WEBVTT - Remember When - Simon Owens and Andrew McLaren ep 023 - Sun 22 Jun, 2025 

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<v Speaker 1>Calmic books and rab bands, Time to the treetops, falling

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<v Speaker 1>down holding.

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<v Speaker 2>Hand, strisy Goos and Red.

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<v Speaker 3>Pomp, Holy Rhymes, Suny Night, Rowl, Escape and.

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<v Speaker 4>Yellos, Dairy Tales, Snow or fives.

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<v Speaker 1>Crime through the Window. Remember when you were.

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<v Speaker 5>The car steal.

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<v Speaker 6>And that spy?

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<v Speaker 7>Remember a thank you, Ernie Siglely. What a wonderful memory

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<v Speaker 7>to hear the voice of Ernie Siglely followed by this

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<v Speaker 7>voice of Andrew mc laren.

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<v Speaker 1>Hello Simon, former producer of course of The Only Sickly Show. Yeah,

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<v Speaker 1>you sort of stepped into another role completely a w

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<v Speaker 1>for what a year?

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<v Speaker 7>Two years? I produced her? Yes, two thousand and one.

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<v Speaker 7>In two thousand and two.

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<v Speaker 5>How I I'm good. I've had a really lovely week.

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<v Speaker 5>How about you?

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<v Speaker 1>Yeah? Same here you can't complain And yeah, I've got tomorrow.

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<v Speaker 1>Got a lot of Joeanne's relatives arriving. I'm sorry you

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<v Speaker 1>don't say that, because no, Joe may still. I know

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<v Speaker 1>it's going to be one. When did she find out

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<v Speaker 1>what you do for a listen like a scream? Lately

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<v Speaker 1>she started to list a teacher. I've told her a

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<v Speaker 1>couple of do not do it? No, keep away.

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<v Speaker 7>You can't have your partner listening.

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<v Speaker 1>No very worrying.

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<v Speaker 7>Anyway, my partner didn't listen.

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<v Speaker 1>We still ended up separating, but it may have hastened

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<v Speaker 1>the separation.

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<v Speaker 7>It would have yes, wouldn't have made thirty years if

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<v Speaker 7>she was listening to what I do. Hey the kids, Yeah,

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<v Speaker 7>they're all good. I'm still teaching driving. I took Ethan

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<v Speaker 7>for a driving lesson this morning from nine till ten thirty.

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<v Speaker 7>We went. We drove to Chadston and back and had

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<v Speaker 7>a bit of a wander around Chadston for twenty minutes

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<v Speaker 7>or so, and then I took Rachel for a driving lesson.

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<v Speaker 7>We drove to Shannon's house, my oldest daughter, so I

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<v Speaker 7>could see the grandkids because I haven't seen them for

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<v Speaker 7>a couple of weeks. We just haven't. It's just been

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<v Speaker 7>they've been busy, I've been busy. We never cross paths.

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<v Speaker 7>The kids are in daycare and staff. My daughter's working,

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<v Speaker 7>so we just don't get to There's not a lot

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<v Speaker 7>of time to catch up.

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<v Speaker 5>So we did that.

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<v Speaker 7>So I went over and played with the grandkids for

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<v Speaker 7>a couple of hours and then came home, did some

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<v Speaker 7>work and came into work sounds.

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<v Speaker 1>Good to me. We've got a lot of good things

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<v Speaker 1>again tonight. And remember when haven't we?

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<v Speaker 7>Yes, we have, And actually I just realized what I've

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<v Speaker 7>effectively given you just then?

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<v Speaker 3>Is this the weekend wrap? The Blind Factory's birthday sale

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<v Speaker 3>is on big savings Call one three blinds or head

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<v Speaker 3>to the Blind Factory dot com dot au before it ends.

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<v Speaker 1>That was the pre rap. Yes, yes, you just heard.

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<v Speaker 1>This is the rap. I've got nothing more though that,

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<v Speaker 1>I'm afraid not of the weeks are just rolling by

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<v Speaker 1>far too quickly without much happening in my life. I

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<v Speaker 1>got to do something. Yeah, I have friends. Who are

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<v Speaker 1>you need so active?

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<v Speaker 7>We need a hobby outside your rampant gambling problem.

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<v Speaker 1>Let's bring that up.

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<v Speaker 5>Please, have you played again?

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<v Speaker 1>No? No, no, I haven't.

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<v Speaker 5>But because it was a forty six dollars loss last.

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<v Speaker 1>The way you remember the exact amount? Was that right? Yes?

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<v Speaker 5>I don't know.

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<v Speaker 7>I can't remember people's names, and yet I remember that

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<v Speaker 7>your last gambling debt was forty six dollars.

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<v Speaker 1>Sometimes I find out a bit unsettling.

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<v Speaker 5>It's a cheap night out there, it's a good night.

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<v Speaker 1>We said this last time.

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<v Speaker 7>But sitting around smoking Cuban cigars and guzzling.

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<v Speaker 1>And there's so much smoking of cigarettes when I think

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<v Speaker 1>about it. Yeah, because I wonder any of us all alive.

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<v Speaker 7>I'm not really much of a card player. I think

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<v Speaker 7>i'd like playing cards, but I don't have anyone to

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<v Speaker 7>play with.

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<v Speaker 1>What you can how long? One night? I know you

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<v Speaker 1>better not.

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<v Speaker 5>I don't know. I don't think you want me there,

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<v Speaker 5>do you?

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<v Speaker 8>Well?

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<v Speaker 5>When worlds collide?

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<v Speaker 7>Hi, guys, this is simon the punts I work with.

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<v Speaker 1>No, not like that, there's no it's all like that.

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<v Speaker 1>But I have a feeling they lead you alive.

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<v Speaker 7>Well, you and your friends are all sort of educated

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<v Speaker 7>and use fancy.

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<v Speaker 1>Words and oh no, no, no, no, not at all.

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<v Speaker 5>They trade these are they?

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<v Speaker 7>Because I can swear like a warfie if I need

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<v Speaker 7>to go all butks, Yeah you're doing.

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<v Speaker 1>That is Yeah, got a fear of doozy mate, I

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<v Speaker 1>mean now, but it's just some of the games I

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<v Speaker 1>think would be too much for you. Okay, you see

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<v Speaker 1>brag that Bragg was played at the beginning of the

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<v Speaker 1>movie lock Stock and Smoking. You know that Guy Richie movie.

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<v Speaker 5>Well, I know of it, but I haven't seen the movie.

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<v Speaker 1>Great British gangster movies. So what's brag is that a

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<v Speaker 1>is a two card brag card game and you are

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<v Speaker 1>two cards face down each player, and.

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<v Speaker 7>I should be able to cope with that.

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<v Speaker 1>No, no, no, no, It gets very hairy chested from

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<v Speaker 1>then on in because the betting starts without looking at

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<v Speaker 1>your cards, and you try you save start off, I'll

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<v Speaker 1>go a dollar blind. The next place is our dollar blind.

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<v Speaker 1>The next p after that said, nana, let's try and

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<v Speaker 1>bump people out three dollars blind. The next player after

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<v Speaker 1>that says no, making eight dollars blind. Now the next

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<v Speaker 1>one round, let's ten. So no, none of you have

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<v Speaker 1>seen your cards. So then someone picks up their cards

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<v Speaker 1>and they've got a pair, and that's about the best

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<v Speaker 1>hand you can have, right and brag. So you've picked

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<v Speaker 1>up they pick up a pair of queens. We'll say, yeah,

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<v Speaker 1>well that's a fabulous hand to pick up.

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<v Speaker 7>Could only be beaten by a pair of kings or

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<v Speaker 7>a pair.

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<v Speaker 1>Of vaces and a pair of twos. Yeah I know, okay,

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<v Speaker 1>because there's a two card break, right, So they've picked

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<v Speaker 1>up they've picked up the queens, but they have to

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<v Speaker 1>now bet double because they're open so they now have

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<v Speaker 1>to put in twenty dollars every time it goes around,

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<v Speaker 1>and you'll get players who think he's only bluffing me.

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<v Speaker 1>He hasn't got anything really at all. But he's just

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<v Speaker 1>gonna say when he's gone in open, I'll still I'll

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<v Speaker 1>pump him high as I can go, and they'll make

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<v Speaker 1>it fifteen dollars blind. So we've got to then put

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<v Speaker 1>in thirty dollars blind, thirty dollars open when it comes

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<v Speaker 1>arount of and so it goes very hairy chested. It's

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<v Speaker 1>in lockstock and smoking barrel. I can't think of the

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<v Speaker 1>name of that movie. And it's played in the in

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<v Speaker 1>the boxing ring at the opening scene of that movie.

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<v Speaker 1>All right, yeah, tough stuff.

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<v Speaker 7>It does sound a bit a bit out of my league.

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<v Speaker 5>Yeah, it's.

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<v Speaker 1>Right.

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<v Speaker 7>I'm better with Monopoly or Twister.

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<v Speaker 1>You stick. Sometimes I've been cruelly cruelly treated in brag

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<v Speaker 1>everyone has. We don't play that all night. But anyway,

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<v Speaker 1>getting on to other things like remember when yes and

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<v Speaker 1>what's coming out?

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<v Speaker 7>Just before we do, we should say please gamble response,

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<v Speaker 7>oh god.

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<v Speaker 1>Yes, please yes, and don't play break.

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<v Speaker 7>Remember what does Dave O'Neil saying all those things. Remember

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<v Speaker 7>you win some, you lose more or something.

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<v Speaker 1>That's right well said, and I have to all right. Yeah,

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<v Speaker 1>coming up a little bit later, we're got a couple

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<v Speaker 1>of topics we want to run around with. Though.

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<v Speaker 7>Now we did have a guest locked in for tonight,

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<v Speaker 7>but unfortunately the guest isn't able to make It is

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<v Speaker 7>a late notice, so we've decided not to go with

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<v Speaker 7>the ring an emergency guest and embarrassingly say would you

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<v Speaker 7>mind coming on tonight because someone else fell through. So

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<v Speaker 7>we've decided to take a calls on one double three

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<v Speaker 7>six ninety three in this part where we normally do

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<v Speaker 7>the remember when legends.

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<v Speaker 1>Yes, indeed, and then of course after ten o'clock it's

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<v Speaker 1>Trask's timetable. We're going wack hard to believe it's forty

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<v Speaker 1>five years ago to nineteen eighty.

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<v Speaker 7>Oh, nineteen eighty feels so recent to me, it does,

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<v Speaker 7>But that makes me seem like an old Qadja just

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<v Speaker 7>saying that because it is forty five years ago, and

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<v Speaker 7>Ben sitting out there wouldn't remember nineteen eighty at all.

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<v Speaker 7>His parents would be lucky. I remember nineteen eighty.

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<v Speaker 9>It was fourteen.

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<v Speaker 5>Yeah, Ben was born in the mid nineties.

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<v Speaker 9>Oh wow, yeah, so I think.

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<v Speaker 7>So he missed the height of Phil Collins's success.

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<v Speaker 9>I think mum might have been seventeen.

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<v Speaker 1>I think your mother was seventeen and ninety eighty.

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<v Speaker 10>I think, oh, and then my dad believed my dad

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<v Speaker 10>would have been twenty two something to that.

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<v Speaker 1>So they were just young pups themselves. Yeah.

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<v Speaker 7>Yes, so his parents aren't that much older than me.

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<v Speaker 7>I was born in seventy one. If your mum was

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<v Speaker 7>seventeen in ninety.

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<v Speaker 9>Four, so she no seventeen.

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<v Speaker 7>Seventeen in nineteen eighty, she was what sixty three sixteen?

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<v Speaker 9>Was born in fifty eight?

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<v Speaker 1>Yeah, so yeah, it's it's the way back, all right.

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<v Speaker 1>All of those things will wait and we all get

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<v Speaker 1>to them very soon.

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<v Speaker 7>Yes, so we want your calls one, double, three, six

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<v Speaker 7>nine three. So whould we throw out topics now so

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<v Speaker 7>people can think about it during the break. I saw

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<v Speaker 7>that today as the anniversary of the day that the

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<v Speaker 7>Olivia Newton John Cancer and Wellness Center opened in Melbourne

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<v Speaker 7>back in twenty twelve, so it's been up and running

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<v Speaker 7>thirteen years ago, and Olivia Newton John. As soon as

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<v Speaker 7>I saw that, I just thought, I always have such

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<v Speaker 7>fond memories. Olivia Newton John, I had the pleasure of

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<v Speaker 7>meeting her once. I was at an opening night. I

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<v Speaker 7>have told this story before, but not for a while.

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<v Speaker 7>I was at an opening night and my wife was

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<v Speaker 7>with me, and we're standing in the queue to go

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<v Speaker 7>to the loo just before the show, because there's always

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<v Speaker 7>a que for the women's For some reason, we're standing

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<v Speaker 7>in the queue and we're standing behind Olivia Newton John.

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<v Speaker 7>And my wife hadn't realized, and so I'm looking around

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<v Speaker 7>the room and there's just hordes of people. Everyone's crammed in.

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<v Speaker 7>The volume is loud, you know, you know how loud

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<v Speaker 7>those foyers can be at a show, so that people

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<v Speaker 7>are talking, it's very very loud. And I taped my

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<v Speaker 7>wife on the shoulder and pointed to Olivia Newton John

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<v Speaker 7>and I say, that's Olivia Newton John. And she says, what,

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<v Speaker 7>So I've gone, ah, that's Olivia Newton John. As I've

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<v Speaker 7>said those words, the entire room just stopped talking for

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<v Speaker 7>no reason. The volume level dropped by about two and

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<v Speaker 7>so Olivia Newton I basically just yelled in Olivia Newton John,

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<v Speaker 7>Z that's Olivia Newton John. And she's turned around and

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<v Speaker 7>I've got I'm I'm so sorry. I'm just explaining to

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<v Speaker 7>a wife that we're standing behind you in the queue.

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<v Speaker 5>And she was lovely. Oh, yes, it's lovely to meet you.

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<v Speaker 11>Who are you?

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<v Speaker 5>Blah blah blah.

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<v Speaker 7>And I said that I'd work with Bruce and Field

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<v Speaker 7>and she said, I love them and tell them. I

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<v Speaker 7>said hi, And it was lovely. She was just alight.

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<v Speaker 1>Yes, I never met her and have had the pleasure,

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<v Speaker 1>but I saw her paying the price of fame at

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<v Speaker 1>a restaurant in Albert Parker. I was there with a

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<v Speaker 1>lady who worked at three a W. This is nineteen eighty.

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<v Speaker 5>I'll say, were you David someone from A W?

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<v Speaker 1>No, no, no, no, just I.

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<v Speaker 5>It was just a work face.

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<v Speaker 1>It was a work thing. There were just there, a

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<v Speaker 1>couple of us, there four of us there. Anyway, There

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<v Speaker 1>I was with this girl I'd taken and sitting at

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<v Speaker 1>the other end of the restaurant. Oh my goodness, I

0:10:52.160 --> 0:10:56.320
<v Speaker 1>poured it out. That's who was Carol used to work

0:10:56.360 --> 0:10:59.600
<v Speaker 1>with Pat Carroll, Pat Carroll and Olivia Newton John Yes

0:11:00.160 --> 0:11:02.520
<v Speaker 1>Meal there and oh that's why we won't bother them.

0:11:02.520 --> 0:11:05.200
<v Speaker 1>But then we started then people started to come into

0:11:05.200 --> 0:11:08.360
<v Speaker 1>the cafe, into the restaurant and all sorts. Was albin

0:11:08.600 --> 0:11:10.959
<v Speaker 1>In John Well, she didn't get a moment's piece of

0:11:11.000 --> 0:11:14.360
<v Speaker 1>the poor girl, people standing waiting to talk about She's

0:11:14.400 --> 0:11:16.480
<v Speaker 1>got a meal in front of her and there's people

0:11:16.679 --> 0:11:18.920
<v Speaker 1>wanting to talk to it, not moving away, not just

0:11:19.120 --> 0:11:22.040
<v Speaker 1>saying hi and moving on, standing and just talking and

0:11:22.080 --> 0:11:24.760
<v Speaker 1>talking at it. And then I noticed there was no

0:11:24.800 --> 0:11:28.400
<v Speaker 1>dessert or coffee ordered it all. She and just headed

0:11:28.400 --> 0:11:34.479
<v Speaker 1>off that it is a price. You get very good pay,

0:11:34.559 --> 0:11:36.840
<v Speaker 1>you get the best tables at restaurants and all that

0:11:36.840 --> 0:11:39.320
<v Speaker 1>sort of stuff. But there is the downside of fame,

0:11:39.400 --> 0:11:39.720
<v Speaker 1>isn't there?

0:11:40.000 --> 0:11:41.960
<v Speaker 7>There is? And when that first happened to you, it

0:11:41.960 --> 0:11:43.400
<v Speaker 7>would have been upsetting as well.

0:11:43.760 --> 0:11:44.520
<v Speaker 1>I hated it.

0:11:44.640 --> 0:11:46.720
<v Speaker 7>Yeah, stuff, isn't it.

0:11:47.600 --> 0:11:49.760
<v Speaker 1>I'd stand in those KFC lines, you know what I mean?

0:11:51.120 --> 0:11:53.680
<v Speaker 1>One first after I say hey, move, you know what I.

0:11:53.679 --> 0:11:55.720
<v Speaker 7>Mean, and paparazzi su.

0:11:57.040 --> 0:11:58.079
<v Speaker 5>Yeah, all with.

0:11:58.080 --> 0:12:00.640
<v Speaker 1>Their box brownies. It was. It was a terrible scene

0:12:00.679 --> 0:12:02.760
<v Speaker 1>for me. And can I throw this in because I

0:12:02.800 --> 0:12:03.680
<v Speaker 1>know we've got to take a break.

0:12:03.880 --> 0:12:06.120
<v Speaker 7>Well, I haven't actually given my topic yet. Just off

0:12:06.160 --> 0:12:07.679
<v Speaker 7>the back of a Livy it was just lessus to

0:12:07.679 --> 0:12:09.200
<v Speaker 7>talk about a living Newton John. Well, I was just

0:12:09.200 --> 0:12:11.400
<v Speaker 7>going to ask what your favorite Livy Newton John song

0:12:11.480 --> 0:12:13.800
<v Speaker 7>is one double three six ninety three. Have you got

0:12:13.800 --> 0:12:16.720
<v Speaker 7>a favorite of Livy's? That'd be lovely to hear it?

0:12:17.559 --> 0:12:17.640
<v Speaker 11>So?

0:12:17.840 --> 0:12:18.800
<v Speaker 5>Yes, what did you want to say?

0:12:19.120 --> 0:12:22.360
<v Speaker 1>Mine minds? What was your keeping with music? Actually? What

0:12:22.600 --> 0:12:26.160
<v Speaker 1>was your parents? What was your parents' favorite record? What

0:12:26.280 --> 0:12:29.120
<v Speaker 1>was a record was in their collection? Not yours? But

0:12:29.160 --> 0:12:31.240
<v Speaker 1>when you're a kid growing up, what did your parents

0:12:31.360 --> 0:12:37.439
<v Speaker 1>play with? My parents? It was it was Sinatra, no

0:12:37.600 --> 0:12:40.960
<v Speaker 1>Nacking Cole. Any time I hear Nacking Cole's voice, I'm

0:12:41.000 --> 0:12:44.080
<v Speaker 1>immediately taken back to being a kid in the lounge

0:12:44.120 --> 0:12:46.680
<v Speaker 1>room at Smith Streets and killed it and so on.

0:12:47.080 --> 0:12:51.440
<v Speaker 1>And also he's probably forgotten a a sax ofteness from

0:12:51.440 --> 0:12:54.880
<v Speaker 1>England called Freddy Gardner my parents loved and the instrumental

0:12:54.960 --> 0:12:58.120
<v Speaker 1>versions of popular songs by Freddy Gardner. It was just

0:12:58.160 --> 0:13:00.959
<v Speaker 1>the sound of that sax, which I've hazually heard over

0:13:00.960 --> 0:13:02.920
<v Speaker 1>the years since. I don't know what's hav one of

0:13:02.960 --> 0:13:06.000
<v Speaker 1>the parent's records, they've disappeared, but those memories have ever

0:13:06.080 --> 0:13:09.360
<v Speaker 1>etched on my mind. What were your what were your parents'

0:13:09.559 --> 0:13:11.880
<v Speaker 1>favorite records. Tell us about it. Very good question.

0:13:12.160 --> 0:13:14.200
<v Speaker 7>I'll give you mine after the break. One double three

0:13:14.600 --> 0:13:17.840
<v Speaker 7>six nine three, Simon, we are responsible for Ernie's Afternoon

0:13:17.880 --> 0:13:20.439
<v Speaker 7>Delight opener. I think I might have.

0:13:20.559 --> 0:13:24.680
<v Speaker 1>Been the Stalin vocal band no I used.

0:13:25.480 --> 0:13:29.079
<v Speaker 7>We did play that, Yes, but we also did There

0:13:29.120 --> 0:13:31.800
<v Speaker 7>was a Glenn Nicholas version that he did on the

0:13:31.800 --> 0:13:34.080
<v Speaker 7>Big Gig, which was very funny. I played that a

0:13:34.080 --> 0:13:36.800
<v Speaker 7>couple of times, I think, yeah, but I honestly can't remember.

0:13:36.880 --> 0:13:37.080
<v Speaker 12>Rob.

0:13:37.679 --> 0:13:39.839
<v Speaker 7>Yes, back with your cause. One double three six nine three.

0:13:39.880 --> 0:13:40.600
<v Speaker 7>Give us a buzz.

0:13:41.440 --> 0:13:44.600
<v Speaker 13>Remember when I got caught stealing all those whites from Sears?

0:13:45.000 --> 0:13:48.080
<v Speaker 3>Well, that's nothing because you have a cambling.

0:13:47.760 --> 0:13:50.360
<v Speaker 5>Problem, Andrew.

0:13:51.200 --> 0:13:55.520
<v Speaker 7>Yes, Simon, and I'm just looking for the important piece

0:13:55.559 --> 0:13:58.520
<v Speaker 7>of paper with an important message from Cameo Memorials.

0:13:58.720 --> 0:14:01.440
<v Speaker 1>Yes, Lokta directly oposite the main gose of Forkla Cemetery.

0:14:01.440 --> 0:14:04.200
<v Speaker 1>I think we all know that Camea Memorials have always

0:14:04.200 --> 0:14:05.840
<v Speaker 1>been there and they've always cared.

0:14:05.960 --> 0:14:08.720
<v Speaker 7>That's true. They've been setting memories in stone for entire

0:14:08.840 --> 0:14:12.440
<v Speaker 7>generations of Melbourne families since eighteen seventy.

0:14:11.920 --> 0:14:15.840
<v Speaker 1>Four, building monuments to your individual needs, respecting your wishes.

0:14:16.240 --> 0:14:19.160
<v Speaker 1>Cameo Memorials are very proud of that service they've provided

0:14:19.360 --> 0:14:21.840
<v Speaker 1>and they understand just how important to be to Melburnian's

0:14:22.040 --> 0:14:23.800
<v Speaker 1>for one hundred and whatever fifty years.

0:14:23.920 --> 0:14:30.960
<v Speaker 7>Yea, there is none better than Cameo Memorials. They offer memorials, plaques, fountains, mantlepieces.

0:14:31.040 --> 0:14:33.200
<v Speaker 7>It's going to be a very busy grave with all

0:14:33.240 --> 0:14:37.640
<v Speaker 7>of those on it. In traditional styles, Asian styles, Jewish, Islamic, Orthodox,

0:14:37.840 --> 0:14:39.880
<v Speaker 7>you name it, they do it. And don't forget those

0:14:39.920 --> 0:14:42.160
<v Speaker 7>carved statues they've got as well.

0:14:41.880 --> 0:14:44.560
<v Speaker 1>In all sorts of sizes too, And if requested, Cameo

0:14:44.720 --> 0:14:49.040
<v Speaker 1>can restore and maintain memorials over the years for you for.

0:14:49.080 --> 0:14:53.400
<v Speaker 7>Affordable prices those all important seniors card discounts, and they're

0:14:53.600 --> 0:14:58.000
<v Speaker 7>caring guidance which is legendary. Make it Cameo Memorials. Here's

0:14:58.040 --> 0:14:59.040
<v Speaker 7>Andrew with the.

0:14:58.920 --> 0:15:03.040
<v Speaker 1>Web address came Memorials dot com dot au. It is

0:15:03.040 --> 0:15:05.680
<v Speaker 1>twenty five past nine. It is remember when thanks for

0:15:05.720 --> 0:15:09.480
<v Speaker 1>your company, of course, and we are talking about records

0:15:09.480 --> 0:15:12.320
<v Speaker 1>that your parents had in their collection and are living

0:15:12.320 --> 0:15:15.520
<v Speaker 1>you and John. Her favorite song, your favorite song of hers.

0:15:15.840 --> 0:15:18.240
<v Speaker 1>There's so many. She did a bit of rocks. She

0:15:18.240 --> 0:15:19.720
<v Speaker 1>had a bit of country. She did all sorts of

0:15:19.760 --> 0:15:22.440
<v Speaker 1>stuff too along the way, didn't she She did, She

0:15:22.520 --> 0:15:28.960
<v Speaker 1>covered it all. And we've got Jacob Roval Hello, Jake, bye, boys.

0:15:29.120 --> 0:15:32.080
<v Speaker 14>I just wanted to remind you of that movie. It

0:15:32.160 --> 0:15:34.880
<v Speaker 14>was called lock Stock and two Smoke and Barrels, that

0:15:34.960 --> 0:15:36.280
<v Speaker 14>guy Ritchie film.

0:15:36.240 --> 0:15:38.400
<v Speaker 1>Thank you so much. And that's the movie with the

0:15:39.440 --> 0:15:42.120
<v Speaker 1>card game going on inside of a boxing ring.

0:15:43.040 --> 0:15:46.240
<v Speaker 14>That is correct. It's got Jason Stape them and the

0:15:46.280 --> 0:15:50.560
<v Speaker 14>old Lenny McQueen was in it too, and Vinnie Jones actually.

0:15:50.320 --> 0:15:53.760
<v Speaker 1>And what a classic crime movie that is. Eh.

0:15:53.920 --> 0:15:56.560
<v Speaker 14>That was an absolute beauty. And when it comes to

0:15:56.680 --> 0:15:59.240
<v Speaker 14>living in John I don't think you can look past

0:15:59.280 --> 0:16:00.760
<v Speaker 14>grease lightly job.

0:16:01.480 --> 0:16:05.560
<v Speaker 7>Oh yeah, greased the movie in its entirety itself. Yes,

0:16:05.600 --> 0:16:08.080
<v Speaker 7>but John Travolta actually sang gree slightly.

0:16:08.280 --> 0:16:09.360
<v Speaker 15>I don't think it was in it.

0:16:09.440 --> 0:16:13.000
<v Speaker 14>But we'll get some over here in a four barrel card.

0:16:13.280 --> 0:16:18.320
<v Speaker 7>Yeah, great song. Yes, John Travolta and his finest Yeah

0:16:19.040 --> 0:16:21.280
<v Speaker 7>there was a ripper. Yeah, we all love that. We

0:16:21.320 --> 0:16:23.880
<v Speaker 7>all wanted to do Upper Car like that too.

0:16:23.760 --> 0:16:27.640
<v Speaker 5>I think in our use absolutely get on your Jake,

0:16:28.400 --> 0:16:29.440
<v Speaker 5>oh boys.

0:16:29.560 --> 0:16:33.000
<v Speaker 7>One, thanks mate, Take care Merle's in northbol And home.

0:16:33.080 --> 0:16:36.440
<v Speaker 16>Merle toughly listing two years.

0:16:36.560 --> 0:16:37.840
<v Speaker 5>Guys, I think.

0:16:39.520 --> 0:16:45.960
<v Speaker 16>Simon Jules the movie, the Steven Field film. Yes, turn

0:16:46.160 --> 0:16:47.240
<v Speaker 16>fifty this year.

0:16:48.320 --> 0:16:49.480
<v Speaker 5>Oh does it really?

0:16:49.760 --> 0:16:52.800
<v Speaker 7>Was it nineteen seventy five Jaws?

0:16:52.640 --> 0:16:53.480
<v Speaker 1>That probably was?

0:16:54.800 --> 0:16:58.640
<v Speaker 16>And you know, Simon may be so scared. We had

0:16:58.680 --> 0:17:04.560
<v Speaker 16>an above ground and I wouldn't go up. I was

0:17:04.600 --> 0:17:05.359
<v Speaker 16>sure Jaws.

0:17:06.640 --> 0:17:09.000
<v Speaker 1>Look, I was even worse Bill. I had a clark

0:17:09.040 --> 0:17:11.119
<v Speaker 1>wader and I wouldn't go near that. For two or

0:17:11.119 --> 0:17:11.680
<v Speaker 1>three years.

0:17:11.760 --> 0:17:14.040
<v Speaker 7>I didn't shower for my whole teenage.

0:17:14.080 --> 0:17:14.840
<v Speaker 1>Yeah, we noticed that.

0:17:18.520 --> 0:17:24.560
<v Speaker 7>It's lovely and thank you for calling in Merle. That's

0:17:24.680 --> 0:17:25.640
<v Speaker 7>a lovely call.

0:17:26.119 --> 0:17:29.600
<v Speaker 1>I think. Statistically, the attendance on beaches in southern California

0:17:30.720 --> 0:17:34.200
<v Speaker 1>dropped enormously the summer after George or during Jaws release.

