WEBVTT - The most important campaign in the world right now

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<v Speaker 1>Nine podcasts, nine podcasts.

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<v Speaker 2>Effect but.

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<v Speaker 3>Bline good a Russell Hallcroft here and I am Freddie

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<v Speaker 3>Young and we are back with another episode of Admission

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<v Speaker 3>where we unpack the biggest stories happening in the worlds

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<v Speaker 3>of marketing media and more many things to get through.

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<v Speaker 4>Today.

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<v Speaker 2>We have the new content format taking the world by storm.

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<v Speaker 2>Open AI is getting into hardware, and we're also going

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<v Speaker 2>to discuss maybe the most important campaign happening in the

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<v Speaker 2>world right now, Russ.

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<v Speaker 4>But first off, Russ, how are you?

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<v Speaker 1>Thank you for asking? Freddy. I'm great, I'm great. We're well.

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<v Speaker 1>This is has discussed earlier. This is the busiest time

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<v Speaker 1>of the year for me because I'm We do our admission,

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<v Speaker 1>we do the breakfast radio. But then of course I'll

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<v Speaker 1>get on a plane, I'll go and do a Telly.

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<v Speaker 1>And the good news is that Teley Show grewing. You know,

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<v Speaker 1>it's year eighteen if you can believe that, and it

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<v Speaker 1>is going really well from a ratings point of view.

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<v Speaker 1>So the seven day number is the one that we

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<v Speaker 1>all look at now. So the overnight stuff is you know,

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<v Speaker 1>some somewhat of an old fashioned way to look at TV.

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<v Speaker 1>You know, so ie watching it live you know, eight

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<v Speaker 1>o'clock on the on ABC on a Wednesday night. That

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<v Speaker 1>that is one method to watch it, of course, but

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<v Speaker 1>the other method is via iView. And what tends to

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<v Speaker 1>happen is it's about fifty to fifty so you know,

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<v Speaker 1>five hundred to six hundred thousand people watching it live

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<v Speaker 1>eight o'clock on Wednesday, and then the rest five hundred

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<v Speaker 1>and six hundred thousand catch up over the over the

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<v Speaker 1>course of the next seven days. So you know, that's

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<v Speaker 1>that's a pretty good number. That's a really good number. Yeah,

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<v Speaker 1>and that show just you know, while I'm on a

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<v Speaker 1>bit of a growing advertisement, you know, three of the

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<v Speaker 1>top five shows ever on the ABC are ruins grew

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<v Speaker 1>in shows.

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<v Speaker 2>So you've really that you've got the grew and transfer

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<v Speaker 2>for what is a growing world?

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<v Speaker 4>What are the top three? What are the variants?

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<v Speaker 1>Yeah, right, well, grew and transfer. In fact, it's actually

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<v Speaker 1>quite interesting, you know, Will and I have been talking

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<v Speaker 1>about it a bit this year off air, like why

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<v Speaker 1>did we who decided that it should just be called

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<v Speaker 1>grew and they're not growing transfer? The Gruen transfer was

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<v Speaker 1>always a great name because, of course it refers to

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<v Speaker 1>an architect in I think in the nineteen thirties in

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<v Speaker 1>the US that worked out how to turn browsers into

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<v Speaker 1>buyers via the floor plan of shopping centers, and then

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<v Speaker 1>that became known as the Growen transfer, transferring a browser

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<v Speaker 1>to a buyer. And obviously that translates extremely well to

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<v Speaker 1>the world of advertising, turning people that. You know, obviously,

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<v Speaker 1>what we do in advertising is we try and find

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<v Speaker 1>as many browsers as possible, and really good advertising turns

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<v Speaker 1>the browser into a buyer. So I always thought the

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<v Speaker 1>name was brilliant and then for some reason the trans

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<v Speaker 1>verb it's been taken off because someone didn't ask me.

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<v Speaker 4>It's funny. We've talked to her recently.

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<v Speaker 2>I think we're talking about Airbnb and about, you know,

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<v Speaker 2>the different opinions for what the verb to Airbnb is

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<v Speaker 2>and how that sort of you know, lays the plan

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<v Speaker 2>or the or the blueprint for how it expands into

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<v Speaker 2>different verticals.

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<v Speaker 4>When you when you think.

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<v Speaker 2>About the word gruin now in Australia, is it fair

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<v Speaker 2>to say that its meaning is probably you know, there's

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<v Speaker 2>obviously it still means what it means, but to the

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<v Speaker 2>vast majority of the Australian viewing public, they probably don't

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<v Speaker 2>know about that Austrian social sideist. So the fact that

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<v Speaker 2>you've been able to go into these different verticals, what

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<v Speaker 2>do you think Gruin as a brand stands for at

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<v Speaker 2>the moment?

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<v Speaker 1>That's really I think I think at its best growing

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<v Speaker 1>well grew and stands for sort of let's call it entertainment.

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<v Speaker 1>But I think Gruin works at its best when the

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<v Speaker 1>Gruin personified by Will is cynical, is questioning, questioning the

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<v Speaker 1>role that you know, the world that you and I

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<v Speaker 1>were in free, questioning our role in life. That's when

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<v Speaker 1>it works at its best. Now, whether the public would have,

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<v Speaker 1>you know, make that analysis, I'm not so sure. However,

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<v Speaker 1>the public laugh along with the nonsense that is advertising

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<v Speaker 1>by watching that show, don't they So they can probably

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<v Speaker 1>get to that point. Or do they just say I

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<v Speaker 1>enjoy it because it's funny. Yeah, and in the air,

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<v Speaker 1>I've got to tell you this year it has gone

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<v Speaker 1>up another level when with regard to the humor, they're

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<v Speaker 1>just they're just doing a tremendous job. You know, there's

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<v Speaker 1>a writing There is a writing room. There always has been,

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<v Speaker 1>but there's a writing room. The editing is exceptional, and yeah,

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<v Speaker 1>the product that's been produced is really really good when

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<v Speaker 1>you think it's eighteen years. Eighteen years you reckon the

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<v Speaker 1>people who get tired. Well, actually quite the opposite.

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<v Speaker 2>No, you've I dare say, you figured it out and

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<v Speaker 2>now you're able to sort of week to week take

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<v Speaker 2>bigger and bigger swings, or to act with more confidence,

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<v Speaker 2>which just makes for a better product every year, doesn't it.

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<v Speaker 1>I love it, you know, And it's reminded me of

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<v Speaker 1>an idea which maybe you could take into your agency

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<v Speaker 1>in New York. The notion of a writer's room, a

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<v Speaker 1>writing room, so that obviously it happens in TV and film,

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<v Speaker 1>where you know you'll fill the room with as much

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<v Speaker 1>talent as I suppose the room would fill, or as

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<v Speaker 1>much as you dare. There will be writing rooms, comedic

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<v Speaker 1>writing rooms in New York. They'd be happening right now.

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<v Speaker 1>But the notion of a writing room in the world

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<v Speaker 1>of advertising, I've never heard of it before, and we

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<v Speaker 1>might be revolutionizing advertising right here, Freddie.

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<v Speaker 4>It could be.

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<v Speaker 2>And I tell you what I love about the writing

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<v Speaker 2>room as well, is that it's a physical space. There's

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<v Speaker 2>something in large. There's a lot of politics that goes

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<v Speaker 2>on sort of in rooms, and you're always sort of

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<v Speaker 2>worried about your image. And for a business, I think

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<v Speaker 2>it works for any business really to create a room

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<v Speaker 2>that's dedicated to sort of failing together, a very safe

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<v Speaker 2>space where everyone's just allowed to say, hey, like, what

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<v Speaker 2>do you think is that shit?

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<v Speaker 4>Is this okay? Or something?

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<v Speaker 2>And just to really vomit the ideas with each other.

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<v Speaker 2>I think every house, every home should have, even if

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<v Speaker 2>it's just a cupboard, a small space where you're allowed

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<v Speaker 2>to suck together.

