WEBVTT - Remember When - Simon Owens and Andrew McLaren ep 021 - Sun 08 Jun, 2025 

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<v Speaker 1>Do you remember?

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<v Speaker 2>Do you remember?

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<v Speaker 1>Do you remember the things that they did when dear

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<v Speaker 1>old Daddy was only a kid?

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<v Speaker 2>The flapper hat, sand Derby sends backs.

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<v Speaker 3>Do you remember.

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<v Speaker 1>When? Do you remember the Dixie Land jail, the biod rasing,

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<v Speaker 1>the task you brought.

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<v Speaker 4>Your back, the ball and the jack.

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<v Speaker 2>Do you rememberber when all all those good old lads

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<v Speaker 2>in a hero and home a all yes, sir, those

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<v Speaker 2>good old lad knocking on.

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<v Speaker 1>The doors, when Joe send me? Do you remember bird

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<v Speaker 1>the vamp was the range and little Jolly was king

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<v Speaker 1>of the stage. The cats, that's first women, that's do

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<v Speaker 1>you remember when?

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<v Speaker 5>Hello there, welcome my head, friends are falling in. Hello,

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<v Speaker 5>it's good to be here. Hello Andrew McLaren.

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<v Speaker 6>Hello Simon, how good to see you and be with

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<v Speaker 6>you tonight. It's been an absolute.

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<v Speaker 7>Hive of activity.

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<v Speaker 6>We got to say, but this is the short and sweet,

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<v Speaker 6>remember when this is I believe what management want more of?

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<v Speaker 7>Yes about you know about a five minute remember when?

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<v Speaker 7>And the rest footy? But I impact, Yeah, that's what

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<v Speaker 7>we thought to think. Now.

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<v Speaker 5>So we some months ago, when you and I started,

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<v Speaker 5>we happened to stumble onto the fact that we both

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<v Speaker 5>make very good tunic cast roles. Yes, and we suggested

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<v Speaker 5>that it would be a fun thing if one of

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<v Speaker 5>us was to make it, that would let the other

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<v Speaker 5>know and then we'll do a tunic casole taste test,

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<v Speaker 5>bake off or whatever. We've done that it's here and

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<v Speaker 5>now in front of us.

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<v Speaker 6>So what we've just rushed, literally, we have just rushed

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<v Speaker 6>from the all those little things, the kitchen nett no,

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<v Speaker 6>the things we put them into, heat it up, the.

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<v Speaker 7>Micro thank you, Yes, the new text.

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<v Speaker 3>It alludes you, doesn't new technology?

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<v Speaker 6>Those damn well, let's remember when we don't talk about

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<v Speaker 6>those things. It is a magnificent Yours looks much better

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<v Speaker 6>than mine.

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<v Speaker 5>Well, now what we're going to do. Mark Desenko is

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<v Speaker 5>paneling for us tonight. Ben's got the night off because

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<v Speaker 5>Dos was working on footy. So Dos is going to

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<v Speaker 5>join us. Doss, I might get you to come into

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<v Speaker 5>the studio because what I'm going to do. Dos doesn't

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<v Speaker 5>know which one is which.

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<v Speaker 6>No, he has been in another studio monitoring football, so

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<v Speaker 6>he doesn't know anything.

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<v Speaker 7>Much to you, Hello, good evening to you very much. Yes,

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<v Speaker 7>now is the fader up for that mic?

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<v Speaker 3>If you whack that micro on?

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<v Speaker 6>Yeah, Okay, yeah, just whip out of the controllers. They're

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<v Speaker 6>going to get your favor up.

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<v Speaker 5>So we will be with remember when we should explain

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<v Speaker 5>what's going to happened tonight where this this half hour

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<v Speaker 5>is sort of a bit disposable, as it were, because

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<v Speaker 5>the greatness of Kevin Trask will join us at eleven

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<v Speaker 5>and do the eleven o'clock out.

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<v Speaker 6>And whiskers into the time time title. In the meantime,

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<v Speaker 6>this is the great challenge. Now, Mark, we want honesty.

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<v Speaker 8>I show you this, am I audible yet we can

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<v Speaker 8>hear you. Now there's tunic clashes the tuners.

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<v Speaker 5>If you want some lemon juice, you want lemon juice,

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<v Speaker 5>just sprinkle please.

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<v Speaker 6>Like all good judges, you freshen your pellet between tastings.

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<v Speaker 5>Okay, yes, so I cooked, So I cooked mine earlier

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<v Speaker 5>in the week with my daughter Felicity, and it's mine's

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<v Speaker 5>being frozen and then the thought out. So I'm a

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<v Speaker 5>little concerned that mine might be up to scratch that.

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<v Speaker 7>We'll just give a running commentary at this point.

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<v Speaker 5>Where's this, No, that's a clean fork and a clean plate.

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<v Speaker 5>And yeah, yep, Mark's steady hand is now the dollar

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<v Speaker 5>notes from me as we have the it's reluctantly.

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<v Speaker 7>I need well here, use this other form.

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<v Speaker 6>Someone sticking to the four having a taste there. His

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<v Speaker 6>face is intense, doesn't it look at that?

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<v Speaker 7>Simon? I'm impressed.

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<v Speaker 8>I've never had this with bread crumbs before.

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<v Speaker 7>Okay, yes, that's different.

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<v Speaker 3>So you like the bread crumbs.

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<v Speaker 7>That's a good sign.

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<v Speaker 3>That's a good sign.

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<v Speaker 9>All right.

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<v Speaker 7>Can I have a moment to just yeah, of course.

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<v Speaker 5>Do you need something to cleanse the palate?

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<v Speaker 3>Talking about yourself? Do you need a spittoon?

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<v Speaker 10>All right?

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<v Speaker 4>So I have to think about this to be honest.

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<v Speaker 7>Okay.

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<v Speaker 8>So and you want brutal honesty, don't you, yes.

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<v Speaker 6>Yes, yes, but they've got to taste the other one

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<v Speaker 6>for before any sort of honesty.

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<v Speaker 8>Please, in your honesty, and some pastor some noodle.

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<v Speaker 3>In there as well.

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<v Speaker 7>There's noodles in one of them.

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<v Speaker 4>Yes, I'm a fan.

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<v Speaker 8>Okay, number two, Number two fought goes down.

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<v Speaker 11>This one looks better. It's well better presentation. Okay, And

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<v Speaker 11>you do eat with your eyes?

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<v Speaker 3>Yes, so I've.

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<v Speaker 7>Been Okay, it goes.

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<v Speaker 3>You can stick if you've got lemon juice on it.

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<v Speaker 7>His lips are twisting a little. I don't have to

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<v Speaker 7>see enjoyment or someone. What do you think?

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<v Speaker 11>Oh yeah, oh, I corned a copy of Flavors.

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<v Speaker 8>Oh it's just went bang in my mouth.

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<v Speaker 7>Okay, I like that one. That's good.

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<v Speaker 11>Yeah. If I had to pick a favorite, and my god,

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<v Speaker 11>by the way that you are both looking at me,

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<v Speaker 11>I do not wish to pick a favorite.

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<v Speaker 7>You have to, buddy, you have to. You have to

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<v Speaker 7>be honest.

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<v Speaker 3>There's got to be a winner in the water predicament.

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<v Speaker 8>And damned if I do, and damned if I don't,

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<v Speaker 8>I'd have to go with the second one.

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<v Speaker 7>The second one.

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<v Speaker 8>Oh no, I've always got upset somewhere.

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<v Speaker 4>Thank you, do.

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<v Speaker 6>Come back to your work, because it's a food, all right,

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<v Speaker 6>enjoy Oh, thank you for nothing.

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<v Speaker 5>I will come and grab the lemon juice in the

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<v Speaker 5>next break, because I want to have a bit of

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<v Speaker 5>this as well.

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<v Speaker 7>And I want to taste yours too. Andrew, Now, but

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<v Speaker 7>please do explain what you said some who won, as

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<v Speaker 7>everyone's guessed.

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<v Speaker 6>Yes, yes, what happened was I dried mine out?

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<v Speaker 7>I overcooked?

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<v Speaker 6>Yes, I got distracted and now I was Oh my goodness,

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<v Speaker 6>what should have been cooked for twenty minutes? My tuna

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<v Speaker 6>morning was on for forty five fifty maybe an hour.

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<v Speaker 7>Yeah, I rushed to the oven. It's like it didn't

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<v Speaker 7>catch yes.

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<v Speaker 5>Because I must say, it does look a little dry

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<v Speaker 5>on top of it. When I was when I was

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<v Speaker 5>spooning it out, there was not a lot in the

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<v Speaker 5>way of moisture.

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<v Speaker 7>So that's very unfortunate. It is.

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<v Speaker 5>It's because it does look quite lovely.

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<v Speaker 7>I will say. I would have thought. I was so

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<v Speaker 7>hoping it was going to win tonight, and I thought,

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<v Speaker 7>do you want to have a taste of mind?

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<v Speaker 6>Well, no, I just I can't have thought of it now,

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<v Speaker 6>so not your not your tuna, just the whole thought

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<v Speaker 6>of eating.

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<v Speaker 7>Now I've suddenly gone sad and cold on everything.

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<v Speaker 5>But in fairness, yours does look delicious. It's just a

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<v Speaker 5>little dry through an error.

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<v Speaker 7>But I'm a loser. And you know I can see

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<v Speaker 7>it in your eyes too. You were looking at me

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<v Speaker 7>like you know.

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<v Speaker 5>I'm very happy for my mum because it's my mum's

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<v Speaker 5>It was my mum's recipe handed down to me. She

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<v Speaker 5>had to, she had to read it out over the

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<v Speaker 5>phone whilst I wrote it down. And I've been making

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<v Speaker 5>that it's the only meal I can actually make.

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<v Speaker 6>And let me tell you something. I have let down

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<v Speaker 6>the McLaren's.

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<v Speaker 5>I'm sure you have a fork full during the during

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<v Speaker 5>the break, will I will.

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<v Speaker 7>Join the break.

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<v Speaker 6>But let me tell you I've I've my grandmother. I

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<v Speaker 6>went Tuna mornings are so much a part of the

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<v Speaker 6>They're in my dna. My grandmother used to dive off

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<v Speaker 6>and killed the beer just with a knife between her

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<v Speaker 6>teeth and come up with a tuna.

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<v Speaker 5>She used to wrestle bears. You were catching your grandmother

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<v Speaker 5>used to catch the tuna as they were going upstream.

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<v Speaker 5>She'd stand there in the waterfall.

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<v Speaker 7>That's salmon. But anyway, it doesn't matter, oh is it?

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<v Speaker 3>I don't like fish to you now, I'm not much

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<v Speaker 3>of a.

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<v Speaker 7>Fish for best.

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<v Speaker 5>No pessicatorials for you, now, okay, so we should have

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<v Speaker 5>a credit here for the weekend wrap. No, it's not there.

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<v Speaker 5>It's wrong. It's art's labeled as weekend wrap. It it's

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<v Speaker 5>something else, all right, So we don't have a who

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<v Speaker 5>was it for though? For the blind factory? Didn't say

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<v Speaker 5>the weekend wrap for the blind Factory? How was your weekend?

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<v Speaker 7>Andrew?

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<v Speaker 6>It's at first I put the microphone on. It's been fine,

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<v Speaker 6>a little cold, I sort of stayed inside. I walked

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<v Speaker 6>the farthest i've walked, just to try and lose some weight. Yeah,

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<v Speaker 6>in sorry, oh years the other day yesterday in fact, Yeah,

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<v Speaker 6>I just thought I'll just keep going and going, and

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<v Speaker 6>where you lost.

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<v Speaker 7>I've been lost for forty years, buddy. I haven't told

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<v Speaker 7>anyone yet, but no, I just walked. So what about you?

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<v Speaker 5>Well, I worked yesterday, So what have I done?

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<v Speaker 3>That's been interesting?

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<v Speaker 5>Because I did submit Dawns for Tony McManus earlier in

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<v Speaker 5>the week. Then I've really only just I've just been

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<v Speaker 5>working at home doing bits and pieces. I did go

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<v Speaker 5>and see a movie, but I've spoken about that at length,

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<v Speaker 5>A lovely movie called Ancestry Road, Australian made movie. Please

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<v Speaker 5>support it, but I won't go on about it. So

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<v Speaker 5>I've done that in the last night or two. Other

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<v Speaker 5>than that, I've got nothing really to report. Don't we

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<v Speaker 5>lead interesting lives?

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<v Speaker 6>And I'm just an empty shell after what's happened in

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<v Speaker 6>the last five minutes.

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<v Speaker 7>Yeah, exactly.

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<v Speaker 5>All right, Well, let's get a break out of the

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<v Speaker 5>way and we'll come back. We've got moreve and purpose

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<v Speaker 5>to squeeze in this half house, so we better get

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<v Speaker 5>to that. On the other side of this, I'll tell

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<v Speaker 5>you what opposite. The main gate had fault in the cemetery.

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<v Speaker 5>I think you're going to guess what I'm going to say.

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<v Speaker 5>I think you're going to be talking about Cameo memorials Andy.

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<v Speaker 6>Indeed, I am always been there and they always care.

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<v Speaker 6>They have been there since eighteen seventy four, Thank you

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<v Speaker 6>very much.

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<v Speaker 5>Yes, I wonder what's under the floor, you know when

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<v Speaker 5>they used to just build stuff on top of everything else. Yes,

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<v Speaker 5>what's under the floor at came Memorials. I've been there

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<v Speaker 5>since eighteen seventy four.

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<v Speaker 6>Interesting point, it wasn't back corners and all that sort

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<v Speaker 6>of stuff of the premises I have.

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<v Speaker 7>I've got to be very honest. I have never seen

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<v Speaker 7>the premises.

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<v Speaker 5>No, I've never been to Faulkner Cemetery.

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<v Speaker 7>No.

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<v Speaker 3>Most of the people I know are alllive.

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<v Speaker 6>No, I've been there to visit my grandfather. He's buried

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<v Speaker 6>there anyway. But we're moving on building monuments to individual

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<v Speaker 6>criminals sector, the criminal sex Pentridge Corner they call it.

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<v Speaker 6>It is built without benefit of clergy, buried without benefit

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<v Speaker 6>of clergy. That was how they used to phrase it.

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<v Speaker 7>Building monuments to individual needs and respecting your wishes.

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<v Speaker 6>You know, Camera Memorials are very proud of the service

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<v Speaker 6>they provide and they understand just how important and sensitive

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<v Speaker 6>it can be.

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<v Speaker 5>Yes, and that's why they've been in business that long

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<v Speaker 5>and still going today, because they are so good at

0:10:52.520 --> 0:10:54.560
<v Speaker 5>what they do, you just can't fault them at all.

0:10:54.720 --> 0:10:58.960
<v Speaker 5>They offer memorials, plarques, fountains, mantlepieces in all sorts of stars,

0:10:59.000 --> 0:11:03.000
<v Speaker 5>the Asian, Jewish, Islamic and Orthodox. And don't forget those

0:11:03.200 --> 0:11:05.080
<v Speaker 5>carved statues too, Andrew.

0:11:04.840 --> 0:11:07.280
<v Speaker 6>That's right, a large section of calf statues and all

0:11:07.320 --> 0:11:12.000
<v Speaker 6>sizes are available to even for criminals. Okay, So go

0:11:12.040 --> 0:11:14.760
<v Speaker 6>to cameover there and if a quest of Cameo can

0:11:14.960 --> 0:11:18.600
<v Speaker 6>restore and maintain memorials for you and your family over

0:11:18.640 --> 0:11:20.400
<v Speaker 6>the years, over the decades.

