WEBVTT - The rise and fall of Brat culture. Plus, 'Entourage' turns 20

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<v S1>Hey there, I'm Osman Farooqui and this is The Drop,

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<v S1>a weekly culture show from the Sydney Morning Herald and

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<v S1>The Age, where we dive into the latest in the

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<v S1>world of pop culture and entertainment. I'm here with Thomas

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<v S1>Mitchell and Mel Cambry. What's up gang? Good evening.

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<v S2>Wherever you're listening to this podcast or it might be morning.

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<v S1>Thomas is trying to be funny because I said to him, look,

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<v S1>it's nice that you say good morning when we talk.

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<v S1>I appreciate that, but podcasts are listened to at all

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<v S1>hours of the day. We don't want to shatter the illusion.

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<v S1>You know that this only exists in one particular moment

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<v S1>in time.

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<v S2>Yes, well, I'm on board now, so wherever or whenever

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<v S2>you might be listening to this, I hope you are good.

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<v S2>It's very.

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<v S1>Sweet. Thank you. Mel, how are you doing?

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<v S3>I'm doing well. I'm doing well. I feel like I.

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<v S3>I'm glad we've got to a stage where I can

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<v S3>mitigate all responsibility for having to answer you. When you say,

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<v S3>how are you? Like, it's just now assumed that Thomas

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<v S3>will take on that that role.

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<v S1>You did have one more responsibility.

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<v S2>How were you, Osman? Oh.

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<v S1>Not fulfilled. Oh, thanks for asking. Thanks for asking, guys. Um, well,

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<v S1>you know, I've. I've started boxing lessons this week. Um,

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<v S1>I wanted to add a little bit of cardio to

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<v S1>my workout regime. And boxing seems like a really fun

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<v S1>way to do it, and it was really fun. But

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<v S1>I will say my arms are quite sore and tired now. Um, Thomas,

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<v S1>I know that you box regularly. Do you have any

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<v S1>tips or tricks for me?

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<v S2>Uh, look, I think firstly, I think it's a really

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<v S2>good thing for you. Um, just to work out some

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<v S2>of your issues. You know, just like if you're going

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<v S2>to be hitting the bag, that's the bag to hit. Um,

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<v S2>I think no, I think it's really good. If we're going.

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<v S1>To be hitting something, it's better or a punching bag

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<v S1>than you.

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<v S2>Correct? Uh, no. Look, just keep your guard up, man. Um,

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<v S2>you know, Tyson said that everyone has a plan until

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<v S2>they get punched in the face. Um, he also said

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<v S2>a bunch of other dumb shit, but I think it's

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<v S2>really good. I'm here. And, Mel, you've done some boxercise before.

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<v S3>I haven't actually fought a story. I went to a

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<v S3>muay Thai boxing class with the person I was profiling,

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<v S3>and I found it. The most difficult thing was like,

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<v S3>I couldn't remember the, what do you call it, the

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<v S3>like when you do a whole like, like a whole

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<v S3>series of punches and kicks. I like, really struggled to

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<v S3>remember like a mortal Kombat, like when you're doing an uppercut, fly, kick.

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<v S3>I could not remember the order. I found that very difficult.

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<v S3>Do you find that challenging, Osman?

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<v S1>Well, I'm really just starting. So it was like, you know,

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<v S1>left jab, left jab, right jab, left hook. Like I

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<v S1>could remember that.

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<v S2>What's your kind of killer punch, though?

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<v S1>Uh, I got, like, a right hook. Yeah, yeah.

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<v S2>Yeah, I can see.

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<v S3>It. Is this in a class? Right? This isn't. No, I.

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<v S1>Just do it one on one. Oh, really? Oh, yeah.

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<v S1>Just Osman.

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<v S2>Versus demons.

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<v S1>I mean, he's not wrong. He's not wrong on that front. Um, well,

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<v S1>I was going to say first things first, but we've

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<v S1>spent a bit of time talking about my boxing. So,

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<v S1>second topic of today's podcast. Um, we need to acknowledge

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<v S1>Thomas's psychic abilities twice in a row. Now, he is

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<v S1>predicted the state of origin result and the final score.

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<v S1>Kind of. Can't believe it, I was doubtful what a

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<v S1>time to be alive. The Blues did take it home

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<v S1>within the margin you predicted, Thomas.

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<v S2>Yeah, I mean, also doubtful is completely underselling what your

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<v S2>response was. Both of you. You were mocking me. Um. and,

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<v S2>you know, just like saying how outrageous it was that

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<v S2>let alone I would suggest the Blues would win, that

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<v S2>they would win in Queensland and by that scoreline and yeah,

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<v S2>once again, it's a big win for the Thomas heads

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<v S2>out there. Uh and and also we all win because

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<v S2>New South Wales won. Uh that's true. We all.

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<v S1>Did win. We all did.

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<v S2>Sweet. It was when Bradman best crossed over for that

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<v S2>try Osman.

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<v S1>Oh my God it was incredible. Our text messages were

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<v S1>just ecstatic, full of pure joy.

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<v S3>And this was the first time I've kind of watched

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<v S3>The State of Origin, all three of them. What I

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<v S3>found most shocking, and that was mainly off the back

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<v S3>of Thomas's encouragement. Um, what I found most shocking was

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<v S3>that the sin bin is a metaphorical concept, that they

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<v S3>just go and sit on the bench. I found that,

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<v S3>what do you think?

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<v S1>That they were put in a literal bin?

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<v S3>Not in a literal bin, but I thought they went

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<v S3>somewhere for like time out by themselves. Like they didn't

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<v S3>just get to go and sit with their mates and, like,

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<v S3>get Gatorade and relax. They should go and sit somewhere

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<v S3>where they are made to feel ashamed.

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<v S2>They do typically go into the dressing room and then

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<v S2>right before they come back on, I think they come

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<v S2>back to the bench.

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<v S3>Okay. Right.

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<v S2>So they are they are in a bin. I think you're.

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<v S1>Confused because there was a player, um, was Angus Crichton,

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<v S1>who was who just preemptively sat down before he was

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<v S1>sin binned. And then he had to get up and

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<v S1>then was sent to the sin bin.

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<v S3>Yeah, okay. Maybe that threw me. There you go. I'm

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<v S3>still learning.

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<v S2>Yeah. But yeah, I mean, I think it was a

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<v S2>great night for everyone and, um, probably, you know, winning

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<v S2>State of Origin in Queensland, one of the great male fantasies.

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<v S1>Speaking of great male fantasies, can you guys believe it's

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<v S1>been 20 years since entourage debuted on HBO? God damn,

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<v S1>we are old folks. That is crazy. Uh, the show,

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<v S1>I think, shaped way more men in way more ways

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<v S1>than they will ever willingly admit that perhaps Thomas and

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<v S1>I will admit that on the podcast a little bit later, uh,

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<v S1>we're going to discuss why it's the greatest show of

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<v S1>all time, while Mel mercilessly mocks us for being retrograde Neanderthals. Uh,

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<v S1>we're also going to discuss the extraordinary dominance of Charli

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<v S1>Xcx's brat. Not just the music, but the vibe, the aesthetic,

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<v S1>the memes, the brat summer the Northern Hemisphere has had

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<v S1>over the past couple of months, and talk about how

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<v S1>maybe brat Summer has reached a peak and potential decline

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<v S1>with the political embrace of the meme, in particularly Kamala

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<v S1>Harris aligning herself so closely with this kind of funny,

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<v S1>weird countercultural brand. And speaking of Harris, we talked a

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<v S1>little bit about US politics last week. It's very funny

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<v S1>for us as a pop culture podcast to weigh in,

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<v S1>and I am keen to get your guys takes on,

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<v S1>you know, who Kamala should pick as her vice president.

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<v S1>But there's been a real convergence of pop culture and politics.

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<v S1>This is a very American thing. Obviously, they're very into

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<v S1>their celebs running for President Reagan, Schwarzenegger as governor. Trump himself,

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<v S1>I guess, is like a cultural celebrity turned politician. Uh,

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<v S1>I would say maybe now we're living in a period

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<v S1>where there's a little bit too much pop culture in politics.

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<v S1>George Clooney wrote that opinion piece for The New York

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<v S1>Times that, I guess, kind of started the avalanche of

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<v S1>people saying Biden should step down. I don't know if

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<v S1>you guys caught Aaron Sorkin's op ed on the weekend,

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<v S1>he wrote. So Aaron Sorkin, obviously creator of The West Wing,

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<v S1>Sports Night, The Newsroom, he wrote The Social Network, Molly's Game,

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<v S1>very well known writer, and a lot of people love

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<v S1>to make fun of The West Wing for how kind

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<v S1>of cringe it was in its politics at the time,

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<v S1>and this kind of small l liberal fantasy. He wrote

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<v S1>the most Aaron Sorkin opinion piece of all time, where

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<v S1>he was like, Joe Biden should step down and I

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<v S1>know who should be the nominee. It should be Mitt Romney,

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<v S1>the Republican, and people like Aaron Sorkin. That is crazy.

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<v S1>And then the timing was hilarious because two hours later,

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<v S1>Biden stepped down and Kamala Harris was the nominee, and

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<v S1>Sorkin tweeted something like, oh, no, no. Just for the record,

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<v S1>I agree with Kamala. This is really good. This is

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<v S1>really good. Um, real galaxy brain stuff for him. But

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<v S1>seeing the list of celebrities kind of come out and

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<v S1>say things. Spike Lee was very quick to, to throw

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<v S1>his support. I think he called Kamala like de Gaulle

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<v S1>or something like that. Uh, good on you, spike. Uh,

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<v S1>Robert De Niro said thank you to Joe Biden for

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<v S1>stepping down. One man in his 80s, you know, applauding

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<v S1>another man in his 80s, um, hopefully doesn't mean that

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<v S1>De Niro will also step down from his acting prime.

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<v S1>And then, on the other hand, Trump has Hulk Hogan

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<v S1>and Kid Rock. Did you guys watch any of those

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<v S1>performances from the RNC? What did you make of it?

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<v S2>Ah, I mean, like as a WWE fan, when I

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<v S2>in my younger years, I was like, oh, Hulk Hogan's

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<v S2>still alive. Barely. But yeah, I mean, it is very funny. Like,

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<v S2>I guess just like seeing kid Rock and Hulk Hogan. Like,

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<v S2>if you were to find two celebs that were like

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<v S2>so aligned with Trumpland, I suppose that makes sense. But

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<v S2>I think generally, like on both sides, people have this real,

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<v S2>I think, like pushback against seeing any time they feel

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<v S2>that a celebrity is like, you know, kind of trying

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<v S2>to push them in a particular way or, you know,

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<v S2>just even involve with the political movement. I think our,

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<v S2>you know, like suspicion of celebrity kind of activism is

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<v S2>so high right now that, like, I don't know how

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<v S2>much weight. I mean, you're right in that the Clooney piece,

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<v S2>I think did he's such a big, important Democrat. He's

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<v S2>like almost like his relationship to the Democrats is less

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<v S2>of like a celebrity thing. Like he's properly involved.

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<v S1>Yes. Yeah. He's like a major donor and yeah, like

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<v S1>that that held weight.

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<v S2>But I think generally we're wary of celebrity activism now

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<v S2>on both sides of the corridor.

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<v S3>Yeah, I think that's probably true. And they've become like

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<v S3>obviously increasingly visible players in global politics because of their

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<v S3>fanbases and their media reach and their access to their

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<v S3>own platforms. Um, it's probably it's an interesting question for democracy,

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<v S3>really not to make it too serious because there.

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<v S1>Make it serious, man. We're talking about the presidential election.

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<v S1>This is serious stuff.

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<v S3>That's true because there are power comes from their ability

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<v S3>to kind of attract attention, but they have no political expertise.

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<v S3>So I mean, that is kind of, you know, whether

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<v S3>that translates to electoral influence and policy is an interesting question.

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<v S3>I don't actually think it does. Same with you, Thomas. Like,

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<v S3>I don't know if it's it changes, um, the, the

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<v S3>poll results. And we have seen in the past high

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<v S3>profile endorsements, really high profile endorsements that have made no difference.

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<v S3>I think maybe it has the biggest impact on the

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<v S3>celebrity's public image. Like that's actually where the biggest change is.

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<v S2>Because it's funny already, like with the like Kamala thing.

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<v S2>It's like so many people I've seen tweeting like, Where's Taylor?

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<v S2>Like kind of waiting for the Taylor drop to be like,

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<v S2>you know, and maybe she is one of the few

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<v S2>people that still can, like move the needle. Like if

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<v S2>Taylor Swift came out in support of Kamala. Really hardcore,

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<v S2>you know, like telling people to vote, telling people to

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<v S2>sign up, would that maybe, you know, change things?

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<v S1>I actually agree with you that that is maybe the

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<v S1>one person that could I largely agree with what you

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<v S1>guys have said. I think in an American political context,

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<v S1>someone reminded me of this yesterday. We'll talk more about

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<v S1>the Charlie Kamala thing. And I was like, well, does

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<v S1>that really matter if someone like Taylor Swift or Charli

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<v S1>XCX endorses Kamala Harris? Like how many, you know, 22

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<v S1>year olds listening to brat are like, well, I was

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<v S1>going to vote for Trump, but now Charli has come out,

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<v S1>I might switch. But then they reminded me that the

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<v S1>US has their, uh, you know, non-compulsory voting system. And

0:10:22.360 --> 0:10:24.400
<v S1>there's a lot of young people who feel very cynical

0:10:24.400 --> 0:10:27.849
<v S1>about both sides and might just stay home, but someone

0:10:27.850 --> 0:10:30.070
<v S1>like Taylor Swift saying, hey guys, if you want to

0:10:30.070 --> 0:10:33.020
<v S1>protect abortion rights or whatever, you should get organized and

0:10:33.020 --> 0:10:36.020
<v S1>register and go vote. That could shift the dial in

0:10:36.020 --> 0:10:39.140
<v S1>a way that probably like De Niro and Spike Lee

0:10:39.290 --> 0:10:41.210
<v S1>even probably are not going to.

0:10:41.240 --> 0:10:43.730
<v S3>Yeah, I think that's, um, I think that's very true,

0:10:43.730 --> 0:10:45.950
<v S3>because I think the fact that they don't have to

0:10:45.950 --> 0:10:49.730
<v S3>compulsorily vote is really where the power of these celebrities lies,

0:10:49.730 --> 0:10:51.500
<v S3>particularly for the for the Democrats.

0:10:51.530 --> 0:10:53.270
<v S1>Before we move on from this one, I just there's

0:10:53.270 --> 0:10:54.800
<v S1>a regular segment we're going to have now is like

0:10:54.800 --> 0:10:56.900
<v S1>what JD Vance is up to. We had a lot

0:10:56.900 --> 0:10:59.809
<v S1>of fun talking about him last week. This is Trump's, uh,

0:10:59.809 --> 0:11:04.489
<v S1>pick for the vice presidency. Um, the author that Mel loves, uh,

0:11:04.490 --> 0:11:09.140
<v S1>really funny, interesting people found his, like, blogspot from 2011

0:11:09.140 --> 0:11:11.929
<v S1>or maybe even earlier where he, he talks about, like,

0:11:11.929 --> 0:11:15.230
<v S1>his life traveling from Ohio to Yale and, you know,

0:11:15.230 --> 0:11:18.590
<v S1>his kind of suburban malaise. Uh, Henry gave us a

0:11:18.590 --> 0:11:21.280
<v S1>little bit of a review of Garden State, the Zach

0:11:21.280 --> 0:11:24.640
<v S1>Braff film. So he's talking about being in the airport,

0:11:24.640 --> 0:11:27.760
<v S1>and he says, I couldn't watch Garden State because New

0:11:27.760 --> 0:11:31.329
<v S1>Jersey's landscape is so much like Ohio's. The music is

0:11:31.330 --> 0:11:34.030
<v S1>so relevant to my life right now. And the story

0:11:34.030 --> 0:11:36.400
<v S1>of a guy returning home, realizing that home isn't what

0:11:36.400 --> 0:11:39.610
<v S1>it used to be, etc. made me want to tear up.

