WEBVTT - On the Run with John McAfee

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<v Joel Comm>John McAfee was without a doubt one of the most

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<v Joel Comm>controversial guests we've ever had on this show. We got

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<v Joel Comm>to interview him six times prior to his death and

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<v Joel Comm>we wish he was still around for a seventh go round.

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<v Joel Comm>But in lieu of that, the next best thing would

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<v Joel Comm>be to speak with someone who was with McAfee while

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<v Joel Comm>he was on the run from the authorities. Alex, Cody

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<v Joel Comm>Foster is that guy. You may recognize him from the

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<v Joel Comm>blockbuster Netflix special Running with the devil the wild world

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<v Joel Comm>of john mcafee. Today he discusses his time with jon,

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<v Joel Comm>the insane situations that he found himself in and how

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<v Joel Comm>he's documented it all in a brand new book. This

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<v Joel Comm>episode has many van Halen references in it, so you'll

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<v Joel Comm>want to keep count of them. On our episode number 654.

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<v Joel Comm>Of the Bad Crypto podcast.

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<v UU>Five for three.

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<v Joel Comm>How are all of the Whose band?

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<v Travis Wright>Are you ready to rock? Uh, yeah. Uh, maybe. Maybe not.

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<v Travis Wright>I was. I was noticing you, and I noticed that. Oh, I. One, two. And. Oh, yeah,

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<v Travis Wright>I noticed.

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<v Joel Comm>Well, if you're ready to rock, we can be the

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<v Joel Comm>metal metaverse metalheads.

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<v Travis Wright>Oh, very nice. The metaverse metalheads. This one right here.

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<v Travis Wright>I mean, seriously, it has about 5150 different Van Halen references.

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<v Joel Comm>And because Runnin with the Devil and we.

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<v Travis Wright>Spun Army is there was 1984 and in 1984 we

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<v Travis Wright>never really mentioned that album.

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<v Joel Comm>If you haven't seen the Netflix documentary Running with the

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<v Joel Comm>Devil in the Wild World of John McAfee, you got

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<v Joel Comm>to go see it. It's an amazing watch. Then you're

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<v Joel Comm>going to want to get his book, the memoir of

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<v Joel Comm>The Man Who Hacked the World, which is all about

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<v Joel Comm>John McAfee and basically being with him while the craziness

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<v Joel Comm>was taking place. Lots of insight from the author on

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<v Joel Comm>this particular show and a lot of fun to speak

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<v Joel Comm>with him as well. He's a good guy. Humble dude.

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<v Travis Wright>Very cool. And then if you haven't seen the documentary yet,

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<v Travis Wright>listen to this and then go listen, Go watch the documentary,

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<v Travis Wright>Run with the Devil. He's actually on the show talking

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<v Travis Wright>about some interesting things, you know, and mentioning some stuff

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<v Travis Wright>that you maybe have never heard before, like while watching

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<v Travis Wright>that documentary. They've talked about John McAfee, you know, maybe

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<v Travis Wright>even offing his very violent father. Like what? I never

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<v Travis Wright>heard that before. Like, there's some weird stuff going on.

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<v Travis Wright>And this this right here is this episode is one

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<v Travis Wright>of those timeless ones.

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<v Joel Comm>Yeah. So see if you can count the Van Halen references.

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<v Joel Comm>And let's get to our talk with Alex Cody Foster. Sir. Lord,

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<v Joel Comm>have you seen the documentary on Netflix yet? Running with

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<v Joel Comm>the Devil.

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<v Travis Wright>Hmm. You know, yes, I have. And I love Van Halen.

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<v Travis Wright>So this is really exciting. We get to talk to

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<v Travis Wright>the ghostwriter who was writing for for for day to

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<v Travis Wright>Lee Roth. Is that correct? Something like that. Did I.

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<v Joel Comm>See this? No, no, no. It's. It's running with the devil.

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<v Joel Comm>The wild world of John McAfee.

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<v Travis Wright>I do love that song. Maybe the very best intro

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<v Travis Wright>song on a debut album ever.

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<v Joel Comm>It is fantastic. You hear it and immediately recognize there's

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<v Joel Comm>Eddie pulling the raps like this is something totally new.

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<v Travis Wright>But on that one, just real quick, you know, one

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<v Travis Wright>thing is that when they started out with the song

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<v Travis Wright>With Blood, when it starts out, they literally took in

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<v Travis Wright>car horn and then they honked it and then they

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<v Travis Wright>slowed it down to make that song. They made that sound,

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<v Travis Wright>which is funny, which is iconic sound. So but that

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<v Travis Wright>has nothing to do with any of this except for

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<v Travis Wright>the title.

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<v Joel Comm>There you go. Piece of Van Halen trivia today, and

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<v Joel Comm>maybe our guests will bring some Van Halen trivia. I

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<v Joel Comm>don't know. His name is Alex Cody Foster. He is

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<v Joel Comm>the ghostwriter on the book that is just coming out today,

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<v Joel Comm>which the documentary you may have seen on Netflix is

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<v Joel Comm>based on Running with the Devil, The Wild World of

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<v Joel Comm>John McAfee. Alex A.F., welcome to bed Crypto.

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<v Alex Cody Foster>Thanks for having me. Yes.

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<v Joel Comm>Do you have any Van Halen?

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<v Alex Cody Foster>Actually, I do. This is all kind of full circle

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<v Alex Cody Foster>for me here. I Almost Ghost wrote a book for

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<v Alex Cody Foster>a guy who was best friends with Eddie Van Halen.

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<v Travis Wright>Huh? Yeah, I.

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<v Alex Cody Foster>I can't give his name, obviously, but I didn't take

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<v Alex Cody Foster>him on. He stole my email somewhere. It didn't happen.

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<v Alex Cody Foster>So I guess is a non-story.

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<v Travis Wright>Yeah, it's. It's such a great band. Such as? Aside

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<v Travis Wright>from that, such an interesting dude, John McAfee, such an

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<v Travis Wright>interesting character. Like when you go back and and I

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<v Travis Wright>believe the documentary started somewhere with some of that footage

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<v Travis Wright>from what 2012 is that that what starts kicking off

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<v Travis Wright>and then you go on for a little while and

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<v Travis Wright>then you're and then there's like a five year delay

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<v Travis Wright>and then you're going back into the story back in 2019.

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<v Travis Wright>What a great time to come back in the So

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<v Travis Wright>what was your initial thoughts when you're like, hey, John

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<v Travis Wright>McAfee wants you to write a book with them? Like

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<v Travis Wright>how did that go down?

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<v Joel Comm>And so, Travis, we're just going to jump right in

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<v Joel Comm>like I think as well. We may as well jump.

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<v Travis Wright>I might as well just go ahead. JOHNSON Yeah, I.

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<v Joel Comm>Think I think we did try to insert as many

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<v Joel Comm>Van Halen song titles.

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<v Travis Wright>Into this episode.

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<v Joel Comm>Of course, the conversation as possible. So, yeah, Alex, go

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<v Joel Comm>ahead and talk about that.

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<v Alex Cody Foster>Jump in some jump in. So John didn't actually want

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<v Alex Cody Foster>to hire me initially. I spoke with Jimmy Watson, his

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<v Alex Cody Foster>executive advisor at the time, because yeah, Jimmy and he,

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<v Alex Cody Foster>you know, I forget how we met, but we got

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<v Alex Cody Foster>linked up. I sent him an email and I told

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<v Alex Cody Foster>him that I was a ghostwriter and I was in

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<v Alex Cody Foster>the crypto industry and I've worked with some of the

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<v Alex Cody Foster>founders in crypto and I said I would love to

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<v Alex Cody Foster>write John story. In fact, I'd wanted to write a

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<v Alex Cody Foster>story ever since I was 18 and 19 years old,

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<v Alex Cody Foster>living on the streets of Los Angeles. And I that

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<v Alex Cody Foster>was in 2012, and that's when John went on the

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<v Alex Cody Foster>run in Belize. And I saw that story when I

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<v Alex Cody Foster>was living on the streets. There was a wired article

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<v Alex Cody Foster>by Joshua Josh Davis, and I said, Fuck, I love

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<v Alex Cody Foster>to write that guy's book someday. This is before I

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<v Alex Cody Foster>was a writer. So fast forward, you know, I was

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<v Alex Cody Foster>25 and I wrote to Jimmy and he said, You know,

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<v Alex Cody Foster>you sound like the perfect guy to do this. But

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<v Alex Cody Foster>every time I bring it up, the boss boss says,

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<v Alex Cody Foster>Fuck that, Jimmy. I will never write another book. I

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<v Alex Cody Foster>will never speak to a writer because I hate them.

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<v Alex Cody Foster>And he said, If you keep bringing this shit up,

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<v Alex Cody Foster>I'm going to fire you. And Jimmy was like, Yeah, yeah.

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<v Alex Cody Foster>He said, Man, I don't know Alex. I don't know

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<v Alex Cody Foster>if he's being serious or what, but I don't think

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<v Alex Cody Foster>I can bring this up. But you know, I'm going

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<v Alex Cody Foster>to do it strategic strategically, all right? And I said, Fine,

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<v Alex Cody Foster>that's great. A few months later, I got a call

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<v Alex Cody Foster>in the morning, 530 in the morning, I guess John

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<v Alex Cody Foster>had seen a video of when I was homeless on

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<v Alex Cody Foster>the streets of L.A. and he knew I'd seen some shit.

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<v Alex Cody Foster>And that's what attracted it to me. And so I

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<v Alex Cody Foster>got a call 530 in the morning, and I was

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<v Alex Cody Foster>profiled in the Netflix documentary. But what's not in that

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<v Alex Cody Foster>film is the deciding factor was he said, All right, son,

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<v Alex Cody Foster>do you drink? Does it? Yeah. I mean, water, coffee

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<v Alex Cody Foster>is I don't like milk. I mean, we're the only

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<v Alex Cody Foster>animal that drinks milk from another species, so that's why.

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<v Travis Wright>I love to eat. Yeah.

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<v Alex Cody Foster>Yeah, I like I like food too. And he's like, No, no, no, no, no, no, no.

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<v Alex Cody Foster>Do you drink booze, sir? Do you drink? But is

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<v Alex Cody Foster>it Sure? And he said, What do you drink? I

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<v Alex Cody Foster>was like, red wine, You know, I like montepulciano. I

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<v Alex Cody Foster>like scotch, I like bourbon. This is it. He shut

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<v Alex Cody Foster>me up and he said, All right, I'll see you.

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<v Alex Cody Foster>I'll see you Tuesday. That was like a day later

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<v Alex Cody Foster>that I was supposed to arrive. And John did this

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<v Alex Cody Foster>all the time with people. It was all or nothing.

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<v Alex Cody Foster>You know, you either arrive in 24 hours, which meant

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<v Alex Cody Foster>that I had to pretty much get on a plane

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<v Alex Cody Foster>that night because of where he was located in the

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<v Alex Cody Foster>US or don't arrive at all. And so that's how

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<v Alex Cody Foster>it got kicked off.

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<v Travis Wright>So you like if I show up, then you really

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<v Travis Wright>got me. I'm going to be here. I'm going to

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<v Travis Wright>be your ghostwriter.

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<v Alex Cody Foster>It felt that way. But actually what happened was I

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<v Alex Cody Foster>showed up and I was put under this sort of

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<v Alex Cody Foster>rigorous social experiment, which, if I failed, was going to

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<v Alex Cody Foster>can my ass immediately. So I didn't really have the

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<v Alex Cody Foster>job until I passed the test.

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<v Travis Wright>And what was this? When did you when did you

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<v Travis Wright>join with them originally? Back in 2000, 12, or was

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<v Travis Wright>it 2020 18?

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<v Alex Cody Foster>So he had done his whole on the run thing.

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<v Alex Cody Foster>In 2012. He came back to America and then he

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<v Alex Cody Foster>pretty much went on the run for a couple of years.

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<v Alex Cody Foster>He lived in Oregon, he lived in Tennessee. He was

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<v Alex Cody Foster>in Tennessee when I met him.

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<v Joel Comm>So how long did it take for him to warm

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<v Joel Comm>up to you? You know, for him to feel comfortable, like, okay,

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<v Joel Comm>I can hang with this guy, I can party with

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<v Joel Comm>this dude. I'm going to surround myself with some beautiful

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<v Joel Comm>girls and with Alex Cody Foster song reference.

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<v Alex Cody Foster>I think that was the second trip that I took

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<v Alex Cody Foster>with him when we actually went on the run, allegedly

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<v Alex Cody Foster>from the Sinaloa cartel. We're after him because he felt there.