0:11:19.960 --> 0:11:24.280
<v Speaker 5>Exactly so, for affordable prices, senior's card discounts that's important

0:11:24.400 --> 0:11:27.760
<v Speaker 5>and caring guidance, make it Cameo memorial Why don't you go.

0:11:27.760 --> 0:11:29.840
<v Speaker 7>To Cameo Memorials dot com dot au.

0:11:30.000 --> 0:11:33.079
<v Speaker 5>Andy, it's time for the Mervinpurverse quick quiz. Now we

0:11:33.120 --> 0:11:36.360
<v Speaker 5>should explain because a couple of weeks ago we decided

0:11:36.360 --> 0:11:39.520
<v Speaker 5>to reintroduce the Mervin Purvis Quick Quiz because we've got

0:11:39.520 --> 0:11:43.920
<v Speaker 5>thousands of them archived basically, but we've been playing it

0:11:44.240 --> 0:11:47.120
<v Speaker 5>in the last hour at around about quarter to twelve,

0:11:47.520 --> 0:11:49.480
<v Speaker 5>so this is very early to hear an episode of

0:11:49.520 --> 0:11:51.680
<v Speaker 5>Mervin's Quiz. So if you normally listen at this time,

0:11:51.920 --> 0:11:54.840
<v Speaker 5>you'd be listening for Kevin Trask. He'll be on after

0:11:54.880 --> 0:11:57.600
<v Speaker 5>the News tonight because we've had the late start. By

0:11:57.640 --> 0:11:59.440
<v Speaker 5>the way, what a great job the footy team did.

0:11:59.520 --> 0:12:03.760
<v Speaker 7>Yes, yes, I'm sorry we haven't acknowledged them all and

0:12:03.800 --> 0:12:06.679
<v Speaker 7>they're so very good at promoting us and we're just ignored.

0:12:07.559 --> 0:12:11.160
<v Speaker 6>If you're listening, guys, apologies on Bath for both seven

0:12:11.160 --> 0:12:11.400
<v Speaker 6>the Night.

0:12:11.520 --> 0:12:14.720
<v Speaker 5>Yes, we deeply regretful, come and have some tunic gasearrole

0:12:14.800 --> 0:12:19.600
<v Speaker 5>on us. So we've been normally playing in an hour

0:12:19.640 --> 0:12:21.240
<v Speaker 5>from now, but we're going to play a bit tonight

0:12:21.360 --> 0:12:23.640
<v Speaker 5>here at this time. So if you do enjoy this,

0:12:24.000 --> 0:12:27.760
<v Speaker 5>that's your impetus? Is that the word to be listening

0:12:28.120 --> 0:12:29.559
<v Speaker 5>in future weeks? Next hour?

0:12:29.640 --> 0:12:30.240
<v Speaker 7>Yes? Please?

0:12:30.440 --> 0:12:31.600
<v Speaker 3>Is that the right word? Impetus?

0:12:32.600 --> 0:12:35.079
<v Speaker 7>That's close enough. Yeah, that that is that's appropriate word?

0:12:35.120 --> 0:12:35.720
<v Speaker 7>Would you use?

0:12:36.840 --> 0:12:39.599
<v Speaker 5>How do we to encourage people to listen.

0:12:39.400 --> 0:12:43.120
<v Speaker 6>Next to trigger point, Buddy, let's talk corporate.

0:12:45.240 --> 0:12:47.800
<v Speaker 7>He is with us, he is magnificent. He is the

0:12:47.840 --> 0:12:55.600
<v Speaker 7>immortal Morven who wants to be.

0:13:00.280 --> 0:13:06.480
<v Speaker 12>Everywhere, b who wants the father of the country estate.

0:13:07.120 --> 0:13:11.199
<v Speaker 5>A country estate is something i'd hate.

0:13:11.160 --> 0:13:14.800
<v Speaker 10>A gentleman of the pedal. It's your tough, but you're strong,

0:13:15.160 --> 0:13:17.600
<v Speaker 10>quiz master John D's Are we.

0:13:17.600 --> 0:13:18.920
<v Speaker 4>All quite likable too?

0:13:19.000 --> 0:13:20.760
<v Speaker 10>Oh well, there's a gentle side to me which you

0:13:20.760 --> 0:13:21.480
<v Speaker 10>don't see often.

0:13:21.679 --> 0:13:22.520
<v Speaker 4>You're a pussy cat.

0:13:22.600 --> 0:13:24.679
<v Speaker 10>Actually, I'd like to have you over for a barbecue,

0:13:24.800 --> 0:13:27.280
<v Speaker 10>the whole cast one day with you.

0:13:27.360 --> 0:13:27.560
<v Speaker 4>Mister.

0:13:27.960 --> 0:13:30.079
<v Speaker 10>Never had you anyone to my home, but I'd love

0:13:30.160 --> 0:13:31.199
<v Speaker 10>to make you very welcome.

0:13:31.240 --> 0:13:33.520
<v Speaker 13>Do you know that sets my Louis armstrong, which very

0:13:33.559 --> 0:13:35.920
<v Speaker 13>hurt that bing Casby never asked him to his home.

0:13:37.440 --> 0:13:38.160
<v Speaker 4>Thank you very much.

0:13:38.200 --> 0:13:40.120
<v Speaker 10>Indeed, I've had such a at my home.

0:13:40.240 --> 0:13:42.319
<v Speaker 4>You'd beat the opening of an envelope.

0:13:43.080 --> 0:13:44.640
<v Speaker 3>What do you live in, mister D's.

0:13:44.800 --> 0:13:47.520
<v Speaker 10>I live about Preston Ware. I'll take a little thirteen

0:13:47.559 --> 0:13:50.319
<v Speaker 10>trand on High Street, that's the separation street.

0:13:50.520 --> 0:13:52.839
<v Speaker 3>I'm in the eastern suburbs. I'll get a camp come over.

0:13:52.920 --> 0:13:54.400
<v Speaker 10>Viol means that'd make you very welcome.

0:13:54.960 --> 0:13:56.240
<v Speaker 4>It's a bit fair for me.

0:13:56.320 --> 0:13:57.360
<v Speaker 7>It's g I do.

0:13:57.520 --> 0:14:01.640
<v Speaker 10>I bring my own if you like, but i'll have

0:14:01.800 --> 0:14:02.240
<v Speaker 10>some there.

0:14:02.520 --> 0:14:03.160
<v Speaker 4>I won't be there.

0:14:03.400 --> 0:14:06.120
<v Speaker 13>I don't believe in socializing with people I work with.

0:14:06.240 --> 0:14:07.760
<v Speaker 10>Yes, I've heard it's worked for you in the past.

0:14:07.840 --> 0:14:09.720
<v Speaker 4>It spoils that magic spark.

0:14:09.800 --> 0:14:12.559
<v Speaker 10>Yes, yes, that's right. You And who was your great

0:14:12.600 --> 0:14:15.280
<v Speaker 10>friend at Toorney Barber? You hit it off well with him.

0:14:16.240 --> 0:14:17.840
<v Speaker 4>Toney's a wonderful human being.

0:14:17.920 --> 0:14:20.280
<v Speaker 10>Let's get down to syntax here. For what is Elizabeth

0:14:20.320 --> 0:14:21.600
<v Speaker 10>Fry best remembered?

0:14:21.600 --> 0:14:22.000
<v Speaker 4>Please?

0:14:22.440 --> 0:14:23.680
<v Speaker 3>She invented Lamb's Fry.

0:14:23.840 --> 0:14:26.400
<v Speaker 10>No lose ten on that, No twenty for that insolence.

0:14:26.480 --> 0:14:29.960
<v Speaker 4>She is a play right, she was very very good.

0:14:30.080 --> 0:14:31.360
<v Speaker 4>She was a nurse. No.

0:14:32.880 --> 0:14:36.400
<v Speaker 10>Yes, known for prison reform. What did Lloyd George call

0:14:36.600 --> 0:14:38.400
<v Speaker 10>mister Belfer's poodle.

0:14:39.880 --> 0:14:42.760
<v Speaker 4>Doggie Pop?

0:14:43.240 --> 0:14:43.520
<v Speaker 7>No?

0:14:43.720 --> 0:14:48.480
<v Speaker 10>Losing ten points all over here? Film the half of

0:14:48.640 --> 0:14:52.480
<v Speaker 10>Lords House of Lords is right? What kind of canary

0:14:52.560 --> 0:14:53.960
<v Speaker 10>is in the wilders?

0:14:54.200 --> 0:14:55.800
<v Speaker 4>Green? Red?

0:14:56.400 --> 0:14:56.480
<v Speaker 9>No?

0:14:56.840 --> 0:14:57.960
<v Speaker 7>I can't accept any of those.

0:14:58.080 --> 0:14:58.680
<v Speaker 4>Orange.

0:14:58.880 --> 0:15:01.720
<v Speaker 10>No, a greenish brown.

0:15:02.320 --> 0:15:05.680
<v Speaker 4>A greenish brown until the orange, isn't it? Well?

0:15:05.680 --> 0:15:08.280
<v Speaker 10>A greenish bran? No changes when they when they get

0:15:08.280 --> 0:15:08.880
<v Speaker 10>into hibernation.

0:15:09.000 --> 0:15:12.760
<v Speaker 13>Are they chimeleons about how many people could feed off

0:15:12.920 --> 0:15:16.480
<v Speaker 13>an ostrog egg, a single ostrich egg omelet?

0:15:16.600 --> 0:15:17.320
<v Speaker 7>How many people?

0:15:17.720 --> 0:15:18.920
<v Speaker 4>Five and a child?

0:15:20.480 --> 0:15:21.760
<v Speaker 3>I'd say about six people.

0:15:22.360 --> 0:15:26.200
<v Speaker 4>I'd say again, I'd say twelve, twelve. It is correct.

0:15:27.520 --> 0:15:30.160
<v Speaker 13>I know because I love ostrich eggs and I always

0:15:30.200 --> 0:15:32.760
<v Speaker 13>have enough left over for the next eleven meals?

0:15:32.920 --> 0:15:34.640
<v Speaker 4>What is your main old?

0:15:35.000 --> 0:15:41.920
<v Speaker 10>Yes, like the pizzas on a Sunday night. Which which

0:15:42.000 --> 0:15:45.600
<v Speaker 10>is your main? Did you call me? What did you say?

0:15:46.160 --> 0:15:48.680
<v Speaker 10>I'm answering the question that you haven't asked.

0:15:49.640 --> 0:15:51.760
<v Speaker 3>Which that means he can see the questions just a moment.

0:15:51.800 --> 0:15:53.000
<v Speaker 10>Are you looking over my shoulder.

0:15:53.200 --> 0:15:54.680
<v Speaker 7>He's giving you the answer to questions?

0:15:55.680 --> 0:15:57.360
<v Speaker 10>Which is your main olifactory organ?

0:15:57.440 --> 0:15:58.480
<v Speaker 7>You knows he was?

0:15:58.560 --> 0:15:58.960
<v Speaker 3>He did.

0:15:59.200 --> 0:16:01.120
<v Speaker 10>No, he didn't because I didn't have a turnover.

0:16:01.320 --> 0:16:03.280
<v Speaker 3>No, but he said nose. He said, to your nose

0:16:04.440 --> 0:16:07.000
<v Speaker 3>the question on the factory. I didn't hear the questions.

0:16:07.040 --> 0:16:09.160
<v Speaker 3>You see, Well, so who loses ten?

0:16:09.360 --> 0:16:13.480
<v Speaker 10>He gets twenty for your insolence? Okay, how do you pronounce.

0:16:13.240 --> 0:16:18.160
<v Speaker 4>S I n h shane shinin I n h shin

0:16:19.600 --> 0:16:20.280
<v Speaker 4>lose ten?

0:16:20.600 --> 0:16:25.680
<v Speaker 10>All of you, Shine, Shine, Shine, who composed dead leaves

0:16:25.960 --> 0:16:29.720
<v Speaker 10>for the piano who composed dead Leaves.

0:16:29.360 --> 0:16:32.480
<v Speaker 4>For the piano. Yes, I have that record that he

0:16:32.560 --> 0:16:35.120
<v Speaker 4>is dead leaves and roots by ravel.

0:16:35.600 --> 0:16:38.359
<v Speaker 10>No lose twenty for slight dirtiness.

0:16:38.920 --> 0:16:44.360
<v Speaker 3>Yes, I have no idea. I would never clue.

0:16:44.280 --> 0:16:45.560
<v Speaker 10>Yes, pussy.

0:16:46.920 --> 0:16:48.960
<v Speaker 3>Hang on, isn't isn't that what that guy used to

0:16:48.960 --> 0:16:49.880
<v Speaker 3>call that guy's dog?

0:16:50.120 --> 0:16:51.720
<v Speaker 10>No, no, no, no, no, he called.

0:16:51.520 --> 0:16:53.480
<v Speaker 3>The cat that there's the pussy.

0:16:53.800 --> 0:16:55.880
<v Speaker 10>Oh dear laughter from the box.

0:16:56.280 --> 0:16:58.760
<v Speaker 4>That should have been the highlights, maybe even the primo.

0:16:59.000 --> 0:17:01.560
<v Speaker 10>By the way, where would you find a fairies ring?

0:17:04.040 --> 0:17:04.440
<v Speaker 10>Come on?

0:17:06.080 --> 0:17:08.680
<v Speaker 3>If you pick up the fairy come on?

0:17:09.720 --> 0:17:15.040
<v Speaker 4>Where on the moon under a tree where they grow?

0:17:15.119 --> 0:17:17.639
<v Speaker 10>Measuring need? The circle of fungui?

0:17:18.200 --> 0:17:21.720
<v Speaker 3>That's right. I think I was right.

0:17:22.440 --> 0:17:26.760
<v Speaker 10>The traces, the traces of darker green lift in the

0:17:26.800 --> 0:17:28.439
<v Speaker 10>grass by a circle of fungi.

0:17:29.240 --> 0:17:31.200
<v Speaker 7>How many how many wings?

0:17:31.200 --> 0:17:32.320
<v Speaker 10>Has a b quickly?

0:17:32.640 --> 0:17:32.920
<v Speaker 3>Four?

0:17:33.280 --> 0:17:33.880
<v Speaker 10>Who said four?

0:17:33.920 --> 0:17:35.600
<v Speaker 4>First?

0:17:36.640 --> 0:17:36.880
<v Speaker 7>Alright?

0:17:36.920 --> 0:17:39.680
<v Speaker 10>Twenty for you that's good and ten off for these?

0:17:43.359 --> 0:17:45.520
<v Speaker 10>What does kenny mean?

0:17:46.160 --> 0:17:50.320
<v Speaker 4>Place the diamond?

0:17:50.440 --> 0:17:54.800
<v Speaker 14>Diamond, diamond loose ten it's a form of it's a

0:17:54.800 --> 0:17:55.679
<v Speaker 14>part of a tree, and.

0:17:59.000 --> 0:18:01.360
<v Speaker 10>It's mounted of that.

0:18:01.359 --> 0:18:02.640
<v Speaker 4>That's what the diamond was called.

0:18:03.480 --> 0:18:04.440
<v Speaker 10>What is a masterodon?

0:18:04.880 --> 0:18:06.880
<v Speaker 5>A master it's an elephant, it's it.

0:18:07.160 --> 0:18:08.200
<v Speaker 10>How did you know that?

0:18:08.280 --> 0:18:13.200
<v Speaker 14>Because I have a DVD at home Elephants and mastodonsumentary

0:18:13.240 --> 0:18:14.639
<v Speaker 14>from the Discovery Channel.

