1 00:00:00,480 --> 00:00:01,480 Speaker 1: Hey, it's Niel Savedri. 2 00:00:01,639 --> 00:00:04,600 Speaker 2: You're listening to kfi EM six forty the four Report 3 00:00:04,720 --> 00:00:06,800 Speaker 2: on demand on the iHeartRadio App. 4 00:00:09,560 --> 00:00:12,440 Speaker 1: Okay, I cracked my knuckles. 5 00:00:13,440 --> 00:00:15,560 Speaker 2: Uh, Mario, I'm gonna do this with you because miss 6 00:00:15,640 --> 00:00:18,520 Speaker 2: Kaylea just walked out. Hey, Mario, what's going on you? 7 00:00:18,680 --> 00:00:21,320 Speaker 2: Why did the hot dog go to the Academy Awards? 8 00:00:22,040 --> 00:00:23,720 Speaker 2: Why because he was an Oscar wiener? 9 00:00:38,159 --> 00:00:42,040 Speaker 1: Len me, did you had it? Let me teach you? 10 00:00:42,240 --> 00:00:48,880 Speaker 1: Ad got dam Marron, Nathan, Let me teach you at it. 11 00:00:50,880 --> 00:00:57,320 Speaker 1: It's as colmarriage. Let me teach you how to Let 12 00:00:57,400 --> 00:00:57,880 Speaker 1: me teach you. 13 00:01:00,640 --> 00:01:00,840 Speaker 2: Can't. 14 00:01:00,920 --> 00:01:04,520 Speaker 1: I am six forty live everywhere on the iHeartRadio App. 15 00:01:04,640 --> 00:01:09,360 Speaker 2: Happy Saturday to you, Neil Savedra, your friendly neighborhood folk 16 00:01:09,440 --> 00:01:15,600 Speaker 2: reporter year on a gorgeous but hot Saturday afternoon, the 17 00:01:15,760 --> 00:01:20,600 Speaker 2: Saturday before the Oscars. So this is our Oscar show, really, 18 00:01:20,760 --> 00:01:23,120 Speaker 2: because we did this last year, and I think the 19 00:01:23,200 --> 00:01:27,120 Speaker 2: year before, I think we started him with the famed 20 00:01:27,240 --> 00:01:31,360 Speaker 2: director Kevin Smith, and he and I did Oscar Sundays 21 00:01:31,840 --> 00:01:35,880 Speaker 2: once or twice and then kind of moved into this show. 22 00:01:36,000 --> 00:01:38,640 Speaker 1: And so now we're doing that and you can't. But 23 00:01:38,840 --> 00:01:39,720 Speaker 1: we've got food. 24 00:01:39,800 --> 00:01:44,720 Speaker 2: Great food that actually does tie into the film industry 25 00:01:44,760 --> 00:01:46,800 Speaker 2: as well, because at least one of them, and I 26 00:01:46,880 --> 00:01:50,120 Speaker 2: think both of them might be have had films shot there. 27 00:01:50,760 --> 00:01:53,760 Speaker 2: But we'll figure that out coming up. Plus we'll have 28 00:01:54,360 --> 00:01:59,040 Speaker 2: Michael Corey coming on from Props to History talking about 29 00:01:59,120 --> 00:02:01,280 Speaker 2: props in film. So you know, I'm a big fan 30 00:02:01,360 --> 00:02:04,320 Speaker 2: of all that craziness. Gives me an excuse to expose 31 00:02:04,360 --> 00:02:06,480 Speaker 2: you to some really neat people and some fun facts. 32 00:02:06,960 --> 00:02:09,959 Speaker 2: And another neat person who is now part of the 33 00:02:10,000 --> 00:02:13,919 Speaker 2: weekend lineup and always brings the love of film and 34 00:02:14,280 --> 00:02:18,480 Speaker 2: the arts with her, Heather Brooker. Ladies and gentlemen, how 35 00:02:18,560 --> 00:02:19,040 Speaker 2: are you, Heather? 36 00:02:19,720 --> 00:02:22,239 Speaker 3: I'm good. Happy Oscars eve to you. 37 00:02:22,480 --> 00:02:25,000 Speaker 1: Look at this, you know what, I'm so behind. 38 00:02:25,200 --> 00:02:29,040 Speaker 2: I haven't even purchased my Oscar tree. I haven't done 39 00:02:29,080 --> 00:02:34,160 Speaker 2: any of my Oscar gift purchases. It's just gotten so 40 00:02:34,880 --> 00:02:38,040 Speaker 2: commercial for me that I want to go back to 41 00:02:38,160 --> 00:02:39,239 Speaker 2: its religious roots. 42 00:02:40,400 --> 00:02:42,600 Speaker 3: Yeah. You know, it sneaks up on you every year. 43 00:02:42,720 --> 00:02:45,959 Speaker 3: Before you know it, it's Oscar is here and you 44 00:02:46,160 --> 00:02:49,000 Speaker 3: haven't done all of the things you need to do. 45 00:02:49,160 --> 00:02:53,040 Speaker 3: The waxing. You know, there's a lot, there's a lot involved. 46 00:02:52,840 --> 00:02:55,839 Speaker 2: I will tell you my wife and I I moved 47 00:02:55,880 --> 00:02:58,720 Speaker 2: in with my wife in her six hundred square foot 48 00:02:58,720 --> 00:03:01,959 Speaker 2: apartment in Hollywood of the day we got married, and 49 00:03:02,520 --> 00:03:05,160 Speaker 2: it was off of Gardener right there, off of Gardener 50 00:03:05,320 --> 00:03:08,240 Speaker 2: and Sunset, and we used to walk to the Oscars 51 00:03:08,840 --> 00:03:12,440 Speaker 2: all the time, and I would bring my camera with 52 00:03:12,560 --> 00:03:15,840 Speaker 2: a telephoto lens and just look at the chaos that happens. 53 00:03:16,480 --> 00:03:20,120 Speaker 2: And it's so neat because you have foot patrols, LAPD 54 00:03:20,200 --> 00:03:23,359 Speaker 2: foot patrols, which and they're wearing their full uniform and 55 00:03:23,440 --> 00:03:28,679 Speaker 2: their caps and everything, and it just is festive. I 56 00:03:28,760 --> 00:03:32,320 Speaker 2: don't I don't mind the traffic issues. That's part of 57 00:03:32,360 --> 00:03:34,680 Speaker 2: the fun of LA and we're gonna hate it when 58 00:03:34,720 --> 00:03:35,119 Speaker 2: it's gone. 59 00:03:35,760 --> 00:03:40,040 Speaker 3: So yeah, it's it's the pomp and circumstance of it all, 60 00:03:40,120 --> 00:03:42,880 Speaker 3: you know. I know people love to hate on you know, 61 00:03:43,160 --> 00:03:45,280 Speaker 3: celebrities and award shows and all of that stuff. 62 00:03:45,400 --> 00:03:48,640 Speaker 1: I'm raising my hand, but it is you're one of those. 