1 00:00:00,320 --> 00:00:03,760 Speaker 1: You're listening to KFI AM six forty on demand. 2 00:00:05,160 --> 00:00:07,800 Speaker 2: Mark Thompson here. The bad beam went up. What can 3 00:00:07,840 --> 00:00:10,080 Speaker 2: I tell you? Tuesday night? I said, you know, usually 4 00:00:10,119 --> 00:00:12,920 Speaker 2: i'm with Conway. I look forward to it all week, 5 00:00:14,600 --> 00:00:17,880 Speaker 2: and the call came in, would you mind coming in 6 00:00:17,880 --> 00:00:21,079 Speaker 2: in the evening? So well, I come in the evening. 7 00:00:22,280 --> 00:00:25,960 Speaker 2: I can't come in on Conway's show. They said, yeah, 8 00:00:25,960 --> 00:00:31,400 Speaker 2: that's okay, it's Mark Thompson. They didn't thank you, thank you, 9 00:00:31,440 --> 00:00:33,839 Speaker 2: because I didn't take that Conway commitment quite as seriously 10 00:00:33,880 --> 00:00:38,680 Speaker 2: as I did. We're going to he's got a bunch 11 00:00:38,680 --> 00:00:41,400 Speaker 2: of windows open here, Richie, come in here, because he's 12 00:00:41,440 --> 00:00:43,680 Speaker 2: got a bunch of windows open, and if I try 13 00:00:43,680 --> 00:00:47,440 Speaker 2: to play audio, there's a bunch of stuff playing on 14 00:00:47,600 --> 00:00:51,400 Speaker 2: other windows that I can't even see. So I don't 15 00:00:51,400 --> 00:00:54,760 Speaker 2: know how to remedy that situation. But it's not important 16 00:00:54,760 --> 00:00:59,000 Speaker 2: because I can speak here for a minute without running anything. Yeah, okay, 17 00:00:58,800 --> 00:01:03,320 Speaker 2: but but it's it's it's something else is playing. It 18 00:01:03,360 --> 00:01:06,080 Speaker 2: must be over here. But by the way, I'll talk 19 00:01:06,120 --> 00:01:10,000 Speaker 2: about this a little bit more later. But okay, let's 20 00:01:10,000 --> 00:01:13,600 Speaker 2: see it. Yeah, thank you. I'll take a little bit 21 00:01:13,600 --> 00:01:15,680 Speaker 2: sorry about this. There should should have been done prior. 22 00:01:15,840 --> 00:01:21,520 Speaker 2: Who is running this show? How dare you? Uh? I 23 00:01:21,560 --> 00:01:23,280 Speaker 2: was gonna say, I'll talk about this more. And those 24 00:01:23,319 --> 00:01:25,440 Speaker 2: of you who listen to k IF I know that 25 00:01:25,480 --> 00:01:29,000 Speaker 2: he's been on with us, with me, and I think 26 00:01:29,040 --> 00:01:33,520 Speaker 2: also with Conway. The brilliant Chuck Negron passed away from 27 00:01:33,560 --> 00:01:38,400 Speaker 2: Three Dog Knight and they were a remarkable story. Three 28 00:01:38,440 --> 00:01:43,440 Speaker 2: Dog Knight one of the most successful bands in history, 29 00:01:44,280 --> 00:01:49,840 Speaker 2: and the origin story of Chuck Negron is really special too. 30 00:01:50,800 --> 00:01:54,560 Speaker 2: I guess since I've started it, i'll I'll finish it 31 00:01:55,840 --> 00:01:57,760 Speaker 2: the I'd love to do it later. Maybe we can 32 00:01:57,800 --> 00:01:59,600 Speaker 2: do it. Step with a couple of his songs. You know, 33 00:02:00,440 --> 00:02:05,120 Speaker 2: one is one of them, Easy to be Hard. He's 34 00:02:05,160 --> 00:02:07,040 Speaker 2: on that one in a big way, you know. The 35 00:02:07,160 --> 00:02:10,560 Speaker 2: Jeremiah was a bullfrod song. That's the Joy to the World. 36 00:02:10,840 --> 00:02:14,160 Speaker 2: That's Chuck Negron two on the lead vocal There were 37 00:02:14,160 --> 00:02:17,480 Speaker 2: three vocalists and they worked so well together. They harmonize 38 00:02:17,520 --> 00:02:21,760 Speaker 2: so well. It was an amazing synthesis of three talents 39 00:02:21,800 --> 00:02:25,880 Speaker 2: Three Dog Knight. And the thing about Three Dog Night 40 00:02:26,600 --> 00:02:28,800 Speaker 2: was that they and this is an incredible thing because 41 00:02:28,800 --> 00:02:32,119 Speaker 2: they had top ten record after top ten record, they 42 00:02:32,280 --> 00:02:37,639 Speaker 2: were not their songs, none of them they were. And 43 00:02:37,720 --> 00:02:39,800 Speaker 2: he said this that I had him on my podcast, 44 00:02:39,840 --> 00:02:42,320 Speaker 2: and he was just He's a wonderful guest with a 45 00:02:42,360 --> 00:02:46,520 Speaker 2: sense of humor and a You know how addicts who 46 00:02:46,520 --> 00:02:50,240 Speaker 2: are recovered often can be so honest about everything. It's 47 00:02:50,280 --> 00:02:54,120 Speaker 2: just like all the things that might bring you shame 48 00:02:54,240 --> 00:02:55,920 Speaker 2: at some point in your life that you work so 49 00:02:55,960 --> 00:03:00,160 Speaker 2: hard to cover, they no longer have that, and they 50 00:03:00,840 --> 00:03:05,280 Speaker 2: are sharing their story in ways that you oftentimes are 51 00:03:05,600 --> 00:03:07,560 Speaker 2: just it takes your breath away. And so when he 52 00:03:07,600 --> 00:03:10,400 Speaker 2: talks about his addiction, which is one of the things 53 00:03:10,400 --> 00:03:14,160 Speaker 2: that he wrestled with in his life that plagued him 54 00:03:14,160 --> 00:03:16,440 Speaker 2: to the point that he had to leave Three Dog Night, 55 00:03:16,480 --> 00:03:18,880 Speaker 2: Three Dog Night broke up. It was I mean, he 56 00:03:18,960 --> 00:03:22,360 Speaker 2: was down and out of living on skid row. He 57 00:03:22,520 --> 00:03:26,040 Speaker 2: was addicted to heroin, he was addicted to cocaine. It 58 00:03:26,160 --> 00:03:32,520 Speaker 2: was a brutal, lengthy addiction that took everything from him, 59 00:03:32,880 --> 00:03:35,720 Speaker 2: and it was chronicled in a book called Three Dog Nightmare, 60 00:03:35,760 --> 00:03:37,440 Speaker 2: which I read, which is really good. It was written 61 00:03:37,440 --> 00:03:40,200 Speaker 2: by a friend of mine named Chris Blatchford. And when 62 00:03:40,200 --> 00:03:41,720 Speaker 2: he first told me how I wrote this song, I 63 00:03:41,720 --> 00:03:45,440 Speaker 2: wrote this book called Three Dog Night, right. I've got 64 00:03:45,440 --> 00:03:47,600 Speaker 2: the book right away and I just devoured it. It's 65 00:03:47,640 --> 00:03:50,040 Speaker 2: one of those books where just a page turner because 66 00:03:50,080 --> 00:03:52,400 Speaker 2: you can't believe from the highest highs to the lowest low's. 67 00:03:52,480 --> 00:03:56,840 Speaker 2: This guy checked Negron, So check Negron's story. Though in 68 00:03:56,840 --> 00:04:00,480 Speaker 2: his origin story is wild because he and of course 69 00:04:00,480 --> 00:04:02,400 Speaker 2: he kicked addiction and everything and he came back. So 70 00:04:02,480 --> 00:04:04,920 Speaker 2: that's the great story, right, you know, you from you know, 71 00:04:05,200 --> 00:04:09,720 Speaker 2: the primordial ooze of nothing. You become the biggest rock 72 00:04:09,720 --> 00:04:12,360 Speaker 2: star in the world with this band, biggest rock band 73 00:04:12,360 --> 00:04:15,320 Speaker 2: in the world, and then you fall to the lowest lows, 74 00:04:15,320 --> 00:04:18,440 Speaker 2: you're living on skid row, and then somehow you climb 75 00:04:18,440 --> 00:04:20,159 Speaker 2: out of it. I mean, that's just a great story. 