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Speaker 1: So I did something that I reckon you will never

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Speaker 1: do in your life sky. No, no, it was more

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Speaker 1: to my body sex in public toilets. No it wasn't. Yeah,

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Speaker 1: once was enough. No, No, I have another guess. Now

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Speaker 1: you won't get something that you something you do us.

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Speaker 2: Now he's taken your lead.

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Speaker 1: I saw him doing it with with on Instagram any

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Speaker 1: and we're happy to god. I wouldn't put myself. Maybe

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Speaker 1: I would. I'd never appear on anything in the news. Uh,

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Speaker 1: it must be pretty please. No, it's something that you

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Speaker 1: do that women do themselves. Waxing close, yeah, yeah, yeah, No,

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Speaker 1: you're right, you're right. I went to what do you

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Speaker 1: call those places where you get your nails done. There

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Speaker 1: is a nail Placenian and I had tonat.

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Speaker 2: Oh yeah right, you hadn't painted.

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Speaker 1: Yes, why exactly? Why?

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Speaker 2: Why get a pedicure? Because when I go to the podiatarists,

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Speaker 2: she does your feet he hey, luke, and I love

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Speaker 2: it because they cut your nails and they.

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Speaker 1: And while you were getting done, did you get on

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Speaker 1: your phone? Because I would think that if I alway

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Speaker 1: was one of those people, I would be highly I

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Speaker 1: don't like where people going get their feet done. At

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Speaker 1: those message places and they're on their phone. That's offensive,

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Speaker 1: don't you reckon?

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Speaker 2: I feel sorry for proper message therapist that they have

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Speaker 2: to have signs. I'm saying, this is not a sexual service.

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Speaker 1: What do you mean sexual? Does sexual things happen.

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Speaker 2: Then in some message places, yes, but for the people

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Speaker 2: that are actually proper message therapists.

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Speaker 1: Because it can work both ways. You can go in

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Speaker 1: there and not that this has ever happened to me.

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Speaker 1: You can go in there and think you're getting a

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Speaker 1: message and then they want to give you something. Or

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Speaker 1: you can go in there expecting to get something at

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Speaker 1: the end and you don't get it.

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Speaker 2: Yeah, and you see some they put signs up. This

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Speaker 2: is not a sexual service. The protector doesn't have to

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Speaker 2: do that, doesn't He doesn't have to put up a sign.

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Speaker 2: This is not a sexual service in the potetary world.

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Speaker 2: But yeah, no, So why did you get your nails?

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Speaker 2: Very good question painted? For the kids, for the kids involved.

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Speaker 1: No, it wasn't it. What because what happened.

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Speaker 2: Was I crazy radio stunt? So now on, hey, you

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Speaker 2: should air you Glenn Robins. You're gonna get his nails painted?

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Speaker 2: Are we going to cross down to him?

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Speaker 1: Live? How's going. Oh, I got over. I'm getting some

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Speaker 1: funny looks all put on.

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Speaker 2: The nail technician put it on.

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Speaker 1: I dropped a golf bag of my toe so it

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Speaker 1: went black and that was fine, and then go black one.

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Speaker 1: Then I don't know how I did it.

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Speaker 2: Number one golf dangerous sport.

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Speaker 1: Very dangerous sports. You know, because I was getting in

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Speaker 1: doesn't just hurt your bank account. I was getting the

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Speaker 1: clubs out of the back of the hout yea. And

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Speaker 1: I dropped the golf clubs on when I was playing

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Speaker 1: Royal Melbourne onto my toe. I don't remember doing it,

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Speaker 1: but my te just went black, which is weird. As

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Speaker 1: you get older, you find bruises on your body. You go,

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Speaker 1: there's a bruise. How do I get that one?

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Speaker 2: You know?

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Speaker 1: About a week later, I look down and the other

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Speaker 1: one's gone black?

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Speaker 2: Wow? I next to it, next to it?

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Speaker 1: No, no, the other big tope. So but two, what

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Speaker 1: have a look?

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Speaker 2: So hang on? Did you drop your.

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Speaker 1: Must to drop the golf clubs? Really? No, I didn't.

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Speaker 1: I've been filming Russell Coy.

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Speaker 2: Was there something happening there that may have done it?

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Speaker 1: Yeah? No, the boots were My boots were falling.

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Speaker 2: Dangerus When Glenn flicks through his photos on the phone,

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Speaker 2: always dangerous. I see things you don't want to see.

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Speaker 1: I'm going to show you. I was wearing some boots

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Speaker 1: and they because my boots fell apart, so I had

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Speaker 1: to get a new and I had to get it.

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Speaker 1: Where one of the guys from the crew lending me

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Speaker 1: his boots and they're a bit too small, and I wore.

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Speaker 2: That's what's done it.

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Speaker 1: Yeah, so there it is. There, there's there's the two.

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Speaker 1: Oh wow, both people like to see it goes on

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Speaker 1: look and then so we were going to the to Southland.

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Speaker 2: You love it there?

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Speaker 1: I do love it there.

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Speaker 2: Any any cap and Kim fans just just hang out

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Speaker 2: and see Glenn wandering around.

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Speaker 1: I do. I feel quite comfortable there.

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Speaker 2: I can ask you a question. The thing that annoys

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Speaker 2: me about those big westfield is it hard to park?

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Speaker 1: Oh find your secret spot?

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Speaker 2: Oh?

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Speaker 1: Yeah, because we were because I've got what's the name

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Speaker 1: baby carry in the back seat, I can park in the.

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Speaker 2: Yeah, but do you have the baby with you?

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Speaker 1: Where's your kid? Mate? Most of the time we do.

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Speaker 1: I met Laddy at the at the thing the other

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Speaker 1: day and she goes, oh, I see you down here

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Speaker 1: quite often, and I got oh am I with my

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Speaker 1: partner and the grandchild. She says, no, you're just wandering

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Speaker 1: around by yourself.

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Speaker 2: Which is pretty sad. It's sad. Does make it sad,

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Speaker 2: Actually would be one of those old guys just sitting

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Speaker 2: on the bench there taking I walk advantage of the aircon.

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Speaker 1: I walked past the Greek guys because they do have

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Speaker 1: designated sitting in yeah, and they're in like this circular

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Speaker 1: thing and the chairs are really comfortable and you can

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Speaker 1: go in there and go, I want to do what

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Speaker 1: those guys are doing.

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Speaker 2: We got a good on them for getting out of

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Speaker 2: the house and meeting their fellow old Greek men.

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Speaker 1: Because I with the gym, I go to a couple

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Speaker 1: of Greek guys live next door down the road a bit,

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Speaker 1: and every night they're out in the front of the

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Speaker 1: house just landing on their fence, and I kind of

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Speaker 1: get it. They're out of the house and they're just

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Speaker 1: they're chatting and they having. The Greeks have got it right.

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Speaker 1: Get out of the house, and the Misspius Merica, Merica,

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Speaker 1: you'll get out. I have to clean up.

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Speaker 2: Can see what CON's doing.

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Speaker 1: So we're at Southland. So I said, I'm going to

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Speaker 1: go to that shop over there. Why don't you just

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Speaker 1: go over there into that nail place and get the

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Speaker 1: paint your nails out so you don't have that because

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Speaker 1: when you wear when you're down the beach, you look

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Speaker 1: down and you've got one you can accept, but two

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Speaker 1: people go, you've been up to something weird.

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Speaker 2: So what did you get it painted like a neutral color?

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Speaker 1: Oh? Just wait and see what happens. There's the first photograph.

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Speaker 1: Here's the second one of my hoes being dried under

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Speaker 1: the drying machine. Yeah, and now if you look at

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Speaker 1: the result, have a look at how they are. Now,

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Speaker 1: what's n like a beige? That's you know what, It's

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Speaker 1: like a bee. Here's a shady story for you.

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Speaker 2: It's like a bee.

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Speaker 1: I was working with court in the act the other night.

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Speaker 2: Oh on Sam pangche.

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Speaker 1: A while ago. Now, I showed him.

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Speaker 2: Her well I think Courtney acted. She and then he

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Speaker 2: sometimes exactly call him. He showed them just how you

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Speaker 2: show them.

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Speaker 1: I think you're right.

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Speaker 2: She showed Courtney.

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Speaker 1: Yeah, we're talking about mate, and I said this is

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Speaker 1: what I did today and he said sorry, She said,

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Speaker 1: they said they said that i'd gone in tone too dark.

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Speaker 1: I should have gone in tone.

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Speaker 2: A tone too dark. Really, I reckon, so but I

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Speaker 2: have it.

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Speaker 1: Hang on, hang on, hang on.

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Speaker 2: I might show me now in real life.

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Speaker 1: Oh you want to see the real life?

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Speaker 2: Just one, Just show me one and I can.

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Speaker 1: Look.

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Speaker 2: You can't you know what? That actually looks a little

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Speaker 2: bit bruised or something. But you it's better than black.

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Speaker 1: You know why because I went in there, and when

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Speaker 1: I went in there, Selena left me because then I'm lost.

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Speaker 1: I'm I'm in a foreign country. If you go into

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Speaker 1: a nail place, old man in a nail place, standing there,

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Speaker 1: and okay, they don't speaking the true. No, that's not

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Speaker 1: a racist statement. And I said, She goes, what do

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Speaker 1: you want? And I said, I've got a black nail?

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Speaker 1: Can you paint it out? And she goes, you want

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Speaker 1: your nails painted black? And I said.

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Speaker 2: Gothic glen.

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Speaker 1: I said, no, got a black nail. And then and

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Speaker 1: then people start turning around. Yeah, because the ladies of

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Speaker 1: getting their nails done. And people started because we're having

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Speaker 1: this discussion. It wasn't an argument. And I'm going, no,

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Speaker 1: I want And then I took my shoe off and

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Speaker 1: I went, can you paint this out? And she goes, no,

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Speaker 1: why not? She goes, because it shows through. That's how

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Speaker 1: I'm not doing the accent because it would be quote.

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Speaker 1: I won't say it was funny, but it shows through through.

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Speaker 2: What that was a you know? Go on, Well it

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Speaker 2: does show through, but it's better it does.

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Speaker 1: I had to go a little bit because she said,

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Speaker 1: I pointed to my other you want that one black,

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Speaker 1: and there was an accent. You want that I again, No,

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Speaker 1: that one, I want it clear again painted the same

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Speaker 1: color as that one. And then a girl, a lady

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Speaker 1: steps in and goes, I'll take care of this, and

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Speaker 1: she just spoken English and told her is it kind

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Speaker 1: of what I said? But how comes she can't understand

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Speaker 1: me anyway? So she spoke the nail language and basically,

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Speaker 1: if they put a couple of coats on your nail

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Speaker 1: will go back to hang up.

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Speaker 2: Yeah, it's sort of.

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Speaker 1: I'll put it right in front of you. Hang on,

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Speaker 1: I'll put it up.

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Speaker 2: On that and I got it.

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Speaker 1: I'll put it on the table. Look.

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Speaker 2: Look, oh that looks quite good.

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Speaker 1: But you know what, it's shiny.

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Speaker 2: It looks like a dolly's.

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Speaker 1: But I looked down at it when I'm in the

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Speaker 1: shower and I go, job, well done, they're not bad.

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Speaker 1: How much was that? I was about to say, how

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Speaker 1: much do you think?

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Speaker 2: Twelve dollars?

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Speaker 1: Oh, well, you've obviously pretty intense. I would have said twenty.

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Speaker 2: I was eighteen sixteen, ten cheap.

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Speaker 1: Five dollars a toe cheap two black toes brought back

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Speaker 1: to a lightbige that caught knee act. The Courtney act

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Speaker 1: quite liked. There.

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Speaker 2: We go, well, that's good, so.

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Speaker 1: I'll see you in the photographs.

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Speaker 2: And anyway, so if you've got a black toe, get

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Speaker 2: down there.

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Speaker 1: Get down there. And you know I sat in the

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Speaker 1: special chair where I could have had the baby marine.

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Speaker 1: You know there's a pool there. Yeah, and there was

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Speaker 1: a girl a couple of doors up for me getting

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Speaker 1: it done, and she didn't even look at me. Strange.

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Speaker 2: Really, it's just like normal.

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Speaker 1: It's like normal. Maybe guys come in there all the time.

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Speaker 1: So the whole thing was good. And you know, I

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Speaker 1: walked out there going I film pretty so now where

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Speaker 1: I wear my Birkens socks.

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Speaker 2: Yeah it looks good.

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Speaker 1: It looks good.

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Speaker 2: If people look to be close, they'd be a bit

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Speaker 2: like what is that?

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Speaker 1: But they won't No.

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Speaker 2: They won't though, No, because I wouldn't even notice.

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Speaker 1: If I wore them the black toes, because you know

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Speaker 1: how long it takes for a black toe to go away?

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Speaker 2: How long?

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Speaker 1: Close to a year?

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Speaker 2: No?

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Speaker 1: Well really, well, I think so it takes well over

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Speaker 1: six months.

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Speaker 2: Is this a good next for you? I reckon hair plugs.

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Speaker 2: And like Jimmy Carr, you know what I heard about?

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Speaker 1: I heard of once.

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Speaker 2: Should we get in a plane to Turkey?

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Speaker 1: And do you already know that? I didn't know, because

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Speaker 1: apparently if you get on a plane to Turkey.

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Speaker 2: It's full of board men.

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Speaker 1: It's full of board men. And because they do cheap hair.