63 00:03:48,760 --> 00:03:51,320 Speaker 3: Yeah, But it's but there is something fun and we 64 00:03:51,440 --> 00:03:54,000 Speaker 3: definitely would miss it when it's gone. You know, not 65 00:03:54,120 --> 00:03:57,120 Speaker 3: to get too you know, preachy, but it brings jobs, 66 00:03:57,280 --> 00:03:59,840 Speaker 3: It brings a focus on our town and our city 67 00:04:00,840 --> 00:04:04,200 Speaker 3: and it also shifts the conversation just a little bit 68 00:04:04,240 --> 00:04:07,920 Speaker 3: to something lighter and more fun like movies, which you know, 69 00:04:08,080 --> 00:04:10,480 Speaker 3: there are a lot of great ones nominated this year. 70 00:04:10,920 --> 00:04:14,240 Speaker 2: Okay, so I'm not I don't get to watch with 71 00:04:14,360 --> 00:04:15,920 Speaker 2: a nine year old. I don't get to watch like 72 00:04:16,000 --> 00:04:18,760 Speaker 2: I used to because a lot of them are more 73 00:04:18,800 --> 00:04:22,520 Speaker 2: adult and quite honestly, to find time. I'm not a 74 00:04:23,160 --> 00:04:25,640 Speaker 2: not a down guy. I'm kind of kind of always 75 00:04:25,720 --> 00:04:28,760 Speaker 2: doing something and I don't get that TV time. But 76 00:04:29,560 --> 00:04:32,400 Speaker 2: I did get sick a couple of weeks back, and 77 00:04:32,960 --> 00:04:34,960 Speaker 2: it was one of those things where I felt like 78 00:04:35,080 --> 00:04:37,680 Speaker 2: I couldn't do anything else but be on the couch, 79 00:04:38,240 --> 00:04:40,600 Speaker 2: and I got to at least dive in to three 80 00:04:40,760 --> 00:04:45,720 Speaker 2: movies that I was curious about, and so I saw 81 00:04:46,279 --> 00:04:50,640 Speaker 2: Frankenstein was one of them. I saw Jenny's. All are 82 00:04:50,720 --> 00:04:54,560 Speaker 2: in the same category. Unfortunately, I saw Sinners, and I 83 00:04:54,800 --> 00:04:55,800 Speaker 2: saw Weapons. 84 00:04:56,600 --> 00:05:02,960 Speaker 3: So although they'll feel very neils of Asia, that. 85 00:05:03,160 --> 00:05:06,039 Speaker 2: Sounds, and then you went back to your crypton took 86 00:05:06,080 --> 00:05:11,880 Speaker 2: a nap, right, Okay, great so, and I enjoyed all 87 00:05:12,000 --> 00:05:16,840 Speaker 2: three differently. Weapons is not a great film. It's a 88 00:05:16,920 --> 00:05:24,640 Speaker 2: popcorn film, but has a fantastic a couple fantastic acting 89 00:05:24,920 --> 00:05:28,960 Speaker 2: roles that were squeezed for everything they were worth, you know, 90 00:05:29,120 --> 00:05:30,640 Speaker 2: regardless of what was on the page. 91 00:05:30,760 --> 00:05:33,040 Speaker 1: They were played in a way that were fun. 92 00:05:33,880 --> 00:05:41,920 Speaker 2: Sinners was absolutely just awe inspiring, gorgeous and from a 93 00:05:42,000 --> 00:05:47,719 Speaker 2: theological perspective, which you know obviously is something a favorite 94 00:05:47,760 --> 00:05:50,840 Speaker 2: of mine, and all of the different it was just 95 00:05:51,560 --> 00:05:55,640 Speaker 2: beautiful and I really loved that, And I would put 96 00:05:56,200 --> 00:05:59,800 Speaker 2: Frankenstein in a similar category as if it was just 97 00:06:00,120 --> 00:06:07,160 Speaker 2: great performances and beautiful to look at and intricate and 98 00:06:07,640 --> 00:06:12,240 Speaker 2: otherworldly and took me to a place that was really 99 00:06:12,320 --> 00:06:14,920 Speaker 2: fun for me. But that's that's where I stop. Where 100 00:06:15,160 --> 00:06:18,080 Speaker 2: what are the what are the movies that stood out 101 00:06:18,160 --> 00:06:20,920 Speaker 2: to you? What do you think are the sleepers or 102 00:06:20,960 --> 00:06:23,280 Speaker 2: the ones that people should see that maybe didn't have 103 00:06:23,560 --> 00:06:27,360 Speaker 2: the sexy forward push marketing wise or things like that. 104 00:06:27,800 --> 00:06:29,840 Speaker 3: Well, I mean, I totally agree with you, first of 105 00:06:29,880 --> 00:06:34,240 Speaker 3: all about Sinners and Frankenstein's. You know, two very different directors, 106 00:06:34,279 --> 00:06:38,840 Speaker 3: and Ryan Coogler who directed Sinners and Guermo del Toro 107 00:06:39,040 --> 00:06:44,920 Speaker 3: who directed Franklin very different, both incredible visionaries in their directing. 108 00:06:45,120 --> 00:06:48,839 Speaker 3: So I love that you saw those two. If anybody 109 00:06:48,960 --> 00:06:51,560 Speaker 3: is gonna watch any movies tonight and they haven't seen 110 00:06:51,560 --> 00:06:53,960 Speaker 3: anything you know, yet, or they're behind, or maybe they 111 00:06:54,000 --> 00:06:55,640 Speaker 3: want to try to squeeze one more in before the 112 00:06:55,680 --> 00:07:01,560 Speaker 3: big show. I recommend Trained Dreams was one that I 113 00:07:01,760 --> 00:07:06,080 Speaker 3: really really loved. It's a very it's not getting a 114 00:07:06,120 --> 00:07:08,160 Speaker 3: lot of love, not getting a lot of attention. It's 115 00:07:08,240 --> 00:07:14,040 Speaker 3: a very filmmakery film. It's got a slower pace to it. 116 00:07:14,800 --> 00:07:19,360 Speaker 3: It's a beautifully shot, beautifully acted by Joel Ederton, and 117 00:07:19,960 --> 00:07:21,800 Speaker 3: just a wonderful movie there. And also I want to 118 00:07:21,840 --> 00:07:27,320 Speaker 3: say Hamnet. Hamnet was an incredible movie. If you like Shakespeare, 119 00:07:27,520 --> 00:07:31,920 Speaker 3: if you like dramas, Haim that really goes there in 120 00:07:32,080 --> 00:07:34,800 Speaker 3: terms of like drama, and those are going to be 121 00:07:34,840 --> 00:07:37,400 Speaker 3: a couple that. I think Trained Dreams is probably not 122 00:07:37,520 --> 00:07:40,360 Speaker 3: going to win much, if anything at all, but Hamnt 123 00:07:40,440 --> 00:07:44,720 Speaker 3: certainly will. Especially Jesse Buckley. She's nominated for Best Actress. 