WEBVTT - Trask's Time Tunnel - 1963 - Kevin Trask with Simon and Andrew - 01 Jun, 2025

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<v Speaker 1>Kevin Trask's Time Tunnel beat the price rise with the

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<v Speaker 1>Blind Factory. Call one three blinds Now for expert advice,

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<v Speaker 1>unbeatable deals and a lifetime guarantee.

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<v Speaker 2>It's time to go back and remember the people, events

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<v Speaker 2>and music to the soundtrack of our lives with Trasks

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<v Speaker 2>Time Titel.

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<v Speaker 3>Yes, it is time for the time tunnel on th

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<v Speaker 3>early on. Remember when the Sunday Night with Kevin orts

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<v Speaker 3>pivotal year for me? I see too, We're about to

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<v Speaker 3>enter the year that I come to prim allergers, and

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<v Speaker 3>I'll leave it at that. I think.

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<v Speaker 4>Didn't lead to chargers or.

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<v Speaker 3>No, no, thank you, none of your sort of showber's muckiness.

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<v Speaker 3>No no, I just gave myself to the limbo in

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<v Speaker 3>that particular year, and I found myself down at the

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<v Speaker 3>Elwood Beach doing limbo competition anyway, Kevin nineteen sixty three,

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<v Speaker 3>what's the matter?

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<v Speaker 4>I can't pull?

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<v Speaker 5>I tried to do the limbo. The limbo snick finally

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<v Speaker 5>breake me back.

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<v Speaker 3>Oh no, no, I was something of a master of limbo.

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<v Speaker 4>You must have been very fit.

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<v Speaker 3>The crime, incredibly supple.

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<v Speaker 4>He was so good. I've seen pictures. He was so good.

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<v Speaker 4>The only thing that stopped him being the world champion

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<v Speaker 4>was the fact that his male Yeah.

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<v Speaker 5>We just sort of the bar said really, okay, nineteen

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<v Speaker 5>sixty three, Oh, you're going to crime right there brought back.

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<v Speaker 4>Oh would love to have seen that.

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<v Speaker 3>It's a bittersweet, buddy, It's bitter sweet.

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<v Speaker 4>Look, do you want me to get a stick.

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<v Speaker 5>Out and see if you's no, we're going to do

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<v Speaker 5>the time tunnel. Well, it's sixty two years ago, nineteen

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<v Speaker 5>sixty three, and the event was the release of the

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<v Speaker 5>film It's a Mad, Mad, Mad Mad World, almost Mister

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<v Speaker 5>Mad then an American comedy film.

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<v Speaker 3>I love this for wonderful movie.

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<v Speaker 5>Yeah, terrific and my fabulous cast.

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<v Speaker 3>It had everyone in it.

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<v Speaker 5>Everyone you can imagine at that time was in it.

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<v Speaker 5>You had Buddy you hack At, Milton Ball, Sid Caesar

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<v Speaker 5>ethel Merman, Dorothy pra Ncer, Tracy Spencer, Tracy was the lead,

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<v Speaker 5>and Mickey Rooney was in it.

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<v Speaker 4>Everybody was in it.

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<v Speaker 5>And it was in cinerama, which is you know, the

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<v Speaker 5>plans a picture theater underneath the region down up there

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<v Speaker 5>in the colin straight down there. That was the cinerama

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<v Speaker 5>screen that operated there. So they only played it there

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<v Speaker 5>and it was on for months and months and months

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<v Speaker 5>and months. And all those Cinerama films were terrific because

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<v Speaker 5>they had the three screen process with three projectors, there's

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<v Speaker 5>massive screen.

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<v Speaker 4>You felt like you were in the film.

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<v Speaker 5>But this particular one, It's a Mad, Mad, Mad Mad World,

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<v Speaker 5>was a great comedy and I spoke to Dorothy Provine.

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<v Speaker 5>She played ethel Merman's daughter in it. She came to

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<v Speaker 5>Australia in nineteen sixty one when Frank Sinatra as part

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<v Speaker 5>of his tour.

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<v Speaker 4>I only went to Sydney, of course.

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<v Speaker 5>But she has passed on now. I thought she was lovely,

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<v Speaker 5>didn't you.

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<v Speaker 3>Yeah, she was in a TV series called something.

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<v Speaker 5>Yes, it was called the Roaring Twenties, and she was pinky.

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<v Speaker 5>She was pinky in that and she sang a song

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<v Speaker 5>every week and she was marvelous.

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<v Speaker 3>She was rather good. And that's why she was here

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<v Speaker 3>with Frank. And that the only reason why she came

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<v Speaker 3>out with Frank.

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<v Speaker 4>I don't know.

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<v Speaker 5>They might have been out here to practice the limbo.

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<v Speaker 5>I wasn't exactly sure.

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<v Speaker 4>Judges guests, celebrity judges.

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<v Speaker 5>Yeah, so you could have should have kept that rear up.

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<v Speaker 5>He would much better than teaching.

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<v Speaker 3>Just stop talking about it. It still hurts, buddy.

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<v Speaker 4>Okay, mate, I'm terribly sorry. He is right there, mate,

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<v Speaker 4>you hit that bar rather hard. That's right, It's okay. Well,

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<v Speaker 4>here we are.

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<v Speaker 5>I'm talking to Dorothy Provine about the film It's a Mad, Mad,

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<v Speaker 5>Mad Mad Worlds.

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<v Speaker 2>In nineteen sixty three. You played opposite Milton Burle and

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<v Speaker 2>ethel Merman. Ethel Merman played the mother from Hell, one

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<v Speaker 2>of my favorite classic films. It's a Mad, Mad, Mad

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<v Speaker 2>Mad world You played the daughter, and I think Dick

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<v Speaker 2>Sewan played your brother.

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<v Speaker 6>What's your daughter?

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<v Speaker 3>What was it?

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<v Speaker 4>What were your memories of that one.

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<v Speaker 7>Chair?

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<v Speaker 6>That's the chair? Well, first of always wear desert and

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<v Speaker 6>uh for I didn't, I don't even remember how long.

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<v Speaker 6>And it was very hot and I'm not supposed to

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<v Speaker 6>go out in the sun. I got such a pale

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<v Speaker 6>skin and everything that that was a problem.