76 00:04:20,279 --> 00:04:23,760 Speaker 2: So in any case, he was a basketball player. He 77 00:04:23,839 --> 00:04:29,320 Speaker 2: was a basketball scholarship athlete, played in Madison Square Garden. 78 00:04:29,360 --> 00:04:33,279 Speaker 2: This is how good he was. Three nights in Madison 79 00:04:33,279 --> 00:04:38,720 Speaker 2: Square Garden with the basketball playoffs collegiate basketball playoffs I 80 00:04:38,720 --> 00:04:41,800 Speaker 2: think they were. And he said, he told me this 81 00:04:41,880 --> 00:04:45,360 Speaker 2: on my podcast. He said, I think I'm the only 82 00:04:45,400 --> 00:04:50,000 Speaker 2: person who played Madison Square Garden three times as a 83 00:04:50,000 --> 00:04:53,680 Speaker 2: civilian and then three times as a rock and roller. 84 00:04:53,760 --> 00:04:56,880 Speaker 2: You know, as a musician. And of course Three Dog 85 00:04:56,960 --> 00:04:59,800 Speaker 2: Knight of course sold out Madison Square Garden in an instant. 86 00:05:00,279 --> 00:05:04,000 Speaker 2: And the thing about Three Dog Night is and he 87 00:05:04,120 --> 00:05:07,320 Speaker 2: mentions this again that none of these songs were theirs. 88 00:05:07,600 --> 00:05:11,120 Speaker 2: They found songs that they could sort of reimagine and 89 00:05:11,680 --> 00:05:16,320 Speaker 2: produce in different ways. Eli's Coming, which was a big 90 00:05:16,400 --> 00:05:19,039 Speaker 2: hit for them. It was a Laura Nero song. I 91 00:05:19,080 --> 00:05:22,520 Speaker 2: think they took it and they redid it, and again 92 00:05:22,640 --> 00:05:28,080 Speaker 2: it became a top ten record. So there's one surviving 93 00:05:28,839 --> 00:05:31,560 Speaker 2: member of Three Dog Night. I believe Danny Hutton. I 94 00:05:31,600 --> 00:05:36,719 Speaker 2: believe it was still alive. But Chuck was great. Eighty 95 00:05:36,760 --> 00:05:41,960 Speaker 2: three years old, met his wife Amy. I don't know 96 00:05:42,000 --> 00:05:44,000 Speaker 2: how long they've been together. I feel like it's been 97 00:05:44,520 --> 00:05:48,279 Speaker 2: ten years or longer. Maybe longer than ten years, as 98 00:05:48,320 --> 00:05:50,160 Speaker 2: I say, I don't know, but she has been a 99 00:05:50,320 --> 00:05:53,120 Speaker 2: wonderful influence on his life, I think, and they seem 100 00:05:53,160 --> 00:05:55,920 Speaker 2: to have a great relationship. I knew them a bit, 101 00:05:56,480 --> 00:06:00,760 Speaker 2: just a little bit through having met them both, I 102 00:06:00,800 --> 00:06:04,440 Speaker 2: think here at KFI originally, and then we continue to 103 00:06:04,440 --> 00:06:06,160 Speaker 2: back and forth, and he was on my podcast, as 104 00:06:06,160 --> 00:06:09,279 Speaker 2: I say, on my podcast twice. In fact, if you 105 00:06:09,360 --> 00:06:12,440 Speaker 2: want to hear. This is really, I think a good conversation. 106 00:06:13,080 --> 00:06:15,840 Speaker 2: Go to my channel, the Mark Thompson Show. You don't 107 00:06:15,839 --> 00:06:18,559 Speaker 2: have to sign up, you don't have to subscribe, it's free. 108 00:06:18,600 --> 00:06:20,520 Speaker 2: You can subscribe for free. But it's a lot of 109 00:06:20,520 --> 00:06:22,840 Speaker 2: politics and news. But you can ignore that, Okay, So 110 00:06:22,920 --> 00:06:28,320 Speaker 2: go and find the Chuck Negron conversation. So Chuck Negron 111 00:06:28,520 --> 00:06:32,520 Speaker 2: spoke to me for about an hour, and you'll get 112 00:06:32,520 --> 00:06:34,480 Speaker 2: the whole story, a lot of what I just told you, 113 00:06:34,600 --> 00:06:36,880 Speaker 2: with a lot more detail and with the magic of 114 00:06:36,960 --> 00:06:40,680 Speaker 2: Chuck Negron telling the story. It's really a loss, but 115 00:06:40,720 --> 00:06:42,719 Speaker 2: what an incredible life. And I'll tell you. And he 116 00:06:42,880 --> 00:06:48,400 Speaker 2: says this, the drugs he did would have killed most people. 117 00:06:48,920 --> 00:06:50,679 Speaker 2: And I don't know if it's because he was an athlete, 118 00:06:50,760 --> 00:06:52,520 Speaker 2: or I don't know if because it's the fates, or 119 00:06:52,600 --> 00:06:54,840 Speaker 2: you know, the magic of the divine, or I don't 120 00:06:54,880 --> 00:06:58,360 Speaker 2: know what it was. But for some reason, that guy 121 00:06:58,760 --> 00:07:03,360 Speaker 2: was able to do all of that, live that decadence 122 00:07:03,560 --> 00:07:07,040 Speaker 2: and that horror, end up on skid row, and somehow 123 00:07:07,480 --> 00:07:12,480 Speaker 2: live to the age of eighty three. Amazing. A wonderful life, 124 00:07:13,440 --> 00:07:17,600 Speaker 2: a tremendous artist, a great talent, and a friend of 125 00:07:17,640 --> 00:07:20,560 Speaker 2: ours here at KFI. Chuck Negron from Three Dog Night 126 00:07:20,600 --> 00:07:24,920 Speaker 2: passes away at eighty three. When we come back, we 127 00:07:24,960 --> 00:07:30,520 Speaker 2: have a guest, right, mozart Girl. Next. Yes, Grammy nominated 128 00:07:31,200 --> 00:07:33,560 Speaker 2: mozart Girl joins us. 129 00:07:33,880 --> 00:07:38,520 Speaker 1: Next, you're listening to KFI AM six forty on demand. 130 00:07:40,160 --> 00:07:45,040 Speaker 2: Grammy nominated is Celde Fair, also known as mozart Girl. 131 00:07:45,120 --> 00:07:52,559 Speaker 2: She's on the rise, I mean she's risen and rising further. Songwriter, violinist, 132 00:07:53,040 --> 00:07:57,000 Speaker 2: emerging fashion designer and on the line with us. Now. Hello, 133 00:07:57,160 --> 00:07:58,120 Speaker 2: welcome to KFI. 134 00:07:58,160 --> 00:08:02,760 Speaker 3: Mozart Girl, Hi, thank you for having me so excited. 135 00:08:02,760 --> 00:08:04,560 Speaker 2: We had a big argument about how to say your name. 136 00:08:05,360 --> 00:08:07,280 Speaker 2: Say your name for all of us, because I want 137 00:08:07,280 --> 00:08:09,000 Speaker 2: to I want to call out people who are wrong 138 00:08:09,040 --> 00:08:09,480 Speaker 2: about this. 139 00:08:10,760 --> 00:08:14,360 Speaker 3: Okay, okay. I pronunciate it as as. 140 00:08:14,320 --> 00:08:20,960 Speaker 2: Old a fair Okay, so fair, Okay, but that's richie. 