124 00:07:44,880 --> 00:07:48,240 Speaker 3: She has swept the entire award season so far, and 125 00:07:48,320 --> 00:07:51,200 Speaker 3: there's a pretty good chance she's gonna win again tonight. Now. 126 00:07:51,240 --> 00:07:54,320 Speaker 2: The first time I saw Tomorrow Tomorrow, I know Han 127 00:07:54,480 --> 00:07:56,480 Speaker 2: gets all wrapped in together. The first time I saw 128 00:07:56,680 --> 00:08:01,880 Speaker 2: her was in I Think Far Was She in one 129 00:08:01,920 --> 00:08:04,920 Speaker 2: of the fargos or was it Gosh. 130 00:08:04,840 --> 00:08:06,760 Speaker 3: She might have been. You know, she's been acting for 131 00:08:07,320 --> 00:08:11,280 Speaker 3: a very long time, and you know, kind of I 132 00:08:11,360 --> 00:08:14,640 Speaker 3: would say under the radar, but this is certainly the 133 00:08:14,760 --> 00:08:17,040 Speaker 3: movie that she's getting a lot of attention for. She 134 00:08:17,280 --> 00:08:23,080 Speaker 3: was in The Bride, Lost Daughter, Men, Judy, The Career Finger, 135 00:08:23,120 --> 00:08:25,400 Speaker 3: a movie called Fingernails a couple of years ago. Do 136 00:08:25,400 --> 00:08:27,640 Speaker 3: you remember that that was a weird I. 137 00:08:27,720 --> 00:08:30,800 Speaker 2: Don't, but the others I've heard, But she stood out 138 00:08:31,320 --> 00:08:34,520 Speaker 2: to me in what I saw in and I said, oh, 139 00:08:34,640 --> 00:08:39,960 Speaker 2: that's you can tell when somebody is not self aware 140 00:08:40,440 --> 00:08:43,120 Speaker 2: as an actor, if that makes sense, that they're completely 141 00:08:43,200 --> 00:08:47,160 Speaker 2: very humble, very humble, Yeah, and enveloped by who she 142 00:08:47,360 --> 00:08:50,760 Speaker 2: is playing to where you don't see them and you 143 00:08:50,920 --> 00:08:53,319 Speaker 2: see this other person. And she played kind of a 144 00:08:53,400 --> 00:09:01,599 Speaker 2: grifter of sorts, and that speed to think improv in 145 00:09:01,679 --> 00:09:05,880 Speaker 2: an improvisational mind as a grifter is different than somebody 146 00:09:06,000 --> 00:09:08,520 Speaker 2: is trying to do comedy, right, So they they're just 147 00:09:08,600 --> 00:09:14,319 Speaker 2: as quick to make, you know, to make build that 148 00:09:14,559 --> 00:09:19,400 Speaker 2: story you know, behind them, and to put all these 149 00:09:19,520 --> 00:09:23,120 Speaker 2: things together. And she even though it's written page to 150 00:09:23,200 --> 00:09:27,480 Speaker 2: be able to play that off smartly and subtly to 151 00:09:27,559 --> 00:09:32,160 Speaker 2: me is a difficult thing. Knowing Grifters actually throughout my life. 152 00:09:32,840 --> 00:09:35,800 Speaker 2: I actually a buddy of mine was the consultant in 153 00:09:35,880 --> 00:09:39,840 Speaker 2: the movie Grifters for the Grifts and so yeah, interesting, 154 00:09:40,000 --> 00:09:43,079 Speaker 2: fascinating guy. But God rest his soul, he's not with 155 00:09:43,200 --> 00:09:47,600 Speaker 2: us anymore. But it was a teacher and a mentor 156 00:09:47,640 --> 00:09:50,880 Speaker 2: of mine at one point, learning and understanding slight of 157 00:09:50,960 --> 00:09:54,600 Speaker 2: hand and things like that. But there's so many of these, 158 00:09:55,559 --> 00:09:59,600 Speaker 2: you know, actors that do these things where they build 159 00:09:59,640 --> 00:10:02,319 Speaker 2: a pre text in a way that is so beautiful 160 00:10:02,880 --> 00:10:05,559 Speaker 2: that it makes it seamless. All right, stick around. I 161 00:10:05,600 --> 00:10:08,320 Speaker 2: want to talk to you more about your breakdowns and thoughts. 162 00:10:09,240 --> 00:10:13,320 Speaker 2: We come back, Heather Brooker now heard at noon on Sundays, Right, 163 00:10:13,400 --> 00:10:14,160 Speaker 2: do you gonon to two? 164 00:10:14,760 --> 00:10:16,880 Speaker 3: Noon to one. It's a quick little hour. I think 165 00:10:16,960 --> 00:10:19,040 Speaker 3: they were like, she could only handle one hour, Just 166 00:10:19,160 --> 00:10:19,720 Speaker 3: give her one. 167 00:10:19,920 --> 00:10:24,319 Speaker 1: They don't know, they don't know, wrong, No, they don't know. 168 00:10:25,200 --> 00:10:28,120 Speaker 1: Please I get talk to you for hours. But we'll 169 00:10:28,160 --> 00:10:28,600 Speaker 1: come back. 170 00:10:28,720 --> 00:10:32,640 Speaker 2: We'll chat and I'll let you lead with what's on 171 00:10:32,720 --> 00:10:35,280 Speaker 2: your mind about the oscars. Heather Brooker with us, So 172 00:10:35,520 --> 00:10:38,880 Speaker 2: go nowhere. It's the Fork Report, Oscar edition. Still a 173 00:10:38,920 --> 00:10:41,040 Speaker 2: lot of food and stuff to come, but breaking down 174 00:10:41,120 --> 00:10:42,080 Speaker 2: the Oscars as well. 175 00:10:42,160 --> 00:10:43,000 Speaker 1: So go nowhere. 176 00:10:43,480 --> 00:10:46,439 Speaker 4: You're listening to the Fork Report with Neil Savedra on 177 00:10:46,600 --> 00:10:49,240 Speaker 4: demand from KFI AM six forty. 178 00:10:50,880 --> 00:10:56,720 Speaker 2: Neil Savedra KFI, Heather Brooker KFI tomorrow at noon. Don't 179 00:10:56,760 --> 00:10:59,960 Speaker 2: miss her, it's one hour man. She's here for our 180 00:11:00,000 --> 00:11:02,880 Speaker 2: Oscar Show or annual Oscar Show. Sure we've got food, 181 00:11:02,880 --> 00:11:05,360 Speaker 2: we're gonna be talking food and the like, but we're 182 00:11:05,400 --> 00:11:06,559 Speaker 2: talking about the Oscars. 183 00:11:07,160 --> 00:11:10,400 Speaker 1: Your picks, Miss. 184 00:11:10,320 --> 00:11:15,320 Speaker 3: Booker, Yes, so I think that in terms in a mound, 185 00:11:15,360 --> 00:11:18,040 Speaker 3: that was a long break. I can't believe it's already 186 00:11:18,080 --> 00:11:18,800 Speaker 3: time to break again. 187 00:11:19,559 --> 00:11:21,280 Speaker 1: I did two shows during that break. 188 00:11:22,360 --> 00:11:26,760 Speaker 3: Are you really skid? My picks for Best Picture is 189 00:11:26,840 --> 00:11:30,760 Speaker 3: going to be one battle after another with a close 190 00:11:31,240 --> 00:11:34,440 Speaker 3: potential upset from sinners. I think Jesse Buckley is gonna 191 00:11:34,440 --> 00:11:37,440 Speaker 3: walk away with Best Actress. I think Michael B. Jordan 192 00:11:37,600 --> 00:11:43,280 Speaker 3: is going to win Best Actor. Maybe maybe Leonardo DiCaprio, 193 00:11:43,440 --> 00:11:45,640 Speaker 3: but I feel like Michael B. Jordan has some momentum, 194 00:11:45,760 --> 00:11:50,880 Speaker 3: momentum behind him and then gosh, let's see what else. 195 00:11:51,040 --> 00:11:54,040 Speaker 3: Director Paul Thomas Anderson, I think that's pretty much a lock. 196 00:11:54,080 --> 00:11:57,920 Speaker 3: Everyone kind of assumes he is going to win. You know. Overall, 197 00:11:58,080 --> 00:12:01,400 Speaker 3: I'm really looking forward to konan O Brian hosting. I 198 00:12:01,559 --> 00:12:03,720 Speaker 3: really like him a lot. I think he's very funny. 