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<v Speaker 8>Uh.

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<v Speaker 6>A bunch of mad people, really, I liked. I liked everyone.

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<v Speaker 6>They were all funny, but they all would come to

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<v Speaker 6>me and tell me how everybody else was doing something wrong,

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<v Speaker 6>but they were they had it right. And I don't

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<v Speaker 6>know why they came to me, But Milton would come

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<v Speaker 6>and you know, different ways. It was very strange. They

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<v Speaker 6>were competitive, but then I must say a nice way.

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<v Speaker 6>No one really got mad or angry or anything.

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<v Speaker 4>But she was terrific, wasn't she very pretty girl? Yes?

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<v Speaker 3>And I remember it quite fondly. Not that she was

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<v Speaker 3>a huge star, but she did make any imistration.

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<v Speaker 5>Yes, And I reckon Ethel Murman would have stirred up

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<v Speaker 5>that cast because she was pretty tough, the old Ethel.

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<v Speaker 4>Yes, she was tough. Yes, absolutely quick Quiz time, Kevin Quick,

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<v Speaker 4>Quiz boys, Okay, are you ready? Yes.

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<v Speaker 5>Gun Smoke was a popular television series or western in

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<v Speaker 5>nineteen sixty three. It starred James RNs as Marshall Matt Dillon.

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<v Speaker 5>What was the name of the town where the series

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<v Speaker 5>was set. Was it A Dodge City, B, Tombstone, C,

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<v Speaker 5>Virginia City or D Santa Fe? Where was the series

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<v Speaker 5>Gun Smoke sets in that town that they were in

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<v Speaker 5>throughout the whole series for about ten seasons or something.

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<v Speaker 4>Well, I have no idea because I am too young

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<v Speaker 4>to remember.

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<v Speaker 3>I'm going to say my guess, Santa Fe. I think

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<v Speaker 3>it's the Western Fielder, Like, I don't really know the

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<v Speaker 3>answer at all. I saw the show a couple of

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<v Speaker 3>times there was Ben it.

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<v Speaker 4>I watched it all.

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<v Speaker 7>I know.

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<v Speaker 4>It was a hugely popular show. Remember, and mister Dylon,

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<v Speaker 4>let's go to I'm leaning toward Tombstone. Sound sort of cartoony,

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<v Speaker 4>and I just I'm going to agree with Simon on

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<v Speaker 4>Tombstone because I just think it's a great name in town,

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<v Speaker 4>and especially for a series like there was another TV

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<v Speaker 4>series called Tombstone Territory.

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<v Speaker 3>Of Moonstone Territory.

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<v Speaker 4>Up back where I want to be.

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<v Speaker 7>That was it.

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<v Speaker 3>So I don't think you're going to be right, because

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<v Speaker 3>they wouldn't have to.

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<v Speaker 5>Anything is possible in Hollywood.

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<v Speaker 4>Well, I'm going to leave it locked.

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<v Speaker 3>I've been overruled.

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<v Speaker 5>All right, we're ready.

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<v Speaker 4>So Ben and I are both going Tombstone. Andrew's going

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<v Speaker 4>Santa Fe.

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<v Speaker 5>Okay, Well it wasn't Virginia City, so that one was wrong. Sadly, Andrew,

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<v Speaker 5>it wasn't Santa Fe and Simon and Ben, I had

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<v Speaker 5>to break this news to you. But it wasn't Too Stone,

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<v Speaker 5>so no one got it.

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<v Speaker 4>It was Dodge City. Dodge City.

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<v Speaker 5>A lot of things happened in Dodge see that's right.

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<v Speaker 3>And later on, of course, it became famous for making cars.

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<v Speaker 5>Yes, of course, as you do.

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<v Speaker 4>Wonderful Now television should we get into television?

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<v Speaker 5>In nineteen sixty three on TV in nineteen sixty three,

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<v Speaker 5>we were watching the Danny Thomas Show, which was originally

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<v Speaker 5>Make Room for Daddy, and then they changed the title

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<v Speaker 5>and then they changed the cast and it was on

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<v Speaker 5>ABC Television and it starred Danny Thomas, so they called

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<v Speaker 5>it the Danny Thomas Show, the new series smart Move.

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<v Speaker 4>It was it's hard to write out the lead actor.

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<v Speaker 5>Then, Yeah, I was all filmed in black and white,

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<v Speaker 5>and he made a deal with Desilu's Studios to film

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<v Speaker 5>it there, which was the same studio as they used

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<v Speaker 5>for I Love Lucy with the three cameras and the

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<v Speaker 5>terrific filming. Marjorie Lawrence was Marjorie Lawrence. Marjorie Lord Lord. Yeah,

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<v Speaker 5>Marjorie Lord was the one who played the wife in

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<v Speaker 5>the show, Danny's wife. Yes, and Marjorie Lord died around

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<v Speaker 5>about twenty fifteen at the age of ninety seven, but

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<v Speaker 5>prior to that I spoke to her a little difficult Thomas.

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<v Speaker 9>It is starring Danny Thomas, also starring Marjorie or And

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<v Speaker 9>as his wife, Rusty Hammer and their son and John Cartwright.

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<v Speaker 4>As their daughter.

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<v Speaker 2>Well, you mentioned some of the guests you had on

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<v Speaker 2>that program, Marjorie, and I'd just like to touch on

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<v Speaker 2>a couple like Lucy or Ball and Desi Arnaires. You

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<v Speaker 2>had a lot, well, you appeared on their show and

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<v Speaker 2>there was quite a bit of direction with those too.

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<v Speaker 2>And one of your memories of Lucy o'bull and Dizzy on.

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<v Speaker 10>Is well I wrote about that a little bit in

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<v Speaker 10>my book. And Desi was quite brilliant that people didn't

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<v Speaker 10>realize that he really ran that Desilu studio. And I

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<v Speaker 10>was impressed that when he would rehearse the scene the

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<v Speaker 10>first time, you know, he had quite an accent, but

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<v Speaker 10>he never had to repeat it, and he'd come back

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<v Speaker 10>to do a second rehearsal, he'd know all the lines.

