1 00:00:00,160 --> 00:00:02,320 Speaker 1: All right, kids, here we go with the Minnesota goodbye 2 00:00:02,400 --> 00:00:05,160 Speaker 1: and we got a lot of emails today and does 3 00:00:05,280 --> 00:00:09,080 Speaker 1: some bless you? I've screened through some and others. I havena, 4 00:00:10,160 --> 00:00:13,560 Speaker 1: but let's see how we do here. Hello, my favorite 5 00:00:13,640 --> 00:00:16,720 Speaker 1: radio squad. I thought I had a thought driving and 6 00:00:16,800 --> 00:00:19,960 Speaker 1: listening to you on the iHeartRadio app. During a commercial break, 7 00:00:19,960 --> 00:00:22,320 Speaker 1: I hopped over to Spotify for a quick music fix. 8 00:00:22,400 --> 00:00:24,400 Speaker 1: It got me wondering, do you all actually get any 9 00:00:24,400 --> 00:00:27,040 Speaker 1: saying what songs make it onto the radio? I understand 10 00:00:27,080 --> 00:00:29,120 Speaker 1: you can't play just any song, but let's say you 11 00:00:29,160 --> 00:00:30,920 Speaker 1: find a song by a popular artist that you like. 12 00:00:31,320 --> 00:00:33,760 Speaker 1: As radio DJs, are you allowed to pitch the song 13 00:00:34,320 --> 00:00:38,640 Speaker 1: to whoever chooses the playlist? KATIEWB plays cause if you 14 00:00:38,720 --> 00:00:42,639 Speaker 1: do have a say, I'm begging you Where is My Husband? 15 00:00:42,760 --> 00:00:48,680 Speaker 1: By ray Rye needs airtime. The song is criminally underrated 16 00:00:48,960 --> 00:00:50,360 Speaker 1: and I would love to see it blow up and 17 00:00:50,360 --> 00:00:53,840 Speaker 1: get the recognition that deserves. On that same vein, there's 18 00:00:53,880 --> 00:00:56,600 Speaker 1: no genre I love more than early two thousands, hip 19 00:00:56,640 --> 00:00:59,279 Speaker 1: hop and pop. Would you ever get to play more 20 00:00:59,320 --> 00:01:01,760 Speaker 1: of these songs? Thanks so much for any input. I 21 00:01:01,800 --> 00:01:04,920 Speaker 1: love you, guys, and you're all more than kind of hot. 22 00:01:05,040 --> 00:01:08,320 Speaker 1: That's from Kyrie or Syree, and I love that name. 23 00:01:09,040 --> 00:01:11,280 Speaker 1: We get very little say in the songs we play. 24 00:01:12,200 --> 00:01:14,440 Speaker 1: There have been a couple like if we like one 25 00:01:14,480 --> 00:01:17,440 Speaker 1: a lot like who was our friend that did one? 26 00:01:19,080 --> 00:01:21,880 Speaker 1: He played at the State Fair? And then he did 27 00:01:21,880 --> 00:01:25,560 Speaker 1: a song. No, he was in local Ah. I can't 28 00:01:25,600 --> 00:01:27,280 Speaker 1: remember his name, but we played his song a few 29 00:01:27,280 --> 00:01:31,240 Speaker 1: times because he played at the State Fair. Joe God something. 30 00:01:31,280 --> 00:01:33,920 Speaker 1: I can't remember, so that one, but it's not like 31 00:01:34,000 --> 00:01:38,800 Speaker 1: fully endorsed. But I will tell you that Julia Brennan 32 00:01:39,920 --> 00:01:43,560 Speaker 1: five or eight or ten years ago sent in a 33 00:01:43,600 --> 00:01:45,560 Speaker 1: song that she did. Local Girl sent in a song 34 00:01:45,600 --> 00:01:48,960 Speaker 1: that she did, and I really liked it, and she 35 00:01:49,080 --> 00:01:50,560 Speaker 1: sent it in but I was the only one who 36 00:01:50,640 --> 00:01:52,960 Speaker 1: listened to it. Other people forwarded it to me, but 37 00:01:53,040 --> 00:01:54,640 Speaker 1: I listened to it and I said, this is a 38 00:01:54,640 --> 00:01:57,880 Speaker 1: great song, and we played it on the radio. Inner 39 00:01:57,920 --> 00:02:02,480 Speaker 1: demons remember that one, and she actually got signed by 40 00:02:02,480 --> 00:02:05,960 Speaker 1: Columbia Records, and that song did get played on Cities 41 00:02:06,000 --> 00:02:09,160 Speaker 1: ninety seven and it never really took off. Yeah, and 42 00:02:09,200 --> 00:02:10,720 Speaker 1: I think it got played on maybe a couple of 43 00:02:10,760 --> 00:02:14,200 Speaker 1: other stations. But it was a really good song that 44 00:02:14,320 --> 00:02:16,760 Speaker 1: had kind of like an adele quality. And it was 45 00:02:16,800 --> 00:02:21,280 Speaker 1: a very melodic, beautiful song and the boss fully supported it, 46 00:02:21,680 --> 00:02:23,760 Speaker 1: but it just never really took off right. 