141 00:08:21,040 --> 00:08:24,840 Speaker 2: That's not this old day fair. That's not the emphasis 142 00:08:24,880 --> 00:08:25,400 Speaker 2: on the last. 143 00:08:29,920 --> 00:08:32,640 Speaker 3: Hey, look, I love it. It's been butchered so many 144 00:08:32,679 --> 00:08:35,560 Speaker 3: times in my life, and to be honest, I feel 145 00:08:35,600 --> 00:08:37,559 Speaker 3: like there's so many different ways to renunciate it. And 146 00:08:38,200 --> 00:08:41,360 Speaker 3: I've everything together and I'm like, you know what. 147 00:08:43,840 --> 00:08:47,960 Speaker 2: That's that's a lovely a sort of bit of a 148 00:08:48,000 --> 00:08:50,640 Speaker 2: warm artist way to look at it. So that's cool. 149 00:08:51,000 --> 00:08:52,959 Speaker 2: I think Richie was pretty well right, he was close. 150 00:08:53,040 --> 00:08:55,320 Speaker 2: We had he but he barked out so many that 151 00:08:55,360 --> 00:08:59,000 Speaker 2: I lost track. But this is really exciting for you. 152 00:08:59,040 --> 00:09:01,680 Speaker 2: I mean, you're you're again. You're one of these Grammy 153 00:09:01,760 --> 00:09:07,360 Speaker 2: nominated artists who's created this eclectic mix of music, right. 154 00:09:07,400 --> 00:09:09,120 Speaker 2: I mean it sounds to me like you were probably 155 00:09:09,200 --> 00:09:12,880 Speaker 2: raised I'm guessing he's a violinist and you're raised in 156 00:09:12,920 --> 00:09:15,360 Speaker 2: a household with a lot of classical music? Is that writer? 157 00:09:15,480 --> 00:09:17,000 Speaker 2: Am I just kind of assuming too much? 158 00:09:18,360 --> 00:09:23,280 Speaker 3: No, you're absolutely assuming right. My parents are composers, and 159 00:09:23,320 --> 00:09:25,880 Speaker 3: I grew up with a lot of classical music along 160 00:09:25,880 --> 00:09:28,720 Speaker 3: with a lot of like film music and film trailers. 161 00:09:28,720 --> 00:09:32,160 Speaker 3: So growing up I had a large range of music 162 00:09:32,240 --> 00:09:37,600 Speaker 3: to understand and discern, and I truly feel so passionate 163 00:09:37,600 --> 00:09:40,320 Speaker 3: about it. And I grew up in a sense where 164 00:09:40,920 --> 00:09:43,800 Speaker 3: even though I was like writing pop music ever since 165 00:09:43,840 --> 00:09:45,840 Speaker 3: I was a kid and could sing, since I was 166 00:09:46,360 --> 00:09:50,240 Speaker 3: you know, could walk pretty much, I was able to 167 00:09:52,320 --> 00:09:55,880 Speaker 3: I was able to get the inspiration from the classical 168 00:09:55,960 --> 00:09:58,400 Speaker 3: music and incorporate it into what I do, and I 169 00:09:58,440 --> 00:10:02,960 Speaker 3: feel like I found something in the classical music industry 170 00:10:03,000 --> 00:10:06,080 Speaker 3: where a couple of years ago, i'd gotten an injury 171 00:10:06,360 --> 00:10:11,440 Speaker 3: and I started really focusing being a classical artist. And 172 00:10:11,480 --> 00:10:13,040 Speaker 3: then I realized, no, like I want to be a 173 00:10:13,120 --> 00:10:14,840 Speaker 3: pop artist. I want to be a pop star and 174 00:10:14,880 --> 00:10:18,040 Speaker 3: focus on that in my dream. But I realized what 175 00:10:18,120 --> 00:10:20,640 Speaker 3: the pop industry was missing was that the fact that 176 00:10:20,679 --> 00:10:23,920 Speaker 3: classical music was dying, and I felt like I had 177 00:10:23,920 --> 00:10:25,920 Speaker 3: a resurrect to some certain degree. 178 00:10:26,000 --> 00:10:28,880 Speaker 2: Wow, that's that's quite a goal. But it worked out 179 00:10:28,920 --> 00:10:33,479 Speaker 2: for you. I mean really well. One of your compositions 180 00:10:33,520 --> 00:10:35,760 Speaker 2: and one of your it was in this Best Classical 181 00:10:35,760 --> 00:10:39,360 Speaker 2: Compendium album that won a Grammy in twenty two, right, 182 00:10:39,520 --> 00:10:44,320 Speaker 2: just a few years ago. And I mean so beyond that, 183 00:10:45,080 --> 00:10:48,560 Speaker 2: you've clearly, I think, forged a path for yourself that 184 00:10:48,679 --> 00:10:52,040 Speaker 2: does blend the two. But even before you got to 185 00:10:52,160 --> 00:10:55,480 Speaker 2: this place, you had a pretty distinguished I don't want 186 00:10:55,480 --> 00:10:57,560 Speaker 2: to skip over your teenage years. Could you end a 187 00:10:57,600 --> 00:11:03,079 Speaker 2: pretty distinguished root as a teenager? At was is it 188 00:11:03,160 --> 00:11:05,680 Speaker 2: thirteen that you were playing Carnegie Hall or some big 189 00:11:05,679 --> 00:11:10,000 Speaker 2: place like that, weren't you It's. 190 00:11:07,080 --> 00:11:14,240 Speaker 3: A yeah, yeah, I was performing at Lincoln Center. 191 00:11:14,280 --> 00:11:18,040 Speaker 2: That was it. Yeah, that was it. You know, you 192 00:11:18,080 --> 00:11:18,480 Speaker 2: did get it. 193 00:11:18,559 --> 00:11:18,960 Speaker 3: You did good. 194 00:11:19,200 --> 00:11:21,679 Speaker 2: Just down the street from Carnegie Hall, Yeah, Lincoln Center, 195 00:11:21,800 --> 00:11:23,599 Speaker 2: that's right. At thirteen. 196 00:11:25,280 --> 00:11:28,040 Speaker 3: At thirteen, I had a song. This is my first 197 00:11:28,040 --> 00:11:30,280 Speaker 3: song ever that I put out into the world, and 198 00:11:30,320 --> 00:11:33,360 Speaker 3: it was from it was stemmed from a school assignment 199 00:11:34,320 --> 00:11:38,520 Speaker 3: and it was really interesting because I didn't know the 200 00:11:38,559 --> 00:11:42,520 Speaker 3: magnitude that it had and it was tweeted out to 201 00:11:42,600 --> 00:11:46,040 Speaker 3: thirteen million people, and the New York Times called me 202 00:11:46,240 --> 00:11:49,080 Speaker 3: and they said, we want you to be a part 203 00:11:49,080 --> 00:11:51,720 Speaker 3: of this event that we're having at Lincoln Center. We 204 00:11:51,760 --> 00:11:54,520 Speaker 3: want you to perform for three thousand people. And it 205 00:11:54,600 --> 00:11:56,400 Speaker 3: was like right during spring break, and I was like, 206 00:11:56,720 --> 00:11:58,440 Speaker 3: I would I want to do this. I want to 207 00:11:58,480 --> 00:12:01,760 Speaker 3: perform for people. I love being able to give people 208 00:12:01,800 --> 00:12:04,600 Speaker 3: the gift of music, you know, because I think it's 209 00:12:04,600 --> 00:12:05,760 Speaker 3: something that's so start. 