WEBVTT - Fighting the grey stigma

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<v S1>Nine podcasts.

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<v S2>Welcome back to Prime Time. Today I'm talking about something

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<v S2>other people seem to care about, sometimes more than the

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<v S2>people going through it. Aging and the physical effects, and

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<v S2>in particular going grey for women. Joining me to talk

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<v S2>about graying is Katherine Greer. Katherine is an Australian Canadian

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<v S2>author and copywriter, baker and mother. She's just written her

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<v S2>first novel, The Bittersweet Bakery Cafe. And over the last

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<v S2>few years, she's gone grey all by choice. Katherine, welcome

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<v S2>to Prime Time.

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<v S3>Well, thank you for having me. I'm excited to be here.

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<v S2>I am really excited. You've written a story in the

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<v S2>Sydney Morning Herald this week, along with the launch of

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<v S2>your book, and it dives into the topic of going grey,

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<v S2>which I think is really interesting for all of our

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<v S2>listeners or, you know, so many of us in our

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<v S2>40s and 50s are taking that journey. And you talk

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<v S2>about your choice to ditch the dye. I'd love you

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<v S2>to take us on the journey. What motivated you?

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<v S4>Yeah. So I was quite young.

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<v S3>When I made the decision and it was pre-COVID. So

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<v S3>that was interesting. When you think about it, I just

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<v S3>got to this point where I had started to dye

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<v S3>my hair when I was 28 years old, because I

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<v S3>needed to. It wasn't because I wanted to. I was

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<v S3>seriously going gray at 28. And yeah, and so I

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<v S3>was dying every eight weeks, and then every six weeks

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<v S3>and then every four weeks. And by the time I

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<v S3>was in my mid to late 40s, it was starting

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<v S3>to look like I'd have to dye my hair every

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<v S3>two weeks to get rid of completely silver roots. And

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<v S3>I was on a vacation down at Hyams Beach, which

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<v S3>is a location in the inspiration for my new book

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<v S3>and chatting with my family. And I was so irritated

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<v S3>by the wind whipping around that I scraped all my

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<v S3>hair back into a ponytail. And my teenage son. You

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<v S3>have a son. So you know what.

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<v S2>This.

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<v S3>Is like. He ran up to me and he said,

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<v S3>wait a second. Is is that your real hair color?

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<v S3>I actually think it's kind of pretty. It's silver. And

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<v S3>in that moment, I just thought, I am so tired

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<v S3>of the time and the futile exercise of fighting this.

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<v S3>What would it look like if I just sought authenticity

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<v S3>from the outside in and let my gray roots uncover themselves? Like,

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<v S3>how bad could it look? You know, I was. I

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<v S3>was feeling very. I'd say I'm live in Sydney. I

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<v S3>was feeling very mosman blonde in the sense that, you know,

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<v S3>I had the blonde bob and I was a school

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<v S3>mom and I was an older school mom. I had

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<v S3>my second child when I was 37, and I felt

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<v S3>like I didn't want to age myself, you know, and,

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<v S3>and I think really, bec the truth is, I do

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<v S3>look older than my peers who don't color their hair.

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<v S3>It's absolutely true. I know everybody wants the good news story.

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<v S3>Like I ditched the dye and I look so young.

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<v S3>I don't think I do look young, but there's also

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<v S3>something that looks good about your natural hair color coming

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<v S3>through because it is natural, you know. And so it

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<v S3>matches with your skin tone. The whole thing was very

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<v S3>freeing for me, but I did it slowly with badger roots.

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<v S2>I want to hear about that because I, you know,

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<v S2>I think that the process and the, you know, I

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<v S2>don't have much gray actually blessed right now. I'm actually

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<v S2>going browner because I've I've bleached my hair all my life,

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<v S2>and I've just hit that point where I think it

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<v S2>looks a little bit weird and a little bit kind

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<v S2>of canned, and I've sort of gone, actually, it's in

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<v S2>fashion right now to go a bit browner. So I'm

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<v S2>gonna lean into the fashion and maybe this normal route,

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<v S2>they call it a route, drag their dyeing into my hair.

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<v S2>but it's actually my natural color coming.

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<v S3>The the question back is what if it's beautiful? Yeah,

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<v S3>it's scary.

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<v S2>To go darker.

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<v S3>Yeah, but what if your natural color is actually beautiful

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<v S3>and you've just been hoodwinked all this time by the

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<v S3>massive marketing machine that says women need to spend thousands

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<v S3>of dollars a year and hours in the salon chair

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<v S3>just trying to keep on top of something that's going

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<v S3>to happen anyway. So my decision was really like, right,

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<v S3>I'm 49, I'm just going to get my aging over with.

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<v S3>I'm just going to get it over with. And then

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<v S3>I will roll on into those years as myself, and

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<v S3>no one's going to be startled by me, you know,

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<v S3>being 70 and black haired one day and then, you know,

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<v S3>the next day deciding to go gray. So so that's

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<v S3>what I did. And honestly, I would recommend doing it

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<v S3>a bit younger. For the benefit of doing it younger,

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<v S3>is that your face is still quite young when you're

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<v S3>in your 40s, you know. Instead of doing the transition

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<v S3>at 70 or 80, when you are your age everywhere,

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<v S3>and then you slowly reveal your hair. But look, it's 100%

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<v S3>a woman's choice. Not like I'm trying to tell anybody

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<v S3>what to do.

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<v S2>People want to know what it feels like and what

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<v S2>the process feels like, because so many of us dye

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<v S2>our hair. I mean, I started dying at 14, right?

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<v S2>And yeah, and I don't think there has been a

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<v S2>period of my life where I haven't had hair dye

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<v S2>in my hair.

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<v S3>Um, no.

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<v S2>I wouldn't know my natural color, to be honest. It's

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<v S2>it's an illusion.

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<v S3>And when you let your roots grow out just a

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<v S3>bit like, here's my advice, right? Give yourself 3 or

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<v S3>4 weeks and then just pull all your hair back

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<v S3>and and look at yourself in the mirror and see

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<v S3>what it looks like. You might actually be really surprised

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<v S3>at how pretty the brown is instead of all of

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<v S3>the The other lovely thing about ditching the die is

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<v S3>that your hair feels so good. It feels like it

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<v S3>felt when you were a little girl. Do you remember

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<v S3>all those silky braids and plats and ponytails and just

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<v S3>the silky?

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<v S2>Remember my.

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<v S3>Daughters.

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<v S2>Before they started bleaching? Yeah. And, you know, even they've

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<v S2>joined the the the festival at 14, 15, you know, they,

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<v S2>they can't resist doing what everybody does. And it is

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<v S2>this interesting thing where breeding into our families and, and

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<v S2>but it's interesting because going silver in our 50s, even

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<v S2>our 40s is becoming a bit more cool.

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<v S3>It is. And it's surprising for me. So you're a

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<v S3>woman with crowning glory hair? I don't know, some people

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<v S3>are listening to this. Some people are watching it. I'm

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<v S3>a woman with okay hair. Hair has never been my

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<v S3>crowning glory. But when I went gray or silver, my

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<v S3>natural color came out. It was shocking to me how

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<v S3>many people now routinely stop me to tell me they

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<v S3>love my hair.

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<v S2>I do love your hair. It's beautiful. Right?

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<v S3>Thank you. It's actually pretty average. But if you saw

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<v S3>me with a dyed blonde bob, you'd probably think it's

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<v S3>not the greatest hair. But, um. I think the natural

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<v S3>color actually looks quite pretty, right? It suits my skin

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<v S3>tone and. And also, I have this feeling in in midlife.

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<v S3>This is really important to me as a midlife woman

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<v S3>to start to center our concerns. I wrote a bit

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<v S3>in the Sydney Morning article about invisibility and how surprised

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<v S3>I was by women's collective fear when I told them, Nana,

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<v S3>I'm actually letting my hair go grey. They were afraid

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<v S3>for me. And the reason they were afraid for me

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<v S3>is that they thought I would age myself, which I have.

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<v S3>And then they thought that aging myself would damage me somehow.

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<v S3>And that's when you really think about the fact that

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<v S3>that pressure is put on women. Like what? When we're

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<v S3>in the middle of our lives, we're actually more intelligent,

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<v S3>we are more aware. We're more responsible. We we have bigger, juicier,

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<v S3>more interesting lives. And yet the the narrative in society

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<v S3>is that we're somehow damaging ourselves by being older, that

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<v S3>that self-directed.

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<v S2>Ageism, right? That that is that is you saying to yourself,

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<v S2>I'm afraid of getting older because I'm afraid of the

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<v S2>judgment people are going to cast on me and or

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<v S2>I'm afraid of how I'm going to be when I'm older.