47 00:02:24,040 --> 00:02:27,360 Speaker 2: Also, you would come up with another what was the 48 00:02:27,400 --> 00:02:28,480 Speaker 2: other one you came up. 49 00:02:28,400 --> 00:02:31,959 Speaker 1: With, Amy, But Bobby, no, no, you came. 50 00:02:31,800 --> 00:02:36,200 Speaker 2: Up with something in your sleep that you sent to Julia. Yes, yes, yes, 51 00:02:36,240 --> 00:02:37,560 Speaker 2: a song out of it, and I can't think of 52 00:02:37,560 --> 00:02:37,880 Speaker 2: what it was. 53 00:02:37,919 --> 00:02:41,680 Speaker 1: Called pure Love, Yes, pure love, pure love. And she 54 00:02:41,800 --> 00:02:44,960 Speaker 1: actually recorded it, and she made a beautiful song out 55 00:02:45,000 --> 00:02:46,840 Speaker 1: of it, and some people have actually played it at 56 00:02:46,880 --> 00:02:50,000 Speaker 1: their wedding. So if you go on Spotify or iHeartRadio, 57 00:02:50,040 --> 00:02:53,720 Speaker 1: you can probably find pure Love by Julia Brennan, which 58 00:02:53,760 --> 00:02:55,880 Speaker 1: I the melody came to me in my sleep. So 59 00:02:55,919 --> 00:02:58,200 Speaker 1: I woke up and I went downstairs because I think 60 00:02:58,200 --> 00:03:00,560 Speaker 1: Susan was sleeping upstairs, and I hang it into my 61 00:03:00,600 --> 00:03:02,760 Speaker 1: phone and then I went back to bed. Next day 62 00:03:02,760 --> 00:03:04,800 Speaker 1: on the radio, I told I was telling the story 63 00:03:04,800 --> 00:03:08,400 Speaker 1: to Stephen Fallon rip that that I did this with 64 00:03:08,440 --> 00:03:10,520 Speaker 1: Steve because Steve was an asshole. He's like, let me 65 00:03:10,560 --> 00:03:11,480 Speaker 1: hear it. I want to hear it. 66 00:03:11,520 --> 00:03:12,200 Speaker 3: I want to hear it. 67 00:03:12,280 --> 00:03:14,000 Speaker 1: So I send it to Steve. Steve put it in 68 00:03:14,000 --> 00:03:15,800 Speaker 1: the computer system, and he played it on the radio 69 00:03:15,880 --> 00:03:17,560 Speaker 1: and it was like, this is pure. 70 00:03:17,400 --> 00:03:19,880 Speaker 3: Love, pure love. He's like half them make it. 71 00:03:20,440 --> 00:03:23,560 Speaker 1: And so Julia wrote a beautiful song to it that 72 00:03:24,440 --> 00:03:26,320 Speaker 1: I didn't even mean to write. 73 00:03:26,400 --> 00:03:29,680 Speaker 4: I remember her rendition of it like it was yesterday. Honestly, 74 00:03:29,720 --> 00:03:31,760 Speaker 4: now that we bring it up, totally forgotten about it 75 00:03:31,800 --> 00:03:34,760 Speaker 4: until now. But I remember everyone making fun of you 76 00:03:34,840 --> 00:03:37,560 Speaker 4: for your rendition and then hers being way better. 77 00:03:38,240 --> 00:03:41,120 Speaker 1: Well yeah, because she can sing and actually but she 78 00:03:41,160 --> 00:03:43,600 Speaker 1: did use my hook and and I thought that was 79 00:03:43,760 --> 00:03:47,920 Speaker 1: really really cool. So other than that, no, not really, 80 00:03:48,920 --> 00:03:51,760 Speaker 1: but I will. I mean, I'm going to look up 81 00:03:51,760 --> 00:03:53,240 Speaker 1: this song right now, just to be weird. 82 00:03:53,520 --> 00:03:56,760 Speaker 4: This person has another song that was on the radio 83 00:03:56,800 --> 00:03:57,400 Speaker 4: at some point. 84 00:03:58,800 --> 00:04:01,520 Speaker 3: Ray, Yeah, I think so too, but I can't. 85 00:04:01,280 --> 00:04:05,760 Speaker 1: I'm going to look up Where is my Husband? And 86 00:04:05,880 --> 00:04:11,320 Speaker 1: let's see w H E R E is my Husband? 87 00:04:11,320 --> 00:04:38,200 Speaker 1: By Ray? Okay, so here is the song. You know, 88 00:04:38,240 --> 00:04:40,600 Speaker 1: there's no reason that that song shouldn't become a hit song. 89 00:04:41,240 --> 00:04:44,640 Speaker 1: The best songs don't always become hit songs. It's the 90 00:04:44,760 --> 00:04:49,039 Speaker 1: songs that are by the artist that the label is supporting. 91 00:04:50,080 --> 00:04:53,440 Speaker 1: And why labels support some artists and not others and 92 00:04:53,480 --> 00:04:57,000 Speaker 1: why some get signed. And I mean is is like 93 00:04:57,520 --> 00:05:00,000 Speaker 1: I mean, for what's popular on the radio right now, Carpent, 94 00:05:00,040 --> 00:05:03,120 Speaker 1: Sabrina Carpenter. I mean, she really is probably the best 95 00:05:03,240 --> 00:05:06,719 Speaker 1: music that's out there. She's got an image, she is 96 00:05:06,760 --> 00:05:09,800 Speaker 1: supported by the labels. She's on Saturday Night Arrived. 