1 00:00:00,200 --> 00:00:02,680 Speaker 1: This portion of the Joe Show podcast is powered by 2 00:00:02,720 --> 00:00:06,880 Speaker 1: Fair and Faarah Tampa Accident Attorneys. We're live and we've 3 00:00:06,880 --> 00:00:09,760 Speaker 1: got War of the Roses coming up in literal minutes, 4 00:00:09,800 --> 00:00:13,160 Speaker 1: So do not miss Extremus and I were free iHeartRadio App. 5 00:00:13,160 --> 00:00:15,280 Speaker 1: If you've never tried it before, go check out our app. 6 00:00:15,320 --> 00:00:17,960 Speaker 1: It's like the best way to listen to the show. 7 00:00:19,360 --> 00:00:21,360 Speaker 1: You will never miss a second. So, like, let's say 8 00:00:21,360 --> 00:00:24,520 Speaker 1: you're going into work right now, you start at seven twenty. 9 00:00:25,400 --> 00:00:29,400 Speaker 1: Weird start time. Let's say seven thirty. We start roses 10 00:00:29,440 --> 00:00:31,840 Speaker 1: at seven thirty. There's a chance you've never heard what 11 00:00:31,880 --> 00:00:34,800 Speaker 1: we tease every single day. It's a moment where we 12 00:00:34,920 --> 00:00:39,320 Speaker 1: call someone if they're you know, suspected cheater, and without 13 00:00:39,320 --> 00:00:42,120 Speaker 1: a doubt, it's the most talked about moment of the week. 14 00:00:42,560 --> 00:00:44,920 Speaker 1: If you've never heard it, you probably don't have the iHeartRadio. 15 00:00:45,080 --> 00:00:48,600 Speaker 1: Check it out, Listen on your computer, listen to your headphones, 16 00:00:48,640 --> 00:00:52,480 Speaker 1: whatever you gotta do. iHeartRadio App. Give it a try today. 17 00:00:52,479 --> 00:00:57,880 Speaker 1: If you've never I promise you'll like it. Katie brought 18 00:00:57,960 --> 00:01:00,200 Speaker 1: up something to me a couple of days ago, go 19 00:01:01,440 --> 00:01:05,080 Speaker 1: about Jed that I thought was very, very very funny. 20 00:01:06,080 --> 00:01:09,160 Speaker 1: Jed and Katie were celebrating Shawn's birthday. 21 00:01:09,160 --> 00:01:11,880 Speaker 2: Seawan is Katie's fiance. You guys were in dun Eden. 22 00:01:13,160 --> 00:01:15,800 Speaker 1: I saw Katie the next day and I was asking, 23 00:01:15,880 --> 00:01:17,800 Speaker 1: you know, how did it go? Was it fun? I 24 00:01:17,800 --> 00:01:20,840 Speaker 1: saw you guys saw a jam band, which is super cool. 25 00:01:21,440 --> 00:01:23,480 Speaker 1: And by the way, before we say anything, because I 26 00:01:23,560 --> 00:01:26,800 Speaker 1: know how you get. They both said great things about it. 27 00:01:27,200 --> 00:01:32,920 Speaker 1: Everyone liked it. But no, but there's no butt. It's 28 00:01:32,920 --> 00:01:36,520 Speaker 1: an okay and you do something funny, I guess, and 29 00:01:36,560 --> 00:01:38,319 Speaker 1: I have not seen this. I think that this is 30 00:01:38,319 --> 00:01:41,880 Speaker 1: something that is new to your jam band experience. I 31 00:01:41,920 --> 00:01:44,720 Speaker 1: saw Billy Strings with you a year ago. You've picked 32 00:01:44,760 --> 00:01:46,200 Speaker 1: us up in the last year. Do you know what 33 00:01:46,240 --> 00:01:46,520 Speaker 1: it is? 34 00:01:49,280 --> 00:01:51,160 Speaker 3: Do I like have a twitch or something when I 35 00:01:51,280 --> 00:01:51,760 Speaker 3: jam out? 36 00:01:52,000 --> 00:01:52,120 Speaker 1: No? 37 00:01:53,200 --> 00:01:55,480 Speaker 3: When I go and see jam bands, I'm trying to think, 38 00:01:55,520 --> 00:01:57,160 Speaker 3: Katie Summers, what did you go about it? 39 00:01:57,720 --> 00:02:00,400 Speaker 4: Just like high energy music, I mean they are like 40 00:02:00,560 --> 00:02:03,279 Speaker 4: getting it. There was a piano, the bongo, drums and drums. 