: the guy doing this in nineteen sixty two when nobody

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Speaker 1: had a camera and all the reporters were in the

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Speaker 1: pocket of the politicians. But this is twenty twenty five,

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Speaker 1: when everyone has cameras, everyone has social media, and he

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Speaker 1: still does it. He posts some You gotta give him

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Speaker 1: the fact that he's got radical huge balls. Got well.

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Speaker 7: I'm sure there are plenty of people you can ask

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Speaker 7: in the towns that have been visited, but unbelievable. California

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Speaker 7: is difficult to ensure because of the nature of the weather.

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Speaker 7: Here we have beautiful weather, but we also suffer from

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Speaker 7: these wildfires, potential of earthquakes. That's why you have to

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Speaker 7: have earthquake insurance in some instances, certain types of fire

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Speaker 7: insurance depending on where you are, and that's not attractive

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Speaker 7: just from a business point of view. So you can

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Speaker 7: understand the challenges that the insurance industry faces, and that's

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Speaker 7: why some compromises are probably necessary. But what these survivors

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Speaker 7: are saying is we want to feel like we're not

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Speaker 7: being left behind here. We want to make sure that

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Speaker 7: everything is transparent and that the negotiations that are taking

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Speaker 7: place are fair. Florida deals with the same things. I mean,

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Speaker 7: any place at hcacular adverse weather.

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Speaker 1: I mean.

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Speaker 7: Insurers are like, we're losing our balls here. I mean,

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Speaker 7: we can't continue doing this this way. So some concessions,

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Speaker 7: of course, have to be made. There is a price

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Speaker 7: to pay to live in a beautiful place like this, right,

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Speaker 7: Like get fair and make it open.

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Speaker 1: And a lot of people don't have a mortgage have

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Speaker 1: opted not to ensure anyway because it's too expensive.

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Speaker 5: You know.

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Speaker 1: They just put that money away every month and hopefully

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Speaker 1: they don't go through a catastrophe.

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Speaker 2: All right.

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Speaker 1: The second deal you're working on is the Brady Bunch House.

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Speaker 1: They want to make that a You could have teased

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Speaker 1: it better than that. You just blew it. Oh my god,

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Speaker 1: all right, but it's coming up next. I want to

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Speaker 1: tell it.

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Speaker 7: Brady Famous Houses could become a historic cultural landmark in

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Speaker 7: Los Angeles in one of the Brady Kids spoke in

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Speaker 7: favor of that at a city meeting in Los Angeles today.

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Speaker 1: That story is coming up next on The Conway Show

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Speaker 1: Us Can you stay? Yeah, okay, all right, Monks is

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Speaker 1: with us. We're gonna do the Brady Bunch House next.

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Speaker 1: And by the way, I've been to the Brady Bunch House.

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Speaker 1: You have to really look at it for about an

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Speaker 1: hour to realize that it's a Brady Bunch House. It

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Speaker 1: doesn't look anything like it. And it's a one story house.

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Speaker 1: And they had stairs inside the Brady Bunch House. So

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Speaker 1: there's a problem there. And why were there never any

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Speaker 1: pictures of the ex husband and the ex wife? Save

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Speaker 1: it for the segment? All right, I got it, all right,

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Speaker 1: all right, I get a show on Saturday night and

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Speaker 1: all of a sudden, he's dictating this weekday show.

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Speaker 2: This guy.

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Speaker 5: You're listening to Tim Conway Junior on demand from KFI

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Speaker 5: AM six forty Monks.

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Speaker 2: Should you watch it for he's grown up?

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Speaker 1: In reruns?

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Speaker 7: Yeah, yeah, that's This show was not actually a huge

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Speaker 7: rating success in first run, but it has had this

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Speaker 7: longevity which brings us to today. This is a show

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Speaker 7: that resonates even with people walking among us youthfully today.

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Speaker 1: Wow. And so you remember from the show the Brady House. Sure,

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Speaker 1: I've been to the Brady House probably ten to fifteen times. Well,

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Speaker 1: it's in Studio City. Yeah, here in Los Angeles. I

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Speaker 1: could take you to it. It's about four miles where

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Speaker 1: we're sitting. Yeah, it's not far at all. And it

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Speaker 1: may soon be a protected historic cultural landmark in the

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Speaker 1: city of Los Angeles. The first hurdle was cleared today,

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Speaker 1: is that right, Yeah, the Los Angeles Historic or Heritage

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Speaker 1: Cultural Commission, they're the ones that get the first DIBs

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Speaker 1: at all of these landmarks. Ultimately it's approved by city council,

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Speaker 1: but there's a process, and what happened today was that

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Speaker 1: very first step where a lot of evidence has presented,

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Speaker 1: a report is presented and.