97 00:05:09,880 --> 00:05:11,279 Speaker 3: Yeah, she's a full brand. 98 00:05:11,320 --> 00:05:13,719 Speaker 1: She's a full brand, and she's known for you know, 99 00:05:13,800 --> 00:05:16,920 Speaker 1: she's got a personality, a stage presence, so the label 100 00:05:16,960 --> 00:05:22,760 Speaker 1: will gladly support and songwriters want to write for Sabrina Carpenter. 101 00:05:22,839 --> 00:05:26,839 Speaker 1: Let's say you're a really gifted songwriter. Would you rather 102 00:05:27,040 --> 00:05:31,279 Speaker 1: have Joe Smith from Brooklyn Park record your song or 103 00:05:31,320 --> 00:05:34,880 Speaker 1: would you rather have Sabrina Carpenter record your song? Sabrina, Oh, 104 00:05:35,000 --> 00:05:37,200 Speaker 1: Sabena Carpenter, because you're gonna make more money off of that. 105 00:05:37,400 --> 00:05:39,760 Speaker 1: You're gonna get more, you know, notoriety for writing a 106 00:05:39,839 --> 00:05:42,560 Speaker 1: song for a big artist. Here's the interesting thing that 107 00:05:42,880 --> 00:05:46,279 Speaker 1: we've talked about before. Sabrina claims to write her songs. 108 00:05:46,760 --> 00:05:49,360 Speaker 1: She does not write her songs. She gets a writing 109 00:05:49,440 --> 00:05:54,800 Speaker 1: credit in exchange for this amazing songwriter recording her song. 110 00:05:54,920 --> 00:05:58,039 Speaker 1: So let's say that I'm Sabrina Carpenter. Yeah, you you 111 00:05:58,080 --> 00:05:59,080 Speaker 1: want me to record your song? 112 00:05:59,200 --> 00:05:59,640 Speaker 3: Yes, I do. 113 00:06:00,040 --> 00:06:02,159 Speaker 1: You're gonna give me a songwriting credit? And if you 114 00:06:02,200 --> 00:06:03,479 Speaker 1: say no, I'll be like, well then I'm not going 115 00:06:03,520 --> 00:06:04,279 Speaker 1: to record your song. 116 00:06:04,440 --> 00:06:04,719 Speaker 3: Sure. 117 00:06:04,960 --> 00:06:08,280 Speaker 1: So Sabrina claims to write her song because it gives 118 00:06:08,279 --> 00:06:12,400 Speaker 1: her more street credibility, but she does not write those beautiful, melodic, 119 00:06:12,680 --> 00:06:13,679 Speaker 1: lush songs. 120 00:06:14,040 --> 00:06:16,280 Speaker 3: She doesn't write tears run down my thighs. 121 00:06:17,839 --> 00:06:20,080 Speaker 1: It is possible that she had, like, you know, one 122 00:06:20,160 --> 00:06:22,159 Speaker 1: little like word. Sure, it's possible. 123 00:06:22,400 --> 00:06:23,000 Speaker 3: It's kind of like. 124 00:06:22,960 --> 00:06:24,880 Speaker 4: When they say, like in a movie, it's like story 125 00:06:24,960 --> 00:06:26,840 Speaker 4: by so and so, and it's just that they had 126 00:06:26,839 --> 00:06:28,240 Speaker 4: the thought, but they didn't write any of it. 127 00:06:28,480 --> 00:06:33,560 Speaker 1: Yeah. Yeah, And there's value to that. But I think that, 128 00:06:34,520 --> 00:06:37,880 Speaker 1: you know, the analogy goes, if you're a great songwriter, 129 00:06:38,040 --> 00:06:40,599 Speaker 1: you don't just write for you, you write for other people. 130 00:06:41,000 --> 00:06:43,719 Speaker 1: Like Ryan Tedder doesn't just write for one republic, he 131 00:06:43,800 --> 00:06:48,120 Speaker 1: writes for everybody. Yeah, so if Sabrina was such a 132 00:06:48,160 --> 00:06:52,400 Speaker 1: great songwriter, she would be writing for Taylor Swift and 133 00:06:52,440 --> 00:06:55,080 Speaker 1: Billie Eilis and she ain't and she's not. And not 134 00:06:55,080 --> 00:06:58,120 Speaker 1: to take anything away from her, because I love Sabrina Carpenter, 135 00:06:58,400 --> 00:07:01,320 Speaker 1: but the whole songwriting thing is is just really really 136 00:07:01,320 --> 00:07:05,760 Speaker 1: interesting to me. Uh, okay, thanks for that email. Next one, 137 00:07:08,279 --> 00:07:10,840 Speaker 1: Holly writes in Oh, she was the one who was 138 00:07:10,880 --> 00:07:12,960 Speaker 1: on the show this morning from Blaine High School. Oh 139 00:07:13,080 --> 00:07:15,320 Speaker 1: nice about coach for kids, She says, thanks for having 140 00:07:15,320 --> 00:07:17,360 Speaker 1: me on again this morning. I appreciate you taking the 141 00:07:17,360 --> 00:07:19,880 Speaker 1: time to have me on the air. It helps out 142 00:07:19,920 --> 00:07:21,920 Speaker 