41 00:02:03,280 --> 00:02:06,160 Speaker 4: There was like three guitarists, and you know a lot 42 00:02:06,200 --> 00:02:08,200 Speaker 4: of people were like, you know, bopping. 43 00:02:07,920 --> 00:02:09,440 Speaker 2: Their head up and down. I turn around and. 44 00:02:09,360 --> 00:02:12,320 Speaker 4: I look at Jed, who loves live music, and I'm 45 00:02:12,400 --> 00:02:13,799 Speaker 4: here for the fact that you were in it. 46 00:02:14,040 --> 00:02:16,080 Speaker 2: His eyes were closed, Jed, and you were doing. 47 00:02:15,919 --> 00:02:18,680 Speaker 3: This, I'm swaying back and forth. 48 00:02:18,800 --> 00:02:22,559 Speaker 2: Yeah, your eyes were close. Oh I hear you. You 49 00:02:22,560 --> 00:02:23,800 Speaker 2: hear my grandma at church. 50 00:02:25,000 --> 00:02:27,080 Speaker 3: Hey, I'm in the church of the jam band. Dude, 51 00:02:27,120 --> 00:02:30,440 Speaker 3: I just there. I mean, I can. This has happened 52 00:02:30,440 --> 00:02:33,799 Speaker 3: so many times to me, Katie at live shows. We're there. Yeah, 53 00:02:33,840 --> 00:02:37,800 Speaker 3: there's tasty licks and you just I don't know whatever, 54 00:02:38,120 --> 00:02:41,440 Speaker 3: for whatever reason, you're just we were in a vibe. Yeah, 55 00:02:41,680 --> 00:02:45,040 Speaker 3: we had gotten a good meal beforehand. We were getting 56 00:02:45,080 --> 00:02:48,320 Speaker 3: some delicious beers from Dunnedon Brewery, and it's just like 57 00:02:48,360 --> 00:02:50,799 Speaker 3: you're you're just getting lost in the moment. 58 00:02:50,960 --> 00:02:52,360 Speaker 2: You know, you were lost in the sauce. 59 00:02:52,639 --> 00:02:55,800 Speaker 3: God like if if there's a really good Grateful Dead 60 00:02:55,840 --> 00:02:59,200 Speaker 3: song called Franklin's Tower, and it's just like, oh, you 61 00:02:59,240 --> 00:03:02,720 Speaker 3: just hear the guitar playing, just like just. 62 00:03:02,680 --> 00:03:04,680 Speaker 4: Like but it was funny because like the music was 63 00:03:04,720 --> 00:03:08,360 Speaker 4: so like high tempo. It was like big energy, like 64 00:03:09,000 --> 00:03:11,200 Speaker 4: a spiritual moment, eyes. 65 00:03:10,919 --> 00:03:22,040 Speaker 2: Closed, swaying back and forth. You listen to this. 66 00:03:22,160 --> 00:03:26,880 Speaker 3: I like that stuff. It's okay, Joe, I always say that. 67 00:03:27,440 --> 00:03:29,480 Speaker 2: Give me a song that's a friend of the devil. 68 00:03:30,080 --> 00:03:31,600 Speaker 3: Friend of the Devil's a friend of mine. What else 69 00:03:31,600 --> 00:03:32,280 Speaker 3: do we got in there? 70 00:03:32,360 --> 00:03:34,920 Speaker 2: I don't know. Look at the damn screen. The literally 71 00:03:35,080 --> 00:03:37,040 Speaker 2: paid a lot of money to get this damn screen. 72 00:03:37,120 --> 00:03:44,520 Speaker 3: But at okay, not box of rain. I don't even know. Oh, 73 00:03:44,680 --> 00:03:46,880 Speaker 3: truck touching and touch of gray are both good? 74 00:03:46,960 --> 00:03:49,680 Speaker 2: Okay, fine, Yeah, let's look at and see you and. 75 00:03:50,000 --> 00:03:55,440 Speaker 1: You stand up? Yeah? 76 00:03:55,640 --> 00:03:55,920 Speaker 3: Please? 