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Speaker 1: Listen up.

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Speaker 2: Youson the joyless Michael Brown something Gazon or phil Min.

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Speaker 3: Radio app then.

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Speaker 1: Microphone lesson le body fuck back. It must be witty.

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Speaker 2: Get it, no God, Michael, pat go here dot com.

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Speaker 2: Scheck out what the Dragon red Beer posted. You also

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Speaker 2: want test You're not very very fine? Wanted breathe it?

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Speaker 2: I didn't he Come on, Dragon, Dragon, let's hear what

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Speaker 2: goobers have to say.

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Speaker 3: So long, farewell. I hate to say it. Bye Michael

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Speaker 3: and Dragon Monday through Friday morning six to ten am

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Speaker 3: are not going to be the same without you. I

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Speaker 3: wish you all the success on your news station and

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Speaker 3: new time slot. Dragon. Keep Michael in line, Michael, keep

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Speaker 3: your complaining and passive aggressive behavior. Wishing you all the luck.

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Speaker 1: That was sweet, But what what? What passive aggressive behavior?

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Speaker 1: By complaining? Wish never been passivegress Not at all, not

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Speaker 1: at all? Now? Can we go back to those rules

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Speaker 1: of engagement or so? I didn't quite know what was

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Speaker 1: going on until I looked up and saw what you

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Speaker 1: were doing on next GYM. Right, we are those four.

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Speaker 4: Patty made that for us, okay, and she did in

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Speaker 4: the email that she sent that over in. Okay, it

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Speaker 4: doesn't have the eight fifty or KOA in it, but

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Speaker 4: wanted to know what our thoughts were.

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Speaker 1: Okay, so what are your thoughts? First? Let me before

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Speaker 1: you say anything. Excuse me, I'm sorry, May I go first?

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Speaker 1: I mean, your name's on the show. Well, without getting

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Speaker 1: into the substance of it, here's what fascinates me is, Yeah,

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Speaker 1: I don't think Patty has a rock and roll band.

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Speaker 1: I'm just saying I don't think so. I might be wrong,

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Speaker 1: but she might. She might, and she I don't quite

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Speaker 1: think she probably has the sound equipment that it would

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Speaker 1: take to do the production of something like that, which

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Speaker 1: leads me to be to confirm my absolute fascination with

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Speaker 1: what you can now do with artificial intelligence. Yeah, it's

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Speaker 1: just mind blowing what you can do, fascinating, and it's scary.

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Speaker 1: It's really scary because for someone you think about, what

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Speaker 1: freaking out AJ. Now, AJ doesn't do that kind of stuff,

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Speaker 1: but AJ does kind of magical stuff with production. And

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Speaker 1: remember Mark used to work in production downstairs. Mark was

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Speaker 1: not I'm not saying anything against Tom because Tom's only

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Speaker 1: one still here. But Tom's now busy doing like you know,

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Speaker 1: five thousand markets across the country. But Mark occasionally when

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Speaker 1: I would go down to cut spots with him, would

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Speaker 1: just have He said, you want to have a little

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Speaker 1: fun with this, Sure, what do you want to do?

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Speaker 1: And he would kind of do some stuff. He'd lay

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Speaker 1: in some sort of bed you know we would never

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Speaker 1: use on air, but he says, if you want to

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Speaker 1: send it to the client just for the fun, you know,

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Speaker 1: we do that. But even then that was him having

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Speaker 1: to mix and match everything as opposed to just saying

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Speaker 1: here's what I want correct. Yeah, yeah, yeah.

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Speaker 4: It hurts to those people that have that skill, that

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Speaker 4: do that stuff for a living when you can just

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Speaker 4: type in a couple of keystropes into AI and go

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Speaker 4: do this.

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Speaker 1: Yeah.

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Speaker 4: Yeah, Now without really knowing, you could think that, hey,

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Speaker 4: wait a minute, did fn essence really come in? And

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Speaker 4: you know, kind of Michael Brown rule of engagements, because

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Speaker 4: that's got a very evanescence feel to it.

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Speaker 1: Yes, I.

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Speaker 4: Would say, Patty, it's it's fantastic. I love it. I'm

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Speaker 4: I'm the rock kind of era guy. I would try

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Speaker 4: and reorganize the text line just a little bit differently

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Speaker 4: because it didn't really sound like it said three three

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Speaker 4: one zero three or three three one oh three. It

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Speaker 4: kind of had a little hiccup in between there, So

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Speaker 4: I don't I can't use this on a regular basis.

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Speaker 4: I wanted to play it today as an example as

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Speaker 4: to how fun and creative the goobers can be when

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Speaker 4: making a new rules of engagement for us.

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Speaker 1: Yes, absolutely, and out of just personal preference. Uh, the

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Speaker 1: numbers three three one zero three three three one O three,

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Speaker 1: there's not an O in it. It's a zero three

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Speaker 1: three one zero three. That's I don't know if I

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Speaker 1: ever talked about that on air, but really is one

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Speaker 1: of my bugget house Yeah, well you hear me, Like

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Speaker 1: when I give for a client, it's always three zero

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Speaker 1: three six nine five, seven thousand, you know, for American financing,

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Speaker 1: you know, for Dan Capitlis it's three zero three, you know.

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Speaker 1: So it's it's I've always I had an English teacher

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Speaker 1: that well, just I had an English teacher that was

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Speaker 1: like that. It is not an oh, it's not an oh,

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Speaker 1: it's a zero. Okay, so it's a zero. So that

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Speaker 1: that would be one thing I think too, just in

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Speaker 1: terms of the production value, the music needs to be

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Speaker 1: toned down just a little bit. It's it's overpowering for

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Speaker 1: the for the voice.

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Speaker 4: I mean the aggressiveness to it, or you're aggressiveness is fine.

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Speaker 1: Just the music what I would call it music bed

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Speaker 1: is a little overpowering for the voice. Yeah, that's that.

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Speaker 1: That would be my only I mean, as we see

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Speaker 1: here in just nippick it apart, oh.