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<v Speaker 1>I love the idea of this, of a writing room

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<v Speaker 1>for ads. I mean it's quite interesting, you know, in

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<v Speaker 1>a pitch situation. Certainly when I was pitching, you'd have

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<v Speaker 1>a team or a couple of teams, and they'd go

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<v Speaker 1>off and they'd be in their own room together, just

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<v Speaker 1>you know, the art director and the writer in the

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<v Speaker 1>traditional sense I don't think i've actually ever experienced. Let's

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<v Speaker 1>put six really smart people in the one room at

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<v Speaker 1>the one time and get them to crack it. What

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<v Speaker 1>an obvious idea, What an obvious notion?

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<v Speaker 4>They'll tell you.

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<v Speaker 2>What it's making me think of is a place that

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<v Speaker 2>I don't know what they are even, but I know

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<v Speaker 2>that one day I really want to work at a

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<v Speaker 2>think tank. I like the idea of going to work

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<v Speaker 2>in a think tank.

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<v Speaker 1>I could not agree with you more freddy social social ideas,

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<v Speaker 1>experimentation around, you know, new regimes, new taxes, even freddy,

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<v Speaker 1>even a new tax could be interesting if you're doing

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<v Speaker 1>it in a think tank.

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<v Speaker 4>Exactly, I'd love it.

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<v Speaker 2>It's just to be surrounded by no intelligent people that's

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<v Speaker 2>giving it their best and being a little self conscious

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<v Speaker 2>maybe or maybe the opposite of it.

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<v Speaker 1>Speaking of a thing, Well, yeah, I'm speaking of think tank.

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<v Speaker 1>So I was just some reading over the weekend with

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<v Speaker 1>regard to AI and what AI is going to do

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<v Speaker 1>to in particular the white let's call it white collar,

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<v Speaker 1>the white collar world, you know. In the prediction that

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<v Speaker 1>I read was that twenty percent of white collar jobs

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<v Speaker 1>will be gone within five years, which of course reminds

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<v Speaker 1>us of that that that Kodak case study, when you know,

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<v Speaker 1>consultants came into Kodak and said, well, look, this digital

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<v Speaker 1>camera thing, it is a bit of an issue for you,

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<v Speaker 1>and so here's what we think is going to happen

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<v Speaker 1>to your business over the course of the next four years,

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<v Speaker 1>Like your business won't exist in four years time. And

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<v Speaker 1>then of course Kodak got to the point where their

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<v Speaker 1>business didn't exist. I think I'm right and saying it

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<v Speaker 1>wasn't four years, it was four months. So yeah, yeah.

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<v Speaker 1>So the idea, the idea that all the prediction twenty

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<v Speaker 1>percent of white collar workers will lose their jobs because

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<v Speaker 1>of AI. I'm not surprised by that number. Are you

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<v Speaker 1>surprised by that?

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<v Speaker 2>No?

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<v Speaker 4>Not really, I am skeptical at times.

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<v Speaker 2>I know there's there are certainly hiring freezers at the moment,

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<v Speaker 2>and it does seem to look like the numbers do

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<v Speaker 2>show that at the you know, let's call it the

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<v Speaker 2>bottom rung, the entry level positions, they are starting to

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<v Speaker 2>feel the gates of entry getting thinner and thinner. So

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<v Speaker 2>I wonder if it's going to be one day we

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<v Speaker 2>walk into the office and they say, hey, you're all gone,

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<v Speaker 2>or if it's going to be slowly over time and

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<v Speaker 2>you know, we just the number of people coming into

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<v Speaker 2>the office gets slower and slower, and you know, one

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<v Speaker 2>day we wake up and go, hey, where did everyone go?

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<v Speaker 1>Well, maybe I think the other prediction in this particular

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<v Speaker 1>article finn Review Week in finn was fifty percent of

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<v Speaker 1>graduate jobs won't exist. And I can actually see that

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<v Speaker 1>as well, because if you know, if you know that

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<v Speaker 1>AI is going to change your workplace, what you will do,

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<v Speaker 1>I think is just you know, I'm not going to

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<v Speaker 1>employ ten graduates all employ five, because that's not such

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<v Speaker 1>a tough decision to make as as the workplace, you know,

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<v Speaker 1>reshapes itself. And of course the other prediction was, so

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<v Speaker 1>guess who will be at the top of the list

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<v Speaker 1>for headcount loss as a result of AI Those that

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<v Speaker 1>are working from home? So you can just so see that,

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<v Speaker 1>can't You aren't if you're part of a large corporation.

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<v Speaker 1>Let's say you're part of a telco, just you know,

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<v Speaker 1>just to pick an industry. You're part of a telco,

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<v Speaker 1>You've spent the last five years working from home. You've

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<v Speaker 1>lost your relationship really with the corporation and with your colleagues.

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<v Speaker 1>AI is proving that, you know, we can afford to

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<v Speaker 1>have some job losses. Who's going to lose their jobs?

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<v Speaker 2>You know, the people that are already essentially at this

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<v Speaker 2>point a screens. You know, if I'm going to interact

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<v Speaker 2>with the screen, you know, why don't we get a

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<v Speaker 2>very cheap screen? I can see, I can see the

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<v Speaker 2>logic there. What my conspiracy theory with it as well.

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<v Speaker 2>A lot of the time twofold is that you know,

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<v Speaker 2>the capability isn't just quite there yet. I think sometimes

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<v Speaker 2>AI I have the sneaking suspicion that it might just

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<v Speaker 2>for a lot of organizations at least be a bit

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<v Speaker 2>of a smoke screen for offshoring of jobs. And a

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<v Speaker 2>lot of the time I've seen it in the news

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<v Speaker 2>whenever people start saying things like we're going AI first now,

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<v Speaker 2>it seems to me like a means by which founders,

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<v Speaker 2>especially owner operators, are trying to sort of regain control

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<v Speaker 2>of their organization. They want to be less people, less discussions.

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<v Speaker 2>They really seduced by the idea that no longer is

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<v Speaker 2>it sort of going to be a committee or anything.

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<v Speaker 2>It's just going to be fewer people and smaller teams

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<v Speaker 2>being able to move much faster and more importantly in

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<v Speaker 2>the direction that the founder would.

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<v Speaker 4>Like them to go.

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<v Speaker 1>Right, I understand, and I think what would happen well,

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<v Speaker 1>I think is going to happen in our world in

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<v Speaker 1>the advertising production world, advertising and media and the digitize,

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<v Speaker 1>the ever more digitization of the creative work and the media. Gee,

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<v Speaker 1>a lot of it's going to be made by machines,

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<v Speaker 1>isn't it Yep, Yes, a lot of it is going

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<v Speaker 1>to be made by machines, that does. I do think

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<v Speaker 1>that dars open up an opportunity for the stuff that

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<v Speaker 1>isn't made by machines. Nonetheless, there will be a huge

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<v Speaker 1>volume of in the main unwatchable.

0:12:14.720 --> 0:12:15.880
<v Speaker 4>Yes, pretty much.

0:12:17.960 --> 0:12:20.920
<v Speaker 2>Interesting it is it is, and I think the one

0:12:20.920 --> 0:12:22.839
<v Speaker 2>thing I can't remember what the name. It's some sort

0:12:22.840 --> 0:12:25.800
<v Speaker 2>of paradox though, where things are going to get cheaper

0:12:25.800 --> 0:12:30.880
<v Speaker 2>to make, and so as the cost of production comes down,

0:12:31.320 --> 0:12:33.000
<v Speaker 2>it holds that we're actually going to see a lot

0:12:33.200 --> 0:12:37.040
<v Speaker 2>more stuff, which would indicate that rather than just outright

0:12:37.200 --> 0:12:41.240
<v Speaker 2>losing jobs. There'll be some rounds upfront, of course, but

0:12:41.480 --> 0:12:44.000
<v Speaker 2>over time it would tend to suggest we're going to

0:12:44.000 --> 0:12:46.959
<v Speaker 2>see a lot more jobs making. Yes, in a lot

0:12:46.960 --> 0:12:51.400
<v Speaker 2>of instances, more and worse stuff. But that's one thing

0:12:51.440 --> 0:12:54.040
<v Speaker 2>that sort of keeps me, I guess a little optimistic.

0:12:57.960 --> 0:13:01.760
<v Speaker 1>About speaking of optimism and progress and the world of AI.