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<v Alex Cody Foster>He bugged them and hacked them back in 2012. That's

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<v Alex Cody Foster>in the book. It's not really in the film, but

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<v Alex Cody Foster>he he saw that I wasn't afraid. You know, I

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<v Alex Cody Foster>had lost my mind back in 2012 when I was

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<v Alex Cody Foster>living on the streets. I got a back a couple

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<v Alex Cody Foster>of years later, and when I got back, I was

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<v Alex Cody Foster>a totally different person and I became a writer. And

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<v Alex Cody Foster>ever since then, for some weird reason, I bet in

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<v Alex Cody Foster>a pathological sense, a therapist would have a field day

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<v Alex Cody Foster>with me. But I don't really feel fear. You know

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<v Alex Cody Foster>what I mean? I don't feel excitement either. Like everybody's

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<v Alex Cody Foster>hitting me up today, like, Oh my God, your first book,

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<v Alex Cody Foster>Under Your Name came out. You know, I've got a

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<v Alex Cody Foster>bunch of published books, not under my name, but the

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<v Alex Cody Foster>first one with my name. And it just so happened

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<v Alex Cody Foster>to be about my life and about my time with John.

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<v Alex Cody Foster>But I don't feel excitement. I feel grateful. And I

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<v Alex Cody Foster>think that weird pathology that I have and the just

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<v Alex Cody Foster>the fact that I was always a black sheep, that

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<v Alex Cody Foster>I was sort of misunderstood and I lost my mind

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<v Alex Cody Foster>like he did he he said he lost it for

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<v Alex Cody Foster>a lot longer than I did it. When he realized

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<v Alex Cody Foster>that was the thing with me, we were in that

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<v Alex Cody Foster>four car motorcade speeding across America on the run. That's

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<v Alex Cody Foster>when he really starts spilling his secrets. And that's when

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<v Alex Cody Foster>he didn't see me as an equal. But he saw

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<v Alex Cody Foster>me the first time.

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<v Travis Wright>I want to I want to talk about you know,

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<v Travis Wright>you mentioned that you were homeless there for a while,

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<v Travis Wright>living out on the summer streets. And I want to

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<v Travis Wright>ask about that. Like, how did that sort of prepare

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<v Travis Wright>you to become a ghost and like in your thinking,

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<v Travis Wright>so you got your life together and you said that

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<v Travis Wright>was a crazy time. Here I am. I'm going to

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<v Travis Wright>start I'm going to start writing some books about other

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<v Travis Wright>people and ghostwriting them. How did that even transcribe?

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<v Alex Cody Foster>That's a great question, man. I mean, to be honest,

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<v Alex Cody Foster>I guess I've been ghostwriting pretty much my whole life

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<v Alex Cody Foster>is back in. Seventh grade that I started writing book

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<v Alex Cody Foster>reports for my brother, who was in high school. And

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<v Alex Cody Foster>I did that until he left high school. And he

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<v Alex Cody Foster>didn't graduate, but he just he just left. And I

0:11:25.140 --> 0:11:27.059
<v Alex Cody Foster>did that the whole time for him. And I read

0:11:27.059 --> 0:11:29.460
<v Alex Cody Foster>all of his high school books. So by the time

0:11:29.460 --> 0:11:31.290
<v Alex Cody Foster>I got to high school, I'd already read all the

0:11:31.290 --> 0:11:34.200
<v Alex Cody Foster>material and I started doing it for college kids when

0:11:34.200 --> 0:11:37.559
<v Alex Cody Foster>I was in high school for money and for beer.

0:11:37.559 --> 0:11:39.960
<v Alex Cody Foster>And like we because I used to smoke weed back

0:11:39.960 --> 0:11:42.720
<v Alex Cody Foster>in the day. But am I allowed to talk about drugs?

0:11:43.080 --> 0:11:45.660
<v Travis Wright>You know, I used to smoke drugs and then I

0:11:45.660 --> 0:11:49.109
<v Travis Wright>still do. So. I guess so. Cool. All right.

0:11:49.950 --> 0:11:53.010
<v Joel Comm>Are you allowed to talk about drugs? But the first

0:11:53.010 --> 0:11:58.290
<v Joel Comm>time we interviewed John in 2017 for episode number 100

0:11:58.290 --> 0:12:01.170
<v Joel Comm>Bad code that I for slash 100 if anybody wants

0:12:01.170 --> 0:12:03.059
<v Joel Comm>to listen to it. We were on video with him

0:12:03.059 --> 0:12:06.480
<v Joel Comm>and he was wrapping his arm about to shoot up.

0:12:06.480 --> 0:12:07.500
<v Alex Cody Foster>Oh, shit.

0:12:07.620 --> 0:12:10.170
<v Joel Comm>And on screen we're like watching going, Oh.

0:12:10.559 --> 0:12:12.600
<v Travis Wright>What in the world is this? It was it was

0:12:12.600 --> 0:12:14.880
<v Travis Wright>more like, oh, because he literally was putting a tourniquet

0:12:14.880 --> 0:12:17.219
<v Travis Wright>on his arm and he's like, squeezing it. He's getting it.

0:12:17.250 --> 0:12:19.590
<v Travis Wright>It's like pumping it out. Get ready to. And I

0:12:19.590 --> 0:12:22.140
<v Travis Wright>think he realizes like, well, I'm on video and then

0:12:22.140 --> 0:12:24.120
<v Travis Wright>I don't he didn't actually do it, but he did

0:12:24.120 --> 0:12:26.310
<v Travis Wright>hit the turning, you know and I don't know if

0:12:26.309 --> 0:12:29.910
<v Travis Wright>that was just shock value. Right. Or we were going

0:12:29.910 --> 0:12:31.530
<v Travis Wright>to see him dancing in the streets, though. It was

0:12:31.530 --> 0:12:32.880
<v Travis Wright>going to be a wild show either way.

0:12:33.120 --> 0:12:34.140
<v Alex Cody Foster>It was going to be a lot of it, to

0:12:34.140 --> 0:12:37.980
<v Alex Cody Foster>be honest with John, that he did that. That you

0:12:37.980 --> 0:12:40.849
<v Alex Cody Foster>said that was episode 100. Yeah. What year was this?

0:12:41.640 --> 0:12:46.199
<v Joel Comm>2017, I think, or early 18. So it was he

0:12:46.200 --> 0:12:51.150
<v Joel Comm>did 100, 200, 200 in what was like 86.

0:12:51.510 --> 0:12:54.679
<v Travis Wright>Yeah. We thought he was going to be arrested or Epstein's.

0:12:55.260 --> 0:12:56.969
<v Joel Comm>Yeah. Yeah. So we're like, oh, we're not going to

0:12:56.970 --> 0:13:00.479
<v Joel Comm>wait till 300. We're going to have a virtual blockchain week.

0:13:00.480 --> 0:13:03.449
<v Joel Comm>And there was one other and we've had more recently,

0:13:03.450 --> 0:13:05.309
<v Joel Comm>we've had Janis on the show.

0:13:05.960 --> 0:13:08.520
<v Alex Cody Foster>If it was 2018, it's kind of funny. I was

0:13:08.520 --> 0:13:10.740
<v Alex Cody Foster>the one that got him on that show with you.

0:13:10.740 --> 0:13:12.360
<v Alex Cody Foster>Travis I could show up and I set it up

0:13:12.360 --> 0:13:14.579
<v Alex Cody Foster>via email. It's kind of small world.

0:13:14.940 --> 0:13:16.800
<v Travis Wright>But it is a small world, so we're really grateful.

0:13:16.800 --> 0:13:18.960
<v Travis Wright>Here we are full circle like crazy right here.

0:13:19.330 --> 0:13:21.600
<v Joel Comm>So I'm going to pull that up right here. And

0:13:21.600 --> 0:13:24.630
<v Joel Comm>you can see that bad code that I enforce. I

0:13:24.630 --> 0:13:28.260
<v Joel Comm>saw 100 is March 20th, 2018. So we probably interviewed

0:13:28.260 --> 0:13:33.410
<v Joel Comm>him just a few days before for this episode. And

0:13:33.420 --> 0:13:36.180
<v Joel Comm>it was it was there's yeah, there's a picture. It

0:13:36.179 --> 0:13:36.569
<v Joel Comm>was he.

0:13:36.570 --> 0:13:38.800
<v Travis Wright>Was totally unchained. There was like.

0:13:39.450 --> 0:13:39.719
<v Alex Cody Foster>He was.

0:13:40.020 --> 0:13:43.860
<v Travis Wright>Doing what he was doing. He was going to do heroin,

0:13:44.350 --> 0:13:47.350
<v Travis Wright>like in the interview to this day. And then Joe's like,

0:13:47.370 --> 0:13:49.260
<v Travis Wright>and we got it. And I was like, No, dude,

0:13:49.260 --> 0:13:52.079
<v Travis Wright>that's going to be the thing that you see. John

0:13:52.080 --> 0:13:55.490
<v Travis Wright>now he's doing what I think we did edit it.

0:13:55.540 --> 0:13:57.210
<v Travis Wright>I just because it was like, this is not big

0:13:57.210 --> 0:13:59.280
<v Travis Wright>or whatever, but I was like, That was crazy.

0:13:59.520 --> 0:14:03.300
<v Alex Cody Foster>That's pure John right there. But to answer your question, sorry,

0:14:03.300 --> 0:14:06.120
<v Alex Cody Foster>I don't I don't think I did to round it out. I,

0:14:06.750 --> 0:14:10.140
<v Alex Cody Foster>you know, after it was writing, you know, grammar school

0:14:10.140 --> 0:14:13.730
<v Alex Cody Foster>and then in high school and I, I hitchhiked across America,

0:14:13.770 --> 0:14:15.990
<v Alex Cody Foster>became homeless on the streets of L.A., ran out of money,

0:14:16.170 --> 0:14:18.120
<v Alex Cody Foster>came from a poor family, no one to bail me out.

0:14:18.330 --> 0:14:20.310
<v Alex Cody Foster>So I just lived on the streets and I decided

0:14:20.640 --> 0:14:22.620
<v Alex Cody Foster>I want to tell the story of all these people

0:14:22.950 --> 0:14:26.640
<v Alex Cody Foster>who lived on the streets. Or 51,340 homeless people. I

0:14:26.640 --> 0:14:27.650
<v Alex Cody Foster>read I.

0:14:27.750 --> 0:14:30.480
<v Travis Wright>Read it was 5150 5150 was what I thought was

0:14:30.480 --> 0:14:30.750
<v Travis Wright>the number.

0:14:31.020 --> 0:14:31.800
<v Alex Cody Foster>Who's your source.

0:14:32.970 --> 0:14:35.640
<v Travis Wright>Of everyone's song for him? Song lists.

0:14:36.420 --> 0:14:39.890
<v Alex Cody Foster>That's never mind, that's that's reputable. We'll stick with that one.

0:14:41.010 --> 0:14:44.430
<v Travis Wright>You shit. So I wanted to I want to talk

0:14:44.430 --> 0:14:47.400
<v Travis Wright>about his mental health. Right. Because like you can see here,

0:14:47.400 --> 0:14:51.330
<v Travis Wright>he is doing copious amounts of drugs, doing a ridiculous

0:14:51.330 --> 0:14:55.470
<v Travis Wright>amount of, you know, alcohol. And then all of his

0:14:55.470 --> 0:14:57.570
<v Travis Wright>girls around is like, I ain't talking about LA, but

0:14:57.570 --> 0:15:00.690
<v Travis Wright>let's get together and let's have a nice, crazy time.

0:15:00.810 --> 0:15:04.050
<v Travis Wright>Like what? What was the craziest thing that you saw

0:15:04.080 --> 0:15:05.040
<v Travis Wright>that you can talk about?

0:15:05.880 --> 0:15:08.880
<v Alex Cody Foster>Shit, that's part of a top ten list. Really? Let

0:15:08.880 --> 0:15:11.370
<v Alex Cody Foster>me think. Can I just go through the list?

0:15:11.580 --> 0:15:12.420
<v Travis Wright>Go through the list?

0:15:12.420 --> 0:15:14.730
<v Joel Comm>We love that he's saying, You really got me with

0:15:14.730 --> 0:15:15.990
<v Joel Comm>that question there, Trev.

0:15:16.170 --> 0:15:18.390
<v Travis Wright>That's what he did say. Change that. You change the

0:15:18.520 --> 0:15:20.550
<v Travis Wright>the visual so he's in the middle and we can

0:15:20.550 --> 0:15:22.860
<v Travis Wright>turn this one into a fancy little social. Oh, you

0:15:22.860 --> 0:15:24.810
<v Travis Wright>do that So fancy. He's got a top ten.

0:15:25.200 --> 0:15:29.450
<v Alex Cody Foster>Sandwich made here. Top ten. Well, I might not see yet.