0:11:39.610 --> 0:11:42.520
<v S1>I mean, that's Garden State in a nutshell, right? It really.

0:11:42.520 --> 0:11:44.140
<v S2>Is. I never really I can't believe he was like

0:11:44.140 --> 0:11:45.210
<v S2>a shins guy.

0:11:46.590 --> 0:11:49.680
<v S1>Lebanese blonde by Thievery Corp, just, you know, makes him weep.

0:11:49.679 --> 0:11:50.550
<v S1>Still to this day.

0:11:50.550 --> 0:11:52.950
<v S3>It's so strange how he's managed to make something quite

0:11:52.950 --> 0:11:55.349
<v S3>banal sound so poignant.

0:11:55.679 --> 0:11:58.589
<v S1>You can't get off this hype train at all, can you, man?

0:11:58.650 --> 0:11:59.580
<v S1>You're just like, damn.

0:11:59.580 --> 0:12:01.770
<v S3>I want more. I mean, also, I'd love to imagine

0:12:01.770 --> 0:12:04.229
<v S3>what was on your blogspot of 2011.

0:12:04.230 --> 0:12:06.330
<v S1>Well, honestly, when I saw that, I was like, shit,

0:12:06.330 --> 0:12:07.140
<v S1>is that still up?

0:12:07.140 --> 0:12:09.320
<v S2>Yeah, I probably need to do like a bit of did.

0:12:09.320 --> 0:12:10.189
<v S3>You really blog?

0:12:10.250 --> 0:12:12.260
<v S2>I mean, it's best not to talk about it. Uh,

0:12:12.260 --> 0:12:14.960
<v S2>is there a JD Vance review of The Legend of

0:12:14.960 --> 0:12:16.940
<v S2>Bagger Vance? Because that I think.

0:12:19.190 --> 0:12:22.250
<v S1>That's really funny. That's really funny. Um, yeah. My blog

0:12:22.250 --> 0:12:24.439
<v S1>when I was a teenager was about New South Wales

0:12:24.440 --> 0:12:25.610
<v S1>state politics. That's how cool.

0:12:25.610 --> 0:12:26.240
<v S2>Oh my God.

0:12:26.240 --> 0:12:28.730
<v S1>Wow. It was called Macquarie Street.

0:12:28.730 --> 0:12:30.710
<v S2>It's set in a dune world.

0:12:30.710 --> 0:12:33.719
<v S4>Yeah. interpreted through fiction.

0:12:33.720 --> 0:12:36.059
<v S1>It wasn't fan fiction, maybe. I don't know what's lamer

0:12:36.059 --> 0:12:38.670
<v S1>that I was writing serious news stories when I was 15,

0:12:38.670 --> 0:12:42.900
<v S1>or writing fan fiction about, um, Premier Nathan Rees. I

0:12:42.900 --> 0:12:46.110
<v S1>was not doing that for the record. Um, that's a throwback. Uh,

0:12:46.110 --> 0:12:48.960
<v S1>let's talk about brat. We discussed the album at length

0:12:48.960 --> 0:12:51.720
<v S1>when it was released on June 7th. It has become

0:12:51.720 --> 0:12:55.170
<v S1>Charli's biggest selling album yet, but I think what's become

0:12:55.170 --> 0:12:58.690
<v S1>even bigger is the, I guess vibe, the meme, the

0:12:58.690 --> 0:13:02.320
<v S1>aura around brat. How do you describe it? Well, according

0:13:02.350 --> 0:13:06.820
<v S1>to Charlie herself, brat is a little messy, likes to party,

0:13:06.820 --> 0:13:11.110
<v S1>and maybe says some dumb things sometime. Someone who feels herself,

0:13:11.110 --> 0:13:13.690
<v S1>but then also maybe has a breakdown, but kind of

0:13:13.690 --> 0:13:17.079
<v S1>like parties through it. They're very honest, very blunt, a

0:13:17.080 --> 0:13:22.290
<v S1>little bit volatile. Mel, in your group chats with girls. Women?

0:13:22.290 --> 0:13:25.260
<v S1>Is that how you guys are describing yourselves these days?

0:13:25.260 --> 0:13:28.530
<v S1>Is this is this the mood, the vibe amongst cool

0:13:28.890 --> 0:13:33.510
<v S1>millennial Gen Z women? This kind of brat aura?

0:13:33.510 --> 0:13:36.839
<v S3>I was hoping you might describe me as urbane again. That's, uh.

0:13:37.710 --> 0:13:41.580
<v S3>I was really hoping that might make a reappearance. Uh, look,

0:13:41.580 --> 0:13:43.830
<v S3>on a on one level, I find on the surface level,

0:13:43.830 --> 0:13:45.270
<v S3>if I don't think about it too much, I find

0:13:45.300 --> 0:13:48.600
<v S3>brat like the movement very fun. I think it's, uh,

0:13:48.600 --> 0:13:52.920
<v S3>it's a fun movement on the socials, and I think it's, uh,

0:13:52.920 --> 0:13:54.810
<v S3>it's people are having a lot of fun with it.

0:13:54.809 --> 0:13:57.390
<v S3>If I really think about it, I guess, I mean,

0:13:57.390 --> 0:13:59.580
<v S3>all kind of labels like that are kind of reductive

0:13:59.580 --> 0:14:02.490
<v S3>and performative. Um, but I think the more interesting thing

0:14:02.490 --> 0:14:05.730
<v S3>is like, what is brat reacting against? Like, why is

0:14:05.730 --> 0:14:08.310
<v S3>brat having a moment? And I guess it's kind of

0:14:08.309 --> 0:14:13.220
<v S3>moving against that clean girl aesthetic, which is dominated TikTok

0:14:13.220 --> 0:14:16.550
<v S3>and also fashion. The idea of the put together girl

0:14:16.550 --> 0:14:19.940
<v S3>with the slick backed bun and the neutral nails and

0:14:19.940 --> 0:14:22.910
<v S3>the the clothes that don't kind of stand out. Like

0:14:22.910 --> 0:14:25.820
<v S3>it's obviously a very direct reaction against that. And it's

0:14:25.820 --> 0:14:29.120
<v S3>obviously a reaction against a feminism that Gen Z sees

0:14:29.120 --> 0:14:33.460
<v S3>as too serious and and stifling. So I think that

0:14:33.460 --> 0:14:35.950
<v S3>part of it is interesting. And I mean, ultimately it's

0:14:35.950 --> 0:14:40.450
<v S3>about owning elements of oneself that have traditionally been seen

0:14:40.450 --> 0:14:43.720
<v S3>as troubling for women, like women who like to party,

0:14:43.750 --> 0:14:46.780
<v S3>who are messy. So I guess it's good that you're like,

0:14:46.780 --> 0:14:49.720
<v S3>that level is being reclaimed. But I mean, ultimately, I

0:14:49.720 --> 0:14:53.050
<v S3>do kind of wonder if brat is Manic Pixie for

0:14:53.050 --> 0:14:55.960
<v S3>a 21st century. It's manic pixie with a bit of edge. Really.

0:14:55.960 --> 0:14:59.739
<v S3>I don't think anything's new. Um, so I'm cautious of

0:14:59.740 --> 0:15:03.040
<v S3>it and interested. And I believe I can be a brat.

0:15:03.040 --> 0:15:07.150
<v S1>That's an interesting take. I, Thomas, loath as I am

0:15:07.150 --> 0:15:10.270
<v S1>to ask you this question in particular, but, um, one

0:15:10.270 --> 0:15:12.490
<v S1>one thing that stood out to me about that kind

0:15:12.490 --> 0:15:15.250
<v S1>of Charli description of it, and it certainly seems to like,

0:15:15.250 --> 0:15:18.010
<v S1>resonate with the way it's being deployed by people I

0:15:18.010 --> 0:15:20.620
<v S1>know on social media. There's the kind of like, you know,

0:15:20.620 --> 0:15:22.590
<v S1>just like, you know, we're girls and we're a bit wacky.

0:15:22.620 --> 0:15:24.300
<v S1>We like to party. We're also a little bit dumb.

0:15:24.300 --> 0:15:27.840
<v S1>That does seem to be a vibe at the moment.

0:15:27.840 --> 0:15:30.210
<v S1>And to Mel's point, it does also seem to be

0:15:30.210 --> 0:15:32.250
<v S1>a bit of a reaction to this kind of broader

0:15:32.250 --> 0:15:35.520
<v S1>idea of like, I don't want to get, I don't

0:15:35.520 --> 0:15:37.770
<v S1>want to get too ideological about this stuff, but like

0:15:37.770 --> 0:15:41.010
<v S1>this mode of feminism that we seem to be in

0:15:41.010 --> 0:15:45.180
<v S1>reflected through culture, of that kind of like girlboss work hard,

0:15:45.180 --> 0:15:47.270
<v S1>you can make it all work. Get what you want.

0:15:47.270 --> 0:15:49.760
<v S1>There's a there's a way out of like the trap

0:15:49.760 --> 0:15:53.540
<v S1>of kind of capitalism and the sociological factors that apply

0:15:53.540 --> 0:15:56.000
<v S1>and everyone kind of realizing that that is all a

0:15:56.000 --> 0:15:58.640
<v S1>bit bullshit and like, what's the point of working our

0:15:58.640 --> 0:16:00.200
<v S1>way up to the top and playing by the rules?

0:16:00.200 --> 0:16:02.180
<v S1>It's all stupid. Anyway. Let's just have a bit of

0:16:02.180 --> 0:16:06.350
<v S1>dumb fun. The kind of return of the tradwife thing.

0:16:06.350 --> 0:16:09.320
<v S1>The explosion of Red scare, which is obviously referenced in

0:16:09.320 --> 0:16:12.830
<v S1>Charlie's album all seems to be part of this too.

0:16:13.040 --> 0:16:16.070
<v S2>Yeah, I mean, I think it's like we're definitely living

0:16:16.070 --> 0:16:21.500
<v S2>in a time when young people, capital P are feeling

0:16:21.500 --> 0:16:22.880
<v S2>like a certain.

0:16:22.970 --> 0:16:24.110
<v S3>Was it a capital P?

0:16:24.230 --> 0:16:27.229
<v S2>I don't know. Capital. Capital P a feeling like a

0:16:27.230 --> 0:16:29.420
<v S2>certain level of hopelessness. And I think that has manifested

0:16:29.420 --> 0:16:32.480
<v S2>itself in this like for, you know, young millennial women,

0:16:32.480 --> 0:16:35.380
<v S2>it's kind of like the way you get ahead of like,

0:16:35.380 --> 0:16:38.740
<v S2>the future that's been dictated to you anyway. And like,

0:16:38.740 --> 0:16:41.650
<v S2>you know, I that makes so much sense to me. Like,

0:16:41.650 --> 0:16:44.260
<v S2>it's it's a kind of grim outlook out there for

0:16:44.260 --> 0:16:47.230
<v S2>so many people like, you know, both here and overseas and,

0:16:47.230 --> 0:16:49.300
<v S2>and in all kind of aspects of life. And so

0:16:49.300 --> 0:16:51.490
<v S2>like this makes sense that it's popping up again. Like

0:16:51.490 --> 0:16:53.860
<v S2>I do agree, this is just a repetition of, you know,

0:16:53.860 --> 0:16:56.410
<v S2>like stuff we've seen before, like, you know, like the

0:16:56.410 --> 0:16:58.240
<v S2>whole hot mess thing that was like being in the

0:16:58.240 --> 0:16:58.990
<v S2>kind of late, which was.

0:16:58.990 --> 0:17:01.300
<v S3>Also a form of manic pixie, I think, like a development.

0:17:01.510 --> 0:17:03.820
<v S2>Like I remember there's a whole Hot Mess episode of

0:17:03.820 --> 0:17:06.460
<v S2>The Mindy Project with, like, you know, that character was

0:17:06.460 --> 0:17:09.760
<v S2>completely brat. Uh, and same with Fleabag, even, like, she

0:17:09.760 --> 0:17:11.379
<v S2>was a hot mess, which is a brat, like, you know,

0:17:11.380 --> 0:17:13.180
<v S2>it's all just an evolution of the same thing. But

0:17:13.180 --> 0:17:15.670
<v S2>I think it's particularly like big right now. And I do,

0:17:15.700 --> 0:17:20.830
<v S2>you know, as you know, I go on Instagram and like,

0:17:20.830 --> 0:17:23.670
<v S2>see these trends. But like you do see lots of

0:17:23.670 --> 0:17:25.020
<v S2>like I've got lots of my friends who are like

0:17:25.020 --> 0:17:27.990
<v S2>super smart, successful women. And then they'll be posting stuff

0:17:27.990 --> 0:17:30.270
<v S2>like kind of like tongue in cheek about like how

0:17:30.270 --> 0:17:32.010
<v S2>messed up and like fucked up their lives are and

0:17:32.010 --> 0:17:35.520
<v S2>like lol. And it's kind of like it's true. Like,

0:17:35.520 --> 0:17:37.469
<v S2>but they're just kind of getting ahead of the curve,

0:17:37.470 --> 0:17:40.980
<v S2>I think, and kind of claiming it to own what's

0:17:40.980 --> 0:17:43.649
<v S2>really going on. But like, they're not really those people.

0:17:43.650 --> 0:17:46.040
<v S1>Yeah. It's not it's not cool right now to be

0:17:46.040 --> 0:17:48.830
<v S1>successful and to be playing by the rules. It's cooler

0:17:48.830 --> 0:17:51.830
<v S1>to embrace a kind of nihilism or irony and just

0:17:51.830 --> 0:17:54.050
<v S1>lean into that. Even if you know you work in

0:17:54.050 --> 0:17:56.210
<v S1>finance 14 hours a day, that's not what you want

0:17:56.210 --> 0:17:58.250
<v S1>to project. But then I also think, like there is

0:17:58.250 --> 0:18:01.280
<v S1>a genuine sense of that nihilism that you're describing in

0:18:01.280 --> 0:18:03.620
<v S1>terms of just how a lot of people our generation

0:18:03.619 --> 0:18:05.929
<v S1>and younger feel about where the world is going.

0:18:05.930 --> 0:18:07.760
<v S3>Yeah, I think that's very true. And I think you

0:18:07.760 --> 0:18:13.000
<v S3>could also maybe read the the hedonism that is embodied in,

0:18:13.000 --> 0:18:16.480
<v S3>in the brat kind of idea, not just as nihilism,

0:18:16.480 --> 0:18:20.890
<v S3>but hedonism as reacting against expectations of women, all of them.

0:18:20.890 --> 0:18:22.750
<v S3>So if you kind of take brat as its base

0:18:22.750 --> 0:18:24.790
<v S3>level as that, then that is a positive thing. If

0:18:24.790 --> 0:18:27.340
<v S3>it's about reacting against, you know, what's expected of you,

0:18:27.340 --> 0:18:30.790
<v S3>traditional stereotypes, how society wants you to behave, then if

0:18:30.790 --> 0:18:32.860
<v S3>that's the net level of it, then I guess that's

0:18:32.859 --> 0:18:35.859
<v S3>a good thing. But, um, yeah, always wary of these things.

0:18:35.859 --> 0:18:36.340
<v S3>But I do think.