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Speaker 7: It says, is this word for further exploration? And the

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Speaker 7: answer was yes, we're going to look further into this.

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Speaker 7: And this was presented by an architect and local historian

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Speaker 7: who put all the documents together explaining why this house

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Speaker 7: is significant. But what was interesting when you get to

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Speaker 7: historic landmark, it's often iconic architecture. Something major happened there

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Speaker 7: at the site. Sure, this was more than just the

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Speaker 7: mid century architecture. It's a lovely mid century home. There

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Speaker 7: are a lot of examples of this, but this one's

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Speaker 7: special because of its connection to this show, even though.

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Speaker 1: The show was not shot there. Well, the show wasn't

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Speaker 1: shot there, and I got a lot of problems with

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Speaker 1: the house. But you know, coming from you know, Ohio

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Speaker 1: and Kentucky. You know, my dad's from Ohio, your parents

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Speaker 1: are from Kentucky. Once a house reaches one hundred years old,

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Speaker 1: it gets historical protection. In some places it's fifty. Oh,

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Speaker 1: it's fifty okay, Like the house that my grandparents owned

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Speaker 1: was built before Abraham Lincoln was president. I mean historic,

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Speaker 1: and you can't take it down now. It's there forever.

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Speaker 1: There's a big plaque on it, and it's done. And

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Speaker 1: I think we might have talked about this before.

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Speaker 7: Los Angeles is not as old as those Western places,

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Speaker 7: at least not in terms of having this type of civilization.

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Speaker 1: You know, the way that cities are built up.

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Speaker 7: So if you go to any city in the Midwest

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Speaker 7: or the East coast, so whether it's a big city

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Speaker 7: or a small city, you've got tons of old Victorian

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Speaker 7: commercial architecture on their main street. That is probably protected

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Speaker 7: by various ordinances, which means you can't you can't just

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Speaker 7: not tear it down. You have to have certain windows

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Speaker 7: that go in, certain paint colors that go in. This

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Speaker 7: is to keep this home in Studio City in case

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Speaker 7: it ever faces the threat of demolition. There is no

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Speaker 7: imminent threat, but this is a home that resonates with

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Speaker 7: so many people, including the Brady Kids. One of the

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Speaker 7: Brady Kids, Susan Olsen, who played Cindy Brady, the youngest

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Speaker 7: one in Curls Right, she attended the meeting today.

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Speaker 2: Oh that's great.

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Speaker 8: Here's what she said that Brady's represent the ideal family

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Speaker 8: where the children and parents respect each other mutually and

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Speaker 8: small but important lessons are learned in every episode. Fortunately,

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Speaker 8: the home was purchased by HGTV. As adults, we surviving Brady's,

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Speaker 8: who will always be known as the Brady Kids, became

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Speaker 8: involved in the effort to restore the Brady House that

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Speaker 8: make the interior match the sets that were built on

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Speaker 8: the sound stage at Paramount Studios. I thought the task

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Speaker 8: was impossible, but what the geniuses at HGTV. We did it.

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Speaker 1: So there's two things that are important there.

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Speaker 7: One the first part of the argument, this is a

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Speaker 7: house that means a lot to a lot of people.

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Speaker 7: That's because of how beloved the show is. And two,

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Speaker 7: the interior does now match the show.

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Speaker 1: And while that.

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Speaker 7: Can't be considered for the historic preservation purposes, it's technically new.

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Speaker 1: Even though it's done in that old style.

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Speaker 7: It is something that has enhanced the appeal of this house,

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Speaker 7: making it worthy of saving.

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Speaker 1: So if you do d if you ever go buy

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Speaker 1: the house and you drive by it, I know Beellio

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Speaker 1: has gone by it. She's a brady nut And it

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Speaker 1: doesn't look like there's enough room for a second story.

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Speaker 1: Looks like it's a split level house, but there's definitely

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Speaker 1: not enough room in that house to have a full

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Speaker 1: staircase like they had in the show.