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Speaker 4: Yea yea, and no no shade towards Patty at all

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Speaker 4: rights in But you know, you ask for a little

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Speaker 4: bit of advice as to what you what we think

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Speaker 4: of it, and you yourself said you would probably add

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Speaker 4: in the eight fifty koa. So Michael would like the

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Speaker 4: music down just a touch, keep the vocals up nice

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Speaker 4: and high, and I would try and reward the AI

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Speaker 4: algorithm to make sure that it says three three.

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Speaker 1: One zero three. Other than that, it's really good. Now

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Speaker 1: we have we have six in rotation right now that

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Speaker 1: people are sent.

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Speaker 4: You for for then starting money and care, plus some

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Speaker 4: of the older ones that we'll have here, but we

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Speaker 4: will like to eventually phase those out because we want new,

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Speaker 4: new and improved.

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Speaker 1: New and improved. So I would just say to Chris

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Speaker 1: and some of the others, we need Forrest Gump, we

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Speaker 1: need Cheech and Shong. We're waiting uh, you know, maybe

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Speaker 1: somebody's got a George Carlin that they could do. You know,

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Speaker 1: maybe there's.

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Speaker 4: A Kim sent in a mister Rogers that sounds a

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Speaker 4: little bit like Clint Eastwood and Bob Ross.

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Speaker 1: What I know parts of that. Yeah, give me one second,

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Speaker 1: I pull that up. Clint Eastwood and Bob Ross. So

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Speaker 1: Clint sitting on the front yard painting by numbers.

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Speaker 4: I'm just critiquing how he does the impersonation of of

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Speaker 4: mister Rogers.

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Speaker 1: I just know where you get the mister Rogers and

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Speaker 1: the Clint Eastwood together, mister Rogers. Okay, Clint Eastwood. Yeah,

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Speaker 1: well here it is here.

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Speaker 5: Well, good morning, and welcome to the Situation with Michael

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Speaker 5: Brown on eight fifty Kowa. Rules are important, so we

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Speaker 5: hope you'll follow them. Text the word Mike or Michael.

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Speaker 5: The three three one o three, download the iHeart app

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Speaker 5: and favorite two shows The Situation with Michael Brown and

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Speaker 5: The Weekend with Michael Brown. Gently touch don't double click

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Speaker 5: that tiny red button and leave it.

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Speaker 1: Talk back.

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Speaker 5: He'd really like that. Or if you like, you can

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Speaker 5: follow Michael on x, Facebook, Instagram, or pay him a

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Speaker 5: visit on Michael Says goohere dot com that's about it.

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Speaker 1: Have a wonderful day.

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Speaker 4: So I pick up a little Clint Eastwood in there,

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Speaker 4: and I got a little Bob Ross.

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Speaker 1: Not quite so much, mister Rogers. I mean maybe if

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Speaker 1: you threw.

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Speaker 4: It a good morning boys and girls, you know, something

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Speaker 4: like that to kind.

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Speaker 1: Of distinguish you that right now, I found that pretty

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Speaker 1: clever because my heart kind of jumped in my throat

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Speaker 1: when he said, or you can pay him a visit.

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Speaker 1: Oh my god, no, no, no, my god, no, no,

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Speaker 1: no no visits. No no, we don't no, we don't.

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Speaker 1: We look, we don't like that promote promo any more

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Speaker 1: than you do. We don't like you guys anymore than

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Speaker 1: we I don't know why they picked that out. AJ

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Speaker 1: was just thought, AJ, you know, I know, I know

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Speaker 1: what happened. AJ heard me. You know, he's trying to

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Speaker 1: find something, and he heard me say because we love

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Speaker 1: you guys. So he grabbed that, thinking, oh, that was

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Speaker 1: kind of nice. Well the thought isn't, oh sweet, not

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Speaker 1: realizing that No, no, Aj, we can't stand them. We don't.

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Speaker 1: We want them, we want them to come over, but

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Speaker 1: it's not because we love them. It's just simply because

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Speaker 1: we need them. That's that's the only reason why. But

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Speaker 1: that that wouldn't that I would say that was okay. Yeah,

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Speaker 1: and again yeah, just you know, if it'd be like

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Speaker 1: if we're in a kindergarten class, which is pretty much

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Speaker 1: what this audience is, if we were in a kindergarten class,

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Speaker 1: we would you know, tell them, you know, this was

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Speaker 1: a this was a really good effort, and you know,

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Speaker 1: I might do this or I might do that, and

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Speaker 1: you know, why don't you think about.

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Speaker 4: This or that maybe a neighborhood reference because it's mister Rogers,

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Speaker 4: you know, mister Rogers neighborhoods or something with boys and girls.

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Speaker 1: You know, yeah, it's something less kind of like yeah,

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Speaker 1: because you had you have to remember and this is

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Speaker 1: this was part of our meeting with our program director

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Speaker 1: this past week because Dragon and I we we have

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Speaker 1: now had reinforced to where there's no doubt in my mind,

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Speaker 1: there's no doubt in my mind. I to make sure

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Speaker 1: there was still no doubt in my mind there weren't

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Speaker 1: in certain things up and we do we don't do

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Speaker 1: what everybody else does. We we just don't do it.

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Speaker 1: Rules of engagements themselves are going to be huh. I mean,

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Speaker 1: the KOA audience on Monday morning isn't gonna go what

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Speaker 1: what was that? I don't understand? Yeah, I don't What

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Speaker 1: do you mean rules? First? Do you think they'll understand

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Speaker 1: what we think about the layers of satire, the layers

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Speaker 1: of sarcasm, the layers just the concept of rules of engagement.

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Speaker 1: When you think rules of engagement outside this program, what

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Speaker 1: do you normally think of military intervention? How are you

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Speaker 1: going to confront the enemy? So it's going to be

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Speaker 1: a shocker for them, and we're not trying to be

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Speaker 1: shock jocks. It's just the way. It's just this is

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Speaker 1: just the way we do radio. So think about that

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Speaker 1: and be you know, this is why we want to

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Speaker 1: fine tune it so that well, it reflects exactly what

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Speaker 1: this program is. A big heap and pile of crap.