0:18:36.340 --> 0:18:38.710
<v S2>It is funny that like the split in, I would

0:18:38.710 --> 0:18:41.590
<v S2>say like, you know, we're all in our like mid

0:18:41.590 --> 0:18:44.830
<v S2>30s the I think like the people that I see

0:18:44.830 --> 0:18:47.139
<v S2>around me like in my, you know, like echo chamber,

0:18:47.170 --> 0:18:49.990
<v S2>the women especially who are like adopting it, it definitely

0:18:49.990 --> 0:18:52.300
<v S2>is in more of like a like kind of performative

0:18:52.300 --> 0:18:54.160
<v S2>like this is a funny trend. Like, I could I'm

0:18:54.160 --> 0:18:56.410
<v S2>happy to like jump on this for a bit. Whereas like,

0:18:56.410 --> 0:18:58.690
<v S2>I think the I mean, the origins of the actual

0:18:58.690 --> 0:19:01.090
<v S2>brat movement that, you know, perhaps Charlie was referring to

0:19:01.090 --> 0:19:04.480
<v S2>and maybe like, you know, people, women in their kind

0:19:04.480 --> 0:19:07.780
<v S2>of like, early 20s are really talking about is a

0:19:07.780 --> 0:19:10.780
<v S2>more genuine feeling of like, well, this is all pretty fucked,

0:19:10.780 --> 0:19:13.360
<v S2>like whatever. Whereas I think, like the older you get,

0:19:13.359 --> 0:19:15.190
<v S2>it's like you kind of you can clock the vibe

0:19:15.190 --> 0:19:16.629
<v S2>and you can clock the trend and you're like, oh,

0:19:16.630 --> 0:19:18.910
<v S2>this is quite a fun one for me to jump on.

0:19:18.910 --> 0:19:22.360
<v S2>But like, also I have a, you know, $800,000 mortgage

0:19:22.359 --> 0:19:25.220
<v S2>and I get paid $200,000 a year. And like, I'm,

0:19:25.220 --> 0:19:26.810
<v S2>you know, planning my second child and shit.

0:19:26.810 --> 0:19:29.270
<v S3>Yeah. Like totally. If you're going to be kind of

0:19:29.270 --> 0:19:33.109
<v S3>partying all the time and, um, not caring about things,

0:19:33.109 --> 0:19:35.270
<v S3>the early 20s is the time to do that.

0:19:35.270 --> 0:19:36.230
<v S2>Yeah, exactly.

0:19:36.590 --> 0:19:39.350
<v S1>There is a visual element to this as well. It's

0:19:39.350 --> 0:19:42.260
<v S1>defined by like the brat cover up, the lime green,

0:19:42.260 --> 0:19:46.780
<v S1>that sort of simple font. And Charlie's aesthetic on this

0:19:46.780 --> 0:19:51.010
<v S1>very like early 2000 club rat kind of energy. It

0:19:51.010 --> 0:19:53.200
<v S1>is kind of everywhere. And to your point, I think

0:19:53.200 --> 0:19:55.180
<v S1>a lot of this is being passing this through what

0:19:55.180 --> 0:19:57.550
<v S1>women I know are posting on Instagram. And it's just like,

0:19:57.550 --> 0:20:00.610
<v S1>anytime there's anything green people on holiday, they're like, you know,

0:20:00.609 --> 0:20:04.300
<v S1>I'm in Copenhagen right now. Brat. London. Uh, and that

0:20:04.300 --> 0:20:05.590
<v S1>has been I mean, it's kind of fun. It's just

0:20:05.590 --> 0:20:09.700
<v S1>nice that there's another universal ish meme that everyone kind

0:20:09.700 --> 0:20:13.300
<v S1>of understands and has jumped on. Um, pretty harmless, pretty cool.

0:20:13.300 --> 0:20:17.710
<v S1>But then it starts to bleed into politics. Everything fun

0:20:17.710 --> 0:20:21.010
<v S1>and good and organic ultimately gets eaten up by big

0:20:21.010 --> 0:20:26.260
<v S1>machines in some capacity. Uh, so Kamala Harris, uh, we

0:20:26.260 --> 0:20:29.080
<v S1>didn't say this explicitly. She's, you know, the presumptive Democratic

0:20:29.080 --> 0:20:32.470
<v S1>nominee for the presidency. In case people haven't been following

0:20:32.470 --> 0:20:35.730
<v S1>that stuff super closely, she has a tendency to say

0:20:35.730 --> 0:20:40.710
<v S1>slightly odd things. You guys across the coconut tree thing? Yeah, yeah,

0:20:40.710 --> 0:20:42.090
<v S1>it's really funny clip.

0:20:42.540 --> 0:20:44.970
<v S5>My mother used to she would give us a hard

0:20:44.970 --> 0:20:47.430
<v S5>time sometimes and she would say to us, I don't

0:20:47.430 --> 0:20:50.160
<v S5>know what's wrong with you young people. You think you

0:20:50.160 --> 0:20:55.290
<v S5>just fell out of a coconut tree? You exist in

0:20:55.290 --> 0:20:59.810
<v S5>the context of all in which you live and what

0:20:59.810 --> 0:21:04.130
<v S5>came before you. So all of this opponents of.

0:21:04.130 --> 0:21:06.739
<v S1>Harris have made all these videos mashing up, you know,

0:21:06.740 --> 0:21:09.169
<v S1>like slightly wacky things that she said and trying to

0:21:09.170 --> 0:21:13.040
<v S1>expose her as this, you know, quote unquote mad woman. Uh,

0:21:13.040 --> 0:21:16.280
<v S1>but then fans of Harris have like, kind of reclaimed

0:21:16.280 --> 0:21:20.930
<v S1>that and remixed those videos using tracks from brat, adding

0:21:20.930 --> 0:21:23.300
<v S1>kind of like lime green colors to it and being like,

0:21:23.300 --> 0:21:25.399
<v S1>Camila is Camila's brat, man, this is it. Just a

0:21:25.400 --> 0:21:27.380
<v S1>bit messy. She's a bit dumb. She's going for it.

0:21:27.380 --> 0:21:29.510
<v S1>She's handed out, she's at the club. This is how

0:21:29.510 --> 0:21:30.199
<v S1>it works.

0:21:30.650 --> 0:21:31.250
<v S4>Um.

0:21:31.970 --> 0:21:35.510
<v S1>A couple of days ago, Charli herself tweeted after, like,

0:21:35.510 --> 0:21:41.750
<v S1>Camila became the presumptive nominee. Camilla is brat. Harry's team, uh,

0:21:41.750 --> 0:21:45.080
<v S1>is using the brat font as their banner image on

0:21:45.080 --> 0:21:48.520
<v S1>social media. So they are like really like loving this alignment.

0:21:48.520 --> 0:21:52.630
<v S1>And these two forces, this kind of like club energy

0:21:52.630 --> 0:22:00.100
<v S1>from London to Washington DC have bizarrely merged together. Uh, and,

0:22:00.100 --> 0:22:01.870
<v S1>you know, you could say that like, this is the

0:22:01.869 --> 0:22:04.210
<v S1>peak of brat. You could argue that perhaps this is

0:22:04.210 --> 0:22:06.790
<v S1>the beginning of the end of brat. In Australia, the

0:22:06.790 --> 0:22:10.390
<v S1>Queensland Premier, Steven Miles, posted a TikTok where he was

0:22:10.390 --> 0:22:13.200
<v S1>at the, uh, workshop where they were building new buses for.

0:22:13.200 --> 0:22:15.870
<v S1>For Brisbane there were lime green and he was like, nah,

0:22:15.900 --> 0:22:19.260
<v S1>buses are so bright. I feel like when the Queensland

0:22:19.260 --> 0:22:21.810
<v S1>Premier's posting stuff, it's like done and dusted. The camera

0:22:21.810 --> 0:22:24.180
<v S1>thing I think is a little bit more interesting. I'm

0:22:24.180 --> 0:22:25.830
<v S1>keen to talk to you guys about whether or not

0:22:25.830 --> 0:22:29.160
<v S1>you think this is the beginning of the end of brat,

0:22:29.160 --> 0:22:33.119
<v S1>now that it's been so embraced by like, the Democratic machine?

0:22:33.119 --> 0:22:36.840
<v S1>Or is it brat evolving into another level of cultural dominance?

0:22:37.140 --> 0:22:39.960
<v S2>I mean, I fear it's the beginning of the end.

0:22:39.960 --> 0:22:43.410
<v S2>Like after they retweeted the brat thing, my father in law,

0:22:43.410 --> 0:22:45.840
<v S2>who is and he won't mind me saying this, a

0:22:45.840 --> 0:22:48.600
<v S2>big Trump fan, he texted to the family group and

0:22:48.600 --> 0:22:51.389
<v S2>he was like, what is this? Like, what is brat?

0:22:51.390 --> 0:22:53.189
<v S2>And then it's just a series of messages where he

0:22:53.190 --> 0:22:57.629
<v S2>was like, also, I'm hearing that potentially Biden is dead. Um,

0:22:57.780 --> 0:23:00.619
<v S2>that's a whole other podcast. But he's I mean, I

0:23:00.619 --> 0:23:02.090
<v S2>don't know if you guys know, but Biden is dead.

0:23:02.090 --> 0:23:03.109
<v S2>That's the hot tip.

0:23:03.109 --> 0:23:05.750
<v S1>That's our that's our Patreon podcast. Find out. Yeah.

0:23:05.840 --> 0:23:08.629
<v S2>That one. Um, but yeah, like, I mean, when once

0:23:08.630 --> 0:23:13.399
<v S2>brat awareness has hit, you know, the suburban 65 year

0:23:13.400 --> 0:23:16.160
<v S2>old dads in Australia, it's over.

0:23:16.160 --> 0:23:18.680
<v S1>Unfortunately, that's where memes go to die, man.

0:23:18.680 --> 0:23:21.830
<v S2>Exactly, exactly. Yeah. When he's screenshotting them off a Facebook

0:23:21.830 --> 0:23:24.159
<v S2>screenshot and posting them into the WhatsApp thread, then the

0:23:24.160 --> 0:23:26.050
<v S2>meme is dead. But no. Yeah, I think I think,

0:23:26.050 --> 0:23:28.179
<v S2>you know, like good on them for doing it. And

0:23:28.180 --> 0:23:31.360
<v S2>also it was actually perfect for their campaign because like,

0:23:31.359 --> 0:23:33.040
<v S2>you know, she's coming in like kind of behind the

0:23:33.040 --> 0:23:34.959
<v S2>eight ball. This is of all the great I mean

0:23:34.960 --> 0:23:37.119
<v S2>to use another set of origin phrase of all the

0:23:37.119 --> 0:23:41.050
<v S2>great hospital passes, Biden has absolutely centering. And, you know,

0:23:41.050 --> 0:23:44.290
<v S2>like Gordon Taylor is bearing down on her. But I

0:23:44.290 --> 0:23:45.790
<v S2>feel like that gave her a bit of momentum like that.

0:23:45.790 --> 0:23:47.110
<v S2>This has given her a bit of a like, you know,

0:23:47.109 --> 0:23:50.020
<v S2>the campaign, a kickstart. There's like something to rally behind. Um,

0:23:50.020 --> 0:23:52.360
<v S2>people are, you know, like think it's really funny, but

0:23:52.359 --> 0:23:54.460
<v S2>I just don't know if that if it's kind of

0:23:54.460 --> 0:23:56.230
<v S2>the beginning of the end for brat Summer.

0:23:56.260 --> 0:23:58.240
<v S3>Yeah. I reckon it's definitely the beginning of the end.

0:23:58.240 --> 0:24:00.310
<v S3>I would have thought, like, you know, these social media

0:24:00.310 --> 0:24:03.369
<v S3>trends hit their peak and then come down the other side.

0:24:03.369 --> 0:24:05.080
<v S3>So I would have seen that coming in the next

0:24:05.080 --> 0:24:07.840
<v S3>few months. I think this is probably hastened it. Um,

0:24:07.840 --> 0:24:10.780
<v S3>particularly because the people who were enjoying this trend were

0:24:10.780 --> 0:24:13.949
<v S3>much younger, the people appropriating it are much older. So

0:24:13.950 --> 0:24:15.989
<v S3>I think they will start to it will start to

0:24:15.990 --> 0:24:17.909
<v S3>get used less. I think it will go through its

0:24:17.910 --> 0:24:20.820
<v S3>period of being ironically used now, like it was genuinely used.

0:24:20.820 --> 0:24:23.700
<v S3>Now we're in irony stage, and then we'll look back

0:24:23.700 --> 0:24:25.379
<v S3>on this in a few years and be like, well,

0:24:25.380 --> 0:24:27.810
<v S3>that was that brief lived brat summer. But I think

0:24:27.810 --> 0:24:30.660
<v S3>the use of the politicians using it is interesting, because

0:24:30.660 --> 0:24:33.510
<v S3>I do think it then, even though I think brat

0:24:33.510 --> 0:24:37.100
<v S3>is political, it doesn't ostensibly seem to be. Whereas I

0:24:37.100 --> 0:24:40.220
<v S3>think when politicians use it, it takes it into the dome,

0:24:40.520 --> 0:24:42.800
<v S3>it takes it into the domain of the political, which

0:24:42.800 --> 0:24:47.120
<v S3>then makes it less kind of universal. Um, and then,

0:24:47.119 --> 0:24:50.600
<v S3>you know, claiming to be brat or describing things as

0:24:50.600 --> 0:24:53.750
<v S3>brat then becomes a political action. So then it's less used.

0:24:53.750 --> 0:24:55.940
<v S3>So yes, I think, um, I think it's the beginning

0:24:55.940 --> 0:24:58.820
<v S3>of the end. But I'm glad you're wearing green today, Thomas.

0:24:58.820 --> 0:25:00.560
<v S2>Yes, that's true actually.

0:25:00.590 --> 0:25:04.580
<v S1>Who do you think, uh, benefits more from this alignment

0:25:04.580 --> 0:25:09.050
<v S1>between Harris and Bratt? Like, you know, Thomas, you said

0:25:09.050 --> 0:25:11.120
<v S1>it gives her this, like, boost, a bit of energy.

0:25:11.119 --> 0:25:14.180
<v S1>I agree with that. Generally speaking, I'd be like, the

0:25:14.180 --> 0:25:17.270
<v S1>celebrity loses out, but Charlie is someone who's finally, like,

0:25:17.270 --> 0:25:20.000
<v S1>really done well in the US market. After plugging away

0:25:20.000 --> 0:25:21.950
<v S1>for a while, I'd be interesting to watch the charts

0:25:21.950 --> 0:25:24.760
<v S1>and be like, if this does enter the American kind

0:25:24.760 --> 0:25:26.620
<v S1>of conversation for a week or two, when a whole

0:25:26.619 --> 0:25:28.899
<v S1>bunch of people who are like, oh, what's this about?

0:25:28.900 --> 0:25:31.750
<v S1>Listen to her albums, potentially. This is a big boost

0:25:31.750 --> 0:25:34.629
<v S1>for her as well. You know, in in swing states

0:25:34.630 --> 0:25:35.470
<v S1>like Michigan.

0:25:35.470 --> 0:25:39.670
<v S3>And yeah, I think that's probably true. And maybe they're

0:25:39.670 --> 0:25:42.310
<v S3>trying to get the Barack Obama when he first went

0:25:42.310 --> 0:25:44.920
<v S3>into office, had that whole kind of coolness behind him,

0:25:44.920 --> 0:25:47.230
<v S3>like he was a cool candidate. And so maybe they're

0:25:47.230 --> 0:25:50.130
<v S3>trying to replicate that in this way as well.

