WEBVTT - Kate Ceberano - Remember When Legend - 01 Jun, 2025

0:00:00.440 --> 0:00:04.200
<v Speaker 1>The matter, how.

0:00:07.200 --> 0:00:18.079
<v Speaker 2>You believe about these over beside, we would.

0:00:21.360 --> 0:00:45.000
<v Speaker 1>The body to a session, you speaking those people crystals.

0:00:52.600 --> 0:00:55.520
<v Speaker 3>For me, Andrew would either pash or bedroom eyes that

0:00:56.640 --> 0:00:58.120
<v Speaker 3>look with my personal favorites.

0:00:58.200 --> 0:00:59.279
<v Speaker 4>Can I throw and trust me?

0:00:59.760 --> 0:00:59.960
<v Speaker 3>Yeah?

0:01:00.440 --> 0:01:02.800
<v Speaker 4>Yeah, I always like that. Well, I think that might

0:01:02.840 --> 0:01:06.320
<v Speaker 4>have been the first for our upcoming legend. Who's right

0:01:06.319 --> 0:01:08.360
<v Speaker 4>here on the phone with us, Kate Sobrano, A very

0:01:08.360 --> 0:01:12.959
<v Speaker 4>good evening to you, get I go, Are you going?

0:01:13.800 --> 0:01:16.399
<v Speaker 3>We're good, Kate, I was saying to Andrew just before that.

0:01:17.520 --> 0:01:21.160
<v Speaker 3>When you look through well even through Wikipedia and look

0:01:21.160 --> 0:01:23.760
<v Speaker 3>at all the things you've achieved in your career, you

0:01:23.880 --> 0:01:27.440
<v Speaker 3>sort of your eclipse John Farnham and people guys like that,

0:01:28.280 --> 0:01:31.160
<v Speaker 3>with everything you've achieved, it's quite amazing. And I said

0:01:31.160 --> 0:01:33.600
<v Speaker 3>to Andrew, why would Kate bother talking to us?

0:01:34.280 --> 0:01:37.399
<v Speaker 5>Aha? Oh no, it's good. It's good to get out

0:01:37.400 --> 0:01:39.800
<v Speaker 5>and chat and promote. I've actually been sort of been

0:01:39.840 --> 0:01:43.240
<v Speaker 5>on the down load a little bit lately, just waiting

0:01:43.240 --> 0:01:46.959
<v Speaker 5>to do something a bit special, and something's come up

0:01:47.000 --> 0:01:51.800
<v Speaker 5>that's kind of special and it's coming together really really well.

0:01:52.000 --> 0:01:54.480
<v Speaker 5>And that's when you know. You get back out on

0:01:54.520 --> 0:01:55.640
<v Speaker 5>the road and you're like Okay, I want to talk

0:01:55.640 --> 0:01:56.000
<v Speaker 5>about this.

0:01:56.640 --> 0:01:59.480
<v Speaker 3>Yeah, lovely, do you want to tell us what it is?

0:02:00.080 --> 0:02:00.920
<v Speaker 5>Are you lose today?

0:02:01.280 --> 0:02:01.600
<v Speaker 3>Okay?

0:02:01.640 --> 0:02:06.960
<v Speaker 5>Cool? I was giving you belief. Well, it's coming up

0:02:07.000 --> 0:02:11.720
<v Speaker 5>for about forty years since Australian made the very famous

0:02:11.720 --> 0:02:15.560
<v Speaker 5>Australian Tour, which by the way, came about because a

0:02:15.639 --> 0:02:18.400
<v Speaker 5>gauntlet was set down and it was and what they'd

0:02:18.440 --> 0:02:21.320
<v Speaker 5>sort of claimed was that you couldn't have all Australian

0:02:21.400 --> 0:02:26.600
<v Speaker 5>cast on an Australian festival and have it succeed. That

0:02:26.720 --> 0:02:28.120
<v Speaker 5>was what they were saying at the time. And I

0:02:28.120 --> 0:02:30.840
<v Speaker 5>remember Jimmy Barnes he said, oh, that's law of volted.

0:02:30.919 --> 0:02:33.160
<v Speaker 5>And then there was Michael Hutchins and then there but

0:02:33.200 --> 0:02:35.520
<v Speaker 5>then they put a list of artists of the times

0:02:35.600 --> 0:02:40.320
<v Speaker 5>including I'm talking I think you mentioned, but there were

0:02:40.400 --> 0:02:45.640
<v Speaker 5>the models, the Saints, Vinyls, there were meddle of anything.

0:02:46.040 --> 0:02:48.600
<v Speaker 5>I mean, the list went on, but basically it was

0:02:48.800 --> 0:02:52.120
<v Speaker 5>it was in excess and Jimmy and and we all

0:02:52.160 --> 0:02:55.079
<v Speaker 5>agreed that we were going to go out and show

0:02:55.120 --> 0:02:57.880
<v Speaker 5>them that Australia could actually show up for itself and

0:02:57.919 --> 0:03:01.040
<v Speaker 5>we did and did very well.