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Speaker 2: There's people that we know that have been the Turkey

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Speaker 2: comics that have been a Turkey and had it done. Wow,

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Speaker 2: they're just young men.

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Speaker 1: And you know what that's hair by hair. Oh yeah,

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Speaker 1: and it's really really good, looks good, really good looks good.

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Speaker 2: Yeah. Someone did that great photo footage at the airport

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Speaker 2: of all guys coming back from two. Yeah, it's fine.

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Speaker 1: You heard that.

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Speaker 2: Well everyone knows. But it's a thing. It's a thing.

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Speaker 1: What you said to know all about that?

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Speaker 2: Maybe I've had done.

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Speaker 1: If there was anything one thing you could you could

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Speaker 1: get done for aesthetic reasons.

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Speaker 2: I had a guy in a bowling how he come

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Speaker 2: up to you once and he goes, I'm a LiPo surgeon.

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Speaker 2: He rub my stomach. He goes fifteen hundred bucks to

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Speaker 2: get rid of that for you. Fifteen hundred, What do

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Speaker 2: you reckon?

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Speaker 1: But what about pretty cheap?

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Speaker 2: Is can you put that fat somewhere?

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Speaker 1: El and then what you could do? You could with

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Speaker 1: that fifteen hundred you could go eat a lot of

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Speaker 1: really shit food.

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Speaker 2: No, no, I pay him fifteen hundred dollars and he gets.

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Speaker 1: He gets crazy. So yeah, yeah, you pay fifteen hundred bucks.

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Speaker 1: That sounds a bit cheap. Is it a backroom job?

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Speaker 2: He was in a bowling alley. Great people, I play

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Speaker 2: the music.

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Speaker 3: Welcome to somehow related Now please welcome your host Glenn Robinson,

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Speaker 3: Dave o' neill.

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Speaker 1: Oh, and we are back.

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Speaker 2: You know put in, But I've got a recommendation for you.

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Speaker 2: John Ham's new show is really funny.

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Speaker 1: I'm watching it.

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Speaker 2: What's it called? He's got the worst.

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Speaker 1: Title, Friends and Neighbors.

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Speaker 2: That is the worst title ever? Do you reckonize? Because

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Speaker 2: you know what? That is a great show, so good.

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Speaker 2: So people don't know, he plays a banker or a

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Speaker 2: hedge fund manager and a very poshpid of New York.

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Speaker 1: I could relate to him.

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Speaker 2: Yeah, yeah, you can relate to get your nails done.

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Speaker 2: And then he loses his job and he starts stealing

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Speaker 2: things off his friends, like he becomes a cat burglar.

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Speaker 1: Yeah, I don't spoil.

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Speaker 2: It, but no, that's in the ads and stuff. It's

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Speaker 2: within the first ten seconds.

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Speaker 1: We do pretend to spoil things.

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Speaker 2: Anyway that I just reckon. The title is not good.

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Speaker 2: Sure they could come with a better title than Friends

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Speaker 2: and Neighbors or whatever.

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Speaker 1: It stands out a little bit, does it? Friends and neighbors?

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Speaker 2: The thief next door? What about? Can you think of

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Speaker 2: anything else? Bank robber, slash employee, hedge fund, hedge we're

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Speaker 2: jumping the hedge, jumping the hedge because that's a double

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Speaker 2: meaning hedge fund and the hedges that he has to jump.

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Speaker 2: This is why you should be in charge. The other

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Speaker 2: one I've been watching is a great show from that

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Speaker 2: woman who plays the daughter in Hacks. You know, the

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Speaker 2: blonde she'd be about. Yeah, yes, she's very funny. She's

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Speaker 2: very funny in Hacks. She's the daughter the spoiled daughter

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Speaker 2: in hacks and she's a grown up woman. She's like

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Speaker 2: fifty maybe late forties. She's in this good show on

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Speaker 2: Dizzey which has got high potential, which is based on

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Speaker 2: a French show about get this concept. She was the

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Speaker 2: cleaner at the police station. Yeah, so she's going to

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Speaker 2: clean at night and she look at all their white

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Speaker 2: boards and all the evidence and solved the crimes for

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Speaker 2: them because she is highly intelligent.

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Speaker 1: Great premise.

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Speaker 2: She eventually becomes like a cop because like, who's been

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Speaker 2: mucking right?

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Speaker 1: Hang on? So where do we pick it up from?

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Speaker 1: She's working that she's working there.

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Speaker 2: The first episode she's working as clean she solves a

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Speaker 2: crime and she leaves her there and the head cop

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Speaker 2: comes and goes, who's been mucking right with my evidence?

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Speaker 2: Hang on a minute. They've solved the crime? Who did this?

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Speaker 2: And they look at the CCTV and go, it's the cleaner.

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Speaker 2: Now the show's got high potential. Again, that's a bad title.

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Speaker 2: Don't you reckon cleaner? Okay, come on, you got you

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Speaker 2: got over the hedge? Was it was saying jumping the

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Speaker 2: jumping the hedge? Yeah, cleaner cleaning, cleaning up crime.

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Speaker 1: Yeah, some bad bit.

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Speaker 2: Basic yeah, mop it up.

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Speaker 1: Yeah, No, that one I'll take on her advisement and

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Speaker 1: I'll have to get actually, oh, crime pays.

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Speaker 2: Crime pays. Okay, Nah, all right, welcome to podcast. What

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Speaker 2: we like?

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Speaker 1: I said, people who think that, what would you know? Anyway? Mate?

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Speaker 2: You never.

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Speaker 1: What?

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Speaker 2: We get two subods. You got to work on how

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Speaker 2: they connected.

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Speaker 1: With the other. Week. You put in a little bit

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Speaker 1: of a I think fairly. You asked for.

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Speaker 2: Something flippant and she gave us a hands acts she's

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Speaker 2: not flipping at all.

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Speaker 1: Maybe she could do something that I don't know what about?

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Speaker 1: You know, what would be good about someone we know,

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Speaker 1: like you, like like she yeah, or someone we know

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Speaker 1: like Kitty Flanagan or Sam Pere Yeah, like Sampang or yeah,

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Speaker 1: someone we know? Okay, and uh that's all.

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Speaker 2: Yeah, what are the topics?

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Speaker 3: Sam David O'Neill, Amy Polar and Jack Black.

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Speaker 1: She's God, I've met Jack clever twist she knows that

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Speaker 1: I've met Jack Black. Well you might know the answer.

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Speaker 2: Then I don't know the answer.

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Speaker 1: I love Amy poll the answer.

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Speaker 2: You're in it? Well, yeah, because you're in one once,

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Speaker 2: weren't you? Yeah, you in one?

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Speaker 1: Yeah, because I was Glenn Robins was the name of

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Speaker 1: the character in that movie City Slickers. Yeah, I was

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Speaker 1: in the City two or something. Wow, yeah, and that

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Speaker 1: was the character's name.

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Speaker 2: Well, maybe it's a character name in Amy Poler Jack Black.

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Speaker 1: Spoilers who folded the naturally? Okay, let's just catch it.

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Speaker 1: You met Jack Black? Yeah, or Jack Black got to

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Speaker 1: meet you?

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Speaker 2: Yes?

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Speaker 1: What was he like?

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Speaker 2: Ah?

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Speaker 1: He was right, he's been of a on. Yes, it

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Speaker 1: was he on. That's nothing wrong with being on. It's

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Speaker 1: better than being because I've met people on the Powell

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Speaker 1: who were off.

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Speaker 2: Yeah, he went on. I mean I love Jack Black.

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Speaker 1: I loved was it inauthentic School of Rock? Well that

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Speaker 1: was the big turning point for him. Wasn't one of

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Speaker 1: the big so.

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Speaker 2: Good in that But anyway, he came into the studio

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Speaker 2: with Kyle from Tenacious D. So you know that's that

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Speaker 2: double act where they played he plays a guitar with

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Speaker 2: the board guy. And that's the one recently where it

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Speaker 2: was Kyle's birthday and he said after Trump had got shot,

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Speaker 2: Jack says, this is on stage in Sydney. I think

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Speaker 2: it was. Do you want to make a wish? And

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Speaker 2: he said, yeah, let's not miss next time. And then

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Speaker 2: Jack Black just issued all these statements saying he had

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Speaker 2: nothing to do with it, and I don't want anything

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Speaker 2: to do with Kyle. It was his joke, would nothing

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Speaker 2: to do with me. Just cut him loose, basically. But

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Speaker 2: that's understandable because he probably didn't know who's going to

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Speaker 2: say that.

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Speaker 1: Because you say something in Australia can go around the world.

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Speaker 1: In an instance.

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Speaker 2: Well, it's similar to when I made a joke about

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Speaker 2: Alan Jones to his face.

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Speaker 1: I've told you this story.

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Speaker 2: You're on stage and towards nice I said, he touched

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Speaker 2: me on the barm.

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Speaker 1: Yeah, and I laughed.

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Speaker 2: But the next day Hughes and Kate wrote a letter

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Speaker 2: to Ellen Jones to distance themselves from me. It's fair enough,

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Speaker 2: go for.

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Speaker 1: It with Alan Jones probably listened to this podcast. Would

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Speaker 1: you like to say something to him? Now? No, I've

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Speaker 1: never met him, but I've been in I've been in

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Speaker 1: to GB I think, and there's an energy in that

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00:17:23,160 --> 00:17:24,359
Speaker 1: place that's intriguing.

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Speaker 2: Yes. Anyway, so Jack Black, So when I met him,

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Speaker 2: he came into radio with Kyle and he got someone

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Speaker 2: had a what's that toy? Sax on my phone? I

405
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Speaker 2: think they called sax on my phone. Yeah, And we

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Speaker 2: were just standing outside talking to him, and then someone

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Speaker 2: he goes, is that a sax and my phone over there?

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00:17:42,760 --> 00:17:44,320
Speaker 2: And it's like a toy. You kind of saves the

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Speaker 2: phone and he goes can I And he just grabbed

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Speaker 2: it and put on a little performance for everyone.

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Speaker 1: Which is good on there and what sort of performance

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Speaker 1: was it?

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Speaker 2: I'm a saxon phone, the sax and my phone and

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Speaker 2: you're pressing their place chooed. It's like a kid's toy.

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00:17:59,560 --> 00:18:02,240
Speaker 2: And Kyle was like he's a partners Like, ah, yeah,

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Speaker 2: he's got the sex and the phone. That's that's all right.

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Speaker 2: But no, he was, Yeah, he was good. I've always

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Speaker 2: foun him very funny.

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Speaker 1: Yeah, I always fan but I want to say it's

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Speaker 1: not that he's got one trip pony, but he always

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Speaker 1: is kind of like he's kind of like going along

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Speaker 1: then he explodes.

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Speaker 2: Yeah, yeah, that kind of that's what he's good at.

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Speaker 1: He's doing that. So he's very I would imagine he's

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Speaker 1: come through a live in pro in pro environment where

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Speaker 1: you know, played straight roles, has he or not? He

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Speaker 1: might if he was in a certain vulnerability.

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Speaker 2: I like, yeah, he's a voice of kung Fu Panda.

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Speaker 1: Yeah, and he was in Hell.

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Speaker 2: Yes.

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00:18:38,400 --> 00:18:39,119
Speaker 1: What did he play in?

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Speaker 2: Was he the boyfriend?

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Speaker 1: Was he the guy who was the one that was?

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Speaker 2: He's good in smaller parts. He was also in a

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00:18:45,200 --> 00:18:47,359
Speaker 2: movie called Bob Robbers with Tim Robbins. He played one

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00:18:47,400 --> 00:18:50,399
Speaker 2: of the young guys that love Bob. Anyway, that's a

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00:18:50,440 --> 00:18:54,160
Speaker 2: good movie. And he was also in High Fidelity.

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Speaker 1: Yeah, he was was in cable Guy Shop Assistance, wasn't he?

439
00:18:59,560 --> 00:19:01,200
Speaker 2: I think he he's pretty good.

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00:19:01,640 --> 00:19:05,720
Speaker 1: He's almost like a classic best friends like the other guy,

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00:19:05,800 --> 00:19:08,159
Speaker 1: the wacky guy, because he's not a sexual, he's not

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Speaker 1: good looking, and he's every man. That's about him. You know,

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00:19:13,000 --> 00:19:19,040
Speaker 1: you play he can He can sing and play instruments,

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Speaker 1: can't he? He played guitar and he can sing and

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Speaker 1: going into it.

446
00:19:26,440 --> 00:19:28,840
Speaker 2: People love his Bandonacious. Have you ever heard of them?

447
00:19:29,040 --> 00:19:30,600
Speaker 2: Like they do sort of heavy metal.

448
00:19:31,160 --> 00:19:33,320
Speaker 1: That's right. Yeah? And what is he? The lord singer

449
00:19:33,359 --> 00:19:37,199
Speaker 1: is yeah, and the plays guitar kind of what he is.

450
00:19:37,480 --> 00:19:40,880
Speaker 1: He came along and he's done. He's been around for

451
00:19:40,920 --> 00:19:41,560
Speaker 1: a long time.

452
00:19:41,880 --> 00:19:46,280
Speaker 2: And his mom, Oh, it's interesting, was a NASA scientist. Wow,

453
00:19:47,359 --> 00:19:49,400
Speaker 2: I'm sure of it. Yea. His mum's a NASA scientist

454
00:19:49,600 --> 00:19:54,000
Speaker 2: was Siety. So he's made that pretty smart.