0:18:15.040 --> 0:18:17.720
<v Speaker 10>Panel where you take so much umbrage when I say,

0:18:17.720 --> 0:18:19.280
<v Speaker 10>how did you know that? Oh, I've got a DV

0:18:19.359 --> 0:18:21.160
<v Speaker 10>deal it's all about elephants.

0:18:21.160 --> 0:18:23.679
<v Speaker 4>But you know they're now extinct and they had.

0:18:23.560 --> 0:18:26.880
<v Speaker 7>Big horns, big francisses.

0:18:27.760 --> 0:18:29.080
<v Speaker 3>Who are you describing now?

0:18:29.280 --> 0:18:29.560
<v Speaker 7>All right?

0:18:29.840 --> 0:18:33.800
<v Speaker 10>Ten points to you? What is the characteristic smell of

0:18:33.840 --> 0:18:37.920
<v Speaker 10>a hydrogen cyanide? Not rotten eggs?

0:18:38.640 --> 0:18:39.960
<v Speaker 4>Ms? Almonds?

0:18:40.200 --> 0:18:41.000
<v Speaker 10>How did you know that?

0:18:41.119 --> 0:18:44.440
<v Speaker 4>I know because I've put some in your spizzer.

0:18:45.560 --> 0:18:47.520
<v Speaker 3>You so don't you eat any of that? Spezzare?

0:18:47.840 --> 0:18:48.280
<v Speaker 4>Give that to.

0:18:51.040 --> 0:18:56.160
<v Speaker 10>Cut on please? Bitter almonds? Yes to a g insect family?

0:18:56.200 --> 0:18:59.959
<v Speaker 10>Does the ladybird belong quickly a beetle? The beetle family?

0:19:00.400 --> 0:19:00.600
<v Speaker 7>Yeah?

0:19:00.760 --> 0:19:01.280
<v Speaker 4>Ahead, tonight.

0:19:02.520 --> 0:19:05.439
<v Speaker 10>He should have lose them very quickly. Worth one more

0:19:05.480 --> 0:19:05.680
<v Speaker 10>of the.

0:19:05.600 --> 0:19:07.920
<v Speaker 3>States he lose points for showing off, mister d twenty

0:19:07.920 --> 0:19:10.440
<v Speaker 3>points take the him.

0:19:10.640 --> 0:19:13.000
<v Speaker 10>What percentage of British men have no teeth?

0:19:14.040 --> 0:19:16.800
<v Speaker 3>Four percent, eight percent, seven and a.

0:19:16.840 --> 0:19:19.560
<v Speaker 10>Half twenty four percent?

0:19:20.280 --> 0:19:20.639
<v Speaker 3>Really?

0:19:20.920 --> 0:19:24.800
<v Speaker 4>On which are running out of Thomaster d what's the

0:19:24.840 --> 0:19:25.640
<v Speaker 4>scot Well.

0:19:25.560 --> 0:19:28.679
<v Speaker 14>Phillips just dropped a minus ninety ian on minus forty.

0:19:29.280 --> 0:19:34.800
<v Speaker 14>I was also on minus forty. Men went on sixty points. No,

0:19:35.960 --> 0:19:38.600
<v Speaker 14>it is good fun, isn't it. The Mervyn purpose quick

0:19:38.680 --> 0:19:40.640
<v Speaker 14>quiz age is not with it.

0:19:40.480 --> 0:19:41.119
<v Speaker 7>At all, has it?

0:19:41.359 --> 0:19:41.600
<v Speaker 4>No?

0:19:42.480 --> 0:19:44.760
<v Speaker 5>I do preview them before we put them to air

0:19:45.240 --> 0:19:48.640
<v Speaker 5>because there are some bits in there that wouldn't sit

0:19:49.080 --> 0:19:50.080
<v Speaker 5>comfortably today.

0:19:50.280 --> 0:19:52.760
<v Speaker 7>And is that slightly irritating at times?

0:19:53.240 --> 0:19:55.640
<v Speaker 6>I was in conversation with a lady the other day

0:19:55.960 --> 0:19:58.320
<v Speaker 6>who kept on saying, well, kept on two or three

0:19:58.320 --> 0:20:01.600
<v Speaker 6>times during the conversations, Oh, of course you can't say

0:20:01.600 --> 0:20:04.560
<v Speaker 6>that today, And then about ten minutes later on another topic,

0:20:04.920 --> 0:20:06.480
<v Speaker 6>it shouldn't be saying those things today.

0:20:07.240 --> 0:20:09.440
<v Speaker 7>Hang on, what is the matter? What's happened here?

0:20:09.560 --> 0:20:12.320
<v Speaker 5>Yeah, if you're just talking to somebody, you can say

0:20:12.320 --> 0:20:15.800
<v Speaker 5>whatever you like. It's only people over here that it

0:20:15.840 --> 0:20:16.719
<v Speaker 5>becomes a problem.

0:20:16.760 --> 0:20:19.679
<v Speaker 7>Well, yes, and it should. Maybe that shouldn't be so anyway.

0:20:19.720 --> 0:20:21.840
<v Speaker 7>I don't know. It's just Andrew's a little desk stumper there.

0:20:22.680 --> 0:20:22.880
<v Speaker 4>Look.

0:20:23.240 --> 0:20:25.960
<v Speaker 5>I tend to agree, and I think you can say

0:20:26.080 --> 0:20:30.720
<v Speaker 5>almost anything you want provided you are in your like

0:20:30.880 --> 0:20:34.840
<v Speaker 5>company and no one's going to be offended. I love

0:20:34.920 --> 0:20:39.040
<v Speaker 5>politically incorrect humor. I really love dark humor. The Doug

0:20:39.080 --> 0:20:41.320
<v Speaker 5>Anthony All Stars one of my favorite comedy acts of

0:20:41.400 --> 0:20:45.200
<v Speaker 5>all time. And they did some wonderful stuff about David

0:20:45.280 --> 0:20:47.960
<v Speaker 5>Koresh and the branch Davidians in Waco, Texas.

0:20:48.080 --> 0:20:51.119
<v Speaker 7>And yes they did, they did, and it's wonderful. And

0:20:51.240 --> 0:20:53.480
<v Speaker 7>you wonder if that get sadly, you wonder if they'd

0:20:53.480 --> 0:20:54.199
<v Speaker 7>get away with it.

0:20:55.000 --> 0:21:00.040
<v Speaker 5>Paul McDermott still does. But Paul, like Ricky Gervais and

0:21:00.000 --> 0:21:02.239
<v Speaker 5>and who's the other guy, the English guy who had

0:21:02.240 --> 0:21:06.200
<v Speaker 5>all the plastic surgery. I can't remember his name. He

0:21:06.240 --> 0:21:09.359
<v Speaker 5>hosts one hundred and monk Ats or whatever. That show's

0:21:09.359 --> 0:21:11.800
<v Speaker 5>called Jimmy Jimmy Carr.

0:21:11.840 --> 0:21:13.159
<v Speaker 7>Oh.

0:21:13.240 --> 0:21:16.480
<v Speaker 5>They say some terrible things, but they know who their

0:21:16.520 --> 0:21:19.720
<v Speaker 5>audience is, and their audience knows who they are, so

0:21:20.520 --> 0:21:23.600
<v Speaker 5>they're what they call three percenters. Ninety seven percent of

0:21:23.640 --> 0:21:24.640
<v Speaker 5>the world might say.

0:21:24.560 --> 0:21:25.800
<v Speaker 3>Oh, that's not good.

0:21:25.840 --> 0:21:28.399
<v Speaker 5>Oh no, I don't approve of that, but three percent

0:21:28.400 --> 0:21:31.000
<v Speaker 5>of the world love them, and that's where they make

0:21:31.040 --> 0:21:31.600
<v Speaker 5>their career.

0:21:32.160 --> 0:21:35.200
<v Speaker 6>There's a guy called Quindale Little America. You can seek

0:21:35.240 --> 0:21:38.959
<v Speaker 6>him out on YouTube. Look out for him Quindale. If

0:21:38.960 --> 0:21:42.440
<v Speaker 6>you want some politically incorrect he's American. Yes, he's if

0:21:42.440 --> 0:21:47.560
<v Speaker 6>you're looking for something, but completely irreverent and at times

0:21:47.560 --> 0:21:48.040
<v Speaker 6>you WinCE.

0:21:48.280 --> 0:21:49.119
<v Speaker 7>But he's current.

0:21:49.200 --> 0:21:52.080
<v Speaker 6>He's doing stand up now and it's what he says

0:21:52.080 --> 0:21:54.760
<v Speaker 6>about Mexicans and other ethnic groups.

0:21:54.440 --> 0:21:57.600
<v Speaker 7>In America is wow. Yes, and he somehow is getting

0:21:57.600 --> 0:21:58.119
<v Speaker 7>away with it.

0:21:58.680 --> 0:22:01.359
<v Speaker 5>There's a guy I follow on one of the social

0:22:01.359 --> 0:22:04.920
<v Speaker 5>media channels and he does very politically in correct humor

0:22:05.320 --> 0:22:07.320
<v Speaker 5>and his delivery is just magnificent.

0:22:07.359 --> 0:22:08.080
<v Speaker 3>He is brilliant.

0:22:08.440 --> 0:22:11.560
<v Speaker 7>There's Tony McManus. Tony speaking of brilliant delivery.

0:22:12.760 --> 0:22:15.679
<v Speaker 5>Here he is ready to go, and there's chocolate in

0:22:15.720 --> 0:22:16.440
<v Speaker 5>the kitchen too.

0:22:17.200 --> 0:22:17.400
<v Speaker 7>Yeah.

0:22:17.480 --> 0:22:19.800
<v Speaker 6>Please please to see this the Cadbury version of the

0:22:19.840 --> 0:22:23.000
<v Speaker 6>mass Bar, and I'm finding them very entire, the Morrow Bar,

0:22:23.560 --> 0:22:25.919
<v Speaker 6>and I'm unfamiliar with them and they're quite something.

0:22:26.080 --> 0:22:28.359
<v Speaker 3>Yes, Tony joins us, has.

0:22:28.240 --> 0:22:31.280
<v Speaker 15>Been a very funny half hour because it clearly you

0:22:31.359 --> 0:22:34.000
<v Speaker 15>had nothing planned and I love it.

0:22:35.240 --> 0:22:38.040
<v Speaker 4>Nervous purvises is interesting.

0:22:38.200 --> 0:22:39.200
<v Speaker 7>It's radio goal.

0:22:39.359 --> 0:22:40.520
<v Speaker 4>It is radio goal.

0:22:40.720 --> 0:22:43.160
<v Speaker 7>No, we were going to try and fit in the montage.

0:22:43.480 --> 0:22:46.960
<v Speaker 5>We had our tuna bake off weekend rap and Mervyn

0:22:47.040 --> 0:22:48.320
<v Speaker 5>so we had a lot of planned.

0:22:48.600 --> 0:22:51.320
<v Speaker 15>Sorry for Andrew because I could hear the dismay as

0:22:51.040 --> 0:22:53.720
<v Speaker 15>the coming down through the rain of the Monactually, I'm.

0:22:53.560 --> 0:22:57.560
<v Speaker 4>Thinking you're poor and his little his little dish has

0:22:57.640 --> 0:22:58.880
<v Speaker 4>been discarded.

0:22:59.760 --> 0:23:03.560
<v Speaker 7>All sorry. Your face is gleeful. I'm a broken man.

0:23:03.840 --> 0:23:06.040
<v Speaker 7>Well done, Simon, thank you. I'm very kind.

0:23:06.560 --> 0:23:07.439
<v Speaker 3>I should have saved you some.

0:23:07.560 --> 0:23:10.920
<v Speaker 7>I'm sorry I didn't go after the news.

0:23:11.000 --> 0:23:13.480
<v Speaker 5>Kevin Trask will be here with Trask Stime tunnel.

0:23:17.600 --> 0:23:20.959
<v Speaker 1>These are these we remember.

0:23:31.080 --> 0:23:34.720
<v Speaker 16>The clip clup of the Milkys, the morning sun comes

0:23:34.760 --> 0:23:38.720
<v Speaker 16>up top of pops and it's ice cream, and dixis

0:23:38.760 --> 0:23:43.280
<v Speaker 16>in a cup, ball in motion, fies and the boonray

0:23:43.400 --> 0:23:48.359
<v Speaker 16>books and brushes and that amazing test when Australia retained

0:23:48.359 --> 0:23:49.280
<v Speaker 16>the eshes.

0:23:49.800 --> 0:23:52.320
<v Speaker 4>These are the things that we remember.

0:23:52.320 --> 0:24:01.000
<v Speaker 17>The holidays and seafood, two miles and miles of the

0:24:01.119 --> 0:24:04.680
<v Speaker 17>tram lines around black Rock and Morris by.

0:24:04.640 --> 0:24:10.360
<v Speaker 16>The day, the football, Frosty Miller and free Call and they.

0:24:10.400 --> 0:24:14.720
<v Speaker 7>Comes and Scouts and girl free day board.

0:24:14.240 --> 0:24:18.000
<v Speaker 2>That these are the pensive Remember.

0:24:17.600 --> 0:24:21.520
<v Speaker 7>That our number two, the final hour of Remember when

0:24:21.640 --> 0:24:23.760
<v Speaker 7>for tonight Andrew. It's been a long haul, but we've

0:24:23.760 --> 0:24:24.240
<v Speaker 7>got there.

0:24:24.960 --> 0:24:28.359
<v Speaker 5>It's been tough going. I'm exhausted. I don't know about you.

0:24:28.520 --> 0:24:32.080
<v Speaker 6>Yeah, at the end of the tether. But there's a

0:24:32.119 --> 0:24:33.679
<v Speaker 6>little light at the end of the tunnel. And I

0:24:33.720 --> 0:24:35.080
<v Speaker 6>know what that light's called, don't you.

0:24:35.320 --> 0:24:36.000
<v Speaker 7>Well, I know what that.

0:24:36.000 --> 0:24:38.720
<v Speaker 5>Tunnel is called. It's Trask's Time Tunnel, which will be

0:24:38.720 --> 0:24:42.600
<v Speaker 5>along shortly. But the host of Trask's Time Tunnel, Kevin Trask,

0:24:42.720 --> 0:24:42.960
<v Speaker 5>is here.

0:24:42.960 --> 0:24:45.400
<v Speaker 3>Hello, Kevin, Hello, boys, great to see you. Issue work

0:24:45.480 --> 0:24:48.080
<v Speaker 3>really hard in that last half hour. That was flat

0:24:48.119 --> 0:24:50.240
<v Speaker 3>out good work, by the way, Thank you so much.

0:24:50.920 --> 0:24:52.919
<v Speaker 5>In fact, I think we're deserving a payrise.

0:24:53.280 --> 0:24:55.359
<v Speaker 6>Well, no, I'm more interested in the I want to

0:24:55.359 --> 0:24:59.960
<v Speaker 6>get a RAH Award is yes, Yes, I'm desperate for one.

0:25:00.280 --> 0:25:03.800
<v Speaker 5>You know, we were stopped from entering why previous management

0:25:03.920 --> 0:25:07.119
<v Speaker 5>before nine took us over. What previous management said, you

0:25:07.200 --> 0:25:11.160
<v Speaker 5>can't have Bruson Phil entering the RAH Awards because if

0:25:11.240 --> 0:25:14.120
<v Speaker 5>they win and Ross and John don't. It was Ross

0:25:14.119 --> 0:25:16.680
<v Speaker 5>and John at the time. What does that say about

0:25:16.680 --> 0:25:19.479
<v Speaker 5>our breakfast show? So Bruce and Phil were banned from

0:25:19.640 --> 0:25:20.000
<v Speaker 5>entering the.

