WEBVTT - Remember When - Simon Owens and Andrew McLaren ep 020 - Sun 01 Jun, 2025 

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<v Speaker 1>Back some Time from Back the Side of Time, Bad Back, Lestena.

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<v Speaker 2>So Aboven all a dream, stars above were Olli Gleam.

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<v Speaker 2>We were only seventeen all but we knew chap wellsbor

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<v Speaker 2>all the chime. It was apple blossomed time while I

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<v Speaker 2>held your hand in mine, Our dream came true.

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<v Speaker 1>Time, Back the Hounds of.

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<v Speaker 3>Time, Time.

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<v Speaker 2>The same Time, Back Hardream.

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<v Speaker 3>Let's live it.

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<v Speaker 4>One of your finest recordings, Andrew.

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<v Speaker 5>Thank you. Yes, I must say I'm rather proud of that.

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<v Speaker 5>There were the days, of course, then Debbie came into

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<v Speaker 5>my life and things just went a bit of ry.

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<v Speaker 5>It lives an all nightmare anyway. How are you, Simon,

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<v Speaker 5>I'm good.

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<v Speaker 4>How have you been?

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<v Speaker 5>Yeah, I'm pretty good. A little wistful as of yesterday. Okay,

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<v Speaker 5>it is sort of an nostalgic wistfulness, which is appropriate

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<v Speaker 5>to this program. Remember when, Yes, it is what caused it?

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<v Speaker 5>May I ask looking through photos, and not for the

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<v Speaker 5>quite the reason you're preps thinking. But I've got.

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<v Speaker 4>A looking for evidence, a crime scene photo.

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<v Speaker 5>We have a lot of those photos in the family

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<v Speaker 5>with chalk marks around the body. We don't know, it's

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<v Speaker 5>all very probably, No, it could be giggling. Stop it, sorry,

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<v Speaker 5>because I look at them all and it's sad because

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<v Speaker 5>a lot of the people I don't know who they are.

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<v Speaker 5>They once meant something, and then I can I recognize

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<v Speaker 5>one as my grandmother and she's and it'll just have

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<v Speaker 5>written on the back of the photograph Barron Bay in

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<v Speaker 5>nineteen sixty three or something like that. But who's with her?

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<v Speaker 4>Those people?

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<v Speaker 5>And then there's people I know must be relations of

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<v Speaker 5>mine and they just are not identifying. And then, of

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<v Speaker 5>course I've got a daughter. Do I pass these photos

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<v Speaker 5>onto her?

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<v Speaker 4>You do? But then she's going to do what I'm

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<v Speaker 4>doing to my parents at the moment, because we're also

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<v Speaker 4>doing photos, are saying who's this mum? That's Lorraine and okay,

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<v Speaker 4>well that's good.

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<v Speaker 5>Well that's something I never when my parents, or let

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<v Speaker 5>alone grandmother. My grandmother died sixty years ago. But so

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<v Speaker 5>they're all gone. There's no one to ask, and I

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<v Speaker 5>just found myself a little bit sad, like what lives

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<v Speaker 5>were they were? They did? They have a wonderful time?

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<v Speaker 5>Who are you exactly? I'd love to know. I'm so

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<v Speaker 5>well dressed. Everyone's got coats, and all the men coats

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<v Speaker 5>and ties on and all that is if they're in

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<v Speaker 5>the city, they've got a hat.

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<v Speaker 4>On and bring that back. I say, I couldn't say.

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<v Speaker 5>I want to see lots of hats. Yes, completely, I'm

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<v Speaker 5>not the only thing with hats, and I know you

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<v Speaker 5>love yours. It makes your head a bit hot.

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<v Speaker 4>Well, see, I have no hair, so for me it

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<v Speaker 4>keeps it warm.

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<v Speaker 5>I suppose there's yeah, I have. I used to have

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<v Speaker 5>to wear a hat at school. I think they wasn't

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<v Speaker 5>school where it was it anyway somewhere and I was

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<v Speaker 5>sweaty hair, you know.

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<v Speaker 4>Yeah, hat hair, hat hair. Yeah, hat hair is a shocker, absolutely.

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<v Speaker 5>But your spared it.

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<v Speaker 4>Yes, yes, I just but I get sweatstains in the

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<v Speaker 4>inside of the hat.

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<v Speaker 5>Year old man. Yes, anyway, I'm sorry about that.

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<v Speaker 4>Have you been Oh good, good good. I've had a

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<v Speaker 4>lovely week. I'm filling in for Tony McManus the on

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<v Speaker 4>Thursday and Friday morning, and he's away again.

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<v Speaker 5>That's right, a bit of a flu Listeners. The good

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<v Speaker 5>news is the Magic Man of Midnight is back. I mean,

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<v Speaker 5>we love Tony, we want him back, but it's the

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<v Speaker 5>Owen experience from midnight till five thirty this morning, you've

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<v Speaker 5>got to stay with him to hear how tired is

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<v Speaker 5>going to be about four thirty five, I reckon about

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<v Speaker 5>then you'll be snoring.

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<v Speaker 4>Now it's the three o'clock hour. That's the struggle. Once

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<v Speaker 4>four o'clock hits, I perk up again. Ah yeah, wow,

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<v Speaker 4>I'm on fire. Little We must listen to radio.

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<v Speaker 5>Yeah, hey, must listen to raight ou tonight. So many

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<v Speaker 5>good things happening. Well, am is with us? Very is

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<v Speaker 5>going to be gracing our prom very soon. Yes, so

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<v Speaker 5>many battle this lady for our guest. I look through

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<v Speaker 5>all of her achievements and I've thought, incredible, Why is

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<v Speaker 5>she bothering talking to us? Well? She got to coming up?

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<v Speaker 5>Oh yes, business is business. Yes, a lovely lady though.

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<v Speaker 5>Also we've got, of course Rick Miller with all those

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<v Speaker 5>antiques and collectibles and paraphernalias.

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<v Speaker 4>Kevin Trask along in the timetime.

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<v Speaker 5>A little bit sad later in the night, isn't it, Simon.

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<v Speaker 4>Yes, Norman Rose going to join us because Marci Jones

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<v Speaker 4>has passed away. Many people will have seen There's been

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<v Speaker 4>lots of tributes on Facebook today, So for people who

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<v Speaker 4>are on social media will have seen the news. But

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<v Speaker 4>for those who aren't aware Marcy Jones sadly passed away.

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<v Speaker 5>Yeah, lovely, lovely girl. Girl we had as a guest

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<v Speaker 5>when I first filled in on this propriate.

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<v Speaker 4>Only a couple of months ago. Yes, it's basically three

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<v Speaker 4>months ago. Marcy was on with us having a chat.

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<v Speaker 5>And it seems to have been quite sudden her passing

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<v Speaker 5>because in the hell Sun today there's an article about

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<v Speaker 5>her being ill but not not nothing, sort of as

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<v Speaker 5>dramatic as you know, she's on the edge of death.

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<v Speaker 5>But obviously the things took a turn for the worst.

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<v Speaker 5>Sometime later in the day.

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<v Speaker 4>We'll find out from Norman, because they were very close,

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<v Speaker 4>very good for for a lifetime, So we'll find out

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<v Speaker 4>from normally after eleven what he knows. Indeed, now before

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<v Speaker 4>we do get to our guest day, we've got to

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<v Speaker 4>do something else. It's this.

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<v Speaker 6>Remember when beat the price rise with the Blind Factory

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<v Speaker 6>Call one three blinds Now for expert advice, unbeatable deals

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<v Speaker 6>and a lifetime guarantee.

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<v Speaker 4>That credit was logged as the weekend wrap credit, but

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<v Speaker 4>it didn't actually say it. So anyway, the weekend wrap

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<v Speaker 4>for the Blind Factory. Hello Ben, by the.

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<v Speaker 5>Way, Hello, how's it all going, boys.

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<v Speaker 4>Good, good, good. Did either of you do anything interesting?

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<v Speaker 4>I've not really, I've been working all weekend.

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<v Speaker 5>So Ben straight to you because you've just heard what

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<v Speaker 5>I did look at old photos from a suitcase.

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<v Speaker 7>Well, I was working this weekend as well, but earlier

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<v Speaker 7>in the week, which is technically my weekend because that's

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<v Speaker 7>when my days offer. I did go and see a

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<v Speaker 7>horror film from Adelaide called Bring Her Back.

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<v Speaker 4>Oh, yes, we've seen the trailers for that. That looks

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<v Speaker 4>terribly scary.

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<v Speaker 7>It's not as scary as you think, but it's more suspense,

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<v Speaker 7>a suspense and uncomfortable.

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<v Speaker 5>Yeah, it's probably the best.

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<v Speaker 4>Way, but just don't quite know what's going to happen.

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<v Speaker 4>The trailer looks really good.

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<v Speaker 7>And the suspense, especially for the first half, is really strong,

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<v Speaker 7>and then when you get to about halfway you go, oh, okay,

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<v Speaker 7>this maybe isn't as much as I thought it was

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<v Speaker 7>going to be. But yes, it's not for the faint hearted,

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<v Speaker 7>and there's some quite unpleasant moments, let's put it that way.

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<v Speaker 4>Okay, But good work here if you.

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<v Speaker 7>Like, yeah, if you like that sort of thing, or

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<v Speaker 7>if you like to see the scenery of Adelaide, which

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<v Speaker 7>does look beautiful in the movie.

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<v Speaker 5>All that sandstone, all that wonderful sandstone they deal with.

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<v Speaker 7>They filmed it in the in the Adelaide Hills, so

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<v Speaker 7>it's just showing all this beautiful nature and scenery as well.

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<v Speaker 7>Like they've done a very good job with that.

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<v Speaker 4>It's a pretty silly, yeah, Andrew, anything else to report

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<v Speaker 4>for your weekend?

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<v Speaker 5>The photos?

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<v Speaker 4>That was it?

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<v Speaker 8>All right?

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<v Speaker 4>So we're done, all right, So we get to a

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<v Speaker 4>break and get our special guest star. Great. The matter.

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<v Speaker 9>About these.

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<v Speaker 10>Over beside?

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<v Speaker 8>We would.

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<v Speaker 9>Body these are you.

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<v Speaker 10>Session speaking.

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<v Speaker 3>Those peoples?

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<v Speaker 5>For me?

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<v Speaker 4>Andrew would either pash or bedroom eyes. That's uh.

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<v Speaker 11>Look with my personal favorites, can I throw and trust me? Yeah? Yeah,

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<v Speaker 11>I always like that. I think that might have been

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<v Speaker 11>the first for our upcoming legend who's right here on

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<v Speaker 11>the phone with us, Kate, Sobrano, A very good evening to.

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<v Speaker 12>You get.

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<v Speaker 13>A going.

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<v Speaker 4>We're good, Kate, I was saying to Andrew just before that.

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<v Speaker 4>When you look through well even through Wikipedia and look

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<v Speaker 4>at all the things you've achieved in your career, you

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<v Speaker 4>sort of your eclipse John Farnham and people guys like that,

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<v Speaker 4>with everything you've achieved, it's quite amazing. And I said

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<v Speaker 4>to Andrew, why would Kate bother talking to us?

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<v Speaker 14>Aha? Oh no, it's good. It's good to get out

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<v Speaker 14>and chat and promote. I've actually been sort of been

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<v Speaker 14>on the down load a little bit lately, just waiting

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<v Speaker 14>to do something a bit special. And something's come up

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<v Speaker 14>that's kind of special and it's coming together really, really well.

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<v Speaker 14>And that's when you know. You get back out on

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<v Speaker 14>the road and you're like, Okay, I want to talk

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<v Speaker 14>about this.

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<v Speaker 4>Yeah, lovely, do you want to tell us what it is?

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<v Speaker 14>No, I lose today?

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<v Speaker 15>Okay, cool?

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<v Speaker 14>I was giving you belief. Well, it's coming up for

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<v Speaker 14>about forty years since Australian made the very famous Australian Tour,

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<v Speaker 14>which by the way, came about because a gauntlet was

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<v Speaker 14>set down and it was and what they'd sort of

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<v Speaker 14>claimed was that you couldn't have all Australian cast on

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<v Speaker 14>an Australian festival and have it succeed. That was what

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<v Speaker 14>they were saying at the time. And I remember Jimmy

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<v Speaker 14>Barnes he said, oh, that's a lot of volted and

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<v Speaker 14>then there was Michael Hutchins and then there but then

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<v Speaker 14>they put a list of artists of the times, including

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<v Speaker 14>I'm talking I think you mentioned, but there were the models,

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<v Speaker 14>the Saints, the Vinyls, there were medal as anything. I mean,

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<v Speaker 14>the list went on, but basically it was it was

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<v Speaker 14>in excess and Jimmy and and we all agreed that

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<v Speaker 14>we were going to go out and show them that

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<v Speaker 14>Australia could actually show up for itself.

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<v Speaker 5>And we did and did it very well. Took well,

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<v Speaker 5>you've gotta made two coming up now, good title for it.

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<v Speaker 5>Of course on the fortieth year, and you start in

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<v Speaker 5>Bateman's Babe, but you're coming to Melbourne.

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<v Speaker 4>You going to wait?

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<v Speaker 5>In fact, where aren't you going? Every state as far

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<v Speaker 5>as I can see in Australia, isn't it?

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<v Speaker 14>Well?

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<v Speaker 15>I did.

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<v Speaker 14>I just decided I'm working with my husband on this

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<v Speaker 14>and we sort of went around regionally with the idea.

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<v Speaker 14>I haven't been out to the regions in such a

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<v Speaker 14>long time. It's kind of where I started. And the

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<v Speaker 14>show it's pretty it's it's basically we get to perform

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<v Speaker 14>a lot of the material from all the artists that

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<v Speaker 14>were represented on that trip. And then as I bought

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<v Speaker 14>it through and over three forty years, we go through

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<v Speaker 14>to a whole other variety of Australian artists including like

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<v Speaker 14>really while everything, Paul Kelly, wolf Mother, Megan Washington, Bernard Fanning,

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<v Speaker 14>you name it. Like, there's just this whole, trawling, fishing

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<v Speaker 14>line of all Australian music.

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<v Speaker 4>So how do you narrow it down to a playlist

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<v Speaker 4>that will fit in one concept? Are these just sort

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<v Speaker 4>of your personal favorites?

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<v Speaker 16>Yeah?

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<v Speaker 14>I had to choose it on a real personal level

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<v Speaker 14>and on how the times as I've just and also

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<v Speaker 14>the people that I've worked with. You know, I'm sad

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<v Speaker 14>to have to tell you, but mostly all of the headliners,

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<v Speaker 14>or at least the singers, the lead singers in our past, yeah,

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<v Speaker 14>the ones standing at Sean and myself and Jimmy of course, yes,

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<v Speaker 14>And so to be able to play homage to those

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<v Speaker 14>great artists and know that also, none of it really

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<v Speaker 14>had to have anything to do with Like it's not

0:12:41.280 --> 0:12:43.839
<v Speaker 14>like today where you know a bill will be picked

0:12:43.840 --> 0:12:47.000
<v Speaker 14>because everyone's sort of similar. We had nothing in common

0:12:47.600 --> 0:12:51.040
<v Speaker 14>and it was so it represents stradia so well because

0:12:51.080 --> 0:12:53.280
<v Speaker 14>there were punk bands and there were pop bands, and

0:12:53.320 --> 0:12:57.400
<v Speaker 14>there was rock bands, and that is kind of like

0:12:57.440 --> 0:12:59.960
<v Speaker 14>the profile of Straliing music. So anyway, I talk about

0:13:00.120 --> 0:13:02.560
<v Speaker 14>all the people I've met and stories along the way,

0:13:02.640 --> 0:13:06.120
<v Speaker 14>but I don't. I just perform a lot of the

0:13:06.160 --> 0:13:08.080
<v Speaker 14>songs and then we re announce it with the reasons

0:13:08.120 --> 0:13:09.280
<v Speaker 14>why they're important to me?

0:13:09.559 --> 0:13:10.959
<v Speaker 5>Is there going to be a bit of Kate Sobrano

0:13:10.960 --> 0:13:11.560
<v Speaker 5>and amongst it all?

0:13:11.600 --> 0:13:14.480
<v Speaker 12>Though, of course.

0:13:14.240 --> 0:13:15.160
<v Speaker 14>Does a cut out a bum?

0:13:15.679 --> 0:13:16.360
<v Speaker 5>It's just like.

0:13:18.760 --> 0:13:22.319
<v Speaker 14>I can't I can't not mention how the decades have

0:13:22.400 --> 0:13:24.720
<v Speaker 14>passed and there was a hit that happened on every

0:13:24.800 --> 0:13:27.839
<v Speaker 14>kind of passing of every ten years, and yeah, are

0:13:27.840 --> 0:13:30.320
<v Speaker 14>we definitely doing all those yes?

0:13:30.400 --> 0:13:32.760
<v Speaker 5>Please? Yeah, Well you got as far as Victoria goes,

0:13:32.800 --> 0:13:35.040
<v Speaker 5>you're going to be in Aubrey. We'll give the well,

0:13:35.080 --> 0:13:37.120
<v Speaker 5>actually i'll give more detail about how people can find

0:13:37.120 --> 0:13:38.520
<v Speaker 5>out where you're going to be. But you're going to

0:13:38.520 --> 0:13:40.280
<v Speaker 5>be in Ringwoods, You're going to be in Frankston, You're

0:13:40.280 --> 0:13:42.160
<v Speaker 5>going to be in Bending, You're going to you're really

0:13:42.200 --> 0:13:45.400
<v Speaker 5>doing a lot of work. How's it feel You've been

0:13:45.400 --> 0:13:47.160
<v Speaker 5>touring that for at least forty years? How does it

0:13:47.160 --> 0:13:49.560
<v Speaker 5>feel like another gig, another motel and all that you

0:13:49.640 --> 0:13:50.559
<v Speaker 5>still cope with it?

0:13:50.679 --> 0:13:56.600
<v Speaker 14>Kate, No, this one's very special, Like I'm actually taking

0:13:56.640 --> 0:14:01.880
<v Speaker 14>out a trio. It sounds pretty bizarre, but we're all

0:14:02.000 --> 0:14:04.920
<v Speaker 14>multi instrumentalists, so we're kind of we all trade all

0:14:04.960 --> 0:14:08.080
<v Speaker 14>of the instruments, just the three of us. There's a

0:14:08.120 --> 0:14:11.880
<v Speaker 14>young girl, Kathleen Hallerin who's an incredible guitarist, and Darren

0:14:11.920 --> 0:14:15.200
<v Speaker 14>Harts I'm on drums and piano, and we all swap

0:14:15.200 --> 0:14:18.120
<v Speaker 14>and we all sort of sing and it's just a

0:14:18.160 --> 0:14:19.880
<v Speaker 14>different sort of stuff. So I'm excited.

0:14:19.960 --> 0:14:20.400
<v Speaker 4>I reckon.

0:14:21.080 --> 0:14:24.080
<v Speaker 14>I mean, really, the key to staying young is to

0:14:24.160 --> 0:14:31.520
<v Speaker 14>surround yourself with young, inspired people, and at my age,

0:14:31.680 --> 0:14:34.440
<v Speaker 14>I just really feel it's important to express how important

0:14:34.480 --> 0:14:39.560
<v Speaker 14>Straliing music is and to give an honor all of

0:14:39.560 --> 0:14:41.560
<v Speaker 14>the artists that have inspired and kept me in the

0:14:41.560 --> 0:14:44.560
<v Speaker 14>business for so long. And these kids they went is

0:14:44.600 --> 0:14:48.360
<v Speaker 14>in born when Australia made happen, and so the audience

0:14:48.480 --> 0:14:52.560
<v Speaker 14>is I just look, I'm probably speaking ahead of its time.

0:14:52.640 --> 0:14:54.200
<v Speaker 14>I just really think people are really.

0:14:54.000 --> 0:14:54.760
<v Speaker 17>Going to love this show.

0:14:54.840 --> 0:14:59.600
<v Speaker 14>It's for all reasons. It's everyone's memory with justad Water,

0:15:00.520 --> 0:15:03.080
<v Speaker 14>Everyone's memories, you know, Yeah.

0:15:02.680 --> 0:15:06.120
<v Speaker 4>Well, no one better to do it because you've lived there,

0:15:06.280 --> 0:15:08.960
<v Speaker 4>you lived through it and were part of it. And yeah,

0:15:09.120 --> 0:15:11.960
<v Speaker 4>now exactly celebrating it all, which is marvelous. So do

0:15:12.000 --> 0:15:14.000
<v Speaker 4>you tell a story or two in between the songs

0:15:14.000 --> 0:15:14.800
<v Speaker 4>on stage?

0:15:15.680 --> 0:15:15.920
<v Speaker 6>Yeah.

0:15:16.160 --> 0:15:18.400
<v Speaker 14>At the we've got like a bit of a sort

0:15:18.400 --> 0:15:22.400
<v Speaker 14>of setup where there's a VIP kind of experience and

0:15:22.480 --> 0:15:25.360
<v Speaker 14>I get to talk with them and I explained the

0:15:25.440 --> 0:15:27.960
<v Speaker 14>history and the context of the songs. Then the show

0:15:28.040 --> 0:15:32.360
<v Speaker 14>begins and then once we're in it Definitely do Yeah,

0:15:32.400 --> 0:15:36.120
<v Speaker 14>I definitely do tell about people and what it was

0:15:36.240 --> 0:15:39.600
<v Speaker 14>like to really like rub shoulders with some of the

0:15:39.600 --> 0:15:45.240
<v Speaker 14>most important people in Australian music, and what it felt

0:15:45.280 --> 0:15:48.160
<v Speaker 14>like to be very young and standing in the wings,

0:15:48.200 --> 0:15:51.880
<v Speaker 14>you know, between Rene Gayer and Chrissy Amphlet or something.

0:15:51.880 --> 0:15:54.480
<v Speaker 14>There was like there was a dynamic that I learned

0:15:54.720 --> 0:15:59.160
<v Speaker 14>about women and certainly the differences of women in the

0:15:59.200 --> 0:16:03.440
<v Speaker 14>seventies based and what they'd been up against. Lots of

0:16:03.480 --> 0:16:06.200
<v Speaker 14>things like that. Just really interesting stories that have to

0:16:06.200 --> 0:16:09.160
<v Speaker 14>do with what shape me as an artist.

0:16:09.640 --> 0:16:14.240
<v Speaker 5>Kate. I first became aware of you singing, Oh, I say, yeah,

0:16:14.440 --> 0:16:16.720
<v Speaker 5>I said, the Georgie Fame thing. Yeah, yeah, that's the song,

0:16:16.760 --> 0:16:17.040
<v Speaker 5>isn't it?

0:16:17.160 --> 0:16:17.880
<v Speaker 18>Oh my god?

0:16:18.520 --> 0:16:18.720
<v Speaker 16>Yeah?

0:16:19.080 --> 0:16:21.720
<v Speaker 5>And I was watching TV one night. To be honest,

0:16:21.760 --> 0:16:23.760
<v Speaker 5>I didn't know you. I didn't know who. I didn't

0:16:23.760 --> 0:16:25.680
<v Speaker 5>know who I'm talking really was about. But there was

0:16:25.680 --> 0:16:27.680
<v Speaker 5>this and then most it was this dark haired girl

0:16:28.080 --> 0:16:31.000
<v Speaker 5>and she's got this big smile and she's moving and

0:16:31.080 --> 0:16:35.880
<v Speaker 5>she's committed to I thought, who's that? And because there

0:16:35.920 --> 0:16:37.800
<v Speaker 5>was no name given, it was just this I'm talking

0:16:37.840 --> 0:16:39.360
<v Speaker 5>and now on to the next act. I can't remember

0:16:39.360 --> 0:16:41.200
<v Speaker 5>what the show was, and it was and it was

0:16:41.280 --> 0:16:43.920
<v Speaker 5>turned out that was you. And it's interesting how you've

0:16:43.960 --> 0:16:46.520
<v Speaker 5>stayed in my mind for years before I actually knew

0:16:46.560 --> 0:16:48.480
<v Speaker 5>who you were until he went and that was when

0:16:48.560 --> 0:16:51.080
<v Speaker 5>till he went solo, and then ah, that's that girl.

0:16:51.480 --> 0:16:57.480
<v Speaker 5>It's the power of smiling is almost.

0:16:59.600 --> 0:17:01.600
<v Speaker 14>He's got like it's it's the way that you let

0:17:01.640 --> 0:17:05.320
<v Speaker 14>the light out. I mean, it is, That's it.

0:17:06.440 --> 0:17:08.920
<v Speaker 4>I'll chuck in Kate that, yes, this the smell is important,

0:17:08.920 --> 0:17:10.679
<v Speaker 4>but it's great to have talent to becc it up.

0:17:11.000 --> 0:17:16.239
<v Speaker 5>Yes, but it does help tell it get through all

0:17:16.240 --> 0:17:16.639
<v Speaker 5>the things.

0:17:17.080 --> 0:17:20.480
<v Speaker 14>No, that's beautiful though, I really appreciate that, and I do.

0:17:20.640 --> 0:17:24.479
<v Speaker 14>I do think that there are and as I you know,

0:17:24.520 --> 0:17:27.479
<v Speaker 14>like as I've come through the ranks with people around

0:17:27.520 --> 0:17:30.920
<v Speaker 14>me like Michael Hutchinson, even see her. For instance, when

0:17:30.960 --> 0:17:33.959
<v Speaker 14>she was a kid, I'd go to Adelaide and her

0:17:34.080 --> 0:17:36.359
<v Speaker 14>dad would actually always ask me as I was coming

0:17:36.400 --> 0:17:38.479
<v Speaker 14>into town, is it okay to see it? Gets up

0:17:38.480 --> 0:17:42.439
<v Speaker 14>and has a thing Like she was twelve and you

0:17:42.440 --> 0:17:45.600
<v Speaker 14>could tell you could tell that a person was coming,

0:17:45.680 --> 0:17:48.800
<v Speaker 14>you know, like you could see that they had something

0:17:48.840 --> 0:17:53.399
<v Speaker 14>about them that was that was so distinctly different. You

0:17:53.440 --> 0:17:55.719
<v Speaker 14>could call it ambition, but it's not. It's more like

0:17:55.760 --> 0:17:58.320
<v Speaker 14>a kind of like a destiny, you know, you just

0:17:58.800 --> 0:18:00.359
<v Speaker 14>you can feel that they're meant to do it.

0:18:00.440 --> 0:18:02.960
<v Speaker 5>Couldn't agree more. And you've see it on the musical stage.

0:18:03.000 --> 0:18:05.000
<v Speaker 5>You see it sometimes on a movie screen. Do you

0:18:05.040 --> 0:18:08.239
<v Speaker 5>think that act to playing that relatively small role and

0:18:08.280 --> 0:18:10.840
<v Speaker 5>he's really or she's really good, you.