0:03:01.040 --> 0:03:03.880
<v Speaker 4>You've got this Australian Made Tour coming up now. Good

0:03:03.960 --> 0:03:06.480
<v Speaker 4>title for it, of course on the fortieth year, and

0:03:06.840 --> 0:03:09.200
<v Speaker 4>you start in Bateman's paper, but you're coming to Melbourne,

0:03:09.440 --> 0:03:11.480
<v Speaker 4>you're going the way. In fact, where aren't you going?

0:03:11.520 --> 0:03:13.840
<v Speaker 4>Every state as far as I can see in Australia.

0:03:13.520 --> 0:03:13.880
<v Speaker 3>Isn't it?

0:03:14.440 --> 0:03:17.440
<v Speaker 5>Well? I did. I just decided I'm working with my

0:03:17.520 --> 0:03:20.239
<v Speaker 5>husband on this and we sort of went around regionally

0:03:20.280 --> 0:03:22.080
<v Speaker 5>with the idea. I haven't been out to the regions

0:03:22.080 --> 0:03:25.239
<v Speaker 5>in such a long time. It's kind of where I started.

0:03:25.960 --> 0:03:31.639
<v Speaker 5>And the show it's pretty it's it's basically we get

0:03:31.639 --> 0:03:33.400
<v Speaker 5>to perform a lot of the material from all the

0:03:33.480 --> 0:03:37.880
<v Speaker 5>artists that were represented on that trip, and then as

0:03:37.880 --> 0:03:39.960
<v Speaker 5>I bought it through and over three forty years, we

0:03:40.040 --> 0:03:43.320
<v Speaker 5>go through to a whole other variety of Australian artists

0:03:43.320 --> 0:03:49.400
<v Speaker 5>including like really while Everything, Paul Kelly, wolf Mother, Megan Washington,

0:03:49.920 --> 0:03:55.160
<v Speaker 5>Bernard Fanning, you name it. Like, there's just this whole, trawling,

0:03:56.280 --> 0:03:58.240
<v Speaker 5>fishing line of all Australian music.

0:03:58.720 --> 0:04:00.880
<v Speaker 3>So how do you narrow it down onto a playlist

0:04:00.920 --> 0:04:05.560
<v Speaker 3>that will fit in one concert? Are these just sort

0:04:05.560 --> 0:04:06.760
<v Speaker 3>of your personal favorites?

0:04:07.800 --> 0:04:10.040
<v Speaker 5>Yeah? I had to choose it on a real personal

0:04:10.120 --> 0:04:15.160
<v Speaker 5>level and on how the times as I've just and

0:04:15.200 --> 0:04:18.960
<v Speaker 5>also the people that I've worked with, you know, I'm

0:04:19.000 --> 0:04:22.120
<v Speaker 5>sad to have to tell you, but mostly all of

0:04:22.160 --> 0:04:25.080
<v Speaker 5>the headliners, or at least the singers, the lead singers

0:04:25.080 --> 0:04:29.720
<v Speaker 5>in our past, yeah, the ones standing at Sean and

0:04:31.000 --> 0:04:35.200
<v Speaker 5>myself and Jimmy of course yes. And so to be

0:04:35.240 --> 0:04:39.719
<v Speaker 5>able to play homage to those great artists and know

0:04:39.839 --> 0:04:42.320
<v Speaker 5>that also none of it really had to have anything

0:04:42.320 --> 0:04:44.800
<v Speaker 5>to do with Like, it's not like today where you

0:04:44.839 --> 0:04:47.279
<v Speaker 5>know a bill will be picked because everyone's sort of similar.

0:04:47.720 --> 0:04:50.919
<v Speaker 5>We had nothing in common and it was so it

0:04:51.040 --> 0:04:54.200
<v Speaker 5>represents Strada so well because there were punk bands and

0:04:54.240 --> 0:04:56.680
<v Speaker 5>there were pop bands, and there was rock bands, and

0:04:58.600 --> 0:05:01.160
<v Speaker 5>that is kind of like the profile Australian music. So anyway,

0:05:01.480 --> 0:05:04.120
<v Speaker 5>I talk about all the people I've met in stories

0:05:04.120 --> 0:05:07.680
<v Speaker 5>along the way, but I don't. I just perform a

0:05:07.680 --> 0:05:09.560
<v Speaker 5>lot of the songs and then we re announce it

0:05:09.600 --> 0:05:11.320
<v Speaker 5>with the reasons why they're important to me.

0:05:11.600 --> 0:05:12.960
<v Speaker 4>Is there going to be a bit of Kate Sobrano

0:05:13.000 --> 0:05:13.599
<v Speaker 4>and amongst it all?

0:05:13.640 --> 0:05:17.200
<v Speaker 5>Though, of course does a cut out a bum.