199 00:12:03,960 --> 00:12:04,800 Speaker 1: I'm looking forward to. 200 00:12:06,520 --> 00:12:09,240 Speaker 3: Yeah. I think he does a good job of balancing 201 00:12:10,160 --> 00:12:16,120 Speaker 3: what's currently happening with the absurd with like a sense 202 00:12:16,200 --> 00:12:18,920 Speaker 3: of old Hollywood grandeur and a little bit of goofball, 203 00:12:19,520 --> 00:12:21,160 Speaker 3: you know. I think he's going to do a really 204 00:12:21,200 --> 00:12:23,800 Speaker 3: good job up there. He said he's going to try 205 00:12:23,920 --> 00:12:26,800 Speaker 3: some new things this year, so we'll see how that goes. 206 00:12:27,559 --> 00:12:29,400 Speaker 3: And I think it's going to be an interesting time 207 00:12:29,440 --> 00:12:31,200 Speaker 3: on the red carpet. You know, there's a little bit 208 00:12:31,200 --> 00:12:33,520 Speaker 3: of heaviness hanging over us right now because of what's 209 00:12:33,559 --> 00:12:37,640 Speaker 3: going on overseas, and I think also people, you know, 210 00:12:37,720 --> 00:12:39,880 Speaker 3: their hearts are going to be sort of torn a 211 00:12:39,960 --> 00:12:42,280 Speaker 3: little bit, like what you know, the excitement of the 212 00:12:42,360 --> 00:12:45,439 Speaker 3: moment versus the heaviness of what's happening overseas. So it's 213 00:12:45,480 --> 00:12:47,679 Speaker 3: going to be an interesting show. But if Hollywood is 214 00:12:47,760 --> 00:12:50,280 Speaker 3: going to Hollywood, there's definitely going to bring that pomp 215 00:12:50,400 --> 00:12:52,480 Speaker 3: and circumstance, and it's still going to be a really 216 00:12:52,520 --> 00:12:53,000 Speaker 3: fun show. 217 00:12:53,480 --> 00:12:57,599 Speaker 2: The judgtaposition. I agree with everything you said and Michael B. 218 00:12:57,760 --> 00:13:00,160 Speaker 2: Jordan and I'm not always a fan of some of 219 00:13:00,240 --> 00:13:03,679 Speaker 2: his work. There's an energy behind some of it sometimes 220 00:13:03,760 --> 00:13:06,079 Speaker 2: that I don't know is meant for me or I 221 00:13:06,640 --> 00:13:10,199 Speaker 2: read it properly. But I will tell you holy smokes, 222 00:13:10,760 --> 00:13:17,120 Speaker 2: well literally stack and smokes. He deserves an Oscar. What 223 00:13:17,320 --> 00:13:21,000 Speaker 2: a brilliant performance and a difficult one at that. To 224 00:13:21,640 --> 00:13:29,599 Speaker 2: two and they were distinctively two different characters, but to 225 00:13:29,760 --> 00:13:33,400 Speaker 2: have the similarity of brothers obviously being twins, but the 226 00:13:33,600 --> 00:13:39,240 Speaker 2: power of two very different people and energy, I was blown. 227 00:13:39,240 --> 00:13:39,440 Speaker 1: Oay. 228 00:13:40,320 --> 00:13:43,160 Speaker 2: I think it showed his chops very very well. And 229 00:13:43,520 --> 00:13:47,920 Speaker 2: to I was fascinated by the fact that the special 230 00:13:48,000 --> 00:13:51,319 Speaker 2: effects in that movie are invisible. 231 00:13:51,720 --> 00:13:52,480 Speaker 1: You just don't. 232 00:13:52,600 --> 00:13:56,079 Speaker 2: They kind of blend in the background. So much is 233 00:13:56,120 --> 00:13:58,840 Speaker 2: going on with taking you back to that time period 234 00:14:00,320 --> 00:14:04,960 Speaker 2: that you don't see. It just blends the colors, the textures. 235 00:14:05,320 --> 00:14:06,440 Speaker 2: It's like a moving painting. 236 00:14:06,640 --> 00:14:09,920 Speaker 3: That's really Yeah. That's really a testament to Ryan Coogler 237 00:14:10,480 --> 00:14:13,240 Speaker 3: as a director. I mean, he's a really talented director, 238 00:14:13,400 --> 00:14:16,640 Speaker 3: and I think we're going to see even more beautiful 239 00:14:16,720 --> 00:14:19,920 Speaker 3: films and from him. In the next two years. For sure, 240 00:14:20,840 --> 00:14:22,520 Speaker 3: I know I will be out there. I'm going to 241 00:14:22,560 --> 00:14:24,080 Speaker 3: be on the right carpet for a little bit, and 242 00:14:24,400 --> 00:14:25,920 Speaker 3: then I'm also going to be in the press room 243 00:14:25,960 --> 00:14:29,240 Speaker 3: and interview room so that when the winners come off 244 00:14:29,280 --> 00:14:30,840 Speaker 3: the stage, I'm going to be there and try to 245 00:14:30,880 --> 00:14:33,680 Speaker 3: get in a couple questions for KFI if awesome, if 246 00:14:33,720 --> 00:14:35,360 Speaker 3: I can. I don't know how wild it's going to 247 00:14:35,400 --> 00:14:36,920 Speaker 3: be in there, but I'm going to do my best. 248 00:14:37,120 --> 00:14:41,360 Speaker 1: All the dresses you were picking, you'll get their attention. Sister. 249 00:14:41,920 --> 00:14:44,320 Speaker 1: Do you have some time to stick around for another segment? 250 00:14:45,160 --> 00:14:47,640 Speaker 3: Sure, I'll do whatever you need, buddy, I'm always here 251 00:14:47,680 --> 00:14:47,840 Speaker 3: for you. 252 00:14:48,080 --> 00:14:50,080 Speaker 2: Okay, I'll be leaving. The rest of the show is 253 00:14:50,120 --> 00:14:53,280 Speaker 2: going to be done by Heather Brooker. I'll get a 254 00:14:53,440 --> 00:14:56,000 Speaker 2: short day, all right. Stick around. Heather Brooker's with us, 255 00:14:56,480 --> 00:14:59,040 Speaker 2: hosting our own show now on Sundays at noon, and 256 00:14:59,160 --> 00:15:01,320 Speaker 2: of course you hear her here, she's gonna be out 257 00:15:01,320 --> 00:15:03,240 Speaker 2: at the Oscars tomorrow. This is our Oscar show on 258 00:15:03,280 --> 00:15:05,880 Speaker 2: the Fork Report, So go know where. 