0:18:10.800 --> 0:18:14.080
<v Speaker 14>Know, you just can't take your eyes off exactly what. Yeah,

0:18:14.200 --> 0:18:17.639
<v Speaker 14>it's definitely. It's definitely in the arts. I think that

0:18:18.000 --> 0:18:22.439
<v Speaker 14>it's in particular with music, Like musicians either have it

0:18:22.520 --> 0:18:24.440
<v Speaker 14>or they don't. You know, you can be as technically

0:18:24.560 --> 0:18:29.840
<v Speaker 14>trained as the next person, but it's that little extra

0:18:30.400 --> 0:18:33.280
<v Speaker 14>willingness to kind of want to be seen. And I

0:18:33.320 --> 0:18:36.119
<v Speaker 14>don't think it's very straight in to want to be

0:18:36.200 --> 0:18:39.280
<v Speaker 14>seen as a rule, like we tend to hide, and

0:18:39.320 --> 0:18:41.720
<v Speaker 14>we tend to sort of like fall into the shadows

0:18:41.720 --> 0:18:43.239
<v Speaker 14>and want to be a lot like our friends and

0:18:43.280 --> 0:18:46.240
<v Speaker 14>not really stick out of the crowd. But for me,

0:18:46.320 --> 0:18:50.200
<v Speaker 14>as a kid, I found I felt free on stage

0:18:50.920 --> 0:18:53.399
<v Speaker 14>and I felt like it was the safest place in

0:18:53.400 --> 0:18:57.120
<v Speaker 14>the room for me. So I just kept gravitating to it.

0:18:57.119 --> 0:18:59.680
<v Speaker 5>It came across, Well, it comes across Kate.

0:19:01.240 --> 0:19:05.760
<v Speaker 14>That's great. I love that. Well, nothing's changed forty years

0:19:05.760 --> 0:19:07.880
<v Speaker 14>in and I'm still keen as mustards.

0:19:07.880 --> 0:19:11.160
<v Speaker 4>Well that was another question, was is do you still

0:19:11.200 --> 0:19:13.000
<v Speaker 4>love it as much as you did when it first

0:19:13.000 --> 0:19:16.159
<v Speaker 4>all happened for you? I guess you must, otherwise you

0:19:16.359 --> 0:19:18.200
<v Speaker 4>retire and sit at home and do nothing.

0:19:19.200 --> 0:19:21.560
<v Speaker 14>Well, I do have. I think I have a really

0:19:22.160 --> 0:19:26.840
<v Speaker 14>failsafe sort of mechanism in me that if I'm curious

0:19:26.880 --> 0:19:29.960
<v Speaker 14>about something, I'll just I'll pursue it. And you know,

0:19:30.320 --> 0:19:33.399
<v Speaker 14>anyone who lives with me around me knows I won't

0:19:33.400 --> 0:19:35.679
<v Speaker 14>stop until I actually kind of see it through to

0:19:35.720 --> 0:19:38.639
<v Speaker 14>the end, the good, bad and the ugly. And I

0:19:38.680 --> 0:19:41.840
<v Speaker 14>reckon it's kept me going because and I actually see

0:19:41.840 --> 0:19:45.000
<v Speaker 14>that same thing in Jimmy Barnes. He has the same

0:19:45.760 --> 0:19:51.639
<v Speaker 14>inexhaustible curiosity, curiosity towards music and entertainment and sort of talking.

0:19:52.440 --> 0:19:58.080
<v Speaker 14>He's a storyteller. I am too, and we just I

0:19:58.080 --> 0:20:00.480
<v Speaker 14>think we simply know that our role in life to

0:20:00.960 --> 0:20:04.760
<v Speaker 14>bring people together, connect to them by music, and give

0:20:04.800 --> 0:20:09.520
<v Speaker 14>their stories and their memories a bit of a soundtrack.

0:20:09.600 --> 0:20:11.119
<v Speaker 14>That's what I reckon we do.

0:20:11.960 --> 0:20:15.720
<v Speaker 4>Now, Okate, I have to also ask you, like part

0:20:15.720 --> 0:20:22.359
<v Speaker 4>of I'm talking solo career TV stage, it all just

0:20:22.400 --> 0:20:26.399
<v Speaker 4>seems quite natural for you, each of those adjustments in

0:20:26.440 --> 0:20:29.280
<v Speaker 4>your career, well not adjustments, but each of those movements

0:20:29.280 --> 0:20:33.760
<v Speaker 4>in your career. Did you find any of them threatening, terrifying,

0:20:34.000 --> 0:20:36.240
<v Speaker 4>nervous energy or did you just sort of go, yeah,

0:20:36.240 --> 0:20:37.000
<v Speaker 4>I'll give that a crack.

0:20:38.840 --> 0:20:42.359
<v Speaker 14>I too, find television's really freaky. Like I remember the

0:20:42.359 --> 0:20:44.880
<v Speaker 14>first time I went and shot something for Getaway, and

0:20:45.480 --> 0:20:48.120
<v Speaker 14>I did feel a bit like I felt fish out

0:20:48.119 --> 0:20:50.879
<v Speaker 14>of water. And the guy put me in a field

0:20:50.920 --> 0:20:53.480
<v Speaker 14>and then from a long distance camera about two hundred

0:20:53.560 --> 0:20:57.440
<v Speaker 14>meters away, he yelled, okay, action, and you know you've

0:20:57.440 --> 0:20:59.840
<v Speaker 14>got to put this big dialogue as you're walking to

0:20:59.880 --> 0:21:01.720
<v Speaker 14>a camera, and you've got to make it look really natural.

0:21:01.760 --> 0:21:04.480
<v Speaker 14>And I just turned to and I said, what first

0:21:04.520 --> 0:21:08.640
<v Speaker 14>hell was this? Like I don't understand what I didn't understand,

0:21:10.760 --> 0:21:13.280
<v Speaker 14>And because of that, I just I didn't think that

0:21:13.280 --> 0:21:14.960
<v Speaker 14>that was going to be where I ended up like

0:21:15.480 --> 0:21:17.520
<v Speaker 14>it was. It was sort of nice thing to do

0:21:17.600 --> 0:21:20.520
<v Speaker 14>while I was waiting for You know, you go in

0:21:20.560 --> 0:21:23.920
<v Speaker 14>and out of fashion with yourself right over forty years.

0:21:24.359 --> 0:21:26.680
<v Speaker 14>You also lose interest as well, and sometimes you've got

0:21:26.720 --> 0:21:28.800
<v Speaker 14>to lead something to come back and it realize you've

0:21:28.800 --> 0:21:33.439
<v Speaker 14>missed it. And television was just a small moment for

0:21:33.480 --> 0:21:37.960
<v Speaker 14>me to do something interesting and fun. But I didn't

0:21:37.960 --> 0:21:40.000
<v Speaker 14>think I was like, I didn't feel like I could

0:21:40.080 --> 0:21:44.439
<v Speaker 14>be free like I came when I sing, And I realized, like,

0:21:45.240 --> 0:21:47.720
<v Speaker 14>probably the thing I do best in my life is

0:21:47.720 --> 0:21:49.200
<v Speaker 14>seeing an interpret music.

0:21:50.119 --> 0:21:53.880
<v Speaker 5>Kate, I always asked, sing is there and musicians too?

0:21:54.520 --> 0:21:57.640
<v Speaker 5>What was the first record you bought? Do you remember?

0:21:58.160 --> 0:21:58.400
<v Speaker 10>Yeah?

0:21:58.520 --> 0:21:58.760
<v Speaker 19>I do.

0:21:58.960 --> 0:22:02.000
<v Speaker 14>Actually it was Kate Bush?

0:22:02.080 --> 0:22:05.639
<v Speaker 5>Yes, yes, yes, oh, pretty inspirational stuff.

0:22:06.440 --> 0:22:10.760
<v Speaker 14>And I found because of the wonder and the limitless

0:22:11.720 --> 0:22:14.400
<v Speaker 14>composition of her as a person, as a singer, as

0:22:14.400 --> 0:22:18.000
<v Speaker 14>a performing artist, there was just if you ever go

0:22:18.080 --> 0:22:19.920
<v Speaker 14>back and you ever listen to any of her interviews,

0:22:20.040 --> 0:22:23.359
<v Speaker 14>you realize that she was just again she was just

0:22:23.400 --> 0:22:27.840
<v Speaker 14>like this kind of very eccentric person who wasn't trying

0:22:27.880 --> 0:22:30.080
<v Speaker 14>to be like anyone else. And I thought that was

0:22:30.080 --> 0:22:30.600
<v Speaker 14>pretty cool.

0:22:31.320 --> 0:22:33.760
<v Speaker 5>Yeah, I agree, Yeah, very innovative.

0:22:33.960 --> 0:22:36.840
<v Speaker 4>You're both sing in quite a high range.

0:22:37.280 --> 0:22:37.520
<v Speaker 10>Yeah.

0:22:38.400 --> 0:22:41.480
<v Speaker 4>I you usually joke about her that that, you know,

0:22:41.760 --> 0:22:45.680
<v Speaker 4>bats are probably her biggest audience. She probably sings things

0:22:45.720 --> 0:22:48.040
<v Speaker 4>we can't even hear. But you also have a great

0:22:48.160 --> 0:22:51.800
<v Speaker 4>ability to really pitch up. How do you go with that?

0:22:52.000 --> 0:22:54.920
<v Speaker 4>Like Cyndy Lauper was another one who sang in quite

0:22:54.920 --> 0:22:55.760
<v Speaker 4>a high register.

0:22:56.320 --> 0:23:00.720
<v Speaker 14>And I think if the years go over you you

0:23:00.720 --> 0:23:04.680
<v Speaker 14>your voices like like an instrument or read it changes,

0:23:04.760 --> 0:23:08.680
<v Speaker 14>and certainly even like you know, after childbirth and stuff

0:23:08.720 --> 0:23:14.200
<v Speaker 14>where your body's gone through this amazing transformation, all the bellows,

0:23:14.240 --> 0:23:17.439
<v Speaker 14>everything's changed, all the chambers, and then you know, like

0:23:18.200 --> 0:23:20.280
<v Speaker 14>my voice isn't at all like that anymore. Like I

0:23:20.680 --> 0:23:25.119
<v Speaker 14>can do well, for instance, you know the set list,

0:23:25.200 --> 0:23:29.800
<v Speaker 14>I go from anything from early Models stuff which I

0:23:29.840 --> 0:23:32.560
<v Speaker 14>sang on as a kid, But then I can also

0:23:32.680 --> 0:23:38.199
<v Speaker 14>come all the way into singing Rene Gayer or even more.

0:23:40.400 --> 0:23:43.200
<v Speaker 14>I can, I can, I can do it all. In fact,

0:23:43.200 --> 0:23:47.120
<v Speaker 14>I reckon you get a bit more. I want to say,

0:23:47.840 --> 0:23:50.199
<v Speaker 14>there's more depth, and you're kind of more salty. I

0:23:50.359 --> 0:23:53.680
<v Speaker 14>like it. It's deeper, it's a deeper feeling.

0:23:54.000 --> 0:23:56.080
<v Speaker 5>You're not the only thinger to say that that time

0:23:56.160 --> 0:23:57.960
<v Speaker 5>has in the since been kind of the voice given

0:23:58.480 --> 0:24:00.800
<v Speaker 5>a sort of a Melonis that wasn't there when you're

0:24:00.880 --> 0:24:01.840
<v Speaker 5>eighteen or nineteen.

0:24:02.240 --> 0:24:04.560
<v Speaker 14>That's right, I reckon, yes completely.

0:24:05.000 --> 0:24:07.879
<v Speaker 4>Now we time is almost up. We've got to let

0:24:07.920 --> 0:24:12.720
<v Speaker 4>you go shortly. We're loving your chat, but I won't

0:24:12.720 --> 0:24:16.000
<v Speaker 4>pride too much into your private life. But still married

0:24:16.040 --> 0:24:17.280
<v Speaker 4>and a very talented daughter.

0:24:18.240 --> 0:24:18.480
<v Speaker 5>Daughter.

0:24:19.880 --> 0:24:24.920
<v Speaker 14>I have a really have an incredible family, the three

0:24:24.920 --> 0:24:29.119
<v Speaker 14>of us, the three little bears. We're really we have

0:24:29.160 --> 0:24:31.679
<v Speaker 14>a very creative house because she's writing and she's singing.

0:24:31.760 --> 0:24:34.600
<v Speaker 14>She has her own career, and my husband and I

0:24:34.640 --> 0:24:37.439
<v Speaker 14>work together and we've been doing that since COVID and

0:24:37.480 --> 0:24:41.560
<v Speaker 14>we're doing really well with that. In fact, we're touring

0:24:41.560 --> 0:24:44.880
<v Speaker 14>and promoting and doing all of this ourselves, so we're

0:24:44.920 --> 0:24:47.200
<v Speaker 14>not going to be a part. And that's another reason

0:24:47.200 --> 0:24:51.000
<v Speaker 14>why touring is probably not as arduous as it's been

0:24:51.520 --> 0:24:54.320
<v Speaker 14>in my life, because we just get to do it together.

0:24:54.800 --> 0:24:55.960
<v Speaker 15>It's just the best thing.

0:24:56.359 --> 0:24:58.639
<v Speaker 4>Well, I was at a gig. I was at the

0:24:58.720 --> 0:25:01.040
<v Speaker 4>launch of something last year. I can't even remember what

0:25:01.080 --> 0:25:03.000
<v Speaker 4>it was. I got a T shirt out of it.

0:25:03.040 --> 0:25:06.280
<v Speaker 4>But I was a launch of something and Gypsy was

0:25:06.480 --> 0:25:10.919
<v Speaker 4>performing there and she was I had no idea that

0:25:10.960 --> 0:25:13.160
<v Speaker 4>she was related to you, but I was standing there

0:25:13.160 --> 0:25:15.359
<v Speaker 4>with a group of friends and I said, this girl's

0:25:15.480 --> 0:25:18.680
<v Speaker 4>really good and they said, oh, gorgeous, and they said

0:25:18.680 --> 0:25:20.960
<v Speaker 4>that's Kate Sbrano's daughter, and I've got okay, well that's

0:25:21.920 --> 0:25:22.960
<v Speaker 4>the James.

0:25:23.400 --> 0:25:23.600
<v Speaker 16>Yeah.

0:25:23.600 --> 0:25:26.520
<v Speaker 14>Well she's beautiful because she doesn't sound like me, so

0:25:26.560 --> 0:25:30.000
<v Speaker 14>there's like we have. She's got her own distinct character,

0:25:30.080 --> 0:25:32.680
<v Speaker 14>in her own distinct voice, so there's no comparison. And

0:25:33.600 --> 0:25:37.199
<v Speaker 14>she's just Also she's just a really lovely performer. So

0:25:37.240 --> 0:25:39.600
<v Speaker 14>she's yeah, she's just starting and she's on her way.

0:25:39.680 --> 0:25:40.440
<v Speaker 7>She's going to do good.

0:25:40.800 --> 0:25:43.560
<v Speaker 5>Well, it's the Kate Sabrana, a twenty twenty five Australian

0:25:43.640 --> 0:25:46.560
<v Speaker 5>made tour. It's going to be something else. It kicks off,

0:25:46.640 --> 0:25:49.480
<v Speaker 5>I mean as of this week in Bateman's Bay in

0:25:49.520 --> 0:25:51.800
<v Speaker 5>New Southwest, but we've got to speak to Victorian listeners

0:25:51.840 --> 0:25:55.480
<v Speaker 5>in particular of course Kate, and it hits Victoria. Well,

0:25:55.480 --> 0:25:57.840
<v Speaker 5>it will be everywhere but in Aubrey. It'll be in

0:25:57.880 --> 0:26:01.040
<v Speaker 5>Frankston later this month, and in the July, it's going

0:26:01.080 --> 0:26:03.440
<v Speaker 5>to be all over the place, Bendigo and Ring and

0:26:03.520 --> 0:26:06.680
<v Speaker 5>all sorts of places, et cetera. Wish all the best

0:26:06.680 --> 0:26:12.080
<v Speaker 5>with yeah, and wish you all the best with it, Kate, Kate.

0:26:11.880 --> 0:26:14.320
<v Speaker 14>Sbrano dot Come get tickets because they're selling fast.

0:26:14.520 --> 0:26:17.399
<v Speaker 4>That's the easiest way, yes, Kate, sobrano dot com. And

0:26:17.680 --> 0:26:20.920
<v Speaker 4>don't forget something I learned very early on. It's not Sobrano,

0:26:21.040 --> 0:26:23.159
<v Speaker 4>it's Seberano when you're spelling it.

0:26:23.440 --> 0:26:26.080
<v Speaker 14>I even said it like Sobrano, Kate.

0:26:26.000 --> 0:26:28.240
<v Speaker 4>Serano dot com.

0:26:29.680 --> 0:26:32.360
<v Speaker 5>Said, Sobrano when you learn something every day.

0:26:32.920 --> 0:26:35.760
<v Speaker 14>Good on you guys, Thank you, chat to you Kate.

0:26:35.800 --> 0:26:37.680
<v Speaker 4>Thanks for your time and good luck with the tour.

0:26:38.280 --> 0:26:41.600
<v Speaker 14>Thanks mate, bye, or should I say mates go bye bye?

0:26:44.440 --> 0:26:46.720
<v Speaker 5>You ask me happy?

0:26:48.320 --> 0:26:54.040
<v Speaker 3>Do you ask me?

0:26:54.280 --> 0:26:54.440
<v Speaker 9>Here?

0:26:54.800 --> 0:27:03.960
<v Speaker 4>My love is green. I gave you the best years.

0:27:03.880 --> 0:27:11.480
<v Speaker 3>Of my life as your warm man. I know I

0:27:11.760 --> 0:27:15.000
<v Speaker 3>failed to treat you right as.

0:27:14.800 --> 0:27:15.680
<v Speaker 19>You wom.

0:27:20.720 --> 0:27:25.720
<v Speaker 9>Don't let me out, I don't let me.

0:27:26.040 --> 0:27:26.639
<v Speaker 20>I was.

0:27:32.520 --> 0:27:42.399
<v Speaker 21>There to don there you down, Oh there you down

0:27:43.400 --> 0:27:44.840
<v Speaker 21>there too, down.

0:27:49.400 --> 0:27:53.560
<v Speaker 1>Oh there you doe there to doe.

0:28:00.280 --> 0:28:06.560
<v Speaker 9>Why need another bed? Tell me why I got that

0:28:06.840 --> 0:28:07.680
<v Speaker 9>album long?

0:28:09.160 --> 0:28:12.760
<v Speaker 3>Tell me why I bet on satiners.

0:28:12.240 --> 0:28:16.359
<v Speaker 22>All you pay on?

0:28:18.720 --> 0:28:22.680
<v Speaker 5>Yes, a man who's trolled the deepest depth of eBay,

0:28:22.840 --> 0:28:24.040
<v Speaker 5>Rick mill Good evening to you.

0:28:24.720 --> 0:28:28.280
<v Speaker 16>I don't truly eBay Andrew McLaren, now have you know?

0:28:29.080 --> 0:28:31.119
<v Speaker 5>That's what you say publicly? But I know you do.

0:28:31.480 --> 0:28:33.679
<v Speaker 5>You're even probably doing it as we speak.

0:28:34.960 --> 0:28:39.040
<v Speaker 16>I'm only looking for Elvis records on on the Sun label.

0:28:40.520 --> 0:28:41.520
<v Speaker 5>At a modest price.

0:28:41.560 --> 0:28:45.360
<v Speaker 4>I bet too, of course, or an early Jade Hurly single.

0:28:45.400 --> 0:28:46.840
<v Speaker 16>We know you know you're talking.

0:28:48.040 --> 0:28:50.560
<v Speaker 5>Oh, you bought some absolute beauties in that we could

0:28:50.680 --> 0:28:53.040
<v Speaker 5>well share our of course the social media.

0:28:53.160 --> 0:28:55.360
<v Speaker 4>Yes, Rick Milne is here if you want to give

0:28:55.400 --> 0:28:57.960
<v Speaker 4>him a call. Number three six nine three is the number.

0:28:58.000 --> 0:28:59.760
<v Speaker 4>Get in, Get in early and we'll get you to

0:28:59.760 --> 0:29:01.720
<v Speaker 4>wear and you can have a chat to Rick about

0:29:01.760 --> 0:29:04.920
<v Speaker 4>that fabulous thing that is in your possession that you

0:29:04.960 --> 0:29:06.920
<v Speaker 4>want to share with us. All one double three six

0:29:07.040 --> 0:29:07.480
<v Speaker 4>ninety three.

0:29:07.880 --> 0:29:11.680
<v Speaker 5>In the meantime, I love the palacco ad that you've

0:29:11.680 --> 0:29:18.120
<v Speaker 5>said in date from the fifties. I guess it's.

0:29:16.120 --> 0:29:18.480
<v Speaker 16>An actually a footy fixture with that with the lady

0:29:18.480 --> 0:29:21.640
<v Speaker 16>on it and do you remember the line that they

0:29:21.680 --> 0:29:30.000
<v Speaker 16>had Palacco. No, not really, she said, Palacco the ment

0:29:30.000 --> 0:29:31.520
<v Speaker 16>shirts that women admire.

0:29:32.560 --> 0:29:36.040
<v Speaker 5>That is that's right. I had the pleasure of meeting

0:29:36.080 --> 0:29:41.400
<v Speaker 5>the son of lack of There was mister Peters, mister Lame,

0:29:42.040 --> 0:29:43.920
<v Speaker 5>and there was their company, and.

0:29:43.960 --> 0:29:48.640
<v Speaker 16>I met the footy fixture and it's got a woman

0:29:48.720 --> 0:29:54.440
<v Speaker 16>on the front. Yes, very funny and Palacco. Incidentally, very

0:29:54.480 --> 0:29:56.880
<v Speaker 16>next door of the Palacco factory was in Richmond, was

0:29:56.920 --> 0:29:58.560
<v Speaker 16>where Scott Palmer lived.

0:29:59.560 --> 0:30:01.760
<v Speaker 4>Is that right next to the factory.

0:30:01.400 --> 0:30:04.400
<v Speaker 16>Next house to the to the factory he lived in

0:30:04.440 --> 0:30:10.440
<v Speaker 16>the late Scott Palmer. Of course, great writer, Keep on

0:30:10.600 --> 0:30:13.200
<v Speaker 16>punch and remember that's right what he used to say.

0:30:13.600 --> 0:30:17.400
<v Speaker 16>The next one is there's a little piece of war propaganda,

0:30:17.400 --> 0:30:20.200
<v Speaker 16>I suppose you'd call it, and that shows a ship

0:30:20.320 --> 0:30:23.960
<v Speaker 16>sinking and it says another victim of Sabo talk like

0:30:24.040 --> 0:30:25.800
<v Speaker 16>I said, sabotage.

0:30:26.680 --> 0:30:29.800
<v Speaker 5>Oh yeah, loose lips and chips. Wasn't that was another

0:30:29.840 --> 0:30:33.280
<v Speaker 5>phrase they used to use, wasn't it, Yes, yes.

0:30:33.120 --> 0:30:37.280
<v Speaker 16>Sebata fort sabbat Savo talk. Next one is a beauty

0:30:37.560 --> 0:30:42.240
<v Speaker 16>and this is from a client who collects it collects

0:30:43.760 --> 0:30:46.920
<v Speaker 16>show cards that are in the shape of the product.

0:30:48.440 --> 0:30:51.520
<v Speaker 16>That's all he collects. Either would if he's got some

0:30:51.720 --> 0:30:55.440
<v Speaker 16>can a little local soft drink company, it would be

0:30:55.480 --> 0:30:57.800
<v Speaker 16>in the shape of the cairn. This one is over

0:30:57.880 --> 0:31:02.760
<v Speaker 16>an osram, which is not from line globes. Yes, and

0:31:02.960 --> 0:31:05.400
<v Speaker 16>it's as you can see, it's in the shape of

0:31:05.480 --> 0:31:08.800
<v Speaker 16>the land. Now, the reason that's quite expensive is because

0:31:09.080 --> 0:31:12.680
<v Speaker 16>it would be very easily damaged. Because if you've got justice,

0:31:13.280 --> 0:31:16.280
<v Speaker 16>it's got a rectangular card, it's show card, it's going

0:31:16.320 --> 0:31:19.720
<v Speaker 16>to be fine. But once you get these unusual shapes,

0:31:20.080 --> 0:31:22.200
<v Speaker 16>of course, it's very easy to get them damaged. To

0:31:22.240 --> 0:31:24.520
<v Speaker 16>find one of those in really night condition, I reason

0:31:24.560 --> 0:31:26.960
<v Speaker 16>you have to pay about seven fifty to get another one.

0:31:27.160 --> 0:31:31.200
<v Speaker 4>Good heaven wow. I love the idea of that, the shapes.

0:31:31.800 --> 0:31:34.760
<v Speaker 4>I thought for a while it might be interesting to

0:31:34.760 --> 0:31:39.600
<v Speaker 4>start a collection of boxes of things like like chocolate confectory,

0:31:39.640 --> 0:31:42.400
<v Speaker 4>like Mars bars and life savers and all that. They

0:31:42.440 --> 0:31:46.880
<v Speaker 4>come in big display boxes and usually there's a perforated edge.

0:31:46.880 --> 0:31:49.280
<v Speaker 4>You can open it up and fold things up so

0:31:49.320 --> 0:31:51.760
<v Speaker 4>it looks good in the shop. I thought those would

0:31:51.800 --> 0:31:53.760
<v Speaker 4>be a good thing to collect. Once upon a time.

0:31:54.120 --> 0:31:58.120
<v Speaker 16>They are, and they also in the earlier time, especially

0:31:58.120 --> 0:32:01.120
<v Speaker 16>in the old department stores, country open stores in particular,

0:32:01.120 --> 0:32:05.920
<v Speaker 16>for some reason, they used to have the items in

0:32:05.960 --> 0:32:08.200
<v Speaker 16>the window, like bars of chocolate and so forth, but

0:32:08.240 --> 0:32:10.760
<v Speaker 16>they were fake. They weren't real chocolate. They had test

0:32:10.800 --> 0:32:14.200
<v Speaker 16>there were cardboard on the inside. There is a very

0:32:14.240 --> 0:32:17.640
<v Speaker 16>example as of a product that's in the shape of

0:32:18.440 --> 0:32:21.520
<v Speaker 16>the item, but it's not it's made of cardboard. So

0:32:21.760 --> 0:32:23.400
<v Speaker 16>they used to do that for quite a few things

0:32:23.400 --> 0:32:26.280
<v Speaker 16>they have. In fact, at one stage I had the

0:32:26.400 --> 0:32:30.840
<v Speaker 16>dog from his master's voice. In fact I still have it.

0:32:30.560 --> 0:32:34.640
<v Speaker 16>It's paper mache and it's up to about your hip

0:32:34.680 --> 0:32:36.640
<v Speaker 16>in height. And of course he was used to listen

0:32:36.680 --> 0:32:42.080
<v Speaker 16>to the little record player. Besides, that's his master's voice.

0:32:42.920 --> 0:32:45.840
<v Speaker 16>That's an example of something that's in the shape again,

0:32:46.040 --> 0:32:47.040
<v Speaker 16>same thing one.