455
00:19:51,880 --> 00:19:55,080
Speaker 1: But you know, we are famous.

456
00:19:55,240 --> 00:19:57,879
Speaker 2: If your mum worked at Mayer, you might not be saying, but.

457
00:19:58,560 --> 00:20:02,280
Speaker 1: She works at NASA, Like what's name's mum? Mike Nesmuth

458
00:20:02,320 --> 00:20:06,159
Speaker 1: his momed liquid paper. Yes, so you'd bring that up,

459
00:20:06,200 --> 00:20:11,359
Speaker 1: bringing you which David Letterman's mom was became famous?

460
00:20:11,359 --> 00:20:11,960
Speaker 2: She was funny.

461
00:20:12,480 --> 00:20:15,680
Speaker 1: Hello David, Hey my mom? Why did you do it?

462
00:20:16,119 --> 00:20:18,800
Speaker 1: What's in the bread? Barros got over there? David. You

463
00:20:18,840 --> 00:20:21,080
Speaker 1: don't need to know what's in there? She had a

464
00:20:21,080 --> 00:20:24,000
Speaker 1: classic maran. Are there any famous mums in Australia?

465
00:20:25,240 --> 00:20:28,280
Speaker 2: Mums have become famous or just famous mums?

466
00:20:28,600 --> 00:20:29,639
Speaker 1: I don't think you know.

467
00:20:30,119 --> 00:20:32,960
Speaker 2: You know Jeanine from Boost Juice, she's a mum, so

468
00:20:33,040 --> 00:20:37,320
Speaker 2: this famous business woman? Definitely Kate Langbrook famous breast fed

469
00:20:37,520 --> 00:20:41,880
Speaker 2: on television. Absolutely, that didn't put her on the map,

470
00:20:41,920 --> 00:20:46,480
Speaker 2: but it certainly rocks. I was there when she breastfed. No,

471
00:20:46,560 --> 00:20:48,439
Speaker 2: you weren't, because I just latched on.

472
00:20:48,760 --> 00:20:53,040
Speaker 1: Come on, she's not appropriate because that show's funny, you know,

473
00:20:53,160 --> 00:20:56,520
Speaker 1: because I can't remember whether I was there or I

474
00:20:56,680 --> 00:20:58,320
Speaker 1: was on the show. That was I ever on the

475
00:20:58,320 --> 00:21:02,000
Speaker 1: panel with you? Yeah? Yeah, well, I was there because

476
00:21:02,000 --> 00:21:05,159
Speaker 1: I remember looking across I remember looking across her breastfeeding,

477
00:21:05,680 --> 00:21:07,040
Speaker 1: going okay, no big deal.

478
00:21:07,080 --> 00:21:11,320
Speaker 2: I wasn't there. When I was there, we went to

479
00:21:12,080 --> 00:21:15,959
Speaker 2: a restaurant from my kitchen rules and they were filming

480
00:21:16,000 --> 00:21:18,280
Speaker 2: and she breastpend there and the guy told her to stop.

481
00:21:18,640 --> 00:21:20,920
Speaker 1: There was a generation of people that find it offensive

482
00:21:20,920 --> 00:21:26,239
Speaker 1: and they go, it's unnaturally. I mean, it's what it is,

483
00:21:26,320 --> 00:21:31,160
Speaker 1: and give them some privacy. And what is wrong? What's

484
00:21:31,200 --> 00:21:33,480
Speaker 1: wrong with doing something natural? I think if they got

485
00:21:33,480 --> 00:21:35,560
Speaker 1: down and did a dump in the middle of a restaurant,

486
00:21:35,640 --> 00:21:37,480
Speaker 1: you go, hang on, that'side the boat. But if that

487
00:21:37,640 --> 00:21:39,280
Speaker 1: baby needs to be feed in a restaurant, or.

488
00:21:40,760 --> 00:21:45,920
Speaker 2: Feed the baby, the baby anyway, So were talking about

489
00:21:46,040 --> 00:21:49,120
Speaker 2: Jack Black, Okay, well let's talk about Amy Pola.

490
00:21:49,680 --> 00:21:52,280
Speaker 1: Yes, you know, Dave, you should do an ad for

491
00:21:52,600 --> 00:21:55,120
Speaker 1: you to do stand up. Look, people should know about

492
00:21:55,119 --> 00:21:55,680
Speaker 1: what you can do.

493
00:21:55,840 --> 00:21:59,400
Speaker 2: Well, It's true. I do all sorts of functions, birthday parties,

494
00:22:00,040 --> 00:22:03,359
Speaker 2: you know, footy clubs, and I'm available. You're available absolutely,

495
00:22:03,400 --> 00:22:05,399
Speaker 2: So if you need me to come to your function,

496
00:22:06,160 --> 00:22:06,919
Speaker 2: just email me.

497
00:22:07,040 --> 00:22:09,320
Speaker 1: Thinks bad? Do you need to work? What's that you

498
00:22:09,320 --> 00:22:09,960
Speaker 1: need to work? Yeah?

499
00:22:10,160 --> 00:22:12,639
Speaker 2: The work would be good. Yeah, I've just been on

500
00:22:12,640 --> 00:22:17,959
Speaker 2: an overseas trip with a family. That's expensive. That's so

501
00:22:18,119 --> 00:22:20,440
Speaker 2: email me Comedy Funhouse one A three.

502
00:22:20,560 --> 00:22:22,919
Speaker 1: Do you want one of the best comedians in Australia

503
00:22:23,080 --> 00:22:26,400
Speaker 1: to host your function to your gig? B there be funny,

504
00:22:26,640 --> 00:22:29,760
Speaker 1: control the whole note and make it an event to remember.

505
00:22:30,280 --> 00:22:32,000
Speaker 1: Get oil or someone else.

506
00:22:32,000 --> 00:22:34,480
Speaker 2: But you can just email me Comedy Funhouse one A

507
00:22:34,600 --> 00:22:37,480
Speaker 2: three at gmail dot com. And I read those emails.

508
00:22:37,560 --> 00:22:38,439
Speaker 2: It comes direct to me.

509
00:22:38,600 --> 00:22:40,359
Speaker 1: Yeah, I've written a couple of them. Yeah you have.

510
00:22:40,640 --> 00:22:43,280
Speaker 1: I like what you do seriously, well, well you could

511
00:22:43,280 --> 00:22:43,920
Speaker 1: really take off.

512
00:22:44,000 --> 00:22:48,480
Speaker 2: Do a right stand up? Yeah for any function. Love Amy,

513
00:22:50,960 --> 00:22:53,720
Speaker 2: let's back up in terms of female comics and do.

514
00:22:53,640 --> 00:22:55,440
Speaker 1: You love her or do you love her my love?

515
00:22:55,600 --> 00:22:57,440
Speaker 2: I think? I think in terms of female comics.

516
00:22:57,160 --> 00:22:59,160
Speaker 1: Do you think do you find it very attractive?

517
00:22:59,160 --> 00:22:59,880
Speaker 2: I find it attractive.

518
00:23:00,240 --> 00:23:02,280
Speaker 1: Okay, now we're getting down to it. Maybe you can't.

519
00:23:02,960 --> 00:23:05,639
Speaker 1: What is it? What are you attracted to? She's funny,

520
00:23:05,640 --> 00:23:09,560
Speaker 1: he's got beautiful smile. Maybe that's it, because I find

521
00:23:09,600 --> 00:23:13,240
Speaker 1: that you are attracted to different women to than I'm Yeah,

522
00:23:13,960 --> 00:23:21,080
Speaker 1: I'm probably you have more sps. Yes, you like now?

523
00:23:21,119 --> 00:23:25,800
Speaker 1: You might now you're more a b C. Probably channeling

524
00:23:25,920 --> 00:23:26,399
Speaker 1: Sunday Night.

525
00:23:26,440 --> 00:23:28,320
Speaker 2: Yeah, yeah, you're probably right, you're probably right.

526
00:23:29,600 --> 00:23:35,280
Speaker 1: Yeah, yeah, are you're more, I'm more Broadway.

527
00:23:35,359 --> 00:23:40,359
Speaker 2: You're more, you're more weather girl. I'm a reporter. I'm

528
00:23:40,359 --> 00:23:40,840
Speaker 2: a reporter.

529
00:23:41,960 --> 00:23:42,960
Speaker 1: That's a good way of putting it.

530
00:23:43,280 --> 00:23:44,800
Speaker 2: You're more, cheerleader, more book club.

531
00:23:45,400 --> 00:23:46,920
Speaker 1: Yeah, that's true. That's true.

532
00:23:46,960 --> 00:23:48,199
Speaker 2: Absolutely, And.

533
00:23:49,840 --> 00:23:55,600
Speaker 1: Take a cheerleader, just go. Cheerleaders are great, Hollywood. You're more,

534
00:23:56,000 --> 00:23:56,520
Speaker 1: You're more.

535
00:23:57,400 --> 00:24:02,080
Speaker 2: Yeah, you're more. Yeah, yeah, Arthouse is a good way

536
00:24:02,119 --> 00:24:02,560
Speaker 2: of putting it.

537
00:24:02,640 --> 00:24:05,840
Speaker 1: Yes, right, And I'm not saying you're doing anything about it.

538
00:24:06,280 --> 00:24:08,360
Speaker 1: I'm saying you're haven't a fair anything like that. I'm

539
00:24:08,400 --> 00:24:11,119
Speaker 1: just saying that it's interesting that you find Amy Polo

540
00:24:11,160 --> 00:24:12,359
Speaker 1: attractive and I don't.

541
00:24:12,680 --> 00:24:15,000
Speaker 2: You don't because she's blonde and you like blondes, don't you?

542
00:24:16,080 --> 00:24:17,400
Speaker 1: Yeah, I just don't find her.

543
00:24:17,520 --> 00:24:20,719
Speaker 2: Well, are there any female comic actresses I am not

544
00:24:20,760 --> 00:24:22,359
Speaker 2: going to say that you find attractive?

545
00:24:22,440 --> 00:24:22,520
Speaker 3: No?

546
00:24:22,680 --> 00:24:24,960
Speaker 2: Am, I going to say, why wouldn't you say that? Okay, Well,

547
00:24:25,000 --> 00:24:27,960
Speaker 2: so I'll just run through a few for you. Tina Fey,

548
00:24:28,600 --> 00:24:33,480
Speaker 2: Amy Schumer, We'll go local, Julian Morris, Kitty Finnigan.

549
00:24:33,200 --> 00:24:35,879
Speaker 1: Now being silent because you just.

550
00:24:35,840 --> 00:24:36,480
Speaker 2: Don't want to say it.

551
00:24:36,560 --> 00:24:38,040
Speaker 1: I don't want to say because it's creepy.

552
00:24:38,200 --> 00:24:40,200
Speaker 2: It is a bit creepy. And I think because Amy

553
00:24:40,200 --> 00:24:42,080
Speaker 2: Pola is in America, that's not that creepy.

554
00:24:42,080 --> 00:24:44,879
Speaker 1: Do you find her funny? Yeah? I do.

555
00:24:44,960 --> 00:24:45,760
Speaker 2: I find it funny.

556
00:24:45,960 --> 00:24:49,520
Speaker 1: Yeah, actually I find her. I find it fine, but

557
00:24:49,560 --> 00:24:52,560
Speaker 1: I don't find it. I don't go. I'm excited, here

558
00:24:52,600 --> 00:24:52,920
Speaker 1: we go.

559
00:24:53,240 --> 00:24:55,520
Speaker 2: I watched that movie with her and Tina Fakeld sisters.

560
00:24:55,520 --> 00:24:57,159
Speaker 2: I think it was really funny. I don't think I

561
00:24:57,200 --> 00:24:57,680
Speaker 2: did that well.

562
00:24:57,680 --> 00:24:59,800
Speaker 1: But them two together, is that one where they were

563
00:24:59,840 --> 00:25:03,040
Speaker 1: both highly in character? Was it? I found that really unfunny.

564
00:25:03,200 --> 00:25:04,760
Speaker 2: No, I know they had to move back to the

565
00:25:04,800 --> 00:25:06,000
Speaker 2: country town or something.

566
00:25:06,040 --> 00:25:07,520
Speaker 1: You know, maybe it's a different one. I saw one

567
00:25:07,560 --> 00:25:09,400
Speaker 1: with where they were both playing sort of really heightened

568
00:25:09,359 --> 00:25:12,920
Speaker 1: the sketch characters, and I'm going, it's not working. Yeah,

569
00:25:12,960 --> 00:25:16,240
Speaker 1: But she works a lot with with Fate where she

570
00:25:16,240 --> 00:25:17,240
Speaker 1: comes through in pro or something.

571
00:25:17,320 --> 00:25:19,200
Speaker 2: Yeah, yeah, there's a New york I Pro group and

572
00:25:20,000 --> 00:25:22,000
Speaker 2: Saturday Night Live, wasn't it? And then she did Parks

573
00:25:22,000 --> 00:25:25,040
Speaker 2: and Recreation, which I've actually seen a lot of people.

574
00:25:25,440 --> 00:25:27,320
Speaker 1: You would have been a big viewer of that You'd

575
00:25:27,359 --> 00:25:31,240
Speaker 1: Reckon because that that was kind of like handheld sort

576
00:25:31,240 --> 00:25:35,120
Speaker 1: of that that the office, Yeah, that handheld. So yeah,

577
00:25:35,160 --> 00:25:38,480
Speaker 1: so she she went the Stepping Stones in pro SNL and.