259 00:15:06,320 --> 00:15:09,280 Speaker 4: You're listening to The Fork Report with Nil Sevadra on 260 00:15:09,440 --> 00:15:12,160 Speaker 4: demand from KFI AM six forty. 261 00:15:13,640 --> 00:15:16,120 Speaker 2: Your Friendly neighborhood Fork Reporter. I'd love for you to 262 00:15:16,240 --> 00:15:22,000 Speaker 2: join me on the Insta webs At Instagram, I am 263 00:15:22,360 --> 00:15:26,800 Speaker 2: at fork Reporter. That's for the show and food stuff 264 00:15:26,880 --> 00:15:31,080 Speaker 2: and the vast majority of silliness and frivolity. And if 265 00:15:31,240 --> 00:15:38,360 Speaker 2: you are a crafter, maker, artist, builder, fixer type person 266 00:15:39,080 --> 00:15:41,520 Speaker 2: or you just like watching that type stuff. I do 267 00:15:41,640 --> 00:15:44,120 Speaker 2: have a secondary one that I started some time ago 268 00:15:44,640 --> 00:15:47,840 Speaker 2: that you can join me on, and that is Savco Industries. 269 00:15:47,960 --> 00:15:55,520 Speaker 2: That's SAA v COO Industries on Instagram, and that's the 270 00:15:55,640 --> 00:15:57,600 Speaker 2: stuff that I do that doesn't have anything to do 271 00:15:57,640 --> 00:16:02,480 Speaker 2: with radio, making things, fixing things. I'm doing art, photography, 272 00:16:02,720 --> 00:16:05,280 Speaker 2: all kinds of stuff. And if you are an artist 273 00:16:05,360 --> 00:16:08,520 Speaker 2: as well or into those things, then I can follow 274 00:16:08,600 --> 00:16:10,960 Speaker 2: you as well, and I can be inspired by your stuff. 275 00:16:11,240 --> 00:16:14,000 Speaker 2: But having fun doing that. It's a small group. I 276 00:16:14,040 --> 00:16:16,360 Speaker 2: think there's sixteen hundred of us there right now, but 277 00:16:16,440 --> 00:16:19,120 Speaker 2: I'd love for you to join me. I'm having a blast. 278 00:16:19,800 --> 00:16:22,360 Speaker 2: I posted some stuff of a little sign that I 279 00:16:22,480 --> 00:16:26,760 Speaker 2: made for my buddy Dave Koontz over at ABC and 280 00:16:27,000 --> 00:16:30,480 Speaker 2: his Mannix car, which is stunning. But sometimes it's little 281 00:16:30,480 --> 00:16:32,960 Speaker 2: stuff like that. Sometimes it's bigger things that I'm building 282 00:16:35,040 --> 00:16:37,760 Speaker 2: film related stuff. Strangely enough, in my backyard, I like 283 00:16:37,840 --> 00:16:43,520 Speaker 2: making little vignettes. Got a full size velociraptor back there. 284 00:16:43,640 --> 00:16:50,240 Speaker 2: I'm building a an idiot, and I'm building an Indiana 285 00:16:50,360 --> 00:16:52,840 Speaker 2: Jones theme area and all kinds of stuff. So you 286 00:16:52,920 --> 00:16:56,480 Speaker 2: can join my stupidity if you wish. At Savco Industries 287 00:16:56,560 --> 00:16:58,280 Speaker 2: on Instagram. 288 00:16:58,480 --> 00:16:59,680 Speaker 1: Heather Brooker is with us. 289 00:16:59,800 --> 00:17:02,800 Speaker 2: Of course, she's the hostess with the mostest when it 290 00:17:02,880 --> 00:17:07,119 Speaker 2: comes to all things Hollywood and beyond, an actress and 291 00:17:07,640 --> 00:17:14,480 Speaker 2: a comedian. But also she will be there tomorrow as 292 00:17:14,480 --> 00:17:19,160 Speaker 2: somebody who's reporting there tomorrow, Heather, and out there doing 293 00:17:19,280 --> 00:17:22,200 Speaker 2: your thing, like you said, trying to get answers and 294 00:17:22,400 --> 00:17:26,679 Speaker 2: your questions answered. What's the experience like, when does your 295 00:17:26,760 --> 00:17:28,920 Speaker 2: day start, when does it end, and what is it 296 00:17:29,160 --> 00:17:30,000 Speaker 2: like when you're there? 297 00:17:30,440 --> 00:17:34,920 Speaker 3: Well, the carpet closes at noon, so most of the 298 00:17:35,040 --> 00:17:37,320 Speaker 3: media outlets who are going to be on the Red 299 00:17:37,400 --> 00:17:40,919 Speaker 3: Carpet have to be there by noon tomorrow because they 300 00:17:41,000 --> 00:17:43,440 Speaker 3: close it down and that's when they start welcoming in 301 00:17:43,720 --> 00:17:47,400 Speaker 3: guests to arrival early. Nobody really comes that early, none 302 00:17:47,440 --> 00:17:50,960 Speaker 3: of the main nominees do. But they close it down 303 00:17:51,000 --> 00:17:53,239 Speaker 3: at noon, probably for security purposes and just to make 304 00:17:53,240 --> 00:17:56,720 Speaker 3: sure everybody's there, and then their spot, and then almost 305 00:17:57,119 --> 00:18:00,760 Speaker 3: you know you're in a one foot by one foot space, 306 00:18:01,400 --> 00:18:04,959 Speaker 3: shoulder and shoulder with other media outlets. Sometimes you may 307 00:18:05,000 --> 00:18:06,920 Speaker 3: be next to a TV person. Sometimes you may be 308 00:18:07,040 --> 00:18:10,960 Speaker 3: next to a print journalist or another radio person. In 309 00:18:11,160 --> 00:18:14,040 Speaker 3: this space, Yes, it's like flying, and you get your 310 00:18:14,080 --> 00:18:20,160 Speaker 3: own middle seats. Everyone has a middle seat. And it's yes, 311 00:18:20,400 --> 00:18:23,400 Speaker 3: but such a joy. And you're just in there sweating, 312 00:18:23,680 --> 00:18:27,400 Speaker 3: and when the stars start to arrive, it's like it's 313 00:18:28,040 --> 00:18:30,600 Speaker 3: like a cattle call. You just start yelling for people, 314 00:18:30,720 --> 00:18:34,680 Speaker 3: hoping they come over and you know, give you a 315 00:18:34,760 --> 00:18:36,639 Speaker 3: couple of seconds of their time if they have it. 316 00:18:37,119 --> 00:18:39,400 Speaker 3: If you know a publicist, maybe a publicist will help 317 00:18:39,440 --> 00:18:42,480 Speaker 3: you out. Generally they go to the larger outlets, the 318 00:18:42,520 --> 00:18:46,720 Speaker 3: big media outlets like E Access Hollywood is leaving, so 319 00:18:46,920 --> 00:18:49,560 Speaker 3: you know they'll but they'll be there tomorrow. So and 320 00:18:49,640 --> 00:18:51,359 Speaker 3: then if you're lucky, you get you may get a 321 00:18:51,400 --> 00:18:55,200 Speaker 3: few people who who have some time to talk with you, 322 00:18:55,320 --> 00:18:57,440 Speaker 3: and so that's sort of the hope. And then you 323 00:18:57,560 --> 00:18:59,159 Speaker 3: just sit there and you sweat for a few hours, 324 00:18:59,400 --> 00:19:01,440 Speaker 3: and every he goes in that they have to be 325 00:19:01,520 --> 00:19:04,920 Speaker 3: in there and seeded when the show starts at five o'clock. 