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Speaker 7: You know, they have a lot of arguments about these

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Speaker 7: types of places. In fact, just today, I was scrolling

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Speaker 7: Facebook a little earlier and I saw one of the

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Speaker 7: Seinfeld pages posted the layout of Jerry Seinfeld's apartment and

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Speaker 7: it's like, there's no way there could be a hallway

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Speaker 7: outside that. You know, Like, people get into the nuts.

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Speaker 1: It's a TV show, it's a TV show that's fantastic.

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Speaker 1: Joy the television show, but this house.

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Speaker 7: Sherwood Schwartz, who created the show, and his daughter spoke

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Speaker 7: at the meeting today too and support of preserving this house.

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Speaker 7: He specifically drove around Studio City and LA looking for

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Speaker 7: a house. He wanted Mike Brady, the father to be

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Speaker 7: an architect. He's like, that's one of the jobs you

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Speaker 7: never see on television at this and this is according

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Speaker 7: to his daughter who spoke today. So he went driving

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Speaker 7: around looking for house that he thought an architect might

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Speaker 7: live in. Oh wow, and he found that one, which

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Speaker 7: was probably about ten years old at the time, and said,

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Speaker 7: that's the one unbelievable.

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Speaker 1: I mean it literally is. You know, it's off Wist

438
00:21:02,880 --> 00:21:06,280
Speaker 1: and Ventura, and I imagine the people own the house,

439
00:21:06,400 --> 00:21:09,919
Speaker 1: are you know now that it's the garden station or

440
00:21:10,080 --> 00:21:13,280
Speaker 1: hg TV or whatever it is, there's probably nobody living

441
00:21:13,280 --> 00:21:15,320
Speaker 1: in it. But when there were people living in it,

442
00:21:15,320 --> 00:21:18,040
Speaker 1: it probably was tiresome to have fifty people every day

443
00:21:18,040 --> 00:21:19,240
Speaker 1: come by and stare at your house.

444
00:21:19,240 --> 00:21:21,120
Speaker 7: The woman who owns it does live in it. She's

445
00:21:21,080 --> 00:21:23,240
Speaker 7: start at the meeting today too, in favor of preserving

446
00:21:23,240 --> 00:21:27,320
Speaker 7: the house. She bought the house from HGTV, and she said,

447
00:21:27,400 --> 00:21:30,480
Speaker 7: speaking from her own experience. There's just something really special,

448
00:21:30,600 --> 00:21:33,200
Speaker 7: especially now that it's been redesigned to look like the interior.

449
00:21:33,359 --> 00:21:35,080
Speaker 1: Ron. I'd love to see the interior.

450
00:21:35,200 --> 00:21:36,959
Speaker 7: They were shot on the Paramount lot, right, so they

451
00:21:37,000 --> 00:21:39,840
Speaker 7: just did those as establishing exterior shots. But you see

452
00:21:39,840 --> 00:21:42,520
Speaker 7: in everything. But now the interior looks like how she says.

453
00:21:42,720 --> 00:21:44,720
Speaker 7: When you walk in, it's almost like not just the

454
00:21:44,760 --> 00:21:48,080
Speaker 7: Brady characters, but you can see your mom's slippers by

455
00:21:48,080 --> 00:21:50,320
Speaker 7: the door, you can see your dad's glasses on the table.

456
00:21:50,359 --> 00:21:52,200
Speaker 7: It just takes you back to another time.

457
00:21:52,320 --> 00:21:54,879
Speaker 3: Come on, guys from the Woody Show Menace and Greg.

458
00:21:54,960 --> 00:21:56,320
Speaker 3: They did a tour of it about a month or

459
00:21:56,359 --> 00:21:58,800
Speaker 3: so ago. They posted it online. Was they took a

460
00:21:58,840 --> 00:21:59,960
Speaker 3: tour of the entire interior.

461
00:22:00,040 --> 00:22:01,320
Speaker 1: Wow, and it is.

462
00:22:01,400 --> 00:22:04,439
Speaker 3: It's completely functional and set up and looks just like

463
00:22:04,480 --> 00:22:05,720
Speaker 3: it did during the Brady Show.

464
00:22:05,800 --> 00:22:08,480
Speaker 1: And that style is that style is hip again.

465
00:22:08,640 --> 00:22:10,919
Speaker 7: I love mid century architecture, but a lot of the

466
00:22:10,920 --> 00:22:13,040
Speaker 7: mid center and there's a lot of mid century around La.