1: getting the word out of the community. And one of 143 00:07:21,920 --> 00:07:24,080 Speaker 1: the years these years, I will know the Blaine High 144 00:07:24,080 --> 00:07:26,000 Speaker 1: School fight song, which we always put her on the 145 00:07:26,000 --> 00:07:30,160 Speaker 1: spot and she never knows it. Also, I had commented 146 00:07:30,200 --> 00:07:33,800 Speaker 1: that on Halloween, of the fifty people that came to 147 00:07:33,840 --> 00:07:36,239 Speaker 1: the fifty groups or individuals that came to my door, 148 00:07:36,480 --> 00:07:40,080 Speaker 1: probably five rang the doorbell, and Holly says, also, I 149 00:07:40,160 --> 00:07:42,280 Speaker 1: wanted to say I was surprised by the lack of 150 00:07:42,320 --> 00:07:45,160 Speaker 1: doorbell rings on Halloween. I even had one little girl 151 00:07:45,200 --> 00:07:47,680 Speaker 1: say she was scared to push it. I said it's okay, 152 00:07:48,080 --> 00:07:50,680 Speaker 1: and she laughed and she pushed it. Have a wonderful day. 153 00:07:50,800 --> 00:07:53,640 Speaker 1: Thanks again for having me on. And I don't know 154 00:07:53,640 --> 00:07:57,000 Speaker 1: why kids don't ring the doorbell, but they don't do 155 00:07:57,120 --> 00:07:58,000 Speaker 1: it like they used to. 156 00:07:58,120 --> 00:08:01,000 Speaker 4: I wonder if it's because of ring camera, because, like 157 00:08:01,040 --> 00:08:03,400 Speaker 4: you said, you had a kid like who rang the 158 00:08:03,440 --> 00:08:05,440 Speaker 4: doorbell and then like creepy stood in front of your 159 00:08:05,520 --> 00:08:09,720 Speaker 4: ring doorbell yes or camera? And because when I was 160 00:08:09,760 --> 00:08:11,520 Speaker 4: growing up, when all of us were growing up, they 161 00:08:11,560 --> 00:08:14,440 Speaker 4: didn't have ring cameras. So now if they're just used 162 00:08:14,480 --> 00:08:18,200 Speaker 4: to a ring camera, like alerting the person in the 163 00:08:18,200 --> 00:08:20,800 Speaker 4: house that there's someone at the door ring the door, 164 00:08:21,040 --> 00:08:22,720 Speaker 4: you don't have to ring the doorbell. They get an 165 00:08:22,720 --> 00:08:23,440 Speaker 4: alert anyway. 166 00:08:23,520 --> 00:08:27,280 Speaker 1: Right, here's a story about the youth. When Carson was 167 00:08:27,280 --> 00:08:29,760 Speaker 1: still living at home in high school, kids would not 168 00:08:29,800 --> 00:08:31,720 Speaker 1: come to the door and ring the doorbell. They would 169 00:08:31,720 --> 00:08:34,520 Speaker 1: come to the door and text Carson, Hey, I'm here, yes, 170 00:08:34,800 --> 00:08:36,680 Speaker 1: And so then Carson would go down and open the 171 00:08:36,679 --> 00:08:37,360 Speaker 1: door for them. 172 00:08:37,520 --> 00:08:39,280 Speaker 3: Yes, I do that, now, do you. 173 00:08:39,440 --> 00:08:42,760 Speaker 4: I never go up to someone's door like without saying 174 00:08:42,920 --> 00:08:44,800 Speaker 4: texting them first and saying I'm here, because I don't 175 00:08:44,800 --> 00:08:47,320 Speaker 4: want to have to ring the doorbell. Really, yeah, I 176 00:08:47,320 --> 00:08:48,760 Speaker 4: guess I didn't think about it until now. 177 00:08:48,760 --> 00:08:49,520 Speaker 3: It is kind of weird. 178 00:08:50,200 --> 00:08:52,520 Speaker 1: Next one, Samantha writes in and by the way, the 179 00:08:52,559 --> 00:08:57,079 Speaker 1: email is always Ryan Show at katiwb dot com. I'm 180 00:08:57,080 --> 00:08:58,800 Speaker 1: gonna check the wave for him. Jenny just because I 181 00:08:58,840 --> 00:09:01,200 Speaker 1: want to make sure, Okay, we're in good okay recording, 182 00:09:01,240 --> 00:09:05,120 Speaker 1: We're still going, just checking, Samantha writes in Hello friends, 183 00:09:05,240 --> 00:09:07,199 Speaker 1: Wonder if there's still people in the world who don't 184 00:09:07,240 --> 00:09:10,640 Speaker 1: care a whole lot about sports. I like sports. I 185 00:09:10,640 --> 00:09:14,280 Speaker 1: played sports all throughout my childhood. I do enjoy sporting events, 186 00:09:14,280 --> 00:09:16,679 Speaker 1: but I'm not a super fan for really any team, 187 00:09:17,120 --> 00:09:19,000 Speaker 1: So talking about them all the time is it really 188 00:09:19,000 --> 00:09:22,360 Speaker 1: my cup of tea? Right now? This was Sunday, at 189 00:09:22,360 --> 00:09:24,640 