0:17:34.960 --> 0:17:38.760
<v Speaker 7>It changed the bathing habits of a nation of the world.

0:17:38.920 --> 0:17:40.080
<v Speaker 1>Basically.

0:17:40.400 --> 0:17:43.280
<v Speaker 7>An interesting thing about it was when they when they

0:17:43.320 --> 0:17:46.040
<v Speaker 7>made Bruce the Shark, because the shark was called Bruce

0:17:46.080 --> 0:17:48.879
<v Speaker 7>for some reason. When they when they made Bruce the Shark,

0:17:49.600 --> 0:17:56.840
<v Speaker 7>they tested him in normal water, unsalinated water, desalinated dece

0:17:57.400 --> 0:18:01.520
<v Speaker 7>just normal water, drinking water, and everything worked fine. When

0:18:01.520 --> 0:18:03.639
<v Speaker 7>they put it in the ocean to film scenes, it

0:18:03.720 --> 0:18:06.960
<v Speaker 7>started shorting out and just didn't work properly. So the

0:18:07.040 --> 0:18:09.560
<v Speaker 7>fact that you don't actually see the shark until about

0:18:09.640 --> 0:18:12.600
<v Speaker 7>fifty five minutes into the film, and it's all done

0:18:12.680 --> 0:18:15.840
<v Speaker 7>with that music Ben was playing, and the suspense and

0:18:16.760 --> 0:18:20.160
<v Speaker 7>seeing people suddenly disappear under the water, all of that

0:18:20.359 --> 0:18:23.840
<v Speaker 7>was only because they didn't actually get the shark working.

0:18:24.160 --> 0:18:29.160
<v Speaker 7>Otherwise it would have been just a more regular horror movie. Yeah,

0:18:29.160 --> 0:18:33.320
<v Speaker 7>So it was the anticipation, the anticipation, so Spielberg thought, well,

0:18:33.359 --> 0:18:35.680
<v Speaker 7>I'm gonna have to go a bit Alfred Hitchcock here,

0:18:35.680 --> 0:18:38.920
<v Speaker 7>and it's all about, yeah, the anticipation and what people

0:18:38.960 --> 0:18:40.920
<v Speaker 7>are imagining rather than what they're seen.

0:18:41.320 --> 0:18:43.119
<v Speaker 5>And that's I think what made it a classic.

0:18:43.680 --> 0:18:47.040
<v Speaker 1>Jaden's mom and dad, Oh, you're a lot downger than me,

0:18:47.200 --> 0:18:51.359
<v Speaker 1>Jaden and half you're like whose mum's records were The

0:18:51.520 --> 0:18:55.120
<v Speaker 1>Cure and in Excess and dads were Blondie and Kate Bush.

0:18:55.160 --> 0:18:57.640
<v Speaker 1>So there we are. Yeah, yeah, another generation, another taste

0:18:57.680 --> 0:18:58.080
<v Speaker 1>of music.

0:18:58.200 --> 0:19:00.359
<v Speaker 5>Yes, I'm the same age as Jaden's parents.

0:19:00.359 --> 0:19:04.000
<v Speaker 1>Then that sounds like it. Yeah, Karen's an alterna Meadows.

0:19:04.000 --> 0:19:08.480
<v Speaker 6>Hello, Karen, I'm Andrew, I couldn't watch George either.

0:19:08.520 --> 0:19:12.120
<v Speaker 17>I thought it was too scary. Yeah, it's my favorite

0:19:12.280 --> 0:19:14.240
<v Speaker 17>living in John Records.

0:19:13.880 --> 0:19:18.440
<v Speaker 7>Hope to again from Greece, but this time with Olivia

0:19:18.480 --> 0:19:21.480
<v Speaker 7>actually seeing it. It is a lovely song, yes.

0:19:22.200 --> 0:19:30.520
<v Speaker 17>I think it can. And also one of they didn't

0:19:30.560 --> 0:19:32.760
<v Speaker 17>have that any records and she used to flay the

0:19:32.840 --> 0:19:35.160
<v Speaker 17>King and I.

0:19:34.320 --> 0:19:36.560
<v Speaker 1>Oh, yes, the soundtrack of the King and I with

0:19:36.840 --> 0:19:41.560
<v Speaker 1>what's his name? Your b your Brener, that's him, so shell.

0:19:41.760 --> 0:19:44.199
<v Speaker 1>We danced all the rest of it.

0:19:44.359 --> 0:19:46.640
<v Speaker 7>Yeah, no, that's a ripper. Here we go, Karen.

0:19:46.680 --> 0:19:48.120
<v Speaker 5>He is a bit of hopelessly devoted.

0:19:50.640 --> 0:20:03.879
<v Speaker 1>Just m hm swell.

0:20:11.920 --> 0:20:14.080
<v Speaker 7>It is a lovely song. If only we had more time.

0:20:14.160 --> 0:20:15.360
<v Speaker 7>But what a great song.

0:20:15.560 --> 0:20:19.040
<v Speaker 1>Yeah, a great test of it. William in Port Melbourne, Hello, William.

0:20:20.640 --> 0:20:23.280
<v Speaker 18>Would have to be the case. So that was my

0:20:23.600 --> 0:20:24.040
<v Speaker 18>That was my.

0:20:27.920 --> 0:20:29.120
<v Speaker 7>Was your mum's favorite song?

0:20:29.200 --> 0:20:31.400
<v Speaker 18>That was And there was the other one, the Crystal

0:20:31.400 --> 0:20:32.000
<v Speaker 18>Shander Liz.

0:20:32.200 --> 0:20:36.080
<v Speaker 1>The were the two favorites so late, the Crystal Sandly

0:20:36.200 --> 0:20:36.600
<v Speaker 1>that's right.

0:20:39.000 --> 0:20:42.280
<v Speaker 18>You one thing, Andrew, I've got a lemon tree, don't

0:20:42.400 --> 0:20:47.760
<v Speaker 18>you know? You know that's just coming right there. It

0:20:47.800 --> 0:20:49.680
<v Speaker 18>was just like a lime tree. It was all great,

0:20:50.320 --> 0:20:52.080
<v Speaker 18>it's got back into the rot.

0:20:52.119 --> 0:20:57.119
<v Speaker 7>Now, yes, well yeah, lemons are green before they turn yellow, so.

0:20:59.560 --> 0:21:03.720
<v Speaker 18>It took a took actually a long while into the

0:21:03.760 --> 0:21:04.240
<v Speaker 18>right color.

0:21:04.640 --> 0:21:06.600
<v Speaker 5>Yeah, unusual.

0:21:06.800 --> 0:21:09.240
<v Speaker 1>Yeah, yeah, well, different season. It's been a kind of

0:21:09.240 --> 0:21:13.480
<v Speaker 1>a warm autumn, wasn't it. I think a very warm autumn.

0:21:13.680 --> 0:21:16.320
<v Speaker 1>It may have infacted I don't know, into a freezing winter.

0:21:16.840 --> 0:21:20.280
<v Speaker 1>Well yes, so far.

0:21:19.520 --> 0:21:22.000
<v Speaker 7>Yes, yeah, all right, good on your William, good luck

0:21:22.000 --> 0:21:25.440
<v Speaker 7>with your lemons, Arthur's in westwit'sgreag.

0:21:24.800 --> 0:21:29.040
<v Speaker 8>You day, Arthur, goody, Simon and Andy. And then firstly,

0:21:29.200 --> 0:21:32.520
<v Speaker 8>on my happy birthday to you produce the Taylor today. Yes,

0:21:33.440 --> 0:21:37.280
<v Speaker 8>it's a birthday today anyway. My mum's favorite songs, she

0:21:37.440 --> 0:21:40.680
<v Speaker 8>loved El Martino, to the Door, the Son Moscow, Genghis

0:21:40.800 --> 0:21:43.760
<v Speaker 8>Khan and of course Olivia and and John. You know

0:21:43.840 --> 0:21:45.600
<v Speaker 8>this one, which obvious did with a lot of Elvis

0:21:45.640 --> 0:21:48.320
<v Speaker 8>records my favorite, and hers Let Me Be There.

0:21:48.480 --> 0:21:50.600
<v Speaker 7>Yeah, that's one of my all time favorites of hers

0:21:50.600 --> 0:21:53.879
<v Speaker 7>as well. Yes, it's a good song, let Me Be

0:21:53.960 --> 0:21:56.040
<v Speaker 7>There in the Morning, let Me I love the bass

0:21:56.040 --> 0:21:58.400
<v Speaker 7>guy in it. I've always got a film about that.

0:21:59.440 --> 0:22:01.359
<v Speaker 8>Still got the record that I used to play for

0:22:01.440 --> 0:22:03.760
<v Speaker 8>my mom and would you believe she loved the thing

0:22:03.800 --> 0:22:05.480
<v Speaker 8>from the good, the beard and the ugly.

0:22:06.680 --> 0:22:08.240
<v Speaker 1>Oh yeah, Hugo Monteneglo.

0:22:08.440 --> 0:22:09.240
<v Speaker 7>Hard to sing to you.

0:22:11.160 --> 0:22:13.240
<v Speaker 8>Well, that's of of the record that I played for

0:22:13.359 --> 0:22:14.280
<v Speaker 8>a mink condition.

0:22:14.800 --> 0:22:16.520
<v Speaker 1>So good memories.

0:22:17.160 --> 0:22:19.760
<v Speaker 7>Yeah, nice one, all right, got on your Arthur. Here's

0:22:19.760 --> 0:22:23.240
<v Speaker 7>a bit of Olivia's song for you. Let me be there.

0:22:24.000 --> 0:22:34.640
<v Speaker 7>Listen to these wonderful harmonies. Never let me, let me.

0:22:38.280 --> 0:22:53.400
<v Speaker 5>Let me.

0:22:51.440 --> 0:22:58.119
<v Speaker 19>You can't share.

0:22:59.040 --> 0:23:03.000
<v Speaker 1>Yeah, good sound. Very I liked her very first hit

0:23:03.760 --> 0:23:06.119
<v Speaker 1>and that was I was amazed to find it was

0:23:06.119 --> 0:23:07.160
<v Speaker 1>a Bob Dylan song.

0:23:07.640 --> 0:23:10.520
<v Speaker 5>If not for you, I don't think I know it.

0:23:10.640 --> 0:23:11.199
<v Speaker 9>If not for you?

0:23:11.280 --> 0:23:13.520
<v Speaker 1>Could we ben? If not for you? Or living in it?

0:23:13.600 --> 0:23:15.000
<v Speaker 1>And John's got to be there because that was the

0:23:15.000 --> 0:23:19.080
<v Speaker 1>one that sort of put her on the map or internationally, Yes,

0:23:19.760 --> 0:23:22.480
<v Speaker 1>because she's been in this group to you know, here

0:23:22.480 --> 0:23:26.720
<v Speaker 1>we go, Yes, not for you.

0:23:29.440 --> 0:23:34.560
<v Speaker 20>Maybe I couldn't even find the door, I couldn't even

0:23:34.680 --> 0:23:35.720
<v Speaker 20>see the floor.

0:23:42.040 --> 0:23:45.280
<v Speaker 1>Not fine. That was the very first one that wrote

0:23:45.280 --> 0:23:47.240
<v Speaker 1>through for her. I said, she's been in a group

0:23:47.240 --> 0:23:52.920
<v Speaker 1>called Tomorrow spelled like tub O Morrow and they hadn't

0:23:52.920 --> 0:23:54.919
<v Speaker 1>done well, they'd sort of been a manufactured group, you know,

0:23:55.119 --> 0:23:58.520
<v Speaker 1>they tried to sort of launch them and that hadn't worked,

0:23:58.720 --> 0:24:01.000
<v Speaker 1>and I think she just mucked around in England for

0:24:01.040 --> 0:24:03.399
<v Speaker 1>a while and then came up with that, which was

0:24:03.400 --> 0:24:04.840
<v Speaker 1>the one that put her over the top. And I'm

0:24:04.840 --> 0:24:08.240
<v Speaker 1>going to say nineteen seventy seventy one, oh.

0:24:08.200 --> 0:24:12.200
<v Speaker 7>That early, yeah, I would think, so yeah, how about that?

0:24:12.200 --> 0:24:14.600
<v Speaker 7>That was a bit of a slide guitar in there was.

0:24:14.640 --> 0:24:17.960
<v Speaker 7>It was the year, so it's like country team to it.

0:24:18.000 --> 0:24:20.119
<v Speaker 1>And then, as I said, years later, I found a

0:24:20.160 --> 0:24:23.480
<v Speaker 1>Bob Dylan wrote, the man who wrote so much good music.

0:24:23.600 --> 0:24:27.800
<v Speaker 7>I never realized that Olivia was sort of world famous

0:24:27.840 --> 0:24:31.120
<v Speaker 7>as it were before Greece because as a kid, Greece

0:24:31.200 --> 0:24:33.840
<v Speaker 7>came out in nineteen seventy seven, I think, and I

0:24:34.040 --> 0:24:37.520
<v Speaker 7>was six, So that's where I first discovered Livy in

0:24:37.560 --> 0:24:40.280
<v Speaker 7>Newton John. Then I was reading my Peanuts comics because

0:24:40.280 --> 0:24:43.040
<v Speaker 7>I've got every Peanuts comic that Charles Schultz ever did,

0:24:43.440 --> 0:24:45.000
<v Speaker 7>and I was reading through them, and I was up

0:24:45.040 --> 0:24:48.160
<v Speaker 7>to nineteen seventy five and there's a strip with Charlie

0:24:48.200 --> 0:24:51.359
<v Speaker 7>Brown and he's saying, maybe this will happen, Maybe maybe

0:24:51.359 --> 0:24:53.240
<v Speaker 7>the little Red hair girl will come and have lunch

0:24:53.280 --> 0:24:55.560
<v Speaker 7>with me today. A whole lot of wishful thinking. And

0:24:55.600 --> 0:24:58.320
<v Speaker 7>then at the last panel he goes, maybe one day

0:24:58.359 --> 0:25:01.199
<v Speaker 7>I'll marry Olivia Newton John And I thought that was

0:25:01.240 --> 0:25:02.520
<v Speaker 7>a lovely thing. And then I looked at it for

0:25:02.680 --> 0:25:05.879
<v Speaker 7>nineteen seventy five? How did Charles Schultz know that? And

0:25:05.920 --> 0:25:07.320
<v Speaker 7>it was then that I found out, No.

0:25:07.400 --> 0:25:10.199
<v Speaker 1>She done very well before that, with songs like if

0:25:10.280 --> 0:25:12.200
<v Speaker 1>not for You and let Me be There, et cetera.

0:25:12.440 --> 0:25:12.920
<v Speaker 5>Amazing.

0:25:12.960 --> 0:25:15.159
<v Speaker 7>All right, we better get a break underway. We'll be

0:25:15.200 --> 0:25:18.080
<v Speaker 7>taking more calls in the last hour, of course, so

0:25:18.200 --> 0:25:20.200
<v Speaker 7>apologies for those who have called through who we can't

0:25:20.240 --> 0:25:21.880
<v Speaker 7>just get to yet, but we've got to get Rick

0:25:21.960 --> 0:25:23.320
<v Speaker 7>Mille on the line after this.

0:25:24.160 --> 0:25:29.960
<v Speaker 21>Tell me why I need another bad Tell me why

0:25:30.119 --> 0:25:32.160
<v Speaker 21>I got that Alba long.

0:25:33.560 --> 0:25:42.720
<v Speaker 1>Tell me why I bet our satiners all to pay.

0:25:42.880 --> 0:25:45.200
<v Speaker 7>Yes, the number of things you can find on eBay

0:25:45.240 --> 0:25:48.159
<v Speaker 7>and on Facebook, Marketplace and even better just at a

0:25:48.240 --> 0:25:51.399
<v Speaker 7>garage sale is amazing. And if you've found something on

0:25:51.440 --> 0:25:53.560
<v Speaker 7>any of those places of late, and you want to

0:25:53.600 --> 0:25:57.040
<v Speaker 7>share the joy that you found when you discovered it,

0:25:57.080 --> 0:25:59.560
<v Speaker 7>give us a call one double three six ninety three.

0:26:00.200 --> 0:26:04.280
<v Speaker 7>Chat to this man Rick Milne, Hello Rick Ye Andrew

0:26:04.440 --> 0:26:04.880
<v Speaker 7>Hi Rick.

0:26:05.760 --> 0:26:11.480
<v Speaker 22>We did evaluation day on Saturday down at My brother

0:26:12.359 --> 0:26:16.320
<v Speaker 22>is involved with the Brotherhood Saint Lawrence down and Bentley

0:26:16.960 --> 0:26:20.440
<v Speaker 22>and I did the evaluation day there and there were

0:26:20.440 --> 0:26:24.439
<v Speaker 22>two things that were quite outstanding. One woman wrote to

0:26:24.560 --> 0:26:29.400
<v Speaker 22>Elvis when she was nine and she had brought in

0:26:29.480 --> 0:26:31.240
<v Speaker 22>all of the letters that he'd sent her. He must

0:26:31.280 --> 0:26:35.480
<v Speaker 22>have sent her about twenty letters over the time, autographs,

0:26:35.640 --> 0:26:39.080
<v Speaker 22>autagraph and Christmas card and all sorts of things all

0:26:39.160 --> 0:26:41.240
<v Speaker 22>from her. And she was very careful opening them. She

0:26:41.560 --> 0:26:44.280
<v Speaker 22>didn't rip them open. She opened them very carefully. She

0:26:44.280 --> 0:26:47.440
<v Speaker 22>had about ten of them. It was amazing. And that

0:26:47.640 --> 0:26:50.840
<v Speaker 22>was one. And then even more amazing to me was

0:26:52.280 --> 0:26:54.520
<v Speaker 22>an elderly man. He said that his dad used to

0:26:54.520 --> 0:26:58.159
<v Speaker 22>work for Dave Neille Melbur and she gave him this

0:26:58.359 --> 0:27:02.480
<v Speaker 22>magnificent pin of a stick pin in a box and

0:27:02.520 --> 0:27:05.159
<v Speaker 22>it came from Drummond to the jewel which is a

0:27:05.280 --> 0:27:10.680
<v Speaker 22>very upmarket jewelry store in the city. And she gave

0:27:10.760 --> 0:27:16.480
<v Speaker 22>him this special pin for his services rendered as he

0:27:16.600 --> 0:27:19.920
<v Speaker 22>was a footman, believe it or not, and she gave

0:27:19.920 --> 0:27:21.880
<v Speaker 22>it to him. It has been to pass down through

0:27:21.880 --> 0:27:23.840
<v Speaker 22>the family. I thought it was spectacular.

0:27:24.480 --> 0:27:28.560
<v Speaker 1>It sounds wonderful, well, you said, along some rather spectacular

0:27:28.600 --> 0:27:31.880
<v Speaker 1>things here, tonied, I'm intrigued with this. If we sat

0:27:31.960 --> 0:27:35.879
<v Speaker 1>here and this is this kiora sports parade that was

0:27:35.920 --> 0:27:36.639
<v Speaker 1>on three k z.

0:27:37.160 --> 0:27:38.919
<v Speaker 7>Rick it was.

0:27:39.240 --> 0:27:44.400
<v Speaker 22>And the fellow who was the announcer was a fellow

0:27:44.480 --> 0:27:48.840
<v Speaker 22>called Max Ready. He's on three KS and he was

0:27:48.880 --> 0:27:51.800
<v Speaker 22>Helen Reddy's father. And now she had that famous song

0:27:52.560 --> 0:27:55.560
<v Speaker 22>some years ago, Helen Reddy, I am woman was not?

0:27:55.600 --> 0:27:56.439
<v Speaker 22>I think that was the name of the.

0:27:57.400 --> 0:27:59.760
<v Speaker 1>Don and quite a few others, Yeah, quite a few,

0:27:59.800 --> 0:28:00.320
<v Speaker 1>that's right.

0:28:00.440 --> 0:28:04.720
<v Speaker 22>So this is this is good old jack a Max Ready.

0:28:04.960 --> 0:28:08.240
<v Speaker 22>And he did the on the radio station three ks

0:28:08.240 --> 0:28:12.359
<v Speaker 22>headlong gone. Of course he did the Kura which was

0:28:12.400 --> 0:28:18.640
<v Speaker 22>a soft drink sort of cordial, the Cura sports parade,

0:28:18.680 --> 0:28:21.600
<v Speaker 22>and it was a radio program and that was that

0:28:21.720 --> 0:28:23.800
<v Speaker 22>was Max Ready.

0:28:24.840 --> 0:28:27.679
<v Speaker 1>Yes, wonderful. Is a sort of a character ture of

0:28:27.720 --> 0:28:30.680
<v Speaker 1>him standing at the at the three kz microphone. It's

0:28:30.680 --> 0:28:32.280
<v Speaker 1>so wonderful, very much of a tira.

0:28:33.000 --> 0:28:34.639
<v Speaker 22>Yeah, it was a beauty. And did you like the

0:28:34.760 --> 0:28:38.880
<v Speaker 22>very second item I sent? Remarkable? And now there is

0:28:38.880 --> 0:28:44.000
<v Speaker 22>apparently a big auction of what we'll call disaster email,

0:28:44.400 --> 0:28:50.040
<v Speaker 22>a disaster mail. And this is an envelope that was

0:28:50.120 --> 0:28:55.600
<v Speaker 22>sent to somebody in Ballarat and that's been stamped opened

0:28:55.680 --> 0:28:57.520
<v Speaker 22>by Burglars Ballarat.

0:28:57.880 --> 0:28:59.760
<v Speaker 8>Yes, not amazing.

0:28:59.840 --> 0:29:03.360
<v Speaker 5>So what opened by Burglars is in that that's an

0:29:03.360 --> 0:29:06.080
<v Speaker 5>official stamp to say somebody actually tore this opener.

0:29:06.080 --> 0:29:11.680
<v Speaker 22>Who they actually did was they They they took seven

0:29:11.760 --> 0:29:14.560
<v Speaker 22>hundred mail items which are ransacked by them in the

0:29:14.920 --> 0:29:18.960
<v Speaker 22>post office over a weekend in nineteen twenty and it

0:29:19.160 --> 0:29:21.920
<v Speaker 22>took seven hundreda This is one of only two that's

0:29:21.960 --> 0:29:25.480
<v Speaker 22>ever been found with it opened by Burglars.

0:29:25.600 --> 0:29:26.240
<v Speaker 12>Fell a rabbit.

0:29:26.720 --> 0:29:27.240
<v Speaker 7>Wonderful.

0:29:28.800 --> 0:29:31.040
<v Speaker 1>So they must have had a stamp made up at

0:29:31.080 --> 0:29:36.400
<v Speaker 1>the post office opened by Burglars.

0:29:37.200 --> 0:29:40.600
<v Speaker 22>They've had made open by Burglars.

0:29:40.720 --> 0:29:41.400
<v Speaker 1>Is remarkable.

0:29:41.440 --> 0:29:44.880
<v Speaker 7>That reminds me of rick A. And we invite your

0:29:44.880 --> 0:29:46.880
<v Speaker 7>calls one double three six nine three if you want

0:29:46.880 --> 0:29:50.080
<v Speaker 7>to chat to rick. That reminds me of the joke

0:29:50.240 --> 0:29:53.520
<v Speaker 7>of the lady who went through a bit of a

0:29:53.560 --> 0:29:57.600
<v Speaker 7>hard time financially and wrote a letter to God and

0:29:57.640 --> 0:30:01.400
<v Speaker 7>sent it off to the post office. It was received

0:30:01.400 --> 0:30:03.640
<v Speaker 7>at the post office. It was addressed to God. And

0:30:03.680 --> 0:30:05.840
<v Speaker 7>so the post office people have gone I don't know

0:30:05.840 --> 0:30:07.360
<v Speaker 7>what to do with it. So they've opened it up,

0:30:07.560 --> 0:30:11.520
<v Speaker 7>and she told her tale of my dog requires surgery.

0:30:12.040 --> 0:30:16.640
<v Speaker 7>I've lost all them, blah blah blah. So I'm writing

0:30:16.640 --> 0:30:18.080
<v Speaker 7>to you God to ask if you could send me

0:30:18.120 --> 0:30:21.040
<v Speaker 7>five hundred dollars. It would make the world of difference

0:30:21.080 --> 0:30:23.400
<v Speaker 7>to me. So the people at the post office felt

0:30:23.480 --> 0:30:26.719
<v Speaker 7>terribly sad, for they did a whip around and they

0:30:26.720 --> 0:30:29.360
<v Speaker 7>came up with four hundred dollars. So they sent it

0:30:29.400 --> 0:30:32.640
<v Speaker 7>to her with a note from a note from God saying, here,

0:30:33.360 --> 0:30:35.440
<v Speaker 7>this is what we could do for you. We've managed

0:30:35.480 --> 0:30:39.600
<v Speaker 7>to get together four hundred dollars. She Then a couple

0:30:39.640 --> 0:30:41.480
<v Speaker 7>of weeks later, they're sitting there at the post office

0:30:41.480 --> 0:30:44.760
<v Speaker 7>and there was another letter arrived, again addressed to God,

0:30:45.160 --> 0:30:47.520
<v Speaker 7>and it was the lady who said, thank you so much, God,

0:30:47.640 --> 0:30:49.800
<v Speaker 7>You've made such a difference to my life. It is

0:30:49.840 --> 0:30:53.040
<v Speaker 7>so marvelous. But there was only four hundred dollars there

0:30:53.440 --> 0:30:56.080
<v Speaker 7>rather than five hundred dollars. It was probably those thieving

0:30:56.120 --> 0:31:02.680
<v Speaker 7>bastards at the post office.

0:31:00.080 --> 0:31:00.400
<v Speaker 5>Isn't that.

0:31:04.000 --> 0:31:06.040
<v Speaker 22>That's a good one. So I've not heard that one before.

0:31:06.080 --> 0:31:06.680
<v Speaker 22>That's a ripper.

0:31:06.800 --> 0:31:10.280
<v Speaker 1>Yeah, Now moving on with some of these little items here,

0:31:11.200 --> 0:31:13.440
<v Speaker 1>this North Noven BP badge.

0:31:13.680 --> 0:31:17.120
<v Speaker 22>Yeah, now this is a this is a fake. Well

0:31:17.160 --> 0:31:20.520
<v Speaker 22>it's not a fake, it's new. But they're claiming that

0:31:20.600 --> 0:31:24.400
<v Speaker 22>it's a you know, a historic badge, but it's been

0:31:24.440 --> 0:31:27.400
<v Speaker 22>made by somebody and certainly not BP. In fact, i'm

0:31:27.440 --> 0:31:30.400
<v Speaker 22>so growth they haven't sued them. But somebody's made these

0:31:30.440 --> 0:31:36.400
<v Speaker 22>things very recently and they're advertising them at substantial prices,

0:31:36.440 --> 0:31:40.560
<v Speaker 22>and frankly, I think they're absolutely worthless because they're not real.

0:31:40.640 --> 0:31:44.440
<v Speaker 22>They're just somebody's had them made up and making making

0:31:44.480 --> 0:31:49.920
<v Speaker 22>out like it's an official BP product at all, because.

0:31:49.680 --> 0:31:52.200
<v Speaker 7>They've got that design from there. There were because I

0:31:52.280 --> 0:31:54.040
<v Speaker 7>had I was fascinated by that, so I did a

0:31:54.040 --> 0:31:56.440
<v Speaker 7>bit of a look and they got that design from

0:31:56.480 --> 0:31:58.680
<v Speaker 7>a series of patches.

0:31:59.520 --> 0:32:02.960
<v Speaker 22>Yeah, like a little transfers. Yeah that's right.

0:32:03.000 --> 0:32:05.600
<v Speaker 7>Well, the ones you put on your Duffel coat or something,

0:32:05.680 --> 0:32:06.400
<v Speaker 7>was it, that sort of thing.

0:32:06.480 --> 0:32:08.720
<v Speaker 22>Yep. And what they've now done is that they've made

0:32:08.920 --> 0:32:12.600
<v Speaker 22>metal versions of them. Somebody has and is sort of

0:32:12.760 --> 0:32:15.760
<v Speaker 22>passing him off as historic you know, blah blah blah, and.

0:32:15.720 --> 0:32:19.040
<v Speaker 5>They're not at all. No, I do not buy, but

0:32:19.080 --> 0:32:20.560
<v Speaker 5>what a good idea?

0:32:21.200 --> 0:32:23.880
<v Speaker 1>Don't put it in his head, brick Rick one double

0:32:23.920 --> 0:32:25.320
<v Speaker 1>three six nine three, by the way.

0:32:25.280 --> 0:32:27.440
<v Speaker 22>Age and let people see and make sure that they

0:32:27.480 --> 0:32:28.080
<v Speaker 22>don't buy.

0:32:28.320 --> 0:32:31.040
<v Speaker 7>Yes, these are on our Facebook page, these pictures that

0:32:31.320 --> 0:32:34.040
<v Speaker 7>Rick is referring to that he's sent through to us.

0:32:34.120 --> 0:32:36.720
<v Speaker 7>So have a look at three. Aw remember when.

0:32:36.960 --> 0:32:39.560
<v Speaker 1>One double three six nine three. If you want something valued, please,

0:32:39.640 --> 0:32:42.280
<v Speaker 1>this is your chance. Call in right now and you

0:32:42.320 --> 0:32:45.360
<v Speaker 1>will get on because Rick is only here till ten o'clock.

0:32:46.000 --> 0:32:48.920
<v Speaker 7>There's another couple of great pieces you've got here, Rick,

0:32:49.080 --> 0:32:50.560
<v Speaker 7>just ahead of those Bernie Brickette.