467
00:22:13,520 --> 00:22:17,399
Speaker 7: A beautiful mid century place here, but the interiors are

468
00:22:17,400 --> 00:22:19,639
Speaker 7: all updated because people want my cooking kitchens. But a

469
00:22:19,680 --> 00:22:22,560
Speaker 7: lot of that old school mid century tiles and the

470
00:22:22,600 --> 00:22:24,440
Speaker 7: types of materials that were used in kitchens.

471
00:22:24,480 --> 00:22:25,880
Speaker 1: I love that. I would love to have a place

472
00:22:25,960 --> 00:22:29,679
Speaker 1: like this. It's weird because I can you know the

473
00:22:29,720 --> 00:22:32,000
Speaker 1: house that we grew up in Tarzana, I couldn't really

474
00:22:32,040 --> 00:22:33,560
Speaker 1: tell you what the interior looked like.

475
00:22:33,600 --> 00:22:34,800
Speaker 2: We were young when I moved.

476
00:22:34,640 --> 00:22:37,560
Speaker 1: The cigarette smoke. Yeah, but that Brady house, I can

477
00:22:37,600 --> 00:22:41,080
Speaker 1: tell you every like every nook and cranch, where everything is.

478
00:22:41,119 --> 00:22:43,280
Speaker 1: Where the kitchen is off to the left, the living room, this,

479
00:22:43,480 --> 00:22:46,240
Speaker 1: you know, the the sunken living room when you walk

480
00:22:46,280 --> 00:22:47,200
Speaker 1: in the Jack.

481
00:22:47,040 --> 00:22:48,880
Speaker 2: And Jill bathroom, between the kids.

482
00:22:48,680 --> 00:22:51,760
Speaker 1: Right exactly, Brady's office off to the right, you know,

483
00:22:52,080 --> 00:22:54,640
Speaker 1: Mike's office. Then upstairs. I can tell you everything about

484
00:22:54,640 --> 00:22:56,959
Speaker 1: that hut. Where do you find a sunken living room anymore?

485
00:22:57,520 --> 00:22:59,000
Speaker 1: Because you see it in midcenter. I'm a fan.

486
00:22:59,040 --> 00:23:00,760
Speaker 7: I get a lot of mid century pictures sent to

487
00:23:00,800 --> 00:23:03,120
Speaker 7: my algorithms on Social Crozy, and I see these.

488
00:23:03,160 --> 00:23:03,680
Speaker 1: Do you have one?

489
00:23:03,680 --> 00:23:05,280
Speaker 2: Cr I do have a sunken living yw do you

490
00:23:05,480 --> 00:23:06,200
Speaker 2: sit in the house?

491
00:23:06,280 --> 00:23:07,679
Speaker 7: I mean it's for like it's supposed to be, like

492
00:23:07,680 --> 00:23:09,560
Speaker 7: to enhance conversation, right, wasn't that the point?

493
00:23:09,640 --> 00:23:09,800
Speaker 2: Yeah?

494
00:23:09,880 --> 00:23:11,400
Speaker 3: Yeah, yeah, we got a nice little couch in there.

495
00:23:11,400 --> 00:23:13,520
Speaker 3: I got my my drum sets set up in there,

496
00:23:13,640 --> 00:23:16,640
Speaker 3: got stereo. Yeah, but Jen's happy about the drums set. Yeah,

497
00:23:16,680 --> 00:23:19,080
Speaker 3: let's all go sit around and watch them drum in

498
00:23:19,119 --> 00:23:21,359
Speaker 3: the living room. It's an electronic drum sets. So I

499
00:23:21,440 --> 00:23:22,280
Speaker 3: just put on my headphone.

500
00:23:22,320 --> 00:23:27,800
Speaker 1: Oh nice. But Krozier has three fireplaces in his house,

501
00:23:27,840 --> 00:23:29,399
Speaker 1: does he really? And one of those is in that

502
00:23:29,480 --> 00:23:32,240
Speaker 1: sunken living room downstairs and one up in the man

503
00:23:32,359 --> 00:23:34,240
Speaker 1: Is it a mid century house? No?

504
00:23:34,400 --> 00:23:35,000
Speaker 2: Mid eighties?

505
00:23:35,119 --> 00:23:39,040
Speaker 1: Really? Yeah, it's beautiful home, great home, great for it

506
00:23:39,119 --> 00:23:42,000
Speaker 1: later it's like the it's like the perfect home for

507
00:23:42,080 --> 00:23:43,960
Speaker 1: a swingers party. Everyone ever tell you that?