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<v S2>And you judging yourself that you'll be an inferior person

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<v S2>as you get older, and therefore you can't do all

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<v S2>the things that you used to be able to do,

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<v S2>and I think the world is changing.

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<v S3>It is you do different things now. So when I

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<v S3>look at life expectancy, you know, if you think about

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<v S3>drawing a line and you put 50 right in the middle,

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<v S3>that's in the middle, because we're living my mother's 93

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<v S3>and going strong, you know, so it's likely that I'll

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<v S3>live into my 100. So I'm just in the middle

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<v S3>of my life. And this is why whether it's, you know,

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<v S3>you want to write your book or you want to

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<v S3>start your own podcast, or you want to build a

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<v S3>business like the character in my new novel. Does you

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<v S3>really think that at 50 you're in the middle? You

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<v S3>know you are. You are fully primed. You have all

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<v S3>of this knowledge and awareness and ability to do something

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<v S3>with your life. Why not do it? You know, and

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<v S3>and it's so important for women to be centered in

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<v S3>the middle of their lives, not just seen to be finished,

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<v S3>because we no longer have youthful power.

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<v S2>It's interesting you say that because I don't even see

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<v S2>women seeing this as the middle of their lives. We

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<v S2>have been preconditioned to think that we're going to die

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<v S2>at 70, and that we have to have finished all

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<v S2>the good bits by now. But but we haven't. Have we?

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<v S3>Um, not at all. Not anymore. When you look at

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<v S3>health and longevity and all of the science behind this,

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<v S3>I've seen your podcast. You do amazing things, you speak

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<v S3>to amazing people. There's a lot of, um, longevity hints

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<v S3>and tips now. And we just are living longer like people.

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<v S3>We need to keep our teeth and our hips and

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<v S3>our everything else for longer. Now we need.

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<v S2>And the doctors just out from December that that says that.

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<v S2>I think a 50 year old today has a 1

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<v S2>in 4 chance of making it to 97. I might

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<v S2>have this slightly off, but 97 for a man, 98

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<v S2>for a woman. Uh, or maybe not. Yeah, but but

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<v S2>and then couples longer. I mean, it's phenomenal. The numbers.

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<v S2>I might have those a little bit off, but the,

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<v S2>the data on what our chances are at a 1

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<v S2>in 4 basis, if we're wealthier than average or healthier

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<v S2>than average, will outlive these medians. And and that's boggling

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<v S2>for me.

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<v S3>It was partially why I chose to write about a

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<v S3>midlife character, um, in the Bittersweet Bakery Cafe, because I

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<v S3>was really tired of reading about 30 year olds. I've

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<v S3>been 30, you've been 30. I've got the guy. I've

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<v S3>had the babies. I don't want to keep reading about

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<v S3>that for the rest of my life, you know? And

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<v S3>that's why, for women's creativity in the middle of their lives,

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<v S3>like you write about retirement and you, you write about

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<v S3>important things that impact us now. If all we could

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<v S3>ever focus on was our experience in our 20s and 30s,

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<v S3>you know, we we knew so little compared to what

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<v S3>we know now and we're so much more interesting. I mean,

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<v S3>we are in this generation. We are the glue. We

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<v S3>are sandwiched between teenagers. Often aging parents were still working

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<v S3>and were in the highest pressure point of our careers

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<v S3>because we're actually advanced in our careers. So we are

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<v S3>just a pressure cooker and then you add menopause into

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<v S3>that mix.

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<v S2>It's a beautiful celebration of life, isn't it?

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<v S3>One more thing. And still and still, Beck. This is

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<v S3>what women do, right? We're in the middle of our lives.

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<v S3>We have a backpack full of rocks that we're carrying.

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<v S3>We see another woman, we sling that backpack over our shoulder,

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<v S3>and we look at her and we say, how can

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<v S3>I help you? Like, what can I do for you?

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<v S3>What do you need, my friend? And that's why we're

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<v S3>the glue for everything. Because we just. We know how

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<v S3>to operate. We. We make this world go round. You know,

0:11:57.559 --> 0:12:00.920
<v S3>we're not all. Thank goodness. And peace be to the

0:12:00.920 --> 0:12:02.920
<v S3>women who are 20 and 30. Look, I was a

0:12:02.920 --> 0:12:10.800
<v S3>very careless and frivolous young woman. Like we all can be, right?

0:12:10.840 --> 0:12:15.680
<v S3>And yet now I think I'm holding a lot together.

0:12:16.040 --> 0:12:18.680
<v S3>And it's the iceberg. We sit here, I look into

0:12:18.679 --> 0:12:21.880
<v S3>your eyes, you look into mine. And we see this

0:12:21.880 --> 0:12:24.520
<v S3>tiny little tip. You see my beautiful painting behind me

0:12:24.520 --> 0:12:27.520
<v S3>in my home in Sydney. But you don't know the

0:12:27.720 --> 0:12:31.040
<v S3>seven eights that are under. That's under the water lurking

0:12:31.040 --> 0:12:33.960
<v S3>that I'm carrying. And I don't know what you're carrying,

0:12:34.000 --> 0:12:36.520
<v S3>and we don't know what the readers or listeners are carrying,

0:12:36.960 --> 0:12:40.230
<v S3>but we do know that we're here to provide some

0:12:40.230 --> 0:12:43.550
<v S3>encouragement for each other. And midlife women know how to

0:12:43.550 --> 0:12:44.390
<v S3>do that.

0:12:44.429 --> 0:12:46.949
<v S2>It's beautiful the way you're thinking about it, and you've

0:12:46.990 --> 0:12:48.630
<v S2>taken that on a bit of a journey. It hasn't

0:12:48.630 --> 0:12:50.990
<v S2>just been your hair, has it? It's been it's been

0:12:50.990 --> 0:12:53.750
<v S2>a midlife journey for you of discovering some of your passions.

0:12:53.790 --> 0:12:54.630
<v S2>Tell us about it.

0:12:55.309 --> 0:12:59.030
<v S3>Yeah. So basically, I always wanted to write books, but

0:12:59.030 --> 0:13:02.070
<v S3>I wasn't sure I was capable. And so I just

0:13:02.070 --> 0:13:04.949
<v S3>told myself stories inside my own head, and I didn't

0:13:04.950 --> 0:13:08.190
<v S3>even realize I was doing it. I was a copywriter

0:13:08.190 --> 0:13:11.150
<v S3>at work. So I told you earlier, Bonnie Garmus lessons

0:13:11.150 --> 0:13:14.550
<v S3>in chemistry. She's also a copywriter. So I'm really good

0:13:14.550 --> 0:13:17.469
<v S3>at writing and getting to the point in my full

0:13:17.510 --> 0:13:21.150
<v S3>time work. And I just decided one day and it

0:13:21.150 --> 0:13:26.709
<v S3>really coincided with going gray. I just thought, if not now, when?

0:13:26.910 --> 0:13:29.069
<v S3>There is not a person in the world who's going

0:13:29.110 --> 0:13:31.910
<v S3>to come and knock on my door and say, Katherine,

0:13:31.910 --> 0:13:34.030
<v S3>you deserve a book deal. How about I hold your

0:13:34.030 --> 0:13:35.950
<v S3>hand while you sit down and write one, and we'll

0:13:35.950 --> 0:13:39.189
<v S3>see how this goes. And it looks like with Bittersweet

0:13:39.190 --> 0:13:41.350
<v S3>Bakery Cafe and with everything else, it looks like all

0:13:41.390 --> 0:13:44.270
<v S3>roses and success. But you know, it's here. Yeah, I've

0:13:44.270 --> 0:13:47.790
<v S3>got one too. It's been a huge journey to get here.

0:13:47.790 --> 0:13:52.070
<v S3>And there's, you know, pitfalls and learning. And it's not linear.

0:13:52.110 --> 0:13:55.350
<v S3>It's hard to find your readers one by one, the

0:13:55.350 --> 0:13:58.910
<v S3>women who resonate with you and your message. Um, but

0:13:58.950 --> 0:14:03.310
<v S3>having said that, I'd just say to everybody, start it.

0:14:03.350 --> 0:14:06.150
<v S3>Whatever that dream is in your heart, you know, no

0:14:06.150 --> 0:14:08.390
<v S3>one is going to come and open the door for you.

0:14:08.390 --> 0:14:12.070
<v S3>You have to kick that door down yourself. Sometimes, you know,

0:14:12.110 --> 0:14:16.189
<v S3>you have to push it open by whatever means and

0:14:16.470 --> 0:14:17.750
<v S3>just start working.

0:14:18.030 --> 0:14:20.070
<v S2>So talk to me about that, because I think people

0:14:20.070 --> 0:14:24.390
<v S2>need to see perspective on how you've pushed the door.