210 00:12:05,559 --> 00:12:08,440 Speaker 2: Sure, it's a magical way to connect with people. That's 211 00:12:08,480 --> 00:12:13,080 Speaker 2: just terrific. Wow, I mean, how exciting and so and 212 00:12:13,200 --> 00:12:16,199 Speaker 2: since then, I mean, it's interesting because by now you've 213 00:12:16,240 --> 00:12:18,800 Speaker 2: performed in so many big venues and in front of 214 00:12:18,840 --> 00:12:21,760 Speaker 2: so many people, and your music and your recordings have 215 00:12:21,840 --> 00:12:25,480 Speaker 2: now gone everywhere. So I get it that you're a 216 00:12:25,520 --> 00:12:29,920 Speaker 2: Grammy nominee. That still has to be exciting. I mean 217 00:12:29,920 --> 00:12:33,720 Speaker 2: that's I guess the industry recognizing you for the artists 218 00:12:33,760 --> 00:12:34,360 Speaker 2: that you are. 219 00:12:36,200 --> 00:12:39,520 Speaker 3: One hundred percent. It's something that is so big and 220 00:12:39,640 --> 00:12:42,640 Speaker 3: so incredible, you know. And I'm still growing as an artist, 221 00:12:42,800 --> 00:12:46,320 Speaker 3: especially with Mozart Girl being able to really start releasing 222 00:12:46,440 --> 00:12:50,280 Speaker 3: music as this alter ego version of myself. But I think, 223 00:12:50,360 --> 00:12:53,000 Speaker 3: you know, when you're recognized by the industry and that way, 224 00:12:53,040 --> 00:12:56,480 Speaker 3: it is something that is it's really interesting, you know, 225 00:12:56,520 --> 00:12:59,400 Speaker 3: and it puts everything into perspective, and that's how you're 226 00:12:59,400 --> 00:13:01,960 Speaker 3: seeing the world and how you're being able to be 227 00:13:02,080 --> 00:13:04,520 Speaker 3: there for other artists as well. There's so many amazing 228 00:13:04,600 --> 00:13:09,080 Speaker 3: artists that have been nominated for Grammy this weekend. You know. 229 00:13:09,720 --> 00:13:12,280 Speaker 2: Yeah, I can have to take your word for it. 230 00:13:12,320 --> 00:13:15,280 Speaker 2: I've not yet been recognized by the industry and the 231 00:13:15,320 --> 00:13:18,560 Speaker 2: way that I should be recognized by the industry. I 232 00:13:18,559 --> 00:13:21,079 Speaker 2: think it's about time that I would be recognized by 233 00:13:21,080 --> 00:13:24,680 Speaker 2: the industry. I've waited patiently to be recognized by my industry, 234 00:13:24,679 --> 00:13:26,719 Speaker 2: but I have not, and so. 235 00:13:27,000 --> 00:13:30,240 Speaker 3: You should be recognized the industry. I am recognizing you. 236 00:13:31,040 --> 00:13:35,199 Speaker 2: Thank you. This is how it starts. I need Mozart 237 00:13:35,280 --> 00:13:39,439 Speaker 2: girl to begin the groundswell. I am so excited for you. 238 00:13:39,800 --> 00:13:45,560 Speaker 2: I now taken your music in a prioritized way that 239 00:13:45,640 --> 00:13:48,760 Speaker 2: I might not have before. So I'm really where you 240 00:13:48,800 --> 00:13:51,840 Speaker 2: want to. Uh, why does it tell me that I'm 241 00:13:51,840 --> 00:13:55,679 Speaker 2: just glancing at a piece of information. This is what happens. 242 00:13:55,720 --> 00:13:57,840 Speaker 2: I'm handed little. This is bits of information, and this 243 00:13:58,040 --> 00:14:02,400 Speaker 2: just handed to me. You were Were you involved in 244 00:14:02,440 --> 00:14:05,640 Speaker 2: a Taco bell spot? A Super Bowl Taco Bell commercial? 245 00:14:07,000 --> 00:14:10,600 Speaker 3: I was involved in the Taco beut commercial. That that 246 00:14:10,880 --> 00:14:15,600 Speaker 3: is crazy that you guys found that out, But I 247 00:14:15,640 --> 00:14:20,120 Speaker 3: love that honestly. Wow, I was. I was in an 248 00:14:20,240 --> 00:14:24,520 Speaker 3: orchestra and I was playing in a pre professional orchestra 249 00:14:24,880 --> 00:14:27,800 Speaker 3: and then I think it was like the super mus 250 00:14:27,920 --> 00:14:32,200 Speaker 3: the music supervisor slash contractor who was working with that orchestra. 251 00:14:32,440 --> 00:14:35,560 Speaker 3: I randomly submitted a form because they were, you know, 252 00:14:35,760 --> 00:14:41,240 Speaker 3: finding people for this commercial, and they hired me, and 253 00:14:41,280 --> 00:14:44,360 Speaker 3: I was like, we had no clue what it was 254 00:14:44,400 --> 00:14:48,280 Speaker 3: going to be until afterwards. We had no clue, And 255 00:14:48,880 --> 00:14:52,680 Speaker 3: afterwards it was just so I just had the best time, 256 00:14:52,760 --> 00:14:55,160 Speaker 3: you know, And there's so many incredible, lovely people there, 257 00:14:55,680 --> 00:14:59,440 Speaker 3: and I swear like being on set is such a fun, 258 00:15:00,440 --> 00:15:02,360 Speaker 3: fun space to be a part of. There's so many 259 00:15:02,400 --> 00:15:05,640 Speaker 3: creative people that are doing so many creative things, you know, 260 00:15:05,680 --> 00:15:07,800 Speaker 3: and so many technical things. You kind of get to 261 00:15:07,840 --> 00:15:10,840 Speaker 3: see the behind the scenes of how a commercial or 262 00:15:10,880 --> 00:15:12,240 Speaker 3: how a film, or how. 263 00:15:14,080 --> 00:15:16,520 Speaker 2: That's a big budget commercial. Not to interrupt you, but 264 00:15:16,560 --> 00:15:18,880 Speaker 2: that's a big budget I mean, that's a huge commercial. 265 00:15:19,000 --> 00:15:21,760 Speaker 2: Super Bowl Taco Bell spot is big and I think 266 00:15:21,840 --> 00:15:24,280 Speaker 2: I kind of remember the spot. It was a couple 267 00:15:24,320 --> 00:15:26,480 Speaker 2: of years ago, but I think I do. I'm so 268 00:15:26,760 --> 00:15:30,880 Speaker 2: excited for your explosion of talent. You just seem I 269 00:15:30,960 --> 00:15:35,320 Speaker 2: love your classical roots and the way that you've blended 270 00:15:35,360 --> 00:15:39,200 Speaker 2: pop music and as a composer, you have really blended 271 00:15:39,240 --> 00:15:42,440 Speaker 2: the two genres. Again, if you want to follow mozart 272 00:15:42,480 --> 00:15:47,640 Speaker 2: Girl on Spotify, it is mozart girl, mozart girl, mozart girl. 273 00:15:47,800 --> 00:15:51,400 Speaker 2: And on Instagram it's at Mozart's girl with a Z 274 00:15:51,640 --> 00:15:54,280 Speaker 2: at the end of mozart, so it's mozart with a 275 00:15:54,400 --> 00:15:57,720 Speaker 2: Z and then girl, it's mozart and then you add 276 00:15:57,720 --> 00:16:00,640 Speaker 2: a Z and then girl. And that's your Instagram, which 277 00:16:00,680 --> 00:16:04,840 Speaker 2: I've now become a follower of, So please populate it 278 00:16:04,880 --> 00:16:07,680 Speaker 2: with the all kinds of cool stuff. I'm counting. I'm 279 00:16:07,760 --> 00:16:10,440 Speaker 2: riding your coat tails, Mozart Girl, so take me to 280 00:16:10,480 --> 00:16:10,840 Speaker 2: the top. 281 00:16:11,080 --> 00:16:14,480 Speaker 3: All right, thank you, You're coming with me one hundred percent. 