0:05:17.720 --> 0:05:18.400
<v Speaker 4>It's just like.

0:05:20.800 --> 0:05:24.360
<v Speaker 5>I can't I can't not mention how the decades have

0:05:24.440 --> 0:05:26.719
<v Speaker 5>passed and there was a hit that happened on every

0:05:26.839 --> 0:05:29.880
<v Speaker 5>kind of passing of every ten years, and yeah, are

0:05:29.880 --> 0:05:31.240
<v Speaker 5>we definitely doing all those?

0:05:32.040 --> 0:05:34.800
<v Speaker 4>Yes? Please? Yeah, Well you've got as far as Victoria goes,

0:05:34.839 --> 0:05:37.080
<v Speaker 4>you're going to be in Aubrey. We'll give the well,

0:05:37.120 --> 0:05:39.160
<v Speaker 4>actually i'll give more detail about how people can find

0:05:39.160 --> 0:05:40.520
<v Speaker 4>out where you're going to be. But you're going to

0:05:40.560 --> 0:05:42.320
<v Speaker 4>be in Ringwoods, You're going to be in Frankston, You're

0:05:42.320 --> 0:05:44.200
<v Speaker 4>going to be in Bending, You're going to You're really

0:05:44.240 --> 0:05:47.440
<v Speaker 4>doing a lot of work. How's it feel You've been

0:05:47.440 --> 0:05:49.200
<v Speaker 4>touring that for at least forty years? How does it

0:05:49.200 --> 0:05:51.640
<v Speaker 4>feel like another gig, another motel and all that you

0:05:51.680 --> 0:05:52.600
<v Speaker 4>still cope with it?

0:05:52.720 --> 0:05:58.640
<v Speaker 5>Kate, No, this one's very special. Like I'm actually taking

0:05:58.680 --> 0:06:03.680
<v Speaker 5>out a trio and it sounds pretty bizarre, but we're

0:06:03.720 --> 0:06:06.760
<v Speaker 5>all multi instrumentalists, so we're kind of we all trade

0:06:06.839 --> 0:06:09.520
<v Speaker 5>all of the instruments, just the three of us. There's

0:06:10.040 --> 0:06:12.960
<v Speaker 5>a young girl, Kathleen Hellerin who's an incredible guitarist, and

0:06:13.600 --> 0:06:16.880
<v Speaker 5>Darren Harts. I'm on drums and piano, and we all

0:06:16.920 --> 0:06:20.040
<v Speaker 5>swap and we all sort of sing and it's just

0:06:20.080 --> 0:06:22.440
<v Speaker 5>a different sort of stuff. So I'm excited. I reckon.

0:06:23.120 --> 0:06:26.159
<v Speaker 5>I mean, really, the key to staying young is to

0:06:26.200 --> 0:06:33.560
<v Speaker 5>surround yourself with young, inspired people. And at my age,

0:06:33.720 --> 0:06:36.480
<v Speaker 5>I just really feel it's important to express how important

0:06:36.520 --> 0:06:41.599
<v Speaker 5>stratiing music is and to give an honor all of

0:06:41.600 --> 0:06:43.599
<v Speaker 5>the artists that have inspired and kept me in the

0:06:43.600 --> 0:06:46.520
<v Speaker 5>business for so long. And these kids they went he

0:06:46.560 --> 0:06:49.919
<v Speaker 5>is in born when Australia made happen, and so the

0:06:50.000 --> 0:06:54.200
<v Speaker 5>audience is I just look, I'm probably speaking ahead of

0:06:54.240 --> 0:06:56.120
<v Speaker 5>its time. I just really think people are really going

0:06:56.200 --> 0:06:59.799
<v Speaker 5>to love this show. It's for all reasons. It's everyone's

0:06:59.839 --> 0:07:03.800
<v Speaker 5>men with just ad water, everyone's memories, you know.

0:07:04.160 --> 0:07:07.680
<v Speaker 3>Yeah, well, no one better to do it because you've

0:07:07.720 --> 0:07:09.920
<v Speaker 3>lived there, you lived through it and were part of it.

0:07:10.040 --> 0:07:13.840
<v Speaker 3>And yeah, now exactly celebrating it all, which is marvelous.

0:07:13.840 --> 0:07:15.559
<v Speaker 3>So do you tell a story or two in between

0:07:15.600 --> 0:07:16.800
<v Speaker 3>the songs on stage?