0:14:24.430 --> 0:14:27.310
<v S2>Open yourself. You know, often we think, oh, we've got

0:14:27.350 --> 0:14:30.110
<v S2>to leave something to open another door. But you haven't

0:14:30.110 --> 0:14:32.750
<v S2>done that, have you? You've you've been on your own

0:14:32.750 --> 0:14:36.820
<v S2>journey balancing or juggling, maybe. And I'd love to hear

0:14:36.820 --> 0:14:38.580
<v S2>that story, because I think it makes it a bit

0:14:38.580 --> 0:14:41.380
<v S2>more real. If we recognize that we have to be

0:14:41.660 --> 0:14:43.540
<v S2>keeping a few balls in the air as we pursue

0:14:43.580 --> 0:14:44.140
<v S2>our dream.

0:14:44.740 --> 0:14:48.020
<v S3>We do. And I think part of it is everybody says, oh,

0:14:48.060 --> 0:14:51.140
<v S3>you know, it's being organized and focused. And miracle mornings,

0:14:51.140 --> 0:14:52.900
<v S3>I think there's a bunch of different ways you can

0:14:52.900 --> 0:14:55.020
<v S3>do it. If you want to start a new project,

0:14:55.700 --> 0:14:58.700
<v S3>you can try the boot camp approach, which is I'm

0:14:58.740 --> 0:15:01.940
<v S3>going to take the first weekend of this month, and

0:15:01.940 --> 0:15:05.140
<v S3>for Saturday and Sunday, I am going to really focus

0:15:05.140 --> 0:15:08.420
<v S3>on this project, whether it's starting my business or starting

0:15:08.420 --> 0:15:10.540
<v S3>a book or whatever it is. I'm going to take

0:15:10.540 --> 0:15:13.100
<v S3>two days. I'm going to go hardcore. I was going

0:15:13.140 --> 0:15:15.140
<v S3>to say pizza and beer, you know, and late nights,

0:15:15.140 --> 0:15:17.060
<v S3>but whatever.

0:15:17.060 --> 0:15:19.780
<v S2>Not that generation. We don't need to do it like that. No.

0:15:19.980 --> 0:15:20.980
<v S5>Whatever floats your boat.

0:15:20.980 --> 0:15:23.180
<v S3>But maybe you want a boot camp it. And if

0:15:23.180 --> 0:15:25.060
<v S3>you're going to write a book, for example, it can

0:15:25.060 --> 0:15:27.540
<v S3>be as simple as I love to show people this

0:15:27.540 --> 0:15:29.420
<v S3>because I forget it all the time. Oh, do I

0:15:29.460 --> 0:15:31.100
<v S3>not have them in my desk drawer? I'm looking for

0:15:31.100 --> 0:15:31.860
<v S3>sticky notes.

0:15:31.900 --> 0:15:32.340
<v S5>Oh yeah.

0:15:32.410 --> 0:15:34.770
<v S2>So in my pile of sticky notes here.

0:15:35.850 --> 0:15:38.770
<v S5>I love it. Okay, girlfriend, if you want to write

0:15:38.770 --> 0:15:39.610
<v S5>a book, really.

0:15:39.610 --> 0:15:42.210
<v S3>The thing that you need for the book is the title. Now,

0:15:42.210 --> 0:15:45.010
<v S3>often a publisher will change that title, but a good

0:15:45.010 --> 0:15:48.770
<v S3>title really encapsulates the heartbeat of your book. And you

0:15:48.770 --> 0:15:50.850
<v S3>can write that on a sticky note and stick it

0:15:50.850 --> 0:15:53.410
<v S3>on your desk or on your fridge, and you can

0:15:53.410 --> 0:15:56.930
<v S3>write a sticky note chapter heading for every chapter you

0:15:56.930 --> 0:15:58.770
<v S3>think you might want to write, and the benefit of

0:15:58.770 --> 0:16:01.370
<v S3>organizing your ideas and organizing your thoughts. This way, whether

0:16:01.370 --> 0:16:03.690
<v S3>it's a book or a project or a business, is

0:16:03.690 --> 0:16:07.490
<v S3>you can get up above it somehow and then visually

0:16:07.530 --> 0:16:09.650
<v S3>see what you've got in front of you and start

0:16:09.650 --> 0:16:12.370
<v S3>to move things around a little bit. And you're not

0:16:12.410 --> 0:16:16.250
<v S3>wasting all this time doing fancy stuff in Canva or

0:16:16.250 --> 0:16:18.690
<v S3>business plans, or trying to figure it out. You know,

0:16:18.730 --> 0:16:22.130
<v S3>you just got to get a move on execution.

0:16:22.170 --> 0:16:24.530
<v S2>I teach it to female founders all the time who

0:16:24.530 --> 0:16:28.770
<v S2>are in university learning how to grow startups, and it's

0:16:28.770 --> 0:16:31.450
<v S2>something I do to give back now. And the the

0:16:31.490 --> 0:16:34.450
<v S2>process of helping women founders get from A to B

0:16:34.450 --> 0:16:38.330
<v S2>when they're juggling kids at home and obligations and running

0:16:38.330 --> 0:16:40.450
<v S2>the house and doing all that while they're trying to

0:16:40.450 --> 0:16:43.570
<v S2>live their dream at any age is teaching them how

0:16:43.570 --> 0:16:45.610
<v S2>to get to the first execution. Because in fact, if

0:16:45.610 --> 0:16:48.610
<v S2>you never talk to a customer, you never understand whether

0:16:48.610 --> 0:16:52.130
<v S2>the market needs what you've outlined because you've never outlined it.

0:16:52.610 --> 0:16:55.250
<v S2>You can't then adapt it, right?

0:16:55.530 --> 0:16:56.090
<v S5>Yeah.

0:16:56.250 --> 0:16:58.690
<v S3>So for me, it was a double whammy really thinking

0:16:58.690 --> 0:17:00.850
<v S3>about I want to I want to write books. Let's

0:17:00.850 --> 0:17:02.410
<v S3>just see how I go. So I did all the

0:17:02.410 --> 0:17:06.050
<v S3>usual channels. There's so much help online. But also what

0:17:06.050 --> 0:17:08.649
<v S3>I really wanted to do more than that was center

0:17:08.650 --> 0:17:12.330
<v S3>the midlife experience. So in the Bittersweet Bakery Cafe, what

0:17:12.330 --> 0:17:15.450
<v S3>I really focused on was the story of a woman

0:17:15.450 --> 0:17:17.729
<v S3>in the middle of her life, and what would happen

0:17:17.770 --> 0:17:21.370
<v S3>if everything was taken away from her, everything that she

0:17:21.369 --> 0:17:24.969
<v S3>relied on, what would she build with what's in her

0:17:24.970 --> 0:17:29.600
<v S3>own two hands? And I love that idea. You know,

0:17:29.640 --> 0:17:33.040
<v S3>if you wiped out your home, your podcast, your publishing career,

0:17:33.040 --> 0:17:37.040
<v S3>everything you've built back, why would you do to start over?

0:17:37.200 --> 0:17:39.440
<v S3>And then I threw her in because I'm a Canadian

0:17:39.440 --> 0:17:42.359
<v S3>and I truly have. I'm also an Australian now, and

0:17:42.359 --> 0:17:45.679
<v S3>I have a love of this country that is so deep.

0:17:46.000 --> 0:17:49.040
<v S3>I put her in a little Australian village with all

0:17:49.080 --> 0:17:55.080
<v S3>of these crazy Australian characters who I loved, diverse and interesting,

0:17:55.080 --> 0:17:58.639
<v S3>and just let that book go in the Bittersweet Bakery

0:17:58.680 --> 0:18:02.280
<v S3>Cafe to sort of see what would happen. Um, and,

0:18:02.280 --> 0:18:04.480
<v S3>and I love the story. I don't think we all

0:18:04.480 --> 0:18:06.760
<v S3>need to be writing about 20 and 30 year olds.

0:18:06.760 --> 0:18:09.600
<v S3>I think there is a place for midlife women to

0:18:09.640 --> 0:18:13.320
<v S3>read about themselves, read books about themselves, where we're not

0:18:13.359 --> 0:18:17.600
<v S3>the crazy secondary character with purple hair and pink glasses,

0:18:17.600 --> 0:18:20.680
<v S3>because I'm not like that. And and I'm never going

0:18:20.720 --> 0:18:23.840
<v S3>to be like that. I'm just myself. But more in

0:18:23.840 --> 0:18:28.910
<v S3>midlife and we're not some cartoon or caricature of ourselves either.

0:18:29.630 --> 0:18:33.390
<v S2>I think that's actually a really interesting conversation, because I

0:18:33.390 --> 0:18:35.110
<v S2>know a lot of women who've taken on a more

0:18:35.109 --> 0:18:38.350
<v S2>eccentric look as they've got older, maybe, and particularly in

0:18:38.350 --> 0:18:40.630
<v S2>the media industry, you see a lot of it. And

0:18:40.790 --> 0:18:44.550
<v S2>I guess I don't have the whole big jewels, big glasses,

0:18:45.030 --> 0:18:46.830
<v S2>you know, I try to do bright colors.