0:32:50.760 --> 0:32:52.880
<v Speaker 22>Do you remember Bernie Brickette, the character?

0:32:53.560 --> 0:32:56.880
<v Speaker 1>No, I don't. I'm looking at his little face here.

0:32:56.880 --> 0:32:58.480
<v Speaker 1>It's a pity I don't remember him.

0:32:58.720 --> 0:33:02.120
<v Speaker 22>Yeah, he was a he was a character. And I

0:33:02.160 --> 0:33:04.960
<v Speaker 22>actually have one of the things I'm looking for. It's

0:33:05.000 --> 0:33:07.320
<v Speaker 22>not for me, but for somebody else. They believe that

0:33:07.320 --> 0:33:11.200
<v Speaker 22>there was a Bernie Brickette cap, So looking for a

0:33:11.280 --> 0:33:15.040
<v Speaker 22>cap with is this little character. I don't think he

0:33:15.200 --> 0:33:18.880
<v Speaker 22>was a TV character. I think he was just a

0:33:18.920 --> 0:33:22.600
<v Speaker 22>print type thing. But you know Bernie as in brick

0:33:22.680 --> 0:33:26.120
<v Speaker 22>You know Bernie if you might say you know Bernie Brickett, Yes, yeah,

0:33:26.240 --> 0:33:28.640
<v Speaker 22>that was his name. So if anybody has one of those,

0:33:29.320 --> 0:33:30.560
<v Speaker 22>I've got somebody looking for one.

0:33:30.640 --> 0:33:32.520
<v Speaker 7>If not, I can get some made up. It's my

0:33:32.600 --> 0:33:34.640
<v Speaker 7>new my new pastime.

0:33:34.160 --> 0:33:35.880
<v Speaker 22>Now thought.

0:33:37.880 --> 0:33:39.800
<v Speaker 1>To order, provide anything.

0:33:39.920 --> 0:33:42.360
<v Speaker 7>Yes, antiques and collectibles, to order.

0:33:42.400 --> 0:33:44.880
<v Speaker 1>The magna carta, whatever you like. He's got it all.

0:33:45.400 --> 0:33:45.520
<v Speaker 23>Uh.

0:33:45.680 --> 0:33:50.040
<v Speaker 1>And lastly, Rick, what you have brought him?

0:33:50.360 --> 0:33:51.400
<v Speaker 22>Let me see what I thought.

0:33:51.800 --> 0:33:53.760
<v Speaker 1>That's the that's the pin.

0:33:54.520 --> 0:33:58.520
<v Speaker 22>Yep, that's the pin, the first one. That's just sorry,

0:33:58.680 --> 0:34:03.000
<v Speaker 22>spectacular right and given by Dame Nelly to her footman

0:34:03.320 --> 0:34:05.760
<v Speaker 22>who happens to be this person's father.

0:34:05.920 --> 0:34:06.280
<v Speaker 1>Amazing.

0:34:06.320 --> 0:34:09.520
<v Speaker 22>There was some amazing other things that came in as well.

0:34:09.960 --> 0:34:14.680
<v Speaker 22>The fellow brought in a robot in the original box,

0:34:14.840 --> 0:34:18.160
<v Speaker 22>and it looked it was as new, And I said

0:34:18.160 --> 0:34:21.000
<v Speaker 22>to him, did you know did you just pick this up?

0:34:21.040 --> 0:34:23.239
<v Speaker 22>He said, I've had it since a child and I

0:34:23.440 --> 0:34:25.880
<v Speaker 22>always looked after my toys. And it was just absolutely

0:34:25.920 --> 0:34:28.960
<v Speaker 22>as new, with hundreds and hundreds of dollars. It was

0:34:29.000 --> 0:34:32.640
<v Speaker 22>a very rare one from made in Japan. And of

0:34:32.680 --> 0:34:35.280
<v Speaker 22>all things made in Japan, robots are about the best,

0:34:35.760 --> 0:34:38.440
<v Speaker 22>and they can really big some fancy prices. This is

0:34:38.480 --> 0:34:41.520
<v Speaker 22>a rip up and it emitted sparks, and all sorts

0:34:41.560 --> 0:34:44.000
<v Speaker 22>of things with a beauty. So yeah, some amazing things

0:34:44.000 --> 0:34:47.279
<v Speaker 22>actually came in on the day and you never well,

0:34:47.760 --> 0:34:49.719
<v Speaker 22>I thought the most amazing of all actually was the

0:34:50.040 --> 0:34:53.759
<v Speaker 22>letters from Elvis, just amazing. So she had about ten

0:34:53.880 --> 0:34:54.640
<v Speaker 22>or twelve of them.

0:34:56.280 --> 0:34:57.080
<v Speaker 12>Been in touch with her.

0:34:57.239 --> 0:34:59.080
<v Speaker 22>His writing, It was definitely his writing.

0:34:59.480 --> 0:35:01.719
<v Speaker 7>Now we've got calls coming through, so we'll get a

0:35:01.719 --> 0:35:03.480
<v Speaker 7>break out of the way here and come straight back

0:35:03.480 --> 0:35:05.400
<v Speaker 7>with your calls for Rick Miln if you want to

0:35:05.480 --> 0:35:07.800
<v Speaker 7>join the queue one double three six nine three.

0:35:09.480 --> 0:35:12.240
<v Speaker 1>Mister collectibles here. I remember when right now, Rick Milner,

0:35:12.320 --> 0:35:15.640
<v Speaker 1>mister paraphernalia and all that, and taking your calls. Sandra's

0:35:15.680 --> 0:35:18.080
<v Speaker 1>in Frankston, Hello, Sandra, Oh good in me.

0:35:18.120 --> 0:35:23.160
<v Speaker 24>Andrew Simon then Rick Rick. As you're talking about the

0:35:23.200 --> 0:35:26.319
<v Speaker 24>Bricket guy, I'm sure down in Brighton where I used

0:35:26.360 --> 0:35:29.640
<v Speaker 24>to work many years ago in the sixties, the woodman

0:35:29.760 --> 0:35:32.200
<v Speaker 24>used to come into the shop next door to where

0:35:32.200 --> 0:35:32.600
<v Speaker 24>I work.

0:35:32.680 --> 0:35:33.760
<v Speaker 8>They'd go to the dry.

0:35:33.640 --> 0:35:37.319
<v Speaker 24>Cleaners and one of them had Ronnie Bricket written on

0:35:37.400 --> 0:35:40.920
<v Speaker 24>his hat that was like a beltcat. And then when

0:35:40.960 --> 0:35:42.520
<v Speaker 24>I was up at the bus stop near the station

0:35:42.640 --> 0:35:44.640
<v Speaker 24>sometimes another one that had the felt head on with

0:35:44.719 --> 0:35:47.040
<v Speaker 24>his name on it, so I think they were like

0:35:47.440 --> 0:35:49.320
<v Speaker 24>they had their own personal names.

0:35:50.680 --> 0:35:54.840
<v Speaker 7>There you go, but that same brickette character, a black brickette.

0:35:54.880 --> 0:35:59.440
<v Speaker 22>Yeah, yeah, well I'm glad you. I'm glad you know

0:35:59.520 --> 0:36:02.399
<v Speaker 22>it's Andra. You are aware of it? There about that?

0:36:02.600 --> 0:36:05.920
<v Speaker 1>Thank you. Memories of brickets, they are they still around?

0:36:05.920 --> 0:36:08.160
<v Speaker 1>I think you can get them with bunnings, aren't they Yeah, you.

0:36:08.160 --> 0:36:09.920
<v Speaker 5>Can still get brickets. Yes, yeah, I.

0:36:09.880 --> 0:36:11.480
<v Speaker 1>Thought they become politically incorrectly.

0:36:12.080 --> 0:36:17.839
<v Speaker 7>Now I think they're made by redheads. They still I'm

0:36:17.880 --> 0:36:19.200
<v Speaker 7>sure they manufacture brickets.

0:36:19.280 --> 0:36:22.879
<v Speaker 1>Yeah. Paul's in Forest Hill. Hello, Paul are there?

0:36:24.120 --> 0:36:28.800
<v Speaker 25>Yes, I've got the tickets for the Melbourne Olympic James.

0:36:29.719 --> 0:36:34.200
<v Speaker 22>Yes, is it the one? Is it for the Olympics

0:36:34.200 --> 0:36:38.080
<v Speaker 22>at the MCG, like you know, the main Yes, okay.

0:36:38.160 --> 0:36:40.080
<v Speaker 22>They are the ones that are pretty common, Paul. They

0:36:40.160 --> 0:36:42.760
<v Speaker 22>still turn up pretty often because there were hundred thousand

0:36:42.760 --> 0:36:45.040
<v Speaker 22>people there every day. The ones that are much much

0:36:45.080 --> 0:36:48.000
<v Speaker 22>harder to find are ones that were for like, for example,

0:36:48.120 --> 0:36:51.040
<v Speaker 22>rowing or wrestling or you know, all the odd bod things.

0:36:51.280 --> 0:36:54.200
<v Speaker 22>But the MCG they still turn up pretty often, about

0:36:54.239 --> 0:36:55.960
<v Speaker 22>ten to twenty dollars a piece, Paul.

0:36:56.760 --> 0:37:02.080
<v Speaker 25>And I'm road maps up from Golden Place.

0:37:03.200 --> 0:37:09.120
<v Speaker 7>Golden Golden Fleece road maps.

0:37:07.840 --> 0:37:11.359
<v Speaker 22>They can. They're pretty common as well. They still turn

0:37:11.480 --> 0:37:14.960
<v Speaker 22>up all the old I remember Neptune petrol. It was

0:37:15.000 --> 0:37:17.600
<v Speaker 22>like a King Neptune character. There was a Neptune petrol,

0:37:17.640 --> 0:37:19.719
<v Speaker 22>and now they turned up pretty often. I have to

0:37:19.719 --> 0:37:21.680
<v Speaker 22>say also, Paul, Yeah.

0:37:21.640 --> 0:37:23.400
<v Speaker 7>Got on your Paul, thank you for that. Edo is

0:37:23.440 --> 0:37:24.120
<v Speaker 7>in Brunswick.

0:37:24.239 --> 0:37:24.960
<v Speaker 5>How are you Edo?

0:37:26.360 --> 0:37:26.640
<v Speaker 7>Yes?

0:37:26.800 --> 0:37:29.439
<v Speaker 12>Look, the Saint Louis Fair was on in ninety oh

0:37:29.480 --> 0:37:31.960
<v Speaker 12>four ninety oh six. They had the Olympics at the same time,

0:37:32.480 --> 0:37:34.239
<v Speaker 12>and I ended up with a souvenir just around the

0:37:34.239 --> 0:37:38.359
<v Speaker 12>corner from the Kurham industry, and it was it's sort

0:37:38.400 --> 0:37:41.239
<v Speaker 12>of like a snow dome with a wooden base, but

0:37:41.360 --> 0:37:44.680
<v Speaker 12>the snow dave was empty and inside it was all

0:37:44.719 --> 0:37:49.840
<v Speaker 12>sorts of different minerals like the silvery right okay, and

0:37:49.880 --> 0:37:51.800
<v Speaker 12>you could shake it and they had a wooden base

0:37:52.040 --> 0:37:55.319
<v Speaker 12>and on the wooden base they used a brandy eye

0:37:55.440 --> 0:37:58.439
<v Speaker 12>to put some Louis nineteen oh four whatever it was. Yeah,

0:37:58.440 --> 0:38:01.840
<v Speaker 12>And I always thought there was a prette thing that

0:38:01.920 --> 0:38:02.319
<v Speaker 12>sounds like.

0:38:02.320 --> 0:38:05.400
<v Speaker 22>It's a pretty interesting what's this current ministry? What's it

0:38:05.440 --> 0:38:05.840
<v Speaker 22>all about?

0:38:06.840 --> 0:38:07.000
<v Speaker 13>Oh?

0:38:07.200 --> 0:38:09.560
<v Speaker 12>Led General still was just down the corner from Curb Industry.

0:38:10.440 --> 0:38:12.600
<v Speaker 22>Ah, well, Texically where I am.

0:38:13.320 --> 0:38:16.520
<v Speaker 7>How about that small world good item.

0:38:16.880 --> 0:38:18.839
<v Speaker 22>I like the sound of that one, and I would

0:38:18.840 --> 0:38:23.000
<v Speaker 22>think it's got a nice failure fifty one hundred beautiful.

0:38:23.440 --> 0:38:25.600
<v Speaker 7>Good on you if you get a chance at We're

0:38:25.600 --> 0:38:28.360
<v Speaker 7>going to give out Rick Milne's number shortly if you

0:38:28.400 --> 0:38:30.480
<v Speaker 7>can take a photo of it and text it to him.

0:38:30.520 --> 0:38:31.040
<v Speaker 7>He'd love that.

0:38:31.280 --> 0:38:32.239
<v Speaker 22>Good Thank you, good thinking.

0:38:32.400 --> 0:38:33.279
<v Speaker 5>Love to have a look at that.

0:38:33.800 --> 0:38:34.040
<v Speaker 7>Thanks.

0:38:34.160 --> 0:38:34.239
<v Speaker 26>Ed.

0:38:34.440 --> 0:38:37.520
<v Speaker 7>John's in Listerfield, Hi John, Yes.

0:38:37.480 --> 0:38:43.720
<v Speaker 27>A bat Bernie brickette. Yes your search Mumber Parade nineteen

0:38:43.719 --> 0:38:44.719
<v Speaker 27>sixty four.

0:38:44.920 --> 0:38:45.480
<v Speaker 1>A c M.

0:38:45.560 --> 0:38:53.600
<v Speaker 27>I he's he's a thumbnail of that video and an

0:38:53.680 --> 0:38:57.399
<v Speaker 27>hour and one minute seven seconds in you can see

0:38:57.400 --> 0:39:02.520
<v Speaker 27>all these Bernie Brickettes, would I think dancing.

0:39:02.120 --> 0:39:05.520
<v Speaker 5>Girl in the costumes.

0:39:07.120 --> 0:39:08.400
<v Speaker 12>Pre Mumber Parade?

0:39:09.239 --> 0:39:13.760
<v Speaker 27>Half a dozen of them, Yeah, waving to the waving

0:39:13.840 --> 0:39:15.319
<v Speaker 27>to the cameraman and all that.

0:39:15.680 --> 0:39:19.200
<v Speaker 22>Yeah, we all know about it. Disappoinding me that really

0:39:19.239 --> 0:39:21.960
<v Speaker 22>the people are running this program don't have you know,

0:39:22.080 --> 0:39:23.280
<v Speaker 22>sometimes don't have the knowledge.

0:39:24.480 --> 0:39:27.960
<v Speaker 7>Yes, that's why we have the audience to back us

0:39:28.040 --> 0:39:29.720
<v Speaker 7>up and to be the brains.

0:39:29.320 --> 0:39:32.480
<v Speaker 22>Trust it back up more like making you up.

0:39:33.520 --> 0:39:34.160
<v Speaker 7>That's wonderful.

0:39:34.640 --> 0:39:38.200
<v Speaker 1>John so Bernie Brickett. John was featured in a Moomber

0:39:38.239 --> 0:39:40.439
<v Speaker 1>parade parade nine sixty years ago.

0:39:40.640 --> 0:39:43.520
<v Speaker 7>Yeah, yeah, we should have We should have known. We

0:39:43.719 --> 0:39:48.280
<v Speaker 7>should have known that Bernie Brickett. All right, girls, we'll

0:39:48.320 --> 0:39:50.239
<v Speaker 7>take a break and come back with and find out

0:39:50.239 --> 0:39:52.160
<v Speaker 7>what Rick is looking for. And we'll give Rick's number

0:39:52.200 --> 0:39:53.319
<v Speaker 7>out too after this.

0:39:54.120 --> 0:39:56.480
<v Speaker 1>Coming after news and remember when we're not that far

0:39:56.480 --> 0:39:58.480
<v Speaker 1>away too from the timetel. But right now is Rick

0:39:58.560 --> 0:40:01.759
<v Speaker 1>Mill talking collectible? And what's something you are after? Rick?

0:40:02.120 --> 0:40:04.000
<v Speaker 22>Well, we're after now that we all know about Bernie

0:40:04.000 --> 0:40:08.240
<v Speaker 22>Brickette looking for a cap that apparently there's a Bernie

0:40:08.320 --> 0:40:10.040
<v Speaker 22>Bricket cap sof and we had one of those big

0:40:10.040 --> 0:40:16.359
<v Speaker 22>great comics cameras, old booty cards and old magazines of

0:40:16.400 --> 0:40:21.400
<v Speaker 22>all kinds, fifty sixty seventy records, autograph books and also

0:40:21.520 --> 0:40:25.520
<v Speaker 22>Tuckfield's bird cards, but those that have blue printing on

0:40:25.560 --> 0:40:27.839
<v Speaker 22>the reverse with somebody prepared to bet three dollars each

0:40:27.840 --> 0:40:29.600
<v Speaker 22>of them, which is there out there in the millions,

0:40:29.640 --> 0:40:31.759
<v Speaker 22>I know, But they're looking for once with blueprinting on

0:40:31.800 --> 0:40:34.480
<v Speaker 22>the back, and that's it. Zero four one eight three

0:40:34.600 --> 0:40:36.960
<v Speaker 22>three nine, one zero three.

0:40:37.160 --> 0:40:40.359
<v Speaker 7>In the thirty seconds we've got before Newsrick, somebody put

0:40:40.400 --> 0:40:45.280
<v Speaker 7>on a Facebook marketplace during the week their entire Malway collection,

0:40:45.480 --> 0:40:48.120
<v Speaker 7>all fifty editions, and they only wanted one and a

0:40:48.160 --> 0:40:50.879
<v Speaker 7>half thousand for it. It was it's worth so much

0:40:50.880 --> 0:40:53.319
<v Speaker 7>more than that. I was so tempted to buy it,

0:40:53.480 --> 0:40:57.239
<v Speaker 7>but I just didn't have the space. So I broke

0:40:57.360 --> 0:40:59.960
<v Speaker 7>my heart and I don't need two.

0:41:00.200 --> 0:41:03.279
<v Speaker 1>Said he's got problems, Ricky, don't talk to him to

0:41:03.480 --> 0:41:03.880
<v Speaker 1>the news.

0:41:04.120 --> 0:41:05.480
<v Speaker 5>Don't worry about bargain.

0:41:06.040 --> 0:41:09.239
<v Speaker 7>Oh yeah, Rick Millon zero four one eight three three

0:41:09.360 --> 0:41:12.160
<v Speaker 7>nine one zero three. We'll be back after the news.

0:41:12.200 --> 0:41:57.399
<v Speaker 7>With Kevin Drask.

0:41:37.480 --> 0:41:38.279
<v Speaker 20>Friday night.

0:41:38.360 --> 0:41:38.959
<v Speaker 11>It was late.

0:41:39.080 --> 0:41:40.440
<v Speaker 26>I was bugging you home.

0:41:40.560 --> 0:41:43.759
<v Speaker 2>We got down to the Gator and I was dreaming

0:41:43.920 --> 0:41:44.759
<v Speaker 2>of the night.

0:41:48.360 --> 0:41:54.640
<v Speaker 11>Wouldn't turn out ride? How tell you?

0:41:58.320 --> 0:42:00.279
<v Speaker 5>How well?

0:42:00.440 --> 0:42:05.319
<v Speaker 19>Around? Tell you?

0:42:05.440 --> 0:42:06.560
<v Speaker 25>That is true?

0:42:10.400 --> 0:42:14.040
<v Speaker 2>I want to make you understand I'm talking about a

0:42:14.200 --> 0:42:16.200
<v Speaker 2>lifetime flat.

0:42:19.239 --> 0:42:20.080
<v Speaker 5>Eight after ten.

0:42:21.920 --> 0:42:23.280
<v Speaker 11>That's the way it began.

0:42:23.440 --> 0:42:26.960
<v Speaker 28>We were hand in hand and Miller Fan was better

0:42:27.280 --> 0:42:28.200
<v Speaker 28>than before.

0:42:29.000 --> 0:42:29.640
<v Speaker 5>Sunday night.

0:42:29.840 --> 0:42:31.320
<v Speaker 7>This is remember Wayne.

0:42:31.760 --> 0:42:33.719
<v Speaker 11>We yell the scream for.

0:42:37.520 --> 0:42:38.560
<v Speaker 3>But you.

0:42:42.200 --> 0:42:46.399
<v Speaker 15>Made us stand across the room.

0:42:46.920 --> 0:42:48.160
<v Speaker 7>Come on, Kevin's getting.

0:42:47.880 --> 0:42:54.600
<v Speaker 11>In platient end it all too soon on the way

0:42:54.719 --> 0:42:57.080
<v Speaker 11>back home, I promise you never be.

0:42:59.200 --> 0:43:01.360
<v Speaker 7>Come on just see remembering Please.

0:43:06.160 --> 0:43:10.160
<v Speaker 1>We can't wait, you know, I can't wait, just just

0:43:10.200 --> 0:43:12.320
<v Speaker 1>to be out. Kevin will, Kevin will do his lo

0:43:12.560 --> 0:43:13.000
<v Speaker 1>in the moment.

0:43:21.719 --> 0:43:26.000
<v Speaker 5>Hello, Kevin Trask, Hello, Simon Owen's Hello, Andrew McLaren. And

0:43:26.040 --> 0:43:28.600
<v Speaker 5>it's a beautiful song, though, isn't it. Rem It's one

0:43:28.600 --> 0:43:31.640
<v Speaker 5>of the most popular songs in America. It's a It's

0:43:31.680 --> 0:43:34.160
<v Speaker 5>huge in America on the charts. It's a great song,

0:43:34.560 --> 0:43:36.760
<v Speaker 5>perhaps not now on the charts.

0:43:37.600 --> 0:43:39.600
<v Speaker 7>Then let's talk about the most played records.

0:43:40.239 --> 0:43:48.480
<v Speaker 1>Yeah McLaren, Okay, Uh, Kevin, we have to ask this

0:43:48.640 --> 0:43:49.840
<v Speaker 1>rather somber question, don't we.

0:43:49.880 --> 0:43:50.560
<v Speaker 7>Oh, yes, we do.

0:43:52.080 --> 0:43:58.240
<v Speaker 5>Now I remember when it's time for who died? Kevin?

0:43:59.200 --> 0:44:02.759
<v Speaker 7>Any one become unlive this week? Kevin that I've got

0:44:02.880 --> 0:44:05.120
<v Speaker 7>very good news. There's no one for me to report.

0:44:05.880 --> 0:44:08.960
<v Speaker 7>And I thrilled the bits when that happens. Yes, and

0:44:09.040 --> 0:44:12.760
<v Speaker 7>a long may continue. Death takes a holiday, Yes, excellent.

0:44:13.080 --> 0:44:15.440
<v Speaker 5>But I just thought i'd mentioned the survivors meeting that

0:44:15.560 --> 0:44:18.720
<v Speaker 5>was on yesterday at the Emerald Hotel.

0:44:18.440 --> 0:44:20.320
<v Speaker 1>In South Any of them close?

0:44:21.080 --> 0:44:23.680
<v Speaker 7>No, not one. They're all standing up and all having

0:44:24.880 --> 0:44:25.520
<v Speaker 7>very good to hear.

0:44:25.719 --> 0:44:27.160
<v Speaker 5>I just like to run through some of the people

0:44:27.200 --> 0:44:29.520
<v Speaker 5>who were there. Pete Smith was there, for instance, and

0:44:29.560 --> 0:44:33.040
<v Speaker 5>Pete Smith did a tribute to Phil which was lovely

0:44:33.120 --> 0:44:36.600
<v Speaker 5>and he did a great a few minutes on Phil.

0:44:36.880 --> 0:44:39.880
<v Speaker 5>And in the audience we had people like Angela McGowan,

0:44:40.160 --> 0:44:43.240
<v Speaker 5>Keith McGowan's partner from years ago. She was back in Melbourne.

0:44:43.320 --> 0:44:46.440
<v Speaker 5>She was lovely. Doctor Celly Coburn. I had a lovely

0:44:46.520 --> 0:44:50.520
<v Speaker 5>chat that dtor Celly. Heidi Victoria was there. Lynn Baker

0:44:50.600 --> 0:44:55.200
<v Speaker 5>from the trots Man, from the local paper.

0:44:55.360 --> 0:44:57.360
<v Speaker 7>That's a rather unfortunate nickname, isn't it.

0:44:57.520 --> 0:44:57.719
<v Speaker 11>Yeah.

0:44:57.960 --> 0:45:00.719
<v Speaker 7>I hope you're feeling well down right there, Ben.

0:45:01.719 --> 0:45:03.680
<v Speaker 1>He spent a lot of time in the smallest room,

0:45:03.719 --> 0:45:03.920
<v Speaker 1>did he.

0:45:04.640 --> 0:45:05.879
<v Speaker 7>Gary McQuaid was there.

0:45:06.760 --> 0:45:11.000
<v Speaker 5>Three a w former newsreader Bill duff Ash long Ash

0:45:11.120 --> 0:45:15.000
<v Speaker 5>was one of the organizers. Yes, And Dennis Kaine was there.

0:45:15.040 --> 0:45:18.560
<v Speaker 5>He spoke a bit and introduced a few speakers. Brian Smith,

0:45:18.600 --> 0:45:21.600
<v Speaker 5>remember Brian Smith, the TV newsreader from Channel nine.

0:45:23.120 --> 0:45:24.960
<v Speaker 1>No, No, I don't.

0:45:24.760 --> 0:45:26.399
<v Speaker 7>Okay, if you saw him, you know him.

0:45:26.840 --> 0:45:30.920
<v Speaker 5>Tony McManus was there, Yes, the old tone Keith Livingston

0:45:31.120 --> 0:45:35.279
<v Speaker 5>three dB, that's your three k N three ks here

0:45:35.400 --> 0:45:36.000
<v Speaker 5>he was the doc.

0:45:36.440 --> 0:45:37.000
<v Speaker 7>He's the doc.

0:45:37.200 --> 0:45:41.400
<v Speaker 5>Yeah, he's now involved in fire fire.

0:45:43.120 --> 0:45:43.600
<v Speaker 1>Firelight.

0:45:43.880 --> 0:45:44.800
<v Speaker 7>He's an arsonist.

0:45:45.280 --> 0:45:52.200
<v Speaker 1>No putting them out fire firefighter. Firefighters were pretty vintage. Firefighter.

0:45:52.360 --> 0:45:54.080
<v Speaker 7>Wasn't going to kill me at the next.

0:45:55.600 --> 0:45:57.399
<v Speaker 1>Most doesn't do it nineteen sixty two?

0:45:58.400 --> 0:46:02.960
<v Speaker 9>Did he release a calendar at the time that's at fireies.

0:46:02.520 --> 0:46:06.080
<v Speaker 7>After appear with I don't think chest, I don't think.

0:46:06.160 --> 0:46:07.680
<v Speaker 1>We're going to go through every name on the lane.

0:46:08.440 --> 0:46:09.520
<v Speaker 7>I'm going as far as I can.

0:46:09.640 --> 0:46:12.040
<v Speaker 1>I'm sorry. I want my fault. No I spoke to

0:46:12.120 --> 0:46:14.120
<v Speaker 1>so I won't check my mouth off. I'm sorry.

0:46:14.160 --> 0:46:15.080
<v Speaker 7>There were sixty there.

0:46:15.560 --> 0:46:15.960
<v Speaker 1>Wow.

0:46:17.000 --> 0:46:23.800
<v Speaker 5>Gavin Wood was there, John Verdigan, yes, senior or junior,

0:46:24.480 --> 0:46:27.880
<v Speaker 5>both both both senior and junior. Gordon Bennett from Channel

0:46:27.880 --> 0:46:31.920
<v Speaker 5>seven was there, rob Curtain, Grant Brown, Darren Hinch was

0:46:31.920 --> 0:46:34.920
<v Speaker 5>there and Darren said a few words, which is great.

0:46:35.840 --> 0:46:39.200
<v Speaker 5>Still going here, Andrew Craig Willis. He's a made of yours,

0:46:39.239 --> 0:46:39.480
<v Speaker 5>isn't he.

0:46:40.000 --> 0:46:41.160
<v Speaker 1>Well I've met him twice.

0:46:41.320 --> 0:46:42.439
<v Speaker 7>Yeah, Well that makes him mate.

0:46:42.480 --> 0:46:42.800
<v Speaker 11>That'll do.

0:46:43.640 --> 0:46:44.640
<v Speaker 7>We'll dine out on that.

0:46:45.920 --> 0:46:49.880
<v Speaker 5>Ron Win Robinson, your Bronwin was there, Yes, John Allen,

0:46:50.080 --> 0:46:53.399
<v Speaker 5>Sean Cosgrove, and a lot of apologies from people who

0:46:53.440 --> 0:46:57.040
<v Speaker 5>couldn't be there. But John Michael Housen, for instance, was

0:46:57.040 --> 0:46:59.479
<v Speaker 5>coming and he couldn't be there. Yes, and about twenty

0:46:59.560 --> 0:47:02.360
<v Speaker 5>others of ologized. So it was that great day. And

0:47:02.440 --> 0:47:05.120
<v Speaker 5>as I say, I'm only organized by Ashlong and Bill

0:47:05.200 --> 0:47:06.480
<v Speaker 5>duff Well.

0:47:06.680 --> 0:47:09.840
<v Speaker 7>I got an invite from Ash, which I'm very appreciative of.