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<v Speaker 10>He never looked at the script. Lucy was the opposite.

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<v Speaker 10>She wanted to rehearse and rehearse and rehearse, and we did.

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<v Speaker 10>She liked to go over things, but she was brilliant.

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<v Speaker 10>She knew where every camera and where the house would

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<v Speaker 10>be lit, and how to move and when she was

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<v Speaker 10>with it, Daddy, you know, kind of let her make

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<v Speaker 10>all the decisions. She wanted to make Lucy was quite

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<v Speaker 10>serious in her personal life. She could be so funny,

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<v Speaker 10>but sometimes she'd be very open and friendly, and other

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<v Speaker 10>times she seemed to be preoccupied.

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<v Speaker 4>But she was a great artist, wonderful.

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<v Speaker 5>I loved Lucille Ball. I thought she was terrific. Yeah,

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<v Speaker 5>she could have made a little bit of a problem.

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<v Speaker 3>I was going to say, Mattrey Lord wasn't obviously that

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<v Speaker 3>fond of her.

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<v Speaker 4>Oh you didn't feel that from what she said?

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<v Speaker 3>No, I wasn't getting a gush of emotion the positive

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<v Speaker 3>emotion about him, was I?

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<v Speaker 4>No, No, that's true, that's true.

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<v Speaker 3>Anyway, we move on, Yes, Yes, that's okay.

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<v Speaker 5>Yes, And who remembers Alan Rowe and Kimbo?

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<v Speaker 3>That was Kimba.

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<v Speaker 4>Kimba was the white Lion.

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<v Speaker 3>Oh, yes, you get things a little bit, sup.

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<v Speaker 5>Was the contributions appreciated?

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<v Speaker 3>I'm going so well tonight. Kimbo the Koala. I don't

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<v Speaker 3>remember Elan Rowe? I don't do you remember him at all?

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<v Speaker 5>Did you watch the Tarak Show with Jerry g and

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<v Speaker 5>Ron Blasket and all those people? And Phil was for

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<v Speaker 5>Prince Philip?

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<v Speaker 4>Yes in it? And your uncle.

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<v Speaker 3>I was always funny when Jeff core competed because he

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<v Speaker 3>did it for adults. I felt he was actually playing.

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<v Speaker 4>Tonight.

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<v Speaker 3>He was doing it for eight year olds. But the

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<v Speaker 3>way he was speaking was really as a man who

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<v Speaker 3>would be comparing imt Yes, it was very funny that way.

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<v Speaker 5>Well, Eleanroe did a lot of acting.

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<v Speaker 3>He was I'm sorry, oh no, that's fine. I reached

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<v Speaker 3>the end of the ten.

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<v Speaker 5>And Allan Roe was a friend of mine and he

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<v Speaker 5>worked at GTV Channel nine for a number of years

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<v Speaker 5>in that Terek show. But here is Kimbo, the Koala,

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<v Speaker 5>Alan's faithful companion, and they're working together right now.

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<v Speaker 9>Tell me, Kimbo, what are you going to sing for

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<v Speaker 9>the girls and boys?

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<v Speaker 5>Now?

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<v Speaker 8>Well, I am going to sing two little songs I

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<v Speaker 8>wrote myself.

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<v Speaker 7>Two little songs you wrote yourself.

0:12:57.360 --> 0:12:59.600
<v Speaker 9>That's very clever of him, isn't it girls and boys

0:12:59.679 --> 0:13:01.160
<v Speaker 9>that can write songs?

0:13:01.559 --> 0:13:02.760
<v Speaker 2>What are they called, Kimbo?

0:13:03.320 --> 0:13:06.800
<v Speaker 8>Well, the first one is called I'm a Little Football Fan.

0:13:07.320 --> 0:13:09.720
<v Speaker 3>And what about the second one that's.

0:13:09.600 --> 0:13:11.800
<v Speaker 8>Called the Little Tug Song.

0:13:15.240 --> 0:13:17.360
<v Speaker 11>I'm a little on bull Man.

0:13:17.559 --> 0:13:19.280
<v Speaker 7>I'm as happy as can be.

0:13:20.360 --> 0:13:24.200
<v Speaker 8>I love to watch a football match, one sitting up

0:13:24.360 --> 0:13:27.040
<v Speaker 8>right dream when the whistle blows.

0:13:27.160 --> 0:13:28.720
<v Speaker 2>I always shout.

0:13:28.440 --> 0:13:30.240
<v Speaker 5>As lonely as I can.

0:13:31.000 --> 0:13:33.360
<v Speaker 11>You're holding them more drinking drinking.

0:13:33.600 --> 0:13:38.719
<v Speaker 8>Find a little football man. I'm a little football man.

0:13:38.920 --> 0:13:42.880
<v Speaker 8>I'm as happy as can be. I love to watch

0:13:42.960 --> 0:13:45.320
<v Speaker 8>a football match once hitting.

0:13:45.280 --> 0:13:46.160
<v Speaker 2>At my dream.

0:13:46.880 --> 0:13:49.920
<v Speaker 8>When the whistle blows, I always shout.

0:13:49.640 --> 0:13:54.680
<v Speaker 9>As long as I can, you're holding the more drinking drinking.

0:13:55.000 --> 0:13:57.319
<v Speaker 11>I'm a little o ballan.

0:13:59.520 --> 0:14:01.679
<v Speaker 4>I think we just found three a W's new footy

0:14:01.760 --> 0:14:04.280
<v Speaker 4>theme for next season. How good is that? To be good?

0:14:04.920 --> 0:14:05.680
<v Speaker 4>Isn't that wonderful?

0:14:05.720 --> 0:14:08.360
<v Speaker 5>Yes, Ellen unfortunately has passed on now, but I'm sure

0:14:08.360 --> 0:14:09.400
<v Speaker 5>he'd be happy for you to us.

0:14:09.760 --> 0:14:12.000
<v Speaker 4>So was that event act? So that was that Alan

0:14:12.080 --> 0:14:12.880
<v Speaker 4>doing both for? Yes?

0:14:12.960 --> 0:14:17.360
<v Speaker 5>Of course, Yes he's a ventriloquist and yeah, a very

0:14:17.360 --> 0:14:18.000
<v Speaker 5>good performer.