0:18:46.830 --> 0:18:47.709
<v S5>But aesthetic.

0:18:47.750 --> 0:18:50.630
<v S2>It's a, it's a it doesn't work on me as

0:18:50.630 --> 0:18:52.229
<v S2>much as I look at it and go, wow, you

0:18:52.230 --> 0:18:53.910
<v S2>can pull that off. Um.

0:18:54.190 --> 0:18:54.590
<v S5>Yeah.

0:18:54.710 --> 0:18:57.710
<v S2>But I, I wonder if it's somewhere less invisible. Do

0:18:57.710 --> 0:19:01.150
<v S2>you feel that that's those people are, are trying to

0:19:01.950 --> 0:19:04.550
<v S2>to to find something that they are have lost.

0:19:05.310 --> 0:19:08.550
<v S3>Maybe claim some space in the world. But I would

0:19:08.550 --> 0:19:13.710
<v S3>say that our authenticity should really shine through and that

0:19:13.710 --> 0:19:17.350
<v S3>we shouldn't have to. We can, but we shouldn't have

0:19:17.350 --> 0:19:20.110
<v S3>to jump up and down and shout, right? We should

0:19:20.109 --> 0:19:23.870
<v S3>just be in a society where there is space for

0:19:23.869 --> 0:19:28.750
<v S3>us and where we are seeing because of what we contribute,

0:19:28.790 --> 0:19:32.630
<v S3>not necessarily because we look like, you know, Nicole Kidman

0:19:32.630 --> 0:19:35.310
<v S3>and I are the same age. And when I look

0:19:35.310 --> 0:19:38.750
<v S3>at Nicole, she probably looks like my the girlfriends of

0:19:38.750 --> 0:19:41.669
<v S3>my sons, my young adult sons. You know, she's beautiful

0:19:41.670 --> 0:19:44.429
<v S3>and she's lovely. She makes a living from her body

0:19:44.430 --> 0:19:47.510
<v S3>and her face and her acting. And I don't I

0:19:47.510 --> 0:19:50.430
<v S3>make a living from my my head, my words.

0:19:50.430 --> 0:19:51.150
<v S2>Yeah, I'm the same.

0:19:51.150 --> 0:19:52.430
<v S3>My hands and my words.

0:19:52.470 --> 0:19:55.470
<v S2>Yeah, yeah it is. It's from how we can and

0:19:55.470 --> 0:19:58.910
<v S2>help people and and help them enjoy their time too.

0:19:59.470 --> 0:20:02.870
<v S3>Yeah, absolutely. So I would say to anybody wondering, do

0:20:02.869 --> 0:20:06.190
<v S3>I have to are my only two options complete invisibility

0:20:06.190 --> 0:20:10.590
<v S3>or becoming really out there with my sense of style?

0:20:10.869 --> 0:20:15.150
<v S3>I think no, I think can we age as ourselves

0:20:15.150 --> 0:20:17.790
<v S3>and just be more of ourselves? I use this image

0:20:17.790 --> 0:20:20.830
<v S3>in the opening of the Bittersweet Bakery Cafe, and it's

0:20:20.830 --> 0:20:23.870
<v S3>the image of a matryoshka doll. A Russian doll. And

0:20:24.020 --> 0:20:27.859
<v S3>I argue personally to everyone I know that we don't

0:20:27.859 --> 0:20:30.179
<v S3>peel layers back like an onion to get to the

0:20:30.180 --> 0:20:33.700
<v S3>center of ourselves. As we age, we actually add layers

0:20:33.700 --> 0:20:38.419
<v S3>on and become more of who we were. So you

0:20:38.420 --> 0:20:40.980
<v S3>know that that's what we want. We want to grow.

0:20:41.660 --> 0:20:44.260
<v S3>And it's okay to age. Yeah. It's okay to get.

0:20:44.260 --> 0:20:47.380
<v S2>A beautiful metaphor. And and for me, in the middle

0:20:47.380 --> 0:20:50.700
<v S2>of my life, I'm 49. You know, I look into

0:20:50.700 --> 0:20:54.980
<v S2>the future, and I think every thing that I've done

0:20:54.980 --> 0:20:58.460
<v S2>now and maybe two years ago, I stepped away from

0:20:59.100 --> 0:21:02.260
<v S2>almost everything that I did as a purpose in life and,

0:21:02.300 --> 0:21:05.660
<v S2>and did rebuild. So it's interesting to to contemplate the

0:21:05.660 --> 0:21:08.620
<v S2>journey of that. And to have the choice to be

0:21:08.619 --> 0:21:11.100
<v S2>authentic is an amazing thing. And I'm not sure a

0:21:11.100 --> 0:21:13.860
<v S2>lot of women feel like they have the choice to

0:21:13.900 --> 0:21:17.700
<v S2>be authentic. And, you know, I'm blessed that hopefully people

0:21:17.700 --> 0:21:22.290
<v S2>listen because I am so honest. Um, yeah. But but it.

0:21:22.490 --> 0:21:24.570
<v S2>And I can't help but be honest. That's just who

0:21:24.570 --> 0:21:27.370
<v S2>I am. But you know, when you're in a commercial

0:21:27.970 --> 0:21:31.609
<v S2>role or you're you're expected to be something, it's sometimes

0:21:31.609 --> 0:21:33.290
<v S2>very hard to be authentic, isn't it?

0:21:33.970 --> 0:21:36.290
<v S3>It can be. And I love the fact that we

0:21:36.290 --> 0:21:39.170
<v S3>act as stepping stones for each other. So you're reaching

0:21:39.170 --> 0:21:42.010
<v S3>back to a bunch of younger women in university and

0:21:42.010 --> 0:21:44.890
<v S3>whatever and helping them. And you're reaching forward to me,

0:21:44.890 --> 0:21:47.530
<v S3>and I'm ten years ahead of you so you can

0:21:47.530 --> 0:21:50.490
<v S3>look at me and think, ah, that's what Katherine's doing

0:21:50.490 --> 0:21:53.690
<v S3>in ten years. Maybe. Maybe that's what I'll be doing

0:21:53.690 --> 0:21:55.850
<v S3>in ten years time. You know, she's still working full

0:21:55.890 --> 0:21:58.129
<v S3>time for a major corporation and doing a lot of

0:21:58.130 --> 0:22:00.970
<v S3>great work in the world. She's still writing her books.

0:22:00.970 --> 0:22:05.450
<v S3>She's got her family that she's loving. And, um, yeah,

0:22:05.490 --> 0:22:09.210
<v S3>I run an age positive lifestyle site. Like, I have

0:22:09.210 --> 0:22:12.489
<v S3>a Sunday newsletter at our age, and I write to

0:22:12.530 --> 0:22:15.210
<v S3>people every week. I'm not selling anything. I'm not on

0:22:15.210 --> 0:22:17.649
<v S3>Substack or any of that, but I just love to

0:22:17.690 --> 0:22:19.610
<v S3>put some good out into the world, you know, and

0:22:19.609 --> 0:22:23.650
<v S3>encourage all of us women who are acting as glue

0:22:24.130 --> 0:22:27.609
<v S3>to say, hey, you can make it through and keep going.

0:22:28.050 --> 0:22:29.930
<v S3>You know, that's really my message.

0:22:45.890 --> 0:22:49.970
<v S2>With me is Katherine Greer, author and age positive advocate.

0:22:49.970 --> 0:22:53.810
<v S2>She's just released her first novel, The Bittersweet Bakery Cafe.

0:22:56.010 --> 0:22:58.010
<v S2>So we talked about the hair. We talked about the book.

0:22:58.730 --> 0:23:01.010
<v S2>What else has been in your journey of this sort

0:23:01.010 --> 0:23:04.850
<v S2>of midlife transition? It sounds like you've been on quite

0:23:04.850 --> 0:23:06.169
<v S2>a self-discovery journey.

0:23:06.730 --> 0:23:10.010
<v S3>Yeah, absolutely. So really, I think what it was for

0:23:10.010 --> 0:23:13.410
<v S3>me is deciding what I wanted to do with the

0:23:13.410 --> 0:23:16.330
<v S3>time that I have left on the planet. You know,

0:23:16.369 --> 0:23:19.240
<v S3>what do I want to leave as a legacy? Part

0:23:19.240 --> 0:23:23.040
<v S3>of that for me is really family. I absolutely value

0:23:23.040 --> 0:23:26.600
<v S3>and love my family and this sounds so small. I

0:23:26.640 --> 0:23:30.159
<v S3>love Sunday dinner. We don't eat together for most of

0:23:30.160 --> 0:23:32.800
<v S3>the week. Everybody's got crazy schedules and whatever else. But

0:23:32.800 --> 0:23:37.240
<v S3>I do love, you know, just that warmth. And for me,

0:23:37.560 --> 0:23:40.880
<v S3>food and baking and family dinners and all of that.