0:25:50.160 --> 0:25:51.930
<v S1>I think the other part of this is that, like,

0:25:51.930 --> 0:25:55.350
<v S1>even though there's a chance, uh, that Charlie gets some,

0:25:55.350 --> 0:25:57.990
<v S1>you know, extra streams out of it, there's also a

0:25:57.990 --> 0:26:01.139
<v S1>risk in, like, I wouldn't say that like Charlie or Brad,

0:26:01.170 --> 0:26:06.450
<v S1>heads necessarily overlap neatly with, like, Democratic vice presidential candidates

0:26:06.450 --> 0:26:09.990
<v S1>who used to be cops and prosecutors and, you know, have,

0:26:09.990 --> 0:26:12.510
<v S1>you know, conservative foreign policy. So there's there's also like

0:26:12.510 --> 0:26:15.270
<v S1>I've seen Charli XCX fans, this is the risk for

0:26:15.270 --> 0:26:18.570
<v S1>celebs in this space be like, oh, this is so lame. Like,

0:26:18.570 --> 0:26:21.090
<v S1>this is not what I want you to be using. Like,

0:26:21.090 --> 0:26:22.889
<v S1>if you're if you're like a 24 year old girl

0:26:22.890 --> 0:26:25.859
<v S1>and you've been pumping out brat content in between, like

0:26:25.859 --> 0:26:28.470
<v S1>really hectic, radical political slides, and then all of a

0:26:28.470 --> 0:26:31.980
<v S1>sudden charli's like Camila is brat, you'd be feeling pretty.

0:26:31.980 --> 0:26:33.209
<v S4>Pissed off with the stock you.

0:26:33.210 --> 0:26:35.250
<v S1>Bought a month or so ago, right?

0:26:35.400 --> 0:26:38.550
<v S2>Yeah. That's true. Yeah, I guess it's kind of I mean,

0:26:38.550 --> 0:26:40.500
<v S2>I like it's probably one of those things that we're

0:26:40.500 --> 0:26:43.800
<v S2>obviously sitting here discussing it. She probably just like knowing

0:26:43.800 --> 0:26:46.320
<v S2>Charlie as I do. Um, she probably just like, fucking

0:26:46.320 --> 0:26:48.270
<v S2>fired it off and was like, this is funny.

0:26:48.570 --> 0:26:50.340
<v S1>This is funny. Totally. And now here's a bunch of

0:26:50.340 --> 0:26:51.540
<v S1>people in their 30s debating it.

0:26:51.540 --> 0:26:54.090
<v S2>Yeah, yeah. And me being like, I think what it is. No.

0:26:54.090 --> 0:26:57.330
<v S2>But like, yeah, that's probably like the reality of what happened. Um,

0:26:57.510 --> 0:26:59.430
<v S2>and now we just kind of like watch it all

0:26:59.430 --> 0:27:02.090
<v S2>play out. But yeah, I would say just like slightly

0:27:02.090 --> 0:27:04.610
<v S2>off topic, but I do think this whole thing has

0:27:04.609 --> 0:27:07.609
<v S2>made me a little bit excited just for the general

0:27:07.609 --> 0:27:10.640
<v S2>meme environment leading up to the election, because it has

0:27:10.640 --> 0:27:12.859
<v S2>been amazing already. Not off topic.

0:27:12.859 --> 0:27:15.410
<v S1>We have. We're veering into like Pod Save America territory

0:27:15.410 --> 0:27:17.360
<v S1>for the next, you know, six months. This is what

0:27:17.359 --> 0:27:18.230
<v S1>we're doing now.

0:27:18.230 --> 0:27:20.659
<v S2>And one of my favorite ones, uh, was just as

0:27:20.660 --> 0:27:22.429
<v S2>soon as this all happened. Have you seen the one, like,

0:27:22.430 --> 0:27:25.740
<v S2>going around like the the headshot of Connor Roy, and

0:27:25.740 --> 0:27:28.680
<v S2>it's like he's tanned. He's ready. I was like, man, amazing.

0:27:28.680 --> 0:27:30.600
<v S2>This was the guy we should have had leading. Um, like,

0:27:30.600 --> 0:27:32.280
<v S2>the internet is just going to do it. So this

0:27:32.280 --> 0:27:36.690
<v S2>has been obviously a very, you know, insane and turbulent, um,

0:27:36.690 --> 0:27:38.609
<v S2>kind of like few months in the lead up to

0:27:38.609 --> 0:27:41.190
<v S2>the election with everything that's going on, like between Biden

0:27:41.190 --> 0:27:42.810
<v S2>pulling out and the assassination, and the internet is just

0:27:42.810 --> 0:27:44.070
<v S2>like fucking doing what it does.

0:27:44.070 --> 0:27:45.630
<v S1>Best, man. You said a few months, it's been like

0:27:45.630 --> 0:27:49.260
<v S1>three weeks since Donald Trump was shot in the head,

0:27:49.260 --> 0:27:52.830
<v S1>and Joe Biden's pulled out of the race. Crazy times.

0:27:52.920 --> 0:27:55.350
<v S2>Tenacious D with an unsuspecting victim of this. Like.

0:27:55.619 --> 0:27:58.170
<v S3>How wild is it that the Trump news it's, like,

0:27:58.170 --> 0:27:59.969
<v S3>certainly says something about the world we live in in

0:27:59.970 --> 0:28:04.500
<v S3>the news cycle that Trump, our former president and presidential candidate,

0:28:04.500 --> 0:28:08.159
<v S3>nearly being assassinated is just like not around on news

0:28:08.160 --> 0:28:09.150
<v S3>websites that much.

0:28:09.240 --> 0:28:09.570
<v S4>Can I say.

0:28:09.570 --> 0:28:14.060
<v S1>Something controversial and don't take this as an endorsement? But like, honestly,

0:28:14.060 --> 0:28:15.950
<v S1>Trump is brat. Oh.

0:28:17.630 --> 0:28:19.490
<v S2>He probably is a bit more brat than Kamala.

0:28:19.790 --> 0:28:20.359
<v S4>He's been about.

0:28:20.359 --> 0:28:22.850
<v S1>His kind of weird manic energy and just like, you know,

0:28:22.850 --> 0:28:24.950
<v S1>just he keeps, you know, we talk about the Hannibal

0:28:24.950 --> 0:28:27.470
<v S1>Lecter thing he's talked about. He keeps bringing up Hannibal

0:28:27.470 --> 0:28:31.160
<v S1>Lecter in speeches, and he keeps describing him as the late,

0:28:31.160 --> 0:28:34.880
<v S1>great Hannibal Lecter. Like he thinks he's a real person

0:28:34.880 --> 0:28:38.890
<v S1>who is both good and dead when he is not real. Famously,

0:28:38.890 --> 0:28:41.470
<v S1>not a good guy. Serial killer and a murderer. And

0:28:41.470 --> 0:28:44.230
<v S1>in canon, not dead. It's one of the most perplexing

0:28:44.830 --> 0:28:47.470
<v S1>cultural overlaps with politics I've seen.

0:28:47.500 --> 0:28:50.469
<v S2>He also has, like the messy hair. Like, he's like

0:28:50.470 --> 0:28:52.360
<v S2>a bit of a club rat. And he's just been

0:28:52.360 --> 0:28:55.060
<v S2>at fabric or something, been doing for 24 hours, and he, like,

0:28:55.060 --> 0:28:56.290
<v S2>wakes up and then he's a.

0:28:56.290 --> 0:28:58.390
<v S3>Bit disheveled and makeup isn't right. Yeah.

0:28:58.480 --> 0:29:00.580
<v S2>Like, there would be some fucking brat parties at Mar

0:29:00.580 --> 0:29:01.270
<v S2>a Lago.

0:29:01.510 --> 0:29:03.220
<v S3>Oh, man, who's gonna write that piece?

0:29:03.250 --> 0:29:03.700
<v S4>Yeah.

0:29:04.240 --> 0:29:06.190
<v S1>But I've said it. I've gone out on a limb.

0:29:06.190 --> 0:29:07.180
<v S1>I'm going to get assassinated.

0:29:07.180 --> 0:29:09.820
<v S2>I thought what you were going to say is that, like,

0:29:09.820 --> 0:29:12.550
<v S2>at this point, I almost wondered, obviously, Trump, you know,

0:29:12.550 --> 0:29:16.120
<v S2>assassination has was like very sad. We don't want that happening. And,

0:29:16.120 --> 0:29:18.100
<v S2>you know, it's it's kind of done wonders for his

0:29:18.100 --> 0:29:22.570
<v S2>like resurgence is like if Biden was to pass away

0:29:22.570 --> 0:29:25.380
<v S2>from Covid does that Trump a near assassination. Like where

0:29:25.380 --> 0:29:28.950
<v S2>do we what's the what's like what is the hierarchy of?

0:29:29.190 --> 0:29:32.250
<v S1>I think the sad thing is we're just fully talking

0:29:32.250 --> 0:29:36.030
<v S1>about politics now. I think like the Biden thing is over, man.

0:29:36.030 --> 0:29:38.310
<v S1>It's like it's Kamala now. And I think if Biden died,

0:29:38.310 --> 0:29:40.380
<v S1>I don't people be like, that's sad. I think people

0:29:40.380 --> 0:29:42.180
<v S1>would move on kind of quickly and just be like,

0:29:42.300 --> 0:29:42.870
<v S1>you know.

0:29:43.110 --> 0:29:44.910
<v S4>Had a good run. It's kind of like.

0:29:44.910 --> 0:29:47.340
<v S3>When someone's grandparent dies, but they're really old and they've

0:29:47.340 --> 0:29:48.150
<v S3>been really sick.

0:29:48.150 --> 0:29:49.610
<v S2>Well, he wasn't taken too soon.

0:29:49.610 --> 0:29:50.690
<v S4>Yeah. Yeah, it.

0:29:50.690 --> 0:29:53.420
<v S1>Was like the average life expectancy in America is like 78.

0:29:53.420 --> 0:29:57.350
<v S1>He's 82 or something. Like, it's kind of the most

0:29:57.350 --> 0:30:00.410
<v S1>least surprising thing that could happen. Um, yeah. How do

0:30:00.410 --> 0:30:02.000
<v S1>we eject from this conversation?

0:30:04.400 --> 0:30:04.790
<v S4>Um.

0:30:04.910 --> 0:30:05.420
<v S1>All right.

0:30:05.420 --> 0:30:09.110
<v S2>Let me allow me. Uh, yes. Well, look, it's all

0:30:09.110 --> 0:30:11.930
<v S2>very crazy. Um, but allow me to blow you away

0:30:11.930 --> 0:30:14.900
<v S2>with something crazier. Obviously, Trump is preparing for his second

0:30:14.900 --> 0:30:18.500
<v S2>tilt as the Republican nominee in 2004. He was preparing

0:30:18.500 --> 0:30:21.860
<v S2>for his very first season as host of The Apprentice.

0:30:22.010 --> 0:30:24.890
<v S2>In some ways, the beginning of his kind of rise

0:30:24.890 --> 0:30:27.740
<v S2>to power. That show kind of like blasted him into

0:30:27.740 --> 0:30:30.110
<v S2>wider culture. And then he obviously found a career in politics.

0:30:30.110 --> 0:30:32.150
<v S2>But you know what also happened in 2004? Osman.

0:30:35.210 --> 0:30:37.990
<v S1>What was a big year for Premiere Television. It was

0:30:37.990 --> 0:30:41.830
<v S1>when a show about four guys from New York who

0:30:41.830 --> 0:30:44.709
<v S1>moved to LA to make it big first premiered. It's

0:30:44.710 --> 0:30:49.150
<v S1>been 20 years since entourage was released. People say Sopranos

0:30:49.150 --> 0:30:53.260
<v S1>changed television. Men? No, it was older men. Men were

0:30:53.260 --> 0:30:55.750
<v S1>killing it on HBO in that year, like women had

0:30:55.750 --> 0:31:00.010
<v S1>sex in the city. We had Sopranos, The Wire, entourage, like,

0:31:00.220 --> 0:31:02.970
<v S1>Take me Back, man. No wonder people voting for Trump like,

0:31:02.970 --> 0:31:05.220
<v S1>make fucking HBO great again. It's crazy.

0:31:05.220 --> 0:31:05.670
<v S4>I know.

0:31:05.670 --> 0:31:07.830
<v S3>It's why you guys keep calling it the golden age

0:31:07.830 --> 0:31:10.260
<v S3>of television. I keep telling you, it wasn't.

0:31:10.770 --> 0:31:11.190
<v S4>The.

0:31:11.190 --> 0:31:12.720
<v S2>Golden balls of television.

0:31:13.260 --> 0:31:17.250
<v S1>It was, and remains, I think, a pretty divisive show

0:31:17.250 --> 0:31:19.980
<v S1>in terms of whether you're an entourage head or you

0:31:19.980 --> 0:31:21.959
<v S1>really hate it. It has a lot of fans, and

0:31:21.960 --> 0:31:24.840
<v S1>I think both for the kind of fantasy elements of

0:31:24.840 --> 0:31:28.350
<v S1>just watching a bunch of rich guys have fun in L.A. uh,

0:31:28.350 --> 0:31:30.840
<v S1>and also, you know, like it's a satire on Hollywood

0:31:30.840 --> 0:31:33.930
<v S1>and movies and the whole, you know, cult of celebrity

0:31:33.930 --> 0:31:36.660
<v S1>in that kind of peak 2000 era as well, but

0:31:36.660 --> 0:31:40.410
<v S1>has faced a lot of very fair criticism for the sexism,

0:31:40.410 --> 0:31:44.459
<v S1>homophobia and racism that is imbued, I guess, in the

0:31:44.460 --> 0:31:47.370
<v S1>DNA of the show itself. Uh, before we kind of

0:31:47.370 --> 0:31:50.030
<v S1>unpack this show and talk about like, why it was

0:31:50.030 --> 0:31:53.420
<v S1>such a phenomenon, its legacy, what worked, what didn't, why

0:31:53.420 --> 0:31:55.400
<v S1>it is so divisive. I want to ask you guys

0:31:55.400 --> 0:32:00.830
<v S1>about your relationship to it. Mel, first up, what is

0:32:00.830 --> 0:32:02.330
<v S1>your history with entourage?

0:32:02.360 --> 0:32:03.890
<v S3>Well, I've been lucky. I've been able to go the

0:32:03.890 --> 0:32:08.090
<v S3>last 20 years without watching it. Um, but I actually,

0:32:08.090 --> 0:32:09.530
<v S3>I kind of think of it, you know, how in

0:32:09.530 --> 0:32:13.490
<v S3>Barbie there's that really great montage where men are playing

0:32:13.510 --> 0:32:17.350
<v S3>Matchbox 20 push, and they're talking about The Godfather. I

0:32:17.350 --> 0:32:20.590
<v S3>would put entourage, like, you could have subbed entourage into

0:32:20.590 --> 0:32:23.260
<v S3>that and it would have worked. But in saying that

0:32:23.260 --> 0:32:27.370
<v S3>a lot of smart, sensible, sensitive men in my life

0:32:27.370 --> 0:32:31.780
<v S3>have enjoyed entourage. And so for me that is interesting, um,

0:32:31.780 --> 0:32:35.950
<v S3>and worth my consideration. So I have gone back in

0:32:35.950 --> 0:32:38.320
<v S3>preparation for this pod, and I watched the first kind

0:32:38.320 --> 0:32:41.740
<v S3>of five episodes, and then I watched some scattered episodes

0:32:41.740 --> 0:32:44.110
<v S3>that have had a lot of, um, a lot of

0:32:44.110 --> 0:32:47.860
<v S3>discussion about them or a kind of pinch pinch hitter episodes.

0:32:47.860 --> 0:32:50.170
<v S3>So obviously I feel like I'm not going to be

0:32:50.170 --> 0:32:53.800
<v S3>able to fully understand and appreciate the character arcs that

0:32:53.800 --> 0:32:57.670
<v S3>these characters definitely don't go on. But, um, yeah, I'm

0:32:57.670 --> 0:33:00.010
<v S3>excited to talk more about it, and maybe to bring

0:33:00.010 --> 0:33:02.520
<v S3>a perspective of someone watching it for the first time

0:33:02.520 --> 0:33:05.700
<v S3>in this context versus I imagine you guys were hot

0:33:05.700 --> 0:33:08.430
<v S3>into it when you were when you were in your youth.