Speaker 1: one in the afternoon. I am sitting at a birthday 190 00:09:24,640 --> 00:09:27,600 Speaker 1: party for one of my son's friends, and it's Sunday, 191 00:09:27,640 --> 00:09:29,640 Speaker 1: and I assume the Vikings must play today because one 192 00:09:29,679 --> 00:09:31,360 Speaker 1: of the dads has a game pulled up on his 193 00:09:31,440 --> 00:09:34,840 Speaker 1: phone and all the other dads are gathered around watching, 194 00:09:35,360 --> 00:09:39,200 Speaker 1: plus a few moms wearing Vikings attire, etc. Anyways, I 195 00:09:39,280 --> 00:09:41,959 Speaker 1: am just not that girl. I just don't care a 196 00:09:42,000 --> 00:09:44,440 Speaker 1: whole lot to make it a constant topic of conversation, 197 00:09:44,800 --> 00:09:47,520 Speaker 1: and I definitely feel like the odd one out asking 198 00:09:47,559 --> 00:09:51,000 Speaker 1: for a friend. Ha ha. Got my staff writer sticker. 199 00:09:51,360 --> 00:09:53,000 Speaker 1: I love it so much. I put that bitch on 200 00:09:53,000 --> 00:09:56,080 Speaker 1: my yetti, of course, and now that's a conversation starter. 201 00:09:56,280 --> 00:09:59,920 Speaker 1: Love you guys. Thank you Sammy. It's funny because really 202 00:10:00,280 --> 00:10:03,560 Speaker 1: Jenny and I are probably the biggest sports fans on 203 00:10:03,640 --> 00:10:03,960 Speaker 1: the show. 204 00:10:04,480 --> 00:10:05,680 Speaker 3: Bay like not care less. 205 00:10:05,760 --> 00:10:08,839 Speaker 4: You like baseball, like the baseball, but like I would 206 00:10:08,920 --> 00:10:11,320 Speaker 4: only say I like baseball if it's on at the 207 00:10:11,320 --> 00:10:13,880 Speaker 4: bar that I'm sitting in or if I am invited 208 00:10:13,920 --> 00:10:16,120 Speaker 4: to a game. I was really into baseball when I 209 00:10:16,160 --> 00:10:18,040 Speaker 4: was like fifteen, and I would actually like watch it 210 00:10:18,080 --> 00:10:18,520 Speaker 4: on TV. 211 00:10:19,080 --> 00:10:21,199 Speaker 3: Now. I don't know any of the twins names. 212 00:10:21,360 --> 00:10:24,320 Speaker 4: I have no idea, but like, I like baseball, but 213 00:10:24,720 --> 00:10:27,560 Speaker 4: I unless someone invited me to any kind of game. 214 00:10:27,640 --> 00:10:28,800 Speaker 3: If I was invited, I would go. 215 00:10:28,840 --> 00:10:30,240 Speaker 4: I would love it just because I would like to 216 00:10:30,280 --> 00:10:32,880 Speaker 4: be in the environment and like around a bunch of people. 217 00:10:33,160 --> 00:10:36,280 Speaker 3: But like, I do not care about sports at all. 218 00:10:36,480 --> 00:10:40,839 Speaker 1: Okay, let me ask you a question. If you could 219 00:10:40,880 --> 00:10:44,960 Speaker 1: only watch soccer that's the only thing you can watch 220 00:10:45,000 --> 00:10:48,680 Speaker 1: on TV for a year, or the only music you 221 00:10:48,720 --> 00:10:53,720 Speaker 1: could listen to for a year is Iggy Azalea, which 222 00:10:53,760 --> 00:10:54,560 Speaker 1: would you choose? 223 00:10:54,800 --> 00:10:57,640 Speaker 3: I can so if I turn on my TV at soccer, it. 224 00:10:57,559 --> 00:11:00,960 Speaker 1: Has to be soccer all the time. You can watch Netflix. 225 00:11:01,000 --> 00:11:04,120 Speaker 1: You cannot watch a Bachelor in soccer. 226 00:11:04,679 --> 00:11:09,760 Speaker 4: Nothing but if I want to music, Azalea. 227 00:11:08,760 --> 00:11:11,360 Speaker 1: Oliver songs, but nothing, buddy gee Azalea. 228 00:11:12,840 --> 00:11:14,920 Speaker 3: That's a really great question. It's a really great question. 229 00:11:16,040 --> 00:11:18,520 Speaker 1: I thought about this yesterday because I was, I was. 230 00:11:18,640 --> 00:11:20,040 Speaker 1: I'll give you a chance to think about it. I 231 00:11:20,080 --> 00:11:23,439 Speaker 1: was on the treadmill and on the home screen on 232 00:11:23,480 --> 00:11:26,600 Speaker 1: when I turn on my smart TV. There's all kinds 233 00:11:26,640 --> 00:11:30,240 Speaker 1: of soccer games, and I respect soccer, but to me, 234 00:11:30,400 --> 00:11:34,640 Speaker 1: soccer is very dull compared to American football, which to 235 00:11:34,679 --> 00:11:38,040 Speaker 1: me is exciting and fast paced, and soccer is like 236 00:11:38,080 --> 00:11:40,400 Speaker 1: they're kicking the ball up and down the field in 237 00:11:40,480 --> 00:11:43,480 Speaker 1: a sport that I don't really understand. That seems random, 238 00:11:43,600 --> 00:11:45,800 Speaker 1: Like he'll kick to this guy, and he'll kick to 239 00:11:45,880 --> 00:11:48,240 Speaker 1: that guy and then somebody intercepts it. He kicks it. 240 00:11:48,280 --> 00:11:50,920 Speaker 1: To me, it's boring because I don't understand it. 241 00:11:51,040 --> 00:11:54,080 Speaker 2: You're laughing, Well, just they don't use intercept in soccer. 