0:25:20.040 --> 0:25:22.000
<v Speaker 7>RAA that doesn't sound right.

0:25:21.840 --> 0:25:23.879
<v Speaker 5>Well, because it was best on our team? Was what

0:25:23.920 --> 0:25:25.639
<v Speaker 5>you were going for? And that was up against our

0:25:25.680 --> 0:25:28.639
<v Speaker 5>breakfast show, and Bruce and Phil did win best on

0:25:28.680 --> 0:25:33.399
<v Speaker 5>our team several times. Yes, so it's a management in Sydney.

0:25:33.520 --> 0:25:36.760
<v Speaker 5>Previous mob said no, you can't. You can't enter because

0:25:36.800 --> 0:25:38.720
<v Speaker 5>it would be wrong if you beat Ross and John.

0:25:39.440 --> 0:25:42.880
<v Speaker 6>Course I didn't realize that's all happened. All the machinations ain't.

0:25:42.960 --> 0:25:45.320
<v Speaker 5>And I take the John Laws approach. I just want

0:25:45.359 --> 0:25:47.360
<v Speaker 5>to give the little people a go, so I don't enter.

0:25:50.520 --> 0:25:51.359
<v Speaker 7>Kevin, how are you?

0:25:51.600 --> 0:25:54.320
<v Speaker 3>I'm good, thank you, All things considered, I've just driven

0:25:54.359 --> 0:25:57.560
<v Speaker 3>through seventy four thousand people outside the MCG to get

0:25:57.560 --> 0:25:58.119
<v Speaker 3>here tonight.

0:25:58.200 --> 0:26:00.720
<v Speaker 7>I hope you got a bull bar now.

0:26:00.760 --> 0:26:04.880
<v Speaker 3>Everybody was having a good time all oh, but I

0:26:04.960 --> 0:26:07.239
<v Speaker 3>don't think there and the supporters was that happy. But

0:26:07.680 --> 0:26:09.280
<v Speaker 3>the Carton supporters certainly were.

0:26:09.480 --> 0:26:12.520
<v Speaker 7>Yeah, Yes, I got a mention. Have we got your

0:26:12.520 --> 0:26:14.679
<v Speaker 7>little weekend thing? Well, first we've got to ask have

0:26:14.720 --> 0:26:15.960
<v Speaker 7>you seen any shows?

0:26:16.440 --> 0:26:16.480
<v Speaker 14>No?

0:26:16.640 --> 0:26:19.520
<v Speaker 3>I actually happened to know nothing. Nothing to report on

0:26:19.560 --> 0:26:23.080
<v Speaker 3>that front. All right, Well, in that case, it's time

0:26:23.119 --> 0:26:23.680
<v Speaker 3>for this.

0:26:25.200 --> 0:26:25.600
<v Speaker 4>Now.

0:26:26.359 --> 0:26:30.840
<v Speaker 3>I remember when it's time for who died?

0:26:31.000 --> 0:26:31.400
<v Speaker 4>Kevin?

0:26:31.640 --> 0:26:34.800
<v Speaker 7>Have we lost anyone? Kevin? Did anyone come underlike with.

0:26:34.760 --> 0:26:37.879
<v Speaker 3>The deepest sympathy. We announced the passing of Ian Crawford

0:26:38.600 --> 0:26:41.560
<v Speaker 3>at the age of didn't you know, No, I didn't

0:26:42.160 --> 0:26:44.600
<v Speaker 3>at the age of ninety one. You had him on

0:26:44.640 --> 0:26:47.280
<v Speaker 3>as a guest. Not that long of you, No, how

0:26:47.320 --> 0:26:48.120
<v Speaker 3>long do you think.

0:26:48.640 --> 0:26:50.399
<v Speaker 5>It was within the last twelve months.

0:26:50.440 --> 0:26:53.359
<v Speaker 3>I'm sure, I'm sure it was too. He started out

0:26:53.400 --> 0:26:55.800
<v Speaker 3>as a cameraman on in Melbourne Tonight, a g DV

0:26:56.000 --> 0:26:58.480
<v Speaker 3>channel known and back in those days, and then when

0:26:59.000 --> 0:27:01.840
<v Speaker 3>Homicide came out became successful, they said you'd better get

0:27:01.840 --> 0:27:04.440
<v Speaker 3>back and help the family with all this drama and everything.

0:27:04.720 --> 0:27:07.359
<v Speaker 3>And what a mighty job that Crawford's did over the years.

0:27:08.119 --> 0:27:10.960
<v Speaker 3>They had so many shows. He was actually the son

0:27:11.040 --> 0:27:15.919
<v Speaker 3>of Dorothy Crawford and the nephew of Hector Crawford. Yes,

0:27:16.160 --> 0:27:17.840
<v Speaker 3>but he was such a big part of it all

0:27:17.920 --> 0:27:22.880
<v Speaker 3>because he directed, He was involved in script writing everything

0:27:22.880 --> 0:27:26.960
<v Speaker 3>you can imagine with their productions. Ian did and he

0:27:27.000 --> 0:27:30.080
<v Speaker 3>would do Prabi's talks in recent times and go around

0:27:30.080 --> 0:27:31.679
<v Speaker 3>and tell the people about it. I never went to one.

0:27:31.680 --> 0:27:34.480
<v Speaker 3>I'd love to have gone to a same It was

0:27:34.520 --> 0:27:38.120
<v Speaker 3>a shame. But I'm an amazing man and he'll.

0:27:37.960 --> 0:27:41.359
<v Speaker 7>Be sort of sort of like the historian of Crawford's

0:27:41.359 --> 0:27:41.920
<v Speaker 7>as well.

0:27:42.080 --> 0:27:45.879
<v Speaker 3>In that sense, well, Crawford's was sold off and the

0:27:45.920 --> 0:27:47.960
<v Speaker 3>family sort of moved away from it a bit because

0:27:48.400 --> 0:27:52.280
<v Speaker 3>Hector died. So Dorothy, but he's sort of like when

0:27:52.320 --> 0:27:54.600
<v Speaker 3>we spoke to him, it was usually about the history

0:27:54.640 --> 0:27:57.000
<v Speaker 3>of the place. Yes, yes, he is an expert on

0:27:57.119 --> 0:28:00.119
<v Speaker 3>the Keeper of great knowledge just simply through being there

0:28:00.119 --> 0:28:02.119
<v Speaker 3>and Begger part of it. So very sad for the

0:28:02.160 --> 0:28:05.680
<v Speaker 3>family that's passing at the age of ninety one. In Crawford.

0:28:05.680 --> 0:28:09.359
<v Speaker 3>He was a legend in Australian television. Yeah, that's very sad.

0:28:09.440 --> 0:28:11.600
<v Speaker 3>And the other one is Peter Jones who passed away

0:28:11.760 --> 0:28:15.879
<v Speaker 3>keyboard play, musician, arranger, composed and produce it with LB

0:28:16.080 --> 0:28:22.439
<v Speaker 3>on recordings Crowded House, Sandy Show. He also released jazz recordings.

0:28:22.480 --> 0:28:27.600
<v Speaker 3>He was quite a a very significant force in the

0:28:27.680 --> 0:28:30.680
<v Speaker 3>industry and Peter Jones will be sadly missed.

0:28:30.760 --> 0:28:32.359
<v Speaker 7>Varlet How old was he.

0:28:32.640 --> 0:28:36.439
<v Speaker 3>I'm not sure, but I would imagine around sixties somewhere

0:28:36.480 --> 0:28:39.760
<v Speaker 3>in a too young well, I'm not sure on that point. Yeah,

0:28:40.080 --> 0:28:41.160
<v Speaker 3>it could be a touch older.

0:28:41.160 --> 0:28:44.080
<v Speaker 5>If he was working with the LRB sort of in

0:28:44.120 --> 0:28:47.600
<v Speaker 5>the big days, I would imagine so he's probably nudging

0:28:47.680 --> 0:28:48.840
<v Speaker 5>seventy if not on it.

0:28:50.280 --> 0:28:53.000
<v Speaker 3>Oh well, that's that's two very sad losses this week.

0:28:53.200 --> 0:28:55.720
<v Speaker 3>There are two very sad losses to Australians.

0:28:57.000 --> 0:28:57.600
<v Speaker 7>Well, there we go.

0:28:58.360 --> 0:29:00.680
<v Speaker 5>Anything else before we get you can get to the

0:29:00.720 --> 0:29:01.400
<v Speaker 5>time tunnel.

0:29:01.600 --> 0:29:04.760
<v Speaker 3>I can't think of anything interesting happening in my love

0:29:04.880 --> 0:29:08.280
<v Speaker 3>it's pretty boring. My family overseas and I'm batching. So

0:29:08.440 --> 0:29:10.440
<v Speaker 3>there's me and the dog. I could ask him if

0:29:10.480 --> 0:29:12.680
<v Speaker 3>he's got anything to contribute, bring it in next.

0:29:12.480 --> 0:29:14.880
<v Speaker 5>Week, for like, do you want some of Andrew's tuna

0:29:14.920 --> 0:29:15.640
<v Speaker 5>cass all the time?

0:29:17.760 --> 0:29:19.520
<v Speaker 3>Enough for the dog? He's not let to have little

0:29:19.520 --> 0:29:22.800
<v Speaker 3>special treats like garlic and onion and things like that.

0:29:23.040 --> 0:29:25.520
<v Speaker 5>I was actually thinking it was fit for human consumption.

0:29:25.880 --> 0:29:26.920
<v Speaker 7>Obviously, you know something.

0:29:27.080 --> 0:29:29.720
<v Speaker 3>I thought it was dog food. You're talking about the.

0:29:29.840 --> 0:29:30.760
<v Speaker 7>Lovely tuna bake.

0:29:31.040 --> 0:29:32.960
<v Speaker 5>If you're wanting to throw it at a dog.

0:29:35.560 --> 0:29:37.520
<v Speaker 7>You see the real sight of people sometimes.

0:29:37.160 --> 0:29:40.920
<v Speaker 5>Don't Just if I were you, Andrew, I am, buddy.

0:29:40.920 --> 0:29:44.600
<v Speaker 7>Don't worry, but revenge will be meet it out in time.

0:29:45.200 --> 0:29:47.240
<v Speaker 5>Twenty odd years of the Time tunnel, and it could

0:29:47.280 --> 0:29:49.040
<v Speaker 5>all be.

0:29:48.520 --> 0:29:51.880
<v Speaker 3>Tonight a late start. We could wrap it all up

0:29:51.880 --> 0:29:53.160
<v Speaker 3>at twelve o'clock.

0:29:52.920 --> 0:29:54.400
<v Speaker 7>We'll take a break while I cool down.

0:29:54.440 --> 0:30:00.520
<v Speaker 4>Okay, it's time to go back and remember the events to.

0:30:00.520 --> 0:30:04.360
<v Speaker 7>The soundtrack of our lives. We've trasks time time.

0:30:25.560 --> 0:30:38.840
<v Speaker 18>Yeah, ah, yes, indeed it's that time where that's sort of.

0:30:41.320 --> 0:30:41.880
<v Speaker 7>Snitchy.

0:30:41.880 --> 0:30:45.040
<v Speaker 3>Old keV comes to the microphone and there's revenge time.

0:30:46.040 --> 0:30:47.560
<v Speaker 4>Yes, yes, an.

0:30:47.520 --> 0:30:52.880
<v Speaker 6>Old thespian wanted so much from life and didn't get

0:30:52.920 --> 0:30:55.640
<v Speaker 6>it and pays out on people, and now time for

0:30:55.720 --> 0:30:57.640
<v Speaker 6>him to go back to what years at this time?

0:30:57.760 --> 0:31:01.320
<v Speaker 3>keV, Well, it's the old nineteen fifty five glory. How

0:31:01.400 --> 0:31:02.880
<v Speaker 3>were you in nineteen fifty five?

0:31:02.920 --> 0:31:07.840
<v Speaker 7>And no, I wasn't even born. I just loved, Hey,

0:31:07.880 --> 0:31:09.120
<v Speaker 7>what are you looking at me like that?

0:31:09.320 --> 0:31:10.280
<v Speaker 3>I didn't say anything.

0:31:11.520 --> 0:31:14.240
<v Speaker 6>What I enjoy is just hearing you two old guys,

0:31:14.280 --> 0:31:18.000
<v Speaker 6>Simon and you Reminissa, with all the anecdotes about that era.

0:31:18.440 --> 0:31:21.160
<v Speaker 7>It's wonderful. Yeah, have fond memory. I'm looking forward to

0:31:21.200 --> 0:31:23.400
<v Speaker 7>this because to me it's all a blank canvas.

0:31:23.520 --> 0:31:25.920
<v Speaker 3>Yes it is, but it won't be by all about

0:31:25.920 --> 0:31:26.520
<v Speaker 3>twelve o'clock.

0:31:26.680 --> 0:31:28.360
<v Speaker 7>I'll feel I'm part of fifty.

0:31:28.040 --> 0:31:32.640
<v Speaker 3>Five Old fifty five, that's you, Andrew Old fifty five

0:31:32.680 --> 0:31:35.520
<v Speaker 3>that's me. Well, what happened here in nineteen fifty five

0:31:35.640 --> 0:31:37.960
<v Speaker 3>is Johnny Cash went on radio for the first time.

0:31:38.320 --> 0:31:42.000
<v Speaker 3>It's one of those low banned radio stations in Memphis, Tennessee,

0:31:42.520 --> 0:31:46.400
<v Speaker 3>and it was a Saturday afternoon show and he did

0:31:46.440 --> 0:31:50.400
<v Speaker 3>everything he did the ads, yeah, asking people to call in.

0:31:51.160 --> 0:31:53.520
<v Speaker 3>We're going to sing a song we'd like to hear

0:31:53.560 --> 0:31:57.680
<v Speaker 3>from you. But the highlight of this piece is we

0:31:57.800 --> 0:32:02.080
<v Speaker 3>have Johnny Cash introducing Johnny Cash sings a song, and

0:32:02.120 --> 0:32:04.520
<v Speaker 3>I've toiled in the end of the program where they're

0:32:04.520 --> 0:32:06.760
<v Speaker 3>announcing a show that Johnny Cash is going to be on,

0:32:07.040 --> 0:32:10.760
<v Speaker 3>and also the it's squeezed in there is a that's

0:32:10.760 --> 0:32:14.360
<v Speaker 3>called Elvis Presley, he said, and he starts talking about

0:32:14.360 --> 0:32:16.320
<v Speaker 3>there ten year old boys going to play the drums

0:32:16.440 --> 0:32:20.120
<v Speaker 3>on Elvis will be on. And then if you listen

0:32:20.240 --> 0:32:23.800
<v Speaker 3>to this, it is hysterical because Elvis was just studying

0:32:23.880 --> 0:32:26.280
<v Speaker 3>to be you know, popular around about that time in

0:32:26.360 --> 0:32:28.760
<v Speaker 3>nineteen fifty five. So let's have a listen.

0:32:28.560 --> 0:32:30.200
<v Speaker 9>To her, folks.