77 00:03:56,000 --> 00:03:57,600 Speaker 2: Do you what you were doing with your arms too? 78 00:04:00,120 --> 00:04:07,840 Speaker 3: Most most of the time, I don't know what. 79 00:04:08,680 --> 00:04:10,480 Speaker 2: The going. 80 00:04:13,320 --> 00:04:15,160 Speaker 1: If you go to a concert, do you dance because 81 00:04:15,160 --> 00:04:17,240 Speaker 1: we're going to go to the sound or no, we're 82 00:04:17,240 --> 00:04:18,160 Speaker 1: going to benchmark. 83 00:04:18,200 --> 00:04:18,920 Speaker 2: Where are we going? 84 00:04:19,040 --> 00:04:22,360 Speaker 3: So we're going to benchmark a week from tomorrow for strings, 85 00:04:22,440 --> 00:04:26,440 Speaker 3: and then the following and then the fouling week. We've 86 00:04:26,480 --> 00:04:27,599 Speaker 3: got goose at the sound. 87 00:04:28,080 --> 00:04:30,039 Speaker 1: I was talking to my buddy Clay, who will be 88 00:04:30,080 --> 00:04:34,119 Speaker 1: at one of those shows, and he said he needs 89 00:04:34,120 --> 00:04:35,480 Speaker 1: to have space to dance. 90 00:04:36,000 --> 00:04:38,240 Speaker 2: Yes, are you a dancer at concerts? 91 00:04:38,640 --> 00:04:39,280 Speaker 3: Yeah? Me, neither. 92 00:04:39,400 --> 00:04:40,960 Speaker 2: I don't know what to do with my hands, even 93 00:04:40,960 --> 00:04:42,040 Speaker 2: I keep him in my pockets. 94 00:04:42,120 --> 00:04:44,080 Speaker 3: Sometimes I'll do a lot of clapping. 95 00:04:45,120 --> 00:04:45,560 Speaker 2: I like that. 96 00:04:45,760 --> 00:04:46,520 Speaker 4: You're clapping. 97 00:04:46,800 --> 00:04:51,240 Speaker 3: You guys are church see how you were dancing. 98 00:04:51,520 --> 00:04:54,600 Speaker 2: But I'm but I you you're catching the Holy goat. 99 00:04:54,960 --> 00:04:58,279 Speaker 3: That's fine. I like your Buddy Clay show where you 100 00:04:58,400 --> 00:05:01,080 Speaker 3: need I don't need like a lot of room to dance. 101 00:05:01,160 --> 00:05:05,280 Speaker 3: I just need like shoulder width. The part you're swaying 102 00:05:05,320 --> 00:05:06,880 Speaker 3: like a tree in the limb, I am like a 103 00:05:06,920 --> 00:05:07,560 Speaker 3: tree in the way. 104 00:05:08,839 --> 00:05:11,320 Speaker 2: When did this happen? Because at Billy Strings you just 105 00:05:11,360 --> 00:05:12,159 Speaker 2: stood there with me. 106 00:05:13,240 --> 00:05:16,760 Speaker 3: Uh, I think it had happened. After Strings, I just 107 00:05:16,880 --> 00:05:18,760 Speaker 3: went down a rabbit hole of. 108 00:05:19,040 --> 00:05:21,279 Speaker 1: Are you doing it because other people are doing it? 109 00:05:21,400 --> 00:05:24,680 Speaker 1: Or do you actually like feel the music? Oh? 110 00:05:24,800 --> 00:05:27,400 Speaker 3: I actually I actually feel it. I'm not it's not 111 00:05:27,440 --> 00:05:30,520 Speaker 3: something that I'm faking. Do you think I'm faking it. 112 00:05:31,520 --> 00:05:38,120 Speaker 2: I'm not saying I'm talking I'm faking. I feel like you're. 113 00:05:41,040 --> 00:05:43,600 Speaker 3: But no, I think after that concert, Joe, it's just 114 00:05:43,920 --> 00:05:46,800 Speaker 3: I'm just like, Wow, this was this was incredible. And 115 00:05:46,839 --> 00:05:49,560 Speaker 3: I just then I started going and seeing you know, 116 00:05:49,640 --> 00:05:52,039 Speaker 3: dead cover bands and all these other you know, different 117 00:05:52,120 --> 00:05:56,120 Speaker 3: artists throughout Tampa, and it's just been it's just been 118 00:05:56,279 --> 00:05:57,880 Speaker 3: I don't know, it's just kind of that was like 119 00:05:57,960 --> 00:06:00,479 Speaker 3: the starting point, and it has been exponential ever since. 