578
00:25:38,480 --> 00:25:40,080
Speaker 2: Then she hosted the was it the Emmys of the

579
00:25:40,119 --> 00:25:43,280
Speaker 2: Golden Globes with Yeah funny?

580
00:25:43,680 --> 00:25:45,280
Speaker 1: Now doing movies, I guess.

581
00:25:45,359 --> 00:25:47,680
Speaker 2: Oh, now she's doing a podcast I've heard of podcast

582
00:25:47,920 --> 00:25:53,960
Speaker 2: and she she was married to Will from the Batman movie.

583
00:25:54,720 --> 00:26:01,360
Speaker 1: He's got a great voice, SmartLess, SmartLess. Yes, god, you're good.

584
00:26:01,560 --> 00:26:04,879
Speaker 2: The guy from Ozarks, the guy that was in Curb

585
00:26:04,960 --> 00:26:05,439
Speaker 2: and stuff.

586
00:26:05,600 --> 00:26:09,880
Speaker 1: Yeah, it Will on Netn't. Let's not even go there.

587
00:26:11,480 --> 00:26:12,639
Speaker 2: You know what we should be able to get the

588
00:26:12,640 --> 00:26:15,680
Speaker 2: guy from Ozarks who was in you won't. I bet

589
00:26:15,680 --> 00:26:21,080
Speaker 2: you justin I am putting on Jason Jason, but Jason Bateman,

590
00:26:21,160 --> 00:26:24,280
Speaker 2: isn't it. Yeah, it's Jason Bateman. And the other guy

591
00:26:24,320 --> 00:26:25,400
Speaker 2: is not as famous.

592
00:26:25,080 --> 00:26:26,680
Speaker 1: But he's the other guy.

593
00:26:27,040 --> 00:26:28,879
Speaker 2: The other guys on kerb is your lawyer.

594
00:26:29,040 --> 00:26:31,560
Speaker 1: He's very good in that. But on that podcast, he

595
00:26:31,680 --> 00:26:34,520
Speaker 1: goes they'll have a big celebrity guest and he'll say

596
00:26:34,560 --> 00:26:37,120
Speaker 1: something like, you know, I met you at a restaurant

597
00:26:37,119 --> 00:26:40,320
Speaker 1: and I really needed a napkin, and I reached over

598
00:26:40,400 --> 00:26:42,960
Speaker 1: and I said, can I borrow your napkin? You know

599
00:26:42,960 --> 00:26:44,840
Speaker 1: what you gave it to? You're such a nice person.

600
00:26:44,840 --> 00:26:49,080
Speaker 1: You're not a great shape. His story not a great story.

601
00:26:49,920 --> 00:26:52,480
Speaker 1: Maybe maybe you know hold your horses.

602
00:26:53,960 --> 00:26:56,560
Speaker 2: Definitely hang out. I have got Jason Bateman is the

603
00:26:56,600 --> 00:26:57,560
Speaker 2: guy from the Ozarks.

604
00:26:57,600 --> 00:27:00,000
Speaker 1: Yeah, you won't get Will on net and you won't

605
00:27:00,080 --> 00:27:01,240
Speaker 1: get his name. Sean Hayes.

606
00:27:01,720 --> 00:27:04,640
Speaker 2: Sean Hayes. He's a great actor, funny.

607
00:27:04,359 --> 00:27:08,080
Speaker 1: And he was in one of those comedies sitcoms.

608
00:27:07,800 --> 00:27:09,200
Speaker 2: Hangover, something like that one.

609
00:27:10,600 --> 00:27:14,400
Speaker 1: Sean Hayes, a big one that I've never seen an episode.

610
00:27:14,080 --> 00:27:18,639
Speaker 2: Of the Office, not the American Office, Not Will and Grace.

611
00:27:19,640 --> 00:27:23,520
Speaker 2: Oh no, sure we are, Sam, Yeah, Sam, What's What's

612
00:27:23,560 --> 00:27:26,520
Speaker 2: What's where? Sean Hayes from my tongue?

613
00:27:26,800 --> 00:27:29,560
Speaker 3: Sean Hayes is most well known for his role in

614
00:27:29,640 --> 00:27:30,479
Speaker 3: Will and Grace.

615
00:27:31,480 --> 00:27:33,040
Speaker 2: See I had it right.

616
00:27:33,240 --> 00:27:33,920
Speaker 1: What's the other one?

617
00:27:35,119 --> 00:27:35,959
Speaker 2: Mad about you?

618
00:27:36,240 --> 00:27:38,760
Speaker 1: The other one fell? The other one, the other one

619
00:27:38,760 --> 00:27:42,720
Speaker 1: that's on quite regularly that friends know, the one talk

620
00:27:42,760 --> 00:27:43,359
Speaker 1: about space?

621
00:27:43,760 --> 00:27:46,520
Speaker 2: Yeah, not the nerd one, Yeah, the nerd one. Third

622
00:27:46,600 --> 00:27:48,800
Speaker 2: Rock from the Sun, Yeah, Third Rock from the Sun.

623
00:27:49,119 --> 00:27:49,880
Speaker 1: No, that's another one.

624
00:27:49,880 --> 00:27:53,080
Speaker 2: You're talking about the the other one with Yeah, that's funny.

625
00:27:53,080 --> 00:27:58,159
Speaker 2: That show terrible terrible, terrible, terrible.

626
00:27:58,480 --> 00:28:01,439
Speaker 1: Uh, I've just looked up on my phone. All right,

627
00:28:01,760 --> 00:28:04,280
Speaker 1: and I will play you. I think I'll play you

628
00:28:04,280 --> 00:28:06,879
Speaker 1: with the theme and you it'll hurt you to know

629
00:28:06,960 --> 00:28:08,679
Speaker 1: see how long it takes it to get it. But

630
00:28:09,200 --> 00:28:13,960
Speaker 1: for those of you who haven't got it, Dan Steve.

631
00:28:13,720 --> 00:28:17,520
Speaker 3: And nearly fourteen billion years ago, expansion started.

632
00:28:17,680 --> 00:28:23,159
Speaker 2: Oh yeah, the big bank theory.

633
00:28:23,440 --> 00:28:25,840
Speaker 1: I'm money for them to say that. Do they say

634
00:28:25,840 --> 00:28:27,160
Speaker 1: big bang theory in the theme?

635
00:28:28,720 --> 00:28:31,240
Speaker 2: There it is there, it is, okay, the big bank theory.

636
00:28:31,640 --> 00:28:33,640
Speaker 1: I feel so much better. It's like finding your car keys.

637
00:28:33,680 --> 00:28:36,200
Speaker 1: And yeah, it is a real sense of satisfaction that

638
00:28:36,280 --> 00:28:36,960
Speaker 1: you get when you have.

639
00:28:36,920 --> 00:28:37,680
Speaker 2: A noble moment.

640
00:28:37,760 --> 00:28:37,879
Speaker 1: Right.

641
00:28:38,360 --> 00:28:40,560
Speaker 2: I went into Ross Nobles house the other day. You're invited.

642
00:28:41,480 --> 00:28:42,960
Speaker 2: I was away, you were away.

643
00:28:43,000 --> 00:28:43,160
Speaker 3: I know.

644
00:28:43,400 --> 00:28:44,800
Speaker 2: Yeah. He's such a good host.

645
00:28:44,960 --> 00:28:46,800
Speaker 1: Yeah he is a good man, great fun I hope

646
00:28:46,840 --> 00:28:49,120
Speaker 1: he still listens. Maybe he got sick of us. He

647
00:28:49,240 --> 00:28:50,760
Speaker 1: was one of the he was one of the first

648
00:28:50,800 --> 00:28:53,960
Speaker 1: uptakers who when we go feedback from here, I thought,

649
00:28:54,160 --> 00:28:57,360
Speaker 1: if we can keep us noble slightly entertained where we're

650
00:28:57,360 --> 00:28:59,600
Speaker 1: doing Okay, and I thrilled that he's and he's a

651
00:28:59,600 --> 00:29:02,760
Speaker 1: good friend and a great man, good fun I can't

652
00:29:02,800 --> 00:29:04,640
Speaker 1: tell you what he and I were going to do

653
00:29:04,680 --> 00:29:06,600
Speaker 1: because it's top secret, but we're going to do something

654
00:29:06,640 --> 00:29:08,640
Speaker 1: pretty exciting skydiving.

655
00:29:09,280 --> 00:29:14,880
Speaker 2: Get your nails polished? Okay, Now are we talking about

656
00:29:14,880 --> 00:29:15,400
Speaker 2: Amy Pohler?

657
00:29:15,760 --> 00:29:19,160
Speaker 1: Yeah, because it was stepping stones in pro SNL. I

658
00:29:19,160 --> 00:29:22,800
Speaker 1: don't want to dimission SNL to parks and recreations now

659
00:29:22,840 --> 00:29:26,760
Speaker 1: to movies and podcasts and podcasts. And she's and she's

660
00:29:26,800 --> 00:29:28,320
Speaker 1: a producer and she's a creator.

661
00:29:28,440 --> 00:29:32,480
Speaker 2: She helped the Broad City Women sitcom. She was the

662
00:29:32,480 --> 00:29:33,040
Speaker 2: EP on that.

663
00:29:33,040 --> 00:29:36,120
Speaker 1: That was a great well, yes, I mean that was great.

664
00:29:37,360 --> 00:29:40,080
Speaker 1: Some of one of those girls I see have seen

665
00:29:40,120 --> 00:29:41,800
Speaker 1: her in curb and stuff, and the other one I

666
00:29:41,800 --> 00:29:43,480
Speaker 1: haven't seen as much, but she's a great girl.

667
00:29:43,560 --> 00:29:47,120
Speaker 2: Those two really funny, fabulous those girls Fanny.

668
00:29:48,000 --> 00:29:50,760
Speaker 1: So I think, oh there was three on the list.

669
00:29:51,840 --> 00:29:54,720
Speaker 2: Me let's talk about me? Do we have to talk

670
00:29:54,720 --> 00:29:55,720
Speaker 2: about me?

671
00:29:55,720 --> 00:29:55,760
Speaker 3: Me?

672
00:29:55,840 --> 00:29:58,000
Speaker 2: Everyone knows me if they listen to this, they know

673
00:29:58,080 --> 00:29:58,840
Speaker 2: me well.

674
00:29:59,120 --> 00:30:03,840
Speaker 1: Okay born ninett, sixty five, Melbourne, Melbourne, Englishmond. Yeah too

675
00:30:04,080 --> 00:30:08,360
Speaker 1: with Joyce and Kevin No sisters to three brothers, twin twins.

676
00:30:08,840 --> 00:30:11,720
Speaker 1: We know allus, don't we do? We went to what's

677
00:30:11,760 --> 00:30:12,640
Speaker 1: what primary school?

678
00:30:12,640 --> 00:30:13,640
Speaker 2: Heaven our primary?

679
00:30:13,840 --> 00:30:16,200
Speaker 1: Yeah, then went to high school high what was your

680
00:30:16,280 --> 00:30:20,080
Speaker 1: favorite subject of school history? Who was your favorite teacher

681
00:30:20,080 --> 00:30:20,720
Speaker 1: in high school?

682
00:30:21,640 --> 00:30:23,880
Speaker 2: There was mister Campbell and missus Berthelson.

683
00:30:24,080 --> 00:30:26,920
Speaker 1: When did you first announce it to your parents that

684
00:30:27,000 --> 00:30:29,200
Speaker 1: you wanted to maybe be on the stage or on

685
00:30:29,240 --> 00:30:29,640
Speaker 1: the screen?

686
00:30:30,600 --> 00:30:32,960
Speaker 2: Was in bands? So that would have been in the eighties.

687
00:30:33,320 --> 00:30:35,640
Speaker 1: Was it was it kind of inevitable that you would

688
00:30:35,720 --> 00:30:38,760
Speaker 1: have would go towards it? Was it like to say

689
00:30:38,920 --> 00:30:40,800
Speaker 1: that little thing that you thought little folly that you

690
00:30:40,840 --> 00:30:42,560
Speaker 1: were doing in your own years?

691
00:30:42,680 --> 00:30:45,480
Speaker 2: When my band broke up, Chris Surrey, who was one

692
00:30:45,520 --> 00:30:48,920
Speaker 2: of those support acts, he said, how will Dave O'Neil

693
00:30:48,960 --> 00:30:49,479
Speaker 2: get famous?

694
00:30:49,520 --> 00:30:54,560
Speaker 1: Now? He was worried? And then when did Captain Coco

695
00:30:54,680 --> 00:30:59,120
Speaker 1: come along with that? Doing Uni school? It was doing

696
00:30:59,200 --> 00:30:59,720
Speaker 1: high school?

697
00:31:00,120 --> 00:31:04,360
Speaker 2: We were like seventeen. Really yeah, I started playing yep, yep, yep.

698
00:31:04,440 --> 00:31:07,040
Speaker 2: Definitely rehearsals And what was the show that you were on?

699
00:31:07,080 --> 00:31:10,120
Speaker 1: The TV show you won the Factory the Factory with

700
00:31:10,400 --> 00:31:11,520
Speaker 1: and then they were rude.