0:32:30.200 --> 0:32:32.240
<v Speaker 19>This is our first time to be coming out your

0:32:32.320 --> 0:32:35.560
<v Speaker 19>way by way of radio, and we sincerely hope you'll

0:32:35.640 --> 0:32:38.960
<v Speaker 19>enjoy our program. If you do, we hope you'll write

0:32:39.000 --> 0:32:40.760
<v Speaker 19>us a card or a letter telling us so, and

0:32:41.160 --> 0:32:44.000
<v Speaker 19>maybe we can do your favorite song for you. Sometimes

0:32:44.040 --> 0:32:46.560
<v Speaker 19>with nothing, we'd like better if we can, if we

0:32:46.600 --> 0:32:47.960
<v Speaker 19>know what, If we don't know what, we'll try to

0:32:48.040 --> 0:32:50.840
<v Speaker 19>learn it for you. This program is brought to you

0:32:50.880 --> 0:32:54.200
<v Speaker 19>by Home Equipment Company twenty five twenty nine, Summer Avenue

0:32:54.360 --> 0:32:56.960
<v Speaker 19>right here in Memphis. We'll tell you more about Home

0:32:57.000 --> 0:32:59.840
<v Speaker 19>Equipment Company in a minute, but to get things rolling here,

0:33:00.200 --> 0:33:02.160
<v Speaker 19>we want to do one of our own songs, one

0:33:02.240 --> 0:33:12.560
<v Speaker 19>called Wide Open Road. Well, you said you had enough,

0:33:12.680 --> 0:33:14.920
<v Speaker 19>You said that you were eaven.

0:33:15.080 --> 0:33:19.160
<v Speaker 9>I said, shove Offney, Baby, I ain't grieving.

0:33:19.960 --> 0:33:23.520
<v Speaker 19>Pack your back and pull out this evening.

0:33:23.640 --> 0:33:26.720
<v Speaker 10>There's a wide Open roll.

0:33:28.560 --> 0:33:29.880
<v Speaker 7>Early this morning.

0:33:30.040 --> 0:33:34.080
<v Speaker 19>You were nowhere about until I searched the town, but

0:33:34.320 --> 0:33:34.920
<v Speaker 19>you had.

0:33:34.800 --> 0:33:36.000
<v Speaker 4>Done pulled out.

0:33:36.160 --> 0:33:40.440
<v Speaker 19>I look northeast and west and then leading south of

0:33:40.640 --> 0:33:41.960
<v Speaker 19>all wide.

0:33:42.240 --> 0:33:46.320
<v Speaker 9>Open and frand I don't forget about that big show

0:33:46.400 --> 0:33:51.400
<v Speaker 9>tomorrow night at Overton Park shell Uh, the Big Country Jamboree.

0:33:51.440 --> 0:33:53.400
<v Speaker 9>It's gonna be one of the biggest ever to come

0:33:53.440 --> 0:33:56.600
<v Speaker 9>to Memphis. And oh, you won't want to missus seeing

0:33:56.680 --> 0:33:59.600
<v Speaker 9>and hearing in Parsons wept theirs and all the wondering boys,

0:33:59.680 --> 0:34:03.760
<v Speaker 9>Red Elvis Presley will be there, Jim Wilson and his

0:34:03.800 --> 0:34:05.760
<v Speaker 9>little four year old daughter, the boy that's got such

0:34:05.800 --> 0:34:08.960
<v Speaker 9>a big hit record on Daddy you know what. And

0:34:10.080 --> 0:34:14.840
<v Speaker 9>Sunny James will be there too, Bud Deckleman, Johnny Cash,

0:34:14.880 --> 0:34:18.600
<v Speaker 9>Wanda Jackson, the little gal from Oklahoma, and of course

0:34:18.640 --> 0:34:21.160
<v Speaker 9>Yours True and just many many others. Don't you miss

0:34:21.200 --> 0:34:23.600
<v Speaker 9>it now tomorrow night at eight o'clock one show only.

0:34:23.840 --> 0:34:29.080
<v Speaker 5>Isn't that wonderful reference to Elvis's working to get to

0:34:29.120 --> 0:34:31.279
<v Speaker 5>mention that place where they did the show.

0:34:31.360 --> 0:34:34.919
<v Speaker 3>The Everton Park shell is a bit like the Hollywood Ball,

0:34:35.000 --> 0:34:37.319
<v Speaker 3>you know, of those great big shells that everybody's on

0:34:37.400 --> 0:34:40.360
<v Speaker 3>stage in. And they wanted to pull it down and

0:34:40.400 --> 0:34:43.600
<v Speaker 3>build apartments, and the whole of Memphis were up in arms.

0:34:43.600 --> 0:34:46.320
<v Speaker 3>They said, this is where Elvis Presley did his first

0:34:46.360 --> 0:34:49.279
<v Speaker 3>paid job in this show. Yeah, I'm pulling it down.

0:34:49.600 --> 0:34:51.640
<v Speaker 3>So they won, and they stuck it on them and

0:34:51.680 --> 0:34:54.520
<v Speaker 3>it's still there. Yeah. Good, that's through for good on them. Yeah,

0:34:54.560 --> 0:34:57.560
<v Speaker 3>that's good all right. Quick quiz time, Kevin, Yeah, quick

0:34:57.640 --> 0:35:00.760
<v Speaker 3>quiz time. Boys, The time to up and your pencils

0:35:00.800 --> 0:35:02.640
<v Speaker 3>and doss. You've got to take part in this quiz.

0:35:02.640 --> 0:35:05.719
<v Speaker 3>So pay close attention. Just listen to this, Doss, You'll

0:35:05.719 --> 0:35:09.440
<v Speaker 3>hear this. Which of the following films won Best Picture

0:35:09.920 --> 0:35:13.759
<v Speaker 3>at the nineteen fifty five Academy Awards. Was it A

0:35:14.239 --> 0:35:19.759
<v Speaker 3>The Country Girl, B, Seven Brides for Seven Brothers, c

0:35:20.480 --> 0:35:26.680
<v Speaker 3>On the Waterfront, or d The Cane Mutiny won the

0:35:26.719 --> 0:35:29.840
<v Speaker 3>Academy Award for Best Picture Country Girl, Seven Brides for

0:35:29.880 --> 0:35:33.319
<v Speaker 3>Seven Brothers on the Waterfront, or The Cane Mutiny on

0:35:33.360 --> 0:35:33.840
<v Speaker 3>the Waterfront?

0:35:33.960 --> 0:35:36.160
<v Speaker 6>Is the Marlon Brando movie, isn't it? He was really

0:35:36.239 --> 0:35:39.920
<v Speaker 6>hot at that time, the Wild One and all that.

0:35:41.000 --> 0:35:45.840
<v Speaker 6>I'm going to go for the for the Branda movie

0:35:45.880 --> 0:35:47.120
<v Speaker 6>on the Waterfront.

0:35:46.680 --> 0:35:52.920
<v Speaker 20>Okay, the Waterfront, Doss' second, Just for a point of difference,

0:35:53.160 --> 0:35:55.759
<v Speaker 20>I was I was also leaning in that direction, But

0:35:55.800 --> 0:35:58.000
<v Speaker 20>I'm going to go Cane Mutiny, which I think might

0:35:58.000 --> 0:35:59.839
<v Speaker 20>have been a dark horse.

0:35:59.560 --> 0:35:59.839
<v Speaker 21>In that.

0:36:03.719 --> 0:36:04.719
<v Speaker 3>Very good selection.

0:36:04.880 --> 0:36:08.560
<v Speaker 7>Simon. It wasn't The Country Girl? Which was that even

0:36:08.560 --> 0:36:08.960
<v Speaker 7>a movie?

0:36:09.200 --> 0:36:09.279
<v Speaker 19>Been?

0:36:09.360 --> 0:36:12.560
<v Speaker 3>Christy and Grace County. Oh yes, they won the Academy

0:36:12.600 --> 0:36:15.279
<v Speaker 3>Awards for that rubbish for acting, I mean, not for

0:36:15.320 --> 0:36:21.000
<v Speaker 3>the picture. Rubbish rubbish. Okay, Seven Brides for Seven Brothers

0:36:21.120 --> 0:36:23.000
<v Speaker 3>was the MGM musical. No, they didn't win.

0:36:23.320 --> 0:36:28.640
<v Speaker 6>Now, musicals still never win quest sometimes don't they not?

0:36:28.719 --> 0:36:32.919
<v Speaker 3>Often quite right there, quite right there, quite right there.

0:36:33.280 --> 0:36:34.080
<v Speaker 7>I think they should.

0:36:34.239 --> 0:36:36.160
<v Speaker 3>And Simon, I'm sorry to say it's not the Cane

0:36:36.239 --> 0:36:40.799
<v Speaker 3>mutiny with Humphrey Bogart with the marbles. Yes it was.

0:36:41.080 --> 0:36:44.279
<v Speaker 3>It was on the waterfront. Andrew and Doss have both

0:36:44.320 --> 0:36:47.600
<v Speaker 3>got it. Congratulations guys. Yes, there are no prize that

0:36:47.680 --> 0:36:48.280
<v Speaker 3>by the way.

0:36:48.160 --> 0:36:51.640
<v Speaker 7>For this, just the sense of a good glory. It's

0:36:51.680 --> 0:36:56.879
<v Speaker 7>the glory and the second helping of Tune Morne. Those

0:36:56.920 --> 0:36:59.839
<v Speaker 7>who missed the first half hour of this program, there

0:36:59.920 --> 0:37:03.359
<v Speaker 7>was tunam all day bakeoff. Yes, Simon one, Well.

0:37:03.280 --> 0:37:05.560
<v Speaker 5>We don't need to dwell on who won and who didn't.

0:37:05.600 --> 0:37:09.040
<v Speaker 5>I think we both prepared lovely meals. And I appreciate

0:37:09.080 --> 0:37:10.000
<v Speaker 5>your how.

0:37:09.960 --> 0:37:15.359
<v Speaker 7>Very magnanimous of you, very gracious in victory you are. Yes,

0:37:15.640 --> 0:37:16.880
<v Speaker 7>it's not I'm impressed.

0:37:16.960 --> 0:37:21.920
<v Speaker 3>Well, it's I just always knew. Yes, I might include

0:37:21.920 --> 0:37:23.200
<v Speaker 3>that in the quick quiz next week.

0:37:23.719 --> 0:37:27.640
<v Speaker 6>Who won the twenty twenty five bakeoff?

0:37:26.560 --> 0:37:29.279
<v Speaker 3>Yes, that's the quick quiz.

0:37:29.000 --> 0:37:30.839
<v Speaker 6>Next Hey, we've got to move on because we've got

0:37:30.840 --> 0:37:32.759
<v Speaker 6>a whole lot of things here. Yes, we've got some

0:37:32.800 --> 0:37:34.279
<v Speaker 6>films happening in fifty.

0:37:33.920 --> 0:37:38.320
<v Speaker 3>Five marvelous films. Oklahoma. I remember seeing Oklahoma on the

0:37:38.320 --> 0:37:40.600
<v Speaker 3>big screen at the Regions and I couldn't get over

0:37:40.719 --> 0:37:44.800
<v Speaker 3>that Toddeo process. So it was absolutely fantastic. And guys

0:37:44.840 --> 0:37:48.880
<v Speaker 3>and dolls came out, the Cane Mutiny, as we mentioned, Brigadoon,

0:37:48.920 --> 0:37:53.759
<v Speaker 3>the tender Trap, the Blackboard Jungle and Fast Parker. Me

0:37:53.840 --> 0:37:56.879
<v Speaker 3>I mate Fess who has been gone for fifteen years now.

0:37:56.880 --> 0:38:00.720
<v Speaker 3>He died fifteen years ago. Fess he was a terrific

0:38:00.719 --> 0:38:03.760
<v Speaker 3>bloke and he played Davy Crockett in the TV show

0:38:04.239 --> 0:38:09.440
<v Speaker 3>Disneyland for Walt Disney. Because when it came out we

0:38:09.480 --> 0:38:11.879
<v Speaker 3>didn't have television in Australia. It was nineteen fifty five,

0:38:12.000 --> 0:38:14.640
<v Speaker 3>no TV. So they chopped it together with the Paris

0:38:14.960 --> 0:38:17.440
<v Speaker 3>and they made a film out of the episodes that

0:38:17.480 --> 0:38:19.480
<v Speaker 3>were actually on Disneyland. So we go and see it

0:38:19.520 --> 0:38:21.600
<v Speaker 3>at the So we go to the Esquire in Burke

0:38:21.640 --> 0:38:26.080
<v Speaker 3>Street to see Fess Parker. I didn't fancy the old

0:38:26.120 --> 0:38:28.600
<v Speaker 3>coonskin cap to be quite nice. That smelly old thing

0:38:28.640 --> 0:38:31.040
<v Speaker 3>on your head didn't appeal to me. What about you, Andrew?

0:38:31.120 --> 0:38:33.439
<v Speaker 7>Do you have one, but I said, I was way

0:38:33.440 --> 0:38:33.879
<v Speaker 7>too young.

0:38:34.239 --> 0:38:37.280
<v Speaker 6>But it was interesting to watch you old guys wandering

0:38:37.320 --> 0:38:39.800
<v Speaker 6>around with them down the street. But I'll tell you

0:38:39.880 --> 0:38:44.360
<v Speaker 6>what they did with with the episodes of TV series.

0:38:44.560 --> 0:38:46.640
<v Speaker 6>That wasn't the only thing that only time they did

0:38:46.680 --> 0:38:48.520
<v Speaker 6>it with Davy Crockett, because they did it with the

0:38:48.520 --> 0:38:51.879
<v Speaker 6>Man from Uncle. I went on to see The Man

0:38:51.880 --> 0:38:54.960
<v Speaker 6>from Uncle the movie. I thought, oh, this is great.

0:38:55.200 --> 0:38:57.480
<v Speaker 6>It was two episodes of the TV series that I

0:38:57.520 --> 0:39:02.760
<v Speaker 6>had already seen. Blend I big good money to sit.

0:39:02.640 --> 0:39:03.520
<v Speaker 7>Up there in the Belcone.

0:39:03.560 --> 0:39:06.759
<v Speaker 3>Oh, I was outraged. Yeah, I would have demanded that

0:39:07.280 --> 0:39:08.280
<v Speaker 3>your buddy back.

0:39:08.800 --> 0:39:10.880
<v Speaker 7>Stomped out of the box office, but they'd closed up

0:39:10.880 --> 0:39:11.279
<v Speaker 7>for the night.

0:39:11.440 --> 0:39:15.640
<v Speaker 3>Yeah. Anyhow, Davy Crockett was the song that accompanied this,

0:39:16.160 --> 0:39:19.239
<v Speaker 3>and it was sung by Fess Parker, So I spoke

0:39:19.280 --> 0:39:20.000
<v Speaker 3>to him about this.

0:39:21.160 --> 0:39:24.640
<v Speaker 19>Raised in the woods, sows in you every tree killed

0:39:24.719 --> 0:39:27.200
<v Speaker 19>him the bar when he was only three.

0:39:27.600 --> 0:39:34.560
<v Speaker 3>Day day King of the Wild Frontier, and the song itself,

0:39:34.680 --> 0:39:36.800
<v Speaker 3>the Ballad of Davy Crockett, became a big hit. I

0:39:36.840 --> 0:39:39.040
<v Speaker 3>don't know if people realized, but right at the beginning

0:39:39.120 --> 0:39:41.880
<v Speaker 3>there we did play you singing the song, which is

0:39:42.000 --> 0:39:43.920
<v Speaker 3>actually a version. You did well.