0:13:02.679 --> 0:13:05.160
<v Speaker 1>So you sent me a film that I that I

0:13:05.200 --> 0:13:06.280
<v Speaker 1>had to endure.

0:13:06.679 --> 0:13:08.120
<v Speaker 4>Yes, so it was.

0:13:08.200 --> 0:13:12.920
<v Speaker 2>Last week Open Ai released a long but beautifully shot

0:13:13.040 --> 0:13:16.559
<v Speaker 2>video of two men meeting at a cafe in San Francisco,

0:13:16.880 --> 0:13:19.120
<v Speaker 2>and those two men were Sam Oltman, who was the

0:13:19.160 --> 0:13:22.679
<v Speaker 2>CEO of open Ai, and Sir Johnny Ive who is

0:13:22.720 --> 0:13:26.560
<v Speaker 2>an industrial designer, the ex chief design officer at Apple

0:13:26.600 --> 0:13:30.040
<v Speaker 2>where he built the iPhone and the MacBook Pro. And

0:13:30.160 --> 0:13:33.280
<v Speaker 2>they together are discussing with each other and also to

0:13:33.400 --> 0:13:37.480
<v Speaker 2>camera the fact that Johnny's product and engineering company Io

0:13:38.120 --> 0:13:42.080
<v Speaker 2>is merging with open Ai, their mission being to create

0:13:42.200 --> 0:13:46.760
<v Speaker 2>a family of devices, so hardware and instead of us,

0:13:46.800 --> 0:13:49.680
<v Speaker 2>you know, making our listeners sit through it all. I

0:13:49.720 --> 0:13:54.040
<v Speaker 2>think the key moment of the video, or the problem,

0:13:54.120 --> 0:13:57.160
<v Speaker 2>the key thesis, as Sam Oltman puts it, is he

0:13:57.240 --> 0:14:00.560
<v Speaker 2>describes that, you know, we have like magic intelligen in

0:14:00.600 --> 0:14:02.680
<v Speaker 2>the cloud, but if I want to ask chat JBT

0:14:02.920 --> 0:14:05.320
<v Speaker 2>something right now, I'd have to get out my laptop.

0:14:05.400 --> 0:14:07.720
<v Speaker 2>I'd have to launch the Internet, I'd start typing, and

0:14:07.760 --> 0:14:10.960
<v Speaker 2>I'd have to like explain that thing. And you know,

0:14:11.000 --> 0:14:13.000
<v Speaker 2>we're sort of at the limit of what a laptop

0:14:13.080 --> 0:14:16.440
<v Speaker 2>can do. And so it sounds like they're gunning for

0:14:16.840 --> 0:14:19.040
<v Speaker 2>a wearable and so we'll get to the rumors of

0:14:19.080 --> 0:14:21.600
<v Speaker 2>what they're actually going to build. But other than that,

0:14:21.640 --> 0:14:24.360
<v Speaker 2>the video is pretty light on details. So if they're

0:14:24.360 --> 0:14:27.760
<v Speaker 2>not selling a particular product here, Russ. What are they

0:14:27.840 --> 0:14:28.400
<v Speaker 2>selling us?

0:14:30.920 --> 0:14:34.400
<v Speaker 1>Well, they're selling us themselves. I mean when I had

0:14:34.400 --> 0:14:36.520
<v Speaker 1>a look at that film, my immediate reaction to it

0:14:36.640 --> 0:14:39.440
<v Speaker 1>was ge whiz only in America, you know, I mean

0:14:39.880 --> 0:14:44.200
<v Speaker 1>just and it really is. It really is writ large

0:14:44.600 --> 0:14:51.360
<v Speaker 1>the difference between the American economy and ours, the Australian economy.

0:14:51.640 --> 0:14:56.280
<v Speaker 1>And what I mean by that is that it showbiz right.

0:14:56.440 --> 0:14:59.560
<v Speaker 1>Like literally the founder Sam, the founder Sam and founder Johnny.

0:15:00.280 --> 0:15:03.200
<v Speaker 1>They literally they believe it's okay to make a film

0:15:03.200 --> 0:15:07.640
<v Speaker 1>about themselves and the you know, the marriage that they

0:15:07.800 --> 0:15:11.160
<v Speaker 1>are about to create in order to create even more

0:15:11.280 --> 0:15:16.040
<v Speaker 1>value and even more ideas and more progress. Now I'm

0:15:16.080 --> 0:15:18.920
<v Speaker 1>not knocking it. I wish that we were like that.

0:15:19.160 --> 0:15:23.040
<v Speaker 1>I would love the idea that a couple of Australian entrepreneurs,

0:15:23.440 --> 0:15:25.560
<v Speaker 1>we're happy to make a film about meeting in a

0:15:25.600 --> 0:15:28.760
<v Speaker 1>cafe or a pub to talk about the next brilliant

0:15:28.760 --> 0:15:30.760
<v Speaker 1>thing that they're about to produce. But we at a

0:15:30.880 --> 0:15:33.920
<v Speaker 1>so far away from ever ever being in a position

0:15:33.960 --> 0:15:35.600
<v Speaker 1>where culturally that would be acceptable.

0:15:35.760 --> 0:15:37.080
<v Speaker 4>It's it's a very good point.

0:15:37.120 --> 0:15:40.400
<v Speaker 2>It's funny how they get around the facts that they

0:15:40.400 --> 0:15:44.760
<v Speaker 2>are just creating this really self aggrandizing video by having

0:15:44.760 --> 0:15:48.760
<v Speaker 2>each other describe the other. So Johnny's describing Altman as

0:15:49.000 --> 0:15:53.400
<v Speaker 2>bearing this huge responsibility, but it's still humble and curious,

0:15:53.560 --> 0:15:57.760
<v Speaker 2>and Johnny is quoite, the deepest thinker in the world.

0:15:57.440 --> 0:15:58.760
<v Speaker 4>And he has a lovely family.

0:15:59.080 --> 0:16:02.600
<v Speaker 2>And you just watching this saying what's going on right now?

0:16:03.720 --> 0:16:07.560
<v Speaker 1>I watched it exactly what. Okay, So my question to

0:16:07.640 --> 0:16:11.360
<v Speaker 1>you is, that's very difficult for that to work in Australia,

0:16:11.360 --> 0:16:14.960
<v Speaker 1>But does that work in America? What's your experience? Obviously

0:16:14.960 --> 0:16:17.240
<v Speaker 1>you're living there, you've seen the film wells being there.

0:16:17.280 --> 0:16:21.240
<v Speaker 1>What's your experience with regard to how it's been received

0:16:21.360 --> 0:16:22.000
<v Speaker 1>in the US?

0:16:22.440 --> 0:16:26.840
<v Speaker 2>I think it's it's funny with the news, so it's

0:16:26.880 --> 0:16:31.360
<v Speaker 2>you're very right that it's it's not shocking, and the

0:16:31.400 --> 0:16:34.720
<v Speaker 2>new cycles such as it is, that it wasn't overly

0:16:34.800 --> 0:16:37.160
<v Speaker 2>discussed too much. People were very quick just to get

0:16:37.200 --> 0:16:39.480
<v Speaker 2>into the details of this being I think the most

0:16:39.480 --> 0:16:44.400
<v Speaker 2>expensive aquahigher, or maybe the second most expensive aquahigher in history.

0:16:44.520 --> 0:16:48.000
<v Speaker 2>And so for all the theater and whatnot, it's it's

0:16:48.000 --> 0:16:50.960
<v Speaker 2>almost table stakes to be this self aggrandizing and this

0:16:51.760 --> 0:16:55.440
<v Speaker 2>to paint an image of oneself as something like a

0:16:55.480 --> 0:16:59.000
<v Speaker 2>deep thinking god is kind of par for the course

0:16:59.280 --> 0:17:00.800
<v Speaker 2>in tech right now, right, isn't it?