0:33:08.460 --> 0:33:10.770
<v S1>Thomas, what do you reckon? Were you hot into it

0:33:10.770 --> 0:33:13.140
<v S1>in your youth? What's your what's your relationship with this show?

0:33:13.170 --> 0:33:17.820
<v S2>Uh, I had all the entourage DVDs. Yeah. I mean, look, man, like,

0:33:18.180 --> 0:33:20.459
<v S2>in the least surprising news of all time for anyone

0:33:20.460 --> 0:33:22.830
<v S2>that listens to this podcast. I mean, you and I

0:33:22.830 --> 0:33:25.200
<v S2>were both. We couldn't have been more bang in the demo. Really? Like,

0:33:25.200 --> 0:33:28.490
<v S2>it came out when I was like, what, 1415? Like,

0:33:28.640 --> 0:33:31.459
<v S2>you know, there was no there was no 15 year

0:33:31.460 --> 0:33:34.880
<v S2>old version of me that escaped entourage. Um, and and

0:33:34.880 --> 0:33:36.740
<v S2>the same thing with all my friends, like, you know,

0:33:37.070 --> 0:33:38.870
<v S2>it was almost like probably one of the like I

0:33:38.870 --> 0:33:42.080
<v S2>loved Sopranos and stuff, but that was it felt like a,

0:33:42.080 --> 0:33:44.239
<v S2>you know, it's a different show for me. Like, I

0:33:44.240 --> 0:33:46.040
<v S2>loved it. I probably didn't fully understand it. Whereas entourage

0:33:46.040 --> 0:33:50.480
<v S2>was like there for me to really, like, take in. Um, yeah.

0:33:50.480 --> 0:33:54.500
<v S2>And it's funny, like, everyone's relationship, I think, with the

0:33:54.500 --> 0:33:57.050
<v S2>show has changed a lot. Um, in, in the 20

0:33:57.050 --> 0:34:00.469
<v S2>years since it premiered, especially because the show finished in 2011.

0:34:00.470 --> 0:34:03.320
<v S2>But then the movie came out in 2015, and the movie,

0:34:03.320 --> 0:34:05.990
<v S2>I think, was a good way for lots of people

0:34:05.990 --> 0:34:07.489
<v S2>who grew up with the show, like me and you

0:34:07.490 --> 0:34:11.509
<v S2>probably Osmond, to like to realize that this show had like,

0:34:11.510 --> 0:34:15.520
<v S2>was a little bit crazy and probably had some big

0:34:15.520 --> 0:34:17.200
<v S2>problems because it kind of the movie like.

0:34:17.320 --> 0:34:18.850
<v S1>Passed its expiry date by then.

0:34:18.850 --> 0:34:21.490
<v S2>Exactly. Yeah. And then we kind of cut forward another

0:34:21.489 --> 0:34:24.070
<v S2>ten years to now and it's 20 years. And you know,

0:34:24.070 --> 0:34:26.590
<v S2>like obviously the legacy is a funny thing. These anniversaries

0:34:26.590 --> 0:34:28.540
<v S2>like you're forced to like reflect on what did the

0:34:28.540 --> 0:34:32.290
<v S2>show mean and stuff. But like yeah, I find myself

0:34:32.290 --> 0:34:35.259
<v S2>in conversations like not wanting to defend entourage because I'm

0:34:35.260 --> 0:34:37.750
<v S2>fully aware of like all of its downfalls. But I

0:34:37.750 --> 0:34:39.900
<v S2>do think there are certain parts of it that have

0:34:39.900 --> 0:34:43.410
<v S2>become like it was. 2004 was a fucking weird time.

0:34:43.410 --> 0:34:45.900
<v S2>It was a it was a dumb show written by

0:34:45.900 --> 0:34:48.180
<v S2>a guy who was basically writing about his life experience. Like,

0:34:48.180 --> 0:34:50.220
<v S2>what did we expect it to be?

0:35:00.390 --> 0:35:04.129
<v S1>My experience is is pretty similar to to yours. I

0:35:04.130 --> 0:35:06.440
<v S1>think the only thing I'd add is that every time

0:35:06.440 --> 0:35:08.240
<v S1>I do a rewatch and I do one every couple

0:35:08.239 --> 0:35:10.370
<v S1>of years, I did one last year. I'm sort of

0:35:10.370 --> 0:35:14.150
<v S1>surprised by like, and maybe because my memories and expectations

0:35:14.150 --> 0:35:16.640
<v S1>of its politics and stuff are so low, I'm kind

0:35:16.640 --> 0:35:20.060
<v S1>of surprised by the quality of the writing and, and

0:35:20.060 --> 0:35:24.230
<v S1>some of the acting and some of the storylines and. Yeah, look, look,

0:35:24.230 --> 0:35:25.730
<v S1>I think a lot of people, you know, a lot

0:35:25.730 --> 0:35:27.620
<v S1>of people talk about the misogyny inherent in the show

0:35:27.620 --> 0:35:29.420
<v S1>and it's like fair to say that there are very

0:35:29.420 --> 0:35:33.169
<v S1>few women characters who have anything in the show other

0:35:33.170 --> 0:35:35.120
<v S1>than just like they're hot models that the guys want

0:35:35.120 --> 0:35:37.400
<v S1>to have sex with. They're like, obviously a few women

0:35:37.400 --> 0:35:39.200
<v S1>characters that are a bit more fleshed, a bit more interesting,

0:35:39.200 --> 0:35:41.630
<v S1>but there's so many episodes where like that stuff actually

0:35:41.630 --> 0:35:43.880
<v S1>is not really part of the show. I think a

0:35:43.880 --> 0:35:45.710
<v S1>lot of people haven't seen the show, think it's like

0:35:45.710 --> 0:35:49.040
<v S1>every episode it's like which smoking hot perfect ten model

0:35:49.040 --> 0:35:51.430
<v S1>Will Vince and the gang hang out with? And that

0:35:51.430 --> 0:35:53.380
<v S1>does happen. I'm not trying to pretend that there isn't

0:35:53.380 --> 0:35:55.660
<v S1>an element of that there, but a lot of it

0:35:55.660 --> 0:35:59.080
<v S1>is like an increasingly, especially the first half of the show,

0:35:59.110 --> 0:36:01.990
<v S1>the first four seasons and seasons two, three, four, where

0:36:01.989 --> 0:36:05.020
<v S1>it's about, you know, Vince trying to get in median

0:36:05.020 --> 0:36:07.239
<v S1>and these stories about Hollywood or whatever the the kind

0:36:07.239 --> 0:36:09.910
<v S1>of sexism of the show fades a little bit into

0:36:09.910 --> 0:36:11.890
<v S1>the background and you're like, oh, there's a reason why

0:36:11.890 --> 0:36:15.960
<v S1>this show was interesting, compelling. It wasn't just softcore pornography.

0:36:15.960 --> 0:36:18.960
<v S1>I think the bits that really stand out to me

0:36:18.960 --> 0:36:22.770
<v S1>are like the, the homophobia and and racism particularly directed

0:36:22.770 --> 0:36:25.770
<v S1>from Ari Gold to his assistant, Lloyd. I mean, Ari

0:36:25.770 --> 0:36:28.140
<v S1>Gold is one of the funniest characters. He's also a

0:36:28.140 --> 0:36:32.100
<v S1>bad person. So he says this stuff. It's not necessarily

0:36:32.100 --> 0:36:36.930
<v S1>the show endorsing homophobia and racism, but he's never really

0:36:36.930 --> 0:36:40.359
<v S1>subject to backlash for it, you know? And then it

0:36:40.360 --> 0:36:42.580
<v S1>does happen a bit. And you do get these these

0:36:42.580 --> 0:36:44.800
<v S1>moments where he's challenged, but it always comes back to, like,

0:36:44.800 --> 0:36:47.050
<v S1>Lloyd ultimately loves him, even though he is one of

0:36:47.050 --> 0:36:48.850
<v S1>the worst people to him in the world. So that

0:36:48.850 --> 0:36:52.510
<v S1>is my attempt to try to like put not not

0:36:52.510 --> 0:36:54.820
<v S1>not defend the politics of the show, but to say

0:36:54.820 --> 0:36:57.310
<v S1>that there are there's a lot of it that goes

0:36:57.310 --> 0:37:00.430
<v S1>beyond those kinds of issues and makes it something interesting

0:37:00.430 --> 0:37:03.040
<v S1>to still watch now and interesting to still talk about now.

0:37:03.040 --> 0:37:05.570
<v S3>Yeah, I agree. And I think like, yeah, it's very

0:37:05.570 --> 0:37:08.600
<v S3>easy to be like it was a silly show. It

0:37:08.600 --> 0:37:10.610
<v S3>was the kind of Emily in Paris of its day.

0:37:10.610 --> 0:37:13.790
<v S3>It was something you could watch and just take on

0:37:13.790 --> 0:37:16.100
<v S3>surface level. Like it's very easy to say that. But

0:37:16.100 --> 0:37:20.330
<v S3>the thing is, that show was so immensely popular and so, um,

0:37:20.330 --> 0:37:23.839
<v S3>had such wide reach that it is worthy to consider

0:37:23.840 --> 0:37:27.290
<v S3>what the fantasy was that people were so interested in. Like,

0:37:27.290 --> 0:37:29.589
<v S3>I'm not saying. And in this discussion, like, I don't

0:37:29.590 --> 0:37:32.529
<v S3>think the show is pretending to be anything other than

0:37:32.530 --> 0:37:36.040
<v S3>what it is. But I think the discussion point is,

0:37:36.040 --> 0:37:39.129
<v S3>why did so many people connect with that idea? And

0:37:39.130 --> 0:37:41.590
<v S3>what does that say about us collectively?

0:37:41.590 --> 0:37:43.600
<v S1>Definitely. It's a really good point. I mean, like very quickly,

0:37:43.600 --> 0:37:45.940
<v S1>for anyone who's totally unfamiliar with it's like loosely based

0:37:45.940 --> 0:37:49.600
<v S1>on Mark Wahlberg's real life, his crew moving to LA

0:37:49.600 --> 0:37:52.750
<v S1>when he was in the 90s, navigating Hollywood, working their

0:37:52.750 --> 0:37:55.060
<v S1>way up run ins him and his crew have with

0:37:55.060 --> 0:37:58.660
<v S1>studio execs, with other celebrities, with other actors. Every episode

0:37:58.660 --> 0:38:01.360
<v S1>is kind of standalone. There are some season wide arcs about,

0:38:01.360 --> 0:38:03.310
<v S1>you know, movies and things that they're trying to get into.

0:38:03.310 --> 0:38:06.940
<v S1>A lot of celebrities make cameos. James Cameron famously like,

0:38:06.940 --> 0:38:10.780
<v S1>is trying to make a, uh, superhero movie called Aquaman

0:38:10.960 --> 0:38:13.360
<v S1>at a time when everyone was like, are superhero movies

0:38:13.360 --> 0:38:15.609
<v S1>good luck man. And now they're so dominant. There's even

0:38:15.610 --> 0:38:18.899
<v S1>like a movie called Ferrari that's in the film. There's

0:38:18.900 --> 0:38:22.920
<v S1>a Gatsby film. All these movies happen before their equivalents

0:38:22.920 --> 0:38:25.230
<v S1>in real life. And honestly, for me, when I was

0:38:25.230 --> 0:38:27.810
<v S1>thinking about this conversation, I was like, did I really

0:38:27.810 --> 0:38:31.530
<v S1>fall in love with, like, cinema and Hollywood and the

0:38:31.530 --> 0:38:34.140
<v S1>art of like, you know, making these things and caring

0:38:34.140 --> 0:38:37.230
<v S1>about producers and studios through entourage. And I reckon I

0:38:37.230 --> 0:38:39.210
<v S1>probably did. I reckon I learnt a lot of the

0:38:39.210 --> 0:38:41.780
<v S1>language and the stories and the details of this stuff.

0:38:41.780 --> 0:38:44.719
<v S1>Watching the show, that made it seem really interesting and

0:38:44.719 --> 0:38:47.450
<v S1>dynamic and weird and actually wanting to learn more about it.

0:38:47.450 --> 0:38:49.490
<v S1>I don't know if either of you guys can can

0:38:49.489 --> 0:38:50.330
<v S1>relate to that.

0:38:50.330 --> 0:38:53.060
<v S3>Yeah, I that for me that is by far the

0:38:53.060 --> 0:38:56.000
<v S3>best part of the show is the Hollywood element of it,

0:38:56.000 --> 0:38:58.580
<v S3>and it's the insider stuff. One of the episodes I watched,

0:38:58.730 --> 0:39:01.670
<v S3>which was really good, was everyone stressing about whether the

0:39:01.670 --> 0:39:04.320
<v S3>film would have a bigger opening day than was it Spider-Man,

0:39:04.320 --> 0:39:07.049
<v S3>I think. Yeah, yeah, yeah. And that it was all

0:39:07.050 --> 0:39:08.880
<v S3>of that stuff. It was the role of the agents,

0:39:08.880 --> 0:39:12.450
<v S3>the film choices, the pressure from producers, the the publicists,

0:39:12.450 --> 0:39:15.330
<v S3>the kind of mechanics of the industry that I found

0:39:15.330 --> 0:39:18.090
<v S3>most interesting and was by far the best part of

0:39:18.090 --> 0:39:19.469
<v S3>the show and the part that I think has stood

0:39:19.469 --> 0:39:21.450
<v S3>the test of time, only because a lot of it

0:39:21.450 --> 0:39:24.270
<v S3>is strangely prescient of films that did get made of

0:39:24.270 --> 0:39:26.339
<v S3>things that have happened in the industry.

0:39:26.340 --> 0:39:29.360
<v S2>Yeah, I think like, I mean, I think keeping in

0:39:29.360 --> 0:39:32.090
<v S2>mind this is 2004, like before we fully were like

0:39:32.090 --> 0:39:35.420
<v S2>in the stranglehold of reality TV. And like Doug Ellin,

0:39:35.420 --> 0:39:37.880
<v S2>the creator, tells this story so regularly about how, like

0:39:37.880 --> 0:39:40.070
<v S2>so many people, when the show started, thought it was

0:39:40.070 --> 0:39:42.290
<v S2>a there were real people like thought it was a

0:39:42.590 --> 0:39:45.170
<v S2>I thought he was like, this was a documentary. Um,

0:39:45.170 --> 0:39:48.500
<v S2>because like, you know, we have a genuine appetite for

0:39:48.500 --> 0:39:51.170
<v S2>that stuff now more than ever. Like, you know, if entourage,

0:39:51.200 --> 0:39:53.370
<v S2>if entourage was to be made in 2024, it would

0:39:53.370 --> 0:39:56.070
<v S2>probably just be a fly on the wall following. Like,

0:39:56.070 --> 0:39:58.650
<v S2>I don't know, Timothée Chalamet as he visits a bunch

0:39:58.650 --> 0:40:02.250
<v S2>of boulangeries or whatever, but like, I think that's how.

0:40:02.250 --> 0:40:03.089
<v S3>Far we've come.