282 00:16:14,560 --> 00:16:19,400 Speaker 3: And I just wanted to say too, I'm serious, I'm serious. Yeah, 283 00:16:19,440 --> 00:16:21,560 Speaker 3: And I just wanted to say too that I will 284 00:16:21,600 --> 00:16:26,000 Speaker 3: be performing in Dallas at Earth Day ex earth Day, 285 00:16:26,240 --> 00:16:30,080 Speaker 3: and it's this big conference and I'll be performing too, 286 00:16:30,640 --> 00:16:34,440 Speaker 3: where we're just recognizing our planet and being able to 287 00:16:34,520 --> 00:16:37,040 Speaker 3: recognize and be aware of what's going on and realizing 288 00:16:37,200 --> 00:16:39,840 Speaker 3: that this is like the only planet, the only home 289 00:16:39,840 --> 00:16:40,200 Speaker 3: that we have. 290 00:16:40,400 --> 00:16:42,560 Speaker 2: I'd love to hear someone your age talking that way, 291 00:16:42,600 --> 00:16:45,280 Speaker 2: because I feel like people my age have kind of 292 00:16:45,320 --> 00:16:47,520 Speaker 2: lost the plot on that. So it's great to hear 293 00:16:47,560 --> 00:16:50,800 Speaker 2: you say that. Good luck with your your situation and 294 00:16:51,080 --> 00:16:54,440 Speaker 2: your concert in Dallas, and keep that work up. That's 295 00:16:54,440 --> 00:16:57,600 Speaker 2: really great. Assault a Fair, also known as mozart Girl, 296 00:16:58,160 --> 00:17:03,240 Speaker 2: the Grammy nominated and Amy winner in twenty twenty two. 297 00:17:03,600 --> 00:17:06,560 Speaker 2: I'm excited for our next conversation. Don't be a stranger here, 298 00:17:06,760 --> 00:17:07,600 Speaker 2: come back and visit. 299 00:17:09,240 --> 00:17:11,080 Speaker 3: Absolutely. Thank you so much, all. 300 00:17:11,000 --> 00:17:13,679 Speaker 2: The best to you, mozart Girl. How great is she? 301 00:17:14,200 --> 00:17:14,560 Speaker 2: Love it? 302 00:17:15,280 --> 00:17:18,680 Speaker 1: You're listening to KFI AM six forty on demand. 303 00:17:20,480 --> 00:17:26,399 Speaker 2: Savannah Guthrie's mom. This bizarre what appears to be kidnapping 304 00:17:27,080 --> 00:17:33,480 Speaker 2: taking place on Sunday. Authorities getting to Nancy Guthrie's home, 305 00:17:33,560 --> 00:17:38,000 Speaker 2: this is a few miles north of Tucson. They found 306 00:17:38,040 --> 00:17:44,200 Speaker 2: suspicious concerning circumstances, no sign of the Today's Show host 307 00:17:44,200 --> 00:17:49,520 Speaker 2: Savannah Guthrie now, who is returning to that part of 308 00:17:49,520 --> 00:17:53,320 Speaker 2: the country to help with the mystery as to what 309 00:17:53,480 --> 00:17:58,320 Speaker 2: happened with her mother. There were no particular physical ailments 310 00:17:58,560 --> 00:18:04,040 Speaker 2: that would well, she had enough apparently in the way 311 00:18:04,040 --> 00:18:06,240 Speaker 2: of physical animents that she wouldn't have walked far away, 312 00:18:06,320 --> 00:18:10,359 Speaker 2: but to hear at least some of the descriptions of 313 00:18:10,359 --> 00:18:13,520 Speaker 2: her physical state, there wasn't a sense that she had 314 00:18:13,560 --> 00:18:18,359 Speaker 2: dementia or that she You know, again, these are all 315 00:18:18,480 --> 00:18:20,560 Speaker 2: kinds of pieces of the puzzle, and you always wonder 316 00:18:20,880 --> 00:18:25,439 Speaker 2: to what extent you're hearing with utter clarity the facts 317 00:18:25,440 --> 00:18:28,880 Speaker 2: that have to be pieced together. But cops and other 318 00:18:28,920 --> 00:18:33,840 Speaker 2: authorities are trying to do just that, piece together bits 319 00:18:33,920 --> 00:18:37,359 Speaker 2: of this bizarre story of this eighty four year old 320 00:18:37,400 --> 00:18:39,800 Speaker 2: who was of sound mind going missing. 321 00:18:40,000 --> 00:18:43,440 Speaker 4: We're learning disturbing new details about the abduction of Savannah 322 00:18:43,440 --> 00:18:46,280 Speaker 4: Guthrie's mom. Police found a trail of blood in her 323 00:18:46,359 --> 00:18:49,840 Speaker 4: driveway and signs of forced entry and a struggle inside 324 00:18:49,840 --> 00:18:53,160 Speaker 4: her million dollar home in Tucson, according to published reports. 325 00:18:53,400 --> 00:18:56,840 Speaker 4: I spoke with Pima County Sheriff Chris Nano's in your gut, 326 00:18:57,560 --> 00:18:59,440 Speaker 4: do you believe Nancy is alive? 327 00:19:00,040 --> 00:19:01,880 Speaker 5: You know, I'm never going to give up on that. 328 00:19:03,200 --> 00:19:06,320 Speaker 5: I been at this for a long time, fifty years, 329 00:19:06,359 --> 00:19:10,800 Speaker 5: and my gut tells me something that wow. But sometimes 330 00:19:10,840 --> 00:19:11,520 Speaker 5: I'm wrong too. 331 00:19:11,880 --> 00:19:15,200 Speaker 4: This is Nancy Guthrie's house where police say she was abducted. Now, 332 00:19:15,200 --> 00:19:17,760 Speaker 4: police have been asking for ring camera of neighbors, but 333 00:19:17,840 --> 00:19:20,720 Speaker 4: when you look around the neighborhood, it's very unlikely that 334 00:19:20,800 --> 00:19:23,040 Speaker 4: you may find anything. There are no street lights, so 335 00:19:23,080 --> 00:19:24,960 Speaker 4: it's very dark here at night. And look at the 336 00:19:25,000 --> 00:19:27,960 Speaker 4: surrounding brush. You don't see any other homes. You just 337 00:19:27,960 --> 00:19:29,160 Speaker 4: see brush and cactus. 338 00:19:29,320 --> 00:19:31,520 Speaker 2: And this is a desert community. This is really a 339 00:19:31,560 --> 00:19:34,440 Speaker 2: desert community. This is I'm curious if there were any 340 00:19:36,160 --> 00:19:41,720 Speaker 2: surveillance cameras at her home. I haven't heard anything about 341 00:19:41,760 --> 00:19:42,240 Speaker 2: that yet. 342 00:19:42,280 --> 00:19:45,280 Speaker 4: This area is very remote. Eighty four year old Nancy 343 00:19:45,280 --> 00:19:48,240 Speaker 4: Guthrie was last seen at nine forty five PM, when 344 00:19:48,240 --> 00:19:51,000 Speaker 4: she was driven home by Savannah's sister Anne after a 345 00:19:51,040 --> 00:19:54,000 Speaker 4: family dinner on Sunday morning. A friend raised the alarm 346 00:19:54,000 --> 00:19:56,960 Speaker 4: when she didn't turn up at church at eleven am. 347 00:19:57,160 --> 00:20:00,480 Speaker 4: Family members began searching the house and neighborhood. They called 348 00:20:00,560 --> 00:20:02,080 Speaker 4: nine to one one at around noon. 349 00:20:02,280 --> 00:20:04,800 Speaker 3: They're good high walk a pacemaker, Kariak. 