0:17:01.120 --> 0:17:05.880
<v Speaker 1>Yeah? Yes, no, I agree, And so my I suppose

0:17:05.880 --> 0:17:10.359
<v Speaker 1>my assumption is that you know, you, there's probably an

0:17:10.400 --> 0:17:13.960
<v Speaker 1>investment community that would get excited about it, and the

0:17:14.000 --> 0:17:16.919
<v Speaker 1>community I'm imagining just just as I say, they just

0:17:16.960 --> 0:17:21.160
<v Speaker 1>get pumped by the notion that so Johnny and Sam

0:17:21.240 --> 0:17:23.080
<v Speaker 1>are going to get together to create something brand new,

0:17:23.119 --> 0:17:26.120
<v Speaker 1>and they just they just go, this is exciting. Where

0:17:26.119 --> 0:17:29.959
<v Speaker 1>do I point my money? Right? Because the I mean

0:17:30.040 --> 0:17:33.320
<v Speaker 1>my time in New York, you know, I remember fondly.

0:17:33.440 --> 0:17:36.760
<v Speaker 1>Really the vast majority of conversations that you would have

0:17:37.320 --> 0:17:39.800
<v Speaker 1>over lunch or at dinner or whatever, is in fact

0:17:39.800 --> 0:17:45.600
<v Speaker 1>about ideas, investments, companies that are going well, outstanding executives.

0:17:45.720 --> 0:17:48.320
<v Speaker 1>It is like we might talk about footy.

0:17:48.480 --> 0:17:54.399
<v Speaker 2>Yeah yeah, yeah, about Collingwood. They speak about ideas the

0:17:54.440 --> 0:17:57.920
<v Speaker 2>way we speak about Collingwood's frontline exactly.

0:17:58.040 --> 0:17:59.160
<v Speaker 4>It's much fashioned.

0:17:59.760 --> 0:18:03.040
<v Speaker 2>It's funny just to touch on the language that we've

0:18:03.040 --> 0:18:07.120
<v Speaker 2>gotten so used to hearing from these people. Towards the end,

0:18:07.200 --> 0:18:09.640
<v Speaker 2>when Sam Oltman says, I think this will be one

0:18:09.640 --> 0:18:12.480
<v Speaker 2>of those moments of just an absolute and that he

0:18:12.520 --> 0:18:16.800
<v Speaker 2>does the dramatic pause, an absolute embarrassment of riches of

0:18:16.840 --> 0:18:20.400
<v Speaker 2>what people go create for collective society, and Johnny says,

0:18:20.600 --> 0:18:23.639
<v Speaker 2>I am absolutely certain that we are literally on the

0:18:23.680 --> 0:18:26.360
<v Speaker 2>brink of a new generation of technology that can make

0:18:26.440 --> 0:18:32.080
<v Speaker 2>us our better selves. Like the Mayo on this is incredible.

0:18:32.400 --> 0:18:36.000
<v Speaker 1>Right but parf the course right now, wearable. I think

0:18:36.000 --> 0:18:40.959
<v Speaker 1>wearables are really interesting. So I mean you can already

0:18:41.000 --> 0:18:42.760
<v Speaker 1>get a pair of ray bands, can you not? Which

0:18:42.800 --> 0:18:45.399
<v Speaker 1>have got the cameras and you can do the Google

0:18:45.440 --> 0:18:49.040
<v Speaker 1>search and you can listen via the arms on the sunglasses.

0:18:49.119 --> 0:18:51.000
<v Speaker 1>I've been meaning to get myself a pair of those,

0:18:51.040 --> 0:18:54.040
<v Speaker 1>because that strikes me is actually a really good idea.

0:18:54.119 --> 0:18:56.040
<v Speaker 1>How are they going in the US? You hardly see

0:18:56.080 --> 0:18:58.240
<v Speaker 1>anyone wearing them here well, and that's.

0:18:58.080 --> 0:19:01.200
<v Speaker 2>Honestly, Russ. It gives Yeah, I'm selling hard right now.

0:19:01.200 --> 0:19:06.760
<v Speaker 2>We've got metas ray bands. You've also got so that

0:19:06.920 --> 0:19:11.000
<v Speaker 2>video from open Ai, I think was purposefully timed to

0:19:11.080 --> 0:19:14.600
<v Speaker 2>release at the same time as Google Io twenty twenty five,

0:19:14.680 --> 0:19:18.640
<v Speaker 2>so they're big festival and they were demoing their new

0:19:18.920 --> 0:19:24.080
<v Speaker 2>Android XR prototype glasses. So you have open Ai, Google

0:19:24.400 --> 0:19:26.920
<v Speaker 2>and you know, we know Apple's done their vision. Recently,

0:19:27.000 --> 0:19:33.040
<v Speaker 2>everyone is racing towards a wearables and to these glasses.

0:19:33.080 --> 0:19:35.359
<v Speaker 2>And one thing that just gives me so much joy

0:19:35.560 --> 0:19:40.240
<v Speaker 2>is that we as a society have repeated have repeatedly

0:19:40.320 --> 0:19:44.080
<v Speaker 2>said no to these things. It feels like once every

0:19:44.119 --> 0:19:47.040
<v Speaker 2>three months, some billionaire pops up and tells us to

0:19:47.080 --> 0:19:50.440
<v Speaker 2>get in the helmet and we say no, thank you.

0:19:51.280 --> 0:19:52.680
<v Speaker 4>He why would I do that?

0:19:52.760 --> 0:19:56.240
<v Speaker 2>So do you think, like, does computing need this form?

0:19:56.359 --> 0:19:59.360
<v Speaker 2>Is this natural? Or are they just inventing a problem.

0:20:00.040 --> 0:20:02.920
<v Speaker 1>Oh, there's no doubt in my mind that wearable. Let's

0:20:02.960 --> 0:20:05.240
<v Speaker 1>just go with the glasses. There's no doubt in my

0:20:05.320 --> 0:20:08.880
<v Speaker 1>mind that the vast majority of humans on Earth will

0:20:08.880 --> 0:20:12.920
<v Speaker 1>be wearing those classes within before this decade's out. I'm

0:20:12.960 --> 0:20:15.480
<v Speaker 1>convinced of that. You know, I think that they're just

0:20:15.520 --> 0:20:20.080
<v Speaker 1>going to be the utilitarian must have. Genuinely, I think

0:20:20.080 --> 0:20:23.040
<v Speaker 1>that's what's going to happen, because you can just see

0:20:23.040 --> 0:20:25.200
<v Speaker 1>so many practical uses and not the least of which

0:20:25.600 --> 0:20:30.000
<v Speaker 1>they then do a co lab with let's say, well

0:20:30.040 --> 0:20:32.280
<v Speaker 1>as they have done with a ray ban, so they

0:20:32.280 --> 0:20:34.119
<v Speaker 1>don't have to look clunky, they can look cool, they

0:20:34.160 --> 0:20:36.920
<v Speaker 1>can look as cool. You know, the glasses that I've got.

0:20:37.040 --> 0:20:38.840
<v Speaker 1>I rather they love the classes I'm wearing at the moment.

0:20:39.119 --> 0:20:42.680
<v Speaker 1>So if they can be turned into a wearable which

0:20:42.680 --> 0:20:45.800
<v Speaker 1>has got all the joys of modern tech involved, I'm

0:20:45.840 --> 0:20:48.880
<v Speaker 1>going to bring it on. I mean, look, Freddie, maybe

0:20:48.920 --> 0:20:50.359
<v Speaker 1>this is something that happens as you get older. As

0:20:50.359 --> 0:20:51.960
<v Speaker 1>you get older, you get more and more nervous about

0:20:52.000 --> 0:20:54.679
<v Speaker 1>someone's name that you've forgotten. So I'm imagining that my

0:20:54.800 --> 0:20:56.920
<v Speaker 1>glasses are going to look over there's Genevieve over there,

0:20:57.280 --> 0:21:00.119
<v Speaker 1>she's our producer. If I've had a senior moment, I've

0:21:00.119 --> 0:21:02.919
<v Speaker 1>forgotten Genevieve's name. It's just my glasses. They're just going

0:21:02.960 --> 0:21:05.160
<v Speaker 1>to tell me. They're going to say, there's Jen right,

0:21:05.480 --> 0:21:09.159
<v Speaker 1>and by the way, she produces admission. So I feel

0:21:09.200 --> 0:21:13.600
<v Speaker 1>like I'm very convinced that that's the case. And then

0:21:13.640 --> 0:21:18.439
<v Speaker 1>what will then happen is the robots, Tesla robots, the

0:21:18.520 --> 0:21:21.440
<v Speaker 1>Tesla robot, and you're wearable. They're going to be best

0:21:21.440 --> 0:21:23.840
<v Speaker 1>friends and they're going to help you have a I hope,

0:21:24.119 --> 0:21:27.160
<v Speaker 1>have a better life. There is, though, that nonsense where

0:21:27.240 --> 0:21:29.520
<v Speaker 1>Zuckerberg said the other day that he's excited about AI

0:21:29.600 --> 0:21:31.880
<v Speaker 1>because he thinks it's going to solve loneliness. I mean,

0:21:32.080 --> 0:21:37.320
<v Speaker 1>give me a break, it'll do the opposite. So there's anyway,

0:21:37.440 --> 0:21:39.520
<v Speaker 1>there's a lot of there's a lot changing for Addie.