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Speaker 1: Let's see, Oh, talkbacks? Do you want to talk about

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Speaker 1: talkbacks for a moment, Well, let me just say before

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Speaker 1: you say whatever you have to say, sorry to be

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Speaker 1: so aggressive this morning and trying to keep control of

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Speaker 1: my own program. So you like the idea, I like

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Speaker 1: the idea of what talkbacks? Yeah, well we're.

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Speaker 4: Gonna keep doing talking I mean of the suggestion that

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Speaker 4: I made this morning off air.

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Speaker 1: Oh yes, okay, So I think that we have been

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Speaker 1: patted on the back incessantly by the corporate suits, the

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Speaker 1: people that really have not much idea about what goes on,

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Speaker 1: except we find found out that they've been listening to

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Speaker 1: us for a year, which scares the crap out of me.

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Speaker 1: They absolutely love the way we use the talk back,

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Speaker 1: which kind of started out as kind of a joke

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Speaker 1: exactly because because we kind of iHeart introduces this new

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Speaker 1: thing and make fun of it. That's right. So we

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Speaker 1: made fun of it, and then it turned into a

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Speaker 1: real thing. And now I've gotten to where I absolutely

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Speaker 1: love the talkbacks. And as you guys know, the talkbacks

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Speaker 1: can oftentimes completely derail a program. I've got, you know,

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Speaker 1: I'm coming out of a break, I know exactly what

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Speaker 1: I'm getting ready to talk about, and then Dragon play

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Speaker 1: some talk back and I I, you know, I'm like

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Speaker 1: one of the great the Limberger's. I go chasing the

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Speaker 1: squirrel or the rabbit, and there we go and we're

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Speaker 1: off to the races. So what did you think about talkbacks,

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Speaker 1: mister producer?

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Speaker 4: I was just posing the question early early this morning before.

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Speaker 1: We went on air.

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Speaker 4: It's like, we're going to have to play a first

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Speaker 4: talkback on KOA, and I was just kind of curious

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Speaker 4: as to how we can do that. It's like, is

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Speaker 4: there like a competition for the first talkback or you know,

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Speaker 4: maybe a raffle or you know, Venmo. I don't know,

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Speaker 4: just throwing that out there, you know, well, let me.

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Speaker 1: See if I got cash my Venmo first, because it

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Speaker 1: let's see if there's anything in here, Venmo? Venmo? Where's Venmo?

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Speaker 1: I mean?

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Speaker 4: Because seriously, how would you goober out there feel about

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Speaker 4: being the first talk back on the New Situation with

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Speaker 4: Michael Brown on eight fifty AM and ninety four one

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Speaker 4: f nine.

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Speaker 1: I have no cash in my Venmo. I think I

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Speaker 1: have some of my PayPal. But do I have my PayPal? Oh,

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Speaker 1: I'm not that's too much money. I've got eighty eight dollars.

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Speaker 1: I have no idea where it came from, but I've

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Speaker 1: got I wonder how long it's been sitting in here too.

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Speaker 1: I've been sitting in here for a year. But I

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Speaker 1: got eighty eight dollars and twelve cents of my PayPal.

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Speaker 1: I ain't paying no eighty eight dollars and twelve cents

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Speaker 1: for a talkback that just ain't happened. No, no, no, no, no, no,

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Speaker 1: you just think you've got this way wrong. Oh, they're

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Speaker 1: gonna pay us to be the first Okay, okay, goodness Michael, Okay,

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Speaker 1: So I need like twelve, I mean eleven dollars and

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Speaker 1: eighty eight cents to get to one hundred dollars. Well,

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Speaker 1: how are we how are we gonna decide? First of all,

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Speaker 1: you're the one that decides the talkbox I have. Oh,

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Speaker 1: I'm the one. Oh so you know how many have

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Speaker 1: I how many times have I ever in the past

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Speaker 1: five years or so ever said I want that I

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Speaker 1: don't have. I don't have a clue what the talkbacks

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Speaker 1: are going to be. I don't you know? You never

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Speaker 1: tell me you even think you know how to get

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Speaker 1: to the talkbacks screen? Is there a way here for

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Speaker 1: me to get to a talkback screen? Have you ever

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Speaker 1: used radio edit, maybe four or five years ago. Yeah,

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Speaker 1: then you're not gonna be able to get Yeah. No,

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Speaker 1: it's it's just yeah, you're not gonna be able to.

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Speaker 1: But again, that's one of those things that I really

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Speaker 1: don't want to learn.

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Speaker 4: So all I'm really saying about the talkbacks is that

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Speaker 4: it's got to be good in order for me to

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Speaker 4: play it as the first talkback for the Michael ber

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Speaker 4: The situation with Michael Brown on eight fifty am night

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Speaker 4: for one way, Yeah, I want some work to do, right,

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Speaker 4: and you got all weekend to do it.

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Speaker 1: I was just gonna say, I don't want to inundate

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Speaker 1: you to where you're spending you know, well you'll be

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Speaker 1: here in the mornings anyway. Correct. Yeah, my eyes I

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Speaker 1: want they can sleep in now, not you, right exactly,

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Speaker 1: So so do inundate him. You know over the weekend

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Speaker 1: you think about that, Oh, this would be the best

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Speaker 1: talk aback to start that new show out with. Well,

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Speaker 1: then have at it, have at it now. We we

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Speaker 1: really should give away something or or or.

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Speaker 4: Should pay joy of us playing their their talkback to

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Speaker 4: be the first talkback on KOA the fifty thousand, what blowtorch.

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Speaker 1: What you're saying is you don't have any money in

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Speaker 1: your venmo. I've got no money, but I work in radio.

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Speaker 1: Somebody may get a raise for you have a high

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Speaker 1: You have a high powered wife, executive level, suite level wife. True. Yeah,

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Speaker 1: so maybe she could loan you a couple of bucks

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Speaker 1: for your Venmo and we could pay I'm sure this

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Speaker 1: is a violation to some you know, iHeart code of

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Speaker 1: ethics that we're going to pay a listener for.