0:15:29.580 --> 0:15:32.850
<v Travis Wright>You saw from John McAfee in the two plus three

0:15:32.850 --> 0:15:34.050
<v Travis Wright>years that you were working with that.

0:15:34.530 --> 0:15:37.950
<v Alex Cody Foster>Okay. One, probably when we are on the run from

0:15:37.950 --> 0:15:40.890
<v Alex Cody Foster>the Sinaloa cartel, I didn't believe him. He just had

0:15:41.730 --> 0:15:46.320
<v Alex Cody Foster>he interrogated a girl and made her cry in McDonald's

0:15:46.320 --> 0:15:47.040
<v Alex Cody Foster>parking lot.

0:15:47.070 --> 0:15:48.090
<v Joel Comm>What's her name? Jamie.

0:15:48.360 --> 0:15:52.200
<v Alex Cody Foster>Actually, her name's Ryan. Her name was Lizzie Borden, which

0:15:52.200 --> 0:15:56.729
<v Alex Cody Foster>didn't know her situation. John had a field day with that.

0:15:56.730 --> 0:15:58.750
<v Alex Cody Foster>He was like, Oh, so you're the famous axe murderer, huh?

0:15:58.860 --> 0:16:01.710
<v Alex Cody Foster>Lizzie Borden? Is that your If that's even your real name?

0:16:01.950 --> 0:16:02.510
<v Alex Cody Foster>And she laughed.

0:16:02.550 --> 0:16:03.600
<v Joel Comm>Yeah, I'm the one.

0:16:03.660 --> 0:16:05.790
<v Alex Cody Foster>It was. It was actually really sad, though. I mean,

0:16:05.790 --> 0:16:07.920
<v Alex Cody Foster>he made the poor girl cry because he he and

0:16:07.920 --> 0:16:11.490
<v Alex Cody Foster>the security guys were grilling her, thinking she was a spy.

0:16:11.850 --> 0:16:14.950
<v Travis Wright>Oh, here's the eruption. There you go, John. Going off

0:16:14.980 --> 0:16:16.030
<v Travis Wright>on the ground, making her cry.

0:16:16.750 --> 0:16:22.210
<v Alex Cody Foster>So there's that. Number two, allegedly, I spoke to the

0:16:22.210 --> 0:16:26.260
<v Alex Cody Foster>head of the Sinaloa cartel in central Mexico, own cartel.

0:16:26.260 --> 0:16:28.420
<v Travis Wright>What is the Sinaloa cartel? For those who don't know.

0:16:28.720 --> 0:16:33.370
<v Alex Cody Foster>They're the most feared, most dangerous cartel drug cartel in

0:16:33.370 --> 0:16:36.940
<v Alex Cody Foster>the world. And you know the head of it. I

0:16:36.940 --> 0:16:39.820
<v Alex Cody Foster>don't know if he's still ahead. Joaquin El Chapo Guzman.

0:16:40.420 --> 0:16:41.320
<v Travis Wright>El Chapo?

0:16:41.530 --> 0:16:42.600
<v Alex Cody Foster>Yeah. El Chapo doesn't.

0:16:42.610 --> 0:16:44.560
<v Travis Wright>Get him on this show sometime and chat with him

0:16:44.560 --> 0:16:46.900
<v Travis Wright>about the crypto space and be like, hey, I'm Chapo.

0:16:46.900 --> 0:16:48.010
<v Travis Wright>I got some Chapo stick.

0:16:50.260 --> 0:16:51.850
<v Alex Cody Foster>Well, like I said in the film, if there's one

0:16:51.850 --> 0:16:53.680
<v Alex Cody Foster>thing I know, you don't fuck with the cartel. And

0:16:53.680 --> 0:16:56.200
<v Alex Cody Foster>that's why I played it pretty safe in this book

0:16:56.740 --> 0:16:58.900
<v Alex Cody Foster>without naming names. But yeah, that was a weird time

0:16:59.290 --> 0:17:03.000
<v Alex Cody Foster>talking to the head of the cartel in Central America.

0:17:03.070 --> 0:17:09.580
<v Alex Cody Foster>The guy was supposedly connected to El Chapo himself because

0:17:09.580 --> 0:17:11.730
<v Alex Cody Foster>I didn't believe John. So John got him on the phone.

0:17:11.740 --> 0:17:13.990
<v Alex Cody Foster>He said, Tell him your name. And he told me

0:17:13.990 --> 0:17:15.580
<v Alex Cody Foster>his name. And I looked him up. I had the

0:17:15.580 --> 0:17:18.250
<v Alex Cody Foster>phone in front of me. And yeah, all these news articles,

0:17:18.250 --> 0:17:21.580
<v Alex Cody Foster>there's like a kingpin indictment against them and crazy shit.

0:17:22.090 --> 0:17:24.070
<v Travis Wright>Like El Chapo. He got El Chapo.

0:17:24.070 --> 0:17:25.629
<v Alex Cody Foster>On the phone. No, the other guy.

0:17:26.020 --> 0:17:29.050
<v Travis Wright>There's another guy. Hold on. I'm going to text El

0:17:29.050 --> 0:17:31.060
<v Travis Wright>Chapo real quick. What the.

0:17:31.060 --> 0:17:33.040
<v Alex Cody Foster>Hell? He was in prison. I mean, he probably had

0:17:33.040 --> 0:17:35.050
<v Alex Cody Foster>access to a cell phone as you can burrow under

0:17:35.050 --> 0:17:35.650
<v Alex Cody Foster>the prison.

0:17:36.369 --> 0:17:38.530
<v Joel Comm>Okay. Number three right now.

0:17:38.740 --> 0:17:42.939
<v Alex Cody Foster>Number three was being kidnapped in Barcelona. That's not in

0:17:42.940 --> 0:17:47.400
<v Alex Cody Foster>the movie. Against my will. We were kidnapped by these two,

0:17:47.410 --> 0:17:50.109
<v Alex Cody Foster>I think was the Eastern European mob or something. It

0:17:50.109 --> 0:17:52.990
<v Alex Cody Foster>was very sketchy situation. It's sort of a long story.

0:17:52.990 --> 0:17:55.720
<v Alex Cody Foster>But to sum it up, I was in this motorcade,

0:17:55.720 --> 0:17:58.960
<v Alex Cody Foster>bunch of guys with guns driving to an undisclosed location,

0:17:58.960 --> 0:18:02.050
<v Alex Cody Foster>supposedly a villa in Barcelona. But they took me an

0:18:02.050 --> 0:18:04.300
<v Alex Cody Foster>hour outside of Barcelona and I kept saying.

0:18:04.570 --> 0:18:06.930
<v Joel Comm>Put a bag over your head, burlap bag.

0:18:06.940 --> 0:18:09.670
<v Alex Cody Foster>They did it. I expected them to, but they didn't.

0:18:10.060 --> 0:18:12.369
<v Joel Comm>They told me, Hey, guys, where's the.

0:18:12.369 --> 0:18:12.790
<v Travis Wright>Bag.

0:18:13.430 --> 0:18:14.470
<v Joel Comm>Going to bag me?

0:18:14.710 --> 0:18:14.919
<v Travis Wright>Where are.

0:18:14.920 --> 0:18:15.700
<v Alex Cody Foster>The refreshments?

0:18:16.119 --> 0:18:17.889
<v Travis Wright>We're going to have a we're going to have a

0:18:17.890 --> 0:18:19.930
<v Travis Wright>Sunday afternoon in the park. And all of a sudden

0:18:19.930 --> 0:18:23.770
<v Travis Wright>we're getting we're getting arrested. We're getting accosted by the

0:18:24.250 --> 0:18:27.250
<v Travis Wright>Eastern European mob. I mean, you don't want them after you.

0:18:27.340 --> 0:18:30.640
<v Travis Wright>You don't want El Chapo after you. He's pissing off everybody.

0:18:30.640 --> 0:18:33.460
<v Travis Wright>You don't want the government after you. John McAfee pissed

0:18:33.460 --> 0:18:34.330
<v Travis Wright>off everyone.

0:18:34.540 --> 0:18:37.000
<v Alex Cody Foster>He did it. He had a lot of friends, too, though.

0:18:37.000 --> 0:18:39.970
<v Alex Cody Foster>We can't forget that in a lot of friends.

0:18:40.570 --> 0:18:46.330
<v Joel Comm>He was very loved for his his honesty. Right. You know,

0:18:46.570 --> 0:18:50.320
<v Joel Comm>being authentic, who he was. And in standing up for

0:18:50.320 --> 0:18:55.690
<v Joel Comm>crypto and decentralization and against the the the systems. I mean,

0:18:55.690 --> 0:18:58.720
<v Joel Comm>he was a rebel's rebel. I mean, the dude, the

0:18:58.720 --> 0:19:01.600
<v Joel Comm>dude spit, blood and fire every time he talked. And

0:19:01.600 --> 0:19:05.170
<v Joel Comm>it was just like he so that drew a lot

0:19:05.170 --> 0:19:06.040
<v Joel Comm>of people to him.

0:19:06.490 --> 0:19:08.260
<v Alex Cody Foster>And that's why I was drawn to him initially. But

0:19:08.260 --> 0:19:10.660
<v Alex Cody Foster>when I uncovered some of the darker elements of John's

0:19:10.660 --> 0:19:13.149
<v Alex Cody Foster>psyche and history, it just put me off. You know,

0:19:13.150 --> 0:19:16.090
<v Alex Cody Foster>there's certain things I'm a I'm an open minded guy.

0:19:16.090 --> 0:19:21.850
<v Alex Cody Foster>I've worked with, I've worked with. I don't know if

0:19:21.850 --> 0:19:23.740
<v Alex Cody Foster>I'm allowed to say actually, I'm allowed to say my

0:19:23.740 --> 0:19:25.419
<v Alex Cody Foster>my name is going to be on the cover. You know,

0:19:25.420 --> 0:19:29.200
<v Alex Cody Foster>I've worked with drug kingpins before. I currently am working

0:19:29.200 --> 0:19:33.790
<v Alex Cody Foster>with one. I've worked with liars, thieves, murderers. I've worked

0:19:33.790 --> 0:19:38.170
<v Alex Cody Foster>with Ross Ulbricht, who created Silk Road. I've worked with

0:19:38.619 --> 0:19:41.560
<v Alex Cody Foster>really wonderful, good people, too. They're not all bad, but

0:19:41.770 --> 0:19:43.780
<v Alex Cody Foster>I like to reserve judgment. And that's one thing that

0:19:43.780 --> 0:19:46.209
<v Alex Cody Foster>has aided me as a ghostwriters. When I lost my mind,

0:19:46.210 --> 0:19:48.250
<v Alex Cody Foster>it kind of shattered my ego. And to be a

0:19:48.250 --> 0:19:51.130
<v Alex Cody Foster>great ghostwriter, you get to set your own bullshit aside.

0:19:51.150 --> 0:19:54.130
<v Alex Cody Foster>Egocentric ego. Leave it at the door so you can

0:19:54.130 --> 0:19:56.080
<v Alex Cody Foster>get in the shoes of this person and tell their

0:19:56.080 --> 0:19:59.260
<v Alex Cody Foster>story through their eyes. And I had to do that.

0:19:59.260 --> 0:20:01.619
<v Alex Cody Foster>And I did that very effectively with charm. There are

0:20:01.630 --> 0:20:07.260
<v Alex Cody Foster>few lines you don't cross with me. What are those? Clothing?

0:20:07.960 --> 0:20:08.900
<v Joel Comm>We don't have lights.

0:20:08.920 --> 0:20:11.590
<v Alex Cody Foster>One of them is. Do not.

0:20:11.859 --> 0:20:12.760
<v Joel Comm>Tell me. I'll wait.

0:20:14.840 --> 0:20:20.030
<v Alex Cody Foster>Do not murder innocent people and don't rape people. And

0:20:20.570 --> 0:20:23.750
<v Alex Cody Foster>throughout my time with John, I had reason to believe

0:20:23.750 --> 0:20:25.970
<v Alex Cody Foster>that he had done both wrong.

0:20:26.810 --> 0:20:30.020
<v Joel Comm>So do you do you feel like he was responsible

0:20:30.020 --> 0:20:30.950
<v Joel Comm>for the neighbor?

0:20:31.790 --> 0:20:34.669
<v Alex Cody Foster>Yeah, for sure. In fact, it's towards the end of

0:20:34.670 --> 0:20:37.729
<v Alex Cody Foster>my book. I haven't actually talked about it publicly, but.

0:20:38.210 --> 0:20:40.979
<v Joel Comm>Oh, this is a this is a premiere right here, gang.

0:20:41.000 --> 0:20:41.810
<v Joel Comm>First time.