0:07:17.720 --> 0:07:20.240
<v Speaker 5>Yeah. At the we've got like a bit of a

0:07:20.240 --> 0:07:22.960
<v Speaker 5>sort of setup where there's a VIP kind of experience

0:07:24.160 --> 0:07:26.920
<v Speaker 5>and I get to talk with them and I explained

0:07:27.280 --> 0:07:29.760
<v Speaker 5>the history and the context of the songs. Then the

0:07:29.800 --> 0:07:34.400
<v Speaker 5>show begins, and then once we're in it, definitely do Yeah,

0:07:34.440 --> 0:07:38.160
<v Speaker 5>I definitely to tell about people and what it was

0:07:38.280 --> 0:07:41.640
<v Speaker 5>like to really like rub shoulders with some of the

0:07:41.640 --> 0:07:47.280
<v Speaker 5>most important people in Australian music, and what it felt

0:07:47.320 --> 0:07:50.200
<v Speaker 5>like to be very young and standing in the wings,

0:07:50.240 --> 0:07:53.840
<v Speaker 5>you know, wed between Rene Gayer and Chrissy Amphlet or something.

0:07:53.920 --> 0:07:56.520
<v Speaker 5>There was like there was a dynamic that I learned

0:07:56.760 --> 0:08:01.120
<v Speaker 5>about women, and certainly the the differences of women in

0:08:01.120 --> 0:08:05.400
<v Speaker 5>the seventies based and what they'd been up against. Lots

0:08:05.400 --> 0:08:08.040
<v Speaker 5>of things like that. Just really interesting stories that have

0:08:08.120 --> 0:08:11.240
<v Speaker 5>to do with what shape me as an artist.

0:08:11.680 --> 0:08:16.280
<v Speaker 4>Kate. I first became aware of you singing. I say, yeah,

0:08:16.440 --> 0:08:18.760
<v Speaker 4>I said, the Georgie Fame thing. Yeah, yeah, that's the song,

0:08:18.800 --> 0:08:19.080
<v Speaker 4>isn't it.

0:08:19.200 --> 0:08:19.920
<v Speaker 6>Oh my god?

0:08:20.200 --> 0:08:21.080
<v Speaker 2>Yeah yeah.

0:08:21.120 --> 0:08:23.760
<v Speaker 4>And I was watching TV one night. To be honest,

0:08:23.800 --> 0:08:25.800
<v Speaker 4>I didn't know you, I didn't know who. I didn't

0:08:25.800 --> 0:08:27.720
<v Speaker 4>know who I'm talking really was about. But there was

0:08:27.720 --> 0:08:29.720
<v Speaker 4>this and then most it was this dark haired girl

0:08:30.080 --> 0:08:33.040
<v Speaker 4>and she's got this big smile and she's moving and

0:08:33.120 --> 0:08:37.920
<v Speaker 4>she's committed to I thought, who's that And because there

0:08:37.960 --> 0:08:39.839
<v Speaker 4>was no name given, it was just this I'm talking

0:08:39.880 --> 0:08:41.400
<v Speaker 4>and now on to the next act. I can't remember

0:08:41.400 --> 0:08:43.240
<v Speaker 4>what the show was, and it was and it was

0:08:43.320 --> 0:08:45.960
<v Speaker 4>turned out that was you. And it's interesting how you've

0:08:46.000 --> 0:08:48.560
<v Speaker 4>stayed in my mind for years before I actually knew

0:08:48.600 --> 0:08:50.520
<v Speaker 4>who you were until he went and that was when

0:08:50.600 --> 0:08:53.120
<v Speaker 4>till he went solo. And then ah, that's that girl.

0:08:53.520 --> 0:09:01.720
<v Speaker 4>It's the power of smiling is almost and that's where.

0:09:01.679 --> 0:09:03.640
<v Speaker 5>You've got to like. It's the way that you let

0:09:03.679 --> 0:09:07.360
<v Speaker 5>the light out. I mean it is, that's it.

0:09:08.480 --> 0:09:10.960
<v Speaker 3>I'll chuck in Kate that, Yes, the smile is important,

0:09:10.960 --> 0:09:12.720
<v Speaker 3>but it's great to have talent to becc it up.

0:09:13.040 --> 0:09:18.040
<v Speaker 4>Yes, but it does help tell it didn't get through

0:09:18.160 --> 0:09:18.679
<v Speaker 4>all the things.

0:09:19.120 --> 0:09:22.520
<v Speaker 5>No, that's beautiful though. I really appreciate that, and I do.

0:09:22.679 --> 0:09:26.520
<v Speaker 5>I do think that there are and as I you know,

0:09:26.559 --> 0:09:29.640
<v Speaker 5>like as I've come through the ranks with people around me,

0:09:29.760 --> 0:09:33.120
<v Speaker 5>like Michael Hutchinson even see her for instance, when she

0:09:33.200 --> 0:09:36.320
<v Speaker 5>was a kid, I'd go to Adelaide and her dad

0:09:36.360 --> 0:09:38.880
<v Speaker 5>would actually always ask me, as I was coming into town,

0:09:39.200 --> 0:09:40.800
<v Speaker 5>is it okay to see it gets up and has

0:09:40.800 --> 0:09:45.200
<v Speaker 5>a thing Like she was twelve and you could tell

0:09:45.920 --> 0:09:47.920
<v Speaker 5>you could tell that a person was coming, you know,

0:09:48.040 --> 0:09:51.520
<v Speaker 5>like you could see that they had something about them

0:09:51.840 --> 0:09:55.839
<v Speaker 5>that was that was so distinctly different. You could call

0:09:55.880 --> 0:09:58.120
<v Speaker 5>it ambition, but it's not. It's more like a kind

0:09:58.160 --> 0:10:01.120
<v Speaker 5>of like a destiny, you know, you just you can

0:10:01.160 --> 0:10:02.360
<v Speaker 5>feel that they're meant to do it.