0:21:39.400 --> 0:21:44.639
<v Speaker 2>There's a lot changing. And yeah, I'm it's it's it's funny.

0:21:44.640 --> 0:21:47.560
<v Speaker 2>That does seem to be I totally get it. We

0:21:47.640 --> 0:21:50.359
<v Speaker 2>sort of in some ways treat it as inevitable that

0:21:50.400 --> 0:21:52.280
<v Speaker 2>we're all going to be doing this, but we're also

0:21:52.520 --> 0:21:57.040
<v Speaker 2>all very cognizance of the risks of it. No one

0:21:57.080 --> 0:22:00.000
<v Speaker 2>wants to be receiving ads against their eyes. We're all

0:22:00.119 --> 0:22:04.000
<v Speaker 2>terrified of, you know, atrophying our brain muscles as well.

0:22:04.080 --> 0:22:08.160
<v Speaker 2>And I think it's it's interesting to see. I think

0:22:09.359 --> 0:22:11.240
<v Speaker 2>open Aye is going to be interesting because I don't

0:22:11.240 --> 0:22:14.159
<v Speaker 2>think they're going for glasses. They're going to have like

0:22:14.320 --> 0:22:16.840
<v Speaker 2>a pin. I think it's rumored something that will like

0:22:16.880 --> 0:22:21.040
<v Speaker 2>a broach on a brooch on your shirt and we'll

0:22:21.040 --> 0:22:23.520
<v Speaker 2>have a little camera and you can check your phone

0:22:23.600 --> 0:22:25.959
<v Speaker 2>and maybe in your headphones it might speak to you

0:22:26.680 --> 0:22:29.560
<v Speaker 2>through that. So I think they're smart to not go

0:22:29.800 --> 0:22:34.000
<v Speaker 2>directly for the glasses because I think there's there's something

0:22:34.119 --> 0:22:39.560
<v Speaker 2>to get over the fact that I don't. I'm going

0:22:39.600 --> 0:22:42.080
<v Speaker 2>to feel uncomfortable if everyone I'm talking to is wearing

0:22:42.119 --> 0:22:47.879
<v Speaker 2>a body cam, you know. Ah, it's this surveillance constant

0:22:48.000 --> 0:22:50.720
<v Speaker 2>and the fact that you're being filmed at all time, Like,

0:22:50.840 --> 0:22:54.280
<v Speaker 2>I think there's something there that no one's really addressing.

0:22:54.880 --> 0:22:58.159
<v Speaker 2>That we're all going to be on record all of

0:22:58.200 --> 0:23:01.760
<v Speaker 2>the time, which is a big barrier for us to

0:23:01.800 --> 0:23:02.200
<v Speaker 2>get over.

0:23:03.680 --> 0:23:07.479
<v Speaker 1>I went to a pizza making lesson the other day, Freddie,

0:23:08.000 --> 0:23:12.280
<v Speaker 1>and the pizza maker had his ray Ban camera glasses

0:23:12.280 --> 0:23:16.920
<v Speaker 1>on and and he said to us, you know, warning,

0:23:17.400 --> 0:23:22.320
<v Speaker 1>I am filming the the pizza making lesson, and he

0:23:22.400 --> 0:23:24.520
<v Speaker 1>was filming it because he then turned that into like

0:23:24.600 --> 0:23:30.080
<v Speaker 1>within minutes, content content for his pizza making website. And

0:23:30.320 --> 0:23:33.240
<v Speaker 1>I thought, well, I wasn't really offended by the fact

0:23:33.240 --> 0:23:38.359
<v Speaker 1>that he was filming, you know, the class. So I

0:23:38.400 --> 0:23:39.959
<v Speaker 1>don't know, Freddy. I think people, I think we might

0:23:40.000 --> 0:23:43.000
<v Speaker 1>get over it quite quickly. You know. It's like I

0:23:43.000 --> 0:23:45.960
<v Speaker 1>remember very well the first person I saw speaking on

0:23:46.119 --> 0:23:48.840
<v Speaker 1>the tram on a mobile phone, and it was like,

0:23:50.480 --> 0:23:54.879
<v Speaker 1>do you reckon? You are dickhead? Right, Yeah, Within a

0:23:54.880 --> 0:23:57.080
<v Speaker 1>couple of weeks, everyone's on the mobile phone on the tram,

0:23:57.160 --> 0:23:59.679
<v Speaker 1>so I think that these things they do because in

0:23:59.680 --> 0:24:02.399
<v Speaker 1>the end, the utility of it is what outs it.

0:24:02.800 --> 0:24:04.760
<v Speaker 1>Utility will out I reckon.

0:24:04.800 --> 0:24:06.600
<v Speaker 4>It's yeah, I mean, God help us.

0:24:07.160 --> 0:24:11.280
<v Speaker 2>I think you're right, it's coming, but I'm not excited

0:24:11.280 --> 0:24:11.679
<v Speaker 2>about it.

0:24:11.760 --> 0:24:16.359
<v Speaker 1>Rus tell me about web tunes, web tunes.

0:24:16.119 --> 0:24:16.680
<v Speaker 4>Web turons.

0:24:16.760 --> 0:24:19.640
<v Speaker 2>Yeah, yeah, I mean so like Tobacco, I was so.

0:24:19.720 --> 0:24:21.200
<v Speaker 2>My neighbor very.

0:24:21.200 --> 0:24:23.720
<v Speaker 4>Kindly invited me to a party this week.

0:24:23.800 --> 0:24:27.960
<v Speaker 2>At party they were hosting downstairs, and everyone there that

0:24:28.440 --> 0:24:33.920
<v Speaker 2>the neighbors in publishing, and everyone there was in publishing, naturally,

0:24:34.240 --> 0:24:38.760
<v Speaker 2>and it was it was I spent most I'm so

0:24:38.880 --> 0:24:42.760
<v Speaker 2>ashamed of how I was acting because everyone just kept

0:24:42.760 --> 0:24:46.680
<v Speaker 2>mentioning books as if everyone just reads like all of them.

0:24:46.560 --> 0:24:47.040
<v Speaker 4>All the time.

0:24:47.080 --> 0:24:48.960
<v Speaker 2>You read a lot of books, yeah, but these people

0:24:49.040 --> 0:24:53.200
<v Speaker 2>are on another level. They'd say like, oh, well, yeah,

0:24:52.080 --> 0:24:58.280
<v Speaker 2>I'm I've just come off the back end of Emma Desktops.

0:24:58.800 --> 0:25:00.760
<v Speaker 2>You know, we all wear up, and I'd have to

0:25:00.760 --> 0:25:04.959
<v Speaker 2>be like, oh, that was you, congratulations, that's awesome. But

0:25:05.040 --> 0:25:08.479
<v Speaker 2>I regret asking or not asking, like, how do you

0:25:08.560 --> 0:25:12.359
<v Speaker 2>all have the time to read all of this book?

0:25:12.440 --> 0:25:15.520
<v Speaker 2>Surely no one has time for this anymore. And that's

0:25:15.520 --> 0:25:18.639
<v Speaker 2>why I was so excited when I found out this

0:25:18.680 --> 0:25:23.159
<v Speaker 2>week about something called webterns. So this is this is

0:25:23.240 --> 0:25:26.800
<v Speaker 2>something coming out of South Korea and it's essentially digital

0:25:26.960 --> 0:25:31.200
<v Speaker 2>comics designed for vertical scrolling on smartphones.