508
00:23:44,040 --> 00:23:46,080
Speaker 2: Yeah, yeah, yeah, he needs the bowl for the keys.

509
00:23:49,400 --> 00:23:51,840
Speaker 1: Monks. Thank you. Saturday night, seven to nine pm. I'll

510
00:23:51,840 --> 00:23:54,600
Speaker 1: be here right here on KFI. Thanks Bob. All right,

511
00:23:54,640 --> 00:23:55,640
Speaker 1: there he goes Michael Munk.

512
00:23:56,119 --> 00:23:59,719
Speaker 5: You're listening to Tim Conway Junior on demand from KF.

513
00:23:59,760 --> 00:24:04,399
Speaker 1: I am six forty. I'm watching David Letterman. It's the

514
00:24:04,520 --> 00:24:08,760
Speaker 1: David Letterman channel and it's I think it's called Letterman TV.

515
00:24:09,359 --> 00:24:10,720
Speaker 2: I don't know if you get it on.

516
00:24:10,560 --> 00:24:14,800
Speaker 1: Your cable or whatever you're watching at home, but it's

517
00:24:14,840 --> 00:24:19,639
Speaker 1: great to watch Letterman at the height of his career,

518
00:24:19,840 --> 00:24:22,359
Speaker 1: at the funniest he ever was, you know, before he

519
00:24:22,600 --> 00:24:27,320
Speaker 1: passed away. And to watch him, you know, do his

520
00:24:27,880 --> 00:24:33,920
Speaker 1: late night show, have these great guests on Bosa. Oh no,

521
00:24:33,960 --> 00:24:37,639
Speaker 1: I was talking about his comedy. Yeah, no, I know

522
00:24:37,720 --> 00:24:42,639
Speaker 1: he's alive, but his comedy is dead. Yeah, he passed away.

523
00:24:43,160 --> 00:24:47,359
Speaker 1: His comedy's passed away. He doesn't do it anymore. He

524
00:24:47,400 --> 00:24:50,760
Speaker 1: doesn't do comedy anymore. He's a serious journalist or a

525
00:24:50,760 --> 00:24:53,800
Speaker 1: serious guy. All he does every time he anytime you

526
00:24:54,680 --> 00:24:57,520
Speaker 1: out comedy, he's just doing. He's just doing serious grab

527
00:24:58,400 --> 00:25:03,760
Speaker 1: He's left comedy in his rear view window or whatever.

528
00:25:03,800 --> 00:25:07,240
Speaker 1: That's stupid saying is he's moved on. But to watch

529
00:25:07,320 --> 00:25:12,240
Speaker 1: Letterman when he was funny is awesome to watch. I

530
00:25:12,320 --> 00:25:14,359
Speaker 1: watched that sometimes when I get home for like two

531
00:25:14,440 --> 00:25:17,080
Speaker 1: or three hours, you know, guest after guest after guests

532
00:25:17,320 --> 00:25:19,600
Speaker 1: and behind the scenes and how they did all the

533
00:25:19,840 --> 00:25:22,560
Speaker 1: you know, the props and everything. It was great. The

534
00:25:22,880 --> 00:25:25,200
Speaker 1: remotes that they did, you know, when Letterman would go

535
00:25:25,240 --> 00:25:27,240
Speaker 1: out on the street and do the man on the

536
00:25:27,280 --> 00:25:30,400
Speaker 1: street stuff. It was great. And then at one point

537
00:25:30,680 --> 00:25:35,520
Speaker 1: he decided to stop doing comedy. And it's just nice

538
00:25:35,560 --> 00:25:39,040
Speaker 1: to see that. They somebody preserved his comedy before he died.

539
00:25:40,240 --> 00:25:43,560
Speaker 1: I mean not physically, but his comedy died, and it's

540
00:25:43,640 --> 00:25:47,879
Speaker 1: nice to see on Letterman TV. I literally watch it

541
00:25:47,960 --> 00:25:50,080
Speaker 1: for two or three hours some nights, just watch him.

542
00:25:50,119 --> 00:25:54,640
Speaker 1: It's great, it's fantastic. I don't know why I brought

543
00:25:54,640 --> 00:25:56,480
Speaker 1: that up. There was a reason. Oh oh, here's why

544
00:25:57,240 --> 00:26:00,760
Speaker 1: Marv Albert was on it. You remember Marv Albert, right Crozer. Yeah,

545
00:26:00,800 --> 00:26:03,959
Speaker 1: so Marv Albert had like he was. I don't know

546
00:26:03,960 --> 00:26:07,080
Speaker 1: if Rogan's Heroes was first or Marv Albert's you know,

547
00:26:08,160 --> 00:26:11,639
Speaker 1: highlight machine or whatever. Michael used to George Michael's sports machine.