326 00:19:05,080 --> 00:19:07,600 Speaker 3: And then at that point they start breaking down the 327 00:19:07,680 --> 00:19:10,680 Speaker 3: red carpet and I will move over into the interview 328 00:19:10,760 --> 00:19:12,959 Speaker 3: room and the press room where the winners will come 329 00:19:13,040 --> 00:19:16,520 Speaker 3: backstage after they have won, and once again I will 330 00:19:16,600 --> 00:19:18,960 Speaker 3: try to, like, you know, get a couple of questions 331 00:19:19,000 --> 00:19:22,040 Speaker 3: in there. I mean, we're talking about hundreds of media 332 00:19:22,080 --> 00:19:26,560 Speaker 3: outlets that go to these things, and it is really 333 00:19:26,760 --> 00:19:28,840 Speaker 3: tough to get a question if you're not one of 334 00:19:28,880 --> 00:19:32,359 Speaker 3: the larger outlets. But I'm go you my best, you know. 335 00:19:32,440 --> 00:19:33,960 Speaker 3: If anything, I'm just going to take a bunch of 336 00:19:34,040 --> 00:19:37,840 Speaker 3: selfies and post it on my post it on my page, 337 00:19:37,880 --> 00:19:40,080 Speaker 3: maybe even a KA five page. I'm sure Michelle Cube 338 00:19:40,080 --> 00:19:40,480 Speaker 3: will love that. 339 00:19:41,000 --> 00:19:45,119 Speaker 2: Oh absolutely. I just think, man, that is I'm like, 340 00:19:45,240 --> 00:19:47,760 Speaker 2: what would you do to get attention? Do you wear 341 00:19:47,800 --> 00:19:50,280 Speaker 2: a funny hat? Do you put look at me on 342 00:19:50,359 --> 00:19:51,000 Speaker 2: your forehead? 343 00:19:51,160 --> 00:19:51,879 Speaker 1: Do you you know? 344 00:19:52,000 --> 00:19:54,600 Speaker 3: It's like, listen, I've heard some people, but you know 345 00:19:54,680 --> 00:19:58,640 Speaker 3: what's really bad about it are the still photographers. Those 346 00:19:58,720 --> 00:20:01,880 Speaker 3: sides will say the crazy easy stuff, look over here, 347 00:20:01,960 --> 00:20:04,119 Speaker 3: look over I mean you may have heard them on 348 00:20:04,200 --> 00:20:06,040 Speaker 3: any if you've ever seen a clip of video of 349 00:20:06,080 --> 00:20:08,600 Speaker 3: some of the other's red carpets. They're just yelling at them. 350 00:20:08,680 --> 00:20:11,240 Speaker 3: Look over here, looks center, It looks center. And you know, 351 00:20:12,119 --> 00:20:16,680 Speaker 3: I remember one time, one time I was on the 352 00:20:16,760 --> 00:20:19,119 Speaker 3: carpet for you. Used to work for NBCLA. I was 353 00:20:19,160 --> 00:20:23,120 Speaker 3: an entertainment reporter there, and I am an old I'm 354 00:20:23,119 --> 00:20:27,240 Speaker 3: an old person. I don't know all of the Jonahs brothers. Uh. 355 00:20:27,440 --> 00:20:29,520 Speaker 3: And I was so excited because I was at this 356 00:20:29,880 --> 00:20:32,000 Speaker 3: red carpet thing and one of the Jonahs brothers was 357 00:20:32,080 --> 00:20:36,200 Speaker 3: walking by, and I was yelling, Joe, Joe, tell me 358 00:20:36,240 --> 00:20:38,240 Speaker 3: about your wife's dress, tell me about her role in 359 00:20:38,320 --> 00:20:40,480 Speaker 3: this movie, Joe. You know, can you come and talk 360 00:20:40,520 --> 00:20:42,640 Speaker 3: to me for a second, Joe? And he just keeps 361 00:20:42,720 --> 00:20:46,080 Speaker 3: walking on by, And then I realized it was actually 362 00:20:46,200 --> 00:20:52,200 Speaker 3: Nick Jonas, totally different Joe bro Wow, No, yeah. 363 00:20:54,320 --> 00:20:58,200 Speaker 1: Oh damn, thank Joe, Joe, what do you know? 364 00:20:58,880 --> 00:21:02,280 Speaker 3: Not my name O my day. He just kind of 365 00:21:02,359 --> 00:21:04,720 Speaker 3: looks at me and smiled, and he was probably thinking, 366 00:21:04,920 --> 00:21:06,920 Speaker 3: what an idiot? Or is she doing it on purpose? 367 00:21:07,080 --> 00:21:09,840 Speaker 3: Like they probably wonder that, like because people do yell 368 00:21:09,920 --> 00:21:12,240 Speaker 3: insane stuff at them, But I nope, I just literally 369 00:21:12,680 --> 00:21:15,080 Speaker 3: just completely spaced and did not realize it was the 370 00:21:15,359 --> 00:21:18,600 Speaker 3: other Joe bro I say, that's the only time something 371 00:21:18,720 --> 00:21:19,480 Speaker 3: like that has happened. 372 00:21:19,520 --> 00:21:22,280 Speaker 1: But it's not you know what, I'm going to try 373 00:21:22,359 --> 00:21:22,719 Speaker 1: this now. 374 00:21:22,800 --> 00:21:25,840 Speaker 2: I'm not a professional like you, but when you're standing 375 00:21:25,920 --> 00:21:29,040 Speaker 2: there when someone you really want go, oh my god, 376 00:21:29,119 --> 00:21:32,000 Speaker 2: I'm gonna throw up, and just see if one you 377 00:21:32,080 --> 00:21:35,600 Speaker 2: get their attention, and then you go no, I'm good. Hey, 378 00:21:35,960 --> 00:21:39,960 Speaker 2: by the way, and then ask these are new techniques 379 00:21:40,000 --> 00:21:41,120 Speaker 2: you probably haven't tried. 380 00:21:41,520 --> 00:21:43,680 Speaker 3: I'm good at bo there's a technique I haven't tried. 381 00:21:43,880 --> 00:21:46,920 Speaker 3: I'm gonna bon it. And then they come running over 382 00:21:47,240 --> 00:21:50,480 Speaker 3: and I'm like, mister Pitt, tell me. 383 00:21:53,080 --> 00:21:56,800 Speaker 2: And when they're giving you the himewik, then you can say, 384 00:21:56,960 --> 00:21:59,640 Speaker 2: by the way, thank you for saving my life. 385 00:22:00,160 --> 00:22:02,000 Speaker 1: End, who are you wearing? 