0:20:42.440 --> 0:20:45.770
<v Alex Cody Foster>I'll say. All I really am allowed to say at

0:20:45.770 --> 0:20:49.280
<v Alex Cody Foster>this point is that someone reached out to me after

0:20:49.280 --> 0:20:51.680
<v Alex Cody Foster>the Netflix film dropped. Actually, it was the very next

0:20:51.680 --> 0:20:55.040
<v Alex Cody Foster>morning the Netflix film dropped and there was a guy

0:20:55.220 --> 0:20:57.260
<v Alex Cody Foster>who's work with John in Belize and he said, Hey,

0:20:57.260 --> 0:20:59.840
<v Alex Cody Foster>I was there that night. I know exactly what happened.

0:21:00.320 --> 0:21:01.790
<v Alex Cody Foster>And I can tell you the full story. I've never

0:21:01.790 --> 0:21:04.480
<v Alex Cody Foster>told anybody why. And he said, Can I get a

0:21:04.490 --> 0:21:05.960
<v Alex Cody Foster>can I get you on the call? On a call?

0:21:05.960 --> 0:21:08.660
<v Alex Cody Foster>And I said, Yes. And I talked to him for

0:21:08.660 --> 0:21:13.010
<v Alex Cody Foster>an hour and 45 minutes, recorded the conversation. And I

0:21:13.010 --> 0:21:16.070
<v Alex Cody Foster>discuss the details of that conversation towards the end of

0:21:16.070 --> 0:21:16.550
<v Alex Cody Foster>this book.

0:21:17.210 --> 0:21:19.730
<v Joel Comm>Okay. Well, clearly, we're going to tell everybody, go get

0:21:19.730 --> 0:21:21.320
<v Joel Comm>the book. But I'm going to ask you for that

0:21:21.320 --> 0:21:23.840
<v Joel Comm>one story. Right. Here is the teaser, because it's going

0:21:23.840 --> 0:21:25.179
<v Joel Comm>to be the thing that everybody's going to be like.

0:21:25.190 --> 0:21:26.540
<v Joel Comm>I got to read the rest of what he's got

0:21:26.540 --> 0:21:26.990
<v Joel Comm>to say.

0:21:27.260 --> 0:21:29.840
<v Travis Wright>Mm hmm. And I guess it surprised you. I'm surprised

0:21:29.840 --> 0:21:32.360
<v Travis Wright>that after Belize, when he was on the run, like

0:21:32.359 --> 0:21:34.550
<v Travis Wright>he didn't end up going to Panama or something. You're

0:21:34.550 --> 0:21:34.820
<v Travis Wright>the one.

0:21:34.820 --> 0:21:36.439
<v Joel Comm>You son of a bitch. You got it in. I

0:21:36.440 --> 0:21:37.250
<v Joel Comm>was going to get that.

0:21:38.420 --> 0:21:40.369
<v Travis Wright>Y got to be a son of a bitch. Yeah,

0:21:40.400 --> 0:21:41.000
<v Travis Wright>I'm the one.

0:21:41.390 --> 0:21:42.440
<v Joel Comm>I don't know. Stay frosty.

0:21:42.440 --> 0:21:44.390
<v Travis Wright>Travis. Okay. I'm sorry. So? So.

0:21:45.320 --> 0:21:47.149
<v Joel Comm>Yeah, go ahead. Talk, Alex.

0:21:47.420 --> 0:21:49.699
<v Alex Cody Foster>You want to answer? So it's sort of a long story.

0:21:49.700 --> 0:21:51.230
<v Alex Cody Foster>I'm going to have to give you the short version.

0:21:51.770 --> 0:21:52.570
<v Joel Comm>Bridget for us.

0:21:52.580 --> 0:21:57.139
<v Alex Cody Foster>Sure. Essentially, this guy was there. John admitted to him

0:21:57.530 --> 0:22:00.740
<v Alex Cody Foster>what had happened because, you know, John's dogs were poisoned.

0:22:00.740 --> 0:22:04.189
<v Alex Cody Foster>So this man went with John? No, sorry. John was

0:22:04.220 --> 0:22:08.180
<v Alex Cody Foster>with the girls and stuff. He used to spend on average,

0:22:08.180 --> 0:22:10.280
<v Alex Cody Foster>like 2 hours, one or 2 hours a night with

0:22:10.280 --> 0:22:12.870
<v Alex Cody Foster>each girl in their various rooms on the property. So

0:22:12.869 --> 0:22:14.359
<v Alex Cody Foster>what the guy said, you know.

0:22:14.359 --> 0:22:14.990
<v Travis Wright>Daddy.

0:22:15.390 --> 0:22:17.960
<v Alex Cody Foster>He had a big time. And so at some point.

0:22:18.170 --> 0:22:20.510
<v Travis Wright>How much stamina for him to spend an hour with

0:22:20.510 --> 0:22:23.550
<v Travis Wright>you that I'm going to come over here and that's ass.

0:22:23.600 --> 0:22:24.170
<v Alex Cody Foster>I mean, that's.

0:22:24.430 --> 0:22:24.650
<v Travis Wright>What.

0:22:24.740 --> 0:22:27.050
<v Joel Comm>It seems. The woman that he was like, you know,

0:22:27.050 --> 0:22:28.910
<v Joel Comm>I think I'm hot, the teacher. And he was.

0:22:28.910 --> 0:22:32.660
<v Travis Wright>Talking about like, I'm going to them get it because

0:22:32.660 --> 0:22:36.470
<v Travis Wright>everybody wants to get a library for John McAfee for sure.

0:22:37.369 --> 0:22:39.920
<v Alex Cody Foster>We had a librarian face to That was a funny story.

0:22:40.310 --> 0:22:45.800
<v Alex Cody Foster>So he he his dogs are poison. He was really pissed. Obviously.

0:22:45.900 --> 0:22:52.000
<v Alex Cody Foster>Wouldn't be and. Anyway, my guy, he said that he

0:22:52.000 --> 0:22:56.140
<v Alex Cody Foster>saw tracks in the sand and they led to Gregory

0:22:56.140 --> 0:22:59.260
<v Alex Cody Foster>Falls House. He followed the tracks in the sand from

0:22:59.260 --> 0:23:01.960
<v Alex Cody Foster>where all the dogs were poisoned and vomiting, blood and dying.

0:23:02.440 --> 0:23:04.180
<v Alex Cody Foster>And he followed them all the way to grandma's house.

0:23:04.180 --> 0:23:06.399
<v Alex Cody Foster>And he told John, Hey, look, I'm not saying he

0:23:06.400 --> 0:23:09.070
<v Alex Cody Foster>did it, but I found the tracks leading right to

0:23:09.070 --> 0:23:11.889
<v Alex Cody Foster>his house, and it's around the same time. The prints

0:23:11.890 --> 0:23:15.129
<v Alex Cody Foster>are still fresh because the waves had receded, so the

0:23:15.130 --> 0:23:18.010
<v Alex Cody Foster>sand was wet. You could tell that the prints refreshed,

0:23:18.790 --> 0:23:21.399
<v Alex Cody Foster>which indicated that it was in the same time frame

0:23:21.490 --> 0:23:25.050
<v Alex Cody Foster>and therefore John was pissed. John thought it was great.

0:23:25.330 --> 0:23:28.629
<v Alex Cody Foster>He did it. And so anyway.

0:23:28.720 --> 0:23:31.630
<v Travis Wright>He went vigilante on their ass right there. What was

0:23:31.630 --> 0:23:34.150
<v Travis Wright>new around the. What was the deal about Greg False parrot.

0:23:34.600 --> 0:23:37.650
<v Travis Wright>Is it because he had a parrot? Yeah. It's something

0:23:37.660 --> 0:23:39.670
<v Travis Wright>that he. That dog that night of the dog. Kill

0:23:39.670 --> 0:23:41.170
<v Travis Wright>the parrot or something? I don't remember.

0:23:41.320 --> 0:23:44.230
<v Alex Cody Foster>I didn't really hear much about the parrot, except that

0:23:44.650 --> 0:23:46.600
<v Alex Cody Foster>one of the dogs freaked out and tried to get

0:23:46.600 --> 0:23:49.720
<v Alex Cody Foster>at it and upset Greg because, you know, that was

0:23:49.720 --> 0:23:51.909
<v Alex Cody Foster>his best friend right there on the shoulder. So he's like, What?

0:23:52.090 --> 0:23:53.170
<v Alex Cody Foster>All right, get out of here.

0:23:53.200 --> 0:23:55.180
<v Travis Wright>He was a true pirate. They're hanging out in Belize

0:23:55.180 --> 0:23:56.199
<v Travis Wright>with his parents and stuff.

0:23:56.619 --> 0:23:58.740
<v Alex Cody Foster>I guess so. I don't really know what happened there.

0:23:58.790 --> 0:24:02.540
<v Alex Cody Foster>That's a good question. But. So the end of that

0:24:02.540 --> 0:24:05.959
<v Alex Cody Foster>story is that John was always with the girls every night.

0:24:06.500 --> 0:24:08.989
<v Alex Cody Foster>Every night that the guy worked with, John was like

0:24:09.020 --> 0:24:10.970
<v Alex Cody Foster>about a month at this point. He was working with him.

0:24:11.450 --> 0:24:16.310
<v Alex Cody Foster>And the night of false murder, he wasn't there. John

0:24:16.310 --> 0:24:21.020
<v Alex Cody Foster>was completely unaccounted for, which was strange. And anyway, he

0:24:21.020 --> 0:24:24.310
<v Alex Cody Foster>got on the phone with a guy. You got on

0:24:24.310 --> 0:24:27.639
<v Alex Cody Foster>the phone with the guy before John? I'm sorry. Before

0:24:27.640 --> 0:24:30.100
<v Alex Cody Foster>Greg was murdered that morning, he said, I don't fucking

0:24:30.100 --> 0:24:32.740
<v Alex Cody Foster>care where you are. You get on like Tropicana Air

0:24:32.770 --> 0:24:36.160
<v Alex Cody Foster>and you get your ass here right now. Right fucking now.

0:24:36.430 --> 0:24:41.830
<v Alex Cody Foster>And he hung up. And the next day, the next day,

0:24:41.830 --> 0:24:45.850
<v Alex Cody Foster>Eddie McCoy shows up and my guys introduced John as

0:24:45.850 --> 0:24:52.250
<v Alex Cody Foster>a low. And anyway, he. Like I said that. The

0:24:52.250 --> 0:24:55.730
<v Alex Cody Foster>next morning after Gregory Falls murdered, he saw this commotion

0:24:56.150 --> 0:24:58.560
<v Alex Cody Foster>and John was playing in the pool with Samantha and

0:24:58.760 --> 0:25:02.240
<v Alex Cody Foster>laughing and just like throwing a beach ball or something,

0:25:02.250 --> 0:25:04.610
<v Alex Cody Foster>having a grand old time while all this crazy commotion

0:25:04.609 --> 0:25:07.070
<v Alex Cody Foster>was going on up next door. And my guy went

0:25:07.070 --> 0:25:08.840
<v Alex Cody Foster>over to him and he said, Hey, John, I think

0:25:09.140 --> 0:25:13.040
<v Alex Cody Foster>something happened to that guy, Greg, you know, And John

0:25:13.580 --> 0:25:16.220
<v Alex Cody Foster>kind of like lowered his head and he was like, Yeah,

0:25:16.550 --> 0:25:18.619
<v Alex Cody Foster>and he was just supposed to scare him. He wasn't

0:25:18.619 --> 0:25:23.040
<v Alex Cody Foster>supposed to shoot him. And, you know, my guy went

0:25:23.090 --> 0:25:25.040
<v Alex Cody Foster>wide eyed. He's like, I'm going to go to my

0:25:25.040 --> 0:25:27.470
<v Alex Cody Foster>room now. So he went to his room. Eventually, he

0:25:27.470 --> 0:25:29.480
<v Alex Cody Foster>got arrested, along with some of the other members of

0:25:29.490 --> 0:25:33.740
<v Alex Cody Foster>the household. John went on the run, etc.. And I

0:25:33.740 --> 0:25:37.520
<v Alex Cody Foster>think his name is Cashin told my guy that not

0:25:37.520 --> 0:25:41.540
<v Alex Cody Foster>only had John ordered the hit, but he had also

0:25:41.540 --> 0:25:45.409
<v Alex Cody Foster>ordered the hit on an unnamed American expat in the

0:25:45.410 --> 0:25:47.990
<v Alex Cody Foster>south of Belize. So it was yet another guy who

0:25:47.990 --> 0:25:51.620
<v Alex Cody Foster>John had killed. And then there's David Middleton. There is

0:25:51.619 --> 0:25:53.840
<v Alex Cody Foster>in my book profile that John admitted to me. There's

0:25:53.840 --> 0:25:57.530
<v Alex Cody Foster>a white lobster guy, white lobsters, cocaine that washes up

0:25:57.530 --> 0:26:00.199
<v Alex Cody Foster>on shore because that's how they do some of their

0:26:00.200 --> 0:26:03.560
<v Alex Cody Foster>drug runs. They they tie him to booze, kilos and

0:26:03.560 --> 0:26:06.500
<v Alex Cody Foster>kilos of cocaine. If they get dislodged, they wash up

0:26:06.500 --> 0:26:09.949
<v Alex Cody Foster>on shore and villagers or something take anything that they're dead.