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Speaker 4: Code I ever said a damn thing about paying a listener.

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Speaker 1: Okay, well, I just want some insive, you know what

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Speaker 1: am I saying? Because these people are so first exactly,

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Speaker 1: these people are so pathetic that they all want to

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Speaker 1: be the first, right, So I don't know why I'm

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Speaker 1: even worried about it.

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Speaker 4: Better be good and you know, and partially I want to,

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Speaker 4: you know, show KOA management to sit there and say,

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Speaker 4: oh wow, look at how many talks back they got.

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Speaker 1: I mean, oh see, now you're talking my language. Yeah see,

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Speaker 1: I want them to walk in Monday morning and go,

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Speaker 1: what the hell is that?

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Speaker 4: One hundred and twenty seven talkbacks before the show even started?

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Speaker 1: Yeah, whoa Yeah, yeah, you have your assignment. You've got

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Speaker 1: your assignment, and you know what you can be. Remember this,

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Speaker 1: you can be anywhere anytime. Leave a talkback doesn't make

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Speaker 1: any difference. Correct, You're you're you know, you're at the

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Speaker 1: strip clubs, as you know many of you do, So

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Speaker 1: Chassie to help you out with So guys, well here,

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Speaker 1: so while the guys are visiting the strip club, while

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Speaker 1: the male while the male demo of this program is

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Speaker 1: visiting the strip club, and while the female demo of

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Speaker 1: this program is working at the strip club, you can

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Speaker 1: certainly leave us a talk back, and maybe some of

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Speaker 1: you could get together leave a duo talk back. I

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Speaker 1: don't think we've ever had a duo talk back. There'd

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Speaker 1: be some pour some sugar on in the background. We

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Speaker 1: maybe maybe we could just go out to Mayor Mike's,

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Speaker 1: you know, one of one of his wife's clubs over

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Speaker 1: in Glendale and just get you know, doniphant to just

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Speaker 1: give us, you know, hey, can we just come in

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Speaker 1: and hold our phones up and get some talk backs

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Speaker 1: from some of the bold answers? I know, Mike, but

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Speaker 1: I have never been in any of those clubs. I

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Speaker 1: just want to make sure everybody understands.

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Speaker 3: That I do.

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Speaker 1: We have something to tell you that freaking hilarious. I

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Speaker 1: got a few things I want to talk about today,

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Speaker 1: But honestly, it's like your last day at work. I

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Speaker 1: don't give a flying rats aff. We're not doing the

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Speaker 1: flying rats ask about anything today.

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Speaker 6: Hey, Mike, I am going to call khow Safeway and

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Speaker 6: Kowa King Supers. So now safe way, our King Supers

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Speaker 6: is now taking all the product away from the Safeway

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Speaker 6: and adding it to the shelves in King Soupers, leaving

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Speaker 6: Safeway empty and reason.

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Speaker 4: That's an example of a high quality talkback that could

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Speaker 4: make the first talkback on KWA.

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Speaker 1: Except he didn't quite compress it quickly enough to get

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Speaker 1: it all in. And I'm confused as hell. I have

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Speaker 1: no idea what he's talking about. No, he's what he's

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Speaker 1: saying is over here. We are the product and they're

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Speaker 1: taking it all away here and sticking it over on

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Speaker 1: the shelves on k Away.

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Speaker 4: You got all that from that, Yeah, I was making

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Speaker 4: fun of it, going, hey, this is terrible, but sure

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Speaker 4: if you want to say it was good, Well.

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Speaker 1: It's both good and bad. They're taking all the product

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Speaker 1: out of here and putting it over there, and good

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Speaker 1: for us, bad for them, because we're of a higher

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Speaker 1: quality product. See that spoiled milk. That's the thing, right,

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Speaker 1: We're not expired milk. We're not you know, stale bread.

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Speaker 1: We're fresh and you know, young and youthful and vibrant,

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Speaker 1: and you know, you know, we don't even need Rocky

356
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Speaker 1: Mountain Men's Clinic. I mean, who's even thinking about that.

357
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Speaker 1: We're just fine, and they're putting us over there because

358
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Speaker 1: well they need some class over there. They've all they're

359
00:20:11,200 --> 00:20:14,280
Speaker 1: all stuck up, you know what I mean. We're gonna

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Speaker 1: bring a little class, a real kind of just every

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Speaker 1: every man class to KOA. That's what I know.

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Speaker 4: You've got something that you want to talk about. I'm

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Speaker 4: going to completely derail that. Are we going to talk

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Speaker 4: about it?

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Speaker 1: Well, they're railed. Look, I'm trying to get to tax

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Speaker 1: payer relief shots. Oh you do have that in your hand?

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Speaker 1: Look at you? Okay you I thought you had something else.

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Speaker 4: Oh no, no, no, I have that, But I thought

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Speaker 4: you had real work that you were about to do.

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Speaker 1: No no, no, no, no, no, okay. If I can at

371
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Speaker 1: least get rid of the if I I'm trying to

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Speaker 1: get to touch payer relief shots. Is all I'm trying

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Speaker 1: to do today, and to get the hell out of here,

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Speaker 1: that's all that is all. That's my sole objective's day

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Speaker 1: is to get to nine o'clock. Because at nine o'clock,

376
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Speaker 1: all I gotta do is screw up a double click

377
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Speaker 1: and then just get the hell out of here, and

378
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Speaker 1: I'm I've already moved you know, this file cabinet back

379
00:21:03,560 --> 00:21:05,560
Speaker 1: here where I keep my stuff. It's empty, it's empty.

380
00:21:05,560 --> 00:21:07,720
Speaker 1: I've already moved it over. I told Meger and them,

381
00:21:07,880 --> 00:21:09,440
Speaker 1: I said, I've take the key on top of it.