0:23:40.880 --> 0:23:43.919
<v S3>That's love, right? In my world, it's not that way

0:23:43.920 --> 0:23:48.320
<v S3>for everybody. But I really like to explore how to

0:23:48.359 --> 0:23:52.360
<v S3>have hospitality for one another, how to open up our

0:23:52.359 --> 0:23:55.520
<v S3>doors and welcome people into our homes. You know? And

0:23:55.520 --> 0:23:59.960
<v S3>the fact is, nobody expects perfection. Nobody wants perfection.

0:23:59.960 --> 0:24:02.920
<v S2>In my next book, which. Yeah, which isn't out yet. Um,

0:24:02.920 --> 0:24:05.040
<v S2>I talk about creating new rhythms with your kids as

0:24:05.040 --> 0:24:07.760
<v S2>they get older and starting to, and mine are just

0:24:07.760 --> 0:24:11.240
<v S2>at the point I've got a 20, nearly 22, nearly 20,

0:24:11.800 --> 0:24:15.800
<v S2>nearly 17. Um, and you start to see the need

0:24:16.160 --> 0:24:18.750
<v S2>to have rhythms that bring them back, right? That they,

0:24:18.950 --> 0:24:22.910
<v S2>they can, um, kind of become rhythmic in because otherwise

0:24:22.910 --> 0:24:25.390
<v S2>they do just go off and, and float and come

0:24:25.390 --> 0:24:26.669
<v S2>back when they need something.

0:24:27.470 --> 0:24:27.870
<v S3>Yeah.

0:24:28.910 --> 0:24:30.870
<v S2>Sounds cheeky of me, but I'm a little selfish that

0:24:30.869 --> 0:24:34.230
<v S2>I love hanging out with them. So do you have

0:24:34.230 --> 0:24:35.030
<v S2>any rhythms?

0:24:35.590 --> 0:24:37.190
<v S6>Yeah, well, it would be the same.

0:24:37.190 --> 0:24:39.910
<v S3>So our our kids are essentially the same age, which

0:24:39.910 --> 0:24:43.109
<v S3>is really lovely. And you know what that's like. So

0:24:43.109 --> 0:24:47.909
<v S3>we always have been the open door house where everybody's welcome.

0:24:47.910 --> 0:24:50.950
<v S3>And I really do like to focus on Sunday dinner,

0:24:51.190 --> 0:24:53.190
<v S3>just because I feel like it's that one touch point

0:24:53.190 --> 0:24:55.909
<v S3>during the week where we can kick back and relax.

0:24:55.910 --> 0:24:59.270
<v S3>I always bake a delicious dessert. Um, one of the.

0:24:59.310 --> 0:25:01.230
<v S3>That's one of the things I did in the book.

0:25:01.230 --> 0:25:04.310
<v S3>I added my family recipes, so they're in there, 25

0:25:04.310 --> 0:25:06.910
<v S3>of them. So good. I'm a good baker. I was

0:25:06.910 --> 0:25:09.150
<v S3>a baker from the time I was a little girl

0:25:09.150 --> 0:25:12.230
<v S3>in Canada, growing up on the farm with five older

0:25:12.230 --> 0:25:14.270
<v S3>brothers and sisters. I learned to bake when I was

0:25:14.270 --> 0:25:18.590
<v S3>about eight years old. Um, and I just think those

0:25:18.590 --> 0:25:23.270
<v S3>rhythms of home and heart and whether you're with a

0:25:23.270 --> 0:25:25.750
<v S3>family or you've got friends in your lives or it's

0:25:25.750 --> 0:25:28.830
<v S3>found family. And again, when I wrote the book, I

0:25:28.830 --> 0:25:32.350
<v S3>realized a lot of midlife women don't have families anymore,

0:25:32.390 --> 0:25:36.669
<v S3>or something could have happened either with, you know, marital

0:25:36.670 --> 0:25:39.470
<v S3>issues or kids being away in other countries or.

0:25:39.470 --> 0:25:39.790
<v S6>Whatever.

0:25:39.910 --> 0:25:43.670
<v S2>Living in Canada right now, or she'll be home in May. But,

0:25:43.710 --> 0:25:46.270
<v S2>you know, I'm counting down. It's been it's been a

0:25:46.270 --> 0:25:47.310
<v S2>year without a rhythm.

0:25:47.910 --> 0:25:50.270
<v S3>It's hard. And we find family where we are.

0:25:50.310 --> 0:25:53.110
<v S2>I think we've found family. I think that's a concept

0:25:53.109 --> 0:25:55.950
<v S2>we might stretch out here. I think we we do

0:25:55.950 --> 0:25:58.230
<v S2>have to build the connections around us. If our family

0:25:58.230 --> 0:25:59.149
<v S2>is not local.

0:25:59.750 --> 0:26:02.629
<v S3>We do. And for us, it was always being immigrants

0:26:02.630 --> 0:26:06.150
<v S3>to Australia and so appreciating being welcomed here by this

0:26:06.150 --> 0:26:10.590
<v S3>beautiful country and honestly being a bit afraid about Canada. Now,

0:26:10.630 --> 0:26:14.139
<v S3>I'm saying that quite sincerely, it's not great there with

0:26:14.140 --> 0:26:18.020
<v S3>what's happening in the world. Um, I feel like we

0:26:18.060 --> 0:26:21.859
<v S3>have had to build this sort of wider, broader family

0:26:21.859 --> 0:26:24.780
<v S3>out of found family, and that's the best way to

0:26:24.780 --> 0:26:27.620
<v S3>do it. I think we need each other in general.

0:26:27.619 --> 0:26:28.900
<v S3>We all need each other.

0:26:28.940 --> 0:26:31.859
<v S2>I love that sentiment that that we can. And I

0:26:31.859 --> 0:26:33.580
<v S2>think it's something a lot of people write to me about.

0:26:33.619 --> 0:26:35.859
<v S2>They they read the book and it does talk a

0:26:35.859 --> 0:26:40.060
<v S2>lot about family. Both my books do, and the reality

0:26:40.060 --> 0:26:44.659
<v S2>for people who have fractured families and kids overseas and,

0:26:44.940 --> 0:26:47.220
<v S2>and that is that they do have to find family

0:26:47.220 --> 0:26:50.379
<v S2>around them. And I think that's beautiful. So what other

0:26:50.380 --> 0:26:52.620
<v S2>rhythms have you created in your life since you've been

0:26:52.619 --> 0:26:55.100
<v S2>through this adaptive stage?

0:26:55.660 --> 0:26:57.220
<v S6>I think I've recognized, like.

0:26:57.220 --> 0:27:00.780
<v S3>We all have, how important our health journey is, and

0:27:00.780 --> 0:27:02.780
<v S3>that that doesn't need to look like hours at the

0:27:02.780 --> 0:27:06.380
<v S3>gym or whatever, but it needs to be, um, practical

0:27:06.380 --> 0:27:08.580
<v S3>in terms of doable steps that we can all do

0:27:08.619 --> 0:27:11.420
<v S3>just to make sure that we're, you know, sleeping as

0:27:11.530 --> 0:27:13.770
<v S3>much as we can. That's such a big one for women,

0:27:13.770 --> 0:27:19.410
<v S3>isn't it? Um, just being able to sleep is so important,

0:27:19.410 --> 0:27:22.250
<v S3>and it's a tough thing to do. So that's been

0:27:22.250 --> 0:27:25.610
<v S3>great as well. And I live a creative life wherever

0:27:25.609 --> 0:27:29.130
<v S3>I can. I like to write a lot. I love

0:27:29.130 --> 0:27:32.490
<v S3>my girlfriends. I'm one of four sisters. So to me,

0:27:32.490 --> 0:27:35.450
<v S3>not having my sisters here means I really do rely

0:27:35.450 --> 0:27:37.530
<v S3>on girlfriends and spend a lot of time with them.

0:27:37.530 --> 0:27:39.570
<v S3>And then, of course, by the time you finish a

0:27:39.730 --> 0:27:42.330
<v S3>full time job and a bit of a writing career

0:27:42.369 --> 0:27:45.930
<v S3>and family and all of those things, it's very it's

0:27:45.930 --> 0:27:48.970
<v S3>full life and it's big days and yeah, so let's.