0:14:18.120 --> 0:14:20.320
<v Speaker 4>And why have I not heard of him until now?

0:14:21.000 --> 0:14:23.400
<v Speaker 4>Like Ron Blasket was the ventriloquist, I didn't know there

0:14:23.440 --> 0:14:23.920
<v Speaker 4>were others.

0:14:24.280 --> 0:14:27.000
<v Speaker 5>They got around, there were a few of them, a

0:14:27.080 --> 0:14:29.360
<v Speaker 5>few of them years. But he used to be in

0:14:29.480 --> 0:14:32.400
<v Speaker 5>the Panomimes, remember the Tarik Sure Panamimes used to do

0:14:32.520 --> 0:14:34.720
<v Speaker 5>them live on a Christmas time?

0:14:35.840 --> 0:14:38.520
<v Speaker 3>Not really. I wish I could say yes, but I can't.

0:14:38.800 --> 0:14:42.760
<v Speaker 3>You were in Victoria, Yes I was. I didn't. I

0:14:42.840 --> 0:14:45.840
<v Speaker 3>didn't watch the Tarik Show, just never seeing Jeff Cork occasionally.

0:14:46.360 --> 0:14:51.360
<v Speaker 3>I was a little too sophisticated for you, Kevin. Everything.

0:14:51.400 --> 0:14:53.480
<v Speaker 5>I watched the Test bat and I never missed anything.

0:14:53.560 --> 0:14:55.920
<v Speaker 4>A five year old Andrew would have been watching four

0:14:56.000 --> 0:14:58.800
<v Speaker 4>Corners on the ABC or something like that, sitting back

0:14:58.840 --> 0:15:03.320
<v Speaker 4>a smoking jackets, you know, with the watching Noel Coward plays,

0:15:03.480 --> 0:15:05.120
<v Speaker 4>reading the Financial Review.

0:15:04.960 --> 0:15:08.280
<v Speaker 3>That's all right, yeah, and discussing the equities of the world.

0:15:09.520 --> 0:15:15.200
<v Speaker 4>Okay, checking out his share portfolio, right, that's but it

0:15:15.320 --> 0:15:15.520
<v Speaker 4>was good.

0:15:15.560 --> 0:15:15.880
<v Speaker 3>I love that.

0:15:15.920 --> 0:15:17.280
<v Speaker 4>I thought that was really good. Good.

0:15:17.400 --> 0:15:18.200
<v Speaker 3>Yeah. Should we take a.

0:15:18.200 --> 0:15:23.120
<v Speaker 4>Break, I think so. We're in Trask's time tunnel and

0:15:23.200 --> 0:15:25.800
<v Speaker 4>we're about to look at the shows of nineteen sixty three.

0:15:26.320 --> 0:15:28.680
<v Speaker 5>Well, there's a new book out on Lee Gordon, who

0:15:28.800 --> 0:15:32.000
<v Speaker 5>was the American producer who bought the Big Stars to Australia,

0:15:32.000 --> 0:15:35.680
<v Speaker 5>and it's called Lee Gordon Presents by Jeff Apter and

0:15:35.760 --> 0:15:37.560
<v Speaker 5>it's available in all Good books shops.

0:15:37.880 --> 0:15:39.400
<v Speaker 4>Pete Smith told me about this book, and.

0:15:39.400 --> 0:15:40.560
<v Speaker 5>I'm going to have to get a copy of it

0:15:40.640 --> 0:15:42.880
<v Speaker 5>because I'm fascinated with all that because I was at

0:15:42.960 --> 0:15:45.880
<v Speaker 5>all those shows. Yes, straight after the Tarrek show. I'd

0:15:45.920 --> 0:15:47.560
<v Speaker 5>go straight down the Festival.

0:15:47.240 --> 0:15:49.520
<v Speaker 3>Hall get your tickets.

0:15:50.120 --> 0:15:52.160
<v Speaker 4>Tickets, he's going to be our guest on Sunday, the

0:15:52.280 --> 0:15:57.000
<v Speaker 4>sixth of July. Remembering to talk about the book, Oh marvelous.

0:15:57.080 --> 0:15:59.120
<v Speaker 5>Yeah, Oh that's true. I'm thrilled to bits to hear that.

0:16:00.040 --> 0:16:02.560
<v Speaker 5>Of course, the Lee Gordon Big Shows was where Johnny

0:16:02.600 --> 0:16:06.000
<v Speaker 5>O'Keeffe got his break and became famous. And I spoke

0:16:06.040 --> 0:16:10.040
<v Speaker 5>to pee Weee Wilson from the Daltons about Johnny O'Keeffe.

0:16:11.520 --> 0:16:21.560
<v Speaker 4>Ah, I'm counting.

0:16:28.240 --> 0:16:34.360
<v Speaker 1>Ever since we met, Darling, I've been keeping school.

0:16:36.760 --> 0:16:38.960
<v Speaker 2>It was a fabulous hero when you when you did

0:16:39.040 --> 0:16:42.720
<v Speaker 2>those Lee Gordon shows. I can still see the Dltons

0:16:42.720 --> 0:16:45.040
<v Speaker 2>and Johnny O'Keeffe on stage in my memory. But what

0:16:45.120 --> 0:16:46.840
<v Speaker 2>are your memories of working with Johnny o'keef.

0:16:47.440 --> 0:16:51.280
<v Speaker 7>Well, he was a most interesting character. Of course, as

0:16:51.360 --> 0:16:54.040
<v Speaker 7>we're in hindsight we look back on his on his

0:16:54.680 --> 0:16:57.880
<v Speaker 7>relatively short career, in the sense that he really was

0:16:57.960 --> 0:17:00.360
<v Speaker 7>a dynamic performer. There was something that all of us

0:17:00.440 --> 0:17:03.280
<v Speaker 7>in the in the up and coming artists in that

0:17:03.360 --> 0:17:06.480
<v Speaker 7>early period, we're looking towards Johnny Keith as a mentor,

0:17:06.560 --> 0:17:10.040
<v Speaker 7>and certainly he had a natural stagecraft. We never ever

0:17:10.160 --> 0:17:12.399
<v Speaker 7>viewed him. Has been one of the great singers of

0:17:12.680 --> 0:17:15.479
<v Speaker 7>of of the business, but certainly had all other those

0:17:15.480 --> 0:17:17.600
<v Speaker 7>spects going in. The one thing that we all admired

0:17:17.600 --> 0:17:20.399
<v Speaker 7>aboutbout him much was was his commitment to the business.