701
00:31:11,280 --> 00:31:13,719
Speaker 2: To you Andrew Daddo and Alex Papps and they were

702
00:31:13,760 --> 00:31:16,400
Speaker 2: rude to you and that Andrew Daddo said, he interviewed

703
00:31:16,480 --> 00:31:18,800
Speaker 2: us and we had the Mimo song and before the

704
00:31:18,840 --> 00:31:21,520
Speaker 2: cameras came on, he turned to me and he said, remember, mate,

705
00:31:21,600 --> 00:31:22,880
Speaker 2: I do all the funny stuff around here.

706
00:31:22,920 --> 00:31:24,800
Speaker 1: Yeah, because you were trying to be funny? Did you

707
00:31:24,840 --> 00:31:26,080
Speaker 1: say that off camera? On camera?

708
00:31:26,200 --> 00:31:28,960
Speaker 2: Off camera? And as I think you said, which I've

709
00:31:29,000 --> 00:31:33,800
Speaker 2: used the stet up but we're still waiting, Andrew, I

710
00:31:33,880 --> 00:31:35,640
Speaker 2: must have been. I must have been mucking around and

711
00:31:35,720 --> 00:31:41,400
Speaker 2: being stupid, knowing me immature, excited, an ambulance.

712
00:31:41,880 --> 00:31:43,480
Speaker 1: Was there a period where you were in the band,

713
00:31:43,520 --> 00:31:46,480
Speaker 1: then you weren't in the band, that's when you're at UNI? Yeah, yeah,

714
00:31:46,520 --> 00:31:49,840
Speaker 1: and then when Uni did you Okay, you're one of

715
00:31:49,840 --> 00:31:52,959
Speaker 1: Australia's best stand up community. When did you decide to

716
00:31:53,360 --> 00:31:54,960
Speaker 1: stand and do stand? Well?

717
00:31:55,000 --> 00:31:57,360
Speaker 2: You know, in those days in the eighties, comics will

718
00:31:57,360 --> 00:32:00,280
Speaker 2: get up between bands, so you're going to see a

719
00:32:00,040 --> 00:32:02,160
Speaker 2: man slim Whittle would get up and do his mid

720
00:32:02,160 --> 00:32:05,200
Speaker 2: not all roady you pretend to be a roady? Really?

721
00:32:05,280 --> 00:32:07,560
Speaker 1: Did you start off doing the stand up character?

722
00:32:08,040 --> 00:32:10,720
Speaker 2: No? I did a character early on. Absolutely, But I

723
00:32:10,720 --> 00:32:13,360
Speaker 2: did stand up, yeah, yeah, because as you remember when

724
00:32:13,680 --> 00:32:15,840
Speaker 2: you started. When I started, there were a lot of characters.

725
00:32:15,440 --> 00:32:17,440
Speaker 1: With a lot of cabaret. Yeah, a lot of singing,

726
00:32:17,440 --> 00:32:20,160
Speaker 1: a lot of people putting on a wig or some

727
00:32:20,600 --> 00:32:23,680
Speaker 1: magicians would turn up. And now it's all one microphone,

728
00:32:23,720 --> 00:32:24,280
Speaker 1: one person.

729
00:32:24,480 --> 00:32:26,240
Speaker 2: There is a fair bit of singing. There is a

730
00:32:26,440 --> 00:32:28,480
Speaker 2: If you look at the Comedy Festival, though it's all

731
00:32:28,480 --> 00:32:32,000
Speaker 2: coming back, there's a lot of cabaret. A clown won

732
00:32:32,040 --> 00:32:34,360
Speaker 2: the main award and the year before that had a

733
00:32:34,440 --> 00:32:35,160
Speaker 2: musical performer.

734
00:32:35,200 --> 00:32:38,479
Speaker 1: And that's good that there's a bit of diversity in Oh,

735
00:32:38,520 --> 00:32:38,840
Speaker 1: that's good.

736
00:32:39,040 --> 00:32:39,800
Speaker 2: That's heaps of singing.

737
00:32:39,920 --> 00:32:41,680
Speaker 1: There's nothing wrong with stand up, don't get me wrong.

738
00:32:41,720 --> 00:32:43,719
Speaker 1: But but you know when I see a stand up

739
00:32:44,080 --> 00:32:46,360
Speaker 1: who brunches out in the experiments, I go that, Now

740
00:32:46,400 --> 00:32:47,080
Speaker 1: that's exciting.

741
00:32:47,320 --> 00:32:48,360
Speaker 2: Yeah, there's a lot of variety.

742
00:32:48,640 --> 00:32:51,520
Speaker 1: So when did how did radio come into.

743
00:32:51,360 --> 00:32:52,560
Speaker 2: The next do an interview?

744
00:32:52,800 --> 00:32:55,880
Speaker 1: Well, you are the topic and I had radio, would

745
00:32:55,880 --> 00:32:57,120
Speaker 1: you were able to just talk about yourself?

746
00:32:57,200 --> 00:32:57,320
Speaker 3: Now?

747
00:32:57,400 --> 00:33:01,880
Speaker 2: Go on? Radio was triplet the community station started doing

748
00:33:01,960 --> 00:33:02,880
Speaker 2: a show there in.

749
00:33:02,800 --> 00:33:04,560
Speaker 1: The what was book?

750
00:33:04,720 --> 00:33:07,640
Speaker 2: Yeah book, yeah, with Vic Plumanell and Parks that was

751
00:33:07,640 --> 00:33:08,320
Speaker 2: a mid and.

752
00:33:08,320 --> 00:33:09,880
Speaker 1: How did it actually come to do that?

753
00:33:10,280 --> 00:33:12,320
Speaker 2: Well? I was a big Triple R listener because I

754
00:33:12,360 --> 00:33:15,240
Speaker 2: was in oldternat you went knocked on the door and

755
00:33:15,320 --> 00:33:17,160
Speaker 2: I've been in there to be interviewed for the band

756
00:33:17,200 --> 00:33:20,560
Speaker 2: and stuff. And then one of my friends was working

757
00:33:20,600 --> 00:33:23,880
Speaker 2: there and said, put in the tape to the head guy,

758
00:33:23,960 --> 00:33:26,920
Speaker 2: Stephen Walker. And so he listened to the tape and said,

759
00:33:26,920 --> 00:33:29,120
Speaker 2: all right. He said, you're not that funny, but your

760
00:33:29,160 --> 00:33:31,680
Speaker 2: potential I think, or something like that. So he gave

761
00:33:31,760 --> 00:33:34,400
Speaker 2: us a half hour show on a Sunday, which then

762
00:33:34,560 --> 00:33:35,760
Speaker 2: was turned into an hour.

763
00:33:35,800 --> 00:33:37,040
Speaker 1: And then you went on to breakfast.

764
00:33:37,440 --> 00:33:38,320
Speaker 2: Then Kate used to listen.

765
00:33:38,400 --> 00:33:40,360
Speaker 1: Kate Lanebrook listened to that that and that would she

766
00:33:40,520 --> 00:33:41,400
Speaker 1: did she pursue you?

767
00:33:41,600 --> 00:33:41,800
Speaker 3: Yeah?

768
00:33:41,840 --> 00:33:43,360
Speaker 1: Yeah, yeah, that's exciting.

769
00:33:43,560 --> 00:33:45,240
Speaker 2: And then asked and then I used to fill in

770
00:33:45,280 --> 00:33:48,680
Speaker 2: on breakfast Breakfast at Triple RYE.

771
00:33:48,880 --> 00:33:50,520
Speaker 1: When did you get the call to go to the ABC?

772
00:33:51,600 --> 00:33:52,640
Speaker 1: Wasn't there a story behind that?

773
00:33:52,680 --> 00:33:53,040
Speaker 3: You go?

774
00:33:53,720 --> 00:33:54,400
Speaker 1: What was the story?

775
00:33:54,520 --> 00:33:58,040
Speaker 2: The story tragic? Tragic in a way, but not I mean,

776
00:33:58,080 --> 00:34:01,480
Speaker 2: I just I was working on Over and then I.

777
00:34:01,400 --> 00:34:04,800
Speaker 1: Was so Nover came after Triple Up, after it.

778
00:34:04,760 --> 00:34:07,840
Speaker 2: Went Triple R Triple m Me and Hughsey and Kate

779
00:34:07,880 --> 00:34:10,799
Speaker 2: started doing like a where did you meet? On the

780
00:34:10,800 --> 00:34:13,040
Speaker 2: stand up circuit? But he was a big part of

781
00:34:13,040 --> 00:34:14,800
Speaker 2: Triple R. He used to do a show on Triple

782
00:34:14,880 --> 00:34:17,000
Speaker 2: R and he used to ring in on a Friday.

783
00:34:17,000 --> 00:34:19,200
Speaker 2: He was a Friday correspondent, often being bad.

784
00:34:20,360 --> 00:34:22,759
Speaker 1: That's where would do a documentary about. I mean, I'm

785
00:34:22,760 --> 00:34:25,239
Speaker 1: sure there were radio stations equipped in other states.

786
00:34:24,960 --> 00:34:26,239
Speaker 2: But a Triple R.

787
00:34:26,239 --> 00:34:28,960
Speaker 1: It's pretty incredible the talent has come through there. They

788
00:34:28,960 --> 00:34:32,280
Speaker 1: should do a documentary, whether it's a podcaster, but interviewing

789
00:34:32,280 --> 00:34:33,879
Speaker 1: the people, how and why and when?

790
00:34:35,080 --> 00:34:39,680
Speaker 2: Sampang Absolutely, there was heaps of them. Ross from three

791
00:34:39,719 --> 00:34:40,880
Speaker 2: a W was Triple R.

792
00:34:41,880 --> 00:34:43,280
Speaker 1: It was Ross Campbell and wasn't.

793
00:34:43,160 --> 00:34:45,839
Speaker 2: Ross Campbell's Ross Campbell that was the show was great

794
00:34:46,160 --> 00:34:49,480
Speaker 2: guns and Kate Lainbrook. Of course the heaps of us

795
00:34:49,480 --> 00:34:52,160
Speaker 2: that came through Triple R. Because there was no internet too,

796
00:34:52,200 --> 00:34:54,080
Speaker 2: so you couldn't just get on and make your own things.

797
00:34:54,080 --> 00:34:56,960
Speaker 2: You had to get on somewhere, you know what I mean.

798
00:34:57,280 --> 00:34:59,920
Speaker 2: Tim Smith was Triple heaps of Triple AR people.

799
00:35:00,040 --> 00:35:02,000
Speaker 1: Tony Well, so then you didn't you get a call

800
00:35:02,040 --> 00:35:02,640
Speaker 1: from the ABC?

801
00:35:03,280 --> 00:35:06,160
Speaker 2: Yeah? Yeah, so what happened. I went Triple M, then Nova,

802
00:35:06,320 --> 00:35:09,879
Speaker 2: and then we're on Nova doing breakfast and I got

803
00:35:09,880 --> 00:35:12,600
Speaker 2: a call. I was in Bernie doing a gig for

804
00:35:12,680 --> 00:35:15,279
Speaker 2: Sailors and this war rang me up. I don't even

805
00:35:15,280 --> 00:35:18,399
Speaker 2: know who it was. And we've been talking about you.

806
00:35:18,719 --> 00:35:21,520
Speaker 2: I'm like, what are you? She said that your ears burning?

807
00:35:21,640 --> 00:35:23,680
Speaker 2: I said, no, we've been talking about you at the

808
00:35:23,680 --> 00:35:24,120
Speaker 2: A b C.

809
00:35:24,360 --> 00:35:26,719
Speaker 1: I'm like, really, I had listened to you on the radio. Yeah.

810
00:35:26,760 --> 00:35:30,200
Speaker 2: They wanted me to do ABC AM Radio but I

811
00:35:30,400 --> 00:35:32,120
Speaker 2: and she said, when you just signed to Nova And

812
00:35:32,160 --> 00:35:36,640
Speaker 2: I said, last weeks went oh oh wow, we'll just anyway,

813
00:35:36,719 --> 00:35:39,319
Speaker 2: We'll be in touched. Never heard from them again. So

814
00:35:39,719 --> 00:35:42,480
Speaker 2: and then I just started well after NOV, I started

815
00:35:42,480 --> 00:35:44,799
Speaker 2: doing ABC Radio absolutely.

816
00:35:44,400 --> 00:35:48,560
Speaker 1: And why and you're one person that could be on ABC?

817
00:35:48,680 --> 00:35:52,040
Speaker 1: And I reckon, well, you're doing breakfast regularly. Why have

818
00:35:52,080 --> 00:35:54,200
Speaker 1: they never? Why have you never taken up a regular spot?

819
00:35:54,239 --> 00:35:58,160
Speaker 1: Would you take up? Why?

820
00:35:56,760 --> 00:35:57,040
Speaker 3: I just.

821
00:35:59,080 --> 00:35:59,880
Speaker 1: Too exhausting?

822
00:36:00,200 --> 00:36:00,360
Speaker 3: Is this?

823
00:36:00,960 --> 00:36:01,160
Speaker 1: Yeah?

824
00:36:01,239 --> 00:36:02,040
Speaker 2: Would you do it?

825
00:36:02,480 --> 00:36:02,960
Speaker 1: No?

826
00:36:02,960 --> 00:36:05,640
Speaker 2: No, they don't like me at the ABC. But if

827
00:36:05,640 --> 00:36:10,520
Speaker 2: say another statement, everybody the ABC, they do like you.