0:32:46.960 --> 0:32:49.480
<v Speaker 5>Double three six nine three. If you have something you

0:32:49.520 --> 0:32:51.360
<v Speaker 5>would like value it one double three six nine three,

0:32:51.480 --> 0:32:56.360
<v Speaker 5>Rick is here, please use his talents. Rick is smoking

0:32:56.440 --> 0:32:59.600
<v Speaker 5>collectibles of that world of smoke and alien I think

0:32:59.600 --> 0:33:02.480
<v Speaker 5>you'll probably call it. Is that still extent? Is it

0:33:02.560 --> 0:33:05.280
<v Speaker 5>still something that people do or is it just become

0:33:05.360 --> 0:33:06.040
<v Speaker 5>a big taboo?

0:33:06.560 --> 0:33:11.960
<v Speaker 16>No, not at all. There are some especially some some

0:33:12.080 --> 0:33:16.400
<v Speaker 16>tins tobacco tins in particular that are really really valuable.

0:33:16.400 --> 0:33:19.120
<v Speaker 16>There was one that came out called the file app

0:33:19.960 --> 0:33:22.440
<v Speaker 16>and it actually had a picture of the racehorse on

0:33:22.480 --> 0:33:24.280
<v Speaker 16>the on the front of the tin and the kind

0:33:24.280 --> 0:33:27.000
<v Speaker 16>of a circular part. And there are lots and lots

0:33:27.040 --> 0:33:33.800
<v Speaker 16>of them of very small brand tobacco tins that will

0:33:33.840 --> 0:33:37.160
<v Speaker 16>sell for anywhere from five hundred to about fifteen hundred

0:33:37.200 --> 0:33:37.720
<v Speaker 16>dollars each.

0:33:38.360 --> 0:33:38.600
<v Speaker 5>Good.

0:33:39.360 --> 0:33:41.840
<v Speaker 16>There was one that was brought out in that little

0:33:41.880 --> 0:33:44.760
<v Speaker 16>town out back town on Queensland by a fellow called

0:33:45.240 --> 0:33:48.640
<v Speaker 16>his name is Bayless and he and it says on

0:33:48.680 --> 0:33:56.080
<v Speaker 16>the on the thing Bayless Tobacco x AIFES his Australian

0:33:56.120 --> 0:33:56.880
<v Speaker 16>Infantry Force.

0:33:57.040 --> 0:34:01.240
<v Speaker 5>So he was he was an x yest something that's

0:34:01.400 --> 0:34:04.760
<v Speaker 5>that's on the tin. Yeah, Well calls please one double

0:34:04.760 --> 0:34:07.320
<v Speaker 5>three six nine three is the number or text if

0:34:07.320 --> 0:34:10.040
<v Speaker 5>you like one double three six nine three. What about

0:34:10.080 --> 0:34:14.520
<v Speaker 5>ashtrays rick uh with maybe with advertising on them?

0:34:14.960 --> 0:34:18.600
<v Speaker 16>Well there was one, there's one very famous one brought

0:34:18.600 --> 0:34:23.920
<v Speaker 16>out by Olympic Tires and it was a tire and

0:34:24.160 --> 0:34:28.479
<v Speaker 16>in the middle of the tire was the glass sp Yes.

0:34:29.120 --> 0:34:33.239
<v Speaker 16>Remember those I remember they were, yeah, and you still

0:34:33.239 --> 0:34:38.000
<v Speaker 16>see them occasionally. They were in the shape of the well,

0:34:38.040 --> 0:34:40.120
<v Speaker 16>it was the tire. So there you go. There's another

0:34:40.239 --> 0:34:43.080
<v Speaker 16>ruc that's that you if you were collecting, that's in

0:34:43.160 --> 0:34:44.239
<v Speaker 16>the shape of.

0:34:44.160 --> 0:34:46.239
<v Speaker 4>The product that's adals.

0:34:46.719 --> 0:34:49.400
<v Speaker 16>Yeah, so yep, there are And of course there were

0:34:49.440 --> 0:34:53.800
<v Speaker 16>those that I remember. I think my grandfather might have

0:34:53.880 --> 0:34:56.799
<v Speaker 16>even had. One was kind of on a stand and

0:34:56.960 --> 0:34:59.239
<v Speaker 16>it had a sort of a circular It was a

0:35:00.080 --> 0:35:02.520
<v Speaker 16>came up from the base and there was kind of

0:35:02.520 --> 0:35:06.560
<v Speaker 16>a circular area that had where he put his siggies,

0:35:06.640 --> 0:35:09.239
<v Speaker 16>and then above that there's a little place where his

0:35:10.640 --> 0:35:14.720
<v Speaker 16>the matchbox went. And then beside that was where the

0:35:14.800 --> 0:35:17.360
<v Speaker 16>where you put the age of the cigarette.

0:35:18.840 --> 0:35:21.760
<v Speaker 5>That's right, And what about that? There wasn't our family

0:35:22.239 --> 0:35:25.040
<v Speaker 5>last ray? Were you pressed down in the middle on

0:35:25.120 --> 0:35:30.040
<v Speaker 5>some the butt out of the way.

0:35:30.520 --> 0:35:30.719
<v Speaker 15>Yeah.

0:35:30.760 --> 0:35:34.799
<v Speaker 16>It was kind of like a sewerage. You might say,

0:35:35.719 --> 0:35:38.560
<v Speaker 16>this horrible stuff. You press the button and it all disappears,

0:35:38.880 --> 0:35:42.120
<v Speaker 16>goes down the bottom, you don't see it anymore. And

0:35:42.160 --> 0:35:44.120
<v Speaker 16>then of course to have to fill it up and

0:35:44.120 --> 0:35:46.320
<v Speaker 16>have to empy it all out one of the problems

0:35:46.360 --> 0:35:49.279
<v Speaker 16>with it, And of course were those that were done wartime.

0:35:49.760 --> 0:35:53.080
<v Speaker 16>There are quite a few done around the wartime which

0:35:53.160 --> 0:35:58.480
<v Speaker 16>featured planes aeroplanes, and some of those had astrays on

0:35:58.520 --> 0:36:00.399
<v Speaker 16>them as well, so they were Ye, there's quite a few.

0:36:00.560 --> 0:36:04.120
<v Speaker 16>And I have to say, almost all the people that

0:36:04.239 --> 0:36:10.000
<v Speaker 16>collect what we'll call smoking paraphernalia, almost every every everyone

0:36:10.040 --> 0:36:11.680
<v Speaker 16>I think I've ever met is a non smoker.

0:36:12.400 --> 0:36:15.240
<v Speaker 4>Is that right? A quick break back with Rick Milne

0:36:15.360 --> 0:36:17.560
<v Speaker 4>in a moment with your calls one double three six

0:36:17.680 --> 0:36:21.080
<v Speaker 4>nine three. Rick Milne is here taking your calls. We'll

0:36:21.080 --> 0:36:23.000
<v Speaker 4>give his number out for those of you who wish

0:36:23.080 --> 0:36:27.200
<v Speaker 4>to contact him offline tomorrow perhaps, but Sean has called

0:36:27.239 --> 0:36:28.960
<v Speaker 4>him from Rifle You Rick and Sean.

0:36:30.040 --> 0:36:32.359
<v Speaker 12>Oh good evening, How are you going good?

0:36:32.680 --> 0:36:33.080
<v Speaker 16>Can help?

0:36:33.840 --> 0:36:40.400
<v Speaker 12>Hey? Look I about I'm a first time call and intradition. Yeah,

0:36:40.400 --> 0:36:42.120
<v Speaker 12>that's a good show. I really enjoying it.

0:36:42.440 --> 0:36:42.799
<v Speaker 4>Thank you.

0:36:42.880 --> 0:36:47.479
<v Speaker 12>I bought a Queen's Greatest Hit album around twenty five

0:36:47.520 --> 0:36:51.400
<v Speaker 12>to thirty years ago. It was off a sound engineer

0:36:52.200 --> 0:36:57.000
<v Speaker 12>who worked out of Abbey Road, and well, you know,

0:36:57.200 --> 0:37:01.239
<v Speaker 12>like all his wife basically said, get rid of like

0:37:01.320 --> 0:37:04.600
<v Speaker 12>three hundred albums or enough space for her to at

0:37:04.680 --> 0:37:10.360
<v Speaker 12>least put her clothing into the wardrobe. And yeah, so

0:37:10.400 --> 0:37:15.080
<v Speaker 12>we offloaded him. And look at the time he had

0:37:15.360 --> 0:37:18.680
<v Speaker 12>three hundred up online. He's also sold his passes, so

0:37:18.719 --> 0:37:20.400
<v Speaker 12>they were all genuine and I checked him out at

0:37:20.400 --> 0:37:22.799
<v Speaker 12>the time to make sure the dates matched up, which

0:37:22.840 --> 0:37:26.279
<v Speaker 12>they did. But yeah, I had the four members of

0:37:26.960 --> 0:37:31.400
<v Speaker 12>Queen who signed it and the things. I'd really like

0:37:31.440 --> 0:37:33.880
<v Speaker 12>to stick it up, but I'm too worried to do that.

0:37:34.000 --> 0:37:35.440
<v Speaker 12>I think I'll have to make a copy of it

0:37:35.480 --> 0:37:36.320
<v Speaker 12>and put it away.

0:37:37.920 --> 0:37:40.640
<v Speaker 4>Yeah. Yeah, you certainly don't want it up on a

0:37:40.640 --> 0:37:42.239
<v Speaker 4>wall or anything because it'll fade.

0:37:42.960 --> 0:37:45.000
<v Speaker 16>Yeah, you's got to be very careful about got to

0:37:45.000 --> 0:37:48.720
<v Speaker 16>be careful if you have it, if you have it displayed, Sean,

0:37:48.760 --> 0:37:51.279
<v Speaker 16>you need to do it in a passage way where

0:37:51.280 --> 0:37:54.920
<v Speaker 16>there is very very little light because the light is

0:37:54.960 --> 0:37:59.600
<v Speaker 16>the enemy of signatures. But you've got something pretty special

0:37:59.600 --> 0:38:04.040
<v Speaker 16>there to say. And I've got just the first person

0:38:04.080 --> 0:38:05.640
<v Speaker 16>for you to speak to if you would care to

0:38:05.680 --> 0:38:09.400
<v Speaker 16>give us a call after we get concluded here, and

0:38:09.680 --> 0:38:12.520
<v Speaker 16>we'll give it the number in a minute. So, Sean,

0:38:12.640 --> 0:38:15.839
<v Speaker 16>you've got something pretty good. And what's happened to all

0:38:15.880 --> 0:38:16.839
<v Speaker 16>the other records?

0:38:20.239 --> 0:38:25.239
<v Speaker 12>Sadly, I worked at Corners at the time, and I

0:38:25.280 --> 0:38:28.840
<v Speaker 12>had three little kids and two hundred and fifty four pounds.

0:38:28.880 --> 0:38:30.479
<v Speaker 12>There was a lot of money for me at that time,

0:38:30.760 --> 0:38:33.120
<v Speaker 12>and I could only afford to buy that one, so

0:38:34.160 --> 0:38:37.840
<v Speaker 12>I wish I could have but there but you know, thankfully,

0:38:38.040 --> 0:38:41.240
<v Speaker 12>you know you just mentioned light. I was going to say, sadly,

0:38:41.440 --> 0:38:44.680
<v Speaker 12>which is actually intended to be a good thing. My

0:38:44.719 --> 0:38:46.800
<v Speaker 12>wife would never let me ever put it up in

0:38:46.840 --> 0:38:49.959
<v Speaker 12>the house and or present it out or anything like that.

0:38:50.880 --> 0:38:53.600
<v Speaker 12>So I lived in a safe in a box for

0:38:53.640 --> 0:38:55.960
<v Speaker 12>the last that's never seen light, maybe three or four

0:38:56.000 --> 0:38:57.160
<v Speaker 12>times in that time.

0:38:57.480 --> 0:38:58.520
<v Speaker 4>You're still married, Sean.

0:38:59.719 --> 0:39:01.640
<v Speaker 12>No, I'm getting the album.

0:39:02.440 --> 0:39:05.799
<v Speaker 4>The album somehow, I just sort of figured that, Cad

0:39:05.800 --> 0:39:08.759
<v Speaker 4>don't get short's that's that's a great item to have

0:39:09.719 --> 0:39:11.560
<v Speaker 4>a break. We'll come back and find out what Rick's

0:39:11.560 --> 0:39:15.719
<v Speaker 4>looking for after this, Rick Milne in forty seconds, what

0:39:15.760 --> 0:39:16.760
<v Speaker 4>are you looking for.

0:39:17.040 --> 0:39:19.920
<v Speaker 16>Just incidentally on that album? I would think probably a

0:39:20.000 --> 0:39:23.120
<v Speaker 16>thousand bucks preps a bit more okay going going on,

0:39:23.200 --> 0:39:26.880
<v Speaker 16>We're looking for Tuckfield's bird cards, but they the person

0:39:27.000 --> 0:39:29.239
<v Speaker 16>is looking for ones that got blue printing on the

0:39:29.280 --> 0:39:32.400
<v Speaker 16>back with the information about the birds, okay blue printing,

0:39:32.880 --> 0:39:34.920
<v Speaker 16>and is prepared to wait three dollars each, which is

0:39:35.080 --> 0:39:37.160
<v Speaker 16>more than the other who worth for one hundred, So

0:39:37.640 --> 0:39:41.560
<v Speaker 16>cameras August anything to do with the Argus newspaper, cards

0:39:41.600 --> 0:39:44.719
<v Speaker 16>or Badgers or anything Scott Sorry, Cox Brothers, which is

0:39:44.719 --> 0:39:48.920
<v Speaker 16>a sports Dore Scalon's cards and finally advertising show cards.

0:39:49.080 --> 0:39:51.759
<v Speaker 4>Zero four one eight three, three nine one zero three

0:39:51.800 --> 0:39:52.239
<v Speaker 4>for Rick.

0:39:52.200 --> 0:39:54.680
<v Speaker 9>Mill please get such.

0:39:56.280 --> 0:40:04.440
<v Speaker 21>Looking at those glass and when we made those Bevy.

0:40:07.000 --> 0:40:14.040
<v Speaker 23>The Donkey rides the Seaside rock Remember that new summer fronk.

0:40:14.280 --> 0:40:16.760
<v Speaker 4>The one I ruined when.

0:40:16.640 --> 0:40:24.560
<v Speaker 23>I spilled the tea. Sweet Zuilan still rings it, bell,

0:40:25.239 --> 0:40:26.760
<v Speaker 23>I heard my ankle.

0:40:27.840 --> 0:40:30.239
<v Speaker 5>Good memories, and we've got plenty of them coming up

0:40:30.239 --> 0:40:32.200
<v Speaker 5>this hour. Well, I see the face to the left

0:40:32.200 --> 0:40:35.120
<v Speaker 5>of me. I know it's going to be vintage radio.

0:40:36.960 --> 0:40:37.879
<v Speaker 4>What does that mean?

0:40:38.640 --> 0:40:43.239
<v Speaker 5>It's a couple as it's a bit easy.

0:40:43.280 --> 0:40:46.640
<v Speaker 10>Old, not at all and very nice.

0:40:46.719 --> 0:40:47.479
<v Speaker 4>Way you were.

0:40:47.560 --> 0:40:51.040
<v Speaker 5>Ageless for the all times, remained for all seasons.

0:40:51.040 --> 0:40:52.640
<v Speaker 4>Not that there's anything wrong with it or.

0:40:52.760 --> 0:40:54.279
<v Speaker 5>Not that there in the room being old at all.

0:40:54.320 --> 0:40:55.120
<v Speaker 5>It's marvelous.

0:40:55.160 --> 0:40:59.839
<v Speaker 4>Andrew is talking of course about Kevin Tresh. Hello boys, Kevin.

0:40:59.800 --> 0:41:05.319
<v Speaker 5>The legend that still walks luckily only just like it

0:41:05.320 --> 0:41:09.040
<v Speaker 5>could be related to the phantom Yeah walks.

0:41:09.400 --> 0:41:11.719
<v Speaker 10>I used to have those phantom comics and line my

0:41:11.800 --> 0:41:14.640
<v Speaker 10>bed with the blankets over and a torch and read

0:41:14.640 --> 0:41:16.960
<v Speaker 10>those comics well into the morning.

0:41:16.960 --> 0:41:19.600
<v Speaker 5>I love the Phantom and my Phantom ring, and I

0:41:19.600 --> 0:41:21.719
<v Speaker 5>occasionally still go back and try and find it as

0:41:21.760 --> 0:41:27.600
<v Speaker 5>it's killed the beach Somewhere lost was Phosphorus.

0:41:27.680 --> 0:41:29.799
<v Speaker 10>It was in the green thing that made gload in

0:41:29.840 --> 0:41:31.799
<v Speaker 10>the dark. Now Mim was just a plain robber one.

0:41:31.800 --> 0:41:38.319
<v Speaker 4>It was the base. You you weren't a real fan then,

0:41:37.760 --> 0:41:41.560
<v Speaker 4>oh no, sorry, we weren't rich like the Owens were.

0:41:41.560 --> 0:41:45.080
<v Speaker 5>We weren't rolling in dough. He had the leafy eastern suburbs.

0:41:45.400 --> 0:41:46.360
<v Speaker 5>That's what we weren't.

0:41:46.520 --> 0:41:51.840
<v Speaker 10>He had to write a Piggies point. I'd love to

0:41:51.840 --> 0:41:53.600
<v Speaker 10>go up the Piggies point and never look at that.

0:41:53.680 --> 0:41:58.160
<v Speaker 10>What's the name for a little town the suburb Piggy's point, Piggy,

0:41:58.560 --> 0:42:02.560
<v Speaker 10>Piggy's point, Yeah, Piggy point. It was where's that somewhere

0:42:02.600 --> 0:42:05.240
<v Speaker 10>in New South Wales. That's where the fanom Briggs are sold.

0:42:06.160 --> 0:42:09.400
<v Speaker 10>There must must be a mine up there for that Phosphorus.

0:42:10.239 --> 0:42:13.040
<v Speaker 4>I was that like the address that you write to

0:42:13.120 --> 0:42:15.040
<v Speaker 4>on the bank and the comic in the comics send

0:42:15.120 --> 0:42:17.239
<v Speaker 4>it off to Piggy's point point.

0:42:17.320 --> 0:42:18.520
<v Speaker 5>Yeah, I don't remember that.

0:42:19.160 --> 0:42:20.680
<v Speaker 10>Speaking you guys haven't lived.

0:42:20.920 --> 0:42:23.280
<v Speaker 4>Speaking of the Phantom, Ben's trying to get us Billy

0:42:23.400 --> 0:42:27.480
<v Speaker 4>Zay for remember when played the Phantom in the movie.

0:42:27.560 --> 0:42:31.560
<v Speaker 4>That would be fantastic. Yes, yes, good.

0:42:33.280 --> 0:42:34.960
<v Speaker 10>They should have made another one of those. That was

0:42:35.040 --> 0:42:36.560
<v Speaker 10>really good, that Phantom movie.

0:42:37.200 --> 0:42:39.359
<v Speaker 5>I don't think it did all that well, keV. That's

0:42:39.400 --> 0:42:40.520
<v Speaker 5>why they didn't make another one.

0:42:40.680 --> 0:42:45.239
<v Speaker 4>I didn't see it. I didn't it didn't like it.

0:42:45.640 --> 0:42:48.080
<v Speaker 5>No, I like what I did. It was the striped underpants.

0:42:48.120 --> 0:42:48.839
<v Speaker 5>You know, it's good.

0:42:49.080 --> 0:42:50.040
<v Speaker 4>Well we had that those.

0:42:51.920 --> 0:42:54.479
<v Speaker 5>I never travel without them. Hey, we've got a little

0:42:54.480 --> 0:42:57.719
<v Speaker 5>segmenty to start things off. It's a little sad we do.

0:42:59.040 --> 0:43:04.840
<v Speaker 4>Now remember when it's time for who Died?

0:43:05.000 --> 0:43:05.400
<v Speaker 8>Kevin?

0:43:05.960 --> 0:43:07.759
<v Speaker 4>And just before we do get into that, we have

0:43:07.800 --> 0:43:11.440
<v Speaker 4>a text asking for Rick's number. Please repeat slowly Rick's

0:43:11.440 --> 0:43:13.400
<v Speaker 4>phone number, because we did rush through it at the

0:43:13.480 --> 0:43:17.320
<v Speaker 4>very end. There zero four one eight three three nine

0:43:18.080 --> 0:43:22.200
<v Speaker 4>one zero three for Rick Milne Kevin. Who have we

0:43:22.239 --> 0:43:22.960
<v Speaker 4>lost this week?

0:43:23.080 --> 0:43:25.919
<v Speaker 10>Well, you're going to cover Marcy Jones with Normy later

0:43:26.320 --> 0:43:28.600
<v Speaker 10>after eleven, which is going to be terrific. And I

0:43:28.680 --> 0:43:30.800
<v Speaker 10>got such a shock on it. Van that out today.

0:43:30.800 --> 0:43:32.680
<v Speaker 10>It came from because I did hear the interview that

0:43:32.719 --> 0:43:35.640
<v Speaker 10>you both did a few months ago with her, and

0:43:36.000 --> 0:43:39.680
<v Speaker 10>I just don't don't know's She's always been around and

0:43:40.160 --> 0:43:44.239
<v Speaker 10>I'm sure normally will pay tribute to her between after

0:43:44.280 --> 0:43:45.239
<v Speaker 10>eleven o'clock.

0:43:44.920 --> 0:43:47.200
<v Speaker 4>I'm going to also I'm staying on to do Midnight

0:43:47.239 --> 0:43:49.520
<v Speaker 4>to Dawn again filling in for Tony McManus. So I'm

0:43:49.560 --> 0:43:52.560
<v Speaker 4>going to replay that interview at some point tomorrow wonderful,

0:43:52.640 --> 0:43:55.239
<v Speaker 4>and I'll be joined by Gavin Wood at midnight as well.

0:43:55.440 --> 0:43:57.400
<v Speaker 4>Love to talk about MARSI, Well, I'm going to talk

0:43:57.440 --> 0:43:58.520
<v Speaker 4>about Loretta Switt.

0:43:58.880 --> 0:44:02.600
<v Speaker 10>She played my major Margaret hot Lips Hulahan in mash

0:44:02.719 --> 0:44:06.120
<v Speaker 10>for I think from nineteen seventy two to nineteen eighty three,

0:44:06.160 --> 0:44:08.840
<v Speaker 10>and she only missed a couple of episodes. She was

0:44:08.840 --> 0:44:12.640
<v Speaker 10>a stage actress and did things like Mame with Susan Haywood,

0:44:13.040 --> 0:44:17.200
<v Speaker 10>and she played Gooch. And she also did one of

0:44:17.200 --> 0:44:21.640
<v Speaker 10>the Pigeons sisters in the Odd Couple with Don Rickles

0:44:21.680 --> 0:44:25.080
<v Speaker 10>and Ernest Borgnine, playing the Odd Couple that would have

0:44:25.120 --> 0:44:27.279
<v Speaker 10>been in the stage black that would have been played Dad,

0:44:27.760 --> 0:44:29.680
<v Speaker 10>and I would have loved that. So she did a

0:44:29.760 --> 0:44:32.080
<v Speaker 10>lot of stage work before she got into television. She

0:44:32.080 --> 0:44:35.360
<v Speaker 10>worked in a lot of different television shows over the years,

0:44:35.400 --> 0:44:39.279
<v Speaker 10>and I thought she was lovely. So I did interview her.

0:44:39.480 --> 0:44:41.760
<v Speaker 10>I think it's probably about ten years ago or something

0:44:41.840 --> 0:44:45.440
<v Speaker 10>like that. And when the interview finished, we got talking

0:44:45.440 --> 0:44:49.560
<v Speaker 10>and she did a show called ten six Dance Lessons

0:44:49.560 --> 0:44:52.960
<v Speaker 10>in six weeks and she toured that through England through America,

0:44:52.960 --> 0:44:55.200
<v Speaker 10>and she said, I'd love to bring that to Australia.

0:44:55.239 --> 0:44:57.560
<v Speaker 10>Could you help me? So I got onto people like

0:44:57.600 --> 0:44:59.880
<v Speaker 10>Dennis Smith and a few other producers, but I couldn't

0:45:00.080 --> 0:45:02.840
<v Speaker 10>but any enthusiasm. So I said, I'm sorry, Loretta, I

0:45:03.560 --> 0:45:05.560
<v Speaker 10>enthusiasm for Loretta's switch.

0:45:06.520 --> 0:45:08.720
<v Speaker 4>Well you've done well. Yeah, well you've got to invest

0:45:08.760 --> 0:45:12.040
<v Speaker 4>the money first. So then, but anyhow, that's what happened. Asked,

0:45:12.719 --> 0:45:14.160
<v Speaker 4>are you would have put a cuff up some of

0:45:14.160 --> 0:45:16.480
<v Speaker 4>the Owen's fortune that Andrew was talking about.

0:45:16.640 --> 0:45:20.000
<v Speaker 5>Yeah, he might pawn the Owen's emeralds. Have you seen them?

0:45:20.480 --> 0:45:23.200
<v Speaker 5>It's one of the greatest collections of emeralds in the world.

0:45:23.480 --> 0:45:25.160
<v Speaker 5>They're famous in lily Dale.

0:45:25.440 --> 0:45:27.279
<v Speaker 4>Oh, that would be marvelous if you could do all the.

0:45:27.239 --> 0:45:29.640
<v Speaker 5>Lily Dale thrills to missus. Owen's going down the street

0:45:29.680 --> 0:45:32.279
<v Speaker 5>for shopping with a little string bag of those emerald rings.

0:45:32.320 --> 0:45:35.360
<v Speaker 4>That's exactly had Loretta.

0:45:35.000 --> 0:45:38.239
<v Speaker 10>Switch won two Emmy Awards for Mash. Yes, and I

0:45:38.760 --> 0:45:42.400
<v Speaker 10>love it. It's on Jim episodes. They've taken the episodes

0:45:42.400 --> 0:45:44.359
<v Speaker 10>and they've blown them up on the big screen, so

0:45:44.360 --> 0:45:46.480
<v Speaker 10>there's no lines on side and all that sort of

0:45:46.560 --> 0:45:49.920
<v Speaker 10>the four four point three, the old format, and they

0:45:49.960 --> 0:45:53.000
<v Speaker 10>look terrific. They's like us watching it all over again.

0:45:53.040 --> 0:45:55.040
<v Speaker 4>I just love the show. It was a great show.

0:45:55.080 --> 0:45:59.040
<v Speaker 4>I watched two clips today of Loretta as Margaret Yes

0:45:59.239 --> 0:46:01.640
<v Speaker 4>on YouTube. I looked for my two favorite clips and

0:46:01.680 --> 0:46:05.240
<v Speaker 4>I found them. The one where she has an argument

0:46:05.280 --> 0:46:08.320
<v Speaker 4>with the nurses because they never invited her to anything,

0:46:08.719 --> 0:46:11.320
<v Speaker 4>and she played that scene so beautifully. We have tears

0:46:11.320 --> 0:46:13.319
<v Speaker 4>and a whole lot. And the other one when the

0:46:13.400 --> 0:46:17.759
<v Speaker 4>dog dies and she loses it over that time. Oh yeah,

0:46:18.480 --> 0:46:20.719
<v Speaker 4>great acting. She's fabulous. She was fabulous.