0:47:10.360 --> 0:47:12.080
<v Speaker 7>I just couldn't make it to this one, but I

0:47:12.120 --> 0:47:13.319
<v Speaker 7>am going to come to the next one.

0:47:13.320 --> 0:47:15.520
<v Speaker 5>A lot of people, a lot of people asked about

0:47:15.640 --> 0:47:19.479
<v Speaker 5>you really. Oh, yes, definitely, said I said, my name's

0:47:19.520 --> 0:47:20.040
<v Speaker 5>Kevin Trash.

0:47:20.120 --> 0:47:20.319
<v Speaker 1>Yes.

0:47:20.520 --> 0:47:21.920
<v Speaker 5>They said he's not coming, is he?

0:47:23.080 --> 0:47:24.759
<v Speaker 7>No, it was good. It was a great day. No,

0:47:24.840 --> 0:47:27.320
<v Speaker 7>that's lovely. I'm glad that get together happens because it

0:47:27.360 --> 0:47:29.480
<v Speaker 7>was originally organized by Burt Newton and that back in

0:47:29.480 --> 0:47:30.320
<v Speaker 7>the day wasn't.

0:47:30.080 --> 0:47:32.120
<v Speaker 5>Back in the day and Graham Kennedy used to go

0:47:32.280 --> 0:47:34.279
<v Speaker 5>and Joff Allen and all these sort of people. Now

0:47:34.280 --> 0:47:36.000
<v Speaker 5>it's continued on over the years.

0:47:36.520 --> 0:47:38.840
<v Speaker 7>And what's the criteria? You have to have worked in

0:47:38.920 --> 0:47:40.799
<v Speaker 7>radio for twenty five years or so. I don't know.

0:47:41.640 --> 0:47:43.479
<v Speaker 1>It used to be the writeria I don't think listening

0:47:43.520 --> 0:47:44.799
<v Speaker 1>to that list it would apply that.

0:47:45.080 --> 0:47:47.160
<v Speaker 5>No, no, no, I think there's a few people that

0:47:47.239 --> 0:47:50.719
<v Speaker 5>haven't worked twenty five years. I tell you how I

0:47:50.719 --> 0:47:52.520
<v Speaker 5>didn't mention, and I shouldn't mention too.

0:47:55.640 --> 0:47:56.879
<v Speaker 7>He's eating into his own time.

0:47:57.400 --> 0:48:02.440
<v Speaker 5>Caroline Aylett and Gwen Johnson. Now Gwen Johnston. She's a

0:48:02.480 --> 0:48:06.480
<v Speaker 5>regular listener to remember when and she's swizzing guys and

0:48:06.560 --> 0:48:10.719
<v Speaker 5>dolls and I think nine eighty six images. So that

0:48:10.840 --> 0:48:12.520
<v Speaker 5>was lovely to have a chat to her about theater,

0:48:12.640 --> 0:48:14.280
<v Speaker 5>treading the boards, treading the boards.

0:48:14.600 --> 0:48:14.880
<v Speaker 1>Lovely.

0:48:14.960 --> 0:48:17.120
<v Speaker 7>That's it, boys, that's it. That's all I've got to report.

0:48:17.200 --> 0:48:18.800
<v Speaker 7>All right, Well, we better get to a break in

0:48:18.960 --> 0:48:20.960
<v Speaker 7>and get the Time Tunnel underway after this.

0:48:22.840 --> 0:48:26.520
<v Speaker 3>Kevin Trask's Time Tunnel. The Blind Factory's Birthday sale is

0:48:26.600 --> 0:48:29.680
<v Speaker 3>on big savings call one three blinds or head to

0:48:29.719 --> 0:48:32.600
<v Speaker 3>the Blind Factory dot com dot au. Before it ends,

0:48:33.640 --> 0:48:37.360
<v Speaker 3>it's time to go back and remember the people, events

0:48:37.480 --> 0:48:41.840
<v Speaker 3>and to the soundtrack of our lives with Trasks Time Tunnel.

0:49:11.719 --> 0:49:14.400
<v Speaker 1>Okay, the Time tunnel has been entered, it has been opened.

0:49:14.520 --> 0:49:18.399
<v Speaker 1>The stone has been rolled back. Kevin and we going

0:49:18.400 --> 0:49:21.680
<v Speaker 1>back to the year I changed the style of underwear

0:49:21.960 --> 0:49:22.480
<v Speaker 1>I wore.

0:49:23.320 --> 0:49:24.600
<v Speaker 5>So that's a you did.

0:49:25.040 --> 0:49:28.400
<v Speaker 29>I did that particularly year in nineteen eighty Yep, up

0:49:28.480 --> 0:49:31.200
<v Speaker 29>until that that particularly years, just by chance, I remember,

0:49:31.880 --> 0:49:35.839
<v Speaker 29>I was wearing the sort of more old fashioned modesty

0:49:36.080 --> 0:49:37.320
<v Speaker 29>started to go Underwe.

0:49:37.120 --> 0:49:39.320
<v Speaker 5>To jocks you were, I got into the jock you

0:49:39.400 --> 0:49:40.839
<v Speaker 5>became a jocks boy, and.

0:49:40.760 --> 0:49:43.000
<v Speaker 1>I'd had before. I just said the sort of larger

0:49:43.680 --> 0:49:47.480
<v Speaker 1>sort of modesty flap sort of arrangement. Anyway, the year

0:49:47.600 --> 0:49:49.040
<v Speaker 1>was nineteen eighty.

0:49:49.120 --> 0:49:51.440
<v Speaker 7>And when we do next to nineteen ninety six, that's

0:49:51.440 --> 0:49:55.080
<v Speaker 7>when he changed to the G string that he currently wears.

0:49:55.960 --> 0:49:59.120
<v Speaker 5>Nineteen eighty. Yes, we took about the passing of Maywest.

0:50:01.440 --> 0:50:02.960
<v Speaker 5>Blank looks on both faces.

0:50:03.040 --> 0:50:08.600
<v Speaker 1>No, West, absolutely come up and see me sometime.

0:50:08.719 --> 0:50:09.680
<v Speaker 7>Yeah, well she was.

0:50:09.719 --> 0:50:10.839
<v Speaker 1>She was a huge star.

0:50:11.239 --> 0:50:14.600
<v Speaker 7>Weren't there rumors that she was actually male? I don't

0:50:14.640 --> 0:50:14.920
<v Speaker 7>think so.

0:50:15.440 --> 0:50:17.760
<v Speaker 5>I thought there were rumors. I've never heard that rumor,

0:50:17.960 --> 0:50:21.400
<v Speaker 5>haven't you. No, No, maybe it's.

0:50:21.239 --> 0:50:26.160
<v Speaker 7>Someone else, probably couldn't be. Yeah, I'll shut up now. Sorry.

0:50:26.480 --> 0:50:28.799
<v Speaker 1>I've had a rumor though, that Kevin was one of

0:50:28.800 --> 0:50:31.360
<v Speaker 1>her paramours, if only briefly.

0:50:31.480 --> 0:50:34.680
<v Speaker 7>Me and carry Grant, carry Grant.

0:50:34.480 --> 0:50:35.720
<v Speaker 1>You and Kerry Grand are paramore.

0:50:35.840 --> 0:50:45.240
<v Speaker 5>No, No, Jane Jane, Jane j May West. May West

0:50:45.760 --> 0:50:48.960
<v Speaker 5>got Kerry Grand into films, as she did for me too,

0:50:49.040 --> 0:50:51.000
<v Speaker 5>But mine finished up on the cut floor.

0:50:51.360 --> 0:50:53.879
<v Speaker 1>You didn't come up. It didn't measure up, I think,

0:50:54.000 --> 0:50:54.800
<v Speaker 1>was what May said.

0:50:55.080 --> 0:50:57.799
<v Speaker 5>That's what she is, exactly what she said. She was

0:50:57.840 --> 0:50:59.560
<v Speaker 5>a writer, she was a comedian.

0:50:59.640 --> 0:51:00.000
<v Speaker 7>She was.

0:51:01.960 --> 0:51:04.400
<v Speaker 5>She was someone that was sort of stepping over the

0:51:04.440 --> 0:51:08.279
<v Speaker 5>mark all the time with censorship. She said, censorship, censorship

0:51:08.520 --> 0:51:11.920
<v Speaker 5>I made a fortune out of it. Was exactly what

0:51:12.040 --> 0:51:15.360
<v Speaker 5>she did do. And so she was the Kyle Sandylands

0:51:15.360 --> 0:51:19.280
<v Speaker 5>of her day. Went in a way, yes, yes, pushing.

0:51:18.920 --> 0:51:22.959
<v Speaker 7>Against the the the.

0:51:22.880 --> 0:51:26.360
<v Speaker 1>Norms of society than what I was looking for and

0:51:26.600 --> 0:51:27.480
<v Speaker 1>the three words.

0:51:27.880 --> 0:51:30.480
<v Speaker 5>She was after the role of Norma Desmond in Sunset

0:51:30.480 --> 0:51:32.520
<v Speaker 5>Boulevard in the film, but she knocked her back. I'm

0:51:32.520 --> 0:51:34.080
<v Speaker 5>glad she did, because I don't think it'd worked with

0:51:34.120 --> 0:51:34.480
<v Speaker 5>Ma West.

0:51:34.520 --> 0:51:35.040
<v Speaker 11>I would have known.

0:51:35.200 --> 0:51:38.279
<v Speaker 1>Laughing at that last scene and her sashing down the

0:51:38.280 --> 0:51:39.600
<v Speaker 1>stairs like no, she couldn't.

0:51:41.160 --> 0:51:43.319
<v Speaker 7>Yes, with the gowns and everything. Now, I don't think

0:51:43.320 --> 0:51:44.160
<v Speaker 7>it quite worked.

0:51:44.320 --> 0:51:46.560
<v Speaker 5>She passed away in her sleep at the age of

0:51:46.600 --> 0:51:49.080
<v Speaker 5>eighty seven, and she had a pretty good career.

0:51:49.160 --> 0:51:54.400
<v Speaker 7>Throughout her entire life. I liked May May May West

0:51:54.640 --> 0:51:54.960
<v Speaker 7>have you a.

0:51:54.960 --> 0:51:59.600
<v Speaker 1>Lot of trouble with the old memories is still burned deeper.

0:51:59.760 --> 0:52:00.879
<v Speaker 1>That resk is.

0:52:00.880 --> 0:52:04.879
<v Speaker 7>Only one syllable in nature of her names.

0:52:05.400 --> 0:52:05.720
<v Speaker 1>History.

0:52:05.800 --> 0:52:09.080
<v Speaker 7>It's the history he had, the emotion this is.

0:52:09.120 --> 0:52:10.320
<v Speaker 1>This is tough for Kevin.

0:52:10.520 --> 0:52:14.360
<v Speaker 5>Let's catch the song, boys, this is who was it?

0:52:15.719 --> 0:52:16.400
<v Speaker 1>May West?

0:52:17.640 --> 0:52:17.920
<v Speaker 5>Come on?

0:52:18.200 --> 0:52:22.799
<v Speaker 20>Let me cling onto you like Calvine. Make that low

0:52:22.880 --> 0:52:28.040
<v Speaker 20>down music, trickle off your spine. Baby, I can warm

0:52:28.160 --> 0:52:29.200
<v Speaker 20>you with his love.

0:52:29.440 --> 0:52:35.880
<v Speaker 16>Arm mine, no angel, all.

0:52:35.840 --> 0:52:40.480
<v Speaker 20>Let my fee your fingers running through my head. I

0:52:40.520 --> 0:52:45.680
<v Speaker 20>can give you kisses till you walk on. Love me, honey,

0:52:45.800 --> 0:52:54.240
<v Speaker 20>love me till I just don't care. No Angel, I'll

0:52:54.280 --> 0:53:01.320
<v Speaker 20>thank your blues. Stop down your troubles marking with us.

0:53:03.000 --> 0:53:14.160
<v Speaker 20>Here's your donation, take my mation. You're mine away before

0:53:14.320 --> 0:53:18.440
<v Speaker 20>the night is gone. Come on, flag this giant so

0:53:18.600 --> 0:53:20.040
<v Speaker 20>we can carry on.

0:53:21.400 --> 0:53:24.719
<v Speaker 11>I can make it a heaven lout of shades.

0:53:27.800 --> 0:53:30.040
<v Speaker 9>Norway Angel, What do you think?

0:53:30.200 --> 0:53:32.960
<v Speaker 7>Yeah? No, it's good, good, It's different, isn't it great? Style?

0:53:33.239 --> 0:53:37.160
<v Speaker 1>Yes, I'm not a huge big voice, but she gets

0:53:37.200 --> 0:53:37.560
<v Speaker 1>it across.

0:53:37.920 --> 0:53:41.480
<v Speaker 7>She certainly does, just very quickly, and we don't sort

0:53:41.520 --> 0:53:45.560
<v Speaker 7>of do newsy stuff normally on this show, and we're not.

0:53:45.600 --> 0:53:46.480
<v Speaker 5>Going to break that tradition.

0:53:46.560 --> 0:53:48.879
<v Speaker 7>But I will point out be listening for the news

0:53:48.880 --> 0:53:53.560
<v Speaker 7>at eleven because currently the US Defense Secretary is up

0:53:53.600 --> 0:53:57.960
<v Speaker 7>giving a big speech about Operation Midnight Hammer that happened

0:53:57.960 --> 0:53:59.640
<v Speaker 7>with the US So it's.

0:53:59.680 --> 0:54:01.200
<v Speaker 1>Much a do in the Middle East at the moment

0:54:01.360 --> 0:54:02.279
<v Speaker 1>once once again.

0:54:02.680 --> 0:54:05.120
<v Speaker 7>Yes, so there's he's talking about that now, so there'll

0:54:05.160 --> 0:54:07.720
<v Speaker 7>be no doubt updates in the news at eleven.

0:54:08.360 --> 0:54:09.759
<v Speaker 1>Quick Quiz time, Kevin.

0:54:09.960 --> 0:54:10.440
<v Speaker 7>It is too.

0:54:10.520 --> 0:54:12.840
<v Speaker 5>I just before we do that, I mentioned the Sinatra

0:54:12.960 --> 0:54:15.520
<v Speaker 5>Society of meeting on Tuesday night at the Clayton Arras.

0:54:15.520 --> 0:54:19.160
<v Speaker 5>Who Frank Sinatra's concert the Americas. It'll be a great night.

0:54:19.239 --> 0:54:22.480
<v Speaker 5>So that's this coming Tuesday night for the Sinatra Society.

0:54:23.040 --> 0:54:26.600
<v Speaker 5>Now the quick Quiz. In nineteen eighty, the Logi Awards

0:54:26.640 --> 0:54:29.760
<v Speaker 5>were held at the Hilton Hotel in Melbourne and hosted

0:54:29.840 --> 0:54:34.719
<v Speaker 5>by Bert Newton. There were special appearances by overseas stars.

0:54:35.680 --> 0:54:36.200
<v Speaker 1>Which of the.

0:54:36.280 --> 0:54:40.719
<v Speaker 5>Following was not a guest star at the nineteen eighty Logies.

0:54:41.800 --> 0:54:47.800
<v Speaker 5>Was it a John Enman, B. Dolly Parton, C. Michael

0:54:47.920 --> 0:54:55.600
<v Speaker 5>York or D. Sillah Black. Not one of those, is

0:54:55.719 --> 0:54:57.880
<v Speaker 5>not there? Three out of the four were the nineteen

0:54:57.920 --> 0:54:58.960
<v Speaker 5>eighty logo, correct?

0:54:59.000 --> 0:55:02.040
<v Speaker 7>And that's John Enman, Dolly Parton, Michael York or Silla Black.

0:55:03.480 --> 0:55:06.200
<v Speaker 1>All right, well, just to explain who John Inman is?

0:55:06.440 --> 0:55:07.920
<v Speaker 7>Do you remember? Are you being certain?

0:55:08.000 --> 0:55:08.120
<v Speaker 1>Oh?

0:55:08.239 --> 0:55:08.840
<v Speaker 5>That's what I know.

0:55:10.040 --> 0:55:12.960
<v Speaker 7>He was very big in idea. I would just said that,

0:55:13.280 --> 0:55:15.279
<v Speaker 7>being sir, would I would say he would have been

0:55:15.360 --> 0:55:19.080
<v Speaker 7>here because he did a series down under? Are you correct?

0:55:19.400 --> 0:55:21.520
<v Speaker 7>I'm going to take a punt and say he was here?

0:55:22.880 --> 0:55:23.680
<v Speaker 7>Dolly Parton?

0:55:24.040 --> 0:55:24.400
<v Speaker 5>I think so.

0:55:24.680 --> 0:55:26.680
<v Speaker 7>I actually don't know who Michael York is. Is he

0:55:26.760 --> 0:55:27.839
<v Speaker 7>a mate of yours from the pub?

0:55:27.960 --> 0:55:29.839
<v Speaker 5>He was in Cabaret? He was one of the leads

0:55:29.880 --> 0:55:34.320
<v Speaker 5>with Liza Minelli in the film Cabaret. I think it's German?

0:55:34.440 --> 0:55:34.960
<v Speaker 5>Was he something?

0:55:35.200 --> 0:55:35.239
<v Speaker 19>No?

0:55:35.360 --> 0:55:35.960
<v Speaker 1>It was English?

0:55:36.960 --> 0:55:37.320
<v Speaker 7>English?

0:55:37.719 --> 0:55:38.480
<v Speaker 1>I'm not sure about it.

0:55:38.640 --> 0:55:40.200
<v Speaker 5>Well, I'm going to go Michael Yorke.

0:55:40.239 --> 0:55:42.759
<v Speaker 1>I'm going to say Dolly Parton wasn't here? And wasn't

0:55:42.760 --> 0:55:43.400
<v Speaker 1>it the logis?

0:55:43.680 --> 0:55:43.839
<v Speaker 11>Ben?

0:55:44.880 --> 0:55:49.080
<v Speaker 10>I think it might be Stilla Black? Oh, yes, because

0:55:49.080 --> 0:55:51.120
<v Speaker 10>I don't remember Silla Black going to the logis. It's

0:55:51.120 --> 0:55:53.120
<v Speaker 10>not saying she didn't, but I just don't remember.

0:55:52.880 --> 0:55:55.239
<v Speaker 7>You don't remember her doing that fifteen years before you

0:55:55.320 --> 0:55:55.719
<v Speaker 7>were born.

0:55:55.920 --> 0:55:56.759
<v Speaker 11>No, not at all.

0:55:59.560 --> 0:56:01.520
<v Speaker 5>Okay, here we are, here's the rap, because we're going

0:56:01.600 --> 0:56:05.280
<v Speaker 5>to get the pace up. Yes, yes, yes, John Inman,

0:56:05.400 --> 0:56:13.520
<v Speaker 5>are you being served? Yes, he was there, Michael York Cabaret, Yes,

0:56:13.560 --> 0:56:22.319
<v Speaker 5>he was there. Andrew still the black Yes, she was there.

0:56:22.480 --> 0:56:27.640
<v Speaker 5>Oh Andrews right, and Andrew, congratulations because Dolly Parton was

0:56:27.719 --> 0:56:33.120
<v Speaker 5>nowhere near the Hilton Hotel in Melbourne in nineteen eighty Yes, yes, yes,

0:56:33.200 --> 0:56:35.520
<v Speaker 5>I thought that's the first one you've ever got, right,

0:56:35.560 --> 0:56:35.839
<v Speaker 5>I think.

0:56:35.880 --> 0:56:39.400
<v Speaker 1>Oh no, no, no, no, oh no, we can go

0:56:39.520 --> 0:56:41.400
<v Speaker 1>back over the tapes. I'll send them round to you,

0:56:41.719 --> 0:56:43.360
<v Speaker 1>thank you. I'll deliver them tomorrow.

0:56:43.560 --> 0:56:46.239
<v Speaker 7>You've got nothing to do tomorrow. Listen to them all day.

0:56:46.960 --> 0:56:50.000
<v Speaker 10>He's got a shelf full of them. He keeps keeps

0:56:50.040 --> 0:56:51.520
<v Speaker 10>all these wins every single week.

0:56:52.760 --> 0:56:55.160
<v Speaker 7>Well, and that makes sense it would be Dolly, because

0:56:55.160 --> 0:56:57.520
<v Speaker 7>if Bert was hosting, Paddy wouldn't have let Dolly anywhere

0:56:57.560 --> 0:57:00.680
<v Speaker 7>near him. All right, let's move wong then to what

0:57:00.840 --> 0:57:03.959
<v Speaker 7>was happening at that time in films of nineteen eighty seven,

0:57:04.080 --> 0:57:05.160
<v Speaker 7>great year for films.

0:57:05.280 --> 0:57:09.319
<v Speaker 5>The Empire strikes strikes back nine to five Elephant Man,

0:57:09.560 --> 0:57:12.720
<v Speaker 5>Ordinary People, and the Best Picture went to Ordinary People

0:57:12.760 --> 0:57:16.000
<v Speaker 5>as well. But here in Australia, Break a Morant was

0:57:16.040 --> 0:57:19.080
<v Speaker 5>the big one. This was based on the story of

0:57:19.120 --> 0:57:24.880
<v Speaker 5>the Boll War and what a cast Edward Wood would Yeah,

0:57:25.120 --> 0:57:25.760
<v Speaker 5>why are you saying it?

0:57:26.560 --> 0:57:28.600
<v Speaker 7>That's what his name sounds like if you take all

0:57:28.600 --> 0:57:31.640
<v Speaker 7>the ds out. Okay, he was in it.

0:57:31.920 --> 0:57:35.520
<v Speaker 5>Jack Thompson, Brian Brown, Bud Tingwall and John ward Is

0:57:35.640 --> 0:57:37.360
<v Speaker 5>in a strong cast.

0:57:38.000 --> 0:57:38.400
<v Speaker 7>I think it was.

0:57:38.560 --> 0:57:40.680
<v Speaker 5>I think you were actually one of the best Australian

0:57:40.760 --> 0:57:43.080
<v Speaker 5>films ever made. I think it one day.

0:57:43.120 --> 0:57:45.720
<v Speaker 7>A lot of people don't like Australian films. Did you

0:57:45.800 --> 0:57:46.360
<v Speaker 7>know that, Andrew?

0:57:46.560 --> 0:57:48.040
<v Speaker 1>Yes, you're looking at one right now.

0:57:49.880 --> 0:57:52.320
<v Speaker 7>Well have you ever watched to Break a Morant?

0:57:53.000 --> 0:57:53.040
<v Speaker 30>No?

0:57:53.160 --> 0:57:55.560
<v Speaker 1>I haven't seen it. To my shame, I have not.

0:57:55.680 --> 0:57:58.080
<v Speaker 7>It's a magnificent film. We'll we'll have to have a

0:57:58.240 --> 0:58:00.360
<v Speaker 7>night where we all get together and watch it. I think, yes,

0:58:01.560 --> 0:58:03.800
<v Speaker 7>well we'll do that. Thursday is good for you guys.

0:58:07.960 --> 0:58:09.040
<v Speaker 1>Those underpants to try on.

0:58:09.160 --> 0:58:09.760
<v Speaker 5>I can read the.

0:58:11.360 --> 0:58:11.480
<v Speaker 31>Uh.

0:58:12.000 --> 0:58:15.760
<v Speaker 5>It won ten awards at the AFI Awards and it

0:58:16.280 --> 0:58:21.160
<v Speaker 5>is playing regularly. I think on World Movies, SBS World Movies,

0:58:21.200 --> 0:58:23.920
<v Speaker 5>they played from time to time, but I will never

0:58:23.960 --> 0:58:26.240
<v Speaker 5>forget the AFI Awards. They brought in a pipe band

0:58:26.320 --> 0:58:29.160
<v Speaker 5>and they were playing that Soldiers of the Queen, No Down,

0:58:30.360 --> 0:58:34.400
<v Speaker 5>and it was marvelous. But here's the song, and it

0:58:34.480 --> 0:58:36.920
<v Speaker 5>was actually recorded by Edward Would.

0:58:37.040 --> 0:58:39.760
<v Speaker 1>Would Would Would Woo woo.

0:58:40.160 --> 0:58:42.520
<v Speaker 7>Yea it breaks erect.

0:58:45.360 --> 0:58:59.840
<v Speaker 15>It's the solace in the fight for engl clo. It's

0:59:00.080 --> 0:59:01.560
<v Speaker 15>old wild glory.

0:59:01.800 --> 0:59:02.520
<v Speaker 11>Let us see.

0:59:04.240 --> 0:59:08.320
<v Speaker 2>And when we say we fall is what?

0:59:09.000 --> 0:59:14.760
<v Speaker 15>And when they ask us are it's not? We'll proudly

0:59:15.240 --> 0:59:21.760
<v Speaker 15>point to everyone of England, soldiers of the way.

0:59:43.440 --> 0:59:43.880
<v Speaker 16>The word.

1:00:00.600 --> 1:00:04.520
<v Speaker 7>There are a bit of Edward Woodwood singing Soldiers of

1:00:04.600 --> 1:00:08.520
<v Speaker 7>the Queen. My dad had the pleasure of arresting Edward Woodwood.

1:00:09.320 --> 1:00:10.240
<v Speaker 7>There's a story for it.

1:00:10.520 --> 1:00:13.160
<v Speaker 5>Your father arrested Edward Woodwood.

1:00:13.240 --> 1:00:15.840
<v Speaker 7>Yes, he and a bunch of others. He was I

1:00:15.960 --> 1:00:18.560
<v Speaker 7>think it was in his days in the UK, because

1:00:18.600 --> 1:00:21.880
<v Speaker 7>Dad's English. He was a bobby over there. And yeah,

1:00:22.240 --> 1:00:24.520
<v Speaker 7>Edward wood Would I can't remember what the charge was,

1:00:24.560 --> 1:00:26.480
<v Speaker 7>a drunken disorderly or something.

1:00:26.360 --> 1:00:29.240
<v Speaker 5>Like that, but he was rather full of himself. He

1:00:29.320 --> 1:00:30.800
<v Speaker 5>pulled the old do you know who I am?

1:00:31.000 --> 1:00:31.160
<v Speaker 11>Thing?

1:00:31.480 --> 1:00:34.160
<v Speaker 7>Yes, yeah, And they didn't care they just arrested him.

1:00:35.120 --> 1:00:38.200
<v Speaker 1>Yeah, all right, we move on though. Films of nine

1:00:38.240 --> 1:00:40.800
<v Speaker 1>in eighty we're talking about this is the year of

1:00:40.880 --> 1:00:44.040
<v Speaker 1>the time tunnel this week and this movie was right

1:00:44.080 --> 1:00:47.439
<v Speaker 1>down quite understand. Barroom Buddies, what's that all about?

1:00:47.440 --> 1:00:49.640
<v Speaker 5>Well, the song is Barroom Buddies and it comes from

1:00:49.680 --> 1:00:54.080
<v Speaker 5>a film called Bronco Billy and Bronco Billy starred Committed

1:00:54.080 --> 1:00:58.240
<v Speaker 5>Eastwood and Sondra Lockey, directed by Eastwood.

1:00:58.400 --> 1:00:59.440
<v Speaker 7>He directed it.

1:00:59.640 --> 1:01:04.160
<v Speaker 5>And and do you remember Moole Haggard, Oh, the country singer. Yeah,

1:01:04.440 --> 1:01:07.920
<v Speaker 5>he was a big country singer. He had heaps and

1:01:08.360 --> 1:01:10.880
<v Speaker 5>heaps of hits. None of them were really hit popular

1:01:10.920 --> 1:01:14.320
<v Speaker 5>in Australia, but overseas in America he was huge. So

1:01:14.480 --> 1:01:20.080
<v Speaker 5>we've got this film where Clint Eastwood's playing a someone

1:01:20.120 --> 1:01:23.200
<v Speaker 5>in a wild West shot. He's throwing knives, that's he occupation,

1:01:23.360 --> 1:01:25.520
<v Speaker 5>throw over the dives. But they go into the bar,

1:01:25.800 --> 1:01:28.240
<v Speaker 5>him and Merle Haggard, and they're sitting at the bar

1:01:28.360 --> 1:01:30.080
<v Speaker 5>and they've seen this song in the middle of the

1:01:30.200 --> 1:01:34.400
<v Speaker 5>film called by Room Buddies. And so it's Clint Eastwood

1:01:34.400 --> 1:01:38.200
<v Speaker 5>having a good time with meule hanguiy it. Hey, I

1:01:38.400 --> 1:01:40.640
<v Speaker 5>want to sing till the feeling gets it right.

1:01:40.880 --> 1:01:43.240
<v Speaker 8>Well, that's harmonized, will be dynamite.

1:01:43.640 --> 1:01:46.320
<v Speaker 1>I told a little high notes, have done it for years.

1:01:46.520 --> 1:01:49.240
<v Speaker 7>Good deal, old buddy, and all four of the beards.

1:01:49.360 --> 1:01:52.040
<v Speaker 5>There's always some lady alone at the park.

1:01:52.240 --> 1:01:54.640
<v Speaker 7>Yeah, and you always let her know just who you are.

1:01:55.080 --> 1:01:58.200
<v Speaker 15>I know a couple gals and weekend called down there.

1:01:58.360 --> 1:01:59.720
<v Speaker 11>Shake the picture right off.

1:02:00.200 --> 1:02:04.320
<v Speaker 19>Woh, we're ballroom buddies and that's the best cat buddy

1:02:04.400 --> 1:02:06.120
<v Speaker 19>foods with a buddy of mine.