0:40:03.090 --> 0:40:05.550
<v S2>Yeah, yeah, I think it would be so boring. I'd

0:40:05.550 --> 0:40:07.740
<v S2>much rather watch the Vincent Chase one. Um, but like,

0:40:07.739 --> 0:40:11.400
<v S2>I think, you know, the voyeuristic element was a huge

0:40:11.400 --> 0:40:13.890
<v S2>part of what made it so good. You know, people

0:40:13.890 --> 0:40:17.700
<v S2>love to peek behind the curtain of anything but especially Hollywood, this,

0:40:17.700 --> 0:40:20.430
<v S2>you know, huge system that we're all like, you know,

0:40:20.430 --> 0:40:22.830
<v S2>know so much about. And, you know, we watch the

0:40:22.830 --> 0:40:24.600
<v S2>movies and stuff. But to figure out, like, what does

0:40:24.600 --> 0:40:26.850
<v S2>a movie star do, like on a Tuesday afternoon like

0:40:26.850 --> 0:40:29.850
<v S2>that shit is interesting. And that's why I do think, like,

0:40:29.850 --> 0:40:33.120
<v S2>you know, the the kind of revisionist history of entourage

0:40:33.120 --> 0:40:35.670
<v S2>and the very, like, fair criticisms of it, you know, the,

0:40:35.670 --> 0:40:37.830
<v S2>the fact that it does have like all it's like,

0:40:37.830 --> 0:40:40.880
<v S2>you know, there's lots of misogyny. It is really racist. Like,

0:40:40.880 --> 0:40:44.510
<v S2>but the, the criticism that has become so loud that

0:40:44.510 --> 0:40:46.580
<v S2>it's like reduced the rest of the show to like, oh,

0:40:46.580 --> 0:40:48.470
<v S2>it didn't really offer anything. Whereas like, I don't think

0:40:48.469 --> 0:40:49.279
<v S2>that is true.

0:40:49.280 --> 0:40:53.150
<v S1>Yeah. And I think really smart in terms of that reality. Uh,

0:40:53.150 --> 0:40:56.299
<v S1>like what's real, what's drama. The show leaned into that

0:40:56.300 --> 0:40:59.330
<v S1>like it had real actors like Mandy Moore play fictionalized

0:40:59.330 --> 0:41:02.089
<v S1>versions of themselves. And so you really felt like you

0:41:02.090 --> 0:41:04.689
<v S1>were getting a peek into how it works. Fuck knows

0:41:04.690 --> 0:41:07.210
<v S1>if that's actually the case. I mean, in that vein, also,

0:41:07.210 --> 0:41:10.569
<v S1>there was a character who was a very wealthy and

0:41:10.570 --> 0:41:14.230
<v S1>powerful film producer who went to Sundance and threatened people

0:41:14.230 --> 0:41:16.570
<v S1>a lot and was very aggressive and quite large, and

0:41:16.570 --> 0:41:19.989
<v S1>his name was Harvey Weingard in the show, and it

0:41:19.989 --> 0:41:22.870
<v S1>was obviously a reference to Harvey Weinstein. It was one

0:41:22.870 --> 0:41:26.320
<v S1>of the first pop culture kind of statements that this

0:41:26.320 --> 0:41:30.280
<v S1>guy exists and he's a monster Decade before the kind

0:41:30.280 --> 0:41:34.089
<v S1>of revelations in the in the Times and the MeToo movement.

0:41:34.090 --> 0:41:36.219
<v S1>So the show was very knowing about a lot of

0:41:36.219 --> 0:41:38.799
<v S1>this stuff. On the kind of the other side. A

0:41:38.800 --> 0:41:40.870
<v S1>lot of the reasons why I like the show was

0:41:40.870 --> 0:41:44.350
<v S1>great party scenes, great soundtrack, a lot of stuff about

0:41:44.350 --> 0:41:46.450
<v S1>dudes just like hanging out. And I think when you're

0:41:46.450 --> 0:41:49.900
<v S1>a teenager, you're like, is this what being a man is?

0:41:49.930 --> 0:41:51.340
<v S1>And I think this is this is one of the

0:41:51.340 --> 0:41:53.820
<v S1>bits of the show that I can't really reconcile. And

0:41:53.820 --> 0:41:55.950
<v S1>it's not really the show's fault that a bunch of

0:41:55.950 --> 0:41:59.910
<v S1>people our age, Thomas More teenagers, watched it and were like, well,

0:41:59.910 --> 0:42:04.319
<v S1>you know, this this feels more, uh, aspirational, aspirational to

0:42:04.320 --> 0:42:07.980
<v S1>me than like, The Wire, The Sopranos. Um, my dream

0:42:07.980 --> 0:42:09.600
<v S1>is to just get enough money and, like, smoke weed

0:42:09.600 --> 0:42:12.300
<v S1>with my friends, go to basketball games, get front row,

0:42:12.330 --> 0:42:15.000
<v S1>you know, seats and just hang out that that was

0:42:15.000 --> 0:42:17.480
<v S1>what I thought peak being a dude was.

0:42:17.480 --> 0:42:19.610
<v S3>Yeah. And this is I was saying this the other day, like,

0:42:19.610 --> 0:42:23.299
<v S3>I think everyone or dudes watch that show and thought

0:42:23.300 --> 0:42:25.190
<v S3>they wanted to be Vince when all of them were

0:42:25.190 --> 0:42:28.400
<v S3>being turtle at the time, like, that's who they were.

0:42:28.400 --> 0:42:31.489
<v S3>And Vince was aspirational. I mean, I don't you're kind

0:42:31.489 --> 0:42:35.989
<v S3>of very gracefully sidestepping the element of how these men

0:42:35.989 --> 0:42:40.670
<v S3>treat women as being also kind of potentially aspirational. You know,

0:42:40.670 --> 0:42:45.010
<v S3>the show presenting that as that's what men are like. Um,

0:42:45.010 --> 0:42:47.410
<v S3>I mean, I think that argument and you do see

0:42:47.410 --> 0:42:49.299
<v S3>it a lot in defense of this, that the show

0:42:49.300 --> 0:42:54.879
<v S3>is about male friendship is like wrong and kind of silly. Like,

0:42:54.880 --> 0:42:57.640
<v S3>I think that's a silly argument or like it's an

0:42:57.640 --> 0:43:00.640
<v S3>argument that doesn't take into account what that male friendship

0:43:00.640 --> 0:43:02.529
<v S3>is like. It's about I was thinking of, you know,

0:43:02.560 --> 0:43:05.140
<v S3>Leo's pussy posse. Like, we'd never say that. That was

0:43:05.140 --> 0:43:09.009
<v S3>male friendship. Like, that's if you really think about what

0:43:09.010 --> 0:43:13.210
<v S3>bonds these men. It's money, power and women. That's their currency.

0:43:13.210 --> 0:43:15.520
<v S3>That's what the friendship and the status in the group

0:43:15.520 --> 0:43:18.790
<v S3>is based on. That is the codified behavior that creates

0:43:18.790 --> 0:43:19.390
<v S3>their friendship.

0:43:19.390 --> 0:43:19.960
<v S1>Power, baby.

0:43:19.960 --> 0:43:20.590
<v S4>Yeah. What's the issue?

0:43:20.590 --> 0:43:22.510
<v S3>That's it. Like. And yeah, you can have issues about that.

0:43:22.510 --> 0:43:23.890
<v S3>But I don't know, like if you can make the

0:43:23.890 --> 0:43:26.500
<v S3>case that the show says anything deeper about friendship other

0:43:26.500 --> 0:43:28.240
<v S3>than what I've just said, that in that.

0:43:28.239 --> 0:43:30.089
<v S1>No, look, I agree with you. I don't think it

0:43:30.090 --> 0:43:31.650
<v S1>actually does. And even when I was writing my notes

0:43:31.650 --> 0:43:33.270
<v S1>on this, I was like, oh, it's about friendship. And

0:43:33.270 --> 0:43:35.160
<v S1>I thought about it and I'm like, what does that

0:43:35.160 --> 0:43:37.590
<v S1>have to say about it? But here's the thing, right?

0:43:37.590 --> 0:43:40.739
<v S1>I'm keen on your thoughts on this, Thomas. You're right, Mel,

0:43:40.739 --> 0:43:43.680
<v S1>that it doesn't go beyond that. But what there weren't

0:43:43.680 --> 0:43:46.980
<v S1>really a lot of shows that just portrayed what it

0:43:46.980 --> 0:43:49.950
<v S1>means to be a guy. Like, you're having issues with

0:43:49.950 --> 0:43:51.840
<v S1>your girlfriend and you talk to your friends about it,

0:43:51.840 --> 0:43:53.480
<v S1>you're having issues with your job, and you talk to

0:43:53.480 --> 0:43:56.330
<v S1>your friends about it. They didn't talk about it particularly well.

0:43:56.360 --> 0:43:59.990
<v S1>It wasn't like deep insight into the nature of, like

0:43:59.989 --> 0:44:03.950
<v S1>how to navigate relationships and your career. Really. Like not

0:44:03.950 --> 0:44:06.020
<v S1>a lot of TV shows were like men were talking

0:44:06.020 --> 0:44:08.870
<v S1>about stuff in the mid 2000. I was just trying

0:44:08.870 --> 0:44:11.660
<v S1>to say it's more more relatable and accurate issues than

0:44:11.660 --> 0:44:15.590
<v S1>like Tony Soprano talking to Uncle June about the Rico act,

0:44:15.590 --> 0:44:16.040
<v S1>you know?

0:44:18.239 --> 0:44:21.870
<v S2>Yeah. I mean, like, I kind of I kind of agree.

0:44:21.870 --> 0:44:23.760
<v S2>I mean, like, I don't I think it, you know,

0:44:24.150 --> 0:44:26.400
<v S2>of course that was how it was framed as a

0:44:26.400 --> 0:44:28.170
<v S2>show about male friendship. And I do think, like a

0:44:28.170 --> 0:44:30.239
<v S2>lot of the people around the show have done a

0:44:30.239 --> 0:44:33.060
<v S2>lot of, like, hard work in the, you know, time

0:44:33.060 --> 0:44:35.190
<v S2>since it finished and they've kind of been reading the

0:44:35.190 --> 0:44:36.960
<v S2>room on what people think of the show and they've been,

0:44:36.960 --> 0:44:38.310
<v S2>you know, trying to be like, no, it was always

0:44:38.310 --> 0:44:40.620
<v S2>about male friendship. Like, I appreciate all that. I do

0:44:40.620 --> 0:44:43.060
<v S2>think that, like, I kind of agree, like, you know,

0:44:43.180 --> 0:44:46.330
<v S2>not to play a game of comparisons, but like sex

0:44:46.330 --> 0:44:48.129
<v S2>and the city is the obvious comparison in that it was.

0:44:48.130 --> 0:44:52.360
<v S2>So it finished right before entourage started, I think. And

0:44:52.360 --> 0:44:54.460
<v S2>that's obviously, you know, often entourage was called like the

0:44:54.460 --> 0:44:57.220
<v S2>male version of sex and the city. But like, you know,

0:44:57.580 --> 0:45:00.970
<v S2>there that version of friendship, like, Carrie is famously the

0:45:00.969 --> 0:45:04.150
<v S2>worst friend in the world. Like, I think there are.

0:45:04.150 --> 0:45:05.760
<v S2>I mean, you know, you've only seen a few episodes,

0:45:05.760 --> 0:45:09.000
<v S2>but there is a lot in this show that like

0:45:09.000 --> 0:45:11.969
<v S2>that bonds them. Aside from like getting fucked up and

0:45:11.969 --> 0:45:14.640
<v S2>having sex and stuff like you have like, you know,

0:45:15.239 --> 0:45:18.240
<v S2>Johnny constantly kind of being the the fact that he's

0:45:18.239 --> 0:45:20.130
<v S2>just like the punch line for him is that he

0:45:20.130 --> 0:45:23.460
<v S2>can't quite achieve anything, but like, they really, like deal

0:45:23.460 --> 0:45:25.859
<v S2>with shit like that. Like, I do think that the

0:45:25.860 --> 0:45:28.830
<v S2>standard may be low for like TV shows exploring or

0:45:28.830 --> 0:45:31.860
<v S2>really like interrogating male friendship? I think this show tried

0:45:31.860 --> 0:45:32.459
<v S2>to do it.

0:45:32.460 --> 0:45:33.540
<v S3>Nah, I don't think so.

0:45:33.780 --> 0:45:34.560
<v S4>No, I think so.

0:45:34.560 --> 0:45:36.750
<v S1>I mean like is it is is is Carrie telling

0:45:36.750 --> 0:45:39.390
<v S1>her friends she would never have sex with the bisexual man?

0:45:39.390 --> 0:45:43.170
<v S1>You know better or worse than EA helping Vin navigate

0:45:43.170 --> 0:45:44.790
<v S1>like a professional crisis.

0:45:44.790 --> 0:45:45.330
<v S4>I think it's the.

0:45:45.330 --> 0:45:47.940
<v S3>Level of engagement. Like, I guess there are two things. Like,

0:45:47.940 --> 0:45:50.070
<v S3>if we're talking about what this show says about friendships,

0:45:50.070 --> 0:45:53.069
<v S3>obviously the friendships in sex and the city are more

0:45:53.070 --> 0:45:56.720
<v S3>intensely examined, like those dynamics are way more complicated. And

0:45:56.719 --> 0:45:59.870
<v S3>when they're talking about sex, it's brought to the table

0:45:59.870 --> 0:46:02.360
<v S3>for discussion. Whereas I think in this show, it's like

0:46:02.360 --> 0:46:05.630
<v S3>the throwaway line of virgins are too much responsibility. Or

0:46:05.630 --> 0:46:07.550
<v S3>have you ever fucked a girl on it, period. Like,

0:46:07.550 --> 0:46:11.060
<v S3>that's not a kind of interesting or developed discussion. And

0:46:11.060 --> 0:46:14.779
<v S3>it doesn't have to be. And they're there questions. But like,

0:46:14.780 --> 0:46:17.390
<v S3>I guess what I'm saying is like, I don't it's

0:46:17.390 --> 0:46:23.330
<v S3>not attempting to be men seriously unpacking relations with women.

0:46:23.330 --> 0:46:25.279
<v S3>It's not intending to be that. And I don't think

0:46:25.280 --> 0:46:27.649
<v S3>it does do that. Um, so yeah, I don't really

0:46:27.650 --> 0:46:31.550
<v S3>buy the argument that it's like an insightful way of discussing.

0:46:31.550 --> 0:46:33.740
<v S1>No, I think we're actually probably more in agreement on

0:46:33.739 --> 0:46:35.660
<v S1>this one than in disagreement, because I also don't think

0:46:35.660 --> 0:46:38.060
<v S1>it is like, you know, the holy grail of like,

0:46:38.060 --> 0:46:40.190
<v S1>good conversation. I'm just trying to say that there was

0:46:40.190 --> 0:46:43.520
<v S1>so few of those things happening in television that it

0:46:43.520 --> 0:46:45.590
<v S1>actually is a bit like, oh, wow, men are talking

0:46:45.590 --> 0:46:48.290
<v S1>about like any like, the bar is so low here

0:46:48.290 --> 0:46:51.109
<v S1>that just men talking about anything to do with their lives,

0:46:51.110 --> 0:46:55.130
<v S1>their families, sex existed. And I'm like, I'm not trying

0:46:55.130 --> 0:46:58.610
<v S1>to say that like, men are underrepresented or were underrepresented

0:46:58.610 --> 0:47:02.149
<v S1>in television, but it is kind of stark to think

0:47:02.150 --> 0:47:07.469
<v S1>that what other dramas that existed before entourage of groups

0:47:07.469 --> 0:47:12.600
<v S1>of men existing together and talking about things that aren't teenage, like,

0:47:12.600 --> 0:47:15.960
<v S1>you know, Nano 2.0 or the OC, that sort of

0:47:15.960 --> 0:47:18.600
<v S1>stuff that was very like in high school stuff for

0:47:18.600 --> 0:47:21.660
<v S1>people in that kind of like 20s. I don't know

0:47:21.660 --> 0:47:24.270
<v S1>what that show was. And certainly by the time Thomas

0:47:24.270 --> 0:47:26.100
<v S1>and I were teenagers, I don't know what that show

0:47:26.130 --> 0:47:27.030
<v S1>was that was on.