242 00:11:54,160 --> 00:11:55,600 Speaker 2: I played soccer growing up. 243 00:11:55,600 --> 00:11:58,000 Speaker 1: But just like, well they intercept it, like if you're 244 00:11:58,040 --> 00:11:59,320 Speaker 1: kicking the bailey and I jump. 245 00:11:59,080 --> 00:12:02,160 Speaker 2: In and get it all it interception. It's just like 246 00:12:02,200 --> 00:12:04,440 Speaker 2: they stole the ball. That's more of what they would 247 00:12:04,480 --> 00:12:05,160 Speaker 2: say with soccer. 248 00:12:05,280 --> 00:12:08,480 Speaker 1: Okay, Yeah, so Bailey, I need your answer. Iggy Azalea 249 00:12:09,120 --> 00:12:10,040 Speaker 1: or soccer. 250 00:12:10,920 --> 00:12:15,560 Speaker 4: I would say soccer because then I would probably be 251 00:12:16,720 --> 00:12:20,600 Speaker 4: motivated to clean my house more, or go outside more, 252 00:12:20,920 --> 00:12:23,320 Speaker 4: or go you know, out and about more, because I 253 00:12:23,320 --> 00:12:25,679 Speaker 4: wouldn't be turning on my TV ever. 254 00:12:25,800 --> 00:12:27,880 Speaker 1: Really, Okay, Jenny, I. 255 00:12:27,800 --> 00:12:30,120 Speaker 2: Mean I would do soccer because Iggy Azalea has like 256 00:12:30,720 --> 00:12:32,920 Speaker 2: a couple of good songs. Sure, but I would hate 257 00:12:32,960 --> 00:12:35,400 Speaker 2: having to listen to that constantly. I'd rather listen to nothing. 258 00:12:35,440 --> 00:12:38,040 Speaker 1: Then is this a good phone topic for on the radio? 259 00:12:38,559 --> 00:12:40,240 Speaker 3: It sounds like a Daily Bailey question? 260 00:12:40,480 --> 00:12:41,880 Speaker 1: It does that. You can use it for a Daily 261 00:12:41,920 --> 00:12:43,880 Speaker 1: Bailey for today if you want to, you can use 262 00:12:43,880 --> 00:12:44,560 Speaker 1: it for a Daily Bailey. 263 00:12:44,720 --> 00:12:44,960 Speaker 3: Great. 264 00:12:45,440 --> 00:12:49,520 Speaker 1: I would probably choose soccer as well because Iggy Azalea 265 00:12:49,679 --> 00:12:51,320 Speaker 1: every time I turn on the radio in the car 266 00:12:51,360 --> 00:12:54,480 Speaker 1: home or I've got my AirPods in out for a walk, 267 00:12:54,880 --> 00:12:59,559 Speaker 1: I don't want to hear I'm so fans I see. 268 00:12:59,440 --> 00:13:04,720 Speaker 3: Two dead or you know, did you what did dodbt? DODBT? 269 00:13:04,880 --> 00:13:06,679 Speaker 1: What about you? What would you as you're listening to 270 00:13:06,760 --> 00:13:10,040 Speaker 1: the podcast, what would you rather? You had to choose one? 271 00:13:10,679 --> 00:13:16,360 Speaker 1: Which would you choose? And there is Sammy's email. Thank you, Sammy, 272 00:13:16,400 --> 00:13:17,360 Speaker 1: delightful to hear from you. 273 00:13:18,160 --> 00:13:18,280 Speaker 2: Uh. 274 00:13:20,200 --> 00:13:22,040 Speaker 4: The guys that I'm going on a date with from 275 00:13:22,160 --> 00:13:24,760 Speaker 4: Hinge is really into soccer and and a bunch of 276 00:13:24,800 --> 00:13:26,600 Speaker 4: his friends are like super into it, and they go 277 00:13:26,679 --> 00:13:28,760 Speaker 4: to see the Loons all the time. 278 00:13:29,200 --> 00:13:31,160 Speaker 2: The Loons, the Minnesota United. 279 00:13:31,240 --> 00:13:32,959 Speaker 3: Yeah, the they're the Loons. 280 00:13:33,200 --> 00:13:35,840 Speaker 1: I really had no idea. Yeah, And apparently how can 281 00:13:35,840 --> 00:13:37,439 Speaker 1: they be the United and the Loons? 282 00:13:38,000 --> 00:13:39,199 Speaker 3: I don't understand it. 283 00:13:39,600 --> 00:13:42,240 Speaker 4: I well, you know, I think they're just called them 284 00:13:42,240 --> 00:13:43,160 Speaker 4: Minnesota United. 