0:25:31.760 --> 0:25:36.119
<v Speaker 1>So I've been seriously how obvious obvious?

0:25:36.400 --> 0:25:41.120
<v Speaker 2>It's so obvious, and yet it's just no one's for

0:25:41.160 --> 0:25:41.879
<v Speaker 2>whatever reason.

0:25:41.880 --> 0:25:42.959
<v Speaker 1>I've been like, one's done it.

0:25:43.200 --> 0:25:43.920
<v Speaker 2>Yes, we've been.

0:25:44.320 --> 0:25:45.480
<v Speaker 4>I've been thinking about it.

0:25:45.520 --> 0:25:47.320
<v Speaker 2>I've been talking about it for a while, ever since

0:25:48.000 --> 0:25:51.080
<v Speaker 2>a Cantar report last year came out saying that Australian's

0:25:51.560 --> 0:25:54.920
<v Speaker 2>what is it one in three Australian students can't read proficiently,

0:25:55.480 --> 0:25:58.320
<v Speaker 2>saying okay, well maybe it's time we revisit the book.

0:25:58.600 --> 0:26:01.600
<v Speaker 2>And South Korea is only bloody gone and done it

0:26:02.440 --> 0:26:06.399
<v Speaker 2>with this vertical scrolling. So right now, the market for

0:26:06.480 --> 0:26:10.320
<v Speaker 2>web turns is valued at about nine billion dollars, so

0:26:10.359 --> 0:26:12.879
<v Speaker 2>that was in twenty twenty four. They're expecting it to

0:26:12.920 --> 0:26:17.240
<v Speaker 2>be worth nearly one hundred billion by twenty thirty three.

0:26:17.480 --> 0:26:21.320
<v Speaker 2>So this is a huge, huge industry.

0:26:21.480 --> 0:26:23.120
<v Speaker 1>And the fact that it's what I need to do.

0:26:23.359 --> 0:26:25.280
<v Speaker 1>I suppose I just need to Google search web two.

0:26:25.480 --> 0:26:27.640
<v Speaker 2>Yes, so there are I think there are two main

0:26:27.800 --> 0:26:30.840
<v Speaker 2>platforms you go to right now, web Turn and Cacao

0:26:31.119 --> 0:26:35.119
<v Speaker 2>Entertainment sort of the two big players right now. And

0:26:35.359 --> 0:26:40.200
<v Speaker 2>it's really interesting because it's just a way for really

0:26:40.240 --> 0:26:43.719
<v Speaker 2>independent creators, and you can imagine how it's only going

0:26:43.760 --> 0:26:47.760
<v Speaker 2>to get easier and easier for a single solo artist.

0:26:48.320 --> 0:26:51.359
<v Speaker 2>They're using, you know, maybe chat JBT to help generate

0:26:51.400 --> 0:26:56.359
<v Speaker 2>the images to create a series that's really really just

0:26:56.400 --> 0:26:58.760
<v Speaker 2>aimed at someone on the tram saying I would like

0:26:59.080 --> 0:27:01.080
<v Speaker 2>five minutes of your time and you're just going to

0:27:01.119 --> 0:27:04.080
<v Speaker 2>swipe through this this comic book that I've made for you.

0:27:04.640 --> 0:27:11.040
<v Speaker 2>And it's really interesting how quickly these ips are profligrating

0:27:11.320 --> 0:27:13.520
<v Speaker 2>into the rest of the world. So websterms such as

0:27:13.760 --> 0:27:17.160
<v Speaker 2>Solo Leveling and Tower of God have already been turned

0:27:17.200 --> 0:27:22.200
<v Speaker 2>into anime series and are being considered for live action adaptations.

0:27:22.400 --> 0:27:26.520
<v Speaker 2>So like it's a new It sounds obvious, but it's

0:27:26.640 --> 0:27:29.560
<v Speaker 2>it's a really I think the most exciting aspect of

0:27:29.600 --> 0:27:33.840
<v Speaker 2>it is just the democratization of people being able to

0:27:33.880 --> 0:27:40.639
<v Speaker 2>pitch and make essentially storyboards for a new IPS to

0:27:40.680 --> 0:27:43.120
<v Speaker 2>go out into the world. I'm really excited. I mean,

0:27:43.160 --> 0:27:45.560
<v Speaker 2>what do you do you have any fears about this?

0:27:46.200 --> 0:27:48.200
<v Speaker 2>Are you as excited as I am?

0:27:48.520 --> 0:27:50.919
<v Speaker 1>You totally. As soon as you articulated what it was,

0:27:50.960 --> 0:27:54.160
<v Speaker 1>it's like, well, that'll work, you know, as as we've

0:27:54.160 --> 0:27:58.679
<v Speaker 1>discussed many times before, Freddy the obvious. The obvious always works,

0:27:58.880 --> 0:28:02.240
<v Speaker 1>you know, So there's something about it. I suppose it's

0:28:02.280 --> 0:28:05.400
<v Speaker 1>just the It'll be just intuitive and it will work.

0:28:05.720 --> 0:28:09.960
<v Speaker 1>It'll work brilliantly. And Charlie Harcroft comes to mind as well, Freddy,

0:28:09.960 --> 0:28:11.520
<v Speaker 1>I mean he needs to be well, he needs to

0:28:11.560 --> 0:28:14.640
<v Speaker 1>be made aware of web tunes, because I reckon that'll

0:28:14.640 --> 0:28:15.480
<v Speaker 1>be in his wheelhouse.

0:28:15.520 --> 0:28:20.240
<v Speaker 2>It's it's absolutely up his wheelhouse. I hadn't thought of that,

0:28:20.320 --> 0:28:23.480
<v Speaker 2>like just for people and you and your family of

0:28:23.760 --> 0:28:27.639
<v Speaker 2>you know, rich heritage of cartoonists to suddenly have a

0:28:27.720 --> 0:28:30.400
<v Speaker 2>place where they can go and put out really exciting,

0:28:31.520 --> 0:28:35.359
<v Speaker 2>new quirky work. And people might say, oh, well, you

0:28:35.400 --> 0:28:38.800
<v Speaker 2>know Instagram carousels, why not there. I think it's it's

0:28:38.800 --> 0:28:40.640
<v Speaker 2>almost like it's a bit like the writer's room. Having

0:28:40.680 --> 0:28:44.960
<v Speaker 2>a space that's just dedicated for a particular art form

0:28:45.160 --> 0:28:49.920
<v Speaker 2>just makes it so much more exciting and audiences get

0:28:49.960 --> 0:28:50.520
<v Speaker 2>to focus.

0:28:50.680 --> 0:28:52.560
<v Speaker 4>I'm thinking that probably.

0:28:52.120 --> 0:28:55.520
<v Speaker 2>The next the next bluey will start as a web

0:28:55.600 --> 0:28:56.800
<v Speaker 2>turn I'm sure of that.

0:28:57.040 --> 0:29:00.760
<v Speaker 1>Nice, nice, nice Freddy. Well, keep your eye peeled for

0:29:00.880 --> 0:29:03.120
<v Speaker 1>that particular content and then see if you can get involved.

0:29:03.880 --> 0:29:04.080
<v Speaker 4>Yeah.

0:29:04.160 --> 0:29:06.520
<v Speaker 1>Well, and in fact, I mean how to use it

0:29:06.560 --> 0:29:10.440
<v Speaker 1>in an advertising sense as well. I'm sure that you

0:29:10.520 --> 0:29:12.960
<v Speaker 1>and your agency colleagues will be thinking, Okay, how can

0:29:13.000 --> 0:29:16.520
<v Speaker 1>we actually use this new form of storytelling to tell

0:29:16.560 --> 0:29:19.000
<v Speaker 1>brand stories? I mean, don't be shy from doing that.

0:29:19.080 --> 0:29:22.920
<v Speaker 1>Pretty you know, I was thinking about you at that

0:29:23.320 --> 0:29:27.520
<v Speaker 1>in that New York publishing party. You would have been

0:29:27.520 --> 0:29:28.520
<v Speaker 1>like a pig and shit, there.