0:10:02.480 --> 0:10:05.000
<v Speaker 4>Couldn'tgree more. And you've see it on the musical stage.

0:10:05.040 --> 0:10:07.040
<v Speaker 4>You see it sometimes on a movie screen. Do you

0:10:07.040 --> 0:10:10.520
<v Speaker 4>think that actor playing that relatively small role and he's

0:10:10.679 --> 0:10:12.600
<v Speaker 4>really or she's really good.

0:10:12.720 --> 0:10:15.120
<v Speaker 5>You know, you just can't take your eyes off exactly.

0:10:15.240 --> 0:10:19.320
<v Speaker 5>So yeah, it's definitely. It's definitely in the arts. I

0:10:19.360 --> 0:10:24.160
<v Speaker 5>think that it's in particular with music, Like musicians either

0:10:24.240 --> 0:10:25.760
<v Speaker 5>have it or they don't. You know, you can be

0:10:25.800 --> 0:10:30.560
<v Speaker 5>as technically trained as the next person, but it's it's

0:10:30.640 --> 0:10:34.920
<v Speaker 5>that little extra willingness to kind of want to be seen.

0:10:35.120 --> 0:10:37.920
<v Speaker 5>And I don't think it's very straight in to want

0:10:38.000 --> 0:10:40.679
<v Speaker 5>to be seen as a rule, like we tend to

0:10:40.760 --> 0:10:43.199
<v Speaker 5>hide and we tend to sort of like fall into

0:10:43.240 --> 0:10:44.760
<v Speaker 5>the shadows and want to be a lot like our

0:10:44.800 --> 0:10:46.840
<v Speaker 5>friends and not really stick out of the crowd. But

0:10:47.880 --> 0:10:51.319
<v Speaker 5>for me, as a kid, I found I felt free

0:10:51.360 --> 0:10:55.040
<v Speaker 5>on stage and I felt like it was the safest

0:10:55.080 --> 0:10:57.160
<v Speaker 5>place in the room for me, so I just kept

0:10:57.559 --> 0:10:58.600
<v Speaker 5>gravitating to it.

0:10:58.880 --> 0:11:01.720
<v Speaker 4>Yeah, it came across as well. It comes across Kate,

0:11:01.800 --> 0:11:02.360
<v Speaker 4>it really does.

0:11:03.280 --> 0:11:07.800
<v Speaker 5>That's great. I love that. Well, nothing's changed forty years

0:11:07.800 --> 0:11:09.840
<v Speaker 5>in and I'm still keen as mustards.

0:11:09.920 --> 0:11:13.199
<v Speaker 3>Well that was another question, was is do you still

0:11:13.240 --> 0:11:15.040
<v Speaker 3>love it as much as you did when it first

0:11:15.040 --> 0:11:18.200
<v Speaker 3>all happened for you? I guess you must, otherwise you

0:11:18.360 --> 0:11:20.240
<v Speaker 3>retire and sit at home and do nothing.

0:11:21.240 --> 0:11:23.600
<v Speaker 5>Well, I do have. I think I have a really

0:11:24.160 --> 0:11:28.880
<v Speaker 5>failsafe sort of mechanism in me that if I'm curious

0:11:28.920 --> 0:11:32.000
<v Speaker 5>about something, I'll just I'll pursue it. And you know,

0:11:32.360 --> 0:11:35.439
<v Speaker 5>anyone who lives with me around me knows I won't

0:11:35.440 --> 0:11:37.720
<v Speaker 5>stop until I actually kind of see it through to

0:11:37.760 --> 0:11:40.679
<v Speaker 5>the end, the good, bad and the ugly. And I

0:11:40.720 --> 0:11:43.880
<v Speaker 5>reckon it's kept me going because and I actually see

0:11:43.880 --> 0:11:47.000
<v Speaker 5>that same thing in Jimmy Barnes. He has the same

0:11:47.800 --> 0:11:53.680
<v Speaker 5>inexhaustible curiosity, curiosity towards music and entertainment and sort of talking.

0:11:54.480 --> 0:12:00.120
<v Speaker 5>He's a storyteller. I am too, and we just I

0:12:00.120 --> 0:12:02.160
<v Speaker 5>think we simply know that our role in life is

0:12:02.200 --> 0:12:06.280
<v Speaker 5>to bring people together, connect to them by music, and

0:12:06.600 --> 0:12:11.560
<v Speaker 5>give their stories and their memories a bit of a soundtrack.