382
00:21:09,480 --> 00:21:11,439
Speaker 1: You can have it because because I don't need your

383
00:21:11,440 --> 00:21:14,560
Speaker 1: stay in file cabinet anymore. Now Saturday, I've got to

384
00:21:14,560 --> 00:21:17,520
Speaker 1: get into that studio when nobody's around, and I've got

385
00:21:17,560 --> 00:21:20,320
Speaker 1: to check out and make sure that you know, I know,

386
00:21:21,000 --> 00:21:22,880
Speaker 1: here's here's what bugs me. When I come in here

387
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Speaker 1: in the morning, I'm the first one in correct, So

388
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Speaker 1: I get it set up just the way I want it. Now.

389
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Speaker 1: When I go over there on Monday, Kamensky and Gina

390
00:21:34,080 --> 00:21:36,000
Speaker 1: are going to be in there and they're gonna screw

391
00:21:36,040 --> 00:21:37,760
Speaker 1: everything up. So I got to get in there and

392
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Speaker 1: straightened things up because to do a proper radio program,

393
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Speaker 1: things have to be And like I'm just over there,

394
00:21:51,359 --> 00:21:54,360
Speaker 1: it's like a baseball bat. It doesn't go off, No,

395
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Speaker 1: it's like a baseball bat. When I get over there

396
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Speaker 1: on Monday morning, I'm gonna have to time out because

397
00:22:01,160 --> 00:22:04,439
Speaker 1: I've got to I gotta sit down, make sure everything's

398
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Speaker 1: in the right place, make sure my diet cope is

399
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Speaker 1: within reach, and then you know, and then that stupid

400
00:22:11,119 --> 00:22:16,240
Speaker 1: arrangement they've got over at KOA. It's just du it's

401
00:22:16,240 --> 00:22:17,160
Speaker 1: so dumb, and.

402
00:22:17,119 --> 00:22:19,280
Speaker 4: You've only got like three and a half minutes to

403
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Speaker 4: do it.

404
00:22:20,280 --> 00:22:23,919
Speaker 1: I know, that's the thing. So I all I know

405
00:22:24,160 --> 00:22:27,120
Speaker 1: is I've got to be here early enough that I've

406
00:22:27,160 --> 00:22:29,280
Speaker 1: got my laptop open ready to go, so at least

407
00:22:29,280 --> 00:22:31,640
Speaker 1: I can just just set my laptop down and get

408
00:22:31,680 --> 00:22:35,600
Speaker 1: the first, the first story going, and then take it

409
00:22:35,600 --> 00:22:41,119
Speaker 1: from there. Do you hear that? Oh yeah, I know

410
00:22:41,240 --> 00:22:44,440
Speaker 1: exactly what that is by that sound. Do you want

411
00:22:44,440 --> 00:22:45,480
Speaker 1: to talk about? Did you have a thing you wanna

412
00:22:45,480 --> 00:22:46,560
Speaker 1: talk about before we talk about this?

413
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Speaker 4: No, So, like I said, I thought you were gonna

414
00:22:49,200 --> 00:22:50,960
Speaker 4: have You had a real story in your hand, so

415
00:22:51,000 --> 00:22:52,040
Speaker 4: I needed to do rail that.

416
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Speaker 1: Well, before we say anything about the substance of what

417
00:22:56,200 --> 00:22:59,680
Speaker 1: this is, we need to first think about the procedure.

418
00:23:00,200 --> 00:23:03,720
Speaker 1: This is like in law school. We're not going to

419
00:23:03,760 --> 00:23:05,840
Speaker 1: talk about the substance of the law. Yet we're going

420
00:23:05,920 --> 00:23:08,560
Speaker 1: to talk about the procedure. And in this case, it

421
00:23:08,600 --> 00:23:12,520
Speaker 1: happens to be the mail. In fact, did you look

422
00:23:12,560 --> 00:23:20,240
Speaker 1: closely while this may be from the Amazon Jungle, right,

423
00:23:20,960 --> 00:23:22,440
Speaker 1: that's not how it was delivered.

424
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Speaker 4: Oh, of course they don't use the regular USPS. Well,

425
00:23:26,200 --> 00:23:28,159
Speaker 4: on rare occasions they may, Yeah, they do.

426
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Speaker 1: I mean you can. I mean that's one of the options.

427
00:23:30,600 --> 00:23:33,600
Speaker 1: But I didn't realize this is now, this is new

428
00:23:33,600 --> 00:23:41,280
Speaker 1: to me. USPS ground advantage. And let's see if I

429
00:23:41,320 --> 00:23:45,040
Speaker 1: can find a price on this shipping cost.

430
00:23:45,640 --> 00:23:48,639
Speaker 4: Yes, well as the Amazon user, they probably did not

431
00:23:48,760 --> 00:23:52,720
Speaker 4: pay anything outside of the twenty eight cent Colorado tax.

432
00:23:52,880 --> 00:23:53,040
Speaker 5: Right.

433
00:23:54,160 --> 00:23:57,080
Speaker 1: You know what you're doing when you when you buy

434
00:23:57,080 --> 00:24:00,199
Speaker 1: a Prime membership, what you really do is you're just

435
00:24:00,200 --> 00:24:02,760
Speaker 1: paying your shipping costing ADVAM pretty much, that's all you're

436
00:24:02,760 --> 00:24:08,119
Speaker 1: really doing. But what fascinates me about this this was

437
00:24:08,240 --> 00:24:16,240
Speaker 1: delivered yesterday. It was shipped on the third, and it

438
00:24:16,440 --> 00:24:20,760
Speaker 1: arrived yesterday. Somehow it made it from because usually when

439
00:24:20,760 --> 00:24:25,720
Speaker 1: I leave, the mailman is at those boxes downstairs putting

440
00:24:25,720 --> 00:24:28,560
Speaker 1: stuff in the boxes. They're not even labeled. I still

441
00:24:28,560 --> 00:24:31,119
Speaker 1: don't understand how those are used. I don't either. I

442
00:24:31,160 --> 00:24:34,040
Speaker 1: have no idea unless they've told some secret, you know,