120 00:06:00,600 --> 00:06:04,080 Speaker 3: Lost in the Sauceman. I love dancing at concerts. Dancing 121 00:06:04,080 --> 00:06:06,960 Speaker 3: at concerts is the absolute best. But there are only 122 00:06:07,040 --> 00:06:09,680 Speaker 3: certain artists that you can do it with, like that 123 00:06:10,160 --> 00:06:12,480 Speaker 3: Grateful Dead is a perfect example of that. I'm not 124 00:06:12,520 --> 00:06:17,279 Speaker 3: gonna be you know, for example, because Ashley she loves 125 00:06:17,320 --> 00:06:20,440 Speaker 3: like the what was the one show that the nineties 126 00:06:20,680 --> 00:06:22,320 Speaker 3: hip hop that she went to a couple. 127 00:06:22,240 --> 00:06:25,240 Speaker 1: Days ago, she easier to dance to. I don't know, 128 00:06:25,320 --> 00:06:28,440 Speaker 1: it is so completely easier to dance to, wouldn't you agree, Katie? 129 00:06:28,480 --> 00:06:28,640 Speaker 3: Oh? 130 00:06:28,640 --> 00:06:29,920 Speaker 2: Definitely? Yeah. 131 00:06:30,120 --> 00:06:31,800 Speaker 4: So how do you dance at an ed M show? 132 00:06:31,880 --> 00:06:33,520 Speaker 4: Like we're at the hard rock, We're at a pool party. 133 00:06:33,640 --> 00:06:38,760 Speaker 4: We're seeing like a llennium or loud luxury? I L 134 00:06:38,960 --> 00:06:40,640 Speaker 4: L E N I U M E. 135 00:06:41,000 --> 00:06:45,080 Speaker 1: Okay, yes, and which one? 136 00:06:46,760 --> 00:06:49,200 Speaker 3: I don't know? You're an millennium person, Katie, this is 137 00:06:49,240 --> 00:06:50,000 Speaker 3: your pick on this? 138 00:06:52,400 --> 00:06:54,159 Speaker 2: Are we realizing we don't know any of these? 139 00:06:57,000 --> 00:07:01,960 Speaker 3: Well, don't touch that? 140 00:07:02,040 --> 00:07:02,400 Speaker 1: Is that? 141 00:07:03,160 --> 00:07:03,560 Speaker 3: Wim? 142 00:07:06,160 --> 00:07:11,400 Speaker 4: This is the one, the one with the here we go, 143 00:07:12,000 --> 00:07:13,760 Speaker 4: all right, try to dance to this jet. 144 00:07:13,840 --> 00:07:15,000 Speaker 2: Let's see what does. 145 00:07:15,680 --> 00:07:17,960 Speaker 4: Making a sizzle real on Instagram? 146 00:07:18,080 --> 00:07:18,920 Speaker 3: Okay, here we go. 147 00:07:21,760 --> 00:07:22,520 Speaker 2: So much more. 148 00:07:34,280 --> 00:07:34,640 Speaker 1: Like that. 149 00:07:38,000 --> 00:07:40,600 Speaker 3: Obviously, this is higher beats per minute, so you're gonna 150 00:07:40,600 --> 00:07:42,960 Speaker 3: be a little bit more energetic naturally. Where it's like 151 00:07:43,600 --> 00:07:46,080 Speaker 3: you played like some Dead or jam music, it's more 152 00:07:46,080 --> 00:07:50,160 Speaker 3: of like a mellow like yeah, and you're just kind 153 00:07:50,160 --> 00:07:51,960 Speaker 3: of bouncing and swaying, and then when. 154 00:08:00,080 --> 00:08:03,120 Speaker 1: Yeah, I'm realizing with all of these little cakes, he 155 00:08:03,240 --> 00:08:04,880 Speaker 1: kind of does the same thing for all of them. 156 00:08:05,520 --> 00:08:08,440 Speaker 3: It depends on the tempa iam e lane from Seinfeld. 157 00:08:12,520 --> 00:08:14,960 Speaker 1: This portion of the Joe Show podcast is powered by 158 00:08:15,040 --> 00:08:17,560 Speaker 1: Fair and Farah, Tampa accident attorneys,