548
00:26:13,040 --> 00:26:13,959
Speaker 2: Yeah, I love that.

549
00:26:14,040 --> 00:26:16,480
Speaker 1: With those big ass buttons on that sports machine and

550
00:26:16,600 --> 00:26:18,960
Speaker 1: hit that button and those and those big two and

551
00:26:19,000 --> 00:26:23,320
Speaker 1: a half inch tapes would twirl around. They did anything.

552
00:26:25,200 --> 00:26:28,160
Speaker 1: But he used to show bloopers, you know. Marv Albert

553
00:26:28,200 --> 00:26:30,160
Speaker 1: would go on Letterman, go I watch this guy gets

554
00:26:30,200 --> 00:26:32,720
Speaker 1: hit by a train, you know, and watch this guy

555
00:26:32,760 --> 00:26:35,600
Speaker 1: he's choking. He doesn't die, but he gets very close.

556
00:26:36,359 --> 00:26:40,760
Speaker 1: But now, and but he did all sports bloopers. But now,

557
00:26:40,760 --> 00:26:43,000
Speaker 1: if somebody were to do that and go, hey, I

558
00:26:43,000 --> 00:26:45,919
Speaker 1: got a sports blooper show. Every blooper would be like,

559
00:26:45,960 --> 00:26:48,720
Speaker 1: Oh I saw that five years ago, Oh I saw

560
00:26:48,760 --> 00:26:51,560
Speaker 1: that last month, Oh I saw that two years ago.

561
00:26:51,880 --> 00:26:55,359
Speaker 1: You can't keep bloopers to yourself anymore. With the Internet.

562
00:26:55,400 --> 00:26:57,480
Speaker 1: They just get out there and all the good ones

563
00:26:57,520 --> 00:27:01,040
Speaker 1: are shared by everybody. So you can't do a you know,

564
00:27:01,720 --> 00:27:05,840
Speaker 1: like a Rogan's Hero or a you know, a blooper

565
00:27:05,920 --> 00:27:10,600
Speaker 1: show because everyone's already seen him. So that's over. It's over.

566
00:27:11,640 --> 00:27:18,919
Speaker 1: But it is awesome to watch a letterman man. He

567
00:27:19,040 --> 00:27:19,639
Speaker 1: was the best.

568
00:27:19,760 --> 00:27:21,919
Speaker 3: He was the one that got caught with the with

569
00:27:21,960 --> 00:27:24,239
Speaker 3: the chick who used to like to get He liked

570
00:27:24,240 --> 00:27:24,919
Speaker 3: to get bit.

571
00:27:24,880 --> 00:27:25,359
Speaker 2: In the back.

572
00:27:25,800 --> 00:27:29,800
Speaker 1: And he also wearing her panties. Yes, yeah, yeah. Does

573
00:27:29,880 --> 00:27:33,040
Speaker 1: he have a kid that also is uh? Is Chris Albert?

574
00:27:33,080 --> 00:27:36,199
Speaker 1: Or he has a kid familiar who does hockey? I

575
00:27:36,240 --> 00:27:40,200
Speaker 1: think his brother used to call hockey. Oh well, maybe

576
00:27:40,200 --> 00:27:42,240
Speaker 1: it's his brother. Yeah, maybe it's his brother. I thought

577
00:27:42,240 --> 00:27:43,960
Speaker 1: it was his kid. But he was great.

578
00:27:43,960 --> 00:27:45,320
Speaker 2: You ever meet him Albert? What is it?

579
00:27:45,400 --> 00:27:48,320
Speaker 1: Kenny Albert? Oh, Kenny Albert. He's isn't the Rangers guy?

580
00:27:48,440 --> 00:27:50,600
Speaker 1: Or I thought I thought he was like a Ranger.

581
00:27:50,640 --> 00:27:54,840
Speaker 1: Seve Albert was is his sibling brother. Did you ever

582
00:27:54,880 --> 00:27:56,679
Speaker 1: meet him, Belly? Oh, you're big in sports? For uh?