0:26:10.400 --> 0:26:14.600
<v Alex Cody Foster>And some white lobster guy thought John had stolen his cocaine,

0:26:14.600 --> 0:26:16.910
<v Alex Cody Foster>which is oxymoronic because John was a millionaire and had

0:26:16.910 --> 0:26:20.389
<v Alex Cody Foster>all the cocaine he could want. So John had to

0:26:20.390 --> 0:26:21.409
<v Alex Cody Foster>have him killed as well.

0:26:21.950 --> 0:26:24.199
<v Travis Wright>And then they got how many people do you think

0:26:24.770 --> 0:26:27.650
<v Travis Wright>reached met their maker as a result of John magazine?

0:26:29.000 --> 0:26:32.450
<v Alex Cody Foster>If if everything told to me is true and B five,

0:26:32.600 --> 0:26:35.360
<v Alex Cody Foster>and that is if John did, in fact kill his father,

0:26:35.359 --> 0:26:37.520
<v Alex Cody Foster>which was told to me, I'm not going to say

0:26:37.520 --> 0:26:39.500
<v Alex Cody Foster>that I proved that I didn't. But it was told

0:26:39.500 --> 0:26:41.899
<v Alex Cody Foster>to me in confidence. And so that would be five

0:26:41.900 --> 0:26:43.460
<v Alex Cody Foster>people to get around.

0:26:43.460 --> 0:26:45.740
<v Joel Comm>John And you're like, Somebody get me a doctor.

0:26:47.750 --> 0:26:48.379
<v Alex Cody Foster>And so he.

0:26:48.380 --> 0:26:50.300
<v Travis Wright>Got me here on this one. I'm I'm a little

0:26:50.300 --> 0:26:53.330
<v Travis Wright>I'm a little shooken up, you know. So I guess

0:26:53.330 --> 0:26:55.310
<v Travis Wright>technically six because he offed himself.

0:26:56.030 --> 0:26:57.139
<v Alex Cody Foster>Right? Allegedly.

0:26:57.680 --> 0:26:58.710
<v Travis Wright>Which is to.

0:26:58.760 --> 0:27:02.000
<v Joel Comm>A great question. You know, we had Janis on the show.

0:27:02.000 --> 0:27:05.629
<v Joel Comm>I asked so many questions, actually, because Janis was hardly

0:27:05.630 --> 0:27:08.230
<v Joel Comm>in the documentary. And I learned about, you know, this

0:27:08.240 --> 0:27:12.350
<v Joel Comm>this other woman, Samantha Herrera, that you were hanging out

0:27:12.350 --> 0:27:16.550
<v Joel Comm>with and that you're along with and like. So. All right,

0:27:16.820 --> 0:27:19.609
<v Joel Comm>first question then is about the girls that come on

0:27:19.609 --> 0:27:22.639
<v Joel Comm>to share for those who are watching the video. This

0:27:22.640 --> 0:27:26.030
<v Joel Comm>is the the article that I pulled up here on

0:27:26.330 --> 0:27:30.080
<v Joel Comm>prime time recom netflix john mcafee doc filmmakers accused of

0:27:30.080 --> 0:27:34.400
<v Joel Comm>questionable tactics because in the film samantha and you could

0:27:34.400 --> 0:27:37.190
<v Joel Comm>see on the video for those you're watching which shows

0:27:37.190 --> 0:27:40.460
<v Joel Comm>is one of his girlfriends. At the end of it,

0:27:40.820 --> 0:27:45.380
<v Joel Comm>she says she got a call from Texas from saying

0:27:45.470 --> 0:27:48.860
<v Joel Comm>that from John and saying that he was still alive.

0:27:48.859 --> 0:27:53.419
<v Joel Comm>This was after he was allegedly. And but I guess

0:27:53.420 --> 0:27:58.790
<v Joel Comm>she said this was taken out of context. So first

0:27:58.790 --> 0:28:04.760
<v Joel Comm>question is about that and then your opinion, because Janis

0:28:04.760 --> 0:28:07.100
<v Joel Comm>says they've not seen the body yet, is there a

0:28:07.100 --> 0:28:10.460
<v Joel Comm>chance that he's still alive and just in hiding?

0:28:11.790 --> 0:28:15.390
<v Alex Cody Foster>So about that. I'm not really sure how you can

0:28:15.390 --> 0:28:18.690
<v Alex Cody Foster>take that quote out of context. When you ask someone explicitly,

0:28:18.690 --> 0:28:22.350
<v Alex Cody Foster>do you think he's still alive? And then she says explicitly,

0:28:22.350 --> 0:28:26.250
<v Alex Cody Foster>I received a call. Weeks after his death. I mean,

0:28:26.460 --> 0:28:28.949
<v Alex Cody Foster>the context is already there. The context came out of

0:28:28.950 --> 0:28:31.439
<v Alex Cody Foster>her own mouth. So I'm really not sure what the

0:28:31.440 --> 0:28:32.350
<v Alex Cody Foster>argument is there.

0:28:32.369 --> 0:28:36.389
<v Joel Comm>Well, what she said is here I got a call

0:28:36.390 --> 0:28:39.750
<v Joel Comm>from Texas from someone saying it was John who said

0:28:39.750 --> 0:28:40.830
<v Joel Comm>he was still alive.

0:28:41.220 --> 0:28:42.300
<v Alex Cody Foster>Oh, I could see that.

0:28:42.540 --> 0:28:44.640
<v Joel Comm>I would have filmmakers that I didn't know if it

0:28:44.640 --> 0:28:47.100
<v Joel Comm>was him or someone posing as him. I said that

0:28:47.100 --> 0:28:48.900
<v Joel Comm>on the film, but it wasn't used.

0:28:49.350 --> 0:28:52.469
<v Travis Wright>So I got a call from someone in Texas, not

0:28:52.470 --> 0:28:53.280
<v Travis Wright>a call from just.

0:28:53.490 --> 0:28:56.630
<v Joel Comm>Clint claiming they were John. And I'm thinking, you know what?

0:28:56.640 --> 0:28:59.820
<v Joel Comm>You would know his voice. How would you not know?

0:29:00.210 --> 0:29:02.670
<v Travis Wright>And you wouldn't be in Texas. He wouldn't be in Texas?

0:29:02.940 --> 0:29:04.980
<v Alex Cody Foster>No, no, of course not. Even he would not go

0:29:04.980 --> 0:29:06.990
<v Alex Cody Foster>back to America. The one place that he was worried

0:29:06.990 --> 0:29:09.870
<v Alex Cody Foster>about getting extradited to, he would be in the Far

0:29:09.870 --> 0:29:11.490
<v Alex Cody Foster>East somewhere looking like a king.

0:29:12.480 --> 0:29:13.200
<v Travis Wright>But the body.

0:29:13.410 --> 0:29:15.240
<v Joel Comm>Has not been turned over yet.

0:29:15.480 --> 0:29:16.050
<v Alex Cody Foster>Well, I'll tell you.

0:29:16.680 --> 0:29:17.820
<v Joel Comm>Yeah. What's going on here?

0:29:17.850 --> 0:29:20.370
<v Alex Cody Foster>I'll give you some more context there. And, you know,

0:29:20.370 --> 0:29:22.500
<v Alex Cody Foster>she had any doubts whatsoever? I don't think I would

0:29:22.500 --> 0:29:27.060
<v Alex Cody Foster>have brought it up myself. In the weeks after John died.

0:29:27.570 --> 0:29:31.110
<v Alex Cody Foster>I got a telegram notification, said John. Mark is join Telegram.

0:29:31.630 --> 0:29:32.620
<v Alex Cody Foster>I thought, What the fuck?

0:29:34.260 --> 0:29:34.770
<v Travis Wright>That was so.

0:29:34.770 --> 0:29:37.050
<v Alex Cody Foster>Weird. Yeah, because I still had John's number and I

0:29:37.050 --> 0:29:40.170
<v Alex Cody Foster>wrote to the guy, woman, whomever, and I said, Hey,

0:29:40.190 --> 0:29:42.390
<v Alex Cody Foster>you know, you're using a dead guy's phone right now.

0:29:42.390 --> 0:29:45.170
<v Alex Cody Foster>Who are you? And he read the message. Didn't respond.

0:29:45.300 --> 0:29:47.510
<v Alex Cody Foster>I think it was a few hours later that the

0:29:47.550 --> 0:29:50.970
<v Alex Cody Foster>account was deleted. So I thought maybe that was Janice

0:29:50.970 --> 0:29:54.240
<v Alex Cody Foster>who had the the phone. Maybe it was the feds.

0:29:55.440 --> 0:29:57.810
<v Alex Cody Foster>Maybe it was John. I don't know. And I'll never know.

0:29:57.900 --> 0:29:58.920
<v Alex Cody Foster>And I'm okay with that.

0:29:59.410 --> 0:30:02.790
<v Joel Comm>So. So you don't know. You don't have feelings. Maybe

0:30:02.790 --> 0:30:04.320
<v Joel Comm>he's dead, and maybe he's not.

0:30:04.350 --> 0:30:06.570
<v Alex Cody Foster>I have feelings. Yeah, I believe he's dead, for sure.

0:30:06.930 --> 0:30:10.200
<v Alex Cody Foster>You do? Yeah. I mean, he died 2 hours after

0:30:10.200 --> 0:30:12.570
<v Alex Cody Foster>it was announced that he was going to be extradited

0:30:12.570 --> 0:30:16.740
<v Alex Cody Foster>to America, where he was facing serious charges. And given

0:30:16.740 --> 0:30:18.480
<v Alex Cody Foster>what he knew, at least what he told me, that

0:30:18.480 --> 0:30:22.230
<v Alex Cody Foster>he knew, he probably could have started singing like a

0:30:22.230 --> 0:30:25.170
<v Alex Cody Foster>bird and gotten a community sentence. And maybe certain people

0:30:25.170 --> 0:30:26.880
<v Alex Cody Foster>were afraid that he was going to do that. So

0:30:26.880 --> 0:30:27.240
<v Alex Cody Foster>they had to.

0:30:27.240 --> 0:30:30.060
<v Joel Comm>But allegedly there was a dead switch anyway, that all

0:30:30.060 --> 0:30:33.150
<v Joel Comm>this information that, you know, his room has all of

0:30:33.150 --> 0:30:37.740
<v Joel Comm>this and what's been released. So was that all bogus?

0:30:37.740 --> 0:30:38.800
<v Joel Comm>He didn't have anything.

0:30:38.820 --> 0:30:41.280
<v Alex Cody Foster>We talked about his Deadman's switch a few times. In fact,

0:30:41.280 --> 0:30:45.000
<v Alex Cody Foster>it's in the book, too. And he mentioned I asked him,

0:30:45.000 --> 0:30:47.160
<v Alex Cody Foster>you know, after he told me some crazy things, like

0:30:47.160 --> 0:30:49.140
<v Alex Cody Foster>he had built up a backdoor in his software to

0:30:49.140 --> 0:30:51.600
<v Alex Cody Foster>spy on everyone. I asked him, John, why don't you

0:30:51.600 --> 0:30:54.000
<v Alex Cody Foster>release this information? He said, Because if I do, I'm

0:30:54.000 --> 0:30:55.520
<v Alex Cody Foster>a dead man. But when I was.

0:30:55.550 --> 0:30:57.140
<v Travis Wright>On D.O.A., baby. Yeah, yeah.

0:30:57.540 --> 0:30:59.850
<v Alex Cody Foster>He said, But when I do die, whether it's by

0:30:59.850 --> 0:31:03.350
<v Alex Cody Foster>accident or it's natural causes or it's not an accident,

0:31:03.360 --> 0:31:06.390
<v Alex Cody Foster>he said this information will be released out. He told

0:31:06.390 --> 0:31:09.000
<v Alex Cody Foster>me it was in the it was in law offices,

0:31:09.000 --> 0:31:12.090
<v Alex Cody Foster>like five different law offices all around the world with

0:31:12.090 --> 0:31:16.380
<v Alex Cody Foster>trusted lawyers who were going to bring that material forward.

0:31:16.380 --> 0:31:18.290
<v Alex Cody Foster>And he said it was with other people as well.