0:46:20.840 --> 0:46:25.560
<v Speaker 10>Anyhow, I did speak to Lauta Switch about the closing

0:46:25.680 --> 0:46:28.839
<v Speaker 10>or the ending of Mash in nineteen eighty three. Well,

0:46:28.880 --> 0:46:31.759
<v Speaker 10>you won two Emmy Awards, which is a magnificent achievement.

0:46:31.920 --> 0:46:35.520
<v Speaker 10>And that final episode watched by more than he They

0:46:35.560 --> 0:46:38.000
<v Speaker 10>say more than one hundred and twenty million people, which

0:46:38.040 --> 0:46:41.600
<v Speaker 10>is a massive viewing audience. And I believe you all

0:46:41.640 --> 0:46:45.840
<v Speaker 10>went and watched the film of that over a party

0:46:46.200 --> 0:46:47.160
<v Speaker 10>when it concluded.

0:46:47.560 --> 0:46:52.800
<v Speaker 13>I'm trying to remember if we were actually seeing it together.

0:46:53.920 --> 0:46:55.800
<v Speaker 13>We spent so much time together.

0:46:56.880 --> 0:46:59.520
<v Speaker 18>We know some stuff that you as.

0:46:59.400 --> 0:47:01.279
<v Speaker 13>An audience couldn't possibly know.

0:47:01.400 --> 0:47:03.600
<v Speaker 15>But there was a raging.

0:47:03.360 --> 0:47:07.719
<v Speaker 13>Fire over at where we were planning to shoot much

0:47:07.719 --> 0:47:12.799
<v Speaker 13>of the much of the final episode, and so we

0:47:12.920 --> 0:47:18.440
<v Speaker 13>had to rearrange our schedule. And in point of fact,

0:47:19.080 --> 0:47:23.680
<v Speaker 13>when we wrapped, when we finished, we were wrapping a

0:47:23.719 --> 0:47:26.480
<v Speaker 13>different show. We were not. We were not wrapping up

0:47:26.680 --> 0:47:28.240
<v Speaker 13>on Goodbye, Farewell and Amen.

0:47:29.400 --> 0:47:32.960
<v Speaker 18>So it was so you know, we we knew all that,

0:47:33.080 --> 0:47:40.359
<v Speaker 18>but the weeks, the weeks before our imminent closing, we

0:47:40.360 --> 0:47:42.400
<v Speaker 18>were always together.

0:47:42.760 --> 0:47:43.839
<v Speaker 13>It was bittersweet.

0:47:45.120 --> 0:47:48.320
<v Speaker 4>Yeah, so they yeah, resting place. She was only eighty

0:47:48.360 --> 0:47:54.399
<v Speaker 4>seven and dot at home, very sad. Anyone else, No,

0:47:54.640 --> 0:47:57.200
<v Speaker 4>I've got no one else to mention now, but there

0:47:57.320 --> 0:48:00.799
<v Speaker 4>was no I don't remember her. But there's a lady

0:48:00.840 --> 0:48:03.280
<v Speaker 4>who's passed, who's been in a lot of TV shows,

0:48:03.680 --> 0:48:08.040
<v Speaker 4>Valerie Mahaffey. Now I don't. I can't place her. Looking

0:48:08.040 --> 0:48:09.680
<v Speaker 4>at a picture of her, she looks vaguely for me.

0:48:09.840 --> 0:48:10.960
<v Speaker 5>She's a Desperate Housewives.

0:48:11.000 --> 0:48:14.440
<v Speaker 4>I know that Desperate Housewives. She was in Young Sheldon,

0:48:14.640 --> 0:48:18.680
<v Speaker 4>National Lampoon's Senior Trip Northern Exposure, which I loved, and

0:48:18.719 --> 0:48:21.360
<v Speaker 4>I don't remember her in that and some other shows

0:48:21.360 --> 0:48:21.719
<v Speaker 4>as well.

0:48:21.719 --> 0:48:24.000
<v Speaker 5>But a good character actress, not really a star. No,

0:48:24.400 --> 0:48:26.400
<v Speaker 5>I've got a lot of work as a character person.

0:48:26.520 --> 0:48:29.080
<v Speaker 4>Yeah, fair enough, But yeah, I thought better mention her

0:48:29.080 --> 0:48:31.120
<v Speaker 4>otherwise we'll get a text saying you didn't mention her.

0:48:31.200 --> 0:48:32.920
<v Speaker 4>So there we go. All right?

0:48:33.320 --> 0:48:35.560
<v Speaker 10>Have you seen any shows or anything? Keaven No, No,

0:48:35.640 --> 0:48:37.480
<v Speaker 10>I've been fairly quiet on the Western front. I haven't

0:48:37.520 --> 0:48:40.479
<v Speaker 10>seen any shows this week. I'm actually batching my wife

0:48:40.560 --> 0:48:44.520
<v Speaker 10>and daughter overseas, so I'm very quietly at home watching

0:48:44.560 --> 0:48:46.640
<v Speaker 10>a lot of football, watching foot.

0:48:46.560 --> 0:48:47.879
<v Speaker 4>What are you eating? Oh?

0:48:48.600 --> 0:48:50.960
<v Speaker 10>Food has been prepared. We've got to refrigerator full of

0:48:51.040 --> 0:48:54.920
<v Speaker 10>frozen dinners which I hop into at a lovely one tonight,

0:48:55.120 --> 0:48:59.319
<v Speaker 10>lamb and vegetables. It was beautiful and so yeah, I'm

0:48:59.440 --> 0:49:02.560
<v Speaker 10>I'm okay. I think I'll survive. I'm a big boy. Now,

0:49:02.640 --> 0:49:04.719
<v Speaker 10>have you changed your underpants? On a regular base.

0:49:04.880 --> 0:49:07.160
<v Speaker 5>Yes, I have, thank you, Yes, because I know that

0:49:07.320 --> 0:49:09.080
<v Speaker 5>your wife before she left said to me, she gave

0:49:09.120 --> 0:49:11.359
<v Speaker 5>me a little text message, please ask.

0:49:11.600 --> 0:49:14.400
<v Speaker 10>I asked her not to do that. You know I

0:49:14.400 --> 0:49:18.080
<v Speaker 10>couldn't stop her. I apologize over that.

0:49:18.760 --> 0:49:20.320
<v Speaker 4>I would have thought you would have had mcdouden and

0:49:20.360 --> 0:49:23.480
<v Speaker 4>I over for a few beers. And yeah, fetup of

0:49:23.480 --> 0:49:23.839
<v Speaker 4>the couch.

0:49:23.880 --> 0:49:28.359
<v Speaker 10>That means cleaning up the house the day before they

0:49:28.400 --> 0:49:30.120
<v Speaker 10>come back. I'm getting clean up the house.

0:49:31.200 --> 0:49:33.920
<v Speaker 4>Well, we're not coming for that, Okay, all right, let's

0:49:34.360 --> 0:49:38.040
<v Speaker 4>let's get Trask's Time Tunnel underway. In about three minutes from.

0:49:38.000 --> 0:49:42.600
<v Speaker 6>Now, Kevin Trask's Time Tunnel. Beat the price rise with

0:49:42.680 --> 0:49:46.240
<v Speaker 6>the Blind Factory. Call one three blinds Now for expert advice,

0:49:46.400 --> 0:49:49.720
<v Speaker 6>unbeatable deals and a lifetime guarantee.

0:49:50.400 --> 0:49:54.399
<v Speaker 4>It's time to go back and remember the people, events and.

0:49:54.560 --> 0:49:56.360
<v Speaker 8>Music to the soundtrack of our.

0:49:56.239 --> 0:49:58.880
<v Speaker 6>Lives with Trasks Time Time.

0:50:20.080 --> 0:50:30.399
<v Speaker 5>Yes, it is time for the time tititle on thread

0:50:30.480 --> 0:50:33.960
<v Speaker 5>early on. I remember when this Sunday night with Kevin

0:50:34.120 --> 0:50:37.000
<v Speaker 5>orts a pivotal year for me. I see too, We're

0:50:37.040 --> 0:50:41.360
<v Speaker 5>about to enter the year that I succumbed to primal urgers,

0:50:41.960 --> 0:50:43.120
<v Speaker 5>and I'll leave it at that I.

0:50:43.000 --> 0:50:46.640
<v Speaker 4>Think didn't lead to charges or.

0:50:48.280 --> 0:50:52.200
<v Speaker 5>No, no, thank you, none of your sort of showbiz muckiness.

0:50:52.239 --> 0:50:55.799
<v Speaker 5>No no, I just gave myself to the limbo in

0:50:55.800 --> 0:50:58.560
<v Speaker 5>that particular year, and I found myself down at the

0:50:58.600 --> 0:51:03.120
<v Speaker 5>Elwood Beach doing limbo. But anyway, Kevin nineteen sixty three,

0:51:04.200 --> 0:51:04.839
<v Speaker 5>what's the matter?

0:51:04.960 --> 0:51:07.400
<v Speaker 10>I can't be I tried to do the limbo of

0:51:07.440 --> 0:51:09.840
<v Speaker 10>the limbo snick on he broke me back.

0:51:10.360 --> 0:51:13.600
<v Speaker 5>Oh no, No, I was something of a master of limbo.

0:51:13.800 --> 0:51:17.680
<v Speaker 4>You must have been very fit at the incredibly supple.

0:51:17.800 --> 0:51:21.319
<v Speaker 4>He was so good. I've seen pictures. He was so good.

0:51:21.600 --> 0:51:24.200
<v Speaker 4>The only thing that stopped him being the world champion

0:51:24.520 --> 0:51:29.040
<v Speaker 4>was the fact that his male Yeah, just sort of the.

0:51:29.040 --> 0:51:34.560
<v Speaker 10>Bar said really okay. Nineteen sixty three, Oh.

0:51:35.160 --> 0:51:35.919
<v Speaker 5>You've got to crime.

0:51:36.239 --> 0:51:40.160
<v Speaker 10>You're right there, brought back this pysic people.

0:51:41.440 --> 0:51:42.640
<v Speaker 4>Oh would love to have seen that.

0:51:44.080 --> 0:51:46.280
<v Speaker 5>It's a bitter sweet, buddy, It's bitter sweet.

0:51:46.320 --> 0:51:48.040
<v Speaker 7>Look, do you have me to get a stick out

0:51:48.080 --> 0:51:48.600
<v Speaker 7>and see if.

0:51:48.480 --> 0:51:51.280
<v Speaker 4>You can No, we're going to do the time tunnel.

0:51:53.120 --> 0:51:56.560
<v Speaker 10>Well it's sixty two years ago, nineteen sixty three, and

0:51:56.719 --> 0:51:59.120
<v Speaker 10>the event was the release of the film It's a

0:51:59.160 --> 0:52:03.279
<v Speaker 10>Mad Mad, Mad, Mad World, Almost Mister Mad then an

0:52:03.320 --> 0:52:04.840
<v Speaker 10>American comedy film.

0:52:05.080 --> 0:52:07.080
<v Speaker 5>I love this wonderful movie.

0:52:07.360 --> 0:52:09.640
<v Speaker 10>Yeah, terrific and my fabulous cast.

0:52:09.640 --> 0:52:11.799
<v Speaker 5>It had everyone in it.

0:52:12.040 --> 0:52:14.880
<v Speaker 10>Everyone you can imagine at that time was in it.

0:52:14.960 --> 0:52:19.040
<v Speaker 10>You had Buddy you Hacket, Milton Beall, Sid Caesar ethel Merman,

0:52:19.200 --> 0:52:23.279
<v Speaker 10>Dorothy pra Sncer, Tracy Spencer. Tracy was the lead, and

0:52:23.280 --> 0:52:25.799
<v Speaker 10>Mickey Rooney was in it. Everybody was in it. And

0:52:25.840 --> 0:52:28.280
<v Speaker 10>it was in Cinerama, which is you know the plans

0:52:28.280 --> 0:52:30.360
<v Speaker 10>a picture theater underneath the region down up there in

0:52:30.400 --> 0:52:34.319
<v Speaker 10>the Colin Street. That was the Cinerama screen that operated there.

0:52:34.880 --> 0:52:37.040
<v Speaker 10>So they only played it there and it was on

0:52:37.120 --> 0:52:40.319
<v Speaker 10>for months and months and months and months. And all

0:52:40.360 --> 0:52:43.160
<v Speaker 10>those Cinerama films were terrific because they had the three

0:52:43.200 --> 0:52:45.319
<v Speaker 10>screen process with three projectors.

0:52:45.520 --> 0:52:48.040
<v Speaker 4>There's massive screen. You felt like you were in the film.

0:52:49.120 --> 0:52:52.760
<v Speaker 10>But this particular one, it's a mad, Mad, Mad Mad World,

0:52:52.960 --> 0:52:56.799
<v Speaker 10>was a great comedy. And I spoke to Dorothy Provine.

0:52:57.440 --> 0:53:03.000
<v Speaker 10>She played ethel Merman's daughter. Was She came to Australia

0:53:03.000 --> 0:53:05.120
<v Speaker 10>in nineteen sixty one when Frank Sinatro as part of

0:53:05.160 --> 0:53:08.880
<v Speaker 10>his tour. I only went to Sydney of course, but

0:53:08.920 --> 0:53:09.360
<v Speaker 10>she has.

0:53:09.280 --> 0:53:12.080
<v Speaker 4>Passed on now. I thought she was lovely, didn't you.

0:53:12.160 --> 0:53:14.719
<v Speaker 5>Yeah, she was in a TV series called something.

0:53:14.680 --> 0:53:20.920
<v Speaker 10>Yes, it was called the Roaring Twenties, and she was pinky.

0:53:21.040 --> 0:53:22.839
<v Speaker 10>She was pinky in that and she sang a song

0:53:22.880 --> 0:53:25.040
<v Speaker 10>every week and she was marvelous.

0:53:25.160 --> 0:53:27.359
<v Speaker 5>She was rather good. And that's why she was here

0:53:27.400 --> 0:53:29.480
<v Speaker 5>with Frank. And that the only reason why she came

0:53:29.480 --> 0:53:30.040
<v Speaker 5>out with Frank.

0:53:30.160 --> 0:53:30.520
<v Speaker 4>I don't know.

0:53:30.520 --> 0:53:32.360
<v Speaker 10>They might have been out here to practice the limbo.

0:53:32.440 --> 0:53:38.200
<v Speaker 10>I wasn't exactly sure. Judges, guests, celebrity judges. Yeah, so

0:53:38.280 --> 0:53:40.759
<v Speaker 10>you could have should have kept that career up. Would

0:53:40.920 --> 0:53:41.760
<v Speaker 10>much better than teaching.

0:53:41.760 --> 0:53:43.680
<v Speaker 5>You just stopped talking about it.

0:53:43.680 --> 0:53:46.720
<v Speaker 10>It still hurts, buddy, Okay, mate, I'm terribly sorry.

0:53:46.800 --> 0:53:49.080
<v Speaker 4>He's right there, mate. You hit that bar rather hard.

0:53:49.320 --> 0:53:51.160
<v Speaker 4>That's right. Okay. Well, here we are.

0:53:51.280 --> 0:53:54.959
<v Speaker 10>I'm talking to Dorothy Provine about the film It's a Mad, Mad,

0:53:55.040 --> 0:54:17.520
<v Speaker 10>Mad Mad Woolves in nineteen sixty three. You played opposite

0:54:17.560 --> 0:54:21.239
<v Speaker 10>Milton Burle and ethel Merman. Ethel Merman played the mother

0:54:21.280 --> 0:54:28.040
<v Speaker 10>from Hell, one of my favorite classic films. It's a Mad, Mad,

0:54:28.200 --> 0:54:29.240
<v Speaker 10>Mad Mad World.

0:54:29.520 --> 0:54:32.560
<v Speaker 4>You played the daughter, and I think Dick Sewan played.

0:54:32.320 --> 0:54:33.839
<v Speaker 8>Your brother, Yes you did.

0:54:34.080 --> 0:54:35.040
<v Speaker 5>Huh what was it?

0:54:35.080 --> 0:54:36.319
<v Speaker 4>What were the memories of that one?

0:54:37.440 --> 0:54:42.800
<v Speaker 22>Oh, chare absolute care for months wells of ally spared

0:54:42.960 --> 0:54:46.960
<v Speaker 22>desert and uh for I don't I don't even remember

0:54:46.960 --> 0:54:51.760
<v Speaker 22>how long. It was very hot and I'm not supposed

0:54:51.800 --> 0:54:52.960
<v Speaker 22>to go out in the sun. I got such a

0:54:53.000 --> 0:54:59.320
<v Speaker 22>palekin and everything that that was a problem. Uh, A

0:54:59.400 --> 0:55:04.600
<v Speaker 22>bunch of mad people. Really I liked. I liked everyone.

0:55:05.120 --> 0:55:09.920
<v Speaker 22>They were all funny. But they all would come to

0:55:09.960 --> 0:55:12.760
<v Speaker 22>me and tell me how everybody else was doing something wrong,

0:55:12.800 --> 0:55:16.239
<v Speaker 22>but they had it right. And I don't know why

0:55:16.280 --> 0:55:21.480
<v Speaker 22>they came to me, but Milton would come, and you know,

0:55:22.040 --> 0:55:27.480
<v Speaker 22>it was very strange. They were competitive, but then I

0:55:27.560 --> 0:55:29.640
<v Speaker 22>must say a nice way. No one really got mad

0:55:29.719 --> 0:55:30.600
<v Speaker 22>or angry or anything.

0:55:40.040 --> 0:55:41.399
<v Speaker 4>But she was terrific, wasn't she.

0:55:41.640 --> 0:55:44.600
<v Speaker 5>Very pretty girl? Yes, and I remember quite fondly, not

0:55:44.840 --> 0:55:47.359
<v Speaker 5>that she was a huge star, but she she did

0:55:47.480 --> 0:55:48.400
<v Speaker 5>make any admistration.

0:55:48.600 --> 0:55:50.960
<v Speaker 10>Yes, And I reckon Ethel Murmur would have stirred up

0:55:50.960 --> 0:55:53.320
<v Speaker 10>that cast because she was pretty tough, the Ethels she was.

0:55:53.520 --> 0:55:58.680
<v Speaker 4>Yes, she was tough. Yes, absolutely quick Quiz time, Kevin

0:55:58.760 --> 0:56:01.320
<v Speaker 4>quick quiz boys, Are you ready? Yes?

0:56:01.880 --> 0:56:05.600
<v Speaker 10>Gun Smoke was a popular television series or western in

0:56:05.680 --> 0:56:10.160
<v Speaker 10>nineteen sixty three. It starred James RNs as Marshall Matt Dillon.

0:56:11.200 --> 0:56:13.840
<v Speaker 10>What was the name of the town where the series

0:56:13.920 --> 0:56:21.000
<v Speaker 10>was set. Was it a Dodge City, B, Tombstone, C,

0:56:21.920 --> 0:56:28.520
<v Speaker 10>Virginia City or D Santa Fe. Where was the series

0:56:28.600 --> 0:56:31.840
<v Speaker 10>Gun Smoke sets in that town that they were throughout

0:56:31.840 --> 0:56:34.320
<v Speaker 10>the whole series for about ten seasons or something.

0:56:35.520 --> 0:56:37.839
<v Speaker 4>Well, I have no idea because I am too young

0:56:37.920 --> 0:56:38.440
<v Speaker 4>to remember.

0:56:38.760 --> 0:56:42.600
<v Speaker 5>I'm going to say Santa Fe. Be my guess, Santa Fe.

0:56:42.680 --> 0:56:45.239
<v Speaker 5>I think it's that Western fielder like. I don't really

0:56:45.280 --> 0:56:47.279
<v Speaker 5>know the answer at all. No, No, I saw the

0:56:47.280 --> 0:56:48.839
<v Speaker 5>show a couple of times. It was about it.

0:56:49.480 --> 0:56:50.080
<v Speaker 4>I watched it all.

0:56:50.760 --> 0:56:52.160
<v Speaker 5>I know it was a hugely popular show.

0:56:52.200 --> 0:56:56.080
<v Speaker 10>Mister that's remember, and mister Dillon, that's going to Delan.

0:56:56.440 --> 0:57:04.440
<v Speaker 4>I'm leaning toward Tombstone. Tombstone could a sound sort of cartoony, and.

0:57:03.480 --> 0:57:06.400
<v Speaker 7>I just I'm going to agree with Simon on Tombstone

0:57:06.400 --> 0:57:08.920
<v Speaker 7>because I just think it's a great name in town

0:57:09.080 --> 0:57:12.839
<v Speaker 7>and especially for a series like there was another TV series.

0:57:12.480 --> 0:57:19.640
<v Speaker 5>Called Tombstone Territory of Moonstone Territory.

0:57:20.520 --> 0:57:24.840
<v Speaker 4>Up back where I want to be.

0:57:26.360 --> 0:57:27.000
<v Speaker 8>And that was it.

0:57:27.120 --> 0:57:28.720
<v Speaker 5>So I don't think you're going to be right, because

0:57:28.720 --> 0:57:32.000
<v Speaker 5>they wouldn't have to.

0:57:33.920 --> 0:57:35.400
<v Speaker 10>Anything is possible in Hollywood.

0:57:35.760 --> 0:57:42.000
<v Speaker 4>Well I'm going to leave it in Okay, all right,

0:57:42.160 --> 0:57:45.440
<v Speaker 4>we already Ben and I are both going Tombstone, Andrews

0:57:45.440 --> 0:57:46.240
<v Speaker 4>going Santa Fe.

0:57:46.480 --> 0:57:53.240
<v Speaker 10>Okay, Well, it wasn't Virginia City, so that one was wrong. Sadly, Andrew,

0:57:53.280 --> 0:57:57.720
<v Speaker 10>it wasn't Santa Fe. And Simon and Ben I had

0:57:57.720 --> 0:58:01.240
<v Speaker 10>to break this news to you and it wasn't, so

0:58:01.560 --> 0:58:05.960
<v Speaker 10>no one got it. It was Dodge City, Dodge City.

0:58:06.000 --> 0:58:08.160
<v Speaker 10>A lot of things happened in Dodge see that's right.

0:58:09.080 --> 0:58:12.240
<v Speaker 5>And later on, of course it became famous for making cars.

0:58:12.480 --> 0:58:14.760
<v Speaker 10>Yes, of course, as you do.

0:58:15.600 --> 0:58:19.520
<v Speaker 4>Wonderful Now television should we get into television? In nineteen

0:58:19.520 --> 0:58:20.120
<v Speaker 4>sixty three?

0:58:20.680 --> 0:58:23.760
<v Speaker 10>On TV in nineteen sixty three, we were watching the

0:58:23.880 --> 0:58:26.680
<v Speaker 10>Danny Thomas Show, which was originally Make Room for Daddy,

0:58:26.680 --> 0:58:28.920
<v Speaker 10>and then they changed the title and then they changed

0:58:28.920 --> 0:58:31.960
<v Speaker 10>the cast and it was on ABC Television and it

0:58:32.040 --> 0:58:35.000
<v Speaker 10>starred Danny Thomas, so they called it the Danny Thomas Show.

0:58:35.080 --> 0:58:38.120
<v Speaker 4>The new series Smart Move. It was hard to write

0:58:38.160 --> 0:58:39.080
<v Speaker 4>out the lead actor.

0:58:39.160 --> 0:58:42.080
<v Speaker 10>Then, yeah, I was all filmed in black and white,

0:58:42.520 --> 0:58:46.440
<v Speaker 10>and he made a deal with Desilu's Studios to film

0:58:46.440 --> 0:58:49.000
<v Speaker 10>it there, which was the same studio as they used

0:58:49.040 --> 0:58:53.160
<v Speaker 10>for I Love Lucy with the three cameras and terrific filming.

0:58:54.160 --> 0:59:01.240
<v Speaker 10>Marjorie Lawrence was Marjorie Lawrence, Marjorie Lord. Yeah, Marjorie Lord

0:59:01.360 --> 0:59:03.440
<v Speaker 10>was the one who played the wife in the show,

0:59:03.760 --> 0:59:04.680
<v Speaker 10>or Danny's wife.

0:59:04.800 --> 0:59:06.520
<v Speaker 4>Yes, and Marjorie Lord.

0:59:07.840 --> 0:59:11.120
<v Speaker 10>Died around about twenty fifteen at the age of ninety seven,

0:59:11.360 --> 0:59:14.480
<v Speaker 10>but prior to that I spoke to her this.

0:59:14.560 --> 0:59:16.120
<v Speaker 5>Little difficulty Thomas.

0:59:16.680 --> 0:59:22.160
<v Speaker 24>Here it is darring Danny Thomas, also starring Marjorie Orne

0:59:22.200 --> 0:59:28.040
<v Speaker 24>and his wife, Rusty Hammer and their son, and John Cartwright.

0:59:27.640 --> 0:59:28.320
<v Speaker 8>As their daughter.

0:59:29.040 --> 0:59:31.000
<v Speaker 10>Well, you mentioned some of the guests you had on

0:59:31.040 --> 0:59:33.720
<v Speaker 10>that program, Marjorie, and I'd just like to touch on

0:59:33.760 --> 0:59:36.000
<v Speaker 10>a couple like Lucille Ball and desion Is.

0:59:36.040 --> 0:59:36.560
<v Speaker 4>You had a lot.

0:59:36.720 --> 0:59:39.160
<v Speaker 10>Well, you appeared on their show and there was quite

0:59:39.160 --> 0:59:41.120
<v Speaker 10>a bit of interaction with those two. And one are

0:59:41.120 --> 0:59:42.440
<v Speaker 10>your memories of Lucille Ball and.

0:59:42.480 --> 0:59:44.240
<v Speaker 4>Desion Is Well.

0:59:44.960 --> 0:59:46.840
<v Speaker 25>I wrote about that a little bit in my book,

0:59:47.040 --> 0:59:52.640
<v Speaker 25>and Dassy was quite brilliant and people didn't realize that

0:59:52.720 --> 0:59:57.520
<v Speaker 25>he really ran that Desilu studio, and I was impressed

0:59:57.520 --> 0:59:59.640
<v Speaker 25>in when he would rehearse the scene the first time,

1:00:00.200 --> 1:00:03.320
<v Speaker 25>he had quite an accent, but he never had to

1:00:03.480 --> 1:00:07.080
<v Speaker 25>repeat it, and he'd come back to do a second rehearsal.

1:00:07.160 --> 1:00:09.320
<v Speaker 25>He'd know all the lines. He never looked at the script.

1:00:10.600 --> 1:00:13.880
<v Speaker 25>Lucy was the opposite. She wanted to rehearse and rehears

1:00:13.880 --> 1:00:18.040
<v Speaker 25>and rehearse, and we did. She liked to go over things,

1:00:18.080 --> 1:00:22.440
<v Speaker 25>but she was brilliant. She knew where every camera and

1:00:22.480 --> 1:00:24.680
<v Speaker 25>where the house would be lit, and how to move

1:00:24.720 --> 1:00:27.880
<v Speaker 25>and when she was with it, Daddy, you know, kind

1:00:27.880 --> 1:00:30.880
<v Speaker 25>of let her make all the decisions she wanted to make.