1:02:06.480 --> 1:02:09.680
<v Speaker 5>I laugh when you're happy, and I cry when you're blood.

1:02:11.960 --> 1:02:13.760
<v Speaker 7>We're bareroom buddies.

1:02:13.480 --> 1:02:14.720
<v Speaker 28>And we're doing fine.

1:02:14.800 --> 1:02:17.439
<v Speaker 26>So pore me and never we got nothing but time,

1:02:17.640 --> 1:02:21.000
<v Speaker 26>old chuggle lugger lugging barroom buddy of mine.

1:02:22.280 --> 1:02:23.080
<v Speaker 5>What a great song.

1:02:23.080 --> 1:02:26.000
<v Speaker 1>It's good fun. So you've never heard that before.

1:02:26.680 --> 1:02:29.080
<v Speaker 7>Clint loved it. Case plays piano and he did a

1:02:29.120 --> 1:02:33.080
<v Speaker 7>bit singing, singing paint your wagon. I talked to the truth, Yes.

1:02:33.000 --> 1:02:35.680
<v Speaker 5>He did soon, but that wasn't good. I think this was.

1:02:36.160 --> 1:02:36.760
<v Speaker 11>It was quite good.

1:02:36.880 --> 1:02:38.400
<v Speaker 7>Yeah, but I think he's having a bit of fun

1:02:38.480 --> 1:02:38.840
<v Speaker 7>there with me.

1:02:39.600 --> 1:02:39.800
<v Speaker 11>Yeah.

1:02:39.960 --> 1:02:42.880
<v Speaker 5>Mill passed away a few years ago, but Clint's still

1:02:42.960 --> 1:02:45.760
<v Speaker 5>going strong. Yeah, into his nineties into his nineties, I

1:02:45.840 --> 1:02:47.160
<v Speaker 5>recalled the fabulous.

1:02:46.920 --> 1:02:50.000
<v Speaker 7>Yeah, yeah, incredible. All right, we'll come back with more.

1:02:50.120 --> 1:02:53.880
<v Speaker 7>In Trask's Time, Tunnel the shows, the television, the mystery

1:02:53.960 --> 1:02:56.960
<v Speaker 7>Voice who Died, and some of the popular songs all

1:02:57.000 --> 1:03:01.320
<v Speaker 7>ahead in trasks Time, Tunnle nineteen eighty and asks Timetunnel Kevin,

1:03:01.360 --> 1:03:03.360
<v Speaker 7>what were the shows of nineteen eighty.

1:03:03.520 --> 1:03:07.640
<v Speaker 5>Well, we shined the spotlight on the Unmasked tour of

1:03:07.840 --> 1:03:10.720
<v Speaker 5>nineteen eighty. Andrew looks a little bit puzzled.

1:03:11.160 --> 1:03:12.440
<v Speaker 1>Ye, yeah, it just been confused.

1:03:12.600 --> 1:03:13.280
<v Speaker 7>This is Kiss.

1:03:13.880 --> 1:03:16.800
<v Speaker 1>Oh all right, never a Kiss fan, but no, they

1:03:16.840 --> 1:03:17.720
<v Speaker 1>were huge that year.

1:03:18.200 --> 1:03:20.600
<v Speaker 5>They were at at Waverley Park and I was out

1:03:20.640 --> 1:03:24.360
<v Speaker 5>there with my children, Andrew and Natalie, and they were fans,

1:03:25.120 --> 1:03:27.600
<v Speaker 5>and I didn't know what to expect. As soon as

1:03:27.640 --> 1:03:29.120
<v Speaker 5>I got in there and I saw the stage with

1:03:29.280 --> 1:03:34.280
<v Speaker 5>speakers up into the clouds and these people come out

1:03:34.320 --> 1:03:35.360
<v Speaker 5>with all this makeup on.

1:03:35.560 --> 1:03:38.200
<v Speaker 7>I thought, I don't think I'm gonna like this.

1:03:38.880 --> 1:03:43.160
<v Speaker 5>So when it started it was deafening, and my children.

1:03:43.000 --> 1:03:46.240
<v Speaker 1>Going, yeah, it's a fat great dad, a great time.

1:03:46.760 --> 1:03:49.120
<v Speaker 5>And I got down under the seat and I got

1:03:49.160 --> 1:03:51.520
<v Speaker 5>as much paper as I could possibly get to shove

1:03:51.600 --> 1:03:54.760
<v Speaker 5>in my ears, So I blocked the sound up with

1:03:55.000 --> 1:03:57.000
<v Speaker 5>that with the paper, and I was able to survive

1:03:57.120 --> 1:03:59.720
<v Speaker 5>the show. But those years have gone by.

1:04:00.000 --> 1:04:03.200
<v Speaker 7>I don't mind kiss No. I like Shandy. I think

1:04:03.320 --> 1:04:04.440
<v Speaker 7>was my favorite song of their.

1:04:05.240 --> 1:04:07.640
<v Speaker 1>Yeah, I'll tell her. Gene Simmons is one of the

1:04:07.720 --> 1:04:10.640
<v Speaker 1>cleverest businessmen in the world of music I've ever known.

1:04:11.240 --> 1:04:12.040
<v Speaker 7>Did you meet him?

1:04:12.280 --> 1:04:13.760
<v Speaker 1>No, I've never met him, but I've just seen an

1:04:13.760 --> 1:04:17.200
<v Speaker 1>interview with him, and he is one switched on dude. Ben,

1:04:17.520 --> 1:04:18.400
<v Speaker 1>You do you agree with me?

1:04:19.560 --> 1:04:22.080
<v Speaker 7>Yeah, Like he's just frighteningly intelligent.

1:04:22.640 --> 1:04:25.120
<v Speaker 10>Yeah, because there are some people like that you would

1:04:25.560 --> 1:04:28.480
<v Speaker 10>never like, particularly with Gene Simmons. Do you think, oh,

1:04:28.560 --> 1:04:30.960
<v Speaker 10>he's a bit of a rocker. He's got an idiot.

1:04:32.000 --> 1:04:34.080
<v Speaker 9>An idiot, No, not intelligent.

1:04:34.880 --> 1:04:36.920
<v Speaker 5>You had to have a long tongue to be kissed,

1:04:36.920 --> 1:04:38.960
<v Speaker 5>didn't he. Well, it was that was Gene Simmons.

1:04:39.600 --> 1:04:41.760
<v Speaker 7>I don't know about the others as such, but but

1:04:42.040 --> 1:04:44.280
<v Speaker 7>we were we were doing Nightline one night and as

1:04:44.320 --> 1:04:46.800
<v Speaker 7>some publicist I can't even remember who it was, rang

1:04:46.880 --> 1:04:49.280
<v Speaker 7>Us and he was at a function with Gene Simmons

1:04:49.360 --> 1:04:50.880
<v Speaker 7>and he said, I've got Gene Simmons here, do you

1:04:50.920 --> 1:04:52.720
<v Speaker 7>want to chat to him? So I said to Bruce

1:04:52.760 --> 1:04:54.360
<v Speaker 7>and Field, do you want to chat to Gene Simmons

1:04:54.400 --> 1:04:56.720
<v Speaker 7>from Kiss and Bruce of course has gone yeah, putty

1:04:56.760 --> 1:05:00.040
<v Speaker 7>on brisk Jeane, You're good to have a chatto. What

1:05:00.200 --> 1:05:02.720
<v Speaker 7>you been up to? Well, Bruce, I've been looking into

1:05:02.880 --> 1:05:05.280
<v Speaker 7>the political dealings that have been going on and it

1:05:05.440 --> 1:05:11.640
<v Speaker 7>starts on with this very ABC type discussion Bruce and philivego.

1:05:11.760 --> 1:05:13.160
<v Speaker 7>I have know idy what he's talking about.

1:05:13.680 --> 1:05:15.240
<v Speaker 5>It was wondering did you have a copy of that?

1:05:15.640 --> 1:05:18.400
<v Speaker 7>I don't think it was in the days before I

1:05:18.640 --> 1:05:20.600
<v Speaker 7>used to archive everything, so I don't want to do

1:05:20.920 --> 1:05:23.440
<v Speaker 7>It'll probably be in the highlights reel of Nightline for

1:05:23.640 --> 1:05:26.120
<v Speaker 7>that night. Yeah, so I'll have the highlights reel, but

1:05:26.560 --> 1:05:28.880
<v Speaker 7>I've got thousands of them and just haven't got the

1:05:28.920 --> 1:05:30.560
<v Speaker 7>time to archive them all. Well, that would be an

1:05:30.600 --> 1:05:31.560
<v Speaker 7>absolute ripper.

1:05:31.600 --> 1:05:32.560
<v Speaker 5>I'll find it eventually.

1:05:32.720 --> 1:05:32.919
<v Speaker 7>Yeah.

1:05:33.000 --> 1:05:35.080
<v Speaker 5>Well, I wonder what the neighbors would have thought out

1:05:35.120 --> 1:05:37.560
<v Speaker 5>there at Waverley Park and maybe you might have been

1:05:37.560 --> 1:05:40.760
<v Speaker 5>able to hear the concert at through a w if

1:05:40.800 --> 1:05:43.320
<v Speaker 5>you opened the window because it was pretty loud.

1:05:43.520 --> 1:05:43.680
<v Speaker 6>Yeah.

1:05:43.680 --> 1:05:47.160
<v Speaker 1>I see the AFL have bought AFL Park of Waverley Park.

1:05:47.440 --> 1:05:48.760
<v Speaker 1>Do you see that in the paper the other day?

1:05:49.080 --> 1:05:49.240
<v Speaker 11>Yeah?

1:05:49.400 --> 1:05:49.960
<v Speaker 1>Actually bought it.

1:05:50.600 --> 1:05:50.800
<v Speaker 7>Yeah.

1:05:50.880 --> 1:05:53.400
<v Speaker 5>So now we're going to hear the Kiss with the

1:05:54.320 --> 1:06:01.920
<v Speaker 5>opening on stage at Waverley Park in nineteen eighty. No, God,

1:06:05.880 --> 1:06:06.680
<v Speaker 5>you wanted that.

1:06:07.880 --> 1:06:08.960
<v Speaker 11>I have got the.

1:06:11.800 --> 1:06:12.880
<v Speaker 21>Fan in the world.

1:06:16.640 --> 1:06:28.840
<v Speaker 8>A dandy.

1:06:31.560 --> 1:06:34.840
<v Speaker 1>Time. I want to see it.

1:06:35.080 --> 1:06:36.240
<v Speaker 5>Joy rides.

1:06:38.280 --> 1:06:44.560
<v Speaker 11>Feel the Mage's.

1:06:42.000 --> 1:06:49.640
<v Speaker 1>Something that I be wise and died. We're gonna make

1:06:49.720 --> 1:06:50.840
<v Speaker 1>it all come true.

1:06:52.800 --> 1:06:57.640
<v Speaker 15>This girl's from made for me, A girl I was

1:06:57.800 --> 1:06:58.640
<v Speaker 15>made for you.

1:07:16.440 --> 1:07:17.160
<v Speaker 1>I worked good.

1:07:17.400 --> 1:07:19.640
<v Speaker 7>I'm with you, Kevin. I wasn't really a fan at

1:07:19.680 --> 1:07:23.200
<v Speaker 7>the time as such, but they really grew on my years.

1:07:23.240 --> 1:07:26.200
<v Speaker 5>I mind the fabulous, but I just take this paper

1:07:26.280 --> 1:07:26.840
<v Speaker 5>out of my ear.

1:07:28.680 --> 1:07:30.280
<v Speaker 1>Television in nineteen eighty, Kevin.

1:07:30.720 --> 1:07:34.480
<v Speaker 5>Yes, television in nineteen eighty we had things like Faulty Towers,

1:07:34.640 --> 1:07:35.920
<v Speaker 5>soap Dallas.

1:07:36.080 --> 1:07:37.240
<v Speaker 7>Dallas was big, wasn't it.

1:07:37.720 --> 1:07:38.480
<v Speaker 5>I never watched it.

1:07:39.720 --> 1:07:41.520
<v Speaker 1>Nothing I did because I was working nights of three

1:07:41.520 --> 1:07:44.080
<v Speaker 1>out doubly during It's mostly a lot of the drum.

1:07:44.320 --> 1:07:46.040
<v Speaker 5>Yes, that was the one with Blarry Hagman.

1:07:46.120 --> 1:07:49.800
<v Speaker 10>Yeah, I still don't know who shot JR. The famous

1:07:49.920 --> 1:07:50.800
<v Speaker 10>episodes of television.

1:07:50.880 --> 1:07:55.120
<v Speaker 5>Christian Shepherd Christian Shepherd just comes to mind for me, spoilers.

1:07:56.240 --> 1:07:56.920
<v Speaker 7>Out of nowhere.

1:07:56.920 --> 1:07:57.560
<v Speaker 5>I just plucked that.

1:07:57.640 --> 1:08:00.320
<v Speaker 1>Did you notice that, Andrew? Yeah, very well done. Think

1:08:00.800 --> 1:08:02.280
<v Speaker 1>that's why they keep using you here.

1:08:02.560 --> 1:08:05.760
<v Speaker 5>And The Sullivans, of course, was on and we had

1:08:06.080 --> 1:08:10.000
<v Speaker 5>Paul Cronin dear Paul as a co host here on

1:08:10.600 --> 1:08:13.400
<v Speaker 5>Nightline and remember when yeah, so many many years, but

1:08:13.480 --> 1:08:16.720
<v Speaker 5>he was terrific as Dave Sullivan in The Sullivans. Here's

1:08:16.760 --> 1:08:19.040
<v Speaker 5>a little bit of an interview with Ian Maurice the

1:08:19.520 --> 1:08:24.200
<v Speaker 5>Bear up on four BC in Brisbane talking to Paul

1:08:24.280 --> 1:08:26.240
<v Speaker 5>Cronan about The Sullivans.

1:08:34.760 --> 1:08:37.800
<v Speaker 32>When you were when you were studying the role after

1:08:37.880 --> 1:08:40.679
<v Speaker 32>I said yeah you got the job, did you study

1:08:40.720 --> 1:08:41.960
<v Speaker 32>anyone in particular?

1:08:42.160 --> 1:08:43.320
<v Speaker 33>I mean, what do you mean me?

1:08:46.400 --> 1:08:47.240
<v Speaker 5>What a silly question.

1:08:47.360 --> 1:08:51.560
<v Speaker 33>No, it's a very good question because I modeled Dave Sullivan.

1:08:51.240 --> 1:08:51.760
<v Speaker 5>And my father.

1:08:52.080 --> 1:08:54.360
<v Speaker 12>Well, did you then that he was exactly the.

1:08:55.840 --> 1:08:58.640
<v Speaker 33>Same type of bloke that the script called for.

1:08:59.479 --> 1:09:01.840
<v Speaker 30>We all had a couple of pages of this is

1:09:01.920 --> 1:09:05.519
<v Speaker 30>your character and the day was a father, I forget

1:09:05.560 --> 1:09:12.160
<v Speaker 30>what he was probably forty and he's got four children,

1:09:12.240 --> 1:09:14.679
<v Speaker 30>he's got a wife, Grace, and he's he's a Protestant

1:09:14.760 --> 1:09:15.439
<v Speaker 30>she's a Catholic.

1:09:15.520 --> 1:09:19.479
<v Speaker 33>They married behind the aultar whatever that means. We think

1:09:19.520 --> 1:09:23.639
<v Speaker 33>we know what that means. And it starts three days

1:09:23.720 --> 1:09:26.680
<v Speaker 33>before World War two broke out, and we're listening to

1:09:27.320 --> 1:09:31.200
<v Speaker 33>men'sies making his speech. Prior to his speech was the

1:09:31.840 --> 1:09:35.400
<v Speaker 33>speech by Churchill, and we were then we work camped

1:09:35.400 --> 1:09:38.080
<v Speaker 33>around for a little wireless in those days as a

1:09:38.160 --> 1:09:39.120
<v Speaker 33>family listening to it.

1:09:53.439 --> 1:09:54.200
<v Speaker 1>Yeah, big show.

1:09:54.520 --> 1:09:58.200
<v Speaker 5>I never missed it, never said yeah, and lovely to

1:09:58.240 --> 1:09:59.320
<v Speaker 5>hear Paul's voice, it is.

1:09:59.439 --> 1:10:01.400
<v Speaker 7>It is love. He is a lovely, lovely man.

1:10:01.840 --> 1:10:03.920
<v Speaker 1>And then of course Grace caught the plan and she died,

1:10:04.040 --> 1:10:07.080
<v Speaker 1>and didn't she remember, Yeah, I think Grace Alvin, Yes

1:10:07.280 --> 1:10:09.360
<v Speaker 1>she perished a plan crash, Yes she did.

1:10:09.520 --> 1:10:13.080
<v Speaker 7>H all right, mystery voice time, Yes, after the break,

1:10:13.120 --> 1:10:16.920
<v Speaker 7>we'll do the mystery. We look forward to taking your course.

1:10:17.520 --> 1:10:19.400
<v Speaker 7>Well it it just gives us time to set it

1:10:19.479 --> 1:10:21.680
<v Speaker 7>all up because if we if we knock it off

1:10:21.720 --> 1:10:24.599
<v Speaker 7>in two minutes, fine, but if it goes ten minutes,

1:10:24.600 --> 1:10:26.800
<v Speaker 7>we're going to be sandwiched up to news. So it's

1:10:26.880 --> 1:10:29.280
<v Speaker 7>just a formatic, all right. So I'd like to squeeze

1:10:29.280 --> 1:10:31.000
<v Speaker 7>a break in here, a mystery voice, We get your

1:10:31.040 --> 1:10:33.400
<v Speaker 7>mobiles ready because we want you to text us after

1:10:33.479 --> 1:10:35.760
<v Speaker 7>the break fourteen.

1:10:35.479 --> 1:10:38.120
<v Speaker 1>To eleven, the time tunnel will remember when this is

1:10:38.280 --> 1:10:39.760
<v Speaker 1>the tricky part, Simon.

1:10:39.600 --> 1:10:42.760
<v Speaker 7>It is the mystery voice. Kevin Trask is about to

1:10:42.760 --> 1:10:44.720
<v Speaker 7>play us a mystery voice. Then we're going to guess

1:10:44.760 --> 1:10:46.479
<v Speaker 7>who it is, and we invite you to do the

1:10:46.560 --> 1:10:50.760
<v Speaker 7>same by texting your answer. Zero four double seven six

1:10:50.960 --> 1:10:53.560
<v Speaker 7>nine three six nine three is the number when you

1:10:53.640 --> 1:10:55.400
<v Speaker 7>think you know who it is. Ben has hidden them

1:10:55.439 --> 1:10:58.800
<v Speaker 7>from our view so we can't cheat. And Kevin, do

1:10:58.880 --> 1:11:00.960
<v Speaker 7>we have a clue? Well, the clue is it's not

1:11:01.040 --> 1:11:01.719
<v Speaker 7>a song tonight.

1:11:01.920 --> 1:11:05.400
<v Speaker 5>I'm talking to someone interviewing someone who is the person

1:11:05.479 --> 1:11:10.360
<v Speaker 5>I'm talking to, So everybody, I'll have to listen very closely.

1:11:10.400 --> 1:11:14.479
<v Speaker 5>You do this and work out who it is. It

1:11:14.640 --> 1:11:18.639
<v Speaker 5>was the mystery voice. Why did you pick Astray? It's

1:11:18.640 --> 1:11:20.760
<v Speaker 5>a long way from Broadway. It's off Broadway as we know,

1:11:22.160 --> 1:11:24.639
<v Speaker 5>but also there's a freedom here, you know, on the road.

1:11:25.120 --> 1:11:27.120
<v Speaker 34>My road to make in this musical was it was

1:11:27.200 --> 1:11:30.599
<v Speaker 34>quite a tough one because there's so many gatekeepers.

1:11:29.960 --> 1:11:32.160
<v Speaker 5>That want to do it their way or they don't

1:11:32.160 --> 1:11:32.479
<v Speaker 5>want to do.

1:11:32.479 --> 1:11:32.920
<v Speaker 11>It at all.

1:11:33.400 --> 1:11:35.400
<v Speaker 34>So in the end, I kind of decided to do

1:11:35.479 --> 1:11:37.400
<v Speaker 34>it myself and this is why. And I found that

1:11:37.880 --> 1:11:40.160
<v Speaker 34>Melbourne was great and it was open, it was positive,

1:11:40.840 --> 1:11:43.880
<v Speaker 34>and when I toured here in twenty ten, I just felt, wow,

1:11:44.040 --> 1:11:45.920
<v Speaker 34>this this is a great city. And I thought, well,

1:11:45.960 --> 1:11:48.680
<v Speaker 34>Sydney's a good city too, but I mean Melbourne was

1:11:48.760 --> 1:11:50.880
<v Speaker 34>really good for me and I felt this is the place.

1:11:52.200 --> 1:11:55.839
<v Speaker 1>Wow, this is a new and never have an interview

1:11:56.040 --> 1:11:58.439
<v Speaker 1>as a mystery voice before, not in my time.

1:11:58.720 --> 1:12:00.960
<v Speaker 7>No, you don't do very often.

1:12:01.200 --> 1:12:02.560
<v Speaker 5>So what sort of accent is that?

1:12:03.160 --> 1:12:06.559
<v Speaker 1>Living old English? It's British, but I don't know where

1:12:06.680 --> 1:12:07.200
<v Speaker 1>where're from.

1:12:07.880 --> 1:12:10.400
<v Speaker 7>It's got to live a Puddley and twang into my year,

1:12:10.479 --> 1:12:14.080
<v Speaker 7>I think, would that be right? I'm not sure on

1:12:14.160 --> 1:12:15.360
<v Speaker 7>that question. Where he came from?

1:12:15.560 --> 1:12:18.880
<v Speaker 1>He's been here in twenty ten until it here, then

1:12:19.160 --> 1:12:23.240
<v Speaker 1>he mentions, and he's come back? Was he later on?

1:12:24.160 --> 1:12:26.439
<v Speaker 1>I've got no idea ben at all anything.

1:12:27.720 --> 1:12:30.200
<v Speaker 9>Are they a promoter or are they an actor?

1:12:30.560 --> 1:12:30.600
<v Speaker 19>No?

1:12:30.760 --> 1:12:34.479
<v Speaker 7>Here we go, very very good. A promoter or an

1:12:34.520 --> 1:12:35.439
<v Speaker 7>actor neither?

1:12:36.680 --> 1:12:39.080
<v Speaker 1>Ok So a singer, yes.

1:12:40.479 --> 1:12:46.479
<v Speaker 7>On stage musicals as were like theater or concerts concerts?

1:12:46.960 --> 1:12:47.280
<v Speaker 5>Okay?

1:12:49.200 --> 1:12:51.000
<v Speaker 9>Were they born in nineteen eighty.

1:12:51.360 --> 1:12:54.160
<v Speaker 5>No, he's around in nineteen eighty and very popular.

1:12:56.040 --> 1:12:56.920
<v Speaker 1>Still with us today.

1:12:57.200 --> 1:13:02.320
<v Speaker 7>Yes, okay, Ringo not ringo.

1:13:03.120 --> 1:13:08.280
<v Speaker 5>That is that liver liidal sound of liver nothing nothing

1:13:08.360 --> 1:13:09.120
<v Speaker 5>to do with the Beatles.

1:13:09.120 --> 1:13:09.360
<v Speaker 31>Okay.

1:13:09.400 --> 1:13:10.920
<v Speaker 7>I just had to get that out because that's that

1:13:11.040 --> 1:13:14.400
<v Speaker 7>it was clogging up my head from the you're in

1:13:14.560 --> 1:13:17.160
<v Speaker 7>release mode. You'll probably come up with the answer, okay.

1:13:17.680 --> 1:13:20.519
<v Speaker 1>Well known for TV appearances more than no, not well

1:13:20.600 --> 1:13:26.759
<v Speaker 1>known for live concerts and recordings, recording English singers.

1:13:26.920 --> 1:13:28.679
<v Speaker 9>Would it be someone like Tom Jones?

1:13:29.439 --> 1:13:38.640
<v Speaker 5>Like, no, not the sort of sort of Ron Stewart Engler, No, no, No,

1:13:39.280 --> 1:13:40.160
<v Speaker 5>you're on the track though.

1:13:41.520 --> 1:13:42.280
<v Speaker 1>There's O'Connor.

1:13:42.520 --> 1:13:49.519
<v Speaker 5>Not there's O'Connor, my mate what's his what's his name?

1:13:49.640 --> 1:13:54.560
<v Speaker 5>The Max bi Graves, not back Max bio Graves. I

1:13:54.640 --> 1:13:56.360
<v Speaker 5>think we should play it again and have a quick

1:13:56.439 --> 1:13:57.800
<v Speaker 5>listen to this voice.

1:13:57.880 --> 1:13:59.799
<v Speaker 7>All right, Why did you pick Australia.

1:14:00.920 --> 1:14:03.000
<v Speaker 34>It's it's a long way from Broadway, it's off Broadway

1:14:03.040 --> 1:14:05.719
<v Speaker 34>as we know, and but also there's.

1:14:05.520 --> 1:14:07.280
<v Speaker 5>A freedom here, you know, on the road.

1:14:07.760 --> 1:14:10.040
<v Speaker 34>My road to making this musical was it was quite

1:14:10.040 --> 1:14:12.960
<v Speaker 34>a tough one because there's so many gatekeepers that want

1:14:13.080 --> 1:14:15.040
<v Speaker 34>to do it their way, or they don't want to

1:14:15.080 --> 1:14:17.160
<v Speaker 34>do it at all. So in the end I kind

1:14:17.160 --> 1:14:18.639
<v Speaker 34>of I decided to do it myself.

1:14:18.720 --> 1:14:19.280
<v Speaker 1>And this is why.

1:14:19.479 --> 1:14:22.000
<v Speaker 34>And I found that Melbourne was great and it was open,

1:14:22.120 --> 1:14:25.680
<v Speaker 34>it was positive, and when I toured here in twenty ten,

1:14:25.800 --> 1:14:27.719
<v Speaker 34>I just felt, wow, this this is a great city.

1:14:28.040 --> 1:14:29.680
<v Speaker 34>And I thought, well, Sydney is a good city too,

1:14:29.760 --> 1:14:32.280
<v Speaker 34>but I mean Melbourne was really good for me and

1:14:32.400 --> 1:14:33.519
<v Speaker 34>I felt this is the place.

1:14:33.880 --> 1:14:35.000
<v Speaker 5>Did you say still with us?

1:14:35.360 --> 1:14:35.559
<v Speaker 7>Yes?

1:14:35.760 --> 1:14:39.240
<v Speaker 5>Okay, so rules out David Bowie, Mick Jagger not.

1:14:40.680 --> 1:14:46.639
<v Speaker 1>Well, I don't know what's what would like a little

1:14:46.720 --> 1:14:47.680
<v Speaker 1>sneer doesn't hurt you.

1:14:48.760 --> 1:14:51.160
<v Speaker 9>You know what's the musical he's talking about?

1:14:52.200 --> 1:14:56.040
<v Speaker 7>That's the key. Yeah, that's the key gives us answers.

1:14:56.439 --> 1:15:00.600
<v Speaker 5>The musical You've done remarkably well, Ben, because that is

1:15:00.720 --> 1:15:01.040
<v Speaker 5>the key.

1:15:01.120 --> 1:15:03.240
<v Speaker 1>And the whole thing is is Is it an Andrew

1:15:03.320 --> 1:15:04.360
<v Speaker 1>Lloyd Webber musical?

1:15:04.479 --> 1:15:07.280
<v Speaker 7>No, it's not. Is it Michael Crawford? It's not Michael

1:15:07.320 --> 1:15:09.719
<v Speaker 7>Crawford is the music?

1:15:10.200 --> 1:15:12.639
<v Speaker 5>Because you said he's not a stage actor. Though he's

1:15:12.720 --> 1:15:15.720
<v Speaker 5>not a stage actor, he's a concert performer. But he

1:15:15.760 --> 1:15:20.040
<v Speaker 5>spoke about bringing this musical which he wrote, he wrote,

1:15:20.080 --> 1:15:25.720
<v Speaker 5>who wrote it? He wrote a musical, not one of

1:15:25.760 --> 1:15:29.080
<v Speaker 5>the other people. Oh yeah, I know what.

1:15:29.160 --> 1:15:31.759
<v Speaker 7>They're Swedish. That was an English accent.

1:15:32.439 --> 1:15:33.120
<v Speaker 35>So is.

1:15:34.720 --> 1:15:36.479
<v Speaker 7>He's very big in the nineteen seventies.

1:15:36.479 --> 1:15:39.120
<v Speaker 5>I'd say bigger in the nineteen seventies, in the nineteen

1:15:39.160 --> 1:15:46.960
<v Speaker 5>eighties and a number of hit songs. Oh seventies, Yeah, tough,

1:15:47.160 --> 1:15:50.479
<v Speaker 5>this is good. Okay, Well, I think times on the wings.

1:15:50.520 --> 1:15:53.280
<v Speaker 5>I'm going to get the big clue. He uses a

1:15:53.400 --> 1:15:54.160
<v Speaker 5>stage name.

1:15:56.640 --> 1:15:58.559
<v Speaker 7>It's Elton John. It's not Elton John.

1:15:59.000 --> 1:16:04.080
<v Speaker 5>Cliff Richard's instance, and part of his stage diamond is

1:16:04.120 --> 1:16:05.640
<v Speaker 5>part of his stage name is something to do with

1:16:05.720 --> 1:16:13.640
<v Speaker 5>an animal, an animal bear, Bobby given it to you,

1:16:15.360 --> 1:16:24.160
<v Speaker 5>Eddie the Ernie muskrat no a domestic animal.