0:47:27.030 --> 0:47:28.950
<v S3>Yeah, I think that's fair. And I mean, sex and

0:47:28.950 --> 0:47:31.549
<v S3>the city made an impact in the same way, in

0:47:31.550 --> 0:47:34.489
<v S3>the sense that it was an avenue to show women

0:47:34.489 --> 0:47:37.100
<v S3>on TV talking about their issues. I mean, I do.

0:47:37.100 --> 0:47:39.080
<v S3>I know you keep saying you couldn't relate to Sopranos,

0:47:39.080 --> 0:47:41.870
<v S3>but I do think that Mr. Soprano is a far

0:47:41.870 --> 0:47:46.730
<v S3>more relatable male than anyone in this show. No respect.

0:47:46.730 --> 0:47:50.030
<v S3>Like he struggles with his role in the family.

0:47:50.030 --> 0:47:51.980
<v S4>And the older I get, the more I'm like, yeah,

0:47:51.980 --> 0:47:53.540
<v S4>I fucking get this shit. But like.

0:47:53.690 --> 0:47:56.900
<v S3>It's a far more relatable presentation of what it is

0:47:56.900 --> 0:47:59.299
<v S3>to be human. This is fantasy and that's fine. Like,

0:47:59.300 --> 0:48:01.460
<v S3>I think we just need to be like, it is fantasy.

0:48:01.460 --> 0:48:05.450
<v S3>It is a projection. It is. It's the cinema of desire.

0:48:05.450 --> 0:48:07.969
<v S3>If we want to get Freudian on it like it's just.

0:48:07.969 --> 0:48:10.370
<v S2>Fantasy, it is fantasy. But the dynamic between those four

0:48:10.370 --> 0:48:14.359
<v S2>guys like for better or worse, definitely like because essentially

0:48:14.360 --> 0:48:16.190
<v S2>they're like, they've all got like Arrested Development, they're basically

0:48:16.190 --> 0:48:17.720
<v S2>high schoolers. The dynamic between to.

0:48:17.719 --> 0:48:20.620
<v S1>Tell you, Mel, when four guys get together, that's what they.

0:48:20.620 --> 0:48:20.920
<v S4>Talk about.

0:48:20.920 --> 0:48:23.620
<v S2>It's very similar to how like people interact, like in

0:48:23.620 --> 0:48:25.089
<v S2>high school, like how and like, you know, there's always

0:48:25.090 --> 0:48:27.040
<v S2>someone trying to be the big dog. Everyone's taking the

0:48:27.040 --> 0:48:29.500
<v S2>piss out of each other like that. That's not like like,

0:48:29.710 --> 0:48:31.510
<v S2>I'm sorry to say, my group of friends was a

0:48:31.510 --> 0:48:34.569
<v S2>lot more like that than, like, fucking Sal and Tony

0:48:34.570 --> 0:48:36.760
<v S2>and Christopher sitting at fucking Satriale's.

0:48:36.910 --> 0:48:38.049
<v S3>Though you did eat a lot of ham.

0:48:38.170 --> 0:48:38.710
<v S4>Yeah. I mean.

0:48:38.710 --> 0:48:40.150
<v S2>Yeah, we had the cured meats, but that was where

0:48:40.150 --> 0:48:40.660
<v S2>I stopped.

0:48:41.469 --> 0:48:45.240
<v S1>There's a problem with, um, problem with modern society is that, uh,

0:48:45.239 --> 0:48:47.430
<v S1>a lot of women of a certain age grow up

0:48:47.430 --> 0:48:49.500
<v S1>watching sex in the city and thought that's what they

0:48:49.500 --> 0:48:52.260
<v S1>should emulate. A lot of men grew up watching entourage.

0:48:52.440 --> 0:48:55.230
<v S1>That's what they should emulate. Everyone in politics and media

0:48:55.230 --> 0:48:57.090
<v S1>watched The fucking West Wing and thought that's what they

0:48:57.090 --> 0:49:00.450
<v S1>should emulate. We're all kind of like breaking the world

0:49:00.450 --> 0:49:03.570
<v S1>because we were raised by kind of weird and kind

0:49:03.570 --> 0:49:05.250
<v S1>of fucked up HBO shows.

0:49:05.250 --> 0:49:08.190
<v S3>Yeah, I think that's, uh, that's probably true. And that's

0:49:08.190 --> 0:49:11.340
<v S3>why I always think that, like, it's good to discuss

0:49:11.340 --> 0:49:13.379
<v S3>these shows and their meaning, even if it's not like

0:49:13.380 --> 0:49:15.480
<v S3>what the show is intending to do and like. It's

0:49:15.480 --> 0:49:17.760
<v S3>not about the expectation of the show, but it did

0:49:17.760 --> 0:49:19.800
<v S3>influence so many people. And the type of men and

0:49:19.800 --> 0:49:22.290
<v S3>women we have today are a result of pop culture,

0:49:22.290 --> 0:49:23.760
<v S3>and it's why culture is so important. Yeah, that's.

0:49:23.760 --> 0:49:25.529
<v S1>Why it's so interesting, because we can all acknowledge the

0:49:25.530 --> 0:49:27.870
<v S1>limits as to how good or bad it was. But

0:49:27.870 --> 0:49:31.880
<v S1>the reality was it did influence human beings in terms

0:49:31.880 --> 0:49:34.610
<v S1>of their thinking and approach to stuff. Thomas, you spoke

0:49:34.610 --> 0:49:38.090
<v S1>to Doug Ellin, the creator of the show. What did

0:49:38.090 --> 0:49:41.359
<v S1>you learn from him about entourage during the time and

0:49:41.360 --> 0:49:42.170
<v S1>its legacy?

0:49:42.680 --> 0:49:47.660
<v S2>Um, I think he has a complicated relationship with the legacy. Uh, he,

0:49:48.110 --> 0:49:52.100
<v S2>you know, especially like, you know, the 20th anniversary was

0:49:52.100 --> 0:49:55.420
<v S2>just last week. Um, HBO, like, maybe put up a

0:49:55.420 --> 0:50:00.009
<v S2>single Instagram post, um, to celebrate it. And, you know, like,

0:50:00.010 --> 0:50:02.980
<v S2>it's fair to say that had this been the 20th

0:50:02.980 --> 0:50:05.950
<v S2>anniversary of sex and the city, it would have been

0:50:05.950 --> 0:50:09.250
<v S2>a much bigger deal. Um, so he is very much,

0:50:09.250 --> 0:50:11.350
<v S2>I would say, like a bit defensive about what's happened

0:50:11.350 --> 0:50:14.109
<v S2>to the show. Um, especially like his relationship with HBO

0:50:14.110 --> 0:50:17.260
<v S2>has disintegrated a lot, and he thinks they basically have

0:50:17.260 --> 0:50:20.610
<v S2>tried to distance themselves. Um, and I do think, you know,

0:50:20.730 --> 0:50:22.830
<v S2>in some ways I try to understand where he was

0:50:22.830 --> 0:50:24.840
<v S2>coming from. Like, I think he really is just like

0:50:24.840 --> 0:50:28.920
<v S2>it was 2004, you know, like, this was what I knew. I,

0:50:28.920 --> 0:50:30.810
<v S2>you know, this was my life. I spoke to Mark Wahlberg.

0:50:30.810 --> 0:50:33.419
<v S2>We wrote a fun show like that was it. And

0:50:33.420 --> 0:50:35.759
<v S2>now he's like, kind of frantically trying to figure out

0:50:35.760 --> 0:50:39.120
<v S2>what's happened to his show. And, you know, like, not

0:50:39.120 --> 0:50:41.160
<v S2>that we need to feel bad for Doug Ellin. At

0:50:41.160 --> 0:50:43.589
<v S2>the same time, he is doing a lot of like,

0:50:43.590 --> 0:50:45.540
<v S2>you know, overtime trying to be like, nah, it was

0:50:45.540 --> 0:50:48.270
<v S2>all 100%. All of it was satire.

0:50:48.270 --> 0:50:49.170
<v S4>Yeah. And it's like.

0:50:49.170 --> 0:50:49.830
<v S2>You know, look, man.

0:50:49.830 --> 0:50:52.350
<v S1>I it was a comment on how like, Ari was

0:50:52.350 --> 0:50:53.489
<v S1>a racist or whatever.

0:50:53.489 --> 0:50:55.470
<v S2>Yes. And I was like, look, man, I love the show,

0:50:55.500 --> 0:50:57.089
<v S2>you know, at the time and stuff. And I still

0:50:57.090 --> 0:50:59.969
<v S2>enjoy watching it, but like, you know, all of them

0:50:59.969 --> 0:51:01.529
<v S2>fucking all these girls all the time is not like a,

0:51:01.530 --> 0:51:03.870
<v S2>you know, biting satire on, you know, the power of

0:51:03.870 --> 0:51:06.000
<v S2>fame and being a famous actor. Like, sometimes you were

0:51:06.000 --> 0:51:07.850
<v S2>just doing it because it was like fun shit to

0:51:07.850 --> 0:51:09.739
<v S2>film and you knew that your audience would absolutely lap

0:51:09.739 --> 0:51:10.069
<v S2>it up.

0:51:10.100 --> 0:51:12.890
<v S3>Yeah. And I kind of get his like, I get.

0:51:12.890 --> 0:51:16.759
<v S3>I imagine no creator ever wants to make something that

0:51:16.760 --> 0:51:19.700
<v S3>is so dated. And not only a career not only

0:51:19.700 --> 0:51:22.729
<v S3>makes something that is so of its time, but is

0:51:22.730 --> 0:51:28.100
<v S3>so now retrospectively often shorthand for like a red flag. Um, yeah.

0:51:28.100 --> 0:51:29.870
<v S3>So I kind of get why he is on the

0:51:29.870 --> 0:51:30.710
<v S3>defensive about it.

0:51:30.739 --> 0:51:30.890
<v S4>I mean.

0:51:30.890 --> 0:51:32.650
<v S1>In 20 years now, when people talk about the anniversary

0:51:32.650 --> 0:51:34.630
<v S1>of this podcast will be claiming, oh, no, no, that

0:51:34.630 --> 0:51:36.130
<v S1>was all satire. Don't worry about it, guys.

0:51:37.270 --> 0:51:38.650
<v S3>I already used that excuse.

0:51:38.860 --> 0:51:39.670
<v S4>Yes.

0:51:39.670 --> 0:51:42.040
<v S2>So I thought that was interesting. Um, and then basically

0:51:42.040 --> 0:51:43.719
<v S2>he just kind of like, does a lot of podcasts

0:51:43.750 --> 0:51:45.489
<v S2>now plays a lot of pickleball.

0:51:45.910 --> 0:51:47.680
<v S3>Um, did he ever make anything again?

0:51:47.860 --> 0:51:52.419
<v S2>Well, no. So he's kind of, uh, like, no is

0:51:52.420 --> 0:51:56.200
<v S2>the answer. He's basically got a pilot, um, featuring Charlie

0:51:56.200 --> 0:51:59.379
<v S2>and Martin Sheen, uh, and a bunch of the guys

0:51:59.380 --> 0:52:03.070
<v S2>from entourage, but it hasn't been able to get finance yet. So, yeah,

0:52:03.070 --> 0:52:04.660
<v S2>he kind of, I guess he just he kind of

0:52:04.660 --> 0:52:06.400
<v S2>talks about his experiences in the industry in this new

0:52:06.400 --> 0:52:09.790
<v S2>podcast he has. But yeah, he definitely has been impacted,

0:52:09.790 --> 0:52:13.719
<v S2>I think, a lot by the the response to entourage

0:52:13.719 --> 0:52:15.940
<v S2>probably beginning, I think, with the movie which he directed

0:52:15.940 --> 0:52:18.130
<v S2>and wrote and which did not do very well. And

0:52:18.130 --> 0:52:19.690
<v S2>then kind of I guess since then the show has

0:52:19.690 --> 0:52:23.130
<v S2>increasingly been, you know, viewed poorly and seems to have

0:52:23.130 --> 0:52:25.350
<v S2>aged poorly. And I think that's left an imprint on him,

0:52:25.350 --> 0:52:27.870
<v S2>as would anyone. Uh, but yeah, it's an interesting chat.

0:52:27.870 --> 0:52:31.170
<v S1>It's interesting how few shows like it have existed. The

0:52:31.170 --> 0:52:34.260
<v S1>only show I could think of that really fell right

0:52:34.260 --> 0:52:36.779
<v S1>into this space is Ballers. Do you guys watch this? Yeah.

0:52:36.780 --> 0:52:37.500
<v S4>I love the show.

0:52:37.500 --> 0:52:38.700
<v S3>I love Dwayne Johnson.

0:52:38.880 --> 0:52:39.360
<v S4>Yeah.

0:52:39.360 --> 0:52:42.930
<v S1>Dwayne Johnson, uh, John David Washington, it's executive produced by

0:52:42.930 --> 0:52:45.379
<v S1>Mark Wahlberg. So some of that entourage DNA is there.

0:52:45.380 --> 0:52:48.680
<v S1>And it's a similar thing. Right. It's about sports managers

0:52:48.680 --> 0:52:52.310
<v S1>and and uh, the NFL a lot of party scenes,

0:52:52.340 --> 0:52:54.319
<v S1>a lot of music, a little bit more updated like

0:52:54.320 --> 0:52:56.359
<v S1>this came out in 2015. So it doesn't feel kind

0:52:56.360 --> 0:52:58.250
<v S1>of as cringe. And, you know, a lot of discussion

0:52:58.250 --> 0:53:00.470
<v S1>about like, race because this is about a lot of

0:53:00.469 --> 0:53:02.630
<v S1>players who are black. It was pretty interesting. It wasn't

0:53:02.630 --> 0:53:04.010
<v S1>like that. Great. I don't think it has like a

0:53:04.010 --> 0:53:08.250
<v S1>huge legacy or anything like that. But um, as I

0:53:08.250 --> 0:53:09.569
<v S1>was going to say this out loud, I realized how

0:53:09.570 --> 0:53:14.130
<v S1>silly it sounds, but a real noticeable, like lack of

0:53:14.130 --> 0:53:19.950
<v S1>drama comedy shows about dudes hanging out together.

0:53:20.460 --> 0:53:22.470
<v S2>Thank you for that. Thank you for being a thank

0:53:22.469 --> 0:53:23.940
<v S2>you for being brave enough to say it.

0:53:24.870 --> 0:53:25.620
<v S4>Well, it feels.

0:53:25.620 --> 0:53:28.020
<v S1>Weird to say that because, like, again, I don't think like,

0:53:28.020 --> 0:53:29.819
<v S1>you know, my point isn't like, this is why everyone's

0:53:29.820 --> 0:53:32.680
<v S1>voting for Trump. Because men don't have shows anymore. But

0:53:32.680 --> 0:53:36.489
<v S1>in this space of like, beyond kind of like action,

0:53:36.489 --> 0:53:39.310
<v S1>you know, and maybe like outright comedy or whatever, like

0:53:39.460 --> 0:53:44.500
<v S1>the space of the dramedy where there is some ongoing

0:53:44.500 --> 0:53:48.640
<v S1>kind of relationships that shift and change, and it's the

0:53:48.640 --> 0:53:50.259
<v S1>dynamics of a group of men, or even if it's

0:53:50.260 --> 0:53:54.130
<v S1>a group of men interacting with like other women. There's

0:53:54.130 --> 0:53:55.509
<v S1>not that many shows like that.

0:53:55.510 --> 0:53:58.150
<v S3>I don't think there are any shows like purely. Well,

0:53:58.150 --> 0:53:59.140
<v S3>not that I can think of off the top of

0:53:59.140 --> 0:54:01.029
<v S3>my head. I'm sure there are, and people will let

0:54:01.030 --> 0:54:03.700
<v S3>us know, but I think it's more because the real

0:54:03.700 --> 0:54:07.930
<v S3>world has women in it. So women are more than just,

0:54:07.930 --> 0:54:10.780
<v S3>I guess, the people they have sex with. Like so

0:54:10.780 --> 0:54:12.640
<v S3>I think there are shows that focus on male.