828
00:36:10,600 --> 00:36:13,439
Speaker 2: At the ABC. You were part of one of their

829
00:36:13,640 --> 00:36:14,880
Speaker 2: premier shows. Kathin King.

830
00:36:15,040 --> 00:36:16,240
Speaker 1: But that's televisions, not radio.

831
00:36:16,440 --> 00:36:19,200
Speaker 2: It's a bit sad bron But yeah, you don't know.

832
00:36:19,520 --> 00:36:22,120
Speaker 1: Yeah I do think I did. Yeah, I've heard them

833
00:36:22,120 --> 00:36:24,399
Speaker 1: say things about me anyway. But you know, but so

834
00:36:24,719 --> 00:36:27,279
Speaker 1: you if what if I offered you to do the

835
00:36:27,360 --> 00:36:29,400
Speaker 1: Dave o' neil Sunday? I would love to lie in

836
00:36:29,440 --> 00:36:31,120
Speaker 1: bed and listen to day o neil on a Sunday

837
00:36:31,200 --> 00:36:32,560
Speaker 1: night people popping in.

838
00:36:32,880 --> 00:36:36,080
Speaker 2: I can replace Mecca, you know Macca Sunday mornings. He's

839
00:36:36,080 --> 00:36:38,600
Speaker 2: still on Hockon he was on when I was at Union.

840
00:36:38,680 --> 00:36:41,440
Speaker 1: How's ABC doing? By the way, Well, I don't know

841
00:36:42,280 --> 00:36:44,719
Speaker 1: that's ABC Radio because I read something the other day

842
00:36:44,760 --> 00:36:46,719
Speaker 1: that it's not rating it as well as it used to.

843
00:36:46,920 --> 00:36:49,719
Speaker 2: No, no, but maybe I don't know. They go up

844
00:36:49,760 --> 00:36:50,720
Speaker 2: and down, don't they.

845
00:36:51,040 --> 00:36:53,920
Speaker 1: Yeah, I mean the authentic to their to their what

846
00:36:53,960 --> 00:36:56,400
Speaker 1: do you call it, their their agenda, you know what

847
00:36:56,400 --> 00:36:59,160
Speaker 1: I mean? Doing good things, keep developing.

848
00:36:59,680 --> 00:37:00,439
Speaker 2: Radio all the time.

849
00:37:00,680 --> 00:37:03,080
Speaker 1: You're see guy, that was that your go to on

850
00:37:03,120 --> 00:37:06,160
Speaker 1: your knob? I'm much on you, funny, you know.

851
00:37:06,160 --> 00:37:09,040
Speaker 2: I listened to Triple M, ABC, Triple R, and a

852
00:37:09,080 --> 00:37:11,000
Speaker 2: bit of Gold. They're my four ones. But yeah, I

853
00:37:11,040 --> 00:37:12,400
Speaker 2: do listen to a bit of ABC, right, because I

854
00:37:12,480 --> 00:37:14,960
Speaker 2: quite like talk raad As I got older. When that

855
00:37:15,000 --> 00:37:17,279
Speaker 2: woman rang me from the ABC, I never even listened

856
00:37:17,280 --> 00:37:17,720
Speaker 2: to ABC.

857
00:37:17,920 --> 00:37:23,200
Speaker 1: I didn't didn't know what was Yeah, Radio National?

858
00:37:23,600 --> 00:37:25,520
Speaker 2: Do you that means you're really old?

859
00:37:25,840 --> 00:37:29,680
Speaker 1: Doesn't Yeah? Isn't it? Well? Braddy National is pretty give

860
00:37:29,719 --> 00:37:30,200
Speaker 1: you good?

861
00:37:30,640 --> 00:37:30,799
Speaker 2: Yeah.

862
00:37:30,840 --> 00:37:33,840
Speaker 1: I don't mind him because it's a it's magazine. You

863
00:37:33,880 --> 00:37:36,520
Speaker 1: can get different shows that do something for half an

864
00:37:36,520 --> 00:37:38,840
Speaker 1: hour and then there's another one coming around. It's not

865
00:37:38,920 --> 00:37:41,920
Speaker 1: shifts that people go, you know, here we are, Here's

866
00:37:41,960 --> 00:37:44,680
Speaker 1: twenty point six and a little bit of music. In

867
00:37:44,719 --> 00:37:46,760
Speaker 1: the next up, I'll be talking to a man who

868
00:37:47,160 --> 00:37:52,680
Speaker 1: grows potatoes in his backyard. And then do you like that? No?

869
00:37:52,680 --> 00:37:54,759
Speaker 2: Now, all the one that give us a call? When

870
00:37:54,840 --> 00:37:56,240
Speaker 2: was the time you went to the show?

871
00:37:56,640 --> 00:37:57,480
Speaker 1: Well, that's what I'm saying.

872
00:37:58,000 --> 00:37:59,359
Speaker 2: A lot of that, Yeah, a lot of that.

873
00:37:59,440 --> 00:38:02,320
Speaker 1: But I am a standard but a certain level of comfort,

874
00:38:02,320 --> 00:38:04,640
Speaker 1: I suppose, And and you know, we talk about the

875
00:38:04,680 --> 00:38:06,320
Speaker 1: same sort of thing on this podcast.

876
00:38:06,680 --> 00:38:09,279
Speaker 2: I like all sorts of radio, and when I do,

877
00:38:09,680 --> 00:38:11,239
Speaker 2: when I think back when I was a kid, I

878
00:38:11,320 --> 00:38:13,319
Speaker 2: wanted to be on the radio. That's one thing I

879
00:38:13,320 --> 00:38:17,760
Speaker 2: did want to do.

880
00:38:17,480 --> 00:38:19,560
Speaker 1: Then and went on. Then there was fixed specs, and

881
00:38:19,640 --> 00:38:21,920
Speaker 1: there was movies, and there was so forth. Is there

882
00:38:21,960 --> 00:38:24,040
Speaker 1: something that is there something that you haven't done that

883
00:38:24,080 --> 00:38:28,799
Speaker 1: you like? I feel like podcast, not sexually. Okay, you're

884
00:38:28,840 --> 00:38:30,439
Speaker 1: on Will Anderson's.

885
00:38:30,120 --> 00:38:31,320
Speaker 2: I feel like I'm on it again.

886
00:38:31,440 --> 00:38:33,960
Speaker 1: Well, it was very good if you had got to.

887
00:38:34,120 --> 00:38:35,719
Speaker 2: As my wife said, well you're going to go talk

888
00:38:35,760 --> 00:38:37,359
Speaker 2: about yourself for an hour and a half. Oh, you'd

889
00:38:37,360 --> 00:38:41,399
Speaker 2: hate that because I started talking about myself at home

890
00:38:41,719 --> 00:38:44,360
Speaker 2: and she just goes, we've heard this, We've heard that story.

891
00:38:44,760 --> 00:38:45,920
Speaker 2: Stop writing, we've heard that.

892
00:38:45,960 --> 00:38:47,600
Speaker 1: It doesn't matter if kids don't want to hear it.

893
00:38:47,680 --> 00:38:48,480
Speaker 2: I don't want to hear it.

894
00:38:49,400 --> 00:38:51,960
Speaker 1: Well, I think if you're on topic, we've heard it.

895
00:38:52,160 --> 00:38:54,480
Speaker 1: I think there's nothing better than sitting down to the table.

896
00:38:54,800 --> 00:38:56,560
Speaker 1: If I don't like it, when the conversation is a

897
00:38:56,640 --> 00:39:00,239
Speaker 1: bit boring, who has got the story? Yeah, I think

898
00:39:00,239 --> 00:39:02,160
Speaker 1: someone's got a story. A story is always good.

899
00:39:02,280 --> 00:39:04,919
Speaker 2: I don't mind. I love a story because I don't

900
00:39:04,920 --> 00:39:06,440
Speaker 2: really like talking about myself that much.

901
00:39:07,360 --> 00:39:10,799
Speaker 1: But then against the topic comes up, I see it

902
00:39:10,880 --> 00:39:13,520
Speaker 1: in relation to what I have done in relation to that,

903
00:39:13,800 --> 00:39:15,719
Speaker 1: So I can bring a story to the table. Like

904
00:39:15,800 --> 00:39:18,600
Speaker 1: someone says, you know, I went on a hot air balloon.

905
00:39:19,080 --> 00:39:22,520
Speaker 1: I will go all my hotday balloon stories will come up.

906
00:39:22,600 --> 00:39:24,440
Speaker 2: Yeah, yeah, for sure. Have you been the hot air balloon?

907
00:39:25,239 --> 00:39:29,080
Speaker 1: No? No, yes I have, I have. I've been. How

908
00:39:29,080 --> 00:39:31,840
Speaker 1: many times I've been in a hot air balloon? Once?

909
00:39:32,000 --> 00:39:35,560
Speaker 1: I think I went one. So scary, scared of what.

910
00:39:35,800 --> 00:39:37,359
Speaker 2: The guy hit the trees for a joke.

911
00:39:37,440 --> 00:39:39,359
Speaker 1: Yeah, we went past the trees. You could grab, grab

912
00:39:39,400 --> 00:39:40,000
Speaker 1: a hold of the tree.

913
00:39:40,040 --> 00:39:42,000
Speaker 2: He was trying to impress the girls on the in

914
00:39:42,040 --> 00:39:44,000
Speaker 2: the oh was he yeah, in the.

915
00:39:43,960 --> 00:39:48,080
Speaker 1: Basket, just doing the that's just impression. Hang on, what

916
00:39:48,200 --> 00:39:50,800
Speaker 1: sort of trip was that you and some girls? It

917
00:39:50,920 --> 00:39:52,960
Speaker 1: was a breakfast promotional.

918
00:39:53,200 --> 00:39:54,840
Speaker 2: No, no, it was the eighties and I gave it

919
00:39:54,880 --> 00:39:56,120
Speaker 2: to a girl I was going out with as a

920
00:39:56,120 --> 00:39:57,160
Speaker 2: present and it was just.

921
00:39:57,239 --> 00:40:00,400
Speaker 1: Me her, romanic romantic guy, me Her and.

922
00:40:00,320 --> 00:40:02,400
Speaker 2: Maybe eight others And well we went away for a

923
00:40:02,440 --> 00:40:05,319
Speaker 2: weekend up near Wangarana and stayed in accommodation and hung

924
00:40:05,360 --> 00:40:06,520
Speaker 2: out and went to the pub and stuff.

925
00:40:06,560 --> 00:40:09,120
Speaker 1: I did it in the wine something.

926
00:40:09,120 --> 00:40:11,399
Speaker 2: It's amazing, but it is I find a bit scary.

927
00:40:11,920 --> 00:40:14,600
Speaker 1: And it's boring after one and the landing is like

928
00:40:15,120 --> 00:40:17,000
Speaker 1: It could be lucky with the landing, can be unlucky

929
00:40:17,000 --> 00:40:18,320
Speaker 1: with the landing where you get dragged a long and

930
00:40:18,360 --> 00:40:19,560
Speaker 1: everyone falls out of the basket.

931
00:40:22,120 --> 00:40:23,879
Speaker 2: It was quite early in the morning. I remember that much.

932
00:40:23,920 --> 00:40:25,399
Speaker 1: Is there something you'd like to do that you haven't

933
00:40:25,440 --> 00:40:27,560
Speaker 1: done with your life? No?

934
00:40:27,719 --> 00:40:32,239
Speaker 2: Oh, oh, you know what I did say. No, I

935
00:40:32,239 --> 00:40:34,640
Speaker 2: didn't say that. I said a sitcom. Be good to

936
00:40:34,640 --> 00:40:35,200
Speaker 2: do a sitcom.

937
00:40:35,440 --> 00:40:38,680
Speaker 1: Absolutely, I'd like to do a sitcom. Would you start

938
00:40:38,680 --> 00:40:41,120
Speaker 1: in it? Would you be? Yeah? Would you like to

939
00:40:41,160 --> 00:40:44,680
Speaker 1: be You've gotten every madness about your Yeah, do a sitcom?

940
00:40:44,800 --> 00:40:47,200
Speaker 1: Very well? Maybe you organize it.

941
00:40:47,280 --> 00:40:48,879
Speaker 2: You organize it. Yeah.

942
00:40:48,880 --> 00:40:49,359
Speaker 1: That's the thing.

943
00:40:49,480 --> 00:40:51,799
Speaker 2: As I always say, when people approach me about being

944
00:40:51,800 --> 00:40:53,600
Speaker 2: in films, and you get a lot of people asking

945
00:40:53,640 --> 00:40:55,840
Speaker 2: you to do you get more than me. But I

946
00:40:55,840 --> 00:40:57,520
Speaker 2: get a lot of young comics. Can I write? I

947
00:40:57,520 --> 00:40:59,960
Speaker 2: went yeah, and I said, listen, don't see me the script,

948
00:41:00,440 --> 00:41:03,160
Speaker 2: don't see me the contract. When the limo turns up

949
00:41:03,160 --> 00:41:04,920
Speaker 2: at the front of my house, I know it's.

950
00:41:05,040 --> 00:41:07,839
Speaker 1: Don't get on board. It's a long, hard road.

951
00:41:07,880 --> 00:41:09,480
Speaker 2: It's a long and whining roll.

952
00:41:09,840 --> 00:41:12,880
Speaker 1: Look if the sitcoms coming on, I'm tuning in, tune in, keep.