1:00:33.440 --> 1:00:37.160
<v Speaker 25>Lucy was quite serious in her personal life. She could

1:00:37.200 --> 1:00:41.080
<v Speaker 25>be so funny, but sometimes she'd be very open and friendly,

1:00:41.120 --> 1:00:45.320
<v Speaker 25>and other times she seemed to be preoccupied. But she

1:00:45.560 --> 1:00:46.240
<v Speaker 25>was a great.

1:00:46.120 --> 1:00:48.360
<v Speaker 4>Artist, wonderful.

1:00:48.480 --> 1:00:51.919
<v Speaker 10>I loved Lucia Bull. I thought she was terrific. Yeah,

1:00:52.000 --> 1:00:53.760
<v Speaker 10>she could have mailed a little bit of a problem.

1:00:53.920 --> 1:00:56.240
<v Speaker 5>I was going to say, Mattrey Lord wasn't obviously that

1:00:56.440 --> 1:00:56.960
<v Speaker 5>fond of her.

1:00:57.720 --> 1:00:58.880
<v Speaker 10>Oh you didn't feel that from that?

1:00:59.080 --> 1:01:02.360
<v Speaker 5>She said, No, I wasn't getting a gush of emotion.

1:01:02.600 --> 1:01:04.080
<v Speaker 5>The positive emotion about.

1:01:03.880 --> 1:01:06.200
<v Speaker 10>Him was I no, No, that's true, that's true.

1:01:06.440 --> 1:01:09.000
<v Speaker 5>Anyway we move on, Yes, yes, that's okay.

1:01:09.080 --> 1:01:16.240
<v Speaker 10>Yes, And who remembers Alan Rowe? And Kimbo was Kimba.

1:01:16.960 --> 1:01:18.320
<v Speaker 10>Kimba was the white Lion.

1:01:18.680 --> 1:01:24.000
<v Speaker 5>Oh, yes, you get things a little bit, sup.

1:01:24.120 --> 1:01:25.960
<v Speaker 10>Was the contributions appreciated?

1:01:27.240 --> 1:01:30.520
<v Speaker 5>I'm going so well tonight, Kimbo the Koala. I don't

1:01:30.520 --> 1:01:33.120
<v Speaker 5>remember Alan Rowe. I don't do you remember him at all?

1:01:33.240 --> 1:01:35.960
<v Speaker 10>Did you watch the Tarak Show with Jerry g and

1:01:36.960 --> 1:01:41.000
<v Speaker 10>Ron Blasket and all those people, and Phil was Prince Philip.

1:01:41.200 --> 1:01:43.480
<v Speaker 4>Yes, and your uncle comp.

1:01:44.480 --> 1:01:47.240
<v Speaker 5>That was funny when Jeff Core competed, because he did

1:01:47.240 --> 1:01:53.120
<v Speaker 5>it for adults, it was felt he was actually playing tonight.

1:01:55.200 --> 1:01:57.720
<v Speaker 5>He was doing it for eight year olds. But the

1:01:57.760 --> 1:02:00.480
<v Speaker 5>way he was speaking was really as a man who

1:02:00.480 --> 1:02:03.680
<v Speaker 5>would be comparing imt Yes, it was very funny that way.

1:02:03.880 --> 1:02:05.480
<v Speaker 4>Well, Elean Roe did a lot of acting.

1:02:05.800 --> 1:02:08.720
<v Speaker 5>He was I'm sorry, Oh no, that's fine, I've reached

1:02:08.720 --> 1:02:09.479
<v Speaker 5>the end of the tether.

1:02:10.640 --> 1:02:15.920
<v Speaker 10>Edg ed Ellen ROI was a friend of mine and

1:02:16.240 --> 1:02:18.360
<v Speaker 10>he worked at GTV Channel nine for a number of

1:02:18.480 --> 1:02:21.640
<v Speaker 10>years in that Terek show. But here is a Kimbo

1:02:21.800 --> 1:02:26.760
<v Speaker 10>the Koala Allan's faithful companion and they're working together right now.

1:02:27.320 --> 1:02:29.360
<v Speaker 16>Tell me, Kimbo, what are you going to sing for

1:02:29.360 --> 1:02:30.280
<v Speaker 16>the girls and boys?

1:02:30.320 --> 1:02:30.600
<v Speaker 26>Now?

1:02:31.080 --> 1:02:34.600
<v Speaker 27>Well, I'm going to sing two little songs I wrote myself.

1:02:34.680 --> 1:02:36.480
<v Speaker 16>Two little songs you wrote yourself.

1:02:36.840 --> 1:02:37.880
<v Speaker 8>That's very clever.

1:02:37.720 --> 1:02:39.920
<v Speaker 5>Of him, isn't it girls and boys that Kimbo can

1:02:39.960 --> 1:02:40.680
<v Speaker 5>write songs?

1:02:41.040 --> 1:02:42.280
<v Speaker 8>What are they called, Kimbo?

1:02:42.800 --> 1:02:44.000
<v Speaker 14>Well, the first one.

1:02:43.880 --> 1:02:46.320
<v Speaker 27>Is called I'm a little football Fan.

1:02:46.800 --> 1:02:48.360
<v Speaker 26>And what about the second one?

1:02:48.760 --> 1:02:49.320
<v Speaker 27>That's cool?

1:02:50.040 --> 1:02:51.320
<v Speaker 3>The little tug song.

1:02:54.720 --> 1:03:00.360
<v Speaker 27>I'm a little I'm as happy as can be. Love

1:03:00.440 --> 1:03:02.400
<v Speaker 27>to watch your football match.

1:03:02.480 --> 1:03:04.960
<v Speaker 3>Was hitting at my dream.

1:03:05.120 --> 1:03:09.240
<v Speaker 27>When the whistle blues, I always shout as long as

1:03:09.240 --> 1:03:13.480
<v Speaker 27>I can. You're holding the ball, breaking, breaking, find a

1:03:13.520 --> 1:03:19.200
<v Speaker 27>little movement. I'm a little football man. I'm as happy

1:03:19.440 --> 1:03:23.680
<v Speaker 27>as can be. I love to watch your football match.

1:03:23.880 --> 1:03:25.680
<v Speaker 27>Was hitting at my dream.

1:03:26.360 --> 1:03:27.640
<v Speaker 3>When the whistle.

1:03:27.400 --> 1:03:29.400
<v Speaker 9>Goes, I always shout.

1:03:29.120 --> 1:03:32.880
<v Speaker 1>As lone as like you're holding.

1:03:32.560 --> 1:03:34.280
<v Speaker 9>The new drinking ringings.

1:03:34.480 --> 1:03:35.840
<v Speaker 1>I'm a little mud.

1:03:39.040 --> 1:03:41.200
<v Speaker 4>I think we've just found three a w's new footy

1:03:41.240 --> 1:03:43.440
<v Speaker 4>theme for next season. Ye how good is that? To

1:03:43.520 --> 1:03:45.160
<v Speaker 4>be good? Isn't that wonderful?

1:03:45.200 --> 1:03:45.360
<v Speaker 26>Yes?

1:03:45.600 --> 1:03:48.040
<v Speaker 10>Ellen unfortunately has passed on now but I'm sure he'd

1:03:48.040 --> 1:03:48.959
<v Speaker 10>be happy for you to users.

1:03:49.280 --> 1:03:51.160
<v Speaker 4>So was that a vent act? So that was that

1:03:51.240 --> 1:03:52.160
<v Speaker 4>allan doing both for y?

1:03:52.280 --> 1:03:56.600
<v Speaker 10>Yes, of course, Yes, he's a ventriloquist and yeah, a

1:03:56.720 --> 1:03:57.520
<v Speaker 10>very good performer.

1:03:57.560 --> 1:03:59.880
<v Speaker 4>And why have I not heard of him? Mental now?

1:04:00.480 --> 1:04:02.920
<v Speaker 4>Like Ron Blasket was the ventriloquist, I didn't know there

1:04:02.920 --> 1:04:03.440
<v Speaker 4>were others.

1:04:03.760 --> 1:04:06.520
<v Speaker 10>They got around, there were a few of them, a

1:04:06.560 --> 1:04:08.880
<v Speaker 10>few of them years. But he used to be in

1:04:08.960 --> 1:04:11.760
<v Speaker 10>the panomimes, remember the Tarik Sure Panamimes. I used to

1:04:11.840 --> 1:04:14.200
<v Speaker 10>do them live on a Christmas time.

1:04:14.920 --> 1:04:17.560
<v Speaker 5>I not really. I wish I could say yes, but

1:04:17.640 --> 1:04:21.920
<v Speaker 5>I can't. You were in Victoria, Yes I was. I didn't.

1:04:22.200 --> 1:04:24.520
<v Speaker 5>I didn't watch the Tarik Show, just never seeing Jeff

1:04:24.560 --> 1:04:28.120
<v Speaker 5>Cork occasionally. I don't know. I was a little too

1:04:28.160 --> 1:04:30.840
<v Speaker 5>sophisticated for you, Kevin everything.

1:04:30.880 --> 1:04:32.960
<v Speaker 10>I watched the test bat and I never missed anything.

1:04:33.040 --> 1:04:35.400
<v Speaker 4>A five year old Andrew would have been watching four

1:04:35.480 --> 1:04:37.440
<v Speaker 4>Corners on the ABC or something like that.

1:04:37.680 --> 1:04:40.400
<v Speaker 5>Was sitting back in a smoking jacket, you know, with

1:04:41.400 --> 1:04:43.120
<v Speaker 5>watching Noel Coward plays.

1:04:42.960 --> 1:04:47.240
<v Speaker 4>Reading the Financial Review that's right, yeah, disgusting the equities

1:04:47.280 --> 1:04:52.680
<v Speaker 4>of the world. Okay, checking out his share portfolio, right,

1:04:53.280 --> 1:04:56.720
<v Speaker 4>that's but it was good thought, that was really good. Good.

1:04:56.840 --> 1:04:58.080
<v Speaker 5>Yeah, should we take a break.

1:04:58.000 --> 1:05:02.840
<v Speaker 4>I think. So we're in Trask's time tunnel and we're

1:05:02.880 --> 1:05:05.280
<v Speaker 4>about to look at the shows of nineteen sixty three.

1:05:05.760 --> 1:05:08.160
<v Speaker 10>Well, there's a new book out on Lee Gordon, who

1:05:08.280 --> 1:05:11.440
<v Speaker 10>was the American producer who bought the Big Stars to Australia,

1:05:11.480 --> 1:05:15.160
<v Speaker 10>and it's called Lee Gordon Presents by Jeff Apter and

1:05:15.240 --> 1:05:18.120
<v Speaker 10>it's available in all Good books shops. Pete Smith told

1:05:18.120 --> 1:05:19.400
<v Speaker 10>me about this book and I'm going to have to

1:05:19.440 --> 1:05:21.320
<v Speaker 10>get a copy of it because I'm fascinated with all

1:05:21.360 --> 1:05:24.200
<v Speaker 10>that because I was at all those shows. Yes, straight

1:05:24.240 --> 1:05:26.919
<v Speaker 10>after the Tarak show, I'd go straight down the Festival Hall,

1:05:28.160 --> 1:05:29.960
<v Speaker 10>get your tickets. Tickets.

1:05:29.960 --> 1:05:32.080
<v Speaker 4>He's going to be our guest on Sunday, the sixth

1:05:32.160 --> 1:05:34.919
<v Speaker 4>of July. I remember when to talk about the book.

1:05:35.040 --> 1:05:36.480
<v Speaker 5>Oh marvelous.

1:05:36.800 --> 1:05:38.560
<v Speaker 10>Oh that's true. I'm thrilled to bits to hear that.

1:05:39.320 --> 1:05:41.520
<v Speaker 10>And of course the Lee Gordon Big Shows was where

1:05:41.720 --> 1:05:45.120
<v Speaker 10>Johnny O'Keeffe got his break and became famous. And I

1:05:45.200 --> 1:05:49.520
<v Speaker 10>spoke to Pee Weee Wilson from the Delltones about Johnny O'Keeffe.

1:05:58.800 --> 1:06:13.840
<v Speaker 28>I'm ever since we met Darling, I've been keeping school.

1:06:16.080 --> 1:06:18.240
<v Speaker 10>Well, it was a fabulous hero when you when you

1:06:18.320 --> 1:06:21.480
<v Speaker 10>did those League Wooden shows. I can still see the

1:06:21.600 --> 1:06:24.160
<v Speaker 10>Dell Tones and Johnny o'keeff on stage in my memory.

1:06:24.240 --> 1:06:26.440
<v Speaker 10>But what are your memories of working with Johnny o'kings.

1:06:26.920 --> 1:06:30.760
<v Speaker 20>Well, he was a most interesting character of because as

1:06:30.840 --> 1:06:33.520
<v Speaker 20>we're in hindsight we look back on his on his

1:06:34.160 --> 1:06:37.360
<v Speaker 20>relatively short career in the sense that he truly was

1:06:37.440 --> 1:06:39.600
<v Speaker 20>a dynamic performer and there was something that all of

1:06:39.720 --> 1:06:42.680
<v Speaker 20>us in the in the up and coming artists in

1:06:42.720 --> 1:06:45.480
<v Speaker 20>that early period, we're we're looking towards Johnny Keith as

1:06:45.520 --> 1:06:48.840
<v Speaker 20>a mentor and certainly he had a natural stagecraft. We

1:06:48.960 --> 1:06:50.840
<v Speaker 20>never ever viewed him as being one of the great

1:06:50.920 --> 1:06:54.600
<v Speaker 20>singers of of of the business, but certainly had all

1:06:54.640 --> 1:06:56.400
<v Speaker 20>other aspects going. And of course the one thing that

1:06:56.400 --> 1:06:58.280
<v Speaker 20>we all admired abou about him most was it was

1:06:58.720 --> 1:06:59.880
<v Speaker 20>his commitment to the business.

1:07:34.440 --> 1:07:37.840
<v Speaker 4>I love pee Weee Wilson just adore me too. Yeah,

1:07:38.080 --> 1:07:40.520
<v Speaker 4>I think it's terrific. That was a great interview you

1:07:40.600 --> 1:07:42.480
<v Speaker 4>did with him a couple of months ago, or maybe

1:07:42.480 --> 1:07:44.400
<v Speaker 4>it was last year. I think it was late last year.

1:07:44.920 --> 1:07:46.720
<v Speaker 4>We'll have to get him on again. Here you will,

1:07:46.760 --> 1:07:48.640
<v Speaker 4>because he's full of stories and he's terrific.

1:07:49.120 --> 1:07:50.560
<v Speaker 5>Who tired in nineteen sixty three?

1:07:50.680 --> 1:07:56.200
<v Speaker 10>Cave quite a few, Sabo said on top of the Elephants, Oh,

1:07:56.600 --> 1:08:03.440
<v Speaker 10>the movies, movies, Zazu, Pits, Dick Powell, and Patsy Cline.

1:08:03.640 --> 1:08:07.520
<v Speaker 10>Patsy Cline was killed in a plane crash in nineteen

1:08:07.560 --> 1:08:10.160
<v Speaker 10>sixty three. She was at the peak of her career.

1:08:10.600 --> 1:08:13.200
<v Speaker 10>She was a country singer. She had a lot of hits.

1:08:13.720 --> 1:08:15.840
<v Speaker 10>She had a twang in her voice.

1:08:15.640 --> 1:08:17.679
<v Speaker 5>And a sober voice.

1:08:19.080 --> 1:08:22.120
<v Speaker 10>Yeah, and I thought she was terrific. And I love

1:08:22.200 --> 1:08:24.120
<v Speaker 10>this song by Patsy Cline.

1:08:24.600 --> 1:08:26.760
<v Speaker 4>Crazy crazy.

1:08:28.800 --> 1:08:31.680
<v Speaker 5>I am crazy for feeling.

1:08:32.960 --> 1:08:40.360
<v Speaker 3>Slowly, I'm crazy.

1:08:42.560 --> 1:08:45.400
<v Speaker 9>Crazy for feling.

1:08:46.400 --> 1:09:00.479
<v Speaker 3>So I lo, you love me as love as you Barty,

1:09:05.120 --> 1:09:07.240
<v Speaker 3>and then some day.

1:09:09.200 --> 1:09:12.880
<v Speaker 5>You leave me for somebody.

1:09:19.560 --> 1:09:20.000
<v Speaker 1>Worry?

1:09:23.040 --> 1:09:27.200
<v Speaker 3>Why do I let myself worry?

1:09:33.240 --> 1:09:33.679
<v Speaker 8>Wonder?

1:09:36.600 --> 1:09:40.000
<v Speaker 3>What in the world did.

1:09:44.160 --> 1:09:45.679
<v Speaker 5>Wonderful sounded the letters?

1:09:45.800 --> 1:09:49.759
<v Speaker 4>Don't you love the backing chorus there? Yeah, fantastic, Sorry Andrew,

1:09:49.800 --> 1:09:50.200
<v Speaker 4>what you're saying?

1:09:50.200 --> 1:09:52.240
<v Speaker 5>No, no, just what I just should mention too in

1:09:52.400 --> 1:09:55.519
<v Speaker 5>passing that when the plane crashed into the mountain, two

1:09:55.600 --> 1:09:57.680
<v Speaker 5>other great country stars died in the plane with the

1:09:58.080 --> 1:09:59.839
<v Speaker 5>hawkshaw Hawkins and cowboy capes.

1:10:00.600 --> 1:10:01.519
<v Speaker 4>I didn't know that.

1:10:01.680 --> 1:10:04.120
<v Speaker 5>Oh yeah, there were three of them lost to us

1:10:04.160 --> 1:10:07.519
<v Speaker 5>that day. All right, mystery voice, this is the most

1:10:07.640 --> 1:10:08.960
<v Speaker 5>challenging part for you.

1:10:09.920 --> 1:10:11.640
<v Speaker 4>Really, I know you're worry about this from you.

1:10:14.280 --> 1:10:15.719
<v Speaker 5>Know it starts on a Sunday morning.

1:10:16.280 --> 1:10:18.560
<v Speaker 4>Oh no, it's coming on the chills, get you.

1:10:18.720 --> 1:10:18.920
<v Speaker 5>Yeah.

1:10:19.560 --> 1:10:22.960
<v Speaker 4>What I love though, is the suspense that envelops Andrew

1:10:23.040 --> 1:10:26.599
<v Speaker 4>and it consumes him. Well, we take a break before

1:10:26.640 --> 1:10:30.479
<v Speaker 4>we get to it. It's mystery voice time. As Andrew

1:10:30.720 --> 1:10:33.680
<v Speaker 4>was discussing just prior to the break, Kevin Trask is

1:10:33.760 --> 1:10:35.479
<v Speaker 4>going to play us a mystery voice. We're going to

1:10:35.520 --> 1:10:37.280
<v Speaker 4>try and guess who it is, and we want you

1:10:37.400 --> 1:10:39.880
<v Speaker 4>to do the same. But you answer by texting your

1:10:39.960 --> 1:10:43.760
<v Speaker 4>answer to us. Zero four double seven six nine three

1:10:44.280 --> 1:10:48.440
<v Speaker 4>six nine three is the number for you to text Kevin.

1:10:48.600 --> 1:10:49.679
<v Speaker 8>Is do we have a clue?

1:10:49.960 --> 1:10:53.120
<v Speaker 4>Do we have a clue? It's a male. The boys

1:10:53.200 --> 1:10:55.720
<v Speaker 4>watch the girls while the girls watch the boys who

1:10:55.760 --> 1:10:56.120
<v Speaker 4>watched the.

1:10:56.200 --> 1:10:57.200
<v Speaker 5>Girls go by.

1:11:01.760 --> 1:11:04.400
<v Speaker 16>Less all of it could be able to make this sing,

1:11:05.400 --> 1:11:07.160
<v Speaker 16>which is the name of the game.

1:11:07.280 --> 1:11:09.080
<v Speaker 29>Watch a guy watch a team on it.

1:11:09.200 --> 1:11:09.960
<v Speaker 8>He's street to.

1:11:10.080 --> 1:11:17.439
<v Speaker 28>Tip up the down add over as Rob hands.

1:11:21.240 --> 1:11:22.080
<v Speaker 4>Girls time.

1:11:22.920 --> 1:11:25.120
<v Speaker 3>It happens everywhere.

1:11:26.320 --> 1:11:28.719
<v Speaker 9>I was watching the girls walk.

1:11:29.960 --> 1:11:33.080
<v Speaker 4>Well, well, well I've got nothing to The song is

1:11:33.320 --> 1:11:34.559
<v Speaker 4>music to watch Girls go By.

1:11:35.320 --> 1:11:37.479
<v Speaker 5>It was a hit as a vocal and as an

1:11:37.479 --> 1:11:38.719
<v Speaker 5>instrumental from memory.

1:11:38.840 --> 1:11:41.679
<v Speaker 4>Okay, is it that's your answer?

1:11:41.800 --> 1:11:41.840
<v Speaker 15>No?

1:11:42.840 --> 1:11:45.439
<v Speaker 5>Andy Williams had the hit version of it as a

1:11:45.520 --> 1:11:49.320
<v Speaker 5>vocal obviously, but who that is? I have no idea.

1:11:49.520 --> 1:11:51.200
<v Speaker 4>Is it an Australian? Yes it is.

1:11:51.760 --> 1:11:55.040
<v Speaker 10>Oh, that's a very Your first question was a zinger.

1:11:55.160 --> 1:11:56.880
<v Speaker 4>Yeah, well that's that's the first thing I thought I

1:11:56.920 --> 1:11:59.120
<v Speaker 4>would have got that. It sounded like an ausy singing

1:11:59.200 --> 1:11:59.360
<v Speaker 4>to me.

1:11:59.600 --> 1:12:02.120
<v Speaker 5>Is he more known as a singer or was he

1:12:02.240 --> 1:12:08.480
<v Speaker 5>known as a singer? Yes, Ben anything something.

1:12:10.600 --> 1:12:13.479
<v Speaker 4>Still hard for Ben. It's nineteen sixty three. Known as

1:12:13.520 --> 1:12:17.600
<v Speaker 4>a singer, but all other methods of entertainment. Was he

1:12:17.720 --> 1:12:20.679
<v Speaker 4>an actor as well? Not an actor? Not an actor?

1:12:21.280 --> 1:12:26.880
<v Speaker 4>A television host not a television host, radio host.

1:12:26.920 --> 1:12:30.920
<v Speaker 5>Yes, so as we're talking this jockey, we are talking

1:12:31.479 --> 1:12:34.960
<v Speaker 5>this is jockey. Yes, so we're going to be talking sixties.

1:12:35.920 --> 1:12:39.880
<v Speaker 5>Graham Webb No, oh damn it.

1:12:40.439 --> 1:12:49.720
<v Speaker 4>Jim Woody would no, Jeff Manyon no, Banks, No, no, Claudia. No, no,

1:12:50.160 --> 1:12:50.719
<v Speaker 4>it's a male.

1:12:51.360 --> 1:12:51.479
<v Speaker 20>Ye.

1:12:53.200 --> 1:12:55.760
<v Speaker 10>This is remarkable. You've come this far. I am very

1:12:55.760 --> 1:12:56.720
<v Speaker 10>impressed with both of you.

1:12:57.000 --> 1:13:00.160
<v Speaker 4>Peter Allen, No, not Peter Allen, Ken Fred.

1:13:00.400 --> 1:13:01.120
<v Speaker 10>Not can Fred.

1:13:02.320 --> 1:13:07.720
<v Speaker 4>Other radio personalities from the era. Grantly D. This is

1:13:07.760 --> 1:13:12.639
<v Speaker 4>Grantly D. Well, where was that from?

1:13:13.120 --> 1:13:17.639
<v Speaker 10>That's from an I m t was it really from

1:13:17.680 --> 1:13:21.600
<v Speaker 10>a collection from Dorothy Baker? And I was transferring some

1:13:21.720 --> 1:13:26.000
<v Speaker 10>songs of Dorothy's off the real real tape and on

1:13:26.160 --> 1:13:27.719
<v Speaker 10>Hare's Grantly D another.

1:13:27.960 --> 1:13:29.479
<v Speaker 4>Ah, that's one.

1:13:30.120 --> 1:13:33.440
<v Speaker 10>It's a great mystery. And yeah, that is incredible.

1:13:33.760 --> 1:13:38.000
<v Speaker 4>Well you picked that well, it was lucky in the clues,

1:13:38.600 --> 1:13:43.120
<v Speaker 4>like to narrow it down to somebody who's known for singing, Yes,

1:13:43.240 --> 1:13:46.040
<v Speaker 4>but also a radio a good guy, because I was

1:13:46.080 --> 1:13:48.960
<v Speaker 4>going to go Stan Rowe, Yes. I was just trying

1:13:48.960 --> 1:13:50.760
<v Speaker 4>to think of anyone from the sixties. I could think

1:13:50.800 --> 1:13:53.920
<v Speaker 4>of Alan Lappin. I was just going to throw out

1:13:53.960 --> 1:13:56.479
<v Speaker 4>any name until I got them. What was Grantly to

1:13:56.640 --> 1:14:01.960
<v Speaker 4>his big hit? That money had their the Little Girl Dan, She's.

1:14:03.800 --> 1:14:05.920
<v Speaker 5>Something like that. I just can't remember it now. That's it.

1:14:06.080 --> 1:14:08.200
<v Speaker 5>That was it, I got it, But it was it

1:14:08.360 --> 1:14:10.880
<v Speaker 5>was a great hit for him, and he was just

1:14:10.960 --> 1:14:12.920
<v Speaker 5>to explain to people who don't know. Of course, he

1:14:13.160 --> 1:14:17.040
<v Speaker 5>was not cited, Yes, exactly, and he had quite a

1:14:17.120 --> 1:14:20.400
<v Speaker 5>career as the radio career and the singing career.

1:14:20.439 --> 1:14:22.280
<v Speaker 4>I think I was totally blind, wasn't he?

1:14:22.400 --> 1:14:22.599
<v Speaker 20>Yeah?

1:14:22.920 --> 1:14:24.320
<v Speaker 4>It was terrific. It was really good.

1:14:24.439 --> 1:14:26.320
<v Speaker 10>How did the listeners go? Did anybody out there in

1:14:26.400 --> 1:14:27.320
<v Speaker 10>listening land get this?

1:14:27.680 --> 1:14:30.759
<v Speaker 4>Well, we've had quite a few. Someone suggested, Mark Trevarro,

1:14:30.880 --> 1:14:33.479
<v Speaker 4>It does sound like Mark Travarro doing a parody a

1:14:33.600 --> 1:14:38.439
<v Speaker 4>type thing above down type thing. Jerry Seinfeld, Barry Crocker,

1:14:38.880 --> 1:14:42.560
<v Speaker 4>Don Nott's, Jimmy Hannon all good, guess yes, But the

1:14:42.600 --> 1:14:45.800
<v Speaker 4>first one to correctly guess was Sue of Q, who

1:14:45.920 --> 1:14:50.160
<v Speaker 4>correctly guests grandly, so well done, so well done, excellent.

1:14:50.439 --> 1:14:52.960
<v Speaker 4>That was really good. Yeah, yeah, very happy with that.

1:14:53.200 --> 1:14:56.240
<v Speaker 4>So am I all right? We've got a minute to

1:14:56.320 --> 1:14:58.280
<v Speaker 4>have a look at the films of nineteen sixty three,

1:14:58.320 --> 1:14:59.960
<v Speaker 4>please Kevin, Well, there was a big one came out.