0:31:18.300 --> 0:31:21.360
<v Alex Cody Foster>And he didn't tell me who. But, you know, we

0:31:21.360 --> 0:31:24.120
<v Alex Cody Foster>talked about it at one point. And he did mention,

0:31:24.120 --> 0:31:26.580
<v Alex Cody Foster>you know, I said to them, why are you afraid?

0:31:26.580 --> 0:31:28.140
<v Alex Cody Foster>You know, these people are going to kill you. And

0:31:28.140 --> 0:31:30.570
<v Alex Cody Foster>he said, Well, Alex, what if there's this tactical operation

0:31:30.930 --> 0:31:35.070
<v Alex Cody Foster>and everybody, you know, hits my dead men, switches my

0:31:35.070 --> 0:31:38.640
<v Alex Cody Foster>locations at once, they take them, they get the word out,

0:31:38.640 --> 0:31:41.100
<v Alex Cody Foster>they say, Yeah, 15 minutes. We got all of them.

0:31:41.400 --> 0:31:44.130
<v Alex Cody Foster>Let's take them out and then kill me. He said,

0:31:44.130 --> 0:31:46.140
<v Alex Cody Foster>I won't know what the fuck is going on. I

0:31:46.140 --> 0:31:49.350
<v Alex Cody Foster>won't know it will be. You know what? Nobody's going

0:31:49.350 --> 0:31:51.010
<v Alex Cody Foster>to let me know if they get all of them.

0:31:51.010 --> 0:31:53.729
<v Alex Cody Foster>And once they take them all at once, then I'm

0:31:53.730 --> 0:31:54.060
<v Alex Cody Foster>a dead.

0:31:56.690 --> 0:31:58.400
<v Travis Wright>Wow. It's out. You got to watch out for that

0:31:58.400 --> 0:32:01.430
<v Travis Wright>mean streak. I'll tell you what. You know, watching this

0:32:01.430 --> 0:32:04.100
<v Travis Wright>thing and again, as George said, you got to watch

0:32:04.400 --> 0:32:09.320
<v Travis Wright>this documentary. The book just came out today. And the documentary,

0:32:09.320 --> 0:32:11.420
<v Travis Wright>what about about an hour and a half or so?

0:32:13.190 --> 0:32:15.860
<v Travis Wright>Take a look at it. Watch it in the end

0:32:15.860 --> 0:32:18.650
<v Travis Wright>of what's going on, because John McAfee was on a

0:32:18.650 --> 0:32:21.110
<v Travis Wright>wild ride, folks. He was on a while.

0:32:21.230 --> 0:32:23.300
<v Joel Comm>Here's the book, by the way. The book is titled

0:32:23.300 --> 0:32:27.020
<v Joel Comm>Different The Man Who Hacked the World A Ghostwriters Descent

0:32:27.020 --> 0:32:32.090
<v Joel Comm>into Madness with John Malcolm's date, November 15th, 2022. I

0:32:32.090 --> 0:32:33.739
<v Joel Comm>don't know who else has bought it, but I'm going

0:32:33.740 --> 0:32:36.950
<v Joel Comm>to go ahead and support right now. You guys don't

0:32:36.950 --> 0:32:39.260
<v Joel Comm>need to see my password to log in and stuff,

0:32:39.260 --> 0:32:41.240
<v Joel Comm>but I'm going to go ahead and pick up a

0:32:41.240 --> 0:32:43.940
<v Joel Comm>copy here and have it shipped to Puerto Rico, because

0:32:43.940 --> 0:32:45.350
<v Joel Comm>it sounds like an amazing read.

0:32:45.680 --> 0:32:47.090
<v Alex Cody Foster>Thanks, man. I appreciate that.

0:32:48.180 --> 0:32:51.000
<v Joel Comm>Maybe. Maybe I'm number one who.

0:32:51.000 --> 0:32:54.510
<v Travis Wright>But I think that you are an atomic punk. I'm

0:32:54.510 --> 0:32:55.050
<v Travis Wright>saying that.

0:32:55.380 --> 0:32:57.209
<v Alex Cody Foster>It's been on pre-sale for a couple of months, and

0:32:57.210 --> 0:32:59.280
<v Alex Cody Foster>I guess it's in the top 5% of sales or

0:32:59.280 --> 0:33:01.550
<v Alex Cody Foster>something that they've ever had. And just because.

0:33:01.560 --> 0:33:02.640
<v Joel Comm>The surprise me.

0:33:02.850 --> 0:33:03.780
<v Alex Cody Foster>Doesn't surprise.

0:33:03.780 --> 0:33:05.520
<v Joel Comm>Me, I mean, it's that they've ever.

0:33:05.520 --> 0:33:06.030
<v Travis Wright>Had.

0:33:06.630 --> 0:33:08.970
<v Alex Cody Foster>Yeah, that's yeah, it's in the history of the publisher.

0:33:09.120 --> 0:33:10.740
<v Alex Cody Foster>So I guess it's mostly.

0:33:10.740 --> 0:33:11.370
<v Travis Wright>To my brother.

0:33:12.460 --> 0:33:14.770
<v Alex Cody Foster>I guess so. I don't know. We'll see if it sucks.

0:33:15.160 --> 0:33:16.480
<v Alex Cody Foster>Maybe it does. Who knows?

0:33:16.930 --> 0:33:17.270
<v Travis Wright>I don't know.

0:33:17.410 --> 0:33:19.030
<v Joel Comm>I mean, it sure doesn't.

0:33:19.420 --> 0:33:21.250
<v Travis Wright>Yeah, I'm sure it does. Anything else you'd like folks

0:33:21.250 --> 0:33:24.170
<v Travis Wright>to know about John McAfee in this crazy journey you

0:33:24.170 --> 0:33:24.520
<v Travis Wright>were on?

0:33:25.330 --> 0:33:28.060
<v Alex Cody Foster>Shit. I don't know. That's a that's a big question.

0:33:30.160 --> 0:33:33.430
<v Joel Comm>We're like, big questions. The bad crypto podcast, because we're

0:33:33.430 --> 0:33:36.430
<v Joel Comm>human beings, humans being. Isn't that the title?

0:33:36.490 --> 0:33:40.270
<v Travis Wright>Human human being is being. How many have we covered?

0:33:40.280 --> 0:33:41.440
<v Travis Wright>We've got at least 20.

0:33:41.740 --> 0:33:43.530
<v Joel Comm>I don't know. Somebody out there is counting. Maybe.

0:33:44.470 --> 0:33:46.690
<v Alex Cody Foster>And if you guys need like a ticker every time

0:33:46.690 --> 0:33:50.410
<v Alex Cody Foster>the reference that's made with like Eddie Van Halen's face

0:33:50.410 --> 0:33:53.050
<v Alex Cody Foster>popping up, you know, like rocking out, you should do that.

0:33:53.050 --> 0:33:53.470
<v Travis Wright>I can.

0:33:54.910 --> 0:33:56.890
<v Joel Comm>Stage swing it across and battle.

0:33:56.920 --> 0:33:59.920
<v Alex Cody Foster>It. Well, yeah, I can answer that question with a

0:34:00.100 --> 0:34:04.480
<v Alex Cody Foster>hopefully half decent answer. So John is one of those

0:34:04.480 --> 0:34:07.660
<v Alex Cody Foster>rare people in the world who is unquantifiable. You can't

0:34:07.660 --> 0:34:11.080
<v Alex Cody Foster>ever solve the mystery of John. I spent 430 pages

0:34:11.080 --> 0:34:12.910
<v Alex Cody Foster>trying to do so, and I spent six months with

0:34:12.910 --> 0:34:15.609
<v Alex Cody Foster>him and have more time with him than any other writer.

0:34:15.610 --> 0:34:19.720
<v Alex Cody Foster>Representative Media and I still barely scratched the surface because

0:34:19.719 --> 0:34:23.529
<v Alex Cody Foster>he is so adding back. So I was was so brilliant.

0:34:23.570 --> 0:34:27.250
<v Alex Cody Foster>I was so disturbed. You know, he's he's probably going

0:34:27.250 --> 0:34:29.500
<v Alex Cody Foster>to be an enduring mystery. And I think that's why people.

0:34:30.840 --> 0:34:33.150
<v Alex Cody Foster>You know, have flocked to the film and why people

0:34:33.150 --> 0:34:36.740
<v Alex Cody Foster>are buying the book because they love mysteries. And you

0:34:36.780 --> 0:34:37.770
<v Alex Cody Foster>got one here with John.

0:34:40.180 --> 0:34:43.630
<v Joel Comm>That is. That is for sure. So when we had Janis,

0:34:43.630 --> 0:34:47.620
<v Joel Comm>you know, we've assumed that Janice's, his wife, did. Now,

0:34:47.620 --> 0:34:49.899
<v Joel Comm>I don't know if legally at least you know by

0:34:49.900 --> 0:34:53.529
<v Joel Comm>the state if that's true or not. But I did

0:34:53.530 --> 0:34:57.160
<v Joel Comm>not realize that he had this other girlfriend. And like,

0:34:57.160 --> 0:34:59.380
<v Joel Comm>what were the dynamics of that? Were they there at

0:34:59.380 --> 0:35:02.979
<v Joel Comm>the same time, or was there a crossover where he

0:35:02.980 --> 0:35:05.470
<v Joel Comm>was no longer with Samantha and he was with Janice?

0:35:06.100 --> 0:35:08.150
<v Alex Cody Foster>So that was before my time. But I know the story,

0:35:08.150 --> 0:35:11.380
<v Alex Cody Foster>and this is 2012. John was with five or six

0:35:11.620 --> 0:35:14.320
<v Alex Cody Foster>younger girls at that period of time, and he went

0:35:14.320 --> 0:35:17.109
<v Alex Cody Foster>to Miami and he was at the News Cafe and

0:35:17.110 --> 0:35:18.009
<v Alex Cody Foster>he met James on top.

0:35:18.010 --> 0:35:20.140
<v Travis Wright>Of the world, Miami, four or five women at the

0:35:20.140 --> 0:35:20.800
<v Travis Wright>same time.

0:35:21.790 --> 0:35:23.680
<v Alex Cody Foster>He was having a ball, but he met Janice. And

0:35:24.880 --> 0:35:26.560
<v Alex Cody Foster>I don't know if you would call it love, but

0:35:26.560 --> 0:35:28.940
<v Alex Cody Foster>they had something that. I've never.

0:35:29.210 --> 0:35:31.430
<v Travis Wright>Seen before. I want to love all five at the

0:35:31.430 --> 0:35:34.040
<v Travis Wright>same time. You know what? God bless you, John.

0:35:34.190 --> 0:35:36.649
<v Joel Comm>He saw her and he was like, Oh, pretty woman.

0:35:36.739 --> 0:35:39.469
<v Alex Cody Foster>Mm hmm. Then, you know, you got to understand in

0:35:39.469 --> 0:35:42.920
<v Alex Cody Foster>this relates to the question earlier about Sam's. He had

0:35:42.920 --> 0:35:46.130
<v Alex Cody Foster>promised Sam the world. He promised her uncle he was

0:35:46.130 --> 0:35:47.719
<v Alex Cody Foster>going to marry her. He promised her he was going

0:35:47.719 --> 0:35:50.650
<v Alex Cody Foster>to marry her because she came from like a you know,

0:35:50.660 --> 0:35:53.630
<v Alex Cody Foster>from poverty. Right. She she wanted a life and a

0:35:53.630 --> 0:35:55.880
<v Alex Cody Foster>future with him. And then he met Janis and he

0:35:55.880 --> 0:35:58.790
<v Alex Cody Foster>threw it all away. He didn't ever go back to Sam.

0:35:59.210 --> 0:36:02.719
<v Alex Cody Foster>And so that's what happened. And I think it's partly

0:36:02.719 --> 0:36:04.730
<v Alex Cody Foster>why she brought that up in the movie is she

0:36:04.730 --> 0:36:07.550
<v Alex Cody Foster>wanted to hold on to some last little piece of

0:36:07.550 --> 0:36:10.560
<v Alex Cody Foster>John that she had, even if it was fabricated. You know,

0:36:10.700 --> 0:36:14.000
<v Alex Cody Foster>and maybe it was like a slight a slight to Janis,

0:36:14.010 --> 0:36:17.510
<v Alex Cody Foster>you know, like he called me, not you, you know,

0:36:17.510 --> 0:36:19.820
<v Alex Cody Foster>like he he called me saying he want to run

0:36:19.820 --> 0:36:24.770
<v Alex Cody Foster>away with me. But, you know, in my opinion, John

0:36:24.770 --> 0:36:27.049
<v Alex Cody Foster>left a lot of people. He abandoned a lot of people.

0:36:27.050 --> 0:36:29.540
<v Alex Cody Foster>He actually did hurt a lot of people. And she

0:36:29.540 --> 0:36:30.850
<v Alex Cody Foster>was one of them, you know.