0:39:43.960 --> 0:39:46.480
<v Speaker 22>I have to tell you something, Kevin, I was the

0:39:46.520 --> 0:39:49.880
<v Speaker 22>first person to record it. I was signed in August

0:39:49.960 --> 0:39:53.440
<v Speaker 22>of nineteen thirty four, and I had signed a little

0:39:53.480 --> 0:39:55.560
<v Speaker 22>song that I had written for Walt Disney with my

0:39:56.000 --> 0:39:58.480
<v Speaker 22>sole guitar. I wasn't much of a singer, but I

0:39:58.560 --> 0:40:00.600
<v Speaker 22>convinced him that I could sing well enough, and they

0:40:01.080 --> 0:40:03.280
<v Speaker 22>two weeks later they called me in and I recorded

0:40:03.320 --> 0:40:06.680
<v Speaker 22>The Battle of Davy Crockett. Up for thirty years, Walt

0:40:06.719 --> 0:40:09.880
<v Speaker 22>Disney and his brother Roy had resisted having a record

0:40:09.880 --> 0:40:13.880
<v Speaker 22>company or having anything to do with record royalties, but

0:40:13.960 --> 0:40:17.439
<v Speaker 22>with the ballot of Davy Crockett, that changed, and so

0:40:17.480 --> 0:40:23.080
<v Speaker 22>he kept my first recording and the Cadence Records were

0:40:23.440 --> 0:40:28.880
<v Speaker 22>able to bring out Bill Hayes first, while Walt organized

0:40:28.920 --> 0:40:32.640
<v Speaker 22>this record company. I finally got out and I did

0:40:32.719 --> 0:40:35.440
<v Speaker 22>very well. But there were sixteen major artists in America

0:40:36.040 --> 0:40:38.480
<v Speaker 22>in about six weeks that recorded that song.

0:40:39.920 --> 0:40:41.720
<v Speaker 3>I wanted to get it in the act that Tennessee

0:40:41.719 --> 0:40:43.439
<v Speaker 3>Andy Ford was one of them too, and.

0:40:43.400 --> 0:40:46.600
<v Speaker 5>Oh he was, Yes, indeed, yes, that's who I was

0:40:46.600 --> 0:40:46.960
<v Speaker 5>thinking of.

0:40:47.080 --> 0:40:47.480
<v Speaker 7>Tennessee.

0:40:47.520 --> 0:40:49.920
<v Speaker 5>Ernie Ford did a version two did he did? And

0:40:49.960 --> 0:40:52.480
<v Speaker 5>he had the beautiful deep rounded voice to me.

0:40:52.760 --> 0:40:56.000
<v Speaker 3>Yeah, yeah, we were all singing it. You couldn't It

0:40:56.120 --> 0:40:56.800
<v Speaker 3>was very catchy.

0:40:56.880 --> 0:40:58.640
<v Speaker 7>Yeah, it's a good song. It was a good end

0:40:58.640 --> 0:41:00.720
<v Speaker 7>of the spoof version of the version.

0:41:00.840 --> 0:41:02.839
<v Speaker 3>I was going to mention it, but if you want

0:41:02.840 --> 0:41:04.320
<v Speaker 3>to mention it, that's on the tabletop.

0:41:04.560 --> 0:41:06.840
<v Speaker 7>Yeah, dirty a stump in the USA.

0:41:07.000 --> 0:41:09.280
<v Speaker 3>I hope you wouldn't go that shot his mother.

0:41:09.200 --> 0:41:12.200
<v Speaker 7>When he was only three. Oh yeah, I don't know

0:41:12.320 --> 0:41:16.160
<v Speaker 7>that one. Oh well, it was you know, everybody knew.

0:41:16.200 --> 0:41:18.759
<v Speaker 3>It was never released as a record, but everybody knew

0:41:18.800 --> 0:41:19.799
<v Speaker 3>those lyrics, yes.

0:41:20.200 --> 0:41:22.160
<v Speaker 7>More than more than the real lyrics.

0:41:22.880 --> 0:41:25.320
<v Speaker 3>That was the only version was Yes, very popular, So

0:41:25.320 --> 0:41:26.560
<v Speaker 3>I kind of sold a million.

0:41:26.400 --> 0:41:28.840
<v Speaker 7>That that's right right now.

0:41:28.960 --> 0:41:30.960
<v Speaker 5>Kevin tell us about Dogface Soldier.

0:41:31.640 --> 0:41:34.120
<v Speaker 3>Well, there was a film that came out in CinemaScope

0:41:34.560 --> 0:41:37.680
<v Speaker 3>in nineteen fifty five called to Hallan Back, which was

0:41:37.760 --> 0:41:41.920
<v Speaker 3>based on the biography of Audie Murphy. Because he was

0:41:42.000 --> 0:41:46.480
<v Speaker 3>one of the most decorated servicemen in the Second World War.

0:41:46.719 --> 0:41:52.840
<v Speaker 3>He was absolutely incredible. He was highly decorated, and he

0:41:52.920 --> 0:41:55.680
<v Speaker 3>also had a film career. He was well, he didn't

0:41:55.680 --> 0:41:57.760
<v Speaker 3>start the film still, he came back after the warning.

0:41:58.200 --> 0:42:02.560
<v Speaker 3>He mainly specialized in whets. I loved Audie Murphy. I

0:42:02.600 --> 0:42:04.960
<v Speaker 3>think it was terrific. I saw all these pictures and

0:42:05.080 --> 0:42:07.239
<v Speaker 3>I saw this at the State Picture Theater which is

0:42:07.360 --> 0:42:11.360
<v Speaker 3>now the Forum in nineteen fifty five, and it was

0:42:11.440 --> 0:42:13.920
<v Speaker 3>on the big screen and they had a great cast

0:42:14.040 --> 0:42:17.360
<v Speaker 3>of actors, and there was this song that still sticks

0:42:17.400 --> 0:42:20.160
<v Speaker 3>in my mind. Andrew might have some good lyrics to this,

0:42:20.640 --> 0:42:24.719
<v Speaker 3>but this is talent back the theme song like I am.

0:42:26.520 --> 0:42:28.879
<v Speaker 7>I love to read my own dyes.

0:42:28.719 --> 0:42:33.040
<v Speaker 23>For all the babies, Thunderies, bri Walk and Sam.

0:42:34.200 --> 0:42:36.480
<v Speaker 1>On all the posters that I read, it.

0:42:36.560 --> 0:42:37.799
<v Speaker 2>Said, the army.

0:42:39.640 --> 0:42:42.120
<v Speaker 3>Me down to build me over again.

0:42:42.920 --> 0:42:46.759
<v Speaker 23>I'm dot Solder, were the right bull of shoulder and

0:42:47.280 --> 0:42:54.080
<v Speaker 23>ready for ever comes. Byways give me and by all

0:42:54.160 --> 0:43:22.239
<v Speaker 23>the vision your doty soldier. By talking on it, there

0:43:22.560 --> 0:43:27.440
<v Speaker 23>be down to build. I'm just a dog based soldier,

0:43:28.880 --> 0:43:30.680
<v Speaker 23>the solder ready for.

0:43:34.760 --> 0:43:37.080
<v Speaker 3>Take take you.

0:43:38.040 --> 0:43:39.160
<v Speaker 13>I'm not bas soldier.

0:43:40.600 --> 0:43:43.399
<v Speaker 5>What does dog face soldier actually mean?

0:43:43.520 --> 0:43:45.239
<v Speaker 7>I'm a dog face side.

0:43:44.960 --> 0:43:46.760
<v Speaker 3>I don't know, but I walked out of that Picture

0:43:46.800 --> 0:43:48.760
<v Speaker 3>Theater after seeing that film, and I've thought I've found

0:43:48.800 --> 0:43:51.720
<v Speaker 3>my career. I want to be a dog face soldier soldier.

0:43:51.800 --> 0:43:53.000
<v Speaker 3>A good day you would to please.

0:43:53.640 --> 0:43:56.040
<v Speaker 5>It's it sounds like it's almost like a put down.

0:43:56.120 --> 0:43:57.640
<v Speaker 5>You're the lowest level of song.

0:43:57.800 --> 0:44:02.160
<v Speaker 3>Maybe an infantry man, wouldn't he?

0:44:02.640 --> 0:44:07.239
<v Speaker 5>That would be literally Yes, I'd leave Andrew is the

0:44:07.239 --> 0:44:09.680
<v Speaker 5>word smith. I'd let him pronounce that teacher.

0:44:10.239 --> 0:44:10.439
<v Speaker 21>Yeah.

0:44:11.239 --> 0:44:14.960
<v Speaker 6>Now moving on now, because we must. We got shows

0:44:15.360 --> 0:44:17.080
<v Speaker 6>of nineteen fifty five Kevin.

0:44:17.320 --> 0:44:19.520
<v Speaker 3>Well The Bob Hope Show. Bob Hope was brought over

0:44:19.600 --> 0:44:22.680
<v Speaker 3>by Lee Gordon, and financially the show was a disaster.

0:44:23.200 --> 0:44:25.400
<v Speaker 3>He had lost a heap of money and Bob was

0:44:25.480 --> 0:44:27.400
<v Speaker 3>aware of that, and when he got back to America,

0:44:27.719 --> 0:44:31.359
<v Speaker 3>he sent Lee Gordon some money apparently to get him

0:44:31.400 --> 0:44:33.160
<v Speaker 3>out of the financial difficulty he was in.

0:44:33.360 --> 0:44:34.400
<v Speaker 7>That was really nice of him.

0:44:34.560 --> 0:44:37.359
<v Speaker 3>Yes, I don't know why it didn't work because Bob

0:44:37.440 --> 0:44:39.560
<v Speaker 3>Hope was a big, big star, wasn't he.

0:44:40.040 --> 0:44:40.279
<v Speaker 7>Yeah.

0:44:40.480 --> 0:44:42.839
<v Speaker 6>I think Lee Gordon had trouble again with he brought

0:44:42.880 --> 0:44:47.279
<v Speaker 6>out a costello too. I don't think that was particularly successful.

0:44:47.360 --> 0:44:49.120
<v Speaker 3>No, I didn't have finished up down at the Palais,

0:44:49.200 --> 0:44:51.600
<v Speaker 3>and no, it wasn't particularly successful. So there are a

0:44:51.640 --> 0:44:53.239
<v Speaker 3>couple of momen but he made a lot of money

0:44:53.320 --> 0:44:56.080
<v Speaker 3>out of Sinatra and people like that. When he did

0:44:56.480 --> 0:44:58.560
<v Speaker 3>concerts and Johnny Ray. He made a lot of money.

0:44:58.880 --> 0:45:01.880
<v Speaker 3>Johnny Ray, the Prince of else He was terrific. I

0:45:02.120 --> 0:45:03.640
<v Speaker 3>never know you interviewed him, didn't you.

0:45:03.719 --> 0:45:07.040
<v Speaker 7>I did, yes, once upon a time. And I did

0:45:07.360 --> 0:45:09.359
<v Speaker 7>happen to see him at the Fellow Theater with Mom

0:45:09.400 --> 0:45:10.880
<v Speaker 7>and Dad many years ago, did you.

0:45:11.080 --> 0:45:11.279
<v Speaker 10>Yes?

0:45:11.600 --> 0:45:13.759
<v Speaker 3>Phil was there and Phil Records. The sound broke down

0:45:13.800 --> 0:45:16.040
<v Speaker 3>and he wasn't too happy with the sound man.

0:45:16.200 --> 0:45:17.839
<v Speaker 7>Must have been a different show to while I saw.

0:45:18.000 --> 0:45:20.919
<v Speaker 3>Probably probably that he did a number of shows down there.

0:45:21.280 --> 0:45:21.600
<v Speaker 7>Anyhow.

0:45:21.719 --> 0:45:25.200
<v Speaker 3>Ronnie Rosenberg my mate who has passed on. But Ronnie

0:45:25.320 --> 0:45:27.920
<v Speaker 3>was a pianist. He was musical director on him Melmne

0:45:27.960 --> 0:45:30.520
<v Speaker 3>to Night and we did shows together with Teddy Hamilton.

0:45:30.680 --> 0:45:32.880
<v Speaker 3>We too it all over the place with Ronnie and

0:45:33.560 --> 0:45:35.320
<v Speaker 3>Ronnie never had any music in front of me. He

0:45:35.400 --> 0:45:37.880
<v Speaker 3>just said at the piano. I didn't think a you know,

0:45:38.080 --> 0:45:41.880
<v Speaker 3>every song that you could think of. He was fantastic. Anyhow,

0:45:42.000 --> 0:45:44.439
<v Speaker 3>he did work for Bob Hope.

0:45:45.680 --> 0:45:47.840
<v Speaker 7>Gee, you must have met some real big stars in

0:45:47.920 --> 0:45:48.279
<v Speaker 7>your time.

0:45:48.360 --> 0:45:53.279
<v Speaker 3>Ronnie Rosenbergh, Now tell me any stories about Bob Hope.

0:45:54.239 --> 0:45:56.120
<v Speaker 21>Look, I didn't get very clice. I wanted to.

0:45:56.800 --> 0:45:57.120
<v Speaker 4>I want.

0:45:57.239 --> 0:45:59.360
<v Speaker 21>He was on the town all but I wanted to.

0:46:00.160 --> 0:46:04.520
<v Speaker 7>I loved him, you know, yes, I do remember one.

0:46:04.440 --> 0:46:08.040
<v Speaker 21>Night I had to play something for him and I

0:46:08.320 --> 0:46:10.680
<v Speaker 21>had to give him the peggio to get in and

0:46:10.760 --> 0:46:14.480
<v Speaker 21>he said thank you, Liberaci, which destroyed me a bit.

0:46:18.440 --> 0:46:21.440
<v Speaker 7>Life goes on, Roddie, you are a wealth of stories.

0:46:21.520 --> 0:46:22.719
<v Speaker 4>It's lovely talking to you.

0:46:22.880 --> 0:46:26.920
<v Speaker 3>That's a funny story, that's cute. Ronnie was fantastic, no idea,

0:46:27.600 --> 0:46:29.600
<v Speaker 3>all the fun we had on those shows, it was terrific.

0:46:30.880 --> 0:46:32.760
<v Speaker 7>And Frank Sinatra, Yeah.

0:46:32.680 --> 0:46:35.880
<v Speaker 3>Frank Sinatra. Frank Sinatra came in nineteen fifty five with

0:46:36.000 --> 0:46:38.759
<v Speaker 3>his daughter Nancy and it was the first visit to

0:46:38.800 --> 0:46:41.800
<v Speaker 3>Australia for Sinatra and he loved him being here and

0:46:41.880 --> 0:46:44.680
<v Speaker 3>he came back on a number of times and he

0:46:45.320 --> 0:46:49.160
<v Speaker 3>was someone that you know, was what would you call him?

0:46:49.200 --> 0:46:52.400
<v Speaker 3>He was a superstar really in those days. And they

0:46:52.440 --> 0:46:54.840
<v Speaker 3>were doing something like three shows at night at the

0:46:55.360 --> 0:46:59.319
<v Speaker 3>West Melbourne Stadium, but unfortunately the West Melbourne Stadium burned down,

0:47:00.080 --> 0:47:02.879
<v Speaker 3>so they moved Frank Sinatra. Do you know, I reckon

0:47:02.960 --> 0:47:05.200
<v Speaker 3>I should have a plak up outside the Melbourne Town

0:47:05.280 --> 0:47:08.960
<v Speaker 3>Hall because Sonatra did concerts at the Melbourne Town Hall,

0:47:09.680 --> 0:47:12.720
<v Speaker 3>and I never knew yes, because they had no venue

0:47:13.280 --> 0:47:16.719
<v Speaker 3>and so and Sinatra was quite happy to play a

0:47:16.800 --> 0:47:19.000
<v Speaker 3>town He's I'll play anywhere. I was sing in the streets.

0:47:19.360 --> 0:47:21.520
<v Speaker 3>People bought tickets. They want to come and see me.