0:54:12.790 --> 0:54:13.300
<v S4>You can have a.

0:54:13.300 --> 0:54:15.610
<v S1>Show, you can have a show like girls, which focuses

0:54:15.610 --> 0:54:19.240
<v S1>on men. That doesn't just reduce women to like objects

0:54:19.239 --> 0:54:19.870
<v S1>of sex.

0:54:19.870 --> 0:54:22.300
<v S3>So you want the men to be the central characters.

0:54:22.300 --> 0:54:22.899
<v S4>Like, I want.

0:54:22.930 --> 0:54:24.759
<v S1>Boys, I want the show boys. Yeah.

0:54:26.440 --> 0:54:27.130
<v S4>But aren't.

0:54:27.130 --> 0:54:28.030
<v S3>They okay? Yeah.

0:54:28.030 --> 0:54:28.420
<v S4>Look.

0:54:29.800 --> 0:54:33.370
<v S3>I mean, the bear, everything revolves around.

0:54:33.370 --> 0:54:34.989
<v S1>The bear is probably. You know what? The bear is

0:54:34.989 --> 0:54:37.180
<v S1>probably a good shot. The bear is a show where

0:54:37.180 --> 0:54:39.700
<v S1>you see a lot of men and, like, it's actually

0:54:39.700 --> 0:54:41.860
<v S1>a really good, um, a really good example of this,

0:54:41.860 --> 0:54:44.700
<v S1>where it's broad, there's a whole bunch of characters from

0:54:44.700 --> 0:54:46.680
<v S1>all sorts of different backgrounds and whatever. But like you

0:54:46.680 --> 0:54:48.930
<v S1>do see a group of men who relate to each

0:54:48.930 --> 0:54:51.330
<v S1>other and to other people in a dramatic and funny way.

0:54:51.330 --> 0:54:52.320
<v S4>That's a really good point.

0:54:52.440 --> 0:54:53.640
<v S3>Presumed innocent.

0:54:53.910 --> 0:54:55.890
<v S4>That doesn't count. Don't know if that counts.

0:54:56.070 --> 0:54:59.759
<v S3>A man and a group of men. Yeah, there's one woman.

0:54:59.760 --> 0:55:00.300
<v S4>A lot of.

0:55:00.300 --> 0:55:03.810
<v S1>Them, I feel like, are couched in very genre ways. Like.

0:55:03.810 --> 0:55:05.790
<v S1>Like Breaking Bad and The Sopranos. We've talked about it

0:55:05.790 --> 0:55:07.589
<v S1>like all those things come up, but they kind of

0:55:07.590 --> 0:55:12.310
<v S1>smuggled in. Maybe that's because programmers know that men wouldn't watch,

0:55:12.310 --> 0:55:15.280
<v S1>like a very earnest, like, entourage. But it's woke, right?

0:55:15.280 --> 0:55:17.469
<v S1>I don't know what the demographic is for that. So

0:55:17.469 --> 0:55:20.049
<v S1>they're like, let's have shows like Ozark and Breaking Bad

0:55:20.050 --> 0:55:22.900
<v S1>that are very gritty, justified, that sort of stuff. And

0:55:22.900 --> 0:55:25.419
<v S1>then in that we'll have some really strong plotlines about

0:55:25.420 --> 0:55:29.200
<v S1>men relating to each other. Honestly, this probably is why

0:55:29.200 --> 0:55:31.060
<v S1>people are voting for Donald Trump. I hate to break.

0:55:31.060 --> 0:55:31.570
<v S4>It to you guys.

0:55:31.570 --> 0:55:35.469
<v S3>Well, I was reading today a really interesting story about

0:55:35.469 --> 0:55:40.180
<v S3>how rare the mail reader is. 80% of book buyers

0:55:40.180 --> 0:55:42.280
<v S3>in the UK and the US are women, and they

0:55:42.280 --> 0:55:44.560
<v S3>the piece was linking it to kind of the Andrew

0:55:44.560 --> 0:55:48.160
<v S3>Tate ification of society, where men are, you know, the

0:55:48.160 --> 0:55:52.750
<v S3>kind of gains attitude. Um, I mean, I hadn't really

0:55:52.750 --> 0:55:55.360
<v S3>kind of linked that before and thought that was interesting

0:55:55.390 --> 0:55:57.720
<v S3>to I mean, I don't know if that's relevant to

0:55:57.719 --> 0:56:00.360
<v S3>what we're talking about, but sums of how men engaged

0:56:00.360 --> 0:56:01.110
<v S3>with culture.

0:56:01.140 --> 0:56:03.990
<v S2>A co-worker of ours yesterday did say that this was

0:56:03.989 --> 0:56:06.419
<v S2>a show. Entourage was a show for Andrew Tates, which

0:56:06.420 --> 0:56:07.980
<v S2>I thought was particularly offensive.

0:56:08.010 --> 0:56:09.450
<v S3>That is interesting.

0:56:09.480 --> 0:56:09.960
<v S4>That is really.

0:56:09.960 --> 0:56:13.230
<v S1>Offensive. All right, on to our, uh, final regular segment,

0:56:13.230 --> 0:56:16.140
<v S1>Impress Your Friends, where we share something we watched, read,

0:56:16.140 --> 0:56:19.200
<v S1>listen to, or otherwise consumed in culture in the past week. Uh,

0:56:19.200 --> 0:56:22.610
<v S1>mine's a bit cheeky. Um, I am very excited about

0:56:22.610 --> 0:56:25.460
<v S1>industry season three dropping in a couple of weeks. I

0:56:25.460 --> 0:56:29.239
<v S1>think it's August 12th. I've been doing a rewatch of

0:56:29.239 --> 0:56:31.790
<v S1>seasons one and two. I really like the show. It's fun.

0:56:31.790 --> 0:56:37.100
<v S1>It's like called a slightly dumber mix of succession and euphoria. Like,

0:56:37.100 --> 0:56:40.340
<v S1>that's fair enough. It's set in the high powered world

0:56:40.340 --> 0:56:43.759
<v S1>of finance in London. A bunch of young people get

0:56:43.760 --> 0:56:47.419
<v S1>their cadetships, I guess, traineeships there. They try and like

0:56:47.420 --> 0:56:49.040
<v S1>do deals and they have a lot of sex and

0:56:49.040 --> 0:56:50.990
<v S1>they do a lot of drugs. It's kind of soapy.

0:56:50.989 --> 0:56:53.239
<v S1>It's kind of silly. There's a lot of finance jargon.

0:56:53.239 --> 0:56:55.040
<v S1>I have no idea how accurate it is. I don't

0:56:55.040 --> 0:56:58.520
<v S1>really care. It's pretty cool. Um, if you're not across

0:56:58.520 --> 0:57:00.920
<v S1>it at all, get onto it. It's on, uh, binge.

0:57:00.920 --> 0:57:04.100
<v S1>It's an HBO show. It's on binge and get hype

0:57:04.100 --> 0:57:06.980
<v S1>in time for season three. Mel, what have you got

0:57:06.980 --> 0:57:07.520
<v S1>for us?

0:57:07.520 --> 0:57:09.640
<v S3>I have a very good book. It's called Kairos, and

0:57:09.640 --> 0:57:12.580
<v S3>it makes me sad that not more people are reading. Um,

0:57:12.580 --> 0:57:15.790
<v S3>it won the International Booker Prize. It's by Jenny Erpenbeck

0:57:15.790 --> 0:57:18.850
<v S3>and translated by Michael Hofmann. It's about this love affair

0:57:18.850 --> 0:57:21.610
<v S3>between a student and a married man. There's kind of

0:57:21.610 --> 0:57:24.100
<v S3>30 years between them. They meet on a bus in

0:57:24.100 --> 0:57:28.060
<v S3>East Berlin and their whole relationship, which is really destructive

0:57:28.060 --> 0:57:33.450
<v S3>and complicated relationship, um, kind of intellectually and emotionally charged. Um,

0:57:33.450 --> 0:57:36.570
<v S3>and it's set against the backdrop of the collapse of

0:57:36.570 --> 0:57:39.450
<v S3>kind of East Germany and the end of the the

0:57:39.450 --> 0:57:43.710
<v S3>Communist dream. It's this really beautiful book. It's hard to explain.

0:57:43.710 --> 0:57:48.000
<v S3>It's about power, art, culture. Um, and it's quite a

0:57:48.000 --> 0:57:51.870
<v S3>bleak outlook on life. Um, but it is, uh, it's

0:57:51.870 --> 0:57:54.450
<v S3>a book that's kind of it moved me in ways

0:57:54.450 --> 0:57:58.010
<v S3>that not much contemporary literature does. Um, so yeah, I

0:57:58.010 --> 0:57:59.630
<v S3>think it's well worth adding to the list, and I

0:57:59.630 --> 0:58:01.100
<v S3>think you would both really like it.

0:58:01.280 --> 0:58:03.380
<v S1>I love hearing you talk about books, Mel. It's very

0:58:03.380 --> 0:58:06.740
<v S1>insightful and you're really passionate about it, and I get

0:58:06.740 --> 0:58:09.500
<v S1>very excited every time you mention them. So thank you

0:58:09.590 --> 0:58:09.800
<v S1>for that.

0:58:09.800 --> 0:58:12.110
<v S3>Thank you. As you can. Um, I'll, I'll, I'll send

0:58:12.110 --> 0:58:13.130
<v S3>a copy up to you.

0:58:13.130 --> 0:58:13.670
<v S4>I think you'd have.

0:58:13.670 --> 0:58:15.500
<v S1>To buy me a book. Mel, I'm your boss. It's okay.

0:58:16.010 --> 0:58:16.280
<v S4>Yeah.

0:58:16.850 --> 0:58:18.110
<v S1>Uh, Thomas, what.

0:58:18.110 --> 0:58:18.440
<v S4>Have you got?

0:58:18.440 --> 0:58:21.140
<v S2>Just to stay on trend, my recommendation is set in

0:58:21.140 --> 0:58:24.290
<v S2>the world of blood sport. Um, now, this is one

0:58:24.290 --> 0:58:26.060
<v S2>that's actually kind of flown under the radar. It is

0:58:26.060 --> 0:58:28.880
<v S2>a TV series. It's those about to die. Uh, are

0:58:28.880 --> 0:58:29.600
<v S2>you guys across this?

0:58:29.600 --> 0:58:31.940
<v S4>Oh, the Roman Empire? Yes. Okay.

0:58:32.270 --> 0:58:33.530
<v S1>Anthony Hopkins is the guy.

0:58:33.530 --> 0:58:38.390
<v S2>Yeah, man. This is this has got big, um, Oz energy. Yeah. So. Yeah.

0:58:38.390 --> 0:58:39.020
<v S1>Tell us about it.

0:58:39.020 --> 0:58:41.810
<v S2>It's all ten episodes. So firstly, straight up it's a

0:58:41.810 --> 0:58:44.270
<v S2>binge it on the weekend vibe. All ten episodes available

0:58:44.270 --> 0:58:48.010
<v S2>on Prime now. And basically like, you know, obviously we're

0:58:48.010 --> 0:58:51.040
<v S2>in a bit of a kind of like gladiator mood

0:58:51.040 --> 0:58:53.500
<v S2>right now with Gladiator two coming. And, you know, obviously

0:58:53.590 --> 0:58:55.870
<v S2>every so often we get these shows like, remember, HBO

0:58:55.870 --> 0:58:58.030
<v S2>did their big Money Like Rome show years ago that

0:58:58.030 --> 0:58:58.630
<v S2>they only gave.

0:58:58.630 --> 0:58:59.620
<v S1>Yeah, I loved Roman.

0:58:59.620 --> 0:59:02.320
<v S2>Two seasons two, which was a fucking crime against TV.

0:59:02.410 --> 0:59:05.680
<v S2>Probably the worst decision they made since cancelling entourage. But

0:59:05.680 --> 0:59:08.650
<v S2>Those about to die is basically like it's set in

0:59:08.650 --> 0:59:12.360
<v S2>the world of the gladiator games and, you know, kind

0:59:12.360 --> 0:59:14.820
<v S2>of in a similar way. It's like a succession meets

0:59:14.820 --> 0:59:19.350
<v S2>Rome meets like almost like a ballers. Like we get

0:59:19.350 --> 0:59:21.480
<v S2>the politics of the sport set against the backdrop of

0:59:21.480 --> 0:59:24.840
<v S2>the Roman Empire. Basically, Anthony Hopkins plays the Emperor, who's

0:59:24.840 --> 0:59:27.360
<v S2>like very much on his last legs. He's like slowly widening.

0:59:27.360 --> 0:59:30.690
<v S2>And yet as he's kind of like dying wish he

0:59:30.690 --> 0:59:34.140
<v S2>wants to reinvigorate these, you know, the gladiator games. And

0:59:34.140 --> 0:59:36.000
<v S2>when I first got told about this, I was like, oh,

0:59:36.000 --> 0:59:38.250
<v S2>this sounds like it has all the elements of being

0:59:38.250 --> 0:59:40.950
<v S2>a stinker. Like, you know, big celebrity attached. That probably

0:59:40.950 --> 0:59:43.500
<v S2>doesn't give a fuck about the project. Just another Roman

0:59:43.500 --> 0:59:45.750
<v S2>show like this will just come and go that no

0:59:45.750 --> 0:59:48.300
<v S2>one will ever talk about it. Watch a couple of episodes.

0:59:48.510 --> 0:59:50.490
<v S2>It is so well done. They've spent a lot of

0:59:50.490 --> 0:59:54.750
<v S2>money on it. Um, like, the set dressing is incredible.

0:59:54.750 --> 0:59:57.720
<v S2>Huge cast, but like, everyone gets equal billing and there's

0:59:57.720 --> 0:59:59.990
<v S2>great character arcs. I really think this is the type

0:59:59.990 --> 1:00:01.850
<v S2>of show that you can like. You put on one

1:00:01.850 --> 1:00:03.830
<v S2>and then like before you know it, you've got bed

1:00:03.860 --> 1:00:05.420
<v S2>sores because you've been there for ten hours.

1:00:05.900 --> 1:00:08.900
<v S1>Uh, great chats to him. Great episode, a lot of fun.

1:00:08.900 --> 1:00:11.690
<v S1>Can't wait to find out what JD Vance thinks about

1:00:11.690 --> 1:00:15.080
<v S1>Deadpool versus Wolverine. We'll talk about that next week. Uh.

1:00:15.080 --> 1:00:15.740
<v S1>Take care. See you.

1:00:15.740 --> 1:00:16.610
<v S4>Then. Stay bright.

1:00:16.640 --> 1:00:18.440
<v S2>All right, cue the entourage theme song.

1:00:18.530 --> 1:00:24.370
<v UU>Yeah, yeah, yeah, My mind had been in limbo. In

1:00:24.370 --> 1:00:28.990
<v UU>the memory you overflow. Wanna be your super hero? Or

1:00:28.990 --> 1:00:33.490
<v UU>even if I tumble, fall. I'm okay.

1:00:39.910 --> 1:00:43.090
<v S1>This episode of The Drop was produced by Che Huang.

1:00:43.120 --> 1:00:46.000
<v S1>If you enjoyed listening to today's episode of The Drop,

1:00:46.000 --> 1:00:48.610
<v S1>make sure to follow us in your favorite podcast app.

1:00:48.610 --> 1:00:51.280
<v S1>Leave us a review or better yet, share the episode

1:00:51.280 --> 1:00:54.160
<v S1>with a friend. I'm Usman Farooqui. See you next week!