1:15:00.200 --> 1:15:02.800
<v Speaker 10>I can I mention I'm watching it came from Out

1:15:02.800 --> 1:15:05.719
<v Speaker 10>of Space, which is on Foxtelle or Max whatever it's called.

1:15:05.880 --> 1:15:09.680
<v Speaker 4>Yeah, and Richard Carlson, and it's terrific.

1:15:09.840 --> 1:15:12.360
<v Speaker 10>Black and white from nineteen fifty three and I'm absorbed

1:15:12.400 --> 1:15:12.600
<v Speaker 10>with it.

1:15:12.760 --> 1:15:15.639
<v Speaker 5>It's really really a space monster alien movie.

1:15:15.840 --> 1:15:17.479
<v Speaker 4>Yeah, yeah, it came from out of space.

1:15:18.280 --> 1:15:20.720
<v Speaker 5>Did Richard Carson ever make an A grade movie? I

1:15:20.840 --> 1:15:23.560
<v Speaker 5>know everything he made at titles.

1:15:23.240 --> 1:15:25.880
<v Speaker 10>Like that, and I discovered something. I say this very quickly.

1:15:26.120 --> 1:15:28.400
<v Speaker 10>I thought it was in The Creature from Black Lagoon.

1:15:28.720 --> 1:15:30.960
<v Speaker 10>But at the Grand in Cobourg, there's a scene in

1:15:31.040 --> 1:15:34.439
<v Speaker 10>a film where the Richard Carlson standing on screen and

1:15:34.600 --> 1:15:36.880
<v Speaker 10>somebody puts their hand out from the left hand side

1:15:36.880 --> 1:15:38.600
<v Speaker 10>of screen and taps him on the shoulder, and we

1:15:38.680 --> 1:15:42.280
<v Speaker 10>all went, well, it was in It came from out

1:15:42.320 --> 1:15:46.920
<v Speaker 10>of space. And I jumped up on the couch. Took

1:15:46.960 --> 1:15:47.519
<v Speaker 10>me right back.

1:15:47.560 --> 1:15:50.759
<v Speaker 5>It did to the he's living alone. He's very nervous

1:15:50.800 --> 1:15:52.720
<v Speaker 5>in the house. I am, I am, I am, but

1:15:52.840 --> 1:15:53.960
<v Speaker 5>it's a bit of a scaredy cat.

1:15:54.160 --> 1:15:56.800
<v Speaker 10>Yeah, I've got the dog to protect me.

1:15:57.600 --> 1:15:58.960
<v Speaker 4>With the light on the fridge open.

1:15:59.040 --> 1:16:01.599
<v Speaker 10>It's all Missy Birds came out of nineteen sixty three,

1:16:01.640 --> 1:16:06.120
<v Speaker 10>the Alfred Hitchcock film with Tippy Hedron. Was it Tippy Hedron?

1:16:06.240 --> 1:16:09.479
<v Speaker 10>And we had Rod Tayler, Jessica Tandy you or big cast.

1:16:09.760 --> 1:16:12.960
<v Speaker 10>It was a terrific movie, as most of Hitchcock's films

1:16:13.000 --> 1:16:16.040
<v Speaker 10>were scary. But I spoke to Tippy Hedron about the birds.

1:16:16.880 --> 1:16:18.639
<v Speaker 10>I'd like to go to the scene in the attic

1:16:18.720 --> 1:16:20.639
<v Speaker 10>where they threw all those birds at you when.

1:16:20.479 --> 1:16:21.920
<v Speaker 19>You well, I don't ever want to go there.

1:16:22.320 --> 1:16:23.240
<v Speaker 4>I bet you don't.

1:16:24.400 --> 1:16:27.920
<v Speaker 10>But that was pretty traumatic for a first film.

1:16:27.680 --> 1:16:29.880
<v Speaker 4>To be in a scene like that, you know what?

1:16:30.080 --> 1:16:32.519
<v Speaker 19>What you know? When I when I was reading the script,

1:16:32.640 --> 1:16:35.920
<v Speaker 19>I said, you know how how I couldn't ask? I mean,

1:16:35.960 --> 1:16:38.920
<v Speaker 19>how are you going to do this scene? And he said, oh,

1:16:39.000 --> 1:16:44.439
<v Speaker 19>don't worry, We're going to use mechanical birds. Fine, no problem.

1:16:45.960 --> 1:16:48.080
<v Speaker 19>Actually it was a very kind thing he did. However,

1:16:48.160 --> 1:16:51.280
<v Speaker 19>there was no intention of using mechanical birds, and I

1:16:51.400 --> 1:16:54.080
<v Speaker 19>didn't know about the real ones until the morning we

1:16:54.160 --> 1:16:58.479
<v Speaker 19>were to start filming that scene. And I walked out

1:16:58.520 --> 1:17:01.040
<v Speaker 19>onto the set and there was a cage built around

1:17:01.120 --> 1:17:05.759
<v Speaker 19>that door that I walk in, with three huge boxes

1:17:05.840 --> 1:17:10.479
<v Speaker 19>of ravens and seagulls and a few pigeons thrown in

1:17:10.680 --> 1:17:14.800
<v Speaker 19>and and there were three pop men who had great

1:17:14.840 --> 1:17:19.760
<v Speaker 19>big gauntlets up to their shoulders and which they alternately

1:17:19.880 --> 1:17:24.240
<v Speaker 19>started hurling at me. And it took five days to

1:17:24.360 --> 1:17:25.000
<v Speaker 19>do that scene.

1:17:25.640 --> 1:17:26.840
<v Speaker 4>Were you very brave to be?

1:17:26.920 --> 1:17:28.760
<v Speaker 19>That's all I can say, Gray, That's what That's what

1:17:28.920 --> 1:17:31.040
<v Speaker 19>Carrie Grant said. He came on Wednesday and he said,

1:17:31.080 --> 1:17:33.320
<v Speaker 19>you're I think you're the bravest lady I've ever met,

1:17:33.360 --> 1:17:34.920
<v Speaker 19>and I don't and I don't know if that's the.

1:17:34.920 --> 1:17:35.400
<v Speaker 25>Word for it.

1:17:37.040 --> 1:17:39.640
<v Speaker 4>Yeah, wonderful, good story. Now we've got to get to

1:17:39.680 --> 1:17:41.519
<v Speaker 4>a break so we can come back with the popular

1:17:41.600 --> 1:17:42.599
<v Speaker 4>songs of sixty three.

1:17:45.000 --> 1:17:47.719
<v Speaker 5>All right, the final few minutes of Trask's time total

1:17:47.840 --> 1:17:50.839
<v Speaker 5>nineteen sixty three of the year, and the songs were.

1:17:51.000 --> 1:17:55.160
<v Speaker 10>You be in your element here Andrew Dominique, who's singing

1:17:55.240 --> 1:18:00.559
<v Speaker 10>that the singing nun very good could start? Go away,

1:18:00.640 --> 1:18:01.200
<v Speaker 10>little girl.

1:18:03.200 --> 1:18:09.600
<v Speaker 4>Steve Lawrence correct, he's so fine. The chaffon correct, that.

1:18:09.720 --> 1:18:12.080
<v Speaker 5>Was the one George Harrison got himself into trouble about.

1:18:12.120 --> 1:18:16.120
<v Speaker 5>Oh that's right, it is too hey, Paula, paul and

1:18:16.320 --> 1:18:17.400
<v Speaker 5>Paula correct.

1:18:18.240 --> 1:18:20.960
<v Speaker 4>It's my party and I'll cry if I wanted.

1:18:21.000 --> 1:18:26.080
<v Speaker 5>Are correct? Whose father was a multi millionaire bikini manufacturer.

1:18:26.240 --> 1:18:30.920
<v Speaker 4>How about that? I will follow him? The not the

1:18:31.000 --> 1:18:36.840
<v Speaker 4>Chaffon's again, it was the no the somethings, No, no, No,

1:18:36.920 --> 1:18:37.920
<v Speaker 4>it was little Peggy March.

1:18:38.160 --> 1:18:40.080
<v Speaker 10>I was a little piggy mat. You're both on one

1:18:40.120 --> 1:18:42.640
<v Speaker 10>hundred percent. Let's not break the bond here.

1:18:42.840 --> 1:18:45.519
<v Speaker 4>We're doing well. Our day will come.

1:18:47.240 --> 1:18:52.560
<v Speaker 5>Yeah. The Toothbox at Buffalo slle Uh, Ruby and the Romantics.

1:18:53.840 --> 1:19:00.880
<v Speaker 4>Wow, sukiyaki, sukiyaki kyo second motto kayo good.

1:19:01.240 --> 1:19:03.519
<v Speaker 5>He's good any because you weren't even born.

1:19:03.680 --> 1:19:06.040
<v Speaker 4>No, he's a world before my time.

1:19:06.680 --> 1:19:06.800
<v Speaker 20>Uh.

1:19:07.320 --> 1:19:11.760
<v Speaker 4>Surf City, Jan and Dean correct walk like a man

1:19:12.760 --> 1:19:18.280
<v Speaker 4>the Frankie Valley in the Four Seasons. Yeah thereue that move,

1:19:18.400 --> 1:19:23.120
<v Speaker 4>baby move j okay correct, proud of you, Thank you,

1:19:24.400 --> 1:19:27.880
<v Speaker 4>j Justin Now that's when I thought would get you guys.

1:19:28.000 --> 1:19:29.280
<v Speaker 4>But you've got it well.

1:19:31.120 --> 1:19:34.240
<v Speaker 10>Two more ago now, just concentrating missing, there's going to

1:19:34.280 --> 1:19:36.719
<v Speaker 10>be one hundred percent got news in thirty seconds, fifty

1:19:36.760 --> 1:19:41.080
<v Speaker 10>five days of peaking rob ee G and Royal Telephone,

1:19:41.680 --> 1:19:42.920
<v Speaker 10>Jimmy little one hundred percent.

1:19:43.040 --> 1:19:43.759
<v Speaker 4>Well done, boys.

1:19:44.240 --> 1:19:47.640
<v Speaker 10>I loved Helen Shapiro and I love no trespassing and.

1:19:47.680 --> 1:19:50.640
<v Speaker 4>We love you Kevin, thank you for all you do.

1:19:50.640 --> 1:19:52.800
<v Speaker 4>Where we're going next would come with me to nineteen

1:19:52.880 --> 1:20:00.880
<v Speaker 4>fifty five. Beautiful as.

1:20:13.240 --> 1:20:19.480
<v Speaker 5>Memory's pressed between the pages, of my mind.

1:20:24.200 --> 1:20:24.639
<v Speaker 4>Memory.

1:20:25.880 --> 1:20:35.920
<v Speaker 5>He's Sweden through the ages, just like what quiet thoughts

1:20:36.040 --> 1:20:38.600
<v Speaker 5>come floating down and subtle.

1:20:38.360 --> 1:20:42.200
<v Speaker 17>Softly through the ground, like gold hornab.

1:20:41.880 --> 1:20:43.479
<v Speaker 3>Leaves around if.

1:20:45.720 --> 1:20:49.360
<v Speaker 5>I touched them and they burst of by Elvis kicks

1:20:49.360 --> 1:20:51.360
<v Speaker 5>off this hour. Remember when on three A w this

1:20:51.840 --> 1:20:53.680
<v Speaker 5>first of Jane, though I pinched punch first of the

1:20:53.720 --> 1:20:57.120
<v Speaker 5>month and all that first I winter has begun pretty

1:20:57.200 --> 1:20:59.560
<v Speaker 5>miles so far. I can't complain, Yes, but I have

1:20:59.680 --> 1:21:02.200
<v Speaker 5>had the electric blanket on a few times. Yes, switched

1:21:02.280 --> 1:21:04.200
<v Speaker 5>on last week. I think for the first time for

1:21:04.320 --> 1:21:08.640
<v Speaker 5>this year, we've got a power packed rather sad hour. Unfortunately,

1:21:08.960 --> 1:21:12.360
<v Speaker 5>because in case you haven't heard, the great late singer

1:21:12.720 --> 1:21:16.799
<v Speaker 5>Melbourne singer, so many dancers, so many TV appearances, Marcy

1:21:16.920 --> 1:21:18.680
<v Speaker 5>Jones of Marsi and the cookies and all the other

1:21:18.760 --> 1:21:22.800
<v Speaker 5>things she's manifested herself in passed away last night. I'm

1:21:22.880 --> 1:21:26.120
<v Speaker 5>right out, Yes, I believe it was yesterday. Yes, And

1:21:26.920 --> 1:21:29.240
<v Speaker 5>a great friend of hers, a great booster and mentor

1:21:29.640 --> 1:21:33.840
<v Speaker 5>of Marsy's, Normy Row, wanted to pay tribute, and we'll

1:21:33.840 --> 1:21:38.120
<v Speaker 5>be doing so very shortly on this station and also

1:21:38.240 --> 1:21:40.439
<v Speaker 5>later on the Morven Purpose and happy and note will

1:21:40.479 --> 1:21:42.559
<v Speaker 5>be with us with his quick with the quick quiz

1:21:42.800 --> 1:21:45.280
<v Speaker 5>is quick quiz, and of course your calls will get

1:21:45.320 --> 1:21:45.720
<v Speaker 5>those all in.

1:21:46.200 --> 1:21:49.720
<v Speaker 4>But we've also got this too, the montage. We'll get

1:21:49.760 --> 1:21:51.519
<v Speaker 4>this out of the way very quickly here. So what

1:21:51.600 --> 1:21:53.040
<v Speaker 4>we want you to do is take part in this.

1:21:53.120 --> 1:21:56.320
<v Speaker 4>We're going to play a montage of songs. Each of

1:21:56.439 --> 1:22:00.080
<v Speaker 4>these songs. Excuse me, I get emotional talking about at

1:22:00.120 --> 1:22:04.920
<v Speaker 4>the montage. Each of these songs were a hit in

1:22:05.000 --> 1:22:07.800
<v Speaker 4>the charts in one particular year. They were all collectively

1:22:08.120 --> 1:22:10.599
<v Speaker 4>hits in one particular year. We don't ask the year

1:22:10.640 --> 1:22:12.320
<v Speaker 4>the songs were released, because some of them will have

1:22:12.400 --> 1:22:15.760
<v Speaker 4>been released the year before. But once you know what

1:22:16.000 --> 1:22:18.280
<v Speaker 4>year all of these songs were together in the charts,

1:22:18.720 --> 1:22:21.320
<v Speaker 4>shoot us a text on zero four double seven six

1:22:21.520 --> 1:22:23.400
<v Speaker 4>nine three six nine three, and we'll read out the

1:22:23.479 --> 1:22:25.320
<v Speaker 4>first ten who correctly guess.

1:22:25.800 --> 1:23:40.720
<v Speaker 26>Should we have Let's begets.

1:23:05.960 --> 1:23:13.880
<v Speaker 3>Cos you.

1:23:17.720 --> 1:23:19.240
<v Speaker 8>Is it a place.

1:23:23.280 --> 1:23:56.920
<v Speaker 1>And you know study you are an agent. You are

1:23:57.040 --> 1:23:57.759
<v Speaker 1>an agent.

1:23:59.400 --> 1:24:05.160
<v Speaker 9>Stuf it sudden word it's going sometimes. I'm just saying.

1:24:07.840 --> 1:24:08.719
<v Speaker 3>That's a power.

1:24:10.920 --> 1:24:13.200
<v Speaker 22>They have you in the side.

1:24:13.600 --> 1:24:14.680
<v Speaker 5>Pas come to.

1:24:30.640 --> 1:24:31.200
<v Speaker 8>You, don't you?

1:24:38.720 --> 1:24:45.200
<v Speaker 4>I got you big, I got you bick can you fucking.

1:24:57.200 --> 1:24:58.599
<v Speaker 8>We got fo this song.

1:24:58.840 --> 1:25:02.879
<v Speaker 4>My grid, got some kitchens, the lever.

1:25:04.360 --> 1:25:08.000
<v Speaker 9>And a watch all my love.

1:25:09.200 --> 1:25:14.080
<v Speaker 29>It's a band the live by Gods, away.

1:25:15.240 --> 1:25:20.280
<v Speaker 9>One night and back up to the world. The most

1:25:20.479 --> 1:25:24.800
<v Speaker 9>temples but themple say it's nearly time.

1:25:25.120 --> 1:25:25.960
<v Speaker 8>We will leave them.

1:25:29.400 --> 1:25:31.679
<v Speaker 12>We'll have one more on the road.

1:25:35.840 --> 1:25:40.680
<v Speaker 9>Don't me nothing, see.

1:25:42.240 --> 1:25:44.360
<v Speaker 1>Not get shanigh yourself.

1:25:45.080 --> 1:25:46.160
<v Speaker 8>Because you have him.

1:25:47.280 --> 1:25:49.759
<v Speaker 10>Some grasses had.

1:26:04.840 --> 1:26:06.679
<v Speaker 5>To be ten feel it too.

1:26:06.920 --> 1:26:08.280
<v Speaker 26>It didn't feel it too.

1:26:09.120 --> 1:26:13.280
<v Speaker 1>Feel that he's a guy.

1:26:18.840 --> 1:26:20.120
<v Speaker 16>Coming soon.

1:26:21.760 --> 1:26:23.040
<v Speaker 1>It's in the state.

1:26:24.880 --> 1:26:27.000
<v Speaker 8>The US was.

1:26:28.840 --> 1:26:56.200
<v Speaker 9>The US USA, the US bills PiZZ together.

1:26:57.320 --> 1:27:32.519
<v Speaker 4>When what a great song. Models. We spoke to Kate

1:27:32.600 --> 1:27:34.160
<v Speaker 4>Sobrano earlier, we.

1:27:34.240 --> 1:27:36.160
<v Speaker 5>Did today, and what a pleasure it was to speak

1:27:36.160 --> 1:27:36.280
<v Speaker 5>to it.

1:27:36.360 --> 1:27:38.960
<v Speaker 4>Who did vocals with them? With Models? I was going

1:27:39.000 --> 1:27:41.280
<v Speaker 4>to say the Models, But the band was called Models.

1:27:41.400 --> 1:27:44.080
<v Speaker 5>Yes, that's right. That became a bit piss at one point,

1:27:44.160 --> 1:27:46.800
<v Speaker 5>didn't it. You've never had bands called I mean, in

1:27:46.840 --> 1:27:48.920
<v Speaker 5>the fifties and sixties it was the Beatles, the Stones

1:27:48.960 --> 1:27:50.760
<v Speaker 5>and the Diamonds. Whatever. Look, I tell you, by the

1:27:50.800 --> 1:27:53.559
<v Speaker 5>time we get to the seventies and eighties, just one

1:27:53.640 --> 1:27:54.880
<v Speaker 5>word for the band.

1:27:55.040 --> 1:27:57.880
<v Speaker 4>I keep a list of talkback topics and I've got

1:27:57.920 --> 1:28:01.559
<v Speaker 4>a particular sub section of music later talkback topics. I'm

1:28:01.640 --> 1:28:03.479
<v Speaker 4>going to add I might do it. I might do

1:28:03.520 --> 1:28:05.800
<v Speaker 4>it in mid dawns. So bands with.

1:28:06.120 --> 1:28:13.280
<v Speaker 5>The in the title, it'll go on all night? Fair enough.

1:28:14.600 --> 1:28:17.439
<v Speaker 4>Anyway, So do you want to have a stab Andrew

1:28:17.520 --> 1:28:17.880
<v Speaker 4>at what?

1:28:18.040 --> 1:28:18.320
<v Speaker 19>You know?

1:28:18.439 --> 1:28:21.479
<v Speaker 5>It's eighties and I've got the mid eighties eighty four,

1:28:21.600 --> 1:28:22.160
<v Speaker 5>five or six?

1:28:22.520 --> 1:28:25.320
<v Speaker 4>Yeah, well, butt in the middle eighty five is exactly right.

1:28:25.400 --> 1:28:26.040
<v Speaker 4>Well done to you.

1:28:26.479 --> 1:28:27.799
<v Speaker 5>Where the world was the giveaway?

1:28:28.000 --> 1:28:28.840
<v Speaker 4>It is a bit, isn't it?

1:28:28.960 --> 1:28:29.160
<v Speaker 27>Yeah?

1:28:29.280 --> 1:28:29.320
<v Speaker 10>That?

1:28:29.640 --> 1:28:31.240
<v Speaker 4>And do they know it's Christmas? Both of them in

1:28:31.280 --> 1:28:35.679
<v Speaker 4>that one? Yeah, one inspired the other. Ashley if East

1:28:35.720 --> 1:28:38.840
<v Speaker 4>Doncaster was first to correctly guess well done. Susie of

1:28:38.960 --> 1:28:42.719
<v Speaker 4>karen Beach was second, Andrew of Dandy, Noong, Rachel and Kilmore.

1:28:42.840 --> 1:28:46.439
<v Speaker 4>All the regulars are here, Michael in Sorrento, Rob of Richmond,

1:28:46.840 --> 1:28:50.840
<v Speaker 4>Chris in Adelaide, Goico of Mount Waverley, John of Packenham

1:28:51.040 --> 1:28:54.479
<v Speaker 4>and Pierre from Seaford. Well done to the you guys.

1:28:54.520 --> 1:28:57.559
<v Speaker 4>You were the first ten out of dozens upon dozens

1:28:57.600 --> 1:28:58.599
<v Speaker 4>who correctly guess night.

1:28:58.800 --> 1:29:02.000
<v Speaker 5>And of course we know because a listeners and Uncle

1:29:02.080 --> 1:29:04.519
<v Speaker 5>Andy and Uncle Simon know that you haven't cheated and

1:29:04.640 --> 1:29:07.720
<v Speaker 5>gone to your Google machinery, no to established that.

1:29:07.840 --> 1:29:11.120
<v Speaker 4>Year, and you haven't. You haven't made lists of of

1:29:11.960 --> 1:29:14.320
<v Speaker 4>of what all the montages are that because this is

1:29:14.400 --> 1:29:16.240
<v Speaker 4>the third time round we've done the montages.

1:29:17.960 --> 1:29:19.720
<v Speaker 5>I think you've got to change the montages. Well, I

1:29:19.760 --> 1:29:22.200
<v Speaker 5>think there's got to be another. I've got an idea

1:29:22.800 --> 1:29:24.000
<v Speaker 5>or one or two ideas about that.

1:29:24.840 --> 1:29:28.120
<v Speaker 4>No not, We'll have a production meeting.

1:29:28.439 --> 1:29:29.800
<v Speaker 5>Oh yeah, midnight. I can't wait.

1:29:30.040 --> 1:29:32.920
<v Speaker 4>I'll let the boss now, I'll get beers in. All right,

1:29:33.240 --> 1:29:35.840
<v Speaker 4>now a break? And then, as Andrew mentioned at the

1:29:35.880 --> 1:29:38.600
<v Speaker 4>top of the are very sadly we have lost a

1:29:38.720 --> 1:29:42.000
<v Speaker 4>great a great performer, and another great performer will be

1:29:42.040 --> 1:29:43.040
<v Speaker 4>paying tribute after this.

1:29:43.800 --> 1:29:46.040
<v Speaker 5>It's nineteen past eleven on Remember when a bit of

1:29:46.080 --> 1:29:48.719
<v Speaker 5>a sad time for us to light a year, Remember

1:29:48.720 --> 1:29:52.040
<v Speaker 5>when some particularly those listening of course in Melbourne, because

1:29:52.479 --> 1:29:56.920
<v Speaker 5>we lost Marcy Jones just last night, and she was

1:29:56.960 --> 1:29:58.880
<v Speaker 5>so much a part of the Melbourne music scene for

1:29:59.120 --> 1:30:01.400
<v Speaker 5>so many years with Marsy and the Cookies, and of

1:30:01.439 --> 1:30:04.560
<v Speaker 5>course as a solo actually tour overseas. She's sang on

1:30:04.720 --> 1:30:07.439
<v Speaker 5>just about every TV show and one of her great mentors,

1:30:07.479 --> 1:30:10.280
<v Speaker 5>and one of her great friends along the journey was

1:30:10.320 --> 1:30:12.920
<v Speaker 5>a man we speak to next normally wrote, very good evening,

1:30:12.960 --> 1:30:15.280
<v Speaker 5>and thank you for making time normally a very emotional

1:30:15.360 --> 1:30:15.720
<v Speaker 5>time for you.

1:30:16.680 --> 1:30:19.920
<v Speaker 15>Thanks for mass fellows. It's I wish I could say

1:30:19.960 --> 1:30:22.760
<v Speaker 15>it was a pleasure. It's just such a and to

1:30:22.840 --> 1:30:26.200
<v Speaker 15>talk to you guys as always is. But you know,

1:30:26.280 --> 1:30:28.439
<v Speaker 15>I wish none of us had to deal with these

1:30:28.560 --> 1:30:32.160
<v Speaker 15>sorts of situations. It's a bit heartbreaking, I guess to

1:30:32.240 --> 1:30:32.800
<v Speaker 15>all of us.

1:30:34.120 --> 1:30:37.040
<v Speaker 4>It is, of course, but especially to you normal because

1:30:37.080 --> 1:30:39.479
<v Speaker 4>it's not not like you guys met up in your

1:30:39.560 --> 1:30:42.759
<v Speaker 4>fifties or something and developed a friendship and a reunion

1:30:42.880 --> 1:30:46.080
<v Speaker 4>console or something. How long How long ago did you

1:30:46.200 --> 1:30:48.360
<v Speaker 4>actually meet Marcy for the first time.

1:30:49.000 --> 1:30:53.120
<v Speaker 15>Well, I'm seventy eight and I think I was fourteen

1:30:53.200 --> 1:30:56.559
<v Speaker 15>when I first met mars. Yeah, she at that stage

1:30:56.720 --> 1:31:01.479
<v Speaker 15>was singing at Preston Town Hall and I, or a

1:31:01.520 --> 1:31:05.639
<v Speaker 15>couple of couple of years earlier, I started singing there

1:31:05.760 --> 1:31:10.680
<v Speaker 15>and with our paths crossed, and then she recorded for

1:31:11.400 --> 1:31:16.320
<v Speaker 15>Sunshine Records before the Playboys and me. She recorded a

1:31:16.439 --> 1:31:20.280
<v Speaker 15>song called Quiet, a really nice song, but unfortunately it

1:31:20.400 --> 1:31:26.920
<v Speaker 15>didn't quite make it and then when we had it

1:31:27.040 --> 1:31:31.439
<v Speaker 15>an't necessarily so we went on tour, but we we

1:31:32.479 --> 1:31:36.760
<v Speaker 15>Marcy and I suppose a few other singers around at

1:31:36.800 --> 1:31:41.959
<v Speaker 15>the same time were singing regularly advances together in Melbourne,

1:31:42.360 --> 1:31:47.720
<v Speaker 15>but the package was generally norm Ro Marcy Jones and

1:31:47.800 --> 1:31:53.679
<v Speaker 15>the Playboys, so it was a nice, rounded, rounded off package.