0:47:21.760 --> 0:47:24.319
<v Speaker 3>Let's go wherever you want to go. So they went

0:47:24.360 --> 0:47:26.920
<v Speaker 3>to the Melbourne Town Hall. And it was very good

0:47:26.960 --> 0:47:27.200
<v Speaker 3>of him.

0:47:27.400 --> 0:47:30.200
<v Speaker 7>I would have thought he would be very setting his

0:47:30.320 --> 0:47:30.879
<v Speaker 7>ways about.

0:47:31.480 --> 0:47:34.120
<v Speaker 3>Understand, we had a pile of ashes out in West

0:47:34.200 --> 0:47:36.640
<v Speaker 3>Melbourn with the place they're supposed to be in. And

0:47:36.719 --> 0:47:39.160
<v Speaker 3>I remember going pasting the train to school and looking

0:47:39.200 --> 0:47:42.120
<v Speaker 3>down and seeing that all burnt out because it was

0:47:42.160 --> 0:47:47.400
<v Speaker 3>a wood, Yes it was. And I saw Sinatra actually

0:47:47.520 --> 0:47:51.520
<v Speaker 3>before built burnt down. I must have been very young.

0:47:51.680 --> 0:47:54.480
<v Speaker 3>All I can remember is him singing one for my

0:47:54.640 --> 0:47:58.759
<v Speaker 3>Baby and One for the Road in the boxing ring

0:47:59.080 --> 0:48:00.960
<v Speaker 3>in the middle of the West Melbourne Stadium where they

0:48:01.000 --> 0:48:02.640
<v Speaker 3>used to run all the fights, and is that where

0:48:02.640 --> 0:48:03.080
<v Speaker 3>they had a.

0:48:03.120 --> 0:48:06.120
<v Speaker 7>Sort of an upstairs section and it was behind chicken wire.

0:48:06.360 --> 0:48:08.000
<v Speaker 3>It was all that sort of stuff. Yeah, it was

0:48:08.040 --> 0:48:09.160
<v Speaker 3>pretty primitive, wasn't it.

0:48:09.280 --> 0:48:09.480
<v Speaker 7>Yeah.

0:48:09.760 --> 0:48:11.279
<v Speaker 3>My father used to take me to the boxing and

0:48:11.320 --> 0:48:12.920
<v Speaker 3>we used to hold up the newspapers to keep the

0:48:12.960 --> 0:48:15.960
<v Speaker 3>Blood Office from the front fright. It was terrific.

0:48:18.760 --> 0:48:19.319
<v Speaker 7>What a life?

0:48:19.440 --> 0:48:20.200
<v Speaker 3>Anyhow? What a life?

0:48:20.239 --> 0:48:20.399
<v Speaker 7>Say?

0:48:20.440 --> 0:48:22.920
<v Speaker 3>Sinatra had a song He's going to sing it now,

0:48:23.400 --> 0:48:26.719
<v Speaker 3>Nancy with a laughing Face, which was written by Phil Silvers,

0:48:27.000 --> 0:48:29.960
<v Speaker 3>of all people, and it became a big hit for

0:48:30.160 --> 0:48:30.880
<v Speaker 3>Frank Sinadra.

0:48:31.520 --> 0:48:34.160
<v Speaker 12>Around nineteen forty, ladies and gentlemen, there was a song

0:48:34.200 --> 0:48:38.560
<v Speaker 12>written about a little girl who was then two years old,

0:48:41.000 --> 0:48:43.279
<v Speaker 12>I should say forty once. I'm two years old. And

0:48:45.440 --> 0:48:47.000
<v Speaker 12>she's grown a good deal since then.

0:48:48.920 --> 0:48:49.640
<v Speaker 4>I'm glad of that.

0:48:50.560 --> 0:48:55.640
<v Speaker 12>And the song was written about her because she had

0:48:55.680 --> 0:48:58.759
<v Speaker 12>all of the qualities that the words describing the song,

0:48:59.480 --> 0:49:00.520
<v Speaker 12>and she's has them.

0:49:00.520 --> 0:49:02.239
<v Speaker 4>And I'd like to do this tune for you now.

0:49:02.360 --> 0:49:06.200
<v Speaker 4>It's about my oldest daughter. It's called Nancy with a

0:49:06.280 --> 0:49:06.960
<v Speaker 4>laughing Face.

0:49:15.120 --> 0:49:24.239
<v Speaker 24>If I don't see her each day, I miss her. Gee,

0:49:25.680 --> 0:49:29.480
<v Speaker 24>what a thrill each time I kiss her.

0:49:31.600 --> 0:49:33.200
<v Speaker 10>Believe me, I've got.

0:49:33.120 --> 0:49:33.880
<v Speaker 7>A case.

0:49:36.280 --> 0:49:44.279
<v Speaker 4>On Nancy with a laughing face. She takes the winter.

0:49:45.920 --> 0:49:49.400
<v Speaker 6>And she makes it some lovely to hear Sinatra in

0:49:49.480 --> 0:49:53.600
<v Speaker 6>Melbourne way back when in the mid nineteen fifty five

0:49:53.880 --> 0:49:56.000
<v Speaker 6>and Nancy with a laughing face. We are in the

0:49:56.040 --> 0:49:58.399
<v Speaker 6>midst of the Time Tunnel with Kevin, and we're back

0:49:58.440 --> 0:50:00.239
<v Speaker 6>with more of nineteen fifty five runner.

0:50:00.080 --> 0:50:03.720
<v Speaker 5>To these It's Mystery Voice time in Trask's Time Tunnel.

0:50:03.719 --> 0:50:05.760
<v Speaker 5>If you're wondering why are we doing trash Time Tunnel

0:50:05.760 --> 0:50:07.560
<v Speaker 5>in this hour, it's because we didn't get to start

0:50:07.680 --> 0:50:11.280
<v Speaker 5>till ten thirty this evening, so it's an hour delay

0:50:11.840 --> 0:50:14.399
<v Speaker 5>for Trask's Time Tunnel. But here we are and it's

0:50:14.440 --> 0:50:16.440
<v Speaker 5>Mystery Voice time. He wants you to take part by

0:50:16.520 --> 0:50:19.520
<v Speaker 5>texting us your answer. Kevin's going to play a mystery voice.

0:50:19.560 --> 0:50:21.680
<v Speaker 5>We're going to try and guess. If you think you know,

0:50:21.960 --> 0:50:25.200
<v Speaker 5>text your answer to zero four double seven six nine

0:50:25.320 --> 0:50:28.960
<v Speaker 5>three six nine three and will name the first person

0:50:29.040 --> 0:50:32.520
<v Speaker 5>who correctly gets the answer right. Kevin, do we have

0:50:32.600 --> 0:50:33.080
<v Speaker 5>a clue?

0:50:33.920 --> 0:50:36.759
<v Speaker 3>Well, I think this is particularly easy, and I think

0:50:37.239 --> 0:50:39.399
<v Speaker 3>I would ask you both to hold back and give

0:50:39.440 --> 0:50:41.439
<v Speaker 3>the listeners a chance to have a little think about

0:50:41.520 --> 0:50:44.759
<v Speaker 3>this before you dive in, because I think you will

0:50:44.880 --> 0:50:48.080
<v Speaker 3>know this immediately. But then, on the other hand, I've

0:50:48.120 --> 0:50:48.480
<v Speaker 3>thought that.

0:50:48.600 --> 0:50:51.319
<v Speaker 5>Before, yes, and it has been some of our toughest ones.

0:50:52.040 --> 0:50:55.640
<v Speaker 3>Toughest ones, so it's very interesting. So look, it's a

0:50:55.719 --> 0:50:58.719
<v Speaker 3>male and here's Tonight's mystery voice.

0:51:01.600 --> 0:51:04.520
<v Speaker 4>And three excent.

0:51:08.520 --> 0:51:11.120
<v Speaker 20>A mile.

0:51:14.239 --> 0:51:15.920
<v Speaker 4>Play the Gale.

0:51:16.800 --> 0:51:34.399
<v Speaker 3>But to dream more, this song came this song came

0:51:34.440 --> 0:51:35.600
<v Speaker 3>out in nineteen fifty five.

0:51:35.680 --> 0:51:37.480
<v Speaker 7>I might point it, yeah, the Platters, but this is

0:51:37.520 --> 0:51:38.560
<v Speaker 7>obviously not the Platts.

0:51:38.800 --> 0:51:39.160
<v Speaker 3>Clatters.

0:51:39.280 --> 0:51:41.359
<v Speaker 5>No, well, I immediately wrote down two names, and then

0:51:41.400 --> 0:51:44.279
<v Speaker 5>I realized we're talking nineteen fifty five, and neither of

0:51:44.360 --> 0:51:47.800
<v Speaker 5>them would have been born. So I'll cross Grant Dya

0:51:47.880 --> 0:51:49.160
<v Speaker 5>and Rove McManus.

0:51:48.760 --> 0:51:49.239
<v Speaker 7>Off the list.

0:51:50.920 --> 0:51:55.560
<v Speaker 5>Rove McManus, well, it just sounded like a young little person,

0:51:55.760 --> 0:51:56.520
<v Speaker 5>So I thought.

0:51:58.400 --> 0:52:01.560
<v Speaker 7>Grant of both personal person agree the person doesn't.

0:52:01.280 --> 0:52:04.320
<v Speaker 3>Have to be alive this in this case, but singing

0:52:04.400 --> 0:52:06.120
<v Speaker 3>a song from nineteen fifty.

0:52:05.920 --> 0:52:08.680
<v Speaker 6>Five, as long as you're a certain heights, you can

0:52:08.760 --> 0:52:10.720
<v Speaker 6>be a part of Remember when why don't your texting

0:52:10.800 --> 0:52:14.800
<v Speaker 6>your answer? Because apparently short people are not welcome according

0:52:14.800 --> 0:52:15.960
<v Speaker 6>to Simon, No, I.

0:52:16.080 --> 0:52:21.200
<v Speaker 5>Just thought they sounded like a young, sort little person. Yes, oh,

0:52:21.320 --> 0:52:22.200
<v Speaker 5>I didn't pick that up.

0:52:22.760 --> 0:52:26.080
<v Speaker 3>It's not granting you, No, it's not. And it's not

0:52:26.200 --> 0:52:27.560
<v Speaker 3>who Rove mcmaanus.

0:52:27.680 --> 0:52:30.880
<v Speaker 7>No way, someone who was alive in fifty five and

0:52:31.239 --> 0:52:32.960
<v Speaker 7>and I think he's.

0:52:32.840 --> 0:52:33.879
<v Speaker 3>Alive in fifty five.

0:52:34.040 --> 0:52:37.320
<v Speaker 7>Oh so he wasn't born till after fifty I'm not

0:52:37.360 --> 0:52:37.719
<v Speaker 7>sure what.

0:52:37.800 --> 0:52:38.399
<v Speaker 3>Year is more.

0:52:38.840 --> 0:52:40.080
<v Speaker 7>Is he an Australian?

0:52:40.320 --> 0:52:40.360
<v Speaker 19>No?

0:52:41.200 --> 0:52:42.920
<v Speaker 7>Oh, Englishman?

0:52:43.280 --> 0:52:47.719
<v Speaker 3>Englishman, got no idea. Absolutely. I really thought this would

0:52:47.760 --> 0:52:48.480
<v Speaker 3>go straight up.

0:52:48.760 --> 0:52:51.120
<v Speaker 5>We might have to have another listen. But okay, now

0:52:51.160 --> 0:52:56.520
<v Speaker 5>we know I'm a comedian known for comedy. No good question, No, no, okay,

0:52:57.040 --> 0:52:57.720
<v Speaker 5>straight actor?

0:52:59.440 --> 0:53:02.319
<v Speaker 7>No, A singer, A singer. It is actually a singer.

0:53:02.320 --> 0:53:03.200
<v Speaker 3>It's actually a singer.

0:53:04.000 --> 0:53:06.400
<v Speaker 7>Because singer. Do we have another listen? Please do?

0:53:08.280 --> 0:53:09.160
<v Speaker 3>Very short singer?

0:53:11.000 --> 0:53:19.440
<v Speaker 4>Ronnie A Mile.

0:53:22.560 --> 0:53:25.160
<v Speaker 9>Play but.

0:53:30.640 --> 0:53:44.600
<v Speaker 3>To dream him? I can hear people screaming at the radio.

0:53:44.719 --> 0:53:45.560
<v Speaker 3>They don't know it.

0:53:46.000 --> 0:53:50.520
<v Speaker 7>I don't believe this could be what's his name? Played Phantom?

0:53:50.920 --> 0:53:52.160
<v Speaker 7>Michael Crawford.

0:53:52.760 --> 0:53:56.160
<v Speaker 3>Oh, yes, A fan of the opera Michael Crawford. He

0:53:56.280 --> 0:53:57.960
<v Speaker 3>was in Hello Dolly, was he?

0:53:58.080 --> 0:53:58.880
<v Speaker 4>I don't know it was?

0:53:59.120 --> 0:54:00.319
<v Speaker 3>Yeah, it's not you're not.

0:54:03.400 --> 0:54:04.480
<v Speaker 7>And he's still with us today.

0:54:05.080 --> 0:54:08.600
<v Speaker 5>No good question, Andrew, because I was going to bring

0:54:08.680 --> 0:54:09.799
<v Speaker 5>up Michael Ball next.

0:54:10.600 --> 0:54:13.080
<v Speaker 7>He did he have a TV series?

0:54:13.560 --> 0:54:13.600
<v Speaker 1>No?

0:54:14.800 --> 0:54:16.239
<v Speaker 7>Is it not Desert Con.

0:54:17.080 --> 0:54:18.720
<v Speaker 3>I'm one of those people screaming at the radio.

0:54:18.800 --> 0:54:21.520
<v Speaker 4>Can I chime in? Put you out of your misery,

0:54:22.000 --> 0:54:23.200
<v Speaker 4>Freddy Mercury, It.

0:54:23.280 --> 0:54:27.440
<v Speaker 3>Is Freddie Mercury. What you listen to the voice? It

0:54:27.600 --> 0:54:28.840
<v Speaker 3>is Freddy Mercury.

0:54:29.000 --> 0:54:31.520
<v Speaker 7>Did you get that? Did you get that from the voice?

0:54:31.560 --> 0:54:31.840
<v Speaker 4>Tops?

0:54:41.760 --> 0:54:42.000
<v Speaker 19>It is?

0:54:42.800 --> 0:54:44.279
<v Speaker 7>Of course it is fantastic.

0:54:45.120 --> 0:54:48.080
<v Speaker 3>What about the listeners? I bet you everybody got it?

0:54:48.200 --> 0:54:50.520
<v Speaker 5>If you can flick it over there and scroll down

0:54:50.600 --> 0:54:53.000
<v Speaker 5>so we can see who the first pink one is there,

0:54:53.840 --> 0:54:56.960
<v Speaker 5>just just scroll through those messages to find the lowest

0:54:57.080 --> 0:54:57.520
<v Speaker 5>pink one.

0:54:58.000 --> 0:54:59.919
<v Speaker 3>Further further, further, Gee, there's a lot of entries.

0:55:00.320 --> 0:55:00.560
<v Speaker 7>Okay.

0:55:00.680 --> 0:55:03.799
<v Speaker 5>Cameron and Louise from Botanic Ridge were the very first

0:55:03.840 --> 0:55:06.680
<v Speaker 5>one and they said Freddie Mercury.

0:55:07.200 --> 0:55:07.759
<v Speaker 7>So there you go.