1:16:24.479 --> 1:16:27.120
<v Speaker 7>Cat, Cat Stevens. Cat Stevens is correct.

1:16:29.400 --> 1:16:34.400
<v Speaker 5>I am talking to Cat Stevens about his musical Moonshok Moonshadow,

1:16:34.840 --> 1:16:39.800
<v Speaker 5>which was on at the Princess Theater, probably the best

1:16:39.840 --> 1:16:41.040
<v Speaker 5>part of maybe ten years.

1:16:41.160 --> 1:16:44.280
<v Speaker 7>It almost it almost makes perfect sense now when you

1:16:44.680 --> 1:16:47.600
<v Speaker 7>when that happens. But how sad is that that?

1:16:47.720 --> 1:16:49.360
<v Speaker 5>We would never.

1:16:50.720 --> 1:16:50.760
<v Speaker 1>Was?

1:16:50.960 --> 1:16:51.680
<v Speaker 5>It was a tough one.

1:16:51.840 --> 1:16:55.439
<v Speaker 7>Ahea, did the listeners go well? Five minutes ago exactly,

1:16:55.920 --> 1:17:00.559
<v Speaker 7>Catherine wrote use of Islam, also known as Cat Stevens.

1:17:01.400 --> 1:17:03.559
<v Speaker 7>That was the third text we received. So it's very

1:17:03.640 --> 1:17:07.000
<v Speaker 7>quick of you, Catherine, Well done, Well done. Other suggestions

1:17:07.160 --> 1:17:14.320
<v Speaker 7>Andrew Lloyd Webber, Michael Palin, Tommy I don't know, Terry

1:17:14.320 --> 1:17:17.240
<v Speaker 7>Gilli and Michael Kine. No, you'd know if it was

1:17:17.280 --> 1:17:21.760
<v Speaker 7>Michael Kaine, Ben Elton, Andrew Lloyd Webber, Graham Chapman.

1:17:23.360 --> 1:17:26.960
<v Speaker 5>As great answers there, but yeah, but well done. Well

1:17:27.320 --> 1:17:28.879
<v Speaker 5>that wouldn't have got Cat Stevens.

1:17:29.120 --> 1:17:32.240
<v Speaker 7>All right, we could time to square. No, we're sort

1:17:32.280 --> 1:17:34.720
<v Speaker 7>of running late here. We'll need to break and then

1:17:34.800 --> 1:17:37.880
<v Speaker 7>come back. I think with the popular songs of nineteen

1:17:37.920 --> 1:17:38.679
<v Speaker 7>eighty after.

1:17:38.520 --> 1:17:42.320
<v Speaker 1>This, okay, the hit songs of nineteen eighty.

1:17:42.200 --> 1:17:45.400
<v Speaker 5>Kevin Trausk, who's seen these boys? Another brick in the wall?

1:17:45.760 --> 1:17:48.120
<v Speaker 7>Pink Floyd, correct.

1:17:49.080 --> 1:17:53.080
<v Speaker 5>Magic, Olivit and John Have you've just been talking about her? Yep,

1:17:53.240 --> 1:17:58.760
<v Speaker 5>do that to me one more time, Captain, Yeah, very good,

1:17:59.240 --> 1:18:02.360
<v Speaker 5>it's still rock roll to me. Billy Joel.

1:18:03.560 --> 1:18:04.360
<v Speaker 7>The Rose.

1:18:07.160 --> 1:18:12.639
<v Speaker 5>Lost in love air supply so far Coward of the County,

1:18:13.400 --> 1:18:14.240
<v Speaker 5>Kenny Rodgers.

1:18:14.479 --> 1:18:22.400
<v Speaker 7>Yes, we don't talk anymore. We don't come on, Ben,

1:18:23.439 --> 1:18:24.240
<v Speaker 7>we don't talk anymore.

1:18:24.360 --> 1:18:25.320
<v Speaker 5>We should know that one.

1:18:28.600 --> 1:18:29.439
<v Speaker 1>What is it? Who was it?

1:18:29.840 --> 1:18:30.519
<v Speaker 7>Cliff Ridgard?

1:18:31.280 --> 1:18:33.679
<v Speaker 1>Of course, is that the one was on roller skates?

1:18:33.800 --> 1:18:37.479
<v Speaker 5>No, that was wired for saving Yeah, cool cool change,

1:18:38.600 --> 1:18:41.559
<v Speaker 5>Frankie Lane, No, that was cool water close.

1:18:41.680 --> 1:18:42.080
<v Speaker 11>Who is it?

1:18:43.640 --> 1:18:44.520
<v Speaker 7>A little riverband?

1:18:45.920 --> 1:18:47.800
<v Speaker 5>We can allow people just sticking their head in the

1:18:47.920 --> 1:18:49.120
<v Speaker 5>door of giving the answers.

1:18:49.400 --> 1:18:51.120
<v Speaker 7>It's my fault for leaving the door open.

1:18:51.560 --> 1:18:56.800
<v Speaker 5>What what about fame fame Irene car very good, one

1:18:56.920 --> 1:19:01.200
<v Speaker 5>fine day, one fine.

1:19:02.880 --> 1:19:03.439
<v Speaker 9>John Farnon.

1:19:04.680 --> 1:19:07.640
<v Speaker 7>Even Tony's wincing. Now, no one find is that.

1:19:07.720 --> 1:19:10.880
<v Speaker 1>The revival of the song for the Chiffons, Well, it

1:19:10.960 --> 1:19:11.280
<v Speaker 1>could be.

1:19:11.640 --> 1:19:14.360
<v Speaker 5>This is no I think she wrote this. This is

1:19:14.439 --> 1:19:20.880
<v Speaker 5>a female singer, Carol King. Yes, Carol Carol King is correct.

1:19:20.920 --> 1:19:25.800
<v Speaker 7>I thought so. I always knew that thank you. You

1:19:25.840 --> 1:19:28.320
<v Speaker 7>won't get this one, And and the mystery voice is sticking.

1:19:28.400 --> 1:19:30.880
<v Speaker 5>He's entering the door. Won't get it either. Pilot of

1:19:30.920 --> 1:19:33.880
<v Speaker 5>the airwaves of the waves was.

1:19:35.920 --> 1:19:36.679
<v Speaker 1>Off with that harmony.

1:19:36.720 --> 1:19:41.400
<v Speaker 7>But yeah, oh, come on, I can see the forty.

1:19:41.200 --> 1:19:41.800
<v Speaker 5>Five it was on.

1:19:42.920 --> 1:19:45.240
<v Speaker 7>It was on what's the name of the singer on

1:19:45.320 --> 1:19:46.000
<v Speaker 7>the forty.

1:19:45.800 --> 1:19:48.839
<v Speaker 1>Five that's gone waves?

1:19:51.200 --> 1:19:53.920
<v Speaker 5>Come on, I do know this. This is sad because

1:19:53.960 --> 1:19:55.800
<v Speaker 5>you one hundred percent up to this and you're the

1:19:55.880 --> 1:19:59.519
<v Speaker 5>last question. You're going to blow it? Boys, Yeah, this

1:19:59.680 --> 1:20:00.839
<v Speaker 5>is said initials.

1:20:01.240 --> 1:20:02.840
<v Speaker 7>Yes, initials might help c d.

1:20:05.000 --> 1:20:05.920
<v Speaker 1>Oh compact this?

1:20:06.520 --> 1:20:06.560
<v Speaker 19>No?

1:20:07.200 --> 1:20:11.960
<v Speaker 7>Yes, no, not compact his first name shit shit chur

1:20:12.160 --> 1:20:13.559
<v Speaker 7>chur chart chart.

1:20:15.280 --> 1:20:21.800
<v Speaker 5>Daniels Who Charlie Daniel, No that's not right, no Charlie, No,

1:20:22.320 --> 1:20:26.280
<v Speaker 5>admit to Charlie dare. Okay, No, I wouldn't have got

1:20:26.320 --> 1:20:30.880
<v Speaker 5>that at all. Then, yeah, that's okay. You can't get

1:20:30.920 --> 1:20:34.200
<v Speaker 5>them all right. Did you like Fiddler's Dram Yes?

1:20:34.520 --> 1:20:35.639
<v Speaker 7>I did very much.

1:20:35.720 --> 1:20:38.479
<v Speaker 5>So they had a lovely hit and I love this

1:20:38.600 --> 1:20:40.320
<v Speaker 5>one day trip to Bangor.

1:20:40.600 --> 1:20:43.320
<v Speaker 7>Oh okay, we've taken so long with those. We're heading

1:20:43.320 --> 1:20:43.720
<v Speaker 7>off the news.

1:20:43.720 --> 1:20:46.519
<v Speaker 5>Where we go next week? Kevin nineteen ninety one, boys

1:20:46.720 --> 1:20:50.120
<v Speaker 5>who yod not everyone, thank you for all you do.

1:21:03.040 --> 1:21:07.439
<v Speaker 21>Recall the tele as we walked along the sea crunch

1:21:07.680 --> 1:21:10.439
<v Speaker 21>and then on the sand here and a brass banda

1:21:11.040 --> 1:21:18.200
<v Speaker 21>the day Gerara, Elsy and uncom took the candle about out.

1:21:18.600 --> 1:21:20.720
<v Speaker 1>Dash over by.

1:21:34.280 --> 1:21:41.680
<v Speaker 30>Remember them, remember the reason, Remember remember remember.

1:21:42.040 --> 1:21:51.840
<v Speaker 7>Then, remember that and remember remember remember.

1:21:52.120 --> 1:21:54.400
<v Speaker 24>Remember that that night we.

1:21:54.560 --> 1:21:59.120
<v Speaker 5>Fell in loyal beneath the stars by that's just a.

1:21:59.240 --> 1:22:03.400
<v Speaker 22>Lot then.

1:22:06.920 --> 1:22:14.280
<v Speaker 7>Remember remember remember Ben Then that's right, what a great song.

1:22:14.840 --> 1:22:17.160
<v Speaker 1>Lovely that's not the original version, but it's a good

1:22:17.240 --> 1:22:18.240
<v Speaker 1>version of it all the same.

1:22:18.840 --> 1:22:21.040
<v Speaker 7>Who did the original I think it was the Earls.

1:22:21.439 --> 1:22:25.920
<v Speaker 1>The Earl, Yes, one of the how many approximately ten

1:22:26.040 --> 1:22:29.080
<v Speaker 1>million singing groups that came out of America in the

1:22:29.120 --> 1:22:32.240
<v Speaker 1>fifties and sixties, doing it with a sound similar to

1:22:32.320 --> 1:22:35.840
<v Speaker 1>the Yes everything sounded like that, but I love it same.

1:22:36.080 --> 1:22:37.439
<v Speaker 1>I'm not knocking at at the.

1:22:37.520 --> 1:22:40.479
<v Speaker 7>Genre or whatever it is zoom groups like that.

1:22:40.760 --> 1:22:40.960
<v Speaker 29>Yeah.

1:22:41.400 --> 1:22:43.439
<v Speaker 1>Anyway, it's good to be here with you for the

1:22:43.560 --> 1:22:47.040
<v Speaker 1>last I remember when we want your calls to well

1:22:47.080 --> 1:22:48.800
<v Speaker 1>come out. We've got the montage, but we do want

1:22:48.840 --> 1:22:51.639
<v Speaker 1>some calls as well. Down we simon most definitely, if

1:22:51.680 --> 1:22:55.120
<v Speaker 1>I may for something more please. The Muppet Movie premiered

1:22:55.160 --> 1:22:58.679
<v Speaker 1>in cinemas on this day, Dune twenty second, in nineteen

1:22:58.880 --> 1:22:59.760
<v Speaker 1>seventy nine.

1:23:00.439 --> 1:23:02.559
<v Speaker 7>That is the day today, isn't it. Yes, I hope

1:23:02.560 --> 1:23:06.400
<v Speaker 7>to say the Muppet Movie. I love the Muppets. I

1:23:06.400 --> 1:23:08.800
<v Speaker 7>don't know about you, but I just think they're wonderful.

1:23:09.040 --> 1:23:11.160
<v Speaker 1>I sort of missed the Muppets. You don't understand. I

1:23:11.280 --> 1:23:14.439
<v Speaker 1>was just a little too old for muppetry. Yeah, it

1:23:14.600 --> 1:23:17.600
<v Speaker 1>was just a little bit a little too late to me.

1:23:18.160 --> 1:23:20.360
<v Speaker 7>Hey, been, can you do us a favor and shut

1:23:20.400 --> 1:23:20.639
<v Speaker 7>the door.

1:23:20.720 --> 1:23:24.519
<v Speaker 5>We can hear Caroly talking to Tony. Thanks mate, they're

1:23:24.600 --> 1:23:25.599
<v Speaker 5>just a little bit loud.

1:23:26.080 --> 1:23:27.519
<v Speaker 1>Well you will leave this door open?

1:23:27.600 --> 1:23:29.280
<v Speaker 5>Well I do I leave the door open for me?

1:23:29.479 --> 1:23:30.639
<v Speaker 1>Is it because of my body?

1:23:31.120 --> 1:23:31.160
<v Speaker 2>Is?

1:23:31.400 --> 1:23:31.439
<v Speaker 19>No?

1:23:32.040 --> 1:23:34.960
<v Speaker 1>Be honest, No, Look, if we're going to work together.

1:23:35.320 --> 1:23:38.200
<v Speaker 7>As much garlic as you like, I really don't mind.

1:23:39.960 --> 1:23:42.760
<v Speaker 1>In other words, it is no, thank you, No, it's not.

1:23:43.280 --> 1:23:44.800
<v Speaker 5>No, it's just knew.

1:23:45.160 --> 1:23:47.800
<v Speaker 1>I knew the honeymoon will be over sooner and later.

1:23:48.520 --> 1:23:51.080
<v Speaker 1>It's all been. Oh, Andrew you a wonderful I just

1:23:51.160 --> 1:23:54.320
<v Speaker 1>adore Sunday nights with you. And now the truth is

1:23:54.360 --> 1:23:55.040
<v Speaker 1>only to come.

1:23:54.960 --> 1:23:59.920
<v Speaker 5>Out, miss Phil. No, it is.

1:24:00.439 --> 1:24:03.040
<v Speaker 7>It is a pleasure working with you. And no, it's

1:24:03.160 --> 1:24:07.280
<v Speaker 7>my own Oh it was the muppet thing. It's my

1:24:07.439 --> 1:24:10.439
<v Speaker 7>own claustrophobia that makes me keep the door.

1:24:10.320 --> 1:24:14.000
<v Speaker 1>Open, really, because it's a pretty big studio, but the

1:24:14.080 --> 1:24:15.200
<v Speaker 1>walls sort of close.

1:24:15.000 --> 1:24:15.280
<v Speaker 5>In on you.

1:24:15.439 --> 1:24:20.200
<v Speaker 1>After thirty years, there has been a long hard call,

1:24:20.320 --> 1:24:20.640
<v Speaker 1>hasn't it.

1:24:21.520 --> 1:24:26.360
<v Speaker 7>I've had such a tough life working in radio. Gee,

1:24:26.400 --> 1:24:27.720
<v Speaker 7>I've had a dream Run, Haven't I.

1:24:29.960 --> 1:24:32.479
<v Speaker 1>Pretty damn good? Yes, it is the same at the

1:24:32.560 --> 1:24:35.160
<v Speaker 1>one station we move on.

1:24:35.640 --> 1:24:35.880
<v Speaker 5>Sorry.

1:24:36.000 --> 1:24:39.320
<v Speaker 7>So the Muppet Movie premiered in cinemas on this day,

1:24:39.640 --> 1:24:43.080
<v Speaker 7>and that makes me think of I love the Muppets.

1:24:43.120 --> 1:24:49.240
<v Speaker 7>I love non human characters throughout my whole childhood and everything,

1:24:49.720 --> 1:24:52.799
<v Speaker 7>watching Humphrey be Bear when I was little, watching Sesame

1:24:53.000 --> 1:24:57.200
<v Speaker 7>Street with all the characters again, Jim Hansen's Muppets, even

1:24:57.920 --> 1:25:01.760
<v Speaker 7>watching play School with Big Ted and Humpty and all

1:25:01.800 --> 1:25:06.160
<v Speaker 7>of those, Jemima the Doll. I love those non human characters.

1:25:06.360 --> 1:25:08.200
<v Speaker 7>Well have peppered our entertainment.

1:25:08.360 --> 1:25:12.080
<v Speaker 1>Well, for me, it's Daffy Duck all the way, Oh lovely, Yeah,

1:25:12.520 --> 1:25:18.280
<v Speaker 1>the sarcastic, the really quite adult Daffy Duck making comments

1:25:18.320 --> 1:25:22.720
<v Speaker 1>that really only adults would get. It's just entertainment from

1:25:22.760 --> 1:25:25.160
<v Speaker 1>the time of being a kid and mine. I'm going

1:25:25.200 --> 1:25:27.880
<v Speaker 1>to throw in one from really left field. And there

1:25:27.920 --> 1:25:29.880
<v Speaker 1>are only two or three cartoons made of him, I

1:25:30.040 --> 1:25:32.200
<v Speaker 1>think in the fifties, and they were shown on TV

1:25:32.280 --> 1:25:34.799
<v Speaker 1>for a while and shown in theaters. It was Nutty Squirrel.

1:25:34.920 --> 1:25:38.880
<v Speaker 1>Anyone remembered, by any chance, Nutty Squirrel nutting. It was manic.

1:25:39.280 --> 1:25:42.920
<v Speaker 1>He was absolutely manic in the Daffy Duck school of

1:25:43.080 --> 1:25:47.840
<v Speaker 1>her behavior and full of very adult asides about the

1:25:48.720 --> 1:25:52.040
<v Speaker 1>content of the cutter anyway, but Daffy Duck normally was

1:25:52.240 --> 1:25:54.040
<v Speaker 1>just the one that stood out for me.

1:25:54.439 --> 1:25:57.760
<v Speaker 7>Well, okay, Well, Daffy Duck, I think is a great

1:25:57.840 --> 1:26:00.920
<v Speaker 7>choice of Disney's equivalent, Donald Duck as well. Why is

1:26:00.960 --> 1:26:03.960
<v Speaker 7>it that ducks are always portrayed as being angry.

1:26:06.080 --> 1:26:09.160
<v Speaker 1>Full of angs, don't they? And Donald's short wick was

1:26:09.320 --> 1:26:09.880
<v Speaker 1>very funny.

1:26:10.000 --> 1:26:10.719
<v Speaker 5>I was wonderful.

1:26:10.840 --> 1:26:14.439
<v Speaker 1>He explodes on anything really once wrong sentence and he's

1:26:14.760 --> 1:26:15.160
<v Speaker 1>lost it.

1:26:15.360 --> 1:26:19.719
<v Speaker 7>Yeah, they're wonderful characters. And that's what I want in calls.

1:26:20.280 --> 1:26:23.439
<v Speaker 7>That's what I want to throw in here, non human

1:26:23.960 --> 1:26:25.639
<v Speaker 7>characters that we've enjoyed.

1:26:25.840 --> 1:26:28.360
<v Speaker 1>And I would love to keep going with something I

1:26:28.479 --> 1:26:30.080
<v Speaker 1>raised a little earlier on the program, and that is

1:26:30.439 --> 1:26:34.360
<v Speaker 1>the records your parents played, Not the ones you brought home,

1:26:34.880 --> 1:26:36.720
<v Speaker 1>the ones your parents played, the ones that take you

1:26:36.840 --> 1:26:38.880
<v Speaker 1>back to being a kid sitting around in front of

1:26:38.920 --> 1:26:41.240
<v Speaker 1>the radiogram, perhaps on a Saturday night, and your parents

1:26:41.280 --> 1:26:45.400
<v Speaker 1>put on the think listener mentioned earlier soundtrack of The King,

1:26:45.439 --> 1:26:47.320
<v Speaker 1>and I think I can't remember who was one of

1:26:47.360 --> 1:26:50.519
<v Speaker 1>the records but it also surprives me a little bit

1:26:50.600 --> 1:26:53.559
<v Speaker 1>with parents who are much younger than my parents. Of course,

1:26:53.600 --> 1:26:56.559
<v Speaker 1>from another generation people who are listening to in excess

1:26:58.360 --> 1:27:02.280
<v Speaker 1>is as young with kids. Give us a call, tell

1:27:02.360 --> 1:27:04.840
<v Speaker 1>us what were the songs the records that your parents

1:27:04.880 --> 1:27:05.679
<v Speaker 1>had in their collection.

1:27:05.840 --> 1:27:07.320
<v Speaker 7>We did get a couple of texts on that. Our

1:27:07.320 --> 1:27:09.679
<v Speaker 7>grandmother used to think we'd like listening to her album

1:27:09.840 --> 1:27:13.000
<v Speaker 7>of Max Bygraves singing I'm a pink toothbrush.

1:27:13.560 --> 1:27:16.799
<v Speaker 1>Not I remember that song. It was pretty annoying.

1:27:17.040 --> 1:27:21.519
<v Speaker 7>Yeah, my mum loved Cliff Richards. My dad loved Foster

1:27:21.680 --> 1:27:24.640
<v Speaker 7>and Allen. Max on your Max, Thank you for.

1:27:24.680 --> 1:27:25.720
<v Speaker 5>That was that big song.

1:27:25.800 --> 1:27:28.400
<v Speaker 1>There was an old song that revived Foster and all

1:27:28.479 --> 1:27:30.200
<v Speaker 1>when he was sweet sixteen or something like that.

1:27:30.920 --> 1:27:32.320
<v Speaker 5>It was like a whale song.

1:27:32.520 --> 1:27:36.360
<v Speaker 7>Yeah, yeah, something like that. All right, So now it

1:27:36.479 --> 1:27:38.360
<v Speaker 7>is montage time that we want your calls. But if

1:27:38.400 --> 1:27:40.360
<v Speaker 7>you also want to play in the montage, we're going

1:27:40.400 --> 1:27:42.479
<v Speaker 7>to do that now quickly before we break, we play

1:27:42.680 --> 1:27:45.559
<v Speaker 7>montage of songs here. All of these songs were collectively

1:27:45.600 --> 1:27:47.840
<v Speaker 7>in the charts in one particular year, where not after

1:27:47.920 --> 1:27:49.599
<v Speaker 7>the year that they were released, because some of them

1:27:49.640 --> 1:27:51.920
<v Speaker 7>will have been released the year before. But we want

1:27:51.960 --> 1:27:54.280
<v Speaker 7>to know when all of these songs collectively were in

1:27:54.360 --> 1:27:57.200
<v Speaker 7>the charts together. When you think you know, text your

1:27:57.280 --> 1:28:00.760
<v Speaker 7>answer to zero four double seven six nine three six

1:28:00.960 --> 1:28:03.680
<v Speaker 7>nine three. We'll read the five winners of ten winners out.

1:28:03.720 --> 1:28:07.640
<v Speaker 7>Sorry when we compile those after we get this.

1:28:08.120 --> 1:28:12.479
<v Speaker 28>I'm at my level right out down down by the

1:28:12.600 --> 1:28:18.160
<v Speaker 28>river side, down by the river side, down by the

1:28:18.320 --> 1:28:19.160
<v Speaker 28>river side.

1:28:21.000 --> 1:28:21.200
<v Speaker 11>Day.

1:28:21.800 --> 1:28:24.840
<v Speaker 1>This has been what a rare mood.

1:28:24.920 --> 1:28:29.759
<v Speaker 26>I'm ind Wyatt's almost like being in love.

1:28:30.439 --> 1:28:34.200
<v Speaker 11>Bless your beautiful hide wherever you.

1:28:34.520 --> 1:28:37.000
<v Speaker 31>Maybe we ain't bet.

1:28:37.040 --> 1:28:40.840
<v Speaker 11>Yet, but I'm a willing to bet the gal For me.

1:28:42.320 --> 1:28:45.720
<v Speaker 5>Nothing could be finer than to be in Carolina in.

1:28:45.880 --> 1:28:51.920
<v Speaker 21>The mall, going court, go court.

1:28:52.600 --> 1:28:54.759
<v Speaker 9>Oh, we set your senses in the world.

1:28:55.320 --> 1:28:59.040
<v Speaker 21>Go and court, go and court doooning up to go

1:28:59.280 --> 1:29:02.240
<v Speaker 21>and see good night sweetheart.

1:29:02.439 --> 1:29:04.920
<v Speaker 19>Well it's time to go.

1:29:07.520 --> 1:29:11.600
<v Speaker 21>Good night, sweetheart, Well it's time to go.

1:29:14.240 --> 1:29:18.439
<v Speaker 2>I hate to leave you, but I really must say

1:29:19.880 --> 1:29:22.640
<v Speaker 2>good night, sweet heart.

1:29:22.840 --> 1:29:23.559
<v Speaker 5>Good night.

1:29:26.240 --> 1:29:32.760
<v Speaker 28>I get no kick from champagne, me alcohol.

1:29:33.320 --> 1:29:35.599
<v Speaker 11>It doesn't move me at all.

1:29:38.280 --> 1:29:41.439
<v Speaker 5>Hap the maze river, while the old mill run.

1:29:43.640 --> 1:29:44.800
<v Speaker 9>Hop the mazy river.

1:29:45.880 --> 1:29:51.280
<v Speaker 36>The new day's sun blow me keys from across the rooms,

1:29:53.360 --> 1:30:00.160
<v Speaker 36>say I look nice when I'm not touch my I

1:30:00.320 --> 1:30:08.720
<v Speaker 36>hair as you pass my chair. Little things need a long.

1:30:10.000 --> 1:30:20.600
<v Speaker 20>Another bride, another jew another sidey honeymood, another season, another

1:30:20.760 --> 1:30:22.160
<v Speaker 20>reason for.

1:30:22.360 --> 1:30:23.920
<v Speaker 1>Making wood.

1:30:26.120 --> 1:30:34.040
<v Speaker 35>And mumbo mambo talano and coumbo mambo talana. Coo you

1:30:34.200 --> 1:30:36.920
<v Speaker 35>mixed subsidy Leana or your calibrazy?

1:30:37.000 --> 1:30:38.680
<v Speaker 3>Do the mumble like a crazy one.

1:30:38.720 --> 1:30:42.879
<v Speaker 5>Marfa loves mambo, Mama loves mambo.

1:30:44.560 --> 1:30:47.200
<v Speaker 9>Look at him sway with it, getting so gay with it.

1:30:47.400 --> 1:30:54.120
<v Speaker 9>Shout no labor it bound, shouts from.

1:30:54.000 --> 1:30:56.640
<v Speaker 19>A his t.

1:31:00.320 --> 1:31:03.280
<v Speaker 1>Even chow the gold.

1:31:03.400 --> 1:31:17.280
<v Speaker 19>And John ship them, ship them, ship ship them.

1:31:20.400 --> 1:31:25.439
<v Speaker 5>I said, take rattling road, I said, take ding road.

1:31:26.160 --> 1:31:28.240
<v Speaker 8>I said, take riding road.

1:31:29.080 --> 1:31:39.320
<v Speaker 26>Smile, Oh your heart is oaking smile even though it's breaking.

1:31:40.800 --> 1:31:45.360
<v Speaker 4>All the barnyard is busy in a regularities, and the

1:31:45.520 --> 1:31:49.000
<v Speaker 4>obvious reason is because of the season.

1:31:49.479 --> 1:31:51.240
<v Speaker 26>Cher my.

1:31:55.360 --> 1:31:56.920
<v Speaker 27>Stranger bar.

1:32:00.120 --> 1:32:07.360
<v Speaker 2>Did you say got a lot to learn? Well, don't

1:32:07.479 --> 1:32:14.560
<v Speaker 2>think I'm trying not to learn. Since this is the

1:32:14.880 --> 1:32:15.880
<v Speaker 2>perfect spot.

1:32:16.080 --> 1:32:22.040
<v Speaker 19>Touler, teach me to not.

1:32:26.320 --> 1:32:27.840
<v Speaker 15>Very tale.

1:32:29.160 --> 1:32:33.000
<v Speaker 1>Can come true. It can happen to you.

1:32:35.080 --> 1:32:37.160
<v Speaker 11>If you're young at home.

1:32:41.600 --> 1:32:47.719
<v Speaker 37>This floor ain't got tired to pick the shingles. Ain't

1:32:47.800 --> 1:32:51.879
<v Speaker 37>not tired to pix the floor, Ain't that tired. It's

1:32:52.000 --> 1:32:55.160
<v Speaker 37>not a hantle window paint. Ain't want to eat this

1:32:55.400 --> 1:32:56.320
<v Speaker 37>house no longer?

1:32:56.400 --> 1:32:59.760
<v Speaker 19>Please, getting ready to read the same, ready to.

1:32:59.840 --> 1:33:04.840
<v Speaker 5>Be there we go. How's that Andy?

1:33:05.640 --> 1:33:09.920
<v Speaker 1>That is the sound of the fifties. But what exactly exactly?

1:33:10.280 --> 1:33:13.559
<v Speaker 5>I'm just a bit the whole house rose me clooney.

1:33:13.680 --> 1:33:17.639
<v Speaker 1>I think that's I heard throw one of my favorite

1:33:17.640 --> 1:33:20.040
<v Speaker 1>songs of the fifties, blow me a kiss. Little things

1:33:20.080 --> 1:33:24.240
<v Speaker 1>mean a lot. I love the line it brush my

1:33:24.360 --> 1:33:26.760
<v Speaker 1>hair as you pass my chair. Little things mean a lot.