386 00:22:03,280 --> 00:22:05,240 Speaker 3: I'm gonna do it. You don't think i'll do it, 387 00:22:05,320 --> 00:22:07,600 Speaker 3: I'm gonna do it. I will try anything. I mean, 388 00:22:07,760 --> 00:22:11,159 Speaker 3: sometimes we get desperate where it's like, can anybody decides 389 00:22:11,359 --> 00:22:16,800 Speaker 3: the fourth key grip on one battle after another? Although 390 00:22:16,800 --> 00:22:18,400 Speaker 3: I would love to talk to the fourth key Grip, 391 00:22:18,440 --> 00:22:20,199 Speaker 3: I'm sure he has some fun stories me too. 392 00:22:20,359 --> 00:22:22,080 Speaker 1: They're the people that I want to go drink with 393 00:22:22,480 --> 00:22:23,400 Speaker 1: all the behind the scenes. 394 00:22:24,080 --> 00:22:26,479 Speaker 3: I'm sure they have the best stories. Yeah, because they 395 00:22:26,600 --> 00:22:31,240 Speaker 3: either way, I'm excited they do. I'm excited. I think 396 00:22:31,280 --> 00:22:33,359 Speaker 3: it'll be fun. You know. I may not be the 397 00:22:33,440 --> 00:22:35,840 Speaker 3: best entertainer reporter on the carpet, I may not know 398 00:22:35,960 --> 00:22:38,320 Speaker 3: all the facts, but dad gumman, I have a good time. 399 00:22:38,560 --> 00:22:40,879 Speaker 1: Well do they feed you guys at all? Do they 400 00:22:40,920 --> 00:22:43,720 Speaker 1: have anything for reporters? Nothing? 401 00:22:44,040 --> 00:22:47,119 Speaker 3: No, absolutely, Matt Nope. I bring my own water. They 402 00:22:47,200 --> 00:22:52,000 Speaker 3: never have anything, not even care. I think they probably 403 00:22:52,040 --> 00:22:54,200 Speaker 3: have water in the press room. You know. I'll report 404 00:22:54,320 --> 00:22:58,280 Speaker 3: back and let you know, but generally they don't know. 405 00:22:58,600 --> 00:22:59,480 Speaker 3: They want you to get in. 406 00:22:59,720 --> 00:23:03,000 Speaker 2: And wolfk pot doesn't come by, get out, give you 407 00:23:03,240 --> 00:23:04,960 Speaker 2: an a moose, boosh, nothing. 408 00:23:05,560 --> 00:23:07,880 Speaker 3: You know what I will say. One the last year 409 00:23:07,960 --> 00:23:09,159 Speaker 3: I was out there. I think that the first year 410 00:23:09,280 --> 00:23:12,560 Speaker 3: was at the Oscars. Uh. He did come by and 411 00:23:12,720 --> 00:23:16,359 Speaker 3: he had little tiny chocolate oscars And my friend Kasey Potts, 412 00:23:16,359 --> 00:23:18,720 Speaker 3: who was like one of his top people at the time, 413 00:23:20,000 --> 00:23:21,840 Speaker 3: was like, you have to have one to Heather Brooker 414 00:23:21,880 --> 00:23:24,399 Speaker 3: at NBC and he was like, oh, of course, of course, 415 00:23:24,600 --> 00:23:26,720 Speaker 3: you know, uh. 416 00:23:26,800 --> 00:23:30,560 Speaker 2: Yeah, they're head of catering is an amazing, amazing man 417 00:23:30,760 --> 00:23:34,280 Speaker 2: and chef and also hard to understand. But have a 418 00:23:34,320 --> 00:23:38,920 Speaker 2: wonderful time. Heather Brooker. She'll be at the Oscars tomorrow 419 00:23:39,200 --> 00:23:39,920 Speaker 2: and so are you. 420 00:23:40,520 --> 00:23:41,880 Speaker 1: On tomorrow at noon here. 421 00:23:43,040 --> 00:23:46,080 Speaker 3: There will be a show. It might be pre taped, 422 00:23:46,400 --> 00:23:49,639 Speaker 3: even though it's called KFI Live. Tomorrow may not be 423 00:23:49,840 --> 00:23:54,000 Speaker 3: live because this was live one w it was live. 424 00:23:54,440 --> 00:23:57,280 Speaker 1: Excellent. Well, congratulations and thanks for taking the time. I 425 00:23:57,359 --> 00:23:58,440 Speaker 1: know your weekends are busy. 426 00:23:58,840 --> 00:24:01,560 Speaker 3: My friend aways always happy to chat with you. 427 00:24:01,640 --> 00:24:06,080 Speaker 1: Neil Heather Brooker Live, Thank you so much. Of a 428 00:24:06,119 --> 00:24:08,720 Speaker 1: great day. We'll be back with more, So go nowhere. 429 00:24:09,560 --> 00:24:12,520 Speaker 4: You're listening to the Fork Report with Nil Savedra on 430 00:24:12,680 --> 00:24:15,080 Speaker 4: demand from KFI AM six forty. 431 00:24:16,840 --> 00:24:20,399 Speaker 2: It's our Oscar show because the Oscars are tomorrow. We 432 00:24:20,560 --> 00:24:25,000 Speaker 2: kind of tie it all together because entertainment, food and escapism, 433 00:24:25,200 --> 00:24:28,399 Speaker 2: having those experiences that take us away and teach us 434 00:24:28,440 --> 00:24:32,920 Speaker 2: about things. I was just talking, so yeah, food's coming. 435 00:24:33,000 --> 00:24:34,800 Speaker 2: We're going to be talking about food, of course, all 436 00:24:34,880 --> 00:24:38,920 Speaker 2: of those things. But I think that there's a similarity 437 00:24:39,480 --> 00:24:43,159 Speaker 2: in the nutrition factor of content of any kind that 438 00:24:43,280 --> 00:24:46,200 Speaker 2: means food, that means what we watch and consume with 439 00:24:46,280 --> 00:24:49,880 Speaker 2: our eyes, our hearts, our ears. And during the break there, 440 00:24:50,520 --> 00:24:53,080 Speaker 2: producer Kayla and I were talking about Sinners in one 441 00:24:53,119 --> 00:24:55,080 Speaker 2: particular scene. I don't want to give too much away 442 00:24:55,600 --> 00:24:58,680 Speaker 2: if you haven't seen it, would I recommend it to everybody? No, 443 00:24:58,920 --> 00:25:01,200 Speaker 2: I don't know if what people are into or not. 444 00:25:01,440 --> 00:25:04,240 Speaker 2: There are some elements that people may not like. But 445 00:25:04,400 --> 00:25:09,000 Speaker 2: as far as the character and the look, the look 446 00:25:09,160 --> 00:25:16,800 Speaker 2: at faith, beliefs, understanding culture, all those things, I thought 447 00:25:16,800 --> 00:25:21,640 Speaker 2: it was quite magical and powerful and done very very well. 448 00:25:21,920 --> 00:25:24,879 Speaker 2: And there's a scene that talks about culture's past, president 449 00:25:25,040 --> 00:25:27,679 Speaker 2: and future that gave me absolute chills. And we were 450 00:25:27,720 --> 00:25:33,080 Speaker 2: talking about that and how, you know, food is certainly 451 00:25:33,160 --> 00:25:35,960 Speaker 2: part of that. So I was thinking through you know, 452 00:25:36,119 --> 00:25:39,280 Speaker 2: the different nominees and things like that, is to well, 453 00:25:39,440 --> 00:25:44,520 Speaker 2: what like if you thought about making a cocktail for Sinners, 454 00:25:44,800 --> 00:25:49,400 Speaker 2: it would be sultry and smoky and warm and refreshing. 