0:12:11.640 --> 0:12:13.160
<v Speaker 5>That's what I reckon we do.

0:12:14.000 --> 0:12:17.760
<v Speaker 3>Now, Okate, I have to also ask you, like part

0:12:17.760 --> 0:12:24.400
<v Speaker 3>of I'm talking solo career TV stage, it all just

0:12:24.400 --> 0:12:28.440
<v Speaker 3>seems quite natural for you. Each of those adjustments in

0:12:28.480 --> 0:12:31.319
<v Speaker 3>your career, well not adjustments, but each of those movements

0:12:31.320 --> 0:12:35.800
<v Speaker 3>in your career. Did you find any of them threatening, terrifying,

0:12:36.040 --> 0:12:38.280
<v Speaker 3>nervous energy or did you just sort of go, yeah,

0:12:38.280 --> 0:12:41.600
<v Speaker 3>I'll give that a crack, I too fine.

0:12:41.679 --> 0:12:44.920
<v Speaker 5>Television's really freaky. Like I remember the first time I

0:12:44.960 --> 0:12:48.080
<v Speaker 5>went and shot something for Getaway, and I did feel

0:12:48.080 --> 0:12:50.760
<v Speaker 5>a bit like I felt fish out of water. And

0:12:50.800 --> 0:12:53.679
<v Speaker 5>the guy put me in a field and then from

0:12:53.720 --> 0:12:58.720
<v Speaker 5>a long distance camera about two hundred meters away, he yelled, okay, action,

0:12:58.920 --> 0:13:01.280
<v Speaker 5>and you know you've got to this big dialogue as

0:13:01.320 --> 0:13:03.000
<v Speaker 5>you're walking towards camera, and you've got to make it

0:13:03.000 --> 0:13:05.120
<v Speaker 5>look really natural. And I just turned to you and

0:13:05.120 --> 0:13:08.280
<v Speaker 5>I said, what first hell was this? Like I don't

0:13:08.360 --> 0:13:14.240
<v Speaker 5>understand what I didn't understand, And because of that, I

0:13:14.320 --> 0:13:15.960
<v Speaker 5>just I didn't think that that was going to be

0:13:16.000 --> 0:13:19.120
<v Speaker 5>where I ended up. Like it was sort of nice

0:13:19.160 --> 0:13:22.040
<v Speaker 5>thing to do while I was waiting for You know,

0:13:22.120 --> 0:13:24.280
<v Speaker 5>you go in and out of fashion with yourself right

0:13:24.880 --> 0:13:28.040
<v Speaker 5>over forty years, you also lose interest as well, and

0:13:28.080 --> 0:13:30.000
<v Speaker 5>sometimes you've got to lead something to come back in

0:13:30.080 --> 0:13:33.680
<v Speaker 5>it and realize you've missed it. And television was just

0:13:33.720 --> 0:13:37.840
<v Speaker 5>a small moment for me to do something interesting and fun.

0:13:38.400 --> 0:13:41.520
<v Speaker 5>But I didn't think I was like, I didn't feel

0:13:41.520 --> 0:13:43.960
<v Speaker 5>like I could be free like I came when I sing,

0:13:44.880 --> 0:13:48.920
<v Speaker 5>and I realized, like, probably the thing I do best

0:13:48.960 --> 0:13:51.240
<v Speaker 5>in my life is seeing an interpret music.

0:13:52.160 --> 0:13:55.920
<v Speaker 4>Kate, I always asked, sing is there and musicians too?

0:13:56.559 --> 0:13:59.679
<v Speaker 4>What was the first record you bought? Do you remember?

0:14:00.200 --> 0:14:00.440
<v Speaker 5>Yeah?

0:14:00.559 --> 0:14:00.800
<v Speaker 4>I do?

0:14:01.000 --> 0:14:06.360
<v Speaker 5>Actually it was Kate Bush, Yes, yes, yeah, oh yeah,

0:14:06.400 --> 0:14:10.800
<v Speaker 5>pretty inspirational stuff. And I found because of the wonder

0:14:11.120 --> 0:14:15.760
<v Speaker 5>and the limitless composition of her as a person, as

0:14:15.760 --> 0:14:19.640
<v Speaker 5>a singer, as a performing artist, there was just if

0:14:19.640 --> 0:14:21.200
<v Speaker 5>you ever go back and you ever listen to any

0:14:21.200 --> 0:14:24.680
<v Speaker 5>of her interviews, you realize that she was just again,

0:14:24.920 --> 0:14:28.040
<v Speaker 5>she was just like this kind of very eccentric person

0:14:28.920 --> 0:14:31.640
<v Speaker 5>who wasn't trying to be like anyone else. And I

0:14:31.680 --> 0:14:32.640
<v Speaker 5>thought that was pretty cool.