1:31:53.880 --> 1:31:58.000
<v Speaker 15>And we played every town with a population of more

1:31:58.080 --> 1:32:02.200
<v Speaker 15>than two thousand, and some with populations of less, and well,

1:32:02.840 --> 1:32:06.479
<v Speaker 15>I think at the time Charlton in Central Victoria only

1:32:06.600 --> 1:32:09.640
<v Speaker 15>had only had a population of a thousand. We got

1:32:09.760 --> 1:32:10.880
<v Speaker 15>six hundred kids in me.

1:32:12.960 --> 1:32:15.120
<v Speaker 30>Marvelous so and Marcy.

1:32:15.960 --> 1:32:21.040
<v Speaker 15>Marcy was really really funny. The girls will be crawling

1:32:21.120 --> 1:32:25.639
<v Speaker 15>out for me and for Peter Doyle, who was also

1:32:26.800 --> 1:32:31.639
<v Speaker 15>gaining some traction funnily, and the kids, the girls were

1:32:31.680 --> 1:32:33.960
<v Speaker 15>all crawling out for us. And she'd stand up and say,

1:32:34.120 --> 1:32:40.360
<v Speaker 15>now listen, girls, now listen. I'm on first and I'm

1:32:40.400 --> 1:32:42.560
<v Speaker 15>going to sing all of my songs and you're not

1:32:42.640 --> 1:32:45.880
<v Speaker 15>going to see these boys until I've finished, so you

1:32:46.080 --> 1:32:48.280
<v Speaker 15>might as well just put up with it with me.

1:32:49.520 --> 1:32:50.280
<v Speaker 17>And she had that.

1:32:52.040 --> 1:32:55.560
<v Speaker 15>Sort of powerful presence right from that time on, and

1:32:57.240 --> 1:33:03.559
<v Speaker 15>in fact, only two weeks ago I had the lovely

1:33:05.160 --> 1:33:09.960
<v Speaker 15>experience of interviewing Mass and the go set lunch that

1:33:10.120 --> 1:33:13.720
<v Speaker 15>we have on the Gold Coast once a month, and

1:33:13.880 --> 1:33:18.320
<v Speaker 15>she was the person of interest, if you like, and

1:33:19.240 --> 1:33:21.800
<v Speaker 15>a lot of people said it was the funniest and

1:33:21.960 --> 1:33:30.640
<v Speaker 15>the most entertaining interview that that they'd seen at that

1:33:30.840 --> 1:33:38.040
<v Speaker 15>function ever, And I guess it was because I knew

1:33:38.160 --> 1:33:41.519
<v Speaker 15>all her backstories, and when she went on to the

1:33:41.560 --> 1:33:47.120
<v Speaker 15>ones that couldn't mention, I just kept changing the subject, nor.

1:33:47.080 --> 1:33:49.080
<v Speaker 5>Meal I don't. It's not a not a secret. You

1:33:49.160 --> 1:33:51.599
<v Speaker 5>were in a relationship with Marsia at one particular point,

1:33:52.120 --> 1:33:55.680
<v Speaker 5>and it was at that time you were called up

1:33:55.720 --> 1:33:57.040
<v Speaker 5>and went to Vietnam, wasn't it.

1:33:57.760 --> 1:34:01.760
<v Speaker 15>Yeah, that's right. In fact that stage we were engaged,

1:34:01.880 --> 1:34:05.000
<v Speaker 15>we were going to get married. I went off to Vietnam,

1:34:05.120 --> 1:34:09.000
<v Speaker 15>she went off to England, and I guess we sort

1:34:09.000 --> 1:34:12.960
<v Speaker 15>of drifted apart during that period of time, but we

1:34:13.080 --> 1:34:17.919
<v Speaker 15>stayed friends full life. I saw her in the hospital

1:34:19.040 --> 1:34:23.680
<v Speaker 15>last week, and it was in fact last Sunday, and

1:34:24.000 --> 1:34:27.960
<v Speaker 15>we just thought that, well, what she's dealing with is

1:34:28.040 --> 1:34:31.400
<v Speaker 15>pretty pretty hard. At that stage, she hadn't been diagnosed

1:34:31.439 --> 1:34:36.439
<v Speaker 15>with the leukemia, which eventually I guess took a life.

1:34:36.560 --> 1:34:37.720
<v Speaker 5>But she.

1:34:39.439 --> 1:34:44.120
<v Speaker 15>Was in good spirits, nevertheless obviously not feeling very well.

1:34:45.080 --> 1:34:49.320
<v Speaker 15>And it was quite a It was quite a shock

1:34:49.680 --> 1:34:54.680
<v Speaker 15>when Murray phoned me last night and said, Marcy has

1:34:54.800 --> 1:34:59.439
<v Speaker 15>just left the building. And really, for an entertainer to

1:34:59.560 --> 1:35:03.680
<v Speaker 15>be masters just leaving the building, I think that's the

1:35:03.720 --> 1:35:07.240
<v Speaker 15>way that all of any of us have trod the boards,

1:35:07.280 --> 1:35:07.680
<v Speaker 15>as it were.

1:35:08.120 --> 1:35:08.800
<v Speaker 26>Would like to.

1:35:08.840 --> 1:35:12.080
<v Speaker 15>Say, you know, our last farewell's.

1:35:12.240 --> 1:35:15.360
<v Speaker 4>It is a beautiful expression, isn't it In terms of

1:35:16.640 --> 1:35:19.519
<v Speaker 4>entertainers when they pass that, it's very fitting.

1:35:20.400 --> 1:35:20.599
<v Speaker 20>Yeah.

1:35:21.520 --> 1:35:25.200
<v Speaker 15>And Mass, you know, they sail like you know, you

1:35:25.320 --> 1:35:26.960
<v Speaker 15>put your hand in a bucket of water. When you

1:35:27.000 --> 1:35:29.640
<v Speaker 15>pull it out, what's left? Well, I think if you

1:35:29.840 --> 1:35:31.439
<v Speaker 15>if you put Mass in a bucket of water, it

1:35:31.479 --> 1:35:33.439
<v Speaker 15>pulled it out, you leave it a dirty, big hole

1:35:33.600 --> 1:35:38.080
<v Speaker 15>that would never ever be filled. Her personality was much

1:35:38.160 --> 1:35:41.360
<v Speaker 15>greater than the sum of of all the different parts

1:35:42.400 --> 1:35:42.720
<v Speaker 15>she was.

1:35:43.080 --> 1:35:46.280
<v Speaker 5>She lit up the room normally. How much family? What

1:35:46.840 --> 1:35:49.920
<v Speaker 5>family did she have? I'm not that familiar with her

1:35:49.960 --> 1:35:51.439
<v Speaker 5>personal life, No.

1:35:51.600 --> 1:35:51.920
<v Speaker 6>She was.

1:35:52.439 --> 1:35:58.160
<v Speaker 15>She was an only child of George and Wynny. She

1:35:58.280 --> 1:36:02.360
<v Speaker 15>grew up just at the bottom of the Station Street

1:36:02.560 --> 1:36:07.000
<v Speaker 15>in box Hill, where Station Street and Intersex with tram

1:36:07.120 --> 1:36:12.200
<v Speaker 15>road and just it's now the next house along from

1:36:12.280 --> 1:36:16.120
<v Speaker 15>the freeway, and it was built by George. He was

1:36:16.160 --> 1:36:20.800
<v Speaker 15>a builder and he was a lovely gentleman and Wynn

1:36:20.960 --> 1:36:25.680
<v Speaker 15>was a sweet lady, you know. And I think they

1:36:25.760 --> 1:36:29.280
<v Speaker 15>were able to give Marcel the opportunities that she wanted,

1:36:29.439 --> 1:36:32.960
<v Speaker 15>and the big opportunity for her was to be a singer.

1:36:33.120 --> 1:36:36.160
<v Speaker 15>That's what she wanted, and she learned very well. She

1:36:36.280 --> 1:36:40.280
<v Speaker 15>was a very fine singer, and later in later years

1:36:40.360 --> 1:36:42.680
<v Speaker 15>she became a very good songwriter as well.

1:36:43.360 --> 1:36:46.760
<v Speaker 5>Yeah, very musically talented. I only well as a kid.

1:36:46.800 --> 1:36:49.360
<v Speaker 5>I only knew as a singing the latest pop songs.

1:36:49.640 --> 1:36:51.639
<v Speaker 5>But I didn't realize she had a great ballad voice

1:36:51.640 --> 1:36:52.439
<v Speaker 5>as well too.

1:36:52.880 --> 1:36:56.439
<v Speaker 15>Normally, yeah, oh yeah, she could sing any of the

1:36:56.520 --> 1:37:00.280
<v Speaker 15>big ballads of the day, from Silly Black and and

1:37:00.400 --> 1:37:03.360
<v Speaker 15>Dusty Springfield and Dian Warwick. She would do all of

1:37:03.439 --> 1:37:07.400
<v Speaker 15>those songs. But I found a song by Patti LaBelle

1:37:07.439 --> 1:37:10.360
<v Speaker 15>when I was in England, a version of Somewhere Over

1:37:10.400 --> 1:37:13.680
<v Speaker 15>the Rainbow, which made the hair stand up on the

1:37:13.720 --> 1:37:15.800
<v Speaker 15>back of my neck, and I sent it to her

1:37:15.840 --> 1:37:17.960
<v Speaker 15>and I said, haven't listened to this? I think you

1:37:18.040 --> 1:37:22.320
<v Speaker 15>and the girls should you could do a fantastic version

1:37:22.360 --> 1:37:27.280
<v Speaker 15>of it, And of course they did, and they actually met.

1:37:27.439 --> 1:37:30.200
<v Speaker 15>They were on a bill with Patti LaBelle and the

1:37:30.240 --> 1:37:38.040
<v Speaker 15>Bluebells and they were talking about the song, and I think,

1:37:38.439 --> 1:37:43.160
<v Speaker 15>as far as I can remember, they I think Patti

1:37:43.240 --> 1:37:49.400
<v Speaker 15>Labella actually heard Marcy sing this arrangement and gave them,

1:37:49.880 --> 1:37:53.880
<v Speaker 15>gave the girls a wonderful compliment. But it wasn't just

1:37:53.960 --> 1:38:00.559
<v Speaker 15>Patti LaBelle. She toured with Cliff Richard extensively. She toured

1:38:00.600 --> 1:38:04.599
<v Speaker 15>with Jean Pitney, and of course most of the time

1:38:04.680 --> 1:38:09.759
<v Speaker 15>with the Cookies, who were a very fine sister trio.

1:38:10.760 --> 1:38:16.719
<v Speaker 15>And you know, in history, one of the great shames,

1:38:17.120 --> 1:38:19.400
<v Speaker 15>I suppose, is that they never really had a big

1:38:19.560 --> 1:38:22.280
<v Speaker 15>number one record, because I think that would have been

1:38:22.760 --> 1:38:24.200
<v Speaker 15>the duel in the Crown for them.

1:38:25.680 --> 1:38:30.320
<v Speaker 4>You mentioned the Cookies, Beverly, Margaret, and Wendy. Have you

1:38:30.680 --> 1:38:34.080
<v Speaker 4>spoken to any of them in the last forty eight

1:38:34.200 --> 1:38:35.439
<v Speaker 4>hours or Yeah.

1:38:35.560 --> 1:38:39.639
<v Speaker 15>I spoke to Maggie not long after I heard from Murray,

1:38:39.720 --> 1:38:47.320
<v Speaker 15>and she already had she'd heard from Murray and she

1:38:47.479 --> 1:38:50.640
<v Speaker 15>was passing it on to the girls. Of course, you know,

1:38:51.520 --> 1:38:54.680
<v Speaker 15>it went around like wildfire. I mean, I don't know

1:38:55.280 --> 1:38:58.720
<v Speaker 15>where too many people know. But we've got this sort

1:38:58.720 --> 1:39:01.679
<v Speaker 15>of it's almost like a fan that get together every

1:39:01.760 --> 1:39:04.519
<v Speaker 15>Thursday night at a suburban hotel and every time I'm

1:39:04.560 --> 1:39:07.479
<v Speaker 15>in Melbourne, I go to this dinner where we go

1:39:07.600 --> 1:39:10.840
<v Speaker 15>and have a lovely dinner in a hotel restaurant and

1:39:11.439 --> 1:39:14.439
<v Speaker 15>we talk about what we're doing today, what we're going

1:39:14.479 --> 1:39:17.080
<v Speaker 15>to be doing tomorrow, but moreover, what we what we've

1:39:17.160 --> 1:39:20.839
<v Speaker 15>done in the past, and any of the the incant

1:39:21.120 --> 1:39:25.439
<v Speaker 15>instances that we might have missed of each other's life.

1:39:25.560 --> 1:39:28.880
<v Speaker 15>So we were right, okay, it's sort of it's it's

1:39:29.160 --> 1:39:29.759
<v Speaker 15>like a family.

1:39:30.560 --> 1:39:33.800
<v Speaker 5>This is the people those artists involved with the Go

1:39:34.000 --> 1:39:37.200
<v Speaker 5>Show and TV like that that you're talking about normally.

1:39:36.920 --> 1:39:42.639
<v Speaker 15>Are you, yes, and people from people musicians. Quite often

1:39:42.680 --> 1:39:46.160
<v Speaker 15>we see the original members of the Playboys, and there

1:39:46.200 --> 1:39:49.559
<v Speaker 15>are a number of other I mean, last week, cash

1:39:49.640 --> 1:39:53.160
<v Speaker 15>Back cash Backman arrived at this dinner just out of

1:39:53.200 --> 1:39:57.960
<v Speaker 15>the blue. That was lovely, and we see a number

1:39:58.000 --> 1:40:01.920
<v Speaker 15>of a number of singers pop in and it's open

1:40:02.200 --> 1:40:06.640
<v Speaker 15>to anybody who's in the business to come along, but

1:40:07.360 --> 1:40:11.439
<v Speaker 15>we like it to be the people we know most

1:40:11.479 --> 1:40:14.479
<v Speaker 15>of all, we've traveled our life with, you know, so

1:40:15.720 --> 1:40:20.400
<v Speaker 15>it's good to have that wonderful personal connection with people

1:40:20.479 --> 1:40:23.160
<v Speaker 15>who have shared the sort of things that we've shared.

1:40:23.880 --> 1:40:26.360
<v Speaker 4>Well, the next one will no doubt be a more

1:40:26.439 --> 1:40:27.920
<v Speaker 4>somber occasion, I would think.

1:40:29.120 --> 1:40:33.320
<v Speaker 15>I'm sure it will be, but I think there will

1:40:33.360 --> 1:40:40.120
<v Speaker 15>be a lot of very funny stories. You know, Marty

1:40:40.320 --> 1:40:41.759
<v Speaker 15>was never short of giving advice.

1:40:44.680 --> 1:40:45.880
<v Speaker 5>Oh how very diplomatic.

1:40:48.920 --> 1:40:52.000
<v Speaker 15>And her favorite line is you know what you should do?

1:40:54.520 --> 1:40:58.080
<v Speaker 15>And I go, oh, no, here we go again, bloody.

1:40:58.120 --> 1:41:00.360
<v Speaker 8>Hell uh.

1:41:00.880 --> 1:41:03.240
<v Speaker 5>It's a wonderful character. We had the pleasure of interviewing her.

1:41:03.320 --> 1:41:04.479
<v Speaker 5>How long ago was it, Simon?

1:41:04.560 --> 1:41:07.320
<v Speaker 4>That was the first week of March, so only three

1:41:07.400 --> 1:41:07.840
<v Speaker 4>months ago.

1:41:07.920 --> 1:41:08.040
<v Speaker 20>Now.

1:41:08.080 --> 1:41:09.560
<v Speaker 5>It just brought us about that, and you and I

1:41:09.760 --> 1:41:11.880
<v Speaker 5>at the end of the interview said, what a character,

1:41:12.040 --> 1:41:15.080
<v Speaker 5>isn't she wonderful? Yeah, neither of I know if she

1:41:15.240 --> 1:41:17.560
<v Speaker 5>never met her, I haven't ever said on TV the

1:41:17.640 --> 1:41:18.400
<v Speaker 5>same with you, Simon.

1:41:18.479 --> 1:41:20.479
<v Speaker 4>Now I've met the cookies, but I haven't met Mars.

1:41:20.560 --> 1:41:23.080
<v Speaker 5>And that's funny. Yes, it's a releasure.

1:41:23.880 --> 1:41:26.479
<v Speaker 15>I really think she's the only woman I've ever known

1:41:26.560 --> 1:41:28.559
<v Speaker 15>to be able to kick start a space shuttle.

1:41:31.080 --> 1:41:33.479
<v Speaker 5>Well said, I think we almost to go out on

1:41:33.600 --> 1:41:36.280
<v Speaker 5>that Norman Row. Thank you very much for a very

1:41:36.320 --> 1:41:38.840
<v Speaker 5>emotional time, for your a very sad time making some

1:41:38.960 --> 1:41:41.800
<v Speaker 5>time available. As I said earlier, but it is appreciated.

1:41:42.680 --> 1:41:45.280
<v Speaker 15>Thank you very much for helping Melbourne remember a very

1:41:45.360 --> 1:41:45.960
<v Speaker 15>foreign lady.

1:41:46.320 --> 1:41:48.360
<v Speaker 4>Good on you nor me. That's Normy Roe.

1:42:08.760 --> 1:42:09.920
<v Speaker 8>Where Mark.

1:42:17.280 --> 1:42:19.160
<v Speaker 19>Left that.

1:42:38.960 --> 1:42:46.960
<v Speaker 4>Scary half an hour? An hour for your calls? One

1:42:47.000 --> 1:42:49.479
<v Speaker 4>double three six ninety three anything you want to chat about?

1:42:49.640 --> 1:42:52.200
<v Speaker 4>Did you ever go and see Marcy and the Cookies live?

1:42:52.479 --> 1:42:54.679
<v Speaker 5>I did once at a pub. Yes, well I didn't,

1:42:55.040 --> 1:42:57.280
<v Speaker 5>to be honest, I didn't specially go along because I

1:42:57.479 --> 1:42:58.880
<v Speaker 5>was with a group of people. They wanted to go

1:42:58.960 --> 1:43:01.960
<v Speaker 5>along and any it was great. Did a great cabaret

1:43:02.080 --> 1:43:06.120
<v Speaker 5>night somewhere. I can't remember you you forget there're all

1:43:06.200 --> 1:43:07.880
<v Speaker 5>beer Barnes one of those sort of places you know,

1:43:07.920 --> 1:43:09.960
<v Speaker 5>were long tables with drugs down them.

1:43:09.960 --> 1:43:11.599
<v Speaker 4>And once you've had a few in you you don't

1:43:11.600 --> 1:43:18.880
<v Speaker 4>even remember which I was blond. I wonder if people listening.

1:43:18.960 --> 1:43:23.880
<v Speaker 4>Did you ever see Marsi one double three six Marsi Jones? Memory?

1:43:23.960 --> 1:43:25.960
<v Speaker 5>I tell you who I saw? Who I? Well, no,

1:43:26.360 --> 1:43:30.040
<v Speaker 5>I didn't think anything of but I really liked after

1:43:30.160 --> 1:43:33.840
<v Speaker 5>I saw that was Debra Bert, Debbie Burn, Debbie Burn. Yeah, man,

1:43:33.920 --> 1:43:36.479
<v Speaker 5>when I saw once at a at a function again

1:43:37.680 --> 1:43:39.280
<v Speaker 5>it was it wasn't really a wedding. I don't know

1:43:39.320 --> 1:43:42.560
<v Speaker 5>what it was. I'm sitting the table. This girl is fantastic.

1:43:43.160 --> 1:43:46.000
<v Speaker 5>She was just heart and soul into every song.

1:43:46.960 --> 1:43:50.080
<v Speaker 4>I saw her at Caper's and she was fabulous. Yeah,

1:43:50.160 --> 1:43:53.479
<v Speaker 4>great show, intimate venue it was, but so she was

1:43:53.640 --> 1:43:56.000
<v Speaker 4>like six ft away from me and she was just magnificent.

1:43:56.080 --> 1:43:57.599
<v Speaker 5>That was that place in Hawthorne, wasn't.

1:43:57.479 --> 1:44:00.679
<v Speaker 4>It on the corner on Little Street on the other street.

1:44:00.760 --> 1:44:04.599
<v Speaker 5>That's right, no parking whatsoever. You had to pink about

1:44:04.640 --> 1:44:07.280
<v Speaker 5>three miles away. But it was a good little venue

1:44:07.320 --> 1:44:09.479
<v Speaker 5>and as you said, you got up close and personal. Yeah,

1:44:09.680 --> 1:44:12.080
<v Speaker 5>with the singers. Yes, I saw someone there. Oh I

1:44:12.400 --> 1:44:14.840
<v Speaker 5>was that girl who used to back Johnny Farnham. She

1:44:15.080 --> 1:44:17.680
<v Speaker 5>used to sing behind Johnny Farnham. Vanita Field, No, the

1:44:17.760 --> 1:44:18.760
<v Speaker 5>other one, Lindsay's.

1:44:19.240 --> 1:44:20.560
<v Speaker 4>No, Lindsay's. The bloke.

1:44:22.120 --> 1:44:24.800
<v Speaker 5>Wouldn't for him unless he was feeling a bit different

1:44:24.880 --> 1:44:26.040
<v Speaker 5>that night, Yes, but he was.

1:44:26.560 --> 1:44:31.400
<v Speaker 4>It was who was the other Vanetta? And oh you

1:44:31.520 --> 1:44:33.000
<v Speaker 4>know how embarrassed It doesn't matter.

1:44:33.120 --> 1:44:35.080
<v Speaker 5>She was doing a show there She was really good too.

1:44:35.360 --> 1:44:38.799
<v Speaker 5>But yeah, Billy Capers doesn't continue.

1:44:39.040 --> 1:44:42.280
<v Speaker 4>No, no long Yeah, buildings gone, I think, Yeah, what

1:44:42.400 --> 1:44:45.400
<v Speaker 4>a shame. Yeah, Arthur has called from West footscrage did I?

1:44:45.560 --> 1:44:51.560
<v Speaker 17>Arthur did a Simon and Andrew and then he interviewed

1:44:53.160 --> 1:44:57.360
<v Speaker 17>Kate Brano. Did you know father is too famous karate instructor?

1:44:57.360 --> 1:44:58.880
<v Speaker 17>Who knows my instructor?

1:44:59.120 --> 1:45:01.560
<v Speaker 4>We didn't talk about that, but I was aware that

1:45:01.960 --> 1:45:03.759
<v Speaker 4>her father was a karate expert.

1:45:03.960 --> 1:45:06.760
<v Speaker 17>Yes, I brought it up because I said a lot.

1:45:06.800 --> 1:45:09.160
<v Speaker 17>But I'll get to are you doing bands with being

1:45:09.200 --> 1:45:11.240
<v Speaker 17>the front or anywhere? It's got to be the fun.

1:45:12.120 --> 1:45:15.000
<v Speaker 4>Yeah, well I think in the front I'll do. But

1:45:15.200 --> 1:45:17.559
<v Speaker 4>i'll do that. I'm staying on to fill in again

1:45:17.640 --> 1:45:21.120
<v Speaker 4>for Tony McManus after midnight, so so I'll be doing

1:45:21.200 --> 1:45:22.640
<v Speaker 4>that as a topic. But at at the top of

1:45:22.640 --> 1:45:25.479
<v Speaker 4>the show, I'm going to talk to Gavin Wood again

1:45:25.520 --> 1:45:28.800
<v Speaker 4>about MARSI because we'll be on Relate to five, Double

1:45:28.840 --> 1:45:31.479
<v Speaker 4>A and six PR so it'll be nice to reminisce

1:45:31.520 --> 1:45:34.240
<v Speaker 4>again about MARSI with Gavin, and then it'll be on

1:45:34.400 --> 1:45:40.080
<v Speaker 4>for Young and Old with Calls Reserve. Yeah, hang on

1:45:40.160 --> 1:45:40.360
<v Speaker 4>to it.

1:45:42.240 --> 1:45:44.280
<v Speaker 17>All right. Sorry I didn't know I didn't realise that.

1:45:44.560 --> 1:45:46.560
<v Speaker 4>No, that's right. I didn't make it terribly clear, so

1:45:46.720 --> 1:45:47.800
<v Speaker 4>that's probably my fault.

1:45:49.000 --> 1:45:51.879
<v Speaker 5>Thank you, Arthur, all the best, Justin's and Frankston.

1:45:51.920 --> 1:45:56.800
<v Speaker 30>Hello, Justin, good afternoon, Simon Owen. How are you?

1:45:57.160 --> 1:45:57.360
<v Speaker 4>Yeah?

1:45:57.439 --> 1:45:57.599
<v Speaker 5>Good?

1:45:57.640 --> 1:45:57.920
<v Speaker 4>Thanks?

1:45:59.040 --> 1:45:59.880
<v Speaker 30>Long time no here.

1:46:00.880 --> 1:46:03.120
<v Speaker 4>It's been at least a few days.

1:46:04.520 --> 1:46:07.040
<v Speaker 30>Yeah. Well, I haven't corgious since I've moved up to

1:46:07.120 --> 1:46:07.800
<v Speaker 30>my new house.

1:46:08.280 --> 1:46:11.560
<v Speaker 4>You rang me on Friday morning or Thursday morning and

1:46:11.680 --> 1:46:13.360
<v Speaker 4>told me that you'd moved to Frankston.

1:46:14.439 --> 1:46:18.240
<v Speaker 30>Ah, so I'm getting old of my birthason next month,

1:46:18.400 --> 1:46:19.240
<v Speaker 30>so I'm getting old.

1:46:20.160 --> 1:46:21.280
<v Speaker 20>No. No.

1:46:21.479 --> 1:46:23.479
<v Speaker 30>The reason why I rung is did you any of

1:46:23.560 --> 1:46:26.639
<v Speaker 30>you guys get to watch the Geelong West Coast game?

1:46:27.760 --> 1:46:29.880
<v Speaker 4>Well, Andrew and I, being the footy heads we are,

1:46:31.840 --> 1:46:34.120
<v Speaker 4>didn't quite manage to catch that one. Surprisingly.

1:46:34.400 --> 1:46:35.920
<v Speaker 5>Just are you a Cat supporter.

1:46:37.439 --> 1:46:40.000
<v Speaker 30>Through and through? I've been going for Geelong ever since

1:46:40.120 --> 1:46:41.120
<v Speaker 30>two thousand and four.

1:46:42.200 --> 1:46:44.120
<v Speaker 4>You're like a mini Dennis Walter, aren't you.

1:46:45.479 --> 1:46:45.599
<v Speaker 13>Oh?

1:46:45.840 --> 1:46:48.960
<v Speaker 30>Definitely. But the best thing about being a Geelong supporter

1:46:49.600 --> 1:46:51.639
<v Speaker 30>was that I went to the two thousand and four

1:46:51.800 --> 1:46:54.560
<v Speaker 30>AFL Grand Final when they played Port Adelaide.

1:46:56.640 --> 1:46:59.240
<v Speaker 5>That's right, yes, and they're doing very well this year too,

1:46:59.400 --> 1:47:00.679
<v Speaker 5>of course I've justin.