455 00:25:49,880 --> 00:25:51,639 Speaker 1: You could feel the heat in that movie. 456 00:25:52,119 --> 00:25:56,320 Speaker 2: You could feel the sweat in that movie, and the 457 00:25:56,440 --> 00:25:59,680 Speaker 2: difference between bad sweat and good sweat, like sweating on 458 00:25:59,760 --> 00:26:03,879 Speaker 2: the ants floor versus sweating in the fields. I mean, 459 00:26:03,960 --> 00:26:08,480 Speaker 2: there was the reality of those two things and how 460 00:26:09,000 --> 00:26:16,080 Speaker 2: gathering coming together and socializing and connecting over food, food 461 00:26:16,359 --> 00:26:20,960 Speaker 2: and drink show up very potently in the movie The 462 00:26:21,320 --> 00:26:26,800 Speaker 2: Sinners as a way is a very distinctive way, and 463 00:26:26,920 --> 00:26:30,200 Speaker 2: it becomes part of the voice of the film as 464 00:26:30,240 --> 00:26:33,160 Speaker 2: to what people deserve to break away from what's going 465 00:26:33,200 --> 00:26:37,240 Speaker 2: on in their life, to have that simple pleasure of 466 00:26:37,440 --> 00:26:49,159 Speaker 2: having drink, food, music, connection together at one place and 467 00:26:49,359 --> 00:26:53,320 Speaker 2: how you know, whether you call it, you know, girls' 468 00:26:53,400 --> 00:26:56,680 Speaker 2: night out or guy's night out, or if it's a 469 00:26:56,840 --> 00:27:04,879 Speaker 2: cultural group in this case African America coming together and saying, 470 00:27:05,080 --> 00:27:09,840 Speaker 2: you know, the deserve to have that time, that break 471 00:27:09,960 --> 00:27:14,480 Speaker 2: away from sweating in fields to sweating on the dance 472 00:27:14,560 --> 00:27:19,840 Speaker 2: floor and the absence of the weight of life in 473 00:27:19,960 --> 00:27:22,920 Speaker 2: those places and the importance of that, and it tips 474 00:27:22,960 --> 00:27:25,560 Speaker 2: its out to the Asian community as well, and even 475 00:27:26,880 --> 00:27:32,920 Speaker 2: even the relationships of whites in growing up in these 476 00:27:33,000 --> 00:27:35,760 Speaker 2: areas when it's like, well, at what point are you 477 00:27:35,920 --> 00:27:39,040 Speaker 2: family or not? Like, at what point have you seen 478 00:27:39,480 --> 00:27:42,840 Speaker 2: enough to understand or you haven't seen enough to understand? 479 00:27:43,320 --> 00:27:47,160 Speaker 2: Because you know the difference when you catch somebody in there, 480 00:27:47,200 --> 00:27:50,600 Speaker 2: there's one character that you go, okay, they may know 481 00:27:50,760 --> 00:27:52,840 Speaker 2: the difference, and then there's other characters go, they don't 482 00:27:52,880 --> 00:27:53,600 Speaker 2: know the difference. 483 00:27:54,440 --> 00:27:55,080 Speaker 3: So it just. 484 00:27:56,600 --> 00:28:01,879 Speaker 2: I thought, that's that transformed of type thing that makes 485 00:28:01,960 --> 00:28:09,800 Speaker 2: you doesn't preach or explain, it gives you a peak, 486 00:28:11,000 --> 00:28:14,400 Speaker 2: which I think is more powerful, just a peak see 487 00:28:14,480 --> 00:28:19,119 Speaker 2: something going on in the life or with crazy ass turns. 488 00:28:19,240 --> 00:28:24,520 Speaker 2: But that being said, it was just, you know, fascinating 489 00:28:24,560 --> 00:28:28,720 Speaker 2: to watch. Frankenstein was fascinating. I'm a huge fan of 490 00:28:30,040 --> 00:28:34,639 Speaker 2: Del Toro, and when I saw Pan's Labyrinth, which is 491 00:28:34,680 --> 00:28:40,400 Speaker 2: one of my all time favorite films, I was gobsmacked 492 00:28:41,560 --> 00:28:49,000 Speaker 2: with the beauty and horror in these things. But just 493 00:28:50,320 --> 00:28:52,680 Speaker 2: a lot out there in films that move me. And 494 00:28:52,760 --> 00:28:55,600 Speaker 2: then sometimes it's just popcorn and take me away for 495 00:28:55,680 --> 00:28:57,720 Speaker 2: a little bit. But there's sometimes where you sit and 496 00:28:57,800 --> 00:29:00,840 Speaker 2: you feel like you're getting to watch something that is 497 00:29:01,040 --> 00:29:03,720 Speaker 2: very real or insightful, even. 498 00:29:03,560 --> 00:29:06,240 Speaker 1: Though it has unreal elements tight in. 499 00:29:07,320 --> 00:29:10,320 Speaker 2: I highly recommend it if you're open minded to letting 500 00:29:10,360 --> 00:29:14,600 Speaker 2: a film take you somewhere. Some people I'm sure won't 501 00:29:15,480 --> 00:29:18,840 Speaker 2: like where it goes, but you know, keep in mind 502 00:29:18,920 --> 00:29:24,520 Speaker 2: that it's a very interesting, very interesting path. Centers and 503 00:29:24,640 --> 00:29:27,000 Speaker 2: I had friends recommended very early on, but I didn't 504 00:29:27,000 --> 00:29:29,000 Speaker 2: get a chance to see it except when I was 505 00:29:29,040 --> 00:29:31,200 Speaker 2: sick a couple of weeks ago and on the couch. 506 00:29:31,680 --> 00:29:35,520 Speaker 2: All righty back with more go nowhere more to do? 507 00:29:35,800 --> 00:29:39,000 Speaker 2: On our Oscars Show. The Oscars are tomorrow, of course, 508 00:29:39,240 --> 00:29:43,800 Speaker 2: on the Fork Report KFI Heard everywhere on the iHeartRadio app. 509 00:29:45,360 --> 00:29:46,880 Speaker 1: You've been listening to the Fork Report. 510 00:29:47,080 --> 00:29:49,480 Speaker 2: You can always hear us live on KFI AM six 511 00:29:49,560 --> 00:29:53,000 Speaker 2: forty two to five pm on Saturday, and anytime on 512 00:29:53,200 --> 00:29:55,200 Speaker 2: demand on the iHeartRadio app