0:17:20.560 --> 0:17:56.280
<v Speaker 4>Just today, work, just just I love pee Weee Wilson

0:17:56.800 --> 0:17:59.600
<v Speaker 4>just adore me too. Yeah, I think it's again.

0:18:00.040 --> 0:18:01.639
<v Speaker 5>That was a great interview you did with him a

0:18:01.680 --> 0:18:03.600
<v Speaker 5>couple of months ago. Maybe it was last year.

0:18:03.760 --> 0:18:04.960
<v Speaker 4>I think it was late last year.

0:18:05.440 --> 0:18:07.240
<v Speaker 5>We'll have to get him on again here you will,

0:18:07.320 --> 0:18:09.159
<v Speaker 5>because he's full of stories and he's terrific.

0:18:09.640 --> 0:18:12.280
<v Speaker 3>Who tired in nineteen sixty three, KIV quite a few.

0:18:13.040 --> 0:18:21.560
<v Speaker 5>Sabo sat on top of the Elephants. Oh yes, Zazu, Pits,

0:18:21.720 --> 0:18:25.840
<v Speaker 5>Dick Powell, and Patsy Klein. Patsy Cline was killed in

0:18:26.040 --> 0:18:28.680
<v Speaker 5>a plane crash in nineteen sixty three.

0:18:29.160 --> 0:18:30.679
<v Speaker 4>She was at the peak of her career.

0:18:31.119 --> 0:18:33.760
<v Speaker 5>She was a country singer. She had a lot of hits.

0:18:34.240 --> 0:18:39.840
<v Speaker 5>She had a twang and her voice and a sober voice. Yeah,

0:18:40.400 --> 0:18:42.760
<v Speaker 5>and I thought she was terrific. And I love this

0:18:42.960 --> 0:18:46.000
<v Speaker 5>song by Patsy Cline, Crazy.

0:18:46.680 --> 0:19:05.920
<v Speaker 12>Crazy, I am crazy for villain. Slowly crazy, crazy for feeling.

0:19:06.880 --> 0:19:14.640
<v Speaker 7>So I love.

0:19:16.280 --> 0:19:25.880
<v Speaker 11>You, love me as love as as you wanted. I'm

0:19:25.960 --> 0:19:28.119
<v Speaker 11>a little someday.

0:19:29.720 --> 0:19:33.920
<v Speaker 12>You leave me for somebody new.

0:19:40.080 --> 0:19:40.520
<v Speaker 10>Worry?

0:19:43.560 --> 0:19:59.399
<v Speaker 11>Why do I let myself worry? Wondering what in the world?

0:20:00.240 --> 0:20:05.439
<v Speaker 3>Yeah, wonderful sounded.

0:20:06.320 --> 0:20:07.920
<v Speaker 5>Don't you love the backing chorus there?

0:20:08.880 --> 0:20:11.199
<v Speaker 4>Yeah, fantastic. Sorry, Andrew saying no, no, just.

0:20:11.240 --> 0:20:14.360
<v Speaker 3>What I just should mention too in passing that when

0:20:14.400 --> 0:20:16.879
<v Speaker 3>that plan crashed into the mountain, two other great country

0:20:16.920 --> 0:20:19.480
<v Speaker 3>stars died in the plane with the hawkshaw Hawkins and

0:20:19.520 --> 0:20:20.400
<v Speaker 3>Cowboy Cops.

0:20:21.119 --> 0:20:22.040
<v Speaker 4>I didn't know that.

0:20:22.200 --> 0:20:24.639
<v Speaker 3>Oh yeah, there were three of them lost to us

0:20:24.680 --> 0:20:28.040
<v Speaker 3>that day. All right, mystery voice, this is the most

0:20:28.160 --> 0:20:29.480
<v Speaker 3>challenging part for you.

0:20:30.440 --> 0:20:30.600
<v Speaker 7>Really.

0:20:30.760 --> 0:20:32.200
<v Speaker 4>I know you're worry about this from.

0:20:34.640 --> 0:20:37.119
<v Speaker 3>You know it starts on a Sunday morning. Oh no,

0:20:37.240 --> 0:20:38.719
<v Speaker 3>it's coming on the chills.

0:20:39.240 --> 0:20:39.440
<v Speaker 7>Yeah.

0:20:40.080 --> 0:20:43.480
<v Speaker 4>What I love, though, is the suspense that envelops Andrew

0:20:43.560 --> 0:20:47.120
<v Speaker 4>and it consumes him. Well, we take a break before

0:20:47.160 --> 0:20:51.000
<v Speaker 4>we get to it. It's mystery voice time. As Andrew

0:20:51.240 --> 0:20:54.200
<v Speaker 4>was discussing just prior to the break, Kevin Trask is

0:20:54.280 --> 0:20:56.000
<v Speaker 4>going to play us a mystery voice. We're going to

0:20:56.080 --> 0:20:57.800
<v Speaker 4>try and guess who it is and we want you

0:20:57.920 --> 0:21:00.440
<v Speaker 4>to do the same, but you answer by texting your

0:21:00.520 --> 0:21:04.280
<v Speaker 4>answer to us. Zero four double seven, six nine three

0:21:04.840 --> 0:21:07.639
<v Speaker 4>six ninety three is the number for you to text

0:21:08.400 --> 0:21:10.800
<v Speaker 4>Kevin is do we have a clue? Do we have

0:21:10.880 --> 0:21:11.320
<v Speaker 4>a clue?

0:21:11.800 --> 0:21:14.200
<v Speaker 5>It's a male The boys watch.

0:21:14.040 --> 0:21:16.560
<v Speaker 4>The girls while the girls watch the boys who watched

0:21:16.560 --> 0:21:17.560
<v Speaker 4>the Girls go by?