443
00:24:34,640 --> 00:24:36,920
Speaker 1: maybe Chris Donaldson is the only person in the entire

444
00:24:36,960 --> 00:24:40,400
Speaker 1: building than those which of those could be sixteen boxes

445
00:24:40,440 --> 00:24:43,800
Speaker 1: belonged to iHeart. We don't have ron Smith or Corey

446
00:24:43,840 --> 00:24:47,679
Speaker 1: anymore exactly. But here's what fascinates me about those. I'm guessing,

447
00:24:47,680 --> 00:24:51,960
Speaker 1: what do you think sixteen boxes down there? Four y four? Yeah, yeah,

448
00:24:52,000 --> 00:24:55,200
Speaker 1: so maybe sixteen boxes. But they're all just pretty much

449
00:24:55,240 --> 00:24:59,080
Speaker 1: regular size except the bottom rows slightly larger, a little bit bigger, y, yeah,

450
00:24:59,080 --> 00:25:01,240
Speaker 1: a little bit bigger. Oh, something like this does not

451
00:25:01,280 --> 00:25:05,160
Speaker 1: fit in. So my question is, did the mailman bring

452
00:25:05,200 --> 00:25:06,840
Speaker 1: it up and put it on the fourth floor.

453
00:25:06,920 --> 00:25:10,119
Speaker 4: No, it was the Amazon person, the FedEx person, the

454
00:25:10,160 --> 00:25:11,680
Speaker 4: UPS person, whoever they used.

455
00:25:11,680 --> 00:25:15,720
Speaker 1: They all brought it upstairs. That's what That's what I said.

456
00:25:16,600 --> 00:25:20,480
Speaker 1: Did the post office? Did the mailman or the Amazon

457
00:25:20,560 --> 00:25:24,040
Speaker 1: delivery guy is which everyone it was. Did they bring

458
00:25:24,040 --> 00:25:26,080
Speaker 1: it up and put it out here on the fourth floor. Yeah,

459
00:25:26,119 --> 00:25:29,919
Speaker 1: of course. What's fascinating to me is this is the

460
00:25:29,920 --> 00:25:33,560
Speaker 1: first item I think in January something will be my

461
00:25:33,600 --> 00:25:38,199
Speaker 1: twenty I'll start my twenty first year that something has

462
00:25:38,240 --> 00:25:42,680
Speaker 1: arrived on time, within the same week, within the same week.

463
00:25:43,280 --> 00:25:46,360
Speaker 1: We shipped the third and it's today's the seventh, four

464
00:25:46,440 --> 00:25:51,240
Speaker 1: days and it was shipped from Clearwater. Yeah, Clearwater Florida.

465
00:25:51,680 --> 00:25:53,959
Speaker 4: Now, just for a little clarification here, it was sitting

466
00:25:54,000 --> 00:25:57,760
Speaker 4: out there in the red room lobby. Nobody said anything,

467
00:25:57,760 --> 00:25:59,879
Speaker 4: nobody did anything. I just came in this morning and

468
00:26:00,040 --> 00:26:03,639
Speaker 4: four fifty five saw a few packages sitting there and

469
00:26:03,760 --> 00:26:06,040
Speaker 4: was just out of my own sheer curiosity. I was like, hmm,

470
00:26:06,600 --> 00:26:08,760
Speaker 4: what are these? Right as I walked up to it,

471
00:26:08,800 --> 00:26:09,960
Speaker 4: I saw it said.

472
00:26:11,040 --> 00:26:14,439
Speaker 1: KOA Radio Dash Michael and Dragon.

473
00:26:16,760 --> 00:26:19,600
Speaker 4: So something that was ordered before we were going on air,

474
00:26:20,000 --> 00:26:22,720
Speaker 4: arrived before we're going on air over there, and that's

475
00:26:22,960 --> 00:26:23,560
Speaker 4: and there's.

476
00:26:23,320 --> 00:26:26,719
Speaker 1: The news story right there. Wow, that's that is the story.

477
00:26:27,560 --> 00:26:32,080
Speaker 1: The substance of what's in here. Yeah, whatever, And but

478
00:26:32,240 --> 00:26:35,240
Speaker 1: the fact that you no, I don't know. Here's here's

479
00:26:35,280 --> 00:26:38,920
Speaker 1: all we know. Ship to KOA Radio, Michael and Dragon,

480
00:26:38,960 --> 00:26:41,080
Speaker 1: forty six to ninety five South monticoch Street, Sweet four

481
00:26:41,160 --> 00:26:43,960
Speaker 1: hundred Dimmer, Colorado eight two three seven three five two

482
00:26:44,000 --> 00:26:47,240
Speaker 1: five US order number blah blah blah blah. Date ten thirty.

483
00:26:47,320 --> 00:26:50,520
Speaker 1: So it was actually ordered. The date was October thirty.

484
00:26:50,520 --> 00:26:53,880
Speaker 1: First ship date was no. Ship date was November three.

485
00:26:54,040 --> 00:26:58,000
Speaker 1: It took a week. Yeah, user number. Here's what pisses

486
00:26:58,000 --> 00:27:01,120
Speaker 1: me off because now we have no idea. User number

487
00:27:01,160 --> 00:27:04,159
Speaker 1: is S S seven n Z nine kg one P

488
00:27:04,920 --> 00:27:09,240
Speaker 1: one zero one d N at marketplace dot Amazon dot com,

489
00:27:09,400 --> 00:27:14,679
Speaker 1: chipdate eleven three, twenty five. It is item number S

490
00:27:14,800 --> 00:27:18,960
Speaker 1: M R M C w O R News Station w

491
00:27:19,160 --> 00:27:22,400
Speaker 1: O R S I G L A M F B S.

492
00:27:23,200 --> 00:27:26,880
Speaker 1: It is swift Maps thirty two inch by fifty inch

493
00:27:27,040 --> 00:27:32,480
Speaker 1: r MC large World wall map poster laminated rolled thirty

494
00:27:32,480 --> 00:27:35,560
Speaker 1: two by fifty signature world map, and then a barcode

495
00:27:36,560 --> 00:27:41,840
Speaker 1: and sure enough it is a world map laminated.