285 00:13:43,160 --> 00:13:44,400 Speaker 3: But their mascot is a loon. 286 00:13:44,520 --> 00:13:49,440 Speaker 1: I see. Yeah, okay, Uh, next one Hello Morning Show. 287 00:13:49,480 --> 00:13:51,800 Speaker 1: Listen to this week's Minnesota Goodbye. And I heard the 288 00:13:51,800 --> 00:13:55,520 Speaker 1: episode where Jenny mentioned she's going to Morocco. My sister's 289 00:13:55,520 --> 00:13:58,760 Speaker 1: ex husband is from Morocco and when they were married, 290 00:13:59,400 --> 00:14:02,319 Speaker 1: she went there a few times, and so she wanted 291 00:14:02,360 --> 00:14:05,520 Speaker 1: more information Jenny on how to navigate Morocco. My sister 292 00:14:05,600 --> 00:14:08,720 Speaker 1: mentioned Jenny could reach out to her, So if Jenny 293 00:14:08,720 --> 00:14:10,439 Speaker 1: would be interested in that, I can pass along with 294 00:14:10,440 --> 00:14:13,160 Speaker 1: my sister he's email or phone number. But if Jenny's 295 00:14:13,200 --> 00:14:15,920 Speaker 1: not interested or already has info, that's okay too. My 296 00:14:16,000 --> 00:14:17,880 Speaker 1: nephew has also gone there every year with his dad, 297 00:14:17,960 --> 00:14:21,120 Speaker 1: So it's been quite a while that my sister has 298 00:14:21,160 --> 00:14:22,720 Speaker 1: been there, but she still has a null lot of 299 00:14:22,800 --> 00:14:26,200 Speaker 1: knowledge from her ex and my nephew. Love y'all and 300 00:14:26,480 --> 00:14:29,880 Speaker 1: keep doing what you're doing. That's from Daydree and thank you, Dadre. 301 00:14:29,960 --> 00:14:31,680 Speaker 1: And she asked for a staff rider sticker. We will 302 00:14:31,680 --> 00:14:33,440 Speaker 1: get one on its way. I'm going to forward this 303 00:14:33,480 --> 00:14:34,080 Speaker 1: to you, Jenny. 304 00:14:34,160 --> 00:14:36,000 Speaker 2: Okay, thank you, I appreciate it. 305 00:14:36,320 --> 00:14:38,320 Speaker 1: Are you still going to Morocco as of right now? 306 00:14:38,320 --> 00:14:40,240 Speaker 2: I'm still planning on going. I did lots and lots 307 00:14:40,240 --> 00:14:42,360 Speaker 2: of research. My brain actually like hurts from the amount 308 00:14:42,360 --> 00:14:44,240 Speaker 2: of research I did. I'm trying to figure out how 309 00:14:44,240 --> 00:14:47,280 Speaker 2: to get from city to city because like basically the 310 00:14:47,320 --> 00:14:48,880 Speaker 2: cities I want to go to from the one I 311 00:14:48,920 --> 00:14:51,200 Speaker 2: fly in and out of are like not close to 312 00:14:51,240 --> 00:14:55,160 Speaker 2: that city. So it's like, do I cancel out one 313 00:14:55,160 --> 00:14:57,720 Speaker 2: of those cities and not be on a train for 314 00:14:57,760 --> 00:14:59,480 Speaker 2: seven hours multiple times? 315 00:14:59,600 --> 00:15:00,080 Speaker 3: I don't know. 316 00:15:00,240 --> 00:15:03,160 Speaker 2: So yes, I am still going. I have a lot 317 00:15:03,200 --> 00:15:07,160 Speaker 2: of notes and plans, but it's like two weeks. It's 318 00:15:07,200 --> 00:15:08,280 Speaker 2: in like less than two weeks. 319 00:15:08,360 --> 00:15:13,200 Speaker 1: Wow, wild next one, it says, Hey, Dave, do vont 320 00:15:13,240 --> 00:15:15,840 Speaker 1: and Bailey get extra money for working on saturdays. I 321 00:15:15,960 --> 00:15:19,640 Speaker 1: say no, my sister thinks they would. Who is right, 322 00:15:19,920 --> 00:15:21,880 Speaker 1: thank you, Tina Bailey. 323 00:15:22,240 --> 00:15:23,040 Speaker 3: No, I do not. 324 00:15:23,800 --> 00:15:25,480 Speaker 1: No, it's part of the salary. I mean that is 325 00:15:25,520 --> 00:15:27,000 Speaker 1: when I used to have to work weekends. I used 326 00:15:27,000 --> 00:15:28,840 Speaker 1: to have to work a Saturday shift way back in 327 00:15:28,880 --> 00:15:31,120 Speaker 1: the day. And it's just part of your salary. 328 00:15:31,200 --> 00:15:32,560 Speaker 3: Yeah, yeah, just well it. 329 00:15:32,440 --> 00:15:34,960 Speaker 2: Actually used to like not be part of like a requirement. 