0:21:20.040 --> 0:21:20.439
<v Speaker 7>I do.

0:21:22.280 --> 0:21:24.960
<v Speaker 9>Less all of it to be to make this scene,

0:21:25.920 --> 0:21:26.359
<v Speaker 9>which is.

0:21:26.400 --> 0:21:28.960
<v Speaker 4>The name of the game, Watch a guy watch a

0:21:29.080 --> 0:21:31.080
<v Speaker 4>team on It is three to tip.

0:21:33.240 --> 0:21:37.960
<v Speaker 1>Up and down, head over any cross romans.

0:21:37.880 --> 0:21:38.399
<v Speaker 13>Is bar.

0:21:41.760 --> 0:21:42.600
<v Speaker 7>Girl's time.

0:21:43.440 --> 0:21:44.879
<v Speaker 2>It happens everywhere.

0:21:46.840 --> 0:21:49.280
<v Speaker 7>I was watching the Girl's walk.

0:21:50.480 --> 0:21:52.680
<v Speaker 4>Well, well, well, I've got nothing to do.

0:21:52.920 --> 0:21:55.879
<v Speaker 3>The song is music to Watch Girls Go By. It

0:21:56.000 --> 0:21:58.560
<v Speaker 3>was a hit as a vocal and as an instrumental

0:21:58.680 --> 0:21:59.240
<v Speaker 3>from memory.

0:21:59.359 --> 0:22:02.200
<v Speaker 5>Okay, is it that's your answer?

0:22:02.320 --> 0:22:02.359
<v Speaker 13>No?

0:22:03.400 --> 0:22:05.960
<v Speaker 3>Andy Williams had the hit version of it as a

0:22:06.040 --> 0:22:09.840
<v Speaker 3>vocal obviously, But who that is? I have no idea.

0:22:10.080 --> 0:22:11.720
<v Speaker 4>Is it an Australian? Yes it is.

0:22:14.080 --> 0:22:15.560
<v Speaker 5>Your first question was a singer?

0:22:15.640 --> 0:22:17.399
<v Speaker 4>Yeah, well that's that's the first thing I thought I

0:22:17.440 --> 0:22:19.879
<v Speaker 4>would have got. It sounded like an AUSSI singing to me.

0:22:20.160 --> 0:22:22.639
<v Speaker 3>Is he more known as a singer or was he

0:22:22.760 --> 0:22:29.000
<v Speaker 3>known as a singer. Yes, Ben anything something.

0:22:31.119 --> 0:22:34.000
<v Speaker 4>Still hard for Ben. It's nineteen sixty three. Known as

0:22:34.040 --> 0:22:38.359
<v Speaker 4>a singer, but other methods of entertainment. Was he an

0:22:38.400 --> 0:22:41.840
<v Speaker 4>actor as well? Not an actor? Not an actor? A

0:22:42.200 --> 0:22:47.040
<v Speaker 4>television host, not a television host. Radio.

0:22:47.440 --> 0:22:51.439
<v Speaker 3>Yes, so as we're talking this jockey, we are talking.

0:22:52.000 --> 0:22:55.480
<v Speaker 3>This is jockey. Yes, so we're going to be talking sixties.

0:22:56.440 --> 0:22:57.120
<v Speaker 3>Graham Web.

0:22:58.960 --> 0:23:00.440
<v Speaker 4>No, damn it.

0:23:00.960 --> 0:23:02.160
<v Speaker 3>Jim Woody Wood.

0:23:02.320 --> 0:23:10.840
<v Speaker 4>No, Jeff Manyon no, Banks no, no, Claudia No, it's

0:23:10.880 --> 0:23:14.679
<v Speaker 4>a male. Yeah, this is remarkable.

0:23:14.840 --> 0:23:17.040
<v Speaker 5>You've come this far. I am very impressed with both

0:23:17.119 --> 0:23:20.760
<v Speaker 5>of you. Peter Allen, No, not Peter Allen, Ken Francis

0:23:20.920 --> 0:23:21.640
<v Speaker 5>not Ken Fred.

0:23:22.840 --> 0:23:27.680
<v Speaker 4>Other radio personalities from the era. Grantly D.

0:23:27.920 --> 0:23:29.800
<v Speaker 5>This is Grantly Dan.

0:23:30.720 --> 0:23:33.160
<v Speaker 4>Well, Where's where was that from?

0:23:33.640 --> 0:23:38.200
<v Speaker 5>That's from an I m t Was it really from

0:23:38.200 --> 0:23:42.119
<v Speaker 5>a collection from Dorothy Baker? And I was transferring some

0:23:42.240 --> 0:23:46.520
<v Speaker 5>songs of Dorothy's off the real real tape and on

0:23:46.680 --> 0:23:47.560
<v Speaker 5>here's Grantly D.

0:23:47.920 --> 0:23:50.000
<v Speaker 4>And ah, that's one.

0:23:50.640 --> 0:23:51.760
<v Speaker 5>It's a great mystery.

0:23:52.240 --> 0:23:55.440
<v Speaker 4>And yeah, that is incredible. Well you picked that well,

0:23:56.520 --> 0:23:59.840
<v Speaker 4>it was lucky in the clues, like to narrow with

0:24:00.280 --> 0:24:04.280
<v Speaker 4>to somebody who's known for singing yes, but also a

0:24:04.400 --> 0:24:06.800
<v Speaker 4>radio just a good guy. Because I was going to

0:24:06.840 --> 0:24:09.720
<v Speaker 4>go Stan Rowe, Yes, I was just trying to think

0:24:09.720 --> 0:24:12.520
<v Speaker 4>of anyone from the sixties. I could think of Alan Lappin.

0:24:13.440 --> 0:24:15.560
<v Speaker 4>I was just going to throw out any name until

0:24:15.600 --> 0:24:17.600
<v Speaker 4>I got them. What was Grantly do? His big hit

0:24:17.680 --> 0:24:22.080
<v Speaker 4>that Money Had Let Their and the Little Girl Dan.