0:14:33.360 --> 0:14:35.800
<v Speaker 4>Yeah, I agree, Yeah, very innovative.

0:14:35.960 --> 0:14:38.880
<v Speaker 3>You're both sing in quite a high range.

0:14:39.320 --> 0:14:39.560
<v Speaker 5>Yeah.

0:14:40.440 --> 0:14:43.520
<v Speaker 3>I You usually joke about her that that, you know,

0:14:43.800 --> 0:14:47.720
<v Speaker 3>bats are probably her biggest audience. She probably sings things

0:14:47.760 --> 0:14:50.080
<v Speaker 3>we can't even hear, but you also have a great

0:14:50.200 --> 0:14:53.840
<v Speaker 3>ability to really pitch up. How do you go with that?

0:14:54.040 --> 0:14:56.920
<v Speaker 3>Like Cyndy Lauper was another one who sang in quite

0:14:56.960 --> 0:14:57.800
<v Speaker 3>a high register.

0:14:58.360 --> 0:15:03.520
<v Speaker 5>And I think that the years go over your voices,

0:15:03.760 --> 0:15:07.800
<v Speaker 5>like like an instrument or read, it changes, and certainly

0:15:07.840 --> 0:15:11.000
<v Speaker 5>even like you know, after childbirth and stuff, where your

0:15:11.040 --> 0:15:17.200
<v Speaker 5>body's gone through this amazing transformation, all the bellows, everything's changed,

0:15:17.280 --> 0:15:20.720
<v Speaker 5>all the chambers, and then you know, like my voice

0:15:20.760 --> 0:15:24.800
<v Speaker 5>isn't at all like that anymore. Like I can do well,

0:15:24.840 --> 0:15:27.800
<v Speaker 5>for instance, you know the set list, I go from

0:15:27.840 --> 0:15:32.400
<v Speaker 5>anything from early Models stuff which I sang on as

0:15:32.400 --> 0:15:35.160
<v Speaker 5>a kid. But then I can also come all the

0:15:35.200 --> 0:15:42.640
<v Speaker 5>way into singing Rene gay or even more. I can,

0:15:43.080 --> 0:15:45.280
<v Speaker 5>I can, I can do it all. In fact, I

0:15:45.920 --> 0:15:49.120
<v Speaker 5>reckon you get a bit more. I want to say,

0:15:49.880 --> 0:15:52.240
<v Speaker 5>there's more depth, and you're kind of more salty. I

0:15:52.400 --> 0:15:55.680
<v Speaker 5>like it's it's deeper, it's a deeper feeling.

0:15:56.040 --> 0:15:58.120
<v Speaker 4>You're not the only thinger to say that that time

0:15:58.200 --> 0:16:00.600
<v Speaker 4>has since been kind of the voice given them a

0:16:00.680 --> 0:16:02.840
<v Speaker 4>sort of a Melonis that that wasn't there when you're

0:16:02.920 --> 0:16:03.800
<v Speaker 4>eighteen or nineteen.

0:16:04.280 --> 0:16:07.360
<v Speaker 5>That's right, I reckon, yes, completely, Now.

0:16:07.480 --> 0:16:10.040
<v Speaker 3>We time is almost up. We've got to let you

0:16:10.080 --> 0:16:15.040
<v Speaker 3>go shortly. We're loving your chat, but I won't prye

0:16:15.040 --> 0:16:18.160
<v Speaker 3>too much into your private life. But still married and

0:16:18.200 --> 0:16:19.320
<v Speaker 3>a very talented daughter.

0:16:20.280 --> 0:16:26.680
<v Speaker 5>Daughter. I have a really have an incredible family, the

0:16:26.760 --> 0:16:31.000
<v Speaker 5>three of us, the three little bears. We're really we

0:16:31.080 --> 0:16:33.720
<v Speaker 5>have a very creative house. Because she's writing and she's singing.

0:16:33.800 --> 0:16:36.640
<v Speaker 5>She has her own career, and my husband and I

0:16:36.680 --> 0:16:39.480
<v Speaker 5>work together and we've been doing that since COVID and

0:16:39.520 --> 0:16:43.520
<v Speaker 5>we're doing really well with that. In fact, we're touring

0:16:43.600 --> 0:16:46.920
<v Speaker 5>and promoting and doing all of this ourselves, so we're

0:16:46.920 --> 0:16:49.240
<v Speaker 5>not going to be a part. And that's another reason

0:16:49.240 --> 0:16:53.000
<v Speaker 5>why touring is probably not as arduous as it's been

0:16:53.560 --> 0:16:56.360
<v Speaker 5>in my life, because we just get to do it together.

0:16:56.800 --> 0:16:58.000
<v Speaker 5>It's just the best thing.