0:27:48.970 --> 0:27:50.850
<v S2>Take a full circle back to the grey hair, because

0:27:50.850 --> 0:27:53.010
<v S2>I know people will still be fascinated and they'll want

0:27:53.010 --> 0:27:56.050
<v S2>to hear the rest of the story because because I

0:27:56.050 --> 0:27:58.450
<v S2>think it it it's a beautiful article that you wrote,

0:27:58.450 --> 0:27:59.970
<v S2>and I will link it into the show notes for

0:27:59.970 --> 0:28:02.489
<v S2>people as well as your book. Um, talk to me

0:28:02.490 --> 0:28:03.610
<v S2>about how long it took.

0:28:04.490 --> 0:28:07.689
<v S3>Oh, my hair is so slow growing. So you guys are.

0:28:07.690 --> 0:28:10.810
<v S2>Probably know mine is very slow. It doesn't do anything

0:28:10.810 --> 0:28:14.129
<v S2>nice except get fuzzy and like straw. So you know

0:28:14.170 --> 0:28:15.490
<v S2>it's not. Yeah, well.

0:28:15.690 --> 0:28:18.050
<v S3>You know, that would change if you stopped coloring, so.

0:28:18.090 --> 0:28:20.650
<v S2>Yeah. That's why I'm going down. The journey is I

0:28:20.650 --> 0:28:23.410
<v S2>feel like the the menopausal hair loss at the front

0:28:23.410 --> 0:28:26.169
<v S2>is real. Yeah. From bleaching. So.

0:28:26.650 --> 0:28:29.210
<v S3>I know. It's so funny. So it took me. You

0:28:29.210 --> 0:28:31.130
<v S3>can see my hair length. It's like a chin length bob.

0:28:31.170 --> 0:28:34.170
<v S3>It took me 18 months to grow out my hair

0:28:34.170 --> 0:28:36.250
<v S3>and I decided to do it. Like I said laughingly

0:28:36.250 --> 0:28:38.850
<v S3>at the start of the show with Badger Roots. And

0:28:39.170 --> 0:28:42.650
<v S3>that is what I did. I wanted to allow my

0:28:42.650 --> 0:28:46.210
<v S3>authenticity to come out slowly. I wanted to get used

0:28:46.210 --> 0:28:50.170
<v S3>to myself as this unfolded. Now there's so many.

0:28:50.290 --> 0:28:52.610
<v S2>The brownie yellow at the bottom and the the white

0:28:52.610 --> 0:28:53.090
<v S2>at the top.

0:28:53.130 --> 0:28:54.410
<v S7>I did, yeah, I did.

0:28:54.450 --> 0:28:54.890
<v S2>I've seen.

0:28:54.890 --> 0:28:55.730
<v S7>It around.

0:28:56.170 --> 0:28:59.130
<v S3>I know, and I just kept going. I think till

0:28:59.170 --> 0:29:00.650
<v S3>you get to a certain point, if you kind of

0:29:00.690 --> 0:29:02.570
<v S3>like brush it back and tuck your hair behind your

0:29:02.570 --> 0:29:04.610
<v S3>ears and you do that sort of thing, you know,

0:29:04.650 --> 0:29:07.530
<v S3>you can't see. It's it's easier because then you start

0:29:07.530 --> 0:29:09.840
<v S3>to get a lot of silver at the front, and

0:29:09.840 --> 0:29:12.120
<v S3>whatever's going on back there, you don't see it quite

0:29:12.120 --> 0:29:16.080
<v S3>as much. But I did that. And then one quite

0:29:16.080 --> 0:29:20.000
<v S3>short haircut near the end. And then then I was finished.

0:29:20.000 --> 0:29:22.840
<v S3>So it took time, but I needed the time to

0:29:22.840 --> 0:29:26.040
<v S3>get used to myself looking this way. The compliments really

0:29:26.040 --> 0:29:29.400
<v S3>helped though, and you might find this too. You'll be surprised.

0:29:29.720 --> 0:29:33.880
<v S3>I think people can kind of intuit what looks natural.

0:29:33.880 --> 0:29:37.760
<v S3>Really looks beautiful, you know? It's like looking at a

0:29:38.480 --> 0:29:41.760
<v S3>a leaf on a rose from Ikea, from all of

0:29:41.800 --> 0:29:44.840
<v S3>the false flowers, versus looking at a leaf on a

0:29:44.840 --> 0:29:48.240
<v S3>rose outside in your garden. You know, the the garden rose.

0:29:48.240 --> 0:29:51.880
<v S3>There's something is just beautiful because it's natural. You really

0:29:51.880 --> 0:29:54.600
<v S3>do get an inherent beauty in that. And I'm not

0:29:54.600 --> 0:29:57.360
<v S3>saying that women with colored hair aren't beautiful. Of course

0:29:57.360 --> 0:30:00.520
<v S3>they are. And yes, they do definitely, definitely do look

0:30:00.560 --> 0:30:05.240
<v S3>younger than I do. But there's a beauty in the naturalness,

0:30:05.240 --> 0:30:07.030
<v S3>so I'd be keen to see what your brown hair

0:30:07.070 --> 0:30:07.630
<v S3>looks like.

0:30:07.830 --> 0:30:08.510
<v S7>Maybe after last.

0:30:08.510 --> 0:30:09.950
<v S3>Night. Maybe. It's beautiful.

0:30:09.990 --> 0:30:12.830
<v S2>You have to laugh. I texted my hairdresser with a

0:30:12.830 --> 0:30:16.430
<v S2>couple of pictures because I've been getting the same bleached

0:30:16.430 --> 0:30:19.590
<v S2>foils for. I don't know how long. Um, and I

0:30:19.590 --> 0:30:21.390
<v S2>texted her a photograph and I said, can you can

0:30:21.390 --> 0:30:24.430
<v S2>we do this next time? And she texted me back, nope.

0:30:24.430 --> 0:30:28.550
<v S2>I'm sorry. I can't do darker on you. If you

0:30:28.550 --> 0:30:29.950
<v S2>want to do that, you've got to go to another

0:30:29.950 --> 0:30:31.469
<v S2>salon and get it done and come back to me

0:30:31.470 --> 0:30:33.150
<v S2>when you want to be blonde again, because I saw

0:30:33.230 --> 0:30:36.510
<v S2>so many people come once. Get it brown. I desperately

0:30:36.510 --> 0:30:40.390
<v S2>unhappy with it and then don't want to be brown

0:30:40.950 --> 0:30:43.790
<v S2>after a couple of weeks who've been perpetually blonde all

0:30:43.830 --> 0:30:46.070
<v S2>their lives. And and so I did. I went off

0:30:46.070 --> 0:30:48.230
<v S2>to another hairdresser and she texted me a few weeks later.

0:30:48.430 --> 0:30:50.750
<v S2>Did you go to get Brown? I think she thought

0:30:50.750 --> 0:30:53.910
<v S2>she would scare me out of it. And, um, because

0:30:53.910 --> 0:30:56.150
<v S2>I've been going to her for 20 years. And I

0:30:56.150 --> 0:30:57.790
<v S2>texted her back a photograph and she said, oh, it's

0:30:57.790 --> 0:31:00.790
<v S2>not that brown. Um, but to me, this is my natural.

0:31:00.830 --> 0:31:03.870
<v S2>It's close. Closing in on my natural color. It's probably

0:31:03.870 --> 0:31:08.150
<v S2>not natural yet, but at least I can see line two.

0:31:08.190 --> 0:31:10.990
<v S2>It's not just being solid bleach and damage and and

0:31:10.990 --> 0:31:13.590
<v S2>that's that's sort of where I figure I'll go over

0:31:13.590 --> 0:31:16.070
<v S2>the journey, but I don't know. They keep telling me

0:31:16.070 --> 0:31:17.110
<v S2>there's not a lot of gray.

0:31:17.870 --> 0:31:20.870
<v S3>That's interesting too, because I felt like when my hair

0:31:20.910 --> 0:31:24.630
<v S3>was blonde, it felt when it was wet. Kind of

0:31:24.630 --> 0:31:27.590
<v S3>like soft candy floss.

0:31:27.630 --> 0:31:29.390
<v S7>Fairy floss. Is that what you call it here?

0:31:30.190 --> 0:31:34.630
<v S3>Yeah. Just really damaged. And now it doesn't. Now it

0:31:34.630 --> 0:31:36.630
<v S3>literally feels like it felt when I was eight.

0:31:36.870 --> 0:31:37.750
<v S7>It's just gray hair.

0:31:37.790 --> 0:31:40.350
<v S2>Silky or thick or coarse.

0:31:40.390 --> 0:31:40.990
<v S7>It's yours.