0:24:24.320 --> 0:24:26.440
<v Speaker 3>Something like that. I just can't remember it. That's it,

0:24:26.600 --> 0:24:28.720
<v Speaker 3>that was it. I got it, but it was. It

0:24:28.880 --> 0:24:31.399
<v Speaker 3>was a great hit for him, and he was just

0:24:31.480 --> 0:24:33.440
<v Speaker 3>to explain to people who don't know. Of course he

0:24:33.680 --> 0:24:37.560
<v Speaker 3>was not cited, yes, exactly, and he had quite a

0:24:37.640 --> 0:24:40.920
<v Speaker 3>career as a radio career and the singing career.

0:24:40.960 --> 0:24:43.520
<v Speaker 4>I think I was totally blind, wasn't he. Yeah, he

0:24:43.640 --> 0:24:44.840
<v Speaker 4>was terrific. He was really good.

0:24:44.960 --> 0:24:46.840
<v Speaker 5>How did the listeners go? Did anybody out there in

0:24:46.920 --> 0:24:47.840
<v Speaker 5>listening land get this?

0:24:48.200 --> 0:24:51.320
<v Speaker 4>Well, we've had quite a few. Someone suggested Mark Trevorrow.

0:24:51.400 --> 0:24:54.000
<v Speaker 4>It does sound like Mark Trevarro doing a parody a

0:24:54.119 --> 0:24:58.960
<v Speaker 4>type thing above down type thing. Jerry Seinfeld, Barry Crocker,

0:24:59.400 --> 0:25:03.080
<v Speaker 4>don not Jimmy Hannon all good guess yes, But the

0:25:03.119 --> 0:25:06.320
<v Speaker 4>first one to correctly guess was Sue of Q, who

0:25:06.440 --> 0:25:11.000
<v Speaker 4>correctly guests grandly well and soue well done. Excellent, that

0:25:11.160 --> 0:25:13.760
<v Speaker 4>was really good. Yeah, yeah, very happy with that. So

0:25:13.840 --> 0:25:16.879
<v Speaker 4>am I all right, We've got a minute to have

0:25:17.000 --> 0:25:19.080
<v Speaker 4>a look at the films of nineteen sixty three, please

0:25:19.119 --> 0:25:20.600
<v Speaker 4>Kevin Well, there was a big one came out.

0:25:20.800 --> 0:25:23.760
<v Speaker 5>Can I mention I'm watching it came from out of Space,

0:25:23.840 --> 0:25:26.240
<v Speaker 5>which is on Foxtelle or Max what if it's called?

0:25:26.400 --> 0:25:31.040
<v Speaker 5>Yeah and Richard Carlson and it's terrific black and white

0:25:31.040 --> 0:25:33.119
<v Speaker 5>from nineteen fifty three, and I'm absorbed with it.

0:25:33.280 --> 0:25:36.160
<v Speaker 3>It's really really space monster alien movie.

0:25:36.400 --> 0:25:38.000
<v Speaker 5>Yeah, yeah, it came from out of Space?

0:25:38.800 --> 0:25:41.800
<v Speaker 3>Did Richard Carson It'll make an A grade movie? No, No,

0:25:42.320 --> 0:25:43.960
<v Speaker 3>everything he made at titles like that.

0:25:44.200 --> 0:25:46.680
<v Speaker 5>And I discovered something. I say this very quickly. I

0:25:46.800 --> 0:25:49.280
<v Speaker 5>thought it was in The Creature from Black Lagoon. But

0:25:49.400 --> 0:25:51.600
<v Speaker 5>at the Grand in Coburg, there's a scene in a

0:25:51.720 --> 0:25:55.479
<v Speaker 5>film where the Richard Carlson's standing on screen and somebody

0:25:55.520 --> 0:25:57.440
<v Speaker 5>puts their hand out from the left hand side of

0:25:57.520 --> 0:25:59.520
<v Speaker 5>screen and taps him on the shoulder, and we all went,

0:26:01.440 --> 0:26:03.320
<v Speaker 5>well it was in It came from out of Space,

0:26:03.560 --> 0:26:08.040
<v Speaker 5>And I jumped up on the counter. Took me right back.

0:26:08.119 --> 0:26:10.560
<v Speaker 4>It did to the he was living alone.

0:26:10.560 --> 0:26:12.760
<v Speaker 3>He's very nervous in the house. I am, I am,

0:26:12.880 --> 0:26:14.480
<v Speaker 3>I am, but he's a bit of a scaredy cat.

0:26:14.680 --> 0:26:18.320
<v Speaker 5>Yeah, I've got the dog to protect me. With the

0:26:18.400 --> 0:26:20.840
<v Speaker 5>light on the fridge open, It's all missy. The Birds

0:26:20.920 --> 0:26:24.400
<v Speaker 5>came out in nineteen sixty three. The Alfred Hitchcock film

0:26:24.560 --> 0:26:27.640
<v Speaker 5>with Tippy Hedron was a Tippy Hedron and we had

0:26:27.720 --> 0:26:30.000
<v Speaker 5>Rod Taylor, Jessica tandyan Or Big cast.

0:26:30.280 --> 0:26:31.680
<v Speaker 4>It was a terrific movie.

0:26:31.600 --> 0:26:34.240
<v Speaker 5>As most of Hitchcock's films were scary.

0:26:34.280 --> 0:26:37.600
<v Speaker 2>But I spoke to Tippy Hedron about the birds. I'd

0:26:37.680 --> 0:26:39.400
<v Speaker 2>like to go to the scene in the attic where

0:26:39.400 --> 0:26:40.760
<v Speaker 2>they threw all those birds at you.

0:26:40.880 --> 0:26:43.760
<v Speaker 5>When you want to go there, I bet you don't.

0:26:44.920 --> 0:26:48.399
<v Speaker 5>But that was pretty traumatic for a first film to be.

0:26:48.640 --> 0:26:51.399
<v Speaker 3>In a scene like that, you know what, you know?