350 00:20:04,480 --> 00:20:09,080 Speaker 4: Issues the pacemaker's monitoring system may provide vital clues. It 351 00:20:09,200 --> 00:20:11,920 Speaker 4: sinks to her Apple Watch once a day and last 352 00:20:11,960 --> 00:20:15,560 Speaker 4: sink at two am Sunday. She has a pacemaker. Is 353 00:20:15,600 --> 00:20:19,720 Speaker 4: that something that can tell a doctor remotely if she's 354 00:20:19,720 --> 00:20:20,320 Speaker 4: still alive. 355 00:20:20,520 --> 00:20:23,080 Speaker 5: We don't know that. Those are questions and things we're 356 00:20:23,119 --> 00:20:26,439 Speaker 5: looking into and trying to track, but we've been in 357 00:20:26,480 --> 00:20:29,719 Speaker 5: touch with her medical physician, we've been in touch with 358 00:20:29,760 --> 00:20:30,320 Speaker 5: the family. 359 00:20:30,560 --> 00:20:32,639 Speaker 4: So far, there have been no known ransom. 360 00:20:32,720 --> 00:20:35,520 Speaker 2: Dame. I just think, you know the Apple Watch again, 361 00:20:35,560 --> 00:20:37,160 Speaker 2: you have to be wearing it, so she probably wasn't 362 00:20:37,200 --> 00:20:38,960 Speaker 2: wearing it. She was abducted in the middle of the 363 00:20:39,040 --> 00:20:43,840 Speaker 2: night at some point eighty four. I don't know. I 364 00:20:43,880 --> 00:20:45,600 Speaker 2: shed just wish there was some way that there was 365 00:20:46,119 --> 00:20:48,600 Speaker 2: some kind of locator kind of married to her body 366 00:20:48,640 --> 00:20:52,639 Speaker 2: in some way. How awful we got to put chips 367 00:20:52,680 --> 00:20:56,920 Speaker 2: in all our parents now, I mean, yeah, you're right 368 00:20:56,960 --> 00:20:59,080 Speaker 2: in just the way. It just sounds so absurd, But 369 00:20:59,200 --> 00:21:04,399 Speaker 2: I just know is that where we are I'm not 370 00:21:04,560 --> 00:21:06,520 Speaker 2: entirely joking. And also there's an issue that she's on 371 00:21:06,560 --> 00:21:09,119 Speaker 2: some kind of medication that they're concerned that she's doing without. 372 00:21:09,200 --> 00:21:11,760 Speaker 2: In the shore that she's been gone, she's probably on 373 00:21:11,840 --> 00:21:14,320 Speaker 2: twelve medications that she's doing without. And she's eighty four 374 00:21:14,400 --> 00:21:17,240 Speaker 2: years old, and she has a history of some physical ailments. 375 00:21:17,240 --> 00:21:19,080 Speaker 2: She's got a pacemaker. I mean, I'm certain that there 376 00:21:19,080 --> 00:21:21,520 Speaker 2: are things that she takes daily that she really needs. 377 00:21:21,560 --> 00:21:26,520 Speaker 2: The absence of a of a ransom note is conspicuous, 378 00:21:26,520 --> 00:21:31,560 Speaker 2: although and a ransom request came into TMZ apparently, which 379 00:21:31,600 --> 00:21:34,119 Speaker 2: is I suppose again, is that the sign of the times? 380 00:21:34,119 --> 00:21:36,680 Speaker 2: I mean, it's just odd that it didn't come into 381 00:21:36,720 --> 00:21:41,280 Speaker 2: any other place. They lobbed at their ransom note into TMZ. 382 00:21:41,520 --> 00:21:44,240 Speaker 4: So far, there have been no known ransom demands from 383 00:21:44,240 --> 00:21:47,600 Speaker 4: the kidnapper. Do you think she was specifically targeted because 384 00:21:47,640 --> 00:21:48,200 Speaker 4: of her daughter? 385 00:21:48,320 --> 00:21:52,879 Speaker 5: Nothing's ruled out, there's nothing to say she's targeted, but 386 00:21:53,320 --> 00:21:54,800 Speaker 5: that's certainly a possibility. 387 00:21:55,040 --> 00:21:58,760 Speaker 2: Well, the sheriff really isn't much on the Yeah, he 388 00:21:58,760 --> 00:22:01,560 Speaker 2: doesn't shed much life on things, playing it close to 389 00:22:01,600 --> 00:22:03,840 Speaker 2: the vest I don't blame them, I guess, but it's 390 00:22:03,880 --> 00:22:06,920 Speaker 2: just sort of well in your gut, is she Well, 391 00:22:07,000 --> 00:22:10,200 Speaker 2: you know what, no one can say, and I certainly 392 00:22:10,240 --> 00:22:12,720 Speaker 2: hope for the best. Well, do you have any information? Well, 393 00:22:12,760 --> 00:22:16,000 Speaker 2: we're getting the information together, and yeah, Well, he told 394 00:22:16,040 --> 00:22:18,080 Speaker 2: The New York Times. The sheriff that by the time 395 00:22:18,119 --> 00:22:21,320 Speaker 2: the cops arrived the following day after she was dropped off, 396 00:22:21,320 --> 00:22:23,120 Speaker 2: they saw something at the home that didn't sit well. 397 00:22:23,119 --> 00:22:25,280 Speaker 2: But they want to elaborate on that, saying there was 398 00:22:25,359 --> 00:22:29,560 Speaker 2: concerning evidence beyond red splatter on the oh doorstep. Okay, 399 00:22:29,560 --> 00:22:31,040 Speaker 2: I don't heard about the red splatter. 400 00:22:31,320 --> 00:22:34,520 Speaker 6: Well, you alluded to it earlier in the driveway. But 401 00:22:34,600 --> 00:22:36,440 Speaker 6: there's something that they're not saying that they saw that 402 00:22:36,520 --> 00:22:37,040 Speaker 6: was alarming. 403 00:22:38,720 --> 00:22:40,960 Speaker 2: Authorities are saying that they can't rule out that she 404 00:22:41,080 --> 00:22:46,720 Speaker 2: was kidnapped. TMZ reporting that it had received an alleged 405 00:22:46,800 --> 00:22:52,679 Speaker 2: ransom note demanding millions in cryptocurrency for her release. The 406 00:22:53,119 --> 00:22:56,240 Speaker 2: outlet TMZ did not report when or how it got 407 00:22:56,280 --> 00:22:59,440 Speaker 2: that note, nor did it reveal the entirety of the contents, 408 00:22:59,480 --> 00:23:01,639 Speaker 2: but it did say that it turned over the information 409 00:23:02,040 --> 00:23:04,879 Speaker 2: to the Pima County Sheriff's Department, which is leading the investigation. 410 00:23:05,000 --> 00:23:10,040 Speaker 2: It's so sad, you know, eighty four year old living 411 00:23:10,560 --> 00:23:13,679 Speaker 2: by herself and now is missing. 412 00:23:13,840 --> 00:23:16,680 Speaker 6: Well, it's also alarming in that this is the mother 413 00:23:17,040 --> 00:23:19,920 Speaker 6: of a well known journalist. And as much as journalists 414 00:23:19,920 --> 00:23:23,600 Speaker 6: have been targeted already, that just adds another layer to it. 415 00:23:23,640 --> 00:23:27,800 Speaker 6: Do we have to start hiring protection for prominent journalists families? 