583
00:27:56,840 --> 00:28:01,520
Speaker 1: I knew Al Albert? Who's that?

584
00:28:02,080 --> 00:28:04,879
Speaker 4: He also was a sportscaster and he covered the NBA

585
00:28:05,000 --> 00:28:05,840
Speaker 4: in the NHL.

586
00:28:06,520 --> 00:28:11,080
Speaker 1: Great guy comedy comedy name huh, al Albert? I don't

587
00:28:11,119 --> 00:28:12,920
Speaker 1: think so. It's like Larry Lawrence?

588
00:28:13,280 --> 00:28:13,480
Speaker 8: Oh?

589
00:28:13,560 --> 00:28:14,560
Speaker 1: He was great.

590
00:28:14,800 --> 00:28:15,040
Speaker 2: Yeah.

591
00:28:15,160 --> 00:28:19,240
Speaker 1: I once went to a store. I went to a store.

592
00:28:19,480 --> 00:28:21,119
Speaker 1: I was buying a ID to buy a suit for

593
00:28:21,200 --> 00:28:23,639
Speaker 1: some stupid event. And the guy that helped me was,

594
00:28:23,680 --> 00:28:25,600
Speaker 1: I don't know, it's like suits for you or you know,

595
00:28:25,640 --> 00:28:27,679
Speaker 1: how's your suit? Whatever the name of his store was.

596
00:28:28,119 --> 00:28:31,600
Speaker 1: And the guy helped me his name was Larry l

597
00:28:32,200 --> 00:28:34,600
Speaker 1: on his name tag. And I said, oh, what's the

598
00:28:35,000 --> 00:28:39,240
Speaker 1: what's your last name? He goes, Lawrence. Your name's your

599
00:28:39,280 --> 00:28:43,440
Speaker 1: name's Larry Lawrence. He said, yeah. I go, so it's

600
00:28:43,520 --> 00:28:47,400
Speaker 1: Larry Larry. He goes, No, No, it's Larry Lawrence. I going,

601
00:28:47,640 --> 00:28:50,000
Speaker 1: but isn't Larry short for Lawrence? He goes, I haven't

602
00:28:50,040 --> 00:28:53,240
Speaker 1: never heard that before. I said, wait, you've never heard

603
00:28:53,240 --> 00:28:56,680
Speaker 1: that Larry is short for Lawrence? He's no, I never

604
00:28:56,720 --> 00:28:59,080
Speaker 1: heard that before him, but thanks for ruining my day.

605
00:28:59,640 --> 00:29:00,880
Speaker 1: He want to see this in blue.

606
00:29:03,800 --> 00:29:06,640
Speaker 3: Yes, Alan Albert was called basketball games for the Nets

607
00:29:06,680 --> 00:29:07,960
Speaker 3: and the Denver Nuggets.

608
00:29:08,120 --> 00:29:08,720
Speaker 2: Oh is that right?

609
00:29:08,840 --> 00:29:09,000
Speaker 1: Yes?

610
00:29:09,280 --> 00:29:11,880
Speaker 4: Oh so you believe him because he used Allan. He

611
00:29:11,920 --> 00:29:13,360
Speaker 4: went by al Albert.

612
00:29:13,680 --> 00:29:16,360
Speaker 1: Well I and mar I believe you too. I just

613
00:29:16,400 --> 00:29:19,920
Speaker 1: thought it was odd that al Albert and they do

614
00:29:20,040 --> 00:29:25,040
Speaker 1: have It's like Sharon Sherry Sharon now Sharon CHERRYO. It

615
00:29:25,200 --> 00:29:25,560
Speaker 1: was odd.

616
00:29:26,680 --> 00:29:28,360
Speaker 4: I'm gonna step out of this conversation.

617
00:29:30,000 --> 00:29:33,600
Speaker 3: Yes, as she was saying, like it's a whole family, Kenny, Steve, Albert,

618
00:29:33,640 --> 00:29:36,520
Speaker 3: Marvi and Allen. I think we're all the commentators at

619
00:29:36,520 --> 00:29:36,920
Speaker 3: some point.

620
00:29:37,240 --> 00:29:40,000
Speaker 1: Bellio, if you had a sister named bell b E

621
00:29:40,200 --> 00:29:43,360
Speaker 1: lll E and her name was her name was Belle Bellio,

622
00:29:43,440 --> 00:29:47,360
Speaker 1: wouldn't that be her name is Bella Bella Bellio, Bella Bellio.