0:36:31.610 --> 0:36:33.560
<v Travis Wright>Left a lot of people wanting him to finish what

0:36:33.560 --> 0:36:37.250
<v Travis Wright>he started. And he just not doing that. Wow. I'll

0:36:37.270 --> 0:36:41.330
<v Travis Wright>tell you what's a wild, wild, wild story. And now

0:36:41.330 --> 0:36:44.270
<v Travis Wright>you got a book coming out today and you can

0:36:44.270 --> 0:36:46.219
<v Travis Wright>learn a little bit more about that, I would say.

0:36:46.219 --> 0:36:47.060
<v Travis Wright>Bottoms up, brother.

0:36:47.510 --> 0:36:50.120
<v Joel Comm>Yeah. If you haven't seen the documentary yet, go to

0:36:50.120 --> 0:36:54.049
<v Joel Comm>Netflix and watch Running with the Devil. It's an amazing documentary.

0:36:54.080 --> 0:36:59.359
<v Joel Comm>You can see Alex's website at Alex Foster Ghostwriter dot com.

0:36:59.630 --> 0:37:02.900
<v Joel Comm>And then the book, The Man Who Hacked the World. See,

0:37:02.900 --> 0:37:05.330
<v Joel Comm>there's the proof. You purchased a hardcover form out of

0:37:05.330 --> 0:37:08.850
<v Joel Comm>this today. A ghost rider. Descent into Madness with John McAfee.

0:37:08.870 --> 0:37:12.950
<v Joel Comm>And just a quick note here that as a ghostwriter

0:37:12.950 --> 0:37:17.480
<v Joel Comm>for many years, you have a course ghostwriting university dot com.

0:37:17.719 --> 0:37:20.540
<v Joel Comm>If you want to find out how to get paid

0:37:20.780 --> 0:37:24.230
<v Joel Comm>to write words and do stuff. Alex's got that here

0:37:24.230 --> 0:37:26.920
<v Joel Comm>as well. So I recommend you guys go check it out.

0:37:26.930 --> 0:37:30.350
<v Joel Comm>There is definitely big business and writing for other people.

0:37:30.890 --> 0:37:35.180
<v Joel Comm>I should know because I've used ghostwriters multiple times for,

0:37:35.480 --> 0:37:38.089
<v Joel Comm>for my words as well. You know, you can you

0:37:38.090 --> 0:37:41.480
<v Joel Comm>can take your the concepts from the subject of the

0:37:41.480 --> 0:37:45.200
<v Joel Comm>book and have somebody who's more disciplined and better at

0:37:45.200 --> 0:37:49.730
<v Joel Comm>paragraphs and punctuation put it all together for you a weave,

0:37:49.730 --> 0:37:53.630
<v Joel Comm>a narrative. And at least on my books, I always

0:37:53.630 --> 0:37:55.580
<v Joel Comm>go in and make sure, Yep, I would say it

0:37:55.580 --> 0:37:58.430
<v Joel Comm>like that. Or no, that's I didn't. I wouldn't mean that.

0:37:58.430 --> 0:38:00.080
<v Joel Comm>I would never say that. This is what I said.

0:38:00.080 --> 0:38:03.560
<v Joel Comm>Make sure that it's accurate. But it saves a lot

0:38:03.560 --> 0:38:06.410
<v Joel Comm>of time, especially if, you know, I can I can

0:38:06.410 --> 0:38:10.070
<v Joel Comm>pound out an article in no time, sit me down

0:38:10.070 --> 0:38:12.350
<v Joel Comm>on my laptop and you want a thousand words on

0:38:12.350 --> 0:38:14.750
<v Joel Comm>whatever the topic is. I'm like, But tell me, I

0:38:14.750 --> 0:38:18.259
<v Joel Comm>got to write 50,000 words and I just like, I

0:38:18.260 --> 0:38:20.060
<v Joel Comm>want to shoot myself. I just, you know.

0:38:20.480 --> 0:38:22.550
<v Travis Wright>That's what we were talking about it. Yeah, you were

0:38:22.550 --> 0:38:26.870
<v Travis Wright>talking about recording your voice, interviewing with the person that's there,

0:38:26.870 --> 0:38:29.750
<v Travis Wright>actually your words, how you transcribe your words. Here are

0:38:29.750 --> 0:38:32.540
<v Travis Wright>my words. Put them together coherently and I'll go back.

0:38:32.540 --> 0:38:34.310
<v Travis Wright>And that's the smart way to do it. I actually

0:38:34.310 --> 0:38:36.680
<v Travis Wright>when I wrote my book, I used I used Google

0:38:36.680 --> 0:38:40.050
<v Travis Wright>Docs and and spoke my book and then it translated

0:38:40.050 --> 0:38:42.020
<v Travis Wright>it really easily. Then I went back in and edit.

0:38:42.770 --> 0:38:45.680
<v Joel Comm>I learned that from Alex Mendoza, an Internet marketer, many

0:38:45.680 --> 0:38:48.170
<v Joel Comm>years ago. He called it writing at the speed of

0:38:48.170 --> 0:38:52.729
<v Joel Comm>sound where you dictate your book and then transcribe it

0:38:52.730 --> 0:38:55.820
<v Joel Comm>and then work through it. So Alex, what would you

0:38:55.820 --> 0:38:59.570
<v Joel Comm>say to aspiring ghostwriters out there?

0:38:59.989 --> 0:39:04.219
<v Alex Cody Foster>It's the best kept secret of the literary industry. You know, 80%

0:39:04.580 --> 0:39:07.339
<v Alex Cody Foster>of nonfiction books are written by people like me, and

0:39:07.700 --> 0:39:10.069
<v Alex Cody Foster>it's an amazing job. It doesn't really feel like a job.

0:39:10.160 --> 0:39:12.529
<v Alex Cody Foster>You know, you travel the world, you meet fascinating people.

0:39:12.860 --> 0:39:14.720
<v Alex Cody Foster>You make really good money. If you're great at what

0:39:14.719 --> 0:39:17.300
<v Alex Cody Foster>you do, make a quarter million a year, half a

0:39:17.300 --> 0:39:21.200
<v Alex Cody Foster>million a year. You know, I just partnered with James

0:39:21.200 --> 0:39:24.200
<v Alex Cody Foster>Patterson's co-author, and we're going to start spearheading a new

0:39:24.200 --> 0:39:27.469
<v Alex Cody Foster>fiction series and try to emulate James Patterson's writing empire.

0:39:27.710 --> 0:39:30.710
<v Travis Wright>Yes, he's amazing. He's amazing. I read the John Lennon

0:39:30.950 --> 0:39:34.370
<v Travis Wright>book that basically that went in that whole process of

0:39:34.370 --> 0:39:38.779
<v Travis Wright>John Lennon. And then the parallel universe was Mark David Chapman.

0:39:39.050 --> 0:39:41.420
<v Travis Wright>And it talked about how John Lennon has gone through

0:39:41.420 --> 0:39:42.980
<v Travis Wright>the Beatles. And I was there and at the same

0:39:42.980 --> 0:39:45.980
<v Travis Wright>time a million things. And then here's Mark David Chapman,

0:39:45.980 --> 0:39:48.550
<v Travis Wright>and then they collided on the street of noon. It

0:39:48.600 --> 0:39:52.009
<v Travis Wright>was it was one of the best books that I've

0:39:52.070 --> 0:39:54.560
<v Travis Wright>sort of read as a nonfiction, sort of a real

0:39:54.560 --> 0:39:57.710
<v Travis Wright>story about a sad topic, because I was John Lennon

0:39:57.710 --> 0:40:00.290
<v Travis Wright>would have been around these last 40 years also as

0:40:00.290 --> 0:40:02.989
<v Travis Wright>Jimi Hendrix would have been around to everybody else. Condi.

0:40:02.989 --> 0:40:06.020
<v Travis Wright>But those two are really shit.

0:40:06.020 --> 0:40:07.460
<v Alex Cody Foster>I didn't even know about that book. I got to

0:40:07.460 --> 0:40:08.030
<v Alex Cody Foster>check it out.

0:40:08.210 --> 0:40:09.500
<v Travis Wright>That's called Let's Get It Right.

0:40:09.890 --> 0:40:11.930
<v Joel Comm>Everybody else can buy you What are you live on

0:40:11.930 --> 0:40:12.560
<v Joel Comm>Main Street?

0:40:12.680 --> 0:40:15.620
<v Travis Wright>Traverse is everybody is going to die eventually. Joel I

0:40:15.620 --> 0:40:17.569
<v Travis Wright>don't know if you know that, but eventually nobody makes

0:40:17.570 --> 0:40:19.560
<v Travis Wright>it off of this rock like that. Hey, Alex Smith.

0:40:19.969 --> 0:40:21.859
<v Travis Wright>And it's true. I want to say thank you. This

0:40:21.860 --> 0:40:23.810
<v Travis Wright>interview was not great, but it was good enough.

0:40:24.590 --> 0:40:28.870
<v Alex Cody Foster>Good? As long as I wasn't bad, I. So I

0:40:28.870 --> 0:40:30.930
<v Alex Cody Foster>figured it would be a good analogy.

0:40:31.390 --> 0:40:33.730
<v Joel Comm>I just want to say pound cake.

0:40:34.739 --> 0:40:35.550
<v Alex Cody Foster>I will eat some.

0:40:37.320 --> 0:40:39.700
<v Joel Comm>I didn't even count the number of Van Halen references.

0:40:39.719 --> 0:40:42.419
<v Joel Comm>There's a lot. Maybe you guys can write us back

0:40:42.570 --> 0:40:47.160
<v Joel Comm>or podcasts at gmail.com and let us know how many

0:40:47.160 --> 0:40:50.370
<v Joel Comm>songs we reference. Feel free to list them all out.

0:40:50.820 --> 0:40:53.700
<v Travis Wright>Mm hmm. Yeah. Or tweet us. I think that that

0:40:53.700 --> 0:40:57.509
<v Travis Wright>there's at least there's at least 25.

0:40:57.950 --> 0:41:00.980
<v Joel Comm>Yeah. Yeah, there's a lot. We pulled them.

0:41:01.030 --> 0:41:02.910
<v Travis Wright>Some of them you probably don't even. Even. They might

0:41:02.910 --> 0:41:04.859
<v Travis Wright>not have said because we were pretty smooth on how

0:41:05.100 --> 0:41:07.980
<v Travis Wright>we set them. Ours was obvious that we were dropping

0:41:07.980 --> 0:41:11.390
<v Travis Wright>a reference, but that's just the way it is. Who?

0:41:11.580 --> 0:41:13.620
<v Travis Wright>Who was better cast, as is.

0:41:14.070 --> 0:41:15.779
<v Joel Comm>David Lee Roth or Sammy Hagar?

0:41:16.830 --> 0:41:19.739
<v Travis Wright>Oh, you know, I think both of them have their

0:41:20.100 --> 0:41:23.580
<v Travis Wright>their pick one. You have to pick one. Well, it

0:41:23.580 --> 0:41:27.000
<v Travis Wright>would always be David Lee Roth. Of course, Van Halen

0:41:27.000 --> 0:41:30.420
<v Travis Wright>wasn't Van Halen until I mean, David Lee Roth was there.

0:41:30.420 --> 0:41:33.450
<v Travis Wright>And like those first seven albums were amazing and they

0:41:33.450 --> 0:41:35.339
<v Travis Wright>dropped or six albums or whatever it is they just

0:41:35.340 --> 0:41:39.690
<v Travis Wright>dropped and boom, boom, 78, 79, 80, 81, 82, 83.

0:41:40.110 --> 0:41:42.780
<v Travis Wright>Almost every year they drop one, which is where they

0:41:42.780 --> 0:41:47.839
<v Travis Wright>were never number one until 1984, or they was almost

0:41:48.030 --> 0:41:50.489
<v Travis Wright>number one in 1984. And they didn't quite because like

0:41:50.700 --> 0:41:55.590
<v Travis Wright>Michael Jackson or something. But then then Van Hagar happens

0:41:55.590 --> 0:41:57.420
<v Travis Wright>and then they get a bunch of number ones. I

0:41:57.420 --> 0:42:00.330
<v Travis Wright>think that's just a result of all the hard work

0:42:00.330 --> 0:42:02.850
<v Travis Wright>they put in. Now, I do think that Dave got

0:42:02.850 --> 0:42:05.520
<v Travis Wright>his big ego in place and he was he was

0:42:05.520 --> 0:42:07.800
<v Travis Wright>having a lot of fun making these videos and he says,

0:42:07.800 --> 0:42:09.840
<v Travis Wright>You know what? I want to go do my own

0:42:09.840 --> 0:42:14.070
<v Travis Wright>thing and be Hollywood, Dave, and do all these videos and.