496
00:27:41,880 --> 00:27:45,600
Speaker 4: No double sided, double sided? Yes, one side's got one.

497
00:27:45,880 --> 00:27:47,000
Speaker 1: You know what that means? We can do? We can

498
00:27:47,040 --> 00:27:51,959
Speaker 1: put it on the glass. True, it's great. We can

499
00:27:52,000 --> 00:27:54,080
Speaker 1: put it on the glass out there in the al

500
00:27:54,080 --> 00:27:54,680
Speaker 1: A studio.

501
00:27:54,800 --> 00:27:56,919
Speaker 4: So every single one of us hates being in that

502
00:27:57,000 --> 00:27:58,600
Speaker 4: fish bowl as somebody walks by.

503
00:27:58,680 --> 00:28:02,400
Speaker 1: Right, Oh, it covering great? How long you think before

504
00:28:02,400 --> 00:28:04,320
Speaker 1: I give the first person that taps on the glass

505
00:28:04,680 --> 00:28:06,639
Speaker 1: that wants to get in somewhere, I give them the finger.

506
00:28:08,800 --> 00:28:10,520
Speaker 1: You give them the finger even before they tap on

507
00:28:10,560 --> 00:28:18,280
Speaker 1: the glass. Maybe we shouldn't we should Would this be

508
00:28:18,359 --> 00:28:22,320
Speaker 1: funny just just to irritate management, which I mean I

509
00:28:22,320 --> 00:28:25,320
Speaker 1: can't imagine. I never want to do that. Why don't

510
00:28:25,359 --> 00:28:27,720
Speaker 1: we invite like, how many people think we could cram

511
00:28:27,760 --> 00:28:30,240
Speaker 1: into that space, into the red room or into the city.

512
00:28:30,520 --> 00:28:35,120
Speaker 1: In the red room sized room, we can cram fifty

513
00:28:35,119 --> 00:28:38,320
Speaker 1: people in their dungeon at least, so cram fit because

514
00:28:38,360 --> 00:28:41,640
Speaker 1: I'm even talking back behind the counter. Yeah, so maybe.

515
00:28:41,440 --> 00:28:43,680
Speaker 4: Seventy five people and some people standing on the bench

516
00:28:43,720 --> 00:28:45,040
Speaker 4: and some people standing on the chairs.

517
00:28:45,040 --> 00:28:48,800
Speaker 1: There's more than that, right, So let's invite seventy five

518
00:28:48,840 --> 00:28:51,080
Speaker 1: of the googers to show up at nine o'clock and

519
00:28:51,160 --> 00:28:54,760
Speaker 1: this just have the take a picture and I have

520
00:28:54,800 --> 00:28:58,240
Speaker 1: them all with as many as possible, just their faces

521
00:28:58,320 --> 00:29:00,880
Speaker 1: pressed up against the glass in the Koi student. We're

522
00:29:00,880 --> 00:29:05,240
Speaker 1: going to do that the phone booth, phone booth plank exactly?

523
00:29:05,360 --> 00:29:07,480
Speaker 1: Just how many people in the phone booth? How many people?

524
00:29:07,480 --> 00:29:10,560
Speaker 1: Because because you think about it, at nine o'clock they

525
00:29:10,560 --> 00:29:11,120
Speaker 1: can get.

526
00:29:10,960 --> 00:29:13,560
Speaker 4: In correct, Yeah, so they can get they're just a

527
00:29:13,600 --> 00:29:17,680
Speaker 4: regular two building at nine yeah, yeah, which means, wait.

528
00:29:17,520 --> 00:29:20,600
Speaker 1: A minute, do the locks automatically turn off at nine am?

529
00:29:21,040 --> 00:29:23,880
Speaker 1: It's also to use my key card. Yes, so I

530
00:29:23,880 --> 00:29:25,640
Speaker 1: won't know if I've been fired. Might be eight.

531
00:29:25,840 --> 00:29:30,120
Speaker 4: I've never really tried it. I really don't know. We'll

532
00:29:30,160 --> 00:29:31,880
Speaker 4: have to experiment today during this show.

533
00:29:34,000 --> 00:29:39,160
Speaker 1: Why not? What else you got better to do? Go

534
00:29:39,240 --> 00:29:40,840
Speaker 1: walk the dogs, take a break.

535
00:29:41,400 --> 00:29:44,880
Speaker 3: So with twelve goobers, one hundred and twenty seven top backs,

536
00:29:44,920 --> 00:29:46,080
Speaker 3: what does that break down to?

537
00:29:46,960 --> 00:29:50,040
Speaker 6: I'm on the I seventy stuck in traffic, so let

538
00:29:50,080 --> 00:29:50,320
Speaker 6: me know.

539
00:29:50,680 --> 00:29:53,880
Speaker 1: Thanks, Why do we have to do all the work

540
00:29:53,920 --> 00:29:56,320
Speaker 1: around here? Yeah, and you're the most stuck in traffic.

541
00:29:56,360 --> 00:29:59,360
Speaker 1: That's not it's not our fall time. Go for it.

542
00:30:00,120 --> 00:30:03,600
Speaker 1: You're just sitting there. Come on, you know they're so

543
00:30:03,720 --> 00:30:07,960
Speaker 1: damn lazy. It is there. This is why we can't

544
00:30:07,960 --> 00:30:10,240
Speaker 1: have nice things. I mean, she's obviously a socialist and

545
00:30:10,240 --> 00:30:12,680
Speaker 1: a communist because she just wants us to do everything

546
00:30:12,720 --> 00:30:14,880
Speaker 1: for her, just hand out everything.

547
00:30:15,040 --> 00:30:17,160
Speaker 4: Just oh my gosh, it is it is our last

548
00:30:17,200 --> 00:30:21,080
Speaker 4: day over here? Oh fine, okay, fine on.

549
00:30:21,640 --> 00:30:24,160
Speaker 1: Twenty seven dot back twelve.