416 00:23:27,840 --> 00:23:28,000 Speaker 4: Now? 417 00:23:28,040 --> 00:23:30,320 Speaker 2: Oh? Wow, I hadn't even thought about that. I mean, 418 00:23:30,560 --> 00:23:32,199 Speaker 2: you know, it's funny. I think of Savannah Guthrie as 419 00:23:32,240 --> 00:23:33,560 Speaker 2: sort of a host, you know, I don't think of 420 00:23:33,560 --> 00:23:35,840 Speaker 2: as a journal but I shouldn't. Maybe that's not fair 421 00:23:35,880 --> 00:23:37,760 Speaker 2: to her, you know, like she really is a journalist, 422 00:23:37,760 --> 00:23:39,640 Speaker 2: You're right, and on today's show she does a lot 423 00:23:39,640 --> 00:23:42,520 Speaker 2: of stuff that is concerned with journalism. But i'd see her, 424 00:23:42,560 --> 00:23:44,639 Speaker 2: you know, hosting the Olympics. I see her, you know, 425 00:23:44,720 --> 00:23:47,399 Speaker 2: hosting some segment making an omelet or something, and I 426 00:23:47,440 --> 00:23:50,280 Speaker 2: don't think of her as you know, the journalist that 427 00:23:50,720 --> 00:23:56,160 Speaker 2: might be subjected to the sort of predatory political violence 428 00:23:56,200 --> 00:23:59,720 Speaker 2: that might inform today, you know, the times of today. 429 00:24:00,160 --> 00:24:03,040 Speaker 6: It's a valid distinction. She's not woodword and or Bernstein, 430 00:24:03,160 --> 00:24:05,160 Speaker 6: but she's a well known person in news media. 431 00:24:05,400 --> 00:24:08,639 Speaker 2: Yeah, we'll keep you posted on this. Obviously, this has 432 00:24:09,440 --> 00:24:11,360 Speaker 2: gained a lot of national interest, and we'll give you 433 00:24:11,400 --> 00:24:12,840 Speaker 2: the latest if anything comes in. 434 00:24:13,800 --> 00:24:17,200 Speaker 1: You're listening to KFI AM six forty on demand. 435 00:24:20,800 --> 00:24:23,480 Speaker 2: That's the voice of Chuck Negron passed away at age 436 00:24:23,520 --> 00:24:27,000 Speaker 2: eighty three from Three Dog Night. That was a huge song. 437 00:24:27,080 --> 00:24:30,480 Speaker 2: That was a Hoyd action song. I think joined of 438 00:24:30,520 --> 00:24:32,840 Speaker 2: the world again. As I was mentioning to you, the 439 00:24:32,840 --> 00:24:35,200 Speaker 2: thing that's wild about Three Dog Night is they took 440 00:24:35,440 --> 00:24:38,880 Speaker 2: songs that other people had and they made them giant. 441 00:24:39,160 --> 00:24:42,520 Speaker 2: I mean just you know, reimagined them. And he said 442 00:24:42,520 --> 00:24:45,080 Speaker 2: to me when he did my podcast, we were like 443 00:24:45,119 --> 00:24:48,120 Speaker 2: an r people, you know, we were like looking for 444 00:24:48,560 --> 00:24:52,200 Speaker 2: stuff that we could take and do something with. And 445 00:24:52,280 --> 00:24:55,080 Speaker 2: that was Three Dog Night with those terrific vocals and 446 00:24:55,119 --> 00:24:58,120 Speaker 2: then again sort of the reimagined sound KFI AM six 447 00:24:58,200 --> 00:25:00,600 Speaker 2: forty live everywhere on the iHeartRadio app Thank you for 448 00:25:00,640 --> 00:25:04,119 Speaker 2: being here. Mark Thompson hanging out on Tuesday Night and 449 00:25:04,359 --> 00:25:07,560 Speaker 2: there was a question about Chuck Negron. I think on 450 00:25:07,600 --> 00:25:09,560 Speaker 2: the talk back and the talkback feature we have on 451 00:25:09,600 --> 00:25:12,320 Speaker 2: the iHeartRadio app, you hit that microphone upper right hand 452 00:25:12,320 --> 00:25:16,800 Speaker 2: portion of the screen and you can leave us a message. 453 00:25:16,840 --> 00:25:19,080 Speaker 2: And here's one Mark, I missed it and probably a 454 00:25:19,119 --> 00:25:21,560 Speaker 2: lot of the audience to do. All right, where can 455 00:25:21,600 --> 00:25:26,159 Speaker 2: we find your interview with Chuck? Okay? Please? 456 00:25:26,320 --> 00:25:26,520 Speaker 3: Man? 457 00:25:26,920 --> 00:25:28,639 Speaker 2: Yeah? Please tell us again. Yeah, let me tell you. 458 00:25:28,640 --> 00:25:30,240 Speaker 2: I'll explain to you again. And I'm trying to do 459 00:25:30,280 --> 00:25:32,760 Speaker 2: it even as I say it. If you go to 460 00:25:32,800 --> 00:25:34,600 Speaker 2: I have a YouTube channel on the YouTube show, it's 461 00:25:34,600 --> 00:25:36,919 Speaker 2: mostly politics and news, so you can skip over all that. 462 00:25:36,960 --> 00:25:38,840 Speaker 2: You don't need to pay any attention to Epstein and 463 00:25:38,880 --> 00:25:42,040 Speaker 2: all that stuff. But if you go to the Mark 464 00:25:42,040 --> 00:25:45,879 Speaker 2: Thompson Show, that's what it's called, and you hit view channel, 465 00:25:46,880 --> 00:25:48,480 Speaker 2: I think this will get there. I'm doing this even 466 00:25:48,520 --> 00:25:51,560 Speaker 2: as I am telling you. And then you go to videos, okay, 467 00:25:52,080 --> 00:25:54,760 Speaker 2: and then if you scroll down videos, now that's going 468 00:25:54,800 --> 00:25:56,199 Speaker 2: to be the longest way to find it. What if 469 00:25:56,200 --> 00:25:57,600 Speaker 2: you just put in the Mark Thompson, you go into 470 00:25:57,600 --> 00:26:00,639 Speaker 2: the YouTube, you put in the Mark tom Show, and 471 00:26:00,680 --> 00:26:03,840 Speaker 2: you put in Chuck Negron. Also, it does pop up 472 00:26:03,960 --> 00:26:04,320 Speaker 2: it does. 473 00:26:04,480 --> 00:26:07,480 Speaker 6: Okay, Mark Thompson, you an interview with Chuck Negron and 474 00:26:07,640 --> 00:26:08,320 Speaker 6: it should pop up. 475 00:26:08,320 --> 00:26:11,400 Speaker 2: It's from two years ago, almost forty k views. It's 476 00:26:11,440 --> 00:26:13,520 Speaker 2: available there there is so if you put in yeah, 477 00:26:13,640 --> 00:26:15,639 Speaker 2: so if you go into YouTube. Last thing, here's the 478 00:26:15,640 --> 00:26:17,840 Speaker 2: way you do it. You go into YouTube. YouTube has 479 00:26:17,880 --> 00:26:20,840 Speaker 2: a search just like anything else. Right, you put in 480 00:26:20,920 --> 00:26:24,159 Speaker 2: the search the Mark Thompson Show, Chuck Negron, n E. 481 00:26:24,280 --> 00:26:27,200 Speaker 2: G Ron, and it'll come right up. Okay, the Mark 482 00:26:27,240 --> 00:26:30,399 Speaker 2: Thompson Show, Chuck Negron, and you'll get a chance to 483 00:26:30,760 --> 00:26:32,520 Speaker 2: see the interview from a couple of years ago, and 484 00:26:32,560 --> 