330 00:15:34,960 --> 00:15:37,080 Speaker 2: We used to actually have weekend DJs. 331 00:15:37,360 --> 00:15:39,280 Speaker 1: Yeah that's true. Yeah. 332 00:15:39,320 --> 00:15:42,280 Speaker 2: I pitched myself to work weekends when I was younger, 333 00:15:42,520 --> 00:15:44,920 Speaker 2: like earlier in my radio career because I wanted a 334 00:15:44,920 --> 00:15:47,520 Speaker 2: weekend show, and so it wasn't that they needed me. 335 00:15:47,640 --> 00:15:49,640 Speaker 2: They just like I was like, rich, I want to 336 00:15:49,640 --> 00:15:50,920 Speaker 2: be on weekends. And I had to send him an 337 00:15:50,920 --> 00:15:52,560 Speaker 2: air check and do all that stuff. And I was 338 00:15:52,560 --> 00:15:54,360 Speaker 2: on weekends for a very long time. And I'm still 339 00:15:54,360 --> 00:15:56,680 Speaker 2: on on Sundays too, but it's like every other weekend, 340 00:15:56,680 --> 00:15:58,760 Speaker 2: me and Zach Dlon rotate our Yeah. 341 00:15:58,880 --> 00:16:00,880 Speaker 1: Well that used to be how you into radio, which 342 00:16:00,840 --> 00:16:04,920 Speaker 1: you'd get hired for a weekend shift. My first radio 343 00:16:04,960 --> 00:16:08,880 Speaker 1: show was weekend Saturday and Sunday morning six to noon, 344 00:16:09,120 --> 00:16:11,880 Speaker 1: and then I went to a pop top forty station. 345 00:16:12,000 --> 00:16:16,520 Speaker 1: I did midnight to six on Saturday morning and Sunday morning. 346 00:16:16,520 --> 00:16:18,960 Speaker 1: Maybe it was Monday morning, but that's how you first 347 00:16:19,000 --> 00:16:21,200 Speaker 1: broke in. And then you'd maybe get the all night 348 00:16:21,240 --> 00:16:23,400 Speaker 1: show or the late night show. But weekends where how 349 00:16:23,440 --> 00:16:24,320 Speaker 1: people used to start. 350 00:16:24,480 --> 00:16:26,880 Speaker 2: Oh yeah, yeah, you weren't asking. Like I didn't pitch 351 00:16:26,920 --> 00:16:28,840 Speaker 2: it to Rich to be on Fridays to make more money. 352 00:16:28,920 --> 00:16:31,280 Speaker 2: It was like I want that experience, Yeah, can I 353 00:16:31,320 --> 00:16:31,560 Speaker 2: have it? 354 00:16:31,640 --> 00:16:33,360 Speaker 4: Yeah? And Rich just kind of said at one point 355 00:16:33,360 --> 00:16:34,800 Speaker 4: he's like, come to my office quick, and I was 356 00:16:34,840 --> 00:16:36,200 Speaker 4: like okay, and he's like, hey, you're going to do 357 00:16:36,200 --> 00:16:38,360 Speaker 4: a Saturday show. And I was like, oh, okay, cool, 358 00:16:38,480 --> 00:16:41,520 Speaker 4: sounds good. But I do know how to do stuff now, 359 00:16:41,560 --> 00:16:42,520 Speaker 4: So that's not See. 360 00:16:42,520 --> 00:16:45,360 Speaker 1: That's impressive to me, Bailey, because you know the fact 361 00:16:45,360 --> 00:16:49,800 Speaker 1: that you were, you know, no radio experience shit all, 362 00:16:50,400 --> 00:16:54,920 Speaker 1: but you did have entertainment experience, yeah, and an improv experience. 363 00:16:54,920 --> 00:16:58,720 Speaker 1: So it made you uniquely qualify, uniquely qualified, probably a 364 00:16:58,760 --> 00:17:01,720 Speaker 1: lot more qualified than a lot of radio people that 365 00:17:01,880 --> 00:17:05,240 Speaker 1: come with just the knowledge of how to push the buttons, yeah, 366 00:17:05,280 --> 00:17:07,720 Speaker 1: and not a lot of style or personality. 367 00:17:07,840 --> 00:17:09,560 Speaker 4: I still don't really know how to push the buttons, 368 00:17:09,600 --> 00:17:11,200 Speaker 4: but I know how to push more of them now. 369 00:17:11,320 --> 00:17:13,679 Speaker 1: Yeah, but that's exciting. That's what's impressive is that you 370 00:17:13,720 --> 00:17:17,320 Speaker 1: went from zero to sixty within a couple of weeks 371 00:17:17,320 --> 00:17:20,760 Speaker 1: and are able to do a DJ weekend radio show. Yeah, 372 00:17:20,800 --> 00:17:23,920 Speaker 1: and now you're like, you know, we don't really we're DJ's. 373 00:17:23,960 --> 00:17:26,239 Speaker 1: I just put us under the umbrella of DJs, but 374 00:17:26,280 --> 00:17:29,600 Speaker 1: we're really like, I don't know, talent, personalities or whatever. 375 00:17:29,880 --> 00:17:31,960 Speaker 1: But on the weekend you're much more of a DJ 376 00:17:32,119 --> 00:17:34,040 Speaker 1: because you're playing music. Yep. 377 00:17:34,080 --> 00:17:37,760 Speaker 4: Ber Yeah, here's one from Eggy Azalea. 378 00:17:37,960 --> 00:17:39,960 Speaker 1: We brought her up enough on the show. Send me 379 00:17:39,960 --> 00:17:42,479 Speaker 1: an email. Let me know whether it's Eggy Azalea or soccer. 380 00:17:42,840 --> 00:17:45,560 Speaker 1: There's a little conversation starter. Maybe you have a would 381 00:17:45,640 --> 00:17:48,280 Speaker 1: you rather send it in Nick, because we'd love to 382 00:17:48,320 --> 00:17:51,320 Speaker 1: hear from you. Ryan's show at KDIWB dot com.