0:31:41.030 --> 0:31:44.750
<v S3>It's a it's a bit thicker, maybe, or. But I

0:31:44.750 --> 0:31:47.430
<v S3>wouldn't know. I definitely don't have coarse hair. I'm sure

0:31:47.430 --> 0:31:49.870
<v S3>some people do, but those are the women. You see

0:31:49.870 --> 0:31:53.070
<v S3>them with gray hair on Instagram. They look fabulous. Oh

0:31:53.110 --> 0:31:53.550
<v S3>my gosh.

0:31:53.590 --> 0:31:54.550
<v S7>They're they're.

0:31:54.590 --> 0:31:55.310
<v S3>Gorgeous.

0:31:55.310 --> 0:31:55.870
<v S7>They're just.

0:31:55.870 --> 0:31:56.790
<v S3>Gorgeous.

0:31:56.910 --> 0:31:58.990
<v S2>And you've done a bit of modeling with it as well.

0:31:59.390 --> 0:32:00.270
<v S7>Yeah. Yeah.

0:32:00.270 --> 0:32:02.780
<v S3>So that ended up happening really because I went gray

0:32:02.780 --> 0:32:06.700
<v S3>early and that was interesting. So when I was doing

0:32:06.700 --> 0:32:09.460
<v S3>that work in the world, I kind of fell into it.

0:32:09.460 --> 0:32:13.180
<v S3>And when I would show up for shoots, I was

0:32:13.580 --> 0:32:18.220
<v S3>the granny of a of a child, like a 7

0:32:18.220 --> 0:32:20.100
<v S3>or 8 year old child, which was fine, like in

0:32:20.100 --> 0:32:23.660
<v S3>real life I could have been. But the mother cast

0:32:23.660 --> 0:32:27.060
<v S3>of that child was invariably like 40 years old, but

0:32:27.060 --> 0:32:30.460
<v S3>looked about 30 because, you know, colored her hair or

0:32:30.460 --> 0:32:33.060
<v S3>whatever else. So I was arriving. I was would be

0:32:33.060 --> 0:32:35.620
<v S3>ten years older than these women. I would be cast

0:32:35.620 --> 0:32:38.700
<v S3>as their mother, the granny. And they were.

0:32:39.420 --> 0:32:39.660
<v S7>They.

0:32:39.660 --> 0:32:42.660
<v S3>Were like the young mom. Yeah. And I kept talking

0:32:42.660 --> 0:32:44.700
<v S3>to them, thinking it felt so well, it would be

0:32:44.700 --> 0:32:47.860
<v S3>like you and me exactly right, being on a shoot together.

0:32:47.860 --> 0:32:49.620
<v S3>And you'd be the mom of the seven year old,

0:32:49.620 --> 0:32:53.220
<v S3>and I'd be your mother nine years older than you are.

0:32:53.260 --> 0:32:58.180
<v S7>And yet we feel like peers. Absolutely. And it made.

0:32:58.180 --> 0:33:00.890
<v S3>Me think, you know, and the industry, that industry. And industry.

0:33:00.890 --> 0:33:03.410
<v S3>And that's another thing. When I wrote the Bittersweet Bakery Cafe,

0:33:03.450 --> 0:33:07.050
<v S3>it it opens with this scene of the main characters,

0:33:07.050 --> 0:33:10.290
<v S3>an advertising exec in Sydney. And I really used some

0:33:10.290 --> 0:33:13.250
<v S3>of my experiences there around classic models and whatever else.

0:33:13.450 --> 0:33:17.130
<v S3>I think it's super interesting to see the way that

0:33:17.130 --> 0:33:21.930
<v S3>society wants to ignore midlife women. But now there's this

0:33:21.930 --> 0:33:25.370
<v S3>whole resurgence of people like Andie MacDowell who say, I

0:33:25.410 --> 0:33:28.770
<v S3>don't want to be young. I've been young, I'm actually old,

0:33:29.210 --> 0:33:32.130
<v S3>and I like it. And we used to think in advertising, too.

0:33:32.170 --> 0:33:36.570
<v S3>It's so interesting. We think of featuring older women as

0:33:36.610 --> 0:33:40.370
<v S3>like Helen Mirren. Well, Helen Mirren is in her 80s

0:33:40.770 --> 0:33:45.130
<v S3>and Jennifer Lopez's My Age, and she looks 25 and

0:33:45.130 --> 0:33:48.890
<v S3>she pole dances at the Super Bowl. So where are

0:33:48.890 --> 0:33:52.610
<v S3>the women who are really like me? And that's that's

0:33:52.610 --> 0:33:55.010
<v S3>why I wrote about a midlife character in my book,

0:33:55.010 --> 0:33:59.570
<v S3>because I thought, where are we? Why are we having

0:33:59.610 --> 0:34:03.290
<v S3>to disappear? Or why are we having to be 30?

0:34:03.330 --> 0:34:06.810
<v S3>Look as if we're 30. Do things to our faces

0:34:06.810 --> 0:34:10.450
<v S3>and whatever to to appear to be 30 when we're not.

0:34:10.489 --> 0:34:11.290
<v S7>Well, it used to be the.

0:34:11.290 --> 0:34:14.330
<v S2>40 year old woman who had to then act young

0:34:14.370 --> 0:34:16.890
<v S2>to get a job, to get an opportunity to. But

0:34:16.890 --> 0:34:18.810
<v S2>but I think very much now we are seeing the

0:34:18.810 --> 0:34:22.049
<v S2>50 and 60 year old woman possibly even steal the

0:34:22.050 --> 0:34:26.170
<v S2>limelight from younger stars. And it's beautiful to see because

0:34:26.210 --> 0:34:29.290
<v S2>in in my early days in media, we used to hear, oh,

0:34:29.330 --> 0:34:32.130
<v S2>once you're 40, 45, you won't get a gig. And

0:34:32.170 --> 0:34:36.050
<v S2>and now you're seeing, um, older models on the runways,

0:34:36.090 --> 0:34:40.489
<v S2>older models featuring in the campaign ads for the major retailers. Um,

0:34:40.530 --> 0:34:43.569
<v S2>it is like the retailers have woken up and, and

0:34:43.570 --> 0:34:46.770
<v S2>recognized that their, their shopper is.

0:34:46.810 --> 0:34:47.170
<v S7>Because.

0:34:47.170 --> 0:34:49.810
<v S3>We have so much purchasing power. Like you'd know this

0:34:49.810 --> 0:34:52.290
<v S3>from all your work in the finance world, right? We

0:34:52.290 --> 0:34:55.850
<v S3>have we spend something midlife women spend something like $70

0:34:55.850 --> 0:35:00.720
<v S3>trillion a year on this planet. We're the shoppers. We're

0:35:00.760 --> 0:35:02.920
<v S3>the ones who have the money to spend, too, because

0:35:02.920 --> 0:35:06.120
<v S3>we're later in our lives. And so it's time that

0:35:06.120 --> 0:35:09.400
<v S3>retailers really woke up and saw that that was the case.

0:35:09.880 --> 0:35:14.360
<v S3>And that aspirational advertising doesn't have to mean that everybody

0:35:14.360 --> 0:35:19.040
<v S3>looks 30. You know what? What does aspirational 50 look like?

0:35:19.080 --> 0:35:25.240
<v S3>What does aspirational 60 or 70 look like? Looks vibrant. Loved. Healthy.

0:35:26.120 --> 0:35:27.400
<v S3>You know that's what it looks like.

0:35:27.440 --> 0:35:33.640
<v S2>Yeah, I love it I. You certainly are enthusiastically, uh,

0:35:33.960 --> 0:35:36.760
<v S2>in the right place for me. It fits for me

0:35:36.760 --> 0:35:39.760
<v S2>and for me. I think we've got to represent 50

0:35:39.840 --> 0:35:43.360
<v S2>and well, for me, 47 up has been the period

0:35:43.560 --> 0:35:46.520
<v S2>where I think we lose our way as a society.

0:35:46.560 --> 0:35:49.279
<v S2>We don't represent the needs of people in that age group.

0:35:49.280 --> 0:35:51.680
<v S2>We don't talk about the issues of people in that

0:35:51.680 --> 0:35:54.840
<v S2>age group all the way up into retirement. I find

0:35:54.840 --> 0:35:58.190
<v S2>the The invisibility of these issues. When we when I

0:35:58.190 --> 0:36:00.310
<v S2>do things for the newspaper, often I'll talk about issues

0:36:00.310 --> 0:36:04.710
<v S2>for the retired generation, and younger journalists aren't even registering

0:36:04.710 --> 0:36:07.069
<v S2>that these are issues, you know, and and so I

0:36:07.110 --> 0:36:10.109
<v S2>sort of find this gap in this space where lots

0:36:10.110 --> 0:36:13.589
<v S2>of smart people know the gaps there, but they aren't in.

0:36:13.590 --> 0:36:13.750
<v S7>The.