0:16:58.400 --> 0:17:00.680
<v Speaker 3>Well, I was at a gig. I was at the

0:17:00.760 --> 0:17:03.080
<v Speaker 3>launch of something last year. I can't even remember what

0:17:03.120 --> 0:17:05.040
<v Speaker 3>it was. I got a T shirt out of it.

0:17:05.080 --> 0:17:07.720
<v Speaker 3>But I was at a launch of something and Gypsy

0:17:08.200 --> 0:17:12.840
<v Speaker 3>was performing there and she was I had no idea

0:17:12.840 --> 0:17:15.040
<v Speaker 3>that she was related to you, but I was standing

0:17:15.040 --> 0:17:17.040
<v Speaker 3>there with a group of friends and I said, this

0:17:17.119 --> 0:17:20.720
<v Speaker 3>girl's really good, and they said, oh, gorgeou and they said,

0:17:20.720 --> 0:17:23.000
<v Speaker 3>that's Kate Sobrano's daughter, and I've got okay, well that's

0:17:23.280 --> 0:17:24.439
<v Speaker 3>enough in the James.

0:17:25.440 --> 0:17:28.320
<v Speaker 5>Yeah, well she's beautiful because she doesn't sound like me,

0:17:28.440 --> 0:17:31.600
<v Speaker 5>so there's like we have She's got her own distinct

0:17:31.680 --> 0:17:34.199
<v Speaker 5>character in her own distinct voice, so there's no comparison.

0:17:34.680 --> 0:17:38.960
<v Speaker 5>And she's just Also she's just a really lovely performer.

0:17:39.119 --> 0:17:41.640
<v Speaker 5>So she's yeah, she's just starting and she's on her way.

0:17:41.720 --> 0:17:43.960
<v Speaker 4>She's going to do good. Well, it's the Kate Sabrana

0:17:44.000 --> 0:17:47.040
<v Speaker 4>a twenty twenty five Australian made tour. It's going to

0:17:47.080 --> 0:17:49.560
<v Speaker 4>be something else. It kicks off, I mean as of

0:17:49.840 --> 0:17:52.600
<v Speaker 4>this week in Bateman's Bay in New Southwest, but we've

0:17:52.600 --> 0:17:55.160
<v Speaker 4>got to speak to Victorian listeners in particular of course Kate.

0:17:55.200 --> 0:17:57.000
<v Speaker 5>And it hits Victoria.

0:17:57.359 --> 0:17:59.679
<v Speaker 4>Well, it will be everywhere, but in Aubrey. It'll be

0:18:00.040 --> 0:18:03.159
<v Speaker 4>Accident later this month and in July, it's going to

0:18:03.200 --> 0:18:05.679
<v Speaker 4>be all over the place, Bendigo and Ring and all

0:18:05.720 --> 0:18:10.560
<v Speaker 4>sorts of places, et cetera. Wish all the best with yeah,

0:18:10.600 --> 0:18:11.800
<v Speaker 4>and wish you all the best with it.

0:18:11.880 --> 0:18:16.359
<v Speaker 5>Kate Sabrano dot com Get tickets because they're selling fast.

0:18:16.560 --> 0:18:19.440
<v Speaker 3>That's the easiest way, Yes, Kate, sobrano dot com. And

0:18:19.720 --> 0:18:22.960
<v Speaker 3>don't forget something I learned very early on. It's not Sobrano,

0:18:23.080 --> 0:18:25.200
<v Speaker 3>it's seberano when you're spelling it.

0:18:25.480 --> 0:18:28.080
<v Speaker 5>I even said it like sobrano.

0:18:27.720 --> 0:18:30.200
<v Speaker 3>Kateano dot com.

0:18:31.720 --> 0:18:34.400
<v Speaker 4>Said, sobrano when you learn something every day.

0:18:34.920 --> 0:18:37.800
<v Speaker 3>Good on you, guys, Thank you, chat to you, Kate,

0:18:37.840 --> 0:18:39.720
<v Speaker 3>Thanks for your time and good luck with the tour.

0:18:40.320 --> 0:18:43.639
<v Speaker 5>Thanks mate, bye or should I say mates go bye bye?

0:18:46.480 --> 0:18:50.560
<v Speaker 1>You ask me happy down?

0:18:55.200 --> 0:18:56.480
<v Speaker 2>You ask me here?

0:18:56.840 --> 0:19:05.720
<v Speaker 6>My love is green. I gave you the best years

0:19:05.920 --> 0:19:13.520
<v Speaker 6>of my life as you wom man. I know I

0:19:13.760 --> 0:19:16.919
<v Speaker 6>failed to treat you right as you.

0:19:17.080 --> 0:19:27.840
<v Speaker 2>Wom don't let me o, don't let me.

0:19:34.560 --> 0:19:44.560
<v Speaker 1>There to don there you don im there you don

0:19:45.440 --> 0:19:55.400
<v Speaker 1>there too? Done? Oh there you don there to doe