623
00:29:48,120 --> 00:29:49,680
Speaker 1: You really have a sister named Bella?

624
00:29:50,480 --> 00:29:50,600
Speaker 2: No?

625
00:29:50,920 --> 00:29:55,560
Speaker 1: S yes, s Now wonder you hate the Larry Lawrence

626
00:29:55,680 --> 00:29:57,560
Speaker 1: run you guys did.

627
00:29:57,400 --> 00:30:01,560
Speaker 2: It personal for me? Got a little too close? And

628
00:30:01,760 --> 00:30:06,840
Speaker 2: you know how Sharon got her name she Wallie.

629
00:30:07,400 --> 00:30:10,040
Speaker 1: Oh right, No, it's the combination of your mom and

630
00:30:10,160 --> 00:30:14,440
Speaker 1: dad's name. Yes, your mom's name Sheila Sheila, and your

631
00:30:14,480 --> 00:30:18,040
Speaker 1: dad's name is Ron. So it's s H E R

632
00:30:18,200 --> 00:30:21,960
Speaker 1: O N. Yes, Sharon, that's classic.

633
00:30:22,520 --> 00:30:23,120
Speaker 2: Thank you.

634
00:30:24,320 --> 00:30:28,200
Speaker 4: And you got your name not from the iconic actor

635
00:30:28,320 --> 00:30:29,120
Speaker 4: Tim Conway.

636
00:30:29,200 --> 00:30:31,880
Speaker 2: I did not his name is? His name is Tom Conway.

637
00:30:32,120 --> 00:30:35,920
Speaker 1: Yeah? Where did you get your name? My? Oh? You

638
00:30:35,960 --> 00:30:40,720
Speaker 1: want to know the truth? Yeah? Okay, my mom named

639
00:30:40,800 --> 00:30:44,520
Speaker 1: me after one of her dead brothers. How about that?

640
00:30:45,640 --> 00:30:49,000
Speaker 1: Aren't you glad? You asked? So, you're a feminine junior.

641
00:30:50,800 --> 00:30:53,360
Speaker 2: That's what they call it? Is that right, don't they?

642
00:30:53,640 --> 00:30:55,080
Speaker 1: I think that means something else.

643
00:30:55,440 --> 00:30:58,240
Speaker 4: No, I think if you're a junior named after your mom,

644
00:30:58,320 --> 00:30:59,760
Speaker 4: But this is your mom's brothers.

645
00:31:00,000 --> 00:31:03,240
Speaker 1: Mom's brother, Tim died when he was six months and

646
00:31:03,360 --> 00:31:07,280
Speaker 1: my mom, I guess who doesn't believe in karma, called

647
00:31:07,520 --> 00:31:11,320
Speaker 1: her son first son, Tim named after her brother, who

648
00:31:11,360 --> 00:31:14,400
Speaker 1: also had tremendous complications at birth and was only given

649
00:31:14,400 --> 00:31:16,920
Speaker 1: a fifty to fifty shot of living. So thanks mom.

650
00:31:17,000 --> 00:31:18,640
Speaker 2: I had that same thing with my mom. My mom

651
00:31:18,720 --> 00:31:19,920
Speaker 2: named me after her slow brother.

652
00:31:20,360 --> 00:31:21,479
Speaker 1: Is that right? Yes?

653
00:31:22,440 --> 00:31:30,600
Speaker 2: Very much? So thanks mom? So I feel you on that.

654
00:31:30,800 --> 00:31:32,000
Speaker 1: Oh it's so great.

655
00:31:35,320 --> 00:31:40,840
Speaker 3: How my dad wanted me to be Marshall the third

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00:31:41,280 --> 00:31:43,600
Speaker 3: and my mom said, no, I'm gonna name you after

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00:31:43,640 --> 00:31:45,080
Speaker 3: my Son Brother.

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00:31:51,000 --> 00:31:51,600
Speaker 2: Relive on.

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00:31:53,520 --> 00:31:57,240
Speaker 1: Conway Show on demand on the iHeartRadio app.

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00:31:57,400 --> 00:31:57,840
Speaker 2: Now, you can

661
00:31:57,920 --> 00:32:00,440
Speaker 1: Always hear us live on k if I A six

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00:32:00,960 --> 00:32:04,840
Speaker 1: four to seven pm Monday through Friday, and anytime on

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00:32:04,960 --> 00:32:07,400
Speaker 1: demand on the iHeartRadio app