953
00:41:12,760 --> 00:41:15,720
Speaker 2: Watching watch this space space?

954
00:41:16,040 --> 00:41:16,960
Speaker 1: So what are we doing now?

955
00:41:17,160 --> 00:41:20,960
Speaker 2: It's a three way thinking music. Let's have some thinking music.

956
00:41:21,400 --> 00:41:22,879
Speaker 2: What thinking music call? We have a bit of Jack

957
00:41:22,920 --> 00:41:24,360
Speaker 2: Black on his sex on my phone.

958
00:41:25,360 --> 00:41:27,560
Speaker 1: We could have a bit a pol We've got three performers.

959
00:41:28,200 --> 00:41:31,480
Speaker 1: We've gotta have Dave Neil, all right, can you pick it?

960
00:41:31,680 --> 00:41:33,640
Speaker 1: Can you pick one that? Would you know?

961
00:41:34,040 --> 00:41:37,000
Speaker 2: Some stand up commed Neil. I'll just do it now.

962
00:41:37,200 --> 00:41:37,759
Speaker 2: I'll just do it now.

963
00:41:38,200 --> 00:41:41,839
Speaker 1: I'll just put through. There was one. What was it

964
00:41:41,880 --> 00:41:45,080
Speaker 1: that I really liked that I heard? Because I'll follow

965
00:41:45,120 --> 00:41:47,759
Speaker 1: you on Instagram? What was it?

966
00:41:48,760 --> 00:41:51,320
Speaker 2: I do? One about my opening gag in the last

967
00:41:51,760 --> 00:41:53,880
Speaker 2: show I've been doing is about in the shower.

968
00:41:54,880 --> 00:41:59,680
Speaker 1: The one with it was about I did it here

969
00:41:59,719 --> 00:42:00,360
Speaker 1: for you?

970
00:42:00,719 --> 00:42:02,440
Speaker 2: Yeah, I did you first time. I turned into a

971
00:42:02,480 --> 00:42:03,600
Speaker 2: bit of stellar stand up.

972
00:42:03,840 --> 00:42:05,880
Speaker 1: I won't say what happens, but you do something pretty.

973
00:42:06,120 --> 00:42:08,200
Speaker 1: I won't let the reveal happen.

974
00:42:08,200 --> 00:42:11,560
Speaker 2: Actually, it's it's one of my better bits for sure.

975
00:42:12,600 --> 00:42:14,239
Speaker 2: Open up one of those little round soaps you get

976
00:42:14,239 --> 00:42:15,719
Speaker 2: at motels. I thought I'm not going to use another

977
00:42:15,719 --> 00:42:18,160
Speaker 2: one because I'm into the environment. I mean to save

978
00:42:18,239 --> 00:42:20,520
Speaker 2: the environment for the children. Yeah, so I mean I'm

979
00:42:20,520 --> 00:42:23,160
Speaker 2: in the shower pictured if you will, ladies, yeah, Jacob,

980
00:42:23,400 --> 00:42:26,959
Speaker 2: whoo whoo. Anyway, I need some soaps. So I reached

981
00:42:26,960 --> 00:42:28,600
Speaker 2: over the base and I grabbed the soap. I'm rubbing

982
00:42:28,680 --> 00:42:34,120
Speaker 2: up and down and I'm thinking this soap is a

983
00:42:34,120 --> 00:42:36,720
Speaker 2: bit shit and I look down it's a plug.

984
00:42:40,880 --> 00:42:44,759
Speaker 1: That's funny, And is that a true story?

985
00:42:44,840 --> 00:42:48,440
Speaker 2: I was stuck up your bomb and it is a

986
00:42:48,480 --> 00:42:49,040
Speaker 2: true story.

987
00:42:49,120 --> 00:42:52,160
Speaker 1: Yeah, picture, Yeah, it's funny when your cases up doing

988
00:42:52,160 --> 00:42:54,080
Speaker 1: weird like that. But you would surely you would have

989
00:42:54,080 --> 00:42:56,280
Speaker 1: picked that up pretty early when it wasn't coming off properly.

990
00:42:56,600 --> 00:42:58,319
Speaker 2: You know. I start to believe some of this stuff

991
00:42:58,360 --> 00:42:58,920
Speaker 2: happened to me.

992
00:42:59,560 --> 00:43:01,680
Speaker 1: Would be very easy mistake to make if you do it.

993
00:43:01,640 --> 00:43:04,520
Speaker 2: In standard for like a hundred times, you start to think, yeah,

994
00:43:04,520 --> 00:43:07,560
Speaker 2: that was actually a real event. And then when my

995
00:43:07,600 --> 00:43:09,880
Speaker 2: brother reminded me that actually happened to me and I

996
00:43:09,920 --> 00:43:11,839
Speaker 2: told you about it, I'm like, oh, not that bit

997
00:43:11,920 --> 00:43:13,759
Speaker 2: another bit I was doing, like, oh I did it.

998
00:43:13,800 --> 00:43:14,400
Speaker 2: I thought it was me.

999
00:43:14,760 --> 00:43:16,120
Speaker 1: It doesn't mean it's not a good story, and do

1000
00:43:16,400 --> 00:43:17,839
Speaker 1: not mean there's not a semblance of truth.

1001
00:43:18,080 --> 00:43:20,319
Speaker 2: What happened was I had opened up the soap and

1002
00:43:20,360 --> 00:43:22,680
Speaker 2: I grabbed a plug. I can't remember real I actually

1003
00:43:22,680 --> 00:43:26,200
Speaker 2: in the shower or not, but I actually grabbed the

1004
00:43:26,200 --> 00:43:27,280
Speaker 2: plug thinking it was soap.

1005
00:43:27,600 --> 00:43:29,480
Speaker 1: Yeah, absolutely, and started rubbing yourself.

1006
00:43:29,560 --> 00:43:29,759
Speaker 3: Yeah.

1007
00:43:29,840 --> 00:43:31,920
Speaker 2: And I went and I looked down. I went, that's

1008
00:43:31,920 --> 00:43:32,360
Speaker 2: a plug.

1009
00:43:32,560 --> 00:43:34,560
Speaker 1: Yeah, And then how long?

1010
00:43:34,680 --> 00:43:35,919
Speaker 2: Didn't really put up my balm?

1011
00:43:36,239 --> 00:43:37,840
Speaker 1: That did not happen. But you got to have some

1012
00:43:37,880 --> 00:43:41,319
Speaker 1: sort of well you thought about it, and then when

1013
00:43:41,320 --> 00:43:43,240
Speaker 1: those things happen, you go.

1014
00:43:43,640 --> 00:43:46,239
Speaker 2: Like, I almost didn't even do it on stage. It

1015
00:43:46,280 --> 00:43:49,040
Speaker 2: was actually I was actually staying in a motel on

1016
00:43:49,120 --> 00:43:51,319
Speaker 2: tour somewhere and it happened, and I thought about it,

1017
00:43:51,360 --> 00:43:53,280
Speaker 2: and I just wrote it down and I almost didn't

1018
00:43:53,320 --> 00:43:53,520
Speaker 2: do it.

1019
00:43:53,560 --> 00:43:54,640
Speaker 1: That's what you do, comedian.

1020
00:43:54,640 --> 00:43:55,400
Speaker 2: You write it down.

1021
00:43:55,520 --> 00:43:57,000
Speaker 1: Just write it down, and don't even try to write

1022
00:43:57,000 --> 00:43:58,720
Speaker 1: the joke at that point. Just put it in the

1023
00:43:58,560 --> 00:44:00,640
Speaker 1: in the in the smarter party, which is the back

1024
00:44:00,640 --> 00:44:02,760
Speaker 1: of your head, and it comes up with the routine

1025
00:44:02,760 --> 00:44:03,600
Speaker 1: for you A bit later on.

1026
00:44:03,920 --> 00:44:05,680
Speaker 2: I think of jokes. I'm lying in bend and I

1027
00:44:05,760 --> 00:44:08,560
Speaker 2: fall asleep, Like I was thinking about the Collingwood Football

1028
00:44:08,560 --> 00:44:10,960
Speaker 2: club how they've all got tattoos, and I thought, did

1029
00:44:11,000 --> 00:44:16,120
Speaker 2: they get a grip discount or what happened then? Like, well,

1030
00:44:16,280 --> 00:44:19,000
Speaker 2: there are so many tattooed players in that club Geelong.

1031
00:44:19,320 --> 00:44:21,319
Speaker 2: There's a lot of blondhair guys with headbands. I'm like,

1032
00:44:21,320 --> 00:44:24,239
Speaker 2: did they get a discount, you know, like on the headbands.

1033
00:44:24,360 --> 00:44:25,600
Speaker 2: But that's not as funny as see.

1034
00:44:25,640 --> 00:44:27,799
Speaker 1: I had a thing where I wanted to for the

1035
00:44:27,800 --> 00:44:31,160
Speaker 1: front bar. I wanted to go a segment called tips

1036
00:44:31,200 --> 00:44:33,440
Speaker 1: from Tips, because a lot of tips in with remember

1037
00:44:33,520 --> 00:44:37,760
Speaker 1: these football players tips. Yeah, so you get a football

1038
00:44:37,800 --> 00:44:39,840
Speaker 1: player with tips in his hair doing something really stupid

1039
00:44:39,880 --> 00:44:43,560
Speaker 1: on or something really good on a football field, and

1040
00:44:43,680 --> 00:44:46,120
Speaker 1: so he tells you how to take a mark and

1041
00:44:46,120 --> 00:44:47,880
Speaker 1: he's got tips in his head. Okay, they did might

1042
00:44:47,920 --> 00:44:50,040
Speaker 1: be idea with that, but tips from Tips I thought

1043
00:44:50,160 --> 00:44:50,880
Speaker 1: was pretty funny.

1044
00:44:51,120 --> 00:44:53,160
Speaker 2: That not you know what, the name's funny and.

1045
00:44:53,200 --> 00:44:56,480
Speaker 1: Then it's not funny out Yeah, wow, it's a quick thing. Yeah,

1046
00:44:56,680 --> 00:44:57,960
Speaker 1: but they didn't go for it. Don't come up with

1047
00:44:57,960 --> 00:45:00,920
Speaker 1: some great segments for those. By the way, we're getting

1048
00:45:00,920 --> 00:45:05,439
Speaker 1: complaints about noisy noisy what microphone? No, we're not, no,

1049
00:45:05,760 --> 00:45:08,680
Speaker 1: I think I found it. It's this that's your tooth,

1050
00:45:09,719 --> 00:45:12,520
Speaker 1: that's me clicking, you know, when you do little things

1051
00:45:12,560 --> 00:45:15,839
Speaker 1: out of habit. I watched myself on Sampagne other night.

1052
00:45:15,840 --> 00:45:17,040
Speaker 1: I was wringing my hands.

1053
00:45:17,239 --> 00:45:18,080
Speaker 2: I didn't notice that.

1054
00:45:18,680 --> 00:45:21,160
Speaker 1: I only noticed it because I just noticed.

1055
00:45:20,960 --> 00:45:24,759
Speaker 2: You weren't funny. Now you a funny. Come on. It

1056
00:45:24,800 --> 00:45:26,480
Speaker 2: was a good segment. I just got to see you.

1057
00:45:26,560 --> 00:45:27,720
Speaker 2: Nuwe to get on TV.

1058
00:45:28,080 --> 00:45:32,600
Speaker 1: Seriously, I didn't pick that. But I didn't pick that.

1059
00:45:32,760 --> 00:45:34,040
Speaker 1: We swapped phones.

1060
00:45:33,719 --> 00:45:36,959
Speaker 2: For funny and you can still watch it on ten

1061
00:45:37,000 --> 00:45:37,360
Speaker 2: catch up.

1062
00:45:37,560 --> 00:45:38,600
Speaker 1: Okay, so what are we up to.

1063
00:45:39,400 --> 00:45:41,600
Speaker 2: We're going to give a guess. What is the connection

1064
00:45:41,680 --> 00:45:43,480
Speaker 2: between me, Jack Black and Amy.

1065
00:45:44,840 --> 00:45:44,920
Speaker 1: What?

1066
00:45:45,880 --> 00:45:50,520
Speaker 2: We both played saxomophones. No, this is oh, you know what.

1067
00:45:50,960 --> 00:45:53,759
Speaker 2: We're both voice artists. He's he's Cunkly Pana. She's in

1068
00:45:53,800 --> 00:45:56,239
Speaker 2: a cartoon, and I was the voice of a trampoline.

1069
00:45:56,280 --> 00:45:59,040
Speaker 1: That's my She he was a senior scout. I bet

1070
00:45:59,080 --> 00:46:01,800
Speaker 1: you she was a girl scout and you were a

1071
00:46:02,120 --> 00:46:04,960
Speaker 1: senior scout scout as well, and that would be it.

1072
00:46:05,440 --> 00:46:08,239
Speaker 2: No, I'm saying we've all been in cartoons. Well, I

1073
00:46:08,280 --> 00:46:09,560
Speaker 2: was in an ad, not a cartoon.

1074
00:46:10,160 --> 00:46:12,800
Speaker 1: So what's your answer? You're in cartoons? What was her cartoon?

1075
00:46:13,000 --> 00:46:16,280
Speaker 1: She's been in the cartoon. She's in cartoons like a

1076
00:46:16,320 --> 00:46:17,000
Speaker 1: full length one.