550
00:30:25,880 --> 00:30:29,040
Speaker 4: Uh that would be ten point five eight three three

551
00:30:29,160 --> 00:30:32,600
Speaker 4: three three three three three three three talkbacks per person.

552
00:30:33,720 --> 00:30:37,080
Speaker 1: We have a confession to make too. Guba number fifty

553
00:30:37,080 --> 00:30:43,120
Speaker 1: five sixty six has well, you've out of us, Mike.

554
00:30:44,040 --> 00:30:49,880
Speaker 1: How'd we go from twelve to seventy five goobers? Which

555
00:30:49,960 --> 00:30:52,080
Speaker 1: kind of sits you know. It kind of fits in

556
00:30:52,080 --> 00:30:55,920
Speaker 1: with gubern Erbert nine zero two six, who asks, Mike,

557
00:30:56,040 --> 00:31:00,600
Speaker 1: will you still have your Saturday syndicated show. Yes, I

558
00:31:00,840 --> 00:31:04,320
Speaker 1: letting that go. Three hundred and fifty stations across the

559
00:31:04,480 --> 00:31:06,959
Speaker 1: entire continent. No, I'm not gonna let that go. I

560
00:31:07,040 --> 00:31:09,960
Speaker 1: like how Summer put it better. Three hundred million treasure, yes,

561
00:31:10,200 --> 00:31:14,840
Speaker 1: vigillion stations. By the way, Summer, if you're listening, we

562
00:31:14,920 --> 00:31:18,800
Speaker 1: all like your RULs of engagement. You know, it's just

563
00:31:19,080 --> 00:31:22,360
Speaker 1: it's we like them all. But you're up there. You're

564
00:31:22,440 --> 00:31:25,800
Speaker 1: up there. And then Dragon reminded me of something yesterday.

565
00:31:25,800 --> 00:31:27,720
Speaker 1: Can't may I pat myself on the back just a

566
00:31:27,760 --> 00:31:30,000
Speaker 1: little bit. I don't even remember what you're talking about.

567
00:31:30,040 --> 00:31:32,520
Speaker 1: What I said yesterday? What number of stations I'm on?

568
00:31:34,000 --> 00:31:37,400
Speaker 1: Oh yeah over here? Yeah? Yeah, the only one in

569
00:31:37,440 --> 00:31:41,080
Speaker 1: the building. I'm pretty sure. I think so Rick can

570
00:31:41,160 --> 00:31:45,200
Speaker 1: kind of claim too because of Kawa, the Broncos and

571
00:31:45,240 --> 00:31:49,880
Speaker 1: the Fox, right, But I'm on three. It's true, I'm

572
00:31:49,880 --> 00:31:53,080
Speaker 1: on all three. Well you will be starting Monday. You

573
00:31:53,120 --> 00:31:57,080
Speaker 1: will be on three? Yes, yeah, starting Monday. Do you

574
00:31:57,120 --> 00:32:00,760
Speaker 1: think they'll change your mind between now and Monday? There's

575
00:32:00,760 --> 00:32:03,200
Speaker 1: always that chance that possibly no one. We could be fired,

576
00:32:03,480 --> 00:32:07,440
Speaker 1: that's right. I mean I could try to get into

577
00:32:07,400 --> 00:32:09,640
Speaker 1: the building tomorrow and do the Saturday program and just

578
00:32:09,680 --> 00:32:15,320
Speaker 1: like me, Yeah, we've got more than twelve goobers. There's

579
00:32:15,360 --> 00:32:17,200
Speaker 1: only twelve of you that we like. That's what we

580
00:32:17,360 --> 00:32:19,520
Speaker 1: really wanted to say. Doesn't lead twelve of you that

581
00:32:19,560 --> 00:32:21,880
Speaker 1: we like? We like less than half of you more

582
00:32:21,920 --> 00:32:25,080
Speaker 1: than half of you deserve. That's rights. The best thing

583
00:32:25,120 --> 00:32:27,280
Speaker 1: about the only twelve of you that we like. That

584
00:32:27,600 --> 00:32:30,160
Speaker 1: that's kind of on a rotating basis too, because I

585
00:32:30,280 --> 00:32:33,200
Speaker 1: don't think that because today you might be one of

586
00:32:32,760 --> 00:32:36,200
Speaker 1: the of the twelve, that come Monday you're one of

587
00:32:36,240 --> 00:32:38,440
Speaker 1: the twelve, because you know you might, you know, we

588
00:32:38,600 --> 00:32:40,680
Speaker 1: just might find some new goobers over there come Monday.

589
00:32:40,920 --> 00:32:47,200
Speaker 1: It is a fifty thousand. What blowtorch? Oh, I don't

590
00:32:47,200 --> 00:32:49,280
Speaker 1: want to start this story yet. What do you want

591
00:32:49,280 --> 00:32:53,640
Speaker 1: to talk about? I honestly, God, do not want to

592
00:32:53,680 --> 00:32:56,680
Speaker 1: be here today. I do not want to be here today.

593
00:32:56,880 --> 00:32:59,760
Speaker 1: Why did I not take today off? Here we go?

594
00:33:00,040 --> 00:33:03,840
Speaker 1: I remember Pepper told us, you know, I'm not really

595
00:33:03,920 --> 00:33:05,840
Speaker 1: on big goodbyes, and I'm really on big you know,

596
00:33:06,000 --> 00:33:09,120
Speaker 1: celebrations and stuff. So I guess you know the door

597
00:33:09,200 --> 00:33:11,200
Speaker 1: is not gonna fly open with you know, balloons and

598
00:33:11,240 --> 00:33:13,880
Speaker 1: coffetti and dancing girls and stuff. So then why did

599
00:33:13,920 --> 00:33:17,760
Speaker 1: I show up? No going away gift to cross the

600
00:33:18,080 --> 00:33:24,840
Speaker 1: across the hallway. Where's my cake? Dammit? Somebody bring us

601
00:33:24,840 --> 00:33:27,280
Speaker 1: some old out David Halloween candy. About that,