0:55:07.920 --> 0:55:11.360
<v Speaker 5>Other suggestions, so well done Cameron and Louise. Barry Crocker

0:55:11.480 --> 0:55:17.640
<v Speaker 5>was another suggestion. Terps Donald Duark, Donald's Max of Greens bro.

0:55:18.320 --> 0:55:20.120
<v Speaker 5>I don't know what station Max is listening to.

0:55:20.680 --> 0:55:24.960
<v Speaker 7>Ronald Reagan, Johnny Farner, Ronald Reagan. Donald's a good one,

0:55:25.040 --> 0:55:25.279
<v Speaker 7>isn't it.

0:55:25.880 --> 0:55:29.359
<v Speaker 3>There we go, Freddy Mercury. That is absolutely fantastic. Well

0:55:29.400 --> 0:55:30.719
<v Speaker 3>well done to everybody who got it.

0:55:30.800 --> 0:55:35.160
<v Speaker 7>Congratulations, yes, yes, well done to all Right, let's get

0:55:35.200 --> 0:55:37.600
<v Speaker 7>another breakout of because we've only had two breaks have

0:55:37.719 --> 0:55:38.600
<v Speaker 7>we got two more to go.

0:55:38.920 --> 0:55:40.480
<v Speaker 5>Yeah, let's do a break and we'll come back with

0:55:41.000 --> 0:55:42.839
<v Speaker 5>radio and popular songs soon.

0:55:43.440 --> 0:55:44.160
<v Speaker 4>Yes, three w.

0:55:44.320 --> 0:55:46.800
<v Speaker 7>Eleven to twelve. This somewhat altered.

0:55:47.000 --> 0:55:50.040
<v Speaker 6>Remember when the Sunday Night but the time tuttle is

0:55:50.480 --> 0:55:53.440
<v Speaker 6>still rolling along and some of the radio were nine

0:55:53.480 --> 0:55:54.840
<v Speaker 6>to fifty five Kevin.

0:55:55.000 --> 0:56:00.279
<v Speaker 3>Yes, well we're talking about Cuthbert Jeffrey Cork. Yes, I

0:56:00.360 --> 0:56:03.920
<v Speaker 3>didn't know his name was Cuthbert. Yes, yes, you couldn't

0:56:03.920 --> 0:56:07.400
<v Speaker 3>do it on TV. He's Graham Kennedy and Cork. Yeah, no,

0:56:07.640 --> 0:56:09.279
<v Speaker 3>it wouldn't work. Jeff is better.

0:56:09.400 --> 0:56:12.000
<v Speaker 7>Bert always called him cuff did Yeah.

0:56:12.080 --> 0:56:14.839
<v Speaker 3>I never knew that. Well, he was on In Moment

0:56:14.920 --> 0:56:17.239
<v Speaker 3>Tonight and work with Graham Kennedy as we mentioned, and

0:56:17.400 --> 0:56:19.920
<v Speaker 3>then went onto the Terek Show. But he was out

0:56:20.280 --> 0:56:23.880
<v Speaker 3>with the act to meet Frank Sinatra in nineteen fifty

0:56:23.920 --> 0:56:26.160
<v Speaker 3>five to get an interview. And this is a very

0:56:26.239 --> 0:56:28.720
<v Speaker 3>funny description of what happened with jeff Cork.

0:56:29.640 --> 0:56:33.800
<v Speaker 24>I've got the world on a string and I'm sitting

0:56:33.880 --> 0:56:34.759
<v Speaker 24>on a rainbow.

0:56:36.360 --> 0:56:38.719
<v Speaker 7>I've got the string around my thing.

0:56:44.120 --> 0:56:44.800
<v Speaker 21>What a world?

0:56:45.719 --> 0:56:47.319
<v Speaker 7>What a life? I'm in love.

0:56:48.440 --> 0:56:51.359
<v Speaker 25>Sinatra came out with a lady called Anne McCormick, who

0:56:51.440 --> 0:56:55.359
<v Speaker 25>was a fine singer, and she it was the time

0:56:55.440 --> 0:56:59.360
<v Speaker 25>that he'd attacked journalists and reporters and those sort of

0:56:59.400 --> 0:57:02.719
<v Speaker 25>people the entrance to the stadium because he was a

0:57:02.719 --> 0:57:05.440
<v Speaker 25>little bit cross. I think the publicity that he perceived.

0:57:06.320 --> 0:57:13.840
<v Speaker 25>He this gentleman who was quite a popular radio interviewer,

0:57:14.880 --> 0:57:15.920
<v Speaker 25>not with mister Sinatra.

0:57:15.960 --> 0:57:16.480
<v Speaker 4>O conmand you.

0:57:17.040 --> 0:57:18.880
<v Speaker 25>You had to call him that too, mister Sinnata all

0:57:18.920 --> 0:57:22.800
<v Speaker 25>the time. And he started off his interview and I

0:57:22.920 --> 0:57:24.360
<v Speaker 25>was the next cab off the rank. I was standing

0:57:24.360 --> 0:57:27.880
<v Speaker 25>in the queue, and he said, it's nice to interview

0:57:28.000 --> 0:57:30.320
<v Speaker 25>a man who came out with Anne McCormick to star

0:57:30.400 --> 0:57:33.080
<v Speaker 25>on the big show. Frank Sinatra. Well, of course that

0:57:33.680 --> 0:57:38.840
<v Speaker 25>quite annoyed Frank. And you, having interviewed thousands of people,

0:57:38.840 --> 0:57:41.560
<v Speaker 25>would know how difficult it is when you get a

0:57:41.680 --> 0:57:44.880
<v Speaker 25>yes and no answer. And that's what he gave this fella.

0:57:45.480 --> 0:57:48.320
<v Speaker 25>Is it nice to be yes? Well, normally, when you're

0:57:48.520 --> 0:57:50.280
<v Speaker 25>chatting with the person, you're thinking for the next question,

0:57:50.400 --> 0:57:52.520
<v Speaker 25>aren't you, And if you're just getting yeses and nos,

0:57:52.560 --> 0:57:53.640
<v Speaker 25>you get a nothing interview.

0:57:54.440 --> 0:57:56.960
<v Speaker 3>And that's what he got. And I said, oh darn me.

0:57:57.080 --> 0:57:59.760
<v Speaker 3>I was a nervous wreck and.

0:58:00.040 --> 0:58:03.000
<v Speaker 25>Went and turned on the little recorder after the sky

0:58:03.120 --> 0:58:06.800
<v Speaker 25>left and said, it's so nice to be with you,

0:58:06.880 --> 0:58:09.920
<v Speaker 25>mister Sinatra, and thank you for having me. And I

0:58:10.120 --> 0:58:12.360
<v Speaker 25>enjoyed the show last night, and it was great. And

0:58:12.480 --> 0:58:14.320
<v Speaker 25>you had to butter up to him a little bit,

0:58:14.360 --> 0:58:15.880
<v Speaker 25>and if you didn't, you'd be off your brain because

0:58:15.880 --> 0:58:18.320
<v Speaker 25>they had about five or six the biggest man I've

0:58:18.320 --> 0:58:21.440
<v Speaker 25>ever seen in my life standing around. I don't know

0:58:21.480 --> 0:58:23.400
<v Speaker 25>where they carried his bags for his toothbrush, but they

0:58:23.440 --> 0:58:28.240
<v Speaker 25>were pretty big. And he let go and gave me

0:58:29.160 --> 0:58:33.240
<v Speaker 25>a fantastic interview and it was it was so good

0:58:33.280 --> 0:58:35.479
<v Speaker 25>that it was later played in the States, and because

0:58:35.520 --> 0:58:37.640
<v Speaker 25>he got right down to worth about lots and lots

0:58:37.640 --> 0:58:37.960
<v Speaker 25>of things.

0:58:38.680 --> 0:58:40.880
<v Speaker 3>Yeah, lovely, lovely. Yeah, that's nice.

0:58:43.360 --> 0:58:46.600
<v Speaker 6>Yeah, good to hear the voice of Jeff cal who

0:58:46.720 --> 0:58:48.680
<v Speaker 6>was always a favorite of mind of Channel nine of

0:58:48.680 --> 0:58:51.840
<v Speaker 6>the early days sort of, and when he was on IMT,

0:58:51.960 --> 0:58:53.680
<v Speaker 6>I always thought that the program lifted.

0:58:53.960 --> 0:58:55.200
<v Speaker 3>Yes, I thought he was terrific too.

0:58:56.080 --> 0:58:58.400
<v Speaker 5>It's lovely and we move on, all right, So let's

0:58:58.440 --> 0:59:01.080
<v Speaker 5>have a look at the Australia's Amateur Hour, Kevin.

0:59:01.200 --> 0:59:03.320
<v Speaker 3>Yes, the Amateur Hour, and of course This was a

0:59:03.400 --> 0:59:06.640
<v Speaker 3>compared by Terry Dia and we've got a very special word.

0:59:06.800 --> 0:59:09.600
<v Speaker 3>At the moment, I think he's playing the gum leaf.

0:59:10.320 --> 0:59:12.080
<v Speaker 3>He is number six on austral As Amateur.

0:59:12.320 --> 0:59:14.960
<v Speaker 7>Robert Kellaher plays a couple of old favorites on the

0:59:15.040 --> 0:59:15.840
<v Speaker 7>gum Leaf.

0:59:49.520 --> 0:59:51.040
<v Speaker 3>News Talk three a w.

0:59:56.600 --> 1:00:12.880
<v Speaker 26>Tomorrow Morning, the premier joins Tom Elliott. Now that's just

1:00:13.000 --> 1:00:13.919
<v Speaker 26>made a very good point.

1:00:14.160 --> 1:00:16.240
<v Speaker 7>How's he playing the piano and the gum leaf at

1:00:16.280 --> 1:00:16.880
<v Speaker 7>the same time.

1:00:16.960 --> 1:00:19.720
<v Speaker 3>I think it's Malgo Sheridan on the piano. All right, okay,

1:00:21.360 --> 1:00:25.160
<v Speaker 3>production drop the gum leaf.

1:00:27.200 --> 1:00:28.959
<v Speaker 10>So there's two fun teeth are getting in the world.

1:00:35.600 --> 1:00:36.520
<v Speaker 7>Oh it's a medley.

1:00:36.760 --> 1:00:40.200
<v Speaker 5>Oh good, No, look, I'd love to hear more, but

1:00:40.280 --> 1:00:42.000
<v Speaker 5>we've really got to get the other breakout of the

1:00:42.040 --> 1:00:44.080
<v Speaker 5>way so we can get to the popular songs of

1:00:44.240 --> 1:00:46.960
<v Speaker 5>nineteen fifty five with Kevin after this, and Tony mack

1:00:47.000 --> 1:00:48.600
<v Speaker 5>has to come into and tell us what's coming up.

1:00:48.720 --> 1:00:52.080
<v Speaker 5>So we're rapidly running out of time as we close

1:00:52.240 --> 1:00:53.920
<v Speaker 5>the show, which is odd to do. At the end

1:00:53.920 --> 1:00:57.320
<v Speaker 5>of Trash Time Tunnel, Tony McManus joins us, Tony, good

1:00:57.360 --> 1:00:57.760
<v Speaker 5>evening to you.

1:00:57.920 --> 1:00:59.200
<v Speaker 15>You're more than we're going to kick on the other

1:00:59.280 --> 1:01:01.840
<v Speaker 15>side of midnight. You choose, but it's been a very

1:01:02.120 --> 1:01:04.280
<v Speaker 15>very tiny little window that you've had for an hour

1:01:04.280 --> 1:01:04.600
<v Speaker 15>and a half.

1:01:04.680 --> 1:01:06.440
<v Speaker 4>Andrew, you'd like to do another couple of hours.

1:01:07.160 --> 1:01:09.600
<v Speaker 3>Are you sure he's got a card game?

1:01:11.760 --> 1:01:13.880
<v Speaker 5>Management can only afford ninety minutes.

1:01:13.600 --> 1:01:18.240
<v Speaker 10>Of holy Rate's the one that comes back to Butcher sometimes?

1:01:19.200 --> 1:01:20.160
<v Speaker 3>Who sang these songs?

1:01:20.200 --> 1:01:20.520
<v Speaker 7>Boys?

1:01:20.640 --> 1:01:25.640
<v Speaker 3>Yep, cherry pink and apple blossom white Peesprado correct? Sincerely,

1:01:26.000 --> 1:01:28.640
<v Speaker 3>Oh you know how I love you?

1:01:29.840 --> 1:01:37.880
<v Speaker 7>Anything for you? His mind's gone again? Seely no sang

1:01:38.000 --> 1:01:38.960
<v Speaker 7>that group of sisters.

1:01:40.360 --> 1:01:41.360
<v Speaker 4>Sisters was surely not.

1:01:43.760 --> 1:01:48.760
<v Speaker 3>A lovely rock around the clock Bill Haley sixteen tons.

1:01:48.720 --> 1:01:50.680
<v Speaker 7>Tennessee only four correct?

1:01:50.720 --> 1:01:52.960
<v Speaker 3>So far love is a many splendid thing.

1:01:53.080 --> 1:01:54.560
<v Speaker 7>Four races? You know that one?

1:01:58.600 --> 1:01:59.560
<v Speaker 3>Loads of Texas?

1:02:04.040 --> 1:02:07.080
<v Speaker 7>Yeah he did in the movie, didn't he was? What's mill?

1:02:07.280 --> 1:02:12.600
<v Speaker 3>Mitch Miller, Mitch Miller, you're good. Ain't that a shame?

1:02:13.800 --> 1:02:15.680
<v Speaker 4>The big fat Fats Domino.

1:02:16.160 --> 1:02:21.120
<v Speaker 3>I'll take that unchained, wasn't It wasn't Pat Boom.

1:02:21.200 --> 1:02:21.760
<v Speaker 7>But that's good.

1:02:21.920 --> 1:02:24.560
<v Speaker 3>First he's allowed to get it first.

1:02:24.600 --> 1:02:25.560
<v Speaker 7>Someone who wrote the thing.

1:02:25.960 --> 1:02:27.000
<v Speaker 3>Yeah, no, it's all right.

1:02:28.400 --> 1:02:30.840
<v Speaker 5>Unchained melody, Righteous Brothers no.

1:02:32.560 --> 1:02:39.640
<v Speaker 7>Fifty Baxter, Yeah, and join me unchained. It starts off

1:02:39.680 --> 1:02:43.120
<v Speaker 7>that way. Got me out of a few weird situations here.

1:02:43.120 --> 1:02:43.320
<v Speaker 4>Good.

1:02:43.920 --> 1:02:48.080
<v Speaker 3>What about learning the blues, guy Mitchell, No, No, that's singing.

1:02:47.920 --> 1:02:52.000
<v Speaker 7>The blues, class bopping the blues, noting the.

1:02:51.960 --> 1:02:55.920
<v Speaker 3>Blue, learning the tables are empty, the big bopper.

1:02:56.160 --> 1:02:59.200
<v Speaker 4>No, I don't know.

1:02:59.600 --> 1:03:03.520
<v Speaker 3>No Frank Sinatra. You might have heard of him, moments

1:03:03.560 --> 1:03:08.400
<v Speaker 3>to remember. I don't know that one either. We're going out.

1:03:08.960 --> 1:03:10.480
<v Speaker 7>You hear them coming up with taking.

1:03:11.040 --> 1:03:13.240
<v Speaker 5>We've got news in five or three. Your coins in

1:03:13.320 --> 1:03:15.040
<v Speaker 5>the fountain, boys, all right, thank you?

1:03:15.120 --> 1:03:20.920
<v Speaker 3>Given good, nineteen seventy six, Simons, somewhere in the hard