1077
00:46:17,160 --> 00:46:21,600
Speaker 2: She was, he was in he was, She's inside. I

1078
00:46:21,640 --> 00:46:22,560
Speaker 2: can't remember what she's in?

1079
00:46:22,760 --> 00:46:23,960
Speaker 1: And what are you in? What cartoon?

1080
00:46:24,000 --> 00:46:24,080
Speaker 3: You?

1081
00:46:24,200 --> 00:46:27,359
Speaker 2: I mean Insurance out? I play a trampoline with your

1082
00:46:27,360 --> 00:46:28,760
Speaker 2: friend Ryan Shelton.

1083
00:46:29,360 --> 00:46:31,879
Speaker 1: Right, I lunch with dinner with Ryan Sheldon two nights ago.

1084
00:46:32,040 --> 00:46:34,319
Speaker 2: Yeah, he's Me and him were in an air together and.

1085
00:46:34,200 --> 00:46:37,520
Speaker 1: He's from the very successful Imperfect. Listened to it?

1086
00:46:37,520 --> 00:46:39,960
Speaker 2: Do you hear me talk about your feelings?

1087
00:46:40,600 --> 00:46:45,759
Speaker 1: Boo hoo, I'm clicking more things clicking. I'm getting there.

1088
00:46:46,000 --> 00:46:47,000
Speaker 2: No, it's a good podcast.

1089
00:46:47,239 --> 00:46:47,880
Speaker 1: That's your answer.

1090
00:46:47,960 --> 00:46:48,600
Speaker 2: That's my answer.

1091
00:46:49,320 --> 00:46:50,400
Speaker 1: But that's not an answer.

1092
00:46:50,520 --> 00:46:51,960
Speaker 2: I know it's a answer.

1093
00:46:52,239 --> 00:46:55,799
Speaker 1: But what what is you should know? Anyway? What is

1094
00:46:55,800 --> 00:46:56,240
Speaker 1: the answer?

1095
00:46:56,280 --> 00:47:00,640
Speaker 3: What they're all used? C pap machines Day Amy and

1096
00:47:00,760 --> 00:47:04,919
Speaker 3: Jack sleep with one every night? Is Amy and Jack

1097
00:47:05,080 --> 00:47:07,919
Speaker 3: talking about it on Amy's podcast Good Hang.

1098
00:47:08,520 --> 00:47:10,960
Speaker 1: Do you know it? I do have a seatpap machine?

1099
00:47:11,480 --> 00:47:13,239
Speaker 1: Do I come on.

1100
00:47:13,920 --> 00:47:19,560
Speaker 2: Team your name? I love it. Let's talk about my

1101
00:47:19,640 --> 00:47:23,560
Speaker 2: seat pep machine was a game changer, change my life

1102
00:47:23,800 --> 00:47:26,359
Speaker 2: and now I can't sleep without.

1103
00:47:26,040 --> 00:47:28,359
Speaker 1: It, never want to. Did you know that? No?

1104
00:47:28,440 --> 00:47:29,239
Speaker 2: I didn't know that.

1105
00:47:36,280 --> 00:47:39,800
Speaker 3: You have been listening to somehow related with Glenn Robbins

1106
00:47:39,920 --> 00:47:40,840
Speaker 3: and Dave O'Neill.

1107
00:47:48,560 --> 00:47:50,520
Speaker 2: You know what he looks like? A seapep user?

1108
00:47:51,239 --> 00:47:54,200
Speaker 1: Yes, she does not, she doesn't. What would you say

1109
00:47:54,200 --> 00:47:55,560
Speaker 1: your seapep user looks.

1110
00:47:55,400 --> 00:47:59,480
Speaker 2: Like fat in my word? Because you know when I

1111
00:47:59,520 --> 00:48:01,600
Speaker 2: go to the air and you carry your seapap. But

1112
00:48:01,680 --> 00:48:03,239
Speaker 2: Pilla don't know what a seapap is. It's a it's

1113
00:48:03,239 --> 00:48:05,600
Speaker 2: a machine for snoring and sleep ap near. It's an

1114
00:48:05,600 --> 00:48:06,600
Speaker 2: oxygen march with the hose.

1115
00:48:06,480 --> 00:48:10,640
Speaker 1: Attack and it forces oxygen into your and you makes

1116
00:48:10,600 --> 00:48:12,839
Speaker 1: a noise. You use it three hundred sixty four days.

1117
00:48:13,120 --> 00:48:15,640
Speaker 2: Yeah, it's awful for your partner. But you do join

1118
00:48:15,680 --> 00:48:17,959
Speaker 2: a secret society. When you carried around your.

1119
00:48:17,840 --> 00:48:20,799
Speaker 1: Little case, didn't you have something at the airport? Yeah?

1120
00:48:20,800 --> 00:48:23,360
Speaker 2: The airport, Yeah, the airport. All the big Kiwi security

1121
00:48:23,360 --> 00:48:25,560
Speaker 2: go goes, got your sleep bro front of the que

1122
00:48:25,600 --> 00:48:27,600
Speaker 2: for you brother from the queue. They see you skip

1123
00:48:27,680 --> 00:48:31,479
Speaker 2: back in the cue, skinny pucker. And an old lady

1124
00:48:31,480 --> 00:48:33,239
Speaker 2: said to me at the newsages of the airport, Oh,

1125
00:48:33,320 --> 00:48:35,680
Speaker 2: you've got your mister Blowy with you. I'm like, what,

1126
00:48:36,560 --> 00:48:37,240
Speaker 2: mister Blowey?

1127
00:48:37,239 --> 00:48:38,720
Speaker 1: You quite like that. There's a brotherhood.

1128
00:48:38,719 --> 00:48:40,800
Speaker 2: It makes it there is a brotherhood. There's a brotherhood

1129
00:48:40,800 --> 00:48:42,319
Speaker 2: and a sisterhood too, a bit of a sister.

1130
00:48:43,239 --> 00:48:45,640
Speaker 1: Have you met any many women that have got a

1131
00:48:45,640 --> 00:48:46,520
Speaker 1: seatpap a cube?

1132
00:48:46,640 --> 00:48:50,439
Speaker 2: Not many. You occasionally meet a seapap couple. I said

1133
00:48:50,480 --> 00:48:53,840
Speaker 2: to a woman. The guy goes, I've got a seapap

1134
00:48:53,880 --> 00:48:55,480
Speaker 2: and I go to the wife. Does that annoy you?

1135
00:48:55,560 --> 00:48:57,560
Speaker 2: She goes, no, I've got one too, So they are

1136
00:48:57,560 --> 00:48:59,959
Speaker 2: a seapap couple. Well, bit kinky.

1137
00:49:00,880 --> 00:49:02,480
Speaker 1: So you're saying that you don't have to be a fatty.

1138
00:49:03,200 --> 00:49:05,959
Speaker 1: I shouldn't say it disparaging like that that skinny people

1139
00:49:06,000 --> 00:49:06,359
Speaker 1: can be.

1140
00:49:06,640 --> 00:49:08,839
Speaker 2: Yeah, yeah, skinny people. Well, I haven't met a few

1141
00:49:08,880 --> 00:49:10,920
Speaker 2: skinny people that have a sea pap. But it's unusual.

1142
00:49:10,920 --> 00:49:12,760
Speaker 2: It's more because it's to do with the weight around

1143
00:49:12,760 --> 00:49:15,279
Speaker 2: your throat and stuff, you know, like this, I'm hitting

1144
00:49:15,280 --> 00:49:18,960
Speaker 2: my jowls. Hear that you probably can't hit that the gowls.

1145
00:49:19,040 --> 00:49:21,239
Speaker 2: You know, my twin brother doesn't have one yet, my

1146
00:49:21,320 --> 00:49:22,239
Speaker 2: older brother has one.

1147
00:49:22,640 --> 00:49:26,280
Speaker 1: Right, So you and have you got the rolls royce?

1148
00:49:26,400 --> 00:49:28,319
Speaker 1: Have you got the middle of the road? Have you

1149
00:49:28,360 --> 00:49:29,600
Speaker 1: got the cheaper one from Aldi?

1150
00:49:29,719 --> 00:49:31,800
Speaker 2: No? No, no, I got the one there the reason?

1151
00:49:32,040 --> 00:49:33,400
Speaker 1: Or is there only one you can get. No.

1152
00:49:33,400 --> 00:49:35,840
Speaker 2: No, there's a few that's a brand thing. There's Resimed,

1153
00:49:35,840 --> 00:49:38,120
Speaker 2: there's Fisher Pikele, and there's Phillips. I think so I'm

1154
00:49:38,120 --> 00:49:39,040
Speaker 2: a Resimed guy.

1155
00:49:39,200 --> 00:49:43,359
Speaker 1: Okay, here's the big question. Yeah, I'm gonna say yes

1156
00:49:43,400 --> 00:49:45,279
Speaker 1: because I haven't seen you for a while. Do you

1157
00:49:45,320 --> 00:49:46,600
Speaker 1: have a stand up routine about it?

1158
00:49:46,680 --> 00:49:46,879
Speaker 2: Yes?

1159
00:49:48,400 --> 00:49:49,719
Speaker 1: Ken, have you recorded it?

1160
00:49:49,800 --> 00:49:52,279
Speaker 2: Oh, it's on I did on the gala actually one year,

1161
00:49:52,360 --> 00:49:54,640
Speaker 2: So you can have a could we go out? Yes,

1162
00:49:54,719 --> 00:49:58,160
Speaker 2: let's go out with some seapap material. I've got about

1163
00:49:58,280 --> 00:49:59,520
Speaker 2: ten minutes on sea paps.

1164
00:49:59,840 --> 00:50:00,120
Speaker 1: You.

1165
00:50:00,120 --> 00:50:01,320
Speaker 2: Oh, it's constantly evolving.

1166
00:50:01,320 --> 00:50:02,359
Speaker 1: You don't know whether we want to hear?

1167
00:50:03,840 --> 00:50:04,640
Speaker 2: Take it away me.

1168
00:50:05,239 --> 00:50:05,799
Speaker 1: Here we go.

1169
00:50:06,160 --> 00:50:07,879
Speaker 2: I have to wear a sea pap when I sleep.

1170
00:50:07,880 --> 00:50:10,520
Speaker 2: It's an oches and mask with a hose attached to machine.

1171
00:50:10,560 --> 00:50:14,000
Speaker 2: Hello ladies. Yeah, as I said to my wife, how

1172
00:50:14,080 --> 00:50:15,920
Speaker 2: the night, it's time to make love, to snuffle up

1173
00:50:15,920 --> 00:50:19,480
Speaker 2: with us? Here we go, and it makes noise. It

1174
00:50:19,480 --> 00:50:24,680
Speaker 2: makes noise like this. It's like sleeping next to Darth Vader. Apparently,

1175
00:50:25,600 --> 00:50:27,560
Speaker 2: I said, I'm all like a fighter part. You're sleeping

1176
00:50:27,560 --> 00:50:30,880
Speaker 2: next to top gun. Yeah, she goes, Yeah, you're the goose,

1177
00:50:30,920 --> 00:50:34,360
Speaker 2: that's for sure. Anyway, I couldn't get used to it.

1178
00:50:34,560 --> 00:50:36,080
Speaker 2: I rang up the doctor said, I can't get used

1179
00:50:36,080 --> 00:50:37,799
Speaker 2: to it? Yeah, all right, what you got to do?

1180
00:50:37,800 --> 00:50:40,080
Speaker 2: You gotta wear it around the house. Yeah, put it

1181
00:50:40,080 --> 00:50:42,240
Speaker 2: on when you're watching TV, just bang it on. Yeah,

1182
00:50:42,480 --> 00:50:43,920
Speaker 2: take the work. Put it next to your debt. It's

1183
00:50:43,920 --> 00:50:46,359
Speaker 2: a bit of signs the lands at lunchtime, freaking people out.

1184
00:50:47,719 --> 00:50:49,319
Speaker 2: I said, I don't really work in a normal job.

1185
00:50:49,360 --> 00:50:51,880
Speaker 2: I'm a comedian. He had, all right, where when you

1186
00:50:52,000 --> 00:50:53,440
Speaker 2: drive it to your gigs, now put in your card?

1187
00:50:53,480 --> 00:50:54,600
Speaker 1: Will work? Get used to it?

1188
00:50:54,640 --> 00:51:01,000
Speaker 2: So I all right, so I'm driving a line. I

1189
00:51:01,080 --> 00:51:06,440
Speaker 2: fell asleep and crashed my fucking cart. At least when

1190
00:51:06,440 --> 00:51:08,880
Speaker 2: the ambos turned and said, don't worry, guys, I've got oxygen.

1191
00:51:09,040 --> 00:51:09,080
Speaker 3: No.

1192
00:51:09,200 --> 00:51:11,920
Speaker 1: Probably had a.

1193
00:51:11,880 --> 00:51:13,080
Speaker 2: Bit of an inside in my future that I was

1194
00:51:13,120 --> 00:51:14,719
Speaker 2: wearing my mask having a nap. You gotta wearing your

1195
00:51:14,760 --> 00:51:16,719
Speaker 2: napping guys, lying in bed having a nap like this.

1196
00:51:21,080 --> 00:51:22,680
Speaker 2: I saw the three kids gather at the end of

1197
00:51:22,719 --> 00:51:26,799
Speaker 2: the bed. I heard one of them say, I think

1198
00:51:26,800 --> 00:51:28,200
Speaker 2: we should turn the machine off.