0:42:14.670 --> 0:42:16.469
<v Travis Wright>And then he just had a really big ego. And

0:42:16.469 --> 0:42:18.000
<v Travis Wright>I could see why they kicked him out because his

0:42:18.000 --> 0:42:20.700
<v Travis Wright>head was huge. Even whenever they brought him back after

0:42:20.700 --> 0:42:24.509
<v Travis Wright>they let Hagar go and he came back for a

0:42:24.510 --> 0:42:27.870
<v Travis Wright>tour and he was This is my night is all

0:42:27.870 --> 0:42:30.719
<v Travis Wright>about me, you know, and it's not. And they kicked

0:42:30.719 --> 0:42:33.120
<v Travis Wright>him out again and they got Gary to run. And

0:42:33.120 --> 0:42:36.299
<v Travis Wright>then finally they brought him back. After Dave, his ego

0:42:36.450 --> 0:42:40.620
<v Travis Wright>was released. The best showman, one of the best, if

0:42:40.620 --> 0:42:44.590
<v Travis Wright>not the best showman in rock and roll. David Lee Roth. Now,

0:42:44.610 --> 0:42:50.490
<v Travis Wright>I do think that Mick Jagger, amazing, probably the best,

0:42:50.790 --> 0:42:54.930
<v Travis Wright>but holy shit, like Van Halen's as a live guy who.

0:42:55.410 --> 0:42:59.700
<v Joel Comm>Yeah, I think Sammy was a suitable replacement, but Van

0:42:59.700 --> 0:43:03.420
<v Joel Comm>Hagar was not better than the original Van.

0:43:03.420 --> 0:43:06.120
<v Travis Wright>Halen, and maybe he sold more albums there during that

0:43:06.120 --> 0:43:11.160
<v Travis Wright>time or had higher ratings. But overall, David Lee Roth

0:43:11.160 --> 0:43:12.090
<v Travis Wright>is spectacular.

0:43:12.390 --> 0:43:14.339
<v Joel Comm>So as long as we were talking about John McAfee,

0:43:14.340 --> 0:43:17.790
<v Joel Comm>we still have in the Bad Crypto Nifty Club some

0:43:17.790 --> 0:43:23.190
<v Joel Comm>of these exclusive classic clips from our first interview with

0:43:23.190 --> 0:43:27.719
<v Joel Comm>John McAfee. There's only seven or five of each of these,

0:43:27.930 --> 0:43:31.380
<v Joel Comm>and you can own a classic clip, John, speaking on

0:43:31.380 --> 0:43:34.630
<v Joel Comm>the threat of artificial intelligence. These are video clips, cell

0:43:34.739 --> 0:43:38.580
<v Joel Comm>phone security, the magic of Bitcoin, million dollar Bitcoin. If

0:43:38.580 --> 0:43:41.700
<v Joel Comm>you go to bed, crypto dot uncut dot FM, you

0:43:41.700 --> 0:43:46.530
<v Joel Comm>need to own the the bad crypto membership in order

0:43:46.530 --> 0:43:49.440
<v Joel Comm>to have access to these apps. And I'm showing our

0:43:49.440 --> 0:43:51.900
<v Joel Comm>show notes right there. That's a little behind the scenes.

0:43:52.590 --> 0:43:55.719
<v Joel Comm>The one that you're looking for is this right here,

0:43:55.739 --> 0:44:01.740
<v Joel Comm>the bad crypto nifty club for $2.21, which is .002

0:44:01.739 --> 0:44:04.529
<v Joel Comm>ethe pick that up and then you get access to

0:44:04.530 --> 0:44:07.830
<v Joel Comm>our other nfts as well. And that'd be fun for

0:44:07.830 --> 0:44:08.370
<v Joel Comm>you guys to have.

0:44:08.489 --> 0:44:10.080
<v Travis Wright>I'd say keep an eye on that space because there's

0:44:10.080 --> 0:44:11.430
<v Travis Wright>going to be some new stuff that's going to be

0:44:11.430 --> 0:44:15.989
<v Travis Wright>popping up in that. As bad crypto community grows into

0:44:15.989 --> 0:44:18.390
<v Travis Wright>a collective as we're working with those guys and uncut,

0:44:18.400 --> 0:44:20.189
<v Travis Wright>hopefully they're able to deliver on some of the things

0:44:20.190 --> 0:44:22.560
<v Travis Wright>that they're talking about. If so, that space could get

0:44:22.560 --> 0:44:24.390
<v Travis Wright>a lot cooler and we'll be able to do a

0:44:24.390 --> 0:44:27.630
<v Travis Wright>lot more fun stuff over there. So we've also been.

0:44:27.989 --> 0:44:31.529
<v Joel Comm>Checking the inbox of our voicemail and have downloaded a

0:44:31.530 --> 0:44:33.570
<v Joel Comm>bunch of voicemails which we're going to be playing in

0:44:33.570 --> 0:44:36.060
<v Joel Comm>an upcoming episode. If you want to be in that

0:44:36.060 --> 0:44:39.979
<v Joel Comm>fan show, then call us and leave us a voicemail.

0:44:39.989 --> 0:44:50.070
<v Joel Comm>Take down this number of the bad crypto hotline. 7888590307088859 30.

0:44:50.070 --> 0:44:52.230
<v Joel Comm>And if you didn't write it down there, hit the

0:44:52.230 --> 0:44:55.320
<v Joel Comm>rewind thing on your Spotify or iTunes. It goes back

0:44:55.320 --> 0:44:58.200
<v Joel Comm>15 seconds and you can hear it again. Leave us

0:44:58.200 --> 0:45:00.150
<v Joel Comm>a voicemail. Tell us what you like. Tell us what

0:45:00.160 --> 0:45:03.180
<v Joel Comm>you don't like to tell us. A corn joke. Tell

0:45:03.180 --> 0:45:05.340
<v Joel Comm>us to stay bad. Whatever it is you want to do,

0:45:05.340 --> 0:45:09.270
<v Joel Comm>ask us a question, give us feedback. Seven, eight, eight, eight, eight, five, 90, 30,

0:45:09.480 --> 0:45:12.000
<v Joel Comm>and maybe you will make it in for your big

0:45:12.000 --> 0:45:16.340
<v Joel Comm>moment on a future episode of the Bad Crypto Podcast. Episode.

0:45:16.350 --> 0:45:19.300
<v Travis Wright>You know, your moment, your moment in the Sun. I

0:45:19.320 --> 0:45:21.509
<v Travis Wright>you know what? We really appreciate you tuning in. You know,

0:45:21.510 --> 0:45:25.110
<v Travis Wright>leave a review if you can, if you haven't already, because,

0:45:25.140 --> 0:45:28.350
<v Travis Wright>you know, the algorithms love the reviews and so do we,

0:45:28.350 --> 0:45:31.860
<v Travis Wright>especially when they're funny. So if they're four stars, five stars,

0:45:31.860 --> 0:45:34.239
<v Travis Wright>you know, And stars, Eight stars.

0:45:35.150 --> 0:45:39.529
<v Joel Comm>It's all good as long as you review and as

0:45:39.530 --> 0:45:41.060
<v Joel Comm>long as you stay back.

0:45:53.100 --> 0:45:58.710
<v Travis Wright>A group Whose band?

0:46:00.500 --> 0:46:04.130
<v Joel Comm>The Bad Crypto podcast is a production of Bad Crypto LLC.

0:46:04.310 --> 0:46:07.040
<v Joel Comm>The content of the show, the videos and the website

0:46:07.040 --> 0:46:11.149
<v Joel Comm>is provided for educational, informational and entertainment purposes only. It's

0:46:11.150 --> 0:46:15.080
<v Joel Comm>not intended to be and does not constitute financial investment

0:46:15.080 --> 0:46:18.110
<v Joel Comm>or trading advice of any kind. You shouldn't make any

0:46:18.110 --> 0:46:21.770
<v Joel Comm>decisions as to finances, investing, trading or anything else based

0:46:21.770 --> 0:46:26.299
<v Joel Comm>on this information without undertaking independent due diligence in consultation

0:46:26.300 --> 0:46:29.719
<v Joel Comm>with a professional financial advisor. Please understand that the trading

0:46:29.719 --> 0:46:34.759
<v Joel Comm>of Bitcoins and alternative cryptocurrencies have potential risks involved. Anyone

0:46:34.760 --> 0:46:37.190
<v Joel Comm>wishing to invest in any of the currencies or tokens

0:46:37.190 --> 0:46:40.520
<v Joel Comm>mentioned on this podcast should first seek their own independent

0:46:40.520 --> 0:46:48.680
<v Joel Comm>professional financial advisor. Have you seen Junior's grades?

0:46:49.610 --> 0:46:56.810
<v Travis Wright>To be so great. We are.

0:46:57.050 --> 0:46:58.040
<v Joel Comm>So good.

0:46:58.640 --> 0:47:00.290
<v Travis Wright>Grade over. You know, I.

0:47:00.290 --> 0:47:05.330
<v Joel Comm>Remember hearing those songs when they were new because I

0:47:05.330 --> 0:47:09.440
<v Joel Comm>was listening to AM FM radio, when I remember when

0:47:09.440 --> 0:47:10.549
<v Joel Comm>Van Halen first came.

0:47:10.550 --> 0:47:12.469
<v Travis Wright>Out and I was This.

0:47:12.469 --> 0:47:14.149
<v Joel Comm>Rocks, and then you would just look forward.

0:47:14.160 --> 0:47:15.229
<v Travis Wright>If anyone's got a new.

0:47:15.230 --> 0:47:17.120
<v Joel Comm>Album, you'd hear. And I got to tell you, when

0:47:17.120 --> 0:47:20.780
<v Joel Comm>Jump came out, I was not impressed. I thought, Oh,

0:47:20.840 --> 0:47:24.920
<v Joel Comm>they're going synth. Like everybody else in the eighties. And

0:47:24.920 --> 0:47:28.460
<v Joel Comm>Jump is not Jump is fun, but it doesn't rock

0:47:28.460 --> 0:47:30.920
<v Joel Comm>the way earlier stuff does.

0:47:31.489 --> 0:47:32.990
<v Travis Wright>Mm hmm. Oh, I think that was the some getting

0:47:32.989 --> 0:47:35.690
<v Travis Wright>a little Hollywood. They started thinking about what can we

0:47:35.690 --> 0:47:38.990
<v Travis Wright>do for our videos, what can we do to do

0:47:39.550 --> 0:47:41.750
<v Travis Wright>to remain relevant and think about it? You know, that's

0:47:41.810 --> 0:47:43.760
<v Travis Wright>they've been doing it for a while. They're like, you

0:47:43.760 --> 0:47:46.989
<v Travis Wright>don't you're not guaranteed to have a super long career

0:47:47.000 --> 0:47:49.520
<v Travis Wright>any time you're off. But they were launching what what

0:47:49.520 --> 0:47:51.710
<v Travis Wright>I loved about it and there's a really good documentary

0:47:51.710 --> 0:47:56.540
<v Travis Wright>on Amazon Prime about Van Halen. It talks about those

0:47:56.540 --> 0:48:00.290
<v Travis Wright>early years. So Van Halen got together in like 71

0:48:00.290 --> 0:48:05.660
<v Travis Wright>of 72, and they were just playing backyards and, you know,

0:48:06.020 --> 0:48:08.180
<v Travis Wright>doing stuff on the Hollywood strip and stuff for a

0:48:08.180 --> 0:48:13.940
<v Travis Wright>long time. And then actually Gene Simmons of KISS was

0:48:13.940 --> 0:48:16.100
<v Travis Wright>going to sign them and they put together a record

0:48:16.100 --> 0:48:19.100
<v Travis Wright>and demo, and he took it to New York and

0:48:19.100 --> 0:48:20.840
<v Travis Wright>they did a live it wherever he took it. You

0:48:20.840 --> 0:48:23.540
<v Travis Wright>didn't like Van Halen and so sorry, you know, they

0:48:23.540 --> 0:48:26.120
<v Travis Wright>didn't get signed, but then later they got signed. And

0:48:26.120 --> 0:48:29.070
<v Travis Wright>their whole album, I mean, Hail on one is just spectacular.

0:48:29.070 --> 0:48:32.210
<v Travis Wright>If you've never heard it before, put it on Spotify

0:48:32.210 --> 0:48:34.940
<v Travis Wright>or on on your YouTube, put your headphones on and

0:48:34.940 --> 0:48:37.940
<v Travis Wright>just listen to that album for the first time. It'll

0:48:37.940 --> 0:48:40.040
<v Travis Wright>blow you away. It's such a great debut album.

0:48:40.760 --> 0:48:45.350
<v Joel Comm>Eddie Van Halen. Rest in peace. You are officially unchained.