1:33:28.479 --> 1:33:29.960
<v Speaker 1>I would hate Joanne to do it though with me,

1:33:30.080 --> 1:33:32.559
<v Speaker 1>because my wig would you know, in my case, might

1:33:32.680 --> 1:33:33.559
<v Speaker 1>come off it get.

1:33:33.560 --> 1:33:35.640
<v Speaker 5>Caught on those mesh gloves she wears.

1:33:36.880 --> 1:33:40.040
<v Speaker 1>She's so addicted to them. And anyway, moving on.

1:33:40.200 --> 1:33:41.880
<v Speaker 5>When I say mesh, I mean chain mail.

1:33:41.960 --> 1:33:44.720
<v Speaker 7>But you know that's that's what the hell, that's that

1:33:44.800 --> 1:33:46.840
<v Speaker 7>whole costume drama thing she's going through.

1:33:47.960 --> 1:33:51.559
<v Speaker 32>Christus, But we don't get me too. I think it's

1:33:51.600 --> 1:33:56.240
<v Speaker 32>nineteen fifty four. You are spot on, and normally we

1:33:56.320 --> 1:33:59.559
<v Speaker 32>give out the first ten to correctly guess. Everyone's been

1:33:59.560 --> 1:34:02.400
<v Speaker 32>all around tonight. But we only have five people who

1:34:02.479 --> 1:34:05.360
<v Speaker 32>correctly guess nineteen fifty four, so well done to them.

1:34:05.720 --> 1:34:08.920
<v Speaker 32>John of Packenham was the first to correctly guess. Chris

1:34:09.000 --> 1:34:12.160
<v Speaker 32>of Adelaide was second. Jenny from Narry, Warren Michelle of

1:34:12.280 --> 1:34:15.800
<v Speaker 32>Doncaster and Rob of Richmond were the only five to

1:34:15.880 --> 1:34:18.760
<v Speaker 32>correctly guess. Maybe we're getting it's getting a bit. It's

1:34:18.880 --> 1:34:22.599
<v Speaker 32>a bit sad, isn't it that we always get plenty

1:34:22.600 --> 1:34:24.720
<v Speaker 32>of winners? Nineteen fifty four is a tough one. I

1:34:24.800 --> 1:34:27.160
<v Speaker 32>guess it's getting so far back in time it is.

1:34:27.240 --> 1:34:30.720
<v Speaker 7>It's seventy years seventy one years ago.

1:34:30.960 --> 1:34:31.920
<v Speaker 5>Whoa wow?

1:34:32.160 --> 1:34:34.519
<v Speaker 1>I mean, I of course don't remember it when it

1:34:34.520 --> 1:34:37.120
<v Speaker 1>would happen, any of these songs. Of course I've just

1:34:37.240 --> 1:34:40.520
<v Speaker 1>been told about them my old people. Yes, old announcers

1:34:40.560 --> 1:34:41.000
<v Speaker 1>in the game.

1:34:41.120 --> 1:34:43.479
<v Speaker 7>Well your parents would have listened to some of those.

1:34:43.600 --> 1:34:45.639
<v Speaker 1>Yeah, they would have. They would have. Actually, hey, can

1:34:45.720 --> 1:34:48.519
<v Speaker 1>I be a realness? Is not right now? Ben? But

1:34:48.680 --> 1:34:51.479
<v Speaker 1>can you look up just to make me well? I'll

1:34:51.520 --> 1:34:54.599
<v Speaker 1>probably start whimpering, which may not be that good anyway.

1:34:54.880 --> 1:34:57.479
<v Speaker 1>Can you look up and see if it's there Freddie

1:34:57.520 --> 1:35:02.840
<v Speaker 1>Gardner playing these foolish things.

1:35:04.160 --> 1:35:06.840
<v Speaker 7>Pretty gardener was the sex was the saxophoners my parents

1:35:07.040 --> 1:35:07.639
<v Speaker 7>just loved.

1:35:08.400 --> 1:35:10.800
<v Speaker 1>And many a Saturday night would go by with the

1:35:11.240 --> 1:35:15.719
<v Speaker 1>precedent radiogram playing in the lounge room at thirteen Smith

1:35:15.760 --> 1:35:18.679
<v Speaker 1>Streets and killed her and the dad in the corner

1:35:18.720 --> 1:35:21.720
<v Speaker 1>with the abbots and the mum sitting in front of

1:35:21.760 --> 1:35:25.960
<v Speaker 1>the fire, which is never adequate. They look lovely and

1:35:26.000 --> 1:35:30.040
<v Speaker 1>they're very ambiyond, aren't they coal fires or wood firees?

1:35:30.200 --> 1:35:33.120
<v Speaker 1>But you if you stood more than sort of about

1:35:33.120 --> 1:35:35.560
<v Speaker 1>six feet from the fire, you didn't get any of

1:35:35.600 --> 1:35:36.280
<v Speaker 1>the benefit of it.

1:35:36.479 --> 1:35:38.960
<v Speaker 7>No, unless it was in a like a canar. Oh no,

1:35:39.080 --> 1:35:43.320
<v Speaker 7>this was just an open fire. An open fireplace almost doesn't.

1:35:43.360 --> 1:35:45.200
<v Speaker 7>The heat just goes straight up the chimney.

1:35:47.280 --> 1:35:49.960
<v Speaker 1>Very inefficient. But the canars are much better.

1:35:49.840 --> 1:35:52.439
<v Speaker 7>For you've got to have a screaming great fire in

1:35:52.520 --> 1:35:53.880
<v Speaker 7>there to actually get the radio.

1:35:54.000 --> 1:35:57.760
<v Speaker 1>That's pretty much was that that lounge room pretty damn

1:35:57.880 --> 1:36:00.960
<v Speaker 1>cold if you weren't sitting on top of the fire. Yes, anyway,

1:36:01.439 --> 1:36:04.559
<v Speaker 1>one to double three six nine three records your parents

1:36:04.600 --> 1:36:07.760
<v Speaker 1>had in their collection. Also, our Simon wants to know

1:36:07.840 --> 1:36:10.080
<v Speaker 1>about your favorite cartoon character, well, the.

1:36:10.160 --> 1:36:15.840
<v Speaker 7>Favorite non human Papa to cartoon character. Anything that's just

1:36:15.960 --> 1:36:18.599
<v Speaker 7>not human, all right, and we'll take your.

1:36:18.560 --> 1:36:21.719
<v Speaker 1>Calls after the Oh, here we go, Oh Freddie, thank

1:36:21.800 --> 1:36:26.679
<v Speaker 1>you to the news, the great Freddie Gardner who died

1:36:26.840 --> 1:36:30.360
<v Speaker 1>servicing his car in nineteen fifty or son, Oh, really

1:36:30.560 --> 1:36:54.400
<v Speaker 1>underneath sitting underneath his car. I think that's mom and

1:36:54.479 --> 1:36:59.240
<v Speaker 1>Dad's copy. It was spratched like that too, and another

1:36:59.360 --> 1:37:10.400
<v Speaker 1>chorus and about this time out here Andrew, time for bed.

1:37:12.600 --> 1:37:14.439
<v Speaker 1>I was just a moodset of for Mum and dad.

1:37:14.479 --> 1:37:17.720
<v Speaker 1>Bossn't they're sending little Andy off to an early night?

1:37:17.800 --> 1:37:19.680
<v Speaker 1>So I never thought about that, but I think there

1:37:19.760 --> 1:37:22.639
<v Speaker 1>could be. Yes, of course there was Saturday night. Yes,

1:37:24.439 --> 1:37:27.040
<v Speaker 1>oh beds, all right, Yes.

1:37:27.200 --> 1:37:29.519
<v Speaker 7>Back after this with your calls. Hello there, we're back

1:37:29.560 --> 1:37:31.840
<v Speaker 7>and taking your calls now on one double three six

1:37:32.000 --> 1:37:34.760
<v Speaker 7>nine three. Leanne has called in from Miniat for you.

1:37:34.880 --> 1:37:36.600
<v Speaker 1>Andrew, Hi, Leanne.

1:37:37.200 --> 1:37:41.960
<v Speaker 6>Hi, Andrew, Simon and Ben. I have one for each

1:37:42.040 --> 1:37:44.960
<v Speaker 6>of you. I've got Ren and Stimpy.

1:37:46.120 --> 1:37:49.000
<v Speaker 7>Oh wonderful cartoons, yes, and.

1:37:49.200 --> 1:37:53.360
<v Speaker 6>The albums that these are just some of many. My

1:37:53.479 --> 1:37:56.640
<v Speaker 6>mum used to listen to Santana, the Four Tops, the Beatles,

1:37:57.040 --> 1:38:00.960
<v Speaker 6>Hot August Night, Barry White, Jose ap Lisiana Pink Floyd C.

1:38:01.160 --> 1:38:03.240
<v Speaker 6>C and g Is quite through the start that I

1:38:03.320 --> 1:38:04.479
<v Speaker 6>can remember when I was little.

1:38:04.920 --> 1:38:08.280
<v Speaker 1>Yeah, you grow up with that music leaves an imprint

1:38:08.320 --> 1:38:09.280
<v Speaker 1>on you for life, doesn't it.

1:38:10.320 --> 1:38:13.800
<v Speaker 6>Absolutely? And I could go for Miles and Miles with

1:38:13.920 --> 1:38:17.519
<v Speaker 6>the albums of the other parent, but they're the ones

1:38:17.560 --> 1:38:19.960
<v Speaker 6>that's mum. I used to just sit there in front

1:38:19.960 --> 1:38:21.400
<v Speaker 6>of the stereo when she played them.

1:38:23.000 --> 1:38:25.360
<v Speaker 1>Very influential, isn't it. And you still like that music,

1:38:25.439 --> 1:38:27.080
<v Speaker 1>that sort of music of your mums today.

1:38:28.040 --> 1:38:31.080
<v Speaker 6>I love all of it. I love I love stuff

1:38:31.120 --> 1:38:35.560
<v Speaker 6>from like bluegrass right through to today. I like a

1:38:36.400 --> 1:38:37.800
<v Speaker 6>bars for a variety of music.

1:38:38.760 --> 1:38:41.360
<v Speaker 5>Oh that's great, Yeah, nice, Yeah, good stuff.

1:38:41.760 --> 1:38:44.800
<v Speaker 7>Thanks le Anne, thank you, thank you, No worries, take

1:38:44.840 --> 1:38:47.719
<v Speaker 7>it cheers. Lynn is in Melton, High Lynn.

1:38:48.400 --> 1:38:54.800
<v Speaker 31>Hey, Simon, Andrew Benn. Yeah, old records. Well I can

1:38:54.880 --> 1:38:57.400
<v Speaker 31>remember as a little kid, I would have been probably

1:38:57.600 --> 1:39:02.360
<v Speaker 31>six six years old, and at this time my mother

1:39:02.400 --> 1:39:11.400
<v Speaker 31>would put on Mary Lanza. Yes, yeah, and you're talking

1:39:11.439 --> 1:39:17.840
<v Speaker 31>about talking about non human cartoon character's. My favorite is

1:39:18.880 --> 1:39:22.879
<v Speaker 31>Marv and the Martian. There should have been no shattering kaboon.

1:39:23.360 --> 1:39:28.560
<v Speaker 7>Yes, they claim this planet in the name of Mars.

1:39:30.240 --> 1:39:30.679
<v Speaker 31>Exactly.

1:39:30.880 --> 1:39:33.680
<v Speaker 7>Yeah, he's wonderful Marv and the Martian was that his

1:39:33.800 --> 1:39:37.519
<v Speaker 7>own series? The character he was a Warner Brothers cartoon character.

1:39:38.040 --> 1:39:41.559
<v Speaker 7>Remember little You didn't sort of ever see his face.

1:39:41.600 --> 1:39:43.920
<v Speaker 7>He had a big green helmet and these two big

1:39:44.400 --> 1:39:45.880
<v Speaker 7>white eyes would peer out.

1:39:45.880 --> 1:39:46.559
<v Speaker 5>From the helmet.

1:39:47.320 --> 1:39:49.120
<v Speaker 7>But he was just his little little character, and he

1:39:49.240 --> 1:39:52.280
<v Speaker 7>was a Martian who would come to clay Earth as

1:39:52.360 --> 1:39:55.200
<v Speaker 7>his own planet. And I think it was usually in

1:39:55.240 --> 1:39:56.640
<v Speaker 7>a fight with bugs Bunny, wasn't he?

1:39:58.160 --> 1:39:58.320
<v Speaker 5>Yep?

1:39:59.760 --> 1:40:03.720
<v Speaker 31>Get for a minute. I want to wish Taylor a

1:40:03.760 --> 1:40:06.920
<v Speaker 31>happy birthday. Yeah, and I happen to do my wife's

1:40:06.960 --> 1:40:08.000
<v Speaker 31>birthday to day as well.

1:40:09.920 --> 1:40:11.360
<v Speaker 5>Is she thirty like Taylor is?

1:40:12.880 --> 1:40:16.200
<v Speaker 31>No, you can add a few years on just a couple, all.

1:40:16.160 --> 1:40:16.800
<v Speaker 5>Right, fair enough?

1:40:16.840 --> 1:40:19.120
<v Speaker 7>Well, happy birthday to your life. Did I hear grown

1:40:19.160 --> 1:40:20.240
<v Speaker 7>in the background there later?

1:40:21.680 --> 1:40:22.800
<v Speaker 16>No, No at all.

1:40:23.000 --> 1:40:23.040
<v Speaker 19>No.

1:40:23.280 --> 1:40:24.559
<v Speaker 31>We we had a wonderful day.

1:40:25.240 --> 1:40:26.760
<v Speaker 7>Oh it's like, did you go out for dinner?

1:40:27.920 --> 1:40:30.120
<v Speaker 31>I know we went after lunch. We went out to

1:40:30.560 --> 1:40:35.320
<v Speaker 31>a lovely hotel in Riddles Creek, a very relaxing noice

1:40:35.360 --> 1:40:37.400
<v Speaker 31>atmosphere and lovely place.

1:40:37.800 --> 1:40:38.280
<v Speaker 8>What do you have.

1:40:40.439 --> 1:40:40.840
<v Speaker 31>For lunch?

1:40:41.040 --> 1:40:41.240
<v Speaker 5>Yeah?

1:40:42.400 --> 1:40:45.720
<v Speaker 31>Rather boring for me. Oh yeah, there's got all these

1:40:46.760 --> 1:40:50.320
<v Speaker 31>things or I would I have I can't remember now.

1:40:50.640 --> 1:40:54.559
<v Speaker 31>I think I had a hang on a second chickens

1:40:54.920 --> 1:40:56.679
<v Speaker 31>n Yeah, oh.

1:40:56.680 --> 1:40:57.960
<v Speaker 5>Yeah, old pub favorite.

1:40:58.040 --> 1:41:03.840
<v Speaker 1>Nothing wrong with the chicken Stitz. That's good memories of

1:41:03.960 --> 1:41:05.880
<v Speaker 1>you with your mum. And Murray Alandsa. Just to explain

1:41:05.920 --> 1:41:08.360
<v Speaker 1>for people who don't know, in his day, Murray Alandser

1:41:08.439 --> 1:41:10.880
<v Speaker 1>was a huge star. Yeah, so it was sort of

1:41:10.920 --> 1:41:17.200
<v Speaker 1>like a Who's a ten today? I can't think? And yeah,

1:41:17.280 --> 1:41:20.000
<v Speaker 1>all that lot of the nineteen fifties and the Blind

1:41:20.040 --> 1:41:23.959
<v Speaker 1>Guy Andrea bo that's idea. And Lens had a fabulous

1:41:24.040 --> 1:41:26.799
<v Speaker 1>voice and had lots of sort of pop hit records.

1:41:26.840 --> 1:41:29.000
<v Speaker 1>It was. He had an amazing career, but it was

1:41:29.080 --> 1:41:30.680
<v Speaker 1>sadly died at the age of thirty nine.

1:41:31.040 --> 1:41:32.920
<v Speaker 5>Was he that young? Wow?

1:41:34.000 --> 1:41:34.080
<v Speaker 13>Ye?

1:41:34.600 --> 1:41:36.519
<v Speaker 1>Anyway, thank you, Lenn. We must take a break. It's

1:41:36.560 --> 1:41:39.720
<v Speaker 1>eleven thirty before remember when it's done for the night.

1:41:39.760 --> 1:41:42.040
<v Speaker 1>We want your calls please one double three six nine three.

1:41:42.400 --> 1:41:45.760
<v Speaker 1>But we're not that far from the Mervin.

1:41:47.320 --> 1:41:50.679
<v Speaker 7>Twenty seven to Midnight on three A W and Andrew

1:41:50.760 --> 1:41:54.040
<v Speaker 7>McLaren and I are here taking your calls, which includes

1:41:54.240 --> 1:41:56.120
<v Speaker 7>Simon of Kolakhi Simon.

1:41:59.320 --> 1:41:59.840
<v Speaker 18>My mom.

1:42:00.040 --> 1:42:03.600
<v Speaker 14>This was listen very Ben Cosey and Perry.

1:42:04.840 --> 1:42:06.760
<v Speaker 5>Nice and.

1:42:08.439 --> 1:42:10.440
<v Speaker 27>Uh Calin.

1:42:11.880 --> 1:42:12.640
<v Speaker 12>I loved.

1:42:18.000 --> 1:42:18.880
<v Speaker 1>Wonderful character.

1:42:19.120 --> 1:42:21.200
<v Speaker 12>Yes, and miss Percy.

1:42:23.280 --> 1:42:26.680
<v Speaker 1>Yes, all those those Warner Brothers cutters have got to

1:42:26.720 --> 1:42:29.519
<v Speaker 1>be They're still funny. And some of them are seventy

1:42:29.600 --> 1:42:30.000
<v Speaker 1>years old.

1:42:30.160 --> 1:42:32.639
<v Speaker 5>Yeah, and every one of them was brilliant.

1:42:33.080 --> 1:42:33.280
<v Speaker 7>Yeah.

1:42:33.800 --> 1:42:36.320
<v Speaker 16>And they were saying oh.

1:42:37.680 --> 1:42:37.880
<v Speaker 5>Yeah.

1:42:39.760 --> 1:42:41.360
<v Speaker 1>And some of the voices done by the one man

1:42:41.439 --> 1:42:44.439
<v Speaker 1>wasn't it was blank blank didn't basically did them all.

1:42:44.600 --> 1:42:48.599
<v Speaker 7>Yeah, good on assignment.

1:42:48.800 --> 1:42:49.360
<v Speaker 5>Thank you for that.

1:42:49.840 --> 1:42:53.439
<v Speaker 1>In lovely collect and we are now with Caroline of Glenn.

1:42:53.880 --> 1:42:55.080
<v Speaker 1>Caroline of Glenn Osmond.

1:42:56.760 --> 1:43:01.519
<v Speaker 17>Hello, I'm Warner Brothers as well, and I love bugs

1:43:01.560 --> 1:43:07.840
<v Speaker 17>Bunny Yappy Duck and Wali Kiog and Pepie Lapel.

1:43:09.120 --> 1:43:09.559
<v Speaker 7>Wonderful.

1:43:10.160 --> 1:43:13.800
<v Speaker 1>Yeah, and just one little thing. I'm sorry, but my

1:43:13.920 --> 1:43:19.920
<v Speaker 1>ignorance geographical ignorance. Where's Glen Osmond Adelaide?

1:43:20.000 --> 1:43:20.120
<v Speaker 8>Oh?

1:43:20.200 --> 1:43:23.200
<v Speaker 1>I said, I'm sorry, I just didn't know. Thank you

1:43:23.280 --> 1:43:24.200
<v Speaker 1>Caroline for filling us in.

1:43:24.320 --> 1:43:27.799
<v Speaker 7>It's wonderful. How come you listening to us from Adelaide

1:43:27.880 --> 1:43:30.160
<v Speaker 7>this evening, Caroline? Is that something you often do?

1:43:30.360 --> 1:43:30.960
<v Speaker 8>I always do.

1:43:31.320 --> 1:43:35.240
<v Speaker 17>There's no talkback radio in Adelaide anymore, so I listened

1:43:35.280 --> 1:43:37.360
<v Speaker 17>to three A w on the apple the time.

1:43:37.720 --> 1:43:38.880
<v Speaker 1>What's happened to five double A?

1:43:39.240 --> 1:43:44.160
<v Speaker 7>Well, don't be sending her off to another station. You're

1:43:44.200 --> 1:43:48.040
<v Speaker 7>not a five double A fan, No nobody is.

1:43:48.439 --> 1:43:50.479
<v Speaker 17>It's the bottom of the ratings. It's crap.

1:43:50.800 --> 1:43:52.720
<v Speaker 5>Oh okay, oh fair, And.

1:43:52.840 --> 1:43:55.840
<v Speaker 1>Were getting the load down on Adelaide ready, Yeah, thank you, Caroline. Welcome,

1:43:55.880 --> 1:43:56.639
<v Speaker 1>anyone's welcome.

1:43:57.080 --> 1:43:58.920
<v Speaker 5>Glad to have you with us spring a word. Yeah,

1:43:59.120 --> 1:43:59.880
<v Speaker 5>it's that's lovely.

1:44:00.280 --> 1:44:02.040
<v Speaker 7>Thank you, Caroline. I appreciate the call.

1:44:02.080 --> 1:44:02.320
<v Speaker 5>Thank you.

1:44:02.680 --> 1:44:05.320
<v Speaker 1>I think that wonderful stone they built or they used

1:44:05.320 --> 1:44:08.479
<v Speaker 1>to build houses in sort of sand sandstone whatever, it

1:44:08.560 --> 1:44:10.920
<v Speaker 1>is beautiful. We just don't have it here. And we've

1:44:10.960 --> 1:44:14.400
<v Speaker 1>got the bluestone and other materials, but there's the native

1:44:14.479 --> 1:44:15.000
<v Speaker 1>sort of rock.

1:44:15.280 --> 1:44:16.040
<v Speaker 5>The same in Perth.

1:44:16.160 --> 1:44:20.479
<v Speaker 7>Perth is or sort of big white buildings sandstone, I assume.

1:44:20.600 --> 1:44:23.400
<v Speaker 1>Yeah, you just don't see that color. It's just some

1:44:23.520 --> 1:44:27.240
<v Speaker 1>of those nineteen ten homes in Adelaide, up on the

1:44:27.240 --> 1:44:28.680
<v Speaker 1>Adelaide Hills, they're just glorious.

1:44:28.760 --> 1:44:31.439
<v Speaker 7>You know what, I've never liked what's that orange brick?

1:44:32.080 --> 1:44:32.200
<v Speaker 23>Oh?

1:44:32.320 --> 1:44:35.120
<v Speaker 7>No, never warmed to orange crick, which I think was

1:44:35.240 --> 1:44:36.440
<v Speaker 7>nineteen sixties.

1:44:36.160 --> 1:44:39.160
<v Speaker 1>Wasn't it it was an into the seventies. And when

1:44:39.240 --> 1:44:41.560
<v Speaker 1>we say that, of course we're not talking about the

1:44:41.560 --> 1:44:46.240
<v Speaker 1>orange brick houses that listeners to remember when they are

1:44:46.640 --> 1:44:49.320
<v Speaker 1>malus that's another shade of orange, yes, and that they

1:44:49.439 --> 1:44:51.680
<v Speaker 1>glow beautifully in the night and all that. So we're

1:44:51.720 --> 1:44:53.200
<v Speaker 1>not talking to you. You understand that.

1:44:53.240 --> 1:44:57.439
<v Speaker 7>If you think I was referencing your house, No, somebody

1:44:57.520 --> 1:44:58.840
<v Speaker 7>else's around the corner.

1:44:59.080 --> 1:44:59.960
<v Speaker 5>Who listens to five.

1:45:00.160 --> 1:45:02.240
<v Speaker 1>So one of those times, yeah, yeah, they were triple M.

1:45:02.280 --> 1:45:06.160
<v Speaker 7>They'd be triple M listeners. I'm sure Darren is in Ipswich.

1:45:06.640 --> 1:45:10.320
<v Speaker 13>Darren, Yeah, Yeah, gentlemen, I've got a record. It's not

1:45:11.040 --> 1:45:12.960
<v Speaker 13>a mother bought it for me. I'm seventy five, and

1:45:13.040 --> 1:45:15.640
<v Speaker 13>I remember when I was six, and it was on

1:45:15.760 --> 1:45:18.200
<v Speaker 13>a forty five and it was presented by a radio

1:45:18.240 --> 1:45:21.960
<v Speaker 13>announcer I think it was three k Z called Norman Swain.

1:45:22.560 --> 1:45:23.679
<v Speaker 5>Yes, and uncle Norman.

1:45:24.560 --> 1:45:27.760
<v Speaker 13>Norman Swain put out this forty five called The Meaning

1:45:27.840 --> 1:45:30.680
<v Speaker 13>of Christmas. It's one of the most beautiful stories. And

1:45:30.840 --> 1:45:34.360
<v Speaker 13>I still got the record, and I've prepared to Michael

1:45:34.400 --> 1:45:38.439
<v Speaker 13>Well final grandkids now, and yeah, Norman Swain is on

1:45:38.560 --> 1:45:41.920
<v Speaker 13>Planet Records. I remember the name entirely it was a

1:45:42.560 --> 1:45:45.439
<v Speaker 13>Norman Swayin used to have a host of children show

1:45:45.479 --> 1:45:46.080
<v Speaker 13>on three KZ.

1:45:46.520 --> 1:45:47.120
<v Speaker 11>Did all.

1:45:47.600 --> 1:45:51.400
<v Speaker 1>What a wonderful little bit of nostalgia you've got there, Darren. Yeah.

1:45:51.560 --> 1:45:54.639
<v Speaker 13>And the cardon always remember and everyone talks about modern

1:45:54.680 --> 1:45:56.200
<v Speaker 13>day was Heckel and Jekyl.

1:45:56.920 --> 1:45:57.080
<v Speaker 21>Oh.

1:45:57.280 --> 1:46:02.040
<v Speaker 7>Yeah, the crows they were made sorry to correct you, yes, yes,

1:46:02.080 --> 1:46:05.320
<v Speaker 7>I'm sorry to correct you so coldly, but but yeah,

1:46:06.240 --> 1:46:09.640
<v Speaker 7>actually magpists. They looked like crows in fairness, they did, but.

1:46:10.040 --> 1:46:11.000
<v Speaker 5>They're actually makepists.

1:46:11.080 --> 1:46:13.920
<v Speaker 7>But they're rippers, Darren. And they go right back, don't they.

1:46:14.640 --> 1:46:15.960
<v Speaker 13>Yeah, they do, certainly do.

1:46:18.040 --> 1:46:19.960
<v Speaker 1>Very much. What about this? This is a text from

1:46:20.000 --> 1:46:23.320
<v Speaker 1>Graham did Andrew and Simon. My cartoon character is the

1:46:23.400 --> 1:46:24.719
<v Speaker 1>Great Gazoo.

1:46:24.840 --> 1:46:26.000
<v Speaker 5>Do you know the Great Kazoo?

1:46:26.160 --> 1:46:30.720
<v Speaker 7>The Great Kazoo was from The Flintstones when the Flintstones

1:46:30.840 --> 1:46:34.720
<v Speaker 7>jumped the shark, that old showbiz expression. Because The Flintstones,

1:46:34.720 --> 1:46:37.280
<v Speaker 7>before the Simpsons was the longest running cartoon series in

1:46:37.320 --> 1:46:42.479
<v Speaker 7>the world, and my understanding is and but it got

1:46:42.520 --> 1:46:45.000
<v Speaker 7>to a point where Pebbles and Bam Bam grew up,

1:46:45.560 --> 1:46:48.599
<v Speaker 7>so they made them into teenagers rather than the kids,

1:46:49.360 --> 1:46:52.360
<v Speaker 7>and then they introduced the Great Kazoo, who was a

1:46:52.520 --> 1:46:56.080
<v Speaker 7>little green alien who would when Fred and Barney got

1:46:56.120 --> 1:46:58.160
<v Speaker 7>in trouble, they'd call out for help from the Great

1:46:58.200 --> 1:47:02.439
<v Speaker 7>Kazoo and he would magically appear and solve whatever problem.

1:47:02.760 --> 1:47:05.200
<v Speaker 1>No, no, sort of strayed from the Flintstone Path by

1:47:05.280 --> 1:47:06.439
<v Speaker 1>the time the Kazoo appeared.

1:47:06.520 --> 1:47:08.160
<v Speaker 5>Yeah, I think everybody had well.

1:47:08.080 --> 1:47:12.759
<v Speaker 1>Not not Graham. You enjoy them, Roger Ramjet's secret Squirrel.

1:47:13.760 --> 1:47:14.840
<v Speaker 1>But this is quite a list.

1:47:15.040 --> 1:47:17.920
<v Speaker 7>From Banana Man, Yes, which was The Goodies, a cartoon

1:47:18.040 --> 1:47:19.240
<v Speaker 7>voiced by the Three Goodies.

1:47:19.479 --> 1:47:23.479
<v Speaker 1>Mister Dobi Morph Dexter, Dexter. You he was a robot too,

1:47:23.600 --> 1:47:23.840
<v Speaker 1>wasn't he?

1:47:24.200 --> 1:47:28.000
<v Speaker 5>Or Dexter the robot from Perfect Match? Oh well, Rob

1:47:28.080 --> 1:47:28.840
<v Speaker 5>is always good.