0:29:28.400 --> 0:29:36.200
<v Speaker 2>Mate, I was. I'm embarrassed by how poorly I did.

0:29:36.720 --> 0:29:37.520
<v Speaker 4>It's just like.

0:29:39.080 --> 0:29:41.720
<v Speaker 2>You think you read Russ and then you meet someone

0:29:41.760 --> 0:29:45.880
<v Speaker 2>whose job it is to read and you realize that

0:29:46.000 --> 0:29:50.239
<v Speaker 2>these is just another world entirely, and you start. I

0:29:50.280 --> 0:29:52.600
<v Speaker 2>was walking prior to that night, I was thinking, oh,

0:29:52.680 --> 0:29:55.120
<v Speaker 2>you know, I'm a bit of a bookworm or whatnot.

0:29:55.240 --> 0:29:59.800
<v Speaker 2>And to them, ah, to them, they probably thought I

0:29:59.840 --> 0:30:01.400
<v Speaker 2>was struggling on the consonants.

0:30:01.960 --> 0:30:05.720
<v Speaker 1>It was sure, that's not well, well there you go,

0:30:05.880 --> 0:30:09.160
<v Speaker 1>there you go. And so your ambition, you're reading ambition

0:30:09.280 --> 0:30:10.880
<v Speaker 1>has been heightened, and that's a good thing.

0:30:11.200 --> 0:30:13.960
<v Speaker 4>That's true. That's true, or I'm just going to become

0:30:13.960 --> 0:30:16.360
<v Speaker 4>a web turn sort of guy. I feel like I'm

0:30:16.360 --> 0:30:18.560
<v Speaker 4>maybe more of a web turn sort of consumer.

0:30:19.520 --> 0:30:22.440
<v Speaker 1>Now I want to talk to you about a register

0:30:22.680 --> 0:30:28.600
<v Speaker 1>for Rowan. So register for Rowan. Old school friend of mine, Freddy,

0:30:28.720 --> 0:30:31.800
<v Speaker 1>his son. When he was eighteen years of age, he

0:30:31.960 --> 0:30:40.080
<v Speaker 1>was diagnosed with my loma, so acute my lord leukemia

0:30:40.080 --> 0:30:46.040
<v Speaker 1>in fact, and he is in remission now, but he

0:30:46.080 --> 0:30:50.120
<v Speaker 1>does need to have a transplant. And as I was

0:30:50.160 --> 0:30:54.360
<v Speaker 1>reading about him Rowan, I thought of you, Freddy, because

0:30:54.960 --> 0:30:58.000
<v Speaker 1>you and the Good Ones were responsible, of course for

0:30:58.080 --> 0:30:59.959
<v Speaker 1>making a campaign. So can you tell us about that?

0:31:00.360 --> 0:31:05.080
<v Speaker 2>Yes, so, yeah, it was back I'm trying to think

0:31:05.120 --> 0:31:07.360
<v Speaker 2>when it was back in it must have been twenty

0:31:07.440 --> 0:31:10.520
<v Speaker 2>twenty where we were a good One creative. We were

0:31:10.520 --> 0:31:16.080
<v Speaker 2>contacted by a charity called Australian Marrow Match, and the

0:31:16.200 --> 0:31:20.000
<v Speaker 2>charity came about from a family like in a similar situation,

0:31:20.160 --> 0:31:25.160
<v Speaker 2>who someone in their family had been diagnosed with blood

0:31:25.200 --> 0:31:29.000
<v Speaker 2>cancer and had received a stem cell transplant.

0:31:29.480 --> 0:31:32.680
<v Speaker 4>And the fact of I guess for people who.

0:31:32.560 --> 0:31:35.800
<v Speaker 2>Aren't aware of it right now. So if you are

0:31:35.880 --> 0:31:39.560
<v Speaker 2>someone that needs a stem cell transplant, I think there's

0:31:39.560 --> 0:31:43.360
<v Speaker 2>about eleven hundred Australians every year who need one and.

0:31:43.400 --> 0:31:46.080
<v Speaker 1>Yep, that's entirely correct, yes.

0:31:46.160 --> 0:31:50.680
<v Speaker 2>And so only about forty thousand Australians are on the

0:31:50.760 --> 0:31:53.840
<v Speaker 2>donor registry. So you have to sign up to go

0:31:53.880 --> 0:31:56.320
<v Speaker 2>on this registry. And the thing is that it is

0:31:56.480 --> 0:32:01.640
<v Speaker 2>so rare to have a match someone. So in the

0:32:01.680 --> 0:32:06.120
<v Speaker 2>case of Rowan, I believe it's like his siblings are

0:32:06.160 --> 0:32:10.040
<v Speaker 2>only about fifty percent matches, and you really need someone

0:32:10.080 --> 0:32:13.960
<v Speaker 2>who's like close to one hundred percent really for a

0:32:14.000 --> 0:32:18.560
<v Speaker 2>successful transplant to go through. So like Australia is in

0:32:18.560 --> 0:32:21.400
<v Speaker 2>a pretty dire position and eighty percent of donations will

0:32:21.400 --> 0:32:25.560
<v Speaker 2>come from overseas. So Australian Marrow Match flew us out

0:32:25.560 --> 0:32:29.480
<v Speaker 2>actually to Tasmania to meet a man named Mark Reid, who.

0:32:29.640 --> 0:32:31.040
<v Speaker 4>Father of three boys.

0:32:30.840 --> 0:32:34.720
<v Speaker 2>Yeah, father of three boys, who had gone through the

0:32:34.840 --> 0:32:39.920
<v Speaker 2>ordeal of blood cancer and yet the stem cell transplant

0:32:39.960 --> 0:32:43.640
<v Speaker 2>had saved his life and you hear these sort of things,

0:32:43.880 --> 0:32:47.960
<v Speaker 2>and we were there to make a documentary about him,

0:32:48.200 --> 0:32:53.120
<v Speaker 2>and I remember interviewing him actually very clearly, and him

0:32:53.240 --> 0:32:57.960
<v Speaker 2>talking about his first day back from the hospital when

0:32:58.280 --> 0:33:00.520
<v Speaker 2>the doctors had said, you know, we think you're going

0:33:00.560 --> 0:33:03.680
<v Speaker 2>to make it after you know the stem cell, the

0:33:03.680 --> 0:33:07.600
<v Speaker 2>transplant's taken. You know, you think, we think you're going

0:33:07.680 --> 0:33:09.960
<v Speaker 2>to be okay. And because you know, he'd had to

0:33:10.000 --> 0:33:13.640
<v Speaker 2>do it all in Melbourne, he'd been sort of away

0:33:13.680 --> 0:33:17.320
<v Speaker 2>from his family during this whole just awful ordeal, and

0:33:17.360 --> 0:33:21.080
<v Speaker 2>he was talking about just the the contentment he felt

0:33:21.200 --> 0:33:23.720
<v Speaker 2>sitting on the couch watching a game of footy with

0:33:23.840 --> 0:33:25.200
<v Speaker 2>his sons and his wife.

0:33:25.440 --> 0:33:29.400
<v Speaker 1>First aid back, Yeah, and it was just now you registered, Freddy,

0:33:29.440 --> 0:33:29.800
<v Speaker 1>did you not?

0:33:29.960 --> 0:33:30.120
<v Speaker 4>Yeah?

0:33:30.160 --> 0:33:33.640
<v Speaker 1>I did, Yeah, And I think so it's you've got

0:33:33.640 --> 0:33:37.000
<v Speaker 1>to be eighteen to thirty five in order to register.

0:33:37.560 --> 0:33:39.000
<v Speaker 1>I think that is also correct.

0:33:39.160 --> 0:33:40.040
<v Speaker 4>Yes, that's right.

0:33:40.920 --> 0:33:43.160
<v Speaker 1>And why is that the case? Why? Why why couldn't

0:33:43.160 --> 0:33:44.520
<v Speaker 1>I do it? Well?