0:26:51.480 --> 0:26:53.960
<v Speaker 13>When I when I was reading the script, you know

0:26:54.119 --> 0:26:56.919
<v Speaker 13>how how I ask? I mean, how are you going

0:26:56.960 --> 0:27:00.480
<v Speaker 13>to do this scene? He said, Oh, don't worry, We're

0:27:00.520 --> 0:27:06.920
<v Speaker 13>going to use mechanical birds. Fine, no problem. Actually it

0:27:07.000 --> 0:27:08.920
<v Speaker 13>was a very kind thing he did. However, there was

0:27:08.960 --> 0:27:12.320
<v Speaker 13>no intention of using mechanical birds, and I didn't know

0:27:12.720 --> 0:27:14.920
<v Speaker 13>about the real ones until the morning we were to

0:27:15.000 --> 0:27:19.359
<v Speaker 13>start filming that scene, and I walked out onto the

0:27:19.440 --> 0:27:22.160
<v Speaker 13>set and there was a cage built around that door

0:27:22.320 --> 0:27:27.160
<v Speaker 13>that I walk in, with three huge boxes of ravens

0:27:27.240 --> 0:27:32.440
<v Speaker 13>and seagulls and a few pigeons thrown in and and

0:27:33.000 --> 0:27:35.520
<v Speaker 13>there were three pot men who we had great big

0:27:36.280 --> 0:27:40.800
<v Speaker 13>gauntlets up to their shoulders and which they alternately started

0:27:41.720 --> 0:27:44.920
<v Speaker 13>hurling at me. And it took five days to do

0:27:45.040 --> 0:27:49.280
<v Speaker 13>that scene. Well, you're very brave, that's what That's what

0:27:49.440 --> 0:27:51.560
<v Speaker 13>Cary Grant said. He came on Wednesday and he said,

0:27:51.600 --> 0:27:53.840
<v Speaker 13>you're I think you're the bravest lady I've ever met,

0:27:53.880 --> 0:27:55.399
<v Speaker 13>and I don't and I don't know if that's the

0:27:55.440 --> 0:27:55.920
<v Speaker 13>word for it.

0:27:57.840 --> 0:28:00.280
<v Speaker 4>Wonderful, good story. And now we're going to to a

0:28:00.320 --> 0:28:02.399
<v Speaker 4>break so we can come back with the popular songs

0:28:02.440 --> 0:28:03.120
<v Speaker 4>of sixty three.

0:28:05.520 --> 0:28:08.639
<v Speaker 3>All right, the final few minutes of Trask's Timetital nineteen

0:28:08.680 --> 0:28:11.320
<v Speaker 3>sixty three of the year, and the songs were.

0:28:11.520 --> 0:28:15.680
<v Speaker 5>You'd be in your element here Andrew Dominique, who sang

0:28:15.760 --> 0:28:21.080
<v Speaker 5>that the singing nun very good, tick good, start go away,

0:28:21.160 --> 0:28:29.520
<v Speaker 5>little girl, Steve Lawrence correct, he's so fine, the chaffon correct.

0:28:30.080 --> 0:28:32.840
<v Speaker 3>That was the one George Harrison got himself into trouble about.

0:28:32.640 --> 0:28:36.639
<v Speaker 4>Oh that's right, it is true. Hey, Paula, Paul and

0:28:36.840 --> 0:28:41.480
<v Speaker 4>Paula correct. It's my party and I'll cry if I wanted.

0:28:41.520 --> 0:28:46.600
<v Speaker 3>Are correct whose father was a multi millionaire bikini manufacturer.

0:28:46.760 --> 0:28:51.440
<v Speaker 4>How about that? I will follow him? The not the

0:28:51.520 --> 0:28:52.200
<v Speaker 4>Chaffons again.

0:28:52.240 --> 0:28:57.480
<v Speaker 3>It was the no the something's no no no, it

0:28:57.560 --> 0:28:58.440
<v Speaker 3>was little Peggy March.

0:28:58.640 --> 0:29:00.480
<v Speaker 5>I was a little piggy Matt. We were both on

0:29:00.520 --> 0:29:03.160
<v Speaker 5>one hundred percent. Let's not break the bond here.

0:29:03.360 --> 0:29:06.040
<v Speaker 4>We're doing well. Our day will come.

0:29:07.760 --> 0:29:13.080
<v Speaker 3>Yeah. The Toothbox to Buffalo slle uh, Ruby and the Romantics.

0:29:14.360 --> 0:29:21.400
<v Speaker 4>Wow, sukiyaki, sukiyaki kyo second motto, kyud good.

0:29:22.240 --> 0:29:24.080
<v Speaker 3>He's good any because you weren't even born.

0:29:24.200 --> 0:29:26.560
<v Speaker 4>No, he's a well before my time.

0:29:27.200 --> 0:29:27.320
<v Speaker 2>Uh.

0:29:27.840 --> 0:29:32.280
<v Speaker 5>Surf City, Jan and Dean correct walk like a man

0:29:33.280 --> 0:29:35.400
<v Speaker 5>the Frankie Valley.

0:29:35.160 --> 0:29:36.080
<v Speaker 4>In the Four Seasons.

0:29:36.320 --> 0:29:40.200
<v Speaker 2>Yeah, there you go that one move, baby move j

0:29:40.440 --> 0:29:45.680
<v Speaker 2>Okay correct, Proud of you, Thank you j Justin.

0:29:46.480 --> 0:29:48.560
<v Speaker 5>Now that's when I thought would get you guys, But

0:29:48.680 --> 0:29:54.160
<v Speaker 5>you've got it well two more ago now, just concentrated missing,

0:29:54.360 --> 0:29:56.160
<v Speaker 5>there's going to be one hundred percent got news in

0:29:56.200 --> 0:29:59.160
<v Speaker 5>thirty seconds, fifty five days of peaking, Rob e G

0:30:00.080 --> 0:30:03.960
<v Speaker 5>And Royal Telephone, Jimmy Little one hundred percent. Well done,

0:30:04.000 --> 0:30:08.720
<v Speaker 5>boys than I loved, Helen Shapiro and I love No Trespassing.

0:30:08.080 --> 0:30:11.160
<v Speaker 4>And we love you, Kevin, Thank you for all you do.

0:30:11.200 --> 0:30:12.240
<v Speaker 4>Where we go next work.

0:30:12.240 --> 0:30:14.880
<v Speaker 5>Will come with me to nineteen fifty five beautiful.

0:30:25.440 --> 0:30:26.280
<v Speaker 4>I'm going to