1:47:01.720 --> 1:47:04.760
<v Speaker 30>Oh definitely. Well they just beat West Coast one hundred

1:47:04.800 --> 1:47:09.120
<v Speaker 30>and twelve to seventy nine, so you know it's and

1:47:09.439 --> 1:47:11.639
<v Speaker 30>it was an easy win because West Coast is still

1:47:11.720 --> 1:47:12.280
<v Speaker 30>on the bottom.

1:47:13.200 --> 1:47:15.720
<v Speaker 5>Well, yes, they're I was actually firing this year. Are

1:47:16.040 --> 1:47:18.320
<v Speaker 5>now justin all the best and thank you for calling in?

1:47:18.600 --> 1:47:21.240
<v Speaker 5>Get on your Justin Karen will be an alterna Meadows,

1:47:21.240 --> 1:47:21.880
<v Speaker 5>Hello Karen.

1:47:22.800 --> 1:47:23.280
<v Speaker 31>Thank guys.

1:47:24.560 --> 1:47:28.599
<v Speaker 32>I can't actually remember that, did I? Do you remember

1:47:28.640 --> 1:47:31.559
<v Speaker 32>the Bank Standing and Ghost Show and all those sort

1:47:31.560 --> 1:47:36.200
<v Speaker 32>of things. Yea even knows a teenager, I meet people

1:47:36.280 --> 1:47:44.480
<v Speaker 32>like little Paddy called Joy, yes as a woman specifically

1:47:44.640 --> 1:47:47.960
<v Speaker 32>who and a little I really like a little Patty

1:47:48.120 --> 1:47:51.240
<v Speaker 32>that she had since Debulous Souls and she was such

1:47:51.280 --> 1:47:56.040
<v Speaker 32>a good singer. A lot of other ones as well,

1:47:56.160 --> 1:47:58.960
<v Speaker 32>of course, and then Johnny Yang came out and then

1:47:59.000 --> 1:48:01.280
<v Speaker 32>you got then You're going to Jennison and.

1:48:02.880 --> 1:48:05.599
<v Speaker 5>Yeah, this is this is sort of shows before Countdown

1:48:05.680 --> 1:48:08.760
<v Speaker 5>became the teenage Music Show. And there used to be

1:48:08.840 --> 1:48:11.120
<v Speaker 5>one on someone helped me give us a call one

1:48:11.160 --> 1:48:12.960
<v Speaker 5>double three, six, nine and three. What was the name

1:48:13.000 --> 1:48:15.880
<v Speaker 5>of the show that Ross Dy Wiley used to compare

1:48:15.960 --> 1:48:18.360
<v Speaker 5>on what was then channel Oh, it was on a

1:48:18.439 --> 1:48:19.280
<v Speaker 5>Saturday morning.

1:48:19.560 --> 1:48:21.040
<v Speaker 4>I think it was the show was it?

1:48:21.280 --> 1:48:21.320
<v Speaker 14>No?

1:48:21.479 --> 1:48:23.040
<v Speaker 8>No, no com.

1:48:25.200 --> 1:48:30.240
<v Speaker 4>Communism, no commotion? Commotion was it was a commotion?

1:48:30.360 --> 1:48:33.120
<v Speaker 5>No commotion? Was on Channel nine? This was on I

1:48:33.240 --> 1:48:35.840
<v Speaker 5>swear on channel Karen vanus Chas, do you remember it?

1:48:36.960 --> 1:48:38.760
<v Speaker 32>It wouldn't be no.

1:48:39.000 --> 1:48:42.960
<v Speaker 5>That came from Sydney and Brian Henderson now Rosty while

1:48:43.120 --> 1:48:45.880
<v Speaker 5>he was a singer and did and compare that and

1:48:46.000 --> 1:48:48.360
<v Speaker 5>he had a big hit with the star a song

1:48:48.400 --> 1:48:50.640
<v Speaker 5>called the Stuff and anyone give us a call if

1:48:50.680 --> 1:48:51.480
<v Speaker 5>you do remember.

1:48:51.240 --> 1:48:53.720
<v Speaker 4>It, someone will know. Whilst we're waiting for answers for that.

1:48:54.080 --> 1:48:57.160
<v Speaker 4>Lisa Edwards was the other singer for John that's the

1:48:57.240 --> 1:49:00.479
<v Speaker 4>girl I saw a Capers Yes and again brilliant. How

1:49:00.520 --> 1:49:03.040
<v Speaker 4>did we How did you forget Lisa Edwards? Sorry about

1:49:03.120 --> 1:49:06.680
<v Speaker 4>those mental blanks? Yes, good on your Karen, thank you

1:49:06.760 --> 1:49:09.320
<v Speaker 4>for the call. Jackson kill Conda good a jack.

1:49:10.880 --> 1:49:11.639
<v Speaker 29>Did I boys?

1:49:11.840 --> 1:49:13.080
<v Speaker 30>I just start my son.

1:49:13.320 --> 1:49:15.960
<v Speaker 15>But my name that I had for the girls singing

1:49:16.040 --> 1:49:17.120
<v Speaker 15>was Nicky Nichols, who.

1:49:17.000 --> 1:49:19.400
<v Speaker 16>Also yeah it was.

1:49:21.720 --> 1:49:25.920
<v Speaker 5>Who was the other girl? Though you mentioned Nicky Nichols,

1:49:26.560 --> 1:49:30.200
<v Speaker 5>I don't remember Lucy Nichols no, Nicky Nichols, Nicky Nichols, No,

1:49:30.280 --> 1:49:30.559
<v Speaker 5>don't know.

1:49:30.720 --> 1:49:31.599
<v Speaker 15>Either way, Nichols.

1:49:33.280 --> 1:49:35.680
<v Speaker 16>And and the show that Ross Wiley was on, I

1:49:35.760 --> 1:49:36.960
<v Speaker 16>think was happening seventy.

1:49:39.000 --> 1:49:41.960
<v Speaker 5>Thank you, thank you Jack. Oh good on. I would

1:49:41.960 --> 1:49:44.880
<v Speaker 5>have struggled all night for that. Yeah, because there's way back.

1:49:45.240 --> 1:49:46.320
<v Speaker 5>That was the year that came out.

1:49:46.360 --> 1:49:47.800
<v Speaker 4>Of course, Hey Jack, do you want to do you

1:49:47.840 --> 1:49:50.280
<v Speaker 4>want a job hosting a nostalgia show because the current

1:49:50.360 --> 1:49:51.280
<v Speaker 4>hosts aren't very good?

1:49:51.439 --> 1:49:57.479
<v Speaker 5>Sure to do it? Sure o good happening seventy with

1:49:57.640 --> 1:50:01.760
<v Speaker 5>Ross d Wiley. Yeah, that's it. Yeah, way back. So

1:50:02.240 --> 1:50:05.120
<v Speaker 5>what is that fifty five and me fifty five years ago?

1:50:05.600 --> 1:50:10.360
<v Speaker 4>Well that's why I can't remember. I wasn't born. Got

1:50:10.400 --> 1:50:12.479
<v Speaker 4>on your Jack, appreciate that anything else.

1:50:14.960 --> 1:50:16.559
<v Speaker 16>But I'm happy to come on and do some.

1:50:18.320 --> 1:50:22.000
<v Speaker 4>Is trivia for you, anyto or play the spoons anything,

1:50:22.800 --> 1:50:25.599
<v Speaker 4>just ringing and answer any questions that we can't remember.

1:50:26.120 --> 1:50:27.960
<v Speaker 5>In the meantime, Leanne's in Minneapello.

1:50:28.080 --> 1:50:34.599
<v Speaker 31>Leanne Hi, Andrew Simon and Ben I saw I'm talking

1:50:36.280 --> 1:50:39.760
<v Speaker 31>at the Big at the Big Swing at heath got

1:50:39.800 --> 1:50:44.400
<v Speaker 31>Oval in nineteen eighty four, and they were She was

1:50:44.479 --> 1:50:47.240
<v Speaker 31>up cakes, Bruno was up there with a sister then, yeah,

1:50:48.360 --> 1:50:51.559
<v Speaker 31>they were one of the bands that day. And also

1:50:51.880 --> 1:50:54.839
<v Speaker 31>a little bit of trivia about that day. Wendy Matthews

1:50:54.960 --> 1:50:57.599
<v Speaker 31>was a backup singer for the Models and she dated

1:50:57.800 --> 1:51:01.640
<v Speaker 31>Sean Kelly, one of the lead things it Ah, is

1:51:01.720 --> 1:51:02.160
<v Speaker 31>that right?

1:51:03.360 --> 1:51:03.479
<v Speaker 30>Ye?

1:51:03.960 --> 1:51:07.519
<v Speaker 5>How about that little into personal stuff there? Yes, this

1:51:07.680 --> 1:51:10.200
<v Speaker 5>is I'm talking of course, being the first well really

1:51:10.240 --> 1:51:11.920
<v Speaker 5>the first professional group as far as I know that

1:51:12.120 --> 1:51:13.840
<v Speaker 5>Kate Sobrano was involved with.

1:51:14.040 --> 1:51:17.120
<v Speaker 12>Yes, yeah, they're a sister.

1:51:17.240 --> 1:51:18.599
<v Speaker 15>I don't know what happened to his sister.

1:51:19.520 --> 1:51:22.960
<v Speaker 4>No, I didn't realize that. We didn't ask him. I

1:51:23.080 --> 1:51:25.240
<v Speaker 4>didn't think Kate had a sister.

1:51:25.439 --> 1:51:25.880
<v Speaker 5>I didn't know.

1:51:27.520 --> 1:51:29.639
<v Speaker 15>Yeah, I thought it was anyway.

1:51:29.960 --> 1:51:32.280
<v Speaker 4>No, you're not getting confused with Vico and Linda, are you?

1:51:32.720 --> 1:51:34.160
<v Speaker 4>Who did back up for the Black.

1:51:36.280 --> 1:51:37.080
<v Speaker 17>I know those two.

1:51:38.880 --> 1:51:43.120
<v Speaker 4>They're amazing to get on your thanks, Leanne. I love

1:51:43.680 --> 1:51:46.120
<v Speaker 4>Vicar and Linda Bullies.

1:51:46.280 --> 1:51:50.360
<v Speaker 5>They were on Carol's by Candlelight one particularly. I can't

1:51:50.360 --> 1:51:52.920
<v Speaker 5>remember that it was silent on one of the traditional song.

1:51:53.320 --> 1:51:55.240
<v Speaker 5>Oh they did it well, yeah, really, Well.

1:51:55.120 --> 1:51:58.200
<v Speaker 4>There's something about siblings when they sing together, if they've

1:51:58.240 --> 1:52:01.800
<v Speaker 4>both got the talent, that is just immaculate is the

1:52:01.880 --> 1:52:03.360
<v Speaker 4>only way. Yeah, I can describe it.

1:52:04.880 --> 1:52:08.639
<v Speaker 5>Dave's and wood End, Hello, Dave, Hi boys.

1:52:09.640 --> 1:52:13.400
<v Speaker 12>As regards Rusty Wiley suddenly swimming around my head, was

1:52:13.439 --> 1:52:14.439
<v Speaker 12>the show called up Tight?

1:52:15.160 --> 1:52:16.800
<v Speaker 4>Yeah, we've got a couple of texts that have just

1:52:16.840 --> 1:52:18.920
<v Speaker 4>said that as well. Uptight Rosty Wyley.

1:52:19.080 --> 1:52:20.479
<v Speaker 5>I think that was the other show he had. I

1:52:20.520 --> 1:52:23.599
<v Speaker 5>think he had two shows happening, and one was called

1:52:23.920 --> 1:52:26.439
<v Speaker 5>up Tight. And also do you remember this well, I've

1:52:26.439 --> 1:52:28.439
<v Speaker 5>got you there, Dave. And obviously you go back a

1:52:28.479 --> 1:52:30.559
<v Speaker 5>few years. Do you remember a show on Channel seven?

1:52:30.600 --> 1:52:34.719
<v Speaker 5>I think of an afternoon called turning On with Baby John,

1:52:35.520 --> 1:52:36.920
<v Speaker 5>Baby John Burgess.

1:52:37.400 --> 1:52:38.439
<v Speaker 17>Baby John Burbish.

1:52:39.160 --> 1:52:40.360
<v Speaker 30>I do remember that shock.

1:52:40.479 --> 1:52:40.679
<v Speaker 4>Yeah.

1:52:40.880 --> 1:52:43.720
<v Speaker 5>It was all very casual, cool and everyone sort of

1:52:43.760 --> 1:52:46.559
<v Speaker 5>sat around and he'd, after talking for a little bit

1:52:46.600 --> 1:52:49.519
<v Speaker 5>to say, oh and he is you know some musical

1:52:49.560 --> 1:52:52.880
<v Speaker 5>act he'd introduced and they'd hear the the was that

1:52:53.040 --> 1:52:56.120
<v Speaker 5>he loved that ever loving man? What was that? Who

1:52:56.160 --> 1:53:03.120
<v Speaker 5>were they? You're looking to you love? But the need

1:53:03.240 --> 1:53:03.719
<v Speaker 5>you love?

1:53:04.600 --> 1:53:04.960
<v Speaker 8>Who was that?

1:53:05.160 --> 1:53:05.720
<v Speaker 5>Helped me? Dave?

1:53:07.640 --> 1:53:08.360
<v Speaker 4>The loved ones?

1:53:08.840 --> 1:53:12.240
<v Speaker 5>Have we got that there? I'm sorry if I'm fucking

1:53:12.320 --> 1:53:14.080
<v Speaker 5>you there, Ben, We've got it here.

1:53:14.200 --> 1:53:17.360
<v Speaker 4>Ben's Ben's having a look for you as well. Oh

1:53:17.400 --> 1:53:17.840
<v Speaker 4>here here go.

1:53:18.080 --> 1:53:21.880
<v Speaker 5>Yeah, oh memories, memories.

1:53:27.920 --> 1:53:38.560
<v Speaker 29>Dreams are baby understand so very hard for your forget everything.

1:53:44.560 --> 1:53:46.360
<v Speaker 4>It's a bit much for this time, isn't it?

1:53:46.400 --> 1:53:46.920
<v Speaker 8>Sorry about that?

1:53:47.200 --> 1:53:54.360
<v Speaker 5>Hello mother, Welcome mother, household shoes are wearing it now.

1:53:54.920 --> 1:53:57.120
<v Speaker 4>Thank you for everyone who's called. We've got moving coming

1:53:57.200 --> 1:53:59.880
<v Speaker 4>up after the break. But personality Peter has just texted

1:54:00.160 --> 1:54:03.800
<v Speaker 4>as well. Uptight Saturday mornings, eight am, sixty seven to

1:54:03.880 --> 1:54:07.000
<v Speaker 4>sixty nine, and he says, happening seventies was Jeff Phillips.

1:54:07.880 --> 1:54:08.639
<v Speaker 5>It's probably right.

1:54:09.120 --> 1:54:10.840
<v Speaker 4>Well, yeah, maybe they both did it.

1:54:12.439 --> 1:54:15.080
<v Speaker 5>Mervin Purpose after this and at ten to twelve, I

1:54:15.200 --> 1:54:17.280
<v Speaker 5>know those who have been waiting for this since nine o'clock,

1:54:17.360 --> 1:54:21.320
<v Speaker 5>since since remember when first cranked up tonight the legend

1:54:21.760 --> 1:54:23.800
<v Speaker 5>the one the only Mervin.

1:54:29.200 --> 1:54:31.759
<v Speaker 4>Who wants to be a Merven per.

1:54:33.680 --> 1:54:39.840
<v Speaker 12>Have flashy flunkies everywhere. Purpose who wants the father of

1:54:40.040 --> 1:54:41.600
<v Speaker 12>a country estate?

1:54:42.280 --> 1:54:47.080
<v Speaker 4>A country estate is something i'd hate. Well, all, let's

1:54:47.080 --> 1:54:49.400
<v Speaker 4>talk about channel oh, Channel ten's birth. Then let's get

1:54:49.440 --> 1:54:51.800
<v Speaker 4>down to the business, sire. What's in hand for the

1:54:51.920 --> 1:54:52.560
<v Speaker 4>Mervin Purpose?

1:54:52.640 --> 1:54:53.160
<v Speaker 8>Quick quiz?

1:54:53.520 --> 1:54:54.960
<v Speaker 4>You're an oh for a while they're movin.

1:54:55.360 --> 1:54:56.720
<v Speaker 33>Yes, I worked in the Deck Club.

1:54:56.760 --> 1:54:57.120
<v Speaker 5>They've got it.

1:54:57.200 --> 1:54:59.280
<v Speaker 4>They had a big carp and to show room at

1:54:59.320 --> 1:55:01.160
<v Speaker 4>the back. And I used to do the sets for

1:55:01.240 --> 1:55:05.440
<v Speaker 4>the Bluestone Boys and oh the care of Breakout.

1:55:05.320 --> 1:55:08.720
<v Speaker 8>Holiday Are worked on Arcade.

1:55:08.920 --> 1:55:12.280
<v Speaker 4>Yes, I did the first edition of Arcade. Oh there's

1:55:12.320 --> 1:55:14.960
<v Speaker 4>some marvelous shows and a great history that as you

1:55:15.120 --> 1:55:15.920
<v Speaker 4>left behind you murmur.

1:55:15.960 --> 1:55:18.640
<v Speaker 8>And then he moved into the wardrobe department at Channel I.

1:55:18.800 --> 1:55:21.160
<v Speaker 4>Let's get down to business, he writes, Simon, Yes, thank you,

1:55:21.520 --> 1:55:22.280
<v Speaker 4>and what about Juie.

1:55:22.560 --> 1:55:23.640
<v Speaker 5>Yes, I'll be right now.

1:55:23.800 --> 1:55:26.320
<v Speaker 34>Okay, ten marks for every one you get right, ten

1:55:26.440 --> 1:55:29.200
<v Speaker 34>marks that you lose if you're incorrect with your answer.

1:55:29.520 --> 1:55:33.040
<v Speaker 34>What was Peter Goldmark's circular invention in nineteen forty eight?

1:55:33.440 --> 1:55:34.720
<v Speaker 4>The wheel lose?

1:55:34.960 --> 1:55:37.640
<v Speaker 34>He was a bit like the LP record, Yes, the

1:55:37.800 --> 1:55:42.080
<v Speaker 34>long playing record a record. Don't get confident? What a

1:55:42.360 --> 1:55:43.880
<v Speaker 34>camel's hair brush made from?

1:55:44.120 --> 1:55:48.920
<v Speaker 4>Catty lose ten? The ideas he bristles. Don't you call me?

1:55:49.000 --> 1:55:52.600
<v Speaker 4>That had it up to my nipping being called pigs bristles.

1:55:52.440 --> 1:55:55.480
<v Speaker 33>And so is Linda Lovelace. I think there was made

1:55:55.520 --> 1:55:58.880
<v Speaker 33>of boars fluff lose ten. I don't think bars have

1:55:58.960 --> 1:56:02.320
<v Speaker 33>a fluff, do they? You should see what they.

1:56:02.320 --> 1:56:05.839
<v Speaker 4>Eat from the squirrels tiles.

1:56:06.120 --> 1:56:11.000
<v Speaker 35>You're kidding, Well, I'm sure that answer is different every time,

1:56:11.760 --> 1:56:12.120
<v Speaker 35>So it's not.

1:56:12.720 --> 1:56:14.800
<v Speaker 4>It is not that's the camel hair.

1:56:15.680 --> 1:56:21.600
<v Speaker 34>What or how did the great Greek dramatists die poisoned?

1:56:21.840 --> 1:56:25.680
<v Speaker 8>He fell off the stage, he bitten by an ass.

1:56:25.800 --> 1:56:26.880
<v Speaker 4>You all lose ten.

1:56:27.240 --> 1:56:27.920
<v Speaker 8>He was killed.

1:56:28.200 --> 1:56:30.760
<v Speaker 10>He was killed with a bird dropped a tortoise on

1:56:30.920 --> 1:56:32.120
<v Speaker 10>his head from a great height.

1:56:33.880 --> 1:56:35.600
<v Speaker 4>You get hit by a tortoise from a great height.

1:56:35.960 --> 1:56:40.320
<v Speaker 4>Here is a pathan talk about bad luck, all the

1:56:40.360 --> 1:56:42.320
<v Speaker 4>places in the world that tortoise should land on him.

1:56:42.840 --> 1:56:43.160
<v Speaker 8>You know who?

1:56:43.200 --> 1:56:44.840
<v Speaker 35>I feel sorry for the priest who would have been

1:56:44.880 --> 1:56:47.480
<v Speaker 35>eating at his funeral, And how sad it was that

1:56:47.560 --> 1:56:49.000
<v Speaker 35>he died when a bird dropped the tortoise.

1:56:49.000 --> 1:56:52.560
<v Speaker 33>And the priest was at our school and he taught us,

1:56:53.560 --> 1:56:56.400
<v Speaker 33>what do you mean the tortoise fell on his head?

1:56:56.880 --> 1:57:01.440
<v Speaker 4>That's humor? Does he lose points for that? It's lost? Man,

1:57:01.880 --> 1:57:04.600
<v Speaker 4>What sense does a dying person tend to lose?

1:57:04.800 --> 1:57:09.560
<v Speaker 34>First his hearing? That's the last sight? Is correctly in

1:57:09.720 --> 1:57:13.280
<v Speaker 34>twenty points? Who designed the Eiffel Tower?

1:57:13.920 --> 1:57:14.800
<v Speaker 8>Good Stave Eiffel.

1:57:15.120 --> 1:57:18.680
<v Speaker 34>That's ten points for you. What are penguins covered in

1:57:19.120 --> 1:57:23.320
<v Speaker 34>feathers oiled? Twenty for you, Simon, lose ten for you

1:57:23.960 --> 1:57:24.880
<v Speaker 34>interrupting the oil?

1:57:26.640 --> 1:57:27.840
<v Speaker 4>Are there on the outside?

1:57:28.160 --> 1:57:33.720
<v Speaker 34>After whom with a Virgin Islands need the legend Queen

1:57:34.560 --> 1:57:36.400
<v Speaker 34>Elizabeth and twenty points for.

1:57:36.480 --> 1:57:38.560
<v Speaker 8>That the version Queen not Madonna.

1:57:38.880 --> 1:57:42.280
<v Speaker 4>How long do mayfly eggs take the hatch? Quick? This

1:57:42.400 --> 1:57:45.360
<v Speaker 4>is a good quiztion. It's quick four days, lose ten.

1:57:45.400 --> 1:57:46.240
<v Speaker 4>What's the matter with the week?

1:57:46.920 --> 1:57:47.480
<v Speaker 5>I just don't know.

1:57:48.400 --> 1:57:49.840
<v Speaker 4>I'm feeling twenty one.

1:57:49.840 --> 1:57:55.520
<v Speaker 34>Days, three heaveny three years, three years, long station period,

1:57:55.600 --> 1:57:59.160
<v Speaker 34>long time you can even have an elephant all an

1:57:59.160 --> 1:58:04.960
<v Speaker 34>elephant's only months? In which year were Transit's first issue

1:58:05.040 --> 1:58:06.120
<v Speaker 34>to the British Army.

1:58:06.760 --> 1:58:11.120
<v Speaker 8>Quickly eighteen ninety six in the war.

1:58:12.120 --> 1:58:16.880
<v Speaker 35>Nineteen seventeen, fifteen hundred, eighteen twenty three eighteen.

1:58:16.880 --> 1:58:20.200
<v Speaker 4>I don't want they were prior to Transits. Good rounded.

1:58:20.280 --> 1:58:23.560
<v Speaker 8>I believe Chris master Is at sans Co Lots.

1:58:23.560 --> 1:58:29.200
<v Speaker 4>Who first rode around the world road road? Yes, RD

1:58:29.680 --> 1:58:30.600
<v Speaker 4>R W E. D.

1:58:31.040 --> 1:58:32.720
<v Speaker 8>Francis Chichester, who's twenty.

1:58:34.200 --> 1:58:38.520
<v Speaker 4>I think Dick Smith no one, because it hasn't been

1:58:38.600 --> 1:58:41.320
<v Speaker 4>invented yet that's right, it is. We've never been attempted

1:58:41.360 --> 1:58:44.200
<v Speaker 4>to row around the question. So you all lose ten points.

1:58:44.200 --> 1:58:46.880
<v Speaker 4>It's very good. Which insect has the best eye sight?

1:58:48.600 --> 1:58:52.000
<v Speaker 4>The gnat, not the nat good thought though, the bee?

1:58:52.520 --> 1:58:56.800
<v Speaker 8>New birds have good eyesight? New the dragon fly?

1:58:57.280 --> 1:58:59.680
<v Speaker 34>The dragon fly? We might get one in quickly hit

1:58:59.760 --> 1:59:02.240
<v Speaker 34>which water fowl it's thot to feed? It's young, its

1:59:02.240 --> 1:59:06.520
<v Speaker 34>own blood? Oh dear, Oh, just tasteful host.

1:59:06.760 --> 1:59:11.000
<v Speaker 35>Would that be a p hen No, it's a pican

1:59:11.480 --> 1:59:14.360
<v Speaker 35>score Please scores Philip on minus thirty I and on

1:59:14.480 --> 1:59:17.360
<v Speaker 35>minus forty. I was on minus forty. That's a low

1:59:17.440 --> 1:59:20.400
<v Speaker 35>scoring game. Tonight moving one outright on fifty points.

1:59:20.640 --> 1:59:26.080
<v Speaker 4>Oh well, that's the end of another Remember when Andrew

1:59:26.200 --> 1:59:30.760
<v Speaker 4>can't believe it? Incidentally, our twentieth show together, since Phil

1:59:31.280 --> 1:59:35.120
<v Speaker 4>sadly passed, is it really left the program years? Oh boy,

1:59:35.520 --> 1:59:39.800
<v Speaker 4>so it feels like years ago, but also so recent.

1:59:40.240 --> 1:59:41.000
<v Speaker 4>It's quite bizarre.

1:59:41.160 --> 1:59:43.520
<v Speaker 5>I still want to see that gold falcon in the

1:59:43.640 --> 1:59:45.920
<v Speaker 5>car park down below us. Yes, on a Sunday night.

1:59:46.160 --> 1:59:50.640
<v Speaker 5>Yeah yeah, anyway, there we go. Now you are staying

1:59:50.720 --> 1:59:52.640
<v Speaker 5>on of course. Yeah, it's not goodbye for you.

1:59:53.880 --> 1:59:55.840
<v Speaker 4>I've done three hours, five and a half to go.

1:59:56.080 --> 1:59:58.360
<v Speaker 5>It's just warm enough, folks. I listened a him. I

1:59:58.440 --> 2:00:02.480
<v Speaker 5>think you'll be asleep listen for Boring around about three

2:00:02.480 --> 2:00:03.520
<v Speaker 5>o'clock tomorrow morning.

2:00:03.600 --> 2:00:06.720
<v Speaker 4>No, that's right, because Jay's got the battery there to

2:00:06.800 --> 2:00:10.200
<v Speaker 4>jump start me. Thank you, Ben, Thank you boys. Good

2:00:10.240 --> 2:00:10.440
<v Speaker 4>on you.

2:00:10.560 --> 2:00:10.720
<v Speaker 26>Ben.

2:00:11.040 --> 2:00:12.640
<v Speaker 4>I'll speak to you after the news