1:47:28.720 --> 1:47:29.160
<v Speaker 7>With the list.

1:47:29.760 --> 1:47:33.400
<v Speaker 1>Yeah, mister red Rags, he's Bouncer.

1:47:33.920 --> 1:47:37.519
<v Speaker 7>Bouncer was the dog in Neighbors. That's we're talking your

1:47:37.840 --> 1:47:41.760
<v Speaker 7>favorite non human characters and Rob you have said Bouncer.

1:47:42.080 --> 1:47:44.559
<v Speaker 9>Don't underestimate the popularity of Bouncer.

1:47:44.640 --> 1:47:47.160
<v Speaker 7>How many people tuned into Neighbors. I must watch Neighbors

1:47:47.200 --> 1:47:50.240
<v Speaker 7>because I want to see Bouncer walk beside his owner.

1:47:50.800 --> 1:47:53.439
<v Speaker 10>You'd be surprised, Like Bouncer still gets to mention on

1:47:53.520 --> 1:47:54.639
<v Speaker 10>neighbors every so often.

1:47:55.600 --> 1:47:58.160
<v Speaker 1>Yeah, he's going to be alive anymore.

1:47:58.200 --> 1:48:01.000
<v Speaker 10>No, No, he died decades ago, but as well and

1:48:01.120 --> 1:48:03.040
<v Speaker 10>truly a very popular character on it.

1:48:03.479 --> 1:48:06.960
<v Speaker 1>Speaking of these characters non human characters in shows, Ben

1:48:07.280 --> 1:48:10.320
<v Speaker 1>yours Ben non human.

1:48:10.720 --> 1:48:12.640
<v Speaker 5>Speaking of non human characters.

1:48:12.439 --> 1:48:16.400
<v Speaker 10>Ben, I can grow out of antenna if you like

1:48:16.920 --> 1:48:24.320
<v Speaker 10>that way. Not in public, My favorite is Bender from Futurama.

1:48:24.720 --> 1:48:30.920
<v Speaker 10>Bender Bend, Bend, Bending, Yes, is the I look, I'm

1:48:30.920 --> 1:48:33.000
<v Speaker 10>going to agree with you. I think is the single

1:48:33.080 --> 1:48:35.519
<v Speaker 10>greatest character ever to be put into a cartoon.

1:48:35.640 --> 1:48:38.200
<v Speaker 7>It's a big god is. I cannot think of a

1:48:38.240 --> 1:48:38.920
<v Speaker 7>better character.

1:48:39.000 --> 1:48:42.400
<v Speaker 1>Though familiarize myself fut Futurama.

1:48:42.439 --> 1:48:45.280
<v Speaker 10>It's just it's a related show to the Simpsons. It's

1:48:45.320 --> 1:48:48.000
<v Speaker 10>done by the same people. And Bender was one of

1:48:48.040 --> 1:48:51.200
<v Speaker 10>the main characters. Who's a robot who drinks, but he

1:48:51.320 --> 1:48:54.280
<v Speaker 10>needs to drink because because he's a robot, so he

1:48:54.360 --> 1:48:57.000
<v Speaker 10>needs to be lubricated, so he's always drunk.

1:48:57.640 --> 1:48:58.320
<v Speaker 1>He drinks oil.

1:48:58.600 --> 1:49:00.720
<v Speaker 9>Yeah, so it's like he's drinking oil, but he drinks beer.

1:49:00.840 --> 1:49:05.080
<v Speaker 7>He drinks beer to fuel his cells, yes, to fuel

1:49:05.120 --> 1:49:08.960
<v Speaker 7>his power cells. And if he doesn't drink, he gets

1:49:09.080 --> 1:49:14.200
<v Speaker 7>drunk like he becomes almost unconscious and paralytic if he

1:49:14.320 --> 1:49:18.599
<v Speaker 7>doesn't drink, so he's basically sending a bad message.

1:49:19.520 --> 1:49:21.320
<v Speaker 1>I was gonna say, there's a not a kid's cutoon

1:49:21.439 --> 1:49:22.080
<v Speaker 1>character at all.

1:49:22.200 --> 1:49:25.519
<v Speaker 7>Really, is it not as such? No, But he's just

1:49:25.560 --> 1:49:26.680
<v Speaker 7>got great attitude.

1:49:27.040 --> 1:49:31.439
<v Speaker 10>He's good attitude, and he's got some interesting ideas. I've

1:49:31.479 --> 1:49:32.840
<v Speaker 10>got a bit of a clip here of one of

1:49:32.920 --> 1:49:34.280
<v Speaker 10>his more interesting ideas.

1:49:34.320 --> 1:49:40.000
<v Speaker 15>All right, yeah, well, I'm gonna go build my own

1:49:40.160 --> 1:49:42.799
<v Speaker 15>theme park with black jack and hookers.

1:49:43.080 --> 1:49:44.920
<v Speaker 7>In fact, forget the park.

1:49:47.960 --> 1:49:50.560
<v Speaker 1>Oh I like him. I've just been introduced, and I

1:49:50.960 --> 1:49:54.200
<v Speaker 1>like this guy. And he's angry, isn't he? He has

1:49:54.280 --> 1:49:56.559
<v Speaker 1>that face. Wonderful.

1:49:56.600 --> 1:49:57.759
<v Speaker 5>He is a wonderful character.

1:49:57.760 --> 1:49:58.599
<v Speaker 1>I think we need to break.

1:49:59.000 --> 1:50:01.200
<v Speaker 5>We do. Thank you to your who was called and texted.

1:50:01.240 --> 1:50:01.960
<v Speaker 5>We do need to break.

1:50:02.000 --> 1:50:05.439
<v Speaker 7>We've got the Mervin Purpose Quiz quick quiz coming up

1:50:05.479 --> 1:50:05.840
<v Speaker 7>after this.

1:50:07.760 --> 1:50:09.280
<v Speaker 1>This is what you've been waiting for. And here it

1:50:09.400 --> 1:50:11.640
<v Speaker 1>is a quarter to twelve. Remember when three at w

1:50:11.920 --> 1:50:15.880
<v Speaker 1>this Sunday night, the fabulous the Eternal Mervyn.

1:50:21.320 --> 1:50:28.200
<v Speaker 4>Who wants to be on pervis have flashy flunkies everywhere

1:50:29.040 --> 1:50:30.679
<v Speaker 4>Pervise who.

1:50:30.720 --> 1:50:33.719
<v Speaker 26>Wants the father of a country estate.

1:50:34.439 --> 1:50:38.759
<v Speaker 20>A country estate is something i'd hate, alright.

1:50:38.840 --> 1:50:40.760
<v Speaker 11>I want to see a little bit more attention to

1:50:40.840 --> 1:50:43.920
<v Speaker 11>detail in the Mervin Purpose quick quiz ten points for

1:50:44.000 --> 1:50:46.320
<v Speaker 11>everyone you get right, ten points taken from you if

1:50:46.360 --> 1:50:47.800
<v Speaker 11>you get them wrong. Are we right to go with

1:50:47.840 --> 1:50:49.120
<v Speaker 11>the panel here? Are you right? Yes?

1:50:49.200 --> 1:50:51.280
<v Speaker 7>I am, mister d Simon, Yes, thank you mister.

1:50:52.040 --> 1:50:52.200
<v Speaker 11>Yes?

1:50:52.240 --> 1:50:53.160
<v Speaker 7>How are you murder.

1:50:54.600 --> 1:50:54.920
<v Speaker 27>Today?

1:50:55.400 --> 1:50:58.080
<v Speaker 11>All right? Here's the first question. Which fabled monster had

1:50:58.080 --> 1:50:59.920
<v Speaker 11>alliance head of the serpent's tail?

1:51:00.160 --> 1:51:01.519
<v Speaker 5>Quickly the host?

1:51:02.880 --> 1:51:06.759
<v Speaker 11>Ten points taken from that because of pegass, Hey.

1:51:06.680 --> 1:51:08.960
<v Speaker 5>Pegas, please call it cyclops.

1:51:09.200 --> 1:51:14.080
<v Speaker 11>No, the shimmer shimmerer, Yes, the chimmer. Don't say, oh,

1:51:14.160 --> 1:51:15.000
<v Speaker 11>dear over him?

1:51:16.040 --> 1:51:18.160
<v Speaker 38>One question in movements twenty points.

1:51:17.960 --> 1:51:21.200
<v Speaker 11>Out after how many days can a bloodhound still detect

1:51:21.240 --> 1:51:21.719
<v Speaker 11>a smell?

1:51:22.080 --> 1:51:22.800
<v Speaker 5>Or six days?

1:51:23.439 --> 1:51:23.479
<v Speaker 7>No?

1:51:23.800 --> 1:51:27.040
<v Speaker 11>Twenty quite confident? No, both of you three a week

1:51:27.200 --> 1:51:33.400
<v Speaker 11>lose ten ten yes, lose twenty from Which country does

1:51:33.439 --> 1:51:36.599
<v Speaker 11>the lettuce originate? Interesting questions?

1:51:36.800 --> 1:51:38.959
<v Speaker 7>Arabia No, Latvia?

1:51:39.120 --> 1:51:43.839
<v Speaker 11>Lose ten on that one. Peru red, Yes, it ran interesting,

1:51:43.920 --> 1:51:45.400
<v Speaker 11>isn't it? Thanks?

1:51:45.760 --> 1:51:47.200
<v Speaker 7>How did they get all the way over here?

1:51:47.720 --> 1:51:50.560
<v Speaker 11>Well? They they sold the seeds to people in Warrandyte.

1:51:51.200 --> 1:51:52.719
<v Speaker 11>They sprinkled the effect.

1:51:52.840 --> 1:51:56.839
<v Speaker 4>Religious people in around say, let us pray which.

1:51:56.760 --> 1:51:58.880
<v Speaker 11>Bird lays the world's largest egg?

1:51:59.600 --> 1:51:59.880
<v Speaker 1>Living?

1:52:00.560 --> 1:52:03.720
<v Speaker 11>Well, the largest egga the Ostrich's ten points to you.

1:52:03.800 --> 1:52:06.240
<v Speaker 7>But I was going to say, what about the moa?

1:52:06.920 --> 1:52:08.000
<v Speaker 1>The moa?

1:52:08.120 --> 1:52:08.759
<v Speaker 11>What's the moa?

1:52:08.920 --> 1:52:11.840
<v Speaker 1>It was the world's largest bird that laid the world's

1:52:11.880 --> 1:52:12.519
<v Speaker 1>largest egg.

1:52:12.600 --> 1:52:13.719
<v Speaker 5>Not anymore.

1:52:14.479 --> 1:52:17.320
<v Speaker 38>Back in the dinosaur age then it was actually short

1:52:17.400 --> 1:52:19.439
<v Speaker 38>for the mona, and if you saw the egg you'd

1:52:19.560 --> 1:52:19.840
<v Speaker 38>know why.

1:52:20.120 --> 1:52:23.120
<v Speaker 11>Or what about the ummy doodle bird? You remember that one? Yes,

1:52:23.560 --> 1:52:25.840
<v Speaker 11>he was just swoop very low that doing so.

1:52:27.720 --> 1:52:30.479
<v Speaker 5>What happened to gravel rack laid an egg?

1:52:31.240 --> 1:52:34.679
<v Speaker 11>Who had great balls of fire? Gentlemen, Jerry Lee lewis

1:52:34.840 --> 1:52:38.000
<v Speaker 11>no lose? So I'm told, what about Juian? Have you

1:52:38.400 --> 1:52:39.559
<v Speaker 11>the man on fire?

1:52:40.200 --> 1:52:41.480
<v Speaker 4>Bruce on his honeymoon?

1:52:46.439 --> 1:52:50.200
<v Speaker 11>That's little Richard. It was in which language? Does PUPI

1:52:50.600 --> 1:52:55.800
<v Speaker 11>mean belly bucking? In which language just pooping? Latin meant

1:52:55.920 --> 1:52:59.479
<v Speaker 11>belly bubble, belly button Yugoslav no lose ten?

1:52:59.479 --> 1:53:00.880
<v Speaker 1>All of you is?

1:53:01.760 --> 1:53:06.839
<v Speaker 11>Is right? All right? Then let's move along here. Okay,

1:53:07.040 --> 1:53:08.800
<v Speaker 11>I haven't ticked any of these. Oh here we are.

1:53:09.200 --> 1:53:11.760
<v Speaker 11>If your eyes were one hundred feet above sea level,

1:53:11.840 --> 1:53:13.519
<v Speaker 11>how far would the horizon be.

1:53:13.920 --> 1:53:17.679
<v Speaker 38>I don't know, but you'd stand out in public twenty

1:53:17.760 --> 1:53:18.519
<v Speaker 38>for that, that's clever.

1:53:18.800 --> 1:53:19.839
<v Speaker 1>Twenty one miles.

1:53:20.720 --> 1:53:22.799
<v Speaker 11>No, forty miles.

1:53:23.920 --> 1:53:25.960
<v Speaker 14>No, they are fourteen miles.

1:53:26.280 --> 1:53:29.840
<v Speaker 11>Fourteen miles is correct. What is curious about the tail

1:53:29.920 --> 1:53:32.800
<v Speaker 11>of the Manx cat? There isn't one? How do you know?

1:53:33.040 --> 1:53:35.400
<v Speaker 1>Because they don't have a tail, There isn't.

1:53:35.439 --> 1:53:38.040
<v Speaker 7>After Ian gets to them, do you sell them?

1:53:38.880 --> 1:53:41.960
<v Speaker 11>No, I don't sell them. Are they collectible?

1:53:42.320 --> 1:53:42.479
<v Speaker 5>Oh?

1:53:42.560 --> 1:53:44.160
<v Speaker 11>Yeah, they would be because there's none of them.

1:53:44.640 --> 1:53:46.120
<v Speaker 7>Oh I was going to I thought they did have

1:53:46.200 --> 1:53:47.240
<v Speaker 7>a tail, but it was bald.

1:53:47.880 --> 1:53:50.679
<v Speaker 11>No, just nothing. It came to the bottom and stopped

1:53:50.760 --> 1:53:51.439
<v Speaker 11>and stumps.

1:53:52.920 --> 1:53:53.320
<v Speaker 5>How do you know?

1:53:53.360 --> 1:53:53.960
<v Speaker 7>What's happy?

1:53:54.160 --> 1:53:56.519
<v Speaker 11>Do you call me stumps again? You've gone away with

1:53:56.600 --> 1:53:59.160
<v Speaker 11>that too often. The Manx cat has no tail, But

1:53:59.280 --> 1:54:02.439
<v Speaker 11>the Manx man three legs? The Manx Man?

1:54:02.880 --> 1:54:05.719
<v Speaker 7>What the man who lives in minx embarrassed?

1:54:05.800 --> 1:54:08.000
<v Speaker 1>Well, that's their symbol, the three legged man.

1:54:08.120 --> 1:54:11.400
<v Speaker 11>So how does he walk on? Every third? Steps around

1:54:11.479 --> 1:54:13.960
<v Speaker 11>in a circle over his head?

1:54:14.520 --> 1:54:16.400
<v Speaker 5>His priends all day outside porn chops?

1:54:16.960 --> 1:54:17.320
<v Speaker 12>Who is.

1:54:20.200 --> 1:54:20.320
<v Speaker 23>Who?

1:54:20.320 --> 1:54:20.840
<v Speaker 1>Does he lose?

1:54:20.840 --> 1:54:21.080
<v Speaker 7>Points?

1:54:21.120 --> 1:54:21.320
<v Speaker 1>Mister?

1:54:21.560 --> 1:54:24.800
<v Speaker 11>Yes he does. A savage filth who was known as

1:54:24.880 --> 1:54:30.800
<v Speaker 11>the prince of poly poly polophony, the down polophony.

1:54:31.000 --> 1:54:33.040
<v Speaker 7>Oh no, he's the prince of polyester.

1:54:32.800 --> 1:54:38.800
<v Speaker 5>Pythagoras loose ten j buck mark is correct?

1:54:39.000 --> 1:54:39.160
<v Speaker 11>Good?

1:54:39.240 --> 1:54:40.840
<v Speaker 7>How many times its own heights?

1:54:40.880 --> 1:54:48.000
<v Speaker 11>Can an athletic flea jump twenty fifty? Ten times one hundred?

1:54:48.040 --> 1:54:51.240
<v Speaker 11>And they all lost ten? There? Who was the original man?

1:54:51.360 --> 1:54:52.400
<v Speaker 11>You love to hate?

1:54:53.640 --> 1:54:54.000
<v Speaker 5>Boom?

1:54:56.760 --> 1:54:58.320
<v Speaker 11>You all lose twenty points for that?

1:54:59.360 --> 1:55:00.200
<v Speaker 26>I like you?

1:55:01.040 --> 1:55:01.560
<v Speaker 11>Who wasn't?

1:55:04.120 --> 1:55:04.480
<v Speaker 5>That's right?

1:55:04.800 --> 1:55:09.000
<v Speaker 11>Fun stonheart? Where would you find Cassini's division? Where would

1:55:09.000 --> 1:55:12.080
<v Speaker 11>you find his ring on the.

1:55:13.640 --> 1:55:16.720
<v Speaker 7>On the division in the inside fine.

1:55:18.280 --> 1:55:18.920
<v Speaker 1>Unset?

1:55:19.800 --> 1:55:20.440
<v Speaker 7>Such close?

1:55:20.720 --> 1:55:27.240
<v Speaker 11>Yes? What are the other two rather whimsically named types

1:55:27.280 --> 1:55:31.400
<v Speaker 11>of quark besides updown, top and bottom?

1:55:31.680 --> 1:55:32.760
<v Speaker 5>There's a spinning quark.

1:55:33.240 --> 1:55:34.000
<v Speaker 11>Yeah, but I want the.

1:55:34.640 --> 1:55:36.640
<v Speaker 5>Types of quark. And there's Joan Quark.

1:55:36.720 --> 1:55:40.360
<v Speaker 7>She's the mother of Samantha saying west quark and hang on,

1:55:40.400 --> 1:55:41.560
<v Speaker 7>there's quark forms.

1:55:44.440 --> 1:55:45.400
<v Speaker 8>Quark kent.

1:55:46.920 --> 1:55:50.880
<v Speaker 11>Eastern west quark, strange and charm. That's right, strange and charm.

1:55:51.000 --> 1:55:53.120
<v Speaker 11>One more, mister, We won't have time. What are the scores?

1:55:53.680 --> 1:55:56.000
<v Speaker 38>Okay, scores ill phillip on minus seventy because he was

1:55:56.120 --> 1:55:59.320
<v Speaker 38>rather obscene Ian on minus forty, which was very good

1:55:59.360 --> 1:56:01.720
<v Speaker 38>for im. I was on minus thirty because I got

1:56:01.760 --> 1:56:04.880
<v Speaker 38>twenty points there from the very kind and gorgeous looking

1:56:04.960 --> 1:56:07.960
<v Speaker 38>mister D's. Mervin went outright. They won seventy points, the

1:56:08.040 --> 1:56:09.360
<v Speaker 38>only one with a positive score.

1:56:10.280 --> 1:56:11.240
<v Speaker 1>Not again.

1:56:23.920 --> 1:56:26.280
<v Speaker 7>And for his second appearance tonight. The first one was

1:56:26.320 --> 1:56:27.880
<v Speaker 7>helping us with Kevin's.

1:56:27.960 --> 1:56:29.080
<v Speaker 1>Quinn, I shouldn't do that.

1:56:29.200 --> 1:56:31.800
<v Speaker 4>Kevin gets a bit digger because couple his shoulders. To

1:56:31.880 --> 1:56:34.160
<v Speaker 4>know that I'm minding some of the answers to you.

1:56:34.240 --> 1:56:37.480
<v Speaker 4>You like the way I said, It'll remember man.

1:56:38.840 --> 1:56:41.680
<v Speaker 1>I hope that helped. Hello Andrew, Hello Tony. What has

1:56:41.760 --> 1:56:44.480
<v Speaker 1>clasped in your your rather dainty left fingers.

1:56:44.520 --> 1:56:46.360
<v Speaker 4>Well, it's a little pressy that I got. And so

1:56:46.560 --> 1:56:49.960
<v Speaker 4>it's just like little life breakers. And I thought they

1:56:50.000 --> 1:56:51.680
<v Speaker 4>were so good. I don't know what you've seen them.

1:56:52.000 --> 1:56:55.240
<v Speaker 4>They're so good for you know, throwing curious little questions

1:56:55.280 --> 1:56:59.040
<v Speaker 4>out for listeners to participate. For example, and I'll put

1:56:59.080 --> 1:57:00.640
<v Speaker 4>it to both of you. We might look at this

1:57:00.720 --> 1:57:04.440
<v Speaker 4>after midnight. If you could only eat one meal every

1:57:04.640 --> 1:57:08.960
<v Speaker 4>day for the rest of your life, one meal every day,

1:57:09.320 --> 1:57:11.520
<v Speaker 4>what would it be for the rest of your life?

1:57:14.280 --> 1:57:18.240
<v Speaker 1>Oh, that's for the rest of well in my case,

1:57:18.240 --> 1:57:21.600
<v Speaker 1>there's not all that many years ago, so that's not true.

1:57:21.640 --> 1:57:23.800
<v Speaker 1>Stop saying that I shouldn't say no. I mean, but

1:57:23.880 --> 1:57:25.840
<v Speaker 1>to compared to some of the younger like ben out

1:57:25.920 --> 1:57:32.320
<v Speaker 1>there would perhaps be crumbed veal schnitzel.

1:57:33.560 --> 1:57:36.760
<v Speaker 4>Nice, very classy with the potatoes.

1:57:36.800 --> 1:57:39.560
<v Speaker 7>That would be some green bean.

1:57:43.280 --> 1:57:47.480
<v Speaker 1>I don't think of. And would you eat it with

1:57:47.600 --> 1:57:51.720
<v Speaker 1>cutlery or just vacuum in with my mouth?

1:57:51.760 --> 1:57:54.800
<v Speaker 7>So for me, if it's not going to be my

1:57:55.720 --> 1:58:00.920
<v Speaker 7>famous tuna casserole, which is which is famous people, if

1:58:00.960 --> 1:58:02.920
<v Speaker 7>it was more of a pub meal, I'd probably go

1:58:03.040 --> 1:58:05.240
<v Speaker 7>with klamari. I love kalamari.

1:58:05.840 --> 1:58:06.440
<v Speaker 11>Be robbery.

1:58:06.440 --> 1:58:08.240
<v Speaker 1>You'd want to make sure you get it right before

1:58:08.280 --> 1:58:09.680
<v Speaker 1>you sign on for that.

1:58:09.800 --> 1:58:12.880
<v Speaker 7>But even the cheap calamari that contains no calamari, I

1:58:12.920 --> 1:58:18.240
<v Speaker 7>don't mind that. So you know the rings, you get

1:58:18.240 --> 1:58:20.920
<v Speaker 7>the frozen ones from the supermarket in the box and

1:58:21.000 --> 1:58:23.680
<v Speaker 7>you and there's just nothing in there that's remotely calamari.

1:58:24.040 --> 1:58:26.240
<v Speaker 4>You were both missed on Saturday for the Survivors. I

1:58:26.280 --> 1:58:28.560
<v Speaker 4>heard Kevin talking to you about it was fantastic afternoon

1:58:28.640 --> 1:58:30.400
<v Speaker 4>catching up with people that I hadn't seen for many

1:58:30.480 --> 1:58:34.280
<v Speaker 4>many a year obviously, and even to meet and spend

1:58:34.320 --> 1:58:37.160
<v Speaker 4>a bit of time with the wonderful Gordon Bennett. Yes,

1:58:37.600 --> 1:58:43.560
<v Speaker 4>from seven what a gent leader and did amazing programs

1:58:43.600 --> 1:58:45.600
<v Speaker 4>at seven for years, whether it be spoiled or whether

1:58:45.600 --> 1:58:46.880
<v Speaker 4>it be working with many of the people in the

1:58:46.960 --> 1:58:49.960
<v Speaker 4>sport like Sandy and Bruce of course over those years,

1:58:50.080 --> 1:58:50.480
<v Speaker 4>that's right.

1:58:50.720 --> 1:58:53.120
<v Speaker 1>But I want to get back to the food you

1:58:53.600 --> 1:58:55.960
<v Speaker 1>What would you if you could only have one meal

1:58:56.000 --> 1:58:56.920
<v Speaker 1>for the rest of your living?

1:58:56.960 --> 1:58:57.280
<v Speaker 5>A bit.

1:58:58.760 --> 1:59:03.800
<v Speaker 4>Probably if it didn't make me ill every time with intergestion,

1:59:04.040 --> 1:59:07.520
<v Speaker 4>it would be just a fully blown, wonderful Italian, pure

1:59:07.600 --> 1:59:10.160
<v Speaker 4>Italian version of a spagetty carbonara.

1:59:11.200 --> 1:59:15.000
<v Speaker 23>Oh yeah, except a lot of just a lot of

1:59:15.080 --> 1:59:18.960
<v Speaker 23>pastor every day four years, assuming by this quiz that

1:59:19.120 --> 1:59:22.360
<v Speaker 23>you can't be impacted poorly, but I think, wait.

1:59:22.360 --> 1:59:23.720
<v Speaker 1>How many years you've got to go to?

1:59:23.920 --> 1:59:24.440
<v Speaker 5>Looking at you?

1:59:24.920 --> 1:59:26.760
<v Speaker 7>It's the ultimate answer to that question, though, if you

1:59:26.800 --> 1:59:29.480
<v Speaker 7>could only have one meal for the rest of your life,

1:59:29.720 --> 1:59:31.720
<v Speaker 7>surely the answers of beef Wellington, isn't it.

1:59:33.480 --> 1:59:36.400
<v Speaker 5>We will move on too soon? Simon?

1:59:36.520 --> 1:59:37.320
<v Speaker 9>Is it too soon?

1:59:37.400 --> 1:59:39.160
<v Speaker 5>Okay? One more?

1:59:40.040 --> 1:59:43.360
<v Speaker 7>And you you love this? What's the best job you

1:59:43.480 --> 1:59:43.880
<v Speaker 7>ever had?

1:59:44.040 --> 1:59:46.280
<v Speaker 1>Best job you have had? This one here and working

1:59:46.320 --> 1:59:49.640
<v Speaker 1>for mister Stephen Beers and the wonderful management team at

1:59:49.680 --> 1:59:50.200
<v Speaker 1>three a W.

1:59:50.600 --> 1:59:52.880
<v Speaker 4>When you're an authentic kick, I just loathe that.

1:59:53.040 --> 1:59:53.360
<v Speaker 1>Simon.

1:59:53.760 --> 1:59:56.160
<v Speaker 7>Oh, I've been here for thirty years. I've only had

1:59:56.200 --> 1:59:58.160
<v Speaker 7>two jobs. I was a bank clerk for six years

1:59:58.200 --> 2:00:02.000
<v Speaker 7>and here for thirty. So yeah, for me, the answer

2:00:02.120 --> 2:00:02.920
<v Speaker 7>is working here too.

2:00:03.480 --> 2:00:04.080
<v Speaker 1>So that's it.

2:00:04.320 --> 2:00:06.840
<v Speaker 4>No, there's nothing if what would you do if you

2:00:06.920 --> 2:00:08.600
<v Speaker 4>ever left three W God forbid?

2:00:08.680 --> 2:00:12.080
<v Speaker 7>By the way, my primary passion is writing, so if

2:00:12.080 --> 2:00:14.240
<v Speaker 7>I could get a job writing, i'd be very happy.

2:00:14.320 --> 2:00:19.440
<v Speaker 7>But I think a book, writing anything, writing writing, script

2:00:20.520 --> 2:00:25.920
<v Speaker 7>and Portland. Oh well, now you're opening doors that won't

2:00:26.000 --> 2:00:26.440
<v Speaker 7>come up.

2:00:26.520 --> 2:00:31.600
<v Speaker 1>Well, just a thought down in Victoria, not Portland. Well

2:00:31.800 --> 2:00:33.880
<v Speaker 1>it would be no good in Melbourne. There'd be a

2:00:33.960 --> 2:00:38.200
<v Speaker 1>heap of in Melbourne, wouldn't there? But you'd be starting afresh.

2:00:39.200 --> 2:00:39.840
<v Speaker 1>What's the matter?

2:00:40.880 --> 2:00:43.480
<v Speaker 7>What do you even know?

2:00:43.600 --> 2:00:44.720
<v Speaker 11>What does?

2:00:44.920 --> 2:00:45.120
<v Speaker 6>Yes?

2:00:46.000 --> 2:00:48.000
<v Speaker 1>I'll be innes. I'm embarrassed.

2:00:49.960 --> 2:00:55.480
<v Speaker 7>I need to go to my studio now. I love

2:00:55.520 --> 2:00:58.720
<v Speaker 7>you both, all right, thank you? Tony midnight, Tony McManus

2:00:58.880 --> 2:01:01.200
<v Speaker 7>up after midnight. He'll be on here in a bed

2:01:01.760 --> 2:01:02.880
<v Speaker 7>eight minutes from now.

2:01:03.640 --> 2:01:04.040
<v Speaker 11>But that's it.

2:01:04.160 --> 2:01:05.320
<v Speaker 7>For us for another night, Andy.

2:01:05.920 --> 2:01:08.320
<v Speaker 1>We got to say goodbye, and as we say goodbye,

2:01:08.400 --> 2:01:11.920
<v Speaker 1>will say, just as everywhere I go.

2:01:12.200 --> 2:01:12.720
<v Speaker 7>Thank you, Ben,