00:26:35,480 Speaker 2: he talks openly about you know, his rise. It was 485 00:26:35,520 --> 00:26:39,640 Speaker 2: a remarkable story and remarkable life story. This kid from Brooklyn, 486 00:26:39,680 --> 00:26:43,800 Speaker 2: I think, who ends up playing Madison Square Garden and 487 00:26:44,800 --> 00:26:47,760 Speaker 2: becomes one of the famous rockers in the world. And 488 00:26:48,320 --> 00:26:54,080 Speaker 2: he tells funny stories, wild stories that really reflect kind 489 00:26:54,080 --> 00:26:56,720 Speaker 2: of the decadence of sex, drugs and rock and roll 490 00:26:56,760 --> 00:27:00,679 Speaker 2: at the time, you know, late sixties and seventies. And 491 00:27:00,720 --> 00:27:03,520 Speaker 2: then his rebirth and you'll meet his wife, Amy, who 492 00:27:03,520 --> 00:27:09,560 Speaker 2: also came through as well. Is this right. Jill Biden's 493 00:27:09,600 --> 00:27:15,400 Speaker 2: ex husband is charge of murdering his wife William Stevens 494 00:27:15,440 --> 00:27:22,320 Speaker 2: in charge with his wife's murder. He's seventy seven. I 495 00:27:22,359 --> 00:27:24,760 Speaker 2: gotta tell you something. I can't imagine being seventy seven 496 00:27:24,800 --> 00:27:29,720 Speaker 2: and having the energy to kill anybody. I just I'm 497 00:27:29,760 --> 00:27:33,439 Speaker 2: nowhere near seventy seven. I'm exhausted. Somebody said, hey, you know, 498 00:27:34,200 --> 00:27:38,480 Speaker 2: it's just all I can do to get through the day. 499 00:27:39,080 --> 00:27:44,080 Speaker 2: This guy must have really hated his wife, Linda. It 500 00:27:44,200 --> 00:27:48,960 Speaker 2: was a domestic dispute and he killed her, according to prosecutors. 501 00:27:49,440 --> 00:27:53,000 Speaker 2: Police officers responding to a reported domestic dispute at a 502 00:27:53,040 --> 00:27:56,040 Speaker 2: home in the Wilmington community of Oak Hill. This is 503 00:27:56,119 --> 00:27:59,359 Speaker 2: right around Christmas time and they found Linda Stevens in 504 00:27:59,440 --> 00:28:03,800 Speaker 2: sixty four unresponsive on the living room floor. Her husband, 505 00:28:03,920 --> 00:28:09,120 Speaker 2: William Bill Stevenson, had called nine to one one well. 506 00:28:09,160 --> 00:28:15,359 Speaker 2: The grand jury in Newcastle County indicted him first to 507 00:28:15,440 --> 00:28:19,240 Speaker 2: green murder in connection with his wife's death, and this 508 00:28:19,359 --> 00:28:24,160 Speaker 2: seventy seven year old, according to the indictment, did intentionally 509 00:28:24,240 --> 00:28:29,920 Speaker 2: cause the death of his wife. Detectives took him into 510 00:28:29,960 --> 00:28:34,920 Speaker 2: custody at his home without incident. He's been arraigned and 511 00:28:35,440 --> 00:28:38,000 Speaker 2: it's unclear if he even has an attorney at this point. 512 00:28:40,160 --> 00:28:43,640 Speaker 2: It was eleven pm on December twenty eighth, two days 513 00:28:43,680 --> 00:28:47,200 Speaker 2: after or three days after Christmas, two days after my birthday. 514 00:28:47,240 --> 00:28:53,880 Speaker 2: That's sorry, that's always my orientation. They tried life saving measures, 515 00:28:53,920 --> 00:28:56,960 Speaker 2: according to this report, but Linda Stevenson was pronounced dead. 516 00:28:59,440 --> 00:29:02,400 Speaker 2: No additional details, including the cause of death, have been released. 517 00:29:02,440 --> 00:29:05,640 Speaker 2: It's really, you know, one of those things where I 518 00:29:05,680 --> 00:29:08,640 Speaker 2: would like to know what they found. She ran a 519 00:29:08,640 --> 00:29:14,680 Speaker 2: bookkeeping business that was deeply family oriented, according to her obituary. 520 00:29:16,240 --> 00:29:20,600 Speaker 2: The obituary did not mention her husband. He founded a 521 00:29:20,640 --> 00:29:24,040 Speaker 2: popular bar and music hall in the early nineteen seventies 522 00:29:24,080 --> 00:29:29,640 Speaker 2: in Newark, Delaware. He is the former husband of Jill Biden. 523 00:29:32,120 --> 00:29:34,720 Speaker 2: The two were married for five years before they divorced 524 00:29:35,160 --> 00:29:40,160 Speaker 2: in nineteen seventy five. Then two years later, after Jill 525 00:29:40,240 --> 00:29:45,360 Speaker 2: Biden divorced Bill Stevenson, who would go on to be 526 00:29:45,440 --> 00:29:49,320 Speaker 2: accused of murdering his wife, Jill Biden went on to 527 00:29:49,640 --> 00:29:59,280 Speaker 2: marry Joe Biden and became first Lady of the US 528 00:30:00,080 --> 00:30:07,200 Speaker 2: Bizar story. What a crazy crime blodder this week, man, 529 00:30:08,160 --> 00:30:14,880 Speaker 2: I don't know. There are administrative subpoenas going out targeting 530 00:30:14,960 --> 00:30:21,760 Speaker 2: Americans from the Department of Homeland Security. I'll be talking 531 00:30:21,760 --> 00:30:24,160 Speaker 2: about that in the next hour, and we visit with 532 00:30:24,560 --> 00:30:30,120 Speaker 2: Ed Begley Junior's wife, who has a new documentary about 533 00:30:30,320 --> 00:30:35,480 Speaker 2: Ed Begley Junior. He's a fascinating story too. His book's amazing. 534 00:30:35,520 --> 00:30:39,760 Speaker 2: I read that book and that's wild. He was the 535 00:30:39,800 --> 00:30:42,600 Speaker 2: son of an Academy Award winning actor and is the 536 00:30:42,600 --> 00:30:45,800 Speaker 2: son of an Academy Award winning actor. And some of 537 00:30:45,840 --> 00:30:48,400 Speaker 2: the things he says in his book and his biography 538 00:30:48,440 --> 00:30:52,720 Speaker 2: or autobiography really is some of that stuff is worth 539 00:30:52,720 --> 00:30:54,680 Speaker 2: relating to you, and I'll try to remember what I 540 00:30:54,720 --> 00:30:57,360 Speaker 2: can and pass it along. But anyway, she joins us. 541 00:30:58,720 --> 00:31:02,920 Speaker 2: Next hour, all right, much to come. We're just getting started. Honestly, 542 00:31:02,960 --> 00:31:05,000 Speaker 2: I view the first hour as a warm up. I'm 543 00:31:05,040 --> 00:31:07,480 Speaker 2: just loosening up. Yeah, I'm just knocking around for the 544 00:31:07,520 --> 00:31:10,440 Speaker 2: first hour. You people are listening the second hour now 545 00:31:10,520 --> 00:31:14,640 Speaker 2: you're getting the juice of it. Thompson here hanging out 546 00:31:14,680 --> 00:31:17,760 Speaker 2: on Tuesday night, KFI AM six forty Live everywhere on 547 00:31:17,800 --> 00:31:19,040 Speaker 2: the iHeartRadio app 548 00:31:19,440 --> 00:31:22,000 Speaker 1: KFI AM six forty on demand