0:33:44.600 --> 0:33:48.720
<v Speaker 2>I think you. I think what they want is eighteen

0:33:48.760 --> 0:33:55.480
<v Speaker 2>to thirty five year old men because you men particularly,

0:33:55.520 --> 0:33:57.960
<v Speaker 2>they have just more mass and so more stem cells

0:33:58.000 --> 0:34:01.040
<v Speaker 2>to give, and eighteen to thirty five because they're really

0:34:01.120 --> 0:34:06.120
<v Speaker 2>good at producing them from that age. So yeah, that's

0:34:06.520 --> 0:34:10.760
<v Speaker 2>what they're looking for. And these people as well, less

0:34:10.960 --> 0:34:13.560
<v Speaker 2>likely to have any sort of complications of their own.

0:34:13.680 --> 0:34:16.640
<v Speaker 2>Generally they're pretty healthy. So I actually got the call

0:34:16.760 --> 0:34:21.920
<v Speaker 2>up for a donation, and the process you go through

0:34:22.960 --> 0:34:25.600
<v Speaker 2>from when they call you up to when you actually

0:34:25.600 --> 0:34:28.880
<v Speaker 2>give the donation. There's quite a bit of time actually,

0:34:28.920 --> 0:34:31.600
<v Speaker 2>because what they have to do on their end, whoever's

0:34:31.640 --> 0:34:34.360
<v Speaker 2>receiving the transplant, a lot of the time they'll go

0:34:34.360 --> 0:34:36.520
<v Speaker 2>through another bout of chemo I think it is, and

0:34:36.520 --> 0:34:39.200
<v Speaker 2>they're essentially trying to get their own stem cell count

0:34:39.480 --> 0:34:42.200
<v Speaker 2>down to as close to zero as they can before

0:34:42.239 --> 0:34:45.000
<v Speaker 2>it gets too dangerous, before they can load you up

0:34:45.000 --> 0:34:48.239
<v Speaker 2>with the new stuff. So and when they're going through

0:34:48.239 --> 0:34:50.359
<v Speaker 2>that process, the worst thing that could happen would be

0:34:50.440 --> 0:34:53.840
<v Speaker 2>someone drop out or you know, it comes up with

0:34:53.880 --> 0:34:56.000
<v Speaker 2>their own like. So it's the person on the receiving

0:34:56.080 --> 0:34:58.400
<v Speaker 2>end of the transplant is going through a risky process

0:34:58.680 --> 0:35:00.640
<v Speaker 2>and there's a lot of trust in the since signing

0:35:00.719 --> 0:35:03.080
<v Speaker 2>up that when the time comes and if they've said yes,

0:35:03.200 --> 0:35:04.799
<v Speaker 2>that they're going to stick it through.

0:35:05.880 --> 0:35:09.480
<v Speaker 1>Good Man, Okay, so you've made a film about about

0:35:09.640 --> 0:35:12.319
<v Speaker 1>a gentleman who has gone through has successfully gone through

0:35:12.320 --> 0:35:17.439
<v Speaker 1>that process. My friend's son, his name is Rowan And

0:35:17.760 --> 0:35:21.160
<v Speaker 1>if people who are listening are interested between the ages

0:35:21.200 --> 0:35:24.680
<v Speaker 1>of eighteen and thirty five, I know that my mate

0:35:24.760 --> 0:35:26.960
<v Speaker 1>he would really appreciate if you go to the website

0:35:27.080 --> 0:35:31.239
<v Speaker 1>register for Rowan. That's one word, register for Rowan. We'll

0:35:31.239 --> 0:35:34.080
<v Speaker 1>put it on the show and maybe we can put

0:35:34.120 --> 0:35:36.200
<v Speaker 1>a link to your story as well on the show. Freddie,

0:35:36.600 --> 0:35:41.560
<v Speaker 1>so register for Rowan and I know it would be well,

0:35:41.880 --> 0:35:43.879
<v Speaker 1>I mean one of the right words on this one.

0:35:44.040 --> 0:35:47.120
<v Speaker 1>Appreciated is nowhere near a strong enough word.

0:35:48.040 --> 0:35:50.279
<v Speaker 2>Absolutely right, best thing I ever did. So I would

0:35:50.360 --> 0:35:53.680
<v Speaker 2>highly recommend that everyone go sign up. Takes not too

0:35:53.719 --> 0:35:56.759
<v Speaker 2>long at all to do it, to get swabbed. And yeah,

0:35:56.760 --> 0:35:59.200
<v Speaker 2>if you're lucky enough to get the call up, you'll

0:35:59.239 --> 0:36:01.160
<v Speaker 2>spend the rest of l thanking God.

0:36:01.200 --> 0:36:05.480
<v Speaker 1>You did well done, Freddy. Okay. Inclosing, what are you reading?

0:36:06.239 --> 0:36:09.480
<v Speaker 2>I'm reading right now and the week suffer what they must,

0:36:09.719 --> 0:36:16.160
<v Speaker 2>which is a history of trade surpluses and deficits and

0:36:16.680 --> 0:36:21.480
<v Speaker 2>how the birth of the Euro led to Greek's crisis

0:36:21.680 --> 0:36:23.640
<v Speaker 2>posed too yes.

0:36:24.120 --> 0:36:28.080
<v Speaker 1>Yeah, yeah, yeah, it's very interesting. Maybe the last time

0:36:28.120 --> 0:36:30.680
<v Speaker 1>I was in Greece they were just talking about how

0:36:30.719 --> 0:36:32.880
<v Speaker 1>much they hate being part of the Euro or like

0:36:33.000 --> 0:36:35.040
<v Speaker 1>like the local public and or what whoever I was

0:36:35.040 --> 0:36:37.719
<v Speaker 1>talking to, he said, well, you know what, in the

0:36:37.760 --> 0:36:41.000
<v Speaker 1>old days, the Germans would come down here to Greece

0:36:41.040 --> 0:36:44.920
<v Speaker 1>with their Deutsche marks, and they turned the Deutsch marks

0:36:44.920 --> 0:36:48.080
<v Speaker 1>into the what's the what's the Greek one? What was

0:36:48.080 --> 0:36:49.920
<v Speaker 1>the great one called Drachma? Was it? It might be

0:36:49.920 --> 0:36:52.360
<v Speaker 1>a track anyway, they Yeah, they turned they turned the

0:36:52.400 --> 0:36:55.480
<v Speaker 1>deutsch marks into the local Greek currency and think they

0:36:55.480 --> 0:36:58.000
<v Speaker 1>were rich. And what they would then do, of course,

0:36:58.000 --> 0:37:02.799
<v Speaker 1>suspend it all right, So they weren't very like your

0:37:02.840 --> 0:37:06.880
<v Speaker 1>average Greek punda wasn't very happy about being involved with

0:37:06.880 --> 0:37:10.200
<v Speaker 1>the Euro So maybe you can just tell me all

0:37:10.200 --> 0:37:11.919
<v Speaker 1>about it. I'm not sure I'm going to read that one,

0:37:11.920 --> 0:37:13.160
<v Speaker 1>but you'll have to tell me all about it.

0:37:13.200 --> 0:37:16.320
<v Speaker 2>Yeah, I'll do my best to make sense of Frankly,

0:37:16.600 --> 0:37:20.080
<v Speaker 2>quite a lot of economic gobbledegurg from my years. Maybe

0:37:20.080 --> 0:37:21.560
<v Speaker 2>there'll be a web turn about it someday.

0:37:21.880 --> 0:37:25.920
<v Speaker 1>Good stuff. Well, I'm Freddie, Thanks us, thanks for listening.

0:37:26.040 --> 0:37:29.480
<v Speaker 1>You can subscribe to Admission wherever you get your podcasts.

0:37:29.040 --> 0:37:32.600
<v Speaker 2>And follow us on Instagram at Admission Podcast. You can

0:37:32.640 --> 0:37:35.560
<v Speaker 2>send us a message and add an idea anything you

0:37:35.600 --> 0:37:36.680
<v Speaker 2>reckon we should talk about.

0:37:36.840 --> 0:37:40.120
<v Speaker 1>You can also follow me Russell Holcroft on x or LinkedIn,

0:37:40.440 --> 0:37:42.359
<v Speaker 1>and of course you can hear me on three out

0:37:42.320 --> 0:37:45.680
<v Speaker 1>of breakfast every morning with the inimitable ros Stevenson. Chat

0:37:45.760 --> 0:37:46.960
<v Speaker 1>to you next week, Freddy so here