0:36:13.750 --> 0:36:16.910
<v S2>Field where they might fill the space. So, um, it's

0:36:16.910 --> 0:36:19.910
<v S2>it's possibly a cost structure problem in the media. People

0:36:19.910 --> 0:36:23.549
<v S2>leave the media because they don't pay much. Um, you know,

0:36:23.590 --> 0:36:26.150
<v S2>things like that become real. And so you've got to

0:36:26.150 --> 0:36:30.950
<v S2>be be able to sustain yourself if you are working

0:36:30.950 --> 0:36:32.710
<v S2>or you go the corporate side, I guess.

0:36:33.430 --> 0:36:34.310
<v S7>So why why.

0:36:34.350 --> 0:36:38.230
<v S3>Do you think that people aren't interested, since there are

0:36:38.350 --> 0:36:41.190
<v S3>so many of us and there's such a need for

0:36:41.190 --> 0:36:46.509
<v S3>education and exploration around these life stages? Like why is

0:36:46.510 --> 0:36:48.710
<v S3>it not there? Why is it not being provided?

0:36:49.070 --> 0:36:49.830
<v S7>Well, I.

0:36:49.830 --> 0:36:53.750
<v S2>Suspect it's just unsexy, right? There's there's other appealing areas.

0:36:53.910 --> 0:36:55.710
<v S2>And when you have a limited pool of activity that

0:36:55.710 --> 0:36:58.630
<v S2>you've got to do. I mean, the reality of the

0:36:58.630 --> 0:37:01.310
<v S2>advertising dollar in this segment is that it will always

0:37:01.310 --> 0:37:06.030
<v S2>push younger, um, simply. And advertising is a shrinking market.

0:37:06.030 --> 0:37:09.110
<v S2>So it's a tough model to be in media, but

0:37:09.469 --> 0:37:14.390
<v S2>to be able to understand this market and serve it

0:37:14.390 --> 0:37:16.509
<v S2>with products and services is a is a beautiful thing.

0:37:16.510 --> 0:37:20.149
<v S2>I've been working for older Australians for what, 15 years

0:37:20.150 --> 0:37:22.910
<v S2>in my career with my previous businesses starts at 60

0:37:22.950 --> 0:37:26.590
<v S2>and then stepping away from that one and and doing

0:37:26.590 --> 0:37:29.830
<v S2>epic from from nothing. And I feel like epic is

0:37:29.870 --> 0:37:32.590
<v S2>a a journey I'm on to understand all the problems.

0:37:32.590 --> 0:37:34.589
<v S2>And now we move into prime time and we talk

0:37:34.630 --> 0:37:37.790
<v S2>about 50 year olds and 47 to 65, the period

0:37:37.790 --> 0:37:41.390
<v S2>before we end up at the end of our employment.

0:37:41.390 --> 0:37:45.390
<v S2>Because I don't even think there's a specific line that

0:37:45.390 --> 0:37:48.910
<v S2>we're going to end up crossing into retirement anymore. It's

0:37:48.910 --> 0:37:51.150
<v S2>not a it's not a finish line anymore.

0:37:51.550 --> 0:37:52.980
<v S7>It's a very has been.

0:37:53.020 --> 0:37:53.420
<v S2>Right.

0:37:53.500 --> 0:37:53.859
<v S7>You know, we.

0:37:53.860 --> 0:37:56.100
<v S2>Want to keep being purposeful in the next phase of

0:37:56.100 --> 0:38:00.299
<v S2>our lives. And that might have us keep working by choice.

0:38:00.980 --> 0:38:02.819
<v S3>And why not? When you think about it, if you

0:38:02.820 --> 0:38:07.500
<v S3>think we need to finance ourselves into our 90s or beyond,

0:38:08.300 --> 0:38:11.700
<v S3>we need a lot of like ability to keep working.

0:38:11.700 --> 0:38:12.379
<v S3>We do. We need.

0:38:12.380 --> 0:38:13.140
<v S7>The capital.

0:38:13.380 --> 0:38:14.700
<v S2>Brain stimulated.

0:38:15.380 --> 0:38:16.420
<v S7>Yeah. For those who.

0:38:16.420 --> 0:38:17.340
<v S2>That's important too.

0:38:18.060 --> 0:38:20.020
<v S7>Yeah. And we're we're.

0:38:20.020 --> 0:38:23.100
<v S3>So valuable because we know so much. We just have

0:38:23.100 --> 0:38:25.900
<v S3>that depth of experience. And I think that, you know,

0:38:25.940 --> 0:38:29.660
<v S3>working longer lives is actually a very positive thing. I

0:38:29.660 --> 0:38:32.060
<v S3>agree with you. I think it's admirable what you're doing.

0:38:32.060 --> 0:38:35.620
<v S3>I also think it makes good business sense, because there

0:38:35.620 --> 0:38:37.500
<v S3>are a lot of us in the middle of our

0:38:37.500 --> 0:38:42.340
<v S3>lives right now looking for inspiration, looking for next steps,

0:38:42.340 --> 0:38:45.420
<v S3>how to and how to make the most of things now.

0:38:45.620 --> 0:38:48.660
<v S3>I love that about the work that you're doing. I'm

0:38:48.660 --> 0:38:52.770
<v S3>doing it in novels. You're doing it in. It's a blessing. Books? Yeah.

0:38:52.770 --> 0:38:55.170
<v S2>It's a blessing to combine passion with purpose, isn't it?

0:38:55.170 --> 0:38:57.930
<v S2>And and make a living being able to do it.

0:38:57.930 --> 0:39:00.770
<v S2>I think that, you know. And so so to wrap

0:39:00.770 --> 0:39:03.770
<v S2>up today, I'd love to put this beautiful book up

0:39:03.770 --> 0:39:05.930
<v S2>and have you tell us how it came about.

0:39:06.770 --> 0:39:11.290
<v S3>Oh, so really, the Bittersweet Bakery Cafe came about because

0:39:11.290 --> 0:39:14.210
<v S3>I was frustrated with all of the books out there

0:39:14.210 --> 0:39:15.569
<v S3>featuring 30 year olds, and I.

0:39:15.570 --> 0:39:16.050
<v S7>Thought.

0:39:16.210 --> 0:39:19.610
<v S3>Where are the books for women like us who actually,

0:39:19.930 --> 0:39:24.009
<v S3>you know, characterize us and center on us and are

0:39:24.010 --> 0:39:29.010
<v S3>about our juicy, huge and interesting lives and struggles and challenges?

0:39:29.450 --> 0:39:33.089
<v S3>So that's why I wrote the novel. So it's been

0:39:33.090 --> 0:39:35.450
<v S3>a great journey. I've really loved it. It is so

0:39:35.450 --> 0:39:39.290
<v S3>resonating with women, which is great, and I think it's

0:39:39.330 --> 0:39:45.290
<v S3>very suitable for that midlife audience who's thinking about reinvention,

0:39:45.290 --> 0:39:48.489
<v S3>maybe even feeling a bit flat and wondering what's next

0:39:48.810 --> 0:39:52.450
<v S3>To have some inspiration from a woman who just has

0:39:52.450 --> 0:39:56.290
<v S3>so much grit and determination and will not give up,

0:39:56.530 --> 0:39:57.610
<v S3>will not stop.

0:39:57.810 --> 0:40:01.250
<v S2>Oh, that's so inspiring. I only received my coffee today,

0:40:01.250 --> 0:40:03.890
<v S2>so I am going to be spending the weekend with it.

0:40:05.050 --> 0:40:07.650
<v S2>Kathryn Greer, thank you so much for joining me on

0:40:07.650 --> 0:40:08.130
<v S2>the show.

0:40:08.489 --> 0:40:10.050
<v S3>Thank you for having me back.

0:40:10.090 --> 0:40:10.810
<v S7>Thank you.

0:40:12.570 --> 0:40:15.250
<v S2>Thank you for listening to Prime Time. I would love

0:40:15.250 --> 0:40:18.090
<v S2>to get some more input from you, our listeners, about

0:40:18.090 --> 0:40:20.650
<v S2>what questions you have and what you want me to

0:40:20.690 --> 0:40:24.649
<v S2>explore on the Prime Time podcast. Please email me at

0:40:24.650 --> 0:40:29.489
<v S2>Beck at Prime Timers. Net. And as always, please rate review.

0:40:29.489 --> 0:40:31.609
<v S2>And of course, make sure you tap the follow or

0:40:31.610 --> 0:40:34.770
<v S2>subscribe button on the Prime Time podcast. You can also

0:40:34.770 --> 0:40:37.770
<v S2>sign up for our weekly newsletter at Prime Timers. Net.

0:40:38.050 --> 0:40:40.250
<v S2>My name is Beck Wilson. Stay tuned for our next

0:40:40.250 